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The Legacy of Music: A Journey from an Island to the World · Music Explored Podcast

• 0:00
  Know,
• 0:00
  this.
• 0:00
  This
• 0:01
  is
• 0:01
  what
• 0:01
  I
• 0:01
  wanted
• 0:01
  to
• 0:01
  do,
• 0:02
  you
• 0:02
  know,
• 0:02
  before
• 0:03
  producing
• 0:03
  was
• 0:03
  fashionable.
• 0:05
  You
• 0:05
  know,
• 0:05
  everybody's
• 0:06
  a
• 0:06
  producer.
• 0:07
  Like,
• 0:07
  I
• 0:07
  knew
• 0:07
  that
• 0:08
  That's.
• 0:08
  That
• 0:09
  was
• 0:09
  my.
• 0:09
  My
• 0:09
  thing.
• 0:10
  I
• 0:10
  loved
• 0:11
  sound.
• 0:11
  I
• 0:11
  loved
• 0:12
  creating
• 0:12
  sound.
• 0:13
  I
• 0:13
  mean,
• 0:13
  one
• 0:13
  of
• 0:13
  the
• 0:14
  things,
• 0:14
  too,
• 0:15
  is
• 0:15
  that
• 0:16
  my
• 0:16
  dad
• 0:16
  was
• 0:16
  also
• 0:17
  a
• 0:17
  musician,
• 0:17
  right.
• 0:18
  So,
• 0:19
  you
• 0:19
  know,
• 0:19
  I'd
• 0:19
  sit
• 0:20
  in
• 0:20
  the
• 0:20
  corner
• 0:20
  and
• 0:20
  hear
• 0:21
  the
• 0:21
  stories
• 0:22
  that,
• 0:22
  you
• 0:22
  know,
• 0:22
  the
• 0:22
  tr.
• 0:23
  He's
• 0:23
  traveled,
• 0:24
  he's
• 0:24
  recorded
• 0:25
  for
• 0:25
  Decca.
• 0:26
  And,
• 0:26
  you
• 0:26
  know,
• 0:26
  all
• 0:27
  his
• 0:27
  friends
• 0:27
  would
• 0:27
  come
• 0:27
  over
• 0:28
  and
• 0:28
  they
• 0:28
  talk
• 0:28
  about
• 0:28
  the
• 0:29
  old
• 0:29
  days
• 0:29
  when
• 0:29
  they
• 0:30
  play
• 0:30
  and
• 0:30
  they
• 0:30
  travel
• 0:31
  and,
• 0:31
  you
• 0:32
  know.
• 0:32
  Yeah.
• 0:33
  And.
• 0:33
  And
• 0:33
  that
• 0:33
  was
• 0:34
  very
• 0:34
  intriguing
• 0:34
  to
• 0:35
  me.
• 0:35
  And
• 0:35
  then
• 0:35
  they'll
• 0:35
  talk
• 0:36
  about
• 0:36
  the
• 0:36
  records,
• 0:36
  the
• 0:37
  records
• 0:37
  that
• 0:38
  shaped
• 0:38
  their
• 0:39
  trajectory,
• 0:40
  the
• 0:40
  record
• 0:40
  that
• 0:41
  made
• 0:41
  them,
• 0:42
  you
• 0:43
  know,
• 0:43
  want
• 0:43
  to
• 0:43
  play
• 0:43
  music.
• 0:44
  So
• 0:44
  then
• 0:44
  I'd
• 0:44
  listen
• 0:45
  to
• 0:45
  those
• 0:45
  records
• 0:45
  because
• 0:45
  my
• 0:46
  dad
• 0:46
  held
• 0:46
  those
• 0:46
  records.
• 0:47
  Right.
• 0:47
  And
• 0:48
  to
• 0:48
  compound
• 0:49
  that
• 0:49
  even
• 0:49
  more
• 0:50
  is
• 0:50
  that
• 0:50
  my
• 0:50
  dad
• 0:51
  had
• 0:51
  a.
• 0:52
  He
• 0:52
  had.
• 0:52
  He
• 0:52
  had
• 0:52
  the
• 0:53
  only
• 0:53
  music
• 0:54
  store
• 0:54
  on
• 0:54
  the
• 0:54
  island.
• 0:55
  Oh,
• 0:55
  wow.
• 0:55
  So
• 0:56
  I'm
• 0:56
  surrounded
• 0:56
  with
• 0:57
  everything.
• 0:57
  Guitars,
• 0:58
  bass,
• 0:58
  pianos,
• 0:59
  drums,
• 1:00
  everything.
• 1:00
  Yeah.
• 1:01
  And
• 1:01
  what
• 1:01
  will
• 1:02
  happen
• 1:02
  is
• 1:03
  a
• 1:03
  lot
• 1:03
  of
• 1:04
  times,
• 1:05
  musicians
• 1:06
  who.
• 1:07
  Who.
• 1:07
  From.
• 1:08
  Who
• 1:08
  have,
• 1:09
  you
• 1:09
  know,
• 1:09
  Grenadian
• 1:10
  roots
• 1:10
  would
• 1:10
  travel
• 1:11
  all
• 1:11
  around
• 1:11
  the
• 1:11
  world.
• 1:12
  And
• 1:12
  they.
• 1:12
  They'd
• 1:13
  all
• 1:13
  know
• 1:13
  my
• 1:13
  dad.
• 1:14
  So
• 1:14
  when
• 1:15
  they
• 1:16
  visit
• 1:16
  their
• 1:17
  parents
• 1:17
  or
• 1:18
  their
• 1:18
  brothers
• 1:18
  and
• 1:18
  sisters,
• 1:19
  they
• 1:20
  would
• 1:20
  come
• 1:20
  into
• 1:20
  the
• 1:21
  store.
• 1:21
  Because
• 1:21
  you're
• 1:21
  a
• 1:21
  musician,
• 1:22
  you
• 1:23
  want
• 1:23
  to,
• 1:23
  you
• 1:23
  know,
• 1:23
  go
• 1:24
  to
• 1:24
  the
• 1:24
  music
• 1:24
  store.
• 1:25
  And
• 1:26
  my
• 1:26
  dad
• 1:26
  would
• 1:26
  see
• 1:26
  them
• 1:26
  and
• 1:26
  he
• 1:26
  said,
• 1:27
  okay,
• 1:27
  jam
• 1:27
  session.
• 1:28
  He'd
• 1:28
  call
• 1:28
  up
• 1:28
  his
• 1:29
  friends,
• 1:29
  he
• 1:29
  goes,
• 1:29
  listen,
• 1:30
  I'm
• 1:30
  closing
• 1:31
  the
• 1:31
  shop.
• 1:32
  We're
• 1:32
  having
• 1:32
  a
• 1:32
  jam
• 1:33
  session.
• 1:33
  And
• 1:34
  he'd
• 1:34
  bring
• 1:34
  out.
• 1:35
  And
• 1:35
  then
• 1:35
  like,
• 1:36
  all
• 1:36
  the
• 1:36
  traffic
• 1:37
  and
• 1:37
  cars,
• 1:37
  and
• 1:37
  we'd
• 1:38
  have
• 1:38
  these
• 1:38
  jam
• 1:38
  sessions.
• 1:39
  Wow.
• 1:39
  You
• 1:39
  know,
• 1:40
  from
• 1:41
  even,
• 1:41
  like
• 1:42
  the
• 1:42
  tourist
• 1:43
  ships
• 1:43
  that
• 1:44
  would
• 1:44
  come
• 1:44
  in,
• 1:44
  and
• 1:44
  the
• 1:44
  musicians
• 1:45
  would
• 1:45
  come
• 1:45
  off
• 1:45
  the
• 1:46
  tourist
• 1:46
  ships
• 1:46
  and
• 1:46
  look
• 1:47
  for
• 1:47
  the
• 1:47
  music
• 1:47
  store.
• 1:48
  Right.
• 1:48
  And
• 1:48
  here
• 1:48
  we
• 1:48
  go,
• 1:49
  we
• 1:49
  have
• 1:49
  a
• 1:49
  jam
• 1:49
  session
• 1:49
  again.
• 1:50
  So
• 1:50
  my
• 1:50
  dad
• 1:51
  would
• 1:51
  always,
• 1:51
  you
• 1:52
  know,
• 1:52
  so
• 1:52
  music
• 1:52
  was
• 1:52
  his.
• 1:53
  Was
• 1:54
  his
• 1:54
  thing.
• 1:54
  You
• 1:54
  know
• 1:54
  what
• 1:55
  I
• 1:55
  mean?
• 1:55
  So.
• 1:57
  So
• 1:57
  I
• 1:57
  was
• 1:57
  a.
• 1:58
  I
• 1:58
  was
• 1:58
  also
• 1:58
  a
• 1:58
  piano
• 1:59
  repair.
• 2:00
  I.
• 2:01
  I
• 2:01
  can
• 2:01
  repair
• 2:02
  pianos.
• 2:02
  I
• 2:02
  can
• 2:03
  tune
• 2:03
  pianos.
• 2:04
  I
• 2:04
  just
• 2:04
  had
• 2:04
  to
• 2:04
  do
• 2:05
  that.
• 2:05
  I
• 2:05
  was,
• 2:05
  you
• 2:05
  know,
• 2:05
  my
• 2:06
  dad
• 2:06
  was
• 2:07
  pretty
• 2:07
  adamant
• 2:07
  that
• 2:08
  I.
• 2:09
  I
• 2:09
  learned.
• 2:09
  So
• 2:10
  I
• 2:10
  repair
• 2:11
  basses,
• 2:11
  drums,
• 2:12
  like,
• 2:13
  anything.
• 2:13
  Yeah.
• 2:13
  You
• 2:14
  know,
• 2:14
  we
• 2:14
  sold
• 2:14
  it
• 2:15
  broke,
• 2:16
  had
• 2:17
  to
• 2:17
  repair
• 2:17
  it.
• 2:17
  Right,
• 2:17
  right.
• 2:18
  You
• 2:18
  know
• 2:18
  what
• 2:18
  I
• 2:18
  mean?
• 2:18
  I
• 2:19
  mean,
• 2:19
  we.
• 2:19
  We
• 2:19
  repaired
• 2:20
  pipe
• 2:20
  organs,
• 2:22
  electric
• 2:23
  organs,
• 2:23
  anything
• 2:24
  on
• 2:24
  the
• 2:24
  island.
• 2:25
  So
• 2:25
  we
• 2:26
  had
• 2:26
  all
• 2:26
  of
• 2:26
  those
• 2:26
  things,
• 2:26
  and
• 2:26
  my
• 2:27
  dad
• 2:27
  had
• 2:27
  a.
