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Bonus Episode - Scary Movies and an Interview with Low Cut Connie's Adam Weiner · DISGRACELAND

• 0:01
  Speaker 1: Hey, Discos, need a little more disgrace Land in your life,
• 0:05
  Speaker 1: just to touch to get you through. Yeah, me too.
• 0:08
  Speaker 1: This is the podcast that comes after the podcast. Welcome
• 0:12
  Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,
• 0:30
  Speaker 1: a little thing we like to call the after party.
• 0:33
  Speaker 1: This is the show after the show, the party after
• 0:35
  Speaker 1: the party, the bridge to get you from one full
• 0:37
  Speaker 1: episode of Disgraceland to the other, the backyard to dig
• 0:40
  Speaker 1: into the dirt. On this bonus episode, we are talking
• 0:43
  Speaker 1: about this week's subject of the Disgraceland full episode, the
• 0:46
  Speaker 1: Poltergeist Curse, the movies that scared you as a kid.
• 0:49
  Speaker 1: Again even more shocking Shancomb's allegations of what I plan
• 0:53
  Speaker 1: to do with all this ditty information. Also have a
• 0:56
  Speaker 1: special interview with Adam Wiener from one of the greatest
• 0:59
  Speaker 1: rock and roll bands on the planet at the moment,
• 1:01
  Speaker 1: Low Cut Connie, talking about his new movie Art Dealers,
• 1:05
  Speaker 1: And of course we're diving into your voicemails, tax and
• 1:08
  Speaker 1: more and as always a whole lot of rosie. Alright, Discos,
• 1:12
  Speaker 1: let's get into it. There was a study that came
• 1:29
  Speaker 1: out in twenty twenty one from behavioral scientists Colton Scribner
• 1:34
  Speaker 1: who found that horror film fans fared better psychologically than
• 1:38
  Speaker 1: non horror film fans during the COVID nineteen lockdown. The
• 1:42
  Speaker 1: reason wasn't because they had better and scarier entertainment options
• 1:47
  Speaker 1: at home during the pandemic, but rather because horror movies
• 1:51
  Speaker 1: force us to play with fear. They forced us to
• 1:54
  Speaker 1: play with other negative emotions as well, dread, anxiety, disgust,
• 1:58
  Speaker 1: and the theory goes that when we play with our fears,
• 2:01
  Speaker 1: we learn to better manage our fears. So those of
• 2:04
  Speaker 1: us who could better manage our fears because of horror
• 2:08
  Speaker 1: did better in twenty twenty managing our emotions during lockdown.
• 2:13
  Speaker 1: I looked into a couple of these studies when prepping
• 2:14
  Speaker 1: for this episode, and I'm shocked at how many there are,
• 2:19
  Speaker 1: these super serious academic looks at the psychology behind horror
• 2:23
  Speaker 1: film watchers. I didn't know this existed. It's a whole
• 2:26
  Speaker 1: piece of academia. Most of these studies, though they don't
• 2:29
  Speaker 1: have a lot of value. I found the COVID nineteen
• 2:31
  Speaker 1: thing to be a little bit interesting, but I don't
• 2:33
  Speaker 1: need a study to tell me why we're afraid when
• 2:36
  Speaker 1: we watch these films and you don't either. I'm more
• 2:39
  Speaker 1: interested in knowing why we are drawn to these films
• 2:42
  Speaker 1: as opposed to why we are afraid. Fear isn't a
• 2:45
  Speaker 1: positive emotion, obviously, most of us consciously avoid negative emotions.
• 2:51
  Speaker 1: And to that question, why we want to watch things
• 2:55
  Speaker 1: that are going to scare the hell out of us,
• 2:57
  Speaker 1: there isn't a lot of information. Psychologically. We want the thrill,
• 3:01
  Speaker 1: I get it. We want to feel like we're in
• 3:03
  Speaker 1: the situation without truly being in the situation, without the
• 3:06
  Speaker 1: negative consequences. We want that in doorphin rush. I think
• 3:10
  Speaker 1: that's simple and easy to understand, but it strikes me
• 3:13
  Speaker 1: that there's probably something else there that keeps drawing. It's
• 3:16
  Speaker 1: like the phenomenon of women who love, you know, sort
• 3:21
  Speaker 1: of the slasher true crime stuff. There's been a lot
• 3:25
  Speaker 1: of think pieces written on that with the expansion of podcasting,
• 3:30
  Speaker 1: But you know, as it pertains to horror movies, that's
• 3:32
  Speaker 1: what we're talking about here. I don't watch a lot
• 3:34
  Speaker 1: of horror movies, mainly because my wife doesn't watch a
• 3:37
  Speaker 1: lot of horror. She listens to a lot of true crime.
• 3:40
  Speaker 1: She's not a horror movie fan. I showed her Halloween
• 3:42
  Speaker 1: last year. I couldn't believe I got her to watch
• 3:46
  Speaker 1: it with me, and no joke, she was pissed off
• 3:49
  Speaker 1: at me for like a week afterward. The experience was
• 3:53
  Speaker 1: legitimately anxiety inducing for her, which is strange to me,
• 3:57
  Speaker 1: because I don't even think Halloween is that scary of
• 3:59
  Speaker 1: a movie. Maybe it was when it was released back
• 4:02
  Speaker 1: in nineteen seventy eight. I don't know. I wasn't watching
• 4:04
  Speaker 1: it back in nineteen seventy eight. I was too young,
• 4:06
  Speaker 1: But I don't find it to be that scary anymore.
• 4:09
  Speaker 1: You know, it's got the iconic Mike Myers. Of course
• 4:12
  Speaker 1: he's at face value horrifying, but the film again not
• 4:17
  Speaker 1: that scary. Maybe it isn't that scary to me because
• 4:20
  Speaker 1: despite what little horror I watch, the more modern horror
• 4:24
  Speaker 1: that I have watched is more emotionally manipulative and thus
• 4:28
  Speaker 1: more scary to me. I think the scariest movie that
• 4:30
  Speaker 1: I've seen in my entire life is that movie that
• 4:32
  Speaker 1: doesn't get a lot of heat, that movie The Strangers
• 4:35
  Speaker 1: from two thousand and eight, And I think the reason
• 4:39
  Speaker 1: is because it feels so real. The movie shot like
• 4:43
  Speaker 1: super bare bones. It looks. It looks good. It's just
• 4:46
  Speaker 1: not like a big budget film with a lot of
• 4:48
  Speaker 1: big sets, not a lot of grandness in the filmmaking,
• 4:51
  Speaker 1: and I think that makes it more relatable. It's hard
• 4:54
  Speaker 1: to think of other movies off the top of my
• 4:57
  Speaker 1: head that have scared me as an adult. The Conjuring,
• 5:00
  Speaker 1: but that was different. That was because you know, I
• 5:03
  Speaker 1: saw The Conjuring when it came out in the movie theaters,
• 5:06
  Speaker 1: in the movie theater, excuse me, in Santa Monica. And
• 5:10
  Speaker 1: then some years later, five, six, seven years later, whatever
• 5:13
  Speaker 1: it was, I was flipping through the channels at night
• 5:15
  Speaker 1: and The Conjuring came on. I was in my bedroom
• 5:18
  Speaker 1: just north of Boston, and I realized that the hospital
• 5:21
  Speaker 1: scenes from The Conjuring were filmed right down the road
• 5:24
  Speaker 1: from where I lived. And it's something I didn't pick
• 5:28
  Speaker 1: up on the first time when I saw in the theater.
• 5:30
  Speaker 1: Maybe I didn't. It wasn't that scary to me then
• 5:33
  Speaker 1: in the theater because the context was so different. I
• 5:35
  Speaker 1: was in Santa Monica, but there in my bedroom, you know,
• 5:40
  Speaker 1: two miles from where the horror movie was set, or
• 5:43
  Speaker 1: part of it anyways, and I know the house is
• 5:45
  Speaker 1: set in like Connecticut or something. But again, I'm talking
• 5:47
  Speaker 1: about the hospital scenes that scared the hell out of me.
• 5:50
  Speaker 1: I had to literally get up, walk downstairs, walk around
• 5:55
  Speaker 1: the house, check the locks, did the whole all that
• 5:57
  Speaker 1: whole thing. Again, I think it was the context that
• 6:01
  Speaker 1: made it scary for me, made the film scary for me. Books,
• 6:05
  Speaker 1: on the other hand, they're a lot scarier to me
• 6:09
  Speaker 1: than than than horror movies are. Salem's a lot reading
• 6:11
  Speaker 1: that as a kid. When I think of it now,
• 6:13
  Speaker 1: I can I can still actually feel what that fear
• 6:16
  Speaker 1: was that I felt back then. And of course the Exorcist.
• 6:20
  Speaker 1: We're talking about the Exorcist. We have an Exorcist episode
• 6:23
  Speaker 1: coming out next week. We're doing a book club next
• 6:25
  Speaker 1: week on the twenty ninth, Tuesday, the twenty ninth, about
• 6:29
  Speaker 1: the Exorcist. So if you want to get in on that,
• 6:31
  Speaker 1: you still got time to read the book. You get
• 6:32
  Speaker 1: a week almost, you know, But reading it as an adult,
• 6:36
  Speaker 1: I didn't read The Exorcist as a kid, But reading
• 6:38
  Speaker 1: it as an adult after seeing the movie as a kid,
• 6:41
  Speaker 1: reading the book, it's a different type of fear. Okay,
• 6:44
  Speaker 1: the fear the horror isn't about the green puke and
• 6:47
  Speaker 1: the profanity spewing from Reagan's mouth. It's it's that the
• 6:53
  Speaker 1: the horror of it, of the of the book. The
• 6:56
  Speaker 1: story is wrapped up in my very real faith and
• 7:00
  Speaker 1: contextualized in spirituality, and it scares the hell out of me. Again, context,
• 7:07
  Speaker 1: I think the context is what makes this stuff scary
• 7:10
  Speaker 1: to us. The scariest movies to me are the ones
• 7:13
  Speaker 1: that are the most realistic. Like I talked about The Strangers,
• 7:15
  Speaker 1: now The Exorcist. I believe in possession. I believe in
• 7:19
  Speaker 1: good and evil. I believe that evil travels in unexpected ways.
• 7:22
  Speaker 1: I believe in God, I believe in the devil, and
• 7:25
  Speaker 1: I believe, like the Catholic Church believes that in extremely
• 7:28
  Speaker 1: rare occasions, exorcism is necessary to cast out the spirit
• 7:32
  Speaker 1: of evil. So, with all that at my core, and
• 7:34
  Speaker 1: the beautiful writing that is the book The Exorcist, in
• 7:37
  Speaker 1: the filmmaking that I mean, the film is incredible. With
• 7:42
  Speaker 1: all that, it's easy to see how that book and
• 7:45
  Speaker 1: that film scare the hell out of me. The book
• 7:48
  Speaker 1: mainly though, Now I'm talking all about this because you know,
• 7:51
  Speaker 1: we released this episode on the Poltergeist, The Curse of
• 7:54
  Speaker 1: the Poultergeist film series, I should say to get it right,
• 7:57
  Speaker 1: and the question of the week was you know, I
• 8:00
  Speaker 1: was talking about how that movie scared the hell out
• 8:02
  Speaker 1: of me as a kid. It really really did, and
• 8:04
  Speaker 1: we're going to get into that more later in the episode.
• 8:07
  Speaker 1: And I asked you guys, what movies scared you? And
• 8:09
  Speaker 1: I get a lot of great feedback. So many great
• 8:12
  Speaker 1: horror movies from the eighties, the nineties, the seventies as well.
• 8:17
  Speaker 1: You know, if we're all relatively the same age, give
• 8:20
  Speaker 1: or take a decade or so here in Disgraceland, I
• 8:24
  Speaker 1: think we're lucky with the horror movies. We came up
• 8:26
  Speaker 1: with pretty incredible stuff. And I got a lot of
• 8:30
  Speaker 1: great incoming voicemails, texts, emails, dms, et cetera from you
• 8:36
  Speaker 1: guys on the answer to the question of the week,
• 8:39
  Speaker 1: which movies scared the hell out of you as kids?
• 8:42
  Speaker 1: I want to read to you though, just to again
• 8:43
  Speaker 1: because we're talking about context here, different type of context.
• 8:46
  Speaker 1: I want to read to you guys. I went to
• 8:48
  Speaker 1: Rotten Tomatoes and I wanted to find some lists of
• 8:51
  Speaker 1: the scariest films of these previous decades. So going to
• 8:56
  Speaker 1: the eighties. The ten scariest films in reverse order, ding
• 9:00
  Speaker 1: to Rotten Tomatoes, which I went to on purpose because
• 9:02
  Speaker 1: it's kind of like a voted on type of thing
• 9:05
  Speaker 1: as opposed to just completely editorialized. But anyways, here we go.
