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The Breakfast Club REWIND (Damson Idris, Babyface, Ask C&E and More!) · The Breakfast Club

• 0:00
  Speaker 1: Good morning u yo yo yo yo yo yo yo
• 0:03
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:04
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:06
  Speaker 1: yo yo yo yo yo. I'm DJ Envy now nobody
• 0:11
  Speaker 1: named Charlot Migne, the guy with the world the most
• 0:12
  Speaker 1: dangerous morning sho to Breakfast Club. And currently we are
• 0:15
  Speaker 1: on vacation man, totally disconnected. Yes, we're not even really here.
• 0:18
  Speaker 1: You think you're listening to us, but we're not. Well,
• 0:20
  Speaker 1: we are not. We're here in spirit. Yeah yeah, and
• 0:24
  Speaker 1: we're gonna be playing some of our top interviews and
• 0:26
  Speaker 1: some throwbacks, so keep a lock. D's gonna be running
• 0:29
  Speaker 1: the boards and h We'll see ell in the new year.
• 0:31
  Speaker 1: Happy holidays. It's the Breakfast Club. Good morning, wake up,
• 0:35
  Speaker 1: wake up, wake yo, as it's your time to get
• 0:38
  Speaker 1: it off your chest. Man of blessed, we want to
• 0:42
  Speaker 1: hear from you on the breakfast blub. Hello, this yo
• 0:47
  Speaker 1: just great with the king. Man. I got two things.
• 0:50
  Speaker 1: I got two things. Don't hang up on me here,
• 0:51
  Speaker 1: Why you got two things? I only got one? I
• 0:53
  Speaker 1: only got one. Hold on, I got two good litten
• 0:57
  Speaker 1: Oh Elo, Bud, I'm gonna be honest. Elon must remind
• 1:01
  Speaker 1: me a lot of presidents. So from the Hunger Game,
• 1:03
  Speaker 1: Elon Musk is rich and he's four, and I think,
• 1:07
  Speaker 1: what are you doing with glitter giving people this platform
• 1:11
  Speaker 1: to do and say whatever they want. I think what
• 1:13
  Speaker 1: he's doing is getting back and allowed and watch it
• 1:17
  Speaker 1: and being entertained by letting people hang him. Well, I
• 1:20
  Speaker 1: don't know if he's doing he's letting people hang himself,
• 1:22
  Speaker 1: but I think, like I said earlier, he's showing us
• 1:24
  Speaker 1: how much people like mess Like we love watching traffic accidents,
• 1:28
  Speaker 1: the messier the better. Like people love running towards the fight,
• 1:31
  Speaker 1: you know, so they can see it. People love consuming bs,
• 1:33
  Speaker 1: and I think he's proving that right now by letting
• 1:36
  Speaker 1: do right. Second thing, if I got a ball to people, man,
• 1:42
  Speaker 1: I'm married, sir, for gohead listen. I don't need to
• 1:44
  Speaker 1: talk about that because you'd be turning up on your life.
• 1:46
  Speaker 1: He ain't keeps the stuff I'm talking about. Two weeks
• 1:49
  Speaker 1: ago or a couple of weeks ago, was Designer was
• 1:51
  Speaker 1: trying to call out twenty one Savage in that versus battle.
• 1:55
  Speaker 1: You was hello, Patty bro You was hello Patty. You
• 1:58
  Speaker 1: know that man ain't got no and you all the
• 2:01
  Speaker 1: man was trying to just bob pass you with with
• 2:04
  Speaker 1: the Kodak who was being penny? Are you supposed to
• 2:08
  Speaker 1: be from New York? Bro? And you just embarrassing you
• 2:11
  Speaker 1: like health and design and embarrassing stuff. And I feel
• 2:15
  Speaker 1: like West, But you really gonna turn up on your
• 2:18
  Speaker 1: life skin Keisha stuff man, light skin Keisha real life.
• 2:23
  Speaker 1: You've been reminded me of the light kid ticks back
• 2:26
  Speaker 1: in high school. Bro, you got to slow down like me?
• 2:30
  Speaker 1: Would you hit yo? Hug up yo yo yo? He
• 2:38
  Speaker 1: hung up? Just getting good man made the author uncomfortable. Now,
• 2:43
  Speaker 1: shout to design you know what you're talking about. When
• 2:44
  Speaker 1: twenty one seven said he'll kill everybody on the cover,
• 2:47
  Speaker 1: and I was asking all the artists I was on
• 2:48
  Speaker 1: the cover, Designer was one of them, Kodak was another one.
• 2:51
  Speaker 1: Who else was on that cover? I don't remember. I
• 2:54
  Speaker 1: can't remember, but shout to designer, Hello, who's this? Yo?
• 2:57
  Speaker 1: B mom from the Metro? Y'all don't man eighth three?
• 3:01
  Speaker 1: What's happening? Est you already know? Hey? I just wanted to,
• 3:05
  Speaker 1: you know, talk to Andrew, you know, sink Off in
• 3:07
  Speaker 1: the right with a spent spent a long time. I've
• 3:10
  Speaker 1: been listening to the Breakfast Club since, like I was
• 3:12
  Speaker 1: in high school. I'm twenty about to be twenty eight tomorrow,
• 3:15
  Speaker 1: so I just want to let you know everything you're doing,
• 3:18
  Speaker 1: you know, stepping into this new light. I really love it,
• 3:21
  Speaker 1: and I'm happy for you. But I think ya, I
• 3:23
  Speaker 1: appreciate that. Thank you for listening to us since high
• 3:26
  Speaker 1: school for quite some time. Yeah, I definitely appreciate that.
• 3:30
  Speaker 1: Happy Now. I want to also let you know to
• 3:33
  Speaker 1: Arlomagne and DJ nby'll be easy on her now, okay ya,
• 3:36
  Speaker 1: all the all the brothers stuff on hump David, I
• 3:38
  Speaker 1: want to do all that. Y'all can go to the munchmobile.
• 3:41
  Speaker 1: What is you talking aboutmobile to Chile? Goodbye? Man? What
• 3:47
  Speaker 1: the hell do you say? Said to the Munchmobile? All right, well,
• 3:51
  Speaker 1: he's clearly gonna beat us. There saved something us bro. Hello,
• 3:55
  Speaker 1: who's this? Good morning? And since tausch the morning Charlomagne. Uh,
• 4:03
  Speaker 1: first of all that strands gotta write the right away.
• 4:06
  Speaker 1: They do not have the right to be jerks or
• 4:08
  Speaker 1: this disrespectful in the street. I have a car. This's
• 4:11
  Speaker 1: one thousand dollars pound car, I mean four thousand pound car.
• 4:14
  Speaker 1: It could hurt you the time whenever the wait is.
• 4:18
  Speaker 1: Y'all don't have the right to be jerks in the
• 4:19
  Speaker 1: street to the people people that are not from Brooklyn
• 4:25
  Speaker 1: in Brooklyn being disrespectful to people in Brooklyn. I'm talking
• 4:29
  Speaker 1: about the people in seven to eleven. I'm talking about
• 4:33
  Speaker 1: the people that work at checkers. I'm talking about people
• 4:35
  Speaker 1: that are not black Americans or any Americans. They are
• 4:41
  Speaker 1: not from America and they't over here being disrespectful and
• 4:44
  Speaker 1: racist in Brooklyn. I am tired what happened, So I
• 4:49
  Speaker 1: want to check in. I work for these uh delivery
• 4:52
  Speaker 1: apps and I haven't sawn there, so I'm up four three,
• 4:55
  Speaker 1: four o'clock in the morning going to these stores and
• 4:58
  Speaker 1: picking up orders and picking them people because they're hungry.
• 5:01
  Speaker 1: And I'm doing this, but it's the male and I'm
• 5:04
  Speaker 1: happy about it because I'm making a dollar. However, when
• 5:07
  Speaker 1: I get there and people closed and they act like
• 5:08
  Speaker 1: they don't want to come to the door and tell
• 5:10
  Speaker 1: me something because I'm asking a question, They're looking at
• 5:13
  Speaker 1: me like I'm dirty. I'm from Brooklyn. You're not from Brooklyn.
• 5:16
  Speaker 1: You dirty. I'm a thorough bread Come to this door.
• 5:19
  Speaker 1: I'll be here when the Shi store open. I want
• 5:21
  Speaker 1: to talk to a manager. I want to call a
• 5:23
  Speaker 1: franchise owner. I want to talk to somebody that's not
• 5:25
  Speaker 1: working in this store. Okay, she definitely got it. I've
• 5:28
  Speaker 1: had chest today. All right, what you do you do?
• 5:32
  Speaker 1: Delivery food delivery one from the ass. Yes, I love
• 5:36
  Speaker 1: hub ended ass Im Roadie, it's the card. I do
• 5:39
  Speaker 1: it all because I don't like to be doing nothing.
• 5:43
  Speaker 1: And you feel Brooklyn, and we have to let them know.
• 5:46
  Speaker 1: We huhpool. I'm gonna thorough bread and we huspool all
• 5:48
  Speaker 1: day every day, blue dot. Okay, all right, get it
• 5:52
  Speaker 1: off your chest. It's a breakfast club. Good morning the
• 5:55
  Speaker 1: breakfast club. This is your time to get it off
• 6:02
  Speaker 1: your jack. Whether you're man or blast. So people have
• 6:04
  Speaker 1: the same any we want to hear from you on
• 6:06
  Speaker 1: the breakfast last Hello, who's that he knows something? Man?
• 6:10
  Speaker 1: This is Jay Man. Yeah, that's all I mean. When
• 6:14
  Speaker 1: you were talking about their own P P and P loans,
• 6:16
  Speaker 1: I tried to get through. I did a little sixteen
• 6:19
  Speaker 1: bars one through the here. Okay, go all right, it's crazy.
• 6:23
  Speaker 1: I'll do a means pushing that five compaty trucks or
• 6:27
  Speaker 1: some PP loans I was pushing some vegable joint. I
• 6:30
  Speaker 1: got a loan from the bank. I started figuring the
• 6:32
  Speaker 1: pp loans that make you think I'm a veggian deck.
• 6:35
  Speaker 1: Imagine the stephen A let Us from The First Girls Coming.
• 6:38
  Speaker 1: He was your old fifty stack, a poaly with a room,
• 6:42
  Speaker 1: but the money stilling that wanted to speak the Eagles
• 6:44
  Speaker 1: book I side. I never saw so many fences he
• 6:47
  Speaker 1: was arranged the master plucks. Fuck, oh my block, I
• 6:50
  Speaker 1: put the B side road. They're letting it up on
• 6:54
  Speaker 1: some action. I can't for peak some girl teasing me
• 6:57
  Speaker 1: about the cars you boyd, or for p P and
• 6:59
  Speaker 1: p K. I think you need to get a job. Listen,
• 7:01
  Speaker 1: I think you need to get a job. There's a
• 7:03
  Speaker 1: lot of tim jobs available because it's the holiday season,
• 7:05
  Speaker 1: you know what I mean. And I'm glad. I'm glad
• 7:08
  Speaker 1: you like it was trash, Like, yeah, was just garbage.
• 7:13
  Speaker 1: But I like the content that you're saying. You're saying
• 7:15
  Speaker 1: you got a knee sound rogue, and you work for
• 7:17
  Speaker 1: your knee sound rogue. And the brothers on the block
• 7:20
  Speaker 1: with them vent leads and roses, they're going to jail.
• 7:23
  Speaker 1: That's right. I think that's what you were saying, you
• 7:25
  Speaker 1: was you wasn't co signing people stealing? Right? You know?
• 7:27
  Speaker 1: He was here against people. I can't complete jo seezing
• 7:30
  Speaker 1: me about the cost for P P P. I'm it's
• 7:34
  Speaker 1: our business man, and all that stuff from block I
• 7:37
  Speaker 1: sen calls on my life. That's what and that's why
• 7:40
  Speaker 1: we gotta. You gotta contact the proper authorities. When you
• 7:42
  Speaker 1: see people that have participated in these p P P scams, No,
• 7:45
  Speaker 1: you should. You should contact the proper authorities. Man, you
• 7:47
  Speaker 1: see something, say something, No, don't do that. Hello, it
• 7:50
  Speaker 1: was this um more when you second, good morning, it's kaya.
• 7:56
  Speaker 1: I want to get it off contest, Kyle, you order
• 7:58
  Speaker 1: me some breakfast too? Yeah? Book and so y'all can't
• 8:01
  Speaker 1: maybe late the work. We got to do this quick.
• 8:02
  Speaker 1: Oh I know, I'm got to do it quick. We'll
• 8:04
  Speaker 1: go and go. Can we get like a beyond meat
• 8:08
  Speaker 1: sandwich with an egg and on a English Angelada heat?
• 8:13
  Speaker 1: This is not your coffee shop. I'm thank you. Guys. Hello,
• 8:25
  Speaker 1: who's this? This is? See? I don't Hey, GIRV, what's up?
• 8:29
  Speaker 1: Get off your chests? Hey? I don't want to get
• 8:30
  Speaker 1: off my chest man? You know, you know sometimes you
• 8:33
  Speaker 1: know just for you know, for whoever needs to hear
• 8:35
  Speaker 1: this planer sometimes WHI I can good tough. You know,
• 8:37
  Speaker 1: we've got to continue to keep getting up and keep
• 8:39
  Speaker 1: pushing it all stuff, you know, and honestly, you know,
• 8:41
  Speaker 1: just be blessed that God blessed us with the day.
• 8:44
  Speaker 1: That's it. Every day, that's it. Brother. Hello, who's this? Hello? Hey,
• 8:49
  Speaker 1: good morning? Oh good morning? Oh my god. Um hey,
• 8:54
  Speaker 1: I'm breathe. I'm from central Florida. Hey, brief from central Florida.
