Latest / Children of the 80s / 80s Billboard Hits: Guess the Theme
Transcript
- 0:00Speaker 1: Children of the Eighties is brought to you by Q
- 0:02Speaker 1: one O six point five Internet Radio. You can find
- 0:06Speaker 1: it online at Q one o six five dot com
- 0:09Speaker 1: or download the app.
- 0:29Speaker 2: Welcome back to Children of the Eighties. I am one
- 0:31Speaker 2: of your hosts, Jim, and I am joined as always
- 0:34Speaker 2: by the lady who has not figured out whether or
- 0:36Speaker 2: not she's walking on the dark side or walking on sunshine.
- 0:40Speaker 2: It's my co host, Lindsey.
- 0:42Speaker 1: Sometimes I've got one leg on one side, one leg
- 0:46Speaker 1: on the other, and I'm just straddling that line. I
- 0:49Speaker 1: know you are every day every day. Listen, if you
- 0:54Speaker 1: choke and die over there, I'm not editing it out.
- 0:56Speaker 1: I don't have the patients.
- 0:59Speaker 2: No, that's fine, No, let her run. It'll be our
- 1:00Speaker 2: highest rated episode.
- 1:03Speaker 1: So we ate dinner like what thirty forty minutes ago.
- 1:06Speaker 1: And he's been hacking ever since. And now I'm stressed
- 1:12Speaker 1: at the number of quote unquote hacks. I'm gonna have
- 1:15Speaker 1: to edit out of it.
- 1:16Speaker 2: Not the hacks. It's trying to clear my throat. And
- 1:18Speaker 2: now now you hear me, I got like a scratchy voice.
- 1:24Speaker 2: It's it's it's no fun.
- 1:27Speaker 1: Oh, I know, I'm just giving you crap. You know
- 1:29Speaker 1: what I live for. That that's where I'm straddling that.
- 1:32Speaker 2: Oh, I know, I know. Now you're walking on the
- 1:34Speaker 2: dark side. I need you to come back to the sunshine.
- 1:40Speaker 2: You know what's not coming back to the sunshine. It's
- 1:42Speaker 2: my computer.
- 1:42Speaker 1: Yeah. No, we're having all sorts of different issues tonight,
- 1:46Speaker 1: and computer issues is one of them.
- 1:47Speaker 2: You've got updates are underway, even though it told me
- 1:50Speaker 2: at one point I was one hundred percent complete. Yes, yes,
- 1:54Speaker 2: you are one hundred percent complete. Keep your please, keep
- 1:56Speaker 2: your computer on. But updates are on the way.
- 1:59Speaker 1: Could that be what's going on with your throat? You've
- 2:01Speaker 1: got updates underway?
- 2:04Speaker 2: Gosh, I hope.
- 2:05Speaker 1: So, oh my goodness.
- 2:08Speaker 2: Give me a give me a new voice.
- 2:10Speaker 1: So I got something I wanted to talk about.
- 2:13Speaker 2: Well, I wouldn't expect anything less.
- 2:16Speaker 1: So you and i've actually already talked about this, but
- 2:18Speaker 1: I want to I want to reshare and I want
- 2:20Speaker 1: to get into this for a minute. So I was
- 2:23Speaker 1: out running errands by myself the other day, and I
- 2:25Speaker 1: was in our old neighborhood, and I think I got
- 2:28Speaker 1: a little nostalgic because it also happens to be the
- 2:31Speaker 1: neighborhood I grew up in, right, and so I had
- 2:34Speaker 1: run into the grocery store. Yeah, I'd run into the
- 2:36Speaker 1: grocery store to do something. And I came out and
- 2:38Speaker 1: there sat the Mickey D's. And I don't eat McDonald's.
- 2:44Speaker 1: That is just would be like the last thing I
- 2:46Speaker 1: would ever pick. Okay, And something just spoke to me
- 2:50Speaker 1: and I was like, I have to go right now
- 2:53Speaker 1: and get McDonald's.
- 2:55Speaker 2: Okay, and I'm sorry.
- 2:57Speaker 1: I had this internal back and forth where I was like,
- 3:00Speaker 1: I've got to do it, like something's calling my name,
- 3:03Speaker 1: and then I thought it's not really food. I really
- 3:07Speaker 1: probably need to not so I compromised and decided I
- 3:10Speaker 1: would get a happy.
- 3:11Speaker 2: Meal because that's what you would have done in the eighties.
- 3:14Speaker 1: Because that's what I would have done in the eighties.
- 3:16Speaker 1: I loved me a filet o fish happy meal.
- 3:21Speaker 2: Really they did filefish happy it is. Yeah, I didn't
- 3:24Speaker 2: think any kid ate fish, so that shocks me.
- 3:29Speaker 1: So my weird cousin got it, and I saw something different.
- 3:33Speaker 2: So then that's what I wanted. I mean, that's that's
- 3:35Speaker 2: not really a surprise.
- 3:36Speaker 1: Yeah right, that explains it all. So I went got
- 3:39Speaker 1: my little happy meal. I've never in my life seen
- 3:47Speaker 1: a French fry holder as tiny as I took a
- 3:55Speaker 1: picture of it and send it to you, and you.
- 3:57Speaker 2: Said, well, what it looked like like was remember when
- 4:03Speaker 2: Emmy used to get her little toys and I forget
- 4:05Speaker 2: what they were called, like something one or something, but
- 4:08Speaker 2: she get her little toys and they were like basically
- 4:10Speaker 2: like little tiny miniatures. They were miniatures of real, real stuff. Yes,
- 4:15Speaker 2: that's what it looked like. I mean it couldn't have
- 4:18Speaker 2: held more than four fries.
- 4:20Speaker 1: No, literally, there were four French fries in there.
- 4:23Speaker 2: That's not a happy meal.
- 4:24Speaker 1: It was so just perplexed and a little irritates at
- 4:29Speaker 1: your computer restarting. Perplexed and irritated, and also really fascinated
- 4:38Speaker 1: with how tiny it was.
- 4:40Speaker 2: I feel like that would have been a super size
- 4:43Speaker 2: for the littles.
- 4:44Speaker 1: Yes, yes, this.
- 4:46Speaker 2: Didn't make it out of the first round of our
- 4:48Speaker 2: cartoon theme tournaments, so I didn't.
- 4:50Speaker 1: Want to eat a lot of fries, but I did
- 4:51Speaker 1: want more than four.
- 4:54Speaker 2: Would five have been suffice?
- 4:56Speaker 1: You know how they used to come in the little paper.
- 5:00Speaker 2: Yes, that's what they're supposed to come in.
- 5:02Speaker 1: What I had expected, and that would have been perfect.
- 5:05Speaker 2: They're not supposed to come in the miniature red It
- 5:09Speaker 2: literally looks like Rick moranis putt put the super sized
- 5:16Speaker 2: Fries red box in his machine and shrunk it.
- 5:19Speaker 1: So I know I'm terrible on social media, But what
- 5:22Speaker 1: if I try to get up the what energy focus
- 5:26Speaker 1: and I post that picture on our socials because it's cute,
- 5:30Speaker 1: It's really cute.
- 5:33Speaker 2: Yeah, when pigs fly, you'll post that.
- 5:35Speaker 1: I mean possibly wink wink.
- 5:39Speaker 2: Just because you say wink wink doesn't mean they're flying.
- 5:45Speaker 2: Oh what else you got?
- 5:49Speaker 1: I mean that's not enough for you. No, what else
- 5:53Speaker 1: are you wanting?
- 5:54Speaker 2: I need more?
- 5:56Speaker 1: I mean, you're the one that should have more to
- 5:57Speaker 1: talk about. You've turned into Marstarr over there.
- 6:01Speaker 2: I don't even know what that means.
- 6:03Speaker 1: Maurice Starr was the guy who discovered New Kids on
- 6:08Speaker 1: the Block and he basically produced all their albums.
- 6:11Speaker 2: Oh okay, why would I know that? Why? How could
- 6:15Speaker 2: you not? Because it's New Kids on the Block. How
- 6:18Speaker 2: much attention did I pay New Kids on the Block
- 6:20Speaker 2: in nineteen eighty eight, nineteen eighty nine, I mean in
- 6:22Speaker 2: nineteen ninety one, and then after that they were basically irrelevant.
- 6:27Speaker 1: Well, they're back again, baby, I guess.
- 6:35Speaker 2: Yeah. So we're doing some fun stuff on the Patreon
- 6:38Speaker 2: and I've I've been sending our Patreon folks some samples
- 6:42Speaker 2: of songs to see which one they like for our
- 6:45Speaker 2: our season four theme song. Yeah, and we're getting some
- 6:50Speaker 2: good feedback and so where we're getting down to the
- 6:53Speaker 2: nitty gritty now, oh gosh, we're getting down to the
- 6:56Speaker 2: nitty gritty, and we will soon have a winner and
- 7:00Speaker 2: then we will have a new theme song.
