Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Saint: Peter the Great (EP1665)

Transcript

The Saint: Peter the Great (EP1665) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

• 0:28
  Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
• 0:33
  Speaker 1: This is your host, Adam Graham. If you have a comment,
• 0:38
  Speaker 1: send it to me Box thirteen at Great Attactives dot net,
• 0:42
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• 0:46
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• 0:52
  Speaker 1: before we do get started, I do want to remind
• 0:55
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• 0:59
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• 1:03
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• 1:12
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• 1:15
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• 1:22
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• 1:26
  Speaker 1: we're going to be recording for the week ahead, and
• 1:29
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• 1:34
  Speaker 1: Full list of available levels is available at Patreon dot
• 1:39
  Speaker 1: Great Detectives dot net. Well, we had a couple of
• 1:42
  Speaker 1: lost episodes after last week's show. Well, this week's show
• 1:46
  Speaker 1: comes from June twenty fourth of nineteen fifty one, and
• 1:51
  Speaker 1: the title is Peter the Great, And let's go ahead
• 1:55
  Speaker 1: and we will take a listen.
• 2:20
  Speaker 2: The Adventures of the Saint starring Tom Conway. The Saint,
• 2:36
  Speaker 2: based on characters created by Leslie Charteris and known to
• 2:39
  Speaker 2: millions from books, magazines, and motion pictures, The robin Hood
• 2:43
  Speaker 2: of Modern Crime now comes transcribed to radio, starring Hollywood's
• 2:47
  Speaker 2: brilliant and talented actor Tom Conway as.
• 2:52
  Speaker 3: The Saint.
• 2:58
  Speaker 4: Mister templar, Yes, Lewie, eight o'clock in the morning, that's right.
• 3:02
  Speaker 5: So for what are we driving out to the race
• 3:04
  Speaker 5: track at this style?
• 3:05
  Speaker 1: You know?
• 3:05
  Speaker 5: I face race. Don't go off till one thirty in
• 3:07
  Speaker 5: the afternoon.
• 3:08
  Speaker 3: A letter from the lady in distress, lawier.
• 3:10
  Speaker 6: Ah, and you the robin Hood of modern crimer jitting
• 3:15
  Speaker 6: to the rescue.
• 3:16
  Speaker 4: I might have known, Louise, keep your mind on the road, please, Yeah, yeah, sure?
• 3:21
  Speaker 5: He is she blonde and beautiful? Or is she brunette
• 3:24
  Speaker 5: in beautiful?
• 3:25
  Speaker 4: If she's fifteen, it's fifteen going on sixteen sounds like
• 3:30
  Speaker 4: a dull case.
• 3:32
  Speaker 5: Well, here's the track, mister Temple. Where should I park?
• 3:35
  Speaker 3: Drive over to the training track? Louis over by the
• 3:37
  Speaker 3: state l Aria.
• 3:38
  Speaker 4: Oh sure, and say if you happen to pick up
• 3:41
  Speaker 4: any inside information, mister Temple, if you know what I.
• 3:43
  Speaker 3: Mean, save your money, Louis, you cannot beat the horses.
• 3:46
  Speaker 5: Who wants to beat them? I'm fighting the hold even.
• 3:49
  Speaker 3: Let me out here, will you? I think I see
• 3:51
  Speaker 3: my lady in distress.
• 3:52
  Speaker 5: Okay, I'll wait.
• 3:55
  Speaker 3: Here, mister Templar, Thanks Louis. Good morning Annie, Oh, good morning?
• 4:04
  Speaker 7: Are you Simon Templer?
• 4:05
  Speaker 4: And you're miss mcantile? How do you do?
• 4:07
  Speaker 7: I knew you'd come. It wasn't logical that you shouldn't.
• 4:10
  Speaker 7: I know, I shouldn't have asked you, but I knew
• 4:12
  Speaker 7: you'd come.
• 4:13
  Speaker 3: That's the nicest thing anyone said to me all day.
• 4:15
  Speaker 3: And that's almost eight o'clock.
• 4:17
  Speaker 7: That's Dad over there with a watch. Pete's getting ready
• 4:19
  Speaker 7: to work, Pete. That's our horse, Peter the Great licks
• 4:23
  Speaker 7: up on him.
• 4:24
  Speaker 3: And Vic is the boy you're worried about.
• 4:26
  Speaker 7: Yes, please don't think I'm a silly, hysterical little girl,
• 4:30
  Speaker 7: mister Temple. But Dad practically raised it. We grew up together.
• 4:34
  Speaker 7: And no, no I don't know him at all. I
• 4:37
  Speaker 7: see I called you because something terrible is going to
• 4:40
  Speaker 7: happen an.
• 4:41
  Speaker 5: Bring your friend over here.
• 4:42
  Speaker 7: He's getting ready, right, I'll tell you lady, mister Templer,
• 4:44
  Speaker 7: Come on, dad, this is mister Templer, my father, mister Temple.
• 4:50
  Speaker 4: I'm glad to know him. Mister mcantire, Oh, I said
• 4:53
  Speaker 4: that's good. Doesn't he Anni full of run over? There?
• 4:55
  Speaker 4: Told Vic not to let him out though an easy
• 4:58
  Speaker 4: three eight sets off, getting the horse ready a raised Well,
• 5:01
  Speaker 4: I might let him go any day now, almost any day,
• 5:03
  Speaker 4: if he's up to it. Oh, watch him, he's getting
• 5:06
  Speaker 4: close to the pool. Watch him there he goes Anny
• 5:12
  Speaker 4: any bec's letting him out too much?
• 5:13
  Speaker 7: I told him, I said, to it, kit, Hold dad,
• 5:15
  Speaker 7: he's just breathing.
• 5:16
  Speaker 3: Well, maybe hold him, big boy, hold him. Looks like
• 5:20
  Speaker 3: a beautiful animal, mister McIntire.
• 5:22
  Speaker 4: I guess he was eight years old, would you. He's
• 5:24
  Speaker 4: been one of the top ones. He should maybe he
• 5:26
  Speaker 4: will be yet.
• 5:27
  Speaker 7: Hold him, boy, he's just breathing there.
• 5:29
  Speaker 4: Well, maybe cut him. How much did you run it in,
• 5:35
  Speaker 4: mister McIntire, thirteen nine and a fifth. I don't think
• 5:39
  Speaker 4: he's quite up to a race yet.