• 8:57
  Speaker 1: Come on get Oh my gosh, I'm thinking of being
• 9:01
  Speaker 1: a truck driver, like like over the road. But people
• 9:07
  Speaker 1: be cutting you off. Well, no, it's the pay. Oh
• 9:12
  Speaker 1: that'll do it. Well. You know, people they look at
• 9:15
  Speaker 1: truck drivers and they think, oh, they're getting paid all
• 9:17
  Speaker 1: this money. But it is not what they think. The
• 9:22
  Speaker 1: companies they try to undercut you zip code to zip code,
• 9:26
  Speaker 1: pay instead of mileage pain. It's frustrating. You know. I'm
• 9:30
  Speaker 1: sorry about you in your truck. Now, don't you ask?
• 9:33
  Speaker 1: I knew it. Oh my god, yeah, but I have
• 9:38
  Speaker 1: on my hand set, so blow it anyway, we'll hear it.
• 9:42
  Speaker 1: Go ahead, envy blow it. He's married. Yeah, haven't put
• 9:48
  Speaker 1: your shirt down. Why are you flashing everybody? This guy's crazy.
• 9:52
  Speaker 1: You have a good morning to be safe out there
• 9:54
  Speaker 1: on the road or right? All right, thank you alady,
• 9:56
  Speaker 1: Now get it off your chest. It's a breakfast club.
• 9:58
  Speaker 1: Good morning, breakfast club morning. Everybody is DJ Envy Angela Yee,
• 10:07
  Speaker 1: Charlomagne the guy. We are to breakfast club. We got
• 10:09
  Speaker 1: a special guest in the building. Do you know him
• 10:12
  Speaker 1: from Snowfall and a host of other things. His birthday
• 10:15
  Speaker 1: is one day before mine. He's a fellow Virgo Damnson
• 10:18
  Speaker 1: is just welcome to welcome. Sorry, I didn't know. I
• 10:25
  Speaker 1: didn't know your birthday was the first September. Your day
• 10:28
  Speaker 1: before September? Oh thud, okay, okay. Buddy of mine is
• 10:31
  Speaker 1: the third two actually the show run up of Snowfall,
• 10:34
  Speaker 1: Dave Andron same bugs the best you know. Absolutely they
• 10:38
  Speaker 1: had us on New Yes, there you go. Now. The
• 10:40
  Speaker 1: first thing you said was I love New York because
• 10:42
  Speaker 1: I love Jamaican culture. Yeah, what do you love so
• 10:45
  Speaker 1: much about Jamaican culture? What? What do you love? O? Food, dirt, chicken.
• 10:50
  Speaker 1: I'm a guy, yeah, oxtail. Actually I like to dabble
• 10:54
  Speaker 1: one both. I like to steal food, from whoever I'm
• 10:56
  Speaker 1: eating with um plantains? Do you got to say planting
• 11:01
  Speaker 1: or planting? I say planting. I feel like that's the
• 11:04
  Speaker 1: right way to say it. It was saying it wrong.
• 11:07
  Speaker 1: You have to switch through all different types of ways
• 11:10
  Speaker 1: to say, different kinds of ways to say things. So
• 11:12
  Speaker 1: oh yeah, yeah, that's that's part of my life insating people.
• 11:16
  Speaker 1: You don't have amazing Jamaican restaurants in London or in
• 11:19
  Speaker 1: la where your shoot. No, nah, that's none at all
• 11:23
  Speaker 1: out here, like missus Lilies, miss Lilium. She wrote, actually
• 11:28
  Speaker 1: wrote on a gramya soll was like, oh where could
• 11:29
  Speaker 1: I go? People said, um, footprints? Yes, Like, first of all,
• 11:35
  Speaker 1: the best Caribbean food is in Brooklyn. We got foot prints,
• 11:38
  Speaker 1: we got Swede, we got Caribbean social we have. This
• 11:42
  Speaker 1: is New York. We have. We have to grow. Yes,
• 11:47
  Speaker 1: so one on the other one. But I'm going to
• 11:50
  Speaker 1: try all of it today. That's impossible. I saw you
• 11:54
  Speaker 1: talking about how John Singleton told you to stay humble
• 11:57
  Speaker 1: though amongst everything different people. I don't know the first
• 11:59
  Speaker 1: time we actually met you, you were up here with
• 12:01
  Speaker 1: John Singleton. Yeah you don't remember you though, And remember
• 12:04
  Speaker 1: it's like this is the first time. No, no, no,
• 12:11
  Speaker 1: there's a couple of asking guys in the DSS Yes,
• 12:17
  Speaker 1: how has that been for you though? Because obviously Snowfall
• 12:20
  Speaker 1: is such a huge show. You guys are in the
• 12:21
  Speaker 1: fifth season. We've watched Franklin grow up and he has
• 12:25
  Speaker 1: got a lot of big things happening. But in real
• 12:26
  Speaker 1: life you've grown up to and your star has grown
• 12:29
  Speaker 1: up as well. Yeah. Yeah, it's a testament to John Singleton.
• 12:33
  Speaker 1: You know, he really believed in me. And although I
• 12:36
  Speaker 1: a thought for the role, like crazy auditional nine times,
• 12:40
  Speaker 1: you know, he took me to South Central, opened up
• 12:42
  Speaker 1: the car door and said, if you survive, you got
• 12:44
  Speaker 1: the role. And I was like walking around had to
• 12:48
  Speaker 1: be in character central? How was that bring out that experience? Man?
• 12:54
  Speaker 1: So I'll get to John Singleton's office and I think
• 12:57
  Speaker 1: I'm gonna read the I'm gonna audition, right, It's like
• 13:00
  Speaker 1: like withditioning number eight or something like that. And then
• 13:02
  Speaker 1: he's like, yeah, no, we're not gonna read anything. We're
• 13:04
  Speaker 1: just gonna take a walk someone walking around and he's like,
• 13:08
  Speaker 1: don't break character. And he's introducing me to people, and
• 13:11
  Speaker 1: you know, single to m was like god in his community.
• 13:15
  Speaker 1: Like people will be like, yo, John, you know, and
• 13:17
  Speaker 1: then they'd come up to me talking to me. They're like, yo,
• 13:20
  Speaker 1: what's up, a little homie. I'm like, yeah, who's up.
• 13:24
  Speaker 1: I'm just pretending like that I'm from there. Um. And
• 13:27
  Speaker 1: then his mom came and you know, I'm British. So
• 13:30
  Speaker 1: I'm saying a bunch of British stuff in an American accent.
• 13:32
  Speaker 1: But he didn't know you were British, right, Oh no,
• 13:34
  Speaker 1: he knew, like he wanted to miss. What kind of
• 13:37
  Speaker 1: British stuff were you saying? You know, like you guys
• 13:39
  Speaker 1: say like elevator, I say lyft. You know you guys
• 13:41
  Speaker 1: say Ben. You guys say trash or say Ben. So exactly.
• 13:47
  Speaker 1: So I'm talking in an American accent and his mom
• 13:50
  Speaker 1: comes like, oh, how lovely your hair looks today. I'm
• 13:53
  Speaker 1: just gonna go over there and throw something in the
• 13:54
  Speaker 1: bend and she looks over Joanna and she's like, John,
• 13:58
  Speaker 1: he ain't from here, huh. I was like, man, mom,
• 14:02
  Speaker 1: just walking around essential. I wasn't scared. Man. I was
• 14:06
  Speaker 1: with John. You was my big brother. You know that.
• 14:08
  Speaker 1: That was my big brother. Man. I miss him greatly,
• 14:11
  Speaker 1: But as far as I get in this in this industry,
• 14:14
  Speaker 1: and on this journey, I'm always gonna on a singleton
• 14:18
  Speaker 1: for being my foundation. Well let's talk about the new season.
• 14:22
  Speaker 1: So you're also producing, Yeah, on the new season. How
• 14:24
  Speaker 1: did that come about? I forced them to take give
• 14:27
  Speaker 1: me a prode secret. No, um. You know, when you
• 14:30
  Speaker 1: when you've been doing the show for so long, you
• 14:33
  Speaker 1: you pick up different traits, but at the same time,
• 14:36
  Speaker 1: you want to be challenged. And my circles, um are
• 14:40
  Speaker 1: so bossy today that they inspire me to want to
• 14:46
  Speaker 1: be more of a leader. That's the truth. It's like
• 14:49
  Speaker 1: if you hang around with certain types of people having
• 14:51
  Speaker 1: certain types of conversations and they're like, yo, bro, you
• 14:54
  Speaker 1: should go, and then you ask him They're like, okay,
• 14:58
  Speaker 1: you know I've been watching the doc you know, and
• 15:01
  Speaker 1: Hope is like, you know, clothes mouths don't get fit.
• 15:05
  Speaker 1: You know, It's true. You know, asking you shall receive
• 15:08
  Speaker 1: and and I asked and they gave it to me.
• 15:10
  Speaker 1: And you know, above all things, I'm not I'm not
• 15:13
  Speaker 1: saying my level of producing is at the level of
• 15:16
  Speaker 1: my acting ability. My acting ability is quite horrible. I'm
• 15:20
  Speaker 1: just saying I'm saying I'm being a sponge, and I'm
• 15:24
  Speaker 1: being given an opportunity to learn so that I could
• 15:28
  Speaker 1: use my platform and my brand to create more opportunities.
• 15:31
  Speaker 1: All right, we got more with Dampson in dress from Snowfall.
• 15:34
  Speaker 1: When we come back, it's the Breakfast Club. Good morning,
• 15:37
  Speaker 1: good Breakfast Club morning. Everybody is DJ Envy, Angela Yee,
• 15:44
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. We're still
• 15:46
  Speaker 1: kicking it with Damps and Idriss you know him from Snowfall. Ye,
• 15:50
  Speaker 1: I used still take a piano less Let's let's break
• 15:55
  Speaker 1: this there. Where were you taking tom? Where do we
• 15:56
  Speaker 1: see him playing piano? I don't know, Juliard, No, no
• 16:02
  Speaker 1: play piano. I'm just asking. I said you would taking
• 16:05
  Speaker 1: piano lessons or something like that. Oh damn, I didn't
• 16:08
  Speaker 1: see a video of it. Looked like you were good
• 16:10
  Speaker 1: with your hands. Oh my lord, Wow, I don't know. No, no, no, no.
• 16:17
  Speaker 1: Um me and me and I'm not no no, me
• 16:25
  Speaker 1: and that that that queen. Um are just friends. Um.
• 16:29
  Speaker 1: She's a great How do you guys were I was
• 16:32
  Speaker 1: asking about the piano lessons? Yeah, yeah, yeah, she's a
• 16:35
  Speaker 1: great piano player. And and I didn't know she could
• 16:38
  Speaker 1: play piano. I didn't even think the world nude, so
• 16:40
  Speaker 1: I was like, oh, this is cool moment I just posted.
• 16:43
  Speaker 1: But like people, let me ask a question, like, you know,
• 16:45
  Speaker 1: I don't know if he could play the piano because
• 16:47
  Speaker 1: I'm not her a house to learn. I don't know
• 16:50
  Speaker 1: if Taylor, who's over here, I producer, knows, you know,
• 16:52
  Speaker 1: I don't know if she can play piano. So how
• 16:54
  Speaker 1: did you get to Sweetie's house to see that she
• 16:56
  Speaker 1: could actually play the piano? So she's a huge Snowfall fan, right,
• 17:00
  Speaker 1: And that day we were at lunch, I think, talking
• 17:03
  Speaker 1: about how we could collaborate because we actually wanted to
• 17:06
  Speaker 1: get before. No, it wasn't a day talking about collaborating.
• 17:11
  Speaker 1: Guys and girls could be friends. Yeah, absolutely, yeah, I
• 17:14
  Speaker 1: agree with you. That's exactly what me and and DR
• 17:18
  Speaker 1: we were friends. Okay, all right, so go ahead. So y'all,
• 17:20
  Speaker 1: y're all a day eating I'm sorry, Oh my god,
• 17:23
  Speaker 1: didn't lunch, Yeah, but dinner. So we're having lunch. Um
• 17:28
  Speaker 1: and then uh, she wanted to show me her new
• 17:32
  Speaker 1: place because I love CB two and I was going
• 17:35
  Speaker 1: to give us some ideas about furniture and ah and
• 17:39
  Speaker 1: then boom we went and then she was playing piano.
• 17:41
  Speaker 1: That's it. I was in there for like five minutes.
• 17:43
  Speaker 1: That dipped up like. He also talked about that Denzel
• 17:46
  Speaker 1: is your idol as far as acting. Oh yeah, so
• 17:49
  Speaker 1: when you see I don't, I don't. I don't want
• 17:51
  Speaker 1: mess up the young lady's name. But when you seen
• 17:52
  Speaker 1: a young lady interview in Denzel and she mentioned your
• 17:55
  Speaker 1: name and he didn't know who you were, break that
• 17:58
  Speaker 1: down when you've seen it and how you felt like
• 18:00
  Speaker 1: you watch the TV like, oh, Dan's heel and he
• 18:02
  Speaker 1: was like, who that is? And then he asked the
• 18:04
  Speaker 1: white guy guy, Oh, I don't. I don't know who
• 18:06
  Speaker 1: that is. No, it was it was insane. So I
• 18:09
  Speaker 1: was at home, Um, on my phone at your house? Wow,
• 18:19
  Speaker 1: my house, my house, myself, by myself, Yeah, by myself,
• 18:24
  Speaker 1: and my phone's like blowing up and it's like a
• 18:28
  Speaker 1: bunch of articles and stuff like that, and people are
• 18:30
  Speaker 1: calling me and I was like, yo, Daniel was like
• 18:33
  Speaker 1: talking about you. I'm like, oh my god, this is crazy.
• 18:35
  Speaker 1: Like so then, um, yeah, that he didn't know who
• 18:39
  Speaker 1: I was. He couldn't an address. But that was funny though.
• 18:45
  Speaker 1: That was funny. But hey, man, I gets a new day.
• 18:48
  Speaker 1: You know, Um, it's a new day, and you know
• 18:52
  Speaker 1: you could bash uh, you know, getting notoriety through social media.
• 18:57
  Speaker 1: I'm not gonna lie like this. A lot of my
• 19:00
  Speaker 1: kind of existence has been on that, through my work
• 19:02
  Speaker 1: and just through just being me. Um. And some people
• 19:07
  Speaker 1: from the past still don't respect that. Um. But look
• 19:11
  Speaker 1: what social media has done for so many people today.
