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2 Chainz Interview and More · The Breakfast Club

• 0:01
  Speaker 1: This is your week up, Hall Up, Breakfast Club to
• 0:05
  Speaker 1: show you love to hate from the East to the West,
• 0:07
  Speaker 1: Coat d j Envy, Angela yee, Charlomagne, the really show
• 0:11
  Speaker 1: on the planet. This is where I respect this show
• 0:13
  Speaker 1: because this is a voice of society. Thames in the game.
• 0:16
  Speaker 1: Guys are the the coveted morning show. What y'all earning?
• 0:20
  Speaker 1: Exacting the coach the week up in the morning, and
• 0:22
  Speaker 1: they they want to hear that Breakfast the world's most
• 0:25
  Speaker 1: dangerous morning show. Good morning Usa, Good morning Angela yee,
• 0:46
  Speaker 1: Good morning Charlemagne. Hey, come on the guys. Hello, Hello, Hey,
• 0:52
  Speaker 1: Hey about myself this morning. Welcome morning to you guys.
• 0:55
  Speaker 1: It's Friday. Yes, we got a great show planning for you.
• 1:00
  Speaker 1: As soon as my co host come in. Two Chains
• 1:02
  Speaker 1: will be joining us this morning. He has a new
• 1:04
  Speaker 1: album that's out today, so we're gonna kick it with
• 1:06
  Speaker 1: Two Chains and also Steve Stout. Yeah, Steve Stout. Of course,
• 1:12
  Speaker 1: he has a new I guess it's a label called
• 1:14
  Speaker 1: United Masters. He has a new artist called Chopper, so
• 1:16
  Speaker 1: we'll be kicking it with him as well. What up
• 1:18
  Speaker 1: you hey, MV. I know they still started. Oh you
• 1:21
  Speaker 1: didn't know it's thoughts six o'clock every three morning Eastern time.
• 1:24
  Speaker 1: You know it's just turned six o'clock now it's actually
• 1:28
  Speaker 1: six sold Yeah, I'm out there, but you're late. You're late.
• 1:32
  Speaker 1: I was here, I was another room. No, how are
• 1:34
  Speaker 1: you feeling. I'm still a little sick, but I feel better. Okay,
• 1:38
  Speaker 1: did you go to the doctor? You said you were
• 1:39
  Speaker 1: going to the doctor yesterday? So yesterday I had yet
• 1:41
  Speaker 1: another pack day now shout out to him. My alma mater, Wesleyan.
• 1:44
  Speaker 1: We had a whole panel yesterday. One of my friends,
• 1:47
  Speaker 1: Krishan that she wrote a book, We Come as Girls,
• 1:49
  Speaker 1: We Leave as Women. It's a fictional novel. So we
• 1:52
  Speaker 1: had a panel yesterday being that it's Women's History Month
• 1:54
  Speaker 1: today starts that and then last month was Black History Months,
• 1:58
  Speaker 1: so on the cusp of that, we had a great
• 2:00
  Speaker 1: panel yesterday all women, just discussing storytelling, any importance of
• 2:03
  Speaker 1: storytelling for black women. But did you go to the doctor?
• 2:06
  Speaker 1: Though I have time, are you going today? Today? I'm
• 2:10
  Speaker 1: on another panel. I'm actually gonna be doing a fireside
• 2:13
  Speaker 1: chat with Kenya more from Cause West of Atlanta, and
• 2:16
  Speaker 1: that is for our Black women in tech. Can you
• 2:18
  Speaker 1: go get yet some medicine, because I would hate to
• 2:20
  Speaker 1: hear you passed out or something like you gotta go
• 2:22
  Speaker 1: to the doctor. You've been sick for two weeks now,
• 2:25
  Speaker 1: I've been too business. You might have the flu or something.
• 2:27
  Speaker 1: Please go to I don't have the flu, but I'm
• 2:28
  Speaker 1: gonna tell you how you know you don't have the flu.
• 2:29
  Speaker 1: You're self medicating yourself. How I do feel better? You
• 2:31
  Speaker 1: know how I know I feel better? Wow, when you
• 2:33
  Speaker 1: had the chunky flem yes starts coming out, that means
• 2:37
  Speaker 1: you're feeling better, right coming out of Oh my goodness,
• 2:40
  Speaker 1: shout out to the students at Stockton University. I was
• 2:42
  Speaker 1: out in Stockton University yesterday in Atlantic City. Now this
• 2:45
  Speaker 1: is gonna sound stupid, right, but I don't know what
• 2:48
  Speaker 1: came first, the Monopoly game or Atlantic City. I don't
• 2:51
  Speaker 1: know if they got because in a Monopoly game, you
• 2:54
  Speaker 1: know you have Park, Avenue, Ventnor in all those different streets,
• 2:58
  Speaker 1: but that's the whole Atlantic City. So you know, as
• 3:00
  Speaker 1: I'm you know, buying properly in Atlantic City, like I'm
• 3:03
  Speaker 1: buying Monopoly, and it feels like I'm buying a Monopoly boar,
• 3:05
  Speaker 1: Like I just put an offer of something on Park Avenue.
• 3:08
  Speaker 1: I just looked at something vetting and I'm like, this
• 3:09
  Speaker 1: is amazing to me. I mean, my kids would love
• 3:11
  Speaker 1: this because we love Monopoly. I'm like, this is crazy
• 3:13
  Speaker 1: to me. This is I don't I don't know, I
• 3:16
  Speaker 1: mean Atlantic City, I'm sure. I mean, I don't know,
• 3:19
  Speaker 1: but I thought it was pretty cool. I really did.
• 3:23
  Speaker 1: Nobody else kids, nobody else got it up. If y'all,
• 3:27
  Speaker 1: but shout out to the students and Stockholm University. We're
• 3:29
  Speaker 1: actually trying to do something. I was. I think I
• 3:32
  Speaker 1: tell you guys before you know, I do the real
• 3:34
  Speaker 1: estate thing. And Stockholm University, I believe houses has ten
• 3:39
  Speaker 1: thousand students, but the main campus in Atlantic City only
• 3:42
  Speaker 1: houses like five hundred students. So they need more rooming
• 3:46
  Speaker 1: for the students and for the kids to go to school.
• 3:48
  Speaker 1: So that's always a great investment if you can to
• 3:51
  Speaker 1: get it in and you know, find some you know,
• 3:53
  Speaker 1: build some stuff for the students to have. So we
• 3:55
  Speaker 1: were out there looking at that yesterday. So shout to
• 3:57
  Speaker 1: everybody in Atlantic City. Shout the morning more. We'll be
• 3:59
  Speaker 1: back in doing some more things. But let's get the
• 4:01
  Speaker 1: show cracking front page news. What we're talking about We
• 4:03
  Speaker 1: are going to be talking about yet another person, Dog
• 4:06
  Speaker 1: Park Debbie. Find out what dog Park Debbie did to
• 4:09
  Speaker 1: deserve this title. Dog park Debbie. All right, we'll get
• 4:12
  Speaker 1: into that next. Keep it locked. And if you're on
• 4:14
  Speaker 1: the East coast, it's snow and it came out of
• 4:16
  Speaker 1: no wayn't know it's gonna be snowing today either. I
• 4:18
  Speaker 1: woke up this morning, walked outside, no hat on, and
• 4:21
  Speaker 1: it was coming. It's nasty. So give yourself a little
• 4:23
  Speaker 1: extra time. I know Charlomagne is going to belate because
• 4:25
  Speaker 1: I'm sure he didn't give himself an extra time. It's
• 4:27
  Speaker 1: stripped too hard. It's to breakfast club, gole morning. All right, morning,
• 4:30
  Speaker 1: everybody is DJ mvy Angela yee, Charlomagne the guy. We
• 4:33
  Speaker 1: are the breakfast Club. Let's getting some front page news.
• 4:37
  Speaker 1: All right. What we're starting off for you, Well, let's
• 4:39
  Speaker 1: start off with dog park Debby. This was in Massachusetts.
• 4:42
  Speaker 1: Now a woman has now gone viral. She caught the
• 4:44
  Speaker 1: cops on a black man because his dog was humping
• 4:48
  Speaker 1: her dog at a dog park. Really now. Franklin Baxley,
• 4:52
  Speaker 1: who's forty two years old, posted the cell phone footage
• 4:55
  Speaker 1: on his Facebook page showing the women just getting so
• 4:58
  Speaker 1: upset and even calling the hops. Honestly, I'm you're not
• 5:02
  Speaker 1: trying to help me. Tell you, no, you're not trying
• 5:05
  Speaker 1: to help me. I know the rules, you're not the dogs.