• 5:40
  Speaker 7: But you told Dick not to let him run dead.
• 5:42
  Speaker 7: He was fighting for his head all the way down
• 5:44
  Speaker 7: the streets.
• 5:45
  Speaker 3: Maybe horseman, mister Templar, just a two dollar better, mister McIntyre.
• 5:50
  Speaker 4: Greatest animal on the face of the earth, the third
• 5:53
  Speaker 4: red horse that includes humans, two more heart, more brains,
• 5:57
  Speaker 4: and much kinder to each other. Yes, you may have point.
• 6:01
  Speaker 4: Has Peter the Great always been your horse? Bread him,
• 6:04
  Speaker 4: fold him, raced him and had him all his life,
• 6:06
  Speaker 4: outside of a couple of months a while back. If
• 6:09
  Speaker 4: it hadn't been for a little lake trouble, Pete would
• 6:11
  Speaker 4: be up there with the best. Oh here he comes back.
• 6:15
  Speaker 3: Thirty nine and the fifth, Vick.
• 6:17
  Speaker 4: You could have held him a.
• 6:18
  Speaker 3: Little harder, though, Oh Pete, steady boy, tell him a
• 6:23
  Speaker 3: little harder.
• 6:24
  Speaker 4: I almost pulled both arms off holding him, all right, pick,
• 6:26
  Speaker 4: all right, easy boy?
• 6:27
  Speaker 7: Do you think he's ready for a race?
• 6:29
  Speaker 8: Dick? What's the matter with you?
• 6:30
  Speaker 4: Annie? Are you getting it too? You know he's ready
• 6:33
  Speaker 4: for a race, He's been ready for a month, and
• 6:34
  Speaker 4: dad knows it too.
• 6:35
  Speaker 6: Well.
• 6:36
  Speaker 4: Maybe we'll see, steady Pete.
• 6:38
  Speaker 5: See what is there to see? The horse is eight
• 6:41
  Speaker 5: years old?
• 6:41
  Speaker 4: What are you waiting for? A match? Race?
• 6:43
  Speaker 5: With citation?
• 6:44
  Speaker 8: Vick?
• 6:45
  Speaker 7: This is mister Templer. He's a friend of mine.
• 6:47
  Speaker 4: I thought, how are you vic?
• 6:49
  Speaker 5: Dad?
• 6:50
  Speaker 4: What is it? Every time I work the horse, it's
• 6:52
  Speaker 4: holding him, holding every time I tell you he's ready
• 6:54
  Speaker 4: as he'll ever be. It's it's maybe, let's wait and see?
• 6:57
  Speaker 5: Is it me?
• 6:59
  Speaker 4: Are you afraid you won't get an honest ride? Is
• 7:00
  Speaker 4: that it?
• 7:01
  Speaker 8: Big Well?
• 7:03
  Speaker 5: Is it?
• 7:03
  Speaker 4: You no better than that?
• 7:04
  Speaker 3: Sin?
• 7:05
  Speaker 4: All right? When are you going to run in?
• 7:07
  Speaker 8: Then?
• 7:07
  Speaker 4: Well, we'll see how he cools out today. Maybe maybe
• 7:11
  Speaker 4: in a week or ten days. A week or ten days, well,
• 7:15
  Speaker 4: we'll see, we'll see. Come on, feet, come on, boy.
• 7:19
  Speaker 7: Sick. You shouldn't have said that to Dad about an
• 7:23
  Speaker 7: honest ride.
• 7:24
  Speaker 4: That's what he's thinking, isn't it. That's what you're all
• 7:27
  Speaker 4: saying behind my back, isn't it? And what's mister Templar
• 7:30
  Speaker 4: here for to spy on me? Big Well, I'll save
• 7:32
  Speaker 4: you the trouble, mister Templar. Right now, I'm going to
• 7:35
  Speaker 4: get some sleep, after which I get up, eat some
• 7:38
  Speaker 4: crumbs that pass for a meal, get in a sweat
• 7:40
  Speaker 4: box for as long as I can stand without it
• 7:42
  Speaker 4: killing me, ride five races this afternoon, and after that
• 7:47
  Speaker 4: I've got a date. Thanks for your assistance, Vig, don't
• 7:50
  Speaker 4: mention it. See you later, Vic.
• 7:52
  Speaker 7: Are you seeing her again?
• 7:55
  Speaker 4: Annie? You're a nice kid, but that's all you are,
• 7:58
  Speaker 4: just a kid. And who I see, he has got
• 8:01
  Speaker 4: nothing to do with you. Understand, Yes, big I understand. Goodbye, Anny.
• 8:12
  Speaker 7: Don't worry, mister Temper. I won't cry. I haven't cried
• 8:15
  Speaker 7: since I was six years old. But mister Temper, don't
• 8:19
  Speaker 7: let him.
• 8:19
  Speaker 4: Make Vic throw a race.
• 8:22
  Speaker 7: He wouldn't do anything dishonest.
• 8:24
  Speaker 4: I know he wouldn't him very much, don't you him.
• 8:28
  Speaker 7: I believe in him with all my heart.
• 8:45
  Speaker 4: Let's go, Louiah.
• 8:47
  Speaker 5: We're not staying for the races, mister Temple.
• 8:49
  Speaker 3: No, we have to do Oh too bad.
• 8:51
  Speaker 5: I would have had five hours to figure out the first.
• 8:54
  Speaker 3: Right, and you can spend five hours looking at a
• 8:56
  Speaker 3: form sheet.
• 8:57
  Speaker 4: Oh sure, sure?
• 8:59
  Speaker 5: Oh in trouble by then, I can't see your horses, Louis.
• 9:03
  Speaker 3: Where would I go to pick up whatever rumors might
• 9:05
  Speaker 3: be flying around about horses and jockeys?
• 9:08
  Speaker 2: Almost any barber shop, But if you want authentic rumors,
• 9:12
  Speaker 2: I would drop in downtown on Honestyle, your friendly neighborhood booky.
• 9:16
  Speaker 3: I thought I was out of business due to a
• 9:18
  Speaker 3: slight difficulty with the court of law.
• 9:20
  Speaker 5: Well, the technicalities of such things.
• 9:22
  Speaker 4: I don't follow all the ways, mister Temple understand, but
• 9:25
  Speaker 4: the general principle I understand. It's like the song, They'll
• 9:28
  Speaker 4: always be a booky you know you may be right.
