Latest / The Breakfast Club / The Breakfast Club Best Of Episode(Stephanie Mills Interview, Joseline Hernandez Interview, Deon Cole Interview, Jess Hilarious And Baby Father Rome)

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The Breakfast Club Best Of Episode(Stephanie Mills Interview, Joseline Hernandez Interview, Deon Cole Interview, Jess Hilarious And Baby Father Rome) · The Breakfast Club

• 0:00
  Speaker 1: Breakfast Club is old. We got the breakfast Club Envy
• 0:06
  Speaker 1: and Charlomagne the voice of the culture.
• 0:08
  Speaker 2: He then i'nna come here when this thing.
• 0:10
  Speaker 1: See y'all different, y'all the coach, it's different. You know
• 0:12
  Speaker 1: what I'm saying. Like, y'all know what y'all talk about.
• 0:14
  Speaker 1: This is probably becoming the most prominent form for here, probably.
• 0:17
  Speaker 3: Be here next to all of you guys. It's really
• 0:20
  Speaker 3: put it.
• 0:21
  Speaker 1: Put it in perspective to the breakfast club. Bitch, wake up.
• 0:26
  Speaker 1: This is your time to get it off your chest.
• 0:28
  Speaker 1: I got an indoor pool pool. We want to hear
• 0:31
  Speaker 1: from you on the breakfast club.
• 0:32
  Speaker 4: Get on the phone right now here, tell you what it.
• 0:34
  Speaker 1: Is we live. Hello. Who's this yo? This is Chris, Chris,
• 0:40
  Speaker 1: what up? Get it off your chest? Hey, man, I
• 0:42
  Speaker 1: want to say, Man I on party, y'all man DJ
• 0:45
  Speaker 1: envied Charlomad solo.
• 0:47
  Speaker 5: Man, I've been reading your book. Boy, got me your book.
• 0:50
  Speaker 6: Man, I've been taking that out and it's been real
• 0:52
  Speaker 6: helpful for me.
• 0:53
  Speaker 7: Man.
• 0:53
  Speaker 8: Like what y'all go?
• 0:55
  Speaker 1: Thank you King? Which book you got you black privilege
• 0:57
  Speaker 1: and shook one old them? Matter of fact, you got
• 0:59
  Speaker 1: me one for father's there and one for all the
• 1:03
  Speaker 1: Christmas last year.
• 1:04
  Speaker 4: Man, I appreciate that.
• 1:08
  Speaker 1: Hello, what is this?
• 1:10
  Speaker 8: I don't want to say my name?
• 1:12
  Speaker 1: Okay, well what's something on the radio? Nobody can see you.
• 1:16
  Speaker 4: But you know, may people be listening.
• 1:18
  Speaker 9: But I have a question because I just recently got
• 1:21
  Speaker 9: broken up. But great, I'm in a lesbian relationship. And
• 1:24
  Speaker 9: I went out of town not so long ago.
• 1:26
  Speaker 8: And I, you know, I have a business.
• 1:28
  Speaker 9: So I was networking and I was speaking to a
• 1:30
  Speaker 9: mail about my business and who worked at the bar
• 1:34
  Speaker 9: that I was doing my homework aap and so I
• 1:36
  Speaker 9: came back home and he sent me a message was like, hey.
• 1:39
  Speaker 3: How you doing.
• 1:40
  Speaker 8: How's your family to start?
• 1:41
  Speaker 9: Get backstafe?
• 1:42
  Speaker 8: And my girlfriend has a problem with it, and so
• 1:44
  Speaker 8: she broke up with me. Like she's like, I'm a lesbian,
• 1:46
  Speaker 8: I don't deal with mails, and I'm just like I
• 1:48
  Speaker 8: do business. I network with males and females. I just
• 1:51
  Speaker 8: wanted to like, is that wrong?
• 1:54
  Speaker 10: I don't think that's wrong at all.
• 1:56
  Speaker 1: I mean, if there was, even if it was another woman,
• 1:58
  Speaker 1: I mean, as long as y'all not flirting in this business,
• 2:00
  Speaker 1: I don't see a problem with it.
• 2:01
  Speaker 10: You weren't hiding it from your.
• 2:02
  Speaker 1: Girl, So it's not like you were trying to be
• 2:04
  Speaker 1: deceptive or sneaking around. Now I don't see a problem
• 2:07
  Speaker 1: with it. Yeah, but those you know, she she probably upset.
• 2:11
  Speaker 1: She probably upset because you're talking to somebody who you know,
• 2:13
  Speaker 1: got something that she could never have, which is a penis.
• 2:16
  Speaker 2: You know.
• 2:16
  Speaker 9: And I feel like that when the insecurity only comes
• 2:19
  Speaker 9: out with males because I speak to females in the
• 2:22
  Speaker 9: same way and it's usually about my business as I
• 2:24
  Speaker 9: do with males. But it's just males, she always has
• 2:27
  Speaker 9: a problem. And I'm like, it makes me feel like, Okay,
• 2:30
  Speaker 9: you're like immaturely dating, you don't know how to date.
• 2:32
  Speaker 9: But I'm like, I don't know, like can have friends
• 2:34
  Speaker 9: to man that his wife have.
• 2:36
  Speaker 1: You know, your circumstances are totally different. Now I have
• 2:40
  Speaker 1: to ask you a question. Did you get penis before
• 2:42
  Speaker 1: you became a lesbian?
• 2:43
  Speaker 10: Good question?
• 2:44
  Speaker 1: Did you like, yes, yes, that's what it is.
• 2:47
  Speaker 10: The problem back to penis. She don't want you to realize.
• 2:51
  Speaker 8: But what does that have to do with me?
• 2:53
  Speaker 3: That's her in security?
• 2:54
  Speaker 4: Like, is that something that I'm supposed to adjust?
• 2:57
  Speaker 1: It is? But I will say this, I will say,
• 2:59
  Speaker 1: try to have a conversation and bring her in on
• 3:01
  Speaker 1: part of the conversation, you asked if if my wife
• 3:03
  Speaker 1: has male friends, we have friends.
• 3:06
  Speaker 11: She doesn't have friends that I don't know about. She
• 3:08
  Speaker 11: doesn't have friends, and she speaks to that I don't know.
• 3:10
  Speaker 11: We all have friends, just like I have female friends,
• 3:13
  Speaker 11: but my wife knows them.
• 3:15
  Speaker 1: Uh.
• 3:15
  Speaker 10: But it means by though, so I'm not by shut up.
• 3:19
  Speaker 3: Many we try.
• 3:22
  Speaker 11: To be serious, but I would give a conversation to
• 3:24
  Speaker 11: try to make it feel comfortable as possible. Obviously she
• 3:26
  Speaker 11: feels a little uncomfortable because she feels like you're gonna
• 3:29
  Speaker 11: get back to the penis.
• 3:30
  Speaker 1: But let her know that you don't want any penis.
• 3:31
  Speaker 1: And it's all box for you.
• 3:33
  Speaker 9: Curious, okay, all right, and go and go.
• 3:36
  Speaker 1: And go box them out, saying go box them out? Face?
• 3:44
  Speaker 10: What's wrong with you?
• 3:44
  Speaker 2: Man?
• 3:45
  Speaker 1: You heard what she said? She said? You was very
• 3:47
  Speaker 1: like skinned to say that. I concur Hello, who's this.
• 3:53
  Speaker 2: Hell?
• 3:53
  Speaker 1: You said?
• 3:53
  Speaker 10: A little off phone?
• 3:54
  Speaker 1: You got bluetooth in or your head piece? He hear me?
• 3:58
  Speaker 1: I can hear you perfectly.
• 3:59
  Speaker 5: Whatever, All right, what's up?
• 4:01
  Speaker 3: Man?
• 4:01
  Speaker 5: Calling to get off my dad? Brother, get off my chest? Yeah. No,
• 4:05
  Speaker 5: me and my girl. We finally feeling good today. Me
• 4:08
  Speaker 5: and my girl we offer seven month dry fell man
• 4:12
  Speaker 5: like you know, so we finally have you know, inter
• 4:15
  Speaker 5: course again and I feel good about it.
• 4:17
  Speaker 10: Seven months? Why so long?
• 4:19
  Speaker 1: Huh said? Why so long?
• 4:20
  Speaker 5: I kind of you know, I kind of messed up
• 4:22
  Speaker 5: with you know, I was cheating. I was messing up
• 4:26
  Speaker 5: a little bit cheating. Not cheating, you know, not not
• 4:29
  Speaker 5: physically cheating, probably emotionally cheating. So uh, yeah, she finally
• 4:34
  Speaker 5: you know, so it was a while she wasn't you know,
• 4:37
  Speaker 5: feeling me.
• 4:38
  Speaker 1: Do you know, y'all do no? Humans, women especially are
• 4:42
  Speaker 1: more emotional than physical, so emotionally cheating and emotionally hurting
• 4:48
  Speaker 1: her can probably cause her to dry up more so
• 4:50
  Speaker 1: than the physical.
• 4:52
  Speaker 5: You know what I mean? You know, I realized that.
• 4:55
  Speaker 10: Yes, I'm glad you y'all are back.
• 4:57
  Speaker 5: Brother, Thank you man, have a good one you suit jam.
• 5:01
  Speaker 1: The Breakfast Club is your time to get it off
• 5:07
  Speaker 1: your chest, way up, whether you're man or pleas tith
• 5:11
  Speaker 1: to get up and get something call up now eight
• 5:14
  Speaker 1: hundred five eight five one o five one. We want
• 5:16
  Speaker 1: to hear from you on the Breakfast Club.
• 5:18
  Speaker 12: Hello, who's this, Hey, good morning, good morning.
• 5:20
  Speaker 6: How you doing this is Ronnie called out a.
• 5:22
  Speaker 5: Bad rooms Louisiana.
• 5:24
  Speaker 1: Get it up your chest, man.
• 5:26
  Speaker 4: I just wanted to call in, man, because I'm so excited.
• 5:28
  Speaker 6: For you guys.
• 5:29
  Speaker 3: Man.
• 5:29
  Speaker 4: I love being y'all on the radio. Man, y'all been
• 5:31
  Speaker 4: doing a great job.
• 5:32
  Speaker 5: Man, y'all sound.
• 5:33
  Speaker 12: Really really even news man this time around.
• 5:35
  Speaker 6: So it's great to have you guys here in bad rude.
• 5:38
  Speaker 8: Man.
• 5:38
  Speaker 1: I'm in here. I'm in here burning my Pola santo
• 5:40
  Speaker 1: right now. The energy is great. I got my candles lit.
• 5:44
  Speaker 1: Me and him be just being here living our best lives. Man,
• 5:46
  Speaker 1: you enjoy having a good time. That's that's without and
• 5:50
  Speaker 1: that that is a great compliment because we thoroughly do
• 5:52
  Speaker 1: enjoy coming in this studio absolutely every day in.
• 5:56
  Speaker 6: That man, go hear you, guys man.
• 5:58
  Speaker 1: And that has not always been the but nowadays.
• 6:03
  Speaker 5: Hello this Hey, what's up?
• 6:05
  Speaker 4: Guys? This is your favorite white listener, Tim FM Toledo.
• 6:11
  Speaker 10: Get it off your chest?
• 6:12
  Speaker 12: What's going on?
• 6:12
  Speaker 4: Guys?
• 6:13
  Speaker 12: I love you guys.
• 6:14
  Speaker 1: Man.
• 6:15
  Speaker 4: So I've been on a team the last couple of
• 6:18
  Speaker 4: times I got through about toxic people, and lately it's
• 6:22
  Speaker 4: been I find it's more family usually than it is
• 6:25
  Speaker 4: than anybody. And so I found I'm forty five and
• 6:29
  Speaker 4: I think a lot of people can relate Rocker life.
• 6:32
  Speaker 4: We you know, we main need to lean on people
• 6:34
  Speaker 4: for help. And it might be in a rough time.
• 6:36
  Speaker 4: It might be a house payment, it might be they
• 6:39
  Speaker 4: order you a pizza when you down on your luck,
• 6:42
  Speaker 4: and then you find out these people get mad at you.
• 6:44
  Speaker 4: You know, it could be a six months down the road,
• 6:47
  Speaker 4: two years down the look, you know, they're on your
• 6:48
  Speaker 4: Facebook because they're mad, and you find out that you
• 6:52
  Speaker 4: owe them a million dollars all of a sudden, Well
• 6:55
  Speaker 4: they didn't order you a pizza. They you know, they
• 6:58
  Speaker 4: act like they be buying food for the last three years.
• 7:01
  Speaker 4: You know, the story justn't completely blown out of contact
• 7:04
  Speaker 4: because they're mad.
• 7:06
  Speaker 1: That's why sometimes you just got to give people thoughts
• 7:08
  Speaker 1: and press absolutely not you.
• 7:10
  Speaker 4: Know what, And I tried to you know what, I
• 7:12
  Speaker 4: I just put this real quick. I put this on
• 7:14
  Speaker 4: my bio. I heard it a new Facebook, and I'm
• 7:16
  Speaker 4: adding friends that I would try to go to their
• 7:18
  Speaker 4: funeral or if they would come to mind, because otherwise.
• 7:21
  Speaker 12: It's just disgrace.
• 7:22
  Speaker 4: School people got two thousand friends and they don't even
• 7:24
  Speaker 4: know half of them. I put this in my bio.
• 7:27
  Speaker 4: When I need help, give me a hug, not money.
• 7:30
  Speaker 4: That way, you're mad. All I owe you is a hug.
• 7:32
  Speaker 1: But I will I will say this.
• 7:34
  Speaker 11: You know, in life, and I think Charlamagne and I
• 7:36
  Speaker 11: think even you can will say this, it's.
• 7:37
  Speaker 1: Always highs and lows, right. You always have a good
• 7:40
  Speaker 1: part of your life with everything is going great, but
• 7:41
  Speaker 1: it could be a left turn and sometimes you need help.
• 7:43
  Speaker 11: And it doesn't have to be financial. It could be
• 7:45
  Speaker 11: just a good you know, a hug, or a good
• 7:47
  Speaker 11: hold or good conversation. And those are the people I
• 7:50
  Speaker 11: keep around me. And whether they family or friends, it's
• 7:53
  Speaker 11: all the same. If you can't provide me that and
• 7:55
  Speaker 11: I can't provide you that, then we don't need to
• 7:57
  Speaker 11: be around each other. But I want to be around
• 7:59
  Speaker 11: people that's going to hold hold each other up and
• 8:00
  Speaker 11: make sure we all all right.
• 8:01
  Speaker 1: I think the biggest problem. I think the biggest problem
• 8:04
  Speaker 1: is that you know your family, and you know and
• 8:06
  Speaker 1: your close friends be having a sense of entitlement. That's true,
• 8:08
  Speaker 1: you know what I'm saying, And when they want, when
• 8:10
  Speaker 1: they want more, they act like you never did anything
• 8:12
  Speaker 1: for them, you know what I'm saying. So he could
• 8:14
  Speaker 1: be a pizza or you know, our money when they
• 8:18
  Speaker 1: want more. Anything you ever did will never be enough
• 8:22
  Speaker 1: to act like you never did anything correct, you know,
• 8:24
  Speaker 1: And I can't. I don't deal with entitled people. Gets
• 8:26
  Speaker 1: the Breakfast Club. Good morning, the Breakfast Club.
• 8:31
  Speaker 10: That's hilarious is our guest.
• 8:32
  Speaker 1: So so, ladies and gentlemen.
• 8:34
  Speaker 10: Stephanie Mills, good morning, Miss Mills.
• 8:36
  Speaker 7: Good morning, good morning. Oh yeah, eyes, I'm fine. Don't
• 8:39
  Speaker 7: you think he has bamby beautiful eyes.
• 8:45
  Speaker 1: Beautiful?
• 8:45
  Speaker 3: That's my baby.
• 8:46
  Speaker 7: Yeah. I love Stephanie Mills. You know that we have
• 8:49
  Speaker 7: a love affair. He's like my son. He could be
• 8:52
  Speaker 7: my son.
• 8:53
  Speaker 1: That's right, literally son. Now you got a lot going on,
• 9:02
  Speaker 1: Miss Mills. You got your PBS special.
• 9:04
  Speaker 3: I have a lot going on the Broadway, Babe.
• 9:07
  Speaker 1: Pride.
• 9:08
  Speaker 3: The movie.
• 9:08
  Speaker 7: Pride executive produced the TDJ Derek Williams, and they just
• 9:14
  Speaker 7: offered me the part. Derek called me and said, do
• 9:16
  Speaker 7: you want to do this role?
• 9:17
  Speaker 3: And sent me the script and I said yes, And
• 9:19
  Speaker 3: You're torn. I'm torn, Wow, And I'm getting ready this possibility.
• 9:23
  Speaker 7: I'm getting ready to come back to Broadway to do.
• 9:25
  Speaker 3: My own shot?
• 9:26
  Speaker 1: What based on your life?
• 9:28
  Speaker 7: No not, I don't want to do anything based on
• 9:29
  Speaker 7: my life, but just songs and where I've come from
• 9:32
  Speaker 7: and all of that.
• 9:33
  Speaker 1: Wow, Wow, how are you managing everything that you're doing
• 9:37
  Speaker 1: at the moment?
• 9:38
  Speaker 7: I have a great manager I call amp Yum Yums.
• 9:41
  Speaker 7: He's just he's a yummy manager. You know how when
• 9:43
  Speaker 7: you find somebody that just you can trust.
• 9:45
  Speaker 3: And believes in you.
• 9:47
  Speaker 1: Yeah?
• 9:47
  Speaker 3: Absolutely, so pretty, thank you so much. So, how does
• 9:51
  Speaker 3: it feel to still be so legendary? Like forty years later?
• 9:58
  Speaker 1: Relevant?
• 9:58
  Speaker 5: You like?
• 9:59
  Speaker 3: Relevant? Relevant? Even is like just still like it's people
• 10:03
  Speaker 3: still walking around singing your songs. He can't sing, but
• 10:05
  Speaker 3: he was literally walking around still just sing your songs
• 10:09
  Speaker 3: before you even said yeah, I come up there with
• 10:11
  Speaker 3: y'all and he was still walking around singing, Like how
• 10:13
  Speaker 3: does how does that feel?
• 10:15
  Speaker 7: It's a blessing. I feel really blessed because I didn't
• 10:19
  Speaker 7: have the machinery behind me.