• 5:08
  Speaker 1: I don't rules. What are you talking about. I'm right here.
• 5:11
  Speaker 1: Your dog aggressively on top of another. The dogs hump
• 5:14
  Speaker 1: each other every day. You took him off. I took
• 5:17
  Speaker 1: him off. I know it's my opinion, but you don't
• 5:19
  Speaker 1: call the cops over it. That's all I'm saying. That's
• 5:22
  Speaker 1: pretty stupid. Now, if you have a dog, especially a
• 5:25
  Speaker 1: male dog, and you don't get him a neutered like
• 5:27
  Speaker 1: my dog, is not new that. My dog will hump anything.
• 5:30
  Speaker 1: My dogs a female and she humps everything. To your
• 5:32
  Speaker 1: dog humps, yeah she does. Yeah, she she had this
• 5:36
  Speaker 1: stuffed um like crocodile toy to hump it. Yeah, absolutely,
• 5:42
  Speaker 1: your fee. I had never heard of that. But my dog,
• 5:45
  Speaker 1: my dog is of course it's a German Shepherd. Well,
• 5:48
  Speaker 1: one of my dogs a German Shepherd, and Chuck Norris
• 5:50
  Speaker 1: is his name. He will hump anything. He will hump
• 5:52
  Speaker 1: your leg, your foot, your shoe, another dog, and he
• 5:55
  Speaker 1: probably if he called a squirrel. He'll hump a squirrel,
• 5:58
  Speaker 1: not just men. I don't know, but I didn't. I've
• 6:00
  Speaker 1: never seen them hump like the humping motion like I mean.
• 6:03
  Speaker 1: And when I say he goes in, he'd be going in. Well,
• 6:06
  Speaker 1: dog park, Debbie would definitely call the cops on your
• 6:08
  Speaker 1: dog that. Then my dog will hump her too, all right.
• 6:11
  Speaker 1: Now YouTube has disabled comments on videos of kids because
• 6:14
  Speaker 1: of safety concerns. They've turned off comments on tens of
• 6:17
  Speaker 1: millions of videos because they're saying that they could be
• 6:19
  Speaker 1: subject to predatory behavior. Now, what happens is people are
• 6:24
  Speaker 1: going on videos of kids who are doing things like gymnastics, yoga,
• 6:28
  Speaker 1: and some users are leaving comments specifying what times miners
• 6:31
  Speaker 1: are seen in compromising positions, which is making it easier
• 6:35
  Speaker 1: for pedophiles to find clips of young kids performing these activities.
• 6:38
  Speaker 1: So now they have disabled those comments to make it
• 6:41
  Speaker 1: not as easy for things like that to happen. What's
• 6:43
  Speaker 1: wrong with these sick, disgusting people? People are disgusting and
• 6:47
  Speaker 1: that moment thing was fake. The lady that that person
• 6:50
  Speaker 1: that was the fake and is saying she was on
• 6:52
  Speaker 1: YouTube telling kids to hurt themselves. They saying that that
• 6:54
  Speaker 1: was fake, someone thinking kids how to commit suicide. I didn't.
• 6:57
  Speaker 1: I don't know if it was sing was a hoax,
• 6:59
  Speaker 1: so I'm not sure. Okay, all right, now, let's talk
• 7:01
  Speaker 1: about Robert Craft, the owner of the Patriots. He is
• 7:03
  Speaker 1: pleading not guilty to soliciting prostitution. He has entered a
• 7:07
  Speaker 1: plea of not guilty to two counts of that, and
• 7:10
  Speaker 1: he is seeking a non jury trial. He was charged
• 7:13
  Speaker 1: to following a sex trafficking investigation of these day spots
• 7:16
  Speaker 1: and massage parlors in central Florida. That all started when
• 7:20
  Speaker 1: a health inspector saw some curious things that suggested that
• 7:23
  Speaker 1: women might be living at the actual day spots. So
• 7:26
  Speaker 1: we'll see what happens. The charge is the first degree misdemeanor,
• 7:28
  Speaker 1: which is punishable by up to one year in jail,
• 7:31
  Speaker 1: a five thousand dollars civil penalty, and a mandatory one
• 7:34
  Speaker 1: hundred hours of community service. I guess you gotta plead
• 7:37
  Speaker 1: not guilty. But if they got you on camera, and
• 7:39
  Speaker 1: they got you on tape, they got your car, like
• 7:42
  Speaker 1: is that? I guess you just have to plead not guilty.
• 7:44
  Speaker 1: You could say it wasn't me what I'm miss a
• 7:46
  Speaker 1: robber craft pleading not guilty. I guess I guess you
• 7:49
  Speaker 1: got to right. You got to even though they got
• 7:50
  Speaker 1: you on camera and taping all that other stuff. You
• 7:52
  Speaker 1: got have to right. Well, he's among twenty five people.
• 7:54
  Speaker 1: He was amongst the twenty five people accused. Okay, all right,
• 7:57
  Speaker 1: well that is your front page news. Get it off
• 8:00
  Speaker 1: a few chests eight on drip five eight five one
• 8:02
  Speaker 1: o five one. If you're upset, you need to vent
• 8:04
  Speaker 1: hit us up right now. Maybe had a bad night,
• 8:06
  Speaker 1: a bad morning. Maybe you didn't know what was gonna
• 8:07
  Speaker 1: stow like it was and you were a little late.
• 8:10
  Speaker 1: Nobody knew it was gonna The roads weren't cleared, no
• 8:13
  Speaker 1: salt on the road, no nothing. But I gave myself
• 8:15
  Speaker 1: a little extra time this one exact to listen to
• 8:17
  Speaker 1: the Salone album. So I wanted to vibe to that. Yeah,
• 8:20
  Speaker 1: but you think I think it's a great project. It's
• 8:23
  Speaker 1: a great vibe. My wife's gonna love it. I love
• 8:24
  Speaker 1: slone you. So she she relaunched Black Planet. That's not
• 8:28
  Speaker 1: gonna work, though, I listen, I love blackness like mother effort.
• 8:32
  Speaker 1: Ain't nobody going on black Planet, bro. They might know
• 8:34
  Speaker 1: they got to figure out how to repackage it. Well,
• 8:37
  Speaker 1: we live in an era of digital minimalism, so you know,
• 8:40
  Speaker 1: it's more and more people scaling back from social media.
• 8:43
  Speaker 1: We're not about to add another website unless black Planet
• 8:46
  Speaker 1: is offering something that we can't get nowhere else. Maybe
• 8:49
  Speaker 1: you know where. Black Planet's been around for such a
• 8:50
  Speaker 1: long time, longer than a lot of these other sites,
• 8:52
  Speaker 1: and people have had their profiles on there for so long.
• 8:56
  Speaker 1: Remember remember when Justin timber Lake tried to relaunch my space.
• 8:59
  Speaker 1: Yeah they tried that, that was all, but I think
• 9:00
  Speaker 1: they tried to launch Black Planet before too. Yeah they did.
• 9:03
  Speaker 1: I mean it never went away. It just is she
• 9:06
  Speaker 1: trying to relaunch black Planet or she just got a
• 9:08
  Speaker 1: black Planet page. It's a difference. Well, she's the person
• 9:11
  Speaker 1: that they're using as a spokesperson to relaunch it. So
• 9:13
  Speaker 1: that campaign that you saw was officially with black Planet.
• 9:16
  Speaker 1: And don't even see the campaign. How you see it?
• 9:19
  Speaker 1: I just heard you saying just now, wow, all right,
• 9:21
  Speaker 1: we'll get it off your chest, call us up right now.
• 9:23
  Speaker 1: It was the Breakfast Club. Good morning, the Breakfast Club.
• 9:31
  Speaker 1: It's your time to get it off your chests, whether
• 9:33
  Speaker 1: you're mad or blast so so you better have the
• 9:35
  Speaker 1: same intry we want to hear from you on the
• 9:37
  Speaker 1: breakfast club. Hello, who's this? This is Andrew Beck from Boston.
• 9:42
  Speaker 1: Andrew to give Boston up. Bro. What's good? Everything's good? Man?
• 9:46
  Speaker 1: How are you? How are you all? Envy Charlotte? Mane ye, everybody? Everybody.
• 9:51
  Speaker 1: Man's national It's national Peanut butter Lover's day. You mad
• 9:54
  Speaker 1: aggressive man for too early? Man? Was why why are
• 9:57
  Speaker 1: you so aggressive? It's Friday? You should be chill. Man,
• 9:59
  Speaker 1: Just come everything. You don't tell that man how to
• 10:01
  Speaker 1: be man. It's about balanced, man. We gotta be on
• 10:04
  Speaker 1: our toes out here. Man. I saw that that really
• 10:07
  Speaker 1: story about the young girl in Boston who went missing. Yeah, yeah,
• 10:11
  Speaker 1: you know that's part of my job actually right now.