• 2:28
  And
• 2:28
  I
• 2:28
  actually
• 2:28
  started
• 2:29
  playing
• 2:29
  organ.
• 2:30
  And
• 2:30
  my
• 2:30
  dad
• 2:31
  had
• 2:31
  a.
• 2:31
  A
• 2:31
  Hammond
• 2:32
  B3
• 2:32
  with
• 2:32
  three
• 2:33
  Leslies.
• 2:34
  Right.
• 2:34
  That's
• 2:35
  that
• 2:35
  speaker
• 2:35
  we
• 2:35
  were
• 2:35
  talking
• 2:35
  about.
• 2:36
  It
• 2:36
  spins.
• 2:37
  So
• 2:38
  that's
• 2:38
  kind
• 2:38
  of
• 2:38
  really
• 2:39
  what
• 2:39
  I
• 2:39
  cut
• 2:39
  my
• 2:39
  teeth
• 2:39
  on.
• 2:40
  Favorite
• 2:40
  instrument.
• 2:41
  Wow.
• 2:41
  Oh,
• 2:41
  yes.
• 2:43
  But
• 2:44
  yeah,
• 2:44
  I
• 2:45
  sort
• 2:45
  of
• 2:45
  migrated
• 2:45
  to
• 2:46
  piano
• 2:46
  after
• 2:46
  that.
• 2:47
  But
• 2:47
  I
• 2:47
  mean,
• 2:47
  I
• 2:47
  still
• 2:48
  play.
• 2:48
  I
• 2:48
  have.
• 2:48
  I
• 2:49
  have
• 2:49
  a
• 2:50
  Leslie
• 2:51
  and
• 2:51
  an
• 2:51
  organ
• 2:52
  in
• 2:52
  my
• 2:52
  house.
• 2:52
  So
• 2:53
  can
• 2:53
  I
• 2:53
  ask,
• 2:53
  what
• 2:53
  do
• 2:53
  you
• 2:53
  mean
• 2:54
  by
• 2:54
  three
• 2:54
  Leslie's?
• 2:55
  Three
• 2:56
  Leslie.
• 2:57
  Like,
• 2:57
  how
• 2:57
  do
• 2:57
  you
• 2:57
  position
• 2:58
  them?
• 2:59
  Well,
• 2:59
  he
• 2:59
  had
• 2:59
  them.
• 3:00
  One,
• 3:00
  two,
• 3:01
  three.
• 3:01
  Organ
• 3:01
  is
• 3:02
  here.
• 3:02
  Three
• 3:03
  Leslie's.
• 3:03
  Can
• 3:04
  I
• 3:04
  ask
• 3:04
  a
• 3:04
  silly
• 3:04
  question?
• 3:04
  Because
• 3:05
  I
• 3:05
  don't.
• 3:05
  I
• 3:05
  don't
• 3:05
  know.
• 3:06
  But
• 3:06
  why
• 3:06
  would
• 3:06
  you
• 3:06
  need
• 3:07
  three?
• 3:07
  Just
• 3:07
  out
• 3:07
  of
• 3:07
  curiosity.
• 3:09
  Just
• 3:09
  more
• 3:09
  volume.
• 3:10
  Okay.
• 3:10
  Power.
• 3:11
  Power.
• 3:11
  Okay.
• 3:12
  You
• 3:12
  also
• 3:12
  get
• 3:12
  a
• 3:12
  weird
• 3:13
  stereo.
• 3:13
  So
• 3:14
  a
• 3:14
  Leslie
• 3:14
  speaker
• 3:14
  is
• 3:15
  a
• 3:15
  speaker
• 3:15
  that
• 3:15
  spins
• 3:17
  at
• 3:17
  different
• 3:17
  speeds
• 3:18
  and
• 3:18
  it
• 3:18
  gives
• 3:18
  you
• 3:18
  kind
• 3:18
  of
• 3:18
  like
• 3:18
  a
• 3:19
  effect.
• 3:20
  And
• 3:20
  if
• 3:20
  you
• 3:20
  have
• 3:21
  multiples
• 3:21
  to
• 3:21
  your
• 3:22
  left
• 3:22
  and
• 3:22
  to
• 3:22
  your
• 3:22
  right,
• 3:22
  then
• 3:23
  you
• 3:23
  get
• 3:23
  this
• 3:23
  sort
• 3:23
  of
• 3:24
  shaky
• 3:24
  feeling
• 3:25
  from
• 3:25
  her.
• 3:26
  That's
• 3:26
  really
• 3:26
  cool.
• 3:26
  I've
• 3:26
  never
• 3:26
  heard
• 3:26
  of
• 3:27
  that.
• 3:27
  That's
• 3:27
  a
• 3:27
  brilliant
• 3:27
  idea.
• 3:27
  And
• 3:28
  the
• 3:28
  reason,
• 3:28
  and
• 3:28
  actually
• 3:28
  that,
• 3:29
  the
• 3:29
  reason
• 3:29
  for
• 3:29
  that
• 3:30
  is.
• 3:32
  And
• 3:32
  he
• 3:32
  was
• 3:33
  the
• 3:33
  agent
• 3:33
  for
• 3:33
  Hammond
• 3:34
  as
• 3:34
  well
• 3:34
  too.
• 3:35
  So
• 3:36
  all
• 3:36
  these
• 3:37
  like,
• 3:37
  all
• 3:37
  the
• 3:39
  export.
• 3:40
  All
• 3:41
  those
• 3:41
  guys,
• 3:41
  the
• 3:42
  agents
• 3:42
  would
• 3:42
  come
• 3:42
  to
• 3:43
  the
• 3:43
  island,
• 3:43
  they'd
• 3:43
  travel
• 3:44
  to
• 3:44
  the
• 3:44
  island
• 3:44
  just
• 3:44
  to
• 3:44
  meet
• 3:45
  the
• 3:47
  sales
• 3:48
  person.
• 3:48
  Music
• 3:49
  store.
• 3:49
  Right.
• 3:50
  But
• 3:50
  what
• 3:51
  happened
• 3:51
  is
• 3:52
  there
• 3:52
  was
• 3:52
  a
• 3:52
  guy
• 3:52
  from
• 3:53
  Yugoslavia
• 3:54
  who
• 3:55
  was
• 3:55
  an
• 3:55
  organ
• 3:55
  player
• 3:56
  on
• 3:56
  one
• 3:56
  of
• 3:56
  the
• 3:56
  ships
• 3:57
  and
• 3:58
  he
• 3:58
  was.
• 3:58
  Finished
• 4:00
  his
• 4:02
  tour
• 4:02
  of
• 4:02
  duty.
• 4:02
  Yeah,
• 4:03
  yeah,
• 4:03
  tour
• 4:03
  of
• 4:03
  duty.
• 4:05
  And
• 4:06
  he
• 4:06
  wanted
• 4:07
  to
• 4:07
  sell
• 4:07
  the
• 4:07
  organ.
• 4:07
  So
• 4:08
  he
• 4:08
  had
• 4:08
  really.
• 4:09
  He
• 4:09
  was
• 4:09
  on
• 4:09
  a
• 4:09
  ship.
• 4:09
  And
• 4:09
  the
• 4:10
  reason
• 4:10
  that
• 4:10
  he
• 4:10
  had
• 4:10
  three
• 4:10
  Leslie's
• 4:11
  is
• 4:11
  because
• 4:11
  he
• 4:11
  was
• 4:12
  pushed,
• 4:12
  positioning
• 4:13
  them,
• 4:13
  you
• 4:14
  know,
• 4:14
  in
• 4:14
  different
• 4:14
  spots.
• 4:15
  In
• 4:15
  different
• 4:15
  spots.
• 4:16
  Right,
• 4:16
  right.
• 4:17
  And
• 4:18
  you
• 4:18
  know,
• 4:18
  it
• 4:18
  was
• 4:18
  a
• 4:19
  thing
• 4:19
  that
• 4:19
  my.
• 4:19
  He
• 4:20
  wanted
• 4:20
  to
• 4:20
  sell
• 4:20
  it
• 4:20
  and
• 4:20
  my
• 4:20
  dad
• 4:21
  said
• 4:22
  definitely,
• 4:22
  yeah.
• 4:23
  So
• 4:23
  he
• 4:23
  was
• 4:23
  on
• 4:23
  a
• 4:24
  ship,
• 4:24
  so
• 4:24
  he
• 4:24
  just
• 4:24
  sold
• 4:24
  it
• 4:25
  and
• 4:25
  he
• 4:25
  just
• 4:25
  moved
• 4:25
  it
• 4:25
  off
• 4:26
  the
• 4:26
  ship.
• 4:26
  My
• 4:26
  dad
• 4:27
  didn't
• 4:27
  have
• 4:27
  to.
• 4:27
  He
• 4:28
  didn't
• 4:28
  have
• 4:28
  to
• 4:28
  order
• 4:28
  it.
• 4:28
  He
• 4:29
  didn't
• 4:29
  have
• 4:29
  to
• 4:29
  pay
• 4:29
  freight
• 4:30
  and
• 4:30
  duty
• 4:30
  and
• 4:31
  everything
• 4:31
  like
• 4:31
  that.
• 4:31
  Probably
• 4:31
  got
• 4:31
  a
• 4:32
  good
• 4:32
  price
• 4:32
  too,
• 4:32
  right?
• 4:32
  He
• 4:33
  got
• 4:33
  it
• 4:33
  at
• 4:33
  a
• 4:33
  good
• 4:33
  price.
• 4:34
  The
• 4:34
  guy
• 4:34
  wanted
• 4:34
  to
• 4:34
  just
• 4:35
  got.
• 4:35
  Get
• 4:35
  rid
• 4:36
  of
• 4:36
  it.
• 4:36
  Yeah.
• 4:36
  Because
• 4:36
  I
• 4:36
  guess
• 4:37
  when
• 4:37
  he
• 4:37
  goes
• 4:37
  back
• 4:37
  to
• 4:38
  Yugoslavia
• 4:38
  it's
• 4:38
  like,
• 4:39
  well,
• 4:39
  what
• 4:39
  am
• 4:39
  I
• 4:39
  going
• 4:39
  to
• 4:39
  do
• 4:39
  with
• 4:39
  three
• 4:40
  Leslie?
• 4:41
  Right.
• 4:42
  They're
• 4:42
  big
• 4:42
  too.
• 4:42
  They're
• 4:43
  like.
