Latest / Four Finger Discount (Simpsons Podcast) / Treehouse Of Horror XX (S21E04)

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Treehouse Of Horror XX (S21E04) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Now remember no loud noises.
• 0:06
  Speaker 2: Oh man, that breeze feels good.
• 0:14
  Speaker 1: To the panic room.
• 0:15
  Speaker 2: Don't panic to the panic room store four Finger Discounted.
• 0:36
  Speaker 3: Welcome to four Finger Discount where it is the spooky season,
• 0:39
  Speaker 3: which means guys about to go.
• 0:42
  Speaker 1: Yes, indeed, I love how things just work out well.
• 0:45
  Speaker 3: I always say I like it when the Halloween episodes
• 0:47
  Speaker 3: air in October, and this is the first one to
• 0:49
  Speaker 3: air in October in a decade. Correct in the real world,
• 0:51
  Speaker 3: but I love it when our reviews air around Halloween.
• 0:55
  Speaker 3: It's almost like we've got a plan. Almost no thing is.
• 0:58
  Speaker 3: I don't have to plan. It's the fourth of the
• 0:59
  Speaker 3: United just makes shit work out for him.
• 1:02
  Speaker 1: Things just fall into place. By the way, who are you?
• 1:04
  Speaker 1: I am I believe Dando and I am guy and
• 1:08
  Speaker 1: welcome to the Forefinger Discount the podcast that that's the
• 1:11
  Speaker 1: important question in Treehouse Horror episodes. Is Matt Groening always
• 1:15
  Speaker 1: back graining? No, not always? Not always feels like he's
• 1:19
  Speaker 1: always bat graining.
• 1:20
  Speaker 3: I'm going to check now because now that you've said that,
• 1:22
  Speaker 3: maybe you're going to make me out to be a liar,
• 1:23
  Speaker 3: because I can't.
• 1:24
  Speaker 1: I wouldn't want to do that. But you know, it
• 1:26
  Speaker 1: feels like there are always variations on various names. But
• 1:28
  Speaker 1: I feel like I've always seen it be bad graining.
• 1:32
  Speaker 3: Matt Groaning, Treeouse of Horror names. I just assumed there
• 1:36
  Speaker 3: would be a website though, just the Simpson's everything.
• 1:39
  Speaker 1: Well there's yeah, the Intern's got everything on it. I'll
• 1:41
  Speaker 1: type tree House Horror speaky names. Maybe you know we're
• 1:45
  Speaker 1: talking about all this preparation, everything's falling into place for us,
• 1:48
  Speaker 1: and here I am just sort of throwing a monkey
• 1:49
  Speaker 1: into the wrench. I should have it's a giant wrench too.
• 1:54
  Speaker 1: I've really ground the podcast to a holt.
• 1:57
  Speaker 3: I think bad graining may I don't know. I don't
• 2:01
  Speaker 3: want to say it is, but I want to say
• 2:02
  Speaker 3: it isn't. Hey, let's make this interactive. Yeah, let's make
• 2:07
  Speaker 3: the listeners earn their key. Let's check these people actually
• 2:10
  Speaker 3: still listening to this.
• 2:11
  Speaker 1: I used to Hey, yeah there still les Nan. All right.
• 2:15
  Speaker 1: If Matt Groening has used another name other than Matt
• 2:17
  Speaker 1: Groening on Treehouse of Horror episodes, let us know, let
• 2:20
  Speaker 1: us know.
• 2:20
  Speaker 3: Please mail bad you will not get a price wolving
• 2:23
  Speaker 3: your discount dot com dot au.
• 2:25
  Speaker 1: We will be grateful.
• 2:26
  Speaker 3: Are limited here limited, but we're here to talk about
• 2:30
  Speaker 3: Treehouse of Horror twenty, which aired in season twenty one.
• 2:32
  Speaker 3: Of course, as we're doing these reviews, I thought this
• 2:35
  Speaker 3: is one that had the Charlie Brown reference. That's what
• 2:37
  Speaker 3: I said to you off the air last week. I
• 2:39
  Speaker 3: was incorrect. I had a Sweny Todd parody instead. What
• 2:42
  Speaker 3: do you think of a season of Treous twenty? I
• 2:45
  Speaker 3: liked to find I thought the first one was the best.
• 2:47
  Speaker 1: But I'm a bit of a film nerd, so I
• 2:49
  Speaker 1: like anything that's going to pay tribute to my man,
• 2:52
  Speaker 1: Alfred Hitchcock. I'll like the second one the best. That
• 2:54
  Speaker 1: was my favorite. I'm also a sucker for zombie and
• 2:57
  Speaker 1: post apocalyptic movies, so that was also a good one.
• 3:00
  Speaker 1: I liked how it started. I thought it did well
• 3:02
  Speaker 1: for the first two thirds of it, and then it
• 3:04
  Speaker 1: sort of petered out at the safe zone ending, and yeah,
• 3:08
  Speaker 1: there's no business like mo business. The whole Sweeny Todd
• 3:10
  Speaker 1: thing and sort of show within the show meta aspect.
• 3:13
  Speaker 1: I was like an interesting experiment that didn't quite pay off.
• 3:17
  Speaker 1: I get the feeling. I don't know the writers were
• 3:19
  Speaker 1: either pushing themselves. It's like, wouldn't it be interesting if
• 3:21
  Speaker 1: we did this.
• 3:22
  Speaker 3: Yeah, I didn't. I didn't quite get what they were
• 3:24
  Speaker 3: going for here. Actually, so I've never seen Sweeny Todd,
• 3:28
  Speaker 3: the film or the stage show. I've read about what
• 3:31
  Speaker 3: Sweeny Todd's about. Is it actually a parody of the
• 3:34
  Speaker 3: story or is.
• 3:35
  Speaker 1: It just inspired? I think very it's a barber, very loosely, Yeah,
• 3:39
  Speaker 1: the demon barber of Fleet Street. And yeah, essentially he
• 3:43
  Speaker 1: cuts the throats of people who are in his barber's chair,
• 3:45
  Speaker 1: gets sent down the chute and Johnny dan Tayer that
• 3:49
  Speaker 1: guy should have been cancer for that.
• 3:50
  Speaker 4: No.
• 3:50
  Speaker 1: Actually, Sweeny Tod's a pretty good movie, one of the
• 3:53
  Speaker 1: few good late Tim Burton movies. But yeah, the bodies
• 3:57
  Speaker 1: of these of Sweeny Todd's victims get turned into lovely
• 4:00
  Speaker 1: pies that everyone enjoys even they're eating people. They're eating
• 4:05
  Speaker 1: the people, so they might make cafeteria where they're eating
• 4:07
  Speaker 1: the school kids. Correct. Yeah, I think there's no business
• 4:11
  Speaker 1: like business. Probably would have been better if they'd just
• 4:14
  Speaker 1: done a straight up Sweeny Todd parody as opposed to
• 4:17
  Speaker 1: a show within a show, But then you wouldn't have
• 4:19
  Speaker 1: had that title. There's no business like my business. I
• 4:21
  Speaker 1: just people love wordplay about.
• 4:22
  Speaker 3: I just couldn't work out what they were going for here,
• 4:24
  Speaker 3: because at one minute they've got some pretty good special
• 4:27
  Speaker 3: effects of Homer falling through the pipes and.
• 4:30
  Speaker 1: Blood's coming out, yeah kind of thing.
• 4:32
  Speaker 3: The next minute they're throwing a really poorly designed Mo
• 4:34
  Speaker 3: doll to end it, which is I was like, wait
• 4:36
  Speaker 3: a minute.
• 4:37
  Speaker 1: What is what actually is this? Yeah, it's a stage show.
• 4:41
  Speaker 3: People are watching it, but but it's like it's meta
• 4:45
  Speaker 3: because the story they're telling it is actually like actually
• 4:47
  Speaker 3: does love Marge?
• 4:48
  Speaker 1: Yeah.
• 4:49
  Speaker 3: I was so confused because because margin Homer and Mo
• 4:52
  Speaker 3: are playing themselves in this play.
• 4:54
  Speaker 1: Oh, it was so bizarre. It was confusing. Yeah.
• 4:56
  Speaker 3: I think they just because they went playing the Sweeny
• 4:59
  Speaker 3: Todd Carriacs. They'll play much and Mow and Homer, Yeah
• 5:02
  Speaker 3: they should. I think they were putting a hat on
• 5:04
  Speaker 3: a hat on a hat.
• 5:05
  Speaker 1: Yeah, so they little bit too clever for me, and
• 5:08
  Speaker 1: for me not a clever person, nor am I and
• 5:10
  Speaker 1: they Yeah, they sort of went a bit too overboard
• 5:13
  Speaker 1: with this one. So unfortunately, having that is the third
• 5:16
  Speaker 1: one kind of like you didn't stick the landing guards unfortunately,
• 5:20
  Speaker 1: and even having like the gags of the audience and
• 5:23
  Speaker 1: that kind of stuff, and Kang and Kodos who weren't funny.
• 5:25
  Speaker 3: No, he said, it's about light speed or something that's
• 5:30
  Speaker 3: that's a measure of distance, not speed, or something that
• 5:33
  Speaker 3: measures it through through distance not time. And he's like,
• 5:36
  Speaker 3: you know what I meant, And that was it.
• 5:39
  Speaker 1: That's what really. Yeah, but hey, we got We've got
• 5:44
  Speaker 1: two other good segments out of there.
• 5:45
  Speaker 3: I think dialog for murder or press hash to return
• 5:48
  Speaker 3: to main menu. So you said that's your favorite. I
• 5:50
  Speaker 3: enjoyed them. What was the second one called? It was
• 5:52
  Speaker 3: don't have a cow mankind a zombie pocoast. They've done
• 5:55
  Speaker 3: zombie ones before. I just like the premise of it
• 5:57
  Speaker 3: being a tainted burger.
• 5:58
  Speaker 1: Well yeah, and also, well they've done zombie ones in
• 6:01
  Speaker 1: the past year, right, And this is more sort of
• 6:03
  Speaker 1: when what was the air dated this one again? This
• 6:06
  Speaker 1: one originally we always say it when we're talking about
• 6:10
  Speaker 1: the October eighteen, twenty oh nine, two thousand and nine. Okay, yeah,
• 6:13
  Speaker 1: because I'm wondering when the sort of we had that
• 6:15
  Speaker 1: resurgence of zombie movies, because it's got a Zombie Lands
• 6:18
  Speaker 1: two thousand and seven wasn't it. I think, so, yeah,
• 6:19
  Speaker 1: this is definitely got twenty eight days later because it
• 6:21
  Speaker 1: talks about twenty eight days. It's got it on the
• 6:23
  Speaker 1: screen and all that. But it's also it was the
• 6:24
  Speaker 1: Last of Us as well a bit. But also you
• 6:27
  Speaker 1: know the remake of Dawn of the Dead and at
• 6:28
  Speaker 1: the start when you know they first take the bite
• 6:31
  Speaker 1: of the burger squared and it's like, ah, we're all
• 6:33
  Speaker 1: getting zombified and it gets all sort of documentary style,
• 6:36
  Speaker 1: which is very much, you know, like Zack Snyder's Down
• 6:39
  Speaker 1: of the Dead and Dead.
• 6:40
  Speaker 3: The series launched in twenty ten, so wow, I thought
• 6:43
  Speaker 3: it was was like two thousand and six, and walking
• 6:45
  Speaker 3: Down it feels it just has been gone forever. And
• 6:48
  Speaker 3: I looked like it's like another spinoff, another spit of way,
• 6:50
  Speaker 3: Darryl's got his own show.
• 6:51
  Speaker 1: What is Happens? Like four or five spinoffs walking Dead,
• 6:54
  Speaker 1: none of which I've watched.
• 6:55
  Speaker 3: I gave up after Glenn got it that was it.
• 6:57
  Speaker 3: I was like, ah, because what is in it isn't
• 6:59
  Speaker 3: fun anymore?
• 7:00
  Speaker 1: Yeah, there's Walking Dead, Dead City, There's and that's the
• 7:03
  Speaker 1: one with Megan's one with Jeffy didn more. What was
• 7:06
  Speaker 1: the first one though, it was like not returning to
• 7:08
  Speaker 1: the Walking Dead, it was it was fear the walking Yeah.
• 7:11
  Speaker 1: Now they're just called walking Dead, walking Dead, Dead City,
• 7:14
  Speaker 1: walking Dead. Just Daryl Dixon one. They called The Book
• 7:18
  Speaker 1: of Carol. That might be a spin off of the
• 7:20
  Speaker 1: Darryl Dixon one. And there's at least one other one.
• 7:23
  Speaker 1: There must be an audience. Okay, so people love zombie. Well,
• 7:26
  Speaker 1: there's the thing.
• 7:26
  Speaker 3: Zombie is just one of those forever we call it
• 7:28
  Speaker 3: forever license in the pop culture field of toys, like
• 7:30
  Speaker 3: a forever license, like a Star Wars or whatever. Like zombies
• 7:33
  Speaker 3: is just the theme that will always be popular. I
• 7:35
  Speaker 3: think if if a horror movie came out, like it's
• 7:37
  Speaker 3: a new zombie movie, I'm like, I'll probably go say it.
• 7:39
  Speaker 3: I've seen it a million times, feel different ways, but
• 7:42
  Speaker 3: I'm still gonna I'm still intrigued by the idea of
• 7:44
  Speaker 3: zombie apocalypse.
• 7:45
  Speaker 1: It's very ebbs and flows. I mean, I think they'll
• 7:48
  Speaker 1: always be there, like there will always be sort of
• 7:50
  Speaker 1: low budget shitty ones being short of the dead as well.
• 7:52
  Speaker 1: Yeah that's true. Yeah, yeah, but something will come up
• 7:57
  Speaker 1: and it's like and there'll be maybe three or four
• 7:58
  Speaker 1: of them, and they'll be like good quality ones like
• 8:00
  Speaker 1: yeah around the time, like I say of the Dawn
• 8:03
  Speaker 1: of the Dead remake in twenty eight Days Later and
• 8:04
  Speaker 1: Shawan of the Dead and all that, like, yeah, zombies
• 8:06
  Speaker 1: are back. And then we'll sort of get a bit
• 8:10
  Speaker 1: of overkill and then there'll be maybe ten or so
• 8:12
  Speaker 1: years and there's like, yeah, zombies are back. This had
• 8:14
  Speaker 1: an iron legend vibe to it as well. It did
• 8:16
  Speaker 1: add the very end certainly. I mean, yeah, I think
• 8:19
  Speaker 1: it's the end of I can't remember the end of
• 8:23
  Speaker 1: the original version of the director's cut.
• 8:24
  Speaker 3: Because there's sort of an alternate ending of the director's
• 8:27
  Speaker 3: cut is where he walks with her body into the room, okay,
• 8:31
  Speaker 3: as opposed to sacrificing himself. In the theatrical release, will
• 8:35
  Speaker 3: Smith sacrificehim spoiler all that sacrifices himself right for the
• 8:38
  Speaker 3: good of.
• 8:38
  Speaker 1: The world and they end up at the safe zone
• 8:40
  Speaker 1: at the end.
• 8:41
  Speaker 3: Yeah, But in the in the director's cut, in the
• 8:44
  Speaker 3: ultimate ending, which I think is pretty cool, he walks
• 8:47
  Speaker 3: in with her body and turns out there it's the
• 8:48
  Speaker 3: body of the zombie and he was angry because he
• 8:52
  Speaker 3: had her body captive that the zombie was angry that
• 8:54
  Speaker 3: will Smith had her body.
