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One Piece, 777-779 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an unspoiled network podcast. This is spoil Me
• 0:09
  Speaker 1: covering one piece episodes seven seventy seven through seven seventy nine.
• 0:18
  Speaker 1: To the Reverie, Princess Vivi and Princess Shira Hoshi to
• 0:24
  Speaker 1: the Reverie, Rebecca and the Sakura Kingdom. Kaido returns an
• 0:29
  Speaker 1: imminent threat to the Worst Generation. In these episodes, there
• 0:36
  Speaker 1: is a big event called the Reverie that we are
• 0:40
  Speaker 1: heading for, and everybody that we have met along the
• 0:44
  Speaker 1: way seems to be showing up. I am pretty interested,
• 0:49
  Speaker 1: to be honest, in what all happens here, because it
• 0:52
  Speaker 1: is going to be a gathering of a lot of
• 0:56
  Speaker 1: different names. Welcome to Welcome to the show everyone. I
• 1:20
  Speaker 1: am Natasha. Thank you very much to Florian for commissioning
• 1:24
  Speaker 1: this episode. So I was a little bit when I
• 1:32
  Speaker 1: started this episode seven seventy seven. I took a moment
• 1:36
  Speaker 1: because I wasn't sure if this was going to turn
• 1:39
  Speaker 1: out to be something that was like a filler episode.
• 1:44
  Speaker 1: The fact that it was like having to do with
• 1:46
  Speaker 1: Vivi and it seemed like we were suddenly making a
• 1:50
  Speaker 1: big departure from the storyline that we had been following.
• 1:55
  Speaker 1: I went and like triple checked the listing on the
• 2:00
  Speaker 1: spreadsheet that Florian gives me because I had a moment
• 2:03
  Speaker 1: of like, oh wait, maybe I'm supposed to skip these. No,
• 2:06
  Speaker 1: I'm supposed to skip the next three apparently. But it
• 2:12
  Speaker 1: makes sense that I felt that way because we were
• 2:14
  Speaker 1: sort of jumping off of where we had been and
• 2:19
  Speaker 1: into a whole new situation. And like I said in
• 2:24
  Speaker 1: my intro, I'm actually pretty excited about this. I'm this
• 2:29
  Speaker 1: is one of my favorite things about One Piece in general,
• 2:32
  Speaker 1: I think, and I definitely see how if I feel
• 2:36
  Speaker 1: this way after only having watched things the one time.
• 2:40
  Speaker 1: It has to be a major thing for everybody who's
• 2:43
  Speaker 1: watched this series a bunch of times. But anytime that
• 2:46
  Speaker 1: you have characters that you've gotten to know over the
• 2:49
  Speaker 1: course of a long arc, and all of a sudden,
• 2:53
  Speaker 1: after literally years away from them, they show up again,
• 2:57
  Speaker 1: it's just fun. Even if you don't really like the
• 3:00
  Speaker 1: character a lot, you're still kind of like, hey, what's
• 3:04
  Speaker 1: going on? You know. It's sort of like running into
• 3:07
  Speaker 1: somebody that you know you went to high school with,
• 3:10
  Speaker 1: and even though not necessarily not like a school bully
• 3:13
  Speaker 1: or anything, but just somebody that like you didn't really
• 3:16
  Speaker 1: get along with or hang out with necessarily, but then
• 3:19
  Speaker 1: you run into them at the grocery store and you're
• 3:22
  Speaker 1: sort of like, oh shit, what are you up to
• 3:25
  Speaker 1: these days? Because it's just such a blast from the past.
• 3:28
  Speaker 1: You know. Luflorian is in the chat and says, there's
• 3:32
  Speaker 1: a lot of recap and I don't know how in
• 3:34
  Speaker 1: DEPTHY want to go with it. I leave it up
• 3:36
  Speaker 1: to you. And also, it has been so long, so
• 3:38
  Speaker 1: a recap is not too bad at this point. Yeah,
• 3:41
  Speaker 1: so this is something that I also wanted to touch on.
• 3:43
  Speaker 1: So first of all, I I was saying, you know,
• 3:47
  Speaker 1: going back and seeing people that we have not seen
• 3:50
  Speaker 1: in a while, I do just find fun. And it's
• 3:53
  Speaker 1: so funny because like I cannot, I can't explain to
• 3:58
  Speaker 1: you guys how wild the timing seems to be for
• 4:01
  Speaker 1: me landing on these episodes when I am because I
• 4:05
  Speaker 1: know that y'all didn't plan this on purpose, but it's
• 4:09
  Speaker 1: just for the episode where Viv shows back up after
• 4:12
  Speaker 1: literally years, to be like the day after we see
• 4:19
  Speaker 1: the first trailer with our Viv in the live action,
• 4:23
  Speaker 1: the day after I have a whole conversation about how
• 4:26
  Speaker 1: I really don't see it for viv at all. It's
• 4:30
  Speaker 1: just a really weird coincidence, you know. It's just very
• 4:34
  Speaker 1: funny to me. So I had just been saying I
• 4:40
  Speaker 1: don't really like viv that much, and I fucking stand
• 4:44
  Speaker 1: by that shit, guys. I will say, though, I still
• 4:48
  Speaker 1: felt a little bit of like, oh, check her out
• 4:52
  Speaker 1: when I saw her again. And I will also say
• 4:56
  Speaker 1: that the way they are having viv behave this little
• 5:02
  Speaker 1: glimpse that we get of her, this is a viv
• 5:06
  Speaker 1: that I like. This is not a viv that I
• 5:11
  Speaker 1: felt like we got much in the previous arc though,
• 5:15
  Speaker 1: So honestly, I found VIVI much more likable this time around,
• 5:19
  Speaker 1: and I was sort of like, huh, maybe I'm like
• 5:24
  Speaker 1: not remembering very well, and then then we get the
• 5:29
  Speaker 1: flashbacks and I really quickly went nope, nope, I was
• 5:33
  Speaker 1: right to hate her. I have realized something. And this
• 5:37
  Speaker 1: is not even a slight on Vivy specifically, although it
• 5:44
  Speaker 1: was particularly annoying with her. I have an issue with
• 5:52
  Speaker 1: characters in One Piece that cry a lot, and it
• 5:57
  Speaker 1: is not about the crying it so well, I really
• 6:04
  Speaker 1: really hate the way that voice actors have to portray crying.
• 6:11
  Speaker 1: Most of the time. There are some exceptions where it's
• 6:15
  Speaker 1: genuinely emotional and they are trying to get across that
• 6:19
  Speaker 1: somebody is actually in pain. And in those cases where
• 6:24
  Speaker 1: it's like a specific kind of acting, I can get
• 6:27
  Speaker 1: behind it and it can be affecting. But due to
• 6:32
  Speaker 1: I think the nature of anime in general and how
• 6:37
  Speaker 1: incredibly exaggerated a lot of people's reactions to things are
• 6:41
  Speaker 1: in a way that doesn't work. A lot of the time.
• 6:44
  Speaker 1: For me, crying on this show is like ninety percent
• 6:50
  Speaker 1: of the time, so fucking annoying, and I have just
• 6:56
  Speaker 1: begun to like really realize that it's the sound of
• 7:00
  Speaker 1: the voices when they make the crying sounds. It's just
• 7:04
  Speaker 1: really faky and gets very high pitched and like it's
• 7:10
  Speaker 1: like a dental drill. Two. Usually it goes on for
• 7:15
  Speaker 1: way too long, because frankly, a lot of the crying
• 7:18
  Speaker 1: is fucking filler, and it's just drawing out like a
• 7:22
  Speaker 1: moment that otherwise we could have been done with this,
• 7:25
  Speaker 1: but no, instead, I have to listen to this person
• 7:27
  Speaker 1: cry for like eighty percent of this one minute long story,
• 7:33
  Speaker 1: and it just takes forever for them to get to
• 7:35
  Speaker 1: the point because we keep having to pause to cry.
• 7:38
  Speaker 1: And also, so that's one and two three is a
• 7:46
  Speaker 1: lot of the time, the characters who do this a
• 7:49
  Speaker 1: lot are women. Now, it's certainly not always the case.
• 7:55
  Speaker 1: We have a lot of characters that are men who
• 7:58
  Speaker 1: do cry a lot of the time. Also, I am
• 8:01
  Speaker 1: not by any means saying it's mostly women, although it
• 8:06
  Speaker 1: probably is mostly, but like by a smaller margin. But
• 8:09
  Speaker 1: I think that because there are so few female characters
• 8:18
  Speaker 1: that are kind of like major characters that I really like,
• 8:24
  Speaker 1: when they wind up getting sidelined with a lot of crying,
• 8:28
  Speaker 1: I find it particularly annoying because I feel like you're
• 8:31
  Speaker 1: squandering an opportunity, to an opportunity to make her actually
• 8:37
  Speaker 1: interesting in some other way. And you know, the crying
• 8:42
  Speaker 1: that happens with other male characters is almost never just
• 8:47
  Speaker 1: they are super emotional, period, and that's what they are
• 8:51
  Speaker 1: as a character. It's usually like a combo of things
• 8:54
  Speaker 1: where they're super emotional because they take their honor very seriously.
• 8:59
  Speaker 1: For example, if we're going to do like Momenoskui's fake dad,
• 9:04
  Speaker 1: what is his name, Keinemon, you know, he cried a
• 9:07
  Speaker 1: lot when he told the story to them, but he
• 9:09
  Speaker 1: cried a lot, and it's like something that felt like
• 9:13
  Speaker 1: it points to a particular character aspect for him, whereas
• 9:21
  Speaker 1: somebody like Shira Hoshi, crying is like literally all she
• 9:26
  Speaker 1: does and it's such a thing that Luvi has to
• 9:28
  Speaker 1: make her promise to fucking stop it now by no means.
