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One Piece, 664-666 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled Network podcast. This is spoil Me,
• 0:09
  Speaker 1: covering one piece episodes six sixty four through six sixty six,
• 0:16
  Speaker 1: The Devil's Number, Operation sop starts, Usalon charges forth, a
• 0:22
  Speaker 1: burning passion Rebecca versus Suleiman. I hope I'm saying that right,
• 0:28
  Speaker 1: and the end of the match A surprising result of
• 0:31
  Speaker 1: block d e these episodes. You guys, there is a
• 0:40
  Speaker 1: portion of these episodes that I had to stop call
• 0:44
  Speaker 1: Owen in rewind and then play for him because it
• 0:48
  Speaker 1: was so much and I needed him to see it,
• 0:51
  Speaker 1: and he was even more delighted than I hoped he
• 0:54
  Speaker 1: would be. Sorry about that, guys, we got we got
• 0:59
  Speaker 1: some activity over here. Also, welcome to spoil Me. Welcome
• 1:19
  Speaker 1: to the show everyone. I am Natasha. Thank you very
• 1:22
  Speaker 1: much to Florian for commissioning this episode. Florian and Sarah
• 1:27
  Speaker 1: m are here in the chat, so welcome to both
• 1:29
  Speaker 1: of you. And I just want to apologize ahead of time.
• 1:34
  Speaker 1: Pippen is in my office and him and the kitten
• 1:36
  Speaker 1: are playing, and they don't normally play when they're in
• 1:39
  Speaker 1: my office. They usually are in here to nap in
• 1:42
  Speaker 1: peace away from the other cats, so you know, they
• 1:45
  Speaker 1: seem to be calming down, but they were rowdy for
• 1:47
  Speaker 1: a second there. Apologies. If you hear some thunkings or
• 1:51
  Speaker 1: jinglings in the background, that's probably the kitten's bell on
• 1:54
  Speaker 1: her collar and Pippin jumping around. So these first of all,
• 2:03
  Speaker 1: I'm going to address Seraphim in the comments said, so
• 2:08
  Speaker 1: from last time, you figure out where you've seen Koala before.
• 2:12
  Speaker 1: And I asked Saraphim to wait until I was actually
• 2:16
  Speaker 1: recording because I do not remember, but I suspect Sarafhim
• 2:20
  Speaker 1: is going to remind me, and I just wanted to
• 2:22
  Speaker 1: wait until it was on tape. Saraphim says, Koala is
• 2:26
  Speaker 1: the little girl from the Fisher Tiger flashback. The Fisher
• 2:32
  Speaker 1: Tiger flashback. You're gonna have to help me out. That's
• 2:37
  Speaker 1: not reminding me. I'm trying to even remember who Fisher
• 2:40
  Speaker 1: Tiger is. There are too many characters in this show.
• 2:44
  Speaker 1: I've said it once and I'll say it again. Guys. Yeah,
• 2:49
  Speaker 1: apologies that I wish that that had been a moment
• 2:53
  Speaker 1: of like oh, but I'm just no, not happening. Florian
• 2:58
  Speaker 1: says a Fishman who was a slave. Sarah Fran says
• 3:01
  Speaker 1: the one from Fishman Island who freed all the slaves
• 3:05
  Speaker 1: from the celestial asshole. Oh okay, yeah, and then the
• 3:10
  Speaker 1: one that he wound up dying and became like a
• 3:15
  Speaker 1: legend to everybody right right, right, right right, and she
• 3:20
  Speaker 1: was in his flashback. I don't remember her, So I'm sorry, guys.
• 3:26
  Speaker 1: I feel like this should be much more of a
• 3:28
  Speaker 1: revelation and I'm disappointing you, but I just have to
• 3:31
  Speaker 1: be honest about my either my poor memory or the
• 3:36
  Speaker 1: scale of the show. But it's cool that we've seen
• 3:40
  Speaker 1: her before. And yeah, she does not ring any bells
• 3:43
  Speaker 1: for me at all. The name Kowala Bagley gave like
• 3:48
  Speaker 1: a bell ring, and I'm not even sure I can
• 3:50
  Speaker 1: trust that, because I don't know if we heard her
• 3:53
  Speaker 1: name before or not. I think we probably did. But uh,
• 4:00
  Speaker 1: he was with Jimbay and Arlong and they transported a
• 4:03
  Speaker 1: little girl, oh I remember now, and she expected to
• 4:11
  Speaker 1: be their slave, right and then was like surprised at
• 4:15
  Speaker 1: the fact that they treated her well, and they wound
• 4:20
  Speaker 1: up becoming like very protective of her. Okay, now I remember,
• 4:26
  Speaker 1: thank you. Appreciate you all holding me by the hand
• 4:30
  Speaker 1: for that one. So let's listen. I'm just going to
• 4:37
  Speaker 1: start from the beginning here, and eventually we'll get to
• 4:39
  Speaker 1: the part that I had to call Owen in to
• 4:41
  Speaker 1: watch because I am I am curious if you guys
• 4:46
  Speaker 1: are going to be able to guess which part it was,
• 4:49
  Speaker 1: but I feel like it shouldn't really be that big
• 4:51
  Speaker 1: a surprise, but we'll get there eventually. So we start
• 4:56
  Speaker 1: things off with Loofy and Uh the Samurai and Zoro
• 5:02
  Speaker 1: running down the street and they are Loofy is still crying.
• 5:08
  Speaker 1: They are all dressed as toys and loufy. Eventually, Zoro
• 5:16
  Speaker 1: just winds up veering off on his own the way
• 5:19
  Speaker 1: that he does, and I was very pleasantly surprised that
• 5:22
  Speaker 1: he winds up rejoining the two of them really quickly. Actually,
• 5:26
  Speaker 1: I thought it was going to be a much more
• 5:29
  Speaker 1: drawn out experience, and instead it's just sort of this
• 5:34
  Speaker 1: aside to just be like, even when he is with
• 5:36
  Speaker 1: people and even when it should be very clear, he
• 5:40
  Speaker 1: still manages to fuck it up. So I was glad
• 5:43
  Speaker 1: that that was cut somewhat short. Also really appreciate the
• 5:47
  Speaker 1: presence of Wika, who is never shy about telling all
• 5:52
  Speaker 1: of them how much they suck, Like Loofy at one
• 5:58
  Speaker 1: point when she's like, we can't just barge in there
• 6:01
  Speaker 1: and tell them all who we are, and Lufy's like,
• 6:04
  Speaker 1: why not, and she says, I'm beginning to have a
• 6:06
  Speaker 1: lot of doubts about trusting you people, And I was like,
• 6:09
  Speaker 1: that is the correct response. Honestly, we have the plan
• 6:14
  Speaker 1: that's happening with all of our little people, and we
• 6:18
  Speaker 1: get a really nice, once again sort of cross section
• 6:22
  Speaker 1: of the plant, the smile factory, and the position that
• 6:27
  Speaker 1: our friends are in and how they are managing to
• 6:30
  Speaker 1: get in underground, and there's like a hidden passage that
• 6:36
  Speaker 1: they have been digging apparently for a while for explicitly
• 6:41
  Speaker 1: this purpose. And this is just a thing that I
• 6:46
  Speaker 1: forgot to mention, was this character Sugar, who's the little
• 6:53
  Speaker 1: girl who can turn people into toys. They come up
• 6:57
  Speaker 1: with the name of an operating procedure. I don't even
• 7:02
  Speaker 1: know if that's even what I want to call it,
• 7:05
  Speaker 1: but eventually the toy soldier says something like SOP is
• 7:14
  Speaker 1: an acronym for sugar oversurprised paralysis or something. I can't
• 7:21
  Speaker 1: remember what the p is, but it is extremely goofy
• 7:27
  Speaker 1: and very funny to me that first of all, we're
• 7:29
  Speaker 1: gonna call it that oversurprise is just I'm sure that's
• 7:35
  Speaker 1: quite literally what I guess what they're trying to do.