• 19:14
  Speaker 1: We have to start moving in the direction of the future.
• 19:18
  Speaker 1: But above all things and all of that, noise, Denzel
• 19:22
  Speaker 1: Washington is my idol. He's like a god to me.
• 19:26
  Speaker 1: M and I will never have anything bad to ever
• 19:28
  Speaker 1: say about what's next for you? What is it? What
• 19:31
  Speaker 1: is some roles that you want to do? Wow, there's
• 19:34
  Speaker 1: something that you like. I would love to do that role?
• 19:35
  Speaker 1: Like that's my dream role? Is it an action figure?
• 19:38
  Speaker 1: Something music? I love playing real people, So I'd love
• 19:42
  Speaker 1: to play Eddie Murphy, Cinney Poitier, fellow cutie. Um, I'm
• 19:49
  Speaker 1: actually I don't know, I don't know I'm allowed to say. So.
• 19:54
  Speaker 1: Do you know how rich Pool is? Yeah? Yeah, I'm
• 19:56
  Speaker 1: about play Richpool, really really rich part of the agent. Yeah, yeah,
• 20:01
  Speaker 1: I know who he has a show something about him
• 20:05
  Speaker 1: coming out or it's in something where Rich Paul is
• 20:07
  Speaker 1: a character. No, does he No? I'm asking you it's
• 20:11
  Speaker 1: something where he's does he No? I don't think he
• 20:17
  Speaker 1: has a show coming out. But he's a really good
• 20:19
  Speaker 1: friend of mine. And there's people behind this window like
• 20:22
  Speaker 1: why did you share that? But he called me. He
• 20:26
  Speaker 1: was like, tell the world, and I think we should.
• 20:28
  Speaker 1: It's time we start cherishing black moguls and Rich is
• 20:33
  Speaker 1: someone that people need to know. This guy has completely
• 20:37
  Speaker 1: changed the game. I'm happy and fortunate to call him
• 20:41
  Speaker 1: a big brother and I can't wait to honor his story.
• 20:44
  Speaker 1: That's great. He actually right here approached Lebron in the
• 20:46
  Speaker 1: airport selling Jersey history and that's how they met each other. Yeah,
• 20:51
  Speaker 1: and he's like, and then he's as a black sports agent,
• 20:55
  Speaker 1: he gets looked at in a completely different way of
• 20:57
  Speaker 1: the white sports agents were so angry that he was
• 20:59
  Speaker 1: able to come in and get like the biggest NBA player. Yeah,
• 21:02
  Speaker 1: make that story. It's gonna be amazing, man. And I
• 21:05
  Speaker 1: agree we should start telling the stories now while they
• 21:07
  Speaker 1: were alive, because I just hate sometimes when we wait
• 21:10
  Speaker 1: till somebody passes away to tell their stories. But the
• 21:12
  Speaker 1: damson has to leave me. Oh, man, all right, good.
• 21:15
  Speaker 1: I would try to get a couple of spoilers out
• 21:16
  Speaker 1: of you, but I know you're really good though. But
• 21:19
  Speaker 1: I think I did well. But we appreciate you for
• 21:21
  Speaker 1: joining us, brother, No, we really do yes with everything. Man.
• 21:24
  Speaker 1: I love the fact that you're producing. I can't wait
• 21:26
  Speaker 1: to see what else you have coming up, just because
• 21:29
  Speaker 1: we met you so like a few years ago. And
• 21:31
  Speaker 1: I think it's just amazing to see where you are
• 21:33
  Speaker 1: and where the show is now, and a large part
• 21:35
  Speaker 1: of that is because of you. So oh man, that
• 21:37
  Speaker 1: means so much. Man, thank you, thank you so much
• 21:39
  Speaker 1: for having Well, it's Dampson address. It's the Breakfast Club.
• 21:42
  Speaker 1: Come on, it's topic time. The phone called eight hundred
• 21:51
  Speaker 1: five eight five one want to join it to the
• 21:53
  Speaker 1: discussion with the Breakfast Club. Everybody is cj Envy, Angela Yee,
• 21:58
  Speaker 1: Charlomagne the guy. We all the Breakfast Club. Naff you
• 22:01
  Speaker 1: just joined us. We're talking about receiving a fake gift. Now.
• 22:05
  Speaker 1: French Montana speaks on Acon giving him a fake watch.
• 22:08
  Speaker 1: He had to give me an you blow so it
• 22:10
  Speaker 1: wasn't it wasn't niced out, So I just took it
• 22:12
  Speaker 1: to my jewel I was like, Yo, can you switch
• 22:13
  Speaker 1: this for me? Acoon gave me to me for my birthday.
• 22:16
  Speaker 1: He looked at me and I was like, what you mean?
• 22:17
  Speaker 1: He did not give you this, my guy? So I
• 22:21
  Speaker 1: just called him shout the acorn. By the way, it's
• 22:23
  Speaker 1: my god. I'm still waiting for that for the real. Yeah.
• 22:26
  Speaker 1: So I'm let your con This was my Jewlah said
• 22:29
  Speaker 1: fake it ain't. So he was like what he was like,
• 22:33
  Speaker 1: let me call you right back, and he gave me
• 22:34
  Speaker 1: a couple of them like that, let me call him.
• 22:36
  Speaker 1: I ain't hear from about that? Watch all right, Well
• 22:39
  Speaker 1: let's go to the phone line. Tell out who's this. Hi.
• 22:42
  Speaker 1: My name's Tiffany. Hey Tiffany, Now what did you give? Fake?
• 22:45
  Speaker 1: I gave um? I gave a guy a fake chain
• 22:49
  Speaker 1: before fake cuan Lean, Oh my god, gave where you from?
• 22:52
  Speaker 1: That's hilarious. I'm from Florida. I'm from South Florida. Why
• 22:56
  Speaker 1: did you do that? Because that's what I could afford.
• 22:59
  Speaker 1: I mean I had to get him what I could afford.
• 23:03
  Speaker 1: And what he say, did he appreciate it? Yeah, he
• 23:06
  Speaker 1: seemed like he appreciate I'm sure he knew it was
• 23:09
  Speaker 1: face damn. In the middle of the mall stores. Okay,
• 23:14
  Speaker 1: all right, but as luck as he worried and appreciated
• 23:17
  Speaker 1: it only ready for like a month. I still got
• 23:20
  Speaker 1: some chain though, but thank you mama. He didn't take it.
• 23:24
  Speaker 1: He didn't take it. No, he didn't take it, like
• 23:26
  Speaker 1: when the relationship was over, he didn't take it with them.
• 23:29
  Speaker 1: Why don't he take that? Face? Take your chain back? Hello?
• 23:36
  Speaker 1: Who's this morning? This is the man? Ron? Hey? Good morning,
• 23:41
  Speaker 1: my mom? Good morning? How are you? Good morning? Una?
• 23:44
  Speaker 1: Good morning, scholar? Name face queen? Morning, bo, good morning.
• 23:51
  Speaker 1: I don't know if you remember me from a couple
• 23:52
  Speaker 1: of weekends ago, but I feeld you though, was okay, yes, okay, yes, yes,
• 24:00
  Speaker 1: all right? From the topic. Did I received something fake?
• 24:05
  Speaker 1: So let me match, let me make y'all laugh with this.
• 24:07
  Speaker 1: I'm sorry, daddy, I love you, but okay. So when
• 24:10
  Speaker 1: I was about five six, my daddy brought me a
• 24:14
  Speaker 1: Tommy Hill from your dress. He wasn't around like that,
• 24:18
  Speaker 1: so for him in the blame something over. I was
• 24:20
  Speaker 1: exciting to get you from him. So I get to
• 24:23
  Speaker 1: get up my opening. It's a Tommy Hill, fix the graden,
• 24:27
  Speaker 1: But the dress is fake. When I loosen the sag.
• 24:30
  Speaker 1: It doesn't stay. Talk to you man. He got you
• 24:33
  Speaker 1: some bootlegs. Five damn, he definitely he got your bootleg
• 24:40
  Speaker 1: trought me rig did you wear it? Dress nice? What
• 24:44
  Speaker 1: was it? Did you wear it? I did not wear
• 24:47
  Speaker 1: it at five? You like, get this fake ish out
• 24:51
  Speaker 1: of here, out of here, out of here, blood daddy
• 24:55
  Speaker 1: tried dress it? No, have a go, thank you, y'a. Hello,
• 25:04
  Speaker 1: who's this? This sierra a sierra? You gotta a fake gift? Yes,
• 25:10
  Speaker 1: I gotta faith Louis back, How do you know what's fake?
• 25:14
  Speaker 1: So I know what? Oh, he get it. He gotta
• 25:18
  Speaker 1: sell me. We were not gonna go crazy with the money.
• 25:21
  Speaker 1: I was gonna get it. Louis back, and he swore
• 25:23
  Speaker 1: a watch. It's down in the Diamond District, local down
• 25:27
  Speaker 1: and he was gonna slirg. So he said something crazy.
• 25:31
  Speaker 1: I took my bag and went to the cheese take factory.
• 25:34
  Speaker 1: I was just gonna have me some drink alone. And
• 25:38
  Speaker 1: this old woman walked in with thing bad and you
• 25:42
  Speaker 1: think clearly see that her mother was made in Italy.
• 25:49
  Speaker 1: The fake bag. They liked it. The leather is four
• 25:52
  Speaker 1: and they're like U. And her back was like standing
• 25:56
  Speaker 1: that attention. It was just so embatting. It was so
• 26:00
  Speaker 1: I was so mad money, you know, right, he just
• 26:04
  Speaker 1: he was just being cheap and shady man. Yeah, and
• 26:08
  Speaker 1: then he gave me the bag with Yeah, that's real.
• 26:14
  Speaker 1: That's the money he's saved by not buying that real
• 26:16
  Speaker 1: bag or somebody got him. A lot of times people
• 26:18
  Speaker 1: don't know. People say they got to hook up and
• 26:20
  Speaker 1: they don't know, and dudes ain't gonna know the difference
• 26:21
  Speaker 1: between real. I come to Canashi, we got a hook up. Well,
• 26:24
  Speaker 1: his watch was real, so I bet it was. That's
• 26:28
  Speaker 1: embarrassing to somebody working with the same bag. But there's
• 26:31
  Speaker 1: this real and yours is clearly not damn it man
• 26:33
  Speaker 1: next to each other. It was not the business at all,
• 26:40
  Speaker 1: thank you. So what's the moral of the story, guys,
• 26:42
  Speaker 1: I don't know if there is a moral of the story. Man, Hey,
• 26:45
  Speaker 1: you ain't got to fake it. If you ain't got
• 26:46
  Speaker 1: the money to get the real thing, just get something
• 26:48
  Speaker 1: else that is in your price range. I wondered though,
• 26:51
  Speaker 1: because they say it's the thought that counts, right, I
• 26:53
  Speaker 1: was thinking about getting you up a fake thought Louis
• 26:56
  Speaker 1: Vaton bag, but it's not necessarily a fake thought, it's
• 26:59
  Speaker 1: like I want the for you, I just can't afford
• 27:01
  Speaker 1: it right now. Then it's the whole fake it till
• 27:03
  Speaker 1: you make it thing. So here, holiest fake bag till
• 27:05
  Speaker 1: I can get you a real one, the holiest fake
• 27:07
  Speaker 1: ring I can get. You just can't be out wearing
• 27:09
  Speaker 1: a fake bag, though, because everybody could look a lot
• 27:11
  Speaker 1: of people could look at it and tell it's fake.
• 27:12
  Speaker 1: Do you really want that? I just feel like I've
• 27:15
  Speaker 1: always been of the mindset if I can't afford to
• 27:18
  Speaker 1: get that, I'll just stay in my price range until
• 27:20
  Speaker 1: I can. All Right, Well, I don't know, bro, It's
• 27:22
  Speaker 1: the breakfast Club Morning, the Breakfast Club Morning. Everybody is
• 27:29
  Speaker 1: DJ Envy, Angel Louyee, Charlemagne, the Guy. We are to
• 27:32
  Speaker 1: Breakfast Club. We got a special guest in the building,
• 27:35
  Speaker 1: an icon, a legend, baby face. Welcome, Yo. How's it feeling?
• 27:41
  Speaker 1: Good Man good? He worked in with a guitar. So
• 27:43
  Speaker 1: that feels like we're gonna get something special. They told
• 27:45
  Speaker 1: me to bring one. I don't know what I mean.
• 27:47
  Speaker 1: They told you to do it, Yeah, they told me.
• 27:49
  Speaker 1: It's not like I said, I want to bring a
• 27:51
  Speaker 1: good tar. I bet you said around, But I bring it.
• 27:55
  Speaker 1: But you got Girls Night Out. Now I'm excited for this.
• 27:58
  Speaker 1: So you started off with Angie my teen as girls
• 28:00
  Speaker 1: not out makes sense, Ladies night and I'm Lillah and
• 28:03
  Speaker 1: they're getting ready to go out, and that's how the
• 28:06
  Speaker 1: album starts. What made you decide to do that? Well,
• 28:08
  Speaker 1: it was fun because it's girls night out and we
• 28:10
  Speaker 1: just wanted something to, you know, start off the project
• 28:13
  Speaker 1: and make it a party begin with. It's all about
• 28:16
  Speaker 1: the girls anyway, So I want to back it up
• 28:18
  Speaker 1: if you don't mind. For people don't know who baby Faces.
• 28:21
  Speaker 1: Of course I grew up on baby Face. My mother did,
• 28:24
  Speaker 1: my father did, My parents did. What got baby Face
• 28:28
  Speaker 1: into music? Let's start from the beginning for people that
• 28:29
  Speaker 1: don't know who baby Face is. First song. I wrote
• 28:32
  Speaker 1: this because I fell in love with this girl in
• 28:34
  Speaker 1: sixth grade, so I wanted her to know that, you know,
• 28:37
  Speaker 1: I was in love with her. I never played her
• 28:38
  Speaker 1: the song, but never. That didn't matter. It's just that
• 28:40
  Speaker 1: I wrote the song for us. So that made me
• 28:42
  Speaker 1: want to pick up a guitar. My brother had a
• 28:45
  Speaker 1: guitar in the house, and so I picked up the
• 28:47
  Speaker 1: guitars specifically to learn how to write this song. And
• 28:51
  Speaker 1: I wrote this song called Here I Go falling in
• 28:53
  Speaker 1: Love and that started it? And how did it continue on?