• 9:35
  Speaker 1: And am I trying to say that viv is as
• 9:39
  Speaker 1: bad with the crying as Shira Hoshi, because anybody knows
• 9:43
  Speaker 1: shiro Hoshi is the worst, the absolute worst with this.
• 9:47
  Speaker 1: I still kind of weirdly liked shira Hoshi in a way,
• 9:50
  Speaker 1: even though she was super annoying in this fashion, there
• 9:53
  Speaker 1: was still something about her that I found kind of amusing.
• 9:56
  Speaker 1: But I think that, like VIVI was my first exposure
• 10:02
  Speaker 1: to the princess type character in this universe that winds
• 10:08
  Speaker 1: up pigeonholed in this role, and I think I found
• 10:13
  Speaker 1: it really difficult with her because it was like we
• 10:16
  Speaker 1: were being told on the one hand that she was
• 10:19
  Speaker 1: actually kind of badass, but then it was like nothing
• 10:23
  Speaker 1: and she would cry at the drop of a hat,
• 10:25
  Speaker 1: and we in the flashback get to see this moment
• 10:27
  Speaker 1: where she's like yelling at Loofy about how she doesn't
• 10:30
  Speaker 1: want to watch anybody die. But she's beating the shit
• 10:34
  Speaker 1: out of him, and I couldn't help but laugh, because
• 10:36
  Speaker 1: usually the I don't want to watch people die is
• 10:39
  Speaker 1: coming from a place of like, I prefer non violent action.
• 10:44
  Speaker 1: So her just absolutely going in on him. It feels
• 10:47
  Speaker 1: like this isn't exactly in the spirit of what I
• 10:50
  Speaker 1: thought this would be. But in the end, when it
• 10:54
  Speaker 1: turns out to be, as we are reminded, is him saying, Okay,
• 11:01
  Speaker 1: so you don't want anybody else to die, but if
• 11:03
  Speaker 1: you die fine? Is that what you're saying that your
• 11:07
  Speaker 1: life just isn't really worth anything and it's not a
• 11:09
  Speaker 1: big deal if you wind up dead. Because I don't agree,
• 11:13
  Speaker 1: I don't think anybody else would, And that I liked
• 11:19
  Speaker 1: as a conclusion because I wasn't drawing that conclusion. I
• 11:26
  Speaker 1: think that Florian, you're definitely right about like it has
• 11:29
  Speaker 1: been so long, so a recap is not too bad
• 11:31
  Speaker 1: at this point. I think you're one hundred percent right.
• 11:34
  Speaker 1: This is the sort of thing where to a degree,
• 11:37
  Speaker 1: I'm not really sure how much I'm going to say
• 11:39
  Speaker 1: about a lot of the recap because I've said what
• 11:43
  Speaker 1: I'm gonna say about it to a certain point, but
• 11:47
  Speaker 1: it is interesting to like look back at it and
• 11:50
  Speaker 1: see how different certain things feel on the other side
• 11:54
  Speaker 1: of them. I think that probably part of me was
• 12:02
  Speaker 1: a little too hard on viv at the time, But
• 12:07
  Speaker 1: I also hadn't really understood how long some of these
• 12:13
  Speaker 1: arcs were going to wind up being, so I think
• 12:15
  Speaker 1: that was part of the trouble for me back in
• 12:18
  Speaker 1: the day, was like, you know, we're doing the Alabastas
• 12:23
  Speaker 1: storyline for the first time. Everything is taking a long
• 12:27
  Speaker 1: time to progress, and in that time where it's feeling
• 12:32
  Speaker 1: already pretty drawn out, we have this girl that keeps
• 12:36
  Speaker 1: crying and wailing and insisting that people don't have to fight,
• 12:41
  Speaker 1: and it just felt like very tedious to me, which
• 12:46
  Speaker 1: I think is fair. But I also now understand a
• 12:50
  Speaker 1: little bit better the rhythm of the show and how
• 12:53
  Speaker 1: much things are drawn out, and that maybe if I
• 12:57
  Speaker 1: watched it now with this understanding, perhaps you would bother
• 13:00
  Speaker 1: me as much as she did the first time. I
• 13:02
  Speaker 1: don't know, Maybe she would bother me just as much, genuinely,
• 13:05
  Speaker 1: I don't know, but I feel like the way that
• 13:13
  Speaker 1: Vivi is being portrayed now to me seems to be
• 13:19
  Speaker 1: a lot more as Yeah, Florian is in the chat
• 13:24
  Speaker 1: and says, maybe she changed, but she does feel more free. Now, Yeah,
• 13:29
  Speaker 1: that's exactly it. There's just an ease to her and
• 13:32
  Speaker 1: a sort of like lightness to her attitude. And I
• 13:38
  Speaker 1: think that, you know, the way that it's mentioned by
• 13:42
  Speaker 1: the other characters who are saying goodbye to her on
• 13:44
  Speaker 1: the shore, it's like unusual for her to be behaving
• 13:48
  Speaker 1: this way, and so they are thinking that probably she's
• 13:52
  Speaker 1: just really excited to be out here doing some pirate
• 13:55
  Speaker 1: like shit again after so long. And I like that
• 13:59
  Speaker 1: in terms of it sort of re establishing something that
• 14:04
  Speaker 1: I feel is what a lot of people argue for
• 14:08
  Speaker 1: VIVI like in her favor, A lot of people talk
• 14:11
  Speaker 1: about her being daring and doing something really risky for
• 14:18
  Speaker 1: the sake of Alabasta and her people, and all of
• 14:21
  Speaker 1: that is like factually true, but I just wasn't feeling
• 14:25
  Speaker 1: it from her character. And so having this moment of
• 14:29
  Speaker 1: her being really eager to get out on the high
• 14:32
  Speaker 1: seas and doing like somersaults and shit off of the
• 14:37
  Speaker 1: crow's nest down to the deck, all of this was
• 14:41
  Speaker 1: making me go, Okay, here she is. Here's the girl
• 14:44
  Speaker 1: that's like willing to take a risk and capable and
• 14:50
  Speaker 1: just excited to tear it up a little bit. And
• 14:55
  Speaker 1: I'm excited about seeing this side of her again. I
• 14:58
  Speaker 1: just hope, I really hope y'all that we are not
• 15:02
  Speaker 1: about to have her just be crying again. Please don't
• 15:06
  Speaker 1: let us do this. Also, in the flashbacks that we see,
• 15:12
  Speaker 1: it's the moment of her like yelling for everybody to
• 15:15
  Speaker 1: stop fighting. And this is something that me and a
• 15:21
  Speaker 1: friend sort of like argued over a little bit because
• 15:25
  Speaker 1: they were saying that they found it really moving when
• 15:29
  Speaker 1: she's yelling for everybody to stop fighting, because she's clearly
• 15:33
  Speaker 1: having like a mental break that her standing up there yelling,
• 15:39
  Speaker 1: and how ineffectual it is, the fact that it irritated me.
• 15:43
  Speaker 1: They were like, well, that's the point, is that she
• 15:47
  Speaker 1: is losing it, and so she's doing something that's super
• 15:50
  Speaker 1: ineffective because she doesn't like, she doesn't even have it
• 15:56
  Speaker 1: together in her own mind enough to look around and realize,
• 16:00
  Speaker 1: you're not accomplishing anything. Is what are you doing that
• 16:05
  Speaker 1: she's like kind of lost touch with reality for a
• 16:08
  Speaker 1: moment because she is feeling so desperate. But I didn't
• 16:13
  Speaker 1: feel that in that moment and I do blame that
• 16:19
  Speaker 1: in large part on having her be a character who
• 16:23
  Speaker 1: cries and wails so much before we reach that point
• 16:29
  Speaker 1: that by the time we get here and she's crying
• 16:32
  Speaker 1: and whaling for everybody to stop fighting, I have fucking
• 16:34
  Speaker 1: lost patience with her and I am not interested. And
• 16:39
  Speaker 1: her crying and wailing is something that I have begun
• 16:41
  Speaker 1: to tune out because I find it so irritating. So
• 16:47
  Speaker 1: this might have been something that really affected me and
• 16:50
  Speaker 1: might have made me go, oh my god, she's really
• 16:51
  Speaker 1: losing it. Look at this poor thing if we hadn't
• 16:54
  Speaker 1: already overdone it by then, but we had, And so
• 16:59
  Speaker 1: for me, I remember watching that scene and just rolling
• 17:03
  Speaker 1: my eyes and being like, oh, my fucking god, this
• 17:05
  Speaker 1: bitch is useless, And like she's not actually useless. She
• 17:11
  Speaker 1: does accomplish things. I know that, but I just think
• 17:15
  Speaker 1: that the combo of having to draw things out and
• 17:20
  Speaker 1: having her be as repeatedly emotional with this very shrill
• 17:27
  Speaker 1: voice acting it just wound up sort of shooting that
• 17:31
  Speaker 1: aspect of her personality that was supposed to be important
• 17:34
  Speaker 1: later in the foot. I really wish that that had
• 17:39
  Speaker 1: worked for me, because the way that my friend explained
• 17:42
  Speaker 1: it and described it. We weren't like watching the episode
• 17:45
  Speaker 1: at the time or anything, but I was sort of like, oh, okay,
• 17:49
  Speaker 1: But then when we saw just a moment of it
• 17:51
  Speaker 1: in the flashback, and that flashback it is by no
• 17:53
  Speaker 1: means that whole scene, because I remember that shit going
• 17:56
  Speaker 1: on and on and on, even just that little bit
• 18:01
  Speaker 1: in the flashback, I was like, Oh, yeah, no, I
• 18:04
  Speaker 1: get what they meant when they were explaining to me
• 18:06
  Speaker 1: how this was supposed to hit, but it doesn't. It
• 18:09
  Speaker 1: doesn't hit that way for me, and I'm in the minority.