• 7:38
  Speaker 1: But also, and here's the thing that I kind of
• 7:43
  Speaker 1: seraphim says, panic, thank you over surprised panic. So this
• 7:50
  Speaker 1: was something I meant to bring up last time, but
• 7:52
  Speaker 1: as happens with me, I got on my little pangents
• 7:55
  Speaker 1: and then I never got around to it. There is
• 7:59
  Speaker 1: an assumption that if she is made to pass out,
• 8:06
  Speaker 1: everybody who is a toy will turn human again. I
• 8:14
  Speaker 1: want to know why he thinks that, and you could
• 8:19
  Speaker 1: tell me that this is a thing, and you know what,
• 8:22
  Speaker 1: like I am not, here is what I am assuming
• 8:29
  Speaker 1: and what I am guessing he is also assuming. But
• 8:33
  Speaker 1: I just want to bring it up because it did
• 8:36
  Speaker 1: sort of make me stop and go like, wait, where
• 8:38
  Speaker 1: is he getting that? But the thing that I am
• 8:42
  Speaker 1: thinking is that if you are a devil Fruit user,
• 8:46
  Speaker 1: it does seem like you really need to be conscious
• 8:51
  Speaker 1: for your abilities to work. And the thing is that
• 8:58
  Speaker 1: I'm having trouble with. I don't the idea of like
• 9:04
  Speaker 1: something that you have transformed then untransforming if it untransforms
• 9:12
  Speaker 1: when you are passed out, that would mean by necessity
• 9:20
  Speaker 1: that you would that everything that she transformed would turn
• 9:24
  Speaker 1: human again whenever she fell asleep. I like, I feel
• 9:30
  Speaker 1: like being asleep counts as being unconscious, and I don't know,
• 9:37
  Speaker 1: maybe that's maybe we're drawing a distinction here between the
• 9:42
  Speaker 1: type of unconscious they want to render her and the
• 9:48
  Speaker 1: type of unconscious that happens when you sleep. But like,
• 9:52
  Speaker 1: I'm just saying that to me, those really are pretty
• 9:57
  Speaker 1: That has to be pretty similar. And the only thing that, honestly,
• 10:06
  Speaker 1: I would accept this a little bit more if the
• 10:09
  Speaker 1: way that they were intending to knock her out was
• 10:12
  Speaker 1: a more physical blow, if they were saying, Okay, well
• 10:16
  Speaker 1: we've got to startle her and that is just going
• 10:19
  Speaker 1: to cause her to faint. Basically, this feels a lot
• 10:24
  Speaker 1: less reliable than saying like we've got to conquer over
• 10:29
  Speaker 1: the head and that kind of trauma to her mind
• 10:34
  Speaker 1: that's physical. I feel like I'd be more willing to
• 10:37
  Speaker 1: buy as a means of undoing everything that she has done.
• 10:42
  Speaker 1: It just doesn't really hit for me that simply making
• 10:46
  Speaker 1: her faint with surprise is going to be the thing.
• 10:51
  Speaker 1: So you know, it's like, I'm not trying to argue
• 10:55
  Speaker 1: with the assertion itself, because I believe it, but I
• 11:00
  Speaker 1: just feel like there is a line there that I
• 11:04
  Speaker 1: want to be drawn more distinctly so that it feels
• 11:08
  Speaker 1: like we're not just sort of saying whatever and this.
• 11:17
  Speaker 1: The weird thing about Sugar is that it doesn't really
• 11:24
  Speaker 1: seem like Sugar is very invested in turning people into toys.
• 11:30
  Speaker 1: Like the way that she is being handled by this guy.
• 11:38
  Speaker 1: He is the one that's encouraging her and talking about
• 11:41
  Speaker 1: how much fun it's going to be to turn people
• 11:43
  Speaker 1: into toys and won't she like that? And she is
• 11:47
  Speaker 1: giving me most noncommittal answers. You guys, it's just sort
• 11:51
  Speaker 1: of going like yeah, you know, Like there's no sense
• 11:56
  Speaker 1: of her being excited to do this, or passionate about
• 12:01
  Speaker 1: her ability, or like wanting to contribute to the gang.
• 12:08
  Speaker 1: I wasn't sure if it was going to turn out
• 12:11
  Speaker 1: that she was sort of a sadist and enjoyed making
• 12:16
  Speaker 1: people suffer, or if it was going to be that she,
• 12:19
  Speaker 1: like as a child, is obsessed with toys and so
• 12:23
  Speaker 1: when she can turn people into a plaything, that is
• 12:27
  Speaker 1: fun for her. But it really doesn't seem as if
• 12:31
  Speaker 1: she gives much of a shit, and I kind of
• 12:35
  Speaker 1: love that, Like I just I really thought we were
• 12:39
  Speaker 1: going to have somebody who was much more about it.
• 12:43
  Speaker 1: And the fact that she seems so indifferent and Saraphan
• 12:48
  Speaker 1: is in the chat saying it varies by devil Fruit,
• 12:50
  Speaker 1: but in general, sleeping and unconscious are different, okay, And
• 12:53
  Speaker 1: I mean, she's been doing this for the past decade.
• 12:55
  Speaker 1: You'd get bored too when it just becomes your daily job,
• 12:58
  Speaker 1: one would think. But it seems like there's a lot
• 13:01
  Speaker 1: of devil Fruit users out there who are still very,
• 13:04
  Speaker 1: very into whatever their power is. So I get what
• 13:08
  Speaker 1: you're saying, and it's probably true for like a child,
• 13:12
  Speaker 1: but if she were much more into it, I would
• 13:15
  Speaker 1: definitely accept it. I could see even like the gradual
• 13:20
  Speaker 1: turning of dress Rosa from a regular island into a
• 13:23
  Speaker 1: place that's like half peopled with toys, being the realization
• 13:29
  Speaker 1: of a child's dream, you know, like a kid who
• 13:31
  Speaker 1: wants to live on an island with living toys. I
• 13:35
  Speaker 1: could see very very much being in that like headspace
• 13:40
  Speaker 1: when I was a kid. But the fact that she
• 13:45
  Speaker 1: isn't that into it almost makes me think that we
• 13:50
  Speaker 1: are overdoing it on our plan a little bit, like
• 13:53
  Speaker 1: everybody's talking about we've got to like render her unconscious,
• 13:58
  Speaker 1: and I'm starting to think, like do we need to
• 14:01
  Speaker 1: do that, because it sort of feels like you could
• 14:05
  Speaker 1: just tell her, hey, it's ruining people's lives, would you
• 14:09
  Speaker 1: just stop it? And she'd probably be like, I don't care,
• 14:14
  Speaker 1: Like I'll stop. Fine, they asked me to do it,
• 14:18
  Speaker 1: so I kind of feel like I should. But if
• 14:21
  Speaker 1: it's you know, like I feel like she's the type
• 14:24
  Speaker 1: of person that she's given an order and she's just
• 14:27
  Speaker 1: gonna do whatever to get them out of her face,
• 14:32
  Speaker 1: I don't know. I really don't know what it is
• 14:34
  Speaker 1: that she's like getting out of the deal that she's
• 14:37
  Speaker 1: got with Do Flamingo. We see her eating these fruits
• 14:41
  Speaker 1: off her fingers that are she's got her finger stuck
• 14:44
  Speaker 1: in them the way that I did with like raspberries
• 14:47
  Speaker 1: when I was a kid, And these fruits are blue.
