Latest / The Real Report with Tony Yayo and Uncle Murda / Gillie & Wallo on Fake Streams, Max B vs Big Daddy Kane, Peter Gunz being the King of New York, & Jay-Z’s Freestyle

Transcript

Gillie & Wallo on Fake Streams, Max B vs Big Daddy Kane, Peter Gunz being the King of New York, & Jay-Z’s Freestyle · The Real Report with Tony Yayo and Uncle Murda

• 0:01
  Speaker 1: Oh yeah, he done, he done, He do that, He do.
• 0:05
  Speaker 2: That, he don't damn from New York. That's gonna be
• 0:07
  Speaker 2: his next take. Man, I can get away with it, nigga.
• 0:10
  Speaker 1: You can't get away with no hes done.
• 0:12
  Speaker 3: He done here my boy though, Man, it was Gil
• 0:19
  Speaker 3: one of forty. You don't want to see that.
• 0:23
  Speaker 1: Back in the days, he in.
• 0:25
  Speaker 2: Ice in the Ice school forty.
• 0:27
  Speaker 1: You don't drink? What drink?
• 0:30
  Speaker 4: Are you fucking crazy? Nigga drink like a fish, get
• 0:33
  Speaker 4: kicking tools when he wants to drink. But that nigga drinks, No,
• 0:37
  Speaker 4: I know him for just smoking. Dude, Nigga, I seen
• 0:39
  Speaker 4: that nigga acting the fools. I'm talking about this Pippy
• 0:45
  Speaker 4: was about bus Poppy twelve. I was in the club
• 0:48
  Speaker 4: and I got booked. Back in the days, boy, you
• 0:51
  Speaker 4: was in the adult though, just drunk a fool walking
• 0:54
  Speaker 4: up to every creol and the motherfucker.
• 0:56
  Speaker 2: I don't remember that ship. Real talk, all that real talk,
• 1:00
  Speaker 2: nigga walking up to everybody.
• 1:02
  Speaker 4: By himself twisted or holy time, I said, this nigga is.
• 1:06
  Speaker 1: Upa let me see by itself. Why niggas want to
• 1:17
  Speaker 1: talk about this rubbers ship?
• 1:18
  Speaker 2: Still what you want we shooting first, were.
• 1:22
  Speaker 1: Shooting now was first? Were shooting both.
• 1:25
  Speaker 2: Of them on the same.
• 1:29
  Speaker 1: Ship.
• 1:30
  Speaker 5: So so so where we're sitting there for the ship
• 1:37
  Speaker 5: you guys.
• 1:38
  Speaker 3: Okay, we did we did the sound wow, it sounded wow.
• 1:45
  Speaker 1: You're always your super pol yo yo yo.
• 1:48
  Speaker 2: You know what you know the I know from out
• 1:53
  Speaker 2: Pobby Land Man Phil, he's selling.
• 1:55
  Speaker 1: You definitely that bigga.
• 2:00
  Speaker 2: I got the gym in the house. They work out.
• 2:05
  Speaker 2: That's that's the word. Recognize you recognize your record on steroids.
• 2:09
  Speaker 1: Man, start the podcast.
• 2:11
  Speaker 2: They had guns last summer that they all buffed up.
• 2:14
  Speaker 2: You know what time it is? Yeah, I peeped that
• 2:20
  Speaker 2: ye shooting hit put in the probably bad Land. No
• 2:26
  Speaker 2: Philly be selling them ship. The name was on the list. Man,
• 2:29
  Speaker 2: I seen from the Lands.
• 2:34
  Speaker 3: I think one of our first times in philiates with
• 2:36
  Speaker 3: old man chats back in the days and we went
• 2:39
  Speaker 3: to the bad Lands.
• 2:41
  Speaker 2: You were smoking at Reggie to your blunt me to
• 2:43
  Speaker 2: never be smoking Reggie. Y'all'll two niggas the Reggie Kings
• 2:47
  Speaker 2: in New York.
• 2:48
  Speaker 1: About that on y'all show.
• 2:49
  Speaker 2: The Reggie Kings, New York. That's not allowed.
• 2:56
  Speaker 1: Your man still smoking Backwood were smoking paper.
• 2:59
  Speaker 2: Yeah, gil Gil what name is? He put that brown
• 3:05
  Speaker 2: and white and the ship.
• 3:06
  Speaker 1: He's a healthy guy, so I thought he would do.
• 3:10
  Speaker 2: Already, Gil put that, put that what's name in it?
• 3:13
  Speaker 2: He like that snack cracker on Pop Year.
• 3:16
  Speaker 1: It's the Talk of New York and it's.
• 3:18
  Speaker 2: The Boy Uncle Murder a ka Leed Jed Lenny.
• 3:20
  Speaker 3: And it's the Real Report Show with a million hours
• 3:22
  Speaker 3: worth a game.
• 3:23
  Speaker 1: Gillian Wallow makes him.
• 3:24
  Speaker 2: Noise noise, whoa, whoa are we right now?
• 3:28
  Speaker 1: Finally back? Yo?
• 3:29
  Speaker 3: We you know last time we was on y'all show,
• 3:33
  Speaker 3: and now y'all on our show.
• 3:34
  Speaker 1: Appreciate thank y'all for being here. Me and Murder learned
• 3:36
  Speaker 1: a lot from you guys.
• 3:37
  Speaker 2: Appreciate you.
• 3:37
  Speaker 4: Brother.
• 3:37
  Speaker 3: Y'all want of the guys that told us we gotta
• 3:39
  Speaker 3: do it fact, so we appreciate you.
• 3:41
  Speaker 2: See, y'all was playing around with this ship. Ain't do nothing.
• 3:45
  Speaker 1: So for all that that know to get to it,
• 3:48
  Speaker 1: let them know.
• 3:48
  Speaker 3: Gilly was talking mad ship backstage, like mad ship, so
• 3:52
  Speaker 3: we're gonna bring it back. Boots are crowfed? Boots tell
• 3:58
  Speaker 3: us why both of y'all but you talking.
• 4:00
  Speaker 2: I'm just telling you why I wasn't talking shit.
• 4:02
  Speaker 1: Don't say like, no, you were saying that.
• 4:05
  Speaker 3: You said Boots, You said Boots came out out out
• 4:09
  Speaker 3: his mama into a boxing ring.
• 4:11
  Speaker 2: Yes, that's all I'm saying.
• 4:12
  Speaker 5: But no, because see you asked the question and then, motherfucker,
• 4:15
  Speaker 5: I feel like I was talking crazy.
• 4:18
  Speaker 2: White nigga Boots Crawford Camp.
• 4:19
  Speaker 5: No, you ain't saying nothing bad about Crawford, No exactly.
• 4:23
  Speaker 5: I honestly think right if it's anybody in the world
• 4:30
  Speaker 5: that is I say it's a fifty to fifty fight
• 4:33
  Speaker 5: with Boots, it would be Crawford because Crawford is that
• 4:37
  Speaker 5: good as well. I believe in Crawford skills that much
• 4:40
  Speaker 5: like I believe in boots skills that much. So you
• 4:44
  Speaker 5: know what I mean, They're both great. I just think
• 4:47
  Speaker 5: Boots maybe a little bit younger, maybe a little bit
• 4:50
  Speaker 5: more hungry yet because you know, Crawford is established already,
• 4:56
  Speaker 5: know what I mean. But it'll be a great fight,
• 4:58
  Speaker 5: That's what I do. You said Hardy hit too right,
• 5:01
  Speaker 5: that nigga crawl for the strongest, the strongest ship.
• 5:05
  Speaker 2: Look, crawl for the you know we we we want
• 5:09
  Speaker 2: at him and ships. I don't think it strength that much.
• 5:12
  Speaker 2: I might, you know, I took him down in the
• 5:14
  Speaker 2: wrestling match, so it was like nigga that this he
• 5:22
  Speaker 2: walked through. Yeah, he's got the dressing room and we
• 5:25
  Speaker 2: won't right at him. You know what I mean? He
• 5:27
  Speaker 2: that jersey, I say, I saved he let's get off there.
• 5:35
  Speaker 2: I had to come through. If it was a different situation.
• 5:37
  Speaker 2: That was the street out of Brooke, because I don't
• 5:39
  Speaker 2: know if you go to rast when somebody make grabt
• 5:41
  Speaker 2: the joints. So I ain't got time to try to
• 5:42
  Speaker 2: figure out they got to join them. Gill, you can
• 5:44
  Speaker 2: handle that.
• 5:45
  Speaker 1: I'm out.
• 5:46
  Speaker 2: I'm out. I'm just being strange.
• 5:48
  Speaker 1: I mean, I'm out.
• 5:48
  Speaker 2: I ain't got time for that. Ship dude, want to
• 5:50
  Speaker 2: be tough. I'm the dude that was a logical street dude.
• 5:53
  Speaker 2: I ain't want to be tough about. I knew how
• 5:55
  Speaker 2: to relocate when the danger strike got you. Let me relocate.
• 5:57
  Speaker 2: I don't need to be here, man, you go, you
• 6:00
  Speaker 2: walk up with a black dude, extra extra huffy, tell
• 6:03
  Speaker 2: you because I smelling like, you know what, Let me relocated.
• 6:06
  Speaker 2: I don't need to be here. This ain't even you
• 6:07
  Speaker 2: know what I mean, I can go here. I smelled
• 6:09
  Speaker 2: some rice and gravy at the crib my mouth. I
• 6:12
  Speaker 2: was one of them dudes that was smart. I know
• 6:14
  Speaker 2: how to relocate when the day unnecessary. Ship like why
• 6:17
  Speaker 2: I gotta be if you want to?
• 6:18
  Speaker 5: And he made up this right because when dad was
• 6:22
  Speaker 5: calling him a bit right because we was out, some
• 6:25
  Speaker 5: young boys walked up head poosh, heisty masters all right,
• 6:28
  Speaker 5: so he order.
• 6:29
  Speaker 2: To make it they on some dumb shit because so
• 6:32
  Speaker 2: he going to damn left.
• 6:33
  Speaker 5: Don't I know your motherfucker ain'cient mom, Kimberly and all
• 6:36
  Speaker 5: this extra always work.
• 6:39
  Speaker 2: You. No, I didn't say that. I ain't say I
• 6:44
  Speaker 2: didn't say her name because that's the giveaway because it's
• 6:46
  Speaker 2: not the name. I'd be like this, how you get him?
• 6:48
  Speaker 2: Damn enough, damn you? What's the name something? What's the
• 6:50
  Speaker 2: name of your mom or you know my mom? He
• 6:52
  Speaker 2: says his mom name, Like yeah, where he's to go to?
• 6:55
  Speaker 4: Man?
• 6:55
  Speaker 2: How has he been? So now the smoke is clear
• 7:03
  Speaker 2: and I give him to death? But what's uping? You?
• 7:07
  Speaker 2: A bitch?
• 7:08
  Speaker 5: She gonell But no, I just know how to the danger,
• 7:10
  Speaker 5: the danger.
• 7:12
  Speaker 2: Escalate the danger. That's wrong with that? Ain't not wrong
• 7:17
  Speaker 2: with that. You gotta destabilize the danger. You got to
• 7:19
  Speaker 2: distabilize that ship. See, let me just say this, like
• 7:22
  Speaker 2: I just want to be real. I just got to
• 7:23
  Speaker 2: be real. And this is what I'll be trying to understand. Understand.