- 7:02Speaker 1: Well that's exciting. You played the two for me that
- 7:06Speaker 1: you posted today and I loved them both.
- 7:08Speaker 2: Right, it was going to be a tough pick, but
- 7:10Speaker 2: once the people have spoken, they have spoken, and there's
- 7:14Speaker 2: not a whole lot I can I can really do
- 7:16Speaker 2: about that.
- 7:17Speaker 1: Yeah, yep, I get it.
- 7:19Speaker 2: But but yeah, I mean that's I've been working mainly
- 7:23Speaker 2: on podcast stuff since I've recovered somewhat from the surgery,
- 7:29Speaker 2: and I'm getting my energy back and I'm feeling pretty good.
- 7:34Speaker 1: You are. I can see that you're starting to return
- 7:37Speaker 1: to the old gym. Yeah, so see, I see him
- 7:41Speaker 1: in there.
- 7:41Speaker 2: I'm almost ready to go back to work. Yeah, if
- 7:45Speaker 2: if work would allow me to sleep until ten am
- 7:49Speaker 2: every day be perfect, and then work like eleven to five,
- 7:52Speaker 2: eleven thirty five something like that. I think we can
- 7:55Speaker 2: all get along.
- 7:55Speaker 1: Just five, Oh, that would be perfect. So, I mean,
- 7:58Speaker 1: we live such an exciting life. So I've got a
- 8:02Speaker 1: McDonald's story to share, right, I mean, it didn't get
- 8:05Speaker 1: much better than that, So let's share what we did
- 8:08Speaker 1: ahole day on Saturday.
- 8:13Speaker 2: I don't remember crickets.
- 8:15Speaker 1: They're cricket, literally.
- 8:16Speaker 2: I don't remember what we don't.
- 8:18Speaker 1: Remember, Okay. So children of the eighties turned into teens
- 8:23Speaker 1: of the nineties, and what did we have in the nineties.
- 8:27Speaker 1: We had our big booklets of CDs?
- 8:31Speaker 2: Oh that's right, okay, So we went through probably four
- 8:37Speaker 2: hundred to five hundred CDs because they had been separated
- 8:41Speaker 2: from the cases, and so we were trying to find
- 8:44Speaker 2: the CD with the case. And somehow we have twenty
- 8:51Speaker 2: twenty five cases left over and about forty five CDs leftover,
- 8:57Speaker 2: and those don't match. So I'm not sure what went
- 9:00Speaker 2: wrong or where we're at with all of that. Where
- 9:02Speaker 2: are the forty five missing CD cases and where are
- 9:06Speaker 2: the twenty five missing CDs for the empty cases that
- 9:09Speaker 2: we have? Yeah, I got nothing, That's what I want
- 9:11Speaker 2: to know.
- 9:12Speaker 1: But didn't we have fun doing that? Oh?
- 9:14Speaker 2: It was a blast.
- 9:14Speaker 1: We had so much fun.
- 9:16Speaker 2: It was a blast. I mean, you're seeing memories, You're
- 9:20Speaker 2: seeing stuff that you didn't realize that you had. Our
- 9:23Speaker 2: buddy Brad would be happy to know that we have
- 9:25Speaker 2: three r emcds that I didn't that I had forgotten about.
- 9:29Speaker 1: I just found all my old nineties country CDs. And
- 9:34Speaker 1: then okay, so we were also then making a stack
- 9:36Speaker 1: of CDs to get rid off, and I noticed they
- 9:38Speaker 1: all went in the get rid off stack?
- 9:40Speaker 2: What the country? Yeah, well, of course.
- 9:42Speaker 1: Where did stupid Tori Amos go get rid of? I
- 9:46Speaker 1: didn't see her in there in the first are you
- 9:49Speaker 1: the first bag? Nor? No, in the first batch? Tori
- 9:55Speaker 1: Amos is in the first batch of get rid.
- 9:57Speaker 2: Of that you've already approved, Sarah mclall, get rid of
- 10:01Speaker 2: Tory Amos, get rid.
- 10:03Speaker 1: Of anyways, Yeah, I noticed all my nineties Country ended.
- 10:07Speaker 2: Up there, probably where they blong And then you will.
- 10:10Speaker 1: You put a Beetle CD today. I had a stack
- 10:13Speaker 1: to go through when I got home, because it has
- 10:15Speaker 1: to go through two.
- 10:17Speaker 2: Right, two eyes, four eyes, two sets of eyes.
- 10:20Speaker 1: Correct, and you had a Beetle CD in.
- 10:22Speaker 2: There that had to get in there by mistake. Now
- 10:24Speaker 2: I want to look at all of them again because
- 10:27Speaker 2: the Beetle CD shouldn't have been in there. So now
- 10:29Speaker 2: I need to go through them again because there's no
- 10:32Speaker 2: way I may have made a mistake there.
- 10:35Speaker 1: Well, I hold it not just.
- 10:37Speaker 2: With the Beatles, but with that whole stack that I
- 10:40Speaker 2: was there.
- 10:41Speaker 1: So at one point we had a conversation about, like
- 10:45Speaker 1: I probably when we first moved here, do we just
- 10:47Speaker 1: like toss and not my toss, but donate all of
- 10:51Speaker 1: our CDs, all of our DVDs. I have a huge
- 10:56Speaker 1: tote full of cassette tapes, and I said no, that
- 11:02Speaker 1: we need to keep them right, and so I think
- 11:06Speaker 1: we should display them in here somewhere.
- 11:08Speaker 2: Because he had tapes. Uh huh, Okay, you know I've
- 11:12Speaker 2: been telling you all along that we need to rearrange
- 11:14Speaker 2: our room because we've got this big, giant wall right
- 11:16Speaker 2: here behind us. We both need to face the same
- 11:18Speaker 2: way and then we can put all the stuff back
- 11:22Speaker 2: here on this wall rather than the just the little
- 11:25Speaker 2: stuff that we have, because we got so many cool
- 11:27Speaker 2: things that represent the eighties that we can't see.
- 11:32Speaker 1: So anyways, that's the exciting life that we live. We
- 11:36Speaker 1: paired up our CDs with their cases and we actually
- 11:40Speaker 1: had a lot of fun, and then we had pizza
- 11:41Speaker 1: for dinner. I mean it was really the perfect day.
- 11:44Speaker 2: It kind of was. And there was World Cup on
- 11:47Speaker 2: that day, right Oh yeah, of course, yeah, so I
- 11:50Speaker 2: get to watch two World Cup matches as well. So yeah,
- 11:53Speaker 2: it was it was kind of the perfect day. The
- 11:56Speaker 2: only thing that would have been better had I been
- 11:59Speaker 2: able to work on some stuff, right, which I did today.
- 12:03Speaker 1: Well, you could come all day if you would have
- 12:05Speaker 1: gotten up before ten o'clock.
- 12:06Speaker 2: Well, I mean they're a trade off of everything in life.
- 12:11Speaker 2: I do need to start maybe getting up a little
- 12:13Speaker 2: bit earlier as I It's kind of like when you
- 12:16Speaker 2: had summer break and then you went back to school,
- 12:19Speaker 2: you kind of had to start transitioning because you didn't
- 12:21Speaker 2: want to sleep until noon, right up until the day
- 12:23Speaker 2: before school started, and that was going to be horrible.
- 12:27Speaker 2: So I think I may need to start transitioning. I maybe,
- 12:30Speaker 2: you know, tomorrow, wake up at nine forty five, and
- 12:33Speaker 2: then maybe the next day nine thirty, and then maybe
- 12:36Speaker 2: the next day nine to fifteen, and slowly start moving
- 12:39Speaker 2: it back until I get to six thirty and then
- 12:41Speaker 2: once I get to six thirty six fifteen, I can
- 12:44Speaker 2: start back at work again.
- 12:45Speaker 1: What do you think sounds good to me?
- 12:48Speaker 2: Well, we've got an exciting episode today.
- 12:52Speaker 1: Okay, Well, I'm looking forward to it. I'm also a
- 12:55Speaker 1: little nervous because I'm kind of in the dark.
- 12:58Speaker 2: But that's okay, that's okay. Are you ready to get
- 13:00Speaker 2: to it?
- 13:01Speaker 1: Then let's do it, all right. This is a podcast
- 13:08Speaker 1: that looks back on the decade of the nineteen eighties.
- 13:12Speaker 1: We talk about things that were important to us as
- 13:15Speaker 1: children and what we look back on with fond memories
- 13:18Speaker 1: as adults. Ultimately, this is a nostalgia podcast.
- 13:25Speaker 2: And as I say, a few things bring back nostalgia
- 13:28Speaker 2: like music. And we have another music episode today. But
- 13:33Speaker 2: before we get to that.
- 13:36Speaker 3: I know, because I'm middle aged man.
