Latest / Verbal Diorama / Encanto

Transcript

Encanto · Verbal Diorama

• 1:39
  Hi,
• 1:39
  everyone,
• 1:39
  I'm
• 1:40
  Em,
• 1:40
  and
• 1:40
  welcome
• 1:40
  to
• 1:40
  Verbal
• 1:41
  Diorama,
• 1:41
  episode
• 1:41
  283,
• 1:43
  Encanto.
• 1:45
  This
• 1:45
  is
• 1:45
  the
• 1:45
  podcast
• 1:46
  that's
• 1:46
  all
• 1:46
  about
• 1:46
  the
• 1:46
  history
• 1:46
  and
• 1:47
  legacy
• 1:47
  of
• 1:47
  movies
• 1:47
  you
• 1:48
  know.
• 1:48
  And
• 1:48
  movies
• 1:48
  you
• 1:49
  know.
• 1:49
  There's
• 1:49
  probably
• 1:49
  definitely
• 1:50
  going
• 1:50
  to
• 1:50
  talk
• 1:50
  about
• 1:51
  Bruno.
• 1:52
  But
• 1:53
  before
• 1:53
  we
• 1:53
  get
• 1:53
  into
• 1:53
  all
• 1:53
  of
• 1:54
  that,
• 1:54
  a
• 1:54
  huge
• 1:54
  hi
• 1:55
  and
• 1:55
  welcome
• 1:55
  to
• 1:55
  Verbal
• 1:56
  Diorama.
• 1:56
  Whether
• 1:56
  you
• 1:57
  are
• 1:57
  a
• 1:57
  regular
• 1:58
  returning
• 1:58
  listener,
• 1:59
  whether
• 1:59
  you
• 1:59
  are
• 1:59
  a
• 1:59
  brand
• 2:00
  new
• 2:00
  listener
• 2:00
  to
• 2:00
  this
• 2:00
  podcast
• 2:01
  and
• 2:01
  have
• 2:01
  literally
• 2:02
  just
• 2:02
  joined
• 2:03
  us
• 2:03
  because
• 2:03
  you
• 2:03
  love
• 2:04
  the
• 2:04
  movie
• 2:04
  Encanto,
• 2:05
  Regardless,
• 2:06
  thank
• 2:06
  you
• 2:06
  for
• 2:06
  being
• 2:07
  here.
• 2:07
  Thank
• 2:07
  you
• 2:07
  for
• 2:07
  choosing
• 2:08
  to
• 2:08
  listen
• 2:08
  to
• 2:08
  this
• 2:08
  podcast.
• 2:09
  There
• 2:09
  are
• 2:09
  a
• 2:09
  lot
• 2:09
  of
• 2:10
  movie
• 2:10
  podcasts
• 2:10
  out
• 2:11
  there
• 2:11
  that
• 2:11
  are
• 2:11
  all
• 2:11
  vying
• 2:12
  for
• 2:12
  your
• 2:12
  ears
• 2:12
  and
• 2:13
  your
• 2:13
  attention.
• 2:13
  And
• 2:14
  I'm
• 2:14
  so
• 2:14
  happy
• 2:15
  to
• 2:15
  have
• 2:15
  you
• 2:15
  here
• 2:15
  for
• 2:15
  the
• 2:16
  history
• 2:16
  and
• 2:17
  legacy
• 2:17
  of
• 2:18
  Encanto.
• 2:19
  So
• 2:19
  why
• 2:20
  am
• 2:20
  I
• 2:20
  covering
• 2:20
  Encanto?
• 2:21
  Well,
• 2:22
  this
• 2:22
  is
• 2:22
  Animation
• 2:23
  Season
• 2:23
  2025.
• 2:24
  This
• 2:24
  is
• 2:25
  the
• 2:25
  fifth
• 2:25
  annual
• 2:26
  Animation
• 2:27
  Season.
• 2:27
  It
• 2:27
  is
• 2:27
  a
• 2:27
  celebration
• 2:28
  of
• 2:28
  animation.
• 2:30
  Oops,
• 2:30
  I'm
• 2:30
  a
• 2:30
  poet
• 2:31
  and
• 2:31
  I
• 2:31
  didn't
• 2:31
  know
• 2:31
  it
• 2:32
  in
• 2:32
  all
• 2:32
  of
• 2:32
  its
• 2:33
  forms.
• 2:33
  So
• 2:33
  we're
• 2:33
  talking
• 2:34
  traditional
• 2:35
  2D
• 2:35
  hand
• 2:35
  drawn
• 2:36
  stop
• 2:36
  motion
• 2:37
  and
• 2:38
  CGI,
• 2:39
  just
• 2:39
  like
• 2:39
  this
• 2:39
  movie.
• 2:40
  Or
• 2:40
  indeed,
• 2:40
  a
• 2:40
  mix
• 2:41
  of
• 2:41
  all
• 2:41
  of
• 2:41
  the
• 2:41
  above,
• 2:41
  because
• 2:42
  there
• 2:42
  are
• 2:42
  movies
• 2:42
  out
• 2:43
  there
• 2:43
  that
• 2:43
  do
• 2:43
  have
• 2:44
  a
• 2:44
  mix
• 2:45
  of
• 2:45
  those
• 2:45
  different
• 2:45
  art
• 2:46
  forms
• 2:46
  in
• 2:46
  them.
• 2:47
  This
• 2:47
  podcast
• 2:47
  has
• 2:47
  been
• 2:48
  going
• 2:48
  for
• 2:48
  six
• 2:48
  years,
• 2:48
  and
• 2:49
  for
• 2:49
  the
• 2:49
  last
• 2:49
  five
• 2:50
  years,
• 2:50
  I
• 2:51
  have
• 2:51
  covered
• 2:51
  some
• 2:52
  of
• 2:52
  the
• 2:52
  best
• 2:53
  movies
• 2:54
  and
• 2:54
  also
• 2:54
  maybe
• 2:55
  some
• 2:55
  of
• 2:55
  the
• 2:55
  not
• 2:55
  so
• 2:56
  great
• 2:56
  movies
• 2:56
  as
• 2:56
  well.
• 2:57
  I
• 2:57
  have
• 2:57
  done
• 2:57
  the
• 2:57
  emoji
• 2:58
  movie,
• 2:58
  after
• 2:58
  all.
• 2:59
  But
• 2:59
  I've
• 2:59
  also
• 3:00
  had
• 3:00
  the
• 3:00
  pleasure
• 3:00
  of
• 3:00
  featuring
• 3:01
  some
• 3:01
  of
• 3:01
  the
• 3:01
  greatest
• 3:02
  animation
• 3:02
  studios
• 3:03
  of
• 3:03
  all
• 3:03
  time.
• 3:04
  Leica,
• 3:04
  Aardman,
• 3:05
  Disney,
• 3:06
  Dreamworks,
• 3:07
  Sony
• 3:08
  Animation,
• 3:08
  Pixar
• 3:09
  Studio,
• 3:09
  Ghibli,
• 3:10
  Cartoon
• 3:11
  Saloon,
• 3:12
  Even
• 3:12
  studios
• 3:13
  that
• 3:13
  no
• 3:13
  longer
• 3:13
  exist,
• 3:14
  like
• 3:14
  Fox
• 3:15
  Animation,
• 3:15
  Blue
• 3:16
  sky,
• 3:16
  and
• 3:16
  Don
• 3:17
  Bleed
• 3:17
  Studios.
• 3:18
  The
• 3:19
  mantra
• 3:19
  of
• 3:19
  animation
• 3:20
  season
• 3:20
  is
• 3:20
  quite
• 3:20
  simple,
• 3:21
  and
• 3:21
  that
• 3:21
  is
• 3:22
  that
• 3:22
  animation.
• 3:23
  First
• 3:23
  of
• 3:23
  all,
• 3:23
  it's
• 3:24
  not
• 3:24
  a
• 3:24
  genre.
• 3:24
  Really
• 3:25
  annoys
• 3:25
  me
• 3:25
  when
• 3:26
  Netflix
• 3:26
  put
• 3:27
  it
• 3:27
  as
• 3:27
  a
• 3:27
  separate
• 3:28
  genre
• 3:28
  for
• 3:28
  people
• 3:29
  to
• 3:29
  choose
• 3:29
  from.
• 3:29
  It's
• 3:30
  not
• 3:30
  a
• 3:30
  genre,
• 3:30
  it's
• 3:31
  an
• 3:31
  art
• 3:31
  form.
• 3:32
  But
• 3:32
  also,
• 3:33
  I
• 3:33
  would
• 3:33
  like
• 3:33
  to
• 3:33
  dispel
• 3:34
  the
• 3:34
  myth
• 3:34
  that
• 3:34
  animation
• 3:35
  is
• 3:35
  just
• 3:35
  for
• 3:35
  children.
• 3:36
  There
• 3:36
  are
• 3:36
  a
• 3:36
  lot
• 3:37
  of
• 3:37
  great
• 3:38
  children
• 3:38
  and
• 3:38
  family
• 3:39
  movies
• 3:39
  that
• 3:39
  are
• 3:39
  animated.
• 3:40
  Similarly,
• 3:40
  there's
• 3:40
  a
• 3:41
  lot
• 3:41
  of
• 3:41
  movies
• 3:41
  for
• 3:42
  children
• 3:42
  and
• 3:43
  families
• 3:43
  that
• 3:43
  are
• 3:43
  live
• 3:44
  action.
• 3:44
  But
• 3:45
  animation
• 3:46
  is
• 3:46
  not
• 3:46
  just
• 3:47
  for
• 3:47
  children.
• 3:48
  Animation
• 3:48
  is
• 3:49
  just
• 3:49
  simply
• 3:49
  a
• 3:50
  beautiful
• 3:50
  art
• 3:50
  form,
• 3:51
  a
• 3:51
  way
• 3:51
  of
• 3:51
  visual
• 3:52
  storytelling.
• 3:53
  And
• 3:53
  also
• 3:54
  animation,
• 3:55
  in
• 3:55
  my
• 3:55
  opinion,
• 3:56
  is
• 3:56
  the
• 3:56
  perfect
• 3:56
  art
• 3:57
  form,
• 3:57
  because
• 3:57
  in
• 3:57
  animation
• 3:58
  you
• 3:58
  can
• 3:58
  depict
• 3:59
  pretty
• 4:00
  much
• 4:00
  anything.
• 4:01
  You're
• 4:01
  not
• 4:02
  confined
• 4:02
  by
• 4:03
  the
• 4:03
  laws
• 4:03
  of
• 4:03
  physics,
• 4:04
  gravity,
• 4:05
  visual
• 4:05
  effects,
• 4:06
  limitations.
• 4:06
  You
• 4:07
  don't
• 4:07
  have
• 4:07
  that
• 4:07
  in
• 4:08
  animation.
• 4:08
  And
• 4:09
  nothing
• 4:09
  that's
• 4:09
  animated
• 4:10
  ever
• 4:10
  looks
• 4:10
  out
• 4:10
  of
• 4:11
  place,
• 4:11
  unlike
• 4:12
  some
• 4:12
  really
• 4:13
  bad
• 4:13
  CGI
• 4:14
  that
• 4:14
  you
• 4:14
  might
• 4:14
  find
• 4:14
  in
• 4:14
  some
• 4:15
  movie.
• 4:15
  It
• 4:15
  will
• 4:15
  really
• 4:16
  take
• 4:16
  you
• 4:16
  out
• 4:16
  of
• 4:16
  the
• 4:16
  experience
• 4:17
  of
• 4:17
  watching
• 4:18
  that
• 4:18
  movie,
• 4:18
  but
• 4:19
  you
• 4:19
  don't
• 4:19
  have
• 4:19
  that
• 4:19
  in
• 4:20
  animation
• 4:20
  because
• 4:20
  it
• 4:21
  all
• 4:21
  looks
• 4:21
  the
• 4:21
  same.
• 4:22
  And
• 4:22
  for
• 4:22
  me,
• 4:22
  this
• 4:23
  is
• 4:23
  why.
• 4:23
  Animation
• 4:23
  season
• 4:24
  is
• 4:24
  in
• 4:24
  its
• 4:24
  fifth
• 4:25
  year
• 4:25
  and
• 4:25
  remains
• 4:26
  so
• 4:26
  important
• 4:27
  to
• 4:27
  this
• 4:27
  podcast
• 4:28
  and
• 4:28
  to
• 4:29
  what
• 4:29
  I
• 4:29
  believe
• 4:29
  Verbal
• 4:30
  Diorama
• 4:30
  is
• 4:31
  out
• 4:31
  there
• 4:31
  to
• 4:31
  achieve.
• 4:31
  It
• 4:32
  is
• 4:32
  telling
• 4:32
  the
• 4:32
  history
• 4:33
  and
• 4:33
  the
• 4:33
  legacy
• 4:34
  of
• 4:34
  movies
• 4:34
  in
• 4:35
  general.
• 4:35
  But
• 4:36
  having
• 4:36
  an
• 4:36
  animation
• 4:37
  season
• 4:37
  is
• 4:38
  important
• 4:38
  because
• 4:39
  I
• 4:39
  really
• 4:39
  want
• 4:39
  to
• 4:40
  highlight
• 4:41
  incredible
• 4:41
  animated
• 4:42
  films
• 4:42
  that,
• 4:42
  you
• 4:43
  know,
• 4:43
  like
• 4:43
  Encanto,
• 4:44
  but
• 4:45
  maybe
• 4:45
  also
• 4:45
  some
• 4:45
  of
• 4:45
  the
• 4:46
  ones
• 4:46
  that
• 4:46
  you
• 4:46
  don't.
• 4:47
  Like
• 4:47
  the
• 4:48
  Secret
• 4:48
  of
• 4:48
  Nin,
• 4:49
  like
• 4:49
  Nimona,
• 4:50
  like
• 4:51
  Perfect
• 4:51
  Blue,
• 4:52
  like
• 4:52
  Wolf
• 4:52
  Walkers,
• 4:53
  or
• 4:54
  like
• 4:54
  the
• 4:54
  very
• 4:54
  first
• 4:54
  ever
• 4:55
  episode
• 4:55
  of
• 4:55
  this
• 4:56
  podcast,
• 4:56
  all
• 4:57
  the
• 4:57
  way
• 4:57
  back
• 4:57
  in
• 4:57
  February
• 4:58
  2019,
• 4:58
  Titan
• 4:59
  AE.
• 5:00
  Chances
• 5:00
  are
• 5:01
  you've
• 5:01
  probably
• 5:01
  never
• 5:01
  heard
• 5:02
  of
• 5:02
  any
• 5:02
  of
• 5:02
  those.
• 5:02
  Or
• 5:03
  you've
• 5:03
  maybe
• 5:03
  never
• 5:03
  heard
• 5:04
  of
• 5:04
  some
• 5:04
  of
• 5:04
  them.
• 5:05
  I
• 5:05
  mean,
• 5:05
  if
• 5:05
  you've
• 5:05
  heard
• 5:05
  of
• 5:06
  all
• 5:06
  of
• 5:06
  them,
• 5:06
  that's
• 5:06
  great.
• 5:07
  People
• 5:07
  should
• 5:08
  know
• 5:08
  about
• 5:08
  those
• 5:08
  movies.
• 5:09
  But
• 5:09
  while
• 5:09
  I'm
• 5:10
  covering
• 5:10
  a
• 5:10
  Disney
• 5:10
  movie
• 5:11
  today
• 5:11
  on
• 5:12
  this
• 5:12
  podcast,
• 5:13
  there
• 5:13
  is
• 5:13
  so
• 5:13
  much
• 5:14
  more
• 5:14
  out
• 5:14
  there
• 5:14
  in
• 5:15
  animation
• 5:15
  that
• 5:16
  goes
• 5:16
  beyond
• 5:17
  Disney
• 5:17
  and
• 5:18
  Pixar
• 5:18
  and
• 5:18
  DreamWorks.
• 5:19
  And
• 5:20
  if
• 5:20
  you
• 5:20
  don't
• 5:20
  watch
• 5:20
  these
• 5:21
  movies,
• 5:21
  you're
• 5:21
  missing
• 5:21
  out
• 5:22
  on
• 5:22
  some
• 5:22
  truly
• 5:23
  incredible
• 5:23
  storytelling
• 5:24
  as
• 5:24
  well.
• 5:24
  Now,
• 5:25
  I've
• 5:25
  rambled
• 5:25
  on
• 5:25
  a
• 5:25
  little
• 5:26
  bit
• 5:26
  more
• 5:26
  about
• 5:26
  animation
• 5:26
  than
• 5:27
  I
• 5:27
  actually
• 5:27
  planned
• 5:27
  to,
• 5:28
  but
• 5:28
  I
• 5:28
  just
• 5:28
  wanted
• 5:28
  to
• 5:29
  add
• 5:29
  that
• 5:29
  a
• 5:29
  huge
• 5:30
  thank
• 5:30
  you
• 5:30
  to
• 5:30
  everyone
• 5:30
  who
• 5:31
  listens
• 5:31
  to
• 5:31
  this
• 5:31
  podcast
• 5:32
  and
• 5:32
  who
• 5:33
  continues
• 5:33
  to
• 5:33
  listen
• 5:33
  to
• 5:34
  and
• 5:34
  support
• 5:34
  this
• 5:34
  podcast.
• 5:35
  As
• 5:35
  I
• 5:35
  said,
• 5:36
  this
• 5:36
  podcast
• 5:36
  has
• 5:36
  been
• 5:36
  going
• 5:37
  almost
• 5:37
  six
• 5:37
  years
• 5:37
  now,
• 5:38
  over
• 5:38
  280
• 5:39
  episodes.
• 5:40
  It
• 5:40
  means
• 5:40
  so
• 5:40
  much
• 5:41
  for
• 5:41
  your
• 5:41
  continued
• 5:41
  support,
• 5:42
  so
• 5:42
  thank
• 5:43
  you
• 5:43
  very
• 5:44
  much
• 5:44
  from
• 5:44
  me.
• 5:45
  But
• 5:45
  let's
• 5:46
  just
• 5:46
  jump
• 5:46
  straight
• 5:46
  into
• 5:47
  Encanto.
• 5:48
  I
• 5:48
  just
• 5:48
  made
• 5:49
  something
• 5:49
  unexpected.
• 5:50
  Something
• 5:51
  sharp,
• 5:51
  something
• 5:52
  new.
• 5:52
  It's
• 5:52
  not
• 5:53
  symmetrical
• 5:53
  or
• 5:53
  perfect,
• 5:54
  but
• 5:54
  it's
• 5:54
  beautiful.
• 5:55
  And
• 5:55
  it's
• 5:56
  mine.
• 5:57
  What
• 5:57
  else
• 5:58
  can
• 5:58
  I
• 5:58
  do?
• 5:59
  Here's
• 5:59
  the
• 5:59
  trailer
• 6:00
  for
• 6:00
  Encanto.
• 8:09
  The
• 8:10
  Madrigals
• 8:10
  are
• 8:11
  an
• 8:11
  extraordinary
• 8:11
  family
• 8:12
  who
• 8:12
  live
• 8:12
  hidden
• 8:12
  in
• 8:13
  the
• 8:13
  mountains
• 8:13
  of
• 8:13
  Colombia
• 8:14
  in
• 8:14
  a
• 8:15
  magical
• 8:15
  house
• 8:15
  in
• 8:16
  a
• 8:16
  vibrant
• 8:16
  town,
• 8:17
  in
• 8:17
  a
• 8:17
  wondrous,
• 8:18
  charmed
• 8:18
  place
• 8:19
  called
• 8:19
  the
• 8:19
  Encanto.
• 8:20
  The
• 8:20
  magic
• 8:21
  of
• 8:21
  the
• 8:21
  Encanto
• 8:22
  has
• 8:22
  blessed
• 8:22
  every
• 8:22
  child
• 8:23
  in
• 8:23
  the
• 8:23
  Madrigal
• 8:24
  family
• 8:24
  with
• 8:24
  a
• 8:25
  unique
• 8:25
  gift.
• 8:25
  From
• 8:26
  super
• 8:26
  strength
• 8:26
  to
• 8:27
  the
• 8:27
  power
• 8:27
  to
• 8:27
  heal
• 8:28
  every
• 8:28
  child
• 8:29
  except
• 8:30
  one.
• 8:31
  Mirabel.
• 8:32
  But
• 8:32
  when
• 8:33
  she
• 8:33
  discovers
• 8:33
  that
• 8:33
  the
• 8:33
  magic
• 8:34
  surrounding
• 8:34
  the
• 8:34
  Encanto
• 8:35
  is
• 8:35
  in
• 8:35
  danger,
• 8:36
  Mirabel
• 8:37
  decides
• 8:37
  that
• 8:38
  she,
• 8:38
  the
• 8:38
  only
• 8:38
  ordinary
• 8:39
  Madrigal,
• 8:40
  might
• 8:40
  just
• 8:40
  be
• 8:41
  her
• 8:41
  exceptional
• 8:42
  family's
• 8:42
  last
• 8:43
  hope.
• 8:44
  Let's
• 8:44
  run
• 8:45
  through
• 8:45
  the
• 8:45
  cast
• 8:45
  of
• 8:46
  this
• 8:46
  movie.
• 8:47
  This
• 8:47
  is
• 8:47
  a
• 8:47
  huge
• 8:48
  family.