• 7:28
  Speaker 2: Every dude that I ever know that was super tough,
• 7:31
  Speaker 2: he's a worm Hotel. Now what worm motel. He's dead.
• 7:35
  Speaker 2: He's a worm hotel. He's a worm. All the super
• 7:39
  Speaker 2: tough dudes in the history of life from together, from
• 7:41
  Speaker 2: the hood, they dead, or they walking the yard fever.
• 7:43
  Speaker 1: That's crazy, that's true.
• 7:44
  Speaker 2: They gotta walk the yard fever. So my old thing is,
• 7:47
  Speaker 2: like I realized earlier, it's not necessary for me to
• 7:49
  Speaker 2: be tough because it always somebody is tougher, or somebody's
• 7:53
  Speaker 2: going to send somebody that might not be so tough.
• 7:54
  Speaker 2: They got to get you out the way. When you're
• 7:56
  Speaker 2: tough in the neighborhood, somebody is sending somebody to get
• 7:58
  Speaker 2: you out the way. And like, when I see somebody
• 8:01
  Speaker 2: tough these days, I'm like, damn it, it's too dangerous
• 8:04
  Speaker 2: to be tough. The prices the price is low.
• 8:06
  Speaker 1: How much tell you did dub damn straight?
• 8:09
  Speaker 2: Yeah, no, yeah, basically damn yeah.
• 8:13
  Speaker 5: So what would you tell the kids, get him out
• 8:15
  Speaker 5: the way.
• 8:21
  Speaker 3: I tell, what would you tell like some ship you
• 8:24
  Speaker 3: see like the kids now music ricos, not in Philly,
• 8:28
  Speaker 3: New York. Everywhere these ricos are coming fast. Police got
• 8:31
  Speaker 3: drones and all this ship. Now, what would you tell
• 8:33
  Speaker 3: kids to like stay.
• 8:34
  Speaker 1: Out of trouble?
• 8:35
  Speaker 2: No, I ain't got to tell them nothing. This on
• 8:37
  Speaker 2: the whole thing. You got two types of cameras, right,
• 8:40
  Speaker 2: You got the camera that's that's any of the ring
• 8:42
  Speaker 2: camera that what's the name camera? The camera's on the cars.
• 8:45
  Speaker 2: And then you got the homie camera. The homie camera
• 8:47
  Speaker 2: gonna tell on you. That's the one with the mask
• 8:49
  Speaker 2: on he he don't even want to know you got
• 8:50
  Speaker 2: a mask on your homie. It never been in the
• 8:52
  Speaker 2: history of life, especially right now. You show me seven
• 8:55
  Speaker 2: young cats. I'm showing me ten young cats. That's in
• 8:58
  Speaker 2: the street. I'm gonna show you eight and a half
• 8:59
  Speaker 2: is gonna tell. And the only reason the other two
• 9:01
  Speaker 2: can't tell because they telling on them. M dude's gonna tell.
• 9:05
  Speaker 2: They're going to tell like they're not because as soon
• 9:07
  Speaker 2: as Mom'm coming in and you know, a terrogation room.
• 9:09
  Speaker 2: Because one thing about this thing, it's always somebody family
• 9:14
  Speaker 2: member that knows somebody to work at the police. There's
• 9:16
  Speaker 2: your homicide. Keisha, come out and talk to your son.
• 9:18
  Speaker 2: You better you know that. You know how you have
• 9:20
  Speaker 2: got to smooth over. Heare detective Ball. Every neighborhood got one. Listen, man,
• 9:23
  Speaker 2: your mom want to talk to you me. I'mna give
• 9:25
  Speaker 2: you five minutes. Man, go ahead and talk to him.
• 9:26
  Speaker 2: He go out, Keisha, he listened. Go and take that
• 9:28
  Speaker 2: stick into their little sandwich in there for him. A
• 9:30
  Speaker 2: little cigarette. She going in.
• 9:32
  Speaker 1: I can't believe you got into this.
• 9:33
  Speaker 2: You better tell you you're a good kid. You ain't
• 9:36
  Speaker 2: doing mom. He gonna run it down, and then you
• 9:39
  Speaker 2: got to slick detectives that's gonna come in there. Man.
• 9:41
  Speaker 2: Gil told on you. Man, he didn't give you all up,
• 9:43
  Speaker 2: because that's what they told me when he came in.
• 9:45
  Speaker 2: But I stood down. I already knew he was gonna tell.
• 9:47
  Speaker 2: But he gets tasted and he was my cousin. So
• 9:48
  Speaker 2: I never put that out there on the streets because
• 9:50
  Speaker 2: he had the rap carier and ship, you know what
• 9:51
  Speaker 2: I mean, He had the rap shit going on. So said,
• 9:53
  Speaker 2: I ain't gonna I ain't gonna splash his name. You
• 9:56
  Speaker 2: know what I mean, I ain't gonna I ain't gonna
• 9:57
  Speaker 2: be splashed going and splash his name out. Did go
• 9:59
  Speaker 2: ahead and get their rap money, And he kept saying, Now,
• 10:01
  Speaker 2: I was one time when he's money, when the money
• 10:04
  Speaker 2: slowed down, when the wrapped money order slowed down, was
• 10:06
  Speaker 2: gonna get busy on you. But I ain't had no
• 10:07
  Speaker 2: resource or the source magazine know that because that was
• 10:09
  Speaker 2: best for the internet. You couldn't call me like, yeah,
• 10:11
  Speaker 2: that Nigga told on me, because now Nigga called it joint. Yeah,
• 10:14
  Speaker 2: they do the whole joint. And he told on me man,
• 10:16
  Speaker 2: and then now motherfucking done you got. I would have
• 10:18
  Speaker 2: got him out the way, but you know what I mean,
• 10:20
  Speaker 2: I was like, no, I can't do that, samn. But
• 10:22
  Speaker 2: but that's what I'm saying. The best thing you're tell
• 10:25
  Speaker 2: him is you we live in the world and me
• 10:28
  Speaker 2: and Gil talk about this all the time. Any sign
• 10:31
  Speaker 2: that you need to know that this shit ain't no joke.
• 10:33
  Speaker 2: You didn't got that from your uncle, your pop, thiss
• 10:36
  Speaker 2: in jail, the old his round away, They got every
• 10:38
  Speaker 2: sign necessary it ain't. It's like you at the point
• 10:40
  Speaker 2: now wherea though it ain't nothing, you can say they
• 10:42
  Speaker 2: got every sign to know jail knocked off for somebody
• 10:44
  Speaker 2: gonna kill you. Like you remember, they always told us
• 10:47
  Speaker 2: back into there's the package, their young blood. You going
• 10:49
  Speaker 2: to jail or somebody gonna put you down. They told
• 10:50
  Speaker 2: us that, yes, think that what I tell you, always tell.
• 10:53
  Speaker 1: Him that's crazy. He said, it's some package there.
• 10:55
  Speaker 5: My old head said, oh oh you out here. I
• 10:57
  Speaker 5: was eleven, twelve years old. Oh yeah here, all right,
• 11:01
  Speaker 5: you better go ahead. Put two pairs of drawers on.
• 11:03
  Speaker 1: Nigga.
• 11:03
  Speaker 2: Go ahead, because you're gonna get booked.
• 11:05
  Speaker 1: Nigga.
• 11:06
  Speaker 5: You're gonna g if you get book nigga. You don't
• 11:07
  Speaker 5: want to be booked with one pair of draws. Nigga,
• 11:09
  Speaker 5: you better put two pairs of draws on. Niggas crazy
• 11:11
  Speaker 5: not still to this day.
• 11:13
  Speaker 1: Nigga.
• 11:13
  Speaker 2: You see one right there, one right k Why are
• 11:16
  Speaker 2: you doing it? Ain't gonna tell them this nigga is
• 11:19
  Speaker 2: henna tell nigga. You gonna tell nigga. He gonna tell
• 11:22
  Speaker 2: a nigga. But but you think about this.
• 11:26
  Speaker 5: That was some of the best ship old he had
• 11:28
  Speaker 5: ever told me when I got booked. Okay, think about this,
• 11:32
  Speaker 5: all them niggas that's behind the camera. They all got
• 11:35
  Speaker 5: one pair of draws on. Guess what they get book
• 11:37
  Speaker 5: and they gotta stay there for a minute. Guess who
• 11:39
  Speaker 5: gonna have a fucking jumpsuit on with new fucking draws on.
• 11:43
  Speaker 5: That a smoker was in a dope fiend was in
• 11:47
  Speaker 5: a fuck think about it.
• 11:48
  Speaker 2: Yeah, you right there.
• 11:49
  Speaker 5: And then motherfucking doofiend Johnny was in this bitch shaking,
• 11:52
  Speaker 5: throwing the fuck up.
• 11:53
  Speaker 2: You think about it. You always had a pair of
• 11:56
  Speaker 2: draws on, but instead of a joints, hang him up.
• 11:59
  Speaker 2: You got some drugs, So change him.
• 12:01
  Speaker 5: But he ain't give a funk. He takes shelves for
• 12:03
  Speaker 5: two years.
• 12:07
  Speaker 2: Bullshit. Oh he teld you some some old ship. When
• 12:10
  Speaker 2: you young blood like me and you're using the juvenile facility.
• 12:14
  Speaker 2: As soon as you go to the juvenile facilities, they
• 12:16
  Speaker 2: not giving you no brand Nubians. They give you wash
• 12:19
  Speaker 2: because you're going to joint. They got the closets all
• 12:21
  Speaker 2: that ship washed. You might cut. You're lucky if you
• 12:22
  Speaker 2: come on to day where they got some brand new packs.
• 12:24
  Speaker 2: So when we're coming up in young bloods and the
• 12:26
  Speaker 2: juvenile it was you was getting some joints. Anyway, soon
• 12:29
  Speaker 2: as you come in, but they might be you. So
• 12:30
  Speaker 2: you're not even thinking about that.
• 12:32
  Speaker 5: Well, the old head was thinking about that. He he
• 12:34
  Speaker 5: did real time. He wasn't thinking about the juvenile joint.
• 12:36
  Speaker 2: He was thinking about the joint. Yeah, he was thinking
• 12:39
  Speaker 2: about that. They told me that. Yeah, but my whole
• 12:43
  Speaker 2: thing is this.
• 12:44
  Speaker 5: He didn't he lying for the show.
• 12:49
  Speaker 2: That Nigga funded for the show he got. The only
• 12:50
  Speaker 2: reason he got a double joning because he got it
• 12:52
  Speaker 2: depends on fifty five. You can let ship go for
• 12:56
  Speaker 2: no reason. She got to clean him up and ship
• 13:03
  Speaker 2: a white day. He smoke a blood too many puss.
• 13:09
  Speaker 2: He said, I'm like, yo, cause you cool. Yeah, I
• 13:12
  Speaker 2: gotta change my joint of Nigga that Nigga got two
• 13:16
  Speaker 2: pair of underwear.
• 13:18
  Speaker 1: Thankstood. That's some other right, So what that? That's what?
• 13:23
  Speaker 1: How was he growing up?