- 14:16Speaker 2: I have another nominee, another submission for a nominee for
- 14:22Speaker 2: the Middle age Man Hall of Fame.
- 14:25Speaker 1: They're coming in quicker than we can handle.
- 14:28Speaker 2: Them, they are, and the and the Hall of Fame
- 14:31Speaker 2: is growing, and I'm gonna need somebody to go back
- 14:35Speaker 2: and listen and tell us all who has made the
- 14:37Speaker 2: Hall of Fame, because I'm starting to run out of
- 14:41Speaker 2: who made it, So that's not good. As always, we
- 14:44Speaker 2: have a nomination and Lindsey, you are going to decide
- 14:48Speaker 2: whether this person gets into the middle Aged Hall of Fame,
- 14:51Speaker 2: middle Aged Man Hall of Fame, or forever gets locked out.
- 14:57Speaker 2: Are you ready?
- 14:58Speaker 1: I'm ready.
- 14:59Speaker 2: Today's nominee is none other than mister Sam Elliott.
- 15:06Speaker 1: Oh, mister mustache.
- 15:10Speaker 2: Yes, he's a handsome man. If you say so, that's
- 15:16Speaker 2: a tough one. He's a fantastic actor.
- 15:18Speaker 1: He is a wonderful actor and hard to believe. I
- 15:24Speaker 1: think he's in his eighties now and that's just hard
- 15:26Speaker 1: for me to wrap my head around. He really he's
- 15:29Speaker 1: in the latest thing that I know that. He's in
- 15:33Speaker 1: is Landman with Billy bom Thornton.
- 15:36Speaker 2: Yes, and we saw him in Justified without his mustache,
- 15:39Speaker 2: which is really creepy.
- 15:40Speaker 1: It's been creepy. He needs to always have that caterpillar.
- 15:43Speaker 2: But he's been in a lot of movies and you
- 15:46Speaker 2: go back to nineteen ninety two and he was Virgilerp
- 15:49Speaker 2: in Tombstone and he looked middle aged back then, thirty
- 15:53Speaker 2: six years ago. So what do you say?
- 15:57Speaker 1: It's a hard one because I find him to he's
- 16:00Speaker 1: so handsome that it's hard for me to say, Oh yeah,
- 16:04Speaker 1: I think he should be a member of the Middle
- 16:06Speaker 1: Aged Man Hall of Fame. And I know that the
- 16:10Speaker 1: two shouldn't really have anything to do with each other.
- 16:12Speaker 2: They really shouldn't, especially since you found mel handsome.
- 16:20Speaker 1: But I feel like there are plenty of ladies out
- 16:23Speaker 1: there that would agree with me on Sam Elliott. Can
- 16:26Speaker 1: you think of a time when he didn't look middle aged?
- 16:30Speaker 2: I mean, I think maybe if you go back to
- 16:32Speaker 2: the seventies, but that was fifty years ago. I'm looking
- 16:37Speaker 2: at a picture of him here in the nineteen eighties,
- 16:40Speaker 2: and I mean, he looks pretty middle aged to me.
- 16:44Speaker 1: Okay, I'm looking at a picture of him. He's gone
- 16:47Speaker 1: on those Tom Selick short shorts. So it's got to
- 16:50Speaker 1: be the late seventies or early eighties. What is this from?
- 16:55Speaker 1: Is this from Wikipedia?
- 16:58Speaker 2: I just found something on Facebook. I just did a
- 17:00Speaker 2: Google search and then something come up on Facebook and
- 17:02Speaker 2: it says this man doesn't age, Sam Elliott looks like
- 17:05Speaker 2: he was born sixty years old and decided to just
- 17:07Speaker 2: stay there.
- 17:08Speaker 1: That's hysterical. So let me show you.
- 17:12Speaker 2: That looks a lot like Tom Sullick.
- 17:14Speaker 1: There, it does but he looks middle aged. He looks
- 17:17Speaker 1: middle aged there, so I'm allowing it. He's in.
- 17:31Speaker 2: Uh, the cowboy is in, Sam Elliott, congratulations, welcome to
- 17:37Speaker 2: the middle Aged Man Hall of Fame.
- 17:41Speaker 1: Look who he looks like there?
- 17:43Speaker 2: There? He looks like Jeff Foxworth. He I'm looking at
- 17:46Speaker 2: one here where he looks like Keith Hernandez.
- 17:48Speaker 1: Wow.
- 17:49Speaker 2: I don't think these are real. I don't think there's
- 17:52Speaker 2: a real picture, y'all.
- 17:55Speaker 1: Oh my goodness, mister Hansel.
- 17:57Speaker 2: We didn't look middle aged there. I'm surprised you let
- 18:00Speaker 2: him in. He's in, all right. I still feel like
- 18:05Speaker 2: you should have let Larry David in. But it's appropriate
- 18:07Speaker 2: that he didn't get in because he should have been.
- 18:09Speaker 2: And now he's going to be all mad about.
- 18:11Speaker 1: It, is Brad upset.
- 18:12Speaker 2: Oh yeah, for sure.
- 18:13Speaker 1: So who nominated Sam Elliott?
- 18:16Speaker 2: Our patreonner? Mister John Middleton? Okay, dominated, Sam Elliott?
- 18:20Speaker 1: Good job John?
- 18:22Speaker 2: So yes, he is eighty one years old, so thirty
- 18:25Speaker 2: two years ago. Third, No, thirty four years ago. When
- 18:28Speaker 2: he was in Tombstone, he would have been thirty seven.
- 18:32Speaker 2: Wow is that right? Forty seven? Forty seven? Okay? Yeah, anyway,
- 18:39Speaker 2: he's in. We can't change it. Now you said he's in,
- 18:43Speaker 2: He's in. Nothing I can do about it. Sam Elliott, welcome,
- 18:46Speaker 2: along with Wilford Brimley and Casey Kasem and all the others.
- 18:49Speaker 1: So turns out he's he's been nominated and accepted into
- 18:55Speaker 1: the Middle aged Man Hall of Fame, simply because as
- 18:59Speaker 1: Chill of the eighties, we've always only known him as
- 19:03Speaker 1: middle aged.
- 19:04Speaker 2: That is true.
- 19:06Speaker 1: I still like it though.
- 19:07Speaker 2: He's still in absolutely all right. Well, as I mentioned before,
- 19:15Speaker 2: now that Sam is in. Today's episode is a music episode.
- 19:21Speaker 2: The guess the theme was so popular last time that
- 19:25Speaker 2: we're going to do it again this time. My only
- 19:28Speaker 2: question to you is do we still have something to
- 19:29Speaker 2: give away to folks? We do? We still have a
- 19:33Speaker 2: Do we have a sticker?
- 19:34Speaker 1: We have a sticker?
- 19:35Speaker 2: All right, So be the first one to reply with
- 19:38Speaker 2: the theme correctly, and we will send you a sticker
- 19:44Speaker 2: and hopefully it'll get to you sooner than three and
- 19:47Speaker 2: a half weeks later.
- 19:47Speaker 1: We had well that possibly part was my fault, but
- 19:51Speaker 1: we had the listener, Vicky Vicky, and she received the
- 19:56Speaker 1: sticker and she put it on her yetty, Yeah, it
- 19:59Speaker 1: looked really good.
- 20:00Speaker 2: Look fantastic. I think you should post on the social Okay,
- 20:04Speaker 2: I will. So we have another theme today. I want
- 20:07Speaker 2: you to look down over the songs and see if
- 20:10Speaker 2: you notice anything in common.
- 20:15Speaker 1: So you're saying it's okay for me.
- 20:17Speaker 2: To look, Yeah, it's okay for you to look.
- 20:23Speaker 1: I don't know.
- 20:23Speaker 2: Okay, Well, that's fine because we'll get to the songs.
- 20:26Speaker 2: You can listen to them and see if you can
- 20:29Speaker 2: figure it out. So do you have anything else or
- 20:32Speaker 2: are you ready to get to it?
- 20:33Speaker 1: Let's get to it all right?
- 20:44Speaker 2: Okay? As I mentioned, this list has a theme. We
- 20:49Speaker 2: have twelve songs for this list. We're gonna caunt them
- 20:52Speaker 2: down from twelve to one. But they're not in order
- 20:54Speaker 2: of how good they are. Actually put them in chronological order.
- 20:59Speaker 1: Okay. Uh.
- 21:00Speaker 2: For those of you that don't know what that means.
- 21:03Speaker 2: That means we're doing them in the order of when
- 21:06Speaker 2: they hit the top forty from earliest to latest. So
- 21:12Speaker 2: are you ready to hear our first song?
- 21:16Speaker 1: I'm ready. Let's do this.
- 21:17Speaker 2: Before I let you hear the song? Do you recognize
- 21:19Speaker 2: it by the name?
- 21:23Speaker 1: I think?
- 21:24Speaker 3: So?