• 10:14
  Speaker 1: But we found a body in Delaware. Oh yeah, yeah him. Now.
• 10:20
  Speaker 1: So I'm in the military, but right now in National Guards,
• 10:24
  Speaker 1: so we work with with with big incidents like that.
• 10:27
  Speaker 1: When it's out of the type of stuff, we'll be
• 10:30
  Speaker 1: safe out there. Bro. Yeah, I appreciate it, but I
• 10:32
  Speaker 1: wanted to give a shout out. And I'm coming off
• 10:35
  Speaker 1: of military orders and first shot. Three hundred and fifty
• 10:39
  Speaker 1: two people applied to this firefighter position and I got
• 10:43
  Speaker 1: selected on the first shot man man. Yeah, yeah, so
• 10:47
  Speaker 1: you know that. So oppressive. We gotta be aggressive towards
• 10:50
  Speaker 1: our goals. Sometimes assive aggressive, yeah, sometimes about we eat
• 11:00
  Speaker 1: aggressive aggressive ralph ras. All right, but y'all, I've been
• 11:09
  Speaker 1: where you at right now. Bro, you you stuck him
• 11:11
  Speaker 1: in that and then you can't find a gas station.
• 11:13
  Speaker 1: I've been there exactly, and how to find that? I remember, like, yeah,
• 11:20
  Speaker 1: we can't find a Jason. What screet you on? What
• 11:22
  Speaker 1: street I'm gonna listen is eleven five eleven. I'm right
• 11:29
  Speaker 1: here saying Colobia and krobe you know rast Oh yeah, yeah,
• 11:33
  Speaker 1: you all the way down. I think there's one on
• 11:34
  Speaker 1: twenty third on the east side. On the west side,
• 11:36
  Speaker 1: you got a couple more like on the on the forty.
• 11:39
  Speaker 1: First of all, don't listen to give y'all the wrong
• 11:41
  Speaker 1: traffic every morning. Okay, I haven't given trafficing three years,
• 11:44
  Speaker 1: oh exactly that they made you stop, So listen, you
• 11:47
  Speaker 1: better Google. Google is your friend, bro. I'm trying to
• 11:51
  Speaker 1: go on ways. I'm gonna be the best eacolments New
• 11:54
  Speaker 1: York ever had. But like dmen paying for this, so
• 11:58
  Speaker 1: I'm just trying to figure out what the gays. Be
• 12:00
  Speaker 1: careful because you know, with the Google they have updated
• 12:03
  Speaker 1: those gas sations and they sold a lot of them
• 12:04
  Speaker 1: gasation but high rises. I've been there before. Bro. All right,
• 12:07
  Speaker 1: thank you, good luck, use ways, use your ways at
• 12:11
  Speaker 1: thank you. Hello, who's this gear from North Carolina? What's up? Bro?
• 12:17
  Speaker 1: Get it off your chest? Hey, I want to talk
• 12:19
  Speaker 1: about dogs, bark, Debbie, let me talk about me. I
• 12:22
  Speaker 1: would have one hundred down rock Willer. You're wearing pool
• 12:26
  Speaker 1: Man subnix if you let your dog up my dog. Now,
• 12:31
  Speaker 1: now I got a little up dogs that the money,
• 12:34
  Speaker 1: So yeah, I would be very upset if you let
• 12:37
  Speaker 1: your dogs up my dog and the dog parks because now,
• 12:41
  Speaker 1: I mean, do we let our dogs hump up the dogs?
• 12:44
  Speaker 1: Those kind of did they just start and then you
• 12:47
  Speaker 1: have to stop that? Yeah, let the dog let he
• 12:50
  Speaker 1: like he did. He put the dog off. Yeah. But
• 12:52
  Speaker 1: dogs get stuck too, though, and that's not easy. Dogs
• 12:54
  Speaker 1: get stuck together, not that fast. You're crazy, y'all. Y'all,
• 12:59
  Speaker 1: y'all can tell you from the city. But but but
• 13:02
  Speaker 1: in the same token, my man, he was aggressively following
• 13:06
  Speaker 1: those little white females. Sorry, I'm a black dude. You
• 13:09
  Speaker 1: just don't argue with females. You just don't argue with
• 13:11
  Speaker 1: female I don't know. I don't even know the whole story.
• 13:13
  Speaker 1: I don't know what you're talking about. I heard that.
• 13:14
  Speaker 1: I heard a little bit of it. Yeah, she was.
• 13:17
  Speaker 1: She called the cops in him because her dog was
• 13:19
  Speaker 1: his dog was humping her dog and the dog park.
• 13:21
  Speaker 1: That is correct. So yes, I wouldn't be upset. I
• 13:24
  Speaker 1: wouldn't have to almost kick his dog off my dog.
• 13:28
  Speaker 1: He did take his dog. Hey, what's the charge, though, Like,
• 13:31
  Speaker 1: what's the charge when your dog humps another dog without consent?
• 13:35
  Speaker 1: No charge, That's what I'm saying. What's the child? I
• 13:40
  Speaker 1: don't but now you're possibly ruining my female dog because
• 13:44
  Speaker 1: you're because you didn't train your dogs. I get it, though,
• 13:46
  Speaker 1: I understand why you would be mad at that, especially
• 13:48
  Speaker 1: if you got a red dog. You don't want no
• 13:50
  Speaker 1: random dogs humping on your dog. I get it. Stay
• 13:52
  Speaker 1: away from my dog. My dog will hump dogs, cats, squirrels,
• 13:55
  Speaker 1: big people. You don't hump me. I don't know. You
• 13:58
  Speaker 1: don't like me, you don't hump me, But anyway, get
• 14:00
  Speaker 1: it off your chest. Eight hundred five day five one
• 14:02
  Speaker 1: on five one. If you need to vent, hit this
• 14:03
  Speaker 1: up now. It's the breakfast Club. Good morning, the breakfast Club.
• 14:10
  Speaker 1: This is your time to get it off your chest.
• 14:12
  Speaker 1: Whether you're man than from you on the breakfast club.
• 14:16
  Speaker 1: But you got something on your mind. Let hello, Hey,
• 14:20
  Speaker 1: good morning. Who's this? This is Kia. Kia got a
• 14:24
  Speaker 1: birthday tomorrow. Kia got a birthday tomorrow. What you goot
• 14:28
  Speaker 1: to do? It's the weekend. I got a lot of
• 14:30
  Speaker 1: plan I'm not gonna get into detail, but it's gonna
• 14:33
  Speaker 1: be a turn up. Oh what you what you're gonna do?
• 14:35
  Speaker 1: Where you gonna Where you at? Where you from? First
• 14:37
  Speaker 1: of all part news Virginia, Oh seven to five seven.
• 14:40
  Speaker 1: So what you're doing out there? You go to the Broadway,
• 14:41
  Speaker 1: You're going to the beach? What you're doing? I'm doing
• 14:43
  Speaker 1: a lot o you Listen, If I told you everything,
• 14:47
  Speaker 1: I'd be here all day. WHOA, Okay, you gotta boot
• 14:50
  Speaker 1: you gotta you gotta boot of celebrated with you. Yes,
• 14:53
  Speaker 1: I do. But it's the first time I've had like
• 14:55
  Speaker 1: an actual birthday in like three years, because you know,
• 14:59
  Speaker 1: I was pregnant a lot. So well that's good. Now
• 15:01
  Speaker 1: you're about to get some birthday sex, get pregnant again? Yep,
• 15:04
  Speaker 1: oh lord no, no, I'm done, thank you. All my
• 15:06
  Speaker 1: kids are under four? Okay, under five? How many kids
• 15:10
  Speaker 1: you got? Three? Okay? Well congratulations. This birthday was yesterday,
• 15:14
  Speaker 1: so you know we're a couple of days apart. All right, Well,
• 15:16
  Speaker 1: happy birthday and Juili your day, my mom. They're all
• 15:18
  Speaker 1: from the same baby daddy. No, all three different baby daddies.
• 15:22
  Speaker 1: Oh yeah, they all have the same baby daddy. But no,
• 15:24
  Speaker 1: that's that's not who I'm with now at the moment.
• 15:26
  Speaker 1: Oh got you got you? Okay? Wellen Juilior born did tomorrow?