• 4:43
  They're
• 4:43
  bigger
• 4:43
  than.
• 4:43
  They're
• 4:44
  like
• 4:44
  two,
• 4:44
  three
• 4:44
  mini
• 4:45
  fridges.
• 4:45
  We
• 4:45
  see
• 4:46
  them
• 4:46
  at
• 4:46
  churches
• 4:46
  all
• 4:46
  the
• 4:47
  time.
• 4:47
  Oh,
• 4:47
  yeah.
• 4:47
  I
• 4:47
  was
• 4:47
  telling
• 4:48
  Matt
• 4:48
  yesterday
• 4:49
  specifically,
• 4:49
  like
• 4:50
  I
• 4:50
  would
• 4:50
  marvel
• 4:51
  at
• 4:51
  the
• 4:51
  one
• 4:51
  I
• 4:51
  would
• 4:51
  see
• 4:52
  at
• 4:52
  Rochester.
• 4:53
  It
• 4:53
  would.
• 4:53
  Had
• 4:53
  a
• 4:53
  big
• 4:54
  organ
• 4:54
  in
• 4:54
  this
• 4:54
  big
• 4:55
  giant
• 4:55
  Leslie.
• 4:55
  I
• 4:56
  never
• 4:56
  knew
• 4:56
  what
• 4:56
  it
• 4:56
  was
• 4:56
  until
• 4:57
  like
• 4:57
  yesterday.
• 4:58
  Yeah,
• 4:58
  yeah.
• 4:58
  It's
• 4:59
  crazy.
• 5:00
  Yeah.
• 5:00
  And
• 5:00
  you
• 5:00
  know,
• 5:00
  all
• 5:01
  those,
• 5:01
  the,
• 5:01
  the,
• 5:02
  the
• 5:02
  Switches.
• 5:03
  And,
• 5:03
  you
• 5:03
  know,
• 5:03
  you
• 5:04
  switch
• 5:04
  them
• 5:04
  on.
• 5:05
  So
• 5:05
  I.
• 5:05
  I
• 5:05
  mean,
• 5:06
  there
• 5:06
  was,
• 5:06
  you
• 5:07
  know,
• 5:07
  several
• 5:07
  organists
• 5:08
  would
• 5:08
  come
• 5:08
  and
• 5:08
  play
• 5:09
  that
• 5:09
  thing
• 5:09
  and
• 5:09
  it
• 5:09
  just
• 5:09
  be
• 5:10
  wiling
• 5:10
  out,
• 5:10
  man.
• 5:11
  That
• 5:11
  was
• 5:12
  so
• 5:12
  loud,
• 5:13
  you
• 5:14
  know,
• 5:14
  and
• 5:14
  they.
• 5:15
  They'd
• 5:15
  get
• 5:15
  off
• 5:15
  the.
• 5:16
  The.
• 5:16
  The
• 5:16
  organ
• 5:17
  and
• 5:17
  I'd
• 5:17
  get
• 5:17
  on
• 5:17
  and
• 5:17
  I,
• 5:18
  you
• 5:18
  know,
• 5:18
  as
• 5:18
  a
• 5:18
  kid,
• 5:19
  just
• 5:19
  try
• 5:19
  to.
• 5:19
  To
• 5:20
  mimic
• 5:20
  them,
• 5:21
  you
• 5:21
  know.
• 5:21
  And
• 5:22
  then
• 5:22
  there.
• 5:22
  There
• 5:22
  was
• 5:23
  a
• 5:23
  family,
• 5:23
  actually
• 5:23
  a
• 5:23
  Canadian
• 5:24
  family,
• 5:24
  who
• 5:25
  saw
• 5:25
  me
• 5:26
  as
• 5:26
  a
• 5:26
  kid,
• 5:26
  and
• 5:26
  they.
• 5:27
  They,
• 5:27
  you
• 5:27
  know,
• 5:27
  they.
• 5:28
  They
• 5:28
  thought
• 5:28
  I
• 5:28
  was.
• 5:29
  I
• 5:29
  had
• 5:29
  a
• 5:29
  little
• 5:30
  potential.
• 5:30
  So
• 5:31
  they
• 5:31
  were
• 5:32
  snowbirds.
• 5:33
  And
• 5:34
  one
• 5:35
  year
• 5:35
  they
• 5:35
  came
• 5:35
  back
• 5:35
  and
• 5:35
  they
• 5:36
  brought
• 5:36
  a
• 5:36
  stack
• 5:36
  of
• 5:37
  Jimmy
• 5:37
  Smith,
• 5:37
  who
• 5:38
  is.
• 5:38
  I
• 5:38
  don't
• 5:38
  know
• 5:38
  if
• 5:38
  you
• 5:38
  guys
• 5:39
  know
• 5:39
  who
• 5:39
  Jimmy
• 5:39
  Smith
• 5:39
  is.
• 5:39
  Jimmy
• 5:40
  Smith
• 5:40
  is
• 5:40
  the
• 5:40
  ultimate
• 5:41
  organ
• 5:41
  jazz
• 5:41
  organ
• 5:42
  player
• 5:42
  that,
• 5:43
  like,
• 5:43
  you
• 5:44
  know,
• 5:44
  you
• 5:44
  look
• 5:44
  in.
• 5:44
  In
• 5:45
  the,
• 5:45
  you
• 5:46
  know,
• 5:46
  in
• 5:46
  the
• 5:46
  encyclopedia
• 5:47
  on
• 5:47
  the
• 5:47
  organ
• 5:48
  player
• 5:48
  and
• 5:49
  Jimmy
• 5:49
  Smith
• 5:49
  is
• 5:49
  it.
• 5:49
  Everybody
• 5:50
  followed
• 5:50
  Jimmy
• 5:50
  Smith.
• 5:51
  He
• 5:51
  was
• 5:51
  like
• 5:51
  the
• 5:52
  George
• 5:52
  Benson
• 5:52
  of
• 5:52
  guitar.
• 5:53
  Like
• 5:53
  Jimmy
• 5:53
  Smith
• 5:54
  with
• 5:54
  you.
• 5:54
  So
• 5:55
  they
• 5:55
  brought
• 5:55
  me
• 5:55
  all
• 5:55
  these
• 5:55
  Jimmy
• 5:56
  Smith
• 5:56
  albums,
• 5:56
  man,
• 5:57
  and
• 5:57
  it
• 5:57
  was.
• 5:58
  It
• 5:58
  was
• 5:58
  crazy.
• 5:59
  So
• 5:59
  I
• 5:59
  listened
• 5:59
  to
• 5:59
  the
• 5:59
  record
• 6:00
  and,
• 6:02
  you
• 6:02
  know,
• 6:02
  you
• 6:02
  hear
• 6:02
  the
• 6:03
  walking
• 6:03
  bass,
• 6:03
  like
• 6:03
  for
• 6:03
  the
• 6:04
  jazz
• 6:04
  organs.
• 6:04
  You
• 6:04
  hear
• 6:04
  all
• 6:05
  these
• 6:05
  guys
• 6:05
  walking
• 6:06
  bass.
• 6:07
  They're
• 6:07
  bass
• 6:08
  pedals.
• 6:08
  So
• 6:08
  I
• 6:08
  thought
• 6:09
  that
• 6:10
  they
• 6:10
  use
• 6:10
  their
• 6:11
  feet.
• 6:11
  So
• 6:11
  I'm
• 6:12
  using
• 6:12
  both
• 6:12
  my
• 6:13
  feet
• 6:13
  walking,
• 6:15
  but
• 6:15
  they
• 6:15
  use
• 6:16
  the
• 6:16
  left
• 6:16
  hand.
• 6:18
  You
• 6:18
  know
• 6:18
  what
• 6:18
  I
• 6:18
  mean?
• 6:19
  I
• 6:19
  listen
• 6:19
  to
• 6:19
  the
• 6:19
  record.
• 6:19
  So
• 6:20
  what
• 6:20
  were
• 6:20
  you
• 6:20
  doing
• 6:20
  with
• 6:20
  your
• 6:20
  left
• 6:20
  hand
• 6:21
  at
• 6:21
  that
• 6:21
  time?
• 6:21
  I
• 6:21
  was
• 6:21
  just
• 6:22
  playing
• 6:22
  chords
• 6:22
  with
• 6:22
  my
• 6:22
  left
• 6:23
  hand.
• 6:23
  I
• 6:23
  just
• 6:23
  didn't.
• 6:23
  You
• 6:24
  were
• 6:24
  adding
• 6:24
  something
• 6:24
  extra.
• 6:25
  Yeah,
• 6:25
  I
• 6:25
  just
• 6:25
  didn't.
• 6:26
  I.
• 6:26
  It
• 6:26
  just
• 6:26
  didn't
• 6:27
  make
• 6:27
  sense
• 6:27
  to
• 6:27
  me
• 6:28
  as
• 6:28
  a
• 6:28
  kid.
• 6:28
  Yeah.
• 6:29
  Trying
• 6:29
  to.
• 6:29
  I
• 6:30
  listened
• 6:30
  to
• 6:30
  it
• 6:30
  and
• 6:30
  I'm
• 6:30
  like,
• 6:31
  okay.
• 6:31
  Because
• 6:32
  what
• 6:32
  was
• 6:33
  happening
• 6:33
  too
• 6:34
  is
• 6:34
  that
• 6:35
  they
• 6:35
  were
• 6:35
  playing
• 6:35
  with
• 6:36
  a
• 6:36
  band.
• 6:36
  Right,
• 6:36
  Right.
• 6:37
  So
• 6:37
  you're
• 6:37
  hearing
• 6:38
  guitar,
• 6:39
  bass.
• 6:40
  Right.
• 6:40
  Drums,
• 6:41
  organ.
• 6:41
  Yeah,
• 6:42
  Right.
• 6:43
  Little
• 6:43
  bass
• 6:43
  player
• 6:44
  is
• 6:44
  black
• 6:44
  playing
• 6:45
  bass.
• 6:45
  But
• 6:45
  I'm
• 6:45
  assuming
• 6:46
  that,
• 6:47
  you
• 6:47
  know,
• 6:48
  he's
• 6:48
  playing
• 6:48
  bass
• 6:48
  with
• 6:48
  his
• 6:49
  feet
• 6:49
  because
• 6:49
  there's
• 6:50
  the
• 6:50
  bass
• 6:50
  clap.
• 6:51
  Yeah.