- 21:24Speaker 2: Okay, here we go by someone as you.
- 21:31Speaker 4: Please, don't go.
- 21:34Speaker 1: Don't go.
- 21:40Speaker 4: Away, please, don't go, you just stay.
- 21:50Speaker 2: He So obviously you recognize that song because I saw
- 21:57Speaker 2: you over there mouthing it and singing it. We'll go
- 21:59Speaker 2: ahead and tell the what that is.
- 22:01Speaker 1: So this is please don't go by Casey and the
- 22:04Speaker 1: Sunshine Bands.
- 22:05Speaker 2: That's right.
- 22:06Speaker 1: I did not realize that it's as old as I am.
- 22:09Speaker 2: It is as old as you are, maybe a little
- 22:12Speaker 2: bit older.
- 22:13Speaker 1: So it debuted in the top forty on September twenty ninth,
- 22:17Speaker 1: nineteen seventy nine, so it was on the chart for
- 22:22Speaker 1: eighteen weeks. It peaked at number one on the Billboard
- 22:27Speaker 1: Hot one hundred and also hit number one in Australia,
- 22:31Speaker 1: Canada and South Africa, So there you go. It finished
- 22:37Speaker 1: nineteen eighty as the nineteenth biggest song. I kind of
- 22:43Speaker 1: agree with that, I think, do you really? I bet
- 22:45Speaker 1: that surprises you to hear it.
- 22:47Speaker 2: Kind of does. So that is not the version that
- 22:51Speaker 2: I grew up with or that I heard first, right,
- 22:54Speaker 2: I actually heard this version, so I'm sure you recognize that, right.
- 23:23Speaker 1: Yeah, this version it fell under like a dance song
- 23:26Speaker 1: and it came out nineteen ninety two by British group
- 23:29Speaker 1: KWS Yes and hit number one in the UK and
- 23:32Speaker 1: number six here in the state.
- 23:35Speaker 2: So which version of those do you like better?
- 23:37Speaker 1: The first one and the original? Oh well, okay, yeah,
- 23:40Speaker 1: it almost feels disrespectful what they.
- 23:43Speaker 2: Did too, so because I grew up with the dance version,
- 23:47Speaker 2: and in nineteen ninety two there was a lot of
- 23:50Speaker 2: dance music being played on the radio. I actually kind
- 23:53Speaker 2: of dug that version, and when I heard the slow
- 23:55Speaker 2: down KSE and the Sunshine Band version, actually kind of
- 23:59Speaker 2: hated it. Were you mean, yes, okay, I don't know.
- 24:03Speaker 1: I was gonna say that. How about right now?
- 24:05Speaker 2: You know it's you know, I don't really I'm not
- 24:08Speaker 2: going to seek it out to listen to it. If
- 24:10Speaker 2: it comes on the radio. Depending on what mood I'm in,
- 24:13Speaker 2: I may listen to it. But I'm not a I'm
- 24:16Speaker 2: not a huge fan. But you are you you feel
- 24:18Speaker 2: it'd be a nineteen for the year in nineteen eighty
- 24:22Speaker 2: is well deserved?
- 24:24Speaker 1: Yeah?
- 24:25Speaker 2: Okay, all right, Well here we go with our number
- 24:29Speaker 2: eleven song. I'm sure you know this one. If you
- 24:31Speaker 2: know me, you know this one.
- 24:51Speaker 1: Glares somehow somebody wants.
- 24:54Speaker 2: To keep you around. That is Refugee by Tom Petty
- 25:05Speaker 2: and the Heartbreakers. This song debuted in the top forty
- 25:10Speaker 2: on February ninth, nineteen eighty. It was on the chart
- 25:14Speaker 2: for only ten weeks, and it peaked at number fifteen
- 25:17Speaker 2: on the Billboard Hot one hundred. It barely squeaked in
- 25:21Speaker 2: there in nineteen eighty for the year end Hot one hundred.
- 25:24Speaker 2: Is it finished number one hundred? Is the one hundredth
- 25:27Speaker 2: biggest song of nineteen eighty. If you were to go
- 25:30Speaker 2: back and take all of these songs from nineteen eighty
- 25:33Speaker 2: that finished in the top one hundred, I guarantee you
- 25:36Speaker 2: this song would be a lot higher than number one hundred.
- 25:39Speaker 2: I would hope it might be top ten. Yeah. So
- 25:42Speaker 2: Mike Campbell from the Heartbreakers wrote the music, Tom Petty
- 25:45Speaker 2: the lyrics, and apparently it was very difficult recording this
- 25:50Speaker 2: to get the feel right. They just couldn't do it,
- 25:53Speaker 2: And so they did like one hundred takes.
- 25:56Speaker 1: Wow and Mike you imagine.
- 25:58Speaker 2: And Mike Campbell finally got so frustrated that he left
- 26:00Speaker 2: town for two days and he said he never ever
- 26:04Speaker 2: ever did this, but he did it for this song.
- 26:06Speaker 2: And when he came back, they were able to regroup
- 26:08Speaker 2: and then get it exactly the way they wanted it
- 26:10Speaker 2: and then here you go. This is the finished product.
- 26:14Speaker 2: You know. I like the part where he says, who knows?
- 26:18Speaker 2: Maybe you were tied up, taken away and held for ransom.
- 26:22Speaker 2: So you like the song?
- 26:23Speaker 1: I do. It's not my favorite Tom Petty song, but
- 26:27Speaker 1: it's a good one.
- 26:28Speaker 2: It's very, very very early Tom Petty. But yeah, I
- 26:32Speaker 2: love it. I love the song, but I love almost
- 26:35Speaker 2: anything by Tom Petty. So all right, so are you
- 26:37Speaker 2: ready to move on to number ten?
- 26:38Speaker 3: Yep?
- 26:39Speaker 2: All right. I have a feeling that you're gonna like
- 26:41Speaker 2: this one. Some men never google.
- 27:00Speaker 1: Shame. I just figured out the connection to all the songs.
- 27:12Speaker 2: Did you really?
- 27:13Speaker 1: I think so?
- 27:13Speaker 2: All right, well tell me what it is and then
- 27:15Speaker 2: bleep it out.
- 27:16Speaker 1: It's no, I got it.
- 27:22Speaker 2: Yes, you told me this one.
- 27:23Speaker 1: Was gonna be harder.
- 27:25Speaker 2: I thought it would be.
- 27:30Speaker 1: Yes, I got it.
- 27:32Speaker 2: Y'all got it after three songs.
- 27:35Speaker 1: Okay, back up, this song hands down rocks really, Oh
- 27:46Speaker 1: my goodness, it's a good song.
- 27:50Speaker 2: Well, why don't you tell the folks what it is?
- 27:52Speaker 1: Okay, this is Shame on the Moon, Bob Seeger and
- 27:55Speaker 1: the Silver Bullet Band.
- 27:58Speaker 2: That is correct.
- 27:58Speaker 1: You look disappointed.
- 28:00Speaker 2: I'm a little disappointed.
- 28:03Speaker 1: It debuted in the top forty on December eighteenth, nineteen
- 28:07Speaker 1: eighty two, where it sat on the chart for nineteen weeks.
- 28:11Speaker 1: It peaked at number two on the Billboard Hot one
- 28:14Speaker 1: hundred for four weeks. It finished nineteen eighty three as
- 28:18Speaker 1: the fourteenth biggest song. So you ready, I'm ready some
- 28:23Speaker 1: fun facts.
- 28:24Speaker 2: Okay, it's a cover. I did not know.
- 28:26Speaker 1: That Rodney Crowell wrote and recorded it for his debut album.
- 28:31Speaker 1: I thought we had talked about this one time, because
- 28:34Speaker 1: didn't I try to tell you about who Rodney Crowell was.
- 28:38Speaker 2: Maybe okay, maybe, or maybe it was some another Rodney
- 28:42Speaker 2: Crowell song that was covered. I don't remember us talking
- 28:44Speaker 2: about Shame on the Moon, but it's possible. So we've
- 28:47Speaker 2: done a lot of shows.
- 28:48Speaker 1: Listen to this. Glenn Fry sings backup on.
- 28:51Speaker 2: This song, sore. I mean they're both from Detroit, so
- 28:54Speaker 2: that makes sense, I feel like, and they both did.
- 28:57Speaker 2: They both had number one hits for Beverly Hills movies.
- 29:00Speaker 1: Oh There you Go.
- 29:02Speaker 2: Had heat Is on Yep, that was number one, right?
- 29:05Speaker 2: Or was it number two? But like it was number one.
- 29:08Speaker 2: It's a number one for Beverly Hills cop and then
- 29:10Speaker 2: Bob Seeker had Shakedown for Beverly Hills Cup two.
- 29:14Speaker 1: Feel like Glenn Fry's not singing back up for too
- 29:17Speaker 1: many people. No, Ben Fry likes him some Glenn frye.