• 15:29
  Speaker 1: Go find somebody's candle to blowout booth? Thank you, y'all
• 15:32
  Speaker 1: have a good day time, Yo, what's good? What's uptime?
• 15:37
  Speaker 1: Why are you upset? Get it off your chests? Okay,
• 15:40
  Speaker 1: I want to know, I r rest? Where's my money? Like?
• 15:45
  Speaker 1: Long time? I know y'all ain't got these problems, you know,
• 15:47
  Speaker 1: y'all loved there sitting all right, that's not true. And
• 15:50
  Speaker 1: I haven't even got my taxes yet. Yeah, I mean either,
• 15:52
  Speaker 1: but when I filing then yet I write off a
• 15:54
  Speaker 1: lot and things that I should be writing off. And
• 15:56
  Speaker 1: you gotta want my money. I want my money. I
• 15:59
  Speaker 1: paid my money. Yeah, the difference. I just don't want
• 16:01
  Speaker 1: to old you know this time. You know, we got
• 16:05
  Speaker 1: old kids to check. I've seen Donald Trump tweet iris mean,
• 16:10
  Speaker 1: can't be funding you know, you know not. Donald Trump
• 16:15
  Speaker 1: did not tweet that. What fake Donald Trump page? Do
• 16:19
  Speaker 1: you follow? He did not tweet that. I saw it
• 16:22
  Speaker 1: on Instagram. We're all just out here trying to make him.
• 16:29
  Speaker 1: My mama told me a long time ago. Just be
• 16:30
  Speaker 1: happy that you're making a living. Okay, how much you're
• 16:32
  Speaker 1: getting back? I can't exclose that. I'm out on the radio,
• 16:35
  Speaker 1: you know, but you already now so you know what
• 16:37
  Speaker 1: you're expecting, though, I do know. Okay, how much Gucci?
• 16:40
  Speaker 1: You playing the boy with that refund check? I'm not
• 16:43
  Speaker 1: doing we supporting all black businesses, all right, That's what
• 16:46
  Speaker 1: I like to hear. You gonna you're in the house
• 16:49
  Speaker 1: yet you're gonna get ready to do a big purchase.
• 16:51
  Speaker 1: Oh I'm buying from Boo. Okay, I'm being irresponsible at
• 16:55
  Speaker 1: to admitted she got that rest and plants. You might
• 17:01
  Speaker 1: as well buy Gucci. What's wrong with you? Why? What's
• 17:04
  Speaker 1: the point? Why why you need? Why you need boobs,
• 17:06
  Speaker 1: Thank you, mama. Why you went your tax on your boob?
• 17:10
  Speaker 1: That's what you want? No, ain't you'all. Ain't y'all be
• 17:12
  Speaker 1: encouraging her to invest in something better. Listen, I ain't
• 17:14
  Speaker 1: gonna tell her what to do it. In fifteen thousand dollars,
• 17:17
  Speaker 1: you can go buy some property with that. How much
• 17:18
  Speaker 1: booze you how much boobs? Of course it's five dollars. Oh,
• 17:21
  Speaker 1: you're getting a bad booby job too, exactly what you
• 17:24
  Speaker 1: pay for. Yeah, they're gonna be dropped to your knees.
• 17:26
  Speaker 1: You're gonna be bigger than the other one day. It's
• 17:27
  Speaker 1: gonna be all bad. But when you have kids, the
• 17:32
  Speaker 1: milk ducks ain't gonna work. It's her body. She could
• 17:35
  Speaker 1: do what she want. We're gonna get the boot job.
• 17:36
  Speaker 1: You're going out the country, mamma. Oh no, they said
• 17:38
  Speaker 1: that's the worst place to go. Where you going? Djself
• 17:44
  Speaker 1: got his handline, you stupid, you better wherever self got
• 17:48
  Speaker 1: his headline that she's going to the same place. Maybe
• 17:51
  Speaker 1: I come up the first club. When I blow up,
• 17:53
  Speaker 1: y'all gonna see how to do job. All right, man,
• 17:57
  Speaker 1: I have a blood day. We tried goods tried go
• 18:00
  Speaker 1: broy the house instead of man, get it off your
• 18:08
  Speaker 1: one five one. If you need to get it off
• 18:10
  Speaker 1: your chest, you get this at any time. You've got
• 18:12
  Speaker 1: roomors on the way, Yes to talk about Jordan Woods
• 18:14
  Speaker 1: on a red table Tuck. You know that's out today,
• 18:16
  Speaker 1: and I'll tell you what they are reportedly saying is
• 18:19
  Speaker 1: happening on that show. All right, we'll get into that next.
• 18:22
  Speaker 1: Keeping locked this to Breakfast Club. Good morning, the Breakfast Club.
• 18:27
  Speaker 1: The money. We're having a heated discussion behind the scene.
• 18:30
  Speaker 1: They no damn head discussion monopoly money. Because DM asked
• 18:34
  Speaker 1: the question ahead, tell them what you want to know? No,
• 18:35
  Speaker 1: I said, it's not. What I want to know was
• 18:38
  Speaker 1: yesterday I was out in Atlantic City and I just
• 18:40
  Speaker 1: realized that a lot of the streets in the Monopoly
• 18:42
  Speaker 1: game is chambers as Atlantic City. And what was the question?
• 18:47
  Speaker 1: I didn't ask a question? You did this morning? Oh
• 18:49
  Speaker 1: though this morning I didn't. I didn't know if Atlantic
• 18:53
  Speaker 1: City was built off of the Monopoly game because it
• 18:55
  Speaker 1: was rich people at built Atlantic City for casinos. I
• 18:57
  Speaker 1: didn't know. I honestly didn't know. I didn't want don't
• 19:00
  Speaker 1: know what I came from its Atlantic City of Monopoly.
• 19:01
  Speaker 1: I didn't know if Atlantic City was built off the
• 19:04
  Speaker 1: Monopoly game of the Monopoly game was built of Atlantic City.
• 19:06
  Speaker 1: I don't know who built Atlantic City or why I
• 19:08
  Speaker 1: was built. I honestly don't know. I was asking a question.
• 19:10
  Speaker 1: Atlantic City was founded in eighteen fifty four. Oh, there
• 19:13
  Speaker 1: you go, Well, now we know. Must Monopoly found it
• 19:15
  Speaker 1: eightfoll The earliest known game was like nineteen o four
• 19:19
  Speaker 1: if patterned in nineteen o four, but existed as early
• 19:22
  Speaker 1: as nineteen o nineteen o four. So I honestly didn't know.
• 19:24
  Speaker 1: So that's a good question. What's wrong with that? No,
• 19:26
  Speaker 1: I didn't know. It's not a good question. I didn't know,
• 19:29
  Speaker 1: and most people to even know Atlantic City is based
• 19:32
  Speaker 1: off to ga if the game is based on Atlantic City,
• 19:34
  Speaker 1: most people didn't know, So what's what's the problems? I
• 19:39
  Speaker 1: didn't know Hip Hippopotamus. I think that God made Hippopotamus
• 19:45
  Speaker 1: is based off the Hungry hippop game. You guys are stupid.
• 19:48
  Speaker 1: You guys stupid. I don't I don't. I don't see
• 19:51
  Speaker 1: the problem with the question, especially since most people don't
• 19:53
  Speaker 1: know that the game is based off Atlantic City. That's
• 19:55
  Speaker 1: not what the question. You you try to move the goalposts.
• 19:59
  Speaker 1: Remember first, I don't want to. I can't. Can we
• 20:04
  Speaker 1: please the us like I'm certainly I'm sure there's some
• 20:06
  Speaker 1: places built off somebody's ideas that they've seen somewhere else
• 20:09
  Speaker 1: and they built a place. Oh God, I can't ask
• 20:12
  Speaker 1: a question anyway. Let's get to the rumors. Let's talk
• 20:14
  Speaker 1: about a rapper being Arrested's tea. This is the rumor
• 20:21
  Speaker 1: report with Angela Yee on the Breakfast Club. Well, black
• 20:27
  Speaker 1: Boy Jab has gotten arrested on gun and drug charges.
• 20:30
  Speaker 1: He turned himself in because authority said that he was
• 20:33
  Speaker 1: wanted on criminal possession of a firearm and various drug
• 20:36
  Speaker 1: and paraphernalia possession charges. That's so now he has turned
• 20:40
  Speaker 1: himself in. So he did share some videos to Instagram
• 20:43
  Speaker 1: before he actually contacted the police as well. I always
• 20:46
  Speaker 1: feel like rappers who get caught with drugs and stuff
• 20:49
  Speaker 1: and guns, they can't afford security. Noah, I think they
• 20:53
  Speaker 1: can't afford security. But some people just don't want to
• 20:56
  Speaker 1: have security everywhere they go. They don't want to go
• 20:58
  Speaker 1: to the mall and have security, don't want to go
• 21:00
  Speaker 1: to the store and have security. So people feel like
• 21:02
  Speaker 1: I got to protect themselves. I don't want to say.