• 9:41
  Speaker 4: Helloell Simon Templar, a pleasure. Welcome to my humble cigar store.
• 9:47
  Speaker 4: How's business haven't sold the cigar in months? But business
• 9:50
  Speaker 4: is booming. How's things with you? No decline in crime?
• 9:53
  Speaker 4: I hope, no, no whatever, Just so we all keep busy.
• 9:58
  Speaker 4: That's the big thing.
• 10:00
  Speaker 3: Well, won't do you know about a horse owner, a
• 10:03
  Speaker 3: trainer named McIntyre.
• 10:05
  Speaker 4: Dad McIntyre, Anything you want to know? Olds Peter the
• 10:08
  Speaker 4: Great Dog had horse chestnut gelding eight years old. He's
• 10:12
  Speaker 4: at a one horse stable for years, has a daughter
• 10:14
  Speaker 4: fifteen and raised Vick Bokowski. The jockey.
• 10:17
  Speaker 3: Vic always rides for him.
• 10:19
  Speaker 4: Nobody else has ridden Peter the Great for years? Has
• 10:23
  Speaker 4: anybody else have owned the horse? Oh yeah, yeah, some
• 10:26
  Speaker 4: months ago Big Ed Climman claimed him, claimed him. Sure.
• 10:30
  Speaker 4: Most chief races are claiming races. You enter your horse
• 10:33
  Speaker 4: for say five thousand dollars, and if somebody puts in
• 10:36
  Speaker 4: a claim for him, he owns the horse. I see,
• 10:39
  Speaker 4: nobody would ever claim Peter the Great because they knew
• 10:42
  Speaker 4: how Dad felt about him. A big Ed did that
• 10:46
  Speaker 4: almost broke Dad's heart. Ah.
• 10:48
  Speaker 3: How did big Ed do with a horse?
• 10:50
  Speaker 4: He won a couple of races with him, but then
• 10:53
  Speaker 4: his legs went bad and finally Dad claimed him back again. Uh.
• 10:58
  Speaker 4: What about the jockey, Vic Saint?
• 11:01
  Speaker 3: All sorts of rumors float around about jockeys all the time,
• 11:04
  Speaker 3: all sorts of rumors. Mm hmm, that's all you can
• 11:08
  Speaker 3: tell me.
• 11:08
  Speaker 4: How well, if a real big bet came in against
• 11:11
  Speaker 4: the horse that Vic was riding, and Vic was on
• 11:14
  Speaker 4: the favorite, I might be time to delay off the
• 11:17
  Speaker 4: bed somewhere else. Nothing personal, just business.
• 11:20
  Speaker 3: I see, you don't know any particular girl who Vick
• 11:24
  Speaker 3: has been seeing.
• 11:25
  Speaker 4: Do you sure I do? Jack's live in a goldfish ball.
• 11:28
  Speaker 4: If one of them scratches his head with his left hand,
• 11:31
  Speaker 4: fifty horse players spend the whole night trying to figure
• 11:33
  Speaker 4: out what it means. The girl, a big blond named
• 11:37
  Speaker 4: Crystal Winters show girl, used to go with Ed Kleiman.
• 11:40
  Speaker 4: She hangs out at the bandbox.
• 11:43
  Speaker 3: Thanks, Al, I'll be a character witness for you some day.
• 11:46
  Speaker 4: That's a deal. I hope you'll get him straightened out.
• 11:49
  Speaker 4: Get who straightened out? The kid? Vic used to be
• 11:53
  Speaker 4: a nice guy. Maybe he still is. Dad's a nice
• 11:56
  Speaker 4: guy too, And I always like Danny. I even like
• 12:00
  Speaker 4: the horse. L awful, isn't it? Don't let this get
• 12:04
  Speaker 4: out saying it would ruin me in the profession?
• 12:18
  Speaker 8: Good evening, Vic, h oh, hi, introduce your friend, Vic.
• 12:25
  Speaker 4: This is mister Templar Crystal, friend of Annie's. This winder
• 12:29
  Speaker 4: is mister Templar. Pleasure, miss Winters.
• 12:31
  Speaker 8: And have you got a first name, mister Templar, so
• 12:34
  Speaker 8: that we can be old friends and then you can
• 12:36
  Speaker 8: sit down and join us.
• 12:37
  Speaker 3: The first name is Simon Crystal, and I'd love to
• 12:41
  Speaker 3: join you if Vic doesn't appear.
• 12:43
  Speaker 7: Abject.
• 12:45
  Speaker 8: This body's been waiting for all evening, isn't it, Vick?
• 12:48
  Speaker 8: This Simon sit here next to me and have him champagne? Vick,
• 12:53
  Speaker 8: you let us trun out of Champagne again. Don't get
• 12:56
  Speaker 8: some more?
• 12:57
  Speaker 4: What do you think I am a waiter?
• 12:59
  Speaker 8: Oh no, you're a jockey. You're too short to be
• 13:01
  Speaker 8: a waiter and too tall to be a midget. So
• 13:02
  Speaker 8: you're a jockey and you're getting a Champagne. Goodbye Vick,
• 13:09
  Speaker 8: goodbye Vick.
• 13:11
  Speaker 3: Okay, you're a little rough on the boy, aren't your Crystal?
• 13:16
  Speaker 4: Why?
• 13:17
  Speaker 8: Well, I could say it was to drive him away
• 13:19
  Speaker 8: because I'm bad for him, but i'd be lying. But
• 13:22
  Speaker 8: I wanted to drive my away, I'd have to be
• 13:24
  Speaker 8: a lot rougher than that.
• 13:25
  Speaker 4: I couldn't see why.
• 13:26
  Speaker 8: Thank you, Simon, but you can't. Little jockeys just happened
• 13:31
  Speaker 8: to like big, expansive, expensive blonde. I found that out
• 13:35
  Speaker 8: at an early age, which was quite some time ago.
• 13:38
  Speaker 3: And do you like little jenkins?
• 13:41
  Speaker 8: You're becoming very personal, Simon. I don't quite know what
• 13:45
  Speaker 8: I like. I like to think about it. I'm as slow.
• 13:49
  Speaker 4: Do you like big ed kyman?
• 13:52
  Speaker 8: I wanted't you ask? And you're standing right behind you?
• 13:54
  Speaker 4: Oh who is your friend, Crystal?
• 13:56
  Speaker 8: Mister Temple and mister klin and mister Klineman.