• 10:21
  Speaker 3: Okay you know what I'm saying.
• 10:22
  Speaker 7: So for me to still be here doing it and
• 10:25
  Speaker 7: I'm doing it on my own terms because I kind
• 10:27
  Speaker 7: of backed away from the industry because it became too
• 10:30
  Speaker 7: much for me to still do it and then find
• 10:33
  Speaker 7: someone like Amp who believed in me and allows me
• 10:36
  Speaker 7: to be who I am, because you know, in this
• 10:38
  Speaker 7: business they try to change you to meet a certain criteria.
• 10:42
  Speaker 7: And I never fit into that criteria and didn't want to.
• 10:46
  Speaker 3: And I love that. I love that, And and so
• 10:48
  Speaker 3: for the Rolling Stones magazine, greatest of all time? Yeah,
• 10:52
  Speaker 3: the greatest one of things of all time? How do
• 10:54
  Speaker 3: you feel being left out of that? I don't feel anything.
• 10:57
  Speaker 7: I don't pay any attention to that. That's something behind
• 11:00
  Speaker 7: a desk who doesn't really know what they're talking enough.
• 11:03
  Speaker 3: How could you leave Celine Dion off? How could you?
• 11:07
  Speaker 3: It's a great you know, how could you?
• 11:09
  Speaker 1: So?
• 11:09
  Speaker 3: I don't pay attention to that.
• 11:10
  Speaker 7: I don't pay attention to awards and all that, even
• 11:13
  Speaker 7: though I have awards of everything that of musically.
• 11:16
  Speaker 3: But it doesn't mean anything.
• 11:17
  Speaker 7: What means matters to me, and which has kept me
• 11:20
  Speaker 7: with my sold out shows that I'm proud of is
• 11:23
  Speaker 7: my people coming to see me and paying their hard
• 11:26
  Speaker 7: earned money.
• 11:27
  Speaker 3: That's what keeps me going.
• 11:29
  Speaker 1: Yeah, igue with you with the Rolling Stone. Clearly those
• 11:31
  Speaker 1: people are culturally coolest, you know what I mean? Leaving
• 11:34
  Speaker 1: people like you, Selina.
• 11:36
  Speaker 7: But see, I was never played on vh one or MTV,
• 11:39
  Speaker 7: none of my videos because they always said I was
• 11:41
  Speaker 7: too urban and I only had a pop record with
• 11:44
  Speaker 7: Never Knew Love. That's the only one they allowed to
• 11:47
  Speaker 7: cross over.
• 11:48
  Speaker 1: I wonder you said something earlier. You said that you
• 11:49
  Speaker 1: never had the machine behind you. And it's interesting because
• 11:52
  Speaker 1: you can see how that might still impact you now
• 11:54
  Speaker 1: when it comes to these lists.
• 11:55
  Speaker 7: Right exactly when you think about it, like back in
• 11:58
  Speaker 7: the day when MTV, I my MTV and they didn't
• 12:01
  Speaker 7: want to play Michael. You know, it was a president
• 12:03
  Speaker 7: of the company that said, if you don't play him,
• 12:05
  Speaker 7: I'm going to expose that you're racist. And I don't
• 12:08
  Speaker 7: think really anything has changed. I think you have to
• 12:10
  Speaker 7: have And back then I didn't have that kind of
• 12:12
  Speaker 7: person that would go on the front line for me.
• 12:15
  Speaker 7: But Michael did, and I'm glad he did because just
• 12:18
  Speaker 7: imagine you not hearing Thriller the way it was, or
• 12:21
  Speaker 7: being exposed to all those wonderful videos that he did.
• 12:25
  Speaker 7: And they didn't acknowledge his forty at the anniversary of
• 12:27
  Speaker 7: Thriller or anything at the Grammys or American Music a BOYD.
• 12:31
  Speaker 1: How did they pick and choose who got the machine
• 12:33
  Speaker 1: back then though, because I feel like back then you
• 12:36
  Speaker 1: really needed talent to get a deal.
• 12:38
  Speaker 7: You really needed talent to get a deal. That's why
• 12:41
  Speaker 7: my audience is predominantly black, because Beet and all those
• 12:47
  Speaker 7: black outlets played my videos, you know, and black radio
• 12:50
  Speaker 7: supported me so much. So that's why I'm able to survive.
• 12:55
  Speaker 7: That's why I don't understand why a lot of black
• 12:57
  Speaker 7: artists like don't go back to the black publications and
• 13:01
  Speaker 7: things like that that made them, well, I know, white,
• 13:05
  Speaker 7: I colder always why, you know, I don't understand that.
• 13:10
  Speaker 7: I never understand why they think vanilla ice cream is
• 13:13
  Speaker 7: colder than chocolate.
• 13:14
  Speaker 1: I think it's because they want that mass look, you know,
• 13:17
  Speaker 1: I mean.
• 13:18
  Speaker 3: But you could have that. Let me tell you something.
• 13:20
  Speaker 7: I went to Oh What's the Girls group? They came
• 13:23
  Speaker 7: to Charlotte and they sold out the arena. There was
• 13:25
  Speaker 7: nothing there but black people escape.
• 13:29
  Speaker 3: Yes, so what's wrong with the black dollar? I definitely
• 13:32
  Speaker 3: get what you're saying that. My generation they also feel
• 13:37
  Speaker 3: like because I don't, although I'm a part of them,
• 13:40
  Speaker 3: they felt that's some type of advanced validation. When you
• 13:44
  Speaker 3: get like then they call it the crossover. It's like,
• 13:47
  Speaker 3: you know, and people, I did a show for Fox,
• 13:49
  Speaker 3: Sitcom on Fox. People around ye shout to the show
• 13:53
  Speaker 3: real and I was on it with Simbad he played
• 13:57
  Speaker 3: It was amazing, right, I love him too, Like the
• 13:59
  Speaker 3: show people was telling me because people was only used
• 14:02
  Speaker 3: to seeing me on like wild'n Out and all that
• 14:04
  Speaker 3: type of stuff, you know, more production with black people.
• 14:07
  Speaker 3: And then they were like, oh, that's your crossover. Fox
• 14:11
  Speaker 3: is your crossover. It's like you really made it. Now,
• 14:14
  Speaker 3: I really made it because I'm on Fox, you know,
• 14:16
  Speaker 3: working around all these white people. No, I've been made
• 14:19
  Speaker 3: it and it's still I still ain't make it. That's
• 14:22
  Speaker 3: that sitcom wasn't like the cream of the crop for
• 14:24
  Speaker 3: me yet. I'm still not where I want to be
• 14:26
  Speaker 3: in terms of you know, just where I'm going, right,
• 14:29
  Speaker 3: But I didn't consider that as my crossover. That's another
• 14:33
  Speaker 3: show that I'm on. That's another stepping stone, right, Like
• 14:36
  Speaker 3: you know, so I never so I get exactly what
• 14:39
  Speaker 3: you're saying.
• 14:39
  Speaker 7: And that's what we think. We think when we cross
• 14:42
  Speaker 7: over to that pop we've made it. Why do we
• 14:45
  Speaker 7: want to be so accepted? And I never really want
• 14:48
  Speaker 7: I just wanted to be accepted. I wasn't good at smoothing,
• 14:51
  Speaker 7: you know, Charla Mane, I wasn't good at doing that,
• 14:55
  Speaker 7: and I didn't want to go to the parties and
• 14:57
  Speaker 7: have to meet this one. And I didn't like auditioning.
• 15:00
  Speaker 3: Yeah, I know that's Do you like it? No?
• 15:03
  Speaker 7: I know they look at you like you're crazy, but
• 15:05
  Speaker 7: they make it.
• 15:06
  Speaker 1: So hard for you.
• 15:06
  Speaker 3: I won't do it, or don't act like.
• 15:09
  Speaker 10: We got more with Stephanie Mills when we come back,
• 15:11
  Speaker 10: don't move.
• 15:11
  Speaker 1: It's the breakfast Club. Good morning, the breakfast Club. Let's
• 15:17
  Speaker 1: get back into it.
• 15:18
  Speaker 2: It's the breakfast Club.
• 15:19
  Speaker 10: Good morning.
• 15:19
  Speaker 3: I got a question Michael too, because I want to
• 15:22
  Speaker 3: know I will answer. Okay, good. So it's the true
• 15:25
  Speaker 3: that you and Michael I called it daty?
• 15:29
  Speaker 1: How was that?
• 15:30
  Speaker 3: It was wonderful.
• 15:31
  Speaker 7: Michael was gentle, he was kind, very determined, knew where
• 15:36
  Speaker 7: he wanted to go, and we just had fun.
• 15:38
  Speaker 1: Yeah.
• 15:39
  Speaker 7: Used to come to the Wiz all the time.
• 15:41
  Speaker 3: So was he a smooth criminal? It was a smooth criminal.
• 15:51
  Speaker 7: I loved him that afro and chocolate.
• 15:54
  Speaker 1: Yeah, So why did he change all that? I think
• 15:56
  Speaker 1: that's what people get. Michael misconscrewed and you know, they'll
• 15:59
  Speaker 1: they'll they label Michael tom as an uncle Tom or
• 16:02
  Speaker 1: you know, a coon because of that.
• 16:04
  Speaker 7: I gotta be strategic because that's my baby. But Michael
• 16:09
  Speaker 7: wanted to be the King of pop He had a
• 16:11
  Speaker 7: fetish with Elvis Presley and he had his eyes on
• 16:16
  Speaker 7: Lisa Presley when she was very young. I think he
• 16:19
  Speaker 7: always knew he wanted to because he felt like.
• 16:22
  Speaker 3: That was the epitome.
• 16:23
  Speaker 7: Yeah, you know, and I think he really wanted to
• 16:28
  Speaker 7: be king.
• 16:29
  Speaker 3: But then when he got.
• 16:30
  Speaker 7: Over there, they showed him that you still.
• 16:35
  Speaker 3: And he broke his heart.
• 16:36
  Speaker 1: Did y'all have a relationship up until his path?
• 16:39
  Speaker 3: No, he was too different. I couldn't relate to that. Michael.
• 16:43
  Speaker 7: It had gone too far. But I think he knew
• 16:46
  Speaker 7: that it had gone too far.
• 16:47
  Speaker 3: But what can you do. You can't go back at
• 16:50
  Speaker 3: this point. You can't go back.
• 16:51
  Speaker 7: Because we went to the opening of the Atlantist and
• 16:57
  Speaker 7: he asked me to come. He asked to see me,
• 17:00
  Speaker 7: and I didn't go because I was rehearsing, and I
• 17:03
  Speaker 7: often wondered what.
• 17:05
  Speaker 3: He wanted, what he wanted to tell me.
• 17:07
  Speaker 7: He probably wanted to tell me something or you know,
• 17:09
  Speaker 7: but it had gone too far.
• 17:11
  Speaker 3: And I couldn't relate.
• 17:13
  Speaker 7: And Michael was taught the moonwalk by my ex husband
• 17:16
  Speaker 7: Jeffrey Daniel.
• 17:18
  Speaker 3: I went to those rehearsals.
• 17:19
  Speaker 7: Yeah, I know everybody claimed that they did not Jeffrey
• 17:23
  Speaker 7: Daniel taught Michael the moonwalk and all those things. But
• 17:26
  Speaker 7: you know, the Motown people, they don't always give people credit.
• 17:30
  Speaker 7: You know, they're taught not to give people credit. I
• 17:32
  Speaker 7: love giving people credit for what they do for me
• 17:35
  Speaker 7: because you can't do this by yourself. But you know,
• 17:38
  Speaker 7: Michael never gave him credit, and he should have.
• 17:41
  Speaker 1: M It's just interesting to me, how, you know. I
• 17:44
  Speaker 1: always wondered, like, what can make a person like totally
• 17:47
  Speaker 1: lose their blackness? And have you seen somebody lose their
• 17:51
  Speaker 1: blackness or fall out with black people find a way
• 17:54
  Speaker 1: to get back with the community. Cause it feels like
• 17:56
  Speaker 1: once you, once you turn your back on us, we
• 17:58
  Speaker 1: turned our back on you forever.
• 18:00
  Speaker 3: But look at it.
• 18:02
  Speaker 7: You know, I can remember a time people not gonna
• 18:05
  Speaker 7: like this either, But I can remember a time when
• 18:07
  Speaker 7: Michael would be at the awards and you would have
• 18:09
  Speaker 7: to get in a line to see him. I never
• 18:12
  Speaker 7: did that. I'm not getting an a line to see nobody.
• 18:14
  Speaker 7: Ain't nobody is that important. Nobody's more important than God.
• 18:17
  Speaker 7: And I think there's no one that's you know, like
• 18:19
  Speaker 7: some people say, well, how can you say something about
• 18:22
  Speaker 7: Oprah or something about Gail?
• 18:24
  Speaker 3: Aren't you afraid? I fear God? And you know that,
• 18:26
  Speaker 3: you know.
• 18:27
  Speaker 7: That, Charlamagne. I only fear fear God. I don't feel
• 18:31
  Speaker 7: a backlash. I mean, I'm sixty six years old, right.
• 18:36
  Speaker 1: You know what I'm saying.
• 18:38
  Speaker 7: But I think and nobody's above critique, Like nobody. I
• 18:43
  Speaker 7: don't care who you are and how much money you have,
• 18:45
  Speaker 7: because you could lose that. Look at Harvey Weinstein. I
• 18:49
  Speaker 7: remember a certain person calling him God. I you know,
• 18:53
  Speaker 7: Charlie Rose, who would have thought, you know, Matt lower.
• 18:56
  Speaker 3: Where he's kind of arrogant. He was arrogant.
• 18:59
  Speaker 7: Yeah, yeah, But I just don't think that anybody's under approach.
• 19:02
  Speaker 7: But I do think Michael knew he went too far.
• 19:05
  Speaker 7: And you got to remember towards the end of his
• 19:06
  Speaker 7: career he went to Jesse Jackson and Al Sharpton and
• 19:11
  Speaker 7: he even wanted to give Pops his minister barrickon his
• 19:15
  Speaker 7: his catalog and Pops wouldn't that Rye can be vicious
• 19:18
  Speaker 7: as we see with other people that are white dealing
• 19:22
  Speaker 7: with it. Britney Spears, and and and and I go
• 19:24
  Speaker 7: back to them because I really see how the business
• 19:28
  Speaker 7: has tormented them and the people around them.
• 19:31
  Speaker 1: The movie Pride seven Deadly Sinned story. It's gonna be
• 19:34
  Speaker 1: on lifetime.
• 19:35
  Speaker 7: Yes, with nephew Tommy, who did a brilliant job. He
• 19:40
  Speaker 7: plays with my son Gabe, and Kenya King who's a
• 19:43
  Speaker 7: Canadian actress, and Erica Campbell came in to uh play
• 19:48
  Speaker 7: Pastor Tray?
• 19:49
  Speaker 1: Is your first feature?
• 19:50
  Speaker 7: My first feature?
• 19:51
  Speaker 1: That's crazy, my first So since Broadway and everything else,
• 19:55
  Speaker 1: nobody decided seventy milis should be active.
• 19:58
  Speaker 3: They wouldn't give me a job. Damn they wouldn't.
• 20:01
  Speaker 1: Do you want to do more? Oh?
• 20:02
  Speaker 7: Yes, I got the bug now, but I'm not auditioning.
• 20:05
  Speaker 3: No, no, she's not auditioning, so don't ask her.
• 20:10
  Speaker 1: What roles? Would you want to play?
• 20:12
  Speaker 3: Mothers?
• 20:13
  Speaker 7: I mean I could play a mother, you know, an
• 20:16
  Speaker 7: older sister, but mothers. I want to do a Christmas Yes,
• 20:20
  Speaker 7: I'm a therapist. Or I want to play somebody really
• 20:23
  Speaker 7: tough and like gangster.
• 20:25
  Speaker 1: I can see that too. I can see that too.
• 20:28
  Speaker 3: Now, until you see your side.
• 20:33
  Speaker 1: I would Kevin, you know anybody shorter than you? When
• 20:37
  Speaker 1: does the movie like like the.
• 20:39
  Speaker 7: Movie alight and then Black to Broadway is.
• 20:45
  Speaker 1: Yes. Well, Stephanie Mills is always a pleasure sitting down
• 20:48
  Speaker 1: the bill with you and talk to you. And I
• 20:49
  Speaker 1: just love seeing you all the time.
• 20:50
  Speaker 7: I love seeing YouTube.
• 20:52
  Speaker 2: Bam b eyes.
• 20:53
  Speaker 1: Yes, ma'am, that's right. It's Stephanie Mills, y'all. The Breakfast Club.
• 20:58
  Speaker 1: The Breakfast Club Mornings will never be the same. It's
• 21:06
  Speaker 1: topic times.
• 21:08
  Speaker 2: Called eight hundred five five five one to join into
• 21:11
  Speaker 2: the discussion with the Breakfast Club.
• 21:14
  Speaker 1: Morning. Everybody you see ej Envy, Charlamagne the God.
• 21:18
  Speaker 10: We are the Breakfast Club.
• 21:19
  Speaker 1: We got our guest co host, Jess Hilarious here what's
• 21:21
  Speaker 1: good and if you're just joining us, we were talking
• 21:24
  Speaker 1: about Jess and her baby daddy Roam and their relationship.
• 21:27
  Speaker 10: A lot of people are called up this morning.
• 21:29
  Speaker 11: Actually two people called up and said they had bad
• 21:31
  Speaker 11: relations with their baby daddy. Said they don't help out,
• 21:34
  Speaker 11: they don't pay any money, and it's just not good.
• 21:36
  Speaker 1: And I've never seen a co parenting relationship the way
• 21:40
  Speaker 1: Jess and Rome have, Like they got the coolest co
• 21:42
  Speaker 1: parenting relationship. They got to show that they do on
• 21:45
  Speaker 1: YouTube with the show YouTube.
• 21:46
  Speaker 3: It's called Pants and Therapy in the second season, but
• 21:49
  Speaker 3: the first season is just as good as the second one.
• 21:51
  Speaker 3: The second one we sitting down with couples trying to
• 21:53
  Speaker 3: help them create healthy boundaries and healthy environments for their
• 21:57
  Speaker 3: kids parents not.