• 14:52
  Speaker 1: So I'm not sure if they're meant to be a
• 14:54
  Speaker 1: fruit that's like specific to Japan, or if it's just
• 14:57
  Speaker 1: a fruit that is does not exist in our world
• 15:00
  Speaker 1: or what. But a part of me is like is
• 15:03
  Speaker 1: that it is just she just love this fruit so much,
• 15:05
  Speaker 1: and they're just giving her an unlimited supply of it,
• 15:07
  Speaker 1: and that's all it takes for her to be very
• 15:09
  Speaker 1: like agreeable and amenable to whatever it is they tell
• 15:12
  Speaker 1: her to do, which would actually be kind of funny,
• 15:17
  Speaker 1: but anyway, so I just wanted to mention that, like
• 15:20
  Speaker 1: sop plan is being very funny. And there there's also
• 15:29
  Speaker 1: like a hidden passage down to the port, and he
• 15:32
  Speaker 1: says the toys are forced underground every night and slave
• 15:35
  Speaker 1: away until morning comes. So the toys in the city
• 15:39
  Speaker 1: have to put on a show like during the day
• 15:44
  Speaker 1: after having slaved away all night. Such is the fate
• 15:49
  Speaker 1: of all those who do Flamingo captures the Tontata included,
• 15:54
  Speaker 1: and that is some truly wild shit. I have been confused,
• 16:02
  Speaker 1: you guys. Remember I was trying to say, like, are
• 16:05
  Speaker 1: we using the toys as slave labor? And then I'm like, well,
• 16:09
  Speaker 1: that can't possibly be the whole story, because we see
• 16:12
  Speaker 1: a lot of toys just out here living their lives,
• 16:16
  Speaker 1: and it turns out no, we don't. We see the
• 16:19
  Speaker 1: same toys doing both things. And evidently, because they are
• 16:24
  Speaker 1: not human, they don't actually require sleep and they can
• 16:31
  Speaker 1: still survive, which makes them the ideal, you know, workmen
• 16:36
  Speaker 1: makes sense in the horrible way that capitalism often does
• 16:41
  Speaker 1: make sense. So, yeah, I was just you guys remember
• 16:46
  Speaker 1: probably that. I was just sort of like, I don't.
• 16:48
  Speaker 1: Are there different toys that are assigned to do different things?
• 16:52
  Speaker 1: Like what is the deal? And it's interesting that we
• 16:57
  Speaker 1: have this one toy that we saw yelling I'm your boyfriend?
• 17:01
  Speaker 1: How do you not remember me? And evidently that guy
• 17:04
  Speaker 1: is kind of the exception. Like what I mean by
• 17:08
  Speaker 1: that is everybody used to be a person that folks
• 17:13
  Speaker 1: who still are in dress rosas should remember. But I
• 17:17
  Speaker 1: guess most folks do not. They don't make a fuss
• 17:22
  Speaker 1: about it. They don't bother it seems trying to get
• 17:26
  Speaker 1: people to remember them. It seems like they are just
• 17:29
  Speaker 1: over here, like accepting their fate and feeling like what's
• 17:33
  Speaker 1: the point? And so this dude who causes a scene
• 17:36
  Speaker 1: in the middle of the street that is not a
• 17:39
  Speaker 1: common thing at all, And I was thinking about it, guys,
• 17:43
  Speaker 1: and like, how I would be And I think, because
• 17:49
  Speaker 1: of my deep seated fear of being like misunderstood, I
• 17:53
  Speaker 1: wouldn't be able to help myself. I would absolutely be
• 17:55
  Speaker 1: out here causing a scene, and I'd probably be trying
• 17:58
  Speaker 1: to logic my way through it, think about this, this
• 18:01
  Speaker 1: and this, How did that happen? Where did those things
• 18:04
  Speaker 1: come from? Don't you remember this day? Do you remember
• 18:07
  Speaker 1: the person who was with you? Like I would be
• 18:10
  Speaker 1: trying all the time to get somebody to consider this
• 18:15
  Speaker 1: gap in the stories in their mind, to see if
• 18:19
  Speaker 1: they could piece it together. And apparently that has never worked.
• 18:25
  Speaker 1: It doesn't seem like there are any humans who know
• 18:30
  Speaker 1: what's really going on with the except for maybe Rebecca.
• 18:34
  Speaker 1: It's unclear because like Rebecca doesn't know that the toy
• 18:38
  Speaker 1: soldier is her father specifically, but I don't know if
• 18:41
  Speaker 1: she is aware that the toys used to be people
• 18:44
  Speaker 1: in general. I think not. I'm guessing not. I may
• 18:49
  Speaker 1: be wrong about that, but it doesn't seem like she
• 18:51
  Speaker 1: is in that. Like you know what I'm saying. The
• 18:57
  Speaker 1: way that she's talking about her goals are they are
• 19:00
  Speaker 1: all about just her and this one toy soldier only,
• 19:08
  Speaker 1: and there doesn't really seem to be a a grander
• 19:15
  Speaker 1: idea in her mind. It's very much whatever she is
• 19:18
  Speaker 1: working toward is just for personal reasons and just for
• 19:24
  Speaker 1: the record, there's nothing wrong with that. At all. But
• 19:26
  Speaker 1: I'm just trying to, you know, get a sense of
• 19:28
  Speaker 1: where she stands in all of this. So, Oh, Sarah
• 19:33
  Speaker 1: from says, the fruits this sugar is eating are meant
• 19:36
  Speaker 1: to be grapes. Oh, sticking your fingers in grapes. I
• 19:40
  Speaker 1: guess there are lots of different types of grapes, so
• 19:42
  Speaker 1: maybe that is something that you can do with certain grapes.
• 19:45
  Speaker 1: It does not matter, but I just okay. So Frankie,
• 19:52
  Speaker 1: he says that what I want to do is approach
• 19:56
  Speaker 1: the smile factory. Well he's really He's approaching the toys
• 19:59
  Speaker 1: how from the front and distract all of the guards
• 20:07
  Speaker 1: there so that everybody else can sneak in through this
• 20:11
  Speaker 1: tunnel without being noticed, and we get the best opening
• 20:17
  Speaker 1: for Frankie. And I really want to go on record
• 20:21
  Speaker 1: here and say that you guys know how often I
• 20:25
  Speaker 1: love Brooke and talk about how if it just weren't
• 20:29
  Speaker 1: for his creepiness, Brooke would be my No. Number One
• 20:34
  Speaker 1: guy for sure. I still Chopper is my Number one,
• 20:38
  Speaker 1: just because the creepy thing doesn't happen with Chopper, but
• 20:43
  Speaker 1: Brook he has that one flaw that really ruins it.
• 20:47
  Speaker 1: And Frankie, I feel I sleep on a little bit,
• 20:51
  Speaker 1: because honestly, there are so many scenarios that he has
• 20:55
  Speaker 1: been kind of left out of until the very end
• 20:59
  Speaker 1: due to the fact that he is kind of opee
• 21:01
  Speaker 1: a little bit, and so he's often like with the
• 21:05
  Speaker 1: sonny or he's off doing his own thing a lot,
• 21:08
  Speaker 1: and I just sort of forget about it and how
• 21:13
  Speaker 1: the way that he is played the role that he
• 21:17
  Speaker 1: plays in the script, and I'm saying that instead of
• 21:22
  Speaker 1: like the story because it was brought to my attention.
• 21:26
  Speaker 1: I noticed it in this episode, and then when Owen
• 21:29
  Speaker 1: showed up and rewatched it because I had to rewind it,
• 21:33
  Speaker 1: he commented on this as well, and I was like, yes, see,
• 21:36
  Speaker 1: that's what I was noticing just now as well. And
• 21:38
  Speaker 1: I feel like I want to put a little bit
• 21:43
  Speaker 1: more respect on his name because it was so great.
• 21:46
  Speaker 1: So he turns up and he is standing outside of
• 21:50
  Speaker 1: this front gate and all of these guards are out here,
• 21:54
  Speaker 1: and their reaction is, first, who is this guy? Where
• 21:58
  Speaker 1: are his pants? What's wrong with his hair? Because he
• 22:03
  Speaker 1: is able to turn his hair into a gun really
• 22:09
  Speaker 1: more of a cannon. And then one of the guys
• 22:16
  Speaker 1: comments on the fact that he has a triple chin.
• 22:19
  Speaker 1: And when he said that, of course I'm thinking about,
• 22:21
  Speaker 1: like when we talk about a double chin, a triple chin,
• 22:23
  Speaker 1: like the fat You know, I completely forgot about the
• 22:27
  Speaker 1: fact that Frankie literally has three points to his chin.
• 22:29
  Speaker 1: So when the camera zooms in on that, I'm like,
• 22:31
  Speaker 1: oh right, because for a second I was like, triple chin.