• 13:59
  Speaker 9: Mister Temples, shut up, Crystal, you're a friend of vex templar.
• 14:03
  Speaker 3: Well you might say that. Just put me down as
• 14:08
  Speaker 3: a patron of bracing, mister Clemond. I'm interested in improving
• 14:12
  Speaker 3: the breed.
• 14:13
  Speaker 9: Yeah, what you move in on? Vec Templer. He's not
• 14:17
  Speaker 9: big enough to object.
• 14:18
  Speaker 8: But I am he didn't move in on Vicky.
• 14:20
  Speaker 4: Shut up Crystal leaving mister templar. That seems to be
• 14:26
  Speaker 4: the majority opinion, My Crystal, every moment has been cold.
• 14:33
  Speaker 8: Yeah. Can't you say something nice like that sometime instead
• 14:38
  Speaker 8: of shut up Crystal?
• 14:40
  Speaker 3: One track?
• 14:40
  Speaker 4: Mind? Hello? What is it?
• 14:56
  Speaker 7: Mister Temper?
• 14:58
  Speaker 4: Who's this?
• 15:00
  Speaker 8: Temper?
• 15:01
  Speaker 7: I'm terribly sorry to bother you.
• 15:02
  Speaker 4: But what's wrong? Annie? He's dead.
• 15:04
  Speaker 8: I can't find him.
• 15:05
  Speaker 7: He never stays out this lake, mister Temple. He's always
• 15:07
  Speaker 7: out of the track early in the morning.
• 15:09
  Speaker 4: What time is it?
• 15:10
  Speaker 7: Four a m I didn't want to wake you, but
• 15:12
  Speaker 7: I've been sitting here all by myself.
• 15:13
  Speaker 3: One crazy Wait right there, Annie? Most likely or Dad,
• 15:16
  Speaker 3: we'll show up before I get that, but I'll be
• 15:17
  Speaker 3: right out.
• 15:18
  Speaker 8: Thank you, mister Temple.
• 15:19
  Speaker 4: Thank you you.
• 15:21
  Speaker 8: You don't think anything has happened to him?
• 15:23
  Speaker 3: No, Annie, I'll be right there.
• 15:33
  Speaker 7: Mister Temple. He never did anything like this before.
• 15:36
  Speaker 4: And when did he leave here?
• 15:38
  Speaker 7: You know I was here. It was around nine. Dad
• 15:42
  Speaker 7: left to walk over to Pete Stall. He always does
• 15:44
  Speaker 7: that just before he goes to bed, and then he
• 15:47
  Speaker 7: he just didn't come back.
• 15:49
  Speaker 4: Did you look for him?
• 15:50
  Speaker 7: Yes? I went over to the stables. I had been
• 15:52
  Speaker 7: see him in pezz Stall and I asked a few people,
• 15:55
  Speaker 7: but none of them had seen I came back here.
• 15:58
  Speaker 7: He was always in bed by mister Temple every night
• 16:01
  Speaker 7: of his life.
• 16:01
  Speaker 4: All right, Annie, we'll find him. Did you call Vic.
• 16:05
  Speaker 7: He's living at a hotel. He just moved from living
• 16:08
  Speaker 7: with us a month ago. I called him.
• 16:10
  Speaker 4: Is he in?
• 16:12
  Speaker 7: No?
• 16:12
  Speaker 3: All right, don't worry any we'll find your dad. Let's
• 16:17
  Speaker 3: go up to the stables.
• 16:18
  Speaker 7: All right, but I looked there.
• 16:20
  Speaker 4: Well, we'd better cover them again.
• 16:25
  Speaker 3: Somebody come in, Jad, Oh, Annie, what are you doing
• 16:31
  Speaker 3: out this light and temper?
• 16:33
  Speaker 4: Hello? Ell? Seeing anything of Annie's dad? No, No, just
• 16:37
  Speaker 4: came from a poker game with some of the boys.
• 16:39
  Speaker 4: But we didn't see him.
• 16:40
  Speaker 7: You know, he never stayed out this lay down every.
• 16:42
  Speaker 4: Sure, Annie, sure you've been down to peach Stall.
• 16:45
  Speaker 3: Annie looked that earlier, but we might check again.
• 16:49
  Speaker 7: It's right over here, easy boy, easy, Jad, he's not
• 16:59
  Speaker 7: here this.
• 17:00
  Speaker 4: I'll go in just to make sure.
• 17:02
  Speaker 3: Wait here, Annie, I'll come with you.
• 17:09
  Speaker 4: Easy, doesn't the old boy. He looks excited about something,
• 17:13
  Speaker 4: saying yes, I noticed, Well it doesn't look at it.
• 17:19
  Speaker 4: Hell yeah, open the corner.
• 17:22
  Speaker 3: Dad, I'm afraid so I got a lighter, ye, dear,
• 17:29
  Speaker 3: m not with a horseshoe. He's killed him. Instantly, keep
• 17:34
  Speaker 3: any app will you sure? Wait a minute, dear? I'm sorry, Annie?
• 17:40
  Speaker 4: Oh please, I'm howfraid that he is.
• 17:49
  Speaker 7: How not he didn't do it. He didn't do it,
• 17:56
  Speaker 7: he couldn't. I never believe he did it.
• 18:00
  Speaker 3: Maybe I won't either, Annie. I want to help you
• 18:17
  Speaker 3: make some fans.
• 18:18
  Speaker 7: Plan, mister Temper. What's there for me to do? Just
• 18:21
  Speaker 7: keep on going to school, have got another year and
• 18:25
  Speaker 7: keep on living here. Hip. I guess you'll keep on
• 18:29
  Speaker 7: living at your hotel, Dick.
• 18:31
  Speaker 4: I think that's the best. Annie.
• 18:34
  Speaker 7: Of course you're right.
• 18:36
  Speaker 4: What about Peter the Gray?
• 18:38
  Speaker 8: See?
• 18:40
  Speaker 7: I know Victorin's dad wouldn't raise him because he didn't
• 18:42
  Speaker 7: trust Dick to ride him. But I don't believe that.
• 18:46
  Speaker 7: So I've entered Peter the grave in the sixth Race tomorrow.
• 18:50
  Speaker 7: Whom writing this?
• 18:52
  Speaker 4: You trust me to give you an honest ride? Annie?
• 18:55
  Speaker 8: I trust you?
• 18:56
  Speaker 6: Yes?