• 21:58
  Speaker 1: The only thing I found odd about their relationship is
• 22:01
  Speaker 1: that Rome is rom on the phone. Yeah, rooms on
• 22:04
  Speaker 1: the phone, rong rong, good on wrong, come on peace
• 22:08
  Speaker 1: king now room. I heard oh with her just talking
• 22:11
  Speaker 1: yesterday and she was saying, how you call her sis? Yeah?
• 22:15
  Speaker 1: Now you done shot her club up? Y'all got a
• 22:17
  Speaker 1: whole ten year old first of all, seven, why do
• 22:21
  Speaker 1: you call her siss?
• 22:23
  Speaker 12: Because the situation is right now and we built to
• 22:27
  Speaker 12: that point. But it's like I looked at.
• 22:30
  Speaker 8: Her like a sister family member, be said.
• 22:33
  Speaker 6: That take the shihead, await man.
• 22:37
  Speaker 5: It is different.
• 22:38
  Speaker 12: It's hard to explain. Some people call it weird, but.
• 22:40
  Speaker 1: I don't know. It's no more sexual. It's just that's
• 22:43
  Speaker 1: my sister. That's the you know, that's my love. I
• 22:45
  Speaker 1: don't killed somebody from m but I ain't shooting the
• 22:47
  Speaker 1: club up again. I think y'all soul makes wrong, Yeah.
• 22:50
  Speaker 12: But you know what it is, no sexual Yeah, that's
• 22:54
  Speaker 12: just what it is.
• 22:55
  Speaker 1: You know. You know. I'm but how did y'all get
• 22:57
  Speaker 1: to that point though, because most people don't get to
• 22:59
  Speaker 1: that point How did y'all get to that point where
• 23:01
  Speaker 1: you guys are damn their best friends. Y'all focus on
• 23:05
  Speaker 1: your future, your life, the business, the baby, the family.
• 23:08
  Speaker 1: But y'all can still do your thing.
• 23:10
  Speaker 3: Rome has been through a lot of things and like
• 23:12
  Speaker 3: he he don't really have a lot of family to
• 23:15
  Speaker 3: rely on. He don't really have a lot of friends
• 23:17
  Speaker 3: to rely on. It through the years, he'll have friends,
• 23:20
  Speaker 3: then he don't. Then they'll like to open up. And
• 23:22
  Speaker 3: he's never felt like he was in a safe space enough.
• 23:25
  Speaker 3: You got to provide like a safe space for a
• 23:27
  Speaker 3: man to even open up and become vulnerable, because that's
• 23:29
  Speaker 3: not what they do, especially man, They don't, you know.
• 23:32
  Speaker 3: And I was the first female that just didn't run
• 23:37
  Speaker 3: from his whole story, didn't judge him, always helped them.
• 23:41
  Speaker 3: Now he has a best friend and she you know,
• 23:43
  Speaker 3: they they cool, but like it's a little bit more
• 23:46
  Speaker 3: hands on with me, like and after all the feelings
• 23:49
  Speaker 3: and getting past them. We became friends on that. You know,
• 23:52
  Speaker 3: I was like a therapist for him or whatever, and
• 23:55
  Speaker 3: he the same foot. Well, he don't really do nothing
• 23:57
  Speaker 3: for me in.
• 23:57
  Speaker 1: That asset my parent you know you don't.
• 24:00
  Speaker 3: But I'm saying, yeah, that is big wrong.
• 24:04
  Speaker 1: That is big wrong.
• 24:05
  Speaker 12: What's that elaborated on that you take out all the
• 24:09
  Speaker 12: emotions and are feeling and you can be great. Yeah,
• 24:14
  Speaker 12: but one of the biggest problems we did had that
• 24:17
  Speaker 12: we was able to overcome as well.
• 24:19
  Speaker 1: Well.
• 24:20
  Speaker 12: Jacksually did like over that boundary the little bit like
• 24:24
  Speaker 12: in relationships, what.
• 24:25
  Speaker 1: You mean, She'll she'll run up on girls you messing
• 24:28
  Speaker 1: with no no but.
• 24:31
  Speaker 12: Me and made a good advice. She she wanted to
• 24:33
  Speaker 12: be she would want to be in it two months
• 24:36
  Speaker 12: and then I used to used to make me mad
• 24:38
  Speaker 12: because I always feel like I mind my business when
• 24:40
  Speaker 12: it comes to you. Even when she realized that it
• 24:44
  Speaker 12: took that away, it became even better.
• 24:46
  Speaker 10: So you're trying to holler out a chicken.
• 24:47
  Speaker 11: She's telling you, now, I don't like shorty, shorty, did
• 24:50
  Speaker 11: Shorty that she dived into your relationship?
• 24:53
  Speaker 3: Just no, no, no, no, no, no, no, wrong, not even
• 24:55
  Speaker 3: necessarily that right, Let me tell him what it is
• 24:58
  Speaker 3: wrong because you you're talking a little slow. You just
• 24:59
  Speaker 3: woke up, obviously. Look, this is the thing that room
• 25:03
  Speaker 3: room will be in a relationship, and then Rome will
• 25:06
  Speaker 3: introduced me to these girls. Rome will want me to
• 25:08
  Speaker 3: build a nice, little cool relationship with them. And then
• 25:11
  Speaker 3: when things start happening because he's not able to be
• 25:13
  Speaker 3: faithful lawyer or whatever.
• 25:15
  Speaker 1: Then damn, it's yeah.
• 25:16
  Speaker 3: Then it's they they then I got and then they
• 25:19
  Speaker 3: break up with him, and now when he beefing with him,
• 25:22
  Speaker 3: I gotta beef with him. And it's like no, but
• 25:25
  Speaker 3: now it's am I your business? But you called me,
• 25:27
  Speaker 3: you put me in the business. But don't be in
• 25:29
  Speaker 3: a business too damn much. Don't be saying like I'd
• 25:31
  Speaker 3: be giving a damn that much. I just give a
• 25:33
  Speaker 3: damn about you like you be introducing me. That's how
• 25:37
  Speaker 3: I end up cool with all the baby mothers, you
• 25:38
  Speaker 3: know what I'm saying, Like, and they cool, and I
• 25:40
  Speaker 3: love his kids like and even girls they didn't have
• 25:43
  Speaker 3: babies with a lot of them were cool. But then
• 25:45
  Speaker 3: he moved, bing bing bing bing bing. Here it is like, dang,
• 25:49
  Speaker 3: what happened to shorten? Don't worry about it?
• 25:51
  Speaker 1: You move on with me. I don't know what you do. Yeah,
• 25:54
  Speaker 1: that's what it is. I want to know how many
• 25:58
  Speaker 1: more relationships are out there, like just in Rome, Like
• 26:00
  Speaker 1: how many people got baby daddy brothers? Right? You know
• 26:02
  Speaker 1: what I mean? Because you got a baby daddy brother,
• 26:05
  Speaker 1: you know what I mean? And you got a baby
• 26:06
  Speaker 1: mama's sister. But it takes a lot, and you gotta comment.
• 26:09
  Speaker 12: I think it's a lot. I just think it's not
• 26:12
  Speaker 12: the norm and people are agreed to put it to
• 26:15
  Speaker 12: the world because of being be not the first person
• 26:19
  Speaker 12: to do this.
• 26:20
  Speaker 1: I know that I've never seen it. I think, you know,
• 26:23
  Speaker 1: I've just never seen it evolve go from a baby
• 26:25
  Speaker 1: mama uh to to you know, Oh that's like that's
• 26:29
  Speaker 1: my sister. And y'all really hold each other down like that.
• 26:31
  Speaker 1: I think that let's take some calls. Let's say, Roman,
• 26:34
  Speaker 1: appreciate you.
• 26:35
  Speaker 10: I know you, we just woke you up. We appreciate
• 26:36
  Speaker 10: you for checking in.
• 26:37
  Speaker 1: Brother. Appreciate and Rome, you're a great father. Man, You're
• 26:41
  Speaker 1: a great father. I love the way you hold it
• 26:43
  Speaker 1: down for your son.
• 26:44
  Speaker 2: Man.
• 26:45
  Speaker 12: I appreciate that.
• 26:46
  Speaker 3: Man.
• 26:46
  Speaker 12: Thank you you having brothday.
• 26:49
  Speaker 10: Hello is this this is man? Yay, jazz me, good morning.
• 26:56
  Speaker 6: I have a baby daddy, but it is not peaceful.
• 27:00
  Speaker 6: So parenting is not easy. And we spent thirteen years
• 27:03
  Speaker 6: together and I felt like yesterday listening to just fix
• 27:08
  Speaker 6: people's messages, I thought about you know, I think their
• 27:12
  Speaker 6: relationship is so commendable. They co parents so gracefully, and
• 27:17
  Speaker 6: you know, they're funny together. They make it, they make
• 27:20
  Speaker 6: it a good time. They make it look like a
• 27:21
  Speaker 6: good time. So I'm like, how how is that even possible?
• 27:27
  Speaker 3: Just it just literally shut up. It just literally takes.
• 27:30
  Speaker 3: It takes time, it really does. And you know it
• 27:33
  Speaker 3: it depends on how y'all both feel about each other.
• 27:36
  Speaker 3: You know, y'all still does one half feelings for the
• 27:39
  Speaker 3: other one. You know, it's just okay, okay, you said
• 27:42
  Speaker 3: that very strongly.
• 27:43
  Speaker 1: Very but you said.
• 27:46
  Speaker 6: You couldn't pay me the sweet Framewater girl.
• 27:49
  Speaker 4: Okaye.
• 27:51
  Speaker 1: Well do you do you even like them at all? No?
• 27:54
  Speaker 10: Okay, so you don't even want to be you' even
• 27:57
  Speaker 10: like it?
• 27:57
  Speaker 6: But because I know the bigger it is, the bigger
• 28:00
  Speaker 6: picture is my children. So I know how to put
• 28:03
  Speaker 6: my bike on to the side.
• 28:04
  Speaker 3: Right, but don't think right? Okay, all right, but are
• 28:08
  Speaker 3: you still heard about anything is that's what is that
• 28:11
  Speaker 3: was stopping?
• 28:11
  Speaker 6: Well, I will say this, I am very betrayed. I
• 28:15
  Speaker 6: was very betrayed from the beginning, so that it's hard for.
• 28:18
  Speaker 1: Me to let go.
• 28:19
  Speaker 3: Definitely.
• 28:19
  Speaker 11: Okay, So you still I don't think you could be
• 28:21
  Speaker 11: friends unless you let that go, because you'll always have
• 28:23
  Speaker 11: that overyard relationship even if y'all just become friends.
• 28:26
  Speaker 1: So I think that's where it has to go. Yeah,
• 28:29
  Speaker 1: if you know about having a baby daddy, it was
• 28:30
  Speaker 1: a lot of things. What the hell you're my only
• 28:33
  Speaker 1: baby daddy, which is what was going on here?
• 28:35
  Speaker 3: Hold on, all right, I'm sorry.
• 28:36
  Speaker 1: You want just to fix the mess?
• 28:38
  Speaker 6: Yes, I need to know, I want I need her.
• 28:44
  Speaker 3: Yeah, that's but that's what it literally takes.
• 28:47
  Speaker 1: Though.
• 28:47
  Speaker 3: You just have to get past your hurt. Because a
• 28:50
  Speaker 3: lot of things wrong did to me. I had to
• 28:52
  Speaker 3: let go. I didn't just put them to the side.
• 28:55
  Speaker 3: You know, it's a big difference between putting it to
• 28:57
  Speaker 3: the side and really getting past it. It was man,
• 29:00
  Speaker 3: he had ran into a lump summer money. I was broke,
• 29:03
  Speaker 3: lights off everything, the and my son and we had
• 29:06
  Speaker 3: to we had candles, I had a car. I had
• 29:09
  Speaker 3: to go in the car to get air. All of that,
• 29:10
  Speaker 3: and he knew all of this, but I couldn't hold
• 29:12
  Speaker 3: that over his head. I didn't have time to hate
• 29:14
  Speaker 3: him because he was so young, never had no money,
• 29:16
  Speaker 3: so when he got it, he just did whatever he
• 29:18
  Speaker 3: wanted to do with it.
• 29:19
  Speaker 1: You feel me.
• 29:19
  Speaker 3: And he was young.
• 29:21
  Speaker 1: He never tossed y'all nothing, No, he.
• 29:23
  Speaker 3: Never, no, he never talk to me anything.
• 29:28
  Speaker 1: Be a good story.
• 29:28
  Speaker 10: I thought he came up with some money and helped
• 29:30
  Speaker 10: you out. Oh no, I don't know to this day.
• 29:32
  Speaker 1: No, So how do you stay from being discrediled?
• 29:34
  Speaker 2: How did you?
• 29:35
  Speaker 3: I didn't have time to hate him, yo, Listen. I
• 29:37
  Speaker 3: was trying to figure out the next game, the next
• 29:38
  Speaker 3: way to get some money, to way to get my
• 29:40
  Speaker 3: lights on, Like he ain't, never had no bread like that,
• 29:44
  Speaker 3: And so when he came into it, he just you know.
• 29:48
  Speaker 1: Know that. From what I'm getting from your situation and
• 29:51
  Speaker 1: hearing these calls is you never stopped liking him as
• 29:54
  Speaker 1: a person, as a friend, You know what I mean?
• 29:57
  Speaker 1: These people grew to hate their baby daddy. I think
• 30:00
  Speaker 1: once you go to hate your baby daddy's hard to
• 30:01
  Speaker 1: come back from that.
• 30:02
  Speaker 10: Yeah, what's the story.
• 30:06
  Speaker 3: I guess just what, y'all, I'm not drunk no more.
• 30:10
  Speaker 3: Stop being drunk at four o'clock this morning.
• 30:12
  Speaker 1: Look the moral of the.
• 30:14
  Speaker 3: Story, I don't really know what the moral of the
• 30:16
  Speaker 3: story is. It ain't no story. It's just you know,
• 30:19
  Speaker 3: you you just you have to learn how to move
• 30:21
  Speaker 3: forward am amicable. Yeah I'm still drunk, all right. Yeah,
• 30:25
  Speaker 3: you have to learn how to You gotta learn how
• 30:29
  Speaker 3: to move forward amicably. Yes, with the with the other parent, Yo,
• 30:33
  Speaker 3: you got to take all them feelings out of there.
• 30:34
  Speaker 3: If y'all want to be like me and Rome, you
• 30:35
  Speaker 3: gotta take out all those feelings and you can't hold
• 30:38
  Speaker 3: on to hurt like yeah, like Charlamagne say. And I
• 30:40
  Speaker 3: never got to the point where I wanted to hate them, Yo,
• 30:44
  Speaker 3: I was gonna hate him. My life is still gonna
• 30:46
  Speaker 3: be off. I ain't got time for that. And I
• 30:49
  Speaker 3: never stopped him from saying the sun not ever. Look,
• 30:51
  Speaker 3: please come get them, but bring them back, you know
• 30:53
  Speaker 3: what I mean? Like never, It's never been no malicious intent,
• 30:56
  Speaker 3: no nothing, no ever took com downtown. And I should have,
• 30:58
  Speaker 3: you know, I felt like I should have back then
• 31:00
  Speaker 3: like now, but I just didn't want to do that.
• 31:03
  Speaker 3: I was like that girl who called up earlier, it
• 31:05
  Speaker 3: was gonna be a struggle fantists.
• 31:06
  Speaker 1: I feel like it was rooted in respect until it
• 31:08
  Speaker 1: grew into what it is now. I feel like a
• 31:10
  Speaker 1: lot of these relationships aren't rooted in respect, you know
• 31:13
  Speaker 1: what I mean. That's good suit everybody out there with
• 31:16
  Speaker 1: a baby, daddy, brother and figured out my sister.
• 31:19
  Speaker 3: People that figured it out because I love my room.
• 31:21
  Speaker 3: You know, I love my best bro. That's your ma.
• 31:24
  Speaker 3: That's it. Ain't got to be somebody that you with.
• 31:28
  Speaker 3: You can have a best friend of the so many
• 31:29
  Speaker 3: you can have. I'm telling you, it's your soul. And
• 31:31
  Speaker 3: ain't got nothing to do with instancy.
• 31:34
  Speaker 1: The Breakfast Club more than everybody.
• 31:38
  Speaker 11: It's DJ n V Charlamagne to God. We are the
• 31:41
  Speaker 11: Breakfast Club.
• 31:42
  Speaker 1: Jess hilarious to see our guest co host and we
• 31:45
  Speaker 1: got a special guest in the building, Jocelyn Hernandez welcomed breakfast.
• 31:51
  Speaker 3: Thank you and in town.
• 31:52
  Speaker 10: I didn't even know that you are doing your Jocelyn's
• 31:55
  Speaker 10: cabaret in New York.
• 31:56
  Speaker 7: I am.
• 31:57
  Speaker 3: I cannot believe you didn't come see me yet. It's
• 31:59
  Speaker 3: so much much fun.
• 32:00
  Speaker 1: D J MVY so break down with the cabarets, because
• 32:03
  Speaker 1: you know, Stallless is a strip club, it's a gentleman club.
• 32:05
  Speaker 3: It is a strict shout out to Starless and Marty
• 32:07
  Speaker 3: and everybody. So okay, So the cabaret, you know the cabaret.
• 32:10
  Speaker 3: I'm on my fourth season on Graduations. Yes, four seasons, girl,
• 32:15
  Speaker 3: that's a lot. That is a lot. And I owned
• 32:17
  Speaker 3: the show. I owned the IP, my intellectual property. I
• 32:20
  Speaker 3: wrote it. I wrote the cabaret. I created it, I
• 32:23
  Speaker 3: produced it, I do everything about it. I act in it.
• 32:25
  Speaker 3: So basically, it's like a group of ladies. They compete
• 32:29
  Speaker 3: to be inside of my cabaret. Actually, less performance which
• 32:33
  Speaker 3: was Saturday, I had twelve ladies dance with me on stage.
• 32:35
  Speaker 1: You know.
• 32:35
  Speaker 3: Some of them put theirselfs on fire, shoes on fire,
• 32:39
  Speaker 3: they skate on stage. So it's like a whole show
• 32:41
  Speaker 3: that this first actually moving to the house. They compete.
• 32:44
  Speaker 3: It's like it's like, uh, it's like Tyra Banks with
• 32:46
  Speaker 3: her show with the Modern Show, except that they're dancing.