• 18:12
  Speaker 1: I know most people seem to really like Vivi and
• 18:15
  Speaker 1: apparently this did affect them. So I'm not trying to
• 18:21
  Speaker 1: say that like my opinion is the end all be all.
• 18:24
  Speaker 1: I'm just trying to explain where I'm coming from on
• 18:27
  Speaker 1: some of this stuff and how I understand the intent
• 18:32
  Speaker 1: and just why that intent, while a good storytelling intention,
• 18:37
  Speaker 1: didn't actually seem to like come across. Because it's the
• 18:43
  Speaker 1: question that comes up a lot in so many properties,
• 18:46
  Speaker 1: is like something can sound great on paper, but if
• 18:51
  Speaker 1: it's not executed, well, all of that shit that you
• 18:55
  Speaker 1: wrote down on paper, it doesn't ultimately matter, And That's
• 19:00
  Speaker 1: what I felt like. Anytime that I argued with somebody
• 19:04
  Speaker 1: about liking Viv, they would bring up a lot of
• 19:06
  Speaker 1: stuff that on paper made her sound really impressive, but
• 19:11
  Speaker 1: just the execution didn't get that across. So I'm really
• 19:16
  Speaker 1: really hopeful that this version of Viv is going to
• 19:18
  Speaker 1: be a little bit stronger or maybe you know, I
• 19:21
  Speaker 1: wasn't watching it with a dub back in the day.
• 19:25
  Speaker 1: I don't know if I went back and watched it
• 19:26
  Speaker 1: with a dub if I would feel differently about her.
• 19:29
  Speaker 1: The flashback makes me think probably not. The flashback I
• 19:32
  Speaker 1: did watch with Dub and I felt almost instantly very annoyed,
• 19:38
  Speaker 1: So I am going to guess it probably wouldn't have
• 19:41
  Speaker 1: made any difference. But there's like clearly been a lot
• 19:47
  Speaker 1: of growth with her, and a lot of time is
• 19:51
  Speaker 1: meant to have passed, and I'm hoping that, like I
• 19:54
  Speaker 1: will start to see it for her a little bit more.
• 19:57
  Speaker 1: There's also, you know, the whole series was a lot
• 20:00
  Speaker 1: more in its infancy back during that arc, and maybe
• 20:04
  Speaker 1: Oda would go back and change some of the ways
• 20:06
  Speaker 1: that he did things back then. I don't know. But
• 20:09
  Speaker 1: my friend, when she was describing that scene where Vivi
• 20:13
  Speaker 1: is at the top of the bell tower or the
• 20:15
  Speaker 1: clock tower, and she's yelling for everybody to stop fighting.
• 20:19
  Speaker 1: She said that apparently Oda cried while he drew that
• 20:25
  Speaker 1: panel in the manga, and I felt so sad because,
• 20:30
  Speaker 1: like he obviously was really affected by the story he
• 20:35
  Speaker 1: was trying to tell, and the manga's a different thing
• 20:39
  Speaker 1: than the anime, granted, so maybe if I read it
• 20:43
  Speaker 1: I would feel differently too, But it just made me
• 20:47
  Speaker 1: really sad to know that this was a story beat
• 20:49
  Speaker 1: that was clearly really important to him as a person
• 20:53
  Speaker 1: and a writer, and that I just instantly was so
• 20:59
  Speaker 1: impatient with it. It's a bummer, you know. I don't
• 21:03
  Speaker 1: want to feel that way about something when the when
• 21:06
  Speaker 1: it meant so much to the original creator. I just
• 21:09
  Speaker 1: hate knowing that it didn't work for me at all.
• 21:12
  Speaker 1: And I'm not harmless, guys. She can get to me
• 21:16
  Speaker 1: on this show, like we have seen it, So it's
• 21:21
  Speaker 1: not an issue with like the medium itself or anything
• 21:25
  Speaker 1: like that, but it's just whatever was supposed to happen
• 21:29
  Speaker 1: there just didn't for me. But yeah, I I'm looking
• 21:36
  Speaker 1: forward to things with her, just because I'm wanting to
• 21:39
  Speaker 1: shift my opinion, And I'm really curious, Like the thing
• 21:44
  Speaker 1: that her father says is that he wants to know
• 21:51
  Speaker 1: potentially how his family was involved with the Ponent Glyphs.
• 21:57
  Speaker 1: And I think he's sort of wanting to because if
• 22:02
  Speaker 1: it's the Ponent Glyphs, I feel like maybe there is
• 22:05
  Speaker 1: some uh information he's looking for about the Lost Century?
• 22:10
  Speaker 1: The what is it that that it's called? You guys,
• 22:13
  Speaker 1: I feel like that I called the Lost Century in
• 22:15
  Speaker 1: my head, but I feel like the Void Century? Is
• 22:19
  Speaker 1: that the way that you guys say it? Which I
• 22:23
  Speaker 1: know that like researching that is meant to be illegal,
• 22:27
  Speaker 1: but that sounds sort of like what he is asking
• 22:30
  Speaker 1: to me. So I don't know if he realizes like
• 22:36
  Speaker 1: how dangerous that question is, or if he knows and
• 22:39
  Speaker 1: he's just telling the people closest to him, but he's
• 22:41
  Speaker 1: not planning to like be real public about it and
• 22:43
  Speaker 1: gonna be more discreet I am. I'm just really curious
• 22:50
  Speaker 1: about like why he even wants to know, Like he
• 22:53
  Speaker 1: must have suspicions already about how they were involved, So
• 22:58
  Speaker 1: what's uh, what's up with that? How? Oh are they
• 23:01
  Speaker 1: involved in this? I'm very curious myself now. Also the
• 23:08
  Speaker 1: flashbacks with Chopper. I, first of all, guys, am so
• 23:13
  Speaker 1: surprised anytime I see the old animation of Chopper. It's
• 23:17
  Speaker 1: honestly the way I am with the old animation of
• 23:19
  Speaker 1: Loofy as well. The other characters have this too, but
• 23:22
  Speaker 1: I feel like with Chopper it's really particularly extreme Chopper
• 23:29
  Speaker 1: and Loofy, where they look genuinely so much younger. It's
• 23:37
  Speaker 1: funny they shouldn't, but they really do. Chopper in particular,
• 23:42
  Speaker 1: I'm just like, oh my god, he baby, he had baby.
• 23:47
  Speaker 1: And when we did the flashbacks, you guys, I remember
• 23:56
  Speaker 1: being kind of puzzled at Chopper's whole arc back in
• 24:02
  Speaker 1: the day and just sort of being like, but this
• 24:07
  Speaker 1: guy's like committing medical malpractice, and this woman who's taken
• 24:11
  Speaker 1: him in is a dighead to him, and he drank
• 24:15
  Speaker 1: a poison even though he knew it was poison, Like,
• 24:17
  Speaker 1: what are we doing? I remember having all of these
• 24:22
  Speaker 1: emotions in response to it, and kind of not trusting
• 24:28
  Speaker 1: my own reaction, I think. And when I went back
• 24:32
  Speaker 1: and watched this flashback, all I could think was, No,
• 24:35
  Speaker 1: you were right, you were right. This is Banana's, I
• 24:40
  Speaker 1: think pretty much everybody's origin story in the show that
• 24:48
  Speaker 1: becomes a straw hat. I think they're all pretty fucking compelling,
• 24:55
  Speaker 1: and they make you feel like rooting for this person
• 25:02
  Speaker 1: except Chopper. Choppers is the only storyline that I am
• 25:07
  Speaker 1: like every step of the way. He was treated so
• 25:11
  Speaker 1: badly by the people around him and gas lit so much,
• 25:16
  Speaker 1: and I am supposed to feel like emotional about him
• 25:20
  Speaker 1: finally leaving the island when I was just like, yes,
• 25:23
  Speaker 1: get him away from these maniacs. And then there's the
• 25:26
  Speaker 1: whole thing with like the cherry blossoms and him like,
• 25:31
  Speaker 1: you know this, this whole pink shower that happens that
• 25:36
  Speaker 1: makes him cry, but it isn't actually cherry blossoms. It's
• 25:40
  Speaker 1: just them doing a thing that's like symbolic of it.