• 18:58
  Speaker 4: Who? Thanks kidding? Thanks all riding. I'm riding for you.
• 19:06
  Speaker 4: That's all.
• 19:09
  Speaker 7: Did I do wrong?
• 19:10
  Speaker 4: Mister Temple? If you like someone very much, then you
• 19:14
  Speaker 4: have to trust the many. You just have to and
• 19:17
  Speaker 4: that's never long. Hello.
• 19:32
  Speaker 3: Well, well hello mister Templar, here to place a little
• 19:36
  Speaker 3: wager on Peter the Great for tomorrow. Word gets around first,
• 19:40
  Speaker 3: the scientific pastime, mister Templar. The players have to study
• 19:44
  Speaker 3: out things well in advance, helps them to lose their money.
• 19:48
  Speaker 4: Had any action yet on the rain? Definitely? Mister big
• 19:51
  Speaker 4: Ed Kleinman placed a very substantial sum on two other
• 19:54
  Speaker 4: horses in the race, which I promptly laid off with
• 19:57
  Speaker 4: the connection I got out of town. He's pretty sure
• 20:00
  Speaker 4: Peter won't win. We must know something. If he doesn't,
• 20:03
  Speaker 4: he stands to go broke. He's picked in the consensus.
• 20:06
  Speaker 4: He'll go off, maybe even money. Well what could they get? No, well,
• 20:11
  Speaker 4: what's that alone? You can't very well dope a horse
• 20:14
  Speaker 4: these days? So what does that leave the man on
• 20:17
  Speaker 4: the horse's back? The monkey on the stick? You know,
• 20:20
  Speaker 4: the saying Saint never bet on anything with two legs.
• 20:23
  Speaker 4: That's a bit of comment on the human race. All
• 20:26
  Speaker 4: I know is it's very hard to find a dishonest horse.
• 20:30
  Speaker 3: Well, Bigger isn't throwing money around just on speculation.
• 20:35
  Speaker 4: I suppose it's the size. What the size of the jocks.
• 20:40
  Speaker 4: They're five foot men in the six foot world. They
• 20:43
  Speaker 4: never get to eat a decent meal, they can't take
• 20:46
  Speaker 4: a drink. Everybody else is trying to get big and strong,
• 20:49
  Speaker 4: and the worst thing that can happen to them is
• 20:51
  Speaker 4: they grow up to be normal.
• 20:52
  Speaker 3: So if the ethics are not all they might be. Well,
• 20:56
  Speaker 3: that's understandable, A very good word.
• 20:58
  Speaker 4: You don't think Vick house Gay.
• 21:00
  Speaker 3: Will give anyon honest Ryan tomorrow, I'll tell you better
• 21:02
  Speaker 3: this time tomorrow.
• 21:03
  Speaker 4: How are you betting.
• 21:05
  Speaker 3: I'm not a better l I'm only interested in improving
• 21:08
  Speaker 3: the breed. Who do you like in the sixth mister Templar,
• 21:24
  Speaker 3: Peter the Great Louis? Well you like him and even money?
• 21:28
  Speaker 3: I will tell you after the race, After the race,
• 21:30
  Speaker 3: thanks very much.
• 21:31
  Speaker 4: Yeah, oh sorry, Louis. It's just that I almost wish
• 21:35
  Speaker 4: the race wasn't going to be run.
• 21:36
  Speaker 3: I have a feeling something tragic is about to happen,
• 21:39
  Speaker 3: and I don't know what I can do to stop it.
• 21:41
  Speaker 5: You know, I get that feeling every time I got
• 21:43
  Speaker 5: to the window. The better horse.
• 21:44
  Speaker 3: The girl's life can be shattered at fifteen and never
• 21:47
  Speaker 3: quite be the same.
• 21:48
  Speaker 5: Well, you know that's what they call a vlorable age.
• 21:51
  Speaker 5: Oh here we are. You got any plan in mind,
• 21:56
  Speaker 5: mister Temple.
• 21:57
  Speaker 3: I'm afraid it's too late to too much Lewis, and
• 22:00
  Speaker 3: if there was anything to be done, chance on a chance,
• 22:02
  Speaker 3: I'm going to check the clubhouse bar.
• 22:05
  Speaker 5: You don't think you'll find your friend Laddy.
• 22:07
  Speaker 3: And the bar maybe another friend louis enjoying the racist Crystal.
• 22:22
  Speaker 8: No, missus Simon Tempra down, mister Simon Temper, winning or
• 22:28
  Speaker 8: losing it is sistant. You divide the number of high
• 22:31
  Speaker 8: birds you've had by five, add three, and that's your horse.
• 22:34
  Speaker 8: Never failed, except when you've had enough high brows to
• 22:37
  Speaker 8: make it work. You forget how many highbrows you've had?
• 22:40
  Speaker 3: How many high balls does it take to forget this
• 22:42
  Speaker 3: next race?
• 22:42
  Speaker 8: I'm trying to find out you'll know something about it,
• 22:45
  Speaker 8: for Crystal cheer I did. Why didn't you ask me what?
• 22:49
  Speaker 8: I'll ask you and I won't tell you.
• 22:52
  Speaker 4: Were you ever fifteen? Crystal?
• 22:54
  Speaker 5: Here?
• 22:54
  Speaker 8: I was at fifteen? I started dancing a chorus man.
• 22:57
  Speaker 8: It's fifteen. I was married two months later. I was
• 23:00
  Speaker 8: back in the line. Was I ever fifteen?
• 23:04
  Speaker 4: Did you ever believe in someone so hard?
• 23:06
  Speaker 3: At her and have him take your.
• 23:08
  Speaker 4: Belief and throw it away.
• 23:10
  Speaker 8: You're talking about the kid Annie and her jackey.
• 23:14
  Speaker 4: Yeah, what's going to happen? Crystal? You know?
• 23:18
  Speaker 8: Tell me it's a funny. Why I don't nobody does.
• 23:22
  Speaker 3: One supposed once. That's supposed to mean either Vic throws
• 23:26
  Speaker 3: the race or he doesn't.
• 23:27
  Speaker 4: What else is there?
• 23:28
  Speaker 3: Either any gets a heartbroken or she doesn't it. If
• 23:31
  Speaker 3: it's an honest race, he should win easily.