• 13:25
  Speaker 3: Was growing up in the Philly because I know, I
• 13:27
  Speaker 3: went to Philly years ago with Fifth with old Man
• 13:30
  Speaker 3: Chad rest the Beast them and he took us to
• 13:32
  Speaker 3: the bad Lands.
• 13:32
  Speaker 1: And I was like, Yo, this ship is crazy.
• 13:35
  Speaker 2: Everybody saying that about Philly when they see phil No, No, that.
• 13:38
  Speaker 3: Was my first time in Philly. I went to the
• 13:39
  Speaker 3: bad Lands. We was walking around, and I'm like crazy.
• 13:43
  Speaker 2: Think about Philly. Philly is ah.
• 13:47
  Speaker 5: A super entitled city. Why do you say that super
• 13:52
  Speaker 5: Philly is good for blaming other motherfuckers for why they
• 13:54
  Speaker 5: ain't make what they were supposed to make happen. It's
• 13:57
  Speaker 5: one thing I can say about Philly. We super title.
• 14:01
  Speaker 5: No such and such would have post me. I would
• 14:03
  Speaker 5: have been out of here and off. Such and such
• 14:04
  Speaker 5: would have did this for me. No reason why this
• 14:06
  Speaker 5: ain't happening because such and such ain't do this. M
• 14:10
  Speaker 5: last time I checked that. You know that should be
• 14:13
  Speaker 5: about hard working god so, but it's a lot of
• 14:18
  Speaker 5: entitlement in Philly. Man, we got to learn how to
• 14:20
  Speaker 5: let that ship go real talk.
• 14:23
  Speaker 3: Mm hm, who's your top five in Philly right now?
• 14:27
  Speaker 2: Rappers? Right now, right now, right now, like that of all.
• 14:31
  Speaker 1: Time, we can go the whole time, last old time, right.
• 14:35
  Speaker 2: Now, right now you're talking about coming up.
• 14:39
  Speaker 1: Yeah, like on the Core quote, you said, yeah, Core.
• 14:48
  Speaker 2: Tierra wack.
• 14:54
  Speaker 5: New York l A, New York l A lights, that's scriller.
• 15:05
  Speaker 4: Yeah, screw you don't funk with Leaf ward man Leaf
• 15:08
  Speaker 4: locked up, I know, but he's still be talking that.
• 15:10
  Speaker 5: Yeah, yeah, I know, leaf ain't dropped nothing in five
• 15:13
  Speaker 5: years for leaf War.
• 15:15
  Speaker 2: One of the said, right.
• 15:16
  Speaker 5: Now you're doing this thing, what about you?
• 15:20
  Speaker 2: I'm like a young boy too. You got a song?
• 15:23
  Speaker 2: I don't really know you. Niggas Church seven like seven.
• 15:28
  Speaker 2: It's a lot of them. I can't just put five.
• 15:29
  Speaker 2: You got a mirror. You got a mirror. Lee, you
• 15:32
  Speaker 2: got a uh meyre a le you got you got tour,
• 15:39
  Speaker 2: you got baby three, you got tour. I don't want
• 15:43
  Speaker 2: to miss nobody.
• 15:44
  Speaker 1: Uh you go more than five. I just wanted to
• 15:46
  Speaker 1: know who's the new guys.
• 15:47
  Speaker 2: It's a lot. It's a lot, man. I just little
• 15:50
  Speaker 2: Bucks just came Bucks, definitely, Uh little Howard you got.
• 15:57
  Speaker 2: There's a lot of them, man, it's just too many.
• 15:59
  Speaker 2: But Philly, I'm gonna just say this, Philly is a
• 16:02
  Speaker 2: really talented town.
• 16:03
  Speaker 3: Oh yeah, we know you're a house home and spinners. Man,
• 16:06
  Speaker 3: y'all spent since the DVD days.
• 16:09
  Speaker 2: It was like, it's like it's a talented town. A
• 16:12
  Speaker 2: lot of you're missing a few, man, Yeah, were missing.
• 16:17
  Speaker 2: There's a bunch of for all time. Now I know
• 16:19
  Speaker 2: you're gonna put me on there.
• 16:21
  Speaker 1: Who else?
• 16:22
  Speaker 5: Major figures, state property, major figures, My son took it back, baby,
• 16:26
  Speaker 5: major state property. Uh the roots be the roots, and
• 16:39
  Speaker 5: uh you're.
• 16:40
  Speaker 1: Gonna put Will Smith on there.
• 16:41
  Speaker 5: Wi Jeff Fresh Princh Jazzy Jeff for Fresh Prince.
• 16:47
  Speaker 1: Definitely major. You figure remember that song dead Man Walking?
• 16:50
  Speaker 1: Remember that I was that ship. You could never get
• 16:52
  Speaker 1: a sample. That beat was so hard. That was my ship.
• 16:55
  Speaker 1: I ain't going lie.
• 16:56
  Speaker 3: Niggas never sampled that beat right there though, you never
• 16:58
  Speaker 3: like instrumental to it.
• 17:01
  Speaker 2: Do y'all be tapped in with all the young artists
• 17:03
  Speaker 2: like that?
• 17:03
  Speaker 1: Right?
• 17:04
  Speaker 4: Just all the artists period. Do y'all think artists today
• 17:07
  Speaker 4: really need the radio or like this podcast should take over?
• 17:10
  Speaker 4: You think the podcast should take over?
• 17:12
  Speaker 5: I'll be I think you know, if you want to
• 17:15
  Speaker 5: be a star, you know what I mean, you don't
• 17:19
  Speaker 5: need the radio. Hm. I think if you want to
• 17:22
  Speaker 5: be a superstar, okay, you need the radio difference, You
• 17:28
  Speaker 5: need everything you got.
• 17:29
  Speaker 2: You got streaming stars and you got and you got
• 17:31
  Speaker 2: radio star. The radio star. Everybody know who that person is.
• 17:34
  Speaker 2: They don't know the streaming star because a lot of
• 17:36
  Speaker 2: times you could be streaming big and see and see
• 17:38
  Speaker 2: the radio is the radio really could get it out there?
• 17:41
  Speaker 2: On another level because the streams, Because the streams a
• 17:43
  Speaker 2: lot of times could be bots. You can't bot the
• 17:45
  Speaker 2: radio like a lot of people got fixed streams. You
• 17:49
  Speaker 2: see what I'm saying. I mean you could pay for
• 17:52
  Speaker 2: play on the radio too. No no, no, no no no.
• 17:55
  Speaker 2: But this on I'm saying, you shit really getting played,
• 17:57
  Speaker 2: You shit really gett played. A bunch of real I
• 18:00
  Speaker 2: mean a bunch of real audience on a boxing shit
• 18:02
  Speaker 2: won't be getting played. I know what you mean. Like
• 18:04
  Speaker 2: you know what I'm saying. Like so, so like the
• 18:06
  Speaker 2: box game has got so crazy, it's crazy. You got
• 18:11
  Speaker 2: bots for everything. M you got bots for music, you
• 18:15
  Speaker 2: got bots for uh views, you got bots for podcasts, downloads,
• 18:20
  Speaker 2: you got bots for every It's box anywhere. We're not
• 18:22
  Speaker 2: doing no box. I ain't saying y'all. I'm just saying,
• 18:24
  Speaker 2: it's box for everything. You see what I'm saying. So
• 18:27
  Speaker 2: it's like you got people out here now. And I
• 18:30
  Speaker 2: remember one time me and cousin in the studio having
• 18:31
  Speaker 2: a conversation. He was like, Cuz, what sense do it
• 18:36
  Speaker 2: makes that you will have bots on your music and
• 18:41
  Speaker 2: nobody's listening to your music, So that means nobody can
• 18:43
  Speaker 2: really book you for a show. Nobody, no promoter is
• 18:47
  Speaker 2: looking at saying, oh he got this many views? Oh
• 18:50
  Speaker 2: he got They're not doing that. The book you for
• 18:51
  Speaker 2: no show, No booking agents, hard ticket you know, hard
• 18:54
  Speaker 2: ticket booking agents is not saying, oh that's booking. No.
• 18:58
  Speaker 2: That shit got to be real because they put that
• 19:00
  Speaker 2: link in. See, the only thing that really matter is
• 19:02
  Speaker 2: the link in the bio. Can you sell tickets? That's it?
• 19:05
  Speaker 2: Can you sell tickets? Can you sell merch all that?
• 19:07
  Speaker 2: How many Instagram followers you got? How many? What's the name?
• 19:10
  Speaker 2: Because it'll be a dude. They got ten thousand? Yo,
• 19:13
  Speaker 2: that's Reggie too.
• 19:14
  Speaker 1: Man, I know that it is man, not no fucking Reggie.
• 19:16
  Speaker 2: That's like, that's my cats, that's my cat. Piss man.
• 19:20
  Speaker 2: You're smoking New York Regie.
• 19:22
  Speaker 1: He don't even smoke.
• 19:24
  Speaker 2: I've been around some of the greatest smokers in the
• 19:26
  Speaker 2: world's smoking and Africa.
• 19:29
  Speaker 3: That cat had an Argentina jersey on.
• 19:38
  Speaker 4: No.
• 19:38
  Speaker 1: I said, if they would have won.
• 19:41
  Speaker 2: I had to go talk to the team before the game.
• 19:43
  Speaker 2: But listen, what I'm saying is this this, This is
• 19:45
  Speaker 2: what I'm saying. Though you like all that ship, you
• 19:48
  Speaker 2: have a dude there's no bullshit. You have a dude,
• 19:50
  Speaker 2: a young artist, he might got ten thousand followers, or say,
• 19:54
  Speaker 2: got thirty thousand followers. Then you might have an artist
• 19:57
  Speaker 2: that got five six hundred thousand. They can't put fire
• 20:00
  Speaker 2: people in the venue and five six venues. Think about it.
• 20:04
  Speaker 2: You already know this, this how to hold this, how
• 20:06
  Speaker 2: I be paying attention to artists. This is what you're
• 20:07
  Speaker 2: paying attention. And y'all know this. All three of y'all
• 20:10
  Speaker 2: know because I was in jail. But y'all know the route.
• 20:14
  Speaker 2: If you truly hot on the East coast. And this
• 20:17
  Speaker 2: ain't me saying it, they gonna back me up. If
• 20:19
  Speaker 2: you're truly hot on the East coast, right, you're supposed
• 20:22
  Speaker 2: to be constantly booked from Boston all the way to Virginia.
• 20:27
  Speaker 2: Y'all know that route. Think about this, Think about it,
• 20:30
  Speaker 2: Think about how many all three of y'all know that route.
• 20:32
  Speaker 2: Let me break it down even more because I seen it.
• 20:34
  Speaker 2: Let me break it down even more. This is how
• 20:36
  Speaker 2: I go. You go from Boston, Connecticut, all that shit
• 20:40
  Speaker 2: New York. You're getting bookings. You're getting bookings all through Jersey,
• 20:43
  Speaker 2: you're getting bookings all through Pa You're getting bookings all
• 20:46
  Speaker 2: through Delaware, You're getting bookings Baltimore or all Maryland. They're
• 20:50
  Speaker 2: going to be Do you Knowice, you never seen none
• 20:52
  Speaker 2: of these dudes killing them towns. You know that you
• 20:56
  Speaker 2: never see anybody booked any So when I see you
• 21:01
  Speaker 2: and you're talking all this, I'm like, no, you got neighbors.