• 8:48
  I'm
• 8:48
  not
• 8:48
  in
• 8:49
  a
• 8:49
  position
• 8:49
  to
• 8:49
  sing
• 8:50
  a
• 8:50
  song
• 8:50
  about
• 8:50
  all
• 8:51
  of
• 8:51
  the
• 8:51
  members
• 8:51
  of
• 8:51
  the
• 8:51
  Madrigal
• 8:52
  family.
• 8:53
  Mostly
• 8:53
  because
• 8:53
  I
• 8:54
  don't
• 8:54
  want
• 8:54
  to
• 8:54
  get
• 8:54
  a
• 8:54
  copyright
• 8:55
  strike.
• 8:55
  But
• 8:56
  let's
• 8:56
  run
• 8:57
  through
• 8:57
  them
• 8:57
  anyway.
• 8:57
  We
• 8:58
  have
• 8:58
  Stephanie
• 8:58
  Beatrice
• 8:59
  as
• 8:59
  Mirabel
• 9:00
  Madrigal.
• 9:01
  Maria
• 9:01
  Cecilia
• 9:02
  Botero
• 9:03
  as
• 9:03
  Abuela
• 9:04
  Alma
• 9:04
  Madrigal.
• 9:05
  John
• 9:05
  Leguizamo
• 9:06
  as
• 9:06
  Bruno
• 9:07
  Madrigal.
• 9:08
  Jessica
• 9:09
  Darrow
• 9:09
  as
• 9:09
  Luisa
• 9:10
  Madrigal.
• 9:11
  Diane
• 9:11
  Guerrero
• 9:12
  as
• 9:12
  Isabella
• 9:13
  Madrigal.
• 9:14
  Angie
• 9:14
  Sapida
• 9:15
  as
• 9:15
  Julieta
• 9:16
  Madrigal
• 9:17
  Carolina
• 9:18
  Catan
• 9:18
  as
• 9:18
  Pepa
• 9:19
  Madrigal
• 9:20
  Mauro
• 9:20
  Castillo
• 9:21
  as
• 9:21
  Felix
• 9:22
  Madrigal,
• 9:23
  Wilma
• 9:23
  Valderrama
• 9:24
  as
• 9:24
  Agustin
• 9:25
  Madrigal
• 9:26
  Adasa
• 9:27
  as
• 9:27
  Dolores
• 9:27
  Madrigal
• 9:28
  Renzi
• 9:29
  Feliz
• 9:30
  as
• 9:30
  Camilo
• 9:30
  Madrigal
• 9:31
  and
• 9:31
  Ravi
• 9:32
  Cabot
• 9:32
  Conyers
• 9:33
  as
• 9:33
  Antonio
• 9:34
  Madrigal
• 9:35
  Encanto
• 9:36
  has
• 9:36
  a
• 9:37
  screenplay
• 9:37
  by
• 9:37
  Sharice
• 9:38
  Castro
• 9:38
  Smith
• 9:38
  and
• 9:39
  Jared
• 9:39
  Bush,
• 9:40
  a
• 9:40
  story
• 9:41
  by
• 9:41
  Jared
• 9:41
  Bush,
• 9:42
  Byron
• 9:42
  Howard,
• 9:42
  Sharice
• 9:43
  Castro
• 9:43
  Smith,
• 9:44
  Jason
• 9:44
  Hand,
• 9:44
  Nancy
• 9:45
  Cruz
• 9:45
  and
• 9:45
  Lin
• 9:46
  Manuel
• 9:46
  Miranda
• 9:47
  and
• 9:47
  was
• 9:48
  directed
• 9:48
  by
• 9:48
  Jared
• 9:49
  Bush
• 9:49
  and
• 9:49
  Byron
• 9:50
  Howard.
• 9:51
  Co
• 9:51
  directed
• 9:52
  by
• 9:52
  Sharice
• 9:52
  Castro
• 9:53
  Smith.
• 9:54
  The
• 9:54
  canonical
• 9:55
  60th
• 9:56
  animated
• 9:56
  Walt
• 9:57
  Disney
• 9:57
  Animation
• 9:57
  Studios
• 9:58
  feature
• 9:58
  I
• 9:59
  say
• 9:59
  canonical
• 10:00
  because
• 10:00
  there
• 10:00
  are
• 10:00
  some
• 10:00
  that
• 10:00
  count
• 10:01
  and
• 10:01
  others
• 10:02
  that
• 10:02
  don't.
• 10:03
  Started
• 10:03
  life
• 10:03
  in
• 10:04
  2016,
• 10:05
  a
• 10:05
  very
• 10:05
  good
• 10:06
  year
• 10:06
  for
• 10:06
  Disney
• 10:06
  animation.
• 10:07
  Both
• 10:07
  Zootopia,
• 10:08
  which
• 10:08
  is
• 10:08
  called
• 10:08
  Zootropolis
• 10:09
  here
• 10:09
  in
• 10:09
  the
• 10:09
  UK
• 10:10
  because
• 10:10
  of
• 10:10
  copyright
• 10:11
  stuff.
• 10:11
  Anderson
• 10:12
  Moana
• 10:13
  came
• 10:13
  out
• 10:13
  that
• 10:13
  year.
• 10:14
  Moana,
• 10:15
  which
• 10:15
  I'm
• 10:15
  going
• 10:15
  to
• 10:15
  be
• 10:15
  referencing
• 10:16
  quite
• 10:16
  a
• 10:16
  lot
• 10:16
  in
• 10:17
  this
• 10:17
  episode,
• 10:17
  actually
• 10:18
  also
• 10:19
  featured
• 10:19
  songs
• 10:19
  by
• 10:20
  Lin
• 10:20
  Manuel
• 10:20
  Miranda.
• 10:21
  Zootopia
• 10:22
  was
• 10:22
  directed
• 10:22
  by
• 10:23
  Jared
• 10:23
  Bush
• 10:23
  and
• 10:24
  Byron
• 10:24
  Howard.
• 10:25
  Both
• 10:26
  Zootopia
• 10:26
  and
• 10:27
  Moana
• 10:27
  had
• 10:28
  been
• 10:28
  huge
• 10:28
  hits,
• 10:29
  so
• 10:29
  bringing
• 10:30
  the
• 10:30
  best
• 10:30
  bits
• 10:30
  of
• 10:31
  both
• 10:32
  made
• 10:32
  sense
• 10:32
  to
• 10:32
  Disney.
• 10:33
  Howard
• 10:33
  and
• 10:34
  Bush
• 10:34
  wanted
• 10:34
  to
• 10:34
  make
• 10:34
  a
• 10:35
  musical
• 10:35
  next,
• 10:36
  and
• 10:36
  Lin
• 10:36
  Manuel
• 10:37
  Miranda
• 10:37
  is
• 10:37
  the
• 10:37
  guy
• 10:38
  you
• 10:38
  get
• 10:38
  when
• 10:38
  you
• 10:38
  want
• 10:39
  a
• 10:39
  good
• 10:39
  musical.
• 10:40
  See
• 10:40
  also
• 10:41
  Hamilton
• 10:41
  and
• 10:42
  In
• 10:42
  the
• 10:42
  Heights.
• 10:43
  John
• 10:43
  Lasseter
• 10:44
  brought
• 10:44
  the
• 10:44
  team
• 10:45
  together
• 10:45
  and
• 10:45
  Miranda
• 10:46
  revealed
• 10:46
  during
• 10:46
  a
• 10:46
  press
• 10:47
  tour
• 10:47
  for
• 10:47
  Moana
• 10:48
  that
• 10:48
  early
• 10:48
  stage
• 10:49
  talks
• 10:49
  were
• 10:49
  happening
• 10:50
  for
• 10:50
  another
• 10:50
  Disney
• 10:51
  animation
• 10:51
  project.
• 10:52
  And
• 10:53
  all
• 10:53
  three
• 10:53
  men,
• 10:54
  Miranda,
• 10:54
  Bush
• 10:54
  and
• 10:55
  Howard,
• 10:55
  all
• 10:55
  had
• 10:56
  the
• 10:56
  experiences
• 10:57
  of
• 10:57
  growing
• 10:57
  up
• 10:57
  in
• 10:57
  large,
• 10:58
  extended
• 10:58
  families.
• 10:59
  They
• 10:59
  started
• 11:00
  with
• 11:00
  a
• 11:00
  whiteboard
• 11:01
  and
• 11:01
  on
• 11:01
  it
• 11:01
  they
• 11:01
  wrote,
• 11:02
  families
• 11:02
  are
• 11:02
  made
• 11:02
  up
• 11:02
  of
• 11:03
  individuals
• 11:03
  who
• 11:03
  evolved,
• 11:04
  who
• 11:04
  had
• 11:04
  hopes
• 11:05
  and
• 11:05
  dreams
• 11:05
  and
• 11:05
  faults
• 11:06
  and
• 11:06
  failures.
• 11:06
  Can
• 11:07
  we
• 11:07
  tell
• 11:07
  a
• 11:07
  story
• 11:07
  that
• 11:08
  helps
• 11:08
  our
• 11:08
  audience
• 11:09
  see
• 11:09
  family
• 11:09
  from
• 11:10
  a
• 11:10
  different
• 11:10
  perspective?
• 11:12
  It
• 11:12
  turns
• 11:12
  out
• 11:13
  as
• 11:13
  well,
• 11:13
  but
• 11:13
  all
• 11:14
  families
• 11:14
  have
• 11:14
  issues.
• 11:15
  Most
• 11:15
  people
• 11:16
  don't
• 11:16
  feel
• 11:16
  seen
• 11:17
  or
• 11:17
  understood
• 11:17
  by
• 11:17
  members
• 11:18
  of
• 11:18
  their
• 11:18
  family.
• 11:19
  Most
• 11:19
  of
• 11:19
  us
• 11:19
  never
• 11:19
  truly
• 11:20
  tell
• 11:20
  our
• 11:20
  families
• 11:21
  all
• 11:21
  our
• 11:21
  troubles
• 11:21
  and
• 11:22
  burdens,
• 11:22
  and
• 11:22
  for
• 11:23
  most
• 11:23
  of
• 11:23
  us,
• 11:23
  members
• 11:24
  of
• 11:24
  our
• 11:24
  families
• 11:25
  feel
• 11:25
  exactly
• 11:25
  the
• 11:26
  same
• 11:26
  way
• 11:26
  we
• 11:26
  do.
• 11:26
  But
• 11:27
  we
• 11:27
  never
• 11:27
  talk
• 11:27
  about
• 11:28
  it,
• 11:28
  so
• 11:28
  we
• 11:28
  never
• 11:29
  actually
• 11:29
  find
• 11:29
  out
• 11:30
  and
• 11:30
  we
• 11:30
  just
• 11:31
  continue
• 11:31
  to
• 11:31
  struggle
• 11:31
  in
• 11:32
  silence,
• 11:32
  which
• 11:32
  ultimately
• 11:33
  starts
• 11:33
  creating
• 11:34
  cracks
• 11:34
  in
• 11:34
  our
• 11:35
  family.
• 11:35
  But
• 11:35
  we're
• 11:35
  going
• 11:36
  to
• 11:36
  get
• 11:36
  onto
• 11:36
  that.
• 11:37
  Juan
• 11:38
  Rendon
• 11:38
  and
• 11:39
  Natalie
• 11:39
  Osma,
• 11:39
  who
• 11:40
  had
• 11:40
  collaborated
• 11:40
  with
• 11:41
  Howard
• 11:41
  and
• 11:41
  Bush
• 11:42
  on
• 11:42
  the
• 11:42
  making
• 11:42
  of
• 11:43
  documentary
• 11:43
  Imagining
• 11:44
  Zootopia,
• 11:45
  were
• 11:45
  consulted
• 11:46
  on
• 11:46
  Latin
• 11:46
  American
• 11:46
  culture
• 11:47
  with
• 11:47
  the
• 11:47
  idea
• 11:47
  of
• 11:48
  making
• 11:48
  the
• 11:48
  movie
• 11:49
  set
• 11:49
  in
• 11:49
  South
• 11:49
  America.
• 11:50
  Howard,
• 11:51
  Bush
• 11:51
  and
• 11:51
  Miranda
• 11:52
  concentrated
• 11:52
  their
• 11:53
  research
• 11:53
  on
• 11:53
  Colombia.
• 11:54
  Since
• 11:54
  Rendon
• 11:55
  and
• 11:55
  Osma
• 11:55
  are
• 11:55
  Colombians
• 11:56
  and
• 11:57
  used
• 11:57
  their
• 11:57
  firsthand
• 11:58
  encounters
• 11:58
  with
• 11:58
  Colombian
• 11:59
  culture
• 11:59
  in
• 11:59
  their
• 12:00
  discussions,
• 12:01
  Disney
• 12:01
  animation
• 12:02
  established
• 12:02
  what
• 12:02
  it
• 12:02
  dubbed
• 12:03
  the
• 12:03
  Colombian
• 12:03
  Cultural
• 12:04
  Trust
• 12:05
  by
• 12:05
  hiring
• 12:05
  Rendon
• 12:06
  and
• 12:06
  Osma
• 12:06
  as
• 12:06
  the
• 12:07
  first
• 12:07
  of
• 12:07
  a
• 12:07
  number
• 12:08
  of
• 12:08
  cultural
• 12:08
  specialists
• 12:09
  to
• 12:09
  serve
• 12:10
  as
• 12:10
  advisors
• 12:10
  on
• 12:10
  the
• 12:11
  movie.
• 12:11
  Similarly
• 12:12
  to
• 12:12
  what
• 12:12
  they'd
• 12:12
  also
• 12:13
  done
• 12:13
  with
• 12:13
  Moana
• 12:14
  with
• 12:14
  the
• 12:14
  Oceanic
• 12:15
  Story
• 12:15
  Trust,
• 12:16
  the
• 12:17
  team
• 12:17
  went
• 12:17
  on
• 12:18
  a
• 12:18
  research
• 12:18
  trip
• 12:18
  to
• 12:18
  Colombia,
• 12:19
  which
• 12:19
  included
• 12:20
  a
• 12:20
  trip
• 12:20
  to
• 12:20
  the
• 12:20
  Gabriel
• 12:21
  Garcia
• 12:21
  Marquez
• 12:22
  Foundation.
• 12:23
  Garcia
• 12:23
  Marquez
• 12:24
  is
• 12:24
  regarded
• 12:24
  as
• 12:25
  one
• 12:25
  of
• 12:25
  the
• 12:25
  most
• 12:25
  significant
• 12:26
  authors
• 12:26
  of
• 12:26
  the
• 12:26
  20th
• 12:27
  century,
• 12:27
  known
• 12:28
  for
• 12:28
  his
• 12:28
  Spanish
• 12:28
  language
• 12:29
  multi
• 12:29
  generational
• 12:30
  novel
• 12:30
  One
• 12:31
  Hundred
• 12:31
  Years
• 12:31
  of
• 12:31
  Solitude,
• 12:32
  published
• 12:32
  in
• 12:33
  1967,
• 12:34
  which
• 12:34
  depicts
• 12:34
  100
• 12:35
  years
• 12:35
  in
• 12:35
  a
• 12:35
  fictional
• 12:36
  Colombian
• 12:36
  village
• 12:37
  during
• 12:37
  the
• 12:38
  infamous
• 12:38
  Thousand
• 12:38
  Days
• 12:39
  War,
• 12:39
  a
• 12:40
  civil
• 12:40
  war
• 12:40
  that
• 12:40
  raged
• 12:41
  across
• 12:41
  Colombia
• 12:41
  between
• 12:42
  October
• 12:42
  1899
• 12:43
  and
• 12:44
  November
• 12:44
  1902
• 12:45
  into
• 12:45
  Ecuador
• 12:46
  and
• 12:46
  Venezuela,
• 12:47
  with
• 12:47
  an
• 12:47
  estimated
• 12:48
  100
• 12:48
  to
• 12:48
  180,000
• 12:50
  deaths,
• 12:50
  around
• 12:51
  3%
• 12:51
  of
• 12:52
  the
• 12:52
  population
• 12:52
  at
• 12:53
  that
• 12:53
  time.
• 12:53
  The
• 12:54
  reason
• 12:54
  I'm
• 12:54
  mentioning
• 12:55
  this
• 12:55
  is
• 12:55
  kind
• 12:56
  of
• 12:56
  important
• 12:56
  because
• 12:56
  while
• 12:57
  Encanto
• 12:58
  isn't
• 12:58
  dated
• 12:58
  to
• 12:59
  a
• 12:59
  particular
• 12:59
  time
• 12:59
  in
• 13:00
  Colombia's
• 13:00
  history,
• 13:01
  and
• 13:01
  while
• 13:01
  the
• 13:01
  Encanto
• 13:02
  itself
• 13:02
  is
• 13:03
  fictional,
• 13:04
  Pedro
• 13:04
  and
• 13:04
  Alba
• 13:05
  Madrigal
• 13:05
  are
• 13:06
  fleeing
• 13:06
  a
• 13:06
  conflict,
• 13:07
  and
• 13:07
  it's
• 13:07
  highly
• 13:08
  likely
• 13:08
  that
• 13:08
  this
• 13:08
  is
• 13:09
  early
• 13:09
  1900s
• 13:10
  Colombia
• 13:10
  during
• 13:11
  the
• 13:11
  days
• 13:11
  of
• 13:11
  the
• 13:11
  Thousand
• 13:12
  Days
• 13:12
  War,
• 13:13
  where
• 13:13
  many
• 13:13
  people
• 13:13
  fled
• 13:14
  to
• 13:14
  safety
• 13:14
  with
• 13:15
  their
• 13:15
  families
• 13:15
  to
• 13:15
  escape
• 13:16
  becoming
• 13:17
  refugees
• 13:17
  in
• 13:18
  other
• 13:18
  places,
• 13:18
  sometimes
• 13:19
  other
• 13:19
  countries.
• 13:20
  While
• 13:21
  on
• 13:21
  their
• 13:21
  Colombian
• 13:22
  trip,
• 13:23
  the
• 13:23
  senior
• 13:23
  production
• 13:24
  team
• 13:24
  of
• 13:24
  Encanto
• 13:25
  visited
• 13:25
  large
• 13:25
  cities,
• 13:26
  but
• 13:26
  they
• 13:26
  found
• 13:27
  more
• 13:27
  inspiration
• 13:28
  in
• 13:28
  smaller
• 13:29
  places
• 13:29
  like
• 13:29
  Salento
• 13:30
  and
• 13:30
  Barichara,
• 13:31
  where
• 13:32
  they
• 13:32
  met
• 13:32
  tour
• 13:32
  guide
• 13:33
  Alejandra
• 13:34
  Espinoza
• 13:34
  Uribe,
• 13:35
  who
• 13:35
  showed
• 13:36
  them
• 13:36
  around
• 13:36
  the
• 13:36
  town,
• 13:37
  showed
• 13:37
  off
• 13:37
  his
• 13:37
  architecture,
• 13:38
  and
• 13:38
  after
• 13:38
  signing
• 13:39
  an
• 13:39
  NDA
• 13:39
  stating
• 13:40
  she
• 13:40
  wouldn't
• 13:40
  disclose
• 13:40
  anything
• 13:41
  about
• 13:41
  the
• 13:41
  trip
• 13:42
  and
• 13:42
  Espinosa,
• 13:43
  Uribe
• 13:44
  would
• 13:44
  not
• 13:44
  only
• 13:44
  become
• 13:45
  a
• 13:45
  cultural
• 13:45
  consultant
• 13:46
  on
• 13:46
  Encanto,
• 13:47
  but.
• 13:47
  But
• 13:47
  she
• 13:48
  also
• 13:48
  looks
• 13:48
  remarkably
• 13:49
  like
• 13:49
  Mirabel,
• 13:50
  with
• 13:51
  thick
• 13:51
  dark
• 13:51
  hair
• 13:51
  and
• 13:52
  glasses,
• 13:52
  and
• 13:53
  the
• 13:53
  directors
• 13:53
  have
• 13:53
  since
• 13:54
  confirmed
• 13:54
  that
• 13:54
  she
• 13:55
  was
• 13:55
  part
• 13:55
  of
• 13:55
  the
• 13:56
  inspiration
• 13:56
  for
• 13:57
  the
• 13:57
  design
• 13:57
  of
• 13:58
  Mirabel.
• 13:59
  But
• 13:59
  she
• 13:59
  also
• 13:59
  showed
• 14:00
  the
• 14:00
  production
• 14:00
  team
• 14:01
  the
• 14:01
  actual
• 14:01
  lives
• 14:02
  of
• 14:02
  the
• 14:02
  people
• 14:02
  who
• 14:03
  lived
• 14:03
  in
• 14:03
  Barichara,
• 14:04
  showed
• 14:04
  them
• 14:05
  the
• 14:05
  handcrafted
• 14:05
  materials
• 14:06
  they
• 14:06
  used
• 14:06
  to
• 14:06
  build
• 14:07
  and
• 14:07
  create
• 14:07
  with,
• 14:08
  and
• 14:08
  implored
• 14:09
  the
• 14:09
  team
• 14:09
  to
• 14:09
  treat
• 14:10
  Colombian
• 14:10
  heritage
• 14:11
  and
• 14:11
  culture
• 14:11
  with
• 14:12
  respect.
• 14:12
  Mostly
• 14:13
  because
• 14:13
  to
• 14:14
  a
• 14:14
  lot
• 14:14
  of
• 14:14
  people
• 14:14
  in
• 14:15
  America
• 14:15
  specifically,
• 14:16
  Colombia
• 14:17
  is
• 14:17
  more
• 14:17
  well
• 14:18
  known
• 14:18
  for
• 14:18
  its
• 14:18
  drug
• 14:19
  cartels
• 14:19
  than
• 14:20
  its
• 14:20
  culture
• 14:20
  or
• 14:21
  history,
• 14:21
  and
• 14:22
  the
• 14:22
  production
• 14:23
  did
• 14:23
  want
• 14:23
  to
• 14:23
  treat
• 14:23
  Colombia
• 14:24
  with
• 14:24
  respect.