• 28:56
  Speaker 1: Because I mean we all like I wrote a rap,
• 28:58
  Speaker 1: but I think I want to be rapper. You did
• 29:01
  Speaker 1: put some rap albums. Well, I was actually rapping. I
• 29:04
  Speaker 1: was DJ. But what made you want to take it
• 29:05
  Speaker 1: to sing? To be a musician at the time with
• 29:08
  Speaker 1: so much going on, it was just it was kind
• 29:10
  Speaker 1: of in my blood. I started there. And then my
• 29:13
  Speaker 1: brother Melvin, who was in after seven, He's not with
• 29:15
  Speaker 1: the same level. He was a great singer and he
• 29:17
  Speaker 1: had a band and I just kind of used to
• 29:20
  Speaker 1: watch him in his band play and then he asked
• 29:22
  Speaker 1: me to sing Who's Loving You one time and a
• 29:25
  Speaker 1: homecoming that he had high school. And I did that
• 29:29
  Speaker 1: and kind of got in my blood. And the first
• 29:31
  Speaker 1: act I saw I was Jackson five, saw them coming
• 29:34
  Speaker 1: back to Indiana tour or going back to Indiana, and
• 29:36
  Speaker 1: I saw them on stage and it was over at
• 29:39
  Speaker 1: that point. And most musicians, a lot of musicians, I
• 29:41
  Speaker 1: should say, they are artists mode all the time, right.
• 29:44
  Speaker 1: They want to be an artist, They want to be
• 29:45
  Speaker 1: in front of the camera, on the stage, in front
• 29:47
  Speaker 1: of the lights. But you also took a taken into
• 29:49
  Speaker 1: writing as well. Well, made you say, you know what,
• 29:51
  Speaker 1: I'm gonna write for some of these people and produce
• 29:53
  Speaker 1: for some man these people, because you could have kept
• 29:54
  Speaker 1: it all for yourself and your brothers and your band.
• 29:57
  Speaker 1: I never felt like the star anyway. I only want
• 29:59
  Speaker 1: to do for the love of music and to write
• 30:02
  Speaker 1: it in the first place. So I wasn't trying to
• 30:04
  Speaker 1: be the main one. Even when I saw the Jackson five,
• 30:05
  Speaker 1: I didn't want it to be up on that stage.
• 30:07
  Speaker 1: I just wanted to have a piece of it, be
• 30:09
  Speaker 1: a part of it. Somehow. What happens when you write
• 30:11
  Speaker 1: a song but more than one person wants it because
• 30:14
  Speaker 1: some of the songs I'm sure that you've written, like
• 30:16
  Speaker 1: maybe you get it to this person, they didn't respond
• 30:18
  Speaker 1: fast enough, and then someone else got it in and
• 30:20
  Speaker 1: they're like, no, I want that song. Well, there was
• 30:22
  Speaker 1: one song in the beginning that I ended up giving
• 30:25
  Speaker 1: to another artist and it was and actually La got
• 30:28
  Speaker 1: blamed for it, but I was the one that actually
• 30:30
  Speaker 1: did it. Can't we talk? Nope? It was girlfriends ye.
• 30:35
  Speaker 1: So initially we had a deal. We were supposed to
• 30:37
  Speaker 1: do a thing with Vanessa Williams, and then we met
• 30:41
  Speaker 1: with this lady, Cheryl Dickerson at the Universal at the
• 30:44
  Speaker 1: time MCA. She said, you guys should meet the boys
• 30:47
  Speaker 1: and you should meet Pebbles, and we went over and
• 30:50
  Speaker 1: met Pebbles and and so then she played Mercedes Point,
• 30:53
  Speaker 1: which was like it was so good. And as she
• 30:56
  Speaker 1: was talking, I, she's planning that. I thought the song
• 30:58
  Speaker 1: girlfriend was already written, and it wasn't written for anybody specifically,
• 31:02
  Speaker 1: but already I had already written it. And then to La,
• 31:05
  Speaker 1: I said, Gee's girlfriend and He's like, yeah, but we
• 31:08
  Speaker 1: already we already put it on Vanessa. I said, yeah,
• 31:11
  Speaker 1: but this song belongs to her. And I've always been
• 31:16
  Speaker 1: a believer that the song comes first. So ultimately we
• 31:20
  Speaker 1: snatched the song back La started dating Pebbles, so they
• 31:24
  Speaker 1: just figured that Pebbles in La. You know, it must
• 31:26
  Speaker 1: have happened that way. But it was actually my father.
• 31:29
  Speaker 1: I take the blame. Well, it was a good call.
• 31:32
  Speaker 1: It was a good call. It it was the right call.
• 31:34
  Speaker 1: The song was supposed to go where it was supposed
• 31:35
  Speaker 1: to go. I wanted to ask, like, what a song like?
• 31:37
  Speaker 1: Can we talk right? Huge records to this day, so
• 31:40
  Speaker 1: when you're working with a new artist and you have
• 31:42
  Speaker 1: that record, and I'm sure when you did that record,
• 31:43
  Speaker 1: you're like, oh, this is it. Do you have any
• 31:45
  Speaker 1: reservation like maybe we shouldn't give it into this young
• 31:48
  Speaker 1: whipper snapper, which Tevin Campbell was at the time, Maybe
• 31:50
  Speaker 1: we should give it to somebody that's already season. Do
• 31:52
  Speaker 1: you ever have those reservations? Not really, It all depends
• 31:55
  Speaker 1: on the voice. And that song was just kind of
• 31:58
  Speaker 1: right for Tevin at the time. And I know this
• 32:01
  Speaker 1: this whole thing on Usher and supposed to be us
• 32:03
  Speaker 1: your song, And the reality is I wrote it specifically
• 32:06
  Speaker 1: for Tevin because Quincy Jones asked me to, you know,
• 32:10
  Speaker 1: work on this project and I had already did one
• 32:12
  Speaker 1: song called I'm Ready, and then he called me and
• 32:15
  Speaker 1: said can I get another one? I was like, I'm
• 32:16
  Speaker 1: gonna get Quincy Jones and not a song. It was Quincy.
• 32:19
  Speaker 1: So I ultimately wrote wrote that and wrote that with
• 32:23
  Speaker 1: Darryl Simmonson, We wrote, um, can we talk? And it
• 32:27
  Speaker 1: was for Tevin from the get go. The rumor has
• 32:30
  Speaker 1: it it was supposed to be for Usher and I
• 32:32
  Speaker 1: should never guide it over for whatever. Yeah, I know,
• 32:34
  Speaker 1: and that went for a very long time. The truth vital,
• 32:39
  Speaker 1: that's not the truth. It was ultimately from the beginning
• 32:43
  Speaker 1: written for Tevin and went on Tevin. I think after
• 32:45
  Speaker 1: the fact it was done. I think La definitely wanted
• 32:48
  Speaker 1: to have it on Ushi, but it was it was
• 32:50
  Speaker 1: too late, it was already done. Do you remember how
• 32:51
  Speaker 1: much you were charging back then for records to write records? Nope,
• 32:59
  Speaker 1: I know for the Vanessa thing, but three songs. I
• 33:03
  Speaker 1: think we're gonna get twelve Grandpa grand Phil Gram for
• 33:06
  Speaker 1: three songs. Who was happy? You guys were excited for that.
• 33:08
  Speaker 1: He was excited, We was excited about that. And then
• 33:11
  Speaker 1: perhaps manager at the time he offered us fifteen for one,
• 33:14
  Speaker 1: so that he went that route. You remember your first rapper,
• 33:18
  Speaker 1: hip hop artists that called and said do a record,
• 33:20
  Speaker 1: And what were your thoughts when they called. I don't
• 33:22
  Speaker 1: clearly remember. I just know I did this one record
• 33:25
  Speaker 1: for this artist I wasn't very familiar with, and they
• 33:28
  Speaker 1: said he was gonna be really big, and you think
• 33:30
  Speaker 1: he had an album out already, but he said there's
• 33:32
  Speaker 1: gonna be really big, and I did this hook for him,
• 33:34
  Speaker 1: Sunshine exactly. You didn't you didn't know who jay Z was.
• 33:38
  Speaker 1: I wasn't really familiar with what did you want a studio?
• 33:41
  Speaker 1: Want him to record that record? Yeah? I went in
• 33:43
  Speaker 1: and honestly, I don't I think he was there. I'm
• 33:45
  Speaker 1: not sure it was because I didn't really know him. Yeah,
• 33:47
  Speaker 1: I do this. It was a favorite. So who called you?
• 33:50
  Speaker 1: If you didn't hear nobody? I think I feel like
• 33:52
  Speaker 1: Andre Horrell called again and you were a baby face
• 33:55
  Speaker 1: at that time, so he was like, who is this call?
• 33:57
  Speaker 1: What rapper? No? No, I never had this. I was
• 33:59
  Speaker 1: never baby face, if you know what I'm saying. I
• 34:02
  Speaker 1: never looked at myself as like baby face. So it
• 34:05
  Speaker 1: never so if I if I knew somebody and they
• 34:08
  Speaker 1: called want me to do something, that I'd do it.
• 34:09
  Speaker 1: You know. Now, let's talk about the iconic Waiting to
• 34:12
  Speaker 1: Exhale soundtrack. So how did you work on that? How
• 34:16
  Speaker 1: did all of that happen? What was the process? I
• 34:18
  Speaker 1: got a call from Forrest Whittaker, and I think everybody
• 34:21
  Speaker 1: was everybody just calls you baby face. You know that
• 34:24
  Speaker 1: I'll do or you gotta do it, NA. But I
• 34:27
  Speaker 1: was surprised. I got a call from Forrest Whittaker, and
• 34:30
  Speaker 1: I was excited that he wanted to meet with me,
• 34:32
  Speaker 1: and everybody was chomping at the bit to do, waiting
• 34:35
  Speaker 1: to excel. You know. Then Forrest Whittaker call me and
• 34:37
  Speaker 1: I didn't know he was directing the movie at the time,
• 34:40
  Speaker 1: and he told me, I'm getting ready through this project
• 34:42
  Speaker 1: and where your excel. And he said, I'd love you
• 34:44
  Speaker 1: to do music, and I'd also love you to score
• 34:46
  Speaker 1: it as well. And I hadn't done that, scored it
• 34:50
  Speaker 1: and are written all the music for film, which was
• 34:54
  Speaker 1: I was glad to definitely write the music. Was scoring
• 34:56
  Speaker 1: I was a little afraid of and he said, na, nah,
• 34:59
  Speaker 1: you can do it, walk it through it and we'll
• 35:00
  Speaker 1: get this done. And so it was really for us
• 35:03
  Speaker 1: that kind of called it for me to do it.
• 35:05
  Speaker 1: And then as we were doing it that I thought
• 35:07
  Speaker 1: it made a lot of sense fortune us to be
• 35:10
  Speaker 1: all girls. And initially Whitney since it was a Whitney film,
• 35:13
  Speaker 1: you thought, okay, great, we get Whitney to sing with.
• 35:15
  Speaker 1: Whitney initially wasn't gonna sing, but then she knew it
• 35:18
  Speaker 1: was you, and I know she trust you. Yes, she
• 35:20
  Speaker 1: trust me. But even then, because I had met with
• 35:22
  Speaker 1: and I asked her, you're gonna sing because I don't know, Bay,
• 35:24
  Speaker 1: I don't know if I'm gonna do this yet, so
• 35:26
  Speaker 1: I wasn't writing any writing anything for her. So everything
• 35:30
  Speaker 1: initially was all songs written for every all the other artists,
• 35:33
  Speaker 1: and then finally she said she would sing, and that's
• 35:36
  Speaker 1: how Excel Ultimately was written. And I started writing, but
• 35:40
  Speaker 1: I didn't finish it, and that's how it ended up
• 35:42
  Speaker 1: with shoop shoot instead of a full course at it
• 35:44
  Speaker 1: because I hadn't really thought it all the way through.
• 35:48
  Speaker 1: We gotta get it done, all right. We got them
• 35:54
  Speaker 1: all with baby Face when we come back, don't move.
• 35:56
  Speaker 1: It's the Breakfast Club. Good Morning Morning. Everybody is DJ Envy,
• 36:00
  Speaker 1: Angela Yee, Charlemagne the guy we are the Breakfast Club
• 36:03
  Speaker 1: was still kicking it with baby Face versus opened you
• 36:05
  Speaker 1: up to a whole younger demographic. Yeah, So how has
• 36:09
  Speaker 1: that been? Because I mean, I remember the first day,
• 36:11
  Speaker 1: you know, you and Teddy y'all were trying to figure
• 36:13
  Speaker 1: out your Wi Fi problem and good yeah, yeo, why
• 36:17
  Speaker 1: Teddy's was a little crazy. So how has that been?
• 36:19
  Speaker 1: Opening up to a whole new demographical people that probably
• 36:22
  Speaker 1: didn't know who you were at the time, but now
• 36:24
  Speaker 1: or so into you. Yeah, I think that was no
• 36:27
  Speaker 1: question the turning point. I think that doing it first,
• 36:30
  Speaker 1: I was scared to tell are nervous to sell anyway?
• 36:32
  Speaker 1: Doing that as we were doing that, because I didn't
• 36:35
  Speaker 1: many hits. You know, it's the weirdest thing because you know,
• 36:38
  Speaker 1: you're sitting here watching the phone and ain't nobody else
• 36:41
  Speaker 1: in there, and so why should you be nervous because
• 36:43
  Speaker 1: you don't know any you know, you don't know if
• 36:45
  Speaker 1: anybody's on the other side or not. But the whole
• 36:48
  Speaker 1: idea of going up against Teddy because Teddy had a catalog.