• 9:09
  Speaker 1: Number ten Evil Dead Too. Now I'm gonna give you
• 9:11
  Speaker 1: my comments on these as I kind of breezed through
• 9:13
  Speaker 1: them here, and if you guys have any comments, hit
• 9:16
  Speaker 1: me up. You know how to do it. Six one seven,
• 9:17
  Speaker 1: nine oh six, six six three eight at disgrace landpot
• 9:21
  Speaker 1: So anyways, Number ten Evil Dead Too. Okay, I've seen
• 9:23
  Speaker 1: Evil Dead two, not that scary. Number nine Stephen Kingk's
• 9:26
  Speaker 1: Dead Zone. I don't remember the film, though I have
• 9:28
  Speaker 1: seen it. Christopher Walking the book, on the other hand,
• 9:32
  Speaker 1: just like Salem's Lot, completely frightening. Number eight Henry Portrait
• 9:36
  Speaker 1: of a serial Killer. Okay, what was this? I thought
• 9:39
  Speaker 1: this was a nineties movie, but I guess this is
• 9:41
  Speaker 1: eighty nine. Maybe very scary movie, but I wouldn't categorize
• 9:45
  Speaker 1: it as horror, though Rotten Tomatoes does. Henry Portrait of
• 9:49
  Speaker 1: a serial Killer American Werewolf of London. Number seven super scary,
• 9:54
  Speaker 1: super scary to me as a kid, I saw it
• 9:56
  Speaker 1: in the theaters when it came out, pretty sure. My
• 9:59
  Speaker 1: dad took me.
• 10:00
  Speaker 2: You know.
• 10:01
  Speaker 1: There's got the great special effects. That's kind of what
• 10:03
  Speaker 1: this movie is is known for. I watched this movie
• 10:07
  Speaker 1: almost every year. It still kind of scares me, particularly
• 10:10
  Speaker 1: the stuff out on the moors, the country side, the
• 10:12
  Speaker 1: spookiness of the English countryside, just and the transformation piece.
• 10:16
  Speaker 1: There's something in storytelling too. It's a trope for a reason,
• 10:20
  Speaker 1: like what a character transforms, and when they literally transform
• 10:23
  Speaker 1: in these horror movies. I think it does something else
• 10:26
  Speaker 1: to us, to the fear factor within us. So seven
• 10:29
  Speaker 1: American Werewolf of London, I get it. I think it
• 10:31
  Speaker 1: should perhaps be even higher on the list. But number six,
• 10:34
  Speaker 1: Return of the Living Dead, I've never seen it. Number
• 10:36
  Speaker 1: five Little Shop of Horrors. Coincidentally, just watched this the
• 10:39
  Speaker 1: other night with my kids. Not scary. I don't even
• 10:41
  Speaker 1: know why it's on here. This should not be on here.
• 10:43
  Speaker 1: For the fly, I get it. We're talking more about
• 10:46
  Speaker 1: that transformation thing. This is Cronenberg. This is I almost
• 10:50
  Speaker 1: said Steve Gutenberg, but it's Jeff Goldbloom, correct, Yeah, Jeff Coldbloom.
• 10:54
  Speaker 1: And they're talking about the eighties of the Fly, not,
• 10:57
  Speaker 1: of course, the original three reanimator. I've never seen it too,
• 11:01
  Speaker 1: our girl Sigourney Weaver and Aliens, who we covered a
• 11:05
  Speaker 1: couple episodes ago. Again, that's Aliens, not alien and number one,
• 11:11
  Speaker 1: which I get. I don't agree with it, but I
• 11:13
  Speaker 1: get it. Nightmare on Elm Street. I was at the
• 11:18
  Speaker 1: perfect age to not be scared by Nightmare on Elm Street.
• 11:22
  Speaker 1: It came just like a just too late, like a
• 11:26
  Speaker 1: year too late for me, and I just found the
• 11:29
  Speaker 1: whole thing to be cheesy. But conversely, a couple of
• 11:33
  Speaker 1: years before Friday the thirteenth, Jason vorhees that shit I
• 11:37
  Speaker 1: found would be really scary. Night Mare on Elm Street,
• 11:40
  Speaker 1: this set of cheese fat. I was a little too old.
• 11:43
  Speaker 1: I was getting to be a little too cool for school.
• 11:45
  Speaker 1: I'd like to go back and watch it, though, because honestly,
• 11:47
  Speaker 1: I have not watched this movie. I think since I
• 11:50
  Speaker 1: was a kid, and the idea of like, you know,
• 11:52
  Speaker 1: the Boogeyman under the bed or whatever the hell it
• 11:53
  Speaker 1: is I don't remember, is fucking frightening, So I get
• 11:56
  Speaker 1: why this one is number one. Poltergeist is not even
• 11:58
  Speaker 1: on the list, guys. It did come in at eleven
• 12:02
  Speaker 1: eighty eight percent Rotten Tomatoes rating. But yeah, I mean,
• 12:07
  Speaker 1: come on, Little Chapahara's Polter Guy should be on this list. Okay,
• 12:09
  Speaker 1: let's go to the nineties. Real quick. Number ten audition,
• 12:12
  Speaker 1: never seen it, no idea what it is. If anyone
• 12:14
  Speaker 1: see an audition, let me know. Number nine six cents, Yes,
• 12:17
  Speaker 1: very scary. I've only seen this movie once. My oldest
• 12:20
  Speaker 1: son has been begging me to watch it. He's only
• 12:22
  Speaker 1: ten years old. I saw this when it came out.
• 12:25
  Speaker 1: I need to see it again. I love m Night
• 12:27
  Speaker 1: Shamalan's movies, most of them that I've seen anyway. Is
• 12:30
  Speaker 1: Number eight Blair Witch, also super frightening. Number seven Tremors.
• 12:35
  Speaker 1: I don't remember it, but I think I watched it,
• 12:37
  Speaker 1: and I think I was scared. Number six Dead Alive,
• 12:39
  Speaker 1: never seen it. Number five Kronos, never seen it. Number
• 12:42
  Speaker 1: four Misery not really scary, not just it's not. Number
• 12:47
  Speaker 1: three Iraq Nophobia ninety three percent Rotten Tomatoes. Iraq neophobia.
• 12:51
  Speaker 1: I don't remember that being scary. I remember that being
• 12:53
  Speaker 1: kind of a joke. Number two Silence of the Lambs,
• 12:56
  Speaker 1: truly frightening. And number one I need to see this more.
• 13:00
  Speaker 1: I have not seen this movie, and I'm embarrassed. I'm ashamed. Frankly,
• 13:04
  Speaker 1: I'm embarrassed and ashamed. What movie is that from? I
• 13:06
  Speaker 1: can't remember. Number one The Ring? Ninety eight percent. Have
• 13:10
  Speaker 1: you guys seen The Ring? I know some of you
• 13:11
  Speaker 1: have talked to me about it before. Okay, real quick,
• 13:14
  Speaker 1: for the rest of the old heads out there, I'm
• 13:15
  Speaker 1: gonna quickly run down the top ten from the seventies.
• 13:18
  Speaker 1: Number ten, The Wicker Man. This scared the shit out
• 13:20
  Speaker 1: of me as a kid. I've only watched it once.
• 13:22
  Speaker 1: I'm going back to watch it again, perhaps this week.
• 13:25
  Speaker 1: And number nine Carrie. Is Carrie really that scary or
• 13:28
  Speaker 1: is it just horrifying? I would say it's horrifying. Number
• 13:30
  Speaker 1: eight Invasion of the Body Snatchers. Number seven. Don't look now,
• 13:34
  Speaker 1: I've seen this one, Donald Sutherland, Julie Christi, but I
• 13:38
  Speaker 1: without sound. Don't ask me why I need to watch
• 13:41
  Speaker 1: it again. I think it's on criteria. Number six Alien, Yes, horrifying,
• 13:44
  Speaker 1: very scary. Five Suspiria made by Anthony Bourdain's girlfriend's dad, Diargento.
• 13:52
  Speaker 1: Not really scary, but worth a watch a vibe horrific vibe.
• 13:58
  Speaker 1: Number four, I guess this is the remake of Nose Faratu,
• 14:01
  Speaker 1: which I've never seen. I've seen the original. Number three,
• 14:04
  Speaker 1: Young Frankenstein not scary, It's comedy. Number two Halloween talked
• 14:09
  Speaker 1: about that earlier number one scariest movie from the nineteen seventies.
• 14:15
  Speaker 1: You're all waiting for me to say the Exorcist, but
• 14:18
  Speaker 1: I'm not gonna say it because it ain't number one.
• 14:21
  Speaker 1: Number one Jaws. Jaws left field choice. There. I get it,
• 14:29
  Speaker 1: it is scary. I still have a problem going in
• 14:33
  Speaker 1: the water. I have my whole life. I'm so afraid
• 14:35
  Speaker 1: of sharks. I have a shark tattoo, I have a
• 14:38
  Speaker 1: shark app on my phone, and every summer I sit
• 14:41
  Speaker 1: on the beach as my kids are in the water
• 14:42
  Speaker 1: and I monitor it. I'm psycho about my fear of sharks,
• 14:46
  Speaker 1: and it's because of Jaws. However, the Exorcist is number
• 14:51
  Speaker 1: twenty three on this frickin' list. Doesn't make any sense.
• 14:55
  Speaker 1: And there's a bunch between ten and twenty three that
• 15:00
  Speaker 1: I'd never seen before or heard of, and I'm like,
• 15:03
  Speaker 1: what is this? I got to see these things. So anyways,
• 15:06
  Speaker 1: that'll contextualize the conversation. We're going to get into in
• 15:09
  Speaker 1: a little bit. When we come back after this break,
• 15:10
  Speaker 1: we're going to talk about the question of the week
• 15:12
  Speaker 1: and your answers to what the scariest movie of your
• 15:15
  Speaker 1: childhood was. Now listen before we do that, I gotta
• 15:19
  Speaker 1: just I gotta clean something up here. Next week's episode,
• 15:21
  Speaker 1: like I said, is on the Exorcist, and at the
• 15:24
  Speaker 1: end of that episode I posed a question of the
• 15:26
  Speaker 1: week that is just it's too similar to last week's
• 15:30
  Speaker 1: question of the Week. I don't know what I was thinking.
• 15:31
  Speaker 1: I don't record these things in succession. I record them
• 15:34
  Speaker 1: all out of order. I messed up. I ask in
• 15:37
  Speaker 1: the e bloc. The final message of the Exorcist episode
• 15:41
  Speaker 1: is what's the scariest movie of all time? Now, if
• 15:43
  Speaker 1: anyone wants to answer that, go ahead. I'm not going
• 15:45
  Speaker 1: to go back and punch it. However, I think a
• 15:49
  Speaker 1: better question is when, when you're listening to the Exorcist episode,
• 15:53
  Speaker 1: be thinking about the fact that this was a book.
• 15:56
  Speaker 1: Obviously we talk about that in the episode. Is a
• 15:58
  Speaker 1: book before it was a movie. So the question of
• 16:00
  Speaker 1: the week, a more a more app question of the
• 16:01
  Speaker 1: week is what is the scariest book you have ever read?
• 16:05
  Speaker 1: And we'll get into that in the after party bonus
• 16:07
  Speaker 1: episode after The Exorcist is released. And if you still
• 16:11
  Speaker 1: want to hit me up, you want to tell me
• 16:12
  Speaker 1: about your scariest movie even beyond your childhood, go for it.
• 16:15
  Speaker 1: We'll talk about that too. Six one seven nine oh
• 16:17
  Speaker 1: six six six three eight voicemail. Text to let me
• 16:20
  Speaker 1: know the answer to next week's question of the week
• 16:23
  Speaker 1: at disgracelam pod on the socials. Disgrace lampod at gmail
• 16:26
  Speaker 1: dot com. Email to hit me up back in the flash.
• 16:49
  Speaker 1: All right, guys, we are back. A couple of announcements
• 16:51
  Speaker 1: before we get into your voicemails, your TEXTI DMS. We
• 16:54
  Speaker 1: did these limited edition T shirts for you that are
• 16:56
  Speaker 1: Halloween based, inspired by our Black Sabbath in our Cramps episodes.
• 17:02
  Speaker 1: Those are available for let's say you're hearing this on Thursday,
• 17:05
  Speaker 1: for one more day, we're gonna they'll be gone. They're
• 17:09
  Speaker 1: almost all gone right now, but we're done selling them
• 17:12
  Speaker 1: after the end of Tomorrow Friday, So go to disgracelampod
• 17:16
  Speaker 1: dot com slash merch to grab those t shirts. They're fantastic.
• 17:21
  Speaker 1: Artist Spencer Alexander collaborated with us on the design did
• 17:24
  Speaker 1: a great job, so get them while they last. Number two.
• 17:28
  Speaker 1: Second announcement coming up less than a week Tuesday, the
• 17:31
  Speaker 1: twenty ninth. That is our disgrace Land book Club where
• 17:34
  Speaker 1: we are going to be discussing the Exorcist. And if
• 17:38
  Speaker 1: you're in the Patreon, you know there's a link there
• 17:41
  Speaker 1: and that's how you get in on this. You can
• 17:42
  Speaker 1: register there. I'm also posting links on the socials. I
• 17:46
  Speaker 1: storied it last night on Instagram. I'll try to do
• 17:49
  Speaker 1: this every twenty four hours so this information remains up there.