• 32:50
  Speaker 1: They're not modeling, you know what.
• 32:51
  Speaker 10: They set themselves on fire on the pole.
• 32:53
  Speaker 3: On the pole they choose they kitty cat everything be
• 32:56
  Speaker 3: on fire, the kit the kiddy cat be on fire,
• 33:00
  Speaker 3: did envy?
• 33:00
  Speaker 1: That's what I'm trying to tell you.
• 33:03
  Speaker 3: You talking about, yes, you know, not that type of
• 33:06
  Speaker 3: like you know, messed up fire. I'm talking about like
• 33:08
  Speaker 3: fun fire, like you know, like a real show, like
• 33:10
  Speaker 3: a real show. Definitely this season the Ladies step third
• 33:13
  Speaker 3: game up because season one, season two, season three of
• 33:15
  Speaker 3: the Cabaret it was great, and you know, we built
• 33:18
  Speaker 3: to it. You know, the first season, I was trying
• 33:20
  Speaker 3: to get the ladies to understand my vision. I want
• 33:22
  Speaker 3: to do a cabaret with my music and I want
• 33:24
  Speaker 3: some dancers, and says I'm a musician. I want to
• 33:27
  Speaker 3: do it on TV. I want the girls to dance.
• 33:28
  Speaker 3: I want to I want to make it make sense.
• 33:29
  Speaker 3: I want to make it make one. Some of the
• 33:31
  Speaker 3: girls didn't believe. Season two, we did it. One of
• 33:33
  Speaker 3: them one ten thousand dollars. We performing Atlanta. We did
• 33:36
  Speaker 3: the whole choreography to one of my songs.
• 33:38
  Speaker 1: So that was great.
• 33:38
  Speaker 3: Season three, I went on tour to twelve different cities.
• 33:41
  Speaker 3: It was a lot. It was quick, it was fast,
• 33:43
  Speaker 3: so we really need to have an actual show. But
• 33:45
  Speaker 3: the people love that, you know, they can they seen
• 33:47
  Speaker 3: the girls getting on stage door and they thing them
• 33:49
  Speaker 3: in the post. But now season four, it's more organized.
• 33:52
  Speaker 3: We got a routine, we got the whole show. It's
• 33:54
  Speaker 3: a thirty minute show. I think I'm performing like eight
• 33:57
  Speaker 3: songs for thirty minutes, and you know, then I do
• 33:59
  Speaker 3: my meeting. Read my last tour, I would just go
• 34:01
  Speaker 3: and just keep before me. But now I have to,
• 34:04
  Speaker 3: like you know, I have to preserve myself.
• 34:05
  Speaker 1: I have to film.
• 34:06
  Speaker 3: And I'm actually also filming Season four at the Cabaret
• 34:08
  Speaker 3: that would be airing next one on Suious Network.
• 34:11
  Speaker 11: You think people don't take you serious because of the
• 34:13
  Speaker 11: love and hip hop, because of the College Hill, because
• 34:16
  Speaker 11: of the Cabaret, like they don't take you as serious
• 34:19
  Speaker 11: as you feel like they should.
• 34:20
  Speaker 3: I feel like they take me super serious. I always
• 34:22
  Speaker 3: have Cella shows. I have my only my fans that
• 34:25
  Speaker 3: I personally fans of Johnson that if you go on
• 34:28
  Speaker 3: my Instagram, on my Twitter or any of the hashtags.
• 34:30
  Speaker 3: At the Cabaret, they say my songs word for word,
• 34:34
  Speaker 3: word for word, like you got. I do shows sometimes
• 34:37
  Speaker 3: with fifteen hundred people, twenty five hundred people, one hundred people,
• 34:40
  Speaker 3: three hundred people, five hundred people. It's different cities, different shows,
• 34:44
  Speaker 3: different locations, and every city you go to they sing
• 34:47
  Speaker 3: my songs every song, not just birthday song, not just
• 34:51
  Speaker 3: Vegas I want to ride, but every now of the week,
• 34:54
  Speaker 3: get Rico, fingupcheck slay every song. They run me my
• 34:58
  Speaker 3: money every song that I have. And I you know,
• 35:00
  Speaker 3: I've never put out an album, but I put out
• 35:02
  Speaker 3: singles like all the time. And so I definitely feel
• 35:06
  Speaker 3: like people has taken me.
• 35:07
  Speaker 1: Seriously.
• 35:07
  Speaker 3: Do I feel like it took them a long time?
• 35:09
  Speaker 1: Yes?
• 35:10
  Speaker 3: But do I feel who am I to be before
• 35:13
  Speaker 3: anyone else? I just have to keep working. If I
• 35:15
  Speaker 3: believe in myself, I have to just keep pushing. I
• 35:17
  Speaker 3: love that I see a lot of different things for you.
• 35:19
  Speaker 3: It's like, why the hell you won't get into like
• 35:22
  Speaker 3: pro wrestling? Why?
• 35:23
  Speaker 1: Wow?
• 35:23
  Speaker 12: What?
• 35:24
  Speaker 1: What was happening? Like? Why you won't go in some
• 35:26
  Speaker 1: pro What is wrong with you?
• 35:30
  Speaker 3: Slapping security? You're supposed to protect you. She's slapping this
• 35:34
  Speaker 3: quick enough clouds. So I tell you what, I tell
• 35:36
  Speaker 3: you what I'm not really you know. You know I
• 35:40
  Speaker 3: just got out of jail. Yes, you know, I just
• 35:42
  Speaker 3: got out of jail. There's really not too much that
• 35:44
  Speaker 3: I could talk on that, But I will, you know,
• 35:47
  Speaker 3: because you know, you know, I was gone, girl, I
• 35:48
  Speaker 3: was in a lot of the el Brownwood County. I
• 35:50
  Speaker 3: was cold, came out with a coughing everything I thought
• 35:52
  Speaker 3: I was for two days, and I'm seeing it up
• 35:56
  Speaker 3: here as sick as a dog.
• 35:58
  Speaker 6: Why me?
• 35:59
  Speaker 5: Why me?
• 36:00
  Speaker 3: Yeah? So I can't really speak too much on that,
• 36:02
  Speaker 3: but but what I can say is that I'm gonna.
• 36:04
  Speaker 1: Always protect Yes, how do you say it is?
• 36:07
  Speaker 10: Protect?
• 36:07
  Speaker 1: Yes? Me? Right?
• 36:10
  Speaker 3: And if you see me out here in the streets,
• 36:12
  Speaker 3: when you know, you two in the world America, whoever
• 36:15
  Speaker 3: knows me, know where I come from and what I've
• 36:18
  Speaker 3: done and how I've changed, you know, I'm just making
• 36:20
  Speaker 3: sure that I'm straight and no one hurts me, you know.
• 36:24
  Speaker 3: So you know, the media only show you one thing.
• 36:25
  Speaker 3: It looks like a whole lot of chaos, but you
• 36:28
  Speaker 3: might not know what happened prior to that chaos, like
• 36:30
  Speaker 3: five seconds before or ten seconds before. You just see
• 36:33
  Speaker 3: like the row, right, And because it's me, it's always
• 36:35
  Speaker 3: so much bigger than what it actually is. Yeah, And
• 36:38
  Speaker 3: that's another big point too. So it's like even to
• 36:41
  Speaker 3: keep going back to a you know, love and hip hop,
• 36:43
  Speaker 3: they had you, I know that the it was a
• 36:45
  Speaker 3: lot of tension with you on Mona because it's like
• 36:47
  Speaker 3: she always wanted to portray you in that light. You
• 36:50
  Speaker 3: know what I'm saying. Do you ever feel any way
• 36:52
  Speaker 3: about that, like how you would be for Mona about it?
• 36:54
  Speaker 3: Then you go over in Laul Lamel. He got you,
• 36:57
  Speaker 3: you know, looking the same way when you're so many
• 37:00
  Speaker 3: of the things and just fighter. Well, I say this,
• 37:02
  Speaker 3: I will sell this. Shout out. Shout out to Mona
• 37:04
  Speaker 3: and shout out to let me. They both gave me
• 37:06
  Speaker 3: amazing opportunities. And I will also say I'm a grown
• 37:10
  Speaker 3: person right the way I run my cabaret as far
• 37:13
  Speaker 3: as like being on Suit's network, because when I did
• 37:16
  Speaker 3: love on hip hop, I was like, you know, I
• 37:17
  Speaker 3: was younger, I was wild, I was out there. So
• 37:20
  Speaker 3: it's only but so much that and network could do
• 37:22
  Speaker 3: for yourself to help you or break you. You know,
• 37:25
  Speaker 3: you still have to as said responsibilities as a human being,
• 37:29
  Speaker 3: as a you know, for yourself. So with that, that
• 37:32
  Speaker 3: was what it was right And if it wasn't for
• 37:34
  Speaker 3: love of hip hop, let's just be real, I will
• 37:36
  Speaker 3: not be here with the cabaret. And then you know,
• 37:38
  Speaker 3: with the cabaret. Like, listen, that's just how I run
• 37:40
  Speaker 3: my show, you know what I'm saying, Like I run
• 37:42
  Speaker 3: my to do what I tell them to do. If
• 37:43
  Speaker 3: you can, you can't be in the cabaret. You know
• 37:45
  Speaker 3: when you see me on suits will lend me on
• 37:48
  Speaker 3: the cabaret. I just think that you see so much
• 37:50
  Speaker 3: more of me running a business instead of seeing like
• 37:54
  Speaker 3: the personal Jocelyn, Like the person of Jocelyn is different
• 37:57
  Speaker 3: than the Jocelyn that's actually running a business. So I
• 38:00
  Speaker 3: might look like I'm row or like I'm being putting
• 38:02
  Speaker 3: this one life, but you got to remember you're only seeing, like,
• 38:05
  Speaker 3: really just twenty thirty percent of my life. Because even
• 38:07
  Speaker 3: though I got camerase out for forty six weeks, like
• 38:09
  Speaker 3: I do right now, feel me Johnson discabaret, He said, four,
• 38:12
  Speaker 3: it's still not everything that you know. You don't see
• 38:15
  Speaker 3: when I'm crying. You don't see when I'm taking care
• 38:17
  Speaker 3: of my daughter. You don't see when I'm you know,
• 38:19
  Speaker 3: working out doing yoga every day. I've been in New
• 38:21
  Speaker 3: York and I've been doing yoga every day with my husband.
• 38:23
  Speaker 11: But you could, I was gonna say, but you know
• 38:25
  Speaker 11: the fact that it's your show. You can display what
• 38:27
  Speaker 11: you want to display. Now, you can put that out there.
• 38:29
  Speaker 11: You just ain't got to put the cabaret port. You
• 38:31
  Speaker 11: could put that out too. And I was gonna ask
• 38:33
  Speaker 11: you shout it out, you know, Mota Scott. I know
• 38:35
  Speaker 11: one time you were saying, so now you your Mota
• 38:37
  Speaker 11: go back and forth. But the fact that y'all shout
• 38:39
  Speaker 11: her out, have y'all spoke, have y'all squashed that beef
• 38:41
  Speaker 11: at that time, or you just let it go?
• 38:43
  Speaker 1: You know what.
• 38:43
  Speaker 3: I haven't talked to her. But it's just like you
• 38:45
  Speaker 3: come to a place where you grow up. I don't
• 38:48
  Speaker 3: got to keep being mad at Mono, being mad at
• 38:50
  Speaker 3: anybody for nothing, Like, well, how does that help me?
• 38:53
  Speaker 3: How does that give me any blessing? How does that
• 38:55
  Speaker 3: make God open the door for me to get like
• 38:58
  Speaker 3: keep opening up my third eye so I can keep
• 39:00
  Speaker 3: pursuing my dreams and my career. How could I help
• 39:03
  Speaker 3: young ladies in the world. You know, like that ain't
• 39:05
  Speaker 3: gonna you know, my my biggest goal to be in life.
• 39:08
  Speaker 3: I grew up and I always say this, I grew
• 39:10
  Speaker 3: up in Puerto Rico. I grew up in Cattle Lina,
• 39:13
  Speaker 3: and like say's middle, And I said, yo, I grew
• 39:15
  Speaker 3: up in the ghetto, in the hood, in the trenches,
• 39:18
  Speaker 3: and I used to be running around without no shoes
• 39:20
  Speaker 3: and have needles hero on needles on my feet.
• 39:23
  Speaker 1: I had to come home.
• 39:24
  Speaker 3: I'm gonna have to pull in my My dad used
• 39:26
  Speaker 3: to be up crack and a heroin addict. So I
• 39:28
  Speaker 3: come from nothing right, and my dad died when I
• 39:30
  Speaker 3: was very young. And for me, my most important thing
• 39:33
  Speaker 3: is to showcase to the little girls that they could
• 39:36
  Speaker 3: do it. If I did it, you could do it too.
• 39:38
  Speaker 3: Like that's always going to be my in goal because
• 39:40
  Speaker 3: I have a daughter, and it's it's it's it's rooted
• 39:44
  Speaker 3: deep in my heart. I want to always be that
• 39:46
  Speaker 3: voice of reasoning to the young girls because they know
• 39:49
  Speaker 3: I was a mess when I first came out. But
• 39:50
  Speaker 3: look where I come from. Look what cars was given
• 39:53
  Speaker 3: to me for me to play. So you got to
• 39:54
  Speaker 3: remember I come from a really low income family. When
• 39:57
  Speaker 3: I tell you low income, I mean like food stampslow
• 39:59
  Speaker 3: in you feel me. And so for me now, it's
• 40:02
  Speaker 3: like all I want to do is really just do
• 40:04
  Speaker 3: my job, do what I love to do, music TV,
• 40:07
  Speaker 3: help the little girls, take care of Bonnie, have another
• 40:09
  Speaker 3: child with my husband. Yes, I'm an audist. Yes I
• 40:12
  Speaker 3: do messed up things. Yes I'm out there. You might
• 40:14
  Speaker 3: see something. Oh she crazy. I'm not crazy.
• 40:17
  Speaker 1: You know.
• 40:17
  Speaker 3: I'm not gonna ever do anything that truly in my
• 40:20
  Speaker 3: heart don't feel like I need to do, and I'm
• 40:23
  Speaker 3: gonna take the consequences.
• 40:24
  Speaker 1: Afterwards, we got more with Johnson Henandas when we come back,
• 40:27
  Speaker 1: don't move. It's the Breakfast Club. Good morning everybody. It's
• 40:30
  Speaker 1: the dj NZ, Charlomagne the God. We are the Breakfast Club.
• 40:33
  Speaker 11: We're still kicking it with Jocelyn Hernandez. Jess Solaris is here,
• 40:37
  Speaker 11: Charlamagne is out for a couple of days. Do you
• 40:39
  Speaker 11: turn up for the cameras? The reason I say that
• 40:40
  Speaker 11: is absolutely when people talk about Johnson, I'm like, I've
• 40:47
  Speaker 11: been on flights with Jocelyn, like, and she's the coolest.
• 40:50
  Speaker 10: Comments, how's your family, how's your wife doing? So then
• 40:53
  Speaker 10: when I turn on the TV, I'm like, that's not
• 40:55
  Speaker 10: the person.
• 40:55
  Speaker 1: I just do it for three hours.
• 40:56
  Speaker 10: I'm like, that's not the same person. So you you
• 40:59
  Speaker 10: make it your business to entertain?
• 41:01
  Speaker 3: Can I tell you something you could ask my family?
• 41:03
  Speaker 3: You could ask my best friend Melissa, which is my
• 41:05
  Speaker 3: manager and my husband. But listen, say I am a trip.
• 41:08
  Speaker 3: I wake up in the morning tripping. I'm tripping. I'm
• 41:11
  Speaker 3: high off life. I'm recently clean. And when I say clean, listen,
• 41:14
  Speaker 3: let me tell you I'm grown. I could do whatever
• 41:17
  Speaker 3: I want. I got my stuff together. I ain't never
• 41:19
  Speaker 3: been in the streets.
• 41:20
  Speaker 1: Y'all.
• 41:20
  Speaker 3: Ain't never heard that I owe nobody money. You ain't
• 41:23
  Speaker 3: never heard that I'm broke. You ain't never heard that
• 41:25
  Speaker 3: I ain't getting no money. You ain't never heard that
• 41:27
  Speaker 3: I'm a junkie outside shooting up.
• 41:29
  Speaker 1: No.
• 41:29
  Speaker 3: Did I like to party, Absolutely, still love to. But
• 41:32
  Speaker 3: I know that I have to focus and I have
• 41:33
  Speaker 3: to be as clean as I can to be the
• 41:35
  Speaker 3: best that I can be. Right, But you could ask
• 41:37
  Speaker 3: this too. I don't have to have nothing in my system.
• 41:39
  Speaker 3: I wake up with the bush. Just like a funny person.
• 41:42
  Speaker 3: People always be like, you should be a commedian. No,
• 41:44
  Speaker 3: I'm funny because I don't want to be a commedian.
• 41:46
  Speaker 3: I'm funny because that's just who I am as a person.
• 41:48
  Speaker 3: So like I do turn off for the cameras, but
• 41:51
  Speaker 3: envy I'm a funny ass. No matter what, Like I
• 41:54
  Speaker 3: wake up funny. I just like to have fun. I
• 41:56
  Speaker 3: like to have fun, I think, and I'm very and
• 41:59
  Speaker 3: you got to remember, when I'm working and filming, I
• 42:00
  Speaker 3: have to be very strict. And the second I getting
• 42:02
  Speaker 3: out to be strict, I'm gonna be funny, I'm gonna
• 42:05
  Speaker 3: be a bitch. I would be cracking jokes everything.
• 42:07
  Speaker 10: Now you said you're clean?
• 42:08
  Speaker 1: Is it? You're clean because you have your baby? And
• 42:10
  Speaker 1: you're like, I have to change or what decided you? Like?
• 42:13
  Speaker 5: You know what?
• 42:13
  Speaker 10: I want to be clean? And what does clean mean?
• 42:15
  Speaker 3: Well, you're not clean? Is not you know, you know,
• 42:17
  Speaker 3: not doing it? Want to not doing it? One too?
• 42:23
  Speaker 3: I'm done but doing not doing?
• 42:25
  Speaker 1: What did baby make?
• 42:29
  Speaker 10: You want to say? You know what I got to change?