• 36:51
  Speaker 1: He Teddy got a catalog. You just didn't plan it
• 36:54
  Speaker 1: out right right. He could have got me. He just
• 36:56
  Speaker 1: he just didn't plan. I was prepared, We were prepared
• 37:00
  Speaker 1: to come at him. Every song people, okay, you got that,
• 37:02
  Speaker 1: I got this, got this, got this, And so I
• 37:05
  Speaker 1: knew one song he would play. I knew I couldn't
• 37:06
  Speaker 1: beat it. That's what why I ended up pulling the
• 37:08
  Speaker 1: guitar out and did the wing Can I See You?
• 37:10
  Speaker 1: Because I knew I couldn't beat When he went to
• 37:12
  Speaker 1: um the remix with s WVS, like I ain't gonna
• 37:15
  Speaker 1: be able to beat that so it was fun in
• 37:18
  Speaker 1: that sense, but I didn't I didn't want to do
• 37:20
  Speaker 1: it in the first place because I didn't want to
• 37:22
  Speaker 1: compete like that. And it was Andre Horrell who talked
• 37:25
  Speaker 1: to me once again. Andre called me again and talked
• 37:28
  Speaker 1: me into it, and I'm glad that I did it,
• 37:31
  Speaker 1: because when I did it, it did it changed everything
• 37:34
  Speaker 1: because I went from like you know, Instagram follows from
• 37:37
  Speaker 1: overnight from three hundred thousand and two over a million
• 37:40
  Speaker 1: and US and and everything. It just it kind of
• 37:44
  Speaker 1: changed to where I started seeing younger people that were
• 37:48
  Speaker 1: into me, which brought up the idea Rico, who's my
• 37:51
  Speaker 1: partner in this um on Girl's Light Out. She kind
• 37:54
  Speaker 1: of came to me and said, what you needed to
• 37:55
  Speaker 1: do is do another project, not not exactly ex Hell,
• 37:59
  Speaker 1: but a project the younger R and B girls again,
• 38:03
  Speaker 1: and this time you should write it with them. And
• 38:05
  Speaker 1: so that's what I ended up doing. And how was that?
• 38:07
  Speaker 1: Getting all those different attitudes, all those different people, all
• 38:10
  Speaker 1: those different moments. It was great because like every girl
• 38:15
  Speaker 1: had their own thing, and everybody wrote on the song,
• 38:18
  Speaker 1: we actually collaborated together. So we just walk in the
• 38:22
  Speaker 1: studio and then I say so what's going on in
• 38:24
  Speaker 1: your life and you're happy, you said you're in love,
• 38:27
  Speaker 1: you're not in love, and everybody kind of will talk
• 38:29
  Speaker 1: about whatever's going on. Man. I thought about that right
• 38:33
  Speaker 1: while I listened to the album, and like, what would
• 38:35
  Speaker 1: you say when it comes to what's going on? And
• 38:39
  Speaker 1: women's lives was kind of a theme in this album
• 38:42
  Speaker 1: because I feel like Lama and love, yes, you know,
• 38:45
  Speaker 1: butterflies come in. Yeah. But then I listened to some
• 38:48
  Speaker 1: of the other songs exactly, I'm like Coco Jones. You know,
• 38:51
  Speaker 1: she's jaded, she doesn't believe in love. And then you're
• 38:55
  Speaker 1: here at kalani Yah and she's like, you're mad at
• 38:57
  Speaker 1: me for breathing ye and then you hear baby take
• 39:01
  Speaker 1: don't even think about it, and you hear stuff like that,
• 39:04
  Speaker 1: and she's got problems with commitment. Do you feel like
• 39:08
  Speaker 1: sometimes when you're getting creative and writing in the studio,
• 39:12
  Speaker 1: it's easier to tap into more of those type of emotions.
• 39:16
  Speaker 1: That's true, but this is also a sign of where
• 39:18
  Speaker 1: we are today. It's like it was a time when
• 39:21
  Speaker 1: we would sing about love and when we would sing
• 39:23
  Speaker 1: about love and being in love, and now everybody's more
• 39:26
  Speaker 1: independent and these girls they got their own They're like,
• 39:30
  Speaker 1: I ain't taking this and I'm not gonna and I'm
• 39:32
  Speaker 1: gonna say how I feel, what I feel, and how
• 39:34
  Speaker 1: I feel. And that was the cool part about the
• 39:36
  Speaker 1: process because every girl that came in it was very
• 39:38
  Speaker 1: independent and very strong and a lot different than before.
• 39:42
  Speaker 1: Plus I was writing the songs before, so it was
• 39:44
  Speaker 1: completely what I imagined they might say, So they were
• 39:48
  Speaker 1: saying exactly how they felt, Like this is how women
• 39:50
  Speaker 1: really feel. Yeah, they're like, you know, you might have
• 39:52
  Speaker 1: thought it was love or no. And what did you
• 39:55
  Speaker 1: learn how to flow differently, how the lyrics flow, how
• 39:59
  Speaker 1: the melodies flow of everything's not on top of the beat,
• 40:02
  Speaker 1: it's behind the beat, its it's everywhere. It's it's all
• 40:05
  Speaker 1: about phil at this particular point. And just from the
• 40:08
  Speaker 1: their perspective of life, it's a lot different than it was,
• 40:12
  Speaker 1: say in the nineties girls, our nineties people period, relationships, period,
• 40:18
  Speaker 1: everything's a lot more toxic. But that's like it's like
• 40:21
  Speaker 1: money long and her song the recipe. Yes, you know
• 40:24
  Speaker 1: she's going through your phone. You don't have to worry
• 40:27
  Speaker 1: about that back in the day, Like, well, yeah, there's
• 40:29
  Speaker 1: a lot of things you have to wonder about. But
• 40:32
  Speaker 1: Money came in and killed it too. She did, And
• 40:34
  Speaker 1: the funny thing is that we really just did it
• 40:37
  Speaker 1: every song in one day. Who surprised you the most
• 40:40
  Speaker 1: in the studio? They kept on being surprises, Like I
• 40:43
  Speaker 1: knew Money Long was great, but I didn't know that
• 40:45
  Speaker 1: she was that great. Some surprises were Tiana Major nine.
• 40:49
  Speaker 1: I heard her voice before, and then when she came in,
• 40:53
  Speaker 1: I realized how richer voice really is. It's like, this
• 40:55
  Speaker 1: girl's really good. And then Coco Jones surprised me, like
• 40:59
  Speaker 1: where this come from? Baby Chate, who was more of
• 41:02
  Speaker 1: a rapper who came in singing. I know, I was
• 41:04
  Speaker 1: surprised with that one. That was though. I was like,
• 41:06
  Speaker 1: baby Tate and her song is dope that you know
• 41:09
  Speaker 1: did he recently came out and said R and B
• 41:11
  Speaker 1: was dead and it was trending and people were mad.
• 41:13
  Speaker 1: R and B artists were mad. Yeah, what are your
• 41:15
  Speaker 1: thoughts on it, especially since you just did a whole
• 41:17
  Speaker 1: Girl's Night Out album R and B album? Yeah, you know,
• 41:21
  Speaker 1: R and B is never dead. It's in everything that
• 41:24
  Speaker 1: we do, and it's in every new artist. I mean,
• 41:28
  Speaker 1: Kaylannie has been killing it for a very long time.
• 41:31
  Speaker 1: You have Giveon, you have pieces of R and B
• 41:34
  Speaker 1: and Day and Lucky Day. You have R and B
• 41:36
  Speaker 1: and Steve still R and B is everywhere, and also
• 41:41
  Speaker 1: you have R and B and pop artists too. It's like,
• 41:45
  Speaker 1: don't think that justin Bieber that that's not R and B.
• 41:48
  Speaker 1: It's in so many things. So I disagree with that wholeheartedly.
• 41:51
  Speaker 1: You just named a lot of R and B guys.
• 41:53
  Speaker 1: So does that mean there's gonna be like a Guy's
• 41:55
  Speaker 1: Not Out? I don't know, Maybe you should do a
• 41:58
  Speaker 1: Guy's Not Out absolutely probably hang over And I was
• 42:01
  Speaker 1: gonna ask, is there any song that you wish you redid?
• 42:04
  Speaker 1: That's why I don't listen to the radio when when
• 42:06
  Speaker 1: songs come out, I usually won't listen to it because
• 42:09
  Speaker 1: I will reproduce it in my head and be like, damn,
• 42:11
  Speaker 1: I should have did this that that could have went
• 42:13
  Speaker 1: for this note, could have made it a little bit better.
• 42:16
  Speaker 1: So I'll turn the station if I hear something or
• 42:19
  Speaker 1: if somebody's listened to stuff that I just don't try
• 42:21
  Speaker 1: not pay attention. When you and La Red had the
• 42:24
  Speaker 1: Face and you guys had so much success, why did
• 42:27
  Speaker 1: you guys say Okay, we're done with the label. In
• 42:30
  Speaker 1: terms of the label part, it was just that kind
• 42:33
  Speaker 1: of time for La. He wanted to move on and
• 42:36
  Speaker 1: he got an offer to run Arista, and we ultimately
• 42:40
  Speaker 1: built we were building the Face to hopefully one day
• 42:42
  Speaker 1: sell it. It's because La was able to go run Airsta.
• 42:45
  Speaker 1: I think that's why we were able to actually sell
• 42:47
  Speaker 1: it at that point. I don't know if we would
• 42:49
  Speaker 1: have been able to do it any sooner than that.
• 42:52
  Speaker 1: Of all the artists that you signed on the face,
• 42:54
  Speaker 1: who was some of your favorites because you just really
• 42:57
  Speaker 1: found that raw talent and really made into y'all today.
• 43:00
  Speaker 1: It's a little hard to answer because it's so many
• 43:03
  Speaker 1: artists that we touched. You didn't imagine that their careers
• 43:07
  Speaker 1: would go where it would go from even starting with TLC.
• 43:11
  Speaker 1: We gave you the vision for TILSA. We're gonna go
• 43:12
  Speaker 1: through someone like TLC when they came to you, the
• 43:14
  Speaker 1: way that they looked at different clothes, singing, rapping all together.
• 43:18
  Speaker 1: What made you say that is the group? Well, TLC
• 43:21
  Speaker 1: was brought in through Pebbles and she had a vision
• 43:26
  Speaker 1: for them, and then when she brought them it was
• 43:27
  Speaker 1: kind of clear to see. And then there was obviously
• 43:30
  Speaker 1: Tony Braxton. She was in had the group herself with
• 43:35
  Speaker 1: the Braxtons. We pulled her out of the Braxtons because
• 43:37
  Speaker 1: she had this voice, and how difficult was that making
• 43:40
  Speaker 1: her leave it? It was it was kind of difficult.
• 43:42
  Speaker 1: It was a family affair and they didn't really want
• 43:46
  Speaker 1: that to happen. But I felt like she was a
• 43:48
  Speaker 1: star by herself. Initially she called you guys the perfect
• 43:52
  Speaker 1: pairing musically. I think that the thing that hit me
• 43:56
  Speaker 1: about Tony was all this pain that she had in
• 43:58
  Speaker 1: a voice. And I loved to write from painting. So
• 44:01
  Speaker 1: all the things kind of fell together right, because you know,
• 44:04
  Speaker 1: Tony ended up getting songs that weren't actually even meant
• 44:07
  Speaker 1: for her that she you know, they were written for
• 44:09
  Speaker 1: Anita Baker first. At first, from the Boomerang sound check,
• 44:12
  Speaker 1: we wrote love should have Brought You Home, ass Home.
• 44:15
  Speaker 1: We wrote that for Anita Baker, and she turned it
• 44:18
  Speaker 1: down and said, y'all should let that little girl do it.
• 44:21
  Speaker 1: That that little girl do it, a little girl that
• 44:23
  Speaker 1: did the demo? Why did she turn it down? She
• 44:26
  Speaker 1: didn't like it. I guess it didn't seem like it
• 44:28
  Speaker 1: was something that she wants to sing. And then I
• 44:30
  Speaker 1: think we said her another one like you mean the
• 44:32
  Speaker 1: world to man, and she turned that one down too,
• 44:35
  Speaker 1: So Tony got that one too. She's no baby, I
• 44:38
  Speaker 1: don't want to do that. Let that little girl sing
• 44:40
  Speaker 1: it all right. We got them with baby Face. When
• 44:42
  Speaker 1: we come back, don't move. It's the Breakfast Club, Good
• 44:44
  Speaker 1: morning morning. Everybody is DJ Envy Angela yee. Charlemagne, the
• 44:49
  Speaker 1: guy we all to Breakfast Club was still kicking it
• 44:51
  Speaker 1: with baby Face yea. What was your first publishing deal? Like,
• 44:54
  Speaker 1: didn't have one to begin with. Our publishing was just
• 44:57
  Speaker 1: taken because we signed up to the record company, so
• 45:00
  Speaker 1: it was like they take it automatically. You didn't get
• 45:02
  Speaker 1: any advance or anything. So we've been through it all.
• 45:04
  Speaker 1: How big are you? One? Always writing for yourself to
• 45:07
  Speaker 1: other artists write for you when you put out your
• 45:09
  Speaker 1: own projects. Sometimes people write for me. I don't. Usually
• 45:14
  Speaker 1: I'll write together, but when someone hands me a song,
• 45:16
  Speaker 1: I don't usually do that. Have you ever done a
• 45:19
  Speaker 1: song that someone just handed you? Teddy calls you up
• 45:21
  Speaker 1: and since I got the song for you or you
• 45:23
  Speaker 1: know Quincy or Andrew Harrels. Yeah, it's so hard for
• 45:28
  Speaker 1: me to just do that. Wow, that's hard. Now, I
• 45:33
  Speaker 1: usually have to collaborate because people they'll think they know
• 45:37
  Speaker 1: exactly what it is that I'm supposed to do, and
• 45:41
  Speaker 1: I don't feel the same. So it's weird for me
• 45:43
  Speaker 1: to be behind the mic and if someone's trying to
• 45:45
  Speaker 1: produce me. That's a rough one. I did that with
• 45:48
  Speaker 1: a couple of people and I got through it difficult.