• 25:42
  Speaker 1: But and all of that just I I couldn't stop
• 25:49
  Speaker 1: but like giggling to myself and being like, this is,
• 25:52
  Speaker 1: if anything, worse than I remember. Sanchi's backstory is so great,
• 25:59
  Speaker 1: Like Zorro, are you serious? Not that we know who
• 26:03
  Speaker 1: his parents were or anything, but Zorro's like one of
• 26:07
  Speaker 1: the first moments of coverage for this show that I
• 26:11
  Speaker 1: really went, oh shit, we're doing something, you know. Zorro's
• 26:15
  Speaker 1: was hitting Nomy's backstory. Look, I may feel the way
• 26:20
  Speaker 1: I felt about her fake mom refusing to deny her
• 26:25
  Speaker 1: and then losing her life, which I thought was a
• 26:28
  Speaker 1: stupid move, but I won't pretend it wasn't like an
• 26:31
  Speaker 1: emotionally impactful moment. And the whole way that she gets
• 26:37
  Speaker 1: like continually ripped off by our long even after completing
• 26:40
  Speaker 1: the seemingly impossible challenge she gives her and everything. And
• 26:45
  Speaker 1: then what's going on on Oosup's island with there being
• 26:50
  Speaker 1: this this other baddy who has like bade his time
• 26:54
  Speaker 1: for years. Everybody has got these really awesome challenges that
• 27:02
  Speaker 1: they have to overcome and these tragedies and everything, you know,
• 27:08
  Speaker 1: And then there's Chopper and what is it The baddie
• 27:13
  Speaker 1: on his island is a dude who like eats park
• 27:15
  Speaker 1: benches and shit and is just like he can't even
• 27:20
  Speaker 1: really take him seriously, and that guy isn't like the
• 27:27
  Speaker 1: whole thing with Chopper's backstory and him eating one of
• 27:31
  Speaker 1: these devil fruits and then turning into like this weird
• 27:35
  Speaker 1: hybrid creature because the story sort of starts there. We
• 27:40
  Speaker 1: don't even really have like family for him either, so
• 27:44
  Speaker 1: it's just this weirdo doctor that's out here doing experiments
• 27:48
  Speaker 1: on people without their consent. All of this whole thing
• 27:53
  Speaker 1: is nonsense, and he deserved so much better. You guys.
• 27:59
  Speaker 1: I'm not big into fan fiction, but this is one
• 28:03
  Speaker 1: thing where I wouldn't be a verse to going back
• 28:07
  Speaker 1: and rewriting his intro arc and having something else set
• 28:10
  Speaker 1: up for him, because Chopper deserved so much better from
• 28:15
  Speaker 1: literally everybody. And maybe that's part of why I have
• 28:19
  Speaker 1: the affinity for him that I do, and I feel
• 28:21
  Speaker 1: like protective over him the way that I do is
• 28:24
  Speaker 1: just I feel like Chopper gets the shit under the
• 28:27
  Speaker 1: stick from the very start and it never stops. He
• 28:33
  Speaker 1: just keeps getting like sidelined or being made a joke
• 28:38
  Speaker 1: and even down to like only being worth two hundred
• 28:42
  Speaker 1: berries or whatever. I mean. I take offense to that.
• 28:46
  Speaker 1: I am offended, So I think that's part of it.
• 28:49
  Speaker 1: It's just like Chopper just deserved better. Florence says, Yeah,
• 28:55
  Speaker 1: that arc beside Chopper did not work for you. Yeah,
• 28:58
  Speaker 1: and like the the flashback did not help. So but
• 29:03
  Speaker 1: I agree Flaurian that, like it has been so long
• 29:06
  Speaker 1: that I needed to watch them. I agree that we
• 29:09
  Speaker 1: shouldn't skip them. And uh, I think it was the
• 29:12
  Speaker 1: right choice. And you know, there's all kinds of other
• 29:16
  Speaker 1: people that are turning up. Woppole is the name of
• 29:19
  Speaker 1: the guy who like ate everything, and he winds up
• 29:22
  Speaker 1: there's a whole thing with him, guys, and that he
• 29:26
  Speaker 1: was making toys out of some of the stuff that
• 29:29
  Speaker 1: he had been eating previously, and so he winds up like, uh, accidentally,
• 29:39
  Speaker 1: it seems, inventing a new alloy of metal, which gets
• 29:47
  Speaker 1: him all of this money. I'm not entire because like
• 29:52
  Speaker 1: it seems like he's king of something now and he
• 29:56
  Speaker 1: had been king before of Drumad Island, which is now
• 30:02
  Speaker 1: I think Sekura Island. I don't know. I guess just
• 30:07
  Speaker 1: by being rich enough, he wound up being king again.
• 30:11
  Speaker 1: But so he's like ruling somewhere else, and I don't
• 30:17
  Speaker 1: He marries Miss Universe, which is what he calls her,
• 30:21
  Speaker 1: and like you know, in our universe, Miss Universe is
• 30:24
  Speaker 1: the is a title that we give to the winners
• 30:31
  Speaker 1: of this particular contest. But I don't think that's what
• 30:38
  Speaker 1: she is. Like for a moment, I did, I thought
• 30:40
  Speaker 1: that he was saying, check it out, I got to
• 30:43
  Speaker 1: marry Miss Universe. The winner of the pageant, and it
• 30:46
  Speaker 1: wasn't until a little bit later that I was like,
• 30:49
  Speaker 1: hold up, wait, no, I don't think that's it. I
• 30:52
  Speaker 1: think that actually it's her name, which, honestly, I kind
• 30:59
  Speaker 1: of love the idea that you just like decide, you
• 31:02
  Speaker 1: know what. I think, I'm just want to call myself
• 31:05
  Speaker 1: in this universe. I wouldn't mind doing that and just
• 31:08
  Speaker 1: bringing people up short a lot. I think that would
• 31:10
  Speaker 1: be kind of funny. But yeah, this whole thing with
• 31:15
  Speaker 1: marrying her because now he's successful and has money so
• 31:18
  Speaker 1: he can get the hot wife. Ah, it's sort of
• 31:23
  Speaker 1: funny because again, this is not a worthy villain, and
• 31:29
  Speaker 1: I stand by the fact that this guy being the
• 31:32
  Speaker 1: batty in Chopper's arc is sort of nonsense. However, I
• 31:40
  Speaker 1: think I might be able to get behind him being
• 31:43
  Speaker 1: like potentially a reformed batty, or at least somebody who's
• 31:48
  Speaker 1: like being a batty isn't like all he does anymore.
• 31:54
  Speaker 1: Maybe maybe he's just begun to see that there are
• 31:59
  Speaker 1: advantages to diversifying your portfolio, so to speak, and now
• 32:04
  Speaker 1: that he is making other alloys, he'll get up to
• 32:07
  Speaker 1: a mischief if he has to, But it's not really
• 32:11
  Speaker 1: the way he because he used to just be a
• 32:14
  Speaker 1: menace out on the countryside, eating whatever he came across,
• 32:17
  Speaker 1: you know, And I do find that very funny still,
• 32:23
  Speaker 1: that this was his thing. Was just that he like
• 32:25
  Speaker 1: ate stuff. What a weird decision for us to have,
• 32:29
  Speaker 1: but you know, sure why not? Florian says, Frankie has
• 32:36
  Speaker 1: talked about this metal before, so Odin knew what was
• 32:38
  Speaker 1: happening in the background. Yeah, King buy money. And then
• 32:43
  Speaker 1: he says, Stephen Universe. What do you mean, Florian with
• 32:45
  Speaker 1: Stephen Universe? Oh, with the last name Universe. I'd never
• 32:50
  Speaker 1: even thought of that, but you're right. Stephen's mom, were
• 32:55
  Speaker 1: she not who she is, would be Miss Universe, which
• 33:00
  Speaker 1: is very fun. I didn't even think of that. That's good.
• 33:05
  Speaker 1: So this whole thing with him showing up like probably
• 33:10
  Speaker 1: he's still going to be a bad guy, but I
• 33:12
  Speaker 1: would find it kind of interesting if he weren't, because
• 33:14
  Speaker 1: he's just sort of weak as a bad guy in
• 33:18
  Speaker 1: general that I think maybe going in a different direction
• 33:21
  Speaker 1: with him might be more fun. I will also say, y'all,
• 33:25
  Speaker 1: I was fully thinking that maybe we would get either
• 33:32
  Speaker 1: Mister two or Eva, and that they would be showing
• 33:39
  Speaker 1: up to things and neither of them shows up, so
• 33:41
  Speaker 1: I don't know. You know, it seems like everybody who's
• 33:45
  Speaker 1: coming to this thing is pretty much a legitimate government
• 33:51
  Speaker 1: endorsed leader, and so probably these guys don't qualify, you know,
• 33:58
  Speaker 1: and so that makes sense, But I will not lie.
• 34:03
  Speaker 1: I was sort of hopeful despite that, because we haven't
• 34:06
  Speaker 1: seen them in a minute, and I miss their vibes.
• 34:14
  Speaker 1: They just added a sort of like sauce to things
• 34:18
  Speaker 1: that I've been missing a little bit in this past arc.
• 34:22
  Speaker 1: I feel like maybe, as we see a little bit later,
• 34:27
  Speaker 1: Carrot is supposed to provide that sauce now, but I'm
• 34:32
  Speaker 1: sorry about it, Carrot, it's not really working. I'm gonna
• 34:38
  Speaker 1: jump over to Carrot briefly and just talk about what's
• 34:42
  Speaker 1: up with her, because I was right, and she decides
• 34:45
  Speaker 1: that she is going to stow away on the sunny. Also,
• 34:51
  Speaker 1: there is like this whole thing that we find out
• 34:54
  Speaker 1: because she had looked at these bananas in a very
• 34:57
  Speaker 1: considering way at one point, and I wasn't really sure
• 35:00
  Speaker 1: what was going on there, And it turns out that
• 35:03
  Speaker 1: she uses those bananas to bribe the little monkey guy.
• 35:07
  Speaker 1: Now I don't know what this little monkey guy's role
• 35:11
  Speaker 1: officially is but it seems like he's just meant to
• 35:15
  Speaker 1: look out and watch everybody and just keep track of
• 35:20
  Speaker 1: all that's happening. And uh, I don't want to demean
• 35:24
  Speaker 1: him by just saying he's the town busybody, because I
• 35:27
  Speaker 1: don't think that's fair and I don't think that's quite accurate.