• 6:51
  So
• 6:51
  I
• 6:52
  did
• 6:52
  that
• 6:52
  until
• 6:52
  an
• 6:53
  organ
• 6:53
  player
• 6:53
  came
• 6:53
  over,
• 6:54
  came
• 6:55
  and
• 6:55
  saw
• 6:55
  me
• 6:55
  and
• 6:55
  was
• 6:56
  freaking
• 6:56
  out
• 6:57
  and
• 6:57
  was
• 6:57
  like,
• 6:58
  this
• 6:58
  kid
• 6:58
  is
• 6:59
  like,
• 6:59
  what
• 6:59
  is
• 6:59
  he
• 7:00
  doing
• 7:00
  playing?
• 7:01
  You're
• 7:02
  walking
• 7:02
  bass
• 7:02
  with
• 7:02
  his
• 7:02
  feet.
• 7:03
  And
• 7:03
  I'm
• 7:04
  like,
• 7:04
  yeah,
• 7:04
  it's
• 7:04
  not
• 7:04
  what
• 7:04
  you
• 7:04
  guys
• 7:05
  do.
• 7:05
  He
• 7:05
  goes,
• 7:05
  no,
• 7:05
  we
• 7:05
  just
• 7:06
  play
• 7:06
  with.
• 7:07
  That's
• 7:08
  when
• 7:08
  I
• 7:08
  figured
• 7:08
  it
• 7:08
  out.
• 7:09
  Wow.
• 7:09
  You
• 7:09
  know,
• 7:10
  so,
• 7:10
  you
• 7:10
  know,
• 7:11
  sometimes
• 7:11
  what
• 7:11
  you
• 7:11
  don't
• 7:12
  know
• 7:12
  and
• 7:12
  you
• 7:12
  try,
• 7:13
  you
• 7:13
  just
• 7:13
  come
• 7:14
  up
• 7:14
  with.
• 7:14
  That
• 7:15
  reminds
• 7:15
  me
• 7:15
  of
• 7:16
  Jimi
• 7:16
  Hendrix.
• 7:16
  A
• 7:17
  lot
• 7:17
  of
• 7:17
  his
• 7:17
  style
• 7:17
  had
• 7:18
  to
• 7:18
  do
• 7:18
  with
• 7:18
  listening
• 7:19
  to
• 7:19
  Les
• 7:19
  Paul
• 7:20
  recordings,
• 7:20
  not
• 7:21
  understanding
• 7:21
  that
• 7:22
  Les
• 7:22
  Paul,
• 7:22
  who
• 7:23
  technically
• 7:23
  invented
• 7:24
  multi
• 7:24
  tracking,
• 7:25
  was
• 7:25
  actually.
• 7:25
  Was
• 7:26
  multiple
• 7:26
  Takes
• 7:27
  of
• 7:27
  Les
• 7:27
  Paul
• 7:28
  at
• 7:28
  the
• 7:28
  same
• 7:28
  time.
• 7:28
  And
• 7:29
  Jimi
• 7:29
  Hendrix
• 7:29
  was
• 7:29
  like,
• 7:30
  this
• 7:30
  is
• 7:30
  one
• 7:30
  guy.
• 7:31
  And
• 7:31
  he's
• 7:31
  just
• 7:31
  kind
• 7:32
  of
• 7:32
  learned.
• 7:32
  That's
• 7:32
  kind
• 7:32
  of
• 7:32
  how
• 7:32
  shredding
• 7:33
  was
• 7:33
  invented.
• 7:33
  It's
• 7:33
  funny
• 7:34
  how
• 7:34
  technology
• 7:34
  can
• 7:35
  do
• 7:35
  that.
• 7:35
  Yeah.
• 7:36
  It's
• 7:36
  actually
• 7:36
  the
• 7:36
  same
• 7:36
  thing
• 7:36
  with
• 7:36
  Oscar
• 7:37
  Peterson.
• 7:38
  Yeah,
• 7:38
  right.
• 7:38
  Oscar
• 7:39
  Peterson.
• 7:39
  That
• 7:40
  kid
• 7:40
  gave
• 7:40
  him
• 7:40
  a
• 7:40
  record.
• 7:41
  Yeah.
• 7:41
  And
• 7:42
  it
• 7:42
  was
• 7:42
  a
• 7:42
  piano
• 7:43
  player
• 7:43
  by
• 7:43
  the
• 7:43
  name
• 7:43
  of
• 7:43
  Art
• 7:44
  Tatum.
• 7:45
  Art
• 7:45
  Tatum
• 7:45
  is
• 7:46
  almost
• 7:46
  blind,
• 7:47
  but
• 7:48
  when
• 7:48
  you
• 7:48
  hear
• 7:48
  Art
• 7:49
  Tatum
• 7:49
  play,
• 7:50
  you
• 7:50
  think
• 7:50
  it's
• 7:50
  two
• 7:51
  people.
• 7:51
  Like
• 7:51
  this
• 7:51
  one
• 7:52
  guy
• 7:52
  just
• 7:52
  can't
• 7:52
  do
• 7:52
  this.
• 7:53
  So
• 7:54
  Oscar
• 7:54
  Peterson's
• 7:55
  dad
• 7:55
  worked
• 7:55
  on
• 7:55
  the
• 7:56
  railway.
• 7:56
  So
• 7:56
  he
• 7:56
  gave
• 7:57
  him
• 7:57
  the
• 7:57
  record,
• 7:57
  went
• 7:58
  away
• 7:58
  for
• 7:58
  a
• 7:58
  week
• 7:59
  and
• 7:59
  came
• 7:59
  back
• 8:00
  and,
• 8:00
  you
• 8:01
  know,
• 8:01
  said,
• 8:01
  you
• 8:01
  know,
• 8:01
  do
• 8:02
  you
• 8:02
  listen
• 8:02
  to
• 8:02
  that
• 8:02
  thing?
• 8:02
  He
• 8:03
  goes,
• 8:03
  yeah,
• 8:03
  it's
• 8:03
  two
• 8:03
  piano
• 8:04
  players.
• 8:04
  Like,
• 8:05
  what
• 8:05
  do
• 8:05
  you
• 8:05
  want
• 8:06
  me
• 8:06
  to
• 8:06
  do?
• 8:06
  Two
• 8:07
  piano
• 8:07
  players?
• 8:08
  And
• 8:09
  he's
• 8:09
  dad
• 8:09
  said,
• 8:09
  no,
• 8:09
  no,
• 8:09
  no.
• 8:10
  That's
• 8:10
  one
• 8:10
  guy.
• 8:11
  And
• 8:11
  I
• 8:11
  was
• 8:11
  going
• 8:11
  to
• 8:11
  say,
• 8:12
  there's
• 8:12
  no
• 8:13
  way.
• 8:13
  And
• 8:13
  I
• 8:13
  was.
• 8:14
  I
• 8:14
  mean,
• 8:14
  he
• 8:15
  always
• 8:15
  told
• 8:15
  the
• 8:15
  story.
• 8:15
  He
• 8:15
  said
• 8:16
  he
• 8:16
  didn't
• 8:16
  play
• 8:16
  the
• 8:16
  piano
• 8:17
  for
• 8:17
  about
• 8:17
  a
• 8:17
  week
• 8:18
  because
• 8:18
  it's
• 8:18
  like,
• 8:18
  there's
• 8:19
  no
• 8:19
  way
• 8:19
  I
• 8:19
  could
• 8:19
  be
• 8:20
  this
• 8:20
  guy.
• 8:20
  Wow.
• 8:21
  So
• 8:21
  the
• 8:22
  reason
• 8:22
  that
• 8:22
  he's
• 8:22
  so
• 8:23
  amazing
• 8:23
  is
• 8:23
  because
• 8:24
  he
• 8:24
  listened
• 8:24
  to
• 8:24
  Art
• 8:25
  Tatum
• 8:25
  and
• 8:26
  tried
• 8:26
  to
• 8:26
  copy
• 8:26
  Art
• 8:27
  Tatum.
• 8:27
  So
• 8:28
  when
• 8:28
  Oscar
• 8:29
  plays
• 8:29
  like,
• 8:31
  it's
• 8:31
  like
• 8:31
  two
• 8:31
  people.
• 8:32
  Yeah,
• 8:32
  yeah.
• 8:33
  So
• 8:34
  anyway,
• 8:34
  I
• 8:34
  think
• 8:34
  that
• 8:34
  was
• 8:34
  one
• 8:35
  of
• 8:35
  the
• 8:35
  things
• 8:35
  that
• 8:35
  happened
• 8:35
  to
• 8:36
  me
• 8:36
  with
• 8:36
  my
• 8:36
  bass
• 8:36
  pedals.
• 8:37
  That's
• 8:37
  incredible.
• 8:38
  You
• 8:39
  still
• 8:39
  do
• 8:39
  stuff
• 8:39
  like
• 8:39
  that
• 8:39
  or
• 8:40
  you
• 8:40
  started
• 8:40
  playing
• 8:40
  with
• 8:40
  your
• 8:40
  left
• 8:41
  hand?
• 8:41
  I
• 8:41
  started
• 8:41
  playing
• 8:42
  my
• 8:42
  left
• 8:42
  hand.
• 8:45
  Wow.
• 8:46
  If
• 8:46
  we
• 8:46
  go
• 8:46
  back
• 8:47
  to
• 8:47
  when
• 8:47
  you
• 8:47
  were
• 8:47
  a
• 8:47
  child,
• 8:48
  do
• 8:48
  you
• 8:48
  remember
• 8:49
  some
• 8:49
  of
• 8:49
  the
• 8:49
  music
• 8:49
  that
• 8:50
  kind
• 8:50
  of
• 8:50
  shaped
• 8:50
  your
• 8:51
  love
• 8:51
  and
• 8:51
  led
• 8:52
  you
• 8:52
  down
• 8:52
  the
• 8:52
  path
• 8:52
  towards
• 8:53
  producing
• 8:53
  and
• 8:54
  ultimately
• 8:55
  picking?
• 8:55
  Besides
• 8:55
  Jimmy
• 8:56
  Smith,
• 8:56
  obviously.
• 8:57
  Yeah,
• 8:57
  yeah,
• 8:57
  definitely.
• 8:58
  There's
• 8:58
  some
• 8:59
  albums
• 9:00
  that
• 9:00
  are
• 9:01
  paradigm
• 9:01
  shifting
• 9:02
  moments
• 9:02
  in
• 9:03
  my
• 9:03
  life.
• 9:04
  One
• 9:05
  of
• 9:05
  them
• 9:05
  is
• 9:05
  a
• 9:05
  flautist
• 9:06
  by
• 9:06
  the
• 9:06
  name
• 9:06
  of
• 9:07
  Hubert
• 9:07
  Laws.