• 21:03
  Speaker 2: See you got See you got a different type of
• 21:05
  Speaker 2: artists out here. You got the neighborhood artists, the homie,
• 21:07
  Speaker 2: the homie artist, all your homie city No, no, you
• 21:10
  Speaker 2: got the homi artists, all your homieesay you hot. And
• 21:12
  Speaker 2: the homie artist is all your homies say you hot,
• 21:16
  Speaker 2: And they go and tell everybody that they run into
• 21:18
  Speaker 2: the hottest in the city. He the hottest in the city.
• 21:21
  Speaker 2: But nobody else is saying that. But the homie you got.
• 21:24
  Speaker 2: Then you got the neighborhood artist, where's though the neighborhood bobony,
• 21:27
  Speaker 2: but he can't cross over to the next neighborhood. Then
• 21:30
  Speaker 2: you got the multi neighborhood artist, whereas though he popping
• 21:33
  Speaker 2: in multi neighborhoods. Then you got a city artist where
• 21:35
  Speaker 2: everybody is playing him and everybody is bumping them. But
• 21:38
  Speaker 2: I'm gonna tell you what happened with this rap shit,
• 21:40
  Speaker 2: and nobody want to talk about it. This will happen
• 21:43
  Speaker 2: with me and Gil was growing up, right, prime example,
• 21:46
  Speaker 2: right this, no boys shank guild can attest. And even
• 21:49
  Speaker 2: back in the day, it might have been fifteen rappers
• 21:53
  Speaker 2: in Philly city of like it was like at that
• 21:56
  Speaker 2: time it probably was the fifth largest city in America,
• 21:58
  Speaker 2: four fifty right, right. The problem is everybody think they
• 22:03
  Speaker 2: could rap. So this is how it go. We all
• 22:06
  Speaker 2: from the same neighborhood. The only motherfucker really could rap
• 22:10
  Speaker 2: is Gil. Say he the one that really could rap.
• 22:12
  Speaker 2: But for some reason, you want to start rapping. I
• 22:14
  Speaker 2: want to start rapping. I want to start rapping. And
• 22:16
  Speaker 2: it's worse when we and the crew we don't decide
• 22:17
  Speaker 2: to come together. So now it's worse. So now on
• 22:19
  Speaker 2: this how to go. This is how they break down
• 22:21
  Speaker 2: the fan base. Gil really could rap, But my baby, mine,
• 22:25
  Speaker 2: my sister, my direct homeboys can't post him because they
• 22:28
  Speaker 2: got to post me because I rap. But he's really
• 22:30
  Speaker 2: could rap. Same thing with him, same thing with him,
• 22:33
  Speaker 2: same thing with anybody else. These dudes can't even get
• 22:35
  Speaker 2: the momentum no more. They used to get because when
• 22:38
  Speaker 2: you were a boy, the whole neighborhood back behind you.
• 22:40
  Speaker 2: They got your shirts, they got your logos. Like dudes
• 22:42
  Speaker 2: don't even create logos no more, they don't even create movements.
• 22:45
  Speaker 2: People want to be a part of a movement where
• 22:46
  Speaker 2: you're doing music, but they can't be a part of
• 22:48
  Speaker 2: a movement. They can't choose one because they got in
• 22:50
  Speaker 2: the neighborhood. It's five different dudes in rap, and I can't,
• 22:54
  Speaker 2: I can't hold I can't, I can't represent his shit
• 22:57
  Speaker 2: because my cousin got a baby by youse. I gotta
• 23:00
  Speaker 2: be round with you. Are you gonna be mad or
• 23:02
  Speaker 2: she gonna be mad? Niggas, you ain't even holding him down.
• 23:04
  Speaker 2: And everybody believe that rap is the way out, even
• 23:06
  Speaker 2: when they home me is corny, and instead of them
• 23:09
  Speaker 2: tell no, no, no, no no, because that's the way out.
• 23:11
  Speaker 2: That's where everybody want to be close to fame. And
• 23:14
  Speaker 2: even though wh that Gil is the one, everybody weaken it.
• 23:16
  Speaker 2: So now we weaken his support, so we can't even
• 23:19
  Speaker 2: push him out of the neighborhood, to push him through
• 23:21
  Speaker 2: the city, to push him out of the city. Because
• 23:23
  Speaker 2: the same thing that's going on our neighborhood is going
• 23:26
  Speaker 2: on in twenty other neighborhoods in Philly, twenty other neighborhoods
• 23:29
  Speaker 2: in New York. So now you got out of the
• 23:31
  Speaker 2: twenty neighborhoods, it might be twenty hot niggas, but instead
• 23:34
  Speaker 2: of twenty hot niggas, it's four hundred niggas that want
• 23:36
  Speaker 2: to rap. So now it's like.
• 23:38
  Speaker 3: You said, four straight up, roll.
• 23:42
  Speaker 2: Straight up, and nobody would say that because we live
• 23:44
  Speaker 2: in this fake world in the black community. Whereas though
• 23:47
  Speaker 2: if you tell somebody that corny and they really corny,
• 23:49
  Speaker 2: you tear them down, y'all. No, no, you're tearing the
• 23:51
  Speaker 2: brother down. He's trying to tear his dreams down. You know,
• 23:53
  Speaker 2: we grew up and you can say that, and the
• 23:55
  Speaker 2: motherfuckers like, damn it is damn let me go back
• 23:57
  Speaker 2: to the drawing board again. Yes, you can't do that.
• 23:59
  Speaker 2: Now you can't. So it's like so it's like you
• 24:02
  Speaker 2: can't even establish a fan base because everybody want to
• 24:06
  Speaker 2: be a fucking rapper, and it's like that's true a lot.
• 24:10
  Speaker 2: And this is what they're saying, motherfuckers, like yo, you
• 24:13
  Speaker 2: really can't wrap motherfucker. Well, what's the name made it.
• 24:15
  Speaker 2: He did it. He had that, he had the machine
• 24:17
  Speaker 2: behind him. Motherfucker had a button on him. The motherfucker
• 24:20
  Speaker 2: pushed the button on him. Of course he made it.
• 24:22
  Speaker 2: He probably was a plant. But they always want to
• 24:24
  Speaker 2: try to get an example of a trash nigga that
• 24:26
  Speaker 2: made it. So they say, if he was trash and
• 24:28
  Speaker 2: he just made it, I could be. They ain't gonna
• 24:29
  Speaker 2: say they could be trashed. I'm better than him. But
• 24:32
  Speaker 2: they don't want to put the work in. They don't
• 24:33
  Speaker 2: know the routines. They don't know the promo. Promo run
• 24:36
  Speaker 2: the problem to get one of the waters man.
• 24:39
  Speaker 3: If niggas bolls stup willow ball stuff, now, nigga were
• 24:43
  Speaker 3: going to be next year if when we get them checks.
• 24:45
  Speaker 2: If you got a bunch of bots on your ship right,
• 24:48
  Speaker 2: that motherfucker you know a bad.
• 25:00
  Speaker 1: All right now right there, we got.
• 25:08
  Speaker 2: What you about to say about them bots, right.
• 25:09
  Speaker 5: If we're putting bots on your ship right and were
• 25:13
  Speaker 5: faking this ship right, how we know what we're really.
• 25:15
  Speaker 1: Doing that talk facts, real talk, see when.
• 25:18
  Speaker 2: We want and shout out to our partners.
• 25:21
  Speaker 5: You know what I mean. Epic, when we went into
• 25:23
  Speaker 5: Epic to do our deal our artists has already had
• 25:27
  Speaker 5: a few million monthly listeners. So when they run when
• 25:31
  Speaker 5: they run us through, oh it ain't no bots.
• 25:34
  Speaker 2: On this ship, real ship. They got the machines. They
• 25:37
  Speaker 2: got the machines in the label, it's real ship. In
• 25:39
  Speaker 2: the pocket, in the podcast distributed, it's got the machines.
• 25:42
  Speaker 5: Ain't no bots on this ship. This ship real numbers.
• 25:45
  Speaker 2: You feel me. So it's able.
• 25:48
  Speaker 5: It's easy to do a deal with somebody because you
• 25:52
  Speaker 5: got proof of concept, you got real numbers. You feel
• 25:55
  Speaker 5: what I'm saying. So if you you think you're gonna
• 25:57
  Speaker 5: fake it, the margate.
• 26:01
  Speaker 1: Exactly.
• 26:01
  Speaker 2: Yes, it's all good ship.
• 26:03
  Speaker 5: When you think you're gonna figure it to make it,
• 26:05
  Speaker 5: you ain't gonna get it. Ain't gonna have it for you.
• 26:08
  Speaker 2: It's not think about it. So so so y'all gotta
• 26:10
  Speaker 2: understand this. Y'all got to understand this. If you think
• 26:13
  Speaker 2: about the game, the music game, right, everything that was
• 26:16
  Speaker 2: popping that got y'all on, is gonna be the next
• 26:19
  Speaker 2: wave to get people on. We're missing the promo run,
• 26:22
  Speaker 2: We're missing the street team. We had the street team
• 26:25
  Speaker 2: in the in store. I keep telling people the new
• 26:28
  Speaker 2: in store is different the in store is. Remember I
• 26:31
  Speaker 2: had the record store, Toile Records and all the Mama pops.
• 26:34
  Speaker 2: That's not That's not where you do it no more.
• 26:35
  Speaker 2: You do the in store. So fine. A prime example,
• 26:38
  Speaker 2: if I'm an artist and I'm doing my thing, I'm
• 26:40
  Speaker 2: getting the posters because you because you remember, motherfuckers, you
• 26:43
  Speaker 2: had to post the labels give you posters, a sign, y'all,
• 26:45
  Speaker 2: had to give a pibaps. Somebody come about the tape,
• 26:46
  Speaker 2: or they won't even by the tape. It just be
• 26:48
  Speaker 2: a promo run. It'll be like this, you got it.
• 26:51
  Speaker 2: The new in stores is the streetwear stores. You know,
• 26:55
  Speaker 2: with all the streetwear stores. But they say that's where
• 26:57
  Speaker 2: you do the in stores. Now when you do your
• 26:58
  Speaker 2: promo run, and you gotta promo run, y'all, remember now
• 27:02
  Speaker 2: the labels don't even have nobody. This is what the
• 27:05
  Speaker 2: labels had. The labels had somebody that when you're doing
• 27:07
  Speaker 2: your promo on Sayve, you running from Boston to Virginia,
• 27:10
  Speaker 2: every stop, they taking you inside that community, and they
• 27:12
  Speaker 2: knew it, and they knew the people to make sure
• 27:13
  Speaker 2: you got a picture with, to make sure you was
• 27:15
  Speaker 2: in the barber shop, to make sure you went to
• 27:16
  Speaker 2: the soul food spot to make sure you got some
• 27:18
  Speaker 2: sneakers from here. They don't got that no more so.