- 29:21Speaker 2: Well he did. May rest in peace?
- 29:23Speaker 1: May he rest in peace? Okay? This is Bob Zeeger's
- 29:27Speaker 1: second highest charting hit after Shakedown, So two songs held
- 29:32Speaker 1: it off from being number one. One of those is
- 29:35Speaker 1: Baby Come to Me by Patty Austin and James Ingram
- 29:38Speaker 1: on the first week.
- 29:39Speaker 2: Do you agree with that?
- 29:41Speaker 4: No?
- 29:42Speaker 1: And the second one is Billy Jean for the next
- 29:45Speaker 1: three weeks.
- 29:46Speaker 2: Certainly you can understand that that one I can agree with. Yeah.
- 29:50Speaker 2: Bad timing, Yeah, bad timing. Although I think it's a
- 29:53Speaker 2: better song than Baby Come to Me.
- 29:55Speaker 1: Oh my gosh, this song, this song just doesn't get much.
- 30:00Speaker 2: Bob Seger is like your man, right, you love you
- 30:03Speaker 2: some Bob Seger.
- 30:05Speaker 1: Bob Zeaker looked like Sam Elliott.
- 30:07Speaker 2: He kind of does. Bob Zeaker might be available for
- 30:10Speaker 2: the Middle Aged Man Hall of Fame.
- 30:12Speaker 1: He might be, He might be. Maybe I should make
- 30:15Speaker 1: a nomination.
- 30:19Speaker 2: All right? Uh so great song nineteen eighty two finishes
- 30:24Speaker 2: the fourteenth biggest song for nineteen eighty three. Now we're
- 30:27Speaker 2: gonna get to one that debut in nineteen eighty three.
- 30:30Speaker 2: But as you look at this song, do you recognize
- 30:34Speaker 2: this song?
- 30:34Speaker 1: I do not.
- 30:36Speaker 2: I think you're gonna like the song though. Here we go.
- 30:40Speaker 4: Friends God friends friends friends friends friends all right.
- 31:16Speaker 1: Okay, So first of all, this sounds like it either
- 31:21Speaker 1: sounds like a commercial jingle or maybe the TV show
- 31:26Speaker 1: theme song. Yeah, I can see that, And I feel
- 31:28Speaker 1: like she's not really singing. They're just more like speaking
- 31:33Speaker 1: the song or almost like she sings.
- 31:36Speaker 2: She sings in other portions of it, but she does
- 31:40Speaker 2: yea yeah. But okay, so this is fake Friends by
- 31:43Speaker 2: Jung Jet and the Black Hearts. The song debuted in
- 31:45Speaker 2: the top forty on July thirtieth, nineteen eighty three. It
- 31:48Speaker 2: was on the chart for four weeks. It peaked at
- 31:50Speaker 2: number thirty five on the Billboard Hot one hundred. This
- 31:54Speaker 2: was the first single released from the album titled album.
- 32:01Speaker 2: Although it didn't get a lot of radio time, it
- 32:03Speaker 2: did get pretty heavy airplay on MTV. Uh and the
- 32:07Speaker 2: videos where Jung Jet and the Black Hearts are continually
- 32:10Speaker 2: mobbed by fans in quotes and hangers on who quickly
- 32:15Speaker 2: turn into cardboard cutouts and fall over.
- 32:19Speaker 1: Oh that's funny.
- 32:20Speaker 2: I think that this song is a good life lesson
- 32:23Speaker 2: for all of us and especially for kids.
- 32:26Speaker 1: I mean, it's something that we've been trying to teach
- 32:29Speaker 1: Emmy about. So maybe she needs to hear this song.
- 32:31Speaker 2: Yeah, you got nothing to lose. You don't lose when
- 32:34Speaker 2: you lose fake friends. So what did you think of that?
- 32:38Speaker 1: Uh? It was it was unusual.
- 32:41Speaker 2: It is unusual. But I love her guitar playing on that.
- 32:43Speaker 2: She's just a fantastic guitar player. All right, I think
- 32:49Speaker 2: you're gonna like this number eight songun I love this song.
- 33:26Speaker 2: I know you do.
- 33:27Speaker 1: This is on the Dark Side by John Cafferty and
- 33:30Speaker 1: the Beaver Brown Band. Did he really need the Beaver
- 33:35Speaker 1: Brown Band?
- 33:36Speaker 2: Apparently?
- 33:38Speaker 1: I don't know about that, Okay. So it debuted in
- 33:40Speaker 1: the top forty on September fifteenth, nineteen eighty four, where
- 33:45Speaker 1: it was on the chart for eleven weeks. It peaked
- 33:48Speaker 1: at number seven on the Billboard Hot one hundred. It
- 33:52Speaker 1: was number one on the sales chart and number one
- 33:56Speaker 1: on the album rock chart for five weeks. It finished
- 34:01Speaker 1: eighty four as the ninety fourth biggest song in the Land,
- 34:06Speaker 1: As Casey Cason would say, I think it's low. Yeah.
- 34:10Speaker 2: I honestly it got a little bit of a late
- 34:12Speaker 2: start too, so it may have some of those weeks
- 34:15Speaker 2: may have been pushed into nineteen eighty five, so it
- 34:21Speaker 2: probably didn't get its full run on there.
- 34:23Speaker 1: I think we've probably talked about this before, but I
- 34:27Speaker 1: thought when I used to hear this song, I thought
- 34:29Speaker 1: it was Bruce Springs.
- 34:30Speaker 2: It sounds like a Bruce Springsteen song.
- 34:32Speaker 1: So I was probably an adult before I even knew
- 34:35Speaker 1: that there was a John Cafferty, right.
- 34:37Speaker 2: So I got some fun facts on this song. Bring it.
- 34:40Speaker 2: So this song originally charted in nineteen eighty three at
- 34:44Speaker 2: number sixty four.
- 34:45Speaker 1: Oh wow.
- 34:47Speaker 2: So why did it only chart at number sixty four
- 34:49Speaker 2: in nineteen eighty three but get re released and charted
- 34:52Speaker 2: at seven in nineteen eighty four. It's because it's obviously
- 34:57Speaker 2: it's from the movie Eddie and the Cruisers. The movie
- 34:59Speaker 2: was pulled out of the theaters after just three weeks,
- 35:03Speaker 2: so low sales, I think so, and so it just
- 35:07Speaker 2: kind of lost its way. But in nineteen eighty four
- 35:09Speaker 2: the movie had a revival, both on home video and
- 35:12Speaker 2: because it was playing on HBO every seven hours.
- 35:14Speaker 1: That's it.
- 35:15Speaker 2: And then the song exploded again, and then there we have.
- 35:18Speaker 2: Wyatt charted all the way up to number seven in
- 35:21Speaker 2: September of eighty four. Yeap, what do you think about that? Well,
- 35:25Speaker 2: I mean, it's my favorite movie I know, so I
- 35:28Speaker 2: don't know why, but it is.
- 35:31Speaker 1: I'm scared to go back and watch it now. I'm
- 35:33Speaker 1: afraid it'll ruin all my memories.
- 35:36Speaker 2: Maybe all right, so you got anything else to say
- 35:39Speaker 2: about on the dark side?
- 35:40Speaker 1: Good song?
- 35:41Speaker 2: All right, here we go number seven, just count wait.
- 35:47Speaker 1: To come.
- 36:18Speaker 2: To Nobody's surprised. That is Walking on Sunshine by Katrina
- 36:21Speaker 2: and the Waves. This song debut in the top forty
- 36:23Speaker 2: on April twentieth, nineteen eighty five. It was on the
- 36:26Speaker 2: shart for thirteen weeks, and it peaked at number nine
- 36:29Speaker 2: on the Billboard Hot one hundred. Little Loo Yeah This
- 36:33Speaker 2: song finished nineteen eighty five, is the seventy fifth biggest
- 36:36Speaker 2: song in the land, and the song peaked at number
- 36:39Speaker 2: two in Ireland, which was its highest charting country. I
- 36:42Speaker 2: think the song has become more popular as the years
- 36:45Speaker 2: go by, more so than it was in the eighties
- 36:47Speaker 2: because it's such a fun, pick me up, happy song.
- 36:50Speaker 2: It's hard to be in a bad mood when you
- 36:53Speaker 2: hear this song.
- 36:53Speaker 1: When you hear this, yeah, I feel like it might
- 36:55Speaker 1: have been eighty five, might have been a little too
- 36:57Speaker 1: early for it, you think, I think so.
- 37:01Speaker 2: I mean to me, it sounds like a perfect song
- 37:02Speaker 2: for eighty five. But you might be right. It may
- 37:05Speaker 2: have been more popular in the nineties. You know what.
- 37:07Speaker 2: The nineties needed it with all the depressing grunge, yes
- 37:10Speaker 2: and such. Not so all right, we've talked about that
- 37:16Speaker 2: song enough. Let's get on to number six.