• 9:08
  Okay.
• 9:08
  Not
• 9:08
  quite
• 9:08
  sure
• 9:08
  if
• 9:09
  you
• 9:09
  guys
• 9:09
  know,
• 9:10
  but
• 9:10
  Hubert
• 9:10
  Law
• 9:11
  is
• 9:12
  the
• 9:12
  most
• 9:13
  amazing
• 9:13
  flist.
• 9:14
  Wow.
• 9:16
  And
• 9:17
  he
• 9:17
  has
• 9:17
  a
• 9:17
  record
• 9:17
  called
• 9:18
  Romeo
• 9:18
  and
• 9:18
  Juliet.
• 9:19
  And
• 9:19
  he
• 9:19
  was
• 9:19
  the
• 9:19
  first
• 9:19
  guy
• 9:21
  I
• 9:21
  heard
• 9:21
  do
• 9:22
  circular
• 9:22
  breathing.
• 9:23
  I
• 9:23
  don't
• 9:23
  know
• 9:23
  if
• 9:23
  you've
• 9:23
  heard
• 9:24
  of
• 9:24
  circular.
• 9:24
  Right.
• 9:25
  So
• 9:25
  he
• 9:25
  does
• 9:26
  circular
• 9:26
  breathing.
• 9:26
  Like,
• 9:27
  it's
• 9:27
  like.
• 9:28
  To
• 9:28
  those
• 9:28
  of
• 9:29
  you
• 9:29
  that
• 9:29
  don't
• 9:29
  know.
• 9:29
  Can
• 9:30
  I
• 9:30
  explain
• 9:30
  what
• 9:30
  it
• 9:30
  is?
• 9:30
  So
• 9:30
  it's.
• 9:31
  You
• 9:31
  fill
• 9:31
  up
• 9:32
  your
• 9:32
  cheeks
• 9:32
  with
• 9:32
  air
• 9:33
  and
• 9:34
  then
• 9:34
  you
• 9:34
  exhale,
• 9:35
  and
• 9:35
  then
• 9:36
  you
• 9:36
  fill
• 9:36
  up
• 9:36
  your
• 9:36
  cheeks
• 9:37
  as
• 9:37
  well.
• 9:37
  And
• 9:37
  you
• 9:37
  keep
• 9:37
  exhaling
• 9:38
  the
• 9:38
  air
• 9:38
  in
• 9:38
  your
• 9:38
  cheeks
• 9:39
  while
• 9:39
  you
• 9:39
  inhale
• 9:39
  from
• 9:39
  your
• 9:40
  nose.
• 9:40
  So
• 9:40
  basically,
• 9:40
  you
• 9:40
  can
• 9:40
  play
• 9:41
  a
• 9:41
  note
• 9:41
  continuously
• 9:42
  without
• 9:42
  ever
• 9:42
  taking
• 9:43
  a
• 9:43
  breath.
• 9:43
  Wow.
• 9:43
  I
• 9:43
  had
• 9:44
  no
• 9:44
  Idea.
• 9:45
  So
• 9:45
  just
• 9:46
  think
• 9:46
  of
• 9:46
  a
• 9:47
  person
• 9:47
  who's
• 9:47
  playing
• 9:47
  a
• 9:47
  flute
• 9:48
  and
• 9:48
  it
• 9:48
  just.
• 9:48
  It
• 9:49
  goes.
• 9:49
  You.
• 9:49
  No
• 9:49
  breath.
• 9:50
  He's
• 9:50
  just
• 9:50
  playing.
• 9:51
  Yeah,
• 9:51
  Just
• 9:52
  continuous.
• 9:52
  He
• 9:53
  plays
• 9:53
  on
• 9:53
  a
• 9:53
  flute.
• 9:54
  I
• 9:54
  never
• 9:54
  heard
• 9:55
  of
• 9:55
  that.
• 9:55
  Working
• 9:55
  on
• 9:55
  a
• 9:55
  flute.
• 9:56
  Flutes
• 9:56
  take
• 9:56
  a
• 9:56
  lot
• 9:56
  of
• 9:57
  air.
• 9:57
  That's
• 9:57
  amazing.
• 9:58
  A
• 9:58
  lot
• 9:58
  of
• 9:58
  air.
• 9:58
  And
• 9:58
  this
• 9:59
  guy
• 9:59
  does
• 9:59
  this
• 10:00
  on
• 10:00
  a
• 10:01
  dime.
• 10:01
  And
• 10:01
  every
• 10:02
  flute
• 10:02
  player
• 10:02
  is.
• 10:03
  He's
• 10:03
  sort
• 10:03
  of,
• 10:04
  again,
• 10:04
  the.
• 10:04
  George
• 10:04
  Benson.
• 10:05
  If
• 10:05
  you're
• 10:05
  playing
• 10:05
  flute
• 10:06
  and
• 10:06
  Hubert
• 10:06
  Laws
• 10:07
  walks
• 10:07
  in
• 10:07
  the
• 10:07
  room,
• 10:07
  you
• 10:07
  stop.
• 10:08
  Where's
• 10:08
  Hubert
• 10:08
  from?
• 10:09
  He's
• 10:10
  from
• 10:10
  the
• 10:10
  United.
• 10:11
  United
• 10:11
  States.
• 10:11
  Okay.
• 10:12
  Okay.
• 10:12
  Right.
• 10:12
  Wow.
• 10:13
  And
• 10:14
  like,
• 10:14
  I
• 10:14
  mean,
• 10:15
  he's
• 10:15
  a.
• 10:15
  He's
• 10:15
  one
• 10:15
  of
• 10:16
  those
• 10:16
  guys
• 10:16
  who
• 10:16
  is
• 10:17
  a
• 10:17
  classical
• 10:18
  player.
• 10:18
  He
• 10:18
  plays
• 10:19
  with
• 10:19
  orchestras
• 10:19
  and
• 10:19
  he
• 10:20
  also
• 10:20
  is
• 10:20
  a
• 10:20
  jazz
• 10:21
  player.
• 10:21
  So
• 10:21
  he
• 10:21
  plays.
• 10:22
  You
• 10:22
  know,
• 10:22
  it's
• 10:22
  like
• 10:22
  there
• 10:23
  are
• 10:23
  fair
• 10:23
  few
• 10:23
  people
• 10:23
  who
• 10:24
  could
• 10:24
  do
• 10:24
  that,
• 10:24
  like
• 10:24
  Wynton
• 10:25
  Marcellus.
• 10:25
  Is
• 10:25
  that
• 10:26
  true?
• 10:27
  He.
• 10:27
  He's.
• 10:27
  That,
• 10:28
  you
• 10:28
  know,
• 10:28
  Oscar
• 10:29
  Peterson's.
• 10:29
  That
• 10:30
  they
• 10:30
  can
• 10:30
  do
• 10:31
  both
• 10:31
  of
• 10:31
  them
• 10:31
  really
• 10:32
  well.
• 10:32
  Yeah,
• 10:32
  yeah.
• 10:33
  So,
• 10:33
  yeah.
• 10:33
  Hubert
• 10:34
  Lars
• 10:34
  is
• 10:34
  Romeo
• 10:34
  and
• 10:34
  Juliet.
• 10:35
  That.
• 10:35
  That
• 10:35
  record
• 10:36
  was
• 10:36
  like
• 10:36
  a
• 10:37
  staple
• 10:37
  for
• 10:37
  me.
• 10:38
  George
• 10:38
  Benson
• 10:39
  Breezing.
• 10:40
  That
• 10:40
  was
• 10:40
  another
• 10:41
  record
• 10:41
  that
• 10:41
  was.
• 10:42
  You
• 10:42
  know
• 10:42
  what
• 10:42
  I
• 10:42
  mean?
• 10:43
  Yeah.
• 10:43
  Oscar
• 10:43
  Peterson
• 10:44
  has
• 10:45
  this
• 10:45
  album
• 10:45
  called
• 10:46
  We
• 10:47
  Take
• 10:47
  Requests.
• 10:48
  Just
• 10:48
  amazing
• 10:49
  record
• 10:49
  that
• 10:50
  this
• 10:50
  was.
• 10:51
  You
• 10:51
  know,
• 10:53
  Bob
• 10:53
  James
• 10:54
  had
• 10:54
  a
• 10:54
  record
• 10:55
  called
• 10:56
  Head,
• 10:57
  and
• 10:57
  that
• 10:57
  was.
• 10:58
  That
• 10:58
  was
• 10:58
  amazing.
• 10:59
  A
• 10:59
  lot
• 10:59
  of
• 10:59
  Bob
• 10:59
  James
• 11:00
  albums,
• 11:00
  those
• 11:00
  were.
• 11:01
  Anyway,
• 11:01
  those
• 11:02
  are
• 11:02
  the
• 11:02
  ones
• 11:02
  that
• 11:03
  really
• 11:04
  shaped
• 11:05
  me.
• 11:05
  And
• 11:05
  there's.
• 11:06
  There's
• 11:06
  one
• 11:06
  from
• 11:07
  a.
• 11:08
  A
• 11:08
  gentleman
• 11:08
  who
• 11:09
  really
• 11:10
  pushed
• 11:10
  the
• 11:10
  envelope
• 11:11
  on
• 11:11
  calypso
• 11:12
  jazz,
• 11:13
  a
• 11:13
  guy
• 11:13
  called
• 11:13
  Clive.
• 11:14
  Clive
• 11:15
  Xander.
• 11:16
  Okay,
• 11:17
  Right.
• 11:17
  So
• 11:18
  he.
• 11:18
  He
• 11:18
  created
• 11:19
  a
• 11:19
  whole.
• 11:20
  So
• 11:21
  because
• 11:22
  I'm
• 11:22
  from
• 11:22
  the
• 11:22
  Caribbean,
• 11:23
  I
• 11:23
  gravitate
• 11:24
  to
• 11:25
  Caribbean
• 11:25
  jazz
• 11:26
  or
• 11:26
  calypso
• 11:26
  jazz.
• 11:27
  So
• 11:28
  some
• 11:28
  of
• 11:28
  those
• 11:29
  things
• 11:29
  I
• 11:29
  put
• 11:29
  on
• 11:29
  my
• 11:29
  cd.
• 11:30
  So,
• 11:31
  yeah,
• 11:32
  Clive
• 11:32
  Zander
• 11:32
  was
• 11:33
  very
• 11:33
  instrumental.
• 11:33
  Clive.