• 8:55
  Speaker 1: He just wanted his wife back. Well, yeah, that's when
• 8:58
  Speaker 1: they learned to exist. Yeah, that's the thing. And then
• 9:00
  Speaker 1: in the in the novel that's based on that's a
• 9:04
  Speaker 1: really sort of a but one of a better term
• 9:07
  Speaker 1: Patients zero for a lot of zombie movies and things
• 9:09
  Speaker 1: like that, I think Will Smith's character realizes I'm the
• 9:13
  Speaker 1: last of my kind and this is really the next
• 9:16
  Speaker 1: stage of human evolution, you know, and that's I'm not
• 9:18
  Speaker 1: really a person anymore. I'm legend, you know that they
• 9:21
  Speaker 1: sort of talk about, Oh, remember the way things used
• 9:23
  Speaker 1: to be. Oh, yeah, there was this guy named Robert Neville.
• 9:26
  Speaker 1: You don't really talk about him one much because he
• 9:28
  Speaker 1: was the he was the last phase of humanity, and
• 9:33
  Speaker 1: now we're into something new. Yeah, plastic world. Plastic world.
• 9:36
  Speaker 1: That's it's been like plastic World.
• 9:38
  Speaker 3: What was the Children of Men parody here? Because it
• 9:41
  Speaker 3: mentions on Wikipedia that's also Children of Men reference here.
• 9:45
  Speaker 1: I get the feeling that was more in the like
• 9:47
  Speaker 1: the car chase or the thing with our Pooh driving.
• 9:50
  Speaker 3: Okay, could be so it's children are in apocalypse, and
• 9:52
  Speaker 3: I don't think it was an apocalypse.
• 9:53
  Speaker 1: Sort of a slow motion apocalypse, Is it really? Yeah,
• 9:56
  Speaker 1: because well, you know, people can't have children anymore, so
• 9:58
  Speaker 1: that's kind of the end of the human race.
• 10:00
  Speaker 3: Okay, I own it, but I've never watched it. Chouldren
• 10:02
  Speaker 3: have been dude, Yeah worth watching.
• 10:04
  Speaker 1: Get on it? Yeah, Oh fucking dope movie. One of
• 10:07
  Speaker 1: the best of the twenty first entry. Oh yeah, children
• 10:09
  Speaker 1: Man's rad Oh shit, Okay, yeah, man, get on it.
• 10:14
  Speaker 1: I will get on it. It's tough, but it's a
• 10:17
  Speaker 1: It's a good movie, all.
• 10:17
  Speaker 3: Right then, so well I enjoy it. Will make me sad,
• 10:21
  Speaker 3: angry and also satisfied. You'll get all the feelings as
• 10:24
  Speaker 3: long as I'm satisfied with That doesn't gives me a resolution,
• 10:27
  Speaker 3: That's all I wanta. Take me on a journey and
• 10:29
  Speaker 3: give me some sort of ending. You'll get some kind
• 10:31
  Speaker 3: of resolution, yes, okay, yeah, But overall I thought this
• 10:34
  Speaker 3: was yeah, a fine storm. I remember mostly the second
• 10:37
  Speaker 3: segment because I'm a big zombie fan. I when I
• 10:40
  Speaker 3: first watched this many years ago, didn't realize that this
• 10:43
  Speaker 3: was all Hitchcock references, Like, so the actual stories are
• 10:45
  Speaker 3: based on which one?
• 10:46
  Speaker 1: Well, yeah, that's the thing is. It's called dial m
• 10:49
  Speaker 1: for murder, which is a Hitchcock title and actual movie,
• 10:52
  Speaker 1: but then watching it the whole plot or protash tag
• 10:55
  Speaker 1: that's the Simpsons. Oh yeah, yeah, I've got dial em.
• 10:58
  Speaker 1: I'm not gonna write down the whole title. Ye, but
• 11:01
  Speaker 1: when they get into the hole, Oh, you don't like
• 11:04
  Speaker 1: this person and I don't like this person. But if
• 11:06
  Speaker 1: I murder your person and you kill my person, no
• 11:08
  Speaker 1: one's going to assume that's the plot of Strangers on
• 11:10
  Speaker 1: a Train. Yeah, fifty one, I think so. Yeah, fifty Yeah,
• 11:15
  Speaker 1: good ones, good one, he's got good Ones. Remade for
• 11:18
  Speaker 1: Netflix recently as Do Revenge Okay with Ethan Hawk's daughter
• 11:24
  Speaker 1: Maya Hawk and as one of the leads worth watching.
• 11:26
  Speaker 3: No, maybe if you're that's what shit's been about streaming films.
• 11:32
  Speaker 3: It feels like there's just not enough what's the term,
• 11:36
  Speaker 3: there's no there's no filter there. It's just like they're
• 11:37
  Speaker 3: throwing out all this content where you feel like this
• 11:40
  Speaker 3: was twenty years ago. Apparently a remake like that it
• 11:43
  Speaker 3: would be treated with the there'd be someone. They're saying, No,
• 11:45
  Speaker 3: this has to be done better, this needs to be improved. Yeah,
• 11:48
  Speaker 3: content streaming services just like, just give us something starring
• 11:50
  Speaker 3: this person will put it out there, we'll move on
• 11:52
  Speaker 3: to the next one.
• 11:53
  Speaker 1: It is unfortunately a lot of people entertainment adjacent will
• 11:57
  Speaker 1: be saying, you hear bad things about Oh, the studio
• 12:01
  Speaker 1: gave us notes about doing this and to make this
• 12:03
  Speaker 1: character more like when was that? Honestly, they might have
• 12:05
  Speaker 1: had a point, but a lot of it. You know,
• 12:07
  Speaker 1: you'll have people even Tarantino said, yeah, I got notes.
• 12:11
  Speaker 1: Some of them were ship some of them worked.
• 12:13
  Speaker 3: Yeah, you need some people are creative geniuses, right, but
• 12:17
  Speaker 3: they're greater coming of ideas. I need that one person
• 12:20
  Speaker 3: above them to go get rid of that one, tweak
• 12:22
  Speaker 3: this one slightly, and then we've got a really good product.
• 12:25
  Speaker 1: Yeah. Yeah, you will have very creative people, very yeah,
• 12:29
  Speaker 1: ingenious people will say no, sometimes I need the brakes
• 12:32
  Speaker 1: put on it. Sometimes I need something to pull back
• 12:34
  Speaker 1: on the reins a bit. Yeah, absolutely, but no, Yeah,
• 12:37
  Speaker 1: that's strangers on the train. But you've got a visual reference.
• 12:40
  Speaker 1: So psycho, Yeah, that's the that's the music that you do.
• 12:43
  Speaker 1: Do do do? What else is north by northwest by
• 12:46
  Speaker 1: northwest which oh that's sorry, that's confused. Is that the
• 12:52
  Speaker 1: psycho music? I do the psycho music? But no, that
• 12:56
  Speaker 1: does just sound weird. But yeah, you got bits from
• 12:58
  Speaker 1: Verdio in there, bits from Spellbound, little bits.
• 13:00
  Speaker 3: Of Yeah, when we're going through it, you tell you,
• 13:03
  Speaker 3: you yell out, that's this reference that.
• 13:05
  Speaker 1: Sure. I obviously had their film The Hats on as
• 13:07
  Speaker 1: they were making this though. Yeah.
• 13:08
  Speaker 3: And but it's one of those segments where as a kid,
• 13:10
  Speaker 3: I had no idea that it was referencing anything. And
• 13:12
  Speaker 3: I think the beauty of these segments is they work
• 13:16
  Speaker 3: not knowing that anyway.
• 13:17
  Speaker 1: Sure, it's just a fun.
• 13:18
  Speaker 3: Treus of horrors, like you know, it's it feels weird
• 13:20
  Speaker 3: like but it's so weird that obviously parroting something we
• 13:23
  Speaker 3: said it all the time, but as you get older
• 13:25
  Speaker 3: you to start to appreciate it. So is introducing you.
• 13:27
  Speaker 3: That's what the Trust off I do so well. They
• 13:29
  Speaker 3: introduce you to classic horror and classic stories. Absolutely, the
• 13:31
  Speaker 3: shitting is a big one. Who are introduced to the
• 13:33
  Speaker 3: Shining where this one here you fall in love with
• 13:35
  Speaker 3: from Hitchcock as a result.
• 13:36
  Speaker 1: Absolutely. Yeah. And the other good thing is, I mean
• 13:39
  Speaker 1: you always had rock solid plots and things like that,
• 13:41
  Speaker 1: so you're working from a really strong foundation. If you've
• 13:43
  Speaker 1: got the story of like, oh, you don't like that
• 13:46
  Speaker 1: teacher and I don't like that teacher. But you know,
• 13:47
  Speaker 1: neither result suspective we kill the other one, like cool
• 13:50
  Speaker 1: plot that works, Yeah, and then you know you put
• 13:53
  Speaker 1: your shovel a bunch of jokes on top of it.
• 13:55
  Speaker 1: I'm glad they didn't just go through the clarche shower
• 13:57
  Speaker 1: scene for Psychodo.
• 13:58
  Speaker 3: Oh yeah, they were doing it for a hitchcock. We
• 13:59
  Speaker 3: don't need to do the classic one, the obvious one.
• 14:01
  Speaker 3: We don't have to play the hits exactly, Yeah, because
• 14:03
  Speaker 3: they're doing ones here that you wouldn't normally see parody.
• 14:05
  Speaker 3: It's always it's always Psycho a mother in the chair,
• 14:07
  Speaker 3: that kind of thing, isn't it, Yeah, dressed up with
• 14:09
  Speaker 3: his mum.
• 14:09
  Speaker 1: Psycho. What a movie have you seen that? Maybe already
• 14:12
  Speaker 1: discussed this with you.
• 14:13
  Speaker 3: Someone put a tweet out many six months ago, twelve
• 14:15
  Speaker 3: months ago saying this is the problem of streaming when
• 14:18
  Speaker 3: the movies and it cuts to a like continue watching
• 14:21
  Speaker 3: on over the corner, and then you may also like
• 14:23
  Speaker 3: this kind of thing fills the screen and it's the
• 14:25
  Speaker 3: end of Psycho and he's staring at the camera. It's
• 14:27
  Speaker 3: like it's in the bottom corner, so he's staring at
• 14:31
  Speaker 3: the screen.
• 14:31
  Speaker 1: It's like, look, yeah, even it's the bottom Also like
• 14:34
  Speaker 1: this film and the last thing you see. Yeah, not
• 14:37
  Speaker 1: the very last thing you see, but yeah, and it's
• 14:39
  Speaker 1: only for like a split second or so, as they
• 14:41
  Speaker 1: slightly superimpose the skeleton face over over normal ass face, like.
• 14:46
  Speaker 3: Ah fuck yeah, but it's in the bottom corner of
• 14:48
  Speaker 3: the screen. You may also like this.
• 14:50
  Speaker 1: Yeah. You may also like monsterly against Doory or you know,
• 14:57
  Speaker 1: the Meninda something like that, and it's like, can we
• 14:59
  Speaker 1: just leave shit alone? Man Got Hell on Netflix? Actually
• 15:05
  Speaker 1: my favorite did you have any favorite moments from this episode?
• 15:08
  Speaker 1: As someone who half passes things quite often, I Miss
• 15:11
  Speaker 1: Hoover say, don't take this person, and Lisa I barely
• 15:14
  Speaker 1: spend any time. It's not like does a teacher life,
• 15:19
  Speaker 1: wasn't it?
• 15:20
  Speaker 3: I feel like I'd love to speak to a teacher
• 15:22
  Speaker 3: and say, what's your thoughts in Miss Hoover because I
• 15:25
  Speaker 3: feel like she'd be so relatable.
• 15:26
  Speaker 1: Like spirit animals.
• 15:28
  Speaker 3: Everything she says is probably how teachers feel, but they
• 15:31
  Speaker 3: actually say it to the kids. It's like, I care,
• 15:35
  Speaker 3: this is the you're grade too, No one cares.
• 15:40
  Speaker 1: Another line that I really enjoyed was from Don't Have
• 15:41
  Speaker 1: a cow man Kind. They're on the phone with doctor here.
• 15:44
  Speaker 1: But if you see my wife, tell her I love
• 15:46
  Speaker 1: her me and I love her or me meaning you.
• 15:50
  Speaker 3: I start giving a high five. That was really good.
• 15:54
  Speaker 3: I'll love the spin of a poo. They were that
• 15:56
  Speaker 3: nicely sacrificed himself.
• 15:58
  Speaker 1: This spakes the way for me to come back. Oh.
• 16:02
  Speaker 1: The other thing, sorry, from that one at the very
• 16:04
  Speaker 1: end end, when it's like what kind of savages would
• 16:07
  Speaker 1: you eat the flesh and drink the blood of someone?
• 16:09
  Speaker 1: Collar tug from Reverend Love. That is like if this
• 16:12
  Speaker 1: was a movie, that that would be in the trailer.
• 16:16
  Speaker 1: So yeah, yeah, those are comeing my framese. What did
• 16:18
  Speaker 1: you enjoy? Oh you've already covered three of mine, but
• 16:21
  Speaker 1: I like to pu as well. By the way, I
• 16:23
  Speaker 1: did have one more favorite moment. Yeah. I don't know
• 16:26
  Speaker 1: if this is aged badly or not. I actually think
• 16:28
  Speaker 1: it was. I thought it was so clever that I
• 16:31
  Speaker 1: probably has an age badly. But Homer's song about being gay.
• 16:34
  Speaker 3: Let's talk about that, because I'm watching this going this
• 16:37
  Speaker 3: feels really just out there. He's talking about just genuinely
• 16:41
  Speaker 3: just being homosexual. Yeah, I think he says to not
• 16:44
  Speaker 3: be queer. It makes me want to puke or something
• 16:47
  Speaker 3: like that.
• 16:47
  Speaker 1: It watches going.
• 16:48
  Speaker 3: Is this them trying to say we promise when not
• 16:52
  Speaker 3: all those all those homophobic gags, We're.
• 16:54
  Speaker 1: Sorry, We're really pro gay whoever, road this was very
• 16:59
  Speaker 1: program Yes, it was a pretty neat song. It was
• 17:02
  Speaker 1: a good song. Yeah.
• 17:03
  Speaker 3: Actually I'm listening to this going. There was like another
• 17:06
  Speaker 3: Simpsons c D of all the songs on one this
• 17:08
  Speaker 3: will be I'd probably would really enjoy it. That's one
• 17:10
  Speaker 3: thing the Simpsons always do.
• 17:11
  Speaker 1: Well. That was the musicals. Yeah, and actually the bit
• 17:14
  Speaker 1: before that as well. When I think it's Mos reading
• 17:19
  Speaker 1: the letter, well it sounds pretty gay. Well read that
• 17:21
  Speaker 1: it gets gay the song.
• 17:23
  Speaker 3: I actually it also did in mind when he starts
• 17:25
  Speaker 3: that reading the letter, how he says is going to
• 17:26
  Speaker 3: be his idioms and DiMAGE.
• 17:31
  Speaker 1: The kids and the other word. Next question, you there
• 17:35
  Speaker 1: eating the beast?
• 17:37
  Speaker 3: All right, it is time now for some trivia. My
• 17:39
  Speaker 3: first question for you is I can't tell you what
• 17:41
  Speaker 3: segment this was in, but my question is what film
• 17:44
  Speaker 3: was playing at the cinema?
• 17:46
  Speaker 1: Oh, it was Madeia Goes to Hell. Yeah, was that
• 17:49
  Speaker 1: in the second one? I think it was. Yeah, they're
• 17:52
  Speaker 1: getting out of Springfield. Yeah. My first question to you
• 17:56
  Speaker 1: is this is from the opening. This is from the
• 17:58
  Speaker 1: pre pre oh yeah yeah yeah. The Halloween Store was formerly.
• 18:03
  Speaker 3: What oh it was ah something headquarters, wasn't it?
• 18:08
  Speaker 1: It's Halloween HQ. Now this is a seat Columbus Day,
• 18:12
  Speaker 1: Columbus Day. Yes, all right.
• 18:13
  Speaker 3: My next question for you is what were their costumes
• 18:16
  Speaker 3: once they came out?