- 37:50Speaker 1: That is Raspberry Beret. Prince in the Revolution.
- 37:57Speaker 2: Like that song. Huh you love you some Prince.
- 37:59Speaker 1: I'm not called comfortable in a world without Prince. So
- 38:02Speaker 1: this song debuted in the top forty on May eighteenth,
- 38:06Speaker 1: nineteen eighty five, where it was on the chart for
- 38:09Speaker 1: listen to this fourteen weeks?
- 38:13Speaker 2: Why am I listening?
- 38:14Speaker 1: That's a long time.
- 38:15Speaker 2: A little bit more than a quarter of a year.
- 38:17Speaker 1: That's a long time. It peaked at number two on
- 38:19Speaker 1: the Billboard Hot one hundred. It made it all the
- 38:22Speaker 1: way to number one on the airplay chart and number
- 38:26Speaker 1: two on the sales chart. It was held off by
- 38:30Speaker 1: a view to a kill by Duran Duran.
- 38:34Speaker 2: Well, not a room with a View by Duran Duran.
- 38:38Speaker 1: No, not a room with a view.
- 38:40Speaker 2: Throw back to my mistake calling a Room with a
- 38:43Speaker 2: View a James Bond movie.
- 38:47Speaker 1: If we have to do Prince versus Duran Duran, I
- 38:51Speaker 1: got some strong feelings there. So it finished nineteen eighty
- 38:54Speaker 1: five as the fifty first biggest song of the year,
- 38:59Speaker 1: and I this was probably one of the top songs
- 39:01Speaker 1: of the summer for eighty five.
- 39:03Speaker 2: I bet it probably was too. Now I do like
- 39:05Speaker 2: of Youtubo A killed by Duran Durant. It's a good
- 39:07Speaker 2: song and it's worthy of number one, but it's not
- 39:09Speaker 2: better than Raspberry.
- 39:10Speaker 1: Burrey nowhere near. It is not nowhere near. So this
- 39:14Speaker 1: song recharted on the Hot one hundred and landed at
- 39:18Speaker 1: number thirty three in May of two thousand and sixteen,
- 39:22Speaker 1: following the.
- 39:23Speaker 2: Death of Prince so before the song peaked at number two.
- 39:28Speaker 2: I just saw this online. It was at number three
- 39:31Speaker 2: on July thirteenth, nineteen and eighty five. And you want
- 39:36Speaker 2: to hear the top ten songs from them, I'll start
- 39:39Speaker 2: from ten and go down, pulling a Jason Colvin here
- 39:41Speaker 2: who likes to do this on his podcast. Number ten.
- 39:45Speaker 2: The Goonies Are Good Enough by Cindy Lauper. Number nine,
- 39:49Speaker 2: Glory Days by Bruce Springsteen, Good Song number eight Voices
- 39:53Speaker 2: Carrie by Till Tuesday. Number seven, You Give Good Love
- 39:57Speaker 2: by Whitney Houston. Number six, every Time You Go Away
- 40:02Speaker 2: by Paul Young, Number five, Would I Lie to You?
- 40:06Speaker 2: By The Arrhythmics, Number four, The Search Is Over Survivor
- 40:13Speaker 2: number three, Raspberry Beret, number two, Sue's Studio by Phil Collins,
- 40:19Speaker 2: and number one A View to a Kill by Duran
- 40:22Speaker 2: Durand those are all fantastic. That's a great top ten.
- 40:26Speaker 2: That's a great week for a great top ten. I
- 40:28Speaker 2: don't know nineteen eighty five, Mike Push nineteen eighty four
- 40:31Speaker 2: for best Musical Gear.
- 40:32Speaker 1: I agree.
- 40:33Speaker 2: Okay, are you ready for number five?
- 40:35Speaker 1: Yeah? Can we just recap the fact that I guessed
- 40:38Speaker 1: the theme? Really?
- 40:39Speaker 2: Or yeah? After three songs? I know, I know, Okay, Okay.
- 40:44Speaker 2: You're gonna have to be very quiet to hear this song,
- 41:17Speaker 2: all right? That is silent running parentheticals on Dangerous Ground
- 41:22Speaker 2: by Mike and the Mechanics. Oh, you're not a big
- 41:27Speaker 2: fan of Mike and the Mechanics nop So this song
- 41:29Speaker 2: debuted in the top forty on January eighteenth, nineteen eighty six.
- 41:33Speaker 2: It was on the chart for eleven weeks. It peaked
- 41:35Speaker 2: at number six on the Billboard Hot one hundred. But
- 41:38Speaker 2: get this, it was number one on the album Rock
- 41:42Speaker 2: Tracks chart for five weeks.
- 41:44Speaker 1: Oh wow.
- 41:45Speaker 2: It finished nineteen eighty six as the seventieth biggest song,
- 41:49Speaker 2: but on that album rocks track chart, it was the
- 41:52Speaker 2: biggest song in the land for nineteen eighty six. So
- 41:56Speaker 2: apparently Phil Collins was not the only Genesis band member
- 41:59Speaker 2: doing other things in nineteen eighty six. Mike Rutherford, one
- 42:03Speaker 2: of the co founders of Genesis, is the Mike in
- 42:07Speaker 2: this band, Mike in the Mechaics.
- 42:09Speaker 1: Are you serious?
- 42:10Speaker 2: I am dead serious? Your mind is blown. So Paul
- 42:14Speaker 2: Carrick sang lead vocals on this song. Do you recognize
- 42:18Speaker 2: Paul Carrick?
- 42:19Speaker 1: Okay, so Mike doesn't even sing the song. No, he's
- 42:24Speaker 1: Mike and the Mechanics Dick.
- 42:26Speaker 2: No, he's the bassist.
- 42:28Speaker 1: See it. Somehow he negotiated that his name for the band. Okay,
- 42:34Speaker 1: that's insane. I want whoever negotiated that for him to
- 42:38Speaker 1: help me negotiate something, right. Do I recognize Paul Carrick's name?
- 42:44Speaker 2: Yes?
- 42:44Speaker 4: No?
- 42:45Speaker 2: So he had a solo hit in nineteen eighty seven
- 42:48Speaker 2: called Don't Shed a Tear for Me? My life won
- 42:52Speaker 2: end without You? You know the song? You're over there
- 42:55Speaker 2: yawning like it's late at night or something.
- 42:59Speaker 1: Do I know that song?
- 43:00Speaker 2: Am I boring you?
- 43:02Speaker 1: Well? I mean Mike and the Mechanics bore me for sure,
- 43:05Speaker 1: but I don't. I'll have to play that. I have
- 43:07Speaker 1: to play it.
- 43:29Speaker 2: You don't recognize that.
- 43:30Speaker 1: I don't know this song, but I like it. No,
- 43:32Speaker 1: don't shed a Tear for me. My life won't end
- 43:36Speaker 1: without you.
- 43:37Speaker 2: I love it as long as the night will be
- 43:39Speaker 2: the sun will rise without you. You don't know that song.
- 43:42Speaker 2: I'm shocked. Okay, So what do you think about Silent Running?
- 43:47Speaker 1: I mean, I think I've made myself clear. I don't
- 43:50Speaker 1: like it.
- 43:50Speaker 2: You don't like anything by Mike and the Mechanics at all.
- 43:53Speaker 2: All I need is a miracle.
- 43:54Speaker 1: Nope?
- 43:55Speaker 2: Wow, So I wasn't a big Mike and the Mechanics
- 43:58Speaker 2: fan as a kid, but I actually like the No.
- 44:00Speaker 2: I may maybe my musical tastes have matured, or as
- 44:04Speaker 2: some people say matured. Oh you are not happy over there? No,
- 44:10Speaker 2: I don't like it all right, here we go number four.
- 44:13Speaker 2: I don't think you're gonna like this either.
- 44:16Speaker 4: Ladiesus just a funny sen get a jumb.
- 44:23Speaker 2: That's just the way. Something's another chie that's just the way.
- 44:37Speaker 1: But don't you believe it? That's the way it is.
- 44:45Speaker 1: By Bruce Hornsby and The Range. The song debuted in
- 44:50Speaker 1: the Top forty on October eighteenth, nineteen eighty six, where
- 44:54Speaker 1: it was on the chart for fifteen weeks.
- 44:56Speaker 2: You made a big deal a lout of fourteen weeks.
- 44:57Speaker 2: This one was on for fifteen. I mean, I think
- 44:59Speaker 2: you should make a big deal a bit, but.
- 45:01Speaker 1: The deal, make a big deal. It's a big deal everybody.
- 45:07Speaker 1: It peaked at number one on the Billboard Hot one hundred.