• 11:34
  And
• 11:34
  another
• 11:35
  guy
• 11:35
  by
• 11:35
  the
• 11:35
  name
• 11:35
  of
• 11:35
  Raph
• 11:36
  Robinson
• 11:37
  who
• 11:37
  was
• 11:38
  very
• 11:38
  instrumental
• 11:39
  in
• 11:39
  my
• 11:40
  understanding
• 11:40
  of
• 11:41
  the
• 11:41
  whole
• 11:42
  calypso
• 11:42
  jazz
• 11:43
  works.
• 11:45
  And
• 11:45
  also
• 11:46
  Clive
• 11:46
  has
• 11:46
  a
• 11:47
  son
• 11:47
  who
• 11:48
  is
• 11:48
  a
• 11:48
  piano
• 11:48
  player
• 11:49
  as
• 11:49
  well,
• 11:49
  too.
• 11:50
  And
• 11:50
  for
• 11:51
  years
• 11:51
  he
• 11:51
  was
• 11:51
  the
• 11:51
  piano
• 11:52
  player
• 11:52
  for
• 11:52
  Adele.
• 11:53
  So
• 11:53
  if
• 11:53
  you
• 11:53
  see
• 11:54
  Adele,
• 11:54
  you
• 11:54
  see
• 11:54
  the
• 11:55
  piano
• 11:55
  player.
• 11:56
  That
• 11:56
  was
• 11:57
  my.
• 11:57
  You
• 11:58
  know,
• 11:58
  he's.
• 11:59
  Yeah.
• 11:59
  Not
• 12:00
  Clive,
• 12:00
  but
• 12:01
  Raph
• 12:02
  Robinson.
• 12:02
  Okay.
• 12:03
  His
• 12:03
  son.
• 12:03
  His
• 12:03
  name
• 12:03
  is
• 12:04
  Miles
• 12:04
  Robinson.
• 12:05
  Gotcha.
• 12:05
  Okay.
• 12:06
  So,
• 12:06
  yeah,
• 12:07
  so
• 12:07
  you
• 12:07
  look
• 12:07
  at
• 12:07
  the
• 12:07
  Grammys,
• 12:07
  you
• 12:08
  look
• 12:08
  at
• 12:08
  all
• 12:08
  those
• 12:08
  things.
• 12:08
  Yeah,
• 12:08
  he's
• 12:09
  all
• 12:09
  over
• 12:09
  the
• 12:09
  place.
• 12:09
  Yeah,
• 12:09
  he's
• 12:09
  also.
• 12:10
  So,
• 12:11
  you
• 12:11
  know,
• 12:11
  again,
• 12:11
  he
• 12:12
  sort
• 12:12
  of
• 12:12
  grew
• 12:12
  up
• 12:13
  around
• 12:14
  me
• 12:14
  and
• 12:14
  Raf
• 12:15
  and.
• 12:15
  Yeah.
• 12:16
  I
• 12:17
  want
• 12:17
  to
• 12:17
  know,
• 12:17
  how
• 12:17
  did
• 12:17
  you
• 12:18
  kind
• 12:18
  of
• 12:18
  transition
• 12:19
  from
• 12:19
  being
• 12:20
  the
• 12:20
  organ
• 12:21
  as
• 12:22
  your
• 12:22
  first
• 12:22
  instrument,
• 12:22
  your
• 12:23
  first
• 12:23
  love,
• 12:23
  to
• 12:23
  piano?
• 12:24
  What
• 12:24
  was
• 12:25
  the
• 12:25
  process?
• 12:26
  I
• 12:26
  think
• 12:28
  one
• 12:28
  of
• 12:28
  the
• 12:28
  things
• 12:29
  is
• 12:29
  that
• 12:30
  there's
• 12:31
  you
• 12:31
  know,
• 12:31
  when
• 12:31
  you
• 12:32
  travel,
• 12:32
  you
• 12:32
  go
• 12:32
  to
• 12:32
  somebody's
• 12:33
  home
• 12:33
  or
• 12:33
  you
• 12:34
  hang
• 12:34
  out
• 12:34
  at
• 12:34
  a
• 12:35
  bar,
• 12:35
  there's
• 12:36
  not
• 12:36
  an
• 12:36
  organ,
• 12:36
  there's
• 12:36
  no
• 12:37
  organ
• 12:37
  there.
• 12:37
  So.
• 12:38
  Right.
• 12:39
  And
• 12:40
  playing
• 12:41
  an
• 12:41
  organ
• 12:41
  is
• 12:41
  totally,
• 12:42
  it's
• 12:42
  a
• 12:43
  different
• 12:44
  approach
• 12:45
  and
• 12:45
  a
• 12:45
  different
• 12:45
  technique.
• 12:46
  Right.
• 12:47
  Playing
• 12:47
  organ
• 12:48
  and
• 12:49
  like
• 12:49
  organ
• 12:49
  players
• 12:50
  are
• 12:50
  not
• 12:50
  great
• 12:50
  piano
• 12:50
  players.
• 12:51
  And,
• 12:51
  and
• 12:52
  some
• 12:53
  piano
• 12:53
  players
• 12:54
  are
• 12:54
  not
• 12:54
  great
• 12:54
  organ
• 12:55
  players.
• 12:55
  Right.
• 12:56
  You
• 12:56
  got
• 12:56
  to
• 12:56
  be
• 12:57
  playing
• 12:57
  the
• 12:57
  both
• 12:57
  of
• 12:57
  them
• 12:58
  to
• 12:59
  really
• 12:59
  switch
• 13:00
  your,
• 13:00
  your
• 13:01
  technique.
• 13:01
  You
• 13:02
  know
• 13:02
  what
• 13:02
  I
• 13:02
  mean?
• 13:02
  Right.
• 13:04
  So.
• 13:04
  Because
• 13:05
  with
• 13:05
  an
• 13:05
  organ
• 13:06
  there,
• 13:06
  there's
• 13:06
  no
• 13:08
  sustain.
• 13:08
  You
• 13:09
  have
• 13:09
  to
• 13:09
  hold
• 13:09
  your
• 13:10
  keys
• 13:10
  down
• 13:10
  before
• 13:11
  you
• 13:11
  let
• 13:11
  go.
• 13:11
  The
• 13:12
  other
• 13:12
  ones,
• 13:12
  where
• 13:12
  a
• 13:12
  piano
• 13:13
  player
• 13:13
  can
• 13:13
  just
• 13:14
  play
• 13:15
  staccato
• 13:16
  and
• 13:16
  it,
• 13:17
  it
• 13:17
  works.
• 13:17
  Right.
• 13:17
  You
• 13:18
  know
• 13:18
  what
• 13:18
  I
• 13:18
  mean?
• 13:18
  So
• 13:20
  I,
• 13:20
  I,
• 13:21
  you
• 13:21
  know,
• 13:21
  I'd
• 13:21
  go
• 13:21
  to
• 13:22
  somebody's
• 13:22
  home
• 13:22
  and
• 13:22
  I've
• 13:23
  struggled
• 13:23
  to
• 13:23
  play
• 13:23
  the
• 13:24
  piano
• 13:24
  because
• 13:24
  there's
• 13:25
  no
• 13:25
  bass
• 13:25
  pedals.
• 13:26
  I
• 13:26
  can't,
• 13:26
  I
• 13:26
  can't.
• 13:27
  You
• 13:27
  know
• 13:27
  what
• 13:27
  I
• 13:27
  mean?
• 13:28
  Yeah.
• 13:28
  So
• 13:28
  playing
• 13:28
  a
• 13:28
  piano.
• 13:29
  No,
• 13:29
  I'm,
• 13:29
  I
• 13:29
  have
• 13:30
  to
• 13:30
  play,
• 13:31
  I
• 13:31
  have
• 13:31
  to
• 13:32
  play
• 13:32
  bass,
• 13:33
  play
• 13:33
  the
• 13:33
  chords
• 13:34
  and
• 13:34
  play
• 13:35
  the
• 13:35
  melody
• 13:35
  at
• 13:35
  the
• 13:35
  same
• 13:36
  time.
• 13:36
  Right.
• 13:37
  So
• 13:37
  I
• 13:37
  had
• 13:37
  a.
• 13:38
  Figure
• 13:38
  that
• 13:38
  out
• 13:38
  because
• 13:39
  I
• 13:39
  was
• 13:39
  struggling,
• 13:40
  you
• 13:40
  know,
• 13:40
  just
• 13:40
  trying,
• 13:41
  trying
• 13:41
  to
• 13:41
  kind
• 13:42
  of
• 13:42
  transition.
• 13:42
  So
• 13:43
  I,
• 13:44
  I
• 13:44
  just
• 13:45
  decided
• 13:45
  I
• 13:45
  gotta,
• 13:46
  I
• 13:46
  gotta
• 13:46
  try
• 13:47
  this
• 13:47
  because
• 13:47
  I,
• 13:48
  I
• 13:48
  sound
• 13:48
  terrible
• 13:49
  playing
• 13:49
  the
• 13:49
  piano.
• 13:51
  Just
• 13:51
  determination.
• 13:52
  Yeah,
• 13:52
  yeah,
• 13:53
  yeah,
• 13:53
  just
• 13:54
  determination.
• 13:54
  And
• 13:54
  I,
• 13:55
  and
• 13:55
  I
• 13:55
  love,
• 13:56
  I
• 13:56
  liked
• 13:56
  a
• 13:56
  lot
• 13:56
  of
• 13:56
  piano
• 13:57
  players,
• 13:57
  you
• 13:57
  know
• 13:57
  what
• 13:57
  I
• 13:57
  mean?
• 13:58
  And,
• 13:58
  and
• 13:58
  I
• 13:58
  just
• 13:59
  started
• 13:59
  kind
• 14:00
  of
• 14:00
  trying
• 14:00
  to,
• 14:00
  to
• 14:01
  play,
• 14:02
  you
• 14:02
  know,
• 14:02
  play
• 14:03
  piano
• 14:03
  and
• 14:03
  play
• 14:04
  solo
• 14:04
  piano.
• 14:05
  That's
• 14:05
  a
• 14:05
  really
• 14:05
  challenging
• 14:06
  to.
• 14:06
  Thing
• 14:06
  to
• 14:06
  do,
• 14:07
  you
• 14:07
  know
• 14:07
  what
• 14:07
  I
• 14:07
  mean?
• 14:08
  For
• 14:08
  example,
• 14:08
  sitting
• 14:09
  on
• 14:09
  a
• 14:09
  P
• 14:09
  an
• 14:10
  hour,
• 14:10
  just
• 14:10
  solo
• 14:11
  piano.