• 21:04
  Speaker 1: He's kind of a newer artist. So sometimes you make
• 21:06
  Speaker 1: those mistakes early on in the game, and then you
• 21:09
  Speaker 1: realize it's better to be proactive obviously and do that beforehand.
• 21:12
  Speaker 1: It's better than tho the gun laws in the state
• 21:14
  Speaker 1: that you are in. Yeah, as well, we don't know
• 21:16
  Speaker 1: exactly what happened yet, so the show we'll find out
• 21:19
  Speaker 1: all right now, Jordan Woods, as you know, is going
• 21:21
  Speaker 1: to be on Red Table Talk today and they're saying,
• 21:23
  Speaker 1: according to sources familiar with the show, she is going
• 21:26
  Speaker 1: to apologize to Chloe Kardashian. On the show, she said
• 21:30
  Speaker 1: that she was not drunk when she hooked up with
• 21:32
  Speaker 1: Tristan Thompson and she just made a mistake. Also, she
• 21:36
  Speaker 1: felt comfortable speaking on that issue with Jada Pinkett Smith
• 21:39
  Speaker 1: because they have a very close relationship with the family,
• 21:42
  Speaker 1: and Jada Pinkett Smith was very non judgmental with everything. Oh,
• 21:46
  Speaker 1: apology will probably be accepted, but friendship will be done.
• 21:49
  Speaker 1: Can't trust you after that now. Chloe Kardashian, in the meantime,
• 21:52
  Speaker 1: is of course in a feeling. She was on her
• 21:53
  Speaker 1: Instagram story and she posted a couple of things about cheaters.
• 21:57
  Speaker 1: She said, you ever noticed people would rather stop speaking
• 21:59
  Speaker 1: to you instead of apologizing when they've done something wrong. Remember,
• 22:03
  Speaker 1: they cheated because they wanted to, They lied because they could,
• 22:06
  Speaker 1: and now they're sorry because they got caught. It's always
• 22:08
  Speaker 1: about them. You did nothing to cause or deserve it.
• 22:12
  Speaker 1: She also posted, Dear God, I am going through a
• 22:14
  Speaker 1: rough patch in my life right now, but I trust
• 22:16
  Speaker 1: in you. Please help me unfold. But you are trying
• 22:18
  Speaker 1: to teach me in this storm. I believe that even
• 22:21
  Speaker 1: in this storm, there is a powerful message that I
• 22:23
  Speaker 1: can take to help strengthen me. She's wrong about some
• 22:25
  Speaker 1: of that, though. You cheat because you could know what
• 22:28
  Speaker 1: you said. You cheat because you wanted to. You cheated
• 22:31
  Speaker 1: because you wanted to. You lied because you could know
• 22:34
  Speaker 1: it like our cat, and now you're sorry because you
• 22:36
  Speaker 1: got caught. Yes, that's accurate, right, it's pretty yeah, yes,
• 22:40
  Speaker 1: pretty accurate. Basically, don't blame yourself because somebody cheated on you.
• 22:44
  Speaker 1: It's not young. You could be sorry. You hurt your
• 22:46
  Speaker 1: woman's feelings. Now. The other rumor is that Kylie Jenner
• 22:50
  Speaker 1: and Travis Scott are having some issues. Travis Scott postponed
• 22:52
  Speaker 1: his Astro World concert in Buffalo that was supposed to
• 22:56
  Speaker 1: be last night. He said he was sick, but they're
• 22:58
  Speaker 1: saying really, Kylie accused him of cheating, and now he
• 23:01
  Speaker 1: had to stay in LA to deal with those accusations.
• 23:03
  Speaker 1: According to TMZ. Now, Travis Scott's rep say that he
• 23:07
  Speaker 1: did not cheat on Kylie, but he did end up
• 23:09
  Speaker 1: flying back to the East Coast to surprise her and Stormy,
• 23:12
  Speaker 1: and allegedly they were at her house and she claimed
• 23:15
  Speaker 1: that she discovered evidence that he cheated, and that's when
• 23:17
  Speaker 1: they got into an argument, and that argument continued until yesterday.
• 23:21
  Speaker 1: We don't know the evidence, but anybody would if Hey,
• 23:23
  Speaker 1: if your family's going to do a little trouble, you
• 23:26
  Speaker 1: gotta do what you gotta do. All right. Well, I'm
• 23:28
  Speaker 1: Angela Yee and that is your rumor report. And you
• 23:30
  Speaker 1: know I try the new flavors of orange vanilla coke
• 23:33
  Speaker 1: and orange vanilla Coke zero sugar. Yeah, you heard that right,
• 23:36
  Speaker 1: And I have to tell you it's a great combination
• 23:38
  Speaker 1: of coke, orange and vanilla flavor. Head to your closest
• 23:41
  Speaker 1: retailer today and try him out. All right now, when
• 23:44
  Speaker 1: we come back, we got front page news what we're
• 23:45
  Speaker 1: talking about, Oh man, I'm fortunate situation about a young
• 23:49
  Speaker 1: lady who was missing, and we'll tell you what happened.
• 23:51
  Speaker 1: We'll give you some information. This all started in Boston,
• 23:53
  Speaker 1: all right, we'll get into that next. Keeping lockedese to
• 23:55
  Speaker 1: Breakfast clogal Morning morning. Everybody is DJ Mvy and Lee
• 24:00
  Speaker 1: Charlemagne the guy. We are the Breakfast club. Let's get
• 24:03
  Speaker 1: in some front page news. What we're talking about, you
• 24:06
  Speaker 1: really unfortunate situation. Now, I have arrested a suspect in
• 24:09
  Speaker 1: jas Korea's kidnapping case. She had went out. She's twenty
• 24:13
  Speaker 1: three years old and she was last seen leaving Venue
• 24:17
  Speaker 1: nightclub which is in Boston and Theater district, and they
• 24:21
  Speaker 1: reported her missing and very unfortunate situation. They did find
• 24:26
  Speaker 1: her in the trunk of Louis D. Coleman, the third car.
• 24:31
  Speaker 1: He has been located and placed under arrest in Delaware.
• 24:34
  Speaker 1: That happened yesterday evening. The police said a body has
• 24:37
  Speaker 1: been recovered and they are waiting a positive identification at
• 24:41
  Speaker 1: this time and manner of death. Are Penning twenty three
• 24:44
  Speaker 1: years old. Yes, he was in Delaware when he got arrested.
• 24:48
  Speaker 1: So according to her father, he told The Boston Globe
• 24:51
  Speaker 1: his daughter went out Saturday night with two female friends
• 24:53
  Speaker 1: and a man. We don't know if that man was Coleman,
• 24:55
  Speaker 1: and according to the police, that's last time she was
• 24:58
  Speaker 1: seen was early Sunday morn after leaving that nightclub. Well,
• 25:01
  Speaker 1: if he murdered that girl, I hope he lives. I
• 25:03
  Speaker 1: hope he lives long and suffers in prison and dies
• 25:06
  Speaker 1: a horrible death. Right YEA, our condolence her family, Jassy career.
• 25:13
  Speaker 1: Now dog Pack Debbie, a white woman from Massachusetts, has
• 25:16
  Speaker 1: gone viral, and that is because you called the cops
• 25:19
  Speaker 1: on a black man because his dog was humping hers.
• 25:22
  Speaker 1: So now they're calling her dog park Debbie. Here's what
• 25:25
  Speaker 1: Franklin Baxley had to say. Honestly, you're not trying to
• 25:29
  Speaker 1: help me. Tell you, no, you're not trying to help me.
• 25:32
  Speaker 1: I know the rules. You're not the dogs. What are
• 25:36
  Speaker 1: you talking about. I'm right here your dog aggressively on
• 25:39
  Speaker 1: top of another. The dogs hump each other every day,
• 25:42
  Speaker 1: and I know it's my opinion, but you don't call
• 25:46
  Speaker 1: the cops over it. That's all I'm saying. He took
• 25:50
  Speaker 1: his dog off the other dog. It wasn't you know
• 25:52
  Speaker 1: that's what happens. Your dog goes tries to hump another
• 25:54
  Speaker 1: dog and then you go grab him, like stop it.
• 25:56
  Speaker 1: What is the police post to do? Thought the dog?