• 45:53
  Speaker 1: Has anybody ever have you ever felt like you wanted
• 45:55
  Speaker 1: to experiment and like, let me try this different you
• 45:58
  Speaker 1: know sound, and yeah, you know, through the years, I've
• 46:01
  Speaker 1: done different things that it was different when I worked
• 46:04
  Speaker 1: with Pharrell. It was when we did um there she goes.
• 46:08
  Speaker 1: That was a different experience for me to work with Pharrell.
• 46:11
  Speaker 1: I enjoyed it because I was able to see how
• 46:14
  Speaker 1: Pharrell worked and how he I was surprised because he
• 46:17
  Speaker 1: was doing everything on this one little keyboard, say you
• 46:19
  Speaker 1: created all this with that. It was amazing just to
• 46:22
  Speaker 1: kind of see everybody's work work ethic and how they
• 46:26
  Speaker 1: put things together. And I knew at that particular point
• 46:28
  Speaker 1: that was way back in the day, and I knew
• 46:30
  Speaker 1: at the point that Farrell was going to just be
• 46:32
  Speaker 1: he was justly gonna blow up. He's gonna be amazing.
• 46:34
  Speaker 1: All right, Well you do have the guitar here, you
• 46:36
  Speaker 1: do have a guitar heads Monday morning people, would you know?
• 46:38
  Speaker 1: People are driving to work it stuck in. I think
• 46:42
  Speaker 1: it's only right we should give him a little song.
• 46:44
  Speaker 1: We don't want you to have this here. You know
• 46:46
  Speaker 1: I was excited. I thought. I was like, I don't
• 46:48
  Speaker 1: know why you know something. I was gonna play it,
• 46:50
  Speaker 1: but you know, I don't think you want me to
• 46:51
  Speaker 1: play at all. I know it was a mc donald
• 46:53
  Speaker 1: had a ball. Yeah, yeah, I got um, what am
• 46:58
  Speaker 1: I doing? This is not? You know warning voice? It's
• 47:06
  Speaker 1: like the easy one? When can my heart beat again?
• 47:22
  Speaker 1: When does the pain never? When do the tea star
• 47:30
  Speaker 1: running over? When does you get over? Ray again? You
• 47:38
  Speaker 1: see I'm safe even it's not making saying so when
• 47:46
  Speaker 1: can I see you lugging win again? I see you
• 47:50
  Speaker 1: lugging the wind and bake car beat again? When again
• 48:00
  Speaker 1: I see you again? Wing? I won't and again thank you?
• 48:20
  Speaker 1: That's it? Yeah, that was amazing. That usually quests millions
• 48:24
  Speaker 1: of dollars to get something like that. That's what that
• 48:27
  Speaker 1: is to all of our listeners. That was definitely amazing.
• 48:31
  Speaker 1: I know this might be a stretch, nor just sound,
• 48:34
  Speaker 1: but me and you will help you with this one. No,
• 48:37
  Speaker 1: can we just do can we talk? Just one? Good time?
• 48:39
  Speaker 1: We're helping See, we're helping me. Send it if I
• 48:41
  Speaker 1: can remember, I usually play on the keyboard. It's really
• 48:57
  Speaker 1: high one too. Can you want me to do that? Yeah? Yeah,
• 49:07
  Speaker 1: you should be saying, I'm out your name come true. Okay,
• 49:30
  Speaker 1: We're gonna have to work a little bit. Dream come true, Valuari.
• 49:36
  Speaker 1: I just want to say we can fix that. We
• 49:38
  Speaker 1: can fix that. Let congratulations that happened. One single from
• 49:41
  Speaker 1: off the album lma Keep video star An Tiffany had it.
• 49:44
  Speaker 1: It looks like a Bridgeton theme. Oh yeah, that's a situation.
• 49:49
  Speaker 1: What do you want to play from the album? Hold on?
• 49:51
  Speaker 1: Hold on, let's think about this. Okay, let's see we
• 49:54
  Speaker 1: could What would you heard it? What would you like
• 49:56
  Speaker 1: to play? Oh man, let's see what song? You know
• 49:58
  Speaker 1: what we talked about the song with baby take. Yeah,
• 50:01
  Speaker 1: so let's do that one. Okay, think about it, don't
• 50:04
  Speaker 1: even think. Let's do it all right. It's baby Faced,
• 50:06
  Speaker 1: the icon, the legend, It's the Breakfast Club. Thank you
• 50:09
  Speaker 1: for joining us, thank you, good morning. Let me try.
• 50:12
  Speaker 1: It's so hard to be on that Boy's Night Out album.
• 50:15
  Speaker 1: He wouldn't be on THEE. I was going to donkey,
• 50:22
  Speaker 1: it's the Donkey of the Devil Breakfast Club. I'm gonna
• 50:40
  Speaker 1: make this quick. It's just reinforcing a point. Donkey, if
• 50:44
  Speaker 1: the day goes to every single individual who got a
• 50:46
  Speaker 1: fraudulent p P P long because if you haven't heard,
• 50:49
  Speaker 1: President Biden signed the bill and at helping crack down
• 50:52
  Speaker 1: on pandemic relief fund Oh what a tangled web we
• 50:55
  Speaker 1: weave when we practice to deceive. All right, there's not
• 50:57
  Speaker 1: one single solitary human I know, what good sense who
• 51:00
  Speaker 1: participated in PPP fraud. Why because we all knew it
• 51:04
  Speaker 1: was too good to be true. We all knew there
• 51:06
  Speaker 1: was only one place fake LLC Twitter was gonna end up,
• 51:09
  Speaker 1: and that's in PPP prison. Okay, PPP period. And that's
• 51:13
  Speaker 1: why a couple of days ago President Joe Biden signed
• 51:16
  Speaker 1: to pay bills does this prosecutors cracked down on pandemic
• 51:19
  Speaker 1: relief funds. Let's listen to what he had to say.
• 51:21
  Speaker 1: And today I'm signing two bipartisan bills and will give
• 51:24
  Speaker 1: the federal and local prosecutors more time to hold criminals
• 51:28
  Speaker 1: accountable for the fraud and the American people during the
• 51:31
  Speaker 1: once in a century pandemic. American people deserve to know
• 51:34
  Speaker 1: was that their tax dollars are being spent as intended.
• 51:37
  Speaker 1: My message to those cheats out there is this, you
• 51:40
  Speaker 1: can't hide. I'm going to find you. We're gonna make
• 51:43
  Speaker 1: you pay back wards you're stolen, and hold you accountable
• 51:46
  Speaker 1: under the law. I'm going to sign them in the
• 51:48
  Speaker 1: law as true. For another piece of my economic plan,
• 51:51
  Speaker 1: the belief and the United States of America. There's nothing
• 51:54
  Speaker 1: beyond our capacity. Nothing when we work together as the
• 51:58
  Speaker 1: United States and Americas represent. Y'all know, President Biden love
• 52:03
  Speaker 1: locking black people up, and y'all just helped them. See,
• 52:07
  Speaker 1: I'm not wishing jail on nobody. I just understand it.
• 52:09
  Speaker 1: This consequences to all our actions. And for some reason
• 52:12
  Speaker 1: in this era, people have forgotten that. All right, folks
• 52:15
  Speaker 1: want to do whatever it is they want to do
• 52:17
  Speaker 1: and then get mad when they don't get away with it.
• 52:19
  Speaker 1: It's unreal to me. The mindset is crazy, okay. And
• 52:22
  Speaker 1: these bills that Biden sign will extend the Statue of
• 52:24
  Speaker 1: limitations for prosecuting cases of fraud against the government for
• 52:28
  Speaker 1: ten years, so for the next decade. If you did
• 52:31
  Speaker 1: a fraudulent p P peacecam, you better act like you
• 52:34
  Speaker 1: were rapper from Atlanta who's been warned by the DA
• 52:36
  Speaker 1: that more ricos are on the way over the next
• 52:38
  Speaker 1: sixty days. By the way, she said that three weeks ago,
• 52:40
  Speaker 1: so y'all got about three or four more weeks left.
• 52:42
  Speaker 1: But I just want to know what made y'all think
• 52:44
  Speaker 1: y'all could get away with this fraudulent p p P
• 52:47
  Speaker 1: loan scam in the first place. Some of y'all never
• 52:50
  Speaker 1: owned a business, never ran a business, nothing, but all
• 52:53
  Speaker 1: of a sudden, you're creating these fake LLC's, lying about
• 52:55
  Speaker 1: the number of employees you have, about the profits you made.
• 52:58
  Speaker 1: We told y'all this were gonna lead to you going
• 53:01
  Speaker 1: to PPP prison, and you did it anyway. Okay. I
• 53:05
  Speaker 1: don't feel sorry for y'all, Okay, I feel sorry for
• 53:07
  Speaker 1: all the small businesses, all the small black businesses who
• 53:11
  Speaker 1: couldn't get any PPP money, who wanted to relief, who
• 53:14
  Speaker 1: needed to relief, and for whatever reason, couldn't get it.
• 53:17
  Speaker 1: But all of y'all out there with fake LLCs like
• 53:20
  Speaker 1: Deally Nuts LLC and Beef King LLC and Rita Week
• 53:24
  Speaker 1: Club LLC. Would you'd like to know who those people were.
• 53:27
  Speaker 1: Those were actual businesses who claimed to be farms. But
• 53:32
  Speaker 1: guess what these farms and I got farms in their quotes.
• 53:35
  Speaker 1: Guess what? These farms were located in beach towns in
• 53:38
  Speaker 1: New Jersey. Okay, hundreds of PPP loans went to fake
• 53:43
  Speaker 1: farms and places where there is no damn farms. All right.
• 53:46
  Speaker 1: There was an online lending platform called Cabbage that sent
• 53:49
  Speaker 1: three hundred and seventy eight pandemic loans worth seven million
• 53:52
  Speaker 1: dollars to fake companies, mostly farms. Meanwhile, real farms couldn't
• 53:56
  Speaker 1: get this kind of relief. This is what makes me
• 53:59
  Speaker 1: feel like all of this was a set up? Okay,
• 54:02
  Speaker 1: how are so many legitimate businesses ignored couldn't get the
• 54:07
  Speaker 1: relief they needed? But all these fake LLCs weren't. For
• 54:11
  Speaker 1: all you YouTube conspiracy theorists out there, this is a
• 54:15
  Speaker 1: conspiracy you can run with because they killed two birds
• 54:18
  Speaker 1: with one stone. In this case, they killed two niggas
• 54:21
  Speaker 1: with one loan. Okay, Because if you're a small black
• 54:24
  Speaker 1: and brown business who couldn't get a PPP loan, you
• 54:27
  Speaker 1: probably ended up ultimately losing your business. So they killed
• 54:30
  Speaker 1: black and brown businesses. And if you're a black or
• 54:31
  Speaker 1: brown person who got a fake LLC, now you go
• 54:34
  Speaker 1: into prison. And I don't even have to tell you
• 54:36
  Speaker 1: how incarceration kills families. So therefore this was the ultimate trap. Okay,
• 54:40
  Speaker 1: you killed two niggas, quit one loan. It was clearly
• 54:44
  Speaker 1: a trap, and y'all fell for it. I don't feel
• 54:46
  Speaker 1: remorse for any of you, Okay. PPP was intended to
• 54:49
  Speaker 1: help businesses make payroll during the pandemic, with those loans
• 54:52
  Speaker 1: being forgiven if companies met specific criteria. Okay, it was
• 54:56
  Speaker 1: for small businesses to stay afloat, not for you niggas
• 54:58
  Speaker 1: the ball out on boats. Okay. I don't feel sorry
• 55:01
  Speaker 1: for any of y'all, and I am sick of folks
• 55:03
  Speaker 1: acting like there it's not consequences to their actions, all right.
• 55:06
  Speaker 1: We see people doing things that are gonna lead them
• 55:08
  Speaker 1: to jail, We tell them they're going to jail. We
• 55:10
  Speaker 1: can clearly see what the consequences of what they are
• 55:13
  Speaker 1: doing is gonna be. We warn them, they do it,
• 55:16
  Speaker 1: they get busted, and now we feel sorry for them. No,
• 55:20
  Speaker 1: not Lenard, not Uncle Shla. Okay, y'all deserve to be afraid,
• 55:24
  Speaker 1: all right, very afraid. Over the next decade. You made
• 55:27
  Speaker 1: a choice, and I hope those crab legs and scrimps
• 55:29
  Speaker 1: and all that casting Eagles was worth it. Please give
• 55:31
  Speaker 1: everyone who got a fraudulent p P P loan the
• 55:33
  Speaker 1: biggest he haull. Just my thoughts, just the way I'm feeling.
• 55:39
  Speaker 1: At the time. It was a pandemic. You know what
• 55:41
  Speaker 1: I'm saying. People was getting them banned. So I guess
• 55:45
  Speaker 1: it's over now it's been over. Oh it was over
• 55:48
  Speaker 1: two years ago. About to be a jail It's gonna
• 55:50
  Speaker 1: be a jail demic. You hear me. We told y'all
• 55:54
  Speaker 1: this was gonna happen. We live. You go back and
• 55:56
  Speaker 1: you listen to the break club during Kobe, We told
• 55:59
  Speaker 1: you EPP was gonna lead the p P prison. Okay,
• 56:03
  Speaker 1: we saw what this was going. Y'all didn't listen. Hey,
• 56:06
  Speaker 1: now you got a decade to watch you back, all right,
• 56:10
  Speaker 1: the breakfast club, Come on the relationship advice, need personal advice,
• 56:19
  Speaker 1: just need real advice. Call up man for asking morning.
