Latest / Aaron Mahnke's Cabinet of Curiosities / Uncanny Resemblance
Transcript
- 0:04Speaker 1: Welcome to Aaron Benky's Cabinet of Curiosities, a production of
- 0:07Speaker 1: I Heart Radio and Grim and Mild. Our world is
- 0:13Speaker 1: full of the unexplainable, and if history is an open book,
- 0:18Speaker 1: all of these amazing tales are right there on display,
- 0:22Speaker 1: just waiting for us to explore. Welcome to the Cabinet
- 0:27Speaker 1: of Curiosities. The dead are never truly gone. We remember
- 0:39Speaker 1: them in all sorts of ways. Today we have the
- 0:41Speaker 1: convenience of cameras in our pockets that can store hours
- 0:44Speaker 1: of video footage and thousands of photographs, so we never
- 0:48Speaker 1: forget before we had such luxuries, though the dead were
- 0:51Speaker 1: commemorated using other methods. A widow might have kept some
- 0:55Speaker 1: of her late husband's hair in a locket around her neck.
- 0:58Speaker 1: Death masks were also a popular way to preserve someone's
- 1:01Speaker 1: visage by making a cast of their face using wax
- 1:04Speaker 1: or plaster. In fact, wax was the preferred medium for
- 1:08Speaker 1: Marie Grossoltz, who made death masks of some of the
- 1:11Speaker 1: French Revolution's most famous casualties, and it was pretty easy
- 1:14Speaker 1: for her too, since she only needed their heads. Marie
- 1:18Speaker 1: was born in seventeen sixty one in Strasburg, France, she
- 1:22Speaker 1: never knew her father. He was killed in battle during
- 1:24Speaker 1: the Seven Years War two months before she was born.
- 1:27Speaker 1: Six years later, her mother uprooted the family and whisked
- 1:30Speaker 1: them all off to Switzerland. Marie's mother had found work
- 1:33Speaker 1: as a housekeeper in the home of a noted doctor,
- 1:36Speaker 1: Philippe Cursuisse, who immediately took a shine to the young girl.
- 1:40Speaker 1: Under his tutelage, Marie learned how to work with wax,
- 1:43Speaker 1: molding and shaping it to her will. She even accompanied
- 1:46Speaker 1: Philippe to Paris, where she lived for much of her
- 1:48Speaker 1: life thereafter. In seventeen seventy seven, Marie demonstrated all she
- 1:53Speaker 1: had learned in her first solo venture, a wax sculpture
- 1:56Speaker 1: of French philosopher Voltaire. One year later, the student had
- 2:00Speaker 1: become the teacher. She traveled to Versailles to teach art
- 2:03Speaker 1: to a single student, King Louis the sixteenth sister Elizabeth.
- 2:08Speaker 1: After that, Marie was invited to live at the palace.
- 2:11Speaker 1: For roughly a decade, she sat in on private conversations
- 2:14Speaker 1: among the royals, building their trust and becoming a kind
- 2:16Speaker 1: of confidant to them. She had begun her time as
- 2:19Speaker 1: an educator, but wound up making some important friends along
- 2:22Speaker 1: the way. Unfortunately, nothing good last forever. The political climates
- 2:27Speaker 1: of the time was dangerous for someone in Marie's shoes.
- 2:30Speaker 1: You might even say it was revolting. Thousands of French
- 2:33Speaker 1: citizens were about to rise up, and they were not
- 2:35Speaker 1: going to let the art teacher for the aristocracy get away.
- 2:39Speaker 1: Marie left Verssilles the night before the start of the
- 2:41Speaker 1: French Revolution and fled back to Paris to hide with
- 2:44Speaker 1: her mother and Philippe. A handful of years later, however,
- 2:47Speaker 1: the revolution caught up with them. All three were hauled
- 2:50Speaker 1: away to the forced prison, accused of being royal sympathizers.
- 2:54Speaker 1: Marie's hair was even shaved off in preparation for her beheading.
- 2:58Speaker 1: Luckily for her, Philippe was able to get her released
- 3:01Speaker 1: with the help of an influential friend. But instead of escaping,
- 3:04Speaker 1: Marie decided to stick around, putting her talents to work
- 3:07Speaker 1: by making death masks of famous royals, including her former boss,
- 3:11Speaker 1: Louis the sixteenth and Marie Antoinette. Billip died the following
- 3:16Speaker 1: year in sevent and left his former student with the
- 3:19Speaker 1: wax figures he'd created over the course of his life.