• 42:30
  Speaker 10: Or what was it that made Was it a.
• 42:31
  Speaker 1: Scare or it wasn't?
• 42:33
  Speaker 3: Like no scared? No, scared?
• 42:34
  Speaker 4: No.
• 42:34
  Speaker 3: I always being very cautious and I do everything very limited,
• 42:37
  Speaker 3: you know, because I'm I'm cuteed.
• 42:39
  Speaker 1: I want to stay that way, you know what I'm saying.
• 42:41
  Speaker 3: So I'm like, you know, I be like you know
• 42:42
  Speaker 3: when I hang out with my you know, I'm I'm more.
• 42:45
  Speaker 1: Like a social party person.
• 42:46
  Speaker 3: You know what I mean, and I don't hang out
• 42:48
  Speaker 3: all the time, but I feel so much stronger and
• 42:50
  Speaker 3: so much better. It's like I feel like I don't
• 42:52
  Speaker 3: need the crutches anymore. To me, the way I think
• 42:55
  Speaker 3: about it's like a crutch, and I just feel like
• 42:57
  Speaker 3: I'm finally walking without them and I don't need them.
• 42:59
  Speaker 3: And I feel younger, I feel smarter, I feel sharper. Look,
• 43:03
  Speaker 3: I finished working last night too. In the morning, I
• 43:05
  Speaker 3: went to sleep, and I'm back up at seven o'clock.
• 43:08
  Speaker 3: I told my manager, so, I said, I cannot believe.
• 43:10
  Speaker 3: I took a poop, I brushed my teeth, I drank
• 43:13
  Speaker 3: some tea, I drank some water, I did some medicine.
• 43:15
  Speaker 3: I did my haird and my makeup and got here
• 43:18
  Speaker 3: by I said, that is.
• 43:19
  Speaker 1: Not Johnson r Nan. That's that's evolution.
• 43:25
  Speaker 3: That's having open that's making sure that you don't abuse
• 43:29
  Speaker 3: any drugs, you don't abuse anything in your path that
• 43:32
  Speaker 3: could potentially throw you off being the best you.
• 43:36
  Speaker 1: Yeah.
• 43:36
  Speaker 11: I want to ask you know, after the Floyd fight,
• 43:38
  Speaker 11: we we spoke about your relationship with your husband, right,
• 43:41
  Speaker 11: and I want to ask you about that because what
• 43:43
  Speaker 11: we said was and this is what I said on
• 43:45
  Speaker 11: a I said, you know, I look at my wife
• 43:46
  Speaker 11: as not only as my wife, my lover, she's my sister,
• 43:50
  Speaker 11: she's my best friend. So if she swing, I'm swinging.
• 43:52
  Speaker 11: And then when we get home, I got to find
• 43:54
  Speaker 11: out if she was right or wrong. That's just how
• 43:55
  Speaker 11: our relationship works. But how is your relationship when it
• 43:58
  Speaker 11: comes to those type of things, because you are on
• 44:00
  Speaker 11: TV and you are you know, taped all the time,
• 44:02
  Speaker 11: and you are out and about, So how is that
• 44:04
  Speaker 11: relationship with you and you and your man?
• 44:07
  Speaker 3: Well, shout out to Relistick. He is the man of
• 44:09
  Speaker 3: my dreams. I love that man. How she did a
• 44:12
  Speaker 3: day dream room.
• 44:14
  Speaker 9: I love that.
• 44:15
  Speaker 3: We know, but the relationship is say, I'm gonna tell
• 44:17
  Speaker 3: you like this, if he swings on the man, I'm swinging.
• 44:21
  Speaker 3: If I swing, he don't swing. It's just that he
• 44:23
  Speaker 3: always there in the moment by me making sure that
• 44:26
  Speaker 3: don't nobody else but the person that is involved is
• 44:29
  Speaker 3: not doing nothing.
• 44:30
  Speaker 10: Chara, say, he just gonna hold the other girl.
• 44:31
  Speaker 1: But no, no, no, never, never never never.
• 44:37
  Speaker 3: No, He'll be like, why the is you here? He
• 44:39
  Speaker 3: gonna be he gonna say, why is you here? Now
• 44:42
  Speaker 3: you know johnsonally don't want your ass here, you know.
• 44:45
  Speaker 3: But my man is a very respectful man. He's been
• 44:49
  Speaker 3: around all the ladies from the cabaret. He's a trusted
• 44:52
  Speaker 3: man and he's a real man. He will not swing
• 44:55
  Speaker 3: on the lady. And he's never swung on old lady.
• 44:58
  Speaker 3: If he looks at the heat of the moment where
• 45:00
  Speaker 3: he might be screaming on their whole day making sure
• 45:02
  Speaker 3: that don't nobody else do anything to me. He gonna
• 45:04
  Speaker 3: always do that as a man, because that's what the
• 45:07
  Speaker 3: man is supposed to do, you know. And he's so strong,
• 45:09
  Speaker 3: he's got all the African power. If he's swings on
• 45:11
  Speaker 3: a lady, she's dead.
• 45:12
  Speaker 1: Look at that man.
• 45:13
  Speaker 3: That man six feet sometime two hundred and sometimes. He's
• 45:16
  Speaker 3: a big, old strong man, you know. So he know
• 45:19
  Speaker 3: better than that. You know. He doesn't do it now,
• 45:21
  Speaker 3: you know, without talking about the incident. But you perform
• 45:24
  Speaker 3: that night I performed. That was my first time performing
• 45:26
  Speaker 3: at an arena. Shout out to let me for letting
• 45:28
  Speaker 3: me do that, because I asked let me, let me
• 45:30
  Speaker 3: let me well from the owners network, he put the
• 45:33
  Speaker 3: fight together and I was like, oh my gosh, let
• 45:35
  Speaker 3: me can I perform there and he was like sure.
• 45:37
  Speaker 10: I was like, yeah, how was that performance? Yeah, butterflies,
• 45:39
  Speaker 10: because I mean you perform.
• 45:40
  Speaker 2: I mean you not.
• 45:42
  Speaker 3: I perform in my shows that people know my music
• 45:45
  Speaker 3: and they come to see me and pay to see me.
• 45:47
  Speaker 3: I never performed in a place.
• 45:49
  Speaker 1: Where they go you feel me.
• 45:54
  Speaker 3: So that was my first time. So I was I
• 45:56
  Speaker 3: was nervous. But we've been practicing because I'm also filming
• 45:58
  Speaker 3: the Cabaret here in New York. So we been dancing
• 46:00
  Speaker 3: every day and it went really good. And then actually
• 46:03
  Speaker 3: the girls that I had just picked, four dancers that
• 46:05
  Speaker 3: I just meant in New York to dance with me.
• 46:07
  Speaker 3: So we we learned that routine twenty four hours prior,
• 46:11
  Speaker 3: and you trusted them and not even I mean, I
• 46:14
  Speaker 3: gotta trust something if you want to If I wanted
• 46:17
  Speaker 3: to go well and it went well, look it would look.
• 46:21
  Speaker 3: Here's what I can't say. When I did my first song,
• 46:23
  Speaker 3: they were clapping about the rhythm and they clapping for me.
• 46:28
  Speaker 3: This is this is this is good stuff. These people
• 46:31
  Speaker 3: don't know. My mean said this. All people coming to
• 46:32
  Speaker 3: see people fight like them. All people don't be out
• 46:35
  Speaker 3: there really just knowing what you know like the underground
• 46:37
  Speaker 3: artists on myself is really doing like yeah, they might
• 46:39
  Speaker 3: have heard my song, do it like if you'll be there,
• 46:41
  Speaker 3: I want to write in their in their grandkids you
• 46:44
  Speaker 3: know house or the children house.
• 46:45
  Speaker 1: But not like that.
• 46:46
  Speaker 3: But you don't know, you don't know, you could have.
• 46:48
  Speaker 3: You don't know if some of them old people was
• 46:50
  Speaker 3: probably leaving it like yeah whatever, but you never know
• 46:55
  Speaker 3: that would happened. I was like, oh, many fads, so
• 46:58
  Speaker 3: I was.
• 46:58
  Speaker 1: I was excited about that.
• 46:59
  Speaker 3: I did like a three songs said because I only
• 47:01
  Speaker 3: had like seven minutes and thirty seconds, and I thought
• 47:04
  Speaker 3: it was great.
• 47:04
  Speaker 10: Now when you drunk that night, because people asked were
• 47:06
  Speaker 10: you drunk?
• 47:07
  Speaker 3: I had a lemonary youself. I always love to say
• 47:10
  Speaker 3: I wasn't drunk, but I would have one or two
• 47:12
  Speaker 3: drinks and for some reason, and I think, because I'm
• 47:15
  Speaker 3: not chasing it with any drugs, it just hits me
• 47:18
  Speaker 3: so much harder. Yeah, because I remember when I used
• 47:20
  Speaker 3: to be on my she could drink ten drinks.
• 47:22
  Speaker 1: You know what I'm saying. I could drink ten drinks.
• 47:24
  Speaker 3: But it's not like I tell my husband, oh my gosh,
• 47:26
  Speaker 3: I got a headache. How many drinks your hell, but
• 47:28
  Speaker 3: only I like to drinks. I was neay with a headache.
• 47:30
  Speaker 3: It's like it's like my brain just don't want to
• 47:32
  Speaker 3: go back.
• 47:33
  Speaker 1: It's called age.
• 47:36
  Speaker 10: That's what it's called.
• 47:38
  Speaker 1: What you talking age? Get it called age.
• 47:42
  Speaker 10: When we come back, we got more with Johnson and
• 47:44
  Speaker 10: there this is the Breakfast Club.
• 47:45
  Speaker 1: Good morning morning everybody to Envy, Charlomagne to God, we
• 47:50
  Speaker 1: are the Breakfast Club.
• 47:51
  Speaker 11: Were still kicking it with Jocelyn Hernandez. Jess Solaris is here,
• 47:54
  Speaker 11: Charlomage's out for a couple of days.
• 47:56
  Speaker 1: Jess.
• 47:56
  Speaker 3: Okay, So how is your co parents and relationship with Stevie?
• 48:00
  Speaker 2: I was that?
• 48:01
  Speaker 3: How were y'all? I mean, you know, I don't really
• 48:03
  Speaker 3: never talk to him. He talks to Bonnie on the
• 48:05
  Speaker 3: phone and uh, you know, he says, sir, I have
• 48:08
  Speaker 3: I have primary custody of Bonnie. I have physical custody
• 48:11
  Speaker 3: of Bonnie, and uh, he's seen her life. He's you know,
• 48:14
  Speaker 3: he has the right to see her whenever he wants to.
• 48:16
  Speaker 1: So I think I think it's pretty cool.
• 48:18
  Speaker 3: Yeah, I think it's good. And you know, my husband
• 48:20
  Speaker 3: being with Bonnie since she was six months and he's
• 48:22
  Speaker 3: been taking care of her because I me and my husband.
• 48:24
  Speaker 3: When Bonnie was like six two eight months, it was
• 48:26
  Speaker 3: really she was like a like a little toddler, like
• 48:28
  Speaker 3: a little baby, not even a taller, she was a baby. Yeah.
• 48:31
  Speaker 3: And so you know she loves she loves my husband,
• 48:33
  Speaker 3: and you know she has a great relationship with her dad.
• 48:36
  Speaker 3: I'm sure she loves him too. So sure, I mean
• 48:38
  Speaker 3: I think I think it's great. So she has two dads,
• 48:40
  Speaker 3: I mean I never put it that way because yeah,
• 48:45
  Speaker 3: all the time, it's just two dads.
• 48:46
  Speaker 8: Yeah.
• 48:47
  Speaker 10: Now what made you do college?
• 48:48
  Speaker 1: Hill? Did you want to go back to school with that?
• 48:50
  Speaker 2: One of it?
• 48:51
  Speaker 10: Was that one of your dreams? Like I want to
• 48:52
  Speaker 10: can I.
• 48:53
  Speaker 3: Tell you something?
• 48:53
  Speaker 1: Yes? Really yes?
• 48:55
  Speaker 3: And I told my husband, I'm like, damn, I got
• 48:57
  Speaker 3: the opportunity to go back to school.
• 48:58
  Speaker 1: I never want.
• 48:59
  Speaker 3: First of all, I didn't even fit high school yard.
• 49:00
  Speaker 3: I'm very smart though. I got ownership for always got ownership.
• 49:04
  Speaker 5: Big.
• 49:05
  Speaker 1: You gotta go get your g D first before you
• 49:07
  Speaker 1: are But you skipped the ged you went to college
• 49:09
  Speaker 1: that experience.
• 49:10
  Speaker 3: So well, First of all, it was a great experience
• 49:12
  Speaker 3: because HBCU, a lot of people always see this is
• 49:14
  Speaker 3: something I need to clarify, maybe I need to do
• 49:16
  Speaker 3: it at the Breafast Club with Chatu because I've always
• 49:20
  Speaker 3: considered myself a black woman. But I was born in
• 49:22
  Speaker 3: Puerto Rico and I speak Spanish. My first language is Spanish.
• 49:25
  Speaker 3: But that's that that doesn't take away from the pack.
• 49:28
  Speaker 3: When I walk in the building, people look at me
• 49:30
  Speaker 3: and they say, that is a black woman, right, And
• 49:32
  Speaker 3: so I always been cool and love to be a
• 49:35
  Speaker 3: black woman, and they'd be like, Afro Latina. No, I
• 49:38
  Speaker 3: don't have an afro. I don't have an afro. I
• 49:40
  Speaker 3: don't have an afro. And I am a black woman
• 49:44
  Speaker 3: that was born in the island of Puerto Rico. That's
• 49:45
  Speaker 3: space Spanish.
• 49:46
  Speaker 1: And I teach my daughter, my daughter confused out of
• 49:48
  Speaker 1: somebody right now, but go ahead, but why because you're
• 49:51
  Speaker 1: Puerto Rican? I am Puerto Rican. But back to the HBCU.
• 49:54
  Speaker 1: In the HBCU, you know what I learned.
• 49:57
  Speaker 3: I learned that the Puerto Ricans, the people that were
• 49:59
  Speaker 3: born in Pero Rica that were black too, and back
• 50:02
  Speaker 3: in the days, back in those days, they were definitely
• 50:04
  Speaker 3: Afro Latinos because they all used to wear you know,
• 50:07
  Speaker 3: the big the big here. But you know that the
• 50:10
  Speaker 3: Black African American and the Puerto Ricas. They were tight,
• 50:13
  Speaker 3: you know that when they were trying to do everything
• 50:14
  Speaker 3: with the freeing the Negro and stuff like that. That's
• 50:17
  Speaker 3: the stuff that I learned at the HBCU in the Alabama.
• 50:20
  Speaker 3: You know, they were kind of telling us how the
• 50:22
  Speaker 3: black Spanish and the Black African American came together and
• 50:26
  Speaker 3: they were so much tighter than we actually are now.
• 50:28
  Speaker 3: But me, I considered myself culture. Yeah, I consider myself
• 50:31
  Speaker 3: a black woman that was born in Puerto Rico. Yes,
• 50:33
  Speaker 3: I'm Latina because of course I see Spanish and I'm Latin.
• 50:37
  Speaker 3: But for me, it's more than just saying that. For me,
• 50:40
  Speaker 3: it's just that I'm proud to be black, whether I'm
• 50:42
  Speaker 3: Spanish or not. And I just feel like a lot
• 50:45
  Speaker 3: of people just have a problem with me being so proud.
• 50:47
  Speaker 1: To be black.
• 50:47
  Speaker 3: What's your with me proud that I have for this color?
• 50:50
  Speaker 3: Like what's the problem? And was that what kind of
• 50:53
  Speaker 3: like takes you off with Amber? Like because I kind
• 50:55
  Speaker 3: of seen that. It was like even like what happened
• 50:58
  Speaker 3: because I don't know what to what happened with I mean,
• 51:00
  Speaker 3: I didn't have the camera, I wasn't in the class.
• 51:05
  Speaker 3: She was like selling her, like, yo, like you don't
• 51:07
  Speaker 3: want to be black, you don't want to be black.
• 51:09
  Speaker 10: I've seen you told am, but she didn't want to
• 51:10
  Speaker 10: be black.
• 51:11
  Speaker 3: But I've seen previous you know, like it's been years.
• 51:15
  Speaker 1: Everybody.
• 51:15
  Speaker 3: It's not no damn secret, you know. And but really
• 51:18
  Speaker 3: she you know, she she liked to dismiss the black
• 51:21
  Speaker 3: side of her.
• 51:21
  Speaker 1: I mean, it is what it is.
• 51:22
  Speaker 3: I mean, she wasn't lying. I guess that's just a trigger,
• 51:26
  Speaker 3: you know what I mean, you was lying. I wasn't lying.
• 51:31
  Speaker 3: I was lying because I wasn't lying, And you know,
• 51:33
  Speaker 3: I wasn't lying because we were talking about being black.
• 51:36
  Speaker 3: And I just have to let them know. You don't
• 51:38
  Speaker 3: want to be black. You came out of a big
• 51:40
  Speaker 3: black just like I did. My mama got a big
• 51:43
  Speaker 3: old black pidy. She's a perto Rican woman, but that
• 51:45
  Speaker 3: lady black and her mama was blacker than the table
• 51:47
  Speaker 3: my mama. So I come out of black. You came
• 51:50
  Speaker 3: out of a black people. You don't want to you
• 51:52
  Speaker 3: don't want to say you're black. That's weird to me.
• 51:55
  Speaker 3: That's so weird to me. I don't care where your
• 51:56
  Speaker 3: color is. I always thought she considered herself black too,
• 51:59
  Speaker 3: Like I really seen that she was a Karen.
• 52:00
  Speaker 1: When I got there, I was like, whoa, whoa, whoa.
• 52:04
  Speaker 1: It was just pretty whoa.
• 52:07
  Speaker 3: He said, that was crazy to find out that she
• 52:09
  Speaker 3: was a Karen.
• 52:10
  Speaker 11: What do you mean Karen? Like she she did not
• 52:12
  Speaker 11: respect black rights. We like, because I didn't see that
• 52:14
  Speaker 11: the show. So I'm confused. So I want you to
• 52:16
  Speaker 11: tell me because I don't know.
• 52:17
  Speaker 3: You know what a Karen is. I do, But then
• 52:19
  Speaker 3: that's what she is.