• 17:52
  Speaker 1: So if you want to get in on this, you
• 17:53
  Speaker 1: want to register for the book club, hit up at
• 17:55
  Speaker 1: disgracelam pod on Instagram, go to the stories. There should
• 17:58
  Speaker 1: be a link in there for you. Okay, I'll send
• 18:00
  Speaker 1: you the link. I hope you can join us for
• 18:03
  Speaker 1: the book club. It's a good vibe. We get to
• 18:05
  Speaker 1: spend some face time together, which I always appreciate, like
• 18:07
  Speaker 1: seeing your faces. Okay, I want to hear your voices.
• 18:11
  Speaker 1: The question of the week from last week was what
• 18:15
  Speaker 1: movie scared the hell out of you as a kid
• 18:17
  Speaker 1: because of the Polter guyst episode. That's what I wanted
• 18:19
  Speaker 1: to know. Let's go to Ish in the seven eight.
• 18:20
  Speaker 3: One, Jake, what up your boy ish?
• 18:25
  Speaker 2: Long time? Hope all as well?
• 18:28
  Speaker 3: Sounds like you're still kicking ass about scary things and
• 18:31
  Speaker 3: scary movies. First off, the video from Yes the Owner
• 18:37
  Speaker 3: of a Lonely Heart that used to scare the living
• 18:40
  Speaker 3: shit out of me as a kid. For some reason,
• 18:43
  Speaker 3: growing up, I was into horror movies. Watched tons of
• 18:46
  Speaker 3: horror movies. My parents were cool with it. Poltergeist was
• 18:49
  Speaker 3: one of the creepiest, scariest things I had seen as
• 18:52
  Speaker 3: a kid. As an adult, I like to watch scary
• 18:54
  Speaker 3: movies by myself with a lifetoff to see if that
• 18:57
  Speaker 3: shit scares me. It's tough job a couple of times,
• 19:01
  Speaker 3: but for the most part not really. But like you said,
• 19:03
  Speaker 3: Poultergeist threeteen, something about it very creepy, Caroline, Caroline.
• 19:10
  Speaker 2: I don't know, man, all is well? Give up the
• 19:13
  Speaker 2: good work, disco.
• 19:15
  Speaker 1: Ish My man, it's been a long time since you've
• 19:18
  Speaker 1: called in. I was wondering where you were. I'm happy
• 19:21
  Speaker 1: to hear your voice. I hope you're doing well up
• 19:23
  Speaker 1: there in the Northeast. Owner of a Lonely Heart. I
• 19:26
  Speaker 1: can't remember the video, but I know the song and
• 19:30
  Speaker 1: I can see. I can see actually the song that's
• 19:33
  Speaker 1: sort of like those big, massive hits. I can see.
• 19:38
  Speaker 1: I can see that scaring the hell out of me
• 19:39
  Speaker 1: as a little kid. Although it didn't scare me, Poltergeist
• 19:42
  Speaker 1: did as it did to You were relatively the same age,
• 19:44
  Speaker 1: I believe. And yeah, Carol Anne, just freaky freaky all right,
• 19:48
  Speaker 1: sh I appreciate you. Let's check out with Steve from
• 19:51
  Speaker 1: the three one eight three, Steve way way way on
• 19:57
  Speaker 1: the other side of the world.
• 19:58
  Speaker 4: Go ahead, Steve Jay.
• 20:01
  Speaker 5: This is Steve from the three one eight three in
• 20:04
  Speaker 5: Melbourne in Australia. You were after films that scared the
• 20:09
  Speaker 5: life out of people. I'm going to nominate American Wealth
• 20:12
  Speaker 5: in London. I was ten years old when it came out.
• 20:17
  Speaker 5: I saw it on a home video at a friend's
• 20:19
  Speaker 5: place and I did not sleep soundly for weeks after that.
• 20:24
  Speaker 2: It was shown.
• 20:25
  Speaker 5: A film reviewer played the first thirty seconds and then
• 20:28
  Speaker 5: some still photos of that famous Rick Baker special effects
• 20:32
  Speaker 5: scene where David changed into the werewolf for the first
• 20:34
  Speaker 5: time as in a nighttime talk show, and I thought,
• 20:38
  Speaker 5: I have to see this film, but my parents were
• 20:41
  Speaker 5: dead against me seeing it. But of course the Munich
• 20:43
  Speaker 5: of folks tell you not to do something, that's all
• 20:45
  Speaker 5: you want to do, right. So anyway, after it left
• 20:48
  Speaker 5: the cinemas, it came out on home video here and
• 20:51
  Speaker 5: I saw it at a makesplace after school one afternoon,
• 20:53
  Speaker 5: and yeah, oil boy, my folks were right on the
• 20:57
  Speaker 5: money with that call. Anyway, thank you for the podcast.
• 21:01
  Speaker 5: I'll look forward to hearing plenty.
• 21:02
  Speaker 1: More stories from this Grice Land, Steve, we are of
• 21:06
  Speaker 1: like mind, my friend, even though we are oceans apart.
• 21:09
  Speaker 1: Appreciate you calling in. I think you may have heard
• 21:12
  Speaker 1: already me talk about American were Wolf of London. You're
• 21:16
  Speaker 1: you obviously had responsible parents. They didn't want you to
• 21:18
  Speaker 1: see it. My parents, My dad took me to see it.
• 21:21
  Speaker 1: But yeah, you know, this is one of those things
• 21:23
  Speaker 1: where I know my I know my oldest could maybe
• 21:28
  Speaker 1: handle it. Maybe I'm being very careful, very careful, and
• 21:32
  Speaker 1: trying to preserve his innocence and in a balance in
• 21:35
  Speaker 1: a meaningful way, not in a not in an over
• 21:38
  Speaker 1: overly protective way. He's got his whole life to watch,
• 21:41
  Speaker 1: watch these movies, and I'll be watching them with him,
• 21:44
  Speaker 1: with both my sons. But it's hard, man, it's hard.
• 21:47
  Speaker 1: You know I want to watch this stuff with him,
• 21:49
  Speaker 1: especially American Werewolf of London. If anyone hasn't seen American
• 21:51
  Speaker 1: Werewolf of London, do yourselves a favor and go do
• 21:54
  Speaker 1: so immediately after this episode. Anyways, Okay, let's check out
• 21:57
  Speaker 1: with Tony from the two oh six.
• 22:00
  Speaker 6: What's having him?
• 22:00
  Speaker 4: Brother?
• 22:01
  Speaker 2: You know who it is?
• 22:02
  Speaker 6: Tony from the two oh six. Just got done listening
• 22:04
  Speaker 6: to that Polter guyst episode with my wife and she
• 22:08
  Speaker 6: is now a fan of the podcast. She actually asked
• 22:11
  Speaker 6: me to send her that episode so she can play
• 22:13
  Speaker 6: it again.
• 22:14
  Speaker 2: She loves speaky stuff.
• 22:16
  Speaker 6: To answer your question, I'm not gonna give you one movie.
• 22:19
  Speaker 2: I'm gonna give you four. I'm just gonna list them off,
• 22:22
  Speaker 2: not any particular order, but.
• 22:23
  Speaker 6: These are the movies that scared me to where I
• 22:25
  Speaker 6: can never watch the movie. Okay, here we go, One
• 22:28
  Speaker 6: Video Drone, two, Jacob Flatter, Three Tales from the Hood,
• 22:33
  Speaker 6: and four even though it's technically not a scary movie,
• 22:36
  Speaker 6: but I can't deal with hallucinations, wreck Riem for a Dream.
• 22:39
  Speaker 6: Those are the four movies I will not watch at all. Okay,
• 22:44
  Speaker 6: all right, love the show about to listen to the
• 22:46
  Speaker 6: Robert Johnson episode and keep doing what you're doing.
• 22:49
  Speaker 2: Much love on the Twillo sext Brother peace.
• 22:51
  Speaker 1: Tony, thank you for turning us on to your wife
• 22:54
  Speaker 1: the podcast. Appreciate that Videodrome never seen it. Jacob's Ladder
• 22:59
  Speaker 1: legitimately horrifying. Jacob's Ladder legitimately horrifying. I cannot believe I
• 23:05
  Speaker 1: forgot to mention that earlier. It's worth mentioning that Jacob's
• 23:09
  Speaker 1: Ladder was a big influence on my writing for the
• 23:13
  Speaker 1: John Denver episode that we have done. So if you
• 23:16
  Speaker 1: want to want to know what I'm talking about, go
• 23:17
  Speaker 1: back in the archive and check that out. Tales from
• 23:20
  Speaker 1: the Hood, Never seen It, Requiem for Dream Hubert Selby.
• 23:24
  Speaker 1: I don't remember it being scary. I remember it being
• 23:26
  Speaker 1: miserable but being really good. Yeah. Anyways, hope you dig
• 23:30
  Speaker 1: the Robert Johnson episode. I tried to make it super devilish.
• 23:33
  Speaker 1: I hope that comes through. Richard from the nine to
• 23:35
  Speaker 1: one six.
• 23:36
  Speaker 2: Hey, Jake, it's Richard from nine to one six, a
• 23:40
  Speaker 2: relatively new listener. Really, Doug your Pull for Guys episode
• 23:44
  Speaker 2: that was always one of my favorites growing up. I
• 23:47
  Speaker 2: remember seeing it in the theaters. But the one that
• 23:50
  Speaker 2: really scared me when I was young. Was the one
• 23:53
  Speaker 2: and only original Phantasm from nineteen seventy nine here locally,
• 23:59
  Speaker 2: and they showed it uncut after the news one night,
• 24:04
  Speaker 2: like maybe six months after it came out, and I
• 24:07
  Speaker 2: stayed up and scared the shit out of myself. He
• 24:11
  Speaker 2: thought's a good work, man, Thanks.
• 24:14
  Speaker 1: Richard, good to have you here. Man. Appreciate the new listeners.
• 24:17
  Speaker 1: The shooting of Fantasm locally again here we go with
• 24:21
  Speaker 1: the context right, makes it, makes it scarier, I bet
• 24:26
  Speaker 1: just a little bit pushes it over the edge for you,
• 24:28
  Speaker 1: or did as a kid anyways, And showing it after
• 24:30
  Speaker 1: the eleven o'clock news or whatever it was, that's that's amazing.
• 24:36
  Speaker 1: I'm a huge Stephen King fan. Well, I should say
• 24:39
  Speaker 1: I'm a huge fan of Stephen King's books, some of
• 24:43
  Speaker 1: Stephen King's books, not a whole lot of his movies,
• 24:46
  Speaker 1: but some of the movies are great. And he'll tell
• 24:48
  Speaker 1: you the same thing. And just to your note about
• 24:52
  Speaker 1: Phantasm being being shot nearby in your hometown. Recently, within
• 24:58
  Speaker 1: the last ten years, in my hometown of Clinton in Massachusetts,
• 25:01
  Speaker 1: they shot Castle Rock and that was a trip. That
• 25:07
  Speaker 1: was a trip to see I obviously don't live there anymore.
• 25:09
  Speaker 1: My family does, and it was a trip for them
• 25:12
  Speaker 1: because Stephen King's production crews rolling around and they've since
• 25:17
  Speaker 1: shot I think, more television, more Stephen King related television
• 25:21
  Speaker 1: in Clinton, Massachusetts, and a lot more in Massachusetts. But
• 25:25
  Speaker 1: to have it in your hometown. And the final scene
• 25:27
  Speaker 1: of that series takes place at the literal exact spot
• 25:30
  Speaker 1: where I got drunk for the first time in my life.
• 25:33
  Speaker 1: I found that to be very, very exciting and thrilling
• 25:35
  Speaker 1: when I was watching it. But Castle Rock, I guess,
• 25:39
  Speaker 1: kind of scary for TV for sure. If you haven't
• 25:41
  Speaker 1: seen it, check that out. All right, let's do some texts.
• 25:43
  Speaker 1: This one comes from the seven oh six and it's
• 25:46
  Speaker 1: kind of guys. It's to me, but it's it's kind
• 25:49
  Speaker 1: of the you guys as well. Seven o six says, Hey,
• 25:52
  Speaker 1: you know the best thing about your series slash bonus content.
• 25:54
  Speaker 1: No matter how far I fall behind while dealing with
• 25:57
  Speaker 1: the next bullshit thing from work, or the first trip
• 25:59
  Speaker 1: to take my kid to Disney being canceled till next
• 26:02
  Speaker 1: year due to hurricanes or emergency VET visits to find
• 26:05
  Speaker 1: out my thirteen year old Kat as a tumor and
• 26:07
  Speaker 1: her sinus cavity. It's having that good familiar feeling listening
• 26:11
  Speaker 1: to an old friend pickup right where we left off
• 26:14
  Speaker 1: the last time. And the more I think about it,
• 26:16
  Speaker 1: even though I'm a dedicated metal head, the more I
• 26:18
  Speaker 1: find out my life is a lot more like those
• 26:20
  Speaker 1: old country songs. And I ever care to admit, I
• 26:22
  Speaker 1: hope all of you working out there have that one
• 26:25
  Speaker 1: thing that makes you get out of your head for
• 26:26
  Speaker 1: a few minutes a day, like you do for me.
• 26:29
  Speaker 1: He's talking about the podcast here, and if not, I
• 26:31
  Speaker 1: got an old beat up pickup truck in my backyard
• 26:33
  Speaker 1: with a bag full of wrenches and spare parts. If
• 26:35
  Speaker 1: you ever need a life distraction. Take care you guys.