• 18:19
  Speaker 1: No, I didn't write this down, but I think actually
• 18:21
  Speaker 1: I didn't mind the introy for this. By the way,
• 18:22
  Speaker 1: this is all right, that's pretty good, Okay, iron Man, Yeah,
• 18:27
  Speaker 1: Harry Potter. Recular wolf Man was Harry Potter. Yeah, someone
• 18:30
  Speaker 1: was SpongeBob, Yeah, Franking Stein. And it actually ties into
• 18:34
  Speaker 1: the last segment. No, no, the Mummy was someone is
• 18:38
  Speaker 1: in the film from the parody of the Last One
• 18:41
  Speaker 1: parading one of his iconic other characters from that era,
• 18:44
  Speaker 1: Jack Sparrow, Jack Sparrow. Yes, how then we go fun
• 18:47
  Speaker 1: fat Nicholas never seen the parts of the Caribbean film
• 18:50
  Speaker 1: for one of them? Really how she just goes no,
• 18:53
  Speaker 1: it doesn't never interested me. I was like, the first
• 18:56
  Speaker 1: one's pretty good. Well, the first one's good.
• 18:57
  Speaker 3: I liked the second one a lot. Okay, yeah, yeah,
• 19:00
  Speaker 3: because the movie watches the family.
• 19:01
  Speaker 1: I was like, I can't remember. It's too scary for
• 19:03
  Speaker 1: kids on that I think.
• 19:04
  Speaker 3: Yea, his name isn't Gregory really scary, isn't it. Who's
• 19:08
  Speaker 3: the bad guy in the first one Jeffrey R.
• 19:10
  Speaker 1: Jeffy Rush, not Gregor Jeffrey Rush. Yeah, he's a been scared.
• 19:14
  Speaker 1: You might want to Yeah, you might want to give
• 19:15
  Speaker 1: it a couple of years, okay, because I mean especially Holly,
• 19:18
  Speaker 1: because especially Elliot. Elliot would be Elliott might be fine
• 19:21
  Speaker 1: with it. Okay. The second Yeah, the second gets a
• 19:24
  Speaker 1: bit little bit grim. That's the one. Yeah, what's his name? Yeah?
• 19:29
  Speaker 1: But yeah, the ones I wish I liked a little
• 19:33
  Speaker 1: bit more. But they're not bad.
• 19:35
  Speaker 3: I think the fact that they overstayed there welcome makes
• 19:37
  Speaker 3: you look back poorly on the originals that we were.
• 19:38
  Speaker 1: Could well be Yeah, I mean you can you can
• 19:40
  Speaker 1: stop at the three. You don't need the other ones.
• 19:42
  Speaker 3: I don't ways say the Terminator franchise is almost suffered
• 19:44
  Speaker 3: as a result of that. Definitely, like they've overstaid it's
• 19:46
  Speaker 3: work Predators as well. I'm just like the first one
• 19:49
  Speaker 3: is so good, though, and there's the second. Yeah, first
• 19:52
  Speaker 3: time andute second to it was so good. The first
• 19:54
  Speaker 3: Predator is so good, and it's like if the rest
• 19:56
  Speaker 3: of them no good, I'm.
• 19:56
  Speaker 1: Like, it doesn't matter. The first ones were great. I've
• 19:59
  Speaker 1: got a lot of time for most of the Predators.
• 20:02
  Speaker 1: I like, I love Predator one. Predator is pretty good.
• 20:05
  Speaker 1: The way I always describe it used to always be
• 20:07
  Speaker 1: on TV. I always love it. It's gonna be so
• 20:10
  Speaker 1: good because Predator is a Predator is really good, Like
• 20:15
  Speaker 1: it's really well, it's like legitimately good. So I was like,
• 20:18
  Speaker 1: I've got to actually pay attention to show this proper respect.
• 20:20
  Speaker 1: But now he's in the city. Predator is a relationship.
• 20:23
  Speaker 1: Predator is a one night stand. Yeah, because like you're
• 20:26
  Speaker 1: kind of cheap and nasty, but you're pretty good at
• 20:28
  Speaker 1: what you doing. Is that an alien skull? Well, yeah,
• 20:31
  Speaker 1: there's that. Predators is not bad. I don't mind the
• 20:36
  Speaker 1: first alien versus Predator. The second one is garbage.
• 20:39
  Speaker 3: I would be so excited for alien Predators that seeing
• 20:41
  Speaker 3: the alien skull Predator two when I was about know ten,
• 20:45
  Speaker 3: it was one of my first.
• 20:45
  Speaker 1: Like the lego point the game. I was like, it's
• 20:51
  Speaker 1: the Skull. The Predator is not very good.
• 20:55
  Speaker 5: Ah.
• 20:55
  Speaker 1: Yeah, that was disappointing. That was very disappointing. I'm looking
• 20:58
  Speaker 1: forward to the bad Lands, which I'm seeing, I think
• 20:59
  Speaker 1: not next week or the week after that, a genuine
• 21:01
  Speaker 1: theatrical film. Yeah, I thought it was just like a
• 21:03
  Speaker 1: TV special from the director of pre which was also
• 21:07
  Speaker 1: not a bad Predator movie. And then pas all right, yeah, yeah.
• 21:10
  Speaker 1: It's this guy named Dan Tracktenberg who he made ten
• 21:14
  Speaker 1: Cloverfield Lane and now he's in the predator business because
• 21:16
  Speaker 1: he made Prey. He made Predator, Killer of Killers, which
• 21:18
  Speaker 1: is on Netflix.
• 21:19
  Speaker 3: That's when you say bad Lands. I thought you were
• 21:21
  Speaker 3: referencing the animated thing. No Ah, that's different.
• 21:24
  Speaker 1: Sorry, it's on Disney Plus not Netflix. Yeah yeahah, that
• 21:27
  Speaker 1: guy who won Stalking Me on Twitter. Yeah, excuse me,
• 21:32
  Speaker 1: it's a niche.
• 21:33
  Speaker 3: He's a Stalker fan from the movie Guide.
• 21:37
  Speaker 1: Yeah. But Killer Killers that's animated and that's on Disney
• 21:40
  Speaker 1: Plus at the moment. And Predator bad Lands, which is
• 21:42
  Speaker 1: live action starting in cinemas soon. Predator bad Lands, I
• 21:45
  Speaker 1: want to read it. Just before we get into our
• 21:48
  Speaker 1: full in depth review of Treo, I could tell you
• 21:51
  Speaker 1: about it.
• 21:52
  Speaker 3: Oh, here we go, I'm going to read it here. Okay,
• 21:55
  Speaker 3: we'll go a bit of out. It says, before you listening,
• 21:58
  Speaker 3: cast out from its clan in alien hunter and an
• 22:01
  Speaker 3: unlikely ally bark on a treacherous journey in search of
• 22:05
  Speaker 3: the ultimate adversary.
• 22:07
  Speaker 1: Yeah, he's bad. He's basically this young, young predator dude
• 22:10
  Speaker 1: who's kind of like, all right, you don't think I'm
• 22:12
  Speaker 1: good enough to be a predator? Well, I'm going to
• 22:13
  Speaker 1: go to the meanest planet in the universe and find
• 22:16
  Speaker 1: the meanest adversary ever and take it down, and then
• 22:19
  Speaker 1: you're going to show me my respect. So he's just
• 22:21
  Speaker 1: walking up too a masco on, okay. And he's not
• 22:24
  Speaker 1: going to talk, though, is he? I think if he talks,
• 22:26
  Speaker 1: he talks in predire language and he get subtitled. Yeah.
• 22:28
  Speaker 1: I was going to say, hopefully he's not just like,
• 22:31
  Speaker 1: I am here to something. How you doing? I am
• 22:35
  Speaker 1: here to be a predator? Oh? Really great? So what
• 22:39
  Speaker 1: do we get to talking about those Terminator sequels? Sequels
• 22:43
  Speaker 1: and how I think part of the Caribbean oversay it's
• 22:45
  Speaker 1: WelCom Johnny Depp correct, Yeah, yes, there we are. We
• 22:48
  Speaker 1: got there in the end, we straight far away from
• 22:51
  Speaker 1: God's Light, but we got back in the end.
• 22:53
  Speaker 3: This show is brought to you by the four figured
• 22:55
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• 22:58
  Speaker 3: bonus podcasts, including his exclusive Simpson's reviews and commentaries, as
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  Speaker 3: the One About Friends, and so much more. So go
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• 23:16
  Speaker 3: Slash four figure discount. Starting with who who do we
• 23:28
  Speaker 3: always start with?
• 23:29
  Speaker 1: Kay TG? Kay TG? Why do we start with her?
• 23:32
  Speaker 3: Because she's giving me one hundred bucks? Also, she's rad
• 23:36
  Speaker 3: She's absolutely legend. We didn't have another coffe date with
• 23:38
  Speaker 3: her sometimes at some point come.
• 23:39
  Speaker 1: Back to Geelong.
• 23:39
  Speaker 3: We're not going to New Southwest, but Glenn Gomez, Justin Parker's,
• 23:44
  Speaker 3: Zach Pruitt, Shanney Macker, Elliot, j O'Neil, Isabella Murphy, Rach Beasley,
• 23:47
  Speaker 3: Stephen Robert, Shawn DVP, Anderson, Timothy Burs and Andrew Davis,
• 23:50
  Speaker 3: Kevin Dental, Planned Flood, Heath will Beat, Jacoone, Fadden, Bello,
• 23:53
  Speaker 3: Windo Bank, Adrick McLeod march Or, Levan Ginger and Pickle, Preston, Murray,
• 23:56
  Speaker 3: Telea Enriquez, Declan Phoenix, Brian McCoy, Logan, b Jameish Up
• 24:00
  Speaker 3: for Joe Ridden's sake, Gavin Lane, Dammy Miller, Charlie Joe,
• 24:02
  Speaker 3: Abigail b Shup, Carter and A FRITZS.
• 24:05
  Speaker 1: McNally. Well you shook it up a bit. Yeah, Prinzel's
• 24:08
  Speaker 1: mcnow he's normally up the Lauder, And I thought, Skiff
• 24:11
  Speaker 1: here be like shit. Look, we gave Katie Ga props
• 24:15
  Speaker 1: and deservedly so, but each and every one of these
• 24:17
  Speaker 1: people are dead set legends. Thank you so much for
• 24:20
  Speaker 1: keeping the Wolf from the.
• 24:22
  Speaker 3: Door Stone kinds get their name right out on every
• 24:24
  Speaker 3: episode of the podcast. So let's get into her. Your
• 24:27
  Speaker 3: Treos of Horror twenty, which originally ed as I mentioned
• 24:29
  Speaker 3: earlier on October eighteenth, two thousand and nine.
• 24:32
  Speaker 1: Did we've done our trivia right? Yeah? We did?
• 24:34
  Speaker 2: Yeah?
• 24:35
  Speaker 1: I had one or two more questions. I actually I
• 24:37
  Speaker 1: had one more question. Okay for it. He's so sad
• 24:41
  Speaker 1: I went to all this trouble. I mean we we
• 24:44
  Speaker 1: folks were recorded going down to South Park earlier today
• 24:47
  Speaker 1: and we land credit Christmas we Lann Credit Christmas, which
• 24:50
  Speaker 1: it turns out we liked more than we thought. Well,
• 24:52
  Speaker 1: I liked more than I thought. I found it really
• 24:55
  Speaker 1: difficult to do trivia questions for it, and I felt
• 24:57
  Speaker 1: so guilty, so I thought I'd better do a few
• 24:59
  Speaker 1: more for this episode. But here's one in dial and
• 25:02
  Speaker 1: for murder and the other stuff in the title. What
• 25:05
  Speaker 1: does t P stand for?
• 25:06
  Speaker 3: Oh yes, it's not toilet paper, man, I should know
• 25:11
  Speaker 3: this torture and something torture and pulver.
• 25:13
  Speaker 1: I yes, that's all. That's all the trivia. I just
• 25:17
  Speaker 1: it was just I wasn't going to hit you with
• 25:19
  Speaker 1: a bunch of another one. I don't have anymore. Oh okay,
• 25:23
  Speaker 1: then what if I asked you another one just up
• 25:25
  Speaker 1: the ante I could probably answer it.
• 25:29
  Speaker 3: I was getting the let's getting the review production code
• 25:31
  Speaker 3: and l a B F one four written by Daniel Chun,
• 25:33
  Speaker 3: directed by Mark might b Anderson and our man Matthew Schofield.
• 25:36
  Speaker 3: Maddie Yes, the Aussie who went over to Marco who
• 25:39
  Speaker 3: work on the Simpsons, and now he's one of the
• 25:41
  Speaker 3: producers even the Dream. Indeed, he also has a comic
• 25:46
  Speaker 3: app called Steamroller.
• 25:47
  Speaker 1: Man. I thought you were about to say he's got
• 25:48
  Speaker 1: a podcast. Another guy I saw Nancy Carter I started
• 25:51
  Speaker 1: her own podcasts. I think I remember you saying something
• 25:53
  Speaker 1: about that. Yeah, okay, that's great. We're happy to be
• 25:56
  Speaker 1: on it, Nancy. Oh, we're happy to have you as
• 25:57
  Speaker 1: a guest onto Tour podcast. Yes, yes, across promough. So
• 26:01
  Speaker 1: the episode kicks off with like a cold open kind
• 26:04
  Speaker 1: of deal with the Universal Monsters all waking up in
• 26:06
  Speaker 1: the boys Who's house castle some kind it's spooky Castle,
• 26:10
  Speaker 1: Spooky Castle, Yes.
• 26:12
  Speaker 3: Waking up to go trick or treaty on Halloween. The
• 26:14
  Speaker 3: bullies taught them though Turner classic movies called and what
• 26:17
  Speaker 3: their costume is back. I feel like Lendon Moulton will
• 26:19
  Speaker 3: take this personally because he loves the University. He watched this,
• 26:26
  Speaker 3: and they head to the costume store because everyone's making
• 26:29
  Speaker 3: fun of their old costumes because they're and this is
• 26:31
  Speaker 3: at a time two thousand and nine where dare I say,
• 26:33
  Speaker 3: even still Universal Monsters just feels.
• 26:35
  Speaker 1: Old hat a bit.
• 26:36
  Speaker 3: Yeah, And they've just done the theme park in in
• 26:39
  Speaker 3: the States, like an extension of Universal Studios called what
• 26:42
  Speaker 3: it's called, but it's it's Universal Monster's Area basically apparently
• 26:46
  Speaker 3: some really good rides there, but they just never seem
• 26:48
  Speaker 3: to be able to sort of bring those characters back
• 26:51
  Speaker 3: to life of the big screen, have they not?
• 26:53
  Speaker 1: I mean cool way. There was the bid to do
• 26:56
  Speaker 1: the whole Dark Universe thing starting with the Tom Cruise
• 26:58
  Speaker 1: movie The Mummy. That's what it's called something universe at
• 27:01
  Speaker 1: that's the theme park. Yeah, but that was such a
• 27:04
  Speaker 1: dud that it was because they had like a promo
• 27:06
  Speaker 1: poster and yeah, I think it was going to be
• 27:10
  Speaker 1: Russell Crowe was in it as Jekyll and Hyde. I
• 27:12
  Speaker 1: think Johnny Depp was going to be the Invisible Man.
• 27:15
  Speaker 1: Have you a bad damn? I think was it? There's
• 27:17
  Speaker 1: maybe as Doctor Frankenstein or something, But it was like
• 27:21
  Speaker 1: canceled you to complete lack of interest. You know, we
• 27:24
  Speaker 1: don't need more of universes.
• 27:27
  Speaker 3: Yeah, probably not. I think I'm just dombe with it
• 27:29
  Speaker 3: all man. I think I just want give me an
• 27:31
  Speaker 3: Invisible Man movie. I just watch and enjoy.
• 27:34
  Speaker 1: Kevin Bacon in there floor you can the Hollow Man.
• 27:37
  Speaker 1: What he called that was Hollowman.