• 52:20
  Speaker 1: I'm telling you, yo, It's just not.
• 52:22
  Speaker 3: The only one that say that. You can go so
• 52:24
  Speaker 3: it come up. It's just yeah, it was like it
• 52:26
  Speaker 3: was you were just saying that for the first time there,
• 52:28
  Speaker 3: but then that for the first time to her, like period,
• 52:31
  Speaker 3: like when she was getting upset about what I was saying,
• 52:33
  Speaker 3: the joke I was being ignoredt at school. Sometimes you
• 52:35
  Speaker 3: go to school, you would you want to be in Glasgow.
• 52:38
  Speaker 1: I was just talking.
• 52:39
  Speaker 3: I was like, man, I'm the biggest I got up
• 52:41
  Speaker 3: that day. I said, I'm the biggest man.
• 52:43
  Speaker 1: Then you got into a Philly in Miami scuffle. We
• 52:47
  Speaker 1: got a little scuffle. Listen that Joan is not from
• 52:51
  Speaker 1: the part of the Philly that you think she's from.
• 52:53
  Speaker 1: And yo, I don't it's not.
• 52:58
  Speaker 10: Johnson practice that when that Joe, And mean, the.
• 53:01
  Speaker 3: Only thing I practiced is my bullet points that I'm
• 53:04
  Speaker 3: supposed to speak on. I don't practice nothing else. Everything
• 53:06
  Speaker 3: else is gonna always be me.
• 53:07
  Speaker 1: And you should know that that John that Joe when
• 53:09
  Speaker 1: you know her husband.
• 53:10
  Speaker 3: Is to Philly. So you know, I know a few words.
• 53:12
  Speaker 10: Really, I gotta ask you, big LEXI, I don't know that, Okay,
• 53:17
  Speaker 10: I really.
• 53:18
  Speaker 2: Want to know who she is.
• 53:18
  Speaker 10: I didn't really know who she is.
• 53:19
  Speaker 1: I don't know. I don't know that.
• 53:22
  Speaker 10: I wanted to know what you know what we don't know.
• 53:25
  Speaker 3: We don't know. We don't know her.
• 53:26
  Speaker 1: I never knew, we never know her. No, I just know.
• 53:29
  Speaker 1: I don't know.
• 53:29
  Speaker 10: I'm just trying to figure out because I know I
• 53:31
  Speaker 10: googled that. I seemed like that night I googled and
• 53:33
  Speaker 10: I seen and I was trying to figure out know
• 53:35
  Speaker 10: that I don't know. So I was gonna ask Love
• 53:38
  Speaker 10: and Hip Hop, would you ever.
• 53:38
  Speaker 1: Do it again?
• 53:39
  Speaker 10: It seems like the ratings.
• 53:40
  Speaker 3: Literally I want to go do it. I want to
• 53:41
  Speaker 3: do it right now, please I right now, whoever charge
• 53:45
  Speaker 3: of love a hip.
• 53:46
  Speaker 1: I come home at the Princess. I'm gonna come through ballistic.
• 53:48
  Speaker 10: It's cool going on there and then having the family
• 53:50
  Speaker 10: and everything.
• 53:50
  Speaker 3: Oh, no, accident.
• 53:52
  Speaker 1: I don't listen Like look man, I'm already this farr
• 53:56
  Speaker 1: I'm I'm just gonna.
• 53:57
  Speaker 3: Say they need some more ratings, and I just I
• 53:59
  Speaker 3: need how to go ahead on over there? Man, what
• 54:01
  Speaker 3: you should I go to the one in Miami or
• 54:03
  Speaker 3: the one in Atlanta, Miami, turn up anyone she is
• 54:06
  Speaker 3: because I live in Miami. Please go to you.
• 54:09
  Speaker 1: You gave you.
• 54:09
  Speaker 3: You don't owe nothing else to Atlanta, and you you
• 54:11
  Speaker 3: already put that franchise on the missap I need you
• 54:14
  Speaker 3: to do Miami. I do I do her hoodie?
• 54:16
  Speaker 8: Why not?
• 54:17
  Speaker 10: Are you making money off the mook shot? They said
• 54:19
  Speaker 10: that you were put there.
• 54:20
  Speaker 3: Everybody, get listen. Jocelyn Cabaret Tour dot Com. I should
• 54:24
  Speaker 3: have brought your something. Listen.
• 54:25
  Speaker 1: Why ain't wearing? Why warn't bring Jessica? Now?
• 54:27
  Speaker 3: So you're selling I am and it's going to make it. Listen.
• 54:31
  Speaker 3: Can you please go download that there right there, because
• 54:34
  Speaker 3: you're gonna it go it look good. I had them
• 54:35
  Speaker 3: deluver time briefcase with the Louisverton shoes, and the louisver
• 54:38
  Speaker 3: Time glasses, the mud shot and and and the gene
• 54:40
  Speaker 3: Now for oh, I was flying is like it was show.
• 54:44
  Speaker 3: Oh yeah, babe, I thought I would say potty and
• 54:46
  Speaker 3: killing it. Yeah, thank you? So God got your T shirts? Yeah,
• 54:49
  Speaker 3: Johnson discabaret to dot com you could go get them.
• 54:51
  Speaker 10: Well, Johnson, we appreciate you for joining us. Thank you
• 54:53
  Speaker 10: so much.
• 54:54
  Speaker 11: Like I said, I see you all the time, and
• 54:55
  Speaker 11: and you're so calm and so nice. But I ain't
• 54:58
  Speaker 11: gonna front you.
• 54:58
  Speaker 1: Gotta you. You might to get in boxing after this
• 55:01
  Speaker 1: is all. You might just want to just maybe even
• 55:04
  Speaker 1: you know a couple of them.
• 55:05
  Speaker 3: Can I truly tell you something? If I didn't, if
• 55:08
  Speaker 3: I wasn't an autist and I didn't care about breaking
• 55:10
  Speaker 3: my face, I would do UFC. Oh yeah, I would.
• 55:12
  Speaker 3: I love it.
• 55:13
  Speaker 1: I do UFC. I want to box. I would do UFC.
• 55:15
  Speaker 3: But I can't. I told my husband all the time,
• 55:17
  Speaker 3: and her I'd be like, I would do it, but
• 55:19
  Speaker 3: I can't because the first thing is going to break
• 55:21
  Speaker 3: on me is my nose and then it's over. But
• 55:23
  Speaker 3: she is so fixed she could set it up how
• 55:25
  Speaker 3: she want to set it up and she know, no,
• 55:27
  Speaker 3: that is not fair. No, that's why I said wrestling.
• 55:29
  Speaker 3: I mean because she can do wrestling and that that's
• 55:31
  Speaker 3: big money. No, I would do you break this just down.
• 55:37
  Speaker 3: I'm a great fighter. You know what I told somebody
• 55:40
  Speaker 3: the other day, I said, because I told somebody, I said,
• 55:42
  Speaker 3: do you do karate? Don't? You ain't gonna do no
• 55:44
  Speaker 3: more karate than me. I don't know karate, but I
• 55:46
  Speaker 3: know crazy. I know crazy?
• 55:50
  Speaker 1: You know? You know what's his name? Said that?
• 55:52
  Speaker 3: What's the singer name, James Brown in the song? I
• 55:55
  Speaker 3: don't know karate, but I know crazy. You know James Brown?
• 55:57
  Speaker 1: To you?
• 55:57
  Speaker 10: I know that's right, ladies and general man. Oh, last
• 56:01
  Speaker 10: question is that your security go out there that I
• 56:02
  Speaker 10: was out there at the fight that night.
• 56:04
  Speaker 3: You know what, I troubled with about twenty security guards.
• 56:06
  Speaker 11: So I'm not sure you know which one I'm talking about.
• 56:08
  Speaker 11: I'm talking about the three pizza?
• 56:10
  Speaker 1: Is that the one right there? The three pizza?
• 56:12
  Speaker 3: And is it a slap slap test that they gotta get?
• 56:16
  Speaker 12: You?
• 56:16
  Speaker 1: Can? I say y'all to say y'all so funny? Why
• 56:19
  Speaker 1: is y'all so funny?
• 56:20
  Speaker 10: When I see them? I noticed him before I noticed you.
• 56:22
  Speaker 1: I said, it's like, no, we want to be like you,
• 56:24
  Speaker 1: good good, like that. I don't want to do acces that.
• 56:32
  Speaker 1: I'm gonna tell you.
• 56:32
  Speaker 3: They got plenty of money from the suits. They'll be
• 56:34
  Speaker 3: just fine.
• 56:35
  Speaker 10: Right, we know that, Ladies and gentlemen.
• 56:38
  Speaker 3: It's Johnson, the Puto, Rican Princess, the biggest.
• 56:42
  Speaker 2: It's the.
• 56:46
  Speaker 1: Donkey up today. By damn heg, it's time to donkey.
• 56:54
  Speaker 1: I mean, trying to be dunky today.
• 56:56
  Speaker 7: No more.
• 56:56
  Speaker 1: They should be embarrassed by what they already did. I'm
• 56:58
  Speaker 1: not making these people do these days called Donkey of
• 57:00
  Speaker 1: the day, and it really caught me off guard.
• 57:03
  Speaker 3: Damn Charlamagne, who got the donkey out of day to day?
• 57:08
  Speaker 1: Welless hilarious. Donkey of to Day for Tuesday, March twenty
• 57:11
  Speaker 1: eight was a double donkey. It goes to thirty eighth
• 57:14
  Speaker 1: year old Chief Chastain and the Clovis Police Department. It
• 57:17
  Speaker 1: comes a point in time in life where we all
• 57:19
  Speaker 1: must remember it takes to you. Okay, to you, all right, kids,
• 57:24
  Speaker 1: gather around your uncle Sharloh would like to tell you
• 57:26
  Speaker 1: about some things that have been going on since the
• 57:28
  Speaker 1: nineteen hundreds. Okay, One of those things is the saying
• 57:31
  Speaker 1: it takes to you, okay, are it takes to you
• 57:35
  Speaker 1: to tango? That means that a situational argument involves two
• 57:39
  Speaker 1: people and they are both therefore responsible for it. I repeat,
• 57:44
  Speaker 1: it takes to you to tango. Means that a situational
• 57:48
  Speaker 1: argument involves two people and they are both therefore responsible
• 57:51
  Speaker 1: for it. It takes two. There's also a classic hip
• 57:53
  Speaker 1: hop record that will make anyone with a soul who
• 57:56
  Speaker 1: grew up in the nineteen hundreds and eighties lose their mind.
• 58:00
  Speaker 1: The reason I'm giving you this history lesson to day
• 58:02
  Speaker 1: is because in this donkey that I'm delivering, it absolutely
• 58:05
  Speaker 1: took to you. All right. See, Keith was arrested ten
• 58:09
  Speaker 1: times in one monff. I repeat, Keith Chastain was arrested
• 58:13
  Speaker 1: ten times in one monf See y'all think I'd be lying.
• 58:16
  Speaker 1: Let's go to Fox twenty six News for the report.
• 58:18
  Speaker 13: Police local law enforcement agencies say they are very familiar
• 58:23
  Speaker 13: with thirty eight year old Keith Chastain, who has been
• 58:26
  Speaker 13: booked in Fresno County jail not once, not twice, but
• 58:30
  Speaker 13: ten times in the last thirty one days. Chastain is
• 58:34
  Speaker 13: from Fresno, and it's currently facing eighteen felonies and fifteen
• 58:38
  Speaker 13: misdemeanors from his recent arrests. According to Clovis Police Department,
• 58:42
  Speaker 13: his charges include stealing six vehicles, a dui, vandalism, fraud,
• 58:48
  Speaker 13: possession of controlled substance, and more. Clovis Police Department alone
• 58:53
  Speaker 13: says it has arrested Chastain six times in the last month.
• 58:57
  Speaker 13: Around nine thirty Tuesday morning, Clovis Police received a call
• 59:00
  Speaker 13: about a stolen truck that Chastain was suspected of driving.
• 59:05
  Speaker 13: Police sayan officer found the stolen truck driving an old
• 59:08
  Speaker 13: town Clovis and followed it until more officers arrived. Officers
• 59:12
  Speaker 13: pulled Chastain over in front of Clovis Police Department and
• 59:16
  Speaker 13: arrested him without incident. Police say he was the only
• 59:19
  Speaker 13: person in the stolen truck and happened to be on
• 59:22
  Speaker 13: his way to pick up his personal property from Clovis
• 59:25
  Speaker 13: Police Department. From the last time he was arrested. Mind you,
• 59:29
  Speaker 13: he was in a stolen vehicle.
• 59:34
  Speaker 1: Now. As you just heard, Keith Chastain was arrested ten
• 59:38
  Speaker 1: times by Clovis Police six times, okay, six times by
• 59:43
  Speaker 1: Clovis Police and four times by other agencies he was
• 59:47
  Speaker 1: in a stolen vehicle on the way to pick up
• 59:51
  Speaker 1: his items from the jail. Okay, Now, if he had
• 59:55
  Speaker 1: gotten locked up by different agencies once or twice, I
• 59:58
  Speaker 1: would understand. But if you get locked up by the
• 59:59
  Speaker 1: s AIM agency the Clothes Police department six times, six times,
• 1:00:04
  Speaker 1: at what point does it become the police department's fault
• 1:00:08
  Speaker 1: as well for constantly letting you out? At what point
• 1:00:11
  Speaker 1: does it become a judge's fault for constantly grant you bail.
• 1:00:13
  Speaker 1: He's facing eighteen felonies in fifteen misdemeanors, with charges including
• 1:00:17
  Speaker 1: stealing six vehicles, dui vandalism, fraud, possession of a controlled substance,
• 1:00:22
  Speaker 1: and a whole lot more. At some point, maybe after
• 1:00:24
  Speaker 1: arrest number three, possibly after arrest number five, surely at
• 1:00:29
  Speaker 1: arrest number six, someone at the Clovis Police Department has
• 1:00:33
  Speaker 1: to say, no need to let this man out, because
• 1:00:35
  Speaker 1: he's just gonna come right back. Okay. If the Clovis
• 1:00:37
  Speaker 1: Police Department had a customer loyalty program like Starbucks or
• 1:00:41
  Speaker 1: Subway or Sophara, this man Keith would get his tenth
• 1:00:44
  Speaker 1: arrest for free. Okay, hit the rest of nine times,
• 1:00:46
  Speaker 1: get your tenth for rest for free. Clearly this man
• 1:00:49
  Speaker 1: has a boyfriend behind those walls. Either that or he
• 1:00:51
  Speaker 1: likes the food. Okay. When someone shows you who they are,
• 1:00:54
  Speaker 1: believe them. And this man Keif has shown us he's
• 1:00:57
  Speaker 1: a serial criminal. Okay, so give him what he wants,
• 1:01:01
  Speaker 1: and what he wants is clearly zero bond, ten arrest
• 1:01:04
  Speaker 1: in thirty one days. Insanity is doing the same thing
• 1:01:08
  Speaker 1: over and over and expecting different results. So yes, Keith
• 1:01:11
  Speaker 1: is insane because he keeps committing crimes in the same
• 1:01:14
  Speaker 1: crimes and getting locked up. And the Clovis Police Department
• 1:01:17
  Speaker 1: is insane because they keep locking Keith up for these crimes,
• 1:01:20
  Speaker 1: the same crimes and letting them out. They both are
• 1:01:22
  Speaker 1: to blame. So please give Keith Chastain a heat and
• 1:01:25
  Speaker 1: give the Clovis Police Department a hall together, because it
• 1:01:29
  Speaker 1: takes two to give them the biggest he hal. This
• 1:01:35
  Speaker 1: man wrote his name in jail, yo, that's why they said,
• 1:01:37
  Speaker 1: don't write you name. They don't write your name on
• 1:01:39
  Speaker 1: the walls in jail. You keep coming back to that jail.
• 1:01:42
  Speaker 1: Jesus the breakfast club morning, Everybody's dja envy Cholamagne to God,
• 1:01:51
  Speaker 1: we are the Breakfast Club. Of course, Jess Hilaries is here, yes, indeed,
• 1:01:54
  Speaker 1: and we got a special guests in the building, Dion Co.
• 1:01:57
  Speaker 7: Wow.
• 1:01:57
  Speaker 2: Hello, Hello, hello, my brother. How's everybody doing?
• 1:02:04
  Speaker 3: Yes, yes, I'm happy to see you.
• 1:02:05
  Speaker 1: I can't I'm just I'm so happy.
• 1:02:09
  Speaker 2: Yeah. Yeah, yeah, definitely, man, thanks for having me.
• 1:02:17
  Speaker 1: Yeah, absolutely a lot to talk about. You got Average Joe.
• 1:02:21
  Speaker 1: Are you you're in a new color purple too? Right?
• 1:02:23
  Speaker 2: Yeah? Okay, absolutely yeah yeah, new color purple, Average Joe.
• 1:02:27
  Speaker 1: We just talked about that yesterday. We were talking about
• 1:02:28
  Speaker 1: they just released the trailer. What's your thoughts on the movie?
• 1:02:31
  Speaker 1: Because we were like, Color Purple?
• 1:02:32
  Speaker 10: Is that a movie that you do.
• 1:02:33
  Speaker 1: Hard to remake? Classics? Man?
• 1:02:35
  Speaker 2: So the director Blizz I don't know. He did Beyonce's
• 1:02:41
  Speaker 2: The Lion King where she was like han Jay. They
• 1:02:43
  Speaker 2: was like, uh, live action Lion King. Yeah, but remember
• 1:02:47
  Speaker 2: this video she had. It was like a twenty minute
• 1:02:49
  Speaker 2: video where she was like and cars and on the
• 1:02:52
  Speaker 2: beach running and Jay had these like suits and stuff whatever.
• 1:02:57
  Speaker 2: It was like very beautifully yeah yeah, all of that. Yeah, yeah,
• 1:03:02
  Speaker 2: he directed all of that. And so for him to
• 1:03:04
  Speaker 2: take that vis and then apply it to this movie.
• 1:03:07
  Speaker 2: It's like bananas. Plus it's a different spin on it.
• 1:03:11
  Speaker 2: It's a whole different spin on a color purple. So
• 1:03:16
  Speaker 2: it's gonna be way different than the other one. But
• 1:03:18
  Speaker 2: still in it's all right, you know, holding up to
• 1:03:21
  Speaker 2: what it is. But I ain't really big on remakes,
• 1:03:24
  Speaker 2: neither like that. But but this one, Yeah, it's crazy
• 1:03:27
  Speaker 2: because it's a different perspective now.