• 22:34
  Speaker 1: Frankie's like, buff, what do you mean. So we get
• 22:39
  Speaker 1: all of this and it's a wonderful introduction, and then
• 22:45
  Speaker 1: somebody yells, hey, Senor, take a look, and this tomato
• 22:51
  Speaker 1: is flying through the air. It's a bizarre cut because
• 22:54
  Speaker 1: when somebody says, Senor, take a look, the shot turns
• 23:00
  Speaker 1: to like from behind, and there's a woman leaning with
• 23:05
  Speaker 1: a bikinian so that her ass is like full on
• 23:08
  Speaker 1: in the camera, and I was like, oh boy, what
• 23:11
  Speaker 1: is this. I forgot that, like the way that things
• 23:13
  Speaker 1: are set up with this being an island, you can
• 23:17
  Speaker 1: be in town but also on the beach at the
• 23:19
  Speaker 1: same time. So for a moment I was just sort
• 23:22
  Speaker 1: of what what And we get I think the best
• 23:29
  Speaker 1: intro we have ever had for any villain ever on
• 23:35
  Speaker 1: the show. So this guy's tossing a tomato, which for
• 23:38
  Speaker 1: those who don't know. Tomatoes are my favorite food. I
• 23:41
  Speaker 1: love them so much. And he just bites into this thing,
• 23:45
  Speaker 1: and there is a Those of you who are fans
• 23:49
  Speaker 1: of Lord of the Rings know that Denethor, who is
• 23:52
  Speaker 1: Borimir's father, is notorious for this like horrible scene where
• 23:57
  Speaker 1: he bites into a tomato in a way that was
• 23:59
  Speaker 1: utterly unnecess I'm very traumatizing to a lot of us
• 24:02
  Speaker 1: who watched that film, And all I could think was that, like,
• 24:05
  Speaker 1: here is a guy who bites into a tomato and
• 24:07
  Speaker 1: makes it work. So he bites into this tomato, and
• 24:12
  Speaker 1: the woman standing next to him says, oh, no, Senor,
• 24:17
  Speaker 1: you can't just bite right into a tomato like that.
• 24:19
  Speaker 1: You need a napkin. It's too juicy. And as she
• 24:25
  Speaker 1: says this, it's it's almost too fast to catch. I
• 24:29
  Speaker 1: missed it my first time. And then when I rewatched it,
• 24:33
  Speaker 1: Owen glanced at me just as she was saying the
• 24:35
  Speaker 1: thing about the tomato because he thought this was the
• 24:38
  Speaker 1: moment and missed it himself, and I had to be like,
• 24:41
  Speaker 1: watched turn around, Senor, Senor Pink, as we find out
• 24:47
  Speaker 1: his name is, reaches out, grabs her bikini top and
• 24:53
  Speaker 1: rips it off and wipes his mouth with it. And
• 24:59
  Speaker 1: I'm thinking that this is going to be like a
• 25:02
  Speaker 1: real sort of like owning the bitches kind of moment,
• 25:08
  Speaker 1: but it's not. Even though it's very much that he
• 25:13
  Speaker 1: loves the bitches, all of the women here, it turns
• 25:16
  Speaker 1: out he thinks are way too young for him, which
• 25:20
  Speaker 1: is truly kind of refreshing. So he wipes his mouth
• 25:25
  Speaker 1: with it, he tosses it away. The girls all fall
• 25:32
  Speaker 1: over each other and go, oh, senor you're so hard boiled.
• 25:39
  Speaker 1: And this is when we get like a zoom out
• 25:43
  Speaker 1: onto his whole outfit and face, and you guys know,
• 25:48
  Speaker 1: I had a real what the fuck moment when I
• 25:51
  Speaker 1: saw him in previous episodes. I was concerned. I didn't
• 25:57
  Speaker 1: know what to make of this guy. He is out
• 26:00
  Speaker 1: here with a weird pink baby bonnet and bib combo
• 26:04
  Speaker 1: and little undies and he's got like a crop top
• 26:08
  Speaker 1: that looks more like a bra on. It's really really weird,
• 26:12
  Speaker 1: and the top says something baby. The top word is
• 26:18
  Speaker 1: cut off and you can't see it. And to top
• 26:21
  Speaker 1: it off, he's got like aviator shades and a pacifier
• 26:27
  Speaker 1: in his mouth, and like all of this is extremely
• 26:32
  Speaker 1: off putting, which made me laugh so much. Later, when
• 26:36
  Speaker 1: Frankie is just like, what is up with this fucking pervert,
• 26:40
  Speaker 1: one of the guys says to Frankie, like, you're one
• 26:42
  Speaker 1: to talk, and I was like, no, he's correct to
• 26:45
  Speaker 1: ask this, like what the fuck? And this dude, it
• 26:51
  Speaker 1: turns out, has a power that allows him to swim
• 26:56
  Speaker 1: through solid stone. I'm assuming any solid object, but what
• 27:00
  Speaker 1: we see here is stone. So he swims up from
• 27:06
  Speaker 1: behind Frankie, and all of his men who are facing
• 27:10
  Speaker 1: Frankie can see him coming and are really like looking
• 27:13
  Speaker 1: forward to the moment when he reveals himself by bashing
• 27:18
  Speaker 1: Frankie over the back of the head suddenly and handling
• 27:22
  Speaker 1: this whole situation, and therefore are a little bit dumbfounded
• 27:27
  Speaker 1: and disappointed by the fact that he continues through Frankie's
• 27:34
  Speaker 1: legs and comes up out of the ground in front
• 27:37
  Speaker 1: of Frankie instead, and they're all just like, why would
• 27:42
  Speaker 1: you come where he can see you? He was done
• 27:47
  Speaker 1: for why would you ruin it like that? And this
• 27:54
  Speaker 1: guy says, there's only one thing that a man does
• 28:00
  Speaker 1: from behind somebody, And for a moment I was like,
• 28:02
  Speaker 1: we're going, oh gosh, but he says unzipping a lady's dress,
• 28:11
  Speaker 1: and then all the brons are over here, signor you're
• 28:15
  Speaker 1: just so hard boiled. And then he sucks on his
• 28:21
  Speaker 1: past fire again and says, and the only thing a
• 28:26
  Speaker 1: man should do from in front is steal a kiss
• 28:30
  Speaker 1: from a lady's lips. And the men, all of his
• 28:38
  Speaker 1: guards who are watching this also get this like very
• 28:43
  Speaker 1: admiring expression on their faces and say signor you're so manly,
• 28:52
  Speaker 1: And then Frankie chimes in with are you guys fucking serious?
• 28:58
  Speaker 1: Are you stupid? What do you mean manly? And later
• 29:02
  Speaker 1: on when this dude appears up out of the ground again,
• 29:05
  Speaker 1: Frankie like does the same like commentary of your power
• 29:12
  Speaker 1: is weird and it's kind of freaking me out. And
• 29:15
  Speaker 1: when I was talking earlier about the role that he plays, Frankie,
• 29:19
  Speaker 1: really I don't want to call him the straight man
• 29:21
  Speaker 1: because that is absolutely not the case, but he is
• 29:24
  Speaker 1: the guy who, it does feel like, is out here
• 29:27
  Speaker 1: calling out the weirdness in a way that most other
• 29:30
  Speaker 1: characters just kind of like it's not that nobody comments
• 29:34
  Speaker 1: on it, but they they comment on it in a
• 29:38
  Speaker 1: way that still feels like they are rolling with it,
• 29:42
  Speaker 1: and Frankie is often one of the only characters who
• 29:46
  Speaker 1: is genuinely like, are you serious? What is this? What
• 29:50
  Speaker 1: the fuck are we doing? Like it almost feels sometimes
• 29:54
  Speaker 1: if it weren't for the fact that he has the
• 29:57
  Speaker 1: wildest powers of anybody practically, it almost feels sometimes like
• 30:02
  Speaker 1: Frankie is from our universe and is watching this along
• 30:06
  Speaker 1: with us and is just as fucking baffled as we are.
• 30:10
  Speaker 1: So you guys, I'm gonna just go on record and
• 30:15
  Speaker 1: say that this whole scene and everything that happens with
• 30:20
  Speaker 1: him and Frankie is my favorite thing that has ever
• 30:23
  Speaker 1: happened on this show, second only to Soangy's weird faced
• 30:31
  Speaker 1: guy that he kicks into being pretty, which is pretty
• 30:36
  Speaker 1: much at this point like an unbeatable circumstance. So the
• 30:42
  Speaker 1: those two are just, I mean it like, and the
• 30:49
  Speaker 1: fact that his name is is Senor Pink also it
• 30:54
  Speaker 1: felt and I maybe way off here, but it felt
• 30:59
  Speaker 1: like a reference to Reservoir Dogs. There is a scene
• 31:05
  Speaker 1: in the beginning of Reservoir Dogs where each of the
• 31:08
  Speaker 1: men who is involved in this heist is given a
• 31:12
  Speaker 1: color code name, and Steve Buscemi plays a character who
• 31:16
  Speaker 1: is assigned the name of mister Pink, and he gets
• 31:20
  Speaker 1: very salty about having this name and is basically like,
• 31:24
  Speaker 1: it just sounds like mister pussy. Like it's fucked up.