• 27:21
  Speaker 2: So you got artists running around and they just going
• 27:23
  Speaker 2: in the city's naked. They don't got no, they ain't
• 27:25
  Speaker 2: got no liaison. Nobody's saying, damn, I got them because
• 27:28
  Speaker 2: because you know a motherfucker be like this. You'll come
• 27:31
  Speaker 2: through motherfucker, come through Philly or whatever town and you'll
• 27:34
  Speaker 2: take that picture with on somebody block deepest ship with
• 27:37
  Speaker 2: Nick Damn damn he was down there. He was And
• 27:39
  Speaker 2: it's like a stamp. It's like a stamp we support you.
• 27:41
  Speaker 2: You family when you come through it.
• 27:43
  Speaker 1: That's your family got me.
• 27:44
  Speaker 2: You remember you remember you go to due town. You
• 27:47
  Speaker 2: go to a dude town that.
• 27:48
  Speaker 3: Make the most famous restaurant in the town. Ship like that,
• 27:51
  Speaker 3: and you go you're getting cold sound and put your
• 27:53
  Speaker 3: picture up and everybody seeing it. And and Philly, you
• 27:56
  Speaker 3: going to radio and you meeting all kinds of other
• 27:59
  Speaker 3: people and you gotta meet and greet a radio. Come on, Gilly,
• 28:02
  Speaker 3: You remember all that ship And back then it wasn't
• 28:05
  Speaker 3: no bots. Niggas had to go to deal with people. Yeah,
• 28:09
  Speaker 3: go sign fucking CDs and tapes and all that ship.
• 28:12
  Speaker 2: She was a whole different Do you know, do you
• 28:14
  Speaker 2: know how many did you gotta think about this?
• 28:15
  Speaker 1: I actually was. I felt like that era was better.
• 28:17
  Speaker 2: I had fun because all that shit. Guess what, y'alls
• 28:21
  Speaker 2: more out there? A motherfucker do it, y'all. I just
• 28:24
  Speaker 2: I didn't talk to artists directly right from New York
• 28:26
  Speaker 2: that was coming up young casts, and I'll be like,
• 28:30
  Speaker 2: you're on the clock. They're like, what's what's your mean on?
• 28:33
  Speaker 2: You do one more motherfucking show in New York. You
• 28:35
  Speaker 2: do one more back in a little ali, You do
• 28:38
  Speaker 2: one little alley way back back, back door lounge joint.
• 28:41
  Speaker 2: You're done. You think you popping and you not. I
• 28:44
  Speaker 2: ain't seen you in Baltimore yet. I ain't seen you
• 28:45
  Speaker 2: in b b A yet. You're on the clock. You
• 28:47
  Speaker 2: better get out of New York and you're gonna die here.
• 28:49
  Speaker 2: And I'm not talking about physically die. I'm talking about
• 28:51
  Speaker 2: dudes to be hyped, like like like I didn't see
• 28:53
  Speaker 2: artists hype and like cities, and I'd be like, especially
• 28:55
  Speaker 2: New York, a motherfucker be hyped because in New York,
• 28:59
  Speaker 2: listening means loan because what happened in New York is
• 29:02
  Speaker 2: you keep getting fake bookings. The fake bookings is a
• 29:04
  Speaker 2: nigga just want to book you to say you bring
• 29:06
  Speaker 2: you Thus you got promoter boys, it's got some money.
• 29:08
  Speaker 2: Let me book you man, let me getting fifteenth out.
• 29:10
  Speaker 2: It ain't no hard tickets, it ain't no proof of booking.
• 29:12
  Speaker 2: You ain't got shit. It's just you got fifteen different
• 29:14
  Speaker 2: promoters in New York that just want to book a
• 29:16
  Speaker 2: nigga to say, yeah, I bunk Shorty through. You know
• 29:18
  Speaker 2: what I mean? Son word the life and that's it.
• 29:21
  Speaker 2: So a dude the way gus life.
• 29:24
  Speaker 1: Learn of my mother like that life.
• 29:27
  Speaker 2: So I'm saying I made that up, Saint Johnson Utica.
• 29:33
  Speaker 2: That's why it's living. So but what I'm saying is
• 29:36
  Speaker 2: what I'm saying is that's why if you notice this
• 29:40
  Speaker 2: year getting everybody out the way, let me tell you something.
• 29:44
  Speaker 2: This shear getting anybody out the way. Right now. We're
• 29:47
  Speaker 2: in the phase of y'all paying attention. You got a
• 29:50
  Speaker 2: bunch of motherfucking real hip hop bolls picking money. You
• 29:55
  Speaker 2: gotta think about it. It's a fan base from twenty
• 29:57
  Speaker 2: four to forty five, right, think about this. You got
• 30:00
  Speaker 2: a bunch of young cats that like original hip hop
• 30:03
  Speaker 2: right outside of you got a bunch of when you've
• 30:05
  Speaker 2: seen when you just seen the show, right, think about it.
• 30:08
  Speaker 2: Y'all tore around the world with fifty and when y'all
• 30:11
  Speaker 2: see that, y'all see a demographic of people who wasn't
• 30:13
  Speaker 2: being service. Why you think anybody was in New York
• 30:16
  Speaker 2: last week for who you know? Why you got a
• 30:18
  Speaker 2: bunch of people that loved the music, but they ain't
• 30:20
  Speaker 2: got nothing to listen to because nobody is servicing them
• 30:22
  Speaker 2: with that form of hip hop. No more so right now,
• 30:26
  Speaker 2: it's wide open that it's wide open. I told Kiss
• 30:29
  Speaker 2: the years ago. I was telling Kiss, I said, Man,
• 30:31
  Speaker 2: you can't abandon told the Locks, don't abandon y'all fan base.
• 30:33
  Speaker 2: Y'all abandoned the fan base. So now they just sitting
• 30:36
  Speaker 2: around like this motherfucker's at home. And guess what the
• 30:39
  Speaker 2: motherfuckers that really love this shit that the fan base,
• 30:44
  Speaker 2: they had the money to come out to the show.
• 30:46
  Speaker 2: It spent for three days by the drip. Because they've
• 30:48
  Speaker 2: been working for thirty years. They've been working, they've even
• 30:51
  Speaker 2: been in the streets or they've been working a job.
• 30:53
  Speaker 2: Motherfucker's retired. And I told I told kiss, no, no, no, no, no,
• 30:59
  Speaker 2: he's not saying it. He's not saying it. He's not
• 31:00
  Speaker 2: saying it in that way I'm talking about it.
• 31:02
  Speaker 5: Is well, we're giving out the game. He told me
• 31:05
  Speaker 5: that he's not saying that motive because education. I'm not
• 31:08
  Speaker 5: focusing on the old niggas. I'm focusing on the owners
• 31:12
  Speaker 5: of themorrow, the youth. So what we're saying it and
• 31:14
  Speaker 5: if an old nigga takes some game that I'm giving up.
• 31:17
  Speaker 5: And he wanted that's cool, but most old niggas are
• 31:20
  Speaker 5: stuck in their wings.
• 31:21
  Speaker 1: No, he was wrong about the Big Daddy King ship though. No,
• 31:24
  Speaker 1: he was what King.
• 31:25
  Speaker 2: I was with King. It was what King. He never
• 31:27
  Speaker 2: seen not on my watch, can't a lot of pistols.
• 31:30
  Speaker 1: Max B was bucking.
• 31:31
  Speaker 2: But listen, that's cool.
• 31:33
  Speaker 1: So I thought you was wrong. It wasn't that I
• 31:38
  Speaker 1: saw it. I thought she was on Big Daddy kinge
• 31:40
  Speaker 1: shout and he was like, kind of more on.
• 31:42
  Speaker 2: He said what he wasn't on Max? No, what I said,
• 31:45
  Speaker 2: Max B was just respected. He said, okay, first of
• 31:50
  Speaker 2: all magazine. Actually he loved King, he loves I know
• 31:56
  Speaker 2: he said that on the.
• 31:57
  Speaker 5: Show I Love King, I Love King. Well, what the
• 32:00
  Speaker 5: conversation came from was Max B had did an interview
• 32:04
  Speaker 5: at Complex and they named the top fifty rappers in
• 32:09
  Speaker 5: New York and Max B wasn't on the list. So
• 32:12
  Speaker 5: he looking at this ship like this nigga and this
• 32:15
  Speaker 5: nigga feeling me and this nigga. So he felt some
• 32:18
  Speaker 5: type of way, which you allowed to feel sometimes artists correct, Yes, Ship,
• 32:23
  Speaker 5: you feel me. What I said is we should salute
• 32:27
  Speaker 5: Max B for making Kine relevant in the eye of
• 32:33
  Speaker 5: the public and social media because.
• 32:37
  Speaker 2: Because because he had a lot of people that had
• 32:39
  Speaker 2: to speak up at the.
• 32:40
  Speaker 5: End of the day, Right, you brought all of these
• 32:44
  Speaker 5: older motherfuckers, all of these dinosaurs out the world work.
• 32:50
  Speaker 2: To give, give, no for real, to get niggas like
• 32:59
  Speaker 2: me and old nigg you feel what.
• 33:03
  Speaker 5: So what I'm saying is they came out to give
• 33:06
  Speaker 5: Kane his flowers, to take up for Kane, to speak
• 33:09
  Speaker 5: up for Kane.
• 33:10
  Speaker 2: But they wasn't doing that ship two weeks.
• 33:13
  Speaker 3: It seemed like wild with the old school more. You
• 33:15
  Speaker 3: always say that, Gil, So let me finish with Kim
• 33:19
  Speaker 3: Big Daddy.
• 33:20
  Speaker 2: I wanted to get this point now. Kine is all
• 33:26
  Speaker 2: in the social media.
• 33:27
  Speaker 5: He taking over Twitter and ex, he taking over Instagram,
• 33:31
  Speaker 5: He take freestyles and right, this is the flowers that
• 33:35
  Speaker 5: he should have been getting. But it took for Max
• 33:39
  Speaker 5: B to wake motherfuckers up to give niggas them flowers.
• 33:43
  Speaker 5: It's hold on, we y'all want to sit here, name
• 33:46
  Speaker 5: another hundred legends just that's from.
• 33:49
  Speaker 2: New York that niggas can't talk about that niggas ain't
• 33:52
  Speaker 2: talking about some time. It's the way you talk about
• 33:57
  Speaker 2: the way you talk about it, right, like family.
• 34:01
  Speaker 4: But he was a little it could have been taken
• 34:03
  Speaker 4: as he was a little disrespectful when he mentioned it,
• 34:06
  Speaker 4: saying this right.
• 34:07
  Speaker 2: What I'm saying is right.
• 34:09
  Speaker 5: The way he delivered it was beautiful because it got
• 34:12
  Speaker 5: the people's reaction. If he would have said, I mean,
• 34:15
  Speaker 5: I love King, I just it wouldn't win. It wouldn't
• 34:19
  Speaker 5: have win so the way people needed something to.
• 34:27
  Speaker 3: But when you look at Big Daddy King, you could
• 34:29
  Speaker 3: say he got five championship rings in hip hop because
• 34:33
  Speaker 3: this rings like some niggas would be like, well, a
• 34:35
  Speaker 3: nigga ain't really valid to say that if you don't
• 34:37
  Speaker 3: go on certain niggas ain't valid. Certain rappers are not
• 34:42
  Speaker 3: valid to say certain things if they don't got a
• 34:44
  Speaker 3: championship ring. Like a nigga could be like YAO whack
• 34:47
  Speaker 3: use you and it whack, but we got championship rings
• 34:49
  Speaker 3: but multiple Listen, a lot of niggas ain't qualified to
• 34:54
  Speaker 3: say certain ship like about a king or certain niggas
• 34:57
  Speaker 3: if they don't got a championship ring.