• 26:00
  Speaker 1: Dogs get stuck? What do you do when a dog
• 26:02
  Speaker 1: goes to sleep with another person's dog without consent? But
• 26:06
  Speaker 1: if the dog comes one time, he pulls it off
• 26:08
  Speaker 1: and then he humps again. By the first time or
• 26:12
  Speaker 1: the second time. Anyway, I'm just saying, what are the
• 26:14
  Speaker 1: police supposed to do with the charge? He also, according
• 26:17
  Speaker 1: to Franklin, he said, then another dog came in and
• 26:19
  Speaker 1: humped his dog and no one said anything. Orgy. He
• 26:25
  Speaker 1: also said that she was saying that he was threatening
• 26:28
  Speaker 1: her and following her around, but he said, I'm following
• 26:30
  Speaker 1: my dog around because I'm the dog's owner, not following you.
• 26:33
  Speaker 1: Everybody's following their dog around, relaxed the lave person. We
• 26:36
  Speaker 1: need to be talking to the cops. I needed to
• 26:38
  Speaker 1: know how the cops responded to this. I need to know, well,
• 26:40
  Speaker 1: he said. He told the cop, I don't know why
• 26:42
  Speaker 1: he's doing this, why she's doing this? And uh, he
• 26:45
  Speaker 1: says he I'm used to it. That's no charge. Is
• 26:47
  Speaker 1: there a charge on the books for something like this.
• 26:49
  Speaker 1: They can't be I don't know. I'm not responsible for
• 26:52
  Speaker 1: my dog sleeping with another dog. Dog sleep with each
• 26:54
  Speaker 1: other all the time. Be what do you say? It's
• 26:56
  Speaker 1: real dogs hump each other all the time. Be okay, right,
• 27:00
  Speaker 1: it is what it is, all right. And Robert Kraft,
• 27:02
  Speaker 1: speaking of humping, he has pleaded not guilty to soliciting prostitution,
• 27:06
  Speaker 1: the owner of the New England Patriots. He is one
• 27:08
  Speaker 1: of twenty five people who are accused of actually soliciting prostitution.
• 27:13
  Speaker 1: And he is saying that he is not guilty. So
• 27:16
  Speaker 1: we shall see what happens with this investigation. I've been
• 27:18
  Speaker 1: thinking about this right now. They're saying that the lady
• 27:21
  Speaker 1: that did these acts was the owner, the business manager
• 27:24
  Speaker 1: web But if the business manager just liked them and
• 27:26
  Speaker 1: he did that, and he said, okay, you know, it's
• 27:28
  Speaker 1: a little something to clean up your you know, I've
• 27:31
  Speaker 1: ruined your shirt, so his little something to clean your
• 27:33
  Speaker 1: shirt to get a new shirts are happy, And this
• 27:34
  Speaker 1: could be on the secret menu at this massage parlor
• 27:37
  Speaker 1: like they are at a lot of massage paulls. Well,
• 27:39
  Speaker 1: you know, but the real issue is that, um, they
• 27:43
  Speaker 1: saw that these women are living in the massage procn
• 27:47
  Speaker 1: the business now, but I'm talking about that. That's how
• 27:48
  Speaker 1: the investigation even started. So it is not I think
• 27:52
  Speaker 1: if you are soliciting prostitution and you're going to these
• 27:54
  Speaker 1: massage parlors, you don't know under what conditions. I told
• 27:57
  Speaker 1: you from the beginning. They put a lot of sauce
• 27:58
  Speaker 1: on this store. It's literally like going to the traphouse
• 28:01
  Speaker 1: to buy weed and then the Fed bust the traphouse.
• 28:03
  Speaker 1: I'm just here to buy a nine back, Okay. Robert
• 28:05
  Speaker 1: Craft was nig get a little rubbin tub. Okay, he
• 28:08
  Speaker 1: didn't know because it was the owner. It was the
• 28:10
  Speaker 1: business manager that he's probably been there before. Yeah, and
• 28:13
  Speaker 1: you know, hey, you know she she likes me. She
• 28:15
  Speaker 1: did an act and I said, here's a little something
• 28:16
  Speaker 1: to you know, here's a little lunch, see you tomorrow.
• 28:18
  Speaker 1: I'll be back exactly you know where the goal he've
• 28:20
  Speaker 1: been there, I don't know. I can't make it with
• 28:22
  Speaker 1: lunch to you. My team got you know, it's playing
• 28:23
  Speaker 1: in this playoff game. But you know next time then
• 28:26
  Speaker 1: know me. I mean, but this this charge is not
• 28:28
  Speaker 1: gonna stick anywhere though. I come on, this guy's a billionaire.
• 28:31
  Speaker 1: He'll eat that. Gonna eat it all right now when
• 28:39
  Speaker 1: we come back. Two Chains is out today, Rapper, go
• 28:44
  Speaker 1: to the league. I've been listening to the Two Chains
• 28:46
  Speaker 1: for a long time, listening to the Two Chains when
• 28:48
  Speaker 1: he was titty boy with Players Circle. Uh. This is
• 28:50
  Speaker 1: absolutely Two Chains best body of work. It's not even close.
• 28:53
  Speaker 1: All right, we'll get into that next keep it locked.
• 28:55
  Speaker 1: It's the Breakfast Club. Come on the Breakfast Club morning.
• 29:01
  Speaker 1: Everybody is DJ mvy, Angela Yee, Charlomagne the guy. We
• 29:05
  Speaker 1: are the Breakfast Club. We got a special guest in
• 29:07
  Speaker 1: the building to change. Yes, Yes, that's up, my brother.
• 29:11
  Speaker 1: I'm good. Thank you for having one of the most
• 29:15
  Speaker 1: consistent artists around. Thank you, I have to say, because
• 29:19
  Speaker 1: we love pretty girls like trap music. But this new
• 29:21
  Speaker 1: album I just got it last night, so we were
• 29:23
  Speaker 1: all listening to it together and amazing. Let me tell
• 29:26
  Speaker 1: you something, man, I've been I've been. You've not been
• 29:28
  Speaker 1: a Player Circle fan. I've been with you since the
• 29:31
  Speaker 1: Traffic Valley tapes, Robb with you for a long time.
• 29:33
  Speaker 1: This is your best album and it's not even close.
• 29:35
  Speaker 1: Do you feel that way, No, no doubt about it.
• 29:37
  Speaker 1: Who gets the credit for this being the best body
• 29:39
  Speaker 1: of work? Is it you? Is it Tech? Is Lebron?
• 29:41
  Speaker 1: Is it the team effort? Now? Well, you know, uh,
• 29:44
  Speaker 1: Tech just really liked answers phone calls. I mean does
• 29:47
  Speaker 1: more than he does more than that. But then he
• 29:49
  Speaker 1: asked me what you think about this? So he can't
• 29:52
  Speaker 1: take the credit for that. And then you know, Lebron
• 29:55
  Speaker 1: obviously getting the monica or the title of an artist
• 29:59
  Speaker 1: project was definitely my idea. But you know, he went
• 30:02
  Speaker 1: in there turning knobs or anything. He didn't have time
• 30:04
  Speaker 1: to like, you know, send me beats or anything. It was.
• 30:06
  Speaker 1: I brought him on board for a couple of different reasons.
• 30:09
  Speaker 1: But but this Ropper go to the League was something
• 30:11
  Speaker 1: that I worked on for over a year, like you know,
• 30:14
  Speaker 1: pretty good, like trap music did very well. We essentially
• 30:17
  Speaker 1: had you know, damn Neil statue of Liberty in a
• 30:20
  Speaker 1: pink trap house in Atlanta. It was basically the same
• 30:23
  Speaker 1: type of effect as an Eiffel Tower. Just as people
• 30:25
  Speaker 1: you know, this is way after the album, people still
• 30:28
  Speaker 1: following the campaign. These ideas, they just keep going, they
• 30:31
  Speaker 1: keep working, They employed people, you know what I mean.