• 14:25
  Latin
• 14:25
  American
• 14:26
  employees
• 14:26
  at
• 14:26
  Disney
• 14:27
  were
• 14:27
  invited
• 14:27
  to
• 14:28
  join
• 14:28
  La
• 14:28
  Familia,
• 14:29
  a
• 14:29
  group
• 14:30
  to
• 14:30
  collaborate
• 14:30
  on
• 14:31
  Encanto,
• 14:31
  to
• 14:32
  show
• 14:32
  cultural
• 14:32
  representation
• 14:33
  and
• 14:33
  sensitivity,
• 14:34
  which
• 14:35
  led
• 14:35
  to
• 14:35
  the
• 14:35
  removal
• 14:35
  of
• 14:36
  ideas
• 14:36
  surrounding
• 14:37
  magical
• 14:37
  realism.
• 14:38
  Instead,
• 14:39
  they
• 14:39
  read
• 14:39
  Cuban
• 14:39
  author
• 14:40
  Elego
• 14:40
  Campatier's
• 14:41
  Lo
• 14:42
  real
• 14:42
  Maruvalosa,
• 14:43
  the
• 14:43
  wonderful
• 14:43
  real
• 14:44
  and
• 14:44
  understanding
• 14:45
  the
• 14:45
  worldview
• 14:46
  of
• 14:46
  the
• 14:46
  Afro
• 14:47
  and
• 14:47
  indigenous
• 14:48
  populations,
• 14:49
  that
• 14:49
  water
• 14:49
  is
• 14:49
  sacred
• 14:50
  for
• 14:50
  indigenous
• 14:51
  people,
• 14:51
  and
• 14:51
  that
• 14:51
  the
• 14:51
  miracle
• 14:52
  that
• 14:52
  forms
• 14:52
  the
• 14:52
  basis
• 14:53
  of
• 14:53
  the
• 14:53
  movie
• 14:54
  should
• 14:54
  come
• 14:54
  from
• 14:55
  a
• 14:55
  river.
• 14:55
  The
• 14:56
  directors
• 14:56
  were
• 14:56
  receptive
• 14:57
  to
• 14:57
  any
• 14:57
  and
• 14:57
  all
• 14:58
  ideas,
• 14:58
  and
• 14:59
  the
• 14:59
  large
• 14:59
  family
• 14:59
  at
• 15:00
  the
• 15:00
  center
• 15:00
  became
• 15:00
  a
• 15:01
  diverse
• 15:01
  representation
• 15:02
  of
• 15:02
  Colombian's
• 15:03
  diaspora,
• 15:04
  representing
• 15:05
  indigenous
• 15:05
  people
• 15:06
  as
• 15:06
  well
• 15:06
  as
• 15:06
  Afro
• 15:07
  Colombians.
• 15:08
  It
• 15:08
  was
• 15:08
  la
• 15:08
  familia
• 15:09
  that
• 15:09
  added
• 15:09
  Bruno's
• 15:10
  line,
• 15:10
  sana,
• 15:11
  sana
• 15:11
  colita
• 15:12
  de
• 15:12
  rana.
• 15:13
  Apologies
• 15:13
  for
• 15:13
  the
• 15:14
  terrible
• 15:15
  pronunciation
• 15:15
  of
• 15:15
  that,
• 15:16
  which
• 15:16
  is
• 15:16
  a
• 15:16
  lullaby,
• 15:17
  which
• 15:17
  in
• 15:17
  English
• 15:18
  means
• 15:18
  heel,
• 15:18
  heel,
• 15:19
  little
• 15:19
  frog's
• 15:19
  tail.
• 15:20
  They
• 15:20
  also
• 15:21
  came
• 15:21
  up
• 15:21
  with
• 15:21
  the
• 15:21
  title
• 15:22
  Encanto.
• 15:23
  But
• 15:23
  obviously
• 15:24
  then
• 15:24
  the
• 15:24
  pandemic
• 15:25
  happened
• 15:25
  and
• 15:25
  the
• 15:26
  Disney
• 15:26
  animation
• 15:26
  team
• 15:27
  was
• 15:27
  not
• 15:27
  actually
• 15:28
  able
• 15:28
  to
• 15:28
  travel
• 15:29
  to
• 15:29
  Colombia
• 15:30
  and
• 15:30
  everyone
• 15:31
  went
• 15:31
  remote,
• 15:31
  including
• 15:32
  Alejandra
• 15:33
  Espinosa
• 15:33
  Uribe,
• 15:34
  who
• 15:34
  sent
• 15:34
  detailed
• 15:35
  images
• 15:35
  of
• 15:35
  Colombian
• 15:36
  life
• 15:36
  to
• 15:36
  the
• 15:36
  animation
• 15:37
  team,
• 15:37
  including
• 15:38
  hand
• 15:38
  gestures
• 15:39
  and
• 15:39
  facial
• 15:39
  expressions.
• 15:40
  She
• 15:40
  also
• 15:41
  sent
• 15:41
  fabrics,
• 15:42
  including
• 15:42
  skirts
• 15:43
  made
• 15:43
  by
• 15:43
  hand
• 15:43
  in
• 15:44
  Velez,
• 15:44
  so
• 15:44
  the
• 15:45
  animation
• 15:45
  team
• 15:45
  understood
• 15:46
  the
• 15:46
  weight
• 15:46
  of
• 15:47
  the
• 15:47
  fabric
• 15:47
  and
• 15:47
  the
• 15:48
  texture.
• 15:48
  This
• 15:49
  fabric
• 15:49
  was
• 15:49
  used
• 15:49
  for
• 15:50
  the
• 15:50
  inspiration
• 15:50
  for
• 15:50
  much
• 15:51
  of
• 15:51
  the
• 15:51
  clothing
• 15:51
  in
• 15:52
  the
• 15:52
  movie,
• 15:52
  but
• 15:52
  especially
• 15:53
  Maribel's
• 15:54
  skirt.
• 15:54
  But
• 15:55
  I
• 15:55
  am
• 15:55
  getting
• 15:55
  slightly
• 15:56
  ahead
• 15:56
  of
• 15:56
  myself
• 15:56
  here,
• 15:56
  because
• 15:57
  while
• 15:57
  they
• 15:57
  had
• 15:57
  an
• 15:57
  idea
• 15:58
  of
• 15:58
  the
• 15:58
  story
• 15:58
  they
• 15:58
  wanted
• 15:59
  and
• 15:59
  they
• 16:00
  had
• 16:00
  Alejandra
• 16:01
  Espinoza
• 16:01
  Uribe's
• 16:02
  guides
• 16:02
  on
• 16:02
  Colombian
• 16:03
  life,
• 16:03
  Howard
• 16:04
  Bush
• 16:04
  realized
• 16:05
  they
• 16:05
  needed
• 16:05
  a
• 16:05
  second
• 16:06
  screenwriter
• 16:06
  to
• 16:07
  help
• 16:07
  flesh
• 16:07
  out
• 16:07
  the
• 16:07
  characters,
• 16:08
  and
• 16:08
  they
• 16:09
  turned
• 16:09
  to
• 16:09
  Charisse
• 16:10
  Castro
• 16:10
  Smith,
• 16:11
  a
• 16:11
  playwright
• 16:12
  who
• 16:12
  focuses
• 16:12
  on
• 16:13
  complex
• 16:13
  dimensional
• 16:14
  female
• 16:14
  roles.
• 16:15
  She's
• 16:15
  also
• 16:15
  written
• 16:16
  for
• 16:16
  the
• 16:16
  TV
• 16:16
  series
• 16:17
  Devious
• 16:17
  Maids
• 16:18
  and
• 16:18
  Netflix's
• 16:19
  the
• 16:19
  Haunting
• 16:19
  of
• 16:19
  Hill
• 16:20
  House.
• 16:20
  Castro
• 16:21
  Smith,
• 16:21
  who
• 16:21
  also
• 16:22
  looks
• 16:22
  a
• 16:22
  little
• 16:22
  bit
• 16:22
  like
• 16:23
  Maribel,
• 16:24
  was
• 16:24
  brought
• 16:24
  on
• 16:24
  to
• 16:24
  co
• 16:25
  write,
• 16:25
  but
• 16:25
  was
• 16:25
  also
• 16:26
  asked
• 16:26
  to
• 16:26
  co
• 16:26
  direct.
• 16:27
  After
• 16:27
  eight
• 16:27
  months
• 16:27
  on
• 16:28
  the
• 16:28
  project,
• 16:28
  she
• 16:29
  used
• 16:29
  her
• 16:29
  bond
• 16:30
  with
• 16:30
  her
• 16:30
  own
• 16:30
  Abuela
• 16:31
  to
• 16:31
  create
• 16:31
  a
• 16:31
  matriarch
• 16:32
  whose
• 16:33
  bravery
• 16:33
  and
• 16:33
  struggle
• 16:34
  would
• 16:34
  lead
• 16:34
  to
• 16:34
  the
• 16:34
  weight
• 16:35
  of
• 16:35
  expectations
• 16:35
  she
• 16:36
  places
• 16:36
  on
• 16:36
  her
• 16:37
  own
• 16:37
  family.
• 16:37
  She
• 16:38
  wrote
• 16:38
  the
• 16:38
  opening
• 16:39
  prologue
• 16:39
  and
• 16:40
  Abuela's
• 16:40
  story.
• 16:41
  She
• 16:41
  even
• 16:41
  provided
• 16:42
  the
• 16:42
  scratch
• 16:42
  vocals
• 16:43
  for
• 16:43
  Abuela
• 16:44
  as
• 16:44
  well
• 16:44
  as
• 16:45
  other
• 16:45
  characters.
• 16:46
  And
• 16:46
  unlike
• 16:47
  Moana,
• 16:48
  it
• 16:48
  would
• 16:48
  be
• 16:48
  a
• 16:49
  large
• 16:49
  family.
• 16:50
  Moana
• 16:50
  was
• 16:50
  originally
• 16:51
  going
• 16:51
  to
• 16:51
  have
• 16:51
  eight
• 16:52
  brothers
• 16:52
  before
• 16:52
  that
• 16:53
  idea
• 16:53
  was
• 16:53
  scrapped.
• 16:54
  The
• 16:54
  family
• 16:55
  would
• 16:55
  be
• 16:55
  at
• 16:55
  the
• 16:55
  heart
• 16:55
  of
• 16:56
  Encanto,
• 16:57
  and
• 16:57
  everyone
• 16:57
  knows
• 16:58
  the
• 16:58
  more
• 16:58
  characters,
• 16:59
  the
• 16:59
  more
• 16:59
  exposition
• 16:59
  you
• 17:00
  need
• 17:00
  to
• 17:00
  describe
• 17:00
  each
• 17:01
  character,
• 17:01
  the
• 17:02
  more
• 17:02
  story
• 17:02
  arcs
• 17:02
  you
• 17:03
  need
• 17:03
  for
• 17:03
  each
• 17:03
  character.
• 17:04
  But
• 17:04
  they
• 17:04
  wanted
• 17:05
  to
• 17:05
  have
• 17:05
  the
• 17:05
  archetypal
• 17:06
  family
• 17:06
  personalities
• 17:07
  that
• 17:08
  occur
• 17:08
  in
• 17:08
  every
• 17:09
  family.
• 17:09
  The
• 17:09
  golden
• 17:10
  child,
• 17:10
  the
• 17:10
  rock,
• 17:11
  the
• 17:11
  outsider,
• 17:12
  the
• 17:12
  one
• 17:12
  who
• 17:12
  is
• 17:12
  always
• 17:13
  trying
• 17:13
  to
• 17:13
  help
• 17:13
  others,
• 17:14
  the
• 17:14
  one
• 17:14
  who
• 17:14
  knows
• 17:14
  all
• 17:15
  the
• 17:15
  gossip
• 17:16
  and
• 17:16
  imbue
• 17:16
  these
• 17:16
  people
• 17:17
  with
• 17:17
  magical
• 17:17
  powers
• 17:18
  that
• 17:18
  enhance
• 17:19
  these
• 17:19
  stereotypes.
• 17:20
  Disney,
• 17:22
  when
• 17:22
  they
• 17:22
  heard
• 17:22
  about
• 17:22
  all
• 17:23
  of
• 17:23
  these
• 17:23
  characters,
• 17:23
  were
• 17:24
  slightly
• 17:24
  concerned
• 17:24
  though.
• 17:25
  And
• 17:25
  as
• 17:25
  we've
• 17:25
  seen
• 17:26
  on
• 17:26
  this
• 17:26
  podcast
• 17:26
  many
• 17:26
  times,
• 17:27
  lots
• 17:27
  of
• 17:28
  characters
• 17:28
  can
• 17:28
  either
• 17:29
  dilute
• 17:29
  a
• 17:29
  movie
• 17:30
  or
• 17:30
  place
• 17:31
  the
• 17:31
  focus
• 17:31
  upon
• 17:32
  the
• 17:32
  most
• 17:32
  interesting
• 17:33
  of
• 17:33
  those
• 17:34
  many
• 17:34
  characters.
• 17:35
  I
• 17:35
  mean,
• 17:35
  who
• 17:36
  cares
• 17:36
  about
• 17:36
  Batman
• 17:37
  when
• 17:37
  you
• 17:38
  have
• 17:38
  Catwoman
• 17:38
  or
• 17:38
  the
• 17:39
  Riddler
• 17:39
  to
• 17:39
  watch?
• 17:40
  It
• 17:40
  was
• 17:40
  unheard
• 17:41
  of
• 17:41
  in
• 17:41
  Disney
• 17:41
  to
• 17:42
  have
• 17:42
  so
• 17:42
  many
• 17:42
  characters,
• 17:43
  each
• 17:43
  with
• 17:43
  their
• 17:44
  own
• 17:44
  separate
• 17:44
  arcs.
• 17:45
  They
• 17:45
  suggested
• 17:46
  having
• 17:46
  five
• 17:46
  characters
• 17:47
  instead
• 17:47
  of
• 17:47
  12
• 17:48
  to
• 17:49
  alleviate
• 17:49
  the
• 17:49
  issue
• 17:49
  and
• 17:50
  to
• 17:50
  introduce
• 17:50
  each
• 17:50
  character
• 17:51
  without
• 17:51
  cumbersome
• 17:52
  exposition.
• 17:53
  Lin
• 17:53
  Manuel
• 17:53
  Miranda
• 17:54
  wrote
• 17:54
  the
• 17:54
  song
• 17:55
  the
• 17:55
  Family
• 17:55
  Madrigal
• 17:56
  even
• 17:56
  before
• 17:57
  the
• 17:57
  second
• 17:57
  or
• 17:57
  third
• 17:58
  acts
• 17:58
  of
• 17:58
  Encanto
• 17:59
  had
• 17:59
  been
• 17:59
  completed.
• 18:00
  He
• 18:00
  was
• 18:00
  inspired
• 18:01
  by
• 18:01
  the
• 18:01
  song
• 18:01
  Belle
• 18:02
  from
• 18:02
  Beauty
• 18:02
  and
• 18:02
  the
• 18:02
  Beast
• 18:03
  as
• 18:03
  well
• 18:03
  as
• 18:04
  Colombian
• 18:04
  performers
• 18:05
  during
• 18:05
  their
• 18:05
  research
• 18:06
  trip
• 18:06
  to
• 18:06
  Colombia.
• 18:07
  Bear
• 18:08
  in
• 18:08
  mind
• 18:08
  as
• 18:08
  well
• 18:08
  that
• 18:09
  Lin
• 18:09
  Manuel
• 18:09
  Miranda
• 18:10
  was
• 18:10
  also
• 18:10
  working
• 18:10
  on
• 18:10
  Tick
• 18:11
  Tick
• 18:11
  Boom
• 18:11
  at
• 18:11
  the
• 18:12
  same
• 18:12
  time.
• 18:12
  He
• 18:13
  likes
• 18:13
  to
• 18:13
  work
• 18:13
  on
• 18:13
  multiple
• 18:14
  projects
• 18:14
  at
• 18:14
  once.
• 18:15
  Apparently
• 18:15
  it
• 18:16
  would
• 18:16
  be
• 18:16
  two
• 18:16
  years
• 18:17
  after
• 18:17
  writing
• 18:18
  the
• 18:18
  Family
• 18:18
  Madrigal
• 18:19
  that
• 18:20
  he
• 18:20
  was
• 18:20
  writing
• 18:20
  the
• 18:21
  final
• 18:21
  song,
• 18:21
  Waiting
• 18:22
  on
• 18:22
  a
• 18:22
  Miracle,
• 18:23
  which
• 18:23
  is
• 18:23
  inspired
• 18:24
  by
• 18:24
  the
• 18:24
  Colombian
• 18:24
  musicians
• 18:25
  like
• 18:25
  musical
• 18:26
  group
• 18:26
  200D
• 18:27
  Cilantro
• 18:27
  in
• 18:28
  a
• 18:28
  small
• 18:28
  mountain
• 18:28
  town
• 18:29
  Barichara
• 18:30
  and
• 18:30
  the
• 18:30
  region's
• 18:31
  12
• 18:31
  string
• 18:31
  tipple
• 18:32
  which
• 18:32
  is
• 18:32
  3/4
• 18:33
  the
• 18:34
  size
• 18:34
  of
• 18:34
  a
• 18:34
  classical
• 18:35
  guitar.
• 18:36
  And
• 18:36
  for
• 18:36
  each
• 18:37
  sister,
• 18:37
  coincidentally,
• 18:38
  Lin
• 18:39
  Manuel
• 18:39
  Miranda
• 18:40
  had
• 18:40
  inspiration
• 18:40
  in
• 18:41
  real
• 18:41
  life
• 18:42
  for
• 18:42
  the
• 18:42
  eldest
• 18:43
  perfect
• 18:43
  sister
• 18:43
  Isabella.
• 18:44
  He
• 18:44
  knew
• 18:45
  a
• 18:45
  Latin
• 18:45
  American
• 18:45
  botanist
• 18:47
  and
• 18:47
  for
• 18:47
  middle's
• 18:47
  strong
• 18:48
  sister
• 18:48
  Louisa.
• 18:49
  His
• 18:49
  sister
• 18:49
  Luz
• 18:50
  was
• 18:50
  six
• 18:50
  years
• 18:50
  older
• 18:51
  and
• 18:51
  the
• 18:51
  one
• 18:51
  who
• 18:52
  took
• 18:52
  on
• 18:52
  the
• 18:52
  responsibility,
• 18:53
  whereas
• 18:53
  he
• 18:54
  was
• 18:54
  the
• 18:54
  baby
• 18:54
  brother
• 18:55
  that
• 18:55
  got
• 18:55
  away
• 18:55
  with
• 18:56
  everything.
• 18:57
  Miranda
• 18:57
  also
• 18:58
  picked
• 18:58
  up
• 18:58
  on
• 18:58
  the
• 18:58
  film's
• 18:58
  motif
• 18:59
  of
• 18:59
  butterflies
• 19:00
  and
• 19:00
  transformation
• 19:01
  to
• 19:01
  create
• 19:02
  the
• 19:02
  folk
• 19:02
  like
• 19:02
  Dos
• 19:03
  Uruguitas
• 19:04
  which
• 19:04
  is
• 19:04
  sung
• 19:05
  by
• 19:05
  Sebastian
• 19:05
  Yetra.
• 19:06
  It
• 19:06
  was
• 19:07
  the
• 19:07
  first
• 19:07
  song
• 19:07
  that
• 19:08
  Miranda
• 19:08
  had
• 19:08
  ever
• 19:09
  written,
• 19:09
  Beginning
• 19:09
  to
• 19:09
  end
• 19:10
  in
• 19:10
  Spanish.
• 19:11
  It's
• 19:11
  also
• 19:11
  the
• 19:12
  only
• 19:12
  song
• 19:12
  to
• 19:12
  rival
• 19:13
  married
• 19:13
  life
• 19:13
  from
• 19:14
  up
• 19:14
  in
• 19:14
  emotional
• 19:15
  resonance.
• 19:16
  Seriously,
• 19:16
  I
• 19:17
  always
• 19:17
  blub
• 19:17
  like
• 19:18
  a
• 19:18
  baby
• 19:18
  at
• 19:19
  that
• 19:19
  particular
• 19:19
  scene
• 19:19
  in
• 19:20
  this
• 19:20
  movie.
• 19:20
  Various
• 19:21
  story
• 19:21
  ideas
• 19:22
  were
• 19:22
  considered
• 19:22
  for
• 19:22
  the
• 19:23
  movie
• 19:23
  but
• 19:23
  discarded,
• 19:24
  including
• 19:24
  setting
• 19:25
  the
• 19:25
  movie
• 19:25
  in
• 19:25
  the
• 19:25
  1950s,
• 19:26
  having
• 19:27
  the
• 19:27
  story
• 19:27
  told
• 19:28
  over
• 19:28
  100
• 19:28
  years
• 19:29
  of
• 19:29
  Madrigal
• 19:29
  family
• 19:30
  history,
• 19:30
  and
• 19:31
  having
• 19:31
  a
• 19:31
  modern
• 19:31
  woman
• 19:32
  travel
• 19:32
  back
• 19:32
  in
• 19:33
  time
• 19:33
  to
• 19:33
  the
• 19:33
  early
• 19:33
  1900s
• 19:34
  via
• 19:35
  a
• 19:35
  magical
• 19:35
  doorknob.