• 1:03:29
  Speaker 1: That I was saying the twenty twenty three you can't
• 1:03:31
  Speaker 1: do color purple. You have to have to be woke. Yeah, yeah,
• 1:03:33
  Speaker 1: so much. Yeah.
• 1:03:34
  Speaker 2: Yeah, it's a whole different, whole different look on it,
• 1:03:38
  Speaker 2: a whole different span on it.
• 1:03:39
  Speaker 11: But you know, some of the remakes so like I
• 1:03:41
  Speaker 11: didn't like Coming to America too, right, I just the
• 1:03:43
  Speaker 11: first one, which is classic.
• 1:03:44
  Speaker 10: I don't touch that.
• 1:03:45
  Speaker 1: Yeah, yeah, I didn't like There was another remake that
• 1:03:47
  Speaker 1: they did, but people told me white Man Can't Jump.
• 1:03:49
  Speaker 1: I didn't want to go see that, but people telling
• 1:03:50
  Speaker 1: me it's really really good, so I guess it can
• 1:03:53
  Speaker 1: if they come from a different perspective for a new
• 1:03:54
  Speaker 1: way House Party was another one.
• 1:03:56
  Speaker 10: I didn't like it though, I didn't. I don't really
• 1:03:57
  Speaker 10: like that one.
• 1:03:57
  Speaker 11: But yeah, when they do it from a different perspective
• 1:04:00
  Speaker 11: or shot. Well, I don't think there's a problem.
• 1:04:02
  Speaker 2: Yeah, I play our Fonzo, So I play Cee's father,
• 1:04:09
  Speaker 2: got when I take Philly.
• 1:04:12
  Speaker 1: You can't have you can't have I can't remember, you
• 1:04:14
  Speaker 1: can't have her, but you can have.
• 1:04:21
  Speaker 2: Exactly. Yeah, yeah, I play him kept. No, No, it's
• 1:04:27
  Speaker 2: it's different. Yeah, but you know you still you still
• 1:04:30
  Speaker 2: get it. He's still that dude got you.
• 1:04:33
  Speaker 1: Yeah.
• 1:04:33
  Speaker 2: Yeah, yeah, it's.
• 1:04:34
  Speaker 1: Still call it ugly and woke away because of this
• 1:04:42
  Speaker 1: new era.
• 1:04:43
  Speaker 2: Yo, Yeah I do. I do hate it definitely. That's
• 1:04:46
  Speaker 2: why I don't understand why people who don't like that
• 1:04:49
  Speaker 2: kind of stuff, Like why do you even come to
• 1:04:51
  Speaker 2: the shows? You're messing it up for the people that
• 1:04:53
  Speaker 2: really pay to come see in here, you know what
• 1:04:57
  Speaker 2: I mean? Like, why would you come in there with
• 1:04:58
  Speaker 2: your beliefs and feeling it's about something that I thought of,
• 1:05:02
  Speaker 2: And you ain't in my world. You ain't in my
• 1:05:04
  Speaker 2: tax bracket, you ain't around the people I'm around, you
• 1:05:07
  Speaker 2: ain't not about my culture. But you come over here
• 1:05:09
  Speaker 2: and try to tell me what I need to be
• 1:05:11
  Speaker 2: saying and doing. It don't even make sense. So yeah,
• 1:05:14
  Speaker 2: I hate that that we have to kind of conform
• 1:05:17
  Speaker 2: to that. And I heard somebody say that in the
• 1:05:19
  Speaker 2: interview that we don't and if and it's not a problem,
• 1:05:22
  Speaker 2: and it is a problem. I think honestly, you got Lenny,
• 1:05:25
  Speaker 2: Bruce and Richard and all these people who stood up
• 1:05:27
  Speaker 2: for us to be able to say whatever we want
• 1:05:29
  Speaker 2: to say, and now we can't. It's like, it's crazy
• 1:05:32
  Speaker 2: to take away from the whole thing. It's like, now
• 1:05:35
  Speaker 2: you go to comedy shows and they tell you what
• 1:05:37
  Speaker 2: they think you want to hear in order to be safe, right,
• 1:05:40
  Speaker 2: you know what I mean. But there's certain comics that
• 1:05:41
  Speaker 2: are still out on the front line that get loose,
• 1:05:44
  Speaker 2: you know, like Dave just don't give a note about nothing,
• 1:05:48
  Speaker 2: you know. So you got great comics that's still out
• 1:05:51
  Speaker 2: here fighting for that that voice that we all have
• 1:05:55
  Speaker 2: and that people want to hear, except for certain people
• 1:05:58
  Speaker 2: that don't.
• 1:05:58
  Speaker 1: So and your circumstances because you you definitely edgy on stage,
• 1:06:01
  Speaker 1: but then you got all the court.
• 1:06:03
  Speaker 2: Going on, yeah, yeah, exactly, yeah, yeah, I can't yeah,
• 1:06:08
  Speaker 2: I can't say exactly what I wanted to say. That's
• 1:06:15
  Speaker 2: what that's my whole life, sitting back trying to figure
• 1:06:18
  Speaker 2: out another way. That's what That's all I do. How
• 1:06:20
  Speaker 2: can I say this another way and still be able
• 1:06:24
  Speaker 2: to say it?
• 1:06:24
  Speaker 1: But you know, you to face an old Spice bro crazy,
• 1:06:28
  Speaker 1: Like that's why if you really think about it, it's
• 1:06:30
  Speaker 1: really wild. It's like time only think of two people.
• 1:06:34
  Speaker 1: The dude who used to ride the horse back.
• 1:06:35
  Speaker 2: Then yeah, yeah, yeah, yeah yeah yeah yeah, it's crazy
• 1:06:43
  Speaker 2: right yeah. I couldn't even even when they came to
• 1:06:46
  Speaker 2: me about it. I was just like, wow, they can't
• 1:06:48
  Speaker 2: even say, hey.
• 1:06:49
  Speaker 10: We want you to do this old Spice commercially be
• 1:06:51
  Speaker 10: the fake? What was your thought?
• 1:06:52
  Speaker 2: So at first they came to me and they was like,
• 1:06:55
  Speaker 2: I guess they have seen me do all these different
• 1:06:57
  Speaker 2: kind of like quirky like characters like on Angie, Tribeca
• 1:07:01
  Speaker 2: and Conan and Blackish, and I was doing all these
• 1:07:05
  Speaker 2: like trippy characters, and I guess they were like, yo,
• 1:07:08
  Speaker 2: it made sense where it was like yo, you come
• 1:07:11
  Speaker 2: in and yo we can all we can rock And
• 1:07:13
  Speaker 2: I was like yeah, I was like yeah I can
• 1:07:15
  Speaker 2: do that. So they flew me to Portugal, man, and
• 1:07:18
  Speaker 2: I shot all of this basically how old Spices get down,
• 1:07:22
  Speaker 2: you know what I mean? Like really wild in the woods,
• 1:07:25
  Speaker 2: beard growed and throwing trees and you know, I did
• 1:07:29
  Speaker 2: all of that, and then I came back to the
• 1:07:31
  Speaker 2: US and there's like they ain't they didn't want to
• 1:07:34
  Speaker 2: use none of all of that and then use none
• 1:07:37
  Speaker 2: of it. And then they came to me about something else.
• 1:07:41
  Speaker 3: And then me and.
• 1:07:43
  Speaker 2: I, Me and this other guy, we was just sitting.
• 1:07:45
  Speaker 2: I mean this other guy, he was cute. He was
• 1:07:49
  Speaker 2: writing this whole new premise. And then when it came
• 1:07:52
  Speaker 2: to me about it, and I was like, man, that's cool,
• 1:07:55
  Speaker 2: and so we did it, and man, it took off.
• 1:07:58
  Speaker 2: You know, just me and my girl a Gap. Yeah, yeah,
• 1:08:02
  Speaker 2: we just we just got it.
• 1:08:03
  Speaker 4: Then.
• 1:08:03
  Speaker 2: Yeah, we just I went and grabbed Gap and was like, yeah,
• 1:08:06
  Speaker 2: they're thinking about this, this thing where it's relationship with
• 1:08:09
  Speaker 2: a couple and trying to take your old spice, and
• 1:08:12
  Speaker 2: you know, they was like, yeah, let's do it. This man,
• 1:08:15
  Speaker 2: we did it.
• 1:08:16
  Speaker 3: And because it's a storyline, commercial story I was supposed
• 1:08:22
  Speaker 3: to be in one of them.
• 1:08:24
  Speaker 1: Sister.
• 1:08:25
  Speaker 3: Yeah he brought that up.
• 1:08:29
  Speaker 1: Yeah man, yeah, I don't know.
• 1:08:34
  Speaker 2: They picked.
• 1:08:38
  Speaker 3: Like family member and it was know, you're here supposed
• 1:08:49
  Speaker 3: to tell me get your black ass hands on my
• 1:08:52
  Speaker 3: something and again because somebody else, they never would have
• 1:08:57
  Speaker 3: said that.
• 1:08:59
  Speaker 1: I cut the every time I see that, that's supposed
• 1:09:02
  Speaker 1: to be me. I'm serious, I'm supposed to be listening. Yeah. Really,
• 1:09:07
  Speaker 1: ain't gonna tell you. You know, you were at the top.
• 1:09:11
  Speaker 1: So when we come back, we got more with Dion Cole.
• 1:09:14
  Speaker 1: It's the World's Most Dangerous Morning short of Breakfast Club.
• 1:09:16
  Speaker 1: Welcome back to the World's Most Dangerous Morning short of
• 1:09:18
  Speaker 1: Breakfast Club. Charlomage the God just hilarious Dion Cole.
• 1:09:21
  Speaker 3: Now, Jess, So I want to know, are you doctor
• 1:09:23
  Speaker 3: because I saw you just you know.
• 1:09:25
  Speaker 2: Yeah, yeah, absolutely, Like if somebody on the plane high
• 1:09:29
  Speaker 2: out they need a doctor, they're gonna be ass out,
• 1:09:32
  Speaker 2: but they ain't the doctor. But yeah, yeah, I just
• 1:09:35
  Speaker 2: got that, just gotragulation.
• 1:09:38
  Speaker 1: Yeah, yeah, that's crazy.
• 1:09:39
  Speaker 2: Clander Smith College, which is now about because you're in
• 1:09:42
  Speaker 2: the first city. Yeah, thanks man, it's.
• 1:09:44
  Speaker 10: How did you for all the work that you did
• 1:09:45
  Speaker 10: and everything?
• 1:09:46
  Speaker 1: Yeah?
• 1:09:46
  Speaker 2: Yeah, absolutely, and uh paid for his Yeah.
• 1:09:51
  Speaker 1: I got an endowment at South Carolina State University, Okay,
• 1:09:54
  Speaker 1: made me an honorary doctor it is. And I get
• 1:09:57
  Speaker 1: a commitment speech.
• 1:09:58
  Speaker 2: Yeah, yeah I did too. It was I gave mine.
• 1:10:00
  Speaker 2: They really didn't give to what I was saying. I
• 1:10:05
  Speaker 2: thought I was dropping some gems sitting down there on
• 1:10:08
  Speaker 2: their phone.
• 1:10:11
  Speaker 1: I was like out there like this might have been
• 1:10:15
  Speaker 1: taking think, so do you keep going when you see that? Man?
• 1:10:21
  Speaker 2: It was I was bombing, like for real, like I was.
• 1:10:23
  Speaker 2: I was giving it and then it'd be like a
• 1:10:26
  Speaker 2: couple of chuckles, a couple of coughs, and then I
• 1:10:29
  Speaker 2: just keep going, like just going up to the next
• 1:10:31
  Speaker 2: topic or whatever.
• 1:10:32
  Speaker 1: But yeah, yeah, it wasn't.
• 1:10:34
  Speaker 2: I was thinking I was doing like stand up you
• 1:10:36
  Speaker 2: thinking in front of an audience like that, you're about
• 1:10:39
  Speaker 2: to be ripping.
• 1:10:40
  Speaker 5: Nah.
• 1:10:40
  Speaker 2: They was out there like, nah, I want to see
• 1:10:42
  Speaker 2: my baby cross and get her degree, and that's what
• 1:10:45
  Speaker 2: I'm here for.
• 1:10:46
  Speaker 1: But that's standing up, muscled on kicking when you see
• 1:10:48
  Speaker 1: people like ignoring you because you know you you'd get
• 1:10:51
  Speaker 1: at somebody for that. Nah.
• 1:10:52
  Speaker 2: Like nah, I'm I'm quick to leave.
• 1:10:56
  Speaker 10: I leave.
• 1:10:58
  Speaker 2: I leave, man, I didn't up some shows. Yeah, I
• 1:11:03
  Speaker 2: try it and I keep going. If it ain't working,
• 1:11:07
  Speaker 2: I just know that I ain't for them, and I go.
• 1:11:10
  Speaker 2: I'm Trevor good Night. I leave A whole nother name.
• 1:11:20
  Speaker 3: Sean.
• 1:11:21
  Speaker 1: He's Outville Sunky joke coming out through it.
• 1:11:27
  Speaker 2: Yeah, yeah, I was Joe. Man. This this was thank
• 1:11:31
  Speaker 2: you so much. It was man, this was a labor
• 1:11:34
  Speaker 2: of love. It's like a darkly comedic drama takes place
• 1:11:40
  Speaker 2: in Pittsburgh. This dude, his father dies and these mob
• 1:11:44
  Speaker 2: dudes is looking for him and the Joe. He don't
• 1:11:47
  Speaker 2: know what's going on, but his father left some money
• 1:11:50
  Speaker 2: trying to figure out what's going on, and he had
• 1:11:52
  Speaker 2: to make these decisions between like you know, family and money.
• 1:11:56
  Speaker 2: But yeah, it's it's funny, but it's it's dark. I
• 1:12:00
  Speaker 2: can say, like we was leaving set miserable just from.
• 1:12:05
  Speaker 1: Being like a comic. You gotta you know, you you
• 1:12:07
  Speaker 1: can be good to do comedy, but.
• 1:12:10
  Speaker 2: Every day just to leave murdering, lying and de seaful
• 1:12:15
  Speaker 2: and heartache and losing people and every day leave you know.
• 1:12:20
  Speaker 2: That was the first time I started realizing I understand
• 1:12:23
  Speaker 2: how like people kind of break when they when they
• 1:12:25
  Speaker 2: do movies and stuff. That was the very first time
• 1:12:28
  Speaker 2: I used to be like, he ain't that deep into characters.
• 1:12:31
  Speaker 2: But nah, Like if you keep doing that and you
• 1:12:35
  Speaker 2: have to constantly be that person, do that like you
• 1:12:38
  Speaker 2: used to like, that's where on you. I used to
• 1:12:40
  Speaker 2: always think like like with Parc, they always say Park
• 1:12:43
  Speaker 2: became like yeah, he became Bishop from Juice or whatever. Anyway,
• 1:12:49
  Speaker 2: that's how that show was. Man, we was down there,
• 1:12:51
  Speaker 2: we were shooting in the lineup. Boy, it was like
• 1:12:53
  Speaker 2: we was doing like sixteen hours sometimes twenty hours, you know,
• 1:12:56
  Speaker 2: shooting up. But we got a nice piece of work,
• 1:13:00
  Speaker 2: and man, it's it's gonna be something if y'all like
• 1:13:03
  Speaker 2: Murder and Mayhem. Absolutely yeah, yeah, you're gonna you're gonna
• 1:13:07
  Speaker 2: love this.
• 1:13:08
  Speaker 1: Your lead crazy the first time Crazy.
• 1:13:15
  Speaker 3: She's looking at you, talk about this amazing because even
• 1:13:17
  Speaker 3: as comics, we we can still we can play any part.
• 1:13:21
  Speaker 3: We can do anything. You always think of Robin Williams,
• 1:13:24
  Speaker 3: you know, the comics, especially going from comedy to Drive
• 1:13:27
  Speaker 3: and Jim Carrey and you know, even like what you
• 1:13:30
  Speaker 3: just say, like how you sixteen hours? You got a
• 1:13:33
  Speaker 3: status person and you got it. It's like you used
• 1:13:36
  Speaker 3: to being, you know, but no, it's different. But the
• 1:13:38
  Speaker 3: fact that you can do it.
• 1:13:40
  Speaker 2: Yeah, But it's like I remember when I when they
• 1:13:42
  Speaker 2: when when they when I took the job. Because usually
• 1:13:45
  Speaker 2: I'm I'm a type of cat. I go play my
• 1:13:47
  Speaker 2: part and I go get my drop top and we rolling.
• 1:13:50
  Speaker 1: You know what I mean.
• 1:13:51
  Speaker 2: Like, that's what I did on Blackets for eight years.
• 1:13:53
  Speaker 1: I did my part, that was out.
• 1:13:55
  Speaker 2: I was gone when I signed on to do this,
• 1:13:58
  Speaker 2: And seem like six he paid scripts and I'm in
• 1:14:02
  Speaker 2: like ninety percent of it. I'm looking right like I
• 1:14:05
  Speaker 2: got a real job. I'm like, I can't leave. They like, man,
• 1:14:12
  Speaker 2: the first one hair last to leave. You Like what
• 1:14:16
  Speaker 2: it was an adjustment because I still had other things
• 1:14:19
  Speaker 2: going on and other businesses and other projects and trying
• 1:14:23
  Speaker 2: to write that and do that and trying to do this.
• 1:14:26
  Speaker 2: I had to learn to I had to cut all
• 1:14:28
  Speaker 2: that out and just focus dead on this and get
• 1:14:32
  Speaker 2: it done. But yeah, being you got to watch what
• 1:14:34
  Speaker 2: you pray for. You gotta know how to pray. You
• 1:14:36
  Speaker 2: know a lot of people don't know how to pray.
• 1:14:39
  Speaker 2: And you know, that was one of the things that
• 1:14:41
  Speaker 2: I learned. You know, a person to ask, man, Lord,
• 1:14:44
  Speaker 2: can I have a man? Can I have a woman?
• 1:14:46
  Speaker 2: And they'll get you one and they won't have a job.
• 1:14:50
  Speaker 1: They won't have a job.