- 45:11Speaker 1: This was the first Top forty hit and only number
- 45:14Speaker 1: one for Bruce in the Range. It also hit number
- 45:20Speaker 1: one on the Airplay chart and the Adult Contemporary chart
- 45:24Speaker 1: for two weeks. It finished eighty seven as the eighth
- 45:28Speaker 1: biggest song in the land.
- 45:30Speaker 2: So what do you think about it being the eighth
- 45:33Speaker 2: biggest song in the land for nineteen eighty seven?
- 45:35Speaker 1: It's too high.
- 45:37Speaker 2: It might have been higher than eight had it hit
- 45:40Speaker 2: the charts a little bit later in nineteen eighty six,
- 45:43Speaker 2: because it came in in October, or at least a
- 45:46Speaker 2: debuted in the top forty. It was obviously in the
- 45:48Speaker 2: hot one hundred before that, but it debuted in the
- 45:51Speaker 2: top forty on October eighteenth, and I believe around the
- 45:54Speaker 2: middle of November is when they start counting for nineteen
- 45:57Speaker 2: eighty seven. Yes, so it lost a few weeks there.
- 45:59Speaker 2: It may have been high than eight.
- 46:02Speaker 1: So I'm gonna need to call Mike for Mike and
- 46:05Speaker 1: the mechanic whoever his agent is, to renegotiate my contract
- 46:09Speaker 1: because we have an agreement. There are certain songs that
- 46:11Speaker 1: we don't mention on this podcast, and I thought this
- 46:14Speaker 1: was one of them.
- 46:15Speaker 2: I didn't know that this was one of them.
- 46:16Speaker 1: Oh I thought it was. No, I mean, I know
- 46:18Speaker 1: it is. I thought we had talked about it.
- 46:20Speaker 2: No, I don't believe so well, But I quote this
- 46:23Speaker 2: song all the time when asks why about something, I'll
- 46:26Speaker 2: just say that's just the way it is. Some things
- 46:28Speaker 2: will never change, all right. So you have nothing else
- 46:32Speaker 2: to say about it, then I guess you got nothing
- 46:34Speaker 2: for you, all right. Here's some songs make me sad,
- 46:37Speaker 2: and that's one of them.
- 46:39Speaker 1: That's one of them.
- 46:39Speaker 2: Okay, So I have to say this. I hated this
- 46:42Speaker 2: song in nineteen eighty six and nineteen eighty seven, but
- 46:45Speaker 2: you love it now. However, listening to it today and
- 46:51Speaker 2: maybe understanding the lyrics a little bit better, it gave
- 46:54Speaker 2: me goosebumps. Really, yes, as I was in putting this
- 46:58Speaker 2: song in today, it gave me goosebumps.
- 47:01Speaker 1: Okay, I can see that because you know, like one
- 47:04Speaker 1: of those in hindsight sort of things, is that.
- 47:07Speaker 2: Yes, And I'm also said that you don't like it
- 47:09Speaker 2: because it's such a beautiful piano that I wanted Amy
- 47:11Speaker 2: to learn it on the piano. Oh no, all right,
- 47:16Speaker 2: you're a weird one.
- 47:21Speaker 1: The way it is somethin.
- 47:26Speaker 2: All right.
- 47:26Speaker 1: Number three.
- 47:32Speaker 5: Feature that you cannot.
- 47:40Speaker 4: No no.
- 47:42Speaker 2: To Gadget.
- 47:45Speaker 5: In the Cops, Gudget him is going to Cadget is
- 48:04Speaker 5: going to Gadget. He's coming for you.
- 48:06Speaker 2: Okay, that's that's the rhythm is gonna get you. But
- 48:11Speaker 2: she's literally making it sound like the rhythm is a
- 48:14Speaker 2: serial killer.
- 48:15Speaker 1: No, it's coming for you.
- 48:16Speaker 2: At night when you turn off all the lights. There's
- 48:18Speaker 2: no place that you can hide. The rhythm is gonna
- 48:21Speaker 2: get you in bed, throw the covers on your head.
- 48:25Speaker 2: You pretend like you are dead. But I know what
- 48:28Speaker 2: the rhythm is gonna get you. I mean, what kind
- 48:31Speaker 2: of psychopath is?
- 48:32Speaker 1: So change it from the rhythm is gonna get you
- 48:35Speaker 1: to Ted Bundy is going to get you.
- 48:37Speaker 2: It's horrifying. So that's the rhythm is Gonna get You.
- 48:42Speaker 2: By Gloria Estefan and the Miami Sound Machine. This song
- 48:46Speaker 2: debut in the top forty on June thirteenth, nineteen eighty seven.
- 48:49Speaker 2: It was on the chart for twelve weeks. It peaked
- 48:51Speaker 2: at number five on the Billboard Hot one hundred, and
- 48:54Speaker 2: it finished nineteen eighty seven as the seventy second biggest song.
- 49:00Speaker 2: There's about sixty four places lower than Bruce Hornsby. That's
- 49:03Speaker 2: just the way it is. Yeah, I mean, who who
- 49:09Speaker 2: who who writes lyrics like this to Bundy is gonna
- 49:13Speaker 2: get you? Bundy is gonna get you, Buty is gonna
- 49:17Speaker 2: get you, but is gonna get you. And then the
- 49:20Speaker 2: second one, the second one, she can say, Casey is
- 49:22Speaker 2: gonna get you. Now the third verse she could say,
- 49:25Speaker 2: the Green River Killer is gonna get you.
- 49:28Speaker 1: I mean, oh my goodness, crazy, no I got. I
- 49:33Speaker 1: don't even have anything else to say about.
- 49:35Speaker 2: That's all we gotta say about Gloria. All right, here's
- 49:38Speaker 2: number two. Do you recognize this song? If you have.
- 50:05Speaker 4: Perfect World?
- 50:18Speaker 3: That is.
- 50:21Speaker 1: Perfect world? Huey Lewis and the News.
- 50:23Speaker 2: I don't know this one really.
- 50:25Speaker 1: It debuted in the top forty on July twenty third,
- 50:28Speaker 1: nineteen eighty eight. It was on the chart for twelve weeks.
- 50:33Speaker 1: It peaked at number three on the Billboard Hot one hundred.
- 50:38Speaker 1: It was also at number three on the sales chart,
- 50:40Speaker 1: but number one on the airplay chart. The two songs
- 50:45Speaker 1: that were ahead of it the week it hit number
- 50:47Speaker 1: three were Sweet Child of Mind and number one and
- 50:49Speaker 1: Simply Irresistible at number two.
- 50:52Speaker 2: I can allow it.
- 50:53Speaker 1: Those are good songs.
- 50:55Speaker 2: I can allow it.
- 50:56Speaker 1: So. It finished eighty eight as the sixty four the
- 51:00Speaker 1: biggest song. This was the twelfth and last top ten
- 51:05Speaker 1: hit for the band That makes Me Sad.
- 51:08Speaker 2: Makes me sad that you don't know it?
- 51:10Speaker 1: No, I don't know it. So.
- 51:12Speaker 2: This song was written by Alex Call who was a
- 51:14Speaker 2: former band mate of Hughie, and he had previously written
- 51:20Speaker 2: eight six seven five three oh nine for Tommy twotone,
- 51:24Speaker 2: No Way Way. The song also hit the top spot
- 51:28Speaker 2: in Canada. Okay, big Huey Lewis and the news lovers
- 51:34Speaker 2: up there in Canada. There you go, all right, So
- 51:37Speaker 2: what'd you think of hearing that?
- 51:39Speaker 1: You know, not my favorite Huey Lewis.
- 51:42Speaker 2: Well, no, it's not my favorite. I don't think it's
- 51:44Speaker 2: anybody's favorite Huey Lewis song.
- 51:46Speaker 1: I mean, but it sounded very typical Huey Lewis, yes
- 51:49Speaker 1: for sure, which is probably why it made it all
- 51:52Speaker 1: the way to number three. Right, he could kind of
- 51:55Speaker 1: there was that time he could do no wrong.
- 51:57Speaker 2: Correct, from about eighty two to about eighty eight, they
- 51:59Speaker 2: could do no wrong. I mean, this could have been
- 52:01Speaker 2: what ended that for him. No, he still had top
- 52:06Speaker 2: forty hits after that. This was just the last top ten.
- 52:09Speaker 2: All right, here's our number one song, which I'm pretty
- 52:13Speaker 2: sure you recognize.
- 52:18Speaker 1: Before. What I have?
- 52:26Speaker 2: What you wow?
- 52:29Speaker 1: What I have? What I have?
- 52:31Speaker 2: You what you want?
- 52:34Speaker 1: Oh, I'm not aware so many thing. I know what
- 52:37Speaker 1: I know, I know what I mean.