• 30:34
  Speaker 1: And so would Rapper go to the League. I had
• 30:36
  Speaker 1: to find a way to connect the dots. And that's
• 30:38
  Speaker 1: why you see this yellow crate on the album cover,
• 30:40
  Speaker 1: because this was this is kind of where I came from,
• 30:43
  Speaker 1: like a low social economic Yeah. So basically sometimes it's
• 30:50
  Speaker 1: either a milk crate or a bike ram, but basically
• 30:53
  Speaker 1: you're using you know what you have to get certain results,
• 30:56
  Speaker 1: you know what I'm saying. So proud of getting a
• 30:57
  Speaker 1: basketball goal. We used to we would open things like,
• 31:01
  Speaker 1: you know, like this, and so why the basketball police
• 31:03
  Speaker 1: are such a role in this album. So I call
• 31:05
  Speaker 1: it Ropper Go to the League, but it's actually an
• 31:07
  Speaker 1: oxymor run. I wanted to really show people that they
• 31:11
  Speaker 1: can do more than just have a wicked crossover or
• 31:14
  Speaker 1: be able to hold certain notes. And that's why I
• 31:16
  Speaker 1: started these Black Now stories to inform people of people
• 31:20
  Speaker 1: who are currently living right now, real time inspiration. They
• 31:24
  Speaker 1: don't know how to do a layup, they don't know
• 31:27
  Speaker 1: how to do any of these things, and they're successful
• 31:29
  Speaker 1: and they're also African Americans. So on this album, I
• 31:32
  Speaker 1: try to teach a little bit more. I try to
• 31:33
  Speaker 1: have a little bit more substance, more concepts because I
• 31:36
  Speaker 1: love concepts, and so Ropper Go to the league with
• 31:39
  Speaker 1: something like it was almost like click bait, you know
• 31:40
  Speaker 1: what I mean. And then when I bring in Lebron,
• 31:42
  Speaker 1: who has the same similar campaign of more than an athlete,
• 31:46
  Speaker 1: So I had an idem like this guy already supports
• 31:49
  Speaker 1: hip hop, he already supports the culture. Why not add
• 31:52
  Speaker 1: this an R to his resume. But in Lebron saying
• 31:55
  Speaker 1: when you hit him up and was like, yo, I
• 31:56
  Speaker 1: want you to be the an R. Surprisedly he was
• 31:59
  Speaker 1: with it, wash with it, you know what I'm saying.
• 32:01
  Speaker 1: He was cool with it because I already told him
• 32:03
  Speaker 1: that I was going to give him the credit. I
• 32:04
  Speaker 1: obviously was gonna pay him. And one of the things
• 32:07
  Speaker 1: I brought him in for was like I had more
• 32:09
  Speaker 1: than enough songs I overrecord on purpose, you know what
• 32:12
  Speaker 1: I'm saying. And so then it was about getting an
• 32:14
  Speaker 1: outside ear to hear the concept of the album and
• 32:17
  Speaker 1: just try to narrow down songs to fit up front
• 32:19
  Speaker 1: of this unbrother. You know, like I probably chose from
• 32:22
  Speaker 1: between twenty one and twenty five songs and narrowed it
• 32:24
  Speaker 1: down to fourteen with his assistant. What songs did he pick? Specifically?
• 32:28
  Speaker 1: We do want to know what kind of air Braun
• 32:30
  Speaker 1: got um. He obviously liked uh NC double a okay,
• 32:34
  Speaker 1: he liked he liked two dollar bill, he liked Well,
• 32:38
  Speaker 1: I could talking about all these things, right, I could
• 32:40
  Speaker 1: Mama hit a lick? Oh yeah, threat, Okay? What about sequencing,
• 32:49
  Speaker 1: like putting that sum at Marshambos' first How did you
• 32:52
  Speaker 1: guys collaborate on that? Or is that that was an
• 32:54
  Speaker 1: idea that actually he had for a long time, Like
• 32:57
  Speaker 1: we met out here in New York and played some
• 32:59
  Speaker 1: songs and I had to Marcia song for kind of
• 33:02
  Speaker 1: some time, but it was hard for me to put
• 33:04
  Speaker 1: it out, and I didn't know where to put it
• 33:05
  Speaker 1: when I put it out because the originally I thought
• 33:07
  Speaker 1: maybe this could be an outro, but it had so
• 33:09
  Speaker 1: much weight to it, it had so much substance, and
• 33:12
  Speaker 1: I said, why not start off my album with that
• 33:14
  Speaker 1: kind of emotion. It talks about death in the intro,
• 33:17
  Speaker 1: you know what I mean? It talks about Yeah, it
• 33:20
  Speaker 1: talks about my partner, little faith son passing away, My
• 33:23
  Speaker 1: homie Big, his son passed away last year in August.
• 33:27
  Speaker 1: He was about to be eighteen in September and he
• 33:29
  Speaker 1: died to gun violence. And these are like my friends.
• 33:32
  Speaker 1: I went to school with him, and then and now
• 33:34
  Speaker 1: the kids are getting killed, and it's like, there's nobody
• 33:38
  Speaker 1: that I know can explain that feeling. You know what
• 33:40
  Speaker 1: I'm saying, There's nobody that I know can explain that feeling.
• 33:42
  Speaker 1: And I got phone calls both times. When your homeboy
• 33:46
  Speaker 1: calls you and that child has been taken away from
• 33:49
  Speaker 1: it's some of the most harshest pain I've ever I've
• 33:52
  Speaker 1: ever heard or felt in my life. So I wanted
• 33:54
  Speaker 1: to get straight into that, letting people know, Oh, this
• 33:58
  Speaker 1: is a different album from Change. This is a different direction.
• 34:00
  Speaker 1: When when little Fake calls you and says that, how
• 34:02
  Speaker 1: do you even console your man in a situation like that?
• 34:04
  Speaker 1: Because you describe how you felt, You said he was
• 34:07
  Speaker 1: shaking and all, like, how do you console your man
• 34:09
  Speaker 1: in the situation? I knew it, like he actually had
• 34:12
  Speaker 1: a kid, like the ninth grade. He was popping, you
• 34:14
  Speaker 1: know what I mean, He had a kid in the
• 34:15
  Speaker 1: ninth grade, kind of grew up with him and he
• 34:17
  Speaker 1: was twenty one. You know, he was twenty one years
• 34:19
  Speaker 1: old and somebody I didn't kill him, you know, we
• 34:21
  Speaker 1: went to the funeral, and it's just it's just it's
• 34:23
  Speaker 1: hard to just relive that. Like the last one, Big,
• 34:26
  Speaker 1: that's my Big, my partner, he's actually um I got
• 34:29
  Speaker 1: him working for TRU my label, like doing an R
• 34:32
  Speaker 1: for some of the upcoming artists that I have. But
• 34:35
  Speaker 1: like one of my other friends is blowing my phone
• 34:36
  Speaker 1: up and he tim me, man, I heard big son
• 34:39
  Speaker 1: just got killed. And so sixty seconds later Big was
• 34:42
  Speaker 1: calling me. So I started praying that the information was untrue.
• 34:46
  Speaker 1: And then while I was praying Big the phone hung up,
• 34:49
  Speaker 1: and then he called me back. And then when he
• 34:50
  Speaker 1: called me, basic bro, somebody took my son away. And
• 34:53
  Speaker 1: and that was like I heard this call. I heard
• 34:55
  Speaker 1: this call before, I heard this pain before I went
• 34:58
  Speaker 1: straight out there to where he was, you know what
• 34:59
  Speaker 1: I'm saying. And I still beat myself up about it
• 35:02
  Speaker 1: because I talked to him two weeks earlier. It was
• 35:04
  Speaker 1: hard for me to connect with him because he was
• 35:06
  Speaker 1: old and he was so cool and so like, I
• 35:08
  Speaker 1: don't care if you to change, you know what I'm saying,
• 35:10
  Speaker 1: And that that happens to me not that often, you
• 35:13
  Speaker 1: know what I'm saying. I can really this street stuff
• 35:15
  Speaker 1: mixed with this psychology to grim made with a tap
• 35:17
  Speaker 1: into a few things, but he had a shield up,
• 35:20
  Speaker 1: and I'm like, damn little when you think you're cooler
• 35:23
  Speaker 1: than me, you know what I mean? And then I
• 35:24
  Speaker 1: had to kick into psychology. I remember he used to
• 35:26
  Speaker 1: love football. In my studio it is twenty thousand square feet.
• 35:29
  Speaker 1: So we played a little catch, worked on some spirals,
• 35:32
  Speaker 1: and then we kind of talked about like what you
• 35:33
  Speaker 1: want to do? You know what I'm saying. And the
• 35:35
  Speaker 1: common thing that most young people want to do is rap.
• 35:37
  Speaker 1: You know, I'm like, what else you want to do?
• 35:39
  Speaker 1: Like rap? You know what I'm saying, something like comeback?
• 35:41
  Speaker 1: And you know, I never The next time I saw him,
• 35:43
  Speaker 1: he was he was in a coffin, so that that's
• 35:45
  Speaker 1: just this hardness. So I talked about that on the
• 35:47
  Speaker 1: first song. I know it's probably not a normal way
• 35:50
  Speaker 1: to start off an album, but it's very hard to
• 35:52
  Speaker 1: get past that record. I repeat that record over and over.