• 27:38
  Speaker 3: Yeah, it's a spin on the Invisible Man though, was
• 27:40
  Speaker 3: well he was invisible, wasn't Is that what he walked
• 27:43
  Speaker 3: in his desk flapping around, but it's like invisible something
• 27:45
  Speaker 3: like that. Yeah, they're going really kept making.
• 27:50
  Speaker 1: Keip got his weighing out for he got his bacon
• 27:51
  Speaker 1: out for a few from one or two things, wild things.
• 27:54
  Speaker 1: I think you get us. Yeah, he's looking at other stuff.
• 28:01
  Speaker 1: There's an added TV ad for Phanta out of the moment,
• 28:05
  Speaker 1: whether because they've got these new Phantom variants that have
• 28:08
  Speaker 1: got like limited limited modern monsters on the on the
• 28:12
  Speaker 1: cans what it's like, and it's like, you know Meghan
• 28:15
  Speaker 1: the Killer Doll and yeah, no, no, you know you
• 28:20
  Speaker 1: know Meghan the movie. It's like the AI doll or
• 28:23
  Speaker 1: whatever doesn't dance and stuff. Chuck, He's in there. He's modern,
• 28:28
  Speaker 1: is he? I guess compared to the university. Well there's
• 28:30
  Speaker 1: the new TV series Jackie and all that. But you
• 28:32
  Speaker 1: know one of the like Freddie Fazbear from Five Nights
• 28:34
  Speaker 1: at Freddy's or something big that's huge. Well, yeah, they've
• 28:38
  Speaker 1: already well the movie was very big. Yeah, and sequels
• 28:42
  Speaker 1: coming out later this year. But I was looking none
• 28:45
  Speaker 1: of these months is really sticking with me, not in
• 28:48
  Speaker 1: the way that you know, the Universal Monsters were all
• 28:50
  Speaker 1: the eighties legends like Michael Myers and Jason Vorhees and
• 28:54
  Speaker 1: Freddy Krueger and all that one was the grabber from
• 28:58
  Speaker 1: the Black Phone movies. Do you know, no black Phone,
• 29:02
  Speaker 1: it's called the black Phone. No, it's a series of them.
• 29:06
  Speaker 1: There's there have been two the black Phone. Yeah, what
• 29:10
  Speaker 1: is that about?
• 29:11
  Speaker 4: Um?
• 29:12
  Speaker 1: I think there's a child kidnapper slash murderer. This is
• 29:15
  Speaker 1: a person who murders an Ethan Hawk. Yeah, Ethan Hawk
• 29:18
  Speaker 1: is the grabber.
• 29:20
  Speaker 3: I'm sure it's a shy c a thirteen year old
• 29:22
  Speaker 3: boy who's being held in a soundproof basement by a
• 29:24
  Speaker 3: sadistic mass killer. When a disconnected phone on the war
• 29:27
  Speaker 3: starts to ring. He soon discovers that he can hear
• 29:29
  Speaker 3: the voices of the murderer's previous victims, and they are
• 29:32
  Speaker 3: dead set on making sure that what happened to them
• 29:34
  Speaker 3: doesn't happen too finny.
• 29:35
  Speaker 1: Yeah, I'm pretty sure. I'm pretty sure it was rid
• 29:38
  Speaker 1: It's okay, okay, Yeah, I'm pretty sure. It's based on
• 29:41
  Speaker 1: a story by Joe Hill. It was the son of
• 29:43
  Speaker 1: Stephen King. Yeah, there you go.
• 29:46
  Speaker 3: The more you know Blackphone and Black Phone two? Yeah,
• 29:49
  Speaker 3: right then they came out this year blackphone too.
• 29:52
  Speaker 1: Did.
• 29:52
  Speaker 3: Yeah, that's a good post. Have you seen the post
• 29:54
  Speaker 3: of a blackphone too. That's the kind of post that
• 29:56
  Speaker 3: like a video cover in the videos in the nineties.
• 29:58
  Speaker 3: Oh yeah, look you look at that and you go,
• 30:00
  Speaker 3: I want to see what this is about. I was
• 30:02
  Speaker 3: telling to Nicola the other day, we'll flicker through Netflix,
• 30:04
  Speaker 3: and I was like, when that guy passed away, they
• 30:06
  Speaker 3: want did all the posters?
• 30:06
  Speaker 1: What's his name, Drew Streusan.
• 30:08
  Speaker 3: I was like, posters are a lost art now, Oh god,
• 30:11
  Speaker 3: they just through you. Now it's just replaceable. Yeah, in
• 30:17
  Speaker 3: the streaming ser.
• 30:17
  Speaker 1: Yeah, the replacement that is like Mondo or or You've
• 30:22
  Speaker 1: got a whole bunch of tum and going. Here's here's
• 30:26
  Speaker 1: my interpretation of what a poster call this modern movie
• 30:30
  Speaker 1: would look like. That that guy was basically the John
• 30:31
  Speaker 1: Williams of movie. Yes.
• 30:34
  Speaker 3: I was like, he did all the ets, the various
• 30:37
  Speaker 3: Stay to the Future, all that. Didn't you just spar
• 30:40
  Speaker 3: you did Indiana Jones, Harry Potters. I believe, like, holy moly,
• 30:45
  Speaker 3: we had.
• 30:46
  Speaker 1: A double a double whammy loss because we lost that guy,
• 30:49
  Speaker 1: Drew Strewsan And then a couple of weeks beforehand, there
• 30:53
  Speaker 1: was an Italian guy. I can't remember his name for
• 30:55
  Speaker 1: laughing me, but he did a lot of really iconic
• 30:57
  Speaker 1: posts as well from the sixties through the eighties. He
• 30:59
  Speaker 1: did like the Cone and the Barbarian Pes. You mentioned him, Yeah, yeah,
• 31:02
  Speaker 1: I want to say Ricardo Castro or something like that,
• 31:06
  Speaker 1: but I'm I'll be completely wrong. My sincere apologies to
• 31:11
  Speaker 1: that man and his legacy, because he did some dope artwork.
• 31:14
  Speaker 1: Venito Casaro I was very close, is that the one, Yeah,
• 31:18
  Speaker 1: Renato Casaro, good name, good name, good good artist.
• 31:22
  Speaker 3: Unius the monsters, Yes, So they realized that they're outdated
• 31:25
  Speaker 3: and not cool, so they go to get some more
• 31:27
  Speaker 3: modern outfits.
• 31:28
  Speaker 1: So you've returned us to Treehouse of Horror twenty already
• 31:31
  Speaker 1: already in progress.
• 31:32
  Speaker 3: Already in progress. They arrive at a party. It's almost
• 31:35
  Speaker 3: like a swingers party at the Simpsons.
• 31:36
  Speaker 1: It's looking a bit that way. Well, yeah, I mean
• 31:37
  Speaker 1: Marge's a bit clearly bit lick it up. Yeah she is.
• 31:40
  Speaker 3: She's down for it, yeah, as she always is. But
• 31:42
  Speaker 3: he says they're not my friends. But they brought a
• 31:44
  Speaker 3: bottle of boozy lets them in. Yes, and missus k
• 31:49
  Speaker 3: Salma Nelson's mum. I think Luan van Houten are all
• 31:51
  Speaker 3: flirting with the various monsters getting it on, and then
• 31:54
  Speaker 3: the wives of the monsters arrive and catch them. And
• 31:56
  Speaker 3: as Homer says, going, what does he say, what happens
• 31:59
  Speaker 3: in costume stage when you're a costume it's not cheating
• 32:02
  Speaker 3: or something that's right? Yes, And they don't take that
• 32:04
  Speaker 3: very well, do they.
• 32:05
  Speaker 1: No? No, he gets his head ripped off and it
• 32:07
  Speaker 1: ends up in the punch cold.
• 32:08
  Speaker 3: I will say Hank is doing his he's the voice
• 32:11
  Speaker 3: of the Mummy here, hankers Ariah, God love him, but
• 32:15
  Speaker 3: he has like one accent for all his movie roles,
• 32:18
  Speaker 3: and he's doing it like it's his voice for the
• 32:20
  Speaker 3: guy from Mystery Men and the voice of the each
• 32:23
  Speaker 3: Egyptian guy in Night the Museum. He just talks like
• 32:26
  Speaker 3: this a bit of an can be accent, like you're
• 32:29
  Speaker 3: the one I'm talking about, and I watching it, I'm like,
• 32:31
  Speaker 3: this is just the same voice.
• 32:34
  Speaker 1: Okay, Well he's not the man of a thousand voice.
• 32:36
  Speaker 1: He's a man of characters, nine hundred and ninety two voices.
• 32:42
  Speaker 3: I don't know, incredibly talented manded. Simpsons wouldn't exist without him.
• 32:44
  Speaker 3: But we watched the Night at the Museum films wy
• 32:47
  Speaker 3: I've told you.
• 32:48
  Speaker 1: And kids loved them. So yeah, that's that's speed for
• 32:50
  Speaker 1: the kids. I mean, not speed for the kids. That's
• 32:53
  Speaker 1: the kid's speed. I reckon. Yeah, something like that would
• 32:56
  Speaker 1: be a good family viewing, as opposed to say, Partisal
• 32:58
  Speaker 1: the Caribbean. Wait, a couple years before parts of the.
• 33:01
  Speaker 3: End of India Jones wouldn't go down too well. It
• 33:05
  Speaker 3: doesn't go down too well for me. Now after the
• 33:07
  Speaker 3: first watch it, I was like, whatever, But yes, they
• 33:13
  Speaker 3: get kicked the That is the end because they kill
• 33:14
  Speaker 3: home for saying that, and that's the beginning of Far twenty.
• 33:17
  Speaker 3: We get dial m for murder or press hashtag for what.
• 33:23
  Speaker 3: So Miss Hoover has chosen Hubert Wog no reference to
• 33:26
  Speaker 3: this afterwards. It's just I think it's like a spelling
• 33:28
  Speaker 3: bee or some spelling championship, was a reading or some
• 33:31
  Speaker 3: sort of ye thing to represent the class, represent the school.
• 33:33
  Speaker 3: At least I think she's going to be selected, But no,
• 33:35
  Speaker 3: she chooses Hubert Wong, who I never heard of before.
• 33:38
  Speaker 3: And Lisa is really really pissed off by this. She says,
• 33:40
  Speaker 3: don't worry, I didn't really put much I.
• 33:43
  Speaker 1: Barely spent any time on this decision.
• 33:45
  Speaker 5: Congratulations, Hubert, Why should I congratulate your tutor Amelia at
• 33:50
  Speaker 5: the homework factory? Your victory is tainted aster risk.
• 33:54
  Speaker 1: Aster esk Lisa, don't take it personally. I barely spent
• 33:57
  Speaker 1: any time on this decision. Asterisk Lisa. She's a bit
• 34:03
  Speaker 1: of a bitch. Yeah, if you get on her corner.
• 34:07
  Speaker 1: She's very jealous, doesn't she. Yeah, she's not the center
• 34:10
  Speaker 1: of attention. So she arrives in detention skinners. They're surprised
• 34:13
  Speaker 1: that she's there because even though his horoscope said that
• 34:15
  Speaker 1: he'd sees something interesting, but he thought it was just
• 34:16
  Speaker 1: gonna be his horoscope. He's reading Confirmed Bachelor magazine. Yeah,
• 34:20
  Speaker 1: you know what, you know what confirmed bachelor means? You
• 34:22
  Speaker 1: know what? That was always code for no, it's code
• 34:24
  Speaker 1: for being gay. Confirmed bachelor. Like if you were talking
• 34:27
  Speaker 1: about say in the forties or fifties, like such such
• 34:32
  Speaker 1: and such actor, you know there's a confirmed bachelor, it's like,
• 34:35
  Speaker 1: oh that's cover. Yeah. People doesn't like like, oh yeah,
• 34:38
  Speaker 1: it's going to like if you know, you know kind
• 34:39
  Speaker 1: of confirmed bachelor. Yeah, does it mean bachelor for life essentially? Yeah? Yeah, Okay,
• 34:45
  Speaker 1: it was. It is so bad. So ever you're ever
• 34:47
  Speaker 1: gonna settle down with the right lady? Oh, I think
• 34:49
  Speaker 1: I'm a confirmed bachelor. Say no more. We'll be seeing
• 34:58
  Speaker 1: a song about you. In the third seg can we
• 35:00
  Speaker 1: one TV?
• 35:02
  Speaker 3: But Bart says he has an idea, and it's the
• 35:05
  Speaker 3: plot of train Yeah, where he says, I will murder
• 35:09
  Speaker 3: your teacher for you, and you murder my teacher for me,
• 35:11
  Speaker 3: missus kay, and they'll never there'll be nonetherwise. Yes, they
• 35:14
  Speaker 3: keep saying criss cross, yes, cross cross, criss cross.
• 35:17
  Speaker 1: Yes.
• 35:17
  Speaker 3: There's no obvious motive here. Then Lisa follows missus k home.
• 35:21
  Speaker 3: Bart's establishing his alibi at the tennis by mooning the audience.
• 35:25
  Speaker 3: I didn't mind them looking sideways.
• 35:26
  Speaker 1: That's that's a famous shop from Strangers on the Trainers case.
• 35:30
  Speaker 3: Thank you're gonna kick ruinding of all this, I had
• 35:31
  Speaker 3: no idea. So the more you know, the better these get.
• 35:34
  Speaker 3: You can enjoy these fow the face value, but the
• 35:36
  Speaker 3: more you know, it's obviously much better. Then she knocks
• 35:39
  Speaker 3: on the door, hides under the chairs under the stairs,
• 35:41
  Speaker 3: I should say, and she thinks that's all.
• 35:43
  Speaker 1: She's like, that's it.
• 35:43
  Speaker 3: I've done it ditch thing. Don't ditch we call it?
• 35:46
  Speaker 3: No we what do you call is it? Nick knocking?
• 35:49
  Speaker 3: Nick knocking on the doors?
• 35:51
  Speaker 1: I've never done it. I'm just a good boy. What's
• 35:53
  Speaker 1: what's one of your rock roofs as well? Roof rocket?
• 35:56
  Speaker 1: That's roof rocking rocket.
• 35:59
  Speaker 3: Nick knocking, we said all the time, all the time.
• 36:03
  Speaker 3: Another thing now, and I think if some ship had
• 36:06
  Speaker 3: just kept knocking on my door, I'd be so angry.
• 36:08
  Speaker 1: You know, you had a kid karate chop your or
• 36:11
  Speaker 1: karate kick your door. That's different.
• 36:13
  Speaker 3: Just the thing is, if it is nick knocking right
• 36:16
  Speaker 3: knock on the door and running, they're not wrecking anything.
• 36:20
  Speaker 1: In the backside as children are allowed to do. Yeah.
• 36:22
  Speaker 1: And I'd always let him go like twice, but they
• 36:24
  Speaker 1: made me get up a third time. Like guys, just
• 36:27
  Speaker 1: that's when you become old men dander. Yeah, i'd be
• 36:29
  Speaker 1: old man Danna the first time. Now, I reckon. Just
• 36:31
  Speaker 1: you made me push pause for this. You made me
• 36:33
  Speaker 1: get out of my chat.
• 36:34
  Speaker 3: This is where Bart says, I'll show you the look
• 36:36
  Speaker 3: on missus Hoover's face, and he actually holds up her
• 36:38
  Speaker 3: actual head. He has killed her. I'm glad we didn't
• 36:40
  Speaker 3: have to see him kill her, just him having the
• 36:42
  Speaker 3: heads enough. Oh yeah, that's suit of belevidence.
• 36:45
  Speaker 1: How do you think he killed her? Oh gosh, Well,
• 36:47
  Speaker 1: it seems like there was a lot of head stabbings
• 36:49
  Speaker 1: in this episode. Beheadings mean well, no, because it seems
• 36:53
  Speaker 1: like a lot of people ended up with knives in
• 36:54
  Speaker 1: their heads. Bart did at the end, and I got
• 36:57
  Speaker 1: the feeling, did he oh the end of this one?