• 14:11
  Yeah,
• 14:12
  right.
• 14:12
  And,
• 14:13
  and
• 14:14
  not
• 14:14
  have
• 14:14
  it
• 14:15
  be
• 14:15
  just
• 14:15
  ballads,
• 14:16
  you
• 14:16
  know,
• 14:17
  I
• 14:17
  can,
• 14:17
  you
• 14:17
  know
• 14:17
  what
• 14:17
  I
• 14:18
  mean?
• 14:18
  Because
• 14:18
  sometimes
• 14:18
  you
• 14:19
  could
• 14:19
  play
• 14:19
  solo
• 14:19
  piano,
• 14:19
  but
• 14:20
  you,
• 14:20
  you
• 14:21
  can't
• 14:21
  play
• 14:21
  anything
• 14:22
  really
• 14:22
  fast
• 14:22
  and
• 14:23
  make
• 14:23
  it
• 14:23
  sound
• 14:23
  great.
• 14:24
  So
• 14:24
  there's
• 14:24
  a
• 14:25
  thing
• 14:25
  called
• 14:25
  stride
• 14:25
  piano.
• 14:26
  I'm
• 14:26
  not
• 14:26
  quite
• 14:26
  sure
• 14:27
  if.
• 14:27
  Do
• 14:27
  you
• 14:27
  know
• 14:27
  what,
• 14:27
  that
• 14:28
  you
• 14:28
  want.
• 14:28
  To
• 14:28
  explain
• 14:28
  it
• 14:29
  to
• 14:29
  the
• 14:29
  audience
• 14:29
  or.
• 14:29
  In
• 14:29
  my.
• 14:30
  Yeah,
• 14:30
  Stripe
• 14:30
  piano
• 14:30
  is
• 14:31
  where
• 14:31
  your
• 14:32
  left
• 14:32
  hand
• 14:32
  is
• 14:32
  playing
• 14:33
  the
• 14:33
  bass.
• 14:33
  Yeah.
• 14:34
  So
• 14:34
  you
• 14:34
  play
• 14:34
  the
• 14:34
  bass
• 14:35
  and
• 14:35
  then
• 14:35
  you,
• 14:35
  you,
• 14:36
  you
• 14:36
  quickly
• 14:36
  move
• 14:37
  your
• 14:37
  hands
• 14:37
  up
• 14:37
  and
• 14:37
  play
• 14:37
  the
• 14:38
  chord.
• 14:38
  So
• 14:39
  you're
• 14:39
  going.
• 14:42
  And
• 14:42
  then
• 14:42
  your
• 14:43
  hands
• 14:43
  playing
• 14:44
  the
• 14:44
  melody.
• 14:44
  So
• 14:45
  that
• 14:45
  is
• 14:45
  really
• 14:46
  challenging.
• 14:46
  Sounds
• 14:46
  challenging,
• 14:47
  right?
• 14:47
  It's
• 14:47
  very
• 14:47
  challenging
• 14:48
  to
• 14:48
  do
• 14:49
  because
• 14:49
  what
• 14:49
  you're
• 14:49
  doing
• 14:49
  is
• 14:49
  you're
• 14:50
  playing,
• 14:50
  you're
• 14:50
  being
• 14:50
  the
• 14:50
  whole
• 14:51
  band.
• 14:51
  You
• 14:51
  know,
• 14:52
  you're
• 14:52
  having
• 14:52
  a
• 14:52
  rhythm
• 14:53
  going,
• 14:53
  which
• 14:53
  is
• 14:54
  sort
• 14:54
  of
• 14:54
  the
• 14:54
  drums,
• 14:55
  and
• 14:55
  then
• 14:55
  you
• 14:55
  have
• 14:55
  bass
• 14:56
  and
• 14:56
  chords,
• 14:57
  and
• 14:57
  then
• 14:57
  you're
• 14:57
  playing
• 14:57
  the
• 14:57
  melody
• 14:58
  and
• 14:58
  soloing
• 14:59
  on
• 14:59
  top
• 14:59
  of
• 14:59
  that.
• 14:59
  So.
• 15:01
  And
• 15:01
  then
• 15:01
  it's
• 15:02
  a
• 15:02
  bit
• 15:02
  of
• 15:02
  a
• 15:03
  dying
• 15:04
  art
• 15:04
  right
• 15:05
  now.
• 15:05
  Have
• 15:05
  you
• 15:06
  tried
• 15:06
  doing
• 15:06
  that
• 15:07
  with
• 15:08
  also
• 15:09
  pedals?
• 15:11
  Yeah.
• 15:11
  No,
• 15:12
  I've
• 15:12
  never
• 15:12
  tried.
• 15:13
  Break
• 15:13
  some
• 15:14
  record
• 15:14
  now
• 15:14
  that
• 15:15
  you're
• 15:15
  in
• 15:15
  quarantine.
• 15:15
  Yeah,
• 15:16
  I
• 15:16
  know
• 15:16
  there's
• 15:16
  a
• 15:16
  couple
• 15:16
  of
• 15:17
  people
• 15:17
  who've
• 15:17
  done
• 15:17
  that.
• 15:17
  You
• 15:18
  know
• 15:18
  where
• 15:18
  they
• 15:18
  put
• 15:19
  the
• 15:19
  piano
• 15:19
  and
• 15:20
  they
• 15:20
  have
• 15:20
  a
• 15:20
  small
• 15:21
  bass
• 15:22
  unit
• 15:22
  and
• 15:22
  they'll
• 15:23
  play
• 15:23
  the
• 15:23
  bass.
• 15:23
  Wow.
• 15:24
  Yeah,
• 15:25
  wow.
• 15:26
  Like,
• 15:26
  I
• 15:26
  mean,
• 15:26
  I've.
• 15:27
  I've
• 15:27
  kind
• 15:27
  of
• 15:27
  worked
• 15:28
  hard
• 15:28
  on
• 15:28
  sort
• 15:29
  of
• 15:29
  stride
• 15:29
  piano.
• 15:29
  Yeah.
• 15:30
  So.
• 15:30
  So,
• 15:31
  you
• 15:31
  know,
• 15:32
  I
• 15:32
  like
• 15:32
  that.
• 15:32
  Yeah.
• 15:33
  Wow.
• 15:33
  Yeah.
• 15:34
  So
• 15:35
  I
• 15:35
  guess
• 15:35
  how
• 15:36
  did
• 15:36
  you
• 15:36
  end
• 15:36
  up
• 15:37
  coming,
• 15:37
  moving
• 15:37
  to
• 15:37
  Canada?
• 15:40
  Well,
• 15:43
  I'll
• 15:43
  just
• 15:44
  preface
• 15:44
  it
• 15:44
  that
• 15:44
  my
• 15:45
  dad
• 15:45
  had
• 15:45
  the
• 15:45
  music
• 15:45
  store,
• 15:46
  and
• 15:46
  he
• 15:46
  was
• 15:47
  really
• 15:48
  keen
• 15:48
  on
• 15:48
  me
• 15:49
  taking
• 15:49
  over
• 15:50
  the
• 15:50
  music
• 15:50
  store
• 15:51
  and
• 15:51
  running
• 15:51
  the
• 15:51
  music
• 15:51
  store.
• 15:52
  But
• 15:53
  I
• 15:53
  think
• 15:54
  I
• 15:54
  hung
• 15:54
  around
• 15:54
  with
• 15:55
  way
• 15:55
  too
• 15:55
  much
• 15:55
  of
• 15:56
  his
• 15:56
  friends
• 15:56
  and
• 15:56
  listened
• 15:57
  to
• 15:57
  all
• 15:57
  those
• 15:57
  crazy
• 15:58
  musician
• 15:58
  stories,
• 16:00
  and
• 16:00
  I
• 16:00
  didn't
• 16:00
  want
• 16:00
  to
• 16:01
  have
• 16:01
  anything
• 16:01
  to
• 16:01
  do
• 16:01
  with
• 16:02
  the
• 16:02
  business.
• 16:02
  I
• 16:02
  didn't
• 16:02
  want
• 16:02
  to
• 16:03
  repair
• 16:03
  any
• 16:03
  pianos.
• 16:04
  I
• 16:04
  didn't
• 16:04
  want
• 16:04
  to.
• 16:05
  You
• 16:05
  know
• 16:05
  what
• 16:05
  I
• 16:05
  mean?
• 16:06
  I
• 16:07
  just.
• 16:07
  Nah.
• 16:07
  I
• 16:08
  wanted
• 16:08
  to
• 16:08
  be
• 16:08
  a
• 16:08
  musician.
• 16:09
  I
• 16:09
  wanted
• 16:09
  to
• 16:09
  travel.
• 16:10
  I
• 16:10
  wanted
• 16:10
  to
• 16:11
  hang
• 16:11
  out.
• 16:11
  I
• 16:11
  want
• 16:11
  to
• 16:11
  have
• 16:12
  musician
• 16:12
  stories,
• 16:13
  and
• 16:13
  I
• 16:13
  love
• 16:13
  it.
• 16:14
  You
• 16:14
  know
• 16:14
  what
• 16:14
  I
• 16:14
  mean?
• 16:15
  So
• 16:17
  my
• 16:17
  mom,
• 16:18
  who
• 16:18
  immigrated
• 16:19
  to
• 16:19
  Canada
• 16:19
  because
• 16:19
  of
• 16:20
  my
• 16:20
  sister.
• 16:20
  My
• 16:20
  sister
• 16:21
  suffered
• 16:21
  from
• 16:21
  a
• 16:21
  disease
• 16:22
  called
• 16:22
  sickle
• 16:22
  cell
• 16:22
  anemia,
• 16:24
  and
• 16:25
  so
• 16:25
  she
• 16:25
  came
• 16:25
  to
• 16:25
  Canada
• 16:26
  for
• 16:26
  treatment,
• 16:27
  and
• 16:27
  my
• 16:27
  mom
• 16:28
  sort
• 16:28
  of
• 16:29
  moved
• 16:29
  here.
• 16:29
  You
• 16:29
  know,
• 16:30
  they.
• 16:30
  They
• 16:30
  decided
• 16:31
  that
• 16:31
  my
• 16:31
  sister
• 16:31
  will
• 16:32
  come
• 16:32
  in
• 16:32
  and
• 16:33
  study,
• 16:34
  I
• 16:34
  mean,
• 16:34
  and,
• 16:35
  you
• 16:35
  know,
• 16:35
  live
• 16:36
  and
• 16:36
  get
• 16:36
  treatment.