• 26:38
  Speaker 1: I love that. I wish you gave me your name.
• 26:40
  Speaker 1: Seven oh six. It's great, great text. Appreciate it. Eight
• 26:43
  Speaker 1: point two writes in The Fucking Cramps my new favorite episode.
• 26:47
  Speaker 1: The Cramps, Devo and the Blasters were my first favorite
• 26:50
  Speaker 1: bands when I was six. What when you were six?
• 26:54
  Speaker 1: Great taste for a six year old? Is that a
• 26:56
  Speaker 1: flex or what? I don't care. It's awesome. Then you
• 26:58
  Speaker 1: go on to Saysters were my first show. Nice good
• 27:02
  Speaker 1: for you. Love the blasters American music. Okay, Textter goes
• 27:05
  Speaker 1: on to say I grew up by coastal between Riverside,
• 27:08
  Speaker 1: California and Rutland, Vermont. Okay, Riverside, California. That explains the blasters.
• 27:12
  Speaker 1: But Textter goes on to say my dad owned thrift
• 27:14
  Speaker 1: stores in San Bernardino and Riverside in the eighties. He
• 27:17
  Speaker 1: also played bass guitar in various bands. Okay, I'm starting
• 27:20
  Speaker 1: to believe you here, huge car and rockabilly scene in
• 27:23
  Speaker 1: the Inland Empire. Lux and Poison IVY would occasionally come
• 27:26
  Speaker 1: into my dad's stories and he saw them perform a
• 27:29
  Speaker 1: handful of times. My pops who wake us up blasting
• 27:32
  Speaker 1: the song garbage Man at us, He would say, wake
• 27:34
  Speaker 1: up and go to school. You're gonna end up a
• 27:36
  Speaker 1: garbage man. I would be buried in my yellow Bad
• 27:39
  Speaker 1: Music for Bad People t shirt. Also, the song Surfing
• 27:42
  Speaker 1: Dead that they did for the Return to a Living
• 27:44
  Speaker 1: Dead is a great underrated Halloween song. Happy rock a
• 27:47
  Speaker 1: rolla Halloween, Keep it spooky. Mister Jake's side note word
• 27:50
  Speaker 1: of advice never never, never play the Cramps for your girl.
• 27:54
  Speaker 1: I'm not gonna reading the rest of that great texts
• 27:58
  Speaker 1: aside from the addendum, nice work, damn man, your dad.
• 28:02
  Speaker 1: Your dad hooked you up. And if you guys haven't
• 28:05
  Speaker 1: heard the Cramps episode from last week, I invite you
• 28:07
  Speaker 1: to go do so. Uh aight, oh two knows what
• 28:10
  Speaker 1: they're talking about? Four two five writes and Hey Jake,
• 28:13
  Speaker 1: it's Julie from the four two five. Listen to Low
• 28:16
  Speaker 1: Cut Connie.
• 28:17
  Speaker 4: Damn.
• 28:18
  Speaker 1: I like the music big time. Thanks for the heads up.
• 28:20
  Speaker 1: On another note, not the greatest band of all time,
• 28:23
  Speaker 1: but a big kick ass American band, the Smithereens. Julie,
• 28:27
  Speaker 1: Thanks for the text. You're in for a treat. We've
• 28:30
  Speaker 1: got an interview with Adam from Low Cut Connie coming
• 28:33
  Speaker 1: up right after this. All right, guys, we are back.
• 28:51
  Speaker 1: Lots going on in this episode. A couple things real quick.
• 28:54
  Speaker 1: You guys want to spread some love for the show.
• 28:56
  Speaker 1: I know you do. You asked me about it all
• 28:58
  Speaker 1: the time, and I appreciate you, and you know what
• 28:59
  Speaker 1: I'm going to say. The answer on how to do
• 29:02
  Speaker 1: that is to go to Apple Podcasts or go to
• 29:04
  Speaker 1: Spotify leave a review for the show, and as you know,
• 29:07
  Speaker 1: I read one of the reviews every week or a
• 29:09
  Speaker 1: couple anyhow, and if I read it here in the episode,
• 29:12
  Speaker 1: you get some free merch for all of those who
• 29:15
  Speaker 1: have reviewed the show and who I've I've spoken about,
• 29:18
  Speaker 1: and I read your reviews on the after party. I
• 29:21
  Speaker 1: believe that I that I got all the merch out
• 29:23
  Speaker 1: to you over the last weekend. If I did not,
• 29:25
  Speaker 1: if I did not, if you contacted me and I
• 29:27
  Speaker 1: somehow missed it, hit me up again. Okay, it's it's
• 29:31
  Speaker 1: it shouldn't be this complicated, but it is. There's like
• 29:33
  Speaker 1: three different emails that the things go to and all
• 29:35
  Speaker 1: this other nonsense. But I think I got you taken
• 29:37
  Speaker 1: care of it. If I didn't, I apologize and I will.
• 29:39
  Speaker 1: So I just want to hit these real quick. Amy
• 29:41
  Speaker 1: leap Heerce on Apple Podcasts. I'm not going to read
• 29:43
  Speaker 1: your review, but it made me very happy. It's almost
• 29:46
  Speaker 1: too complimentary, and I don't want to be blowing smoke
• 29:48
  Speaker 1: up my own ass here and any more intensely than
• 29:52
  Speaker 1: I usually do. But also, you know, just hit me up.
• 29:55
  Speaker 1: I really appreciated Amy, this very very kind thing for
• 29:58
  Speaker 1: you to say. I'm going to read this one here.
• 30:00
  Speaker 1: Germ redrum Skates writes on Apple Podcasts being from the music, art,
• 30:03
  Speaker 1: slash skateboarding communities over forty years. This podcast is so great.
• 30:08
  Speaker 1: Sharing the stories of the chaos it follows musicians and
• 30:11
  Speaker 1: artists is a great way to connect even more with them.
• 30:13
  Speaker 1: The storytelling is easy to follow and intriguing. Highly recommend Germ.
• 30:17
  Speaker 1: Get in touch Disgrace Lampod at gmail dot com and
• 30:20
  Speaker 1: I will hook you up with some merch. Appreciate that, guys,
• 30:23
  Speaker 1: I really appreciate the request. We're an independent podcast. This
• 30:26
  Speaker 1: helps with discovery. Keep it coming, thank you. So listen
• 30:30
  Speaker 1: this Shawn Comb shit right. You may have noticed in
• 30:33
  Speaker 1: the B block here at the top of the show.
• 30:35
  Speaker 1: This is the first week in the last three weeks
• 30:38
  Speaker 1: where I didn't lead with Seawan Combe's news. And it
• 30:42
  Speaker 1: wasn't because there was no Shawn Combs news. There was
• 30:44
  Speaker 1: actually some quite horrifying Shawn Combs news. And I was
• 30:49
  Speaker 1: talking to Matt who works with me here at Double Elvis,
• 30:53
  Speaker 1: and you know he puts these shows together. Excuse me,
• 30:55
  Speaker 1: I'm moving my chair. You can hear that in the background.
• 30:57
  Speaker 1: I apologize and it's like, dude, what are we gonna do?
• 31:00
  Speaker 1: This Shaw Comb shit is not stopping. The listeners want
• 31:04
  Speaker 1: to hear it. I know they want to hear it.
• 31:05
  Speaker 1: You guys have written to me about it numerous times,
• 31:07
  Speaker 1: many of you have. But I don't want to cannibalize
• 31:11
  Speaker 1: what we have going on here and just kind of
• 31:13
  Speaker 1: eat the whole show up and suck up all the
• 31:14
  Speaker 1: oxygen or whatever metaphor you want to use. So I
• 31:18
  Speaker 1: think what I'm going to do is I'm actively pursuing
• 31:21
  Speaker 1: a way to tell this shan Comb's story in with
• 31:26
  Speaker 1: my form of storytelling and how that comes to life.
• 31:30
  Speaker 1: We've got some ideas, we're working with some different people.
• 31:33
  Speaker 1: I haven't quite nailed it down yet, but I'm on
• 31:35
  Speaker 1: it now. As it pertains to the week to week
• 31:39
  Speaker 1: nature of this scandal as it unfolds, I think what
• 31:42
  Speaker 1: we're going to do is in the after party there
• 31:45
  Speaker 1: will be a Shawn Comb section that I will just
• 31:48
  Speaker 1: I'll continue to bring you guys up to speed. I
• 31:51
  Speaker 1: will continue to bring you up to speed, most likely
• 31:54
  Speaker 1: here in the wide version of the show, but also
• 31:57
  Speaker 1: in the all access version of the bonus show that
• 32:00
  Speaker 1: the Patreon members get. And so I'm going to do
• 32:02
  Speaker 1: a little bit of that now right before we get
• 32:04
  Speaker 1: to Adam from Loko, Connie this Buzzby guy who we
• 32:06
  Speaker 1: talked about last week. We talked about the lawsuit, the
• 32:09
  Speaker 1: civil lawsuit that he filed with six different complainants alleging abuse. Okay,
• 32:16
  Speaker 1: he filed another one this week with five five alleged
• 32:21
  Speaker 1: victims coming forward for some pretty damning information. And he
• 32:27
  Speaker 1: is alleging Tony Busby for the first time rape abuse
• 32:32
  Speaker 1: of a minor. So this changes things quite significantly. And
• 32:36
  Speaker 1: I'm telling you this first of all, the specifics of
• 32:39
  Speaker 1: the allegations are more horrifying than the specifics of the
• 32:45
  Speaker 1: allegations that I read you last week from the Macy
• 32:47
  Speaker 1: stock room with Sean Dittycombs. It should be noted that
• 32:51
  Speaker 1: Diddy's lawyers have denied that these allegations are true. And
• 32:56
  Speaker 1: I'm not going to do the thing where I'm going
• 32:58
  Speaker 1: to detail there and go through the whole thing here
• 33:02
  Speaker 1: again like I did last week. I'm just going to
• 33:03
  Speaker 1: tell you some facts on what's happening with this case.
• 33:06
  Speaker 1: Buzzby is going full speed ahead like we thought he would,
• 33:10
  Speaker 1: and I have a feeling that every week we're going
• 33:12
  Speaker 1: to get a handful of new victims who come forward
• 33:15
  Speaker 1: with lawsuits from Busby's law office.
• 33:18
  Speaker 2: Now.
• 33:18
  Speaker 1: The reason I bring up the thirteen year old here
• 33:21
  Speaker 1: because in the federal indictment, which still remains as Sean
• 33:27
  Speaker 1: Combs's biggest obstacle here, okay, is the federal case against him.
• 33:32
  Speaker 1: That is why he is in jail. Okay, He's not
• 33:35
  Speaker 1: in jail because of these civil complaints obviously, but in
• 33:38
  Speaker 1: the federal indictment there's nothing about minors. Now, if the
• 33:44
  Speaker 1: evidence that Buzzby is bringing forth and these new civil
• 33:49
  Speaker 1: complaints becomes information and evidence that the federal prosecutors put
• 33:57
  Speaker 1: into a superseding indictment. In other words, if they get
• 34:01
  Speaker 1: wins of some of these allegations and decide that there's
• 34:05
  Speaker 1: enough real evidence there that they want to roll the
• 34:09
  Speaker 1: rape of children into their federal indictment, that is going
• 34:13
  Speaker 1: to make Sean Combs his life infinitely more difficult. Because
• 34:19
  Speaker 1: the way Seawan Colmbs is setting up his defense right
• 34:22
  Speaker 1: now is that he is stating that all of these relationships,
• 34:28
  Speaker 1: the freak offs, everything that's been alleged in the federal
• 34:32
  Speaker 1: indictment was consensual. That's the defense that his attorneys are
• 34:38
  Speaker 1: going to put up, and that it's not easy to defend.
• 34:44
  Speaker 1: To put that defense forward, I should say, but it
• 34:46
  Speaker 1: is a lot easier to do that than it is
• 34:51
  Speaker 1: to argue against the fact that he's being alleged he
• 34:55
  Speaker 1: abused miners. I'm trying to be very careful with my
• 34:57
  Speaker 1: words here, as you can tell. And the reason that
• 34:59
  Speaker 1: it is more difficult to do the latter is because
• 35:02
  Speaker 1: consent doesn't enter into this in any way, shape or form,
• 35:06
  Speaker 1: because they're minors. Okay, so if that happens, and that's
• 35:12
  Speaker 1: a big if, but I don't know the people I'm
• 35:16
  Speaker 1: listening to, the people I'm talking to, they're not ruling
• 35:19
  Speaker 1: it out. Now. If that happens, Sean Combs' is life
• 35:22
  Speaker 1: becomes much much more difficult. So I'm keeping an eye
• 35:27
  Speaker 1: on that. We get into the all axis portion of this,
• 35:30
  Speaker 1: I'm going to talk a little bit more about the
• 35:33
  Speaker 1: specifics here of these new allegations that have come out.
• 35:37
  Speaker 1: But I want to give you, guys, because I get
• 35:39
  Speaker 1: asked this question a lot, what do you think is
• 35:40
  Speaker 1: going to happen? When is this going to happen? Is
• 35:42
  Speaker 1: it going to be a trial? Is he going to
• 35:44
  Speaker 1: be found guilty? I want to give you a little
• 35:46
  Speaker 1: bit of news that broke over the last two weeks
• 35:49
  Speaker 1: and just explain to you what I think is going
• 35:51
  Speaker 1: to happen in this case over the next six twelve,
• 35:54
  Speaker 1: eighteen months. Sean Colmes has a trial date for May fifth,
• 35:58
  Speaker 1: twenty twenty four. Shawn Combs's team pursued that trial date.