• 34:59
  Speaker 1: That's how look at him. There's a lot of rappers
• 35:02
  Speaker 1: who I'm not saying that.
• 35:07
  Speaker 2: I'm just let me say this. I'm not this, not
• 35:11
  Speaker 2: qualified to speak on camp.
• 35:14
  Speaker 1: Put a nigga with multiple champion Let me just say this.
• 35:17
  Speaker 2: Let me say this. Put it like that and I
• 35:18
  Speaker 2: and I am a representation.
• 35:20
  Speaker 1: Him and got like the multiple champans.
• 35:23
  Speaker 2: I'm the union rep of Legendary Classics Union. Let me
• 35:28
  Speaker 2: say this, Let me let me say this, Let me
• 35:31
  Speaker 2: say this. Now, I understand, I understand what you're saying, right,
• 35:37
  Speaker 2: but I'm gonna say this. Any legend, right, any legend.
• 35:42
  Speaker 2: They don't have no motherfucking problem being called out because
• 35:46
  Speaker 2: the hip hop that we was, we was dealing with
• 35:48
  Speaker 2: hip hop before it was in the hip hop phase. Now,
• 35:50
  Speaker 2: whereas though if you say something that you hating a nigga,
• 35:53
  Speaker 2: want to shoot your nigga, mad nigga, They feelings like
• 35:55
  Speaker 2: you gotta think about it. You gotta think about it.
• 35:57
  Speaker 2: Our whole culture is a feeling culture. If you call
• 36:00
  Speaker 2: somebody out in boxing, motherfuckering, they feelings. And y'all had
• 36:03
  Speaker 2: to fight if you if you if you just a motherfucker,
• 36:06
  Speaker 2: then you ain't hotted me.
• 36:07
  Speaker 1: Oh you was a hater.
• 36:07
  Speaker 2: Now anybody any feelings. That's not what this ship is about.
• 36:11
  Speaker 2: Hip hop is about. Listen, this is what hip hop
• 36:13
  Speaker 2: is about. It's about battling, it's about being, it's about
• 36:17
  Speaker 2: him seeing, it's about DJing, it's it's about graffiti. It's
• 36:20
  Speaker 2: about like like even even when it even street came breakdowns.
• 36:25
  Speaker 2: But what I'm saying is this what I'm saying because
• 36:28
  Speaker 2: if I think I'm better than Gilly, if I don't
• 36:30
  Speaker 2: think Gilly that I can't say that because he played
• 36:33
  Speaker 2: in the NBA, and like.
• 36:35
  Speaker 3: You think, nigga, some niggas are not qualified to joke
• 36:41
  Speaker 3: about certain niggas. But like I said, I look at
• 36:44
  Speaker 3: it like certain niggas got championship rings.
• 36:48
  Speaker 1: Look, I'm.
• 36:54
  Speaker 3: Amazing figures had championship rings. Back then, niggas was on
• 36:58
  Speaker 3: d v d's niggas was on zero. There's all kinds
• 37:01
  Speaker 3: of fucking different ship and grinded their way out. French
• 37:05
  Speaker 3: mant tean up. He got a championship ring, which for sure,
• 37:08
  Speaker 3: I'm gonna tell you why I seen that nigga fucking
• 37:10
  Speaker 3: with Acorn.
• 37:12
  Speaker 2: He was ya why you always call him a corn man?
• 37:16
  Speaker 4: It's a cock up look a con right.
• 37:22
  Speaker 3: I seen him hang around us and I seen him
• 37:25
  Speaker 3: around rossing them, and somebody always told me that nigga
• 37:28
  Speaker 3: French know how to do business. French is a beast,
• 37:30
  Speaker 3: fuck with everybody. Then he was fucking with Diddy. I
• 37:32
  Speaker 3: seen him fuck with like five different crews, but he
• 37:35
  Speaker 3: had I remember him and Max like having DVDs and
• 37:38
  Speaker 3: being around us, and then they was around, you know,
• 37:41
  Speaker 3: Diddy and Ross and all them niggas like Nigga know
• 37:44
  Speaker 3: how to do business. That's when I learned, oh this
• 37:46
  Speaker 3: shit ain't really about friendship. This ship been about business, right,
• 37:49
  Speaker 3: you know?
• 37:49
  Speaker 1: And that was a nigga.
• 37:50
  Speaker 3: I say, I could say got a championship ring because
• 37:52
  Speaker 3: he knew how to handle business, you know what I'm saying.
• 37:55
  Speaker 3: But certain niggas ain't qualified to say certain.
• 37:57
  Speaker 5: Okay, so hold on, let me just say this because
• 37:59
  Speaker 5: this is is to me my opinion. Hold on, this
• 38:02
  Speaker 5: is perfect. It's a perfect exact a championship. You start
• 38:06
  Speaker 5: talking shit, fifty cent was winning, right, YAlO was locked up, right,
• 38:11
  Speaker 5: Yeo came home from jail.
• 38:13
  Speaker 1: Right.
• 38:13
  Speaker 5: I'm just saying it was all types of rumors out there.
• 38:16
  Speaker 5: I don't know what's true.
• 38:17
  Speaker 2: I don't know what what it's not. Yo came home
• 38:19
  Speaker 2: to a million dollars, right, Yayo doing this fucking thing now?
• 38:23
  Speaker 1: Right.
• 38:24
  Speaker 5: If you was in an interview at that time, don't
• 38:26
  Speaker 5: don't speak for yo. Right now, I'm taking you back
• 38:30
  Speaker 5: to a time where the world was in the pond
• 38:33
  Speaker 5: of your hands. You just got your first you just
• 38:36
  Speaker 5: got your first sideways dick sucks and everything like this.
• 38:41
  Speaker 2: When you knew the level of the game was different.
• 38:44
  Speaker 2: They couldn't tell you nothing.
• 38:45
  Speaker 5: You first time, you getting that real ice on your
• 38:48
  Speaker 5: bank account, here, your records popping you, You out a
• 38:52
  Speaker 5: night performing sideways dick sucks upon sideways dick sucks. Right,
• 38:57
  Speaker 5: and then you did an interview on a motherfucker said
• 39:00
  Speaker 5: the top rapers in New York.
• 39:03
  Speaker 2: And they had African being body in front of you. Yeah,
• 39:09
  Speaker 2: I'm gonna say wait, wait, no, no, no, no no.
• 39:12
  Speaker 1: Yo.
• 39:13
  Speaker 2: But right though, huh, what would you have said at
• 39:16
  Speaker 2: that time?
• 39:17
  Speaker 5: You on New York radio Nigga Hot in ninety seven
• 39:20
  Speaker 5: and they like, no nigga African being bouted better than you, nigga?
• 39:24
  Speaker 2: What you would have said at that time?
• 39:26
  Speaker 4: Yo?
• 39:26
  Speaker 2: Fuck that, my nigga. You're right, right, Okay, Max B.
• 39:33
  Speaker 5: French Manten is his men, French myn ten is winning.
• 39:37
  Speaker 5: I've been to I've been to French Monten and Crib
• 39:39
  Speaker 5: in Calabasas said he got a championship, right, I've been
• 39:43
  Speaker 5: to his motherfucking condo in New York.
• 39:46
  Speaker 2: You feel me, Max come home just like ya?
• 39:50
  Speaker 1: Yo?
• 39:51
  Speaker 2: Did he having it as motherfucking way?
• 39:55
  Speaker 1: Right?
• 39:56
  Speaker 5: And now they talk about the tighttest rappers in New York.
• 40:00
  Speaker 5: They like Big Daddy came in front of you niggas.
• 40:02
  Speaker 5: But you think what you think he's gonna say?
• 40:05
  Speaker 1: But certain niggas.
• 40:06
  Speaker 2: Look, I just asked you question. What do you he
• 40:10
  Speaker 2: feels like the world.
• 40:11
  Speaker 3: Don't say the world's gods? All right, You're right, and
• 40:13
  Speaker 3: I'm not saying Max B is not qualified to say.
• 40:24
  Speaker 1: I understand that I'm saying. It's like like even when
• 40:28
  Speaker 1: you look at the J J J Ship, right you
• 40:31
  Speaker 1: notice that night? What do you peep? You peep Jay,
• 40:37
  Speaker 1: Eminem and who else was on that stage?
• 40:42
  Speaker 2: Us?
• 40:43
  Speaker 1: No slick Rick now slick that night.
• 40:45
  Speaker 2: Bring slick Wick out.
• 40:47
  Speaker 3: Dude, Like Eminem ain't gonna get on stage with certain
• 40:50
  Speaker 3: niggas in my mind just my opinion, but slick Rick
• 40:54
  Speaker 3: is like, oh nah, he has Like even Eminem will
• 40:57
  Speaker 3: look at a slick Rick like them niggas are like,
• 41:00
  Speaker 3: he's the hall.
• 41:01
  Speaker 1: That's all I'm saying is Kine is in the Hall
• 41:04
  Speaker 1: of fame.
• 41:04
  Speaker 4: He is.
• 41:05
  Speaker 1: That's so right there.
• 41:07
  Speaker 3: We can't really say nothing bad about King k R
• 41:10
  Speaker 3: Res slick Rick. They're in the hall, thank you all.
• 41:13
  Speaker 3: They just in the Hall of fame.
• 41:14
  Speaker 1: That's all I'm saying. You can feel like that Chuck.
• 41:17
  Speaker 2: Deal saying is what I'm saying is who else he said?
• 41:20
  Speaker 2: What I'm saying is cool Keith. What I'm saying is
• 41:23
  Speaker 2: man that shining back. Did you know? I bet you,
• 41:27
  Speaker 2: I bet you one thing Surety thinks is heartin King Price.
• 41:31
  Speaker 2: Win him on the fucking shows.
• 41:32
  Speaker 1: No, for sure?
• 41:33
  Speaker 2: What the fuck are we talking about. No, that's all
• 41:36
  Speaker 2: that matters. If I was getting fifteen, now I'm getting thirty.
• 41:40
  Speaker 2: Please bet somebody else say something about it.
• 41:43
  Speaker 1: Read the fuck up and Max is feeling good.
• 41:47
  Speaker 3: Max, he's qualified, trust me, he got a championship ring,
• 41:49
  Speaker 3: he had the mixtapes on lot.
• 41:51
  Speaker 2: Stop being so sensitive.
• 41:53
  Speaker 1: I'm just saying certain rappers.
• 41:55
  Speaker 3: Can't you know what I'm saying in quality the fucking
• 41:57
  Speaker 3: It's just hard to talk about niggas in the Hall
• 41:59
  Speaker 3: of Fame.
• 42:00
  Speaker 2: Ask her question.
• 42:00
  Speaker 1: The nigga ain't gonna talk bad about Kobe and Lebron.