• 16:37
  Yeah.
• 16:38
  And
• 16:38
  my
• 16:38
  mom
• 16:38
  was
• 16:38
  here,
• 16:39
  and
• 16:39
  eventually
• 16:40
  my
• 16:41
  dad
• 16:41
  and
• 16:41
  my
• 16:42
  mom
• 16:42
  separated
• 16:43
  because,
• 16:44
  you
• 16:44
  know,
• 16:44
  that
• 16:44
  became
• 16:45
  an
• 16:45
  issue,
• 16:46
  and
• 16:48
  my
• 16:48
  mom
• 16:49
  asked
• 16:49
  if
• 16:49
  I
• 16:49
  wanted
• 16:49
  to
• 16:49
  come
• 16:50
  to
• 16:50
  Canada,
• 16:50
  and
• 16:50
  I'm
• 16:50
  like,
• 16:51
  yeah,
• 16:52
  yeah.
• 16:53
  What
• 16:53
  made
• 16:53
  you
• 16:54
  want
• 16:54
  to
• 16:54
  come?
• 16:54
  So
• 16:54
  I
• 16:54
  just
• 16:54
  wanted
• 16:55
  to
• 16:55
  come.
• 16:55
  I
• 16:55
  wanted
• 16:55
  to
• 16:55
  get
• 16:56
  out.
• 16:56
  I
• 16:56
  mean,
• 16:56
  I'm
• 16:56
  living
• 16:57
  in
• 16:57
  a.
• 16:58
  On
• 16:58
  an
• 16:58
  island
• 16:59
  with
• 16:59
  100,000
• 17:00
  people,
• 17:01
  and
• 17:01
  I'm
• 17:01
  playing
• 17:01
  at
• 17:01
  the
• 17:01
  hotels,
• 17:02
  and
• 17:03
  I
• 17:03
  want
• 17:03
  to
• 17:03
  see
• 17:04
  George
• 17:04
  Benson.
• 17:05
  I
• 17:05
  want
• 17:05
  to
• 17:05
  see.
• 17:06
  Yeah,
• 17:06
  right.
• 17:07
  You
• 17:07
  know,
• 17:07
  I'm.
• 17:07
  I'm.
• 17:08
  I'm
• 17:08
  a
• 17:08
  musician,
• 17:09
  man.
• 17:09
  Yeah.
• 17:10
  And
• 17:10
  I
• 17:10
  want
• 17:10
  to
• 17:11
  see
• 17:11
  Oscar
• 17:11
  Peterson,
• 17:11
  and
• 17:12
  I
• 17:12
  just
• 17:13
  want
• 17:13
  to
• 17:13
  travel,
• 17:14
  you
• 17:14
  know,
• 17:14
  I
• 17:14
  want
• 17:14
  to
• 17:14
  go
• 17:14
  on
• 17:15
  the
• 17:15
  road.
• 17:15
  Yeah.
• 17:16
  You
• 17:16
  know,
• 17:16
  you
• 17:16
  hear
• 17:16
  musicians
• 17:17
  talk
• 17:17
  about
• 17:17
  road.
• 17:18
  I'm
• 17:18
  like,
• 17:18
  I
• 17:18
  want
• 17:18
  to
• 17:19
  go
• 17:19
  on
• 17:19
  the
• 17:19
  road,
• 17:19
  man.
• 17:20
  So
• 17:20
  when
• 17:21
  she
• 17:21
  said
• 17:21
  that,
• 17:22
  when
• 17:22
  she
• 17:22
  offered,
• 17:23
  I
• 17:23
  was
• 17:23
  like,
• 17:24
  I.
• 17:24
  I
• 17:24
  want
• 17:25
  to
• 17:25
  go.
• 17:25
  My
• 17:25
  dad
• 17:25
  was
• 17:26
  not
• 17:26
  happy,
• 17:26
  my
• 17:27
  friend.
• 17:27
  Oh,
• 17:27
  man.
• 17:28
  Because
• 17:28
  he
• 17:28
  didn't
• 17:28
  have
• 17:28
  anyone
• 17:29
  to
• 17:29
  help
• 17:29
  him
• 17:29
  with
• 17:29
  the
• 17:29
  business
• 17:29
  anymore.
• 17:30
  Yeah,
• 17:30
  he
• 17:31
  was
• 17:31
  not
• 17:31
  happy.
• 17:31
  Yeah,
• 17:32
  he
• 17:32
  was
• 17:32
  not
• 17:33
  happy.
• 17:33
  He
• 17:33
  was
• 17:34
  very
• 17:34
  unhappy
• 17:35
  that
• 17:35
  I
• 17:35
  was
• 17:35
  leaving.
• 17:36
  But
• 17:36
  As
• 17:37
  a
• 17:37
  kid,
• 17:38
  you
• 17:38
  really
• 17:38
  don't
• 17:38
  care.
• 17:39
  Yeah.
• 17:39
  Opportunity,
• 17:40
  right?
• 17:40
  Yeah,
• 17:40
  it's
• 17:40
  an
• 17:40
  opportunity,
• 17:41
  man.
• 17:41
  I'm.
• 17:42
  I'm
• 17:42
  coming.
• 17:42
  I
• 17:43
  want
• 17:43
  to
• 17:43
  get
• 17:43
  out
• 17:43
  of
• 17:43
  here.
• 17:43
  I
• 17:44
  want
• 17:44
  to.
• 17:44
  I
• 17:44
  want
• 17:44
  to.
• 17:44
  I
• 17:44
  want
• 17:44
  to.
• 17:45
  I
• 17:45
  want
• 17:45
  to
• 17:45
  experience
• 17:45
  the
• 17:46
  world.
• 17:46
  Wow.
• 17:47
  So
• 17:48
  my
• 17:48
  mom
• 17:49
  swansea
• 17:50
  me
• 17:50
  and
• 17:51
  actually
• 17:51
  my
• 17:52
  brother
• 17:52
  as
• 17:52
  well,
• 17:53
  and
• 17:53
  we
• 17:53
  immigrated
• 17:54
  to
• 17:55
  Canada.
• 17:55
  And
• 17:55
  I
• 17:56
  mean,
• 17:56
  I
• 17:56
  remember
• 17:57
  landing
• 17:58
  and
• 17:58
  calling
• 17:59
  my
• 17:59
  friend
• 17:59
  the
• 18:00
  very
• 18:00
  next
• 18:00
  day,
• 18:00
  and
• 18:00
  I'm
• 18:00
  like,
• 18:01
  I
• 18:01
  have
• 18:01
  enough
• 18:01
  money.
• 18:02
  I
• 18:02
  want
• 18:02
  to
• 18:02
  buy
• 18:02
  a
• 18:02
  roads.
• 18:04
  He
• 18:04
  took
• 18:04
  me
• 18:04
  to
• 18:04
  Long
• 18:04
  McQuid,
• 18:05
  and
• 18:05
  the
• 18:05
  roads
• 18:06
  were
• 18:06
  way
• 18:06
  too
• 18:06
  expensive.
• 18:07
  I
• 18:07
  couldn't
• 18:07
  afford
• 18:07
  it.
• 18:08
  Then
• 18:08
  we
• 18:08
  started
• 18:09
  looking
• 18:09
  in
• 18:09
  the
• 18:09
  papers
• 18:10
  and
• 18:10
  found.
• 18:11
  Well,
• 18:11
  I
• 18:12
  found
• 18:12
  one
• 18:13
  and
• 18:13
  I
• 18:14
  called
• 18:14
  him
• 18:14
  up.
• 18:14
  I
• 18:14
  found
• 18:15
  one
• 18:15
  because
• 18:15
  he
• 18:15
  wasn't
• 18:16
  moving
• 18:16
  fast
• 18:16
  enough
• 18:16
  for
• 18:16
  me.
• 18:17
  And
• 18:17
  I
• 18:17
  found
• 18:17
  it
• 18:18
  and
• 18:18
  he.
• 18:19
  We
• 18:19
  went
• 18:20
  to
• 18:20
  look
• 18:20
  at
• 18:20
  it,
• 18:20
  and
• 18:20
  the
• 18:21
  roads
• 18:21
  was
• 18:21
  so
• 18:22
  raggedy.
• 18:22
  I
• 18:23
  would
• 18:23
  want
• 18:23
  you
• 18:23
  to
• 18:23
  buy
• 18:23
  it
• 18:23
  anyway,
• 18:24
  but
• 18:24
  the
• 18:24
  rose
• 18:25
  was
• 18:25
  so
• 18:25
  raggedy.
• 18:25
  He
• 18:25
  says,
• 18:26
  no,
• 18:26
  no,
• 18:26
  but
• 18:26
  you
• 18:26
  knew.
• 18:26
  How
• 18:26
  to
• 18:26
  fix
• 18:27
  it.
• 18:27
  Yeah,
• 18:27
  I
• 18:27
  knew
• 18:27
  how
• 18:28
  to
• 18:28
  fix
• 18:28
  it,
• 18:28
  but
• 18:29
  he
• 18:29
  didn't
• 18:29
  allow
• 18:30
  me
• 18:30
  to
• 18:30
  buy
• 18:30
  it.
• 18:30
  And
• 18:31
  then
• 18:31
  we
• 18:31
  found
• 18:31
  one
• 18:32
  that
• 18:32
  was
• 18:32
  really
• 18:32
  good,
• 18:33
  and
• 18:33
  I
• 18:33
  bought
• 18:33
  it.
• 18:33
  And
• 18:33
  then
• 18:34
  I
• 18:34
  went
• 18:34
  and
• 18:34
  bought
• 18:35
  a
• 18:35
  synthesizer.
• 18:36
  And
• 18:36
  what
• 18:37
  did
• 18:37
  you
• 18:37
  get?
• 18:37
  I
• 18:37
  got
• 18:38
  a
• 18:38
  poly
• 18:38
  six
• 18:40
  called
• 18:40
  Poly
• 18:41
  six.
• 18:41
  Okay.
• 18:42
  I
• 18:42
  mean,
• 18:42
  I
• 18:42
  had
• 18:42
  a
• 18:43
  lot
• 18:43
  of
• 18:43
  synthesis.
• 18:43
  I
• 18:43
  had
• 18:43
  the
• 18:43
  Oberheim,
• 18:44
  I
• 18:44
  had
• 18:44
  the
• 18:44
  COG.
• 18:45
  Poly
• 18:45
  6.
• 18:47
  What
• 18:48
  else
• 18:48
  did
• 18:48
  I
• 18:48
  have?
• 18:49
  Yeah.