• 36:03
  Speaker 1: They wanted the trial to happen as soon as possible. Now,
• 36:07
  Speaker 1: on the other hand, Shawn Combs is making his I
• 36:12
  Speaker 1: think it's his third appeal to get out on bail.
• 36:16
  Speaker 1: I'm not going to get into the mechanics of it
• 36:18
  Speaker 1: because it's very complicated. It involves two different judges, and
• 36:22
  Speaker 1: I would have to say, at this juncture right now,
• 36:26
  Speaker 1: as I'm recording this on October twenty third, twenty twenty four,
• 36:30
  Speaker 1: it looks like Shawn Combs might actually be able to
• 36:32
  Speaker 1: get out on bail. Now, I'm not saying it's definitely
• 36:36
  Speaker 1: going to happen, but I'm saying it is fifty to fifty,
• 36:39
  Speaker 1: if not slightly better than that, that he gets out
• 36:42
  Speaker 1: on bail. Now, if he gets out on bail, his
• 36:44
  Speaker 1: legal team is going to quickly change course, I believe,
• 36:48
  Speaker 1: and try to get the trial delayed because now he'll
• 36:50
  Speaker 1: be out of jail, so he's no longer incentivized to
• 36:53
  Speaker 1: get this trial, you up and run in as soon
• 36:55
  Speaker 1: as possible, okay, because he'll be out and he's going
• 36:58
  Speaker 1: to try and mount his defense from outside of a
• 37:01
  Speaker 1: jail cell, which makes total sense. But if he gets
• 37:03
  Speaker 1: out on bail, what I'm saying is, if he gets
• 37:05
  Speaker 1: out on bail, look for the trial to start much later. Now.
• 37:10
  Speaker 1: I don't know how they're going to postpone it. I
• 37:12
  Speaker 1: don't know how the defense is going to postpone it,
• 37:14
  Speaker 1: but they're going to try. And you know, they're getting
• 37:16
  Speaker 1: paid a lot of money, not because they're stupid, so
• 37:18
  Speaker 1: they might figure it out away.
• 37:19
  Speaker 2: Now.
• 37:20
  Speaker 1: On the other hand, you got to keep in mind
• 37:21
  Speaker 1: also that if the scenario comes forward that I mentioned earlier,
• 37:27
  Speaker 1: if that actually happens, where the federal prosecutors decide that
• 37:31
  Speaker 1: they need to add additional charges here, that becomes what
• 37:36
  Speaker 1: I believe is called a superseding indictment, and then that
• 37:39
  Speaker 1: will most definitely kick the start date of this trial
• 37:43
  Speaker 1: down the road even further. So is it likely that
• 37:47
  Speaker 1: this trial starts on May fifth, twenty twenty four, I'm
• 37:50
  Speaker 1: saying fifty to fifty at best. I'm no legal expert.
• 37:55
  Speaker 1: I'm just telling you what I know, and I'm doing
• 37:57
  Speaker 1: it not only because you're asking. I'm doing it for
• 37:59
  Speaker 1: this other reason. Then I'm gonna start to tell this
• 38:01
  Speaker 1: story and all of these elements are going to be
• 38:03
  Speaker 1: part of it, and they're all going to be relevant
• 38:05
  Speaker 1: and how I tell the story. They're all gonna make
• 38:07
  Speaker 1: me tell the story in a different way. They're all
• 38:08
  Speaker 1: gonna make me bring it to you at a different time.
• 38:11
  Speaker 1: So I'm just laying it all out there for you
• 38:13
  Speaker 1: so you know where I'm coming from. All right, Sean
• 38:15
  Speaker 1: Combs putting it to bed. If you want in on
• 38:17
  Speaker 1: these insane allegations. I'm gonna get into that a little
• 38:20
  Speaker 1: bit more in the all access version of this coming
• 38:22
  Speaker 1: up soon. Right now, I want to kick it to
• 38:24
  Speaker 1: my interview with my good friend Adam Wiener from Low
• 38:26
  Speaker 1: Cut Connie. For those of you who don't know, I've
• 38:29
  Speaker 1: been friends with Adam now a couple of years, probably
• 38:32
  Speaker 1: five years something like that. The cool thing about this
• 38:35
  Speaker 1: was I was I was a huge fan of his
• 38:36
  Speaker 1: band before we were friends, and we just sort of
• 38:40
  Speaker 1: became friends, as you know, through being a fan of
• 38:42
  Speaker 1: his band, which is always a good thing. You guys
• 38:44
  Speaker 1: have that experience with bands. You love as well. I
• 38:47
  Speaker 1: know it. Adam's got a new film out right now
• 38:49
  Speaker 1: called Art Dealers, which is fantastic. You can go get
• 38:52
  Speaker 1: that anywhere. I mean, it's available wherever you stream films.
• 38:56
  Speaker 1: And he's got a new record coming a live record
• 38:58
  Speaker 1: coming out, I believe November first. And he's got a
• 39:02
  Speaker 1: huge catalog of low Ka Khanie albums. All of them
• 39:04
  Speaker 1: are great. I shit you not, They're all incredible. Like
• 39:07
  Speaker 1: I said, I talk about these guys all the time.
• 39:09
  Speaker 1: One of the last great rock and roll bands out
• 39:11
  Speaker 1: there with no more further ado, here's my recent conversation
• 39:15
  Speaker 1: with Adam from Loka Kanie. Adam, where you at Evan Philly?
• 39:21
  Speaker 4: Yes, I just got home the other night from my tour.
• 39:26
  Speaker 4: We got a little break in the tour.
• 39:28
  Speaker 1: How long is how long's tour? The Leger? You just
• 39:31
  Speaker 1: finished in the leg? You're about to go on?
• 39:33
  Speaker 4: Man, we just did twelve days. I'm home through the election,
• 39:39
  Speaker 4: and then we do another twelve thirteen days and then
• 39:45
  Speaker 4: we got like, I don't know, six or seven in December.
• 39:48
  Speaker 4: We do all these annual things in December, and then
• 39:52
  Speaker 4: I'm taking kind of a bigger break than I've taken
• 39:54
  Speaker 4: for a while, a couple months, right, Well, that's.
• 39:57
  Speaker 1: A good time for it, after the holidays. So I
• 39:59
  Speaker 1: watched the movie. So for those of you guys listening,
• 40:01
  Speaker 1: Adam Adam from Loka Coni has this new movie out
• 40:05
  Speaker 1: called Art Dealers, and I would, I don't know if
• 40:09
  Speaker 1: this is the right categorization, but I would call it
• 40:11
  Speaker 1: a concert film, even though it's not built as such.
• 40:14
  Speaker 1: Adam and his band are playing and it's great, and
• 40:17
  Speaker 1: I love how it starts with a full performance, which
• 40:19
  Speaker 1: I think is freaking awesome, and then there's really just
• 40:22
  Speaker 1: cutaways that follow you and the band, and you know,
• 40:26
  Speaker 1: it's not Hammer the Gods, right, This is not like
• 40:31
  Speaker 1: you're not cutting away to like wizards and shit, but
• 40:34
  Speaker 1: you are cutting away to your real life, which is
• 40:37
  Speaker 1: really friggin interesting. And the juxtaposition is fantastic because I
• 40:42
  Speaker 1: know you, but I really only know you when you're
• 40:44
  Speaker 1: out on the road and playing. I mean, that's really
• 40:46
  Speaker 1: We've done some gigs together and stuff, we've collaborated on.
• 40:48
  Speaker 1: Things always sort of around around a stage, and I
• 40:53
  Speaker 1: don't know much about your home life. I don't know
• 40:55
  Speaker 1: anything about your bandmate's home life, and to get to
• 40:58
  Speaker 1: see them in that atmosphere is really I just want
• 41:01
  Speaker 1: to know, like, what made you make It's hard to
• 41:04
  Speaker 1: make a movie, hard for a musician to make a movie.
• 41:06
  Speaker 1: What made you go ahead and do this?
• 41:09
  Speaker 4: Well? I've always wanted to make a film, and I
• 41:15
  Speaker 4: didn't know that it would be a film about myself,
• 41:17
  Speaker 4: but you know, I always wanted to make something big
• 41:21
  Speaker 4: and beautiful, you know, with my songs on film. And
• 41:25
  Speaker 4: during a pandemic, I went through this thing Jake, where
• 41:27
  Speaker 4: I was like, maybe I missed a chance to document
• 41:32
  Speaker 4: Low Cut Connie, because I was always pretty bad about
• 41:36
  Speaker 4: getting any kind of video footage of us doing shows.
• 41:41
  Speaker 4: And we had a pretty killer decade leading up to
• 41:44
  Speaker 4: the pandemic, and we had built something pretty magical, very powerful,
• 41:52
  Speaker 4: and then it was like, whoa, maybe it's over. Maybe
• 41:57
  Speaker 4: I don't have this band when I come back. If
• 42:01
  Speaker 4: we come back, maybe the audience moves on. Maybe I'm
• 42:05
  Speaker 4: not as healthy, Maybe it's just not there anymore, you know,
• 42:09
  Speaker 4: And I felt like I missed my moment. And then
• 42:13
  Speaker 4: coming out of the pandemic, we did like five shows
• 42:17
  Speaker 4: was our like comeback stick. At the end of twenty one,
• 42:20
  Speaker 4: not only were the crowds bigger, but the shows had
• 42:24
  Speaker 4: like a different vibe. It was cathartic. It was like
• 42:27
  Speaker 4: going to church. I'm an atheist Jew, but like it's
• 42:30
  Speaker 4: the closest thing to going to church that I've experienced.
• 42:33
  Speaker 4: Like people are crying, They've got their hands in the air,
• 42:37
  Speaker 4: people are yelling testify. I mean, it was so powerful,
• 42:42
  Speaker 4: Like the relationship between the fans and the music got
• 42:45
  Speaker 4: so much deeper. And I said, let's make this movie
• 42:48
  Speaker 4: right now. Let's do it right now.
• 42:51
  Speaker 1: Smart, that makes sense. You know. The obvious question is
• 42:54
  Speaker 1: why do you think there was this this kind of
• 42:58
  Speaker 1: this transition into into this different vibe at the live shows.
• 43:02
  Speaker 1: But I think I know part of that answer, And
• 43:04
  Speaker 1: part of then that's because of what you did during
• 43:07
  Speaker 1: the pandemic, where you took advantage of the pandemic in
• 43:10
  Speaker 1: a way that, I mean, almost better than anyone. Did
• 43:14
  Speaker 1: I know what that was? Why don't you share that
• 43:15
  Speaker 1: a little bit with the disgraceund listeners.
• 43:17
  Speaker 4: Well, this room that I'm in right now talking to you,
• 43:21
  Speaker 4: which is a tiny little spare bedroom in South Philly,
• 43:25
  Speaker 4: in my house. You know, I spent a year and
• 43:28
  Speaker 4: a half every day in this room building this live
• 43:31
  Speaker 4: stream series called Tough cookies and man. We did one
• 43:36
  Speaker 4: hundred and fifteen episodes, and you know, to put it
• 43:41
  Speaker 4: simply to your listeners, what it was was me sitting
• 43:45
  Speaker 4: in my underwear playing songs. Okay, but it was really
• 43:52
  Speaker 4: like this interactive variety show. And it started the first
• 43:57
  Speaker 4: week of the quarantine. My helpless said to me, just
• 44:02
  Speaker 4: go live and do something. And I said, I've never
• 44:04
  Speaker 4: done anything like that. I've never gone live. Nobody wants
• 44:08
  Speaker 4: to see me in my house. He said, just do it.
• 44:11
  Speaker 4: So we did one with no plan and we had
• 44:16
  Speaker 4: about five thousand people watching. And I did a second
• 44:19
  Speaker 4: one on the Saturday, this is the first week of quarantine,
• 44:23
  Speaker 4: and there were forty thousand people wow, watching me and
• 44:26
  Speaker 4: my underwear and Willie, my guitar player. The two of us,
• 44:31
  Speaker 4: we were looking at each other afterwards, like what's going on?
• 44:34
  Speaker 4: And there's something very powerful that happened, Jake, which was
• 44:38
  Speaker 4: that after that second broadcast, I got this video message
• 44:43
  Speaker 4: from these ICU nurses at a hospital in New Jersey
• 44:49
  Speaker 4: and they showed themselves with an iPad showing my tough
• 44:55
  Speaker 4: cookie show to these critically ill patients in the ic Wow.
• 45:01
  Speaker 4: And on on this broadcast, I'm telling people. Mozeltov, motherfuckers.
• 45:06
  Speaker 4: You made it through another day, and let's we got
• 45:09
  Speaker 4: to keep your hopes up. You got to keep going.
• 45:12
  Speaker 4: You cannot get depressed. We got to keep moving, We
• 45:15
  Speaker 4: got to keep connected.
• 45:16
  Speaker 2: You know.
• 45:17
  Speaker 4: It was there to kind of just lift people up.