• 56:24
  Speaker 1: Everybody is DJ Envy angela. Ye, Charlemagne the guy. We
• 56:28
  Speaker 1: are the breakfast club. It is time for asking Ye, Hello,
• 56:31
  Speaker 1: who's this? Hi? This is Nicole, Hey, Nicole, what's your
• 56:34
  Speaker 1: question for easy? Um? So, the situation is, um, I've
• 56:38
  Speaker 1: been in a relationship for maybe like seventeen years. It
• 56:42
  Speaker 1: just in terms of my relationship, he had like different
• 56:45
  Speaker 1: sexual interests, and um, I thought, I'm on the doctor
• 56:50
  Speaker 1: doctor nature. I've been I like control in the bedroom,
• 56:54
  Speaker 1: and he seemed like he was into it. I'd like
• 56:57
  Speaker 1: to turn them out, but I don't like when they're
• 57:01
  Speaker 1: into it. So I've been noticing more and more where
• 57:04
  Speaker 1: they are. I mean, he is like cooking to his
• 57:07
  Speaker 1: be out or it's like hanging and I kind of
• 57:12
  Speaker 1: not interested in it no more. So I want to
• 57:15
  Speaker 1: know how do I bring up the conversation with him
• 57:19
  Speaker 1: without hurting his feelings or damasculating him because so wait,
• 57:25
  Speaker 1: let me So the problem is that you're a dominatrix, right,
• 57:28
  Speaker 1: but he's enjoying it too much. I woant to say,
• 57:32
  Speaker 1: yes that it's the problem. Okay, you want him, you
• 57:35
  Speaker 1: want him to be like anymore? It's like, are you
• 57:38
  Speaker 1: really now like interested in bad or you know? Okay,
• 57:43
  Speaker 1: so in the beginning he wasn't enjoying it. No, he was.
• 57:46
  Speaker 1: I liked what I said. I like to de turn
• 57:48
  Speaker 1: him out, so he was like he no, staying with
• 57:51
  Speaker 1: that area. What you think? This is kind of like okay,
• 57:54
  Speaker 1: So you mean with you know, like putting something in
• 57:56
  Speaker 1: his Yeah, okay, all right, Well, first of all, you
• 58:00
  Speaker 1: said the goal is to turn someone out. It worked, yeah,
• 58:05
  Speaker 1: it did, so now that you turned him out your board.
• 58:08
  Speaker 1: But the thing is we are like partners, and I
• 58:11
  Speaker 1: don't know if this is going to mess up our
• 58:14
  Speaker 1: actual relationship. Well as a dominatrix, maybe you need to
• 58:18
  Speaker 1: find something else to do to him next to turn
• 58:21
  Speaker 1: him out on elaborate I mean, okay, look, what other
• 58:25
  Speaker 1: things do you do as a dominatrix in this relationship,
• 58:28
  Speaker 1: because I guess the dynamic now is messed up. Right.
• 58:30
  Speaker 1: As a dominatrix, he's supposed to be like no, I
• 58:33
  Speaker 1: don't want that, don't like that. He's resistant, but now
• 58:36
  Speaker 1: he's like, yes, bring it, do it to me, peg
• 58:39
  Speaker 1: me yes, and booty out before I'm ready to actually
• 58:48
  Speaker 1: take it. And I'm like, right now, this is down. Now,
• 58:52
  Speaker 1: this feels like something we both enjoy and it wasn't
• 58:54
  Speaker 1: supposed to be like that, So are there are there
• 58:57
  Speaker 1: are there things that you do to him and that
• 58:59
  Speaker 1: sits you in that relationship to uh you know, maybe
• 59:02
  Speaker 1: there's something else you could do where you're stepping on
• 59:04
  Speaker 1: him with the high heels. Maybe a little light whipping
• 59:07
  Speaker 1: anything like that. Yeah, we do a little rope plays
• 59:11
  Speaker 1: of you know, I want to say sleep or patient.
• 59:17
  Speaker 1: We do like a little rope plays. But like I said,
• 59:20
  Speaker 1: it's just more of now like we regular doing regular
• 59:25
  Speaker 1: sect He ready to two weeks out? Okay, but if
• 59:30
  Speaker 1: he used a bigger dial, though, why are we doing
• 59:33
  Speaker 1: this is so wrong? Why is it wrong? Men do
• 59:36
  Speaker 1: not let women play in your button unless they're willing
• 59:38
  Speaker 1: to make a real commitment to you. Okay, yeah, I
• 59:40
  Speaker 1: mean he gave you the button. Now all of a
• 59:42
  Speaker 1: sudden it's too far bad? Okay, you not married? Right?
• 59:47
  Speaker 1: Actually we are married. What he gave you his butt
• 59:51
  Speaker 1: and now you're saying it's too much. You gonna like it,
• 59:56
  Speaker 1: you know that. But the problem is that you did
• 59:58
  Speaker 1: turn him out and got him to something that he
• 1:00:00
  Speaker 1: was resistant to at first, and now you don't like
• 1:00:03
  Speaker 1: it anymore. So I mean, what can you do it?
• 1:00:06
  Speaker 1: Works some suggestions. It's not like I'm really feel like
• 1:00:12
  Speaker 1: I'm in a hard place because I don't want to
• 1:00:15
  Speaker 1: say to him I don't want to do it anymore.
• 1:00:18
  Speaker 1: And like I said, I'm the one that started. Yeah,
• 1:00:22
  Speaker 1: but who maybe you could do it. Maybe you could
• 1:00:25
  Speaker 1: do the opposite now right and torture him by not
• 1:00:28
  Speaker 1: doing it. Oh man, what you don't do to another
• 1:00:32
  Speaker 1: man's but somebody else somewhere else will? I mean, is
• 1:00:40
  Speaker 1: it is it that you don't want to peg him
• 1:00:41
  Speaker 1: anymore at all? What if he acted like he doesn't?
• 1:00:47
  Speaker 1: What if he acted like he doesn't like it? Now?
• 1:00:49
  Speaker 1: Moving forward? And you let him I ask him to
• 1:00:52
  Speaker 1: like with just a little bit more, Yeah, tell him like,
• 1:00:55
  Speaker 1: tell him like, look, the dynamics of what this was
• 1:00:58
  Speaker 1: is not what it is now, And this is what
• 1:01:00
  Speaker 1: I need you to do for me to feel turned on.
• 1:01:03
  Speaker 1: He might actually enjoy that too. That's not fair, mama.
• 1:01:06
  Speaker 1: If he likes something and now all of a sudden,
• 1:01:08
  Speaker 1: you're supposed to be a couple, you're supposed to enjoy
• 1:01:10
  Speaker 1: each other. Well, she's not enjoying it, but he is.
• 1:01:13
  Speaker 1: But he might enjoy also doing the role playing of
• 1:01:16
  Speaker 1: acting like this is his first time doing it. He
• 1:01:18
  Speaker 1: didn't want to do it in the first time, why
• 1:01:20
  Speaker 1: he broke down for her to do it, and now
• 1:01:22
  Speaker 1: what he actually likes it. If he wants it, he
• 1:01:24
  Speaker 1: might have to play along. You know why a lot
• 1:01:26
  Speaker 1: of men don't like but play because they feel like
• 1:01:28
  Speaker 1: it makes him feel like less of a man, right,
• 1:01:30
  Speaker 1: It makes him feel like a sucker. Right. So so
• 1:01:33
  Speaker 1: now I've been vulnerable with you, you turn me out,
• 1:01:36
  Speaker 1: and now you're telling me to stop backing like a bitch.
• 1:01:38
  Speaker 1: Well guess who turned me in one. I'm just saying, anyway,
• 1:01:43
  Speaker 1: have you communicated any of this to him but not
• 1:01:50
  Speaker 1: very direct, saying oh, this is how I feel at
• 1:01:53
  Speaker 1: this turn moment, how things make a change. But be direct.
• 1:01:56
  Speaker 1: You're a diaminatrix. Be direct, okay, and tell him, Look,
• 1:02:00
  Speaker 1: this ain't fun for me no more. Before it was
• 1:02:02
  Speaker 1: a resistant situation, you ain't want it. Now you tuting
• 1:02:05
  Speaker 1: it up to dang up, daddy, make your role. What
• 1:02:09
  Speaker 1: I like are a regular helpful situation, Like it's like
• 1:02:15
  Speaker 1: I have to take control of everything, and it's like
• 1:02:18
  Speaker 1: is that from the way our room as? And now
• 1:02:24
  Speaker 1: it's like I don't want to pull him fitting out
• 1:02:26
  Speaker 1: because that's I don't want to downplay who needs to
• 1:02:28
  Speaker 1: be far from a female dog. But like he's revery
• 1:02:33
  Speaker 1: now sowful, he's not taking control as I think a
• 1:02:37
  Speaker 1: man in the house, So he might think this is
• 1:02:40
  Speaker 1: what you want, and if you haven't communicated that you
• 1:02:43
  Speaker 1: don't like it, he might think this is the dynamic
• 1:02:46
  Speaker 1: that you wanted. Charlemagne did say something real true what
• 1:02:50
  Speaker 1: you don't do, somebody else will. It's the truth. You
• 1:02:52
  Speaker 1: turned them onto it, so he likes. You need to
• 1:02:55
  Speaker 1: let him know that this is not working for you
• 1:02:57
  Speaker 1: and this is not what your intention was, so he
• 1:02:59
  Speaker 1: can take as in certain situations. Again, this is why
• 1:03:02
  Speaker 1: men don't open up. Our hearts are butts to people
• 1:03:04
  Speaker 1: because the situations like this, all right, but the main
• 1:03:07
  Speaker 1: thing is that you're not telling him what it is
• 1:03:10
  Speaker 1: that you need. You gotta let him much. She wanted
• 1:03:12
  Speaker 1: it at first and he didn't want to do it
• 1:03:13
  Speaker 1: at first, that he finally opened up and did it,
• 1:03:16
  Speaker 1: and he got turned out and you are doing it's
• 1:03:21
  Speaker 1: all right, so listen talk to him. Okay, so you
• 1:03:25
  Speaker 1: got to work through this. You begged the playing my
• 1:03:28
  Speaker 1: butt and let you playing my butt. Now you looking
• 1:03:29
  Speaker 1: at me like I'm soft. Let's just keep that. This
• 1:03:32
  Speaker 1: is crazy. This is this is crazy. This is what's
• 1:03:38
  Speaker 1: his number? We need to call her? No, stop it,
• 1:03:40
  Speaker 1: this is to spot yeah, don't do it? All right,
• 1:03:44
  Speaker 1: all right, this is toxic. We have no problem answering
• 1:03:48
  Speaker 1: any question. Opened up for her. He finally he enjoys
• 1:03:53
  Speaker 1: it now and now she's just gonna take it back.
• 1:03:56
  Speaker 1: I'll say, y'all can't get me in the communicate. We
• 1:03:58
  Speaker 1: opened up then, y'all tell us, y'all like what we say.
• 1:04:00
  Speaker 1: You say we don't share our emotions. We open up
• 1:04:02
  Speaker 1: our hearts. Y'all break our hearts. Y'all say, y'all we
• 1:04:04
  Speaker 1: don't want like butt play. We open our butts now,
• 1:04:07
  Speaker 1: look to take it back. You guys have been two
• 1:04:09
  Speaker 1: in to ask you these past covers. It's crazy, this
• 1:04:12
  Speaker 1: is crazy, this is foul. He's toxic. We need to
• 1:04:16
  Speaker 1: protest at we get five five breakfast. I'm gonna keep
• 1:04:32
  Speaker 1: there's some real advice with Angela's ask Ye Morning. Everybody
• 1:04:37
  Speaker 1: is DJ Envy Angela, Yee, Charlomagne the guy. We are
• 1:04:41
  Speaker 1: the breakfast club. We're in the middle of ask ye Hello,
• 1:04:44
  Speaker 1: who's this Yea? This is this is Trump. Hey Chaco, bro, Yeah,
• 1:04:48
  Speaker 1: many So I got this question right. I was trying
• 1:04:50
  Speaker 1: to put it out, like how do I get my
• 1:04:52
  Speaker 1: wife to be most miss pause? You know what I mean? No,
• 1:04:56
  Speaker 1: what do you mean by more submissive? Give me an example, Well,
• 1:05:00
  Speaker 1: time to like high school, so we basically go to
• 1:05:02
  Speaker 1: gus like I can't tell her name, So he's like
• 1:05:05
  Speaker 1: many things. Well, I know i'd write it where it's
• 1:05:07
  Speaker 1: always got to be like this argument about me making
• 1:05:10
  Speaker 1: up serious. You know what I'm saying about something? You
• 1:05:13
  Speaker 1: know what I mean? And she's already always in the head.
• 1:05:15
  Speaker 1: You know how women are a meaning like that, but
• 1:05:17
  Speaker 1: you get what I'm trying to say. Okay, so you're
• 1:05:19
  Speaker 1: telling me how all women are, but you're complaining that
• 1:05:21
  Speaker 1: she says all men are like that. Oh if you
• 1:05:25
  Speaker 1: wouldn't trying to say the work all right, give me
• 1:05:28
  Speaker 1: a specific example, like what you're right about that, she argues.
• 1:05:32
  Speaker 1: Let's say it's something I'm dealing with the kids I
• 1:05:33
  Speaker 1: don't want to get like specifically dealing with I may
• 1:05:37
  Speaker 1: I may say this is how I wanted to go,
• 1:05:40
  Speaker 1: and she feel like she go this way because he's
• 1:05:44
  Speaker 1: always right. So really it's not even a matter of
• 1:05:47
  Speaker 1: what's best. You guys are arguing over who's right. But
• 1:05:49
  Speaker 1: that's I feel like you shouldn't be that. I feel
• 1:05:52
  Speaker 1: like because he's like right all the time, you know
• 1:05:55
  Speaker 1: what I'm saying. Yeah, because sometimes we end up getting
• 1:05:58
  Speaker 1: into arguments not over what is that we're trying to do,
• 1:06:00
  Speaker 1: but over who's right, and it becomes more about that
• 1:06:03
  Speaker 1: than what the actual issue is. And it feels like
• 1:06:06
  Speaker 1: when those arguments continue to happen, it's for another reason. Right,
• 1:06:12
  Speaker 1: Is there something else going on in your relationships? It
• 1:06:14
  Speaker 1: hasn't always been like this, or is this something that
• 1:06:16
  Speaker 1: has been happening more recently. No, I think they're just
• 1:06:19
  Speaker 1: like all memic of our relationships that was built over
• 1:06:22
  Speaker 1: the years I've been together all these days, and I
• 1:06:24
  Speaker 1: feel like I'm kind of build throughout all the time,
• 1:06:28
  Speaker 1: you know what I'm saying. And I always like, damn,
• 1:06:30
  Speaker 1: I don't want to argue with you every time we
• 1:06:32
  Speaker 1: got we gotta make an incision on something right, because
• 1:06:35
  Speaker 1: that's exhausting, right, and that does affect the whole relationship. Well,
• 1:06:39
  Speaker 1: my thing is this, when I find myself in a
• 1:06:41
  Speaker 1: space and listen, all couples get into situations where they're
• 1:06:46
  Speaker 1: not always agreeing on things, they're not you know, always
• 1:06:49
  Speaker 1: on good terms. Sometimes they argue, but being able to
• 1:06:52
  Speaker 1: do that in a more effective way where you can
• 1:06:53
  Speaker 1: actually not have an argument but a discussion is important.