• 19:36
  Other
• 19:37
  things
• 19:37
  which
• 19:37
  changed
• 19:38
  as
• 19:38
  the
• 19:38
  script
• 19:38
  went
• 19:38
  on
• 19:39
  were
• 19:39
  Maribel's
• 19:40
  name.
• 19:40
  She
• 19:41
  was
• 19:41
  originally
• 19:41
  and
• 19:41
  rather
• 19:42
  ironically
• 19:42
  going
• 19:43
  to
• 19:43
  be
• 19:43
  called
• 19:43
  Beatrice.
• 19:44
  Stephanie
• 19:45
  Beatriz
• 19:45
  would
• 19:45
  go
• 19:46
  on
• 19:46
  to
• 19:46
  voice
• 19:46
  her,
• 19:47
  and
• 19:47
  Tia
• 19:47
  Pepper
• 19:48
  was
• 19:48
  originally
• 19:48
  going
• 19:49
  to
• 19:49
  be
• 19:49
  Immortal.
• 19:50
  And
• 19:50
  as
• 19:50
  for
• 19:51
  Bruno,
• 19:52
  well,
• 19:52
  we
• 19:52
  don't
• 19:52
  talk
• 19:53
  about
• 19:53
  Oscar.
• 19:53
  Does
• 19:54
  it
• 19:54
  really
• 19:54
  work
• 19:54
  as
• 19:55
  well?
• 19:55
  And
• 19:55
  yes,
• 19:55
  Oscar
• 19:56
  was
• 19:56
  Bruno's
• 19:57
  original
• 19:58
  name.
• 19:58
  Other
• 19:59
  options
• 19:59
  for
• 19:59
  the
• 20:00
  name
• 20:00
  for
• 20:00
  Bruno
• 20:01
  included
• 20:01
  Arlo,
• 20:02
  Marco,
• 20:03
  Anko,
• 20:03
  Andre
• 20:04
  and
• 20:04
  Emo
• 20:05
  in
• 20:05
  initial
• 20:06
  drafts
• 20:06
  of
• 20:06
  Encanto,
• 20:07
  we
• 20:07
  don't
• 20:07
  talk
• 20:07
  About
• 20:08
  Bruno
• 20:08
  didn't
• 20:09
  feature
• 20:09
  at
• 20:09
  all,
• 20:09
  and
• 20:10
  in
• 20:10
  early
• 20:10
  drafts
• 20:10
  they
• 20:11
  struggled
• 20:11
  to
• 20:11
  not
• 20:11
  let
• 20:12
  it
• 20:12
  become
• 20:12
  a
• 20:12
  buddy
• 20:13
  movie
• 20:13
  between
• 20:14
  Mirabel
• 20:14
  and
• 20:14
  Bruno.
• 20:15
  But
• 20:16
  something
• 20:16
  clicked
• 20:16
  when
• 20:17
  the
• 20:17
  filmmakers
• 20:17
  reckoned
• 20:18
  with
• 20:18
  the
• 20:18
  repercussions
• 20:19
  of
• 20:19
  Bruno's
• 20:20
  gift,
• 20:20
  figuring
• 20:21
  that
• 20:21
  his
• 20:21
  precognition
• 20:22
  would
• 20:22
  likely
• 20:23
  turn
• 20:23
  the
• 20:23
  family
• 20:24
  and
• 20:24
  the
• 20:24
  townsfolk
• 20:25
  against
• 20:25
  him.
• 20:26
  And
• 20:26
  rather
• 20:26
  than
• 20:27
  tell
• 20:27
  the
• 20:27
  story
• 20:27
  of
• 20:27
  Bruno's
• 20:28
  estrangement
• 20:28
  with
• 20:29
  exposition,
• 20:30
  they
• 20:30
  turn
• 20:30
  to
• 20:30
  Lin
• 20:30
  Manuel
• 20:31
  Miranda
• 20:31
  delivering
• 20:32
  the
• 20:32
  truth
• 20:33
  in
• 20:33
  song
• 20:33
  form
• 20:33
  and
• 20:34
  him
• 20:34
  disappearing
• 20:35
  after
• 20:35
  a
• 20:35
  family
• 20:35
  wedding
• 20:36
  and
• 20:36
  after
• 20:36
  Mirror
• 20:37
  Bell
• 20:37
  didn't
• 20:37
  get
• 20:37
  her
• 20:37
  gift
• 20:38
  when
• 20:38
  she
• 20:38
  was
• 20:38
  five,
• 20:39
  she's
• 20:40
  now
• 20:40
  15,
• 20:40
  so
• 20:41
  that
• 20:41
  means
• 20:41
  Bruno
• 20:41
  has
• 20:42
  been
• 20:42
  gone
• 20:42
  for
• 20:42
  10
• 20:42
  years
• 20:43
  by
• 20:43
  this
• 20:43
  point,
• 20:44
  and
• 20:44
  he'd
• 20:44
  become
• 20:45
  almost
• 20:45
  like
• 20:45
  an
• 20:45
  urban
• 20:46
  legend,
• 20:46
  with
• 20:47
  everyone
• 20:47
  having
• 20:47
  their
• 20:48
  own
• 20:48
  misperception
• 20:49
  of
• 20:49
  him
• 20:49
  and
• 20:49
  what
• 20:50
  he
• 20:50
  did.
• 20:50
  But
• 20:51
  the
• 20:51
  song
• 20:51
  also
• 20:51
  served
• 20:52
  to
• 20:52
  tell
• 20:52
  us
• 20:52
  a
• 20:52
  little
• 20:52
  more
• 20:53
  about
• 20:53
  other
• 20:53
  family
• 20:53
  members,
• 20:54
  about
• 20:54
  Tia
• 20:54
  Pepper
• 20:55
  and
• 20:55
  Tio
• 20:55
  Felix's
• 20:56
  wedding
• 20:56
  day,
• 20:57
  and
• 20:57
  also
• 20:58
  Dolores's
• 20:58
  admission
• 20:59
  that
• 20:59
  she
• 20:59
  hears
• 21:00
  him
• 21:00
  in
• 21:00
  the
• 21:00
  house.
• 21:01
  The
• 21:02
  design
• 21:02
  for
• 21:02
  Bruno's
• 21:03
  room
• 21:03
  was
• 21:04
  partly
• 21:04
  inspired
• 21:05
  by
• 21:05
  the
• 21:05
  Salt
• 21:05
  Cathedral
• 21:06
  of
• 21:06
  Zipakira,
• 21:07
  which
• 21:07
  is
• 21:08
  a
• 21:08
  stunning
• 21:08
  underground
• 21:09
  cathedral
• 21:09
  in
• 21:09
  Colombia
• 21:10
  that's
• 21:10
  located
• 21:11
  inside
• 21:11
  a
• 21:11
  salt
• 21:12
  mine.
• 21:12
  The
• 21:12
  river
• 21:13
  where
• 21:13
  Abuela
• 21:14
  Alma
• 21:14
  loses
• 21:15
  her
• 21:15
  husband
• 21:15
  Pedro,
• 21:16
  and
• 21:16
  is
• 21:16
  given
• 21:16
  sanctuary
• 21:17
  by
• 21:17
  the
• 21:17
  Encantone
• 21:18
  is
• 21:18
  based
• 21:18
  on
• 21:19
  a
• 21:19
  real
• 21:19
  multicolored
• 21:20
  river
• 21:20
  called
• 21:21
  Canio
• 21:21
  Cristales,
• 21:22
  which
• 21:22
  exists
• 21:23
  in
• 21:23
  Colombia.
• 21:24
  It
• 21:24
  is
• 21:24
  in
• 21:24
  the
• 21:25
  Department
• 21:25
  of
• 21:25
  Meta,
• 21:26
  inside
• 21:26
  a
• 21:26
  remote
• 21:27
  national
• 21:27
  park.
• 21:28
  A
• 21:28
  special
• 21:28
  permit
• 21:29
  is
• 21:29
  needed
• 21:29
  to
• 21:30
  visit
• 21:30
  it,
• 21:30
  and
• 21:30
  only
• 21:30
  a
• 21:31
  few
• 21:31
  people
• 21:31
  are
• 21:31
  permitted
• 21:32
  to
• 21:32
  visit
• 21:32
  each
• 21:32
  year.
• 21:33
  The
• 21:34
  area
• 21:34
  that
• 21:34
  the
• 21:34
  Madrigal
• 21:35
  family
• 21:35
  lives
• 21:35
  was
• 21:36
  inspired
• 21:36
  by
• 21:36
  the
• 21:36
  Cocora
• 21:37
  Valley
• 21:37
  in
• 21:38
  Colombia.
• 21:39
  Such
• 21:39
  was
• 21:39
  the
• 21:39
  production's
• 21:40
  intent
• 21:40
  to
• 21:41
  really
• 21:41
  focus
• 21:42
  on
• 21:42
  and
• 21:42
  showcase
• 21:43
  the
• 21:43
  beauty
• 21:44
  and
• 21:44
  Diversity
• 21:45
  of
• 21:46
  Colombia.
• 21:47
  800
• 21:48
  people
• 21:48
  in
• 21:48
  total
• 21:49
  worked
• 21:49
  on
• 21:49
  Encanto
• 21:50
  over
• 21:50
  five
• 21:51
  years.
• 21:51
  Two
• 21:52
  of
• 21:52
  those
• 21:52
  years
• 21:53
  were
• 21:53
  remotely
• 21:54
  at
• 21:54
  home,
• 21:54
  and
• 21:54
  the
• 21:55
  official
• 21:55
  wrap
• 21:55
  on
• 21:55
  the
• 21:56
  film's
• 21:56
  script
• 21:57
  came
• 21:57
  in
• 21:57
  August
• 21:58
  2021,
• 21:59
  three
• 21:59
  months
• 22:00
  before
• 22:00
  the
• 22:00
  movie
• 22:01
  premiered.
• 22:02
  Also
• 22:02
  recurring
• 22:02
  in
• 22:03
  August
• 22:03
  2021
• 22:04
  was
• 22:04
  the
• 22:04
  birth
• 22:04
  of
• 22:04
  Stephanie
• 22:05
  Beatrice's
• 22:06
  child.
• 22:06
  I
• 22:07
  mentioned
• 22:07
  Waiting
• 22:07
  on
• 22:08
  a
• 22:08
  Miracle
• 22:08
  was
• 22:08
  the
• 22:08
  last
• 22:09
  song
• 22:09
  Lin
• 22:09
  Manuel
• 22:09
  Miranda
• 22:10
  wrote.
• 22:10
  Stephanie
• 22:11
  Beatrice
• 22:12
  recorded
• 22:12
  the
• 22:12
  song
• 22:13
  while
• 22:13
  she
• 22:13
  was
• 22:13
  overdue
• 22:14
  to
• 22:14
  give
• 22:14
  birth.
• 22:15
  48
• 22:16
  hours
• 22:16
  after
• 22:17
  recording
• 22:17
  Waiting
• 22:18
  on
• 22:18
  a
• 22:18
  Miracle,
• 22:18
  she
• 22:19
  gave
• 22:19
  birth
• 22:19
  to
• 22:19
  her
• 22:20
  daughter,
• 22:20
  which
• 22:21
  now
• 22:21
  that
• 22:21
  I
• 22:21
  listen
• 22:22
  to
• 22:22
  Waiting
• 22:22
  on
• 22:22
  a
• 22:22
  Miracle,
• 22:23
  it
• 22:24
  kind
• 22:24
  of
• 22:24
  gives
• 22:25
  that
• 22:25
  song
• 22:25
  so
• 22:26
  much
• 22:26
  more
• 22:26
  resonance
• 22:27
  when
• 22:27
  she
• 22:28
  herself
• 22:28
  was
• 22:28
  literally
• 22:29
  waiting
• 22:29
  on
• 22:29
  her
• 22:30
  own
• 22:30
  miracle.
• 22:31
  The
• 22:31
  entire
• 22:32
  movie
• 22:32
  wrapped
• 22:32
  in
• 22:33
  September
• 22:33
  2021,
• 22:34
  which
• 22:35
  gave
• 22:35
  the
• 22:35
  Post
• 22:35
  production
• 22:36
  team
• 22:36
  a
• 22:36
  little
• 22:37
  over
• 22:37
  a
• 22:37
  month
• 22:38
  to
• 22:38
  finish
• 22:38
  the
• 22:38
  movie
• 22:39
  before
• 22:39
  it
• 22:39
  premiered.
• 22:40
  Visual
• 22:41
  effects
• 22:41
  innovations
• 22:42
  for
• 22:42
  the
• 22:42
  movie
• 22:42
  included
• 22:43
  A
• 22:43
  new
• 22:43
  eye
• 22:44
  shader
• 22:44
  which
• 22:44
  supported
• 22:45
  refraction
• 22:45
  and
• 22:46
  the
• 22:46
  development
• 22:46
  of
• 22:47
  a
• 22:47
  visual
• 22:47
  tool
• 22:47
  that
• 22:48
  emulates
• 22:48
  a
• 22:48
  hologram.
• 22:49
  The
• 22:49
  heads
• 22:50
  of
• 22:50
  animation
• 22:50
  for
• 22:50
  Encanto,
• 22:51
  Renato
• 22:52
  do
• 22:52
  Onjos
• 22:53
  and
• 22:53
  Kira
• 22:53
  Lettermarki
• 22:54
  would
• 22:55
  state
• 22:55
  that
• 22:55
  Encanto
• 22:56
  was
• 22:56
  the
• 22:56
  hardest
• 22:56
  film
• 22:57
  they'd
• 22:57
  ever
• 22:57
  worked
• 22:57
  on,
• 22:58
  due
• 22:58
  to
• 22:58
  the
• 22:58
  multitude
• 22:59
  of
• 22:59
  characters,
• 23:00
  the
• 23:00
  complex
• 23:00
  animation
• 23:01
  styles,
• 23:02
  and
• 23:02
  bringing
• 23:03
  in
• 23:03
  the
• 23:03
  choreographers
• 23:04
  much
• 23:04
  earlier
• 23:05
  than
• 23:05
  usual.
• 23:06
  Choreographer
• 23:07
  Jamal
• 23:07
  Sims
• 23:07
  and
• 23:08
  assistant
• 23:08
  choreographer
• 23:09
  Kai
• 23:09
  Martinez
• 23:10
  created
• 23:10
  the
• 23:11
  dances
• 23:11
  within
• 23:11
  the
• 23:12
  film.
• 23:12
  They
• 23:12
  were
• 23:12
  shot
• 23:13
  by
• 23:13
  animators
• 23:14
  who
• 23:14
  then
• 23:14
  used
• 23:14
  the
• 23:14
  footage
• 23:15
  as
• 23:15
  a
• 23:15
  reference
• 23:15
  to
• 23:16
  animate
• 23:16
  the
• 23:16
  same
• 23:17
  moves
• 23:17
  onto
• 23:17
  the
• 23:17
  characters.
• 23:18
  Bruno's
• 23:19
  hologram
• 23:20
  was
• 23:20
  based
• 23:21
  on
• 23:21
  an
• 23:21
  existing
• 23:21
  hologram
• 23:22
  shader
• 23:22
  that
• 23:23
  had
• 23:23
  been
• 23:23
  developed
• 23:23
  by
• 23:23
  Hyperion
• 23:24
  for
• 23:24
  Big
• 23:25
  Hero
• 23:25
  6,
• 23:25
  as
• 23:26
  well
• 23:26
  as
• 23:26
  a
• 23:26
  prototype
• 23:27
  of
• 23:27
  the
• 23:27
  teleportation
• 23:28
  shader
• 23:28
  Pixar
• 23:29
  had
• 23:29
  used
• 23:29
  for
• 23:29
  portals
• 23:30
  in
• 23:30
  Incredibles
• 23:31
  2.
• 23:31
  Their
• 23:32
  approach
• 23:32
  was
• 23:32
  to
• 23:32
  develop
• 23:33
  a
• 23:33
  custom
• 23:33
  solution
• 23:34
  in
• 23:34
  Disney's
• 23:34
  Hyperion.
• 23:35
  Renderer
• 23:36
  design
• 23:36
  said
• 23:36
  that
• 23:36
  all
• 23:37
  the
• 23:37
  artists
• 23:37
  had
• 23:37
  to
• 23:38
  do
• 23:38
  was
• 23:38
  set
• 23:38
  up
• 23:38
  the
• 23:38
  3D
• 23:39
  geometry
• 23:39
  that
• 23:39
  they
• 23:39
  wanted
• 23:40
  to
• 23:40
  put
• 23:40
  inside
• 23:41
  of
• 23:41
  the
• 23:41
  hologram
• 23:41
  in
• 23:42
  a
• 23:42
  target
• 23:42
  space
• 23:42
  hidden
• 23:43
  somewhere
• 23:43
  in
• 23:43
  the
• 23:43
  overall
• 23:44
  scene,
• 23:44
  and
• 23:45
  then
• 23:45
  select
• 23:45
  the
• 23:45
  geometry
• 23:46
  in
• 23:46
  the
• 23:46
  main
• 23:46
  scene
• 23:47
  that
• 23:47
  they
• 23:47
  wanted
• 23:47
  to
• 23:47
  act
• 23:48
  as
• 23:48
  the
• 23:48
  entrance
• 23:48
  portal,
• 23:49
  select
• 23:49
  the
• 23:50
  geometry
• 23:50
  in
• 23:50
  the
• 23:50
  target
• 23:51
  space
• 23:51
  they
• 23:51
  wanted
• 23:51
  to
• 23:51
  act
• 23:52
  as
• 23:52
  the
• 23:52
  exit
• 23:52
  portal
• 23:53
  and
• 23:53
  link
• 23:54
  the
• 23:54
  two
• 23:54
  using
• 23:54
  the
• 23:54
  teleportation
• 23:55
  shader.
• 23:56
  Going
• 23:57
  from
• 23:57
  the
• 23:57
  start
• 23:57
  of
• 23:58
  brainstorming
• 23:58
  and
• 23:59
  prototyping
• 24:00
  to
• 24:00
  delivering
• 24:00
  the
• 24:00
  final
• 24:01
  production
• 24:01
  version
• 24:02
  of
• 24:02
  the
• 24:02
  hologram
• 24:03
  shader
• 24:03
  took
• 24:03
  the
• 24:04
  team
• 24:04
  a
• 24:04
  little
• 24:04
  over
• 24:05
  a
• 24:05
  week,
• 24:05
  which
• 24:06
  is
• 24:06
  incredibly
• 24:06
  quick
• 24:07
  for
• 24:07
  a
• 24:07
  large
• 24:08
  new
• 24:08
  rendering
• 24:08
  feature.
• 24:09
  Felipe
• 24:10
  Zapata,
• 24:11
  a
• 24:11
  Colombian
• 24:11
  botanist,
• 24:12
  was
• 24:12
  consulted
• 24:13
  by
• 24:13
  the
• 24:13
  production
• 24:14
  team
• 24:14
  in
• 24:14
  order
• 24:14
  to
• 24:14
  choose
• 24:15
  and
• 24:15
  illustrate
• 24:16
  the
• 24:16
  plants
• 24:16
  and
• 24:16
  flowers
• 24:17
  that
• 24:17
  Isabella
• 24:18
  could
• 24:18
  grow.
• 24:18
  His
• 24:19
  guidance
• 24:19
  made
• 24:19
  it
• 24:20
  possible
• 24:20
  to
• 24:20
  choose
• 24:20
  the
• 24:21
  right
• 24:21
  plants
• 24:21
  and
• 24:21
  display
• 24:22
  them
• 24:22
  in
• 24:22
  precise
• 24:23
  detail.
• 24:23
  Isabella
• 24:24
  would
• 24:24
  end
• 24:24
  up
• 24:25
  producing
• 24:25
  sundew,
• 24:26
  stranga
• 24:26
  figs
• 24:27
  and
• 24:27
  a
• 24:27
  river
• 24:27
  of
• 24:28
  jacarandas.
• 24:29
  Realistic
• 24:29
  plants
• 24:30
  can
• 24:30
  also
• 24:30
  be
• 24:30
  seen
• 24:30
  in
• 24:31
  background
• 24:31
  scenery.
• 24:32
  These
• 24:32
  include
• 24:33
  cecropia
• 24:34
  trees
• 24:34
  and
• 24:34
  the
• 24:35
  well
• 24:35
  known
• 24:35
  but
• 24:35
  now
• 24:36
  endangered
• 24:36
  wax
• 24:36
  palm.
• 24:37
  There
• 24:37
  are
• 24:37
  also
• 24:38
  economically
• 24:39
  significant
• 24:39
  plants
• 24:40
  shown
• 24:40
  as
• 24:40
  well,
• 24:41
  such
• 24:41
  as
• 24:41
  coffee,
• 24:42
  because
• 24:42
  Colombian
• 24:43
  coffee
• 24:43
  is
• 24:44
  delicious
• 24:44
  and
• 24:44
  it
• 24:44
  is
• 24:45
  one
• 24:45
  of
• 24:45
  Colombia's
• 24:45
  major
• 24:46
  exports.