• 31:27
  Speaker 1: It's like, is it gay? Is it feminine? Like I
• 31:30
  Speaker 1: don't know, but something's not right about it and I
• 31:32
  Speaker 1: don't like it and I want to change it. And
• 31:34
  Speaker 1: the guy who's in charge is like, literally, who the
• 31:37
  Speaker 1: fuck cares your mister Pink, shut the fuck up and
• 31:39
  Speaker 1: deal with it. And he is just like complains about
• 31:42
  Speaker 1: it for like a minute, And what it felt like
• 31:45
  Speaker 1: a little bit was we're gonna do the mister Pink,
• 31:50
  Speaker 1: and we're gonna make him even fucking goofy looking. We're
• 31:54
  Speaker 1: gonna lean into not him being like effeminate, not him
• 31:58
  Speaker 1: being gay or or womanly. We're gonna make him an
• 32:04
  Speaker 1: infant like crapy. We're gonna make him a joke, and
• 32:09
  Speaker 1: then he is going to be incredible and you are
• 32:12
  Speaker 1: just never going to be able to see anybody in
• 32:15
  Speaker 1: a baby outfit again, and you know, think anything other
• 32:19
  Speaker 1: than maybe they're secretly insanely badass. I am extremely into it,
• 32:26
  Speaker 1: and this guy you all don't even know how much
• 32:31
  Speaker 1: I was dreading whatever was gonna go on with this character.
• 32:35
  Speaker 1: As soon as he appeared, I immediately had a like,
• 32:38
  Speaker 1: oh no, oh, no, what are we doing? And I'm
• 32:43
  Speaker 1: so pleased to be wrong. I'm so glad to be wrong. Also,
• 32:50
  Speaker 1: like I think part of what I was thinking of,
• 32:53
  Speaker 1: if anybody is interested in looking up an additional thing,
• 32:57
  Speaker 1: is there is a an s an albit with a
• 33:01
  Speaker 1: guy who basically they play the whole scene as if
• 33:05
  Speaker 1: he is just like a regular businessman, but he behaves
• 33:09
  Speaker 1: as if he is a giant baby. And it's one
• 33:14
  Speaker 1: of those things that feels like it shouldn't really be
• 33:16
  Speaker 1: that funny, and like many SNL skits, it does go
• 33:20
  Speaker 1: on a little too long, but he imitates the movements
• 33:25
  Speaker 1: of babies in such a spectacular way while staying so
• 33:28
  Speaker 1: utterly deadpan, And honestly, I think that's kind of what
• 33:33
  Speaker 1: I was expecting, was for this guy to be baby
• 33:37
  Speaker 1: ish in some Obviously, if he's part of like do
• 33:41
  Speaker 1: Flamingo's plans, I think he's part of the Don Quixote
• 33:44
  Speaker 1: pirates through Diamante's group, is what they said. So clearly
• 33:53
  Speaker 1: because of this, I know that he's got to bring
• 33:55
  Speaker 1: something to the table, but I figured it was going
• 33:59
  Speaker 1: to be that he brings something to the table in
• 34:01
  Speaker 1: spite of the fact that he acts like a giant baby,
• 34:04
  Speaker 1: and I thought it was going to be this deeply
• 34:07
  Speaker 1: uncomfortable kind of you know, And it is uncomfortable, but
• 34:12
  Speaker 1: it's just absolutely not the way that I expected. He's
• 34:16
  Speaker 1: pretty much parodying like a James Bond kind of vibe,
• 34:22
  Speaker 1: but looking the way that he looks, it's it's fantastic.
• 34:26
  Speaker 1: It's the best thing. I love it. I low key
• 34:31
  Speaker 1: want to like cosplay as this dude. He's very fat
• 34:34
  Speaker 1: and round, which I also am, and I feel like
• 34:36
  Speaker 1: I could pull it off, but I just don't think
• 34:38
  Speaker 1: I could do it because it would just be too creepy.
• 34:41
  Speaker 1: It just takes it too far. I couldn't do it.
• 34:46
  Speaker 1: But anyway, I just I really had to talk about
• 34:49
  Speaker 1: that whole thing, and like what I mentioned, y'all was
• 34:54
  Speaker 1: like calling Owen back into the room, and right before
• 34:59
  Speaker 1: he had left the room, I was explaining to him
• 35:02
  Speaker 1: about dress Rosa and the fact that there's just fucking
• 35:05
  Speaker 1: toys that people are apparently like mating with somehow, and
• 35:10
  Speaker 1: I was very confused by it all and He's just like,
• 35:12
  Speaker 1: oh my god. So he leaves the room, goes to
• 35:15
  Speaker 1: the bathroom. When he comes out, I call him back
• 35:17
  Speaker 1: and he gives me this look and I was like what,
• 35:19
  Speaker 1: And he says, I just know that you're about to
• 35:21
  Speaker 1: tell me something totally insane because you're watching the show.
• 35:25
  Speaker 1: And I was like, no, no, no, I'm gonna make
• 35:26
  Speaker 1: you watch something totally insane. And then when I rewound
• 35:30
  Speaker 1: it and played it, I could see just he began
• 35:33
  Speaker 1: to laugh so hard, and at one point he had
• 35:36
  Speaker 1: to leave the room again, and he actually voluntarily came
• 35:39
  Speaker 1: back and watched a little more because he was that
• 35:41
  Speaker 1: engaged by it. And I was like, yeah, this show.
• 35:44
  Speaker 1: I love this show. I love him so much. It's
• 35:46
  Speaker 1: so insane. It's absolutely unhinged, unhinged. What is this guy?
• 35:53
  Speaker 1: I want to be this free. I want to be
• 35:58
  Speaker 1: this able to look go of everything that I preconceived
• 36:04
  Speaker 1: notions of storytelling and character. I want to be able
• 36:07
  Speaker 1: to just loosey goosey it like Oda can do. I
• 36:12
  Speaker 1: don't know how he does it, Like is it drugs?
• 36:15
  Speaker 1: Is it pure fatigue? Because he just works NonStop and
• 36:20
  Speaker 1: so his brain is broken. Is that what it is? Like?
• 36:25
  Speaker 1: I don't know how you reach a point where you
• 36:28
  Speaker 1: can like, I don't know, but I want I want
• 36:33
  Speaker 1: to be like this anyway. So the guys, like the
• 36:41
  Speaker 1: little people who are leading Oosop and Robin through the tunnel,
• 36:45
  Speaker 1: it turns out like it is so small that them
• 36:48
  Speaker 1: getting through is very very tight. They'd have to basically
• 36:52
  Speaker 1: like crawl on their bellies and it would be extremely
• 36:55
  Speaker 1: slow going. And so what the little people do is
• 36:59
  Speaker 1: carried because a reminder, they are extremely strong. So we
• 37:05
  Speaker 1: have the two of them being carried like they are.
• 37:09
  Speaker 1: It really reminds me of sort of laying on one
• 37:14
  Speaker 1: of those little rolling dollies that goes under a car
• 37:18
  Speaker 1: when you're doing like repairs, and they are getting a
• 37:22
  Speaker 1: briefing on what's happening, and us Up is being told
• 37:28
  Speaker 1: about like all the badasses that the the what do
• 37:34
  Speaker 1: you call it? Oh my god, the toy soldier is
• 37:36
  Speaker 1: going to be dealing with because he is separated from
• 37:39
  Speaker 1: the crew. And at first us Up is like, what
• 37:44
  Speaker 1: the fuck, he's our guy, why would he leave. He's
• 37:47
  Speaker 1: supposed to be in charge. And then when they tell him, like, well,
• 37:51
  Speaker 1: he's gonna go deal with so and so, and they're
• 37:53
  Speaker 1: extremely dangerous. Us Up starts to be like, oh, dope, actually,
• 37:58
  Speaker 1: so he's going to handle the toughest badasses and we
• 38:03
  Speaker 1: aren't actually going to have to do the hard part.