• 36:59
  Speaker 1: He did it? Yeah, yeah, but it felt like more
• 37:02
  Speaker 1: than one person got stabbed in the head. You can't
• 37:04
  Speaker 1: call on the others. Or maybe it was just having
• 37:06
  Speaker 1: knives in the head. Oh gosh, how do you think
• 37:08
  Speaker 1: it would have killed her? He seems kind of hands on.
• 37:12
  Speaker 1: I think the beheading happened post murder. Yeah. Maybe. Yeah.
• 37:16
  Speaker 3: So he says that, you know she can't believe it.
• 37:18
  Speaker 3: He says, well, she said you didn't say kill you.
• 37:20
  Speaker 3: I said prank. Prank his code for killing.
• 37:22
  Speaker 1: That's what we do. Like Mum and dad, when they
• 37:24
  Speaker 1: say snuggle, they mean were gonna lock the door and hug.
• 37:26
  Speaker 5: Ding dong ditch means you kill her, then you throw
• 37:29
  Speaker 5: that ding dong into a ditch. Geez, pick up a book.
• 37:33
  Speaker 1: You're a monster.
• 37:34
  Speaker 5: A Deal's a deal little sister. Tomorrow after school, go
• 37:37
  Speaker 5: to her house and tepe here. That's it, just tpe her. Yeah,
• 37:40
  Speaker 5: torture and plolverarizer, then ding dong ditch the boddy and
• 37:43
  Speaker 5: we're even I think I'm going to be sick.
• 37:46
  Speaker 1: Lisa then sees the Missus case in the room and
• 37:48
  Speaker 1: you're in the arts room his art room is it room?
• 37:51
  Speaker 1: The art room would usually have those kind of things.
• 37:53
  Speaker 3: Big blade things that are cutting the paper, and she
• 37:55
  Speaker 3: sort of was leaning under it. I think she dropped something.
• 37:57
  Speaker 3: She has to pick it up, and she tries a
• 37:58
  Speaker 3: light something was line. She says, come hold this bloy
• 38:01
  Speaker 3: from me so and it sliced through my neck and
• 38:02
  Speaker 3: butts at the windows, saying do it dude.
• 38:05
  Speaker 1: He says, slice like a bagel. But no, she doesn't.
• 38:07
  Speaker 1: She can't do it. She said, thank god I didn't
• 38:09
  Speaker 1: didn't sleep with my neck like a bagel. I don't
• 38:11
  Speaker 1: want to want that to happen, of course. Yeah.
• 38:13
  Speaker 3: And now she goes to the toilet Lisa, and Barty's
• 38:16
  Speaker 3: in there. He's been I didn't mind this. Were winning
• 38:18
  Speaker 3: around in here and also wondering how girls peek because
• 38:21
  Speaker 3: when you're like your ten.
• 38:22
  Speaker 1: You're like, how does that works? Where's you or not?
• 38:26
  Speaker 1: We all sit down to pee what like?
• 38:28
  Speaker 3: Girls, Yes, listen office look, rather than kill missus K,
• 38:32
  Speaker 3: but I just do all your homework for him. And
• 38:34
  Speaker 3: Bart say's note that's not I'm not going to accept
• 38:35
  Speaker 3: that at all.
• 38:36
  Speaker 1: I like to be orty Lisa about it as well,
• 38:37
  Speaker 1: saying I won't I won't give you the answers, but
• 38:39
  Speaker 1: I'll give you the tools to get there.
• 38:41
  Speaker 3: Yes, but he says, you don't kill missus K. Willie
• 38:44
  Speaker 3: will blab on you because he owes me one one?
• 38:46
  Speaker 3: Does he owe bart one?
• 38:47
  Speaker 1: Well? Who did he kill? He killed Skinner? That's right, yeah, yes,
• 38:52
  Speaker 1: And look at the Philly skinnerhead like a knife in
• 38:54
  Speaker 1: the head or something that maybe that's it. Maybe that's it.
• 38:56
  Speaker 3: Yeah, chriss crossed like the Platinumus kilts, and he's not
• 38:58
  Speaker 3: running a kilt. He runs away. Listener says, well, I've
• 39:01
  Speaker 3: got no choice. I'm gonna have to do it. Kill you, yeah,
• 39:04
  Speaker 3: and she goes to kill Bart. I like the shot
• 39:06
  Speaker 3: here of them running up the ladder and it's just
• 39:08
  Speaker 3: the slide in the playground. Then they knocked Hitchcock down
• 39:12
  Speaker 3: the Washington Monument. What was the Washington Monument.
• 39:14
  Speaker 1: That's in that's the climax of north by Northwest and
• 39:18
  Speaker 1: someone's dangling off vant rushmooh we're there, we go. And
• 39:20
  Speaker 1: Hitchcock famously had a cameo in all of his movies,
• 39:23
  Speaker 1: Oh to stand lead it.
• 39:26
  Speaker 3: Yeah yeah, and then he they've only threugh like his
• 39:30
  Speaker 3: various paintings.
• 39:32
  Speaker 1: That's from Spellbound, which is Gregory Peck and Ingrid Bergman
• 39:36
  Speaker 1: his better known movies. But what they did was higher
• 39:40
  Speaker 1: legendary Sourrilla's artist Salvadore Daly to sort of provide the
• 39:45
  Speaker 1: artwork for the for the dream sequences, because like, some
• 39:48
  Speaker 1: guy goes on him under hypnosis because he's got some
• 39:50
  Speaker 1: sort of repressed trauma or whatever, and he's having all
• 39:53
  Speaker 1: these sort of weird dream visions and yeah, Dahli, the
• 39:56
  Speaker 1: legendary surrealist supplied all the weirdness and we see it here. Cool.
• 40:00
  Speaker 1: So it's just pretty much a not spot for spot,
• 40:02
  Speaker 1: but it's an homage. Yeah.
• 40:05
  Speaker 3: Then they jump on shows on the spin You I
• 40:07
  Speaker 3: never know what these things are called the Merry go
• 40:09
  Speaker 3: Around spinny.
• 40:09
  Speaker 1: Called Merry Go Around in the U S No No
• 40:12
  Speaker 1: in the in the subtitles. Do they on Disney plas?
• 40:15
  Speaker 1: And I was like, there's no horses. Yeah, it's not
• 40:17
  Speaker 1: really a marrying around. But yeah, I'm not sure what
• 40:19
  Speaker 1: you call it either. I was never merry on those things.
• 40:21
  Speaker 1: I was always sick. I always found them a great fun.
• 40:23
  Speaker 3: Yeah, there's always one kid that goes flying off, though
• 40:26
  Speaker 3: there's always better we nega go fas.
• 40:30
  Speaker 1: And there, you know, you sort of defy the lords
• 40:32
  Speaker 1: of gravity and yeah, they becomes the Gravitron. Yeah, they
• 40:36
  Speaker 1: iniably get a part broken.
• 40:40
  Speaker 3: The ice cream truck arrives, makes all the other kids
• 40:42
  Speaker 3: run away, and Bart's left there by himself. She tries
• 40:44
  Speaker 3: to stab him, and he says, look, we're made for
• 40:46
  Speaker 3: the same dinner. No DNA, you idiot, and then she
• 40:49
  Speaker 3: throws the knife in the ashes. I'm not going to
• 40:51
  Speaker 3: kill you. I'm that's beneath me. Throws a knife from
• 40:52
  Speaker 3: the air, lands on his head and kills him, and
• 40:54
  Speaker 3: then missus Kate and her laugh and walk off.
• 40:56
  Speaker 1: So that was the plan. Maybe yeh, there was like
• 40:59
  Speaker 1: a criss cross the secret. Yeah, so a double cross.
• 41:03
  Speaker 1: How I don't understand it. I don't understand it. I
• 41:07
  Speaker 1: freely admit like, okay, so this is.
• 41:10
  Speaker 3: A twiz twist. I guess you didn't see that coming.
• 41:15
  Speaker 3: Next segment is Cold, Don't Have a Cow Mankind, and
• 41:19
  Speaker 3: it starts with Kent Brockman at the launch of the
• 41:21
  Speaker 3: new Burger Square at the Krusty Burger. Krusty says, they
• 41:24
  Speaker 3: start with Grade A beef. They feed that to cows
• 41:27
  Speaker 3: and they kill them and serve this unholy results on
• 41:29
  Speaker 3: a seven grain bun.
• 41:34
  Speaker 1: A count advisor on the Math checks.
• 41:36
  Speaker 3: Out watching this the news broadcast on the TV. Lisa says,
• 41:39
  Speaker 3: cow and cows. It's an abomination. Like, Lisen, you're a vegetarian,
• 41:43
  Speaker 3: but these cows have made a different choice.
• 41:46
  Speaker 1: Nice.
• 41:47
  Speaker 3: Then Brockman's first is the first human ever to taste
• 41:50
  Speaker 3: this crime against nature, and he immediately turns into a
• 41:52
  Speaker 3: zombie and bites Krusty's arm and they all start eating
• 41:55
  Speaker 3: each other, and we get the intro Don't have a
• 41:57
  Speaker 3: cow Mankind and zombie Apocalypse has started, even with the
• 42:00
  Speaker 3: visuals changed. Now there's one element about this entire segment
• 42:02
  Speaker 3: that is different from any other segment of Treos of Horror.
• 42:05
  Speaker 1: What is it up to date? What is it's no music?
• 42:07
  Speaker 3: Oh well, which I thought was a really nice touch. Okay,
• 42:10
  Speaker 3: that's the tone and the vibe of you know, the
• 42:12
  Speaker 3: zombie popelits. No one's gonna be playing fucking music. Is
• 42:14
  Speaker 3: there no score? Because you watch zombie films and there's
• 42:17
  Speaker 3: always scored to make it eeries like silence is sometimes
• 42:19
  Speaker 3: even scarier. Oh yeah, yeah, but they only use music
• 42:22
  Speaker 3: in this one at the very end, when the world
• 42:24
  Speaker 3: is better and at least it's like the world's turned
• 42:27
  Speaker 3: better again after Bude this.
• 42:28
  Speaker 1: That might be the Children of Men reference, because I
• 42:31
  Speaker 1: don't think there's a lot of music and Children of
• 42:33
  Speaker 1: Men because they want to sort of emphasize the desolate
• 42:37
  Speaker 1: nature of a world without children, because it's been like
• 42:40
  Speaker 1: eighteen years since anyone gave birth to a child in
• 42:42
  Speaker 1: Children of Men.
• 42:43
  Speaker 3: Oh okay, I'll tye Children of Men's Simpsons and see
• 42:45
  Speaker 3: if anything comes up, or it'll be that guy was
• 42:47
  Speaker 3: the nine or two and it wasn't that that was
• 42:50
  Speaker 3: no country for old men, wasn't it.
• 42:51
  Speaker 1: Yeah. I can't even see any direct reference here. Yeah,
• 42:54
  Speaker 1: maybe that's it. Yeah, okay, but anyway, but as you
• 42:57
  Speaker 1: want it out, and I think I mentioned it earlier,
• 42:59
  Speaker 1: Yeah that, yeah, you see it sort of starts to
• 43:01
  Speaker 1: go documentary styles like, oh, I'm the news cameraman filming.
• 43:04
  Speaker 1: There's ah no, this is on me. You're taking me
• 43:06
  Speaker 1: in the camera goes sure. Yeah, guys, there's like twenty
• 43:08
  Speaker 1: eight days later kind of thing. Yeah, I'm very much
• 43:09
  Speaker 1: an opening credits of Dawn of the Dead kind of
• 43:12
  Speaker 1: thing as well.
• 43:12
  Speaker 3: Yeah, I remember in twenty eight days. That's the first one,
• 43:14
  Speaker 3: twenty weeks, twenty days. There's twenty eight days, twenty eight weeks,
• 43:17
  Speaker 3: and now there's twenty eight years later.
• 43:18
  Speaker 1: Second one, Third one? Any good? Third one's great? Okay, yeah,
• 43:21
  Speaker 1: third one came out earlier this year. Yeah, brilliant.
• 43:23
  Speaker 3: I remember when the when the first one came out,
• 43:25
  Speaker 3: I was like, well, that guy's Wang's out and it's
• 43:27
  Speaker 3: just out there, isn't it.
• 43:27
  Speaker 1: Oh yeah, well there's there's more wangan twenty eight years later?
• 43:32
  Speaker 1: Is that? Oh yeah, it's really good. Definitely worth checking out,
• 43:36
  Speaker 1: not just for the Wang.
• 43:37
  Speaker 3: So basically it says here twenty eight days later actually says,
• 43:40
  Speaker 3: as obviously can be, we're parodying this one. Guys and
• 43:43
  Speaker 3: the bar Flyers have got Mo. They're taken to eating
• 43:45
  Speaker 3: take him to each because he's not a zombie yes,
• 43:46
  Speaker 3: you may want to watched it before eating, like, well,
• 43:48
  Speaker 3: thanks for the advice.
• 43:49
  Speaker 1: That's good. The man's got mo.
• 43:51
  Speaker 2: Well, we're not going out to help him. We have
• 43:53
  Speaker 2: no idea what hideous creatures might be out there.
• 43:56
  Speaker 1: Please let mean, how do I know you're not? I'm
• 44:00
  Speaker 1: your father and I need your help. I can't make
• 44:04
  Speaker 1: sense of that much you're talk.
• 44:10
  Speaker 3: This show is brought to you by the four Finger
• 44:11
  Speaker 3: Discount Patreon, where you'll find over one hundred hours of
• 44:14
  Speaker 3: bonus podcasts, including exclusive Simpson's reviews and commentaries, as well
• 44:19
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• 44:22
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• 44:27
  Speaker 3: the one about Friends, and so much more. So go
• 44:29
  Speaker 3: ahead and join the family today at patreon dot com,
• 44:32
  Speaker 3: slash four finger Discount. Bart is now starving and doesn't
• 44:36
  Speaker 3: want to eat any of the fruit and vegetat and
• 44:38
  Speaker 3: there in front of him, so he sees Ralph eating
• 44:39
  Speaker 3: himself looking through the telescope, and then he sees a hamburger,
• 44:42
  Speaker 3: one of those burgs attained to once at Krustyburger over
• 44:44
  Speaker 3: in the distance. Margin walks in and catches him eating it.
• 44:47
  Speaker 3: And Homer tries bashing him with the last book in
• 44:49
  Speaker 3: the world. This is like, don't do it as the
• 44:51
  Speaker 3: last book, and then she reads it's.
• 44:52
  Speaker 1: What it's our SiO. I think it's the our Seneo autobiography.
• 44:55
  Speaker 1: Didn't he have Ed's on TV show? Right?
• 44:57
  Speaker 4: Well?
• 44:57
  Speaker 1: Here, the ar Sennor Hall Show.
• 44:58
  Speaker 3: Yeah, very popular, popular for a brief time. That's the Yeah,
• 45:02
  Speaker 3: didn't he have somebody? Didn't he respond to racism on
• 45:05
  Speaker 3: that show?
• 45:05
  Speaker 1: Once? Was an iconic moment? Yeah? I think it was
• 45:09
  Speaker 1: on around the time of the Rodney King beating Okay
• 45:12
  Speaker 1: in nineteen ninety two, which was very much a flashpoint.
• 45:15
  Speaker 1: You know that sort of sparked the la riots as well,
• 45:18
  Speaker 1: but it hasn't changed.
• 45:19
  Speaker 3: Bart is where they realized that you know, oh wait,
• 45:21
  Speaker 3: he's the young he's the savior. He's got he's going
• 45:22
  Speaker 3: to be a cure for the He's going to help
• 45:24
  Speaker 3: them make a vaccine to cure everybody which is on
• 45:26
  Speaker 3: watching his going is this last of us? It's obviously
• 45:29
  Speaker 3: a last of us because it wasn't was when the
• 45:30
  Speaker 3: last of Us come out the game.