• 24:47
  But
• 24:47
  there's
• 24:47
  one
• 24:47
  character
• 24:48
  that
• 24:48
  I
• 24:48
  haven't
• 24:48
  actually
• 24:49
  really
• 24:49
  mentioned
• 24:49
  yet,
• 24:50
  the
• 24:51
  biggest
• 24:51
  character
• 24:51
  in
• 24:52
  the
• 24:52
  whole
• 24:52
  movie,
• 24:52
  and
• 24:53
  that
• 24:53
  is
• 24:53
  the
• 24:54
  casita.
• 24:55
  And
• 24:55
  the
• 24:56
  casita
• 24:56
  presented
• 24:57
  the
• 24:57
  team
• 24:57
  with
• 24:57
  additional
• 24:58
  difficulties.
• 24:59
  In
• 25:00
  addition
• 25:00
  to
• 25:00
  Maribel
• 25:01
  and
• 25:01
  her
• 25:01
  family,
• 25:02
  the
• 25:03
  casita
• 25:03
  was
• 25:04
  a
• 25:04
  character
• 25:04
  unto
• 25:04
  itself,
• 25:05
  and
• 25:06
  not
• 25:06
  merely
• 25:06
  just
• 25:06
  a
• 25:06
  setting
• 25:07
  where
• 25:07
  songs
• 25:07
  and
• 25:08
  dances
• 25:08
  are
• 25:08
  performed.
• 25:09
  Encanto's
• 25:10
  associate
• 25:10
  production
• 25:10
  designer,
• 25:11
  Laura
• 25:11
  Le
• 25:11
  Beauvais,
• 25:12
  realized
• 25:12
  that
• 25:13
  the
• 25:13
  colors
• 25:13
  of
• 25:14
  the
• 25:14
  casita
• 25:15
  had
• 25:15
  to
• 25:15
  sing
• 25:15
  as
• 25:16
  loudly
• 25:16
  as
• 25:16
  the
• 25:16
  music
• 25:17
  and
• 25:17
  express
• 25:18
  as
• 25:18
  much
• 25:18
  as
• 25:19
  the
• 25:19
  dancing.
• 25:20
  Bovet
• 25:20
  experimented
• 25:21
  with
• 25:21
  various
• 25:22
  color
• 25:22
  palettes
• 25:22
  from
• 25:23
  character
• 25:23
  costumes
• 25:23
  and
• 25:24
  drew
• 25:24
  inspiration
• 25:25
  from
• 25:25
  a
• 25:25
  variety
• 25:25
  of
• 25:26
  Colombian
• 25:26
  musicals
• 25:27
  and
• 25:27
  photographs,
• 25:28
  giving
• 25:28
  each
• 25:28
  room
• 25:29
  of
• 25:29
  the
• 25:29
  casita
• 25:30
  its
• 25:30
  own
• 25:30
  unique
• 25:31
  textile,
• 25:31
  handmade
• 25:32
  appearance
• 25:32
  and
• 25:33
  expression.
• 25:34
  She
• 25:34
  also
• 25:34
  took
• 25:34
  inspiration
• 25:35
  from
• 25:35
  Beetlejuice
• 25:36
  for
• 25:36
  a
• 25:36
  home
• 25:36
  that
• 25:37
  seemingly
• 25:37
  comes
• 25:38
  alive.
• 25:39
  And
• 25:39
  speaking
• 25:39
  of
• 25:40
  color
• 25:40
  schemes,
• 25:41
  color
• 25:41
  is
• 25:41
  most
• 25:42
  definitely
• 25:42
  not
• 25:42
  random
• 25:43
  in
• 25:43
  this
• 25:43
  movie.
• 25:44
  Each
• 25:44
  character
• 25:45
  has
• 25:45
  their
• 25:45
  own
• 25:46
  color.
• 25:46
  They
• 25:47
  chose
• 25:47
  magenta
• 25:48
  for
• 25:48
  the
• 25:48
  Abuela
• 25:49
  because
• 25:50
  she
• 25:50
  had
• 25:50
  lost
• 25:50
  her
• 25:51
  husband
• 25:51
  in
• 25:51
  a
• 25:51
  Colombian
• 25:52
  river
• 25:52
  that
• 25:52
  contains
• 25:53
  magenta
• 25:54
  algae.
• 25:55
  And
• 25:55
  since
• 25:55
  turquoise
• 25:56
  is
• 25:56
  a
• 25:56
  healing
• 25:56
  color,
• 25:57
  they
• 25:57
  gave
• 25:57
  it
• 25:57
  to
• 25:57
  Julieta,
• 25:58
  who
• 25:58
  is
• 25:58
  very
• 25:59
  calm
• 25:59
  and
• 25:59
  a
• 25:59
  healer.
• 26:00
  Mirabel
• 26:01
  again,
• 26:01
  is
• 26:02
  the
• 26:02
  odd
• 26:02
  one
• 26:02
  out
• 26:02
  because
• 26:03
  she
• 26:03
  has
• 26:03
  no
• 26:04
  particular
• 26:04
  color
• 26:04
  that
• 26:05
  identifies
• 26:05
  her
• 26:05
  with
• 26:06
  the
• 26:06
  house.
• 26:06
  The
• 26:07
  house
• 26:07
  has
• 26:07
  many
• 26:07
  aesthetic
• 26:08
  flaws
• 26:08
  that
• 26:09
  are
• 26:09
  intended
• 26:09
  to
• 26:09
  convey
• 26:10
  genuineness
• 26:11
  and
• 26:11
  the
• 26:11
  genuine
• 26:12
  human
• 26:12
  struggle
• 26:12
  Mirabel
• 26:13
  has
• 26:13
  in
• 26:13
  binding
• 26:14
  her
• 26:14
  own
• 26:14
  identity.
• 26:15
  Mirabel's
• 26:16
  costume
• 26:16
  incorporates
• 26:17
  nearly
• 26:17
  every
• 26:18
  color
• 26:18
  in
• 26:18
  her
• 26:18
  family,
• 26:19
  much
• 26:19
  like
• 26:20
  the
• 26:20
  house
• 26:20
  has
• 26:20
  many
• 26:20
  colors
• 26:21
  in
• 26:21
  common,
• 26:22
  but
• 26:22
  none
• 26:22
  of
• 26:22
  its
• 26:23
  own.
• 26:24
  Casting
• 26:25
  this
• 26:25
  movie
• 26:25
  made
• 26:25
  casting
• 26:26
  almost
• 26:26
  entirely
• 26:27
  Latin
• 26:28
  American
• 26:28
  actors,
• 26:29
  the
• 26:29
  only
• 26:29
  exception,
• 26:30
  of
• 26:30
  course,
• 26:30
  being
• 26:30
  Alan
• 26:31
  Tudyk,
• 26:31
  who
• 26:32
  has
• 26:32
  a
• 26:32
  small
• 26:32
  cameo
• 26:33
  as
• 26:33
  a
• 26:33
  toucan.
• 26:33
  And
• 26:34
  it
• 26:34
  also
• 26:34
  meant
• 26:34
  casting
• 26:35
  many
• 26:35
  voice
• 26:35
  actors
• 26:36
  of
• 26:36
  Colombian
• 26:36
  heritage,
• 26:37
  including
• 26:38
  Stephanie
• 26:38
  Beatriz,
• 26:39
  whose
• 26:39
  father
• 26:39
  is
• 26:40
  Colombian,
• 26:40
  John
• 26:41
  Leguizano,
• 26:41
  who
• 26:42
  was
• 26:42
  born
• 26:42
  in
• 26:42
  Bogota,
• 26:43
  Diane
• 26:44
  Guerrero
• 26:44
  and
• 26:44
  Hadassa,
• 26:45
  whose
• 26:45
  parents
• 26:46
  are
• 26:46
  both
• 26:46
  Colombian,
• 26:47
  and
• 26:47
  Wilma
• 26:48
  Valderrama,
• 26:48
  who
• 26:48
  spent
• 26:49
  his
• 26:49
  childhood
• 26:50
  in
• 26:50
  Colombia.
• 26:51
  Many
• 26:51
  of
• 26:51
  the
• 26:51
  cast
• 26:51
  reprise
• 26:52
  their
• 26:52
  roles
• 26:53
  for
• 26:53
  the
• 26:53
  Spanish
• 26:53
  dub
• 26:54
  of
• 26:54
  the
• 26:54
  film.
• 26:55
  Stephanie
• 26:55
  Beatrice
• 26:56
  is
• 26:56
  obviously
• 26:56
  most
• 26:56
  well
• 26:57
  known
• 26:57
  as
• 26:57
  Detective
• 26:58
  Rosa
• 26:58
  Diaz
• 26:58
  in
• 26:58
  Brooklyn
• 26:59
  9
• 26:59
  9.
• 27:00
  And
• 27:00
  so
• 27:00
  when
• 27:00
  the
• 27:00
  production
• 27:01
  was
• 27:01
  casting,
• 27:01
  they
• 27:01
  originally
• 27:02
  thought
• 27:02
  of
• 27:02
  her
• 27:03
  for
• 27:03
  Luisa,
• 27:04
  thinking
• 27:04
  that
• 27:04
  she
• 27:04
  was
• 27:05
  tough
• 27:05
  like
• 27:05
  Rosa
• 27:06
  in
• 27:06
  real
• 27:06
  life.
• 27:07
  When
• 27:07
  they
• 27:07
  realized
• 27:08
  that
• 27:08
  shock
• 27:08
  horror,
• 27:09
  she's
• 27:09
  just
• 27:09
  acting
• 27:10
  tough
• 27:10
  as
• 27:10
  Rosa
• 27:10
  Diaz,
• 27:11
  they
• 27:11
  instead
• 27:12
  cast
• 27:12
  her
• 27:12
  as
• 27:13
  Mirabel.
• 27:14
  And
• 27:14
  this
• 27:14
  is
• 27:15
  one
• 27:15
  of
• 27:15
  those
• 27:15
  incredible
• 27:16
  animated
• 27:16
  movies
• 27:16
  that
• 27:17
  actually
• 27:17
  has
• 27:17
  a
• 27:18
  really
• 27:18
  important
• 27:18
  message
• 27:19
  behind
• 27:20
  all
• 27:20
  of
• 27:20
  the
• 27:20
  beauty
• 27:21
  and
• 27:21
  the
• 27:21
  color
• 27:21
  and
• 27:22
  the
• 27:22
  amazing
• 27:22
  songs
• 27:23
  and
• 27:23
  the
• 27:23
  wonderful
• 27:23
  characters,
• 27:24
  and
• 27:24
  that
• 27:25
  this
• 27:25
  is
• 27:25
  a
• 27:25
  movie
• 27:25
  about
• 27:26
  generational
• 27:26
  trauma
• 27:27
  and
• 27:27
  how
• 27:27
  we
• 27:27
  pass
• 27:28
  our
• 27:28
  trauma
• 27:28
  down.
• 27:29
  Part
• 27:30
  of
• 27:30
  the
• 27:30
  team's
• 27:30
  multi
• 27:30
  year
• 27:31
  research
• 27:31
  process
• 27:31
  for
• 27:32
  Encanto
• 27:32
  included
• 27:33
  speaking
• 27:33
  with
• 27:34
  psychologists,
• 27:35
  trauma
• 27:35
  counsellors,
• 27:36
  mental
• 27:36
  health
• 27:36
  experts,
• 27:37
  family
• 27:38
  therapists,
• 27:38
  and
• 27:39
  dozens
• 27:39
  of
• 27:39
  families
• 27:40
  who
• 27:40
  helped
• 27:40
  them
• 27:40
  find
• 27:41
  the
• 27:41
  dynamics
• 27:41
  and
• 27:42
  struggles
• 27:42
  of
• 27:42
  the
• 27:42
  madrigals
• 27:43
  stemming
• 27:44
  from
• 27:44
  Abuela's
• 27:45
  constant
• 27:45
  state
• 27:46
  of
• 27:46
  survival
• 27:46
  mode
• 27:47
  and
• 27:47
  being
• 27:47
  so
• 27:48
  protective
• 27:48
  of
• 27:48
  the
• 27:48
  family
• 27:49
  and
• 27:49
  the
• 27:49
  family's
• 27:49
  gifts,
• 27:50
  which
• 27:50
  leads
• 27:51
  to
• 27:51
  the
• 27:51
  weight
• 27:51
  of
• 27:51
  expectation,
• 27:52
  which
• 27:52
  leads
• 27:52
  to
• 27:52
  cracks
• 27:53
  in
• 27:53
  relationships
• 27:54
  depicted
• 27:54
  by
• 27:55
  cracks
• 27:55
  in
• 27:55
  the
• 27:55
  casita,
• 27:57
  the
• 27:57
  fact
• 27:57
  that
• 27:57
  Abuela's
• 27:58
  past
• 27:58
  is
• 27:58
  always
• 27:59
  spoken
• 27:59
  of
• 27:59
  positively,
• 28:00
  in
• 28:00
  that
• 28:00
  they
• 28:01
  found
• 28:01
  the
• 28:01
  village.
• 28:01
  They
• 28:01
  built
• 28:02
  a
• 28:02
  community.
• 28:03
  Nothing
• 28:03
  negative
• 28:03
  is
• 28:04
  ever
• 28:04
  really
• 28:04
  talked
• 28:04
  about.
• 28:05
  So
• 28:05
  much
• 28:05
  so
• 28:05
  that
• 28:06
  when
• 28:06
  Mirabel
• 28:06
  doesn't
• 28:06
  get
• 28:07
  a
• 28:07
  gift,
• 28:07
  it's
• 28:08
  never
• 28:08
  talked
• 28:08
  about.
• 28:09
  She's
• 28:09
  just
• 28:09
  seen
• 28:09
  as
• 28:10
  the
• 28:10
  disappointment
• 28:10
  of
• 28:11
  the
• 28:11
  family.
• 28:11
  And
• 28:12
  yet
• 28:12
  Mirabel
• 28:13
  tries
• 28:13
  to
• 28:13
  view
• 28:13
  it
• 28:13
  positively
• 28:14
  that
• 28:14
  she's
• 28:15
  worthy
• 28:15
  in
• 28:15
  other
• 28:15
  respects.
• 28:16
  But
• 28:16
  her
• 28:17
  grandmother
• 28:17
  clearly
• 28:18
  thinks
• 28:18
  that
• 28:18
  she's
• 28:19
  a
• 28:19
  burden
• 28:19
  on
• 28:19
  the
• 28:19
  family
• 28:20
  because
• 28:20
  she
• 28:20
  can't
• 28:20
  give
• 28:21
  the
• 28:21
  family
• 28:21
  what
• 28:22
  the
• 28:22
  rest
• 28:22
  of
• 28:22
  them
• 28:22
  can,
• 28:23
  even
• 28:23
  though
• 28:23
  Abuela
• 28:24
  herself
• 28:25
  also
• 28:25
  has
• 28:25
  no
• 28:26
  gift.
• 28:26
  Abuela
• 28:27
  survived
• 28:27
  conflict,
• 28:28
  she
• 28:28
  was
• 28:28
  a
• 28:28
  refugee,
• 28:29
  she
• 28:29
  had
• 28:30
  three
• 28:30
  tiny
• 28:30
  babies
• 28:31
  to
• 28:31
  take
• 28:31
  care
• 28:31
  of,
• 28:32
  and
• 28:32
  she
• 28:32
  lost
• 28:33
  her
• 28:33
  beloved
• 28:33
  husband
• 28:34
  all
• 28:34
  in
• 28:34
  the
• 28:35
  same
• 28:35
  day.
• 28:35
  She's
• 28:36
  scared
• 28:36
  to
• 28:36
  leave
• 28:36
  the
• 28:37
  encanto
• 28:37
  because
• 28:37
  stepping
• 28:38
  foot
• 28:38
  outside
• 28:39
  is
• 28:39
  reliving
• 28:40
  her
• 28:40
  trauma.
• 28:41
  The
• 28:41
  threat
• 28:41
  of
• 28:42
  losing
• 28:42
  the
• 28:42
  casita,
• 28:43
  of
• 28:43
  going
• 28:43
  back
• 28:43
  to
• 28:44
  a
• 28:44
  violent
• 28:44
  world,
• 28:45
  of
• 28:45
  facing
• 28:45
  all
• 28:45
  that
• 28:46
  pain
• 28:46
  again,
• 28:46
  of
• 28:47
  seeing
• 28:47
  her
• 28:47
  children
• 28:47
  and
• 28:48
  grandchildren
• 28:48
  put
• 28:48
  in
• 28:49
  harm's
• 28:49
  way.
• 28:49
  Basically,
• 28:50
  the
• 28:50
  threat
• 28:50
  of
• 28:51
  reliving
• 28:51
  the
• 28:51
  trauma,
• 28:51
  of
• 28:52
  losing
• 28:52
  someone
• 28:52
  she
• 28:53
  loves,
• 28:53
  ends
• 28:54
  up
• 28:54
  driving
• 28:54
  her
• 28:55
  toxicity
• 28:55
  and
• 28:56
  fuels
• 28:56
  her
• 28:56
  anxiety,
• 28:57
  as
• 28:58
  well
• 28:58
  as
• 28:58
  alienating
• 28:58
  Maribel,
• 28:59
  who
• 28:59
  doesn't
• 29:00
  have
• 29:00
  a
• 29:00
  gift
• 29:00
  to
• 29:01
  help
• 29:01
  protect
• 29:01
  the
• 29:01
  encanto.
• 29:03
  So
• 29:03
  when
• 29:03
  Bruno
• 29:04
  sees
• 29:04
  a
• 29:04
  vision
• 29:04
  of
• 29:04
  Mirabel
• 29:05
  ending
• 29:05
  the
• 29:05
  magic
• 29:06
  and
• 29:06
  destroying
• 29:06
  the
• 29:06
  casita,
• 29:07
  it
• 29:08
  fuels
• 29:08
  her
• 29:08
  grandmother's
• 29:09
  alienation
• 29:10
  even
• 29:10
  more,
• 29:10
  which
• 29:11
  also
• 29:11
  fuels
• 29:11
  Bruno's
• 29:12
  self
• 29:12
  imposed
• 29:13
  isolation.
• 29:14
  And
• 29:14
  yet,
• 29:14
  it's
• 29:14
  Bruno
• 29:15
  and
• 29:15
  Mirabel,
• 29:16
  the
• 29:16
  two
• 29:16
  black
• 29:17
  sheep
• 29:17
  of
• 29:17
  the
• 29:17
  family,
• 29:18
  who
• 29:18
  actually
• 29:19
  end
• 29:19
  up
• 29:19
  breaking
• 29:19
  the
• 29:20
  cycle
• 29:20
  of
• 29:20
  toxicity.
• 29:21
  Ultimately,
• 29:22
  by
• 29:22
  discussing
• 29:23
  their
• 29:23
  issues,
• 29:23
  talking
• 29:24
  about
• 29:24
  their
• 29:24
  problems,
• 29:25
  it
• 29:25
  repairs
• 29:26
  the
• 29:26
  intergenerational
• 29:27
  trauma.
• 29:28
  It
• 29:28
  repairs
• 29:28
  the
• 29:28
  casita,
• 29:29
  lets
• 29:29
  Abuela
• 29:30
  grieve
• 29:30
  her
• 29:31
  loss,
• 29:31
  and
• 29:31
  also
• 29:31
  lets
• 29:32
  Abuela
• 29:32
  realize
• 29:33
  that
• 29:33
  she's
• 29:33
  treated
• 29:34
  Mirabel
• 29:35
  awfully.
• 29:35
  And
• 29:36
  she
• 29:36
  sees
• 29:36
  so
• 29:36
  much
• 29:37
  of
• 29:37
  herself
• 29:37
  in
• 29:38
  Mirabel,
• 29:38
  which
• 29:39
  has
• 29:39
  led
• 29:39
  to
• 29:39
  Abuela
• 29:40
  keeping
• 29:40
  her
• 29:40
  at
• 29:40
  arm's
• 29:41
  length.
• 29:42
  Now,
• 29:42
  let's
• 29:43
  be
• 29:43
  frankly
• 29:44
  honest.
• 29:44
  You
• 29:44
  can't
• 29:45
  just
• 29:45
  magically
• 29:46
  repair
• 29:46
  intergenerational
• 29:47
  trauma.
• 29:48
  This
• 29:49
  is
• 29:49
  not
• 29:49
  a
• 29:49
  reflection
• 29:50
  of
• 29:50
  reality
• 29:51
  because
• 29:51
  it
• 29:51
  takes
• 29:52
  time
• 29:52
  to
• 29:52
  heal.
• 29:52
  Sometimes
• 29:53
  it
• 29:53
  can
• 29:53
  take
• 29:54
  years
• 29:54
  to
• 29:54
  heal.
• 29:55
  You
• 29:55
  have
• 29:55
  to
• 29:55
  go
• 29:56
  to
• 29:56
  a
• 29:56
  lot
• 29:56
  of
• 29:56
  therapy.
• 29:57
  But
• 29:58
  this
• 29:58
  movie
• 29:58
  goes
• 29:59
  some
• 29:59
  way
• 29:59
  to
• 29:59
  show
• 30:00
  that
• 30:00
  even
• 30:00
  the
• 30:00
  most
• 30:00
  perfect
• 30:01
  person,
• 30:01
  the
• 30:02
  one
• 30:02
  who
• 30:02
  seemingly
• 30:03
  has
• 30:03
  everything
• 30:04
  worked
• 30:04
  out,
• 30:04
  the
• 30:05
  one
• 30:05
  who
• 30:05
  always
• 30:05
  posts
• 30:06
  perfect
• 30:06
  photos
• 30:07
  on
• 30:07
  Instagram,
• 30:07
  the
• 30:08
  one
• 30:08
  who
• 30:08
  seemingly
• 30:08
  has
• 30:09
  a
• 30:09
  perfect
• 30:09
  life,
• 30:09
  perfect
• 30:10
  job,
• 30:10
  perfect
• 30:11
  spouse,
• 30:11
  or
• 30:12
  perfect
• 30:12
  children.