• 38:06
  Speaker 1: That's great. But then when they start talking about the
• 38:10
  Speaker 1: uh other people and they make them sound less threatening,
• 38:15
  Speaker 1: eventually it ends with like, oh no, those people are
• 38:19
  Speaker 1: like the most terrifying. They're extremely dangerous, and USUP is
• 38:25
  Speaker 1: very much like, oh, come on now. And what eventually
• 38:31
  Speaker 1: happens is that USUP takes heart by zeroing in on
• 38:38
  Speaker 1: the fact that they can just try and startle this
• 38:41
  Speaker 1: little girl and they don't actually necessarily have to fight anybody.
• 38:47
  Speaker 1: If they just manage to get close enough to her,
• 38:50
  Speaker 1: then the fighting isn't even going to be a factor
• 38:53
  Speaker 1: for them with their particular mission. And so what he
• 38:59
  Speaker 1: decides to do is just sort of like fake their
• 39:02
  Speaker 1: way into everything. He wants to trick the guards into
• 39:07
  Speaker 1: letting them through to the other to the space where
• 39:11
  Speaker 1: Sugar is by just pretending that they're like sort of
• 39:17
  Speaker 1: dudes who are like off the clock or who wandered in,
• 39:21
  Speaker 1: and it doesn't work initially, they're just like nobody is
• 39:25
  Speaker 1: allowed in here like that, what are you trying what
• 39:28
  Speaker 1: are you trying to pull? Basically, But eventually he manages
• 39:34
  Speaker 1: to be like no, no, no, yeah. Uh. We work
• 39:37
  Speaker 1: here though, and we've been told to do a thing,
• 39:41
  Speaker 1: and they start to show him how to do a job,
• 39:45
  Speaker 1: and he has to really lean into like will you
• 39:48
  Speaker 1: please demonstrate for me? I learn best by actually observing
• 39:54
  Speaker 1: because he's trying to distract them while the little people
• 39:58
  Speaker 1: actually go looking for or sugar, so he's leaving them
• 40:03
  Speaker 1: to do what's kind of the hardest part. But also
• 40:06
  Speaker 1: it's hard for me to really blame him because they
• 40:09
  Speaker 1: are so strong that I think probably despite the fact
• 40:15
  Speaker 1: that you could blame him for like kind of shirking
• 40:20
  Speaker 1: the difficult part of all of this, I feel like
• 40:23
  Speaker 1: he's really playing to their strengths. Actually, you know, like
• 40:30
  Speaker 1: it's just it's he is not a great fighter. He
• 40:35
  Speaker 1: is somebody who uses a lot of props, and it
• 40:40
  Speaker 1: really helps for him to have a lot of like
• 40:44
  Speaker 1: forewarning on things, and probably this is the best way
• 40:49
  Speaker 1: to handle it. You have these little people who can
• 40:52
  Speaker 1: sneak around because they are very small, and you let
• 40:57
  Speaker 1: them do the thing and you just serve as the decoy.
• 41:03
  Speaker 1: It's like fun because they have two decoys with him
• 41:06
  Speaker 1: and Frankie. It's just a bunch of distraction over and
• 41:09
  Speaker 1: over again. So as much as like you, I could
• 41:14
  Speaker 1: be tempted to just be like, ooh, stop, you ain't shit,
• 41:18
  Speaker 1: I can't really say that. I really just he is
• 41:22
  Speaker 1: doing this for the wrong reasons. But it's also I
• 41:28
  Speaker 1: think the smart way to play it, and like the
• 41:31
  Speaker 1: most effective and likely to succeed way to play it.
• 41:35
  Speaker 1: So I just can't really I can't really be mad
• 41:38
  Speaker 1: about this. So he uh And the way that he
• 41:45
  Speaker 1: like takes charge but doesn't is also something that needs
• 41:48
  Speaker 1: to be studied. This is a thing that I feel
• 41:52
  Speaker 1: like if you have ever worked any job where there
• 41:55
  Speaker 1: was somebody for middle management, you are extremely familiar with
• 42:01
  Speaker 1: a person who manages to say they are in charge,
• 42:06
  Speaker 1: effectively be in charge, take the credit for things, but
• 42:10
  Speaker 1: then not actually really do anything that matters. And I'm
• 42:17
  Speaker 1: not trying to say he doesn't do anything. I just
• 42:19
  Speaker 1: got through saying that what he does matters a lot.
• 42:21
  Speaker 1: But you know what I'm saying, like him playing distraction
• 42:26
  Speaker 1: while a bunch of other people actually do the hard thing,
• 42:30
  Speaker 1: I guess is sort of the role middal management plays.
• 42:33
  Speaker 1: Like you're out here coping with the customers and people
• 42:36
  Speaker 1: being assholes and demanding and throwing fits about stuff, while
• 42:41
  Speaker 1: your employees are actually doing the difficult parts. And I
• 42:47
  Speaker 1: suppose that's just how that works. So let's jump over
• 42:52
  Speaker 1: to the fight with Rebecca, because you guys, there is
• 42:56
  Speaker 1: the weirdest development here. So excited about how many new
• 43:02
  Speaker 1: things are popping up because you know, I know you
• 43:05
  Speaker 1: guys have talked about how long we stay here on
• 43:07
  Speaker 1: this island in this arc, and I was sort of
• 43:10
  Speaker 1: feeling like we have stalled out with this fucking tournament
• 43:14
  Speaker 1: that I don't give a shit about and blah blah blah.
• 43:16
  Speaker 1: But they're really managing to like keep things a little
• 43:20
  Speaker 1: bit fresh, and I hope this continues. We'll see, but
• 43:26
  Speaker 1: this so this fight, Rebecca goes up against a guy
• 43:34
  Speaker 1: who evidently is like an ex general who was extremely badass,
• 43:41
  Speaker 1: and he it's weird how he talks to her because
• 43:47
  Speaker 1: he's like saying that they are condemning me for the
• 43:51
  Speaker 1: things that I used to do that were for a
• 43:54
  Speaker 1: country that I love, And there's almost a sense of
• 43:58
  Speaker 1: like what I kept thinking about was like the punisher,
• 44:03
  Speaker 1: you know, somebody who they have turned to the dark,
• 44:06
  Speaker 1: but only because they were forced and because the country
• 44:11
  Speaker 1: they love that they were initially fighting for let them
• 44:14
  Speaker 1: down so utterly. And this I'm sorry, guys, I just
• 44:21
  Speaker 1: keep laughing because I have so many feelings about what
• 44:25
  Speaker 1: winds up happening. So he's about to go one on
• 44:28
  Speaker 1: one with her, and we have this like moment where
• 44:32
  Speaker 1: the other female fighter in the ring Aegilia, Agilia, I
• 44:37
  Speaker 1: think it's Agilia. She is watching and seeing that like
• 44:41
  Speaker 1: this dude is a little bit more than Rebecca can handle.
• 44:47
  Speaker 1: She tries to pull her a little like step to
• 44:50
  Speaker 1: the side, let you fall into the water bit and
• 44:53
  Speaker 1: he doesn't fall for it. He doesn't fall in which
• 44:56
  Speaker 1: that's like her only move. Honestly, you guys. The very
• 45:01
  Speaker 1: fact that it's pretty much her real main move is
• 45:04
  Speaker 1: so embarrassing, and I will go to the grave saying
• 45:07
  Speaker 1: that I hate it so much. But she Agilia looks
• 45:13
  Speaker 1: over sees that her girl is in trouble and is like,
• 45:17
  Speaker 1: oh God. And so eventually, when this guy comes in
• 45:21
  Speaker 1: with like a killing blow, she takes it herself. I
• 45:25
  Speaker 1: don't think she's dead, of course, but it is played
• 45:28
  Speaker 1: very much like a death scene, and she says to
• 45:32
  Speaker 1: Rebecca as she's dying, that you have to promise me
• 45:35
  Speaker 1: you're going to win this. And Rebecca is deeply moved
• 45:39
  Speaker 1: by this, as you would be. This woman died for
• 45:42
  Speaker 1: her to protect her. I just want to go on
• 45:45
  Speaker 1: record once again. I'm going on record about a lot
• 45:48
  Speaker 1: this episode. Agilia is the MVP, and I love her
• 45:53
  Speaker 1: and really want her to have her own spin off show.