- 3:22Speaker 1: As she got older, Marie settled down. She got married
- 3:25Speaker 1: and had three children, but continued to pursue her passion.
- 3:29Speaker 1: She was able to get her wax portraits exhibited in
- 3:31Speaker 1: London in eighteen o two. They weren't exactly a hit,
- 3:35Speaker 1: but that didn't stop her from trying in other parts
- 3:37Speaker 1: of England. She toured the country for over thirty years,
- 3:40Speaker 1: setting up temporary showcases where visitors could gawk at the
- 3:44Speaker 1: lifelike figures of people who had died long ago. It
- 3:48Speaker 1: wasn't until the early eighteen thirties when Marie finally found
- 3:51Speaker 1: a permanent home for her work on London's Baker Street.
- 3:54Speaker 1: It was a whole floor of the Baker Street Bazaar,
- 3:57Speaker 1: and one of its highlights was what one magazine called
- 4:00Speaker 1: the Chamber of Horrors. That section of the exhibit featured
- 4:03Speaker 1: the figures she had done of the French Revolutions victims. Today,
- 4:07Speaker 1: the Chamber has come to hold wax representations of some
- 4:10Speaker 1: of the most notorious people to ever walk the earth,
- 4:13Speaker 1: including Adolf Hitler, Genghis Khan, and vlad the Impaler. Over
- 4:17Speaker 1: the years, many of Marie's statues were lost, some melted
- 4:21Speaker 1: in a fire, while others were destroyed during World War Two,
- 4:24Speaker 1: but because she had the foresight to make molds of them,
- 4:27Speaker 1: they were easily recreated and duplicated. Marie died in eighteen fifty,
- 4:33Speaker 1: but her work lives on all around the world in
- 4:35Speaker 1: places like London, Hong Kong, Washington, d C. New York City,
- 4:39Speaker 1: and Las Vegas, to name a few. New figures are
- 4:43Speaker 1: being added to her exhibits each year as well, including
- 4:46Speaker 1: movie stars and politicians, and those who want to see
- 4:49Speaker 1: the lasting wax legacy of Madame Marie Grossholtz need only
- 4:53Speaker 1: to look for the sign outside bearing her married name
- 4:57Speaker 1: Madam Too, So nobody wants to work on their day off.
- 5:13Speaker 1: The last thing anyone wants is to get an email
- 5:16Speaker 1: from their boss when they're supposed to be relaxing, or
- 5:18Speaker 1: a call about an urgent crisis during their vacation. Judith
- 5:22Speaker 1: had scheduled some time off in nineteen sixty nine. Luckily
- 5:25Speaker 1: she didn't have to come back into the office since
- 5:28Speaker 1: she'd finished her work ahead of time, and a good
- 5:30Speaker 1: thing too, Otherwise the astronauts of the Apollo thirteen mission
- 5:33Speaker 1: would have been in serious trouble. Judith was born in Brooklyn,
- 5:37Speaker 1: New York, in nineteen thirty three. Growing up, she became
- 5:40Speaker 1: known for two things, her ballet dancing and her stellar
- 5:43Speaker 1: math skills. She not only tutored her classmates in math,
- 5:47Speaker 1: she also earned a little money on the side by
- 5:49Speaker 1: doing their homework for them. She was so skilled, in fact,
- 5:52Speaker 1: that Brooklyn College offered her a full scholarship to pursue mathematics.
- 5:56Speaker 1: But once she got there, she realized her true passion
- 5:59Speaker 1: was in engineer ring. She switched majors, splitting her time
- 6:02Speaker 1: between school and dancing in New York's Metropolitan Opera Ballet Company.