• 30:13
  It's
• 30:13
  just
• 30:13
  not
• 30:13
  true.
• 30:14
  The
• 30:14
  Madrigals
• 30:15
  put
• 30:16
  on
• 30:16
  an
• 30:16
  Instagram
• 30:17
  perfect
• 30:17
  life
• 30:18
  with
• 30:18
  all
• 30:18
  their
• 30:18
  magical
• 30:19
  gifts,
• 30:19
  but
• 30:19
  ultimately
• 30:20
  they
• 30:21
  are
• 30:21
  just
• 30:21
  as
• 30:21
  messed
• 30:22
  up
• 30:22
  as
• 30:22
  everyone
• 30:22
  else.
• 30:23
  The
• 30:23
  weight
• 30:24
  of
• 30:24
  expectation
• 30:25
  burdens
• 30:25
  all
• 30:25
  of
• 30:26
  us.
• 30:26
  Whether
• 30:26
  that's
• 30:27
  expectation
• 30:27
  of
• 30:28
  others
• 30:28
  or
• 30:29
  just
• 30:29
  yourself.
• 30:30
  I
• 30:31
  always
• 30:31
  have
• 30:31
  a
• 30:31
  weight
• 30:31
  of
• 30:31
  expectation
• 30:32
  on
• 30:32
  me
• 30:32
  every
• 30:33
  episode.
• 30:33
  And
• 30:33
  that
• 30:33
  is
• 30:34
  to
• 30:34
  give
• 30:34
  you
• 30:34
  an
• 30:34
  obligatory
• 30:34
  Keanu
• 30:35
  reference.
• 30:36
  If
• 30:36
  you
• 30:36
  don't
• 30:36
  know,
• 30:36
  this
• 30:37
  is
• 30:37
  part
• 30:37
  of
• 30:37
  the
• 30:37
  podcast
• 30:37
  where
• 30:38
  I
• 30:38
  try
• 30:38
  and
• 30:38
  link
• 30:38
  pretty
• 30:39
  much
• 30:39
  every
• 30:39
  movie
• 30:39
  that
• 30:39
  I
• 30:39
  feature
• 30:40
  with
• 30:40
  Keanu
• 30:40
  Reeves
• 30:41
  for
• 30:41
  no
• 30:41
  reason
• 30:41
  other
• 30:42
  than
• 30:42
  that
• 30:42
  he
• 30:42
  is
• 30:42
  the
• 30:42
  best
• 30:43
  of
• 30:43
  men.
• 30:44
  Now
• 30:44
  I
• 30:45
  actually
• 30:45
  really
• 30:46
  thought
• 30:46
  about
• 30:46
  this
• 30:47
  for
• 30:47
  a
• 30:47
  long
• 30:47
  time
• 30:47
  and
• 30:47
  then
• 30:47
  I
• 30:48
  realized
• 30:48
  it
• 30:48
  was
• 30:48
  so
• 30:49
  obvious
• 30:50
  because
• 30:50
  the
• 30:50
  easiest
• 30:51
  way
• 30:51
  to
• 30:51
  link
• 30:51
  Keanu
• 30:52
  Reeves
• 30:52
  to
• 30:52
  this
• 30:52
  movie
• 30:53
  is
• 30:53
  that
• 30:53
  he
• 30:54
  starred
• 30:54
  with
• 30:55
  actual
• 30:55
  Bruno
• 30:56
  John
• 30:56
  Leguizamo
• 30:57
  in
• 30:57
  John
• 30:58
  Wick
• 30:58
  Chapter
• 30:58
  2.
• 30:59
  Now
• 30:59
  obviously
• 30:59
  you
• 31:00
  can't
• 31:00
  really
• 31:00
  compare
• 31:01
  John
• 31:01
  Wick
• 31:01
  Chapter
• 31:02
  2
• 31:02
  and
• 31:02
  Encanto
• 31:03
  other
• 31:04
  than
• 31:04
  I
• 31:04
  enjoy
• 31:04
  both
• 31:05
  of
• 31:05
  them
• 31:05
  very
• 31:05
  much.
• 31:06
  I
• 31:06
  wouldn't
• 31:06
  necessarily
• 31:07
  suggest
• 31:07
  that
• 31:08
  they
• 31:08
  are
• 31:08
  a
• 31:08
  good
• 31:08
  companion
• 31:09
  piece
• 31:09
  for
• 31:09
  each
• 31:10
  other.
• 31:10
  However,
• 31:11
  that
• 31:11
  is
• 31:12
  quite
• 31:12
  simply
• 31:13
  the
• 31:13
  most
• 31:13
  obvious
• 31:13
  and
• 31:14
  easiest
• 31:14
  way
• 31:15
  to
• 31:15
  link
• 31:15
  Keanu
• 31:16
  to
• 31:16
  this
• 31:16
  movie.
• 31:17
  I've
• 31:17
  already
• 31:17
  spoken
• 31:18
  a
• 31:18
  little
• 31:18
  bit
• 31:18
  about
• 31:19
  the
• 31:19
  music,
• 31:19
  about
• 31:20
  Lin
• 31:20
  Manuel
• 31:20
  Miranda's
• 31:21
  process
• 31:21
  of
• 31:22
  writing
• 31:22
  the
• 31:22
  songs
• 31:23
  in
• 31:23
  Encanto,
• 31:23
  and
• 31:24
  obviously
• 31:24
  this
• 31:24
  was
• 31:24
  a
• 31:25
  movie
• 31:25
  that
• 31:25
  was
• 31:25
  made
• 31:26
  partly
• 31:26
  during
• 31:27
  the
• 31:27
  COVID
• 31:27
  19
• 31:28
  pandemic
• 31:29
  and
• 31:29
  so
• 31:29
  the
• 31:29
  soundtrack
• 31:30
  was
• 31:30
  recorded
• 31:30
  under
• 31:31
  strict
• 31:31
  COVID
• 31:32
  protocols.
• 31:33
  So
• 31:33
  the
• 31:33
  orchestra
• 31:33
  and
• 31:34
  the
• 31:34
  choir
• 31:34
  were
• 31:34
  divided
• 31:35
  and
• 31:35
  recorded
• 31:35
  in
• 31:36
  different
• 31:36
  sections
• 31:36
  and
• 31:37
  on
• 31:37
  different
• 31:37
  days.
• 31:38
  They
• 31:38
  span
• 31:38
  the
• 31:39
  distance
• 31:39
  from
• 31:39
  Los
• 31:39
  Angeles
• 31:40
  to
• 31:40
  Colombia.
• 31:41
  Jermaine
• 31:42
  Franco
• 31:43
  composed
• 31:43
  the
• 31:43
  score
• 31:43
  for
• 31:44
  Encanto.
• 31:44
  She
• 31:44
  is
• 31:45
  the
• 31:45
  first
• 31:45
  woman
• 31:46
  to
• 31:46
  compose
• 31:46
  music
• 31:47
  for
• 31:47
  a
• 31:47
  Walt
• 31:47
  Disney
• 31:48
  Animation
• 31:48
  Studios
• 31:49
  film,
• 31:49
  and
• 31:50
  also
• 31:50
  the
• 31:50
  first
• 31:50
  Latina
• 31:51
  to
• 31:51
  win
• 31:52
  a
• 31:52
  Grammy
• 31:52
  for
• 31:52
  Best
• 31:53
  Score
• 31:53
  Soundtrack
• 31:54
  for
• 31:54
  Visual
• 31:54
  Media
• 31:55
  with
• 31:55
  her
• 31:55
  score
• 31:56
  for
• 31:56
  Encanto.
• 31:58
  Following
• 31:58
  the
• 31:58
  release
• 31:58
  of
• 31:59
  Encanto
• 31:59
  on
• 31:59
  Disney,
• 32:00
  the
• 32:01
  soundtrack
• 32:01
  album
• 32:02
  saw
• 32:02
  huge
• 32:03
  commercial
• 32:03
  success
• 32:04
  and
• 32:04
  it
• 32:04
  became,
• 32:05
  quite
• 32:05
  simply,
• 32:06
  a
• 32:06
  viral
• 32:07
  phenomenon
• 32:07
  with
• 32:08
  TikTok
• 32:08
  videos
• 32:09
  tagged
• 32:09
  with
• 32:10
  Encanto
• 32:11
  amassing
• 32:11
  27.7
• 32:13
  billion
• 32:13
  views
• 32:14
  as
• 32:14
  of
• 32:14
  June
• 32:15
  2022.
• 32:16
  All
• 32:16
  of
• 32:16
  Encanto's
• 32:17
  original
• 32:17
  songs
• 32:18
  were
• 32:18
  listed
• 32:18
  on
• 32:18
  the
• 32:18
  US
• 32:19
  Billboard
• 32:19
  Hot
• 32:19
  100
• 32:20
  and
• 32:20
  the
• 32:20
  soundtrack
• 32:21
  spent
• 32:21
  nine
• 32:22
  weeks
• 32:22
  at
• 32:22
  the
• 32:22
  top
• 32:22
  of
• 32:23
  the
• 32:23
  Billboard
• 32:23
  200
• 32:24
  chart
• 32:25
  in
• 32:25
  Australia,
• 32:26
  Canada,
• 32:26
  New
• 32:26
  Zealand
• 32:27
  and
• 32:27
  the
• 32:27
  UK.
• 32:28
  The
• 32:28
  album
• 32:28
  peaked
• 32:29
  at
• 32:29
  number
• 32:29
  one.
• 32:30
  Surface
• 32:31
  pressure
• 32:31
  and
• 32:31
  We
• 32:31
  Don't
• 32:32
  Talk
• 32:32
  About
• 32:32
  Bruno
• 32:33
  have
• 32:33
  become
• 32:33
  the
• 32:34
  album's
• 32:34
  biggest
• 32:34
  singles,
• 32:35
  peaking
• 32:36
  at
• 32:36
  number
• 32:36
  eight
• 32:37
  and
• 32:37
  number
• 32:37
  four
• 32:38
  respectively.
• 32:39
  We
• 32:39
  Don't
• 32:40
  Talk
• 32:40
  About
• 32:40
  Bruno
• 32:40
  also
• 32:41
  topped
• 32:41
  the
• 32:41
  UK
• 32:42
  Singles
• 32:42
  chart
• 32:43
  for
• 32:43
  several
• 32:43
  weeks.
• 32:44
  We
• 32:44
  Don't
• 32:44
  Talk
• 32:44
  About
• 32:45
  Bruno
• 32:45
  is
• 32:45
  Disney's
• 32:46
  first
• 32:46
  ever
• 32:46
  original
• 32:47
  song
• 32:47
  to
• 32:47
  top
• 32:48
  the
• 32:48
  charts
• 32:48
  here
• 32:48
  in
• 32:48
  the
• 32:49
  UK
• 32:49
  and
• 32:49
  is
• 32:50
  its
• 32:50
  second
• 32:50
  best
• 32:50
  selling
• 32:51
  song
• 32:51
  in
• 32:51
  the
• 32:51
  US
• 32:52
  behind
• 32:52
  A
• 32:52
  Whole
• 32:53
  New
• 32:53
  World
• 32:53
  from
• 32:53
  Aladdin.
• 32:54
  It
• 32:54
  surpassed
• 32:55
  Frozen's
• 32:56
  Let
• 32:56
  It
• 32:56
  Go
• 32:56
  as
• 32:57
  the
• 32:57
  highest
• 32:57
  charting
• 32:58
  Disney
• 32:58
  song.
• 32:58
  The
• 32:58
  Family
• 32:59
  Madrigal
• 33:00
  also
• 33:00
  charted
• 33:00
  here
• 33:00
  in
• 33:01
  the
• 33:01
  UK
• 33:01
  at
• 33:01
  number
• 33:02
  seven.
• 33:03
  In
• 33:03
  addition
• 33:03
  to
• 33:03
  the
• 33:03
  Granny
• 33:04
  for
• 33:04
  Best
• 33:04
  Score
• 33:04
  Soundtrack,
• 33:05
  it
• 33:05
  also
• 33:06
  received
• 33:06
  the
• 33:06
  Annie
• 33:07
  Award
• 33:07
  for
• 33:07
  Outstanding
• 33:08
  Music
• 33:08
  in
• 33:08
  a
• 33:08
  Feature
• 33:08
  Film,
• 33:09
  the
• 33:09
  Grammy
• 33:10
  Award
• 33:10
  for
• 33:10
  Best
• 33:10
  Compilation
• 33:11
  Soundtrack,
• 33:12
  and
• 33:12
  Academy
• 33:12
  Award
• 33:13
  nominations
• 33:13
  for
• 33:13
  Best
• 33:14
  Original
• 33:14
  Score
• 33:15
  and
• 33:15
  Best
• 33:15
  Original
• 33:16
  Song
• 33:16
  for
• 33:16
  Dos
• 33:17
  Uruguitas.
• 33:18
  And
• 33:19
  again
• 33:19
  due
• 33:19
  to
• 33:19
  the
• 33:20
  COVID
• 33:20
  19
• 33:20
  pandemic,
• 33:21
  many
• 33:21
  of
• 33:21
  the
• 33:21
  crew
• 33:22
  members
• 33:22
  on
• 33:22
  this
• 33:22
  movie
• 33:23
  worked
• 33:24
  remotely
• 33:24
  for
• 33:24
  over
• 33:25
  a
• 33:25
  year
• 33:25
  and
• 33:25
  never
• 33:26
  actually
• 33:26
  met
• 33:26
  in
• 33:27
  person
• 33:27
  until
• 33:28
  Disney
• 33:28
  put
• 33:29
  on
• 33:29
  a
• 33:29
  socially
• 33:29
  distanced
• 33:30
  outdoor
• 33:30
  screening
• 33:31
  of
• 33:31
  the
• 33:31
  final
• 33:32
  version
• 33:32
  of
• 33:32
  the
• 33:32
  film.
• 33:33
  The
• 33:34
  teaser
• 33:34
  trailer
• 33:34
  was
• 33:35
  released
• 33:35
  in
• 33:35
  July
• 33:36
  2021
• 33:37
  before
• 33:37
  the
• 33:38
  movie
• 33:38
  was
• 33:38
  even
• 33:38
  finished,
• 33:39
  and
• 33:39
  the
• 33:39
  public
• 33:39
  reaction
• 33:40
  to
• 33:40
  Louisa's
• 33:41
  physical
• 33:41
  appearance
• 33:41
  was
• 33:42
  praised.
• 33:43
  So
• 33:43
  when
• 33:43
  Louisa
• 33:44
  didn't
• 33:44
  really
• 33:44
  get
• 33:44
  represented
• 33:45
  in
• 33:45
  Disney
• 33:46
  merchandising
• 33:47
  in
• 33:47
  favor
• 33:48
  of
• 33:48
  Mirabel
• 33:48
  and
• 33:49
  Isabella,
• 33:49
  it
• 33:50
  did
• 33:50
  draw
• 33:50
  some
• 33:51
  criticism,
• 33:52
  but
• 33:52
  Disney
• 33:52
  marketing
• 33:53
  has
• 33:53
  always
• 33:53
  favored
• 33:54
  the
• 33:54
  traditionally
• 33:54
  pretty
• 33:55
  female
• 33:55
  characters.
• 33:56
  There
• 33:56
  was
• 33:56
  also
• 33:57
  little
• 33:57
  merchandising
• 33:58
  of
• 33:58
  the
• 33:58
  Afro
• 33:58
  Colombian
• 33:59
  members
• 33:59
  of
• 33:59
  the
• 33:59
  family
• 34:00
  either
• 34:00
  like
• 34:00
  Antonio
• 34:01
  or
• 34:01
  Dolores.
• 34:02
  So
• 34:03
  really,
• 34:03
  if
• 34:04
  we
• 34:04
  want
• 34:04
  to
• 34:04
  break
• 34:05
  generational
• 34:05
  curses,
• 34:06
  it
• 34:06
  might
• 34:06
  be
• 34:06
  a
• 34:06
  good
• 34:07
  idea
• 34:07
  for
• 34:07
  Disney
• 34:08
  to
• 34:08
  start
• 34:08
  with
• 34:09
  merchandising
• 34:09
  characters
• 34:10
  who
• 34:10
  are
• 34:11
  showing
• 34:11
  difference
• 34:11
  in
• 34:12
  representation.
• 34:13
  Just
• 34:13
  an
• 34:13
  idea.
• 34:14
  I
• 34:14
  know
• 34:14
  it's
• 34:14
  a
• 34:14
  bit
• 34:15
  out
• 34:15
  there,
• 34:15
  but
• 34:15
  let's
• 34:15
  just
• 34:16
  put
• 34:16
  it
• 34:16
  out
• 34:16
  there
• 34:16
  anyway.
• 34:17
  Encanto's
• 34:18
  world
• 34:18
  premiere
• 34:19
  was
• 34:19
  held
• 34:19
  at
• 34:19
  the
• 34:20
  El
• 34:20
  Capitan
• 34:20
  Theater
• 34:21
  in
• 34:21
  Los
• 34:21
  Angeles
• 34:22
  on
• 34:22
  the
• 34:22
  3rd
• 34:22
  of
• 34:22
  November
• 34:23
  2021
• 34:24
  and
• 34:24
  they
• 34:24
  also
• 34:25
  had
• 34:25
  a
• 34:25
  Colombian
• 34:26
  premiere
• 34:26
  at
• 34:26
  the
• 34:26
  Teatro
• 34:27
  Colon
• 34:27
  in
• 34:28
  bogota,
• 34:28
  Colombia
• 34:29
  on
• 34:29
  the
• 34:29
  23rd
• 34:30
  of
• 34:30
  November
• 34:31
  2021.
• 34:32
  The
• 34:33
  movie
• 34:33
  was
• 34:33
  released
• 34:34
  theatrically
• 34:34
  in
• 34:35
  the
• 34:35
  United
• 34:35
  States
• 34:35
  on
• 34:36
  the
• 34:36
  24th
• 34:36
  of
• 34:36
  November,
• 34:37
  but
• 34:38
  in
• 34:38
  response
• 34:38
  to
• 34:38
  the
• 34:39
  COVID
• 34:39
  19
• 34:39
  pandemic,
• 34:40
  it
• 34:40
  had
• 34:41
  an
• 34:41
  exclusive
• 34:42
  30
• 34:42
  day
• 34:42
  theatrical
• 34:43
  run
• 34:43
  before
• 34:44
  being
• 34:44
  released
• 34:44
  on
• 34:45
  Disney
• 34:45
  on
• 34:45
  the
• 34:46
  24th
• 34:46
  of
• 34:46
  December.
• 34:47
  But
• 34:48
  in
• 34:48
  those
• 34:48
  30
• 34:49
  days
• 34:49
  this
• 34:49
  movie
• 34:50
  did
• 34:50
  business.
• 34:51
  On
• 34:52
  his
• 34:52
  first
• 34:52
  week
• 34:52
  of
• 34:52
  release
• 34:53
  it
• 34:53
  landed
• 34:53
  at
• 34:53
  third
• 34:54
  in
• 34:54
  the
• 34:54
  box
• 34:54
  office,
• 34:54
  having
• 34:55
  technically
• 34:55
  only
• 34:56
  been
• 34:56
  out
• 34:56
  a
• 34:56
  day
• 34:56
  at
• 34:57
  that
• 34:57
  point,
• 34:57
  but
• 34:58
  still
• 34:58
  earned
• 34:58
  $13.4
• 34:59
  million.
• 35:00
  Ghostbusters
• 35:01
  Afterlife
• 35:02
  was
• 35:02
  the
• 35:02
  number
• 35:02
  one
• 35:02
  movie
• 35:03
  that
• 35:03
  week.
• 35:04
  Its
• 35:04
  second
• 35:04
  week
• 35:05
  is
• 35:05
  shot
• 35:05
  up
• 35:05
  to
• 35:05
  number
• 35:05
  one,
• 35:06
  where
• 35:06
  it
• 35:06
  stayed
• 35:06
  for
• 35:06
  two
• 35:07
  weeks
• 35:07
  before
• 35:08
  dropping
• 35:08
  down
• 35:08
  to
• 35:08
  second
• 35:09
  on
• 35:09
  the
• 35:09
  release
• 35:09
  of
• 35:10
  west
• 35:10
  side
• 35:10
  Story
• 35:11
  and
• 35:11
  then
• 35:12
  down
• 35:12
  to
• 35:12
  third
• 35:12
  in
• 35:12
  its
• 35:13
  fifth
• 35:13
  week,
• 35:13
  which
• 35:14
  by
• 35:14
  that
• 35:14
  point
• 35:14
  it
• 35:15
  debuted
• 35:15
  on
• 35:15
  Disney
• 35:15
  Plus.
• 35:16
  Despite
• 35:17
  this,
• 35:17
  it
• 35:18
  still
• 35:18
  stayed
• 35:18
  around
• 35:18
  in
• 35:19
  the
• 35:19
  top
• 35:19
  10
• 35:19
  for
• 35:20
  two
• 35:20
  more
• 35:20
  weeks
• 35:20
  though,
• 35:21
  and
• 35:21
  continued
• 35:21
  to
• 35:21
  make
• 35:22
  money
• 35:22
  in
• 35:22
  cinemas.