• 23:34
  Speaker 8: All right, boy, Scott, I'll tell you why. Don't ask
• 23:40
  Speaker 8: me why. Maybe a girl can be pushed around only
• 23:43
  Speaker 8: so long. Maybe she can be pushed around all her
• 23:46
  Speaker 8: life like a mop. Maybe she can have Crystal.
• 23:52
  Speaker 4: There is much time. Tell me. You've got to tell me.
• 23:54
  Speaker 8: Ah, there's nothing you can do anymore. You know, my
• 23:58
  Speaker 8: boyfriend had tried me know how many kinds of a
• 24:01
  Speaker 8: laws he is. He wouldn't bet on this race only
• 24:04
  Speaker 8: because I was supposed to persuade poor little Victor loose.
• 24:08
  Speaker 8: He didn't trust the nervous that far. He's got another gimmick.
• 24:12
  Speaker 1: What you know?
• 24:13
  Speaker 8: He owned you to the great a few months back.
• 24:15
  Speaker 3: Yes, I know, cleaned him from dad neck. In time,
• 24:18
  Speaker 3: Poor old Pete broke down, so ed and nerved him.
• 24:21
  Speaker 8: He nerved him, took out the nerve and his saw
• 24:23
  Speaker 8: a leg, so he couldn't feel anything when he ran night.
• 24:27
  Speaker 4: Oh what happens to the horse? Nothing?
• 24:29
  Speaker 8: For a while, had one another race with him. Then
• 24:33
  Speaker 8: he let Dad claim him back. But after while the
• 24:36
  Speaker 8: leg begins to die. And sooner or later, if you
• 24:39
  Speaker 8: run the horse, one leg will cross in front of
• 24:42
  Speaker 8: the other in a race.
• 24:43
  Speaker 4: What happens to the junk here? I don't know.
• 24:46
  Speaker 8: He's not trying to win. The horse might not even
• 24:48
  Speaker 8: fall if he's out front with the whole.
• 24:51
  Speaker 4: Pack behind him, Great Candy, Does Vick know about the
• 24:54
  Speaker 4: horse's leg?
• 24:55
  Speaker 8: Nobody knows. Stept me and dig ahead and now you.
• 24:59
  Speaker 3: But Dad would didn't he? That's why he wouldn't run.
• 25:01
  Speaker 3: The horse kept telling Victor hold him back, even in
• 25:04
  Speaker 3: a workout. Must have been nice for him, knowing Pete
• 25:06
  Speaker 3: had to die.
• 25:07
  Speaker 8: Money, money, money.
• 25:09
  Speaker 4: Many horses are nearing the starting gate and.
• 25:11
  Speaker 8: You can't do anything about it. Too late, much, too late, Cristal,
• 25:17
  Speaker 8: what happened to night Dad was killed? I told you enough,
• 25:21
  Speaker 8: I told you too much. Did he come to the
• 25:23
  Speaker 8: club that night looking for Climon? Did he came there
• 25:27
  Speaker 8: that's all I know. I do anything more, that's all
• 25:29
  Speaker 8: I know.
• 25:30
  Speaker 4: That's enough. What's enough? Race? Ready to go? Crystal? Are
• 25:33
  Speaker 4: you so?
• 25:35
  Speaker 9: You've been talking?
• 25:36
  Speaker 8: And I didn't say anything about that, Honest I didn't.
• 25:38
  Speaker 3: I get up too late, Climan, way too late, And
• 25:41
  Speaker 3: mister t thought you want to see the raster in
• 25:43
  Speaker 3: the gate just a minute the way I want you
• 25:45
  Speaker 3: to hear this, Crimeman, anyone that would kill a horse
• 25:50
  Speaker 3: would have to figure on killing the horse's owner, tool
• 25:52
  Speaker 3: or get killed himself.
• 25:54
  Speaker 9: Mac and I got kicked by his own horse.
• 25:56
  Speaker 4: Everybody knows that you.
• 25:57
  Speaker 3: Expected Dad to show up when he found out your
• 25:59
  Speaker 3: nerve you and you were ready for him. I never
• 26:02
  Speaker 3: saw he already knows you shut up, no trick, Climeman.
• 26:06
  Speaker 3: Time horse who on a baseball bat makes it look
• 26:08
  Speaker 3: like a man's been kicked by horse, doesn't It must
• 26:11
  Speaker 3: have been quite a job getting dead back to the stables.
• 26:13
  Speaker 4: But then you're a big man.
• 26:15
  Speaker 8: That's a big man.
• 26:18
  Speaker 9: There's some templar. This doesn't add up to anything. But
• 26:22
  Speaker 9: you're just trying to make trouble for me. You know,
• 26:25
  Speaker 9: it's just a question of money.
• 26:26
  Speaker 8: Money, money, don't you know, honey, you haven't got that much.
• 26:32
  Speaker 3: You shut up, you know, Kleiman. I'm getting a little
• 26:34
  Speaker 3: tired listening to you say shut up. Go for the
• 26:37
  Speaker 3: track police, lawyer. Will you pleasure mister quite a minute?
• 26:40
  Speaker 4: That must be very heavy.
• 26:42
  Speaker 3: I like to use an alli, but there isn't time,
• 26:45
  Speaker 3: is that.
• 26:46
  Speaker 5: Just stay where you are. I'm getting you want to
• 26:49
  Speaker 5: try and catch mister No.
• 26:50
  Speaker 4: He won't go far.
• 26:52
  Speaker 3: Get the track police, attering lois. I've got to find any.
• 27:03
  Speaker 10: And there are At the start, it's speed Merchant breaking
• 27:07
  Speaker 10: on top, followed by Count Flavaci, Harbor Light quiz Me,
• 27:12
  Speaker 10: Fleet Arleen and Peter the Great.
• 27:15
  Speaker 5: And he wants to run.
• 27:21
  Speaker 8: He wants to run Merchant.
• 27:24
  Speaker 5: Peter the Great between houses harvelighte by.
• 27:27
  Speaker 4: One and fleet Alias is drawn up by.
• 27:32
  Speaker 10: Two lengths Speed Merchant by one, moving up on the outside.
• 27:43
  Speaker 5: Into the turn.
• 27:44
  Speaker 4: It's still Caravachi showing in front by one.
• 27:46
  Speaker 10: Speed Merchant with me and now I'm moving up very
• 27:50
  Speaker 10: fast in the outside of the Great.
• 27:52
  Speaker 4: He's second.
• 27:53
  Speaker 5: He's going to get the leader.