• 45:31
  Speaker 1: This is this is more I am legend. That's kind
• 45:33
  Speaker 1: of like, oh yeah, he's immune. We can use his
• 45:36
  Speaker 1: we can use his blood as like a I think
• 45:39
  Speaker 1: a lot of people have used this or a lot
• 45:40
  Speaker 1: of movies abuses, like he's patient zero, we can use
• 45:43
  Speaker 1: their blood as a as a vaccine. Yeah.
• 45:46
  Speaker 3: One of the first game, Last of Us, came out
• 45:47
  Speaker 3: twenty thirteen. Yeah, remember the Last of Us was a.
• 45:49
  Speaker 1: Hit TV show for one season. Absolutely that me was like,
• 45:54
  Speaker 1: I'm going to be your daddy. I'm like, that's the
• 45:55
  Speaker 1: end of that show. There was another zombie TV show
• 46:00
  Speaker 1: I don't know if it's on Netflix at the moment,
• 46:02
  Speaker 1: called z Nation. It was kind of like the the
• 46:05
  Speaker 1: yanky n QR version of Walking Dead because z Nation
• 46:10
  Speaker 1: sounds like a teen drama, but it was. But that's
• 46:14
  Speaker 1: a big plot point of z Nation is like, oh,
• 46:17
  Speaker 1: there's this one guy who was in jail and they
• 46:19
  Speaker 1: were running experiments to try and find a vaccine for
• 46:21
  Speaker 1: the zombie outbreak. Oh, and this guy got bitten by
• 46:24
  Speaker 1: a zombies. But he's not dead. Clearly he's the guy
• 46:27
  Speaker 1: or we can we can turn his blood into a vaccine,
• 46:29
  Speaker 1: but we have to get him across country through a
• 46:31
  Speaker 1: z nation through you know, the United Nates, the United
• 46:34
  Speaker 1: States of Zombie. It's no good, but it's great if
• 46:38
  Speaker 1: you know what I mean. It's like, oh, this show
• 46:39
  Speaker 1: is terrible, but I'm really enjoying watching it. Guilty pleasure.
• 46:43
  Speaker 1: Guilty pleasure. Absolutely So sometimes when they're shit and they
• 46:45
  Speaker 1: know they're shit, that makes them good. But one other thing. Sorry,
• 46:50
  Speaker 1: Then they made like a spin off of that called
• 46:53
  Speaker 1: Black Summer because they elude in z nation, they've learned
• 46:55
  Speaker 1: to Oh shit, Black Summer. That was bad. That was
• 46:58
  Speaker 1: you know, when the zombie outbreak happened. They made a
• 47:00
  Speaker 1: show call Black Some that they went for two seasons
• 47:02
  Speaker 1: and it was fucking yeah. It was. I mean, it
• 47:05
  Speaker 1: made the Walking Dead just look like what was according it?
• 47:08
  Speaker 1: Black Summer? Black Summer, Okay, yeah, really nasty, just brutal,
• 47:13
  Speaker 1: but so good. Yeah. So if someone what's that on?
• 47:15
  Speaker 1: It's on Netflix? Okay, So if listeners view was if
• 47:19
  Speaker 1: you like a good zombie movie, like one that just
• 47:22
  Speaker 1: doesn't take any prisoners, yeah, Black Summer, check it out.
• 47:24
  Speaker 3: But Homer says, we need to protect a Bart at
• 47:26
  Speaker 3: all costs as he's choking him and Hibbitt with his head.
• 47:31
  Speaker 3: They get through to Hibbitt. Hibbitt's basically saying he's fighting
• 47:33
  Speaker 3: off zombies at the same time, saying, what wouldn't it
• 47:35
  Speaker 3: was a really badass moves. Yeah, he said, his blood
• 47:37
  Speaker 3: is the key to saving humanity. I mean to get
• 47:39
  Speaker 3: into it, to the safe space. There's a safe space
• 47:41
  Speaker 3: out there somewhere. And he says, tell my wife that
• 47:43
  Speaker 3: I love her. Misunderstands you're saying. He just understands him.
• 47:46
  Speaker 1: You mean I love her. I'm meaning you as he has.
• 47:50
  Speaker 3: Eaten by zombies. Omer and Butt then leave no loud noises.
• 47:54
  Speaker 3: Oh man, that breeze feels good. All the zombies come
• 47:56
  Speaker 3: out of everywhere, they burst into the house, and how
• 47:59
  Speaker 3: much is going If you're I'm a kid watching this,
• 48:01
  Speaker 3: I'd be genuinely scared at this point.
• 48:03
  Speaker 1: Oh yeah. There's an ad a series of ads currently
• 48:06
  Speaker 1: on television for the Kia automobile range, but they're set
• 48:09
  Speaker 1: in the zombie apocalypse. I've ever seen those. No, I
• 48:11
  Speaker 1: don't know how they came up with. I mean, clearly
• 48:13
  Speaker 1: the ad agents just kind of like it, wouldn't it
• 48:15
  Speaker 1: be fun to be a zombie movie? Except we're in advertising,
• 48:17
  Speaker 1: so you know, let's picture it the key. It's like, oh,
• 48:20
  Speaker 1: these cars are really silent, so they won't disturb in
• 48:21
  Speaker 1: his zombies. That's our new range of electric bells or whatever.
• 48:24
  Speaker 1: So they've got all these, you know. Uh, it's day
• 48:28
  Speaker 1: three hundred the zombie Apocalypse and I'm out of coffee.
• 48:30
  Speaker 1: Time to go to the supermarket. They're driving along in
• 48:32
  Speaker 1: this silent car and not bothering any zombies. But it's
• 48:34
  Speaker 1: got pretty high production values.
• 48:35
  Speaker 3: Yeah, there's another going around. It always seems to pop
• 48:38
  Speaker 3: up when we watch free to air TV. It's people
• 48:40
  Speaker 3: stuck in like this quicksand yeah, and someone goes it's
• 48:43
  Speaker 3: almost like being stuck in to mergage or something. Nicole
• 48:46
  Speaker 3: always watch like that is just ridiculous.
• 48:48
  Speaker 1: That's a stretch.
• 48:49
  Speaker 3: Yeah, like you guys stuck in now. Yeah, Yeah, it's
• 48:52
  Speaker 3: like being stuck with the mortgage or something like that.
• 48:54
  Speaker 1: Nicola.
• 48:54
  Speaker 3: Can't happen, slav everytomic comes on. But so they've been
• 48:57
  Speaker 3: chased out through the house. I didn't mind this. It's
• 49:01
  Speaker 3: to the panic room. We don't have one, to the
• 49:02
  Speaker 3: panic room store. Yeah, and Bain tries to save them,
• 49:05
  Speaker 3: another politician who can't keep his promises. Then a poo
• 49:08
  Speaker 3: gets his time to shine here. He arrives and he's
• 49:11
  Speaker 3: going to help them leads into his car. He's going
• 49:13
  Speaker 3: to drive barred to the safe space to save humanity.
• 49:16
  Speaker 3: It was really gruesome be here when he runs over
• 49:18
  Speaker 3: Molman's head his brain Like, yeah, for a funny visual,
• 49:22
  Speaker 3: but it's just brain's coming out, like even I think
• 49:25
  Speaker 3: it's tres of horror too, where they're making Frankenstein, but
• 49:28
  Speaker 3: it's Homer and Burns rips the brain out of his body,
• 49:30
  Speaker 3: makes a snapping sound. I'm like, yeah, so there's always
• 49:33
  Speaker 3: like stem parts. Yeah, just gross.
• 49:36
  Speaker 1: Yeah.
• 49:37
  Speaker 3: So they're driving around who said that he survived because
• 49:40
  Speaker 3: he didn't eat a burger because he's a vegetarian, and
• 49:42
  Speaker 3: plus he's a convenience store workers armed to the team
• 49:44
  Speaker 3: as well. And then he smashes through the glass and
• 49:47
  Speaker 3: the zombies are annoyed. We need windows too, And then
• 49:50
  Speaker 3: he gets marched because Helen Lovejoy has now jumped on
• 49:52
  Speaker 3: zombie Lovejoy has jumped onto the front windscreen. He gets
• 49:54
  Speaker 3: marched to shoot her. She can apologize in hallevern know
• 49:57
  Speaker 3: she's the godmother. Then they crash the car.
• 50:00
  Speaker 1: We'll get out on push matter what, but must make
• 50:03
  Speaker 1: it through this safe zone.
• 50:11
  Speaker 4: I was so noble of a pull to give us
• 50:14
  Speaker 4: life for us, where are you going?
• 50:16
  Speaker 1: You're supposed to stop put the bottom.
• 50:17
  Speaker 5: Right for me.
• 50:21
  Speaker 3: Then the car just just randomly runs out of petrol,
• 50:23
  Speaker 3: and no one says anything, just like pulls over, and
• 50:25
  Speaker 3: I was like, why she pulled over a petrol's jokes?
• 50:27
  Speaker 3: Yeh okay, they're dight a petrol. Oh bit fine that.
• 50:29
  Speaker 3: Then Bart jumps on Lisa's shoulders and she hits him
• 50:32
  Speaker 3: in the head with the tree the branch because he's
• 50:34
  Speaker 3: on his shoulders annoying her. Then then Homer sees mister
• 50:36
  Speaker 3: Burns and Spiders who have clearly had a car accident
• 50:38
  Speaker 3: and they're dead. Homer mocks him, who's unproductive? Who's an
• 50:41
  Speaker 3: unproductive worker? Now rips off his nose and then Burns
• 50:43
  Speaker 3: bites Homer and he's now turned into a muncha. So
• 50:46
  Speaker 3: he turns into a different kind of muncha because every
• 50:48
  Speaker 3: other moncha, and this becomes a vicious.
• 50:50
  Speaker 1: Kind of million yes, a little bit of astraint due.
• 50:53
  Speaker 3: So he's just this random, typical zombie. He's not actually
• 50:56
  Speaker 3: eating anybody. So they're walking around saying, Dad, do you
• 50:59
  Speaker 3: get bitten by?
• 51:00
  Speaker 1: Zombie?
• 51:00
  Speaker 3: Blobs on about brains, and then Bart grabs the gun
• 51:03
  Speaker 3: and says, you want in the mouth of the eyes,
• 51:04
  Speaker 3: the mountain eye as it is. But then they are
• 51:07
  Speaker 3: crazy guy arrived. Much as we'll get you to the
• 51:08
  Speaker 3: safe space because if we get there, we can cure
• 51:11
  Speaker 3: you can cure a Homer. There are crazy guys there
• 51:13
  Speaker 3: saying you think there's a safe space.
• 51:14
  Speaker 1: Do you think there is? It's right over there. They enter.
• 51:17
  Speaker 1: Hold it right there, Bob.
• 51:19
  Speaker 6: What kind of civilized people eat the body and blood
• 51:23
  Speaker 6: of their savior?
• 51:26
  Speaker 3: Then by it comes up with an idea and we
• 51:28
  Speaker 3: cut to the first bit of music in the segment.
• 51:30
  Speaker 3: Everyone's at peace, it's all great, everyone's happy, and all
• 51:33
  Speaker 3: they had to do was that bad take a bath
• 51:35
  Speaker 3: in their food. I mean, look, if this prevents the
• 51:37
  Speaker 3: zombie apocalypse, I'm going to be eating food that someone's bathing.
• 51:39
  Speaker 1: I guess. So, yeah, it's worth it. I would hope
• 51:43
  Speaker 1: that they would maybe have a bath themselves before that.
• 51:46
  Speaker 1: I go find a nice river or something, and you know,
• 51:48
  Speaker 1: maybe give the give the problem areas a bit of
• 51:51
  Speaker 1: a rinse. Yeah, the problem. Now it's time for the
• 51:55
  Speaker 1: final segment, which was yeah, pretty lackluster. Really, there's no
• 51:58
  Speaker 1: business like my business. All right, we're going we'd run
• 52:00
  Speaker 1: this one. Yeah, it's just.
• 52:01
  Speaker 3: The stage show, said at Moe's at the top of
• 52:03
  Speaker 3: the bottom like sweeny to so the meat the meat
• 52:05
  Speaker 3: pile places underneath or whatever. Yes, yeah, so he it's
• 52:09
  Speaker 3: just it's where he bruises beer. Down below, Moe is
• 52:12
  Speaker 3: sad because no one finds him attractive. He offers Barney
• 52:15
  Speaker 3: a micro brew, but the tap seems to be blocked,
• 52:18
  Speaker 3: so he sends down like a vipero.
• 52:19
  Speaker 1: Python was like, you think they right in there? Better
• 52:23
  Speaker 1: send down this cobra cobra, that's what it is.
• 52:24
  Speaker 3: Yet he realized it's not working, so he goes downstairs
• 52:27
  Speaker 3: to try and fix it as well, and Homer takes
• 52:28
  Speaker 3: this moment to grab the unattended tap, which is like
• 52:30
  Speaker 3: taking beer from a baby.
• 52:32
  Speaker 1: I do like the song that he's singing though, because
• 52:34
  Speaker 1: he's one of the lyrics that Moe was singing is
• 52:36
  Speaker 1: like shoot me a qut whose standards are low? Yeah?
• 52:39
  Speaker 1: Who among us we can relate?
• 52:40
  Speaker 4: Yes.
• 52:40
  Speaker 3: Homan then accidentally falls onto the spikes and the poles below. However,
• 52:44
  Speaker 3: Relax slides down Relax door, Relax, and he can't bring
• 52:48
  Speaker 3: himself to talemage.
• 52:49
  Speaker 1: Moe can't.
• 52:49
  Speaker 3: Ah, it will break her heart. So she says she's
• 52:53
  Speaker 3: so beautiful, she gives me wings. He flies up, hits
• 52:55
  Speaker 3: his head and the light and whatnot. Then he says
• 52:57
  Speaker 3: that Homer left her and he never loved her anyway,
• 52:59
  Speaker 3: and then they he homost help.
• 53:00
  Speaker 1: Me or at least kill me. Is this where most
• 53:03
  Speaker 1: says in unrelated news, I just put on cologne? I
• 53:07
  Speaker 1: think it was.
• 53:07
  Speaker 3: Yes, yeah, this is also studying to be a ventriloquius,
• 53:09
  Speaker 3: which is what the voice is downstairs. Then blood drops
• 53:13
  Speaker 3: into the beer.
• 53:15
  Speaker 6: There's something not about this beer. It tastes like codling.
• 53:20
  Speaker 6: It tastes like clean clothes. It tastes like hot, steaming
• 53:25
  Speaker 6: cocoa mixed with rainbows.
• 53:28
  Speaker 1: It was for bodied, full blooded. It's such a lovely plant.
• 53:33
  Speaker 4: It's jelly.
• 53:35
  Speaker 5: It's loyal, like drinking your best friend.
• 53:39
  Speaker 1: I stop my crying.
• 53:42
  Speaker 4: Why I don't know, but this rosy, cozy bubbles in
• 53:48
  Speaker 4: my nosy makes me wanna have.
• 53:54
  Speaker 3: Moll So is that the is there a some sweny
• 54:00
  Speaker 3: Tod where it's like the pies taste so good because
• 54:01
  Speaker 3: there's blood in it.
• 54:03
  Speaker 1: Look, I wouldn't call myself a Swingy Todd super fan,
• 54:06
  Speaker 1: but I just recall that everybody likes the pies because
• 54:08
  Speaker 1: it's like, what's this magic ingredient, human pies? Human flesh?
• 54:11
  Speaker 1: Who doesn't like pies? Right? I know you have to
• 54:13
  Speaker 1: be some kind of monster. Yeah, except the Australian version
• 54:15
  Speaker 1: of a pie. Well you're talking about we didn't have.
• 54:18
  Speaker 1: I didn't have like a cherry pies in America, you didn't.