• 35:30
  Speaker 1: But it's like not not accurate either, do you know
• 35:35
  Speaker 1: what I'm saying. So he the fact that he gets
• 35:44
  Speaker 1: paid off means that they the people back on Zoh,
• 35:52
  Speaker 1: don't know that she stowed away either. So when she
• 35:55
  Speaker 1: turns up missing, what she had told the monk was like,
• 36:01
  Speaker 1: just don't tell them until I'm gone, pretty much, just
• 36:07
  Speaker 1: let me have a little time to make my get
• 36:10
  Speaker 1: away and then tell them whatever you want, but just like,
• 36:15
  Speaker 1: let me get enough time to you know. And when
• 36:21
  Speaker 1: she turns up on the sunny, I was actually a
• 36:25
  Speaker 1: little surprised because I thought that, Okay, first of all,
• 36:31
  Speaker 1: one thing, the fact that Frankie isn't going with them,
• 36:37
  Speaker 1: when you really step back and look at it, is
• 36:40
  Speaker 1: fucking insane. I just want to address that out of
• 36:44
  Speaker 1: the gate, because when I really stopped and thought about it,
• 36:47
  Speaker 1: I was like, this dude built this whole ship. There
• 36:51
  Speaker 1: have been things like functions of the ship that like
• 36:55
  Speaker 1: the whole crew, but Frankie didn't even know about. So personally,
• 37:02
  Speaker 1: I feel like Frankie should absolutely be going with the
• 37:06
  Speaker 1: soany rescue team because if anything happens to the Sonny,
• 37:12
  Speaker 1: if we need any repairs, which we wind up needing
• 37:15
  Speaker 1: quite soon, we have got to have somebody on hand
• 37:19
  Speaker 1: that can actually do that shit and who can use
• 37:21
  Speaker 1: the different functions of the ship. But I suspect that
• 37:25
  Speaker 1: he wasn't sent with them on purpose so as to
• 37:28
  Speaker 1: make it that there any repairs that they do need
• 37:33
  Speaker 1: are that much more urgent because they don't have Frankie
• 37:37
  Speaker 1: on board. It just is the kind of like manipulation
• 37:42
  Speaker 1: of events that makes it all feel a little bit
• 37:45
  Speaker 1: more contrived. You know. I think that were our friends
• 37:53
  Speaker 1: really taking a moment to decide how they were going
• 37:56
  Speaker 1: to play this, they would definitely select Frankie to come
• 38:01
  Speaker 1: with them themselves. But whatever, So, I'm so sorry. I
• 38:08
  Speaker 1: just saw Florine in the chat and out of context,
• 38:10
  Speaker 1: it's just the comment they added the gay and I
• 38:14
  Speaker 1: realized after a moment that what you were talking about
• 38:16
  Speaker 1: was mister two and Eva. But I for a second,
• 38:19
  Speaker 1: I didn't know what you were talking about, and I
• 38:21
  Speaker 1: was like, they added the gay? Where's the gay? And
• 38:24
  Speaker 1: now I see? I'm sorry, so Carot. When I was
• 38:31
  Speaker 1: saying that, I was surprised. What I mean is I
• 38:34
  Speaker 1: actually kind of thought Lufy was going to be more
• 38:39
  Speaker 1: excited when she turns up than he is. He's a
• 38:44
  Speaker 1: lot more like, what the fuck are you doing here?
• 38:48
  Speaker 1: How could you do this? He's so like the more
• 38:53
  Speaker 1: the merrier, I'm just gonna roll with it. Usually that
• 38:57
  Speaker 1: I genuinely was caught off guard by how upset he was.
• 39:02
  Speaker 1: And it's not like a big deal upset, but it's
• 39:05
  Speaker 1: enough that it caught me by surprise. And I think, guys,
• 39:12
  Speaker 1: like I'm trying to decide how I feel about Carrot
• 39:20
  Speaker 1: as a character. As a character, I can't decide yet,
• 39:27
  Speaker 1: and I'm going to reserve judgment. I'm gonna try and
• 39:29
  Speaker 1: be like, you know, cool about it. But there's a
• 39:33
  Speaker 1: part of me that's worried because it feels like we're
• 39:39
  Speaker 1: trying talking earlier about how like mister Tu and Eva
• 39:43
  Speaker 1: brought a certain vibe to things, as Florian says, the gay.
• 39:47
  Speaker 1: It may just be that they brought the gay, but
• 39:50
  Speaker 1: there was a sense of chaos with them that still
• 39:52
  Speaker 1: felt like it was rooted in something good. It was
• 39:56
  Speaker 1: rooted in a person who was like trying to do
• 39:58
  Speaker 1: the right thing or wanted friendship or wanted to defend
• 40:01
  Speaker 1: their friend, you know, like that sort of thing where
• 40:04
  Speaker 1: despite the chaos and maybe them fucking things up or whatever,
• 40:09
  Speaker 1: there was still something there that I really liked and respected.
• 40:12
  Speaker 1: But with Carot, it just feels like I just want
• 40:15
  Speaker 1: an adventure in a way that's so childish that I'm
• 40:19
  Speaker 1: like already going, ah, girl, fuck off, fuck all the
• 40:23
  Speaker 1: way off. And I recognize that, like she's literally kind
• 40:27
  Speaker 1: of meant to be a child. So I'm not even
• 40:30
  Speaker 1: saying that this isn't necessarily bad writing or anything like that.
• 40:34
  Speaker 1: I just kind of feel like I don't think I'm
• 40:37
  Speaker 1: gonna like her, and I don't want to feel like that,
• 40:40
  Speaker 1: you know what I'm saying. I just want to be
• 40:44
  Speaker 1: able to I resent when female characters turn up in
• 40:52
  Speaker 1: the show that I don't like, because I think that
• 40:57
  Speaker 1: a lot of people and the friend that I had
• 41:00
  Speaker 1: been talking to about VIVI very much responded to like
• 41:04
  Speaker 1: some of my criticism as if it were rooted purely
• 41:08
  Speaker 1: in misogyny. Now, I'm not trying to pretend that I
• 41:12
  Speaker 1: am immune to the patriarchy and to misogyny. I struggle
• 41:17
  Speaker 1: with internalized misogyny as much as anybody, So I'm not
• 41:20
  Speaker 1: trying to act like that's not necessarily at all affector.
• 41:25
  Speaker 1: But what I think is that the misogyny is coming
• 41:30
  Speaker 1: from inside the house of the show. I think that
• 41:34
  Speaker 1: Oda has this misogynist streak in how he writes female characters,
• 41:39
  Speaker 1: and so my response isn't misogynistic. I am responding to
• 41:44
  Speaker 1: the misogyny in the writing, and I think that's like
• 41:52
  Speaker 1: a different issue, And I can understand the accusation, and
• 41:56
  Speaker 1: like I said, I'm not going to try and wholly
• 41:58
  Speaker 1: deny it. But there's just a certain energy to the
• 42:04
  Speaker 1: women in this series a lot of the time that
• 42:07
  Speaker 1: feels so consistent that I can't ignore it. And I
• 42:12
  Speaker 1: don't want to feel this way. So there are women
• 42:16
  Speaker 1: characters that will turn up and I'll get excited about
• 42:18
  Speaker 1: and I will try, Like Rebecca, I will hold on
• 42:21
  Speaker 1: to this illusion that someday, eventually she will be cool
• 42:26
  Speaker 1: for so much longer than it deserves, because I have faith.
• 42:31
  Speaker 1: And then it just doesn't come to anything. So I
• 42:37
  Speaker 1: just I want to acknowledge this because you know, I
• 42:41
  Speaker 1: saw the way that I was internally reacting to Carrot
• 42:46
  Speaker 1: and how much I was like almost right away going ugh,
• 42:50
  Speaker 1: you know, and so I stopped myself and was like, oh,
• 42:53
  Speaker 1: what is that? Am I being shitty? Is that a
• 42:55
  Speaker 1: me issue? And upon reflection, I don't think it is.
• 43:02
  Speaker 1: I don't know. We'll see, and it's certainly possible that
• 43:06
  Speaker 1: like I will grow to like her. You know. It's
• 43:11
  Speaker 1: I may not feel the way that I do now
• 43:14
  Speaker 1: the whole time, but the way that she is introduced
• 43:18
  Speaker 1: is like a difficult thing. Because anytime that somebody just
• 43:22
  Speaker 1: doesn't consult with any of the folks that they are
• 43:25
  Speaker 1: about to wildly inconvenience and insert themselves into a thing,
• 43:30
  Speaker 1: I always feel a way about it because I just
• 43:31
  Speaker 1: don't appreciate that kind of behavior in life either. So
• 43:35
  Speaker 1: there's a point where, oh my god, I forgot the
• 43:40
  Speaker 1: tiger's name again. You guys have told me so many
• 43:42
  Speaker 1: times Pedro? Is it Pedro? But she's like, he says,
• 43:48
  Speaker 1: we got to turn around and go home, and she says, no,
• 43:53
  Speaker 1: you can't. They'll be so mad at me, and he's like, oh,
• 43:57
  Speaker 1: so you'd rather inconvenience the people who fucking us then
• 44:01
  Speaker 1: be yelled at really and I was fucking slow clapping
• 44:04
  Speaker 1: when he said that, I was like, good, thank you.
• 44:07
  Speaker 1: This is exactly how I was feeling. Fuck all these guys.