• 1:14:54
  Speaker 2: I forgot to ask for a job with that person.
• 1:14:56
  Speaker 1: When it comes to comedy and drama, right, they always say,
• 1:14:58
  Speaker 1: it's a thin line. That's what the whole tears of
• 1:15:00
  Speaker 1: a clown can come from. Toether comic, you don't lean
• 1:15:02
  Speaker 1: into trauma.
• 1:15:03
  Speaker 2: Yeah, absolutely, that's that's exactly what I did, you know
• 1:15:06
  Speaker 2: what I mean. But it wasn't like that at first.
• 1:15:09
  Speaker 2: Like another another turning point, when we was doing the
• 1:15:13
  Speaker 2: Hearder They Fall, I was like I walked on set
• 1:15:15
  Speaker 2: and was like, Yeah.
• 1:15:17
  Speaker 3: What's going on, Hey, what's going on on?
• 1:15:19
  Speaker 2: Funny and comedian comedian? I remember Jonathan Majors and all them.
• 1:15:23
  Speaker 2: They was just all sitting back and doorl Roy Lindo.
• 1:15:25
  Speaker 2: They was all just quiet and just chilling, and I
• 1:15:28
  Speaker 2: was like, Hey, what's going on? And beyond Hey, so
• 1:15:29
  Speaker 2: we're going knock the South and we're gonna they was
• 1:15:32
  Speaker 2: just like And then when we werehearsed, they was just
• 1:15:35
  Speaker 2: like so like and like it was so real, and
• 1:15:39
  Speaker 2: so it just was like, man, I remember Jonathan told me,
• 1:15:42
  Speaker 2: he was like, man, you shouldn't acting is the worst
• 1:15:46
  Speaker 2: title for this job. This is what you should not
• 1:15:49
  Speaker 2: be doing. You should not be acting. You should become
• 1:15:54
  Speaker 2: you should become that person instead of acting. And so
• 1:15:57
  Speaker 2: it made me be like oh really, So then I
• 1:16:00
  Speaker 2: went back changed my whole demean up man, just from
• 1:16:03
  Speaker 2: that conversation and came back and was like, all right,
• 1:16:06
  Speaker 2: we gotta we gotta just be calmness person. And I
• 1:16:10
  Speaker 2: remember that all the time, just becoming you know.
• 1:16:14
  Speaker 1: And so when we come back, we got more with
• 1:16:16
  Speaker 1: Dion Cole, it is the World's Most Dangerous Mornings for
• 1:16:18
  Speaker 1: the Breakfast Club, The Breakfast Club. Welcome back to the
• 1:16:24
  Speaker 1: world Most Dangerous Morning. Sh to Breakfast Club, CHARLAMAGNEA God,
• 1:16:26
  Speaker 1: just hilarious, Dion Cole, what about when you're not in
• 1:16:29
  Speaker 1: the mind state? The joke all work like like like
• 1:16:33
  Speaker 1: did you give yourself time to grieve after your mother path?
• 1:16:36
  Speaker 2: So I am like still dealing with that, Like that's
• 1:16:41
  Speaker 2: like really with me still, and I'm trying because I
• 1:16:45
  Speaker 2: was the only child, no father, Yeah, no, thank you man,
• 1:16:50
  Speaker 2: And I'm still like That's why I try to stay
• 1:16:53
  Speaker 2: as busy as possible because anytime I like have downtime
• 1:16:57
  Speaker 2: or anything good happened, like that's with me because I'd
• 1:17:01
  Speaker 2: be wishing she was here, that she can like be
• 1:17:03
  Speaker 2: here and be a part of that. And people out
• 1:17:05
  Speaker 2: there that that's going through the state, they know what
• 1:17:08
  Speaker 2: I'm talking about, Like anything good happen to you. You
• 1:17:11
  Speaker 2: just it's like a bit of sweet moment, you know,
• 1:17:14
  Speaker 2: like even with the color purple coming out, I'm not
• 1:17:17
  Speaker 2: like in it like that, but I just wish my
• 1:17:20
  Speaker 2: mama would have been there to see that. And you know,
• 1:17:23
  Speaker 2: it's things like that, even average Joe being the lead,
• 1:17:26
  Speaker 2: it's like, I wish my mama was here so she
• 1:17:29
  Speaker 2: could like see that and feel that because there's stuff
• 1:17:32
  Speaker 2: we talked about, even getting my doctorate, for her to
• 1:17:35
  Speaker 2: know that her son was now like doc having a
• 1:17:38
  Speaker 2: degree like that. It's just I would have like center,
• 1:17:42
  Speaker 2: you know what I mean. So anytime these situations happen,
• 1:17:45
  Speaker 2: it's like it's nice. But I also just getting to
• 1:17:48
  Speaker 2: like and people don't and people always be like you
• 1:17:51
  Speaker 2: need to go talk to somebody and something, and it's like, yeah,
• 1:17:54
  Speaker 2: you can do that, but this just happened to me.
• 1:17:57
  Speaker 1: Yeah, you know what I mean.
• 1:17:58
  Speaker 2: It's like, I don't know nobody who has something like
• 1:18:01
  Speaker 2: this can just happen to you and you go talk
• 1:18:03
  Speaker 2: to somebody and you all good. If anybody's like that,
• 1:18:06
  Speaker 2: they weird to me, like you should be able to agree,
• 1:18:10
  Speaker 2: like you said, and you should be able to have
• 1:18:12
  Speaker 2: these moments. And you don't rush people in these situations,
• 1:18:17
  Speaker 2: you know, just just be there for them, you know.
• 1:18:19
  Speaker 2: And I had a lot of people leave me, Like
• 1:18:22
  Speaker 2: a lot of people leave me because I wasn't who
• 1:18:25
  Speaker 2: they wanted me to be when I was good. Your
• 1:18:29
  Speaker 2: mom just passed, come on, I know, but everybody left
• 1:18:32
  Speaker 2: and it was weird. And people out there that's dealing
• 1:18:36
  Speaker 2: with death and they know what I'm talking about, Like,
• 1:18:40
  Speaker 2: people leave you because you shain't And now I'm not
• 1:18:43
  Speaker 2: the person out out that that I was when they
• 1:18:45
  Speaker 2: met me. And I understand that. But if you're a
• 1:18:48
  Speaker 2: good friend and you really there, you're gonna you're gonna
• 1:18:51
  Speaker 2: understand the severity of this, and you're gonna understand that,
• 1:18:55
  Speaker 2: you know, being the only child, not having nobody else
• 1:18:58
  Speaker 2: and no mother, no father, nothing thing like that, and
• 1:19:01
  Speaker 2: that's gonna wail on you. You basically in the world alone,
• 1:19:05
  Speaker 2: you know what I mean, You really don't have nobody else.
• 1:19:07
  Speaker 2: I mean I got family, cousins and stuff like that.
• 1:19:10
  Speaker 2: But media, it's it's hard.
• 1:19:13
  Speaker 7: Man.
• 1:19:13
  Speaker 2: I go through it every day and I try to
• 1:19:16
  Speaker 2: try to be better, and you know, I try to advocate.
• 1:19:20
  Speaker 2: Tell everybody, Man, if you got your mother, your father,
• 1:19:23
  Speaker 2: any of that. Man, take pictures of them, video them,
• 1:19:27
  Speaker 2: talk to them. Even if you don't get along with them,
• 1:19:30
  Speaker 2: just be around them, man, because you just never know.
• 1:19:33
  Speaker 2: Because my mom died suddenly, was nothing wrong with just
• 1:19:37
  Speaker 2: I came from audition calling her and they was like,
• 1:19:40
  Speaker 2: she didn't make it, and thinking that she was going
• 1:19:43
  Speaker 2: to an appointment. I was like an appointment.
• 1:19:45
  Speaker 1: It's like, nah, she ain't make it.
• 1:19:46
  Speaker 2: And I'm like make what You could.
• 1:19:48
  Speaker 1: Not understand that, Like, what do you mean she make it?
• 1:19:50
  Speaker 2: They told me that. I just like, I was like,
• 1:19:53
  Speaker 2: I just talked to her, What are you talking about?
• 1:19:56
  Speaker 2: I ain't even want to, Like even with my Netflix special,
• 1:19:59
  Speaker 2: I didn't even want to do that. That wasn't even
• 1:20:01
  Speaker 2: something I was planning to do. But I got cornered
• 1:20:05
  Speaker 2: into shooting that special on that day, you know, like
• 1:20:08
  Speaker 2: the day that my mom died, September tenth, and I
• 1:20:12
  Speaker 2: was looking for a spot. Usually when you tour, if
• 1:20:15
  Speaker 2: you're about to shoot a special, you won't perform in
• 1:20:18
  Speaker 2: that city. So I was gonna do Philly. Philly was
• 1:20:21
  Speaker 2: city I was gonna shoot my special win, but we
• 1:20:24
  Speaker 2: were taking too long with the deal and I ended
• 1:20:26
  Speaker 2: up doing Philly right, and now I had nowhere else
• 1:20:28
  Speaker 2: to go, and I wanted to shoot. I thought about
• 1:20:31
  Speaker 2: New York, but I just was like, you got to
• 1:20:33
  Speaker 2: be from New York in order to do New York,
• 1:20:36
  Speaker 2: you know what I mean, Like it's New York is
• 1:20:38
  Speaker 2: just different, you know, It's like you got to be
• 1:20:40
  Speaker 2: from there. But when it came around to me shooting special,
• 1:20:44
  Speaker 2: Netflix is like, you got shooting September, and I was like,
• 1:20:46
  Speaker 2: make sure it's at the end of September because I
• 1:20:48
  Speaker 2: know I couldn't shoot around a year later from the
• 1:20:51
  Speaker 2: day my mom passed. They came back not even knowing.
• 1:20:54
  Speaker 2: They was like this, yeah, we got the venue. I'm like, man,
• 1:20:57
  Speaker 2: let's do it. I was like what day They was
• 1:20:58
  Speaker 2: like September tenth. I was like, I said nah. I
• 1:21:01
  Speaker 2: was like, I was like, I ain't gonna do it.
• 1:21:04
  Speaker 2: Then about the days later, my mom was like, you
• 1:21:06
  Speaker 2: know what, don't even mourn like that, like celebrate her.
• 1:21:09
  Speaker 2: Shoot on that day, dedicate this to her and celebrate her,
• 1:21:15
  Speaker 2: because when people pass man, you have to like make
• 1:21:19
  Speaker 2: them live through you. Of course, even if it's a password,
• 1:21:22
  Speaker 2: you know what I mean, if you get it, if
• 1:21:24
  Speaker 2: you set a password and you put their name in
• 1:21:27
  Speaker 2: every day you that's that's day. They stay with you
• 1:21:31
  Speaker 2: every day, you know what I mean. And so I
• 1:21:32
  Speaker 2: was like, you didn't password, No, I did not.
• 1:21:35
  Speaker 1: I didn't know, but y'all.
• 1:21:41
  Speaker 2: And I just was like, man, I'm gonna shoot it,
• 1:21:43
  Speaker 2: and I shot it like on that day. But I
• 1:21:45
  Speaker 2: also was trying to show people and teach people that
• 1:21:48
  Speaker 2: with comedians and entertain us, even y'all, people don't understand
• 1:21:53
  Speaker 2: we we got problems and when we perform and you
• 1:21:57
  Speaker 2: never know what that comic is going through. So that
• 1:22:00
  Speaker 2: was a whole deal with my Netflix special. It was
• 1:22:03
  Speaker 2: that I wanted to perform without telling nobody what was
• 1:22:06
  Speaker 2: going on, and then at the end of the special
• 1:22:09
  Speaker 2: let them know I was up here rocking with y'all.
• 1:22:12
  Speaker 2: You're not even knowing what I was going through. I
• 1:22:15
  Speaker 2: just cried right before I walked out on stage. I
• 1:22:18
  Speaker 2: was backstage wiping my eyes, took a deep breath, and
• 1:22:21
  Speaker 2: walked out there, performed the whole special with them not
• 1:22:25
  Speaker 2: even knowing that this was like the one year anniversary
• 1:22:29
  Speaker 2: of my mom's death, and I wanted tend to see
• 1:22:32
  Speaker 2: that us performers, we had to put aside whatever.
• 1:22:36
  Speaker 1: We're going through you said something powerful that I would
• 1:22:39
  Speaker 1: like for you to talk about, just because that's something
• 1:22:41
  Speaker 1: I struggle with. How do you show up as a
• 1:22:44
  Speaker 1: friend when somebody had somebody that they lose that's close
• 1:22:48
  Speaker 1: to them, like a parent or significant other. Would you
• 1:22:51
  Speaker 1: have wanted your friends to do in that moment.
• 1:22:54
  Speaker 2: So if I'm now different, and we ain't buying bottles
• 1:22:58
  Speaker 2: and kicking it, and I ain't none club, and I'm
• 1:23:00
  Speaker 2: now I'm in the club with you, but I'm but
• 1:23:02
  Speaker 2: I'm daydreaming and I'm zoned out, and I ain't helping
• 1:23:07
  Speaker 2: you pull all the women in the club and all
• 1:23:09
  Speaker 2: that or whatever. Now I'm boring to you. I'm not
• 1:23:13
  Speaker 2: what you was. If you're a friend, you're gonna be like, man,
• 1:23:17
  Speaker 2: let's get out this club. Let's go ahead, let's go chill,
• 1:23:20
  Speaker 2: let's go get you together, Let's go chill. If you're
• 1:23:23
  Speaker 2: any way different, even if I'm snappy, even if I'm
• 1:23:26
  Speaker 2: not understanding, if I don't hear you correctly at any
• 1:23:29
  Speaker 2: of that, understand that I wasn't normally like this. So
• 1:23:34
  Speaker 2: therefore you have to know that there's some kind of
• 1:23:36
  Speaker 2: issue going on with me, right, So therefore you have
• 1:23:39
  Speaker 2: to channel that and understand that and get to know
• 1:23:43
  Speaker 2: who I am now or who I'm about to be,
• 1:23:46
  Speaker 2: because now I'm embarking on.
• 1:23:48
  Speaker 1: A new normal.
• 1:23:49
  Speaker 2: And that's what everybody has to do. It out there
• 1:23:51
  Speaker 2: and embark on a new normal for absolutely. And once
• 1:23:56
  Speaker 2: a true friend understand that, yo, he's he's embarking on
• 1:23:59
  Speaker 2: the new normal. And I have to be here to
• 1:24:01
  Speaker 2: learn that new normal in order to be there, to
• 1:24:03
  Speaker 2: be there for that, you know what I mean. So
• 1:24:06
  Speaker 2: once a person understands that, and they'll be there, they
• 1:24:10
  Speaker 2: won't leave you, and they gonna be there and they
• 1:24:12
  Speaker 2: gonna and they're gonna help you out and they not
• 1:24:14
  Speaker 2: gonna leave because all of a sudden you don't understand
• 1:24:17
  Speaker 2: them and all of that, and it's like it's it's
• 1:24:20
  Speaker 2: so whack or whatever. And I lost not only I
• 1:24:23
  Speaker 2: lose my mother, I lost like other family members and
• 1:24:26
  Speaker 2: friends and so it was very and I'm still in
• 1:24:30
  Speaker 2: that kind of lonely spot right now, you know, but
• 1:24:33
  Speaker 2: it's a lot better because I'm working and I got
• 1:24:35
  Speaker 2: all these other projects coming out and about the pop
• 1:24:38
  Speaker 2: and bubble and all that, and so it's taking up
• 1:24:40
  Speaker 2: my mind frame and you know, me working on a
• 1:24:43
  Speaker 2: whole New Hour, the tour with and all of that.
• 1:24:46
  Speaker 2: So you know, I'm not feeling as left out and
• 1:24:50
  Speaker 2: lonely no more, because you know, I got a lot
• 1:24:53
  Speaker 2: going on. But as a friend, that's what a friend does.
• 1:24:56
  Speaker 2: A friend understands that you changed, and they gonna change
• 1:25:00
  Speaker 2: with you, and they're gonna be there for you, and
• 1:25:02
  Speaker 2: they gonna find out how are you now, find out
• 1:25:05
  Speaker 2: what makes you happy?
• 1:25:06
  Speaker 1: Now?
• 1:25:06
  Speaker 2: What makes you sad? Now you know, and they're gonna
• 1:25:08
  Speaker 2: be that for you, you know what I mean. But
• 1:25:11
  Speaker 2: falling back and and it's a selfish move, a lot
• 1:25:14
  Speaker 2: of people go because they go, oh, you're not making
• 1:25:17
  Speaker 2: me feel comfortable around you or and now it's about them, yeah,
• 1:25:22
  Speaker 2: you and not you, you know what I mean. So yeah,
• 1:25:25
  Speaker 2: it's it's a it's a trip that situation. And I'm
• 1:25:28
  Speaker 2: still learning, you know what I mean. And uh, and
• 1:25:32
  Speaker 2: the friends that I do have, Man, we've been rocking
• 1:25:35
  Speaker 2: and you know, we having a ball and we're gonna
• 1:25:37
  Speaker 2: keep it moving.
• 1:25:38
  Speaker 10: We appreciate you, brother, and we love you brother.
• 1:25:40
  Speaker 2: I love y'all man, and I thank y'all man for
• 1:25:43
  Speaker 2: this platform. I hate that it got serious.
• 1:25:45
  Speaker 1: Like always give the best conversations and I love it. Yeah, yeah, yeah, yeah.
• 1:25:53
  Speaker 2: I appreciate y'all, man, and y'all keep doing, y'all doing
• 1:25:56
  Speaker 2: y'all very I just want to say, y'all, y'all very powerful,
• 1:26:01
  Speaker 2: more powerful than what y'all even probably thinking though, and
• 1:26:05
  Speaker 2: I want you all to understand that and keep doing
• 1:26:08
  Speaker 2: good with with with the positions y'all.
• 1:26:12
  Speaker 11: Average Joe premiere June twenty fifth on B E T
• 1:26:14
  Speaker 11: Plus and thank you brother for joining us.
• 1:26:16
  Speaker 1: Thank you so much. Man.
• 1:26:17
  Speaker 2: Y'all check it out.
• 1:26:19
  Speaker 1: Cole. It's the Breakfast Club. Good morning, the Breakfast Club.
• 1:26:23
  Speaker 1: Your mornings will never be the same.