• 42:03
  Speaker 2: Let me let me know they do. There's always people
• 42:09
  Speaker 2: are gonna argue because people got the right to be
• 42:11
  Speaker 2: fans of people, which is cool, right and everybody, And
• 42:13
  Speaker 2: I will say this though I would say this, though
• 42:16
  Speaker 2: I would just say this, at the end of the day,
• 42:19
  Speaker 2: I need to ask all of your questions. Is it?
• 42:22
  Speaker 2: And I'm gonna be real right now as this time
• 42:24
  Speaker 2: staying in New York City, it's all three of yell,
• 42:27
  Speaker 2: it's French Montanna, the King of New York.
• 42:29
  Speaker 1: He got it right now?
• 42:30
  Speaker 2: Is he the King of New York? It's French Montana
• 42:33
  Speaker 2: Right now? We talking about music. Who got me? It's
• 42:36
  Speaker 2: French Montanna, the King of New York.
• 42:37
  Speaker 1: What would you say? That's kind of hard because I was.
• 42:40
  Speaker 2: Gonna call the King of New York that was a
• 42:42
  Speaker 2: prior king of New York. But I can't get him
• 42:44
  Speaker 2: on the phone. Peter guns he was a king of
• 42:45
  Speaker 2: New York at one time. Huh, tigga with trophies, trophies, No, no,
• 42:56
  Speaker 2: disrespected my man, not dispect he got trophies. Fucks you
• 43:00
  Speaker 2: mean fuck is the.
• 43:04
  Speaker 1: Old yah? I think.
• 43:08
  Speaker 4: You won't tell me.
• 43:08
  Speaker 2: You will tell me that Peter and I wasn't the
• 43:10
  Speaker 2: King of New York. After Peter, God, I'm.
• 43:12
  Speaker 1: Going I mean the king listen, the King of New York,
• 43:15
  Speaker 1: the King of New York.
• 43:17
  Speaker 2: Yo, with the king of it. That's right. He listen, Hey, Peter,
• 43:20
  Speaker 2: let me ask you a question. Ain't Peter, Peter, Peter,
• 43:23
  Speaker 2: this nigga right here talking about tell you what year
• 43:26
  Speaker 2: you was the King of New York. I was the
• 43:29
  Speaker 2: King of New York for forty five minutes in nineteen
• 43:31
  Speaker 2: ninety eight. Hey, listen, listen, man, he Peter. Now, let
• 43:36
  Speaker 2: me ask you something real ship right now, ain't French
• 43:39
  Speaker 2: Montana the King of New York right now.
• 43:41
  Speaker 1: Dad, he got it for forty five minutes.
• 43:44
  Speaker 2: No, he got a log age got while it wasn't inspected.
• 43:49
  Speaker 2: That look at wild face.
• 43:51
  Speaker 1: He said.
• 43:52
  Speaker 2: Listen, listen, listen. I'm still mad. Listen listen when I
• 43:56
  Speaker 2: when I see whole, I'm mad he ain't bring you out.
• 43:59
  Speaker 2: You was a king of your I just I was
• 44:00
  Speaker 2: waiting to the end of the show. I knew you
• 44:02
  Speaker 2: was coming out.
• 44:03
  Speaker 1: Yore to be in the stadium in a video. I'm
• 44:06
  Speaker 1: a little disappointed whole.
• 44:07
  Speaker 2: He was supposed to bring you out, wasn't he. Yeah, man,
• 44:11
  Speaker 2: but nobody want to see that, Like no more, I'm
• 44:15
  Speaker 2: be hollering at you.
• 44:20
  Speaker 1: If it wasn't for the Brons.
• 44:22
  Speaker 2: All right, look, I'm gonna hit you the bill. I
• 44:24
  Speaker 2: thought he was what yall thought about the whole freestyle?
• 44:28
  Speaker 1: Man?
• 44:28
  Speaker 4: Responding to Drake and Kanye and Nikki and everybody, what's
• 44:33
  Speaker 4: your take on that whole ship?
• 44:34
  Speaker 1: What freestyle?
• 44:35
  Speaker 2: Which the freestyle? What's your hole? I would like you
• 44:39
  Speaker 2: know your opinion on my joint is like I think
• 44:41
  Speaker 2: I get to the point like sometimes I think because
• 44:43
  Speaker 2: I would I would hold up you.
• 44:44
  Speaker 4: Know what before I said, because no wile or deftly.
• 44:47
  Speaker 4: How you be on it right, when a few weeks
• 44:50
  Speaker 4: before that he was just saying this beef.
• 44:53
  Speaker 2: Ship ain't good. Hip Jay was like, Yo, man, I
• 44:55
  Speaker 2: think beef is now with dads, it ain't good.
• 44:58
  Speaker 4: And then he come out shooting his ship, even though
• 44:59
  Speaker 4: he's fucker's been talking about them forever, but then he
• 45:02
  Speaker 4: came out shooting.
• 45:03
  Speaker 2: So I just want to know what I think about
• 45:04
  Speaker 2: the whole shit. I just think. I just think at
• 45:06
  Speaker 2: the end of the day, no matter what Jay said,
• 45:09
  Speaker 2: Jay is competitive. He's seeing everything he watched that he
• 45:13
  Speaker 2: know everything that's going to fuck on. So I think
• 45:16
  Speaker 2: that was his time to show, like, I'm still j
• 45:18
  Speaker 2: I'm gonna shoot at y'all. I see what's going on.
• 45:21
  Speaker 2: I ain't letting it slide cause when you were, when
• 45:23
  Speaker 2: you were, when you're a hip hop artist, right, ain't
• 45:26
  Speaker 2: nobody letting ship slide. It's this it's this ego that
• 45:29
  Speaker 2: you got as an artist, Like, man, fuck is the
• 45:32
  Speaker 2: matter with them? Like that's that's the mindset that you
• 45:34
  Speaker 2: got as an artist. Even y'all have. But when somebody
• 45:36
  Speaker 2: say something, even though you're like, I'm gonna let ITHM slide,
• 45:38
  Speaker 2: was like, fuck, No, that nigga, you know, just it's
• 45:41
  Speaker 2: just in you. That's just where we come from are
• 45:43
  Speaker 2: no matter how big you is, no matter what the
• 45:45
  Speaker 2: sport of hip hop, never leave you. It's this competitiveness.
• 45:48
  Speaker 2: End is that I'm gonna check these motherfuckers. Everybody got
• 45:51
  Speaker 2: that in them, So I think that's where that came from. God, Like,
• 45:53
  Speaker 2: I ain't gonna let nobody keep slamming my name, so
• 45:56
  Speaker 2: you know what.
• 45:56
  Speaker 1: I mean, I don't care. I feel like if I'm
• 45:59
  Speaker 1: smokeduck him.
• 45:59
  Speaker 2: A yo yo yo yo yo and yo yo yo yo.
• 46:02
  Speaker 1: I'm the only rapper in the Swiss outs, like I'm
• 46:05
  Speaker 1: not thinking about like if I have certain.
• 46:08
  Speaker 2: Niggas you say, if I'm listen, if I'm if I'm
• 46:14
  Speaker 2: even I'm waiting for him to say, if I'm me
• 46:17
  Speaker 2: Oyster Chichi, if I mean Jack and right as Island,
• 46:21
  Speaker 2: Like you don't really mean I love about the moment.
• 46:24
  Speaker 2: I mean, we don't care about that. Some people are
• 46:25
  Speaker 2: gonna protect their name and listen like they don't give
• 46:29
  Speaker 2: a fuck about all that. They're like what nigga said,
• 46:31
  Speaker 2: what about me?
• 46:32
  Speaker 1: Nah?
• 46:32
  Speaker 2: All right?
• 46:32
  Speaker 1: All right, Well, I.
• 46:33
  Speaker 3: Just feel like I don't be caring about niggas sometimes yo.
• 46:36
  Speaker 3: But back to you guys, right. I know y'all from Philly,
• 46:39
  Speaker 3: and Philly is like the home and the Hustler like,
• 46:41
  Speaker 3: and y'all got mad other ventures besides you know, just
• 46:44
  Speaker 3: doing a podcast and y'all like y'all all like the
• 46:47
  Speaker 3: legends of the game.
• 46:48
  Speaker 1: You know what I'm saying.
• 46:49
  Speaker 3: Definitely, we got to take our head to y'all, Like,
• 46:51
  Speaker 3: I know you got the boxing thing going on. I
• 46:53
  Speaker 3: want you to talk about that.
• 46:54
  Speaker 2: I know you got the party behore the holder before
• 46:57
  Speaker 2: we see anything. He got a with's name John. Only
• 47:00
  Speaker 2: the one joint that he got that I'm not there.
• 47:02
  Speaker 2: He got this this exotic dancer escort business joint where
• 47:06
  Speaker 2: it's just it's just you. He got fifteen dudes that
• 47:08
  Speaker 2: came on from jail and dudes be come on from jail.
• 47:11
  Speaker 2: He'd be up there to jail sign the dudes up.
• 47:14
  Speaker 2: Like that's what he's doing.
• 47:15
  Speaker 3: Let's talk because not for real, y'all got serious y'all
• 47:18
  Speaker 3: in the sports world with some of the biggest names
• 47:20
  Speaker 3: out there.
• 47:21
  Speaker 1: You know what I'm saying, Like, make.
• 47:22
  Speaker 2: Sure you know Wallow two six seven book? Yes, do
• 47:25
  Speaker 2: you know that them?
• 47:26
  Speaker 3: We want to talk about that. Can we can we
• 47:29
  Speaker 3: get into the boxing because I watched all y'all y'all fight.
• 47:31
  Speaker 5: Know we got Gillian, We might have a mail man
• 47:35
  Speaker 5: fighting the trash man. The most entertaining ship you ever
• 47:38
  Speaker 5: see on planet is fire.
• 47:39
  Speaker 2: You feel me.
• 47:40
  Speaker 5: We have adopted fighting the home healthcare worker. You know,
• 47:43
  Speaker 5: whatever we think of.
• 47:45
  Speaker 2: We're having a nurse, a nurse fighting the street thug,
• 47:48
  Speaker 2: you know what I'm saying, Because it's like, it's like,
• 47:50
  Speaker 2: think about this dude. The internet got into weirds though
• 47:53
  Speaker 2: a dude with disrespect. Anybody, dude, come on your joint. Okay,
• 47:56
  Speaker 2: y'all want to do that, all right? Come on this,
• 47:58
  Speaker 2: y'a might as.
• 47:58
  Speaker 1: Well this mix.
• 47:59
  Speaker 2: You ain't even got to do all that because dudes
• 48:01
  Speaker 2: be just under people common saying, oh you use and
• 48:04
  Speaker 2: so you know when you bring a dude, why not
• 48:06
  Speaker 2: knock in the funk and do you see it? It
• 48:09
  Speaker 2: lead up to the back and forth and internet and
• 48:11
  Speaker 2: then when it's time for the way you see dudes
• 48:13
  Speaker 2: disappearing like.
• 48:14
  Speaker 1: What's my girl that be knocking bitches out?
• 48:15
  Speaker 2: Meat Ball?
• 48:16
  Speaker 1: Meat Ball be knocking bitches. You had some good fights
• 48:20
  Speaker 1: in there.
• 48:21
  Speaker 2: Yeah, because because everybody, everybody listen. You know, might be
• 48:25
  Speaker 2: good because everybody think they fucking tough on it internet
• 48:30
  Speaker 2: and you can you can duck smoke. You can't duck smoke.