• 45:19
  Speaker 4: And when I saw that these nurses were showing it
• 45:21
  Speaker 4: to these critically ill patients and it was helping people,
• 45:26
  Speaker 4: I said, I'm going to do this thing until this
• 45:29
  Speaker 4: quarantine is over.
• 45:30
  Speaker 6: Now.
• 45:30
  Speaker 4: I thought that that would be a couple of weeks,
• 45:33
  Speaker 4: but it ended up being a year and a half.
• 45:34
  Speaker 1: Yeah, you can feel that spirit, like you mentioned at
• 45:38
  Speaker 1: the top of this conversation, and just reinforce there. You
• 45:42
  Speaker 1: can feel it in the film. You can feel it
• 45:44
  Speaker 1: from the audience, you can feel it from the filmmaking.
• 45:48
  Speaker 1: And I think it's really hard to capture the spirit
• 45:54
  Speaker 1: of rock and roll on film. Never mind the unique
• 45:59
  Speaker 1: uh situation that low Ka Connie was in post Pandemic,
• 46:03
  Speaker 1: which is captured in Art Dealers. So muscle toof to you,
• 46:09
  Speaker 1: musseletof movie. So it's it's a tremendous movie. It's fantastic.
• 46:16
  Speaker 1: Thank you man, You're You're welcome, and I recommend all
• 46:18
  Speaker 1: this grace hand listeners. Go check it out. You can
• 46:20
  Speaker 1: get it. It's available everywhere, Apple, Amazon, YouTube, all over
• 46:24
  Speaker 1: the place. There's something that you say. However, now we've
• 46:28
  Speaker 1: talked a lot. We've talked a lot about our music
• 46:31
  Speaker 1: that we love. We talked a lot about our careers,
• 46:33
  Speaker 1: what we're doing, where we're going, what we're into, the challenges.
• 46:37
  Speaker 1: There was a there was a lyric I picked out
• 46:39
  Speaker 1: from a song in the film, this kind of loneliness
• 46:43
  Speaker 1: goes out of style. And to me, that hit me
• 46:47
  Speaker 1: as a guy who's like, I don't know why you
• 46:50
  Speaker 1: wrote it or what, but I'm just gonna tell you
• 46:51
  Speaker 1: my interpretation and then you can tell me why you
• 46:53
  Speaker 1: wrote it and whatever. And if I get it wrong,
• 46:54
  Speaker 1: that's fine. You know, we all interpret things differently. But
• 46:56
  Speaker 1: to me, I felt it as a guy who's who's
• 46:58
  Speaker 1: been on the road and ben just just this feeling
• 47:02
  Speaker 1: of even when things are going great, it's still so
• 47:06
  Speaker 1: fucking lonely, man. It's so lonely. And you've been doing
• 47:10
  Speaker 1: this a long time, man, and you're not stopping. And
• 47:14
  Speaker 1: I was just curious. That line just hit me. I
• 47:15
  Speaker 1: was like, huh, what was Adam thinking when he.
• 47:18
  Speaker 4: Wrote that I wasn't thinking about anything, but I like
• 47:21
  Speaker 4: your interpretation. I mean one of the things, you know,
• 47:27
  Speaker 4: when I first started playing music, long before I met you,
• 47:31
  Speaker 4: I was a piano player in a gay bar. There
• 47:34
  Speaker 4: was a bar in Manhattan called Pegasus at fifty ninth
• 47:38
  Speaker 4: in Lexington that it was a wild bar, I mean
• 47:43
  Speaker 4: nudist night and drag karaoke on Saturdays. And it was
• 47:50
  Speaker 4: so eye opening to me. It was like a whole
• 47:52
  Speaker 4: new world. And I was the piano player, and I
• 47:55
  Speaker 4: met all these people in this bar who had been
• 47:58
  Speaker 4: in New York City for thirty years plus, dancers, choreographers, singers,
• 48:06
  Speaker 4: fashion designers, models, like all these art people, older gay
• 48:12
  Speaker 4: people that hung out in this bar. And they would
• 48:15
  Speaker 4: talk to me about living in these rent control departments
• 48:19
  Speaker 4: that they got in the seventies and sixties, and a
• 48:23
  Speaker 4: lot of you should have seen it when kind of
• 48:26
  Speaker 4: say right right, right, right right, and being around these
• 48:29
  Speaker 4: people who had like just lived and breathed their scene,
• 48:35
  Speaker 4: and many of them were very poor and were living
• 48:42
  Speaker 4: very modest, you know, circumstances as New York was becoming
• 48:46
  Speaker 4: a place where poor people can't really live. And they're
• 48:51
  Speaker 4: telling him about these incredible art scenes about hanging out
• 48:55
  Speaker 4: with Basquiat and hanging out with Bowie and some of
• 48:59
  Speaker 4: the older hanging out with Judy Garland. I mean, people
• 49:03
  Speaker 4: who have been around some of the great, great moments.
• 49:09
  Speaker 4: You know. I was thinking about those people during a pandemic.
• 49:13
  Speaker 4: Where are they now? Are they alive? Are they gone?
• 49:16
  Speaker 4: Does anybody remember these folks? I remember them? And I
• 49:21
  Speaker 4: was thinking about myself and all my pals who you know,
• 49:27
  Speaker 4: we burn to make art every day and we do
• 49:31
  Speaker 4: it for years and decades. And I was going through
• 49:35
  Speaker 4: a what's it all for? Kind of moment for sure,
• 49:39
  Speaker 4: and coming out of it and getting back on stage
• 49:42
  Speaker 4: and singing about that felt good.
• 49:45
  Speaker 2: You know what.
• 49:46
  Speaker 4: I'll add to that, not to be too cynical, but
• 49:49
  Speaker 4: we're in this age of poptimism, as they say, in
• 49:52
  Speaker 4: which our culture, even though socially, politically, etc. Things are
• 50:00
  Speaker 4: really fallen apart at the seams. The same time, our
• 50:05
  Speaker 4: general culture is really enamored with extremely commercial, two dimensional
• 50:11
  Speaker 4: pop music that's very positive in nature, you know, like
• 50:17
  Speaker 4: very escapist pop music is like so in fashion right now?
• 50:22
  Speaker 4: I agree, And he absolutely does not scratch any itch
• 50:27
  Speaker 4: for me.
• 50:28
  Speaker 1: With you at you Yeah, it's funny to hear you
• 50:32
  Speaker 1: say that, because you know, independent of you coming on
• 50:37
  Speaker 1: this week, it just it just happened. I was in
• 50:42
  Speaker 1: a conversation with my listeners about it was because we
• 50:44
  Speaker 1: did this Cramps episode and it was about Lux Interior's
• 50:48
  Speaker 1: definition of real rock and roll, and there's a cynicism
• 50:53
  Speaker 1: in real rock and roll. He doesn't say that, but
• 50:56
  Speaker 1: it's it's true. It's there, and anyone who knows rock
• 50:58
  Speaker 1: and roll knows that's We've been having this conversation here
• 51:01
  Speaker 1: in this space about how there aren't any rock and
• 51:04
  Speaker 1: roll bands left and how rock is dead. But that
• 51:08
  Speaker 1: conversation takes place in the confines of popular mainstream culture.
• 51:12
  Speaker 1: And I even namechecked you guys, and I was like,
• 51:14
  Speaker 1: I as an example of there are rock bands out
• 51:17
  Speaker 1: there killing it every night, but there are no rock
• 51:20
  Speaker 1: bands with top ten hits anymore who are driving culture.
• 51:25
  Speaker 1: And maybe you know, we've been trying to figure out why,
• 51:29
  Speaker 1: and maybe you're hitting it on the head because that
• 51:31
  Speaker 1: cynicism isn't allowed anymore.
• 51:33
  Speaker 4: You cannot in fashion, as I say, it's out of style,
• 51:37
  Speaker 4: you know exactly, And frankly, even though social media rules
• 51:47
  Speaker 4: our lives, for some reason. Music that talks about the
• 51:53
  Speaker 4: human condition and the state of play in our culture
• 51:57
  Speaker 4: is also out of fashion. It's a very escapist era
• 52:01
  Speaker 4: that we're in right now, and so songs about revolution,
• 52:07
  Speaker 4: songs about conflict, songs about you know, corruption and fucked
• 52:16
  Speaker 4: up inness in all forms, they ain't rise into the
• 52:21
  Speaker 4: top right now. The algorithm is not bringing those that
• 52:24
  Speaker 4: music out right now.
• 52:26
  Speaker 1: Yeah, fuck the algorithm.
• 52:27
  Speaker 4: And if if rock and roll is a truth telling medium,
• 52:35
  Speaker 4: well a medium of like catharsis bring out what's real
• 52:40
  Speaker 4: and what you feel. It's not the era for it
• 52:44
  Speaker 4: in terms of popularity, but I'll tell you I don't care,
• 52:47
  Speaker 4: because I like being a cult band right right in
• 52:52
  Speaker 4: this time.
• 52:53
  Speaker 1: And what you're doing is resonating, it's connecting. There's there's
• 52:58
  Speaker 1: your relationship with your fans is unique. It's truly unique.
• 53:00
  Speaker 1: If you're at a Lokakni show you were part of,
• 53:03
  Speaker 1: like you said, it's like a I don't know if
• 53:05
  Speaker 1: you said revival, but you said testify. It's there's there's
• 53:07
  Speaker 1: some quasi spiritual thing that's that's going on. You can
• 53:12
  Speaker 1: feel it. It's transcendent. In the movie, there's this great
• 53:16
  Speaker 1: scene and it reminded me of so I want to
• 53:20
  Speaker 1: tell the listeners. So I went to see you guys.
• 53:21
  Speaker 1: Seen you guys a lot. I don't know how many times,
• 53:23
  Speaker 1: but I went to see you. I happen to be
• 53:26
  Speaker 1: on vacation with my family on Martha's Vineyard and I
• 53:29
  Speaker 1: went to see on Martha's Vineyard and you guys, you
• 53:31
  Speaker 1: guys killed it. And I remember catching up with you
• 53:34
  Speaker 1: a week or so later, I think in Newport, and
• 53:36
  Speaker 1: you were like, oh, what fuck? You missed it? Man,
• 53:39
  Speaker 1: what happened after that show was so fucking wild. Do
• 53:42
  Speaker 1: you remember, because there was a scene in the movie
• 53:44
  Speaker 1: that reminded me of this story. Do you remember this?
• 53:46
  Speaker 1: You remember what happened to you after that show?
• 53:48
  Speaker 4: I do, because it's the only time in the history
• 53:51
  Speaker 4: of the band and the thousand shows or whatever, that
• 53:54
  Speaker 4: we had to charter our own boat. You know, it's
• 54:00
  Speaker 4: an island, And we had a gig in Massachusetts the
• 54:05
  Speaker 4: next day and the ferry stops. We were on it
• 54:10
  Speaker 4: like eleven and I don't remember. We got out of
• 54:12
  Speaker 4: there at midnight and they said no, the ferry stopped running.
• 54:16
  Speaker 4: So some guy, and I'm pretty sure his name was Spanky,
• 54:22
  Speaker 4: this guy with a cigarette hanging out of his mouth.
• 54:24
  Speaker 4: He said, I'll take you guys on my boat. And
• 54:27
  Speaker 4: we had to take our piano on this guy's boat.
• 54:32
  Speaker 4: He had nothing to tie the boat the piano down,
• 54:35
  Speaker 4: so we all just sort of like held the piano down.
• 54:39
  Speaker 1: What size boat is this that you're on? Now?
• 54:41
  Speaker 4: This is like I would say, you could probably fit
• 54:43
  Speaker 4: maybe twelve to fifteen people on it.
• 54:45
  Speaker 1: Yes, so it's like at most a twenty foot boat.
• 54:48
  Speaker 1: It's not you're not on an actual ferry. And this
• 54:51
  Speaker 1: is at like one two o'clock in the morning.
• 54:54
  Speaker 4: Two o'clock.
• 54:55
  Speaker 1: Yeah, in the middle of the fucking Atlantic Ocean. Okay,
• 54:58
  Speaker 1: this is not like you're not on a pond, you know,
• 55:01
  Speaker 1: And it's it's a good hours ferry drive something like that,
• 55:05
  Speaker 1: forty five minutes at least. So, but what happens when
• 55:08
  Speaker 1: you're when you're all holding down the piano.
• 55:11
  Speaker 4: Literally, I was getting like pretty nauseous, so I was like,
• 55:16
  Speaker 4: I'm just gonna start playing songs because that'll keep me.
• 55:19
  Speaker 4: So I started. I remember playing Gilligan's Island and Margaritaville
• 55:25
  Speaker 4: and stuff on this boat. But that's just another day
• 55:28
  Speaker 4: at the office when you're when you tour the way
• 55:31
  Speaker 4: we do, which is which is truly insane. You know,
• 55:35
  Speaker 4: people get this image of touring that's glamorous, and I
• 55:40
  Speaker 4: think it comes from these films from our biggest pop
• 55:44
  Speaker 4: stars that have come out in the last few years,
• 55:45
  Speaker 4: Lady Gaga, Beyonce, Taylor Swift. They put out these concert films.
• 55:49
  Speaker 4: There's a number of them, and they show the touring
• 55:51
  Speaker 4: and those are truck tours with multiple trucks and buses.