• 54:21
  Speaker 1: I never had one of those. I don't have beef
• 54:23
  Speaker 1: pies there, do they? You know have them in England?
• 54:26
  Speaker 1: Not really? No? Yeah, I used not mind a pork
• 54:29
  Speaker 1: pie when I was in England. Loves port pies. Yeah, pie,
• 54:31
  Speaker 1: pork pie just sounds funny. Pie. Yeah, but that's the
• 54:34
  Speaker 1: thing people, so I'm going for In America, you're usually
• 54:37
  Speaker 1: getting some sweet pat what's pot pie? Not kidding, map Yeah,
• 54:41
  Speaker 1: chicken pot pie? Yeah, like yeah, little little pies because
• 54:44
  Speaker 1: pork pie is quite small. Yeah yeah, but I think
• 54:47
  Speaker 1: they call it a pot pies. But you wouldn't. You
• 54:49
  Speaker 1: wouldn't say I'm going for a pie. I'm going to
• 54:51
  Speaker 1: get a pie.
• 54:52
  Speaker 3: But she says she's no longer crying. Marg just this
• 54:54
  Speaker 3: this beer has made her feel so much better. But
• 54:57
  Speaker 3: it makes her want to have mo which I thought
• 54:59
  Speaker 3: was a nice play on that's there because in the
• 55:01
  Speaker 3: means more and in general correct. Then the aliens are
• 55:03
  Speaker 3: in the crowd, and he says he's the best play
• 55:06
  Speaker 3: in light years and that's.
• 55:07
  Speaker 1: Just not funny. They've been at all not funny.
• 55:09
  Speaker 3: More then flirts with Marge and he reads out the
• 55:11
  Speaker 3: Homer that the letter that Homer wrote, sorry, I should
• 55:14
  Speaker 3: say on most paper in his handwriting using his idioms
• 55:18
  Speaker 3: and speech pans d image. And he doesn't know the
• 55:20
  Speaker 3: kids names as you're saying, that does sound like home,
• 55:22
  Speaker 3: and they do not know the kids' names. And he says,
• 55:24
  Speaker 3: I'm gay. Keep winning it gets him in gay. Homer
• 55:26
  Speaker 3: then sings about being gay, which is like the song
• 55:29
  Speaker 3: is quite funny.
• 55:30
  Speaker 1: Oh yeah, well turning gay.
• 55:32
  Speaker 2: The other day a thought occurred to me, I'd like
• 55:36
  Speaker 2: to try most every guy from here to jimbutie, oh,
• 55:43
  Speaker 2: there's so many men around the world of appreciate bend side.
• 55:46
  Speaker 2: I want the nearby lunch and making jerks Terry are
• 55:49
  Speaker 2: good dies. I want a French kiss as a Frenchman.
• 55:52
  Speaker 1: And spoon in English duke cost frankly dear to not
• 55:55
  Speaker 1: bequere just makes me.
• 55:57
  Speaker 2: Want a puke. So find yourself a mare, and who
• 56:00
  Speaker 2: want you win?
• 56:01
  Speaker 1: No Sacks.
• 56:02
  Speaker 2: I recommend doctor old friend.
• 56:04
  Speaker 1: My tender Moses.
• 56:11
  Speaker 3: Then he asked Marge if she's keen, and she says, ah, maybe.
• 56:14
  Speaker 3: He says, I'll get you a little bit more of
• 56:16
  Speaker 3: the milk of amnesia. Then he goes downstairs and it's
• 56:18
  Speaker 3: Moros confused. I was like, wait a minute, so, so
• 56:20
  Speaker 3: who's not there? Yeah, home's nice because he looked dead
• 56:22
  Speaker 3: to me. And then Homer's still getting changed in his costumes.
• 56:26
  Speaker 3: Moe has to improvise here, which I thought was actually
• 56:28
  Speaker 3: quite a funny day joke, so he says it ran
• 56:30
  Speaker 3: to an Irish man really rally.
• 56:34
  Speaker 1: Yeah, it's a good joke. Yeah.
• 56:35
  Speaker 3: Then Homy gets into position, they get back on with
• 56:38
  Speaker 3: the play. He squeezes more blood into the beer. Then
• 56:40
  Speaker 3: Agnes gets a phone call in the audience and she's like,
• 56:42
  Speaker 3: I'm watching a play. Wait, Radiator, it's a new or
• 56:45
  Speaker 3: rebuilt And I was like, there's no gag here.
• 56:47
  Speaker 1: This is really weird.
• 56:49
  Speaker 3: So Margen drinks it and she says she's never felt
• 56:51
  Speaker 3: so uncreeped by Mo and she admits it's time to
• 56:54
  Speaker 3: move on, and she cries, but her tears wake up
• 56:56
  Speaker 3: Homer who was downstairs. So I'm just lost.
• 57:01
  Speaker 1: It's not very well thought out. Yeah, it's pretty weird segment.
• 57:04
  Speaker 3: Mo then sings about how he's creepy when he has sex,
• 57:06
  Speaker 3: So you can only have sex in the back of
• 57:08
  Speaker 3: the purse, dresses a Civil War nurse go through her purse,
• 57:11
  Speaker 3: that kind of thing. But you could do worse, and
• 57:13
  Speaker 3: bar Flights say, we have proof that you could do worse.
• 57:15
  Speaker 3: And he's about to say She's about to say I
• 57:18
  Speaker 3: could do worse, and I was like, no, you can't
• 57:19
  Speaker 3: do worse. He interrupts and he throws my away and
• 57:21
  Speaker 3: then throws away the fake dummy Mo. Then he asks
• 57:24
  Speaker 3: if she could ever love a man who was half
• 57:25
  Speaker 3: beer half man. She says, well, I always have, and
• 57:28
  Speaker 3: then the car say hope you enjoy this. She's Halloween
• 57:30
  Speaker 3: show and the alien is asleep, and that's the end
• 57:32
  Speaker 3: of the segment, and that's the end of the show. Yeah,
• 57:34
  Speaker 3: really weird ending. Yeah, yeah, funny, it wasn't. If you
• 57:38
  Speaker 3: don't know sow any Todd, you like, what the hell.
• 57:39
  Speaker 1: Is going on? Correct? Yeah, I'm wondering how if it
• 57:43
  Speaker 1: would have worked better if they'd rearrange the segments at all,
• 57:45
  Speaker 1: if they maybe had I don't have a cow mankind
• 57:49
  Speaker 1: at the very end.
• 57:50
  Speaker 3: I just need to end with this one because the
• 57:54
  Speaker 3: way it was set up, I feel like it would
• 57:55
  Speaker 3: have lost me as a viewer if I was watching
• 57:57
  Speaker 3: on TV. That was the second scene.
• 57:58
  Speaker 1: Oh that's true. That's a good point.
• 57:59
  Speaker 3: Yeah, yeah, that's the first two were strong. Absolutely, Yeah,
• 58:03
  Speaker 3: I at least appreciate they went. They tried something different.
• 58:05
  Speaker 3: They had a swing, bit of a miss.
• 58:07
  Speaker 1: You move on. That's very charited. Pencils have a ratis
• 58:12
  Speaker 1: all right?
• 58:13
  Speaker 3: So that is Trios of Horror twenty Another fine installment.
• 58:16
  Speaker 3: Not my favorite, but I did enjoy the second one
• 58:17
  Speaker 3: the most. You enjoyed the first one of the most because
• 58:19
  Speaker 3: you're a be Kitchok fan.
• 58:20
  Speaker 1: Correct? Yes, what do we learn, Bomber? What you learn
• 58:23
  Speaker 1: from the episode that one should not eat a cow
• 58:27
  Speaker 1: that has already eaten another cow? Although I think we
• 58:29
  Speaker 1: probably already have done that.
• 58:31
  Speaker 3: I mean, Parker of Stone have fed bacon to picks,
• 58:32
  Speaker 3: haven't they.
• 58:33
  Speaker 1: Correct?
• 58:34
  Speaker 3: Yes, I learned, just don't trust any debt being a
• 58:38
  Speaker 3: proven innocent in the end. What happened with all that?
• 58:42
  Speaker 1: Well, he's been signed to play the lead in a
• 58:45
  Speaker 1: new version of a Christmas Carol. Okay, it's coming up
• 58:48
  Speaker 1: pretty soon, so another one. Keep it.
• 58:53
  Speaker 3: Can't come up with an original Christmas story, I keep telling
• 58:56
  Speaker 3: the same one. Yeah, it's like, if you're going to
• 58:57
  Speaker 3: do Scrooge again, maybe do screw. You're always coming up
• 59:02
  Speaker 3: with movie ideas, right, you need to come up with
• 59:05
  Speaker 3: an ozsy Christmas comedy. There is none I already have.
• 59:09
  Speaker 1: Oh have I? No, what's the what's gonna be a
• 59:11
  Speaker 1: brief snopsters? Then? Hm, I haven't copyrighted this or anything.
• 59:15
  Speaker 3: So well, now this is this is going to be officially,
• 59:18
  Speaker 3: this is this becoming as a people No, God, David
• 59:21
  Speaker 3: said this then, so it's officially yours.
• 59:23
  Speaker 1: Okay, we're time stamping this. Yeah, today is the twenty
• 59:27
  Speaker 1: twenty ninth, as we recall this twenty ninth of October
• 59:29
  Speaker 1: twenty twenty five. I am. I've written a treatment for
• 59:32
  Speaker 1: something called to All, a good heist set in like
• 59:36
  Speaker 1: a little seaside town, like Sea Change kind of town
• 59:38
  Speaker 1: in Australia. Yes, you've got like a twelve year old
• 59:41
  Speaker 1: boy and his struggling single mum. Their dad was a
• 59:44
  Speaker 1: footy legend who has recently passed away at local footy legend. Yeah,
• 59:48
  Speaker 1: still working that out. No maybe the say local footy
• 59:51
  Speaker 1: legend Yeah oh no, no sorry, he was like an
• 59:53
  Speaker 1: AFL legend. And the little boy's prize possession is a
• 59:57
  Speaker 1: Grand Final ball that's signed by his late and all
• 1:00:00
  Speaker 1: his teammates who won the Grandfi who won the Grandfather,
• 1:00:03
  Speaker 1: which is the super Bowl of Australian football. Yes, yes,
• 1:00:05
  Speaker 1: One day he takes at to school for show and
• 1:00:06
  Speaker 1: tales like this is the footy that my dad when
• 1:00:09
  Speaker 1: we want the Grandfather and all that, and evil punk
• 1:00:12
  Speaker 1: kid son of the town's richest man, steals it to
• 1:00:16
  Speaker 1: sort of win his dad's approval. It's like, my dad
• 1:00:18
  Speaker 1: loves footy. I'm gonna give this to my dad because
• 1:00:20
  Speaker 1: the old because that dude runs the town. The cops
• 1:00:22
  Speaker 1: can't do anything, even the young rookie constable who's the
• 1:00:27
  Speaker 1: boyfriend of the single mum. So what can the mum do.
• 1:00:31
  Speaker 1: She has to call on her near do well younger
• 1:00:33
  Speaker 1: brother who's fresh out of the slammer because he's a
• 1:00:35
  Speaker 1: cat burglar. We have to do a heist before Christmas.
• 1:00:38
  Speaker 1: He has to break into the big sort of Hemsworth
• 1:00:41
  Speaker 1: style of state and get it back and yeah, Shenanigans
• 1:00:45
  Speaker 1: in's you have everyone learns a nice lesson about Christmas,
• 1:00:48
  Speaker 1: about redemption, about giving and receiving.
• 1:00:51
  Speaker 3: So where's the Christmas. It's just set at Christmas time.
• 1:00:53
  Speaker 3: Just sat a Chrismas time. Okay, so it's not a
• 1:00:55
  Speaker 3: Christmas movie. It's just set at Christmas time.
• 1:00:56
  Speaker 1: Oh yeah, you won from me?
• 1:00:59
  Speaker 3: Maybe they and be like not being able to get
• 1:01:01
  Speaker 3: it vost or hope and then he bows in the sky.
• 1:01:08
  Speaker 1: Could it be? Could it be bad? But anyway, let
• 1:01:11
  Speaker 1: us know what you think of that idea and if
• 1:01:13
  Speaker 1: you know anyone at Netflix or stand who wants to
• 1:01:15
  Speaker 1: bankroll it, have you pitches the people? No?
• 1:01:18
  Speaker 3: Okay, so to all the good highs and it's it's
• 1:01:20
  Speaker 3: worth it just in the name, absolutely to all the
• 1:01:22
  Speaker 3: good heist?
• 1:01:22
  Speaker 1: Yeah did you do? Start at titles and then work
• 1:01:25
  Speaker 1: back from oh absolutely, fuck Flott and characters and does
• 1:01:31
  Speaker 1: it look good? And Opposter? Who?
• 1:01:34
  Speaker 3: So who are you envisioning to be there? Who would
• 1:01:37
  Speaker 3: be your ideal person to be the consortable or the
• 1:01:40
  Speaker 3: deputy or whatever the guy doing the heist?
• 1:01:43
  Speaker 1: I was gonna I was thinking my man Charlie Clawson
• 1:01:45
  Speaker 1: could be in there somewhere. It's got to be younger though,
• 1:01:48
  Speaker 1: I think, Yeah, Charlie, like all of us, is getting
• 1:01:51
  Speaker 1: on on your ears. I'm still looking incredibly handsome straight
• 1:01:53
  Speaker 1: as Colin Farrell on that man, I did write in
• 1:01:57
  Speaker 1: the notes that I was taken down as like a
• 1:01:59
  Speaker 1: nice cameo over Aiman Harryman, who you know who he is? Yeah?
• 1:02:03
  Speaker 1: He is in He played Charles Manson not once but
• 1:02:05
  Speaker 1: twice twice. Is Manson in Once upon a Time in Hollywood? Yeah?
• 1:02:09
  Speaker 1: And also in the TV series mind Hunter, What's upon
• 1:02:13
  Speaker 1: a Time? Yeah? Good actor? All right? Do you have
• 1:02:16
  Speaker 1: a child actor in mind? Probably he's doing the heighst though?
• 1:02:20
  Speaker 1: Is it just a cousin? Was it is?
• 1:02:21
  Speaker 3: The twelve year old tagging along you stay home and
• 1:02:23
  Speaker 3: then he gets and he's like, I told you, yeah,
• 1:02:25
  Speaker 3: you've got You've.
• 1:02:26
  Speaker 1: Got this rag tag little sort of piss weeek Ocean's
• 1:02:29
  Speaker 1: eleven team of like you know, the cat Burglar brother
• 1:02:32
  Speaker 1: and the kid gets in there somehow, the best mate. Yeah,
• 1:02:36
  Speaker 1: he's always in love with it. He's too scared to
• 1:02:38
  Speaker 1: tell that, right, Yeah, and the cat Burglar brother, you know,
• 1:02:42
  Speaker 1: he eventually forms a relationship with like some either surf
• 1:02:45
  Speaker 1: shop owner or marine biologist. He brings a cat, brings
• 1:02:48
  Speaker 1: a cat. Yeah, everyone's playing their part, even the trophy
• 1:02:52
  Speaker 1: wife of the of the big bad guy, and even
• 1:02:55
  Speaker 1: and then and the kid learns a little something too.
• 1:02:57
  Speaker 1: He learns that he did the wrong thing. Okay. Co
• 1:03:00
  Speaker 1: written by Guy Davis and Chat GIPT to all the
• 1:03:04
  Speaker 1: good heist I have. I'm not ashamed to admit I've
• 1:03:10
  Speaker 1: done that more than once I've had like, look, I've
• 1:03:12
  Speaker 1: got this kind of idea. Help me flesh this out, GPT.
• 1:03:16
  Speaker 1: Sure thing, guy, what a great idea, by the way,
• 1:03:19
  Speaker 1: and all sort of throw a bunch of cliches stubbers like, yeah,
• 1:03:23
  Speaker 1: that bit sucks. But maybe to all the good heighst
• 1:03:26
  Speaker 1: coming to a theater near you, Probably not, but maybe
• 1:03:29
  Speaker 1: to a streaming service. Maybe make me a radio play.