• 48:32
  Speaker 2: There you in the ring like every ye niggas like
• 48:35
  Speaker 2: everybody like everybody like he'd be like he'd be like
• 48:39
  Speaker 2: Gill said one time, he said, because is it me?
• 48:43
  Speaker 2: He said, what the fuck happened to?
• 48:44
  Speaker 1: Everybody?
• 48:45
  Speaker 2: Just tough? And never was this many tough people growing up,
• 48:48
  Speaker 2: Dudes that come on your join on the internet and say.
• 48:50
  Speaker 3: The most gagsous, diabolical tough killing. We talked about it,
• 49:00
  Speaker 3: Philly O Giz gave y'all niggas. That's what makes y'all niggas.
• 49:03
  Speaker 3: Y'all Now I'm crazy. Y'all niggas got a lot of gems.
• 49:06
  Speaker 1: Man.
• 49:06
  Speaker 5: See you'll see a nigga now that's around my age.
• 49:09
  Speaker 5: Nigga finally come out of shell and ship at forty
• 49:13
  Speaker 5: six and ship. Now you're on the internet talking ship.
• 49:16
  Speaker 2: It's like it's like.
• 49:19
  Speaker 5: Johnny, you was a bitch for forty six years, Like
• 49:23
  Speaker 5: what the fuck is you doing?
• 49:24
  Speaker 1: Man?
• 49:24
  Speaker 2: Somebody gonna crack in your mouth.
• 49:26
  Speaker 1: Set.
• 49:26
  Speaker 2: See, I'm gonna keep it. Let me just keep it.
• 49:27
  Speaker 5: All way real and we're gonna wrap this jowing up
• 49:29
  Speaker 5: and go. I mean, I'm gonna keep it all with real.
• 49:33
  Speaker 5: You you know what happened, what were fucked up? He
• 49:39
  Speaker 5: took the pistol whip out the game. They took the
• 49:43
  Speaker 5: pistol whip. They took this thing. Rapper scene of.
• 49:48
  Speaker 4: A rapper class us. I missed, not for I missed
• 49:52
  Speaker 4: those days like niggas. I was pistolhipping about, right.
• 49:58
  Speaker 5: Niggas was hesitant because we all gotta go to the
• 50:01
  Speaker 5: same clubs. You feel you couldn't even.
• 50:03
  Speaker 2: Get the heads up like that, you're such and such
• 50:06
  Speaker 2: a head. No, you gotta show up, niggas. You feel
• 50:09
  Speaker 2: what I'm saying. And there's such such a guy he
• 50:11
  Speaker 2: got he already tougher than you. And then he got.
• 50:14
  Speaker 5: Eleven homies with him that was dying to prove themselves.
• 50:18
  Speaker 5: So now as soon as you walk up the drink,
• 50:19
  Speaker 5: they like, yeah, you was talking to.
• 50:22
  Speaker 2: I'm gonna just say this. I'm gonna say this. No,
• 50:27
  Speaker 2: listen to the fact. That's that's the fact that see
• 50:32
  Speaker 2: see niggas have come out the club.
• 50:34
  Speaker 5: Oh the is hey, you was talking sh They take
• 50:37
  Speaker 5: you all them tut you all asked you you falling
• 50:39
  Speaker 5: off through cars and ship.
• 50:44
  Speaker 4: Bro.
• 50:44
  Speaker 1: Bro.
• 50:44
  Speaker 2: They don't do that ship no more. They took that.
• 50:47
  Speaker 1: Element of the rend.
• 50:48
  Speaker 2: We were teas up. We were telling us if young
• 50:53
  Speaker 2: boys about that. One time. They was like, hold up,
• 50:55
  Speaker 2: they used to do that. I was like, don't you
• 50:57
  Speaker 2: now y'all be backing forth and the internet like soon
• 50:59
  Speaker 2: as somebody you this before the pistol is going, they're
• 51:02
  Speaker 2: going to your mouths man, it's a whole. It's a brawl.
• 51:05
  Speaker 2: They stopped and said they don't hear you, and you
• 51:08
  Speaker 2: sit here about it, and you just like they did
• 51:09
  Speaker 2: what the who? Like, I ain't gonna front man, No, no,
• 51:12
  Speaker 2: no rappers they chasing forty four bucks. I'm telling you.
• 51:19
  Speaker 2: You hear badly. Be like listen, you hear.
• 51:22
  Speaker 5: Stories like no, he came out of death jam On Veric.
• 51:25
  Speaker 5: They chased him all the way up to thirty eighth
• 51:26
  Speaker 5: and seventh.
• 51:27
  Speaker 2: You're like, damn, they ain't stopping before. And they understand that.
• 51:31
  Speaker 4: They talk so tough because they know they're not gonna
• 51:34
  Speaker 4: see the But not just that, not even the rappers.
• 51:36
  Speaker 4: They talk because they know they're not gonna see it
• 51:38
  Speaker 4: in the day.
• 51:38
  Speaker 2: Really, you know what you're missing. We talk, man, this
• 51:40
  Speaker 2: is what you're missing back in the day, mister, this
• 51:43
  Speaker 2: is what y'all miss it. Y'all missing this part because
• 51:46
  Speaker 2: back in the thing, y'all don't understand. None of y'all
• 51:50
  Speaker 2: have bodyguards, so nobody can protect you. It was on site,
• 51:53
  Speaker 2: real ship, y'all didn't have body with your crew and
• 51:55
  Speaker 2: whatever y're talking about real talk, y'all really have they?
• 52:00
  Speaker 5: Now niggas be sitting and standing behind eight niggas the
• 52:03
  Speaker 5: size of the twin towels.
• 52:05
  Speaker 2: Don't want nothing. That's a fact. That's a fast take
• 52:09
  Speaker 2: your bit, your hands on. You got these niggas on payroll.
• 52:14
  Speaker 5: Now with nigga you gotta get these names twenty two
• 52:16
  Speaker 5: thousands and when.
• 52:16
  Speaker 2: You get to the hotel. So but I'm gonna say
• 52:21
  Speaker 2: this though. I'm gonna say this though. You can't entertain.
• 52:25
  Speaker 5: Because you can't do nothing to nobody. You see, back
• 52:28
  Speaker 5: in the day, we got away whipping ass. You just
• 52:31
  Speaker 5: heard about that ship. The labels you, I'm gonna keep
• 52:34
  Speaker 5: it all way real. The labels used to back door
• 52:36
  Speaker 5: money to get them getting out of alarm, catch them
• 52:39
  Speaker 5: at the club back like with the nigga ass Yeah,
• 52:43
  Speaker 5: this want to get you.
• 52:44
  Speaker 2: Back to miss it too with the nigga. This is
• 52:47
  Speaker 2: the part you ain't saying the club. This is the
• 52:51
  Speaker 2: part nobody saying nothing about either. What the security gotta
• 52:55
  Speaker 2: get past these days, because back in the day they
• 52:57
  Speaker 2: would have got the business too. Like now it's different.
• 53:00
  Speaker 2: The security security boars. Back in the day, dudes at
• 53:03
  Speaker 2: homies the same, they would have been working them out.
• 53:04
  Speaker 2: It was no stopping, dudes, wasn't stopping Back in the day.
• 53:07
  Speaker 2: I seen some ship happen. It was.
• 53:11
  Speaker 1: No woman.
• 53:11
  Speaker 4: It wasn't like it was back It wasn't worth It
• 53:13
  Speaker 4: wasn't worth it because it was rare. It was so
• 53:15
  Speaker 4: rare it wasn't worth it.
• 53:16
  Speaker 1: Listen, there was only a couple of niggas that you
• 53:18
  Speaker 1: knew was.
• 53:19
  Speaker 5: Like back then, it wasn't even be that she was
• 53:21
  Speaker 5: thirty two dollars a hour nigga taking that ship.
• 53:23
  Speaker 2: Yeah, niggas like niggas.
• 53:26
  Speaker 1: Remember why Cliff Nigga that played in Belly Remember that nigga.
• 53:29
  Speaker 1: Oh yeah, he played Billy in a couple of movies.
• 53:32
  Speaker 1: That nigga was.
• 53:32
  Speaker 2: He came to the next level. He was Haitian.
• 53:35
  Speaker 1: He was the tall nigga that.
• 53:38
  Speaker 2: I think he was. She came from nothing.
• 53:40
  Speaker 1: Man.
• 53:40
  Speaker 2: The niggas willing to die about that money. Many this
• 53:44
  Speaker 2: nigga shoes. Man.
• 53:47
  Speaker 1: Yeah, your hate that's why were ready to down.
• 53:51
  Speaker 2: Yeah, yeah, I hate the americanized American got.
• 53:54
  Speaker 4: He heard.
• 54:00
  Speaker 2: Some blaze dunk off the Port of Miami. He was
• 54:02
  Speaker 2: done blaze dunk. Give about nigga done. I don't want
• 54:07
  Speaker 2: to be tough.
• 54:08
  Speaker 1: The book is out.
• 54:08
  Speaker 2: Yeah, nogging balls, nagging balls smoked something about smoke fast
• 54:14
  Speaker 2: from man. Oh yeah, you already know because that nigga
• 54:16
  Speaker 2: had he had some pisto.
• 54:18
  Speaker 1: Some of our stuff in our in our storey.
• 54:19
  Speaker 2: I'm smoking on that Gilly galaxy right here. This is yeah,
• 54:23
  Speaker 2: we got to get some of that in that unit
• 54:24
  Speaker 2: Dispo man power by indors.
• 54:27
  Speaker 5: This string right here.
• 54:29
  Speaker 2: Wow, did you smoke it on? That's a good. That's
• 54:37
  Speaker 2: a good. That's a good. That's a good promotion right there,
• 54:40
  Speaker 2: Sticky Bobby, Sticky Bobby.
• 54:42
  Speaker 5: Right because Ricky, it's whosh your last.
• 54:47
  Speaker 2: Sticky Bobby.
• 54:53
  Speaker 1: We'll give some of that ship.
• 54:55
  Speaker 2: Listen, Gil birthday, Listen, Gil Birthday party coming gonna be
• 54:57
  Speaker 2: fifty five man with Tumbo right, call him the Tumble
• 55:02
  Speaker 2: Tumble man five for fifty five and tumble Gilly. Ain't
• 55:07
  Speaker 2: that oh yet?
• 55:07
  Speaker 5: Man?
• 55:08
  Speaker 1: Dif we go.
• 55:11
  Speaker 5: Twenty fifth brother the other half brewing, it's gonna be
• 55:14
  Speaker 5: jumping all night, no smoke fest.
• 55:17
  Speaker 2: I give out the gas all night. Anybody that come.
• 55:20
  Speaker 2: You already know how it's going down. Mm hm, he's
• 55:24
  Speaker 2: going down fifty five the real report.
• 55:26
  Speaker 1: Man with the game makes some noise.
• 55:28
  Speaker 2: Ship baby, you know the legend. Let's get it.
• 55:32
  Speaker 1: Well, y'all got championship rings, thanks.
• 55:36
  Speaker 2: Said, we got championship rings. You'll be talking about. Yeah,
• 55:39
  Speaker 2: that's gonna be an house