• 27:54
  Speaker 11: Now it's Peter the Great problem one Caravachie, Stream Merchant
• 27:58
  Speaker 11: third quiz me Rob.
• 28:01
  Speaker 7: Riding him. He's letting him wrong.
• 28:04
  Speaker 11: Turning home, it's beating the grade five falling speed virtuin
• 28:07
  Speaker 11: of second by two wi count blen holihlight into the
• 28:13
  Speaker 11: stretches beating the Great stretching out by six light speed
• 28:17
  Speaker 11: virgin his second.
• 28:18
  Speaker 5: I halilite quisbe feet Alli and feet of the Great
• 28:21
  Speaker 5: winds that going along? It's from Peter the Great is.
• 28:28
  Speaker 7: Going down, you temper.
• 28:44
  Speaker 4: He's going to be all right anyway. He was thrown tear.
• 28:50
  Speaker 7: But I guess I better be going.
• 28:53
  Speaker 4: Wait a minute, Annie, he wants to see you.
• 28:56
  Speaker 7: He does.
• 28:58
  Speaker 3: Thank you very fancy about gone in and smiled for him.
• 29:03
  Speaker 7: But what will I say? I mean, how will I act?
• 29:07
  Speaker 4: How do you feel?
• 29:11
  Speaker 7: I don't feel like a kid anymore. You don't think
• 29:14
  Speaker 7: you'll call me a kid again, do you, mister?
• 29:16
  Speaker 4: I don't believe he will.
• 29:19
  Speaker 7: But how will I act?
• 29:20
  Speaker 4: Don't worry any When the time comes, a girl always
• 29:24
  Speaker 4: knows how to act.
• 29:26
  Speaker 7: He thinks that this is the time.
• 29:28
  Speaker 4: This is the time, Anie, Good luck to both of you.
• 29:46
  Speaker 2: You have been listening to another transcribed adventure of the Saints,
• 29:49
  Speaker 2: the robin Hood of Modern Crime.
• 29:50
  Speaker 3: Now Here is our star, Tom Conway. Ladies and gentlemen
• 29:54
  Speaker 3: in our cast. You've heard Janet Waldo's Annie and Jene
• 29:57
  Speaker 3: Tatum as Crystal. Jack Moyles played and Sam Edwards Vick
• 30:02
  Speaker 3: and Paul Richards l Paul Prize was Big ed Louis
• 30:06
  Speaker 3: is played by Larry Dobkin. This is Tom Conway inviting
• 30:09
  Speaker 3: you to join us again next week at a new
• 30:11
  Speaker 3: time for another exciting adventure of the Saint.
• 30:15
  Speaker 4: Good Night.
• 30:27
  Speaker 2: This script of The Saint was written by Dick Paul.
• 30:30
  Speaker 2: The Saint, based on characters created by Leslie trotteris is
• 30:32
  Speaker 2: a James L. Safire production and is directed by Helen
• 30:35
  Speaker 2: mac Tom Conway is soon to be seen in Warner
• 30:37
  Speaker 2: Brothers production of gold Eggers in Las Vegas. All you
• 30:40
  Speaker 2: Saints fans will be glad to know that the Saint
• 30:42
  Speaker 2: comic books are on sale with all newstands. You're an
• 30:44
  Speaker 2: answer is Don Stanmer.
• 30:51
  Speaker 6: It's the Silver Jubilee on NBC beginning next Sunday, July First,
• 30:56
  Speaker 6: The Saint moves to a new time on most NBC stations. Yes,
• 31:00
  Speaker 6: beginning next Sunday, you'll hear The Saint thirty minutes earlier
• 31:03
  Speaker 6: at four o'clock Eastern Time. Next Sunday, at this hour,
• 31:06
  Speaker 6: a new show joined your NBC lineup of top mystery programs.
• 31:10
  Speaker 6: Martin Kain Private Eye starring Lloyd Nolan, and here he
• 31:13
  Speaker 6: is one of Hollywood's finest actors. Lloyd Nolan, Thank you,
• 31:18
  Speaker 6: ladies and gentlemen. Here is your invitation to join me
• 31:22
  Speaker 6: as Martin Kain Private Eye, my new role in this
• 31:25
  Speaker 6: station beginning Sunday, July first. Here Lloyd Nolan is Martin
• 31:29
  Speaker 6: Kain Private Eye at this same time beginning next Sunday.
• 31:34
  Speaker 5: This is NBC, the National Broadcasting Company.
• 31:47
  Speaker 8: This is Andrew J.
• 31:48
  Speaker 9: Graham, author of the web surface series Oh and a
• 31:51
  Speaker 9: Man and his Wife. You're listening to the great detectives
• 31:54
  Speaker 9: of Old time Radio.
• 32:02
  Speaker 1: Welcome back. Well, some very good guest performances, and overall
• 32:08
  Speaker 1: I thought a very well drawn story. The mystery wasn't
• 32:13
  Speaker 1: so much, but the drama I think was pretty engaging.
• 32:17
  Speaker 1: In terms of the guest cast, Janet Waldo, I don't
• 32:20
  Speaker 1: know if we've had her on the program before, but
• 32:23
  Speaker 1: Janet Waldo was best remembered during the Golden Age of
• 32:27
  Speaker 1: Radio for playing the lead on CBS's Meet Corliss Archer.
• 32:32
  Speaker 1: She also starred in Young Love, which was a favorite
• 32:36
  Speaker 1: of my wife and Iz. We listened to all that's
• 32:39
  Speaker 1: left of that particular series. It wasn't hugely popular, but
• 32:43
  Speaker 1: we liked it, and she's most famously known as the
• 32:48
  Speaker 1: voice of Judy Jetson, though she's had such a very career,
• 32:52
  Speaker 1: and she's one of the few radio actresses who is
• 32:55
  Speaker 1: still living from the golden era. In her mid Night Now,
• 33:01
  Speaker 1: we turn to some listener comments and feedback, and Laurie writes,
• 33:06
  Speaker 1: regarding the Children's Crusade, I enjoy Tom Conway in just
• 33:12
  Speaker 1: about everything, and this is not any different in this episode.
• 33:17
  Speaker 1: The storyline line sounds so familiar. Do you know what
• 33:20
  Speaker 1: other series use this same story? I don't over radio.
• 33:26
  Speaker 1: It may have been some television show. But if there
• 33:30
  Speaker 1: was a plot like this that we've played, I've forgotten.