• 44:11
  Speaker 1: I guess right, you just showed up, like eventually we
• 44:14
  Speaker 1: run out of food. And it has nothing to do
• 44:16
  Speaker 1: with her, but I definitely had a moment of like,
• 44:18
  Speaker 1: you don't even know if they have provisions enough for
• 44:20
  Speaker 1: another person. And then we find out that she didn't
• 44:23
  Speaker 1: even know how long it was going to take to
• 44:24
  Speaker 1: get where they were going. She thought it was gonna
• 44:26
  Speaker 1: be like a one day trip. And that also I
• 44:30
  Speaker 1: was just like, oh okay, somebody throw her overboard. I
• 44:32
  Speaker 1: can't deal. I can't take it. She wants this big
• 44:34
  Speaker 1: adventure and she literally knows jack shit about anything. Ah,
• 44:40
  Speaker 1: I'm tired already. Sorry. Florien says, oh yeah, that is fair.
• 44:45
  Speaker 1: Oda is not perfect. He is sometimes better than other Mangoka,
• 44:50
  Speaker 1: I keep forgetting that. That's what's When you wrote that,
• 44:53
  Speaker 1: I was like, what is happening with that word? But
• 44:55
  Speaker 1: now I see yeah, and this is what I hear that,
• 44:59
  Speaker 1: Like you know there's a definite misogynist problem with manga
• 45:05
  Speaker 1: in general, so I believe you when you say that
• 45:11
  Speaker 1: oftentimes he is better about it, but when the bar
• 45:16
  Speaker 1: is so low, sometimes that's just still not enough. H
• 45:20
  Speaker 1: And Pedro is his name, Okay, thank god, I can't
• 45:23
  Speaker 1: believe I actually remembered it. I'm just gonna try and
• 45:25
  Speaker 1: remember Pedro Pascal because he's the hot one, because you know,
• 45:29
  Speaker 1: he is a tiger guy. But like low Ki, I
• 45:30
  Speaker 1: would still hit it, so you know, it's fine. But yeah,
• 45:35
  Speaker 1: this this whole thing with Krot, like she just throws
• 45:41
  Speaker 1: this chaos, everything into chaos by appearing, by not being
• 45:45
  Speaker 1: prepared in a lot of ways, and then we have
• 45:49
  Speaker 1: this other thing going on. It's so weird. It starts
• 45:51
  Speaker 1: off with like Chopper being really tired acting and Nomi
• 45:55
  Speaker 1: giving him instructions and acting really tired, and I had
• 45:57
  Speaker 1: a moment of like, oh no, what's going on? But
• 46:00
  Speaker 1: then it turns out that all it is is them
• 46:03
  Speaker 1: sort of reacting to Loofy jumping off the side of
• 46:06
  Speaker 1: the elephant with them in his arms, and that they
• 46:09
  Speaker 1: all had this trauma that they're still recovering from, which
• 46:12
  Speaker 1: actually I found really funny as like a concept of
• 46:16
  Speaker 1: them just being like because Loufy is starting to get
• 46:20
  Speaker 1: irritated with them, and it's like, hey, guys, snap out
• 46:22
  Speaker 1: of it, and they're all just like, we wouldn't be
• 46:24
  Speaker 1: acting like this if you hadn't just jumped off the side,
• 46:27
  Speaker 1: And I was like, you know what, I sort of
• 46:28
  Speaker 1: like that. There's like a weird consequence to that. I
• 46:32
  Speaker 1: found it oddly satisfying somehow, I don't know. But the
• 46:41
  Speaker 1: thing that we wind up really having to deal with
• 46:47
  Speaker 1: is we don't have a cook and so loofy, we
• 46:54
  Speaker 1: get this wonderful moment. You guys, I love this so much,
• 46:58
  Speaker 1: Like after having given Oda a bunch of crap about misogyny,
• 47:04
  Speaker 1: I will say, right here, this isn't one of those
• 47:08
  Speaker 1: moments I thought it might be for a second, but
• 47:14
  Speaker 1: then it's not. So everybody is like trying to look
• 47:21
  Speaker 1: around and see who's gonna do the cooking and not me.
• 47:26
  Speaker 1: Finally says, well, if none of you are going to
• 47:30
  Speaker 1: do it, then I guess I have to. And I
• 47:34
  Speaker 1: really did have a second of like, oh fuck this.
• 47:38
  Speaker 1: Of course the girl has to cook, okay, And then
• 47:43
  Speaker 1: she starts walking toward the kitchen and she says it's
• 47:48
  Speaker 1: going to be five thousand berries per head. I almost
• 47:54
  Speaker 1: cheered out loud. I am not exaggerating. This is the energy. Okay.
• 48:03
  Speaker 1: If we are going to be expected to do the
• 48:05
  Speaker 1: fucking labor, then yeah, I saw the best TikTok the
• 48:10
  Speaker 1: other day. For those who are not aware of this stereotype,
• 48:16
  Speaker 1: and I will call it a stereotype despite the fact
• 48:19
  Speaker 1: that in every relationship I have ever been in it
• 48:23
  Speaker 1: has been true. There is a stereotype that men never
• 48:30
  Speaker 1: know where anything is and that women always know where
• 48:36
  Speaker 1: everything is and have a really good memory for that
• 48:38
  Speaker 1: sort of thing. Now, I'm going to be real. This
• 48:43
  Speaker 1: is not because men and women have totally different brains.
• 48:46
  Speaker 1: It is because women are socialized to be more responsible
• 48:50
  Speaker 1: from earlier in their lives than men are, and they
• 48:53
  Speaker 1: are socialized to also never expect a safety net of
• 48:56
  Speaker 1: another person who is competent to be around, and so
• 48:59
  Speaker 1: there is a pressure to get it right because they
• 49:02
  Speaker 1: don't have anybody else who is going to get it
• 49:05
  Speaker 1: right if they don't get it right. So let's just
• 49:07
  Speaker 1: like put that out there right away and acknowledge that.
• 49:11
  Speaker 1: So setting this aside, that stereotype has been in my
• 49:17
  Speaker 1: life dead on, every single time I have been in
• 49:22
  Speaker 1: a relationship, I have known where ninety percent of our
• 49:26
  Speaker 1: positions are in our home, in what drawer or what
• 49:30
  Speaker 1: cabinet or at the very least what room, And the
• 49:34
  Speaker 1: men I have been with do not. And there was
• 49:37
  Speaker 1: that TikTok where this woman was demanding five dollars every
• 49:43
  Speaker 1: time somebody asked her where something was in exchange for
• 49:47
  Speaker 1: finding it for them and handing it to them. And
• 49:50
  Speaker 1: the best part of the joke is not just that
• 49:53
  Speaker 1: she holds her hand out and they give her money
• 49:55
  Speaker 1: and then she shows them where it is. It's that
• 49:58
  Speaker 1: half the time the thing they're asked looking for is
• 50:01
  Speaker 1: literally in frame with her, and that if they were
• 50:04
  Speaker 1: paying the least bit of attention and making the slightest
• 50:08
  Speaker 1: effort to find the thing without just asking her, they
• 50:11
  Speaker 1: would see it four inches to the left of her elbow.
• 50:14
  Speaker 1: There it is. But they don't, because that is how
• 50:17
  Speaker 1: it is. When you are a woman who has shit
• 50:19
  Speaker 1: on lock. People stop putting in the most basic effort
• 50:23
  Speaker 1: because they know you have it. And it's really dangerous actually,
• 50:27
  Speaker 1: because then if that one person is taken out of
• 50:30
  Speaker 1: commission somehow, everything goes to shit because nobody has and
• 50:34
  Speaker 1: there's no backup to that person. But in the moment,
• 50:38
  Speaker 1: I was just cracking up because I'm watching this video, like,
• 50:41
  Speaker 1: if I did this, I would be absolutely wrecking the
• 50:45
  Speaker 1: budget because it would all be going into my pocket.
• 50:49
  Speaker 1: And so NAMMY's response of sure, I'll do the cooking,
• 50:54
  Speaker 1: but you will pay me for that, I was so
• 50:58
  Speaker 1: here for it. I cannot overstate it. I was so delighted,
• 51:02
  Speaker 1: you guys, genuinely like applause, standing ovation, great moment. So
• 51:11
  Speaker 1: they all decide I would rather not pay shocker, and
• 51:19
  Speaker 1: Loofy decides that he's going to attempt the cooking. I'm
• 51:25
  Speaker 1: just gonna say it, y'all deserve what you wound up getting.
• 51:31
  Speaker 1: I am so sorry, but you let Loofy cook. That's
• 51:38
  Speaker 1: on you. What you wind up with, and the fact
• 51:40
  Speaker 1: that all the food is gone your problem. I'm not
• 51:44
  Speaker 1: even mad at him, Like I'm mad at him in
• 51:47
  Speaker 1: a general way, but I am not actually mad at him,
• 51:52
  Speaker 1: because nothing about him as a person has ever suggested
• 51:57
  Speaker 1: it would end up any other way. Ever, this has
• 52:00
  Speaker 1: always been what he is like. He has always anytime
• 52:04
  Speaker 1: he's tried to cook, it has been a complete disaster.