• 35:54
  Speaker 1: Why do you call it forgiving though? Because I think
• 35:56
  Speaker 1: that that's something that we got to work on. You know,
• 35:59
  Speaker 1: pride and grudges is something that we all I used
• 36:03
  Speaker 1: to say black man, but I think we all have
• 36:04
  Speaker 1: a problem with like holding grudges to the point where
• 36:07
  Speaker 1: you forget why you don't even what a person on
• 36:11
  Speaker 1: You gotta think how many people in prison or in
• 36:13
  Speaker 1: the graveyard because a pride. So for me, I guess
• 36:16
  Speaker 1: I'm I'm on some each one teach one, just trying
• 36:18
  Speaker 1: to lead by example. And it also takes a burden
• 36:21
  Speaker 1: off of you when you can forgive certain things and
• 36:23
  Speaker 1: not have that ego. No, yes, yeah, because I don't
• 36:26
  Speaker 1: want to say this, but yeah, I've definitely held grudges
• 36:29
  Speaker 1: to where I want to like get some get back,
• 36:30
  Speaker 1: like revenge, revenge? Have you let it go with whoever
• 36:33
  Speaker 1: it is. It's like how you gonna teach people? You
• 36:38
  Speaker 1: can't hard thing to do. I'm starting to meet more
• 36:41
  Speaker 1: and more black people to actually see therapists. I didn't
• 36:43
  Speaker 1: know you know what I'm saying. You know you got
• 36:45
  Speaker 1: a psychology degree and you don't see. That's why I
• 36:47
  Speaker 1: don't because I think I know all the I think
• 36:49
  Speaker 1: I know all the whoops. I think I know how
• 36:51
  Speaker 1: they're gonna come, and I'm gonna play too much defense
• 36:53
  Speaker 1: instead of letting myself go. I go once a week.
• 36:55
  Speaker 1: I heard you was crazy, a nut. I heard you
• 36:59
  Speaker 1: ain't done a bad heard you coming out of water.
• 37:02
  Speaker 1: Now we are waiting to see some progress and I
• 37:04
  Speaker 1: don't know it's in a while. It was good for you.
• 37:06
  Speaker 1: It's good to have somebody to talk to. You. Man
• 37:09
  Speaker 1: can't tell your business. That's really what it is. Man
• 37:12
  Speaker 1: like they legally can't tell that your scumbag. I did.
• 37:19
  Speaker 1: Let's get into a joint off the album. That's what
• 37:21
  Speaker 1: it's called forgiving feature of Marsha Ambrosis. It's the breakfast
• 37:24
  Speaker 1: Club good Morning that was forgiving off to two Chains
• 37:27
  Speaker 1: album Morning. Everybody is DJ Envy Angela Yee, Charlomagne the
• 37:31
  Speaker 1: guy we all the Breakfast Club two Chains is here. Gee.
• 37:34
  Speaker 1: So Arianna Grande has a feature on the album. Now
• 37:37
  Speaker 1: we saw when you said the whole thing with the
• 37:39
  Speaker 1: pink car in the video, and then you did the
• 37:41
  Speaker 1: remix and now she's on the album. Was that already
• 37:44
  Speaker 1: something that was done or was that something that was
• 37:46
  Speaker 1: worked out after you guys established a relationship. It all
• 37:48
  Speaker 1: happened post she put out a video. Obviously your head
• 37:52
  Speaker 1: it was pink, you know it was pink. I didn't
• 37:54
  Speaker 1: make up the color paint. People personally have been taking
• 37:57
  Speaker 1: ideas for me a long time, and I feel like
• 37:59
  Speaker 1: about ledge them gonna say something. I'm being pettied. So
• 38:02
  Speaker 1: even when I posted something about should I go Big Draco,
• 38:05
  Speaker 1: like it was just a thing because Big Draco was
• 38:08
  Speaker 1: making so many ways right, And then her management calls
• 38:12
  Speaker 1: my management and uh it was it was a cool vibes.
• 38:16
  Speaker 1: He was like, Hudi want to you know what I'm saying,
• 38:18
  Speaker 1: meet him? You know, had this conversation. So I pulled
• 38:22
  Speaker 1: up to the studio, you know what I mean. We
• 38:24
  Speaker 1: had maybe a three or four hour dialogue that's about everything.
• 38:28
  Speaker 1: And then we actually started working the same night, which
• 38:31
  Speaker 1: was kind of different because I'm known to work with
• 38:33
  Speaker 1: a lot of different hip hop you know, artists and
• 38:36
  Speaker 1: stuff like this, and so for her to be and
• 38:38
  Speaker 1: then I didn't recognize, like, you know, how big she was,
• 38:40
  Speaker 1: which is which is always good for me too. Or
• 38:43
  Speaker 1: Instagram fillow woman on Instagram. Yeah, yeah, I just started
• 38:47
  Speaker 1: falling the last night you put her over the top.
• 38:49
  Speaker 1: That is that a free feature? Did I have to pay? Yes? No,
• 38:53
  Speaker 1: I didn't have to pay. Okay, that's a joke. Song
• 38:57
  Speaker 1: I was gonna say, Still, such thing as a single
• 38:59
  Speaker 1: that should be the Yeah, I think I think it
• 39:01
  Speaker 1: will be too. What I want to do this project,
• 39:03
  Speaker 1: which I've never done, is put out a whole body
• 39:05
  Speaker 1: of work at one time, not just putting out a song,
• 39:07
  Speaker 1: or at least I like the way it feels when
• 39:09
  Speaker 1: you hear it all the way through. Obviously it's people
• 39:12
  Speaker 1: that's gonna skim through it. See a couple of features,
• 39:15
  Speaker 1: some streaming and be up. But I'm telling I want
• 39:17
  Speaker 1: to smoke settles. I wanted the project to be a
• 39:19
  Speaker 1: well organized body of work. As far as the song, Ariana,
• 39:23
  Speaker 1: the song feels really good. She sings like, ain'tel I
• 39:27
  Speaker 1: feel like it's gonna be a number one record sample
• 39:29
  Speaker 1: the Ama rejoint by The Food's fall in Love. Yeah,
• 39:33
  Speaker 1: you talk about selling drugs of your mom on on
• 39:36
  Speaker 1: on the album, like do you still feel guilty about that?
• 39:40
  Speaker 1: How you come to terms with it? All? Right? You
• 39:43
  Speaker 1: know what he's trying to dig in, somebody about to
• 39:46
  Speaker 1: find something out about you. That was a good mall now,
• 39:51
  Speaker 1: yeah it was, But I ain't able to deal with
• 39:53
  Speaker 1: it yet. That's by the surface. I can get what's
• 39:56
  Speaker 1: up with you and jail? You say on I think
• 39:58
  Speaker 1: it's on threat. You said to be so hard. Jay
• 40:01
  Speaker 1: could have been on it. Why y'all ain't did the
• 40:02
  Speaker 1: record it? I just I don't know. You know, he's
• 40:07
  Speaker 1: my favorite. I would love to work with him. You know,
• 40:09
  Speaker 1: I tried to get him on this album. He told him,
• 40:12
  Speaker 1: he said maybe next album. So I'm just we'll get
• 40:15
  Speaker 1: it going. You know, I loved what he did on
• 40:17
  Speaker 1: Meeks Project. I love that push the record. He did
• 40:20
  Speaker 1: so a few ross records. I like a few cheesy records.
• 40:23
  Speaker 1: I like record did he did with fab So he
• 40:26
  Speaker 1: gets busy on all the people's stuff, so I'll become
• 40:33
  Speaker 1: And he was like, maybe next time, Charlotte Mane, why
• 40:40
  Speaker 1: do you do this today? The timing was not right.
• 40:45
  Speaker 1: You know, this would have been like a bucket list
• 40:47
  Speaker 1: and I'm gonna check it out one day. He know,
• 40:49
  Speaker 1: he know I'm passionate about this music stuff. I went
• 40:51
  Speaker 1: to the bunch. We had a good conversation. So ja
• 40:53
  Speaker 1: he might have missed out on this album. And this
• 40:55
  Speaker 1: is a great album, Like I wanted it bad, but
• 40:57
  Speaker 1: I didn't want to think like I was depending on
• 40:59
  Speaker 1: it to move the needle. You know, I'm down with
• 41:02
  Speaker 1: under my respect, you know what I'm saying. But he
• 41:05
  Speaker 1: know I've told him all those things. You work with
• 41:07
  Speaker 1: a lot of people. I'll bet play play too sometimes.
• 41:12
  Speaker 1: Why