• 33:33
  Speaker 1: That's certainly possible. We've done one thousand and six hundred
• 33:38
  Speaker 1: plus episodes now, and so I could forget a storyline
• 33:42
  Speaker 1: here or there. But I actually thought the Children's Crusade
• 33:46
  Speaker 1: was pretty much an original plot to the same. But
• 33:49
  Speaker 1: if any listener remembers otherwise, be sure and let me
• 33:53
  Speaker 1: know and I will correct myself. Thanks so much, Lurie.
• 33:56
  Speaker 1: And then we have a question from Eli, who sends
• 33:59
  Speaker 1: in an email says, First, I want to say that
• 34:02
  Speaker 1: I love the show. I've been a longtime fan of
• 34:04
  Speaker 1: detective novels in film noir, but I never really realized
• 34:09
  Speaker 1: how extensive the detective genre was explored through radio. I
• 34:13
  Speaker 1: must admit I've come to prefer the purely audio experience
• 34:17
  Speaker 1: of enjoying these stories, especially the Saint with Vincent Price,
• 34:22
  Speaker 1: Philip Marlon, and Pat Novak. I've taken to writing a
• 34:25
  Speaker 1: script for a satire in the genre, and I'm very
• 34:27
  Speaker 1: curious to learn more about the music that was used
• 34:31
  Speaker 1: for these shows. Do you know anything about the sources
• 34:34
  Speaker 1: of the soundtracks? Are these jazz standards appropriated for the
• 34:38
  Speaker 1: radio stories or were they specific specifically recorded. Do you
• 34:43
  Speaker 1: happen to have a list of musicians or tracks? Is
• 34:45
  Speaker 1: there somewhere to purchase a CD that is specifically the
• 34:49
  Speaker 1: soundtrack to these shows? Any information would be very helpful
• 34:53
  Speaker 1: and appreciated. Keep up the great work. It's wonderful to
• 34:56
  Speaker 1: know that the world is populated with people dedicated to
• 34:59
  Speaker 1: niche interests, especially when they overlap with my own. And
• 35:04
  Speaker 1: do you ever listen to Garrison Keeler's Guy nor Private Eye?
• 35:09
  Speaker 1: It's a satire through back to the genre, but quite
• 35:16
  Speaker 1: entertaining well. An answer to the question, it really varied.
• 35:24
  Speaker 1: Most of the radio programs did use their own original
• 35:29
  Speaker 1: theme music, particularly you'll hear ones that listed composer The
• 35:34
  Speaker 1: Saint used a version of the theme that particularly the
• 35:39
  Speaker 1: NBC version really used one that was based on what
• 35:44
  Speaker 1: had been in the film. There were a wide variety
• 35:47
  Speaker 1: of different approaches. You'll have orchestral themes, organ themes, and
• 35:55
  Speaker 1: on NBC. You probably saw when you listen to NBC
• 36:00
  Speaker 1: radio detective shows of the nineteen fifties. They generally kept
• 36:05
  Speaker 1: a different overall theme music they would play, but when
• 36:10
  Speaker 1: it came to the incidentals and the bridges, pretty much
• 36:16
  Speaker 1: one detective show was the same as the other. It
• 36:19
  Speaker 1: really got very standardized. Unfortunately, I am not aware of
• 36:25
  Speaker 1: a CD having been made of the various types of themes,
• 36:30
  Speaker 1: though I did think about doing special just a theme
• 36:35
  Speaker 1: music episode might be interesting just to hear all the
• 36:40
  Speaker 1: different programs we've done in their themes back to back.
• 36:44
  Speaker 1: The many of them were quite short in terms of
• 36:46
  Speaker 1: the overall theme music. I have not really a big
• 36:50
  Speaker 1: listener to The Prairie Home Companion. I think I listened
• 36:53
  Speaker 1: to one episode back in two thousand and then. I've
• 36:57
  Speaker 1: caught little bits of it on those fews I've been
• 37:01
  Speaker 1: out and about, though I haven't necessarily thought of it,
• 37:05
  Speaker 1: I have heard the kind of radio drama routines going
• 37:09
  Speaker 1: on on there. But at any rate, good luck to
• 37:12
  Speaker 1: you with your writing. Thanks so much for writing in
• 37:14
  Speaker 1: to appreciate your kind words. Now, one other question I
• 37:18
  Speaker 1: was asked Listener wanted to know how many episodes we
• 37:22
  Speaker 1: have in the Tom Conway era. And while Tom Conway
• 37:27
  Speaker 1: actually recorded twenty two episodes of the Saint, only six
• 37:35
  Speaker 1: of them are in existence, so that means we actually
• 37:39
  Speaker 1: only have three more episodes of the Saints, So coming
• 37:43
  Speaker 1: in four weeks it's Michael Shane Private Detective with Wally Mayer. Now,
• 37:50
  Speaker 1: for those of you who are unfamiliar with our with
• 37:53
  Speaker 1: Michael Shane, and this kind of returns to the Listener
• 37:55
  Speaker 1: support campaign, which you can support through support dot great
• 37:59
  Speaker 1: Detachives dot net. If you're in the US or Canada,
• 38:04
  Speaker 1: with a donation of fifty dollars or more, I can,
• 38:09
  Speaker 1: at your request send you a copy of the uh
• 38:12
  Speaker 1: Michael Shane Mysteries Volume one, featuring four films starring Lloyd Nolan,
• 38:19
  Speaker 1: who you just heard recording the ad for Martin Kane,
• 38:24
  Speaker 1: and that is with a donation of fifty dollars or
• 38:27
  Speaker 1: more in addition to receiving one of seven ebooks and
• 38:32
  Speaker 1: access to the premium site. A full list of available
• 38:35
  Speaker 1: thank you gifts are at support dot Great Detectives dot net.
• 38:39
  Speaker 1: And remember, if you want to give on a monthly basis,
• 38:42
  Speaker 1: just go to Patreon dot Great Detectives dot net. Well
• 38:45
  Speaker 1: that will do it for today. Join us back here
• 38:49
  Speaker 1: tomorrow for Ellery Queen next Monday, another episode of The Saint.
• 38:54
  Speaker 1: In the meanwhile, send your comments to Box thirteen at
• 38:57
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• 39:02
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• 39:07
  Speaker 1: slash Radiodetectives from Boise, Idaho. This is your host, Adam
• 39:12
  Speaker 1: Graham signing off.