• 35:23
  It
• 35:23
  even
• 35:24
  jumped
• 35:24
  back
• 35:24
  up
• 35:24
  from
• 35:25
  22nd
• 35:25
  at
• 35:25
  the
• 35:25
  box
• 35:26
  office
• 35:26
  to
• 35:26
  14th
• 35:27
  in
• 35:27
  its
• 35:27
  14th
• 35:28
  week
• 35:28
  of
• 35:28
  release.
• 35:30
  On
• 35:31
  its
• 35:31
  120
• 35:31
  to
• 35:31
  150
• 35:32
  million
• 35:32
  dollar
• 35:33
  budget,
• 35:33
  Encanto
• 35:34
  made
• 35:34
  96
• 35:35
  million
• 35:35
  dollars
• 35:36
  domestically
• 35:36
  in
• 35:36
  the
• 35:36
  US
• 35:37
  and
• 35:37
  160.7
• 35:39
  million
• 35:39
  dollars
• 35:39
  internationally,
• 35:40
  for
• 35:40
  a
• 35:41
  total
• 35:41
  worldwide
• 35:41
  gross
• 35:42
  of
• 35:42
  256.8
• 35:43
  million
• 35:43
  dollars.
• 35:44
  Now
• 35:45
  it
• 35:45
  likely
• 35:45
  didn't
• 35:46
  quite
• 35:46
  break
• 35:46
  even
• 35:47
  depending
• 35:47
  on
• 35:47
  how
• 35:47
  Disney
• 35:48
  account
• 35:48
  for
• 35:48
  it.
• 35:49
  And
• 35:49
  technically,
• 35:50
  this
• 35:50
  was
• 35:50
  in
• 35:50
  the
• 35:50
  middle
• 35:50
  of
• 35:51
  a
• 35:51
  global
• 35:51
  pandemic,
• 35:52
  so
• 35:52
  I
• 35:52
  still
• 35:53
  think
• 35:53
  this
• 35:53
  movie
• 35:53
  did
• 35:54
  exceptionally
• 35:54
  well.
• 35:55
  It
• 35:55
  ended
• 35:55
  up
• 35:55
  the
• 35:56
  second
• 35:56
  highest
• 35:56
  grossing
• 35:57
  animated
• 35:57
  film
• 35:57
  of
• 35:58
  2021
• 35:59
  behind
• 35:59
  Sin
• 36:00
  2,
• 36:00
  and
• 36:00
  it
• 36:00
  became
• 36:01
  a
• 36:01
  much
• 36:01
  bigger
• 36:01
  hit
• 36:02
  than
• 36:02
  I
• 36:02
  think
• 36:02
  Disney
• 36:03
  intended
• 36:03
  it
• 36:03
  to
• 36:03
  be,
• 36:04
  with
• 36:04
  the
• 36:04
  soundtrack
• 36:05
  going
• 36:05
  viral.
• 36:06
  Encanto
• 36:07
  would
• 36:07
  also
• 36:07
  have
• 36:07
  the
• 36:07
  best
• 36:07
  opening
• 36:08
  weekend
• 36:08
  for
• 36:08
  an
• 36:09
  animated
• 36:09
  film
• 36:10
  during
• 36:10
  the
• 36:10
  pandemic.
• 36:12
  Critically,
• 36:13
  it's
• 36:13
  also
• 36:13
  loved
• 36:14
  as
• 36:14
  well.
• 36:14
  It
• 36:14
  has
• 36:15
  a
• 36:15
  92%
• 36:15
  of
• 36:15
  rotten
• 36:16
  tomatoes,
• 36:17
  with
• 36:17
  many
• 36:17
  critics
• 36:18
  praising
• 36:18
  the
• 36:18
  animation,
• 36:19
  the
• 36:19
  characters,
• 36:20
  story
• 36:20
  and
• 36:21
  Lin
• 36:21
  Manuel
• 36:21
  Miranda's
• 36:22
  songs.
• 36:23
  It
• 36:23
  was
• 36:23
  also
• 36:23
  praised
• 36:24
  for
• 36:24
  its
• 36:24
  Latin
• 36:24
  American
• 36:25
  representation
• 36:26
  and
• 36:26
  diversity
• 36:27
  and
• 36:27
  its
• 36:27
  depiction
• 36:28
  of
• 36:28
  family
• 36:28
  dynamics.
• 36:29
  But
• 36:29
  the
• 36:29
  film's
• 36:30
  lack
• 36:30
  of
• 36:30
  a
• 36:30
  traditional
• 36:31
  villain,
• 36:31
  something
• 36:31
  Disney
• 36:32
  has
• 36:32
  been
• 36:32
  doing
• 36:32
  more
• 36:32
  and
• 36:33
  more
• 36:33
  in
• 36:33
  recent
• 36:33
  years,
• 36:34
  did
• 36:34
  come
• 36:34
  under
• 36:35
  criticism.
• 36:36
  Out
• 36:36
  of
• 36:36
  99
• 36:37
  nominations,
• 36:38
  Encanto
• 36:39
  won
• 36:39
  48
• 36:40
  awards,
• 36:41
  including
• 36:41
  the
• 36:41
  Academy
• 36:42
  Award
• 36:42
  for
• 36:42
  Best
• 36:42
  Animated
• 36:43
  Feature,
• 36:44
  three
• 36:44
  Annie
• 36:44
  Awards
• 36:45
  for
• 36:45
  Best
• 36:45
  Character
• 36:46
  Animation
• 36:47
  Feature,
• 36:47
  Best
• 36:48
  Music
• 36:48
  Feature,
• 36:49
  and
• 36:49
  Best
• 36:49
  Storyboarding
• 36:50
  Feature.
• 36:51
  It
• 36:51
  also
• 36:51
  won
• 36:51
  the
• 36:51
  BAFTA
• 36:52
  for
• 36:52
  Best
• 36:52
  Animated
• 36:53
  Film
• 36:53
  and
• 36:53
  the
• 36:53
  Golden
• 36:54
  Globe
• 36:54
  for
• 36:54
  Best
• 36:55
  Motion
• 36:55
  Picture
• 36:56
  Animated.
• 36:56
  And
• 36:57
  we
• 36:57
  don't
• 36:57
  talk
• 36:57
  about
• 36:57
  sequels,
• 36:58
  no
• 36:58
  no,
• 36:58
  no.
• 36:59
  And
• 36:59
  nor
• 36:59
  has
• 36:59
  anyone
• 37:00
  involved
• 37:00
  in
• 37:00
  the
• 37:00
  production.
• 37:01
  As
• 37:01
  of
• 37:01
  December
• 37:02
  2024,
• 37:03
  Lin
• 37:04
  Manuel
• 37:04
  Miranda
• 37:05
  did
• 37:05
  host
• 37:05
  the
• 37:06
  2022
• 37:07
  live
• 37:07
  musical
• 37:08
  Encanto
• 37:08
  at
• 37:08
  the
• 37:09
  Hollywood
• 37:09
  bowl,
• 37:09
  which
• 37:10
  features
• 37:10
  some
• 37:10
  of
• 37:11
  the
• 37:11
  cast
• 37:11
  members
• 37:11
  singing
• 37:12
  the
• 37:12
  movie's
• 37:12
  songs.
• 37:13
  The
• 37:13
  Hollywood
• 37:14
  bowl
• 37:14
  hosted
• 37:14
  the
• 37:15
  stage
• 37:15
  musical
• 37:15
  on
• 37:16
  the
• 37:16
  11th
• 37:16
  and
• 37:16
  12th
• 37:17
  of
• 37:17
  November
• 37:18
  2022,
• 37:18
  and
• 37:19
  on
• 37:19
  the
• 37:19
  28th
• 37:19
  of
• 37:20
  December
• 37:20
  2022
• 37:21
  the
• 37:21
  production
• 37:22
  was
• 37:22
  made
• 37:22
  available
• 37:23
  on
• 37:23
  Disney
• 37:23
  plus,
• 37:24
  which
• 37:24
  is
• 37:24
  where
• 37:24
  I
• 37:24
  saw
• 37:24
  it
• 37:25
  and
• 37:25
  I
• 37:26
  really
• 37:26
  loved
• 37:26
  that
• 37:26
  live
• 37:27
  musical
• 37:27
  version
• 37:27
  of
• 37:27
  Encanto.
• 37:28
  I
• 37:28
  thought
• 37:28
  it
• 37:28
  was
• 37:29
  really
• 37:29
  fun
• 37:30
  and
• 37:30
  it
• 37:31
  was
• 37:31
  also
• 37:31
  great
• 37:31
  to
• 37:32
  see
• 37:32
  some
• 37:32
  of
• 37:32
  the
• 37:32
  cast
• 37:32
  members
• 37:33
  actually
• 37:34
  looking
• 37:34
  very
• 37:35
  similar
• 37:35
  to
• 37:35
  their
• 37:36
  animated
• 37:36
  counterparts.
• 37:38
  Now
• 37:39
  I've
• 37:39
  never
• 37:39
  been
• 37:39
  to
• 37:39
  Colombia,
• 37:40
  but
• 37:40
  here
• 37:40
  in
• 37:41
  the
• 37:41
  UK
• 37:42
  I
• 37:42
  think
• 37:42
  we
• 37:42
  maybe
• 37:42
  have
• 37:43
  a
• 37:43
  different
• 37:43
  opinion
• 37:43
  on
• 37:44
  Latin
• 37:44
  American
• 37:44
  countries
• 37:45
  than
• 37:45
  somewhere
• 37:46
  like
• 37:46
  the
• 37:46
  US
• 37:46
  does.
• 37:47
  And
• 37:47
  what
• 37:47
  I
• 37:47
  mean
• 37:48
  by
• 37:48
  that
• 37:48
  is
• 37:48
  that
• 37:48
  US
• 37:49
  TV
• 37:49
  shows
• 37:49
  and
• 37:49
  movies
• 37:50
  tend
• 37:50
  to
• 37:50
  depict
• 37:51
  Colombia
• 37:52
  as
• 37:52
  violent
• 37:52
  drug
• 37:53
  lords
• 37:53
  or
• 37:53
  where
• 37:54
  some
• 37:54
  characters
• 37:54
  made
• 37:55
  comes
• 37:55
  from.
• 37:56
  There
• 37:56
  never
• 37:56
  seemed
• 37:57
  to
• 37:57
  be
• 37:57
  any
• 37:57
  positive
• 37:58
  representation
• 37:59
  of
• 37:59
  Colombia
• 38:00
  in
• 38:00
  the
• 38:00
  media
• 38:00
  that
• 38:01
  I
• 38:01
  saw
• 38:01
  because
• 38:01
  that
• 38:02
  media
• 38:02
  came
• 38:02
  from
• 38:03
  the
• 38:03
  US
• 38:03
  and
• 38:04
  I
• 38:04
  guess
• 38:04
  here
• 38:04
  in
• 38:04
  the
• 38:05
  UK
• 38:05
  we
• 38:05
  don't
• 38:05
  meet
• 38:06
  very
• 38:06
  many
• 38:06
  Colombians.
• 38:07
  To
• 38:08
  me,
• 38:08
  Colombia
• 38:09
  gave
• 38:09
  us
• 38:09
  Shakira
• 38:10
  and
• 38:10
  so
• 38:10
  in
• 38:10
  my
• 38:11
  sheltered
• 38:11
  English
• 38:11
  upbringing,
• 38:12
  Colombia
• 38:13
  must
• 38:13
  be
• 38:13
  great
• 38:14
  because
• 38:14
  Shakira
• 38:15
  is
• 38:15
  great.
• 38:16
  I
• 38:16
  should
• 38:16
  probably
• 38:16
  add
• 38:17
  that
• 38:17
  I
• 38:17
  never
• 38:17
  really
• 38:17
  watched
• 38:18
  Modern
• 38:18
  Family,
• 38:18
  so
• 38:19
  a
• 38:19
  character
• 38:19
  coming
• 38:20
  from
• 38:20
  Colombia
• 38:20
  played
• 38:21
  by
• 38:21
  Sofia
• 38:21
  Vergara
• 38:22
  also
• 38:22
  wasn't
• 38:23
  really
• 38:23
  on
• 38:23
  my
• 38:23
  radar.
• 38:24
  Disney
• 38:25
  has
• 38:25
  this
• 38:25
  history
• 38:26
  of
• 38:26
  Attempting
• 38:27
  to
• 38:27
  depict
• 38:28
  non
• 38:28
  English
• 38:28
  speaking
• 38:29
  or
• 38:29
  non
• 38:29
  European
• 38:30
  cultures.
• 38:31
  And
• 38:31
  their
• 38:32
  stuff
• 38:33
  mostly
• 38:33
  tends
• 38:33
  to
• 38:33
  be
• 38:34
  more
• 38:34
  miss
• 38:34
  than
• 38:34
  hit.
• 38:35
  And
• 38:35
  it
• 38:35
  tends
• 38:36
  to
• 38:36
  be
• 38:36
  why
• 38:36
  their
• 38:36
  older
• 38:37
  stuff
• 38:37
  has
• 38:37
  content
• 38:37
  warnings
• 38:38
  for
• 38:38
  outdated
• 38:39
  language
• 38:39
  or
• 38:39
  opinions
• 38:40
  on
• 38:40
  Disney
• 38:40
  plus
• 38:41
  Disney
• 38:42
  have
• 38:42
  struggled
• 38:42
  in
• 38:43
  the
• 38:43
  past
• 38:43
  with
• 38:44
  handling
• 38:44
  different
• 38:44
  cultures
• 38:45
  or
• 38:45
  handling
• 38:46
  race.
• 38:46
  Even
• 38:47
  Moana
• 38:47
  has
• 38:48
  its
• 38:48
  criticisms
• 38:48
  from
• 38:49
  Pacific
• 38:49
  Islander
• 38:50
  communities.
• 38:50
  But
• 38:51
  at
• 38:51
  least
• 38:51
  Moana
• 38:52
  tried
• 38:52
  to
• 38:52
  include
• 38:53
  key
• 38:53
  Polynesian
• 38:54
  elements
• 38:54
  in
• 38:54
  Moana's
• 38:55
  story.
• 38:56
  Hollywood
• 38:56
  has
• 38:56
  never
• 38:57
  really
• 38:57
  known
• 38:57
  how
• 38:58
  to
• 38:58
  depict
• 38:58
  Colombia,
• 38:59
  and
• 38:59
  it
• 38:59
  seems
• 39:00
  to
• 39:00
  me,
• 39:00
  going
• 39:00
  from
• 39:00
  think
• 39:01
  pieces
• 39:01
  on
• 39:01
  the
• 39:01
  Internet,
• 39:02
  at
• 39:02
  the
• 39:02
  very
• 39:02
  least,
• 39:03
  that
• 39:03
  they
• 39:03
  seem
• 39:03
  to
• 39:03
  have
• 39:04
  actually
• 39:04
  got
• 39:04
  it
• 39:05
  fairly
• 39:05
  right
• 39:05
  within
• 39:06
  Canto.
• 39:07
  Colombia
• 39:07
  as
• 39:07
  a
• 39:07
  country
• 39:08
  has
• 39:08
  a
• 39:08
  messy,
• 39:09
  violent
• 39:09
  history.
• 39:10
  At
• 39:10
  least
• 39:10
  the
• 39:11
  last
• 39:11
  200
• 39:11
  years
• 39:12
  has
• 39:12
  been
• 39:12
  fraught
• 39:13
  with
• 39:13
  nine
• 39:14
  civil
• 39:14
  wars,
• 39:15
  the
• 39:15
  advent
• 39:15
  of
• 39:15
  communism
• 39:16
  and
• 39:16
  armed
• 39:17
  conflicts
• 39:17
  resulting
• 39:18
  in
• 39:18
  things
• 39:18
  the
• 39:18
  country
• 39:19
  is
• 39:19
  infamously
• 39:20
  known
• 39:20
  for,
• 39:20
  like
• 39:21
  drug
• 39:21
  trafficking,
• 39:22
  violence
• 39:22
  and
• 39:23
  trauma
• 39:23
  affects
• 39:24
  all
• 39:24
  Colombian
• 39:24
  families
• 39:25
  in
• 39:25
  a
• 39:25
  way,
• 39:25
  and
• 39:25
  so
• 39:26
  it
• 39:26
  makes
• 39:26
  sense
• 39:26
  that
• 39:27
  a
• 39:27
  movie
• 39:27
  set
• 39:27
  in
• 39:27
  the
• 39:28
  early
• 39:28
  20th
• 39:28
  century
• 39:29
  would
• 39:29
  also
• 39:30
  reflect
• 39:30
  that
• 39:30
  suffering
• 39:31
  and
• 39:31
  pain,
• 39:31
  but
• 39:32
  in
• 39:32
  a
• 39:32
  palatable
• 39:33
  way
• 39:33
  that
• 39:33
  the
• 39:33
  whole
• 39:33
  family
• 39:34
  can
• 39:34
  understand.
• 39:35
  Going
• 39:35
  back
• 39:35
  to
• 39:36
  what
• 39:36
  I
• 39:36
  mentioned
• 39:36
  in
• 39:36
  Turning
• 39:37
  Red
• 39:37
  about
• 39:38
  how
• 39:38
  you
• 39:38
  can
• 39:38
  depict
• 39:39
  these
• 39:39
  things
• 39:39
  in
• 39:39
  animation
• 39:40
  in
• 39:40
  a
• 39:40
  more
• 39:40
  palatable
• 39:41
  way
• 39:41
  than
• 39:41
  you
• 39:42
  can
• 39:42
  in
• 39:42
  live
• 39:42
  action,
• 39:43
  even
• 39:43
  today,
• 39:44
  so
• 39:44
  many
• 39:44
  people
• 39:44
  are
• 39:45
  fleeing
• 39:45
  war
• 39:45
  and
• 39:46
  persecution
• 39:46
  and
• 39:47
  ending
• 39:47
  up
• 39:47
  as
• 39:47
  refugees,
• 39:48
  they
• 39:49
  can't
• 39:49
  always
• 39:50
  find
• 39:50
  their
• 39:50
  own
• 39:50
  magical
• 39:51
  encanto.
• 39:51
  So
• 39:52
  the
• 39:52
  fact
• 39:52
  we
• 39:52
  can
• 39:52
  see
• 39:53
  Colombia
• 39:53
  in
• 39:53
  its
• 39:54
  beauty,
• 39:54
  its
• 39:54
  culture,
• 39:55
  its
• 39:55
  wonder
• 39:56
  and
• 39:56
  its
• 39:56
  joy,
• 39:57
  as
• 39:57
  well
• 39:57
  as
• 39:57
  the
• 39:58
  music,
• 39:58
  the
• 39:58
  stories
• 39:58
  and
• 39:59
  the
• 39:59
  characters
• 40:00
  in
• 40:00
  a
• 40:00
  well
• 40:00
  researched
• 40:01
  movie
• 40:01
  that
• 40:01
  doesn't
• 40:02
  just
• 40:02
  depict
• 40:02
  Colombia,
• 40:03
  it
• 40:03
  respects
• 40:04
  Colombia
• 40:05
  and
• 40:05
  loves
• 40:05
  Colombia.
• 40:06
  They
• 40:06
  could
• 40:06
  have
• 40:07
  chosen
• 40:07
  to
• 40:07
  focus
• 40:07
  on
• 40:08
  the
• 40:08
  conflict
• 40:08
  to
• 40:08
  the
• 40:08
  killed
• 40:09
  Pedro
• 40:09
  and
• 40:10
  caused
• 40:10
  Abuela's
• 40:11
  pain,
• 40:11
  but
• 40:11
  they
• 40:12
  chose
• 40:12
  to
• 40:12
  focus
• 40:13
  on
• 40:13
  the
• 40:13
  story
• 40:13
  of
• 40:14
  surviving
• 40:14
  and
• 40:15
  thriving.
• 40:16
  And
• 40:16
  it's
• 40:16
  hard
• 40:16
  to
• 40:16
  comprehend
• 40:17
  a
• 40:17
  family
• 40:17
  member
• 40:18
  being,
• 40:18
  quote
• 40:18
  unquote,
• 40:19
  the
• 40:19
  villain
• 40:19
  or
• 40:19
  the
• 40:20
  antagonist
• 40:21
  having
• 40:21
  a
• 40:21
  rift
• 40:21
  in
• 40:21
  your
• 40:21
  family
• 40:22
  and
• 40:22
  feeling
• 40:22
  like
• 40:22
  you
• 40:23
  don't
• 40:23
  belong
• 40:23
  because
• 40:23
  you're
• 40:24
  different.
• 40:24
  It's
• 40:25
  hard.
• 40:25
  But
• 40:25
  I
• 40:25
  love
• 40:26
  that
• 40:26
  this
• 40:26
  movie
• 40:27
  goes
• 40:27
  there
• 40:27
  and
• 40:27
  gives
• 40:28
  us
• 40:28
  a
• 40:28
  seemingly
• 40:29
  perfect
• 40:29
  family
• 40:30
  and
• 40:30
  then
• 40:30
  shows
• 40:30
  us
• 40:31
  the
• 40:31
  issues
• 40:31
  and
• 40:31
  cracks
• 40:32
  and
• 40:32
  lack
• 40:32
  of
• 40:33
  communication
• 40:34
  and
• 40:34
  understanding
• 40:34
  that
• 40:35
  happens
• 40:35
  in
• 40:36
  all
• 40:36
  families.