• 1:06:57
  Speaker 1: And it's about how you guys speak to each other
• 1:06:59
  Speaker 1: when discussing things and if you can, if you can
• 1:07:02
  Speaker 1: come into more of an agreeance on okay, whenever we
• 1:07:06
  Speaker 1: have something that we don't agree on, let's have a
• 1:07:08
  Speaker 1: discussion instead of an argument. And how can you do
• 1:07:11
  Speaker 1: that without you know, you know, some of the main
• 1:07:13
  Speaker 1: things are not using the words always you know how
• 1:07:16
  Speaker 1: you said you know how all y'all women are or
• 1:07:18
  Speaker 1: you always feel like men are like this. Using words
• 1:07:21
  Speaker 1: like that make people get defensive, right, So a better
• 1:07:26
  Speaker 1: way to express yourself is, hey, I was thinking it
• 1:07:28
  Speaker 1: would be best for the kids if we did this
• 1:07:30
  Speaker 1: like this. If she doesn't agree, be like, okay, well
• 1:07:32
  Speaker 1: let's discuss and you know, figure out the best solution.
• 1:07:35
  Speaker 1: Because sometimes it is really how y'all speak to each
• 1:07:38
  Speaker 1: other because you're just arguing to be right, and you
• 1:07:42
  Speaker 1: get so used to that because it is a dysfunctional
• 1:07:44
  Speaker 1: thing in a relationship where you guys argue over every
• 1:07:47
  Speaker 1: little thing, So you have to learn how to communicate
• 1:07:49
  Speaker 1: with each other in a more respectful manner where she
• 1:07:51
  Speaker 1: gets to say her piece, you get to say your piece,
• 1:07:54
  Speaker 1: and then you guys are coming to an agreement on
• 1:07:57
  Speaker 1: it in that manner. And then sometimes you have to
• 1:07:59
  Speaker 1: give in, and sometimes she should give in. Sometimes you
• 1:08:02
  Speaker 1: have to lead with example to show this is how
• 1:08:05
  Speaker 1: I want to be spoken to and I want to
• 1:08:07
  Speaker 1: treat you the way you need to be treated. And
• 1:08:09
  Speaker 1: that might even be in the middle of you guys
• 1:08:11
  Speaker 1: discussing something a hug selling her y'all love you. I
• 1:08:14
  Speaker 1: hate that we are arguing like this because sometimes it's
• 1:08:19
  Speaker 1: hard to be the bigger person in a situation like
• 1:08:21
  Speaker 1: that when you're fighting to be right for no reason,
• 1:08:24
  Speaker 1: right right, right, All right, Well, I wish y'all luck
• 1:08:29
  Speaker 1: with that, But you know, I just think it's a
• 1:08:32
  Speaker 1: different type of issue. It feels like it's not even
• 1:08:34
  Speaker 1: about what y'all are going back and forth over. It's
• 1:08:37
  Speaker 1: more about how you guys relate and communicate with each other. Yeah,
• 1:08:40
  Speaker 1: that's what I think it is, too. Like I was saying,
• 1:08:42
  Speaker 1: I guess it's kind of like over the year is
• 1:08:44
  Speaker 1: like kind of got that week. You know what I mean? Yeah, listen,
• 1:08:47
  Speaker 1: next time it happened, give her a kiss, give her
• 1:08:49
  Speaker 1: a hug. And if it's not a bit, and if
• 1:08:51
  Speaker 1: it's not a big deal or you know, the ways
• 1:08:54
  Speaker 1: that she wants to do things, it's not bad. Sometimes
• 1:08:56
  Speaker 1: you give in and then be like, Okay, last time
• 1:08:58
  Speaker 1: I give in, So let's do it my way this time.
• 1:09:02
  Speaker 1: I ask you about to go all right, I think
• 1:09:05
  Speaker 1: take your life. If you wore, you're gonna call you back?
• 1:09:07
  Speaker 1: All right, Please call me back? All right? All right?
• 1:09:12
  Speaker 1: Ask ye eight hundred five eight five one oh five one.
• 1:09:15
  Speaker 1: If you need relationship advice or any type of advice,
• 1:09:17
  Speaker 1: you can call up. It's the breakfast Club. Good morning,
• 1:09:21
  Speaker 1: the Breakfast Club. It's that time again. Ask Charlomagne and
• 1:09:28
  Speaker 1: DJ nd anything pack it up, pick it up. It's
• 1:09:32
  Speaker 1: time to ask any wanting everybody's DJ Envy, Angela Yee, Charlomagne,
• 1:09:38
  Speaker 1: the guy. We all the breakfast club. It's time to
• 1:09:41
  Speaker 1: ask C and E. If you need relationship advice or
• 1:09:43
  Speaker 1: any type of advice, you can hit us. Hello, who's
• 1:09:46
  Speaker 1: this you're standing? How y'all going happen? Seven up? Terrorists?
• 1:09:51
  Speaker 1: Brother man, I got a question for y'all. Y'all man
• 1:09:53
  Speaker 1: like yam, I got a question for you, yes, sir,
• 1:09:56
  Speaker 1: after this Chris brock wood Smith thing, and I want
• 1:09:58
  Speaker 1: to know it's just possible for wife or girlfriend if
• 1:10:01
  Speaker 1: you don't comfortable and safe that you go protect her
• 1:10:04
  Speaker 1: if she witness you not protect yourself. Well, what is
• 1:10:07
  Speaker 1: protecting yourself look like? Can't tell me what that looks
• 1:10:09
  Speaker 1: like to you, And I'll tell you what it looks
• 1:10:11
  Speaker 1: like to me. I'm in an old generation where your
• 1:10:13
  Speaker 1: father tell you the worst thing a man could do
• 1:10:15
  Speaker 1: to respect you to smack. I rather you punch to
• 1:10:17
  Speaker 1: me to smack. And now you can't even argue with
• 1:10:19
  Speaker 1: your wife because you can't live where the first thing
• 1:10:20
  Speaker 1: she's gonna say you don't break bad with me, You
• 1:10:22
  Speaker 1: ain't break bad when your mom. You can't live with that. Now,
• 1:10:26
  Speaker 1: that's that's terrible. Yeah, that's not what protecting a woman
• 1:10:30
  Speaker 1: to me is, or protecting a woman to me is,
• 1:10:32
  Speaker 1: you know, making sure that you know you're doing the
• 1:10:34
  Speaker 1: work on yourself to show up to be the man
• 1:10:36
  Speaker 1: that you need to be, Like, are you in there?
• 1:10:38
  Speaker 1: Are you in therapeut? You know how to properly deal
• 1:10:40
  Speaker 1: with your emotions, you know what I mean, you're absolutely right.
• 1:10:44
  Speaker 1: But just think if you go somewhere and somebody to
• 1:10:46
  Speaker 1: get loud, you think you're gonna feel comfortable, you go
• 1:10:48
  Speaker 1: protect her. Yeah, I think I'm happened to you like that.
• 1:10:50
  Speaker 1: I think it's a different situation. Uh. Will Smith and
• 1:10:53
  Speaker 1: Chris Rock were actually friends. I mean they worked with
• 1:10:56
  Speaker 1: movies together. They knew of each other, and that was
• 1:10:58
  Speaker 1: that was one of the biggest stages. So I don't
• 1:11:00
  Speaker 1: think you could compare that to if we just in
• 1:11:02
  Speaker 1: the street and somebody comes up to me and smacks
• 1:11:04
  Speaker 1: me in front of my my daughter or my or
• 1:11:06
  Speaker 1: my wife. So he may different situations. Hey, also it
• 1:11:09
  Speaker 1: is too king. Now, what if you're a person who
• 1:11:12
  Speaker 1: can't control their emotions and you're dealing with a lot
• 1:11:15
  Speaker 1: of hurt, and you're dealing with a lot of pain.
• 1:11:16
  Speaker 1: So whenever somebody pops off, even if it's something like
• 1:11:19
  Speaker 1: you react in that way and you just out smacking
• 1:11:22
  Speaker 1: people or punching people, and then that person decides to
• 1:11:24
  Speaker 1: pull a gun out and then kills you, blows your
• 1:11:26
  Speaker 1: mother eff and brains out, that's not protecting right in
• 1:11:30
  Speaker 1: your life. He puts a solful all the life he's
• 1:11:32
  Speaker 1: small and everything. You gotta expect him to go off
• 1:11:34
  Speaker 1: sooner later because he couldn't never be himself. He always
• 1:11:37
  Speaker 1: got to be that image that is true. But later
• 1:11:39
  Speaker 1: he gonna come out from the later. And I think
• 1:11:40
  Speaker 1: that's all that happened. And I love both of the brothers,
• 1:11:42
  Speaker 1: and I appreciate you. I love both. I love both
• 1:11:45
  Speaker 1: of them too, man, and I can't. I want both
• 1:11:46
  Speaker 1: of them to continue to continue on their journey or healing. Hello,
• 1:11:50
  Speaker 1: who's this y'all? Without? Without without is I'll leave all right?
• 1:11:53
  Speaker 1: What's your question for CNE? I got a question my
• 1:11:56
  Speaker 1: first questions for Charlomagne. Yo, charlomagn I'll come every time
• 1:11:59
  Speaker 1: you're giving out the donkey of the day. You got
• 1:12:01
  Speaker 1: the day's wrong? Today is Thursday to thirty first, not
• 1:12:04
  Speaker 1: Friday the thirty first. What did I say Friday to
• 1:12:07
  Speaker 1: thirty first? I might have Friday. I might have I
• 1:12:10
  Speaker 1: might have some type of burger man. I don't know.
• 1:12:12
  Speaker 1: I'd be seeing. What's the burger, asked burger. Yeah, I'll
• 1:12:15
  Speaker 1: be seeing. I didn't know. I thought the day was Thursday,
• 1:12:19
  Speaker 1: March thirty first. I said Friday. I don't know why
• 1:12:22
  Speaker 1: I do that. I'm gonna be honest. I see people
• 1:12:24
  Speaker 1: say that all the time on the YouTube comments. I'm like,
• 1:12:26
  Speaker 1: I don't even realize I'd be saying it like he
• 1:12:27
  Speaker 1: ain't got an eyefro that tells him the day last week,
• 1:12:31
  Speaker 1: all the time, your uncle getting old? Brot's forty three?
• 1:12:34
  Speaker 1: What's the question, Broggera, Yo, every I got I got
• 1:12:37
  Speaker 1: a problem, man, I'm trying to I'm trying to see, man, like,
• 1:12:40
  Speaker 1: how can I I got an eighty percent and I
• 1:12:42
  Speaker 1: got a twenty percent. I'm trying to see, how can
• 1:12:45
  Speaker 1: I give my eighty my eighty? Sho my eighty? John
• 1:12:47
  Speaker 1: trying to see I shouldnt give me a hunty. I'm
• 1:12:49
  Speaker 1: tired of running. You should know nothing about this. And
• 1:12:52
  Speaker 1: you know what, You shouldn't know nothing about this. You
• 1:12:54
  Speaker 1: shouldn't even understand this. Math he talking? What are you talking? You?
• 1:12:57
  Speaker 1: A happily married man, a faithful black man? Are you
• 1:13:00
  Speaker 1: talking about a faithful black man? I'll tell you this.
• 1:13:05
  Speaker 1: I'll tell you this, King. I know Math. I'm going
• 1:13:08
  Speaker 1: with the eighty all day every day. Hey, and I'm
• 1:13:12
  Speaker 1: trying to go to eighty all day every day. But
• 1:13:14
  Speaker 1: they call you you're an idiot. You wouldn't take twenty
• 1:13:18
  Speaker 1: percent of your paycheck, would you? If your boss came
• 1:13:20
  Speaker 1: to you right now, then I'm gonna give you eighty
• 1:13:22
  Speaker 1: percent of your paycheck or twenty percent of your paycheck.
• 1:13:24
  Speaker 1: Which one you're taking? That's an easy question, so it
• 1:13:27
  Speaker 1: should be easy in this situation too. Food. What's calling?
• 1:13:32
  Speaker 1: I'm talking about math? We don't know we faithful? Black man?
• 1:13:35
  Speaker 1: What are you talking? Numberut that damn math? Eighty twenty?
• 1:13:38
  Speaker 1: Is that I know a hundred exactly one hundred percent
• 1:13:41
  Speaker 1: faithful to all wives? What this man told eighty twenty?
• 1:13:46
  Speaker 1: Dumb ass? All right? As CNE. Our program today is
• 1:13:50
  Speaker 1: brought to you by Peacock presenting the new original limited
• 1:13:53
  Speaker 1: series The Best Man. The final chapters from the creator
• 1:13:55
  Speaker 1: of the Best Man and The Best Man Holiday, an
• 1:13:57
  Speaker 1: executive producer of Insecure, streaming a limited series December twenty
• 1:14:01
  Speaker 1: second only on Peacock poring Everybody is DJ Envy, Angela Yee,
• 1:14:06
  Speaker 1: Charlemagne the guy. We are the Breakfast Club. You got
• 1:14:08
  Speaker 1: a positive note for the people now. The positive note
• 1:14:10
  Speaker 1: is simply this. You are where you're supposed to be
• 1:14:13
  Speaker 1: at this very moment. Every experience is part of God's Plan,
• 1:14:17
  Speaker 1: breakfast club you don't finish, or y'all dumb