• 1:03:31
  Speaker 1: Possibly anyway we make a podcast, FFD, you should sort
• 1:03:36
  Speaker 1: of you know, branch.
• 1:03:36
  Speaker 3: Out, Yeah, to all good heights. I think a crime,
• 1:03:39
  Speaker 3: true crime. It's a comedy, a true kin comedy that's fictional.
• 1:03:43
  Speaker 1: Yes.
• 1:03:44
  Speaker 3: This show is brought to you by the four Finger
• 1:03:46
  Speaker 3: Discount Patreon, where you'll find over one hundred hours of
• 1:03:49
  Speaker 3: bonus podcasts, including exclusive Simpsons reviews, and commentaries, as well
• 1:03:53
  Speaker 3: as exclusive episodes I've going down to South Park, Tales
• 1:03:57
  Speaker 3: of Futurama, Bob's Pods, Speaking of the Hill, Talking Sifould,
• 1:04:01
  Speaker 3: the One about Friends, and so much more. So go
• 1:04:04
  Speaker 3: ahead and join the family today at patreon dot com
• 1:04:07
  Speaker 3: slash four figure discount.
• 1:04:09
  Speaker 1: From miss day forward. Your names will be all right.
• 1:04:12
  Speaker 1: So let's get into the Guy devis Nion Championship, shall
• 1:04:15
  Speaker 1: we please? We should be cutting all that out anyway.
• 1:04:20
  Speaker 1: We've got it on the record now, so that's good,
• 1:04:21
  Speaker 1: we do.
• 1:04:21
  Speaker 3: Indeed, yes, So the current leaderboard stands at this in
• 1:04:24
  Speaker 3: first position, we have Carl Muldoon on six points. Now,
• 1:04:27
  Speaker 3: there was a mistake I need to apologize to one.
• 1:04:30
  Speaker 1: Justin Williams.
• 1:04:31
  Speaker 3: You've got three points one week and only gave him
• 1:04:32
  Speaker 3: one point, so apologies.
• 1:04:34
  Speaker 1: Justin Williams.
• 1:04:35
  Speaker 3: You are now in second position, tied with Nathan Briggs
• 1:04:38
  Speaker 3: and Phil Hawkins on three points. Wow, and in third
• 1:04:41
  Speaker 3: position both on one point. We have Jack McFadden and
• 1:04:43
  Speaker 3: Dave McNally.
• 1:04:44
  Speaker 1: Take it away. Let's see what happened. Maybe Princell will
• 1:04:47
  Speaker 1: get some points this time. Who knows? Maybe? Yes? All right,
• 1:04:50
  Speaker 1: one point goes too and because of the Treehouse of Horror.
• 1:04:53
  Speaker 1: It's not triple word score or something like that, but
• 1:04:55
  Speaker 1: you do have to give us new names for each segment. Yeah,
• 1:04:57
  Speaker 1: we do. Yeah, and guess what everyone get came through?
• 1:05:00
  Speaker 1: Everyone just knows. Now everyone did well, but these people
• 1:05:03
  Speaker 1: did better than those people. So one point goes to Hitchcockup,
• 1:05:09
  Speaker 1: dead End drive Through and Secret of the Booze. That
• 1:05:12
  Speaker 1: would be Clever Carver. Car climbs even further away. Now
• 1:05:16
  Speaker 1: on seven points, he is now winning by four? What on, Kyle, Well,
• 1:05:20
  Speaker 1: let's see what happens when someone gets two points for
• 1:05:22
  Speaker 1: these following titles. Chris Cross will make You Kill Kill.
• 1:05:25
  Speaker 1: That's a bit of a shout out to some nineties
• 1:05:28
  Speaker 1: hip hop you're aware of the song jump Jump by
• 1:05:30
  Speaker 1: the band Chris Cross. I'm assuming yes. If you're not,
• 1:05:33
  Speaker 1: get on Spotify and check it out Absolute hip hop jam.
• 1:05:39
  Speaker 1: Those kids will clothes backwards, that was their gimmick. Yeah.
• 1:05:42
  Speaker 3: I hardly has a friend at daycare who only wears
• 1:05:45
  Speaker 3: her shirts backwards. She will not weark it the right
• 1:05:47
  Speaker 3: way around. I was like, okay, I was like, do
• 1:05:50
  Speaker 3: you shirts back? Your dad's Like she had like a
• 1:05:52
  Speaker 3: that like an open night last night He's like she
• 1:05:54
  Speaker 3: wrote wear a shirtless is on backwards.
• 1:05:55
  Speaker 1: I was like, cool, jump jump, real bang, twenty eight
• 1:06:03
  Speaker 1: calories later, twenty sorry, twenty eight hundred calories later and
• 1:06:08
  Speaker 1: no better booze. That is Adam Woolhouse with his first
• 1:06:12
  Speaker 1: points of the season. What on Adam, Welcome to the
• 1:06:14
  Speaker 1: wood House? Two points yes, and three points goes to
• 1:06:19
  Speaker 1: murder She won't the Burgers are dead at yes. I'm
• 1:06:24
  Speaker 1: guessing this person might be Australia. Uh and Homer Brew.
• 1:06:28
  Speaker 3: Homer Brew, I'm going to say it. Three points goes
• 1:06:32
  Speaker 3: to Philip J. Hawkins. If he gets three points, he
• 1:06:34
  Speaker 3: gets the full Phillip Jay Hawkins. Unfortunately he's still only
• 1:06:36
  Speaker 3: in second position though, that puts him on six points.
• 1:06:39
  Speaker 3: So in first position clever Kyle on seven, in second
• 1:06:42
  Speaker 3: Phil Hawkins on six.
• 1:06:44
  Speaker 1: But we gave you the day for a minute there,
• 1:06:46
  Speaker 1: so that's a preview of coming attractions, Philip, Jamie.
• 1:06:49
  Speaker 3: Keep going, Yeah, you're only one point behind Kyle. Now
• 1:06:51
  Speaker 3: and third position, we have a three way tie. It
• 1:06:52
  Speaker 3: is Nathan Briggs. No, it's a two way tigers. Phil's
• 1:06:55
  Speaker 3: moved up, so it's Nathan Briggs and Justin Williams, both
• 1:06:57
  Speaker 3: on three points.
• 1:06:58
  Speaker 1: Phil. That was by the way, you shout out for
• 1:07:00
  Speaker 1: your doing the the Australian slogan for hungry jacks. I
• 1:07:03
  Speaker 1: don't know if they have that elsewhere, but your beggars
• 1:07:05
  Speaker 1: are the Bergs are better at hungry jacks slogan though,
• 1:07:08
  Speaker 1: But you can't unprove it. No, I mean you can
• 1:07:14
  Speaker 1: have your own opinion. You can have your own opinion bad.
• 1:07:16
  Speaker 1: You can go and have a whopper and go. I
• 1:07:19
  Speaker 1: think I prefer a quarter pounder. But yeah, you could
• 1:07:22
  Speaker 1: easily that the burger is a better hungry Jack. What
• 1:07:24
  Speaker 1: are you who you gonna ask?
• 1:07:26
  Speaker 3: And it's to me, it's better than saying we're the
• 1:07:27
  Speaker 3: world's greatest burger. It's likes are better. Well, yeah, that's
• 1:07:30
  Speaker 3: you can get there, but the BG's a better here.
• 1:07:33
  Speaker 3: Otherwise you end up like Will Ferrell and elphants like.
• 1:07:35
  Speaker 1: I gave that the world's best cup of coffee. If
• 1:07:37
  Speaker 1: you if you're walking through all the slogans, it's like,
• 1:07:39
  Speaker 1: you know, what do you we having with it tonight?
• 1:07:40
  Speaker 1: Mac is I'm loving it? Yeah, it's not bad, KFC,
• 1:07:44
  Speaker 1: I don't care. I love it. Yeah, I think, Well
• 1:07:46
  Speaker 1: they got rid of that now I know it's a shame,
• 1:07:47
  Speaker 1: but now it's now it's Genesis. Yeah, but it's like
• 1:07:51
  Speaker 1: looking good. That sounds pretty yummy. But the burgers are better,
• 1:07:54
  Speaker 1: And you're like, well, you know what, I better find
• 1:07:56
  Speaker 1: out if the burgers are Yeah, I mean you're telling
• 1:07:59
  Speaker 1: me this, but better find out for myself.
• 1:08:02
  Speaker 3: Yeah, I'm going for the burgers are better, Ellie. If
• 1:08:04
  Speaker 3: I've never tried any of them, I'm gone for burgers
• 1:08:06
  Speaker 3: are better first, right.
• 1:08:07
  Speaker 1: Yeah, because you hear that, you're curiously, Ah, they don't, couldn't.
• 1:08:12
  Speaker 1: They must be They've got the balls to say that.
• 1:08:14
  Speaker 1: They must be good. You got to back that ship up. Yes,
• 1:08:18
  Speaker 1: all right.
• 1:08:18
  Speaker 3: That is a review of Trios of Horror twenty The
• 1:08:20
  Speaker 3: next episode any other Things season twenty one that we
• 1:08:23
  Speaker 3: shall be revealing. It's called The Devil wes Nada, where
• 1:08:25
  Speaker 3: apparently Marge posters for a calendard damn hod damn.
• 1:08:29
  Speaker 1: I always thought that was just like a porno parody title,
• 1:08:31
  Speaker 1: and I'd heard that it was. Yeah, there was a
• 1:08:33
  Speaker 1: porno good nime. Yeah, the Devil's nat.
• 1:08:35
  Speaker 3: If you start with that Toie and you work back
• 1:08:37
  Speaker 3: like all good creative artists do, let's look up the
• 1:08:40
  Speaker 3: Devil wes Nada? And see there's actually a porn film
• 1:08:42
  Speaker 3: called that. There's got to be, right, there has to be.
• 1:08:43
  Speaker 1: There would have to be The Devil Where's Nada? I'll
• 1:08:47
  Speaker 1: just type porn? See what happens? Devil porn two thousand
• 1:08:50
  Speaker 1: and nine. TEENA flicks The Devil Wears Nada. Let's click
• 1:08:53
  Speaker 1: on it. See what happens? What was it?
• 1:08:54
  Speaker 3: Cool?
• 1:08:54
  Speaker 1: Teen?
• 1:08:55
  Speaker 3: Yeah, it looks like it's a feature length A look
• 1:08:57
  Speaker 3: at this? Hang on, I click on this one as well, Porner, Holy.
• 1:09:02
  Speaker 1: Who's in there? Hang on? Let me see some names.
• 1:09:05
  Speaker 1: Here are some of the tags?
• 1:09:06
  Speaker 3: Where are the tags? Holy Jesus bridget B? Is there
• 1:09:10
  Speaker 3: like an IMDb for this? The Devil Wasn't as a
• 1:09:12
  Speaker 3: TV emails.
• 1:09:13
  Speaker 1: Have to click on you, jiz to find actual actual title.
• 1:09:18
  Speaker 1: But if you go back to what we were first
• 1:09:19
  Speaker 1: looking at, they've got tags, I do they? Okay? Where
• 1:09:21
  Speaker 1: are the tags?
• 1:09:22
  Speaker 4: He?
• 1:09:22
  Speaker 1: Here we go? Okay, you've got lesbian threesome, Asian outdoor housewives.
• 1:09:27
  Speaker 1: I won't say that big T's Big T's and also
• 1:09:30
  Speaker 1: big ass and there are more tags, but we're clicked off,
• 1:09:34
  Speaker 1: goes down. Oh, here we go.
• 1:09:36
  Speaker 3: The Devil was Becker has a new position at Lacy
• 1:09:38
  Speaker 3: Lady Magazine, but she has a week to find a
• 1:09:40
  Speaker 3: train and replacement, to find and train a replacement for
• 1:09:43
  Speaker 3: the difficult editor in chief, Miss Julia Crimson, while keeping
• 1:09:46
  Speaker 3: the models in line for the photoshit. So it's go
• 1:09:48
  Speaker 3: to the Let me see the cast is actually a
• 1:09:51
  Speaker 3: porn film, it says TV film. It's TVMA though stars
• 1:09:55
  Speaker 3: Christine Frankie Cullen, Beverly Lynn. These guys don't look like
• 1:10:00
  Speaker 3: this will be.
• 1:10:00
  Speaker 1: Soft core porn because this is Oh, it may be
• 1:10:04
  Speaker 1: very happy. This is written a director by my man,
• 1:10:06
  Speaker 1: Jim Woenorski. He's made. He has been described as the
• 1:10:11
  Speaker 1: Martin scorsesea B movies. There is Yeah, my friend Sammie
• 1:10:16
  Speaker 1: Steve is like Facebook friends with him. There is a
• 1:10:20
  Speaker 1: terrific documentary about him called Popatopoulos where he tries to
• 1:10:24
  Speaker 1: make a soft cool porn slash horror movie in like
• 1:10:27
  Speaker 1: three days. And he's just kind of a bearish individual.
• 1:10:31
  Speaker 1: But oh wow, they tried to be a package.
• 1:10:35
  Speaker 3: Oh no, they're taken to a nearby facility. Dad, Oh no,
• 1:10:39
  Speaker 3: even it happens talking about fucking Simpsons?
• 1:10:43
  Speaker 1: Is he talking about all? Will let you know when
• 1:10:46
  Speaker 1: and where?
• 1:10:46
  Speaker 3: To collect it. Hopefully there's a view of the tracking.
• 1:10:48
  Speaker 3: Hopefully there's a a note to that I can go
• 1:10:51
  Speaker 3: pick it up a wedding collection. What so that there's
• 1:10:55
  Speaker 3: taken back. It's Alix Christmas present. We've got in one
• 1:10:57
  Speaker 3: of those machines that shoots out pickerballs so you can.
• 1:10:59
  Speaker 1: Played by Oh wow, yeah nice. Yeah. Anyway, that is
• 1:11:02
  Speaker 1: the end of our review The Devil Wears Nata.
• 1:11:04
  Speaker 3: Coming up in the next episode, well that next episode,
• 1:11:06
  Speaker 3: but the next season twenty one coming episodes of this
• 1:11:10
  Speaker 3: podcast where we have got Reyo Learvy where we review
• 1:11:13
  Speaker 3: the Cartridge Family.
• 1:11:13
  Speaker 1: That was a good interview. Yeah.
• 1:11:15
  Speaker 3: We just had Daniel Canell on the show where we
• 1:11:17
  Speaker 3: talked about having the Smithers and so many more exciting guests.
• 1:11:20
  Speaker 3: I just confirmed yesterday Al Jean's coming on the podcast. Wow, Yes,
• 1:11:23
  Speaker 3: Josh Weinstein's coming on the podcast. Litt Oakley's r and
• 1:11:26
  Speaker 3: turned to the podcast. We've got some really cool guests,
• 1:11:29
  Speaker 3: local comedian guests as well. Yeah, exciting times. You're at
• 1:11:32
  Speaker 3: four finger discounts. Make sure you subscribe if you haven't already,
• 1:11:35
  Speaker 3: and if you want to get early in nea free
• 1:11:36
  Speaker 3: access to all those episodes, you can just port us
• 1:11:38
  Speaker 3: on Patreon.
• 1:11:39
  Speaker 1: I recommend that you do. I recommend you do as well.
• 1:11:41
  Speaker 3: Hope you all have a fantastic Halloween woo speaky season
• 1:11:45
  Speaker 3: tricks and treats. But for now, mister Davis, I believe
• 1:11:48
  Speaker 3: you might have some final words for all those incredible
• 1:11:50
  Speaker 3: listeners out there.
• 1:11:51
  Speaker 1: Indeed, don't take the quality of this podcast personally. I
• 1:11:54
  Speaker 1: barely spend any time on this material.