• 40:36
  As
• 40:37
  well
• 40:37
  as
• 40:37
  that
• 40:37
  weight
• 40:38
  of
• 40:38
  expectation,
• 40:40
  I
• 40:40
  can
• 40:40
  relate
• 40:40
  on
• 40:41
  different
• 40:41
  levels
• 40:41
  to
• 40:41
  different
• 40:41
  characters.
• 40:42
  Mostly
• 40:43
  Louisa,
• 40:43
  because
• 40:43
  I'm
• 40:44
  the
• 40:44
  strong
• 40:44
  one.
• 40:45
  I'm
• 40:45
  not
• 40:45
  nervous.
• 40:45
  I'm
• 40:46
  as
• 40:46
  tough
• 40:46
  as
• 40:46
  the
• 40:46
  crust
• 40:46
  of
• 40:47
  the
• 40:47
  earth
• 40:47
  is.
• 40:47
  But
• 40:48
  also
• 40:48
  Mirabel,
• 40:49
  the
• 40:49
  people
• 40:49
  pleaser,
• 40:50
  the
• 40:50
  one
• 40:50
  who
• 40:50
  just
• 40:50
  wants
• 40:51
  to
• 40:51
  make
• 40:51
  her
• 40:51
  family
• 40:51
  proud
• 40:52
  despite
• 40:53
  not
• 40:53
  following
• 40:53
  the
• 40:53
  same
• 40:54
  path
• 40:54
  as
• 40:54
  everyone
• 40:54
  else.
• 40:55
  My
• 40:56
  sister
• 40:56
  is
• 40:56
  Isabella,
• 40:57
  she
• 40:57
  just
• 40:58
  is.
• 40:58
  Except
• 40:59
  in
• 40:59
  my
• 40:59
  family
• 40:59
  on
• 41:00
  the
• 41:00
  eld,
• 41:00
  since
• 41:00
  she's
• 41:00
  the
• 41:00
  youngest.
• 41:01
  But
• 41:01
  my
• 41:01
  sister
• 41:02
  is
• 41:02
  the
• 41:02
  perfect
• 41:03
  Isabella.
• 41:04
  Bruno
• 41:05
  is
• 41:05
  perhaps
• 41:05
  one
• 41:05
  of
• 41:05
  the
• 41:06
  most
• 41:06
  complex
• 41:06
  and
• 41:06
  interesting
• 41:07
  characters
• 41:07
  in
• 41:07
  the
• 41:08
  movie,
• 41:08
  so
• 41:09
  heavily
• 41:09
  burdened
• 41:10
  by
• 41:10
  his
• 41:10
  gift
• 41:10
  and
• 41:11
  by
• 41:11
  his
• 41:11
  love
• 41:11
  for
• 41:11
  his
• 41:12
  family
• 41:12
  that
• 41:12
  he
• 41:13
  excels
• 41:13
  himself,
• 41:14
  but
• 41:14
  not
• 41:14
  really,
• 41:15
  but
• 41:15
  exists
• 41:15
  in
• 41:16
  some
• 41:16
  lonely,
• 41:17
  resentful
• 41:17
  purgatory.
• 41:18
  Bruno
• 41:19
  is
• 41:19
  easily
• 41:19
  what
• 41:20
  Mirabel
• 41:20
  could
• 41:20
  have
• 41:21
  ended
• 41:21
  up
• 41:21
  becoming,
• 41:22
  but
• 41:22
  unlike
• 41:22
  Bruno,
• 41:23
  Mirabel
• 41:24
  turns
• 41:24
  any
• 41:24
  resentment
• 41:25
  she
• 41:25
  may
• 41:25
  have
• 41:25
  into
• 41:26
  empathy
• 41:26
  for
• 41:27
  her
• 41:27
  sister
• 41:27
  Isabella
• 41:28
  and
• 41:28
  for
• 41:28
  her
• 41:28
  grandmother.
• 41:29
  Even
• 41:30
  though
• 41:30
  her
• 41:30
  grandmother
• 41:31
  has
• 41:31
  emotionally
• 41:31
  abused
• 41:32
  her
• 41:32
  for
• 41:32
  years
• 41:33
  for
• 41:33
  not
• 41:33
  meeting
• 41:33
  her
• 41:33
  expectations,
• 41:34
  Mirabel
• 41:35
  forgives
• 41:36
  her.
• 41:36
  Mirabel
• 41:37
  breaks
• 41:37
  the
• 41:37
  cycle
• 41:38
  of
• 41:38
  abuse,
• 41:38
  of
• 41:39
  hurt
• 41:39
  people,
• 41:40
  hurting
• 41:40
  people.
• 41:41
  Mirabel
• 41:43
  has
• 41:43
  the
• 41:43
  real
• 41:43
  gift
• 41:45
  Some
• 41:45
  of
• 41:45
  the
• 41:45
  other
• 41:45
  little
• 41:46
  things
• 41:46
  I
• 41:46
  love
• 41:46
  about
• 41:46
  this
• 41:46
  movie
• 41:47
  are
• 41:47
  the
• 41:47
  male
• 41:47
  characters
• 41:48
  Felix
• 41:49
  and
• 41:49
  Augustine,
• 41:50
  who
• 41:50
  are
• 41:50
  just
• 41:50
  so
• 41:50
  happy
• 41:51
  to
• 41:51
  be
• 41:51
  there
• 41:51
  that
• 41:52
  they
• 41:52
  embrace
• 41:52
  this
• 41:52
  life.
• 41:53
  Also
• 41:53
  with
• 41:54
  no
• 41:54
  powers
• 41:54
  but
• 41:55
  just
• 41:55
  love
• 41:55
  their
• 41:55
  winning
• 41:56
  and
• 41:56
  take
• 41:56
  on
• 41:57
  their
• 41:57
  surnames
• 41:57
  because
• 41:57
  they
• 41:58
  have
• 41:58
  zero
• 41:58
  toxic
• 41:59
  masculinity.
• 42:00
  But
• 42:01
  mostly
• 42:01
  a
• 42:01
  huge
• 42:02
  thank
• 42:02
  you
• 42:02
  to
• 42:02
  this
• 42:02
  movie
• 42:03
  for
• 42:03
  showing
• 42:03
  so
• 42:03
  many
• 42:04
  different
• 42:04
  skin
• 42:04
  tones
• 42:05
  and
• 42:05
  educating
• 42:06
  people
• 42:06
  on
• 42:06
  the
• 42:07
  beauty
• 42:07
  and
• 42:07
  majesty
• 42:08
  of
• 42:08
  Colombia
• 42:10
  of
• 42:10
  having
• 42:10
  literally
• 42:11
  some
• 42:11
  of
• 42:11
  the
• 42:11
  catchiest
• 42:12
  songs
• 42:12
  that
• 42:12
  have
• 42:13
  come
• 42:13
  out
• 42:13
  in
• 42:13
  recent
• 42:13
  years
• 42:14
  on
• 42:14
  Disney
• 42:14
  movies.
• 42:15
  But
• 42:15
  most
• 42:16
  importantly,
• 42:17
  I
• 42:17
  now
• 42:17
  know
• 42:18
  that
• 42:18
  Columbia
• 42:19
  is
• 42:19
  more
• 42:19
  than
• 42:19
  just
• 42:20
  Shakira.
• 42:21
  But
• 42:21
  I
• 42:21
  want
• 42:21
  to
• 42:21
  end
• 42:22
  on
• 42:22
  this.
• 42:22
  You
• 42:23
  are
• 42:23
  worth
• 42:23
  more
• 42:23
  than
• 42:24
  your
• 42:24
  gift,
• 42:25
  whatever
• 42:25
  that
• 42:26
  gift
• 42:26
  may
• 42:26
  be.
• 42:27
  Remember
• 42:28
  that.
• 42:28
  Thank
• 42:29
  you
• 42:29
  for
• 42:29
  listening.
• 42:29
  As
• 42:29
  always,
• 42:30
  I
• 42:30
  would
• 42:30
  love
• 42:30
  to
• 42:30
  hear
• 42:30
  your
• 42:30
  thoughts
• 42:31
  on
• 42:31
  Encanto
• 42:32
  and
• 42:32
  thank
• 42:32
  you
• 42:32
  for
• 42:33
  your
• 42:33
  continued
• 42:33
  support
• 42:34
  of
• 42:34
  this
• 42:34
  podcast.
• 42:35
  If
• 42:35
  you
• 42:35
  want
• 42:35
  to
• 42:36
  get
• 42:36
  involved
• 42:36
  and
• 42:36
  you
• 42:36
  want
• 42:36
  to
• 42:36
  help
• 42:37
  this
• 42:37
  podcast
• 42:37
  grow,
• 42:38
  you
• 42:38
  could
• 42:38
  leave
• 42:39
  a
• 42:39
  rating
• 42:39
  wherever
• 42:39
  you
• 42:40
  found
• 42:40
  this
• 42:40
  podcast
• 42:41
  or
• 42:41
  review
• 42:42
  or
• 42:42
  a
• 42:42
  rating
• 42:42
  and
• 42:43
  review.
• 42:43
  Both
• 42:44
  is
• 42:44
  good.
• 42:45
  You
• 42:45
  can
• 42:45
  also
• 42:46
  find
• 42:46
  me.
• 42:46
  I
• 42:46
  am
• 42:47
  at
• 42:47
  Verbal
• 42:47
  Diorama
• 42:48
  on
• 42:48
  all
• 42:49
  of
• 42:49
  the
• 42:49
  social
• 42:49
  medias,
• 42:50
  so
• 42:50
  Twitter
• 42:50
  kind
• 42:51
  of
• 42:51
  I'm
• 42:51
  more
• 42:52
  or
• 42:52
  less
• 42:52
  leaving
• 42:52
  there
• 42:52
  now,
• 42:53
  Facebook,
• 42:53
  Instagram
• 42:54
  threads,
• 42:54
  Blue
• 42:55
  sky
• 42:55
  and
• 42:55
  Letterboxd.
• 42:56
  But
• 42:56
  the
• 42:57
  easiest
• 42:57
  way
• 42:57
  you
• 42:57
  can
• 42:58
  show
• 42:58
  support
• 42:58
  is
• 42:58
  simply
• 42:59
  by
• 42:59
  telling
• 42:59
  your
• 43:00
  friends
• 43:00
  and
• 43:00
  family
• 43:00
  about
• 43:01
  this
• 43:01
  podcast.
• 43:02
  And
• 43:02
  if
• 43:02
  you
• 43:02
  like
• 43:02
  this
• 43:03
  episode
• 43:03
  on
• 43:03
  Encanto,
• 43:04
  you
• 43:04
  might
• 43:04
  also
• 43:05
  like
• 43:05
  some
• 43:05
  previous
• 43:06
  episodes.
• 43:07
  I've
• 43:07
  done
• 43:08
  many
• 43:08
  episodes
• 43:08
  on
• 43:09
  Pixar
• 43:09
  movies
• 43:09
  and
• 43:10
  many
• 43:10
  episodes
• 43:10
  on
• 43:10
  animated
• 43:11
  movies
• 43:11
  full
• 43:12
  stop.
• 43:12
  But
• 43:13
  the
• 43:13
  two
• 43:13
  that
• 43:13
  kind
• 43:13
  of
• 43:14
  came
• 43:14
  to
• 43:14
  mind
• 43:14
  when
• 43:14
  I
• 43:14
  thought
• 43:14
  of
• 43:15
  this
• 43:15
  one
• 43:15
  were
• 43:16
  episode
• 43:16
  75
• 43:17
  Coco
• 43:17
  and
• 43:18
  282
• 43:19
  Turning
• 43:19
  Red,
• 43:20
  which
• 43:20
  is
• 43:20
  the
• 43:21
  previous
• 43:21
  episode.
• 43:22
  But
• 43:22
  there
• 43:23
  are
• 43:23
  a
• 43:23
  lot
• 43:23
  of
• 43:23
  similarities
• 43:24
  between
• 43:24
  Turning
• 43:24
  Red
• 43:25
  and
• 43:25
  Encanto,
• 43:26
  especially
• 43:26
  when
• 43:27
  you
• 43:27
  think
• 43:27
  of
• 43:28
  intergenerational
• 43:29
  trauma
• 43:29
  and
• 43:30
  passing
• 43:30
  down
• 43:30
  your
• 43:30
  trauma
• 43:31
  to
• 43:31
  your
• 43:31
  children.
• 43:32
  So
• 43:33
  the
• 43:33
  next
• 43:33
  episode
• 43:34
  don't
• 43:34
  make
• 43:34
  me
• 43:35
  throw
• 43:35
  this
• 43:35
  hummus.
• 43:35
  It's
• 43:36
  spicy.
• 43:37
  We
• 43:38
  are
• 43:38
  moving
• 43:38
  away
• 43:39
  from
• 43:39
  Pixar
• 43:40
  and
• 43:40
  Disney
• 43:41
  and
• 43:41
  we're
• 43:41
  going
• 43:41
  to
• 43:41
  go
• 43:41
  to
• 43:42
  Laika
• 43:42
  and
• 43:43
  their
• 43:43
  second
• 43:43
  feature,
• 43:44
  the
• 43:44
  follow
• 43:44
  up
• 43:44
  to
• 43:45
  the
• 43:45
  excellent
• 43:45
  Coraline.
• 43:46
  This
• 43:47
  time
• 43:47
  though
• 43:47
  without
• 43:47
  Henry
• 43:48
  Selick.
• 43:49
  Norman
• 43:49
  Babcock
• 43:50
  is
• 43:50
  just
• 43:51
  a
• 43:51
  normal
• 43:51
  11
• 43:51
  year
• 43:52
  old
• 43:52
  kid
• 43:52
  who
• 43:52
  enjoys
• 43:53
  watching
• 43:53
  low
• 43:54
  budget
• 43:54
  horror
• 43:54
  movies
• 43:55
  with
• 43:55
  his
• 43:55
  grandma.
• 43:56
  But
• 43:56
  his
• 43:57
  grandma
• 43:57
  is
• 43:58
  dead.
• 43:58
  And
• 43:58
  coming
• 43:59
  up
• 43:59
  to
• 43:59
  the
• 43:59
  anniversary
• 43:59
  of
• 44:00
  the
• 44:00
  Blithe
• 44:00
  Hollow
• 44:01
  witch
• 44:01
  and
• 44:01
  the
• 44:02
  witch's
• 44:02
  curse
• 44:03
  that
• 44:03
  only
• 44:04
  Norman
• 44:04
  with
• 44:05
  his
• 44:05
  powers
• 44:05
  of
• 44:05
  talking
• 44:06
  to
• 44:06
  the
• 44:06
  dead
• 44:06
  can
• 44:07
  prevent.
• 44:08
  And
• 44:08
  when
• 44:08
  he
• 44:08
  fails,
• 44:09
  zombies
• 44:10
  arise
• 44:10
  from
• 44:10
  the
• 44:11
  dead
• 44:11
  and
• 44:11
  start
• 44:11
  meandering
• 44:12
  into
• 44:12
  the
• 44:13
  town.
• 44:14
  The
• 44:14
  next
• 44:15
  episode
• 44:15
  of
• 44:15
  Animation
• 44:16
  season
• 44:16
  is
• 44:17
  gonna
• 44:17
  be
• 44:17
  on
• 44:18
  the
• 44:18
  movie
• 44:18
  ParaNorman.
• 44:20
  So
• 44:20
  please
• 44:20
  join
• 44:21
  me
• 44:21
  next
• 44:21
  week
• 44:22
  for
• 44:22
  the
• 44:22
  history
• 44:22
  and
• 44:23
  legacy
• 44:23
  of
• 44:24
  ParaNorman.
• 44:25
  Now,
• 44:25
  I
• 44:25
  always
• 44:26
  say
• 44:26
  this
• 44:26
  podcast
• 44:26
  is
• 44:27
  free
• 44:27
  and
• 44:27
  it
• 44:27
  always
• 44:28
  will
• 44:28
  be
• 44:28
  free.
• 44:28
  However,
• 44:29
  unfortunately
• 44:30
  it's
• 44:30
  not
• 44:30
  free
• 44:30
  to
• 44:30
  make
• 44:30
  a
• 44:31
  podcast.
• 44:31
  So
• 44:32
  this
• 44:32
  podcast
• 44:33
  relies
• 44:33
  on
• 44:33
  the
• 44:34
  generous
• 44:34
  support
• 44:34
  of
• 44:35
  some
• 44:35
  wonderful
• 44:35
  listeners.
• 44:36
  If
• 44:36
  you
• 44:37
  wish
• 44:37
  to
• 44:37
  join
• 44:37
  them,
• 44:37
  you
• 44:37
  are
• 44:38
  under
• 44:38
  no
• 44:38
  obligation.
• 44:39
  You
• 44:39
  can
• 44:39
  continue
• 44:39
  to
• 44:39
  listen
• 44:40
  to
• 44:40
  this
• 44:40
  podcast
• 44:40
  for
• 44:40
  free
• 44:41
  for
• 44:41
  as
• 44:41
  long
• 44:41
  as
• 44:42
  you
• 44:42
  want.
• 44:42
  However,
• 44:43
  if
• 44:43
  you
• 44:44
  would
• 44:44
  like
• 44:44
  to
• 44:44
  support
• 44:45
  this
• 44:45
  podcast
• 44:45
  and
• 44:46
  you
• 44:46
  feel
• 44:46
  like
• 44:46
  you've
• 44:46
  got
• 44:46
  some
• 44:47
  worth
• 44:47
  from
• 44:47
  this
• 44:47
  podcast,
• 44:48
  then
• 44:49
  there
• 44:49
  are
• 44:49
  two
• 44:49
  ways
• 44:49
  you
• 44:49
  can
• 44:49
  do
• 44:49
  that.
• 44:50
  You
• 44:50
  could
• 44:50
  go
• 44:50
  to
• 44:50
  verbaldiorama.com
• 44:51
  tips
• 44:52
  and
• 44:52
  give
• 44:53
  a
• 44:53
  one
• 44:53
  off
• 44:53
  tip.
• 44:54
  Or
• 44:54
  you
• 44:54
  can
• 44:55
  go
• 44:55
  to
• 44:55
  verbaldiorama.com/patreon
• 44:57
  and
• 44:57
  you
• 44:57
  can
• 44:58
  join
• 44:58
  the
• 44:58
  amazing
• 44:58
  patrons
• 44:59
  of
• 44:59
  this
• 44:59
  podcast.
• 45:00
  They
• 45:00
  are
• 45:00
  Sade,
• 45:01
  Claudia,
• 45:02
  Simon,
• 45:02
  Laurel,
• 45:02
  Derek,
• 45:03
  Katie,
• 45:03
  Andy,
• 45:04
  Mike,
• 45:04
  Luke,
• 45:05
  Michael,
• 45:05
  Scott,
• 45:06
  Brendan,
• 45:06
  Lisa,
• 45:06
  Sam,
• 45:07
  Jack,
• 45:07
  Dave,
• 45:08
  Stuart,
• 45:08
  Nicholas,
• 45:09
  Zoe,
• 45:09
  Kev,
• 45:09
  Pete,
• 45:10
  Heather,
• 45:10
  Danny,
• 45:11
  Ali,
• 45:11
  Stu,
• 45:12
  Brett,
• 45:12
  Philippan,
• 45:13
  Michelle,
• 45:13
  Zenos,
• 45:14
  Sean,
• 45:14
  Rhino,
• 45:15
  Philip
• 45:15
  K,
• 45:15
  Adam,
• 45:16
  Elaine,
• 45:16
  Kyle,
• 45:16
  and
• 45:17
  Aaron.
• 45:18
  If
• 45:18
  you
• 45:18
  want
• 45:18
  to
• 45:18
  get
• 45:18
  in
• 45:19
  touch
• 45:19
  with
• 45:19
  me,
• 45:19
  you
• 45:19
  can.
• 45:19
  You
• 45:20
  can
• 45:20
  email
• 45:20
  verbaldioramail.com
• 45:22
  you
• 45:22
  can
• 45:22
  give
• 45:23
  me
• 45:23
  general
• 45:23
  hellos,
• 45:23
  you
• 45:24
  can
• 45:24
  give
• 45:24
  me
• 45:24
  feedback
• 45:24
  or
• 45:25
  suggestions.
• 45:26
  Or
• 45:26
  you
• 45:26
  go
• 45:26
  to
• 45:26
  verbaldiorama.com
• 45:28
  find
• 45:28
  everything.
• 45:29
  Find
• 45:29
  old
• 45:29
  episodes
• 45:30
  on
• 45:30
  the
• 45:30
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• 45:30
  You
• 45:31
  can
• 45:31
  listen
• 45:31
  to
• 45:31
  episodes
• 45:31
  on
• 45:32
  the
• 45:32
  website
• 45:32
  too.
• 45:33
  Or
• 45:33
  you
• 45:33
  can
• 45:33
  just
• 45:33
  fill
• 45:33
  out
• 45:33
  the
• 45:34
  contact
• 45:34
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• 45:34
  and
• 45:35
  say
• 45:35
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• 45:35
  You
• 45:36
  can
• 45:36
  also
• 45:36
  find
• 45:36
  work
• 45:37
  that
• 45:37
  I
• 45:37
  do
• 45:37
  at
• 45:37
  filmstories.co.uk,
• 45:38
  you
• 45:39
  can
• 45:39
  check
• 45:39
  out
• 45:39
  issues
• 45:39
  of
• 45:40
  the
• 45:40
  magazine
• 45:41
  and
• 45:41
  articles
• 45:42
  too.
• 45:44
  And
• 45:44
  finally,
• 46:23
  Bye.