- 52:46Speaker 2: So that is what I am. By Edie brookel and
- 52:49Speaker 2: the New Bohemians. This song debuted in the top forty
- 52:53Speaker 2: on January fourteenth, nineteen eighty nine. It was on the
- 52:56Speaker 2: chart for ten weeks. It peaked at number seven on
- 52:59Speaker 2: the Billboard Hot one h hundred and finished nineteen eighty
- 53:01Speaker 2: nine as the eighty fourth biggest song. This song actually
- 53:06Speaker 2: hit number one in Canada. This is a true one
- 53:10Speaker 2: hit wonder. There were no other top forty hits after
- 53:14Speaker 2: this song. So this song sounds like a ninety song
- 53:17Speaker 2: to me.
- 53:18Speaker 1: One hundred.
- 53:20Speaker 2: We talk about how maybe nineteen ninety didn't start until
- 53:24Speaker 2: or the nineties didn't start until ninety one or ninety
- 53:26Speaker 2: two when it came to music, but it actually may
- 53:28Speaker 2: have started on January fourteenth, nineteen eighty nine, because that
- 53:32Speaker 2: is when this song hit the top forty. And yeah,
- 53:36Speaker 2: this this does not sound like an eighty song. This
- 53:39Speaker 2: sounds like a song to kick off the nineties for sure.
- 53:42Speaker 1: Yeah. So I wonder if it had come out maybe
- 53:48Speaker 1: ninety two. I felt maybe she wouldn't have been a
- 53:51Speaker 1: one hit wonder.
- 53:53Speaker 2: Yeah, I don't know. I know that she wrote this
- 53:56Speaker 2: song her freshman year in college after taking a World
- 54:00Speaker 2: religions class.
- 54:02Speaker 1: So do you know she's married to right?
- 54:04Speaker 2: I do not.
- 54:05Speaker 1: She's been married to Paul Simon since ninety two.
- 54:10Speaker 2: Really, yes, he is much much older than her.
- 54:14Speaker 1: She is. She was born in sixty six, right, so she's.
- 54:18Speaker 2: Like seven years older than me. So and he is
- 54:21Speaker 2: he was born in twenty six.
- 54:22Speaker 1: Wow, he was born in forty one.
- 54:25Speaker 2: Yeah, so he's like twenty five years older than her. Wow.
- 54:28Speaker 1: Okay, Well I hope.
- 54:30Speaker 2: For you old Ben. Yet if it's if not for Edie,
- 54:33Speaker 2: then certainly for Reese Witherspoon, who's married to George Burns.
- 54:37Speaker 1: I wonder how would he do in the Middle Aged
- 54:40Speaker 1: Man Hall of Fame.
- 54:41Speaker 2: Paul Simon. Yeah, you know what, that's a good question. Yeah,
- 54:45Speaker 2: you might because you go back to Simon and Garfunkle.
- 54:47Speaker 2: He might have been bald.
- 54:49Speaker 1: So he had two marriages before Edie?
- 54:52Speaker 2: Yes? Was he not married to Carrie Fisher?
- 54:54Speaker 1: Carry Fisher from eighty three to eighty four? Peggy Harper
- 54:58Speaker 1: sixty ninety seventy.
- 54:59Speaker 2: Five, part of the Harper Valley PTA.
- 55:01Speaker 1: Probably.
- 55:02Speaker 2: Okay, so there you go, all right, Well, there you
- 55:08Speaker 2: have it. We are finished with our songs. What did
- 55:11Speaker 2: you think?
- 55:12Speaker 1: I enjoyed it? We kind of like ran the gamut
- 55:15Speaker 1: we had on some songs I didn't know some songs
- 55:17Speaker 1: that I loved, a couple of songs I hated, and
- 55:21Speaker 1: then some that I just never heard before.
- 55:23Speaker 2: But I think I kind of like, alright, so you
- 55:25Speaker 2: ran the gamut, all right, I ran the gamut. Well,
- 55:28Speaker 2: I've got some stats for this song. I'm sure you're
- 55:30Speaker 2: surprised about that.
- 55:32Speaker 4: Not a lot.
- 55:35Speaker 2: We have twelve songs total covering ten years, including nineteen
- 55:39Speaker 2: seventy nine, but that song was a top one hundred
- 55:42Speaker 2: hit in nineteen eighty. So the only year not covered
- 55:45Speaker 2: from the eighties in this countdown was nineteen eighty one,
- 55:48Speaker 2: which ironic considering our last episode was all about nineteen
- 55:50Speaker 2: eighty one. There were two songs in eighty six and
- 55:53Speaker 2: two songs in eighty five. We had two songs peak
- 55:56Speaker 2: at number one. We had eight more top ten hits.
- 55:59Speaker 2: The only songs that didn't hit the top ten were
- 56:02Speaker 2: Refugee and Fake Friends, which might be my two favorites
- 56:05Speaker 2: on this list. The only song that wasn't a top
- 56:08Speaker 2: one hundred song for any particular year was Fake Friends
- 56:12Speaker 2: by Joe Jet and the Black Hearts. So you have
- 56:15Speaker 2: already guessed the mystery theme. Yes, I have, and you
- 56:20Speaker 2: guessed it early. It's just highly disappointing to me. Whoo,
- 56:24Speaker 2: But we want to hear from you, the listener. Can
- 56:29Speaker 2: you guess the mystery theme from this episode? If you do,
- 56:36Speaker 2: what are we gonna send them?
- 56:37Speaker 1: We're gonna send you a sticker that you could put
- 56:42Speaker 1: on your yetti. You could put it on your stanley.
- 56:45Speaker 2: You could put it on your laptop.
- 56:47Speaker 1: You could put it on your laptop, You could put
- 56:49Speaker 1: it anywhere.
- 56:49Speaker 2: You could put it on your front door to let
- 56:51Speaker 2: everybody know their children of the eighties listeners.
- 56:54Speaker 1: You could put it in the trash, but we would
- 56:56Speaker 1: prefer you not.
- 56:57Speaker 2: You could put it on your bumper, even though it's
- 56:59Speaker 2: not a bumper sticker.
- 57:00Speaker 1: You could do that.
- 57:01Speaker 2: You could do that, you could.
- 57:02Speaker 1: That's a good idea. But yeah, I can't wait to
- 57:07Speaker 1: hear how quickly you get that person that knows.
- 57:12Speaker 2: Yeah, I'm excited.
- 57:13Speaker 1: He'll be right out at the gates.
- 57:14Speaker 2: Yeah, I do too. But I'd send it early though,
- 57:17Speaker 2: because miss Vickey she was she was quick on the
- 57:20Speaker 2: drawl last while. She said it in the morning of
- 57:22Speaker 2: the day it was released her. So yeah, she got it.
- 57:26Speaker 1: Good for her. So in the meantime, we would appreciate
- 57:30Speaker 1: if you haven't go ahead and whatever platform you listen
- 57:34Speaker 1: to us on, hit that subscribe button so you'll be
- 57:36Speaker 1: sure to never miss an episode.
- 57:39Speaker 2: And if you wouldn't mind give us a five star
- 57:41Speaker 2: rating and review. But more importantly than that, tell someone
- 57:46Speaker 2: you always do that. And I'm sure the people are like,
- 57:48Speaker 2: why does she sound like that?
- 57:50Speaker 1: A few weeks ago, I said, why, Yeah, that emmy
- 57:52Speaker 1: did that send that one time when she was little.
- 57:54Speaker 2: Yeah, tell somebody. The greatest way to spread Christmas cheer
- 57:58Speaker 2: is for tell everyone about children the eighties so they
- 58:01Speaker 2: can hear good job.
- 58:03Speaker 1: You can also find us on all the socials. We're
- 58:05Speaker 1: on x, Instagram, Facebook, We've already talked about, but we're
- 58:09Speaker 1: on Patreon. We'd love for you to join us there.
- 58:12Speaker 2: You can join for free just to get in on
- 58:14Speaker 2: the conversation, but if you want the extras, you can
- 58:16Speaker 2: join for as little bit as five dollars a month.
- 58:19Speaker 2: And we actually have a new Patreon or that I'd
- 58:21Speaker 2: like to shout out right now. Mister Brian Rappi a
- 58:25Speaker 2: listener and friend of the Pop Culture Yearbook podcast and
- 58:31Speaker 2: sometimes collaborator with them, semi regular guest on that show,
- 58:36Speaker 2: and he is our newest Patreon member. Thank you, Brian
- 58:38Speaker 2: for joining us. We're so happy to have you awesome.
- 58:41Speaker 2: We appreciate you very much. If you want to write
- 58:44Speaker 2: to us via email, you can always reach out at
- 58:47Speaker 2: childrenofthnineteen eighties at gmail dot com. If you join our Patreon,
- 58:53Speaker 2: you can direct message me and I'll get it right away.
- 58:56Speaker 1: Yes, and you've been right on the ball here recently
- 58:58Speaker 1: with that, so m until next. I'm Jim and I'm
- 59:04Speaker 1: Lindsay and we are delivering.
- 59:10Speaker 4: Next.
- 59:10Speaker 1: Frien