• 55:54
  Speaker 4: And we're in a van pulling a trailer with a
• 55:57
  Speaker 4: piano in it. Right right, the members of the band
• 56:01
  Speaker 4: are carrying a four hundred pounds piano up a flight
• 56:04
  Speaker 4: of stairs to get onto the stage. You know.
• 56:07
  Speaker 1: In our Dealers, there's a scene where and I want
• 56:09
  Speaker 1: to know this story behind this. You're you're in a
• 56:12
  Speaker 1: back alley somewhere. It looks like the Northeast or the Midwest.
• 56:16
  Speaker 1: There's snow on the ground. You're I think you're in
• 56:19
  Speaker 1: a rip tank top and you have a towel around
• 56:22
  Speaker 1: your neck. It looks to be freezing out and it's
• 56:25
  Speaker 1: you Denver, Denver, Okay. And it looks like there's two
• 56:28
  Speaker 1: bouncers standing, you know, on each side of you. And
• 56:31
  Speaker 1: then there's about you know, twenty or so fans and
• 56:36
  Speaker 1: like ten feet from you, and they're all singing your
• 56:40
  Speaker 1: song to you. You're just in the alley, like I'm
• 56:42
  Speaker 1: guessing after a show like that, what was that? It's amazing.
• 56:46
  Speaker 4: What happened was a man collapsed at the show. He
• 56:51
  Speaker 4: had like a cardiac event. He hit his head. We
• 56:55
  Speaker 4: had to stop the show, emt the whole thing and
• 56:58
  Speaker 4: we got the show going again, and some schmuck pulled
• 57:02
  Speaker 4: the fire alarm and I still to this day, nobody
• 57:05
  Speaker 4: knows why that happened. But we all had to evacuate.
• 57:10
  Speaker 4: It was ten degrees outside and we were waiting from
• 57:15
  Speaker 4: the staff to hear are they going to let everybody
• 57:18
  Speaker 4: back in? And they give me the message we're not
• 57:22
  Speaker 4: going to be allowed back into the venue. And so
• 57:27
  Speaker 4: these fans just started singing my song Rio and it
• 57:30
  Speaker 4: was a nice ending to the night.
• 57:32
  Speaker 1: You know, Yeah, it's beautiful. It's a beautiful moment. Just
• 57:35
  Speaker 1: it's quick, but it's like it's very telling. And if
• 57:38
  Speaker 1: I didn't know you guys, I didn't know the band,
• 57:40
  Speaker 1: and I saw that, it'd be like, who the fuck
• 57:42
  Speaker 1: are these guys? I need I need some of this
• 57:45
  Speaker 1: in my life so Art Dealers, the film that's out now,
• 57:53
  Speaker 1: you guys can watch that, Like I said, anywhere. You
• 57:57
  Speaker 1: have a live album coming out as well, November first.
• 57:59
  Speaker 4: Right, Yeah, Connie Lave Now is that?
• 58:02
  Speaker 1: Is that? Is that one show? How did you do it?
• 58:05
  Speaker 1: Is it? Where was it? Tell me a little bit
• 58:07
  Speaker 1: about that.
• 58:07
  Speaker 4: It's essentially the soundtrack to the film. It's a lot
• 58:09
  Speaker 4: of the songs from the movie plus some others, but
• 58:14
  Speaker 4: it's all recorded in twenty twenty two.
• 58:17
  Speaker 1: Oh okay, same period.
• 58:20
  Speaker 4: When the band. You know, I've had thirty people in
• 58:23
  Speaker 4: this band, right, thirteen drummers. But this lineup that's in
• 58:29
  Speaker 4: the film was just so special. I felt like it
• 58:33
  Speaker 4: was kind of like a culmination of over a decade
• 58:36
  Speaker 4: of work. Yeah, and everybody was really firing on all cylinders.
• 58:41
  Speaker 4: And I'd never done a live album before, and I thought,
• 58:45
  Speaker 4: this is such an amazing representation of the thirteen years
• 58:49
  Speaker 4: of this band and the whole catalog. It turned out
• 58:54
  Speaker 4: pretty good. And I'm listen, I'm just riding a wave.
• 58:59
  Speaker 4: I wish I could tell you there was a lot
• 59:00
  Speaker 4: of planning going on, but this whole band is an accident.
• 59:04
  Speaker 4: It's all. As I say in the film, and unplanned pregnancy.
• 59:08
  Speaker 4: I was already thirty. I was already in my thirties
• 59:12
  Speaker 4: when this band started, and so I'm just stumbling my
• 59:16
  Speaker 4: way through this whole thing, and it just keeps growing
• 59:19
  Speaker 4: and expanding and changing, and I just try to grow
• 59:22
  Speaker 4: and expand with it.
• 59:24
  Speaker 1: Yeah. Well it's working, man, it's working. One of the
• 59:28
  Speaker 1: things that I like about our relationship is whenever we
• 59:32
  Speaker 1: get together and talk, you always you can. I do
• 59:36
  Speaker 1: the same thing, much to my wife's annoyance, where I
• 59:40
  Speaker 1: relate everything back to some rock and roll story. You
• 59:45
  Speaker 1: do the same thing, and you know a lot about
• 59:47
  Speaker 1: music that I don't know, which is why I hang
• 59:50
  Speaker 1: out with you. You have tremendous taste, incredible taste, and your
• 59:55
  Speaker 1: a rock and roll you're a music historian as well,
• 59:58
  Speaker 1: even if you don't call yourself that. That's what you
• 1:00:00
  Speaker 1: But I told you when we talked about doing this
• 1:00:03
  Speaker 1: conversation here that it's Halloween here in Disgraceland and we're
• 1:00:07
  Speaker 1: heavy into the October programming here, so it's like, Adam,
• 1:00:10
  Speaker 1: it would be great if you could come on and
• 1:00:13
  Speaker 1: treat me like a total novice and explain to me
• 1:00:17
  Speaker 1: screaming Jay Hawkins, because He's somebody that I don't know
• 1:00:21
  Speaker 1: a lot about. I just guessed that you do know
• 1:00:23
  Speaker 1: a lot about it. You know, we didn't prep for
• 1:00:25
  Speaker 1: this hardly at all, and I've been asked continuously to
• 1:00:29
  Speaker 1: do an episode on Screaming Jay Hawkins. And all I
• 1:00:31
  Speaker 1: know about the guy besides I put a spell on
• 1:00:33
  Speaker 1: you is I think he had something like, you know,
• 1:00:35
  Speaker 1: seventy five children or something like that.
• 1:00:37
  Speaker 4: Yeah, and that we know of.
• 1:00:39
  Speaker 1: That we know of, and that's really it. I mean,
• 1:00:42
  Speaker 1: I put him on Spotify. But as I was setting
• 1:00:44
  Speaker 1: up the mic and I heard covering Paul McCartney's Monkberry
• 1:00:47
  Speaker 1: Moon Delight, which was so good. But yeah, man, just
• 1:00:51
  Speaker 1: lay it on me. Laying on the Disgraceland listeners anything
• 1:00:54
  Speaker 1: about Screaming Jay Hawkins, particularly as it pertains to sort
• 1:00:57
  Speaker 1: of the darker halloweeny horror type stuff.
• 1:01:00
  Speaker 4: I mean, Screaming Jay Hawks. First of all, people will
• 1:01:03
  Speaker 4: probably know I put a spell on you. I put
• 1:01:06
  Speaker 4: a spell on you as a standard, and maybe they
• 1:01:11
  Speaker 4: know the Nina Simone version, Credence, the Credence version. But
• 1:01:18
  Speaker 4: Screaming Jay that was his song and it's I still
• 1:01:22
  Speaker 4: think one of the greatest rock and roll songs ever recorded,
• 1:01:25
  Speaker 4: and there's no other song like it. There's truly no
• 1:01:29
  Speaker 4: other song like it. He was drunk off of his
• 1:01:32
  Speaker 4: face when he made that song self admittedly, and you
• 1:01:37
  Speaker 4: can tell, well, what's funny that I think is interesting
• 1:01:40
  Speaker 4: about it is in his drunkenness, in this vocal performance,
• 1:01:47
  Speaker 4: he accesses this place that's like simultaneously terrifying, confusing, and
• 1:01:53
  Speaker 4: very sad.
• 1:01:55
  Speaker 1: You know.
• 1:01:55
  Speaker 4: The tenor of that song is, you don't love me anymore?
• 1:01:59
  Speaker 4: And I need to put like a hoodoo on you
• 1:02:03
  Speaker 4: to trick you back into loving me again, And why
• 1:02:05
  Speaker 4: don't you love me anymore?
• 1:02:07
  Speaker 1: You know?
• 1:02:08
  Speaker 4: He was a total one off. He would come out
• 1:02:11
  Speaker 4: on stage in a coffin. They bring him out of
• 1:02:15
  Speaker 4: the coffin. He'd had a bone in his nose. He'd
• 1:02:18
  Speaker 4: have a scepter with shrunken heads hanging off of it.
• 1:02:23
  Speaker 4: It was extremely macabre, as they say, right, it was dark,
• 1:02:28
  Speaker 4: it was scary, and he had this operatic trained, operatic
• 1:02:35
  Speaker 4: voice which you can hear in these recordings.
• 1:02:40
  Speaker 1: Really formally trained.
• 1:02:42
  Speaker 4: I mean, he could have been at the Metropolitan Opera
• 1:02:44
  Speaker 4: in his career. I mean, that's how powerful a singer
• 1:02:47
  Speaker 4: he was. But thank goodness, He used those skills for
• 1:02:52
  Speaker 4: something so strange and original, and there's a collection called
• 1:02:57
  Speaker 4: cow Fingers and Mosquito Pie. Pretty good introduction. He wrote
• 1:03:03
  Speaker 4: some incredible songs Frenzy, and then later, interestingly enough, Tom
• 1:03:10
  Speaker 4: Waits became a huge, you know, sort of protege of his.
• 1:03:16
  Speaker 4: When you talk about the strangiosity when you go into
• 1:03:22
  Speaker 4: a recording studio, what Scream and Jay would do is
• 1:03:26
  Speaker 4: you try to create that theater of the mind where
• 1:03:30
  Speaker 4: you're hearing. He create like a jungle scene, right, and
• 1:03:35
  Speaker 4: you're hearing people. You're hearing like cheetahs and lions in
• 1:03:39
  Speaker 4: the distance, and mosquitoes buzzing, and then people screaming, and
• 1:03:44
  Speaker 4: then all these weird instruments, and it's this very three
• 1:03:47
  Speaker 4: dimensional sound.
• 1:03:49
  Speaker 2: You know.
• 1:03:49
  Speaker 1: Did Waits do that with sort of the you know,
• 1:03:52
  Speaker 1: born in the back of a taxi cab type vibe,
• 1:03:55
  Speaker 1: with the cityscape and all that.
• 1:03:56
  Speaker 4: I think around the time of Swordfish, Trump Bones with
• 1:04:01
  Speaker 4: Tom Waits going into the eighties when he got really
• 1:04:04
  Speaker 4: deep into this three dimensional theater of the mind style
• 1:04:07
  Speaker 4: of recording where the different people are at different distances
• 1:04:13
  Speaker 4: from the microphone to create this three dimensional space in
• 1:04:16
  Speaker 4: your mind. I really feel like that was descendant from
• 1:04:19
  Speaker 4: Screaming Jay Hawkins. And also that combination that Tom Waits
• 1:04:25
  Speaker 4: has of the sort of dark CD underbelly mixed with romanticism.
• 1:04:33
  Speaker 4: You know that scream in Jay is it's scary in
• 1:04:38
  Speaker 4: the way that a horror film is scary, but it's
• 1:04:41
  Speaker 4: also like tender. There's a lot of love subjects in
• 1:04:45
  Speaker 4: his songs.
• 1:04:46
  Speaker 1: Yeah, yeah, well that probably speaks to his appeal. I
• 1:04:49
  Speaker 1: wonder was was I put a spell on you? Was
• 1:04:52
  Speaker 1: Was that a hit hit or was it like a
• 1:04:54
  Speaker 1: novelty hit?
• 1:04:55
  Speaker 4: Both? I mean, that really was a hit. He did
• 1:04:58
  Speaker 4: it on television. He became rather famous from it on
• 1:05:05
  Speaker 4: the level of like a like a Buddy Holly or
• 1:05:08
  Speaker 4: something in the middle fifties. But he was just so
• 1:05:13
  Speaker 4: whack adoodle that he didn't have a second hit.
• 1:05:18
  Speaker 1: So what's the story with the seventy plus kids? Is
• 1:05:21
  Speaker 1: it just exactly what we imagined it to be or
• 1:05:24
  Speaker 1: is there anything else worth mentioning there?