• 52:08
  Speaker 1: He has no sense of portioning things out or having
• 52:12
  Speaker 1: there be like a rationing system on anything. So when
• 52:17
  Speaker 1: he winds up cooking literally all the food they have
• 52:20
  Speaker 1: because he's made so many mistakes, Yeah, that sounds right
• 52:25
  Speaker 1: to me. And frankly, I don't think you guys get
• 52:28
  Speaker 1: to complain. And you know, he gets distracted because we
• 52:34
  Speaker 1: find out that there there's a whole other moment which
• 52:37
  Speaker 1: we'll get to, but you know, he gets distracted with
• 52:40
  Speaker 1: this news because Patro is reading the paper and there's
• 52:44
  Speaker 1: information in there about the resistance army, and that results
• 52:52
  Speaker 1: in Loofy leaving the kitchen and leaving the burner on,
• 52:55
  Speaker 1: which causes a huge fire and a bunch of damage
• 52:59
  Speaker 1: to the sonny. And again, you guys have nobody to
• 53:06
  Speaker 1: blame but yourselves. It's louviy Man. Don't give him any
• 53:12
  Speaker 1: job that takes sustained focus of more than ten minutes,
• 53:18
  Speaker 1: I think at max, unless it's fighting, Like that's the
• 53:24
  Speaker 1: only thing that he seems to be able to focus
• 53:27
  Speaker 1: on for more than ten minutes at a time. Cooking
• 53:30
  Speaker 1: requires so many particular skills. It requires understanding of flavors,
• 53:37
  Speaker 1: it requires a sense of timing, which it's weird because
• 53:40
  Speaker 1: you would think I would be really bad at that
• 53:42
  Speaker 1: because I have time blindness and I can be but
• 53:46
  Speaker 1: when it comes to cooking, the steaks are so high
• 53:49
  Speaker 1: for me because one I love food and two I
• 53:51
  Speaker 1: hate waste. So I really managed to dial in when
• 53:56
  Speaker 1: it comes to that. And also it just takes actual skill,
• 54:01
  Speaker 1: which he doesn't have in the physical act of cooking
• 54:05
  Speaker 1: a thing. So yeah, the whole thing, it's that they're
• 54:09
  Speaker 1: on the high seas with apparently no food. Now, there
• 54:14
  Speaker 1: had been a moment where Brooke is showing Kara around
• 54:17
  Speaker 1: the ship and he points out the fish tanks and
• 54:23
  Speaker 1: he says, like, these are the aquariums for fish we're
• 54:26
  Speaker 1: going to eat, so it's sort of like a pantry.
• 54:31
  Speaker 1: I'm assuming Lufy must have cleaned that out too, right, Like,
• 54:35
  Speaker 1: even if he did, though, they're on the ocean, so
• 54:40
  Speaker 1: there's gotta be fish, and just don't let him cook them.
• 54:45
  Speaker 1: They won't be super tasty, probably because it seems like
• 54:49
  Speaker 1: he used up most of the seasonings and everything. But
• 54:52
  Speaker 1: you know, you're on salt water, so just he's a
• 54:56
  Speaker 1: little salt on that fish and you should be mostly okay.
• 55:00
  Speaker 1: That should be all right, So let's really briefly back
• 55:05
  Speaker 1: up and talk about him realizing that his dad is Dragon.
• 55:10
  Speaker 1: You guys, this is so weird. It's like and everybody
• 55:17
  Speaker 1: has the same reaction that I do. So I kind
• 55:18
  Speaker 1: of appreciated it because at the moment of it happening,
• 55:23
  Speaker 1: I was sort of like, hold on, and then it seemed, oh, okay,
• 55:27
  Speaker 1: this is all on purpose, I see. But I definitely
• 55:30
  Speaker 1: was a bit lost for a second. But yeah, Loofy
• 55:35
  Speaker 1: is uh. He's been like given all the information to
• 55:39
  Speaker 1: connect the dots about who his dad is, but never
• 55:42
  Speaker 1: did it. So in this moment, it's the first time
• 55:50
  Speaker 1: that he's like really understood who his father is and
• 55:55
  Speaker 1: the significance of his father's position in the army, the
• 56:01
  Speaker 1: resistance army. So that's wild because I just have been
• 56:08
  Speaker 1: operating this entire time on the assumption that he knew,
• 56:14
  Speaker 1: and it never even occurred to me that he didn't.
• 56:20
  Speaker 1: I'm not really sure how much this changes. It's it's
• 56:26
  Speaker 1: sort of it's weird, it's interesting, and it's sort of refreshing.
• 56:30
  Speaker 1: And I have to admit, Loofy isn't a person who
• 56:34
  Speaker 1: cares that much it seems about meeting his dad. When
• 56:42
  Speaker 1: I say it's refreshing, what I mean is a lot
• 56:48
  Speaker 1: of characters in fiction who either don't know their parents,
• 56:54
  Speaker 1: or there's like a history there that they weren't aware of,
• 56:57
  Speaker 1: or they didn't grow up with them. A lot of
• 57:00
  Speaker 1: their story, understandably is centered around them wanting to meet
• 57:06
  Speaker 1: their parents, wondering who they are and what they're like,
• 57:08
  Speaker 1: and wishing that they had grown up a different way,
• 57:12
  Speaker 1: that things had gone a different way, and all of
• 57:17
  Speaker 1: that has it. But like I said, it makes sense,
• 57:22
  Speaker 1: but it feels like, for me, kind of uninteresting after
• 57:27
  Speaker 1: a while, just because so many characters, especially in like
• 57:32
  Speaker 1: ya stuff, haven't got parents that if you have them,
• 57:36
  Speaker 1: all be driven by that sort of motivation. You do
• 57:45
  Speaker 1: this trope over and over and over again, and it
• 57:47
  Speaker 1: just gets kind of boring. And when you are somebody
• 57:50
  Speaker 1: who has parents, you kind of like you can't relate,
• 57:54
  Speaker 1: you know, you're just sort of feeling like, yeah, yeah,
• 57:57
  Speaker 1: you're sad about parents, right enough, because especially as like
• 58:02
  Speaker 1: a little kid, it's it can be very hard to
• 58:06
  Speaker 1: relate sometimes when it seems like somebody has a preoccupation
• 58:11
  Speaker 1: with something that you just take for granted. I like
• 58:14
  Speaker 1: to think that as an adult, I've gotten to be
• 58:16
  Speaker 1: a little bit more empathetic than I was, but I
• 58:19
  Speaker 1: still can get kind of impatient with that trope. I'm
• 58:22
  Speaker 1: not going to lie, And this for me was very
• 58:28
  Speaker 1: much like giving that. The moment of him just being like, oh,
• 58:33
  Speaker 1: that's my dad, It's like he's not he has not
• 58:38
  Speaker 1: cared who his parents are. Really he it's not like
• 58:42
  Speaker 1: he feels nothing about the concept of family, because his
• 58:46
  Speaker 1: relationship with Ace obviously meant so much to him. So
• 58:51
  Speaker 1: I'm not trying to pretend that it's like, you know,
• 58:54
  Speaker 1: not a factor in his life or anything. But the
• 58:59
  Speaker 1: press question who is my father? Where is he it's
• 59:06
  Speaker 1: obviously not been pressing for him. He hasn't really cared
• 59:10
  Speaker 1: all that much. And I'm sorry, but I find that
• 59:14
  Speaker 1: genuinely sort of hilarious that it's just he didn't he
• 59:20
  Speaker 1: Now that he's found out, he's startled and he is
• 59:23
  Speaker 1: a little interested, but it's lufy has had his own
• 59:28
  Speaker 1: concerns and his own plan for getting on with his
• 59:31
  Speaker 1: own life, and the idea of his parents and who
• 59:35
  Speaker 1: they are and where they came from and what they
• 59:37
  Speaker 1: might be up to genuinely never even bothered him for
• 59:43
  Speaker 1: a second, I sort of love it. I am not
• 59:47
  Speaker 1: gonna lie I sort of love it. I just think
• 59:49
  Speaker 1: it's like a it's not surprising really when you know
• 59:54
  Speaker 1: who Lufy is and understand the way that he like
• 1:00:00
  Speaker 1: just disconnects from reality frankly a lot of the time.
• 1:00:03
  Speaker 1: You know, if I had stopped and really thought about it,
• 1:00:09
  Speaker 1: this shouldn't have surprised me because he hasn't talked about
• 1:00:13
  Speaker 1: his own father ever, so probably I shouldn't have been
• 1:00:18
  Speaker 1: caught as off guard as I was by this, you
• 1:00:22
  Speaker 1: know what I'm saying, But I can't help it. I was,
• 1:00:26
  Speaker 1: and I liked the fact that everybody else is like
• 1:00:29
  Speaker 1: in the same boat as I am, because I don't
• 1:00:32
  Speaker 1: even know, Like I said, I don't know what this
• 1:00:34
  Speaker 1: changes now that he knows, is this going to like
• 1:00:37
  Speaker 1: is he going to want to suddenly change course and
• 1:00:41
  Speaker 1: go find his dad? It doesn't seem like it. I mean,
• 1:00:47
  Speaker 1: the whole thing is like this island is part of
• 1:00:50
  Speaker 1: the situation that blew up right and his dad like
• 1:00:54
  Speaker 1: they're I'm trying to remember exactly what that you call it,
• 1:01:00
  Speaker 1: what that headline is that we see, because I'm scrubbing
• 1:01:04
  Speaker 1: through the episode trying to find the moment, and I
• 1:01:08
  Speaker 1: am I think on the wrong episode because I think
• 1:01:10
  Speaker 1: this happens on the second of the three episodes. I
• 1:01:14
  Speaker 1: might be wrong about this. Oh no, no, it isn't
• 1:01:16
  Speaker 1: the third episode. Let's see. Oh I also want to mention, like, so,
• 1:01:28
  Speaker 1: let's see, you didn't mention that, what kind of family
• 1:01:30
  Speaker 1: are you this? Nami? So wait the dragon guy beside
• 1:01:35
  Speaker 1: him here, Yes, that's your father. You remember what your
• 1:01:38
  Speaker 1: grandpa said two years ago? Right, And Lufy, that's my dad,
• 1:01:44
  Speaker 1: this guy and I've never seen him Loofy's dad's the
• 1:01:51
  Speaker 1: boss of the Revolutionary Army. So cool. And Robin keeps
• 1:01:56
  Speaker 1: like rubbing her face against his. She keeps doing gars you.