• 45:57
  Speaker 1: Everything about the vibes between her and Rebecca. She is
• 46:01
  Speaker 1: so superior to Rebecca as a character in every way
• 46:04
  Speaker 1: that matters. It's deeply frustrating that Rebecca is our main
• 46:07
  Speaker 1: because I don't care about her, and Aguilia is delightful.
• 46:13
  Speaker 1: She's just great out here, just fucking teaming up with
• 46:17
  Speaker 1: this other woman, just because we've got two women and
• 46:21
  Speaker 1: we got to have each other's backs, and you know
• 46:23
  Speaker 1: the principle of it. And then putting her fucking money
• 46:26
  Speaker 1: where her mouth is and losing the tournament to save
• 46:30
  Speaker 1: her like that is serious shit. That is I mean,
• 46:34
  Speaker 1: I just I love it. I love it so much,
• 46:36
  Speaker 1: and it just made me genuinely deeply sad when she
• 46:42
  Speaker 1: died because there was so much potential here. There was
• 46:45
  Speaker 1: so much we could have done. And it made me
• 46:47
  Speaker 1: really really disappointed when it goes the way that it goes.
• 46:52
  Speaker 1: So Aguilia throws herself in front of this blow this guy,
• 46:59
  Speaker 1: you know, what's his name, Suliman? The beheader is the
• 47:06
  Speaker 1: name that he has given. He continues to go after
• 47:10
  Speaker 1: Rebecca and we pull out of the tournament for a
• 47:14
  Speaker 1: little while. And it's very strange when the way that
• 47:18
  Speaker 1: it cuts back, because I thought I had missed something,
• 47:22
  Speaker 1: and it turns out I did miss something, but that
• 47:25
  Speaker 1: was the intent. We all miss something, that's the point.
• 47:28
  Speaker 1: So I like rewound it, like wait, what like thinking
• 47:32
  Speaker 1: that I did I look away and not remember that
• 47:35
  Speaker 1: I looked away. No, it's played in this like a
• 47:40
  Speaker 1: split second passes and all of a sudden, the fight
• 47:45
  Speaker 1: is over and the only one that's left standing is Rebecca,
• 47:48
  Speaker 1: and everybody in the audience is just as puzzled as
• 47:51
  Speaker 1: I was, and it's just like, what the fuck? And
• 47:55
  Speaker 1: because nobody actually saw what happened, there was evidently like
• 47:59
  Speaker 1: a cloud of dust that made it impossible for anybody
• 48:04
  Speaker 1: to see. A lot of folks because they don't like Rebecca,
• 48:09
  Speaker 1: are just yelling at the fact that she probably cheated.
• 48:12
  Speaker 1: There's no way that she beat Cavendish. Some other guy
• 48:15
  Speaker 1: is talking about the beheader and that like, there's no
• 48:20
  Speaker 1: way she beat him either, and even the announcer is
• 48:23
  Speaker 1: just like what the fuck. Eventually the women that are
• 48:27
  Speaker 1: his sort of sidekicks there are like, well, should we
• 48:31
  Speaker 1: stop the fight and investigate, because like everybody's upset and
• 48:36
  Speaker 1: probably she shouldn't have won. And it was very interesting
• 48:39
  Speaker 1: the way he reacted to this. I thought he was
• 48:42
  Speaker 1: gonna kind of be agro about it and be like, yeah,
• 48:45
  Speaker 1: this is bullshit. Instead he says, essentially, there's no way
• 48:51
  Speaker 1: she could have cheated because we purposely make it harder
• 48:55
  Speaker 1: for her. So if she's the only one left standing
• 48:59
  Speaker 1: with the shitty equipment that we give her, then she's
• 49:03
  Speaker 1: standing because she won. Something went right for her and
• 49:07
  Speaker 1: it sucks, and I'm not happy about it either, But
• 49:10
  Speaker 1: there's really not a lot to be done like this is,
• 49:13
  Speaker 1: you know, and there was something like that just was
• 49:17
  Speaker 1: surprising to me. I never really thought that we were
• 49:20
  Speaker 1: going to just get him copping to no. Yeah, that's
• 49:23
  Speaker 1: probably just how it really went down. Despite not seeing
• 49:27
  Speaker 1: any of it at all. And we have these dudes
• 49:33
  Speaker 1: who are outside watching like they're outside of the uh,
• 49:37
  Speaker 1: the Colisseum. And I just want to mention that there
• 49:42
  Speaker 1: keeps being a drawing of this clock tower in the
• 49:46
  Speaker 1: background of this flashback that makes it look like London.
• 49:49
  Speaker 1: It looks like Big Ben. And I was like, the
• 49:54
  Speaker 1: way that this was played with the kinds of clothing
• 49:56
  Speaker 1: that people are wearing and the bog and the clock tower,
• 50:04
  Speaker 1: I was like, are we trying to do with Jack
• 50:07
  Speaker 1: the Ripper? Is that what he's sort of attempting to
• 50:12
  Speaker 1: play on here? It felt like that was It was
• 50:15
  Speaker 1: just such a weird you know. So anyway, Bastille is
• 50:20
  Speaker 1: telling the story to everybody because he says something about
• 50:23
  Speaker 1: these razor winds something like that, and everybody's like, what
• 50:27
  Speaker 1: are you talking about and he says, oh, you didn't
• 50:31
  Speaker 1: hear about it. Well, people kept being sliced up and
• 50:36
  Speaker 1: nobody knew what was going on. So eventually, like some
• 50:39
  Speaker 1: marines went out and tried to investigate it, but they
• 50:42
  Speaker 1: died too, and so the folks who followed up eventually
• 50:47
  Speaker 1: they did learn the cause. And you see this figure
• 50:52
  Speaker 1: standing on top of the clock tower with this manic
• 50:56
  Speaker 1: grin on his face and he says an the man
• 51:00
  Speaker 1: who referred to himself as Hakuba, and it turns out
• 51:06
  Speaker 1: Hakuba is this alter ego of Cavendish. I am very excited.
• 51:16
  Speaker 1: You guys know that Cavendish. I was just kind of
• 51:18
  Speaker 1: bummed out. It felt like we had a lot that
• 51:20
  Speaker 1: we could do here, and then I was sort of like,
• 51:23
  Speaker 1: what is this? This is it? So we are adding
• 51:26
  Speaker 1: in an evil alter ego that only pops up when
• 51:30
  Speaker 1: Cavendish is asleep into it. However, I have to tell
• 51:36
  Speaker 1: you guys something. I was really saddened because I thought
• 51:42
  Speaker 1: for a moment that we were going to find out
• 51:46
  Speaker 1: Rebecca actually had an incredible attack up her sleeve that
• 51:49
  Speaker 1: she never uses because she doesn't have to, and that
• 51:54
  Speaker 1: finally she was up against the beheader and was like,
• 51:56
  Speaker 1: oh god, he didn't fall for my thing. He didn'tumbling
• 52:00
  Speaker 1: to the water like everybody else. Now I really have
• 52:03
  Speaker 1: to do something, and that we were going to find
• 52:05
  Speaker 1: out she was able to actually attack in a way
• 52:09
  Speaker 1: that was satisfying and made her kind of a badass.
• 52:12
  Speaker 1: I was so excited. I figure that the cloud of
• 52:17
  Speaker 1: dust and everything, she takes advantage of it because she's
• 52:19
  Speaker 1: ashamed and she doesn't want people to see it because
• 52:21
  Speaker 1: she doesn't like hurting people. And then to find out
• 52:24
  Speaker 1: that it wasn't even her and that it was Cavendish.
• 52:28
  Speaker 1: I was devastated for a moment. Once we find out
• 52:31
  Speaker 1: to deal with Cavendish. It was very It was a
• 52:33
  Speaker 1: good consolation prize. This is still very interesting and I'm
• 52:39
  Speaker 1: into it, but I got my hopes up so high
• 52:43
  Speaker 1: hoping that it was actually Rebecca that it's just a shame.