• 1:05:26
  Speaker 4: All I know is in two thousand and one, I
• 1:05:29
  Speaker 4: think it was I was working I was an intern
• 1:05:32
  Speaker 4: at a radio station in Memphis, Tennessee, and my boss
• 1:05:35
  Speaker 4: at the time he said, check this out, and he
• 1:05:38
  Speaker 4: gives me this letter that they got and it was
• 1:05:42
  Speaker 4: from a website called jays Kids dot Com and it
• 1:05:47
  Speaker 4: was some of his family members going around and asking
• 1:05:53
  Speaker 4: radio stations to broadcast this thing where they were like,
• 1:05:56
  Speaker 4: if you were think, if you think that you are
• 1:05:58
  Speaker 4: the descendant of Screaming Jayhawks, go to Jay's Kids dot
• 1:06:02
  Speaker 4: com and register for a paternity test. Oh my god,
• 1:06:06
  Speaker 4: wild And my understand, I thought the number was fifty
• 1:06:10
  Speaker 4: seven verified. I know there were hundreds and hundreds and
• 1:06:14
  Speaker 4: hundreds of submissions. There's a little film that people can
• 1:06:18
  Speaker 4: watch online about this because a number of the verified
• 1:06:23
  Speaker 4: children got together and it's kind of freaky because they
• 1:06:28
  Speaker 4: kind of all looked like Screaming Jay Wow. And he
• 1:06:31
  Speaker 4: was a pretty crazy looking guy. Yeah, but man, he
• 1:06:36
  Speaker 4: had kids all over the world, Philippines, Hawaii, New York, Germany.
• 1:06:42
  Speaker 4: I mean, he really spread it around.
• 1:06:45
  Speaker 1: What was it? What was the mephestation? I could ask.
• 1:06:48
  Speaker 4: Man, there's a radio show and it's still going strong.
• 1:06:50
  Speaker 4: It's called Beal Street Caravan, Okay, And I've actually been
• 1:06:56
  Speaker 4: interviewed on that show. Nice for low cut Connie. But
• 1:07:00
  Speaker 4: when I was twenty one years old, I was at
• 1:07:02
  Speaker 4: the University of Memphis doing musicology, and I was the
• 1:07:06
  Speaker 4: intern there editing their interviews, and man, they interviewed Sam Phillips,
• 1:07:12
  Speaker 4: Steve Cropper, Al Green, oh Man, Rufus Thomas, all these
• 1:07:17
  Speaker 4: amazing legends, mostly of Memphis music.
• 1:07:22
  Speaker 1: Yeah.
• 1:07:23
  Speaker 2: Yeah.
• 1:07:23
  Speaker 1: Was Alex Chilton there at that time or was he
• 1:07:25
  Speaker 1: in Louisiana?
• 1:07:26
  Speaker 4: Alex did not live in Memphis at the time, But
• 1:07:30
  Speaker 4: my stay in Memphis was when I fell in love
• 1:07:35
  Speaker 4: with Alex's music and met my good friend to this day,
• 1:07:39
  Speaker 4: Jodi Stevens from Big Star.
• 1:07:41
  Speaker 1: Yeah. Yeah.
• 1:07:42
  Speaker 4: And speaking of Alex Chilton, you know, we were fortunate
• 1:07:47
  Speaker 4: enough to get clearance from his family to cover Hey
• 1:07:50
  Speaker 4: Little Child in the film. Our dealers saw that between
• 1:07:55
  Speaker 4: you and Me, we also covered a Madonna song, but
• 1:07:58
  Speaker 4: we were denied the license to put that in the film.
• 1:08:02
  Speaker 1: Which song?
• 1:08:03
  Speaker 4: Dress you up nice? I'm gonna dress you up in Malla.
• 1:08:07
  Speaker 1: All over your body. Damn, man, I can't believe. I
• 1:08:10
  Speaker 1: can't believe it wasn't allowed.
• 1:08:12
  Speaker 4: You know why, you know what they said no, because
• 1:08:14
  Speaker 4: by the way, if Madonna had heard it, she would
• 1:08:16
  Speaker 4: have said yes, right right. But that's one of her
• 1:08:19
  Speaker 4: songs that she didn't participate in the writing. It was
• 1:08:23
  Speaker 4: this married couple and they didn't like that. I said
• 1:08:27
  Speaker 4: the word motherfucker during the performance of the song.
• 1:08:33
  Speaker 1: Dude, what year is this? Unbelievable? Unreal? Unreal? All right, well, hey,
• 1:08:39
  Speaker 1: next time, next one, you should be doing borderline. Anyways,
• 1:08:42
  Speaker 1: that's the Madonna song I have covered.
• 1:08:44
  Speaker 4: You know what, I'm gonna say this right here on
• 1:08:46
  Speaker 4: the air with you. I've been toying with doing a
• 1:08:51
  Speaker 4: low cut Connie Covers Madonna full album.
• 1:08:54
  Speaker 1: I love that.
• 1:08:55
  Speaker 4: Been like toying with that for a few years. I
• 1:08:57
  Speaker 4: love that because over the years I have covered a
• 1:09:00
  Speaker 4: number of Madonna songs and I do them my way. Yeah,
• 1:09:05
  Speaker 4: but there's so many of her songs that are so
• 1:09:09
  Speaker 4: elemental that they're good. They're kind of great in any presentation.
• 1:09:14
  Speaker 1: Yeah.
• 1:09:14
  Speaker 4: Yeah, So maybe I'll do that.
• 1:09:16
  Speaker 1: Man, there you go. I love it. Come back on.
• 1:09:18
  Speaker 1: We'll talk about it when you do do it.
• 1:09:20
  Speaker 4: Okay.
• 1:09:21
  Speaker 1: I will invite Screaming Jay's kids on too. It'll be
• 1:09:23
  Speaker 1: a blast. Due everybody. Adam from Lowkat Connie Art Dealers,
• 1:09:30
  Speaker 1: remind me what the name of the new album is.
• 1:09:31
  Speaker 1: It's coming on in November first. This will hit before that.
• 1:09:34
  Speaker 1: Connie Live, Connie Live, that's easy to remember. Thanks dude,
• 1:09:37
  Speaker 1: appreciate you, Thank you for coming on.
• 1:09:39
  Speaker 4: Thank you, my man. I appreciate you.
• 1:09:42
  Speaker 1: All right, guys. As you can see, Adam is a smart,
• 1:09:46
  Speaker 1: passionate musician artist. Loved that conversation. Hope you douget as well.
• 1:09:53
  Speaker 1: Hope you check out his movie. Hope you check out
• 1:09:54
  Speaker 1: his music. Hope you go see them live. Low Ka,
• 1:09:56
  Speaker 1: Connie's incredible live. You'll have an amazing time. And yeah,
• 1:10:01
  Speaker 1: I was really happy that he was able to do that.
• 1:10:03
  Speaker 1: So Adam, if you're listening, thank you, my man. This
• 1:10:06
  Speaker 1: episode is nearing its end. All Access members, you're gonna
• 1:10:10
  Speaker 1: get a little more here. If you're not an All
• 1:10:11
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• 1:10:14
  Speaker 1: to do it. Just graceslampod dot Com Slash membership gets
• 1:10:17
  Speaker 1: you an all Access pass, You get the extra bonus
• 1:10:20
  Speaker 1: episode portion here in the after party, you get ad
• 1:10:22
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• 1:10:26
  Speaker 1: and you get me in the chat and Patreon blabbing away.
• 1:10:28
  Speaker 1: All right, So again, disgracelampod dot com Slash membership. Check
• 1:10:33
  Speaker 1: that out. Become an All Access member today. All right, guys,
• 1:10:50
  Speaker 1: I am back. Thanks again, for hanging with me here
• 1:10:52
  Speaker 1: in this bonus after party episode. Go get that merch.
• 1:10:54
  Speaker 1: Go get those shirts before they're gone disgracelampod dot com
• 1:10:57
  Speaker 1: slash merch. You get like a and a half before
• 1:11:00
  Speaker 1: they're out, and then they ain't coming back. Bye bye berdie.
• 1:11:04
  Speaker 1: All right. Book Club October twenty ninth. That's coming up
• 1:11:07
  Speaker 1: fast too. That's Tuesday, so a couple of days from now.
• 1:11:09
  Speaker 1: You still got time to read the Exorcist and look
• 1:11:11
  Speaker 1: a little Dirty Secret. If you haven't read the book,
• 1:11:14
  Speaker 1: just join us. Anyways, it's a fun conversation. Maybe it'll
• 1:11:17
  Speaker 1: motivate you to read the book. Okay, the book's incredible.
• 1:11:19
  Speaker 1: Read some of the book. Read the Wikipedia. By the way,
• 1:11:23
  Speaker 1: there's a crib notes cliff notes version of my book
• 1:11:26
  Speaker 1: on Amazon. Don't buy it. I have to fix that.
• 1:11:30
  Speaker 1: I just noticed that the other day. Okay, listen, thanks
• 1:11:33
  Speaker 1: for all the calls, thanks to the voicemail. Six one
• 1:11:35
  Speaker 1: seven nine oh six six six three eight. Hit me
• 1:11:38
  Speaker 1: up with the question of the week for next week,
• 1:11:39
  Speaker 1: which is going to be as you're listening to the
• 1:11:41
  Speaker 1: Exorcist episode, what book scared the hell out of you?
• 1:11:46
  Speaker 1: That's what we want to know, as for the archive episodes. Listen.
• 1:11:49
  Speaker 1: We got this thing going on the website. We just
• 1:11:51
  Speaker 1: did a little redesign. You go to the listen page.
• 1:11:53
  Speaker 1: Got my favorite episodes up there. We got them all
• 1:11:55
  Speaker 1: separated by season, but we got my favorite episodes up there.
• 1:11:58
  Speaker 1: A lot of them we've talked about in here recently.
• 1:12:00
  Speaker 1: I'm not gonna mention those, but some that we have
• 1:12:02
  Speaker 1: not discussed. The Billie Holiday episode ninety nine, released on
• 1:12:06
  Speaker 1: April fifth, twenty twenty two, might be one of my
• 1:12:09
  Speaker 1: favorite episodes of all time. Billie Holiday training her dog
• 1:12:12
  Speaker 1: to deliver her her heroin. Okay, get in on that.
• 1:12:15
  Speaker 1: The Studio fifty four episode. The music in this episode
• 1:12:19
  Speaker 1: some of the best music we've ever done for any disgrace,
• 1:12:22
  Speaker 1: laand Piece. That's episode number fifty eight that's released on
• 1:12:25
  Speaker 1: May twenty six, twenty twenty I got an email here
• 1:12:29
  Speaker 1: or a review, I can't remember what it was. Thanks
• 1:12:31
  Speaker 1: for the reviews. By the way. Someone talking about the
• 1:12:33
  Speaker 1: Miles Davis episodes. Those are episodes one hundred and one
• 1:12:36
  Speaker 1: and one hundred and two. Those are amongst my favorite
• 1:12:38
  Speaker 1: as well. That's May third, twenty twenty two and May seventeenth,
• 1:12:42
  Speaker 1: twenty twenty two. Check those out, get into the archive.
• 1:12:45
  Speaker 1: Got a lot going on. It's Halloween, all kinds of shit.
• 1:12:50
  Speaker 1: Man Yankees are in the world series again, not happy
• 1:12:53
  Speaker 1: about that. Mets are not also not happy about that.
• 1:12:55
  Speaker 1: I gotta get out of here. Okay, So right now
• 1:12:57
  Speaker 1: Number one writ in your feed our episode on the
• 1:12:59
  Speaker 1: Curse the Poulter guyst Film series number two coming tomorrow,
• 1:13:02
  Speaker 1: a special rewind episode from our archive, and we are
• 1:13:04
  Speaker 1: talking about the Exorcist episode next week. Question of the week.
• 1:13:08
  Speaker 1: Scariest book you ever read?
• 1:13:09
  Speaker 2: Let me know.
• 1:13:09
  Speaker 1: Number three merch winners, get in touch. You know who
• 1:13:12
  Speaker 1: you are. Number four book club again, like I said,
• 1:13:13
  Speaker 1: come on October twenty nine, get to read that Exorcist.
• 1:13:16
  Speaker 1: Number five. Remember, no one cares about great storytelling more
• 1:13:19
  Speaker 1: than you do. And well that is a disgrace.
• 1:13:21
  Speaker 3: All right.
• 1:13:22
  Speaker 1: In honor of this week's episode subject on the Polter
• 1:13:24
  Speaker 1: Guy's Curse, me reading to you. The Billboard charts from
• 1:13:28
  Speaker 1: June fourth, nineteen eighty two. The week Poulter Guyst hit theaters.
• 1:13:33
  Speaker 1: Number one, Ebony and Ivory, Paul McCartney and Stevie Wonder
• 1:13:39
  Speaker 1: last week one peak position one weeks on chart nine.
• 1:13:45
  Speaker 1: Number two don't talk to Strangers. Rick Springfield last week
• 1:13:50
  Speaker 1: two peak position two, three weeks on Chart fourteenth, number three.
• 1:13:57
  Speaker 1: I've Never been to me.
• 1:13:58
  Speaker 7: Charlene Steak weeks on three position peak position three weeks
• 1:14:03
  Speaker 7: on Shot for seventeen number three, number four, other one eight, six, seven, five,
• 1:14:09
  Speaker 7: three oh nine, Jenny by Tommy two top five last
• 1:14:13
  Speaker 7: week So we Shoot peak position number six, weeks on
• 1:14:17
  Speaker 7: Shark twenty number.
• 1:14:19
  Speaker 1: Five, last three others. Don't you want me Baby?
• 1:14:30
  Speaker 4: Cut it