• 1:01:59
  Speaker 1: She's also chewing on his ear a lot and like
• 1:02:01
  Speaker 1: yanking on it. So oh yeah, here's what. She starts
• 1:02:06
  Speaker 1: chewing on his ear. I guess this is supposed to
• 1:02:09
  Speaker 1: be a thing with like just how rabbits are nibbling
• 1:02:12
  Speaker 1: on stuff all the time. But it is a really
• 1:02:15
  Speaker 1: weird character trait to put in there. And yeah, Lufy
• 1:02:21
  Speaker 1: just like steps right past this and then says, I
• 1:02:23
  Speaker 1: hope that Sabo's okay, And so I don't think that,
• 1:02:27
  Speaker 1: like it really does matter to him or changes anything.
• 1:02:32
  Speaker 1: Now that he knows who his dad is, it just
• 1:02:34
  Speaker 1: seems sort of oh, really, well, you know, and then
• 1:02:40
  Speaker 1: like moving on, which I'm I'm not mad at, but
• 1:02:45
  Speaker 1: it is funny. The hideout is blown up, thank you, Florie.
• 1:02:49
  Speaker 1: And that's right because we saw the moment that what's
• 1:02:53
  Speaker 1: his face was like hiding and telling people where the
• 1:02:57
  Speaker 1: island was that he had accidentally washed up on the
• 1:03:00
  Speaker 1: shore or something. I don't even remember how that happened,
• 1:03:04
  Speaker 1: but I remember the scene. So the last part of
• 1:03:12
  Speaker 1: this that I haven't touched on yet, I think is
• 1:03:16
  Speaker 1: just sort of the end of this episode where we're
• 1:03:18
  Speaker 1: with Kaido who's getting drunk. And honestly, this scene was
• 1:03:25
  Speaker 1: just like a real weird one. So Kaido's getting drunk
• 1:03:30
  Speaker 1: and there's like a very frankly uncomfortable dynamic going on
• 1:03:35
  Speaker 1: here where his men are tiptoeing around him, very worried
• 1:03:43
  Speaker 1: because when he drinks, his mood dramatically changes, and so
• 1:03:51
  Speaker 1: they have to be cautious on whether or not he's
• 1:03:53
  Speaker 1: feeling like an angry drunk or an emotional drunk or whatever.
• 1:03:58
  Speaker 1: And also whatever that is can change on a dime.
• 1:04:01
  Speaker 1: It seems like when I say it's an uncomfortable dynamic.
• 1:04:07
  Speaker 1: I mean that, like, if you are somebody who has
• 1:04:10
  Speaker 1: grown up around a person who drinks, who has these
• 1:04:14
  Speaker 1: sorts of mood swings, it's not funny. It's genuinely kind
• 1:04:18
  Speaker 1: of upsetting. And so the way that this is treated
• 1:04:23
  Speaker 1: as though it's like a bit of a joke just
• 1:04:27
  Speaker 1: didn't really hit for me. But I confess that that's
• 1:04:30
  Speaker 1: because I don't personally feel like this is something to
• 1:04:35
  Speaker 1: joke about. It's just I am oversensitive about it, and
• 1:04:38
  Speaker 1: I acknowledge that it's just something that you know, at
• 1:04:42
  Speaker 1: times you are not able to have a sense of
• 1:04:46
  Speaker 1: humor about certain things because of how they affected you,
• 1:04:49
  Speaker 1: and this is one of those things for me. And
• 1:04:51
  Speaker 1: the whole thing with him is just basically focusing on
• 1:04:55
  Speaker 1: how he wants to get back at the worst Generation
• 1:05:00
  Speaker 1: and how angry he is at the way that everything
• 1:05:07
  Speaker 1: with do Flemingo's plan just like blew up, and he
• 1:05:12
  Speaker 1: is blaming the worst generation in general for that. And
• 1:05:16
  Speaker 1: then we see that he's got kid like tied up
• 1:05:23
  Speaker 1: and the dude just like bleeding and has been beat
• 1:05:26
  Speaker 1: up clearly, And it's sort of odd because this dude
• 1:05:30
  Speaker 1: didn't have anything to do with it as far as
• 1:05:32
  Speaker 1: I remember. But he's apparently just kind of blaming this
• 1:05:36
  Speaker 1: whole generation for his own difficulties, and so the logic
• 1:05:43
  Speaker 1: doesn't appear to really be playing that much of a
• 1:05:45
  Speaker 1: role in this when it comes down to it, And yeah,
• 1:05:52
  Speaker 1: I just I don't I'm really curious, you guys, how
• 1:05:59
  Speaker 1: many of y'all out there were like caught up in
• 1:06:04
  Speaker 1: this whole thing with Kaido, Because if I'm being real,
• 1:06:12
  Speaker 1: I find kind of I find kind of I was
• 1:06:15
  Speaker 1: gonna say kinda and I put them together, but I
• 1:06:18
  Speaker 1: find kind of kind of boring already, and I'm worried
• 1:06:21
  Speaker 1: about it because it seems like he's going to play
• 1:06:23
  Speaker 1: into things a lot, and if I'm already just sort
• 1:06:27
  Speaker 1: of over it, then I feel like that doesn't bode well.
• 1:06:31
  Speaker 1: So I'm just sort of hoping that like, once we
• 1:06:34
  Speaker 1: get there, I will care a little bit more, or
• 1:06:37
  Speaker 1: once we get there, there will be other people factoring
• 1:06:40
  Speaker 1: in that sort of add a little bit of flavor
• 1:06:42
  Speaker 1: that we don't have yet, or the steaks will be
• 1:06:46
  Speaker 1: enough to sort of keep me interested. But as of
• 1:06:50
  Speaker 1: right now, we have just seen so many very big,
• 1:06:55
  Speaker 1: very strong, tough men who are practically indestructible, even though
• 1:07:02
  Speaker 1: it's being emphasized that nothing can kill him in a
• 1:07:05
  Speaker 1: way that's supposed to set him apart. Nobody dies in
• 1:07:09
  Speaker 1: this universe anyway, so it's really hard for him being
• 1:07:13
  Speaker 1: indestructible to matter because it seems like mostly everybody kind
• 1:07:17
  Speaker 1: of is unless they are in a flashback or ace,
• 1:07:23
  Speaker 1: you know, So like, I just can't really care. And honestly,
• 1:07:29
  Speaker 1: like we even see in this group of episodes that
• 1:07:32
  Speaker 1: Jack is still alive at the bottom of the ocean,
• 1:07:35
  Speaker 1: and I don't know how that's supposed to be working.
• 1:07:37
  Speaker 1: Why is he still alive? He should drown. Apparently, if
• 1:07:42
  Speaker 1: you eat a devil fruit, you drown, That's just it.
• 1:07:47
  Speaker 1: So why is he alive and waiting for somebody to
• 1:07:50
  Speaker 1: come get him? Why isn't he just drowning? Which makes
• 1:07:56
  Speaker 1: Kaido being indestructible feel a lot less impressive, because like
• 1:08:01
  Speaker 1: Jack's also fine, you know, I don't know, Florian says
• 1:08:10
  Speaker 1: he is half fish man Jack is I'm sure that
• 1:08:17
  Speaker 1: we must have found this out at some point. I'm
• 1:08:19
  Speaker 1: just not remembering it. But he's a mammoth. How is what?
• 1:08:32
  Speaker 1: I I believe you, Florian, we see it by his teeth,
• 1:08:38
  Speaker 1: says Florian. Okay, this is ringing a faint, faint bell,
• 1:08:45
  Speaker 1: all right, So the mammothing is a devil fruit, so
• 1:08:50
  Speaker 1: he is a fish man that ate a devil fruit. Okay, okay, fair, okay,
• 1:08:57
  Speaker 1: But I still kind of feel like this stands. You know, Jack,
• 1:09:05
  Speaker 1: the SmackDown got laid down on him so completely and
• 1:09:09
  Speaker 1: he's fine, just waiting for somebody to come pick him up,
• 1:09:12
  Speaker 1: like it's uber. I feel like Kaido is gonna have
• 1:09:16
  Speaker 1: to have a lot more going on for me to
• 1:09:18
  Speaker 1: care and think he's like a fun villain. So I
• 1:09:22
  Speaker 1: hope you bring it, Kaido. That's all I'm saying. We
• 1:09:25
  Speaker 1: need something more from you. All Right, I'm gonna wrap
• 1:09:30
  Speaker 1: this up. But uh, it was honestly kind of fun
• 1:09:34
  Speaker 1: to not have a lot of like plot to get
• 1:09:36
  Speaker 1: through with these episodes and just be able to talk
• 1:09:38
  Speaker 1: about the flashbacks and stuff again. And I am interested
• 1:09:42
  Speaker 1: in where we're going with Reverie. So the next three
• 1:09:45
  Speaker 1: episodes are filler. That is skipping that I'm skipping, but yeah,
• 1:09:52
  Speaker 1: after that, we're back on track again. So all right, everybody,
• 1:09:57
  Speaker 1: thank you well again so much for listening. Thank you
• 1:10:00
  Speaker 1: to Florian for commissioning this, he says, this was fun. Yeah,
• 1:10:02
  Speaker 1: I'm very glad. I wasn't sure how I would go,
• 1:10:05
  Speaker 1: but I liked doing this one so and I will
• 1:10:09
  Speaker 1: see you all again soon with a new episode. Until then,
• 1:10:43
  Speaker 1: that was an unspoiled network podcast.