• 52:48
  Speaker 1: I wish that I had never even considered that, because
• 52:51
  Speaker 1: then this would have hit even harder. However, as it is,
• 52:55
  Speaker 1: it's still pretty fun. And I got to say that
• 52:58
  Speaker 1: the way that Cavendish is anime when he turns into
• 53:01
  Speaker 1: Hakuba is so eerie. He just gets this like these
• 53:06
  Speaker 1: deadened eyes and his mouth is like this hollow. It's
• 53:12
  Speaker 1: almost like he has no teeth all of a sudden.
• 53:15
  Speaker 1: It is so strange. So yeah, I am really really interested.
• 53:23
  Speaker 1: And apparently like Cavendish does not like this. I was
• 53:27
  Speaker 1: sort of wondering, is he going to turn out to
• 53:30
  Speaker 1: be somebody who is like, this is something that's out
• 53:35
  Speaker 1: of his control, and so he just tries to make
• 53:37
  Speaker 1: the best of it in terms of the fame that
• 53:40
  Speaker 1: it accords him, because he becomes so notorious. But it
• 53:43
  Speaker 1: seems not. It seems like this is a straight up like, no,
• 53:47
  Speaker 1: I do not like this. I don't want this to
• 53:49
  Speaker 1: be how things happen. And so I kind of like
• 53:54
  Speaker 1: that just because Cavendish, we need him to to have
• 54:01
  Speaker 1: a problem, a foil of some kind that isn't just
• 54:06
  Speaker 1: being jealous of f Loofy. That was very boring. So
• 54:09
  Speaker 1: for him to have his own thing that's coming from
• 54:12
  Speaker 1: inside him that he is constantly fighting against and that
• 54:16
  Speaker 1: is like technically a better fighter than him. Also, it
• 54:19
  Speaker 1: seems like saying better fighter is probably not fair because
• 54:22
  Speaker 1: this guy isn't even fighting. He's attacking people who are
• 54:25
  Speaker 1: not trying to fight. He is just going after innocent people.
• 54:28
  Speaker 1: So probably I shouldn't even frame it that way. But
• 54:32
  Speaker 1: I'm just saying I do really like that, like addition
• 54:39
  Speaker 1: of a layer to his personality. That's true. So Saraphim
• 54:43
  Speaker 1: is in the chat saying, a mashup of Jack the
• 54:46
  Speaker 1: Ripper and Jacqueline Hyde. I didn't even think of Jacquelin Hyde,
• 54:49
  Speaker 1: but de DOOI I should have. And then Saraphim says,
• 54:52
  Speaker 1: Rebecca is at least the only person in the arena
• 54:54
  Speaker 1: who manages to dodge any of Hakuba's attacks. That's true.
• 54:59
  Speaker 1: That's true. It's something I'll cling to that I appreciate
• 55:04
  Speaker 1: you framing it that way, Sarah him. And it's also
• 55:07
  Speaker 1: very funny to me that, like, technically the like Hakuba
• 55:11
  Speaker 1: is the one that should have won this because he's
• 55:15
  Speaker 1: like took everybody else out except Rebecca. She dodged, so
• 55:20
  Speaker 1: she winds up being the de facto winner. But if
• 55:25
  Speaker 1: Cavendish hadn't passed out, he would be, like it would
• 55:30
  Speaker 1: be down to her and him, and he'd be still
• 55:32
  Speaker 1: in it. So it's kind of funny to me that
• 55:35
  Speaker 1: like he won it for her inadvertently, And I'm extremely
• 55:41
  Speaker 1: curious like whether or not she is going to feel
• 55:45
  Speaker 1: any sort of gratitude for him, Like I don't think
• 55:49
  Speaker 1: she should necessarily, but you know, sometimes people react in
• 55:52
  Speaker 1: a way that I'm like, I don't get it, but okay,
• 55:55
  Speaker 1: if that's how you feel, you know, And honestly, Rebecca
• 56:00
  Speaker 1: is a little bit irrational to me, so if she
• 56:03
  Speaker 1: were to react in a way that I don't understand,
• 56:04
  Speaker 1: it would not surprise me anyway. I have really got
• 56:08
  Speaker 1: to wrap up, so I'm just going to uh to
• 56:12
  Speaker 1: mention at the end of the third episode, after this
• 56:17
  Speaker 1: whole thing gets straightened out with like who Hakuba is,
• 56:22
  Speaker 1: we have this very fun bit again with miss uh
• 56:27
  Speaker 1: mister Pink senor Pink who the girls that are like
• 56:31
  Speaker 1: the girl is hanging around him, the dames, the broads,
• 56:35
  Speaker 1: They are making fun of Frankie and like, I don't
• 56:38
  Speaker 1: get it, like you're a robot guy, ew whatever, And
• 56:42
  Speaker 1: he basically is like, excuse me, how can you even
• 56:47
  Speaker 1: say that to him? Look at how I'm dressed, and
• 56:50
  Speaker 1: do you think I dressed this way? Because it's like awesome. No,
• 56:55
  Speaker 1: it's my personal style, it's who I am. And you
• 56:58
  Speaker 1: guys should know better than to judge somebody based on
• 57:01
  Speaker 1: the way that they look or how they dress. So
• 57:03
  Speaker 1: you fucked up. Stop it. And I think that the
• 57:08
  Speaker 1: cyborg thing is dope actually, and I you guys, I
• 57:13
  Speaker 1: just love him so much. I love him so much.
• 57:18
  Speaker 1: Why does he have to look like this? It's so weird.
• 57:20
  Speaker 1: I hate standing a character that looks like this. So yeah,
• 57:26
  Speaker 1: it was fantastic. And the girls are just allso apologetic
• 57:30
  Speaker 1: and just like, I can't believe that we like let
• 57:33
  Speaker 1: you down. I'm so sorry, Please forgive us. We've seen
• 57:36
  Speaker 1: the error of our ways, and then we have our
• 57:40
  Speaker 1: last bit with uh with Do Flamingo crowing over Trafalgar
• 57:45
  Speaker 1: Law and having him like completely under his control and
• 57:50
  Speaker 1: just basically like really feeling himself and how everything is
• 57:55
  Speaker 1: like it looks like for now going to plan and Uh,
• 58:01
  Speaker 1: everybody is sort of getting into position. We still we
• 58:05
  Speaker 1: have our trio dressed like toys. Zoro after he like
• 58:10
  Speaker 1: breaks off and goes off by himself and gets lost
• 58:12
  Speaker 1: for a little while, he winds up like getting into
• 58:15
  Speaker 1: it with a little kid because they're trying to fuck
• 58:17
  Speaker 1: with his swords. They think he's a toy, and even
• 58:21
  Speaker 1: though Wiccka is like, don't do anything rash, they need
• 58:25
  Speaker 1: you to be a toy, he can't help himself, and
• 58:28
  Speaker 1: it's basically like off and then the kid starts crying
• 58:32
  Speaker 1: and it basically gets this like angry mob after him.
• 58:35
  Speaker 1: So it's it's honestly very funny. I really liked it.
• 58:39
  Speaker 1: And he winds up rejoining with our guys, but I
• 58:41
  Speaker 1: have to assume that like this is gonna come back
• 58:43
  Speaker 1: and bite him somehow. And yeah, the three of them
• 58:49
  Speaker 1: once they actually like reach the main is this the
• 58:53
  Speaker 1: palace that they're headed to? I guess they meet up
• 58:57
  Speaker 1: with Violet, who is like, I am to help you
• 59:00
  Speaker 1: guys out, and that is how the episode ends. So yeah,
• 59:05
  Speaker 1: really really fun three episodes. I loved them so much.
• 59:08
  Speaker 1: This is great, and I'm super excited about where we're
• 59:12
  Speaker 1: going because this is very weird. All right, guys, I'm
• 59:16
  Speaker 1: reving this up. Thank you all again so much. Thank
• 59:18
  Speaker 1: you SARAHM for helping me out in the chat. Thank
• 59:20
  Speaker 1: you Florian for commissioning this one, and I will be
• 59:23
  Speaker 1: seeing you again soon with a new episode. Until then,
• 59:26
  Speaker 1: TOUTLU motherfuckers. That was an Unspoiled Network podcast two