- 6:06Speaker 1: But in nineteen fifty two, she left the East Coast
- 6:09Speaker 1: and Brooklyn College for a new life and a new
- 6:11Speaker 1: engineering career in California. Her skills had earned her a
- 6:15Speaker 1: position at North American Aviation, the birthplace of the P
- 6:18Speaker 1: fifty one Mustang fighter plane and the B twenty five
- 6:22Speaker 1: Mitchell bomber. When she wasn't designing aircraft components, though Judith
- 6:26Speaker 1: continued to pursue her bachelor's degree at USC, she also
- 6:29Speaker 1: started building systems and parts for the United States budding
- 6:33Speaker 1: space program. Judith Cohen graduated in nineteen fifty seven and
- 6:37Speaker 1: moved on from North American Aviation to a new aerospace company,
- 6:41Speaker 1: Space Technologies Laboratories, was working on several interesting projects, one
- 6:45Speaker 1: of which she would play an integral part in. Some
- 6:47Speaker 1: years later, they were developing a capsule that was going
- 6:51Speaker 1: to be launched into space and landed safely on the Moon.
- 6:54Speaker 1: It was part of a new initiative called the Apollo Program.
- 6:57Speaker 1: Judith spent the next several years working on specific aspects
- 7:01Speaker 1: of Apollo, including the lunar modules abort guidance system. The
- 7:05Speaker 1: abort guidance system allowed the astronauts to abort a lunar
- 7:09Speaker 1: landing if the modules primary guidance system malfunctioned, which is
- 7:13Speaker 1: exactly what happened during the Apollo thirteen mission. On April
- 7:17Speaker 1: eleventh of nineteen seventy, Jim Level and his crew were
- 7:20Speaker 1: launched into orbit from Kennedy Space Center in Florida. The
- 7:23Speaker 1: original plan had been to land on the Moon, but
- 7:26Speaker 1: one of the oxygen tanks exploded two days into the
- 7:28Speaker 1: mission and contact with the lunar surface could not be made.
- 7:32Speaker 1: Communications dropped out for almost two seconds a lifetime if
- 7:36Speaker 1: you're stranded in a cramped box hurtling through space. As
- 7:40Speaker 1: electrical malfunctions flickered, it was clear there was no way
- 7:43Speaker 1: Level and his men were going to reach the Moon.
- 7:46Speaker 1: The problem now was in getting home. With help from
- 7:49Speaker 1: Mission control back in Houston, the crew devised a new
- 7:52Speaker 1: way to return to Earth. By looping around the Moon.
- 7:55Speaker 1: At the right time, they would fire up the module's
- 7:58Speaker 1: engines and slingshot the vessel back to Earth. A critical
- 8:02Speaker 1: part of the plan was in executing a direct abort
- 8:05Speaker 1: of the landing procedure. Otherwise the module would have descended
- 8:08Speaker 1: to the Moon's surface and the crew would have died there.
- 8:10Speaker 1: Thanks to Judith Cohen and her work on the abort
- 8:13Speaker 1: guidance system, Level and his team were able to avoid
- 8:16Speaker 1: the lunar detour and make it home. Cohen took her
- 8:19Speaker 1: job and her responsibilities very seriously, So seriously, in fact,
- 8:24Speaker 1: that she even worked while she was giving birth. One
- 8:26Speaker 1: year earlier, in August of nineteen sixty nine, Judith went
- 8:29Speaker 1: into labor while working on a difficult problem at the office,
- 8:33Speaker 1: presumably related to the abort guidance system. Rather than leave
- 8:36Speaker 1: it unsolved, though, she printed it out and took it
- 8:39Speaker 1: with her to the hospital. After several hours of labor,
- 8:42Speaker 1: she called the office and let her boss know that
- 8:44Speaker 1: she had solved the problem. Oh and she had also
- 8:47Speaker 1: just given birth to a little boy who would eventually
- 8:50Speaker 1: grow up to become a world famous actor and musician,
- 8:54Speaker 1: none other than Jack Black. I hope you've enjoyed today's
- 9:01Speaker 1: guided tour of the Cabinet of Curiosities. Subscribe for free
- 9:05Speaker 1: on Apple Podcasts, or learn more about the show by
- 9:07Speaker 1: visiting Curiosities podcast dot com. The show was created by
- 9:12Speaker 1: me Aaron Mankey in partnership with how Stuff Works. I
- 9:16Speaker 1: make another award winning show called Lore, which is a podcast,
- 9:20Speaker 1: book series, and television show, and you can learn all
- 9:23Speaker 1: about it over at the World of Lore dot com.
- 9:27Speaker 1: And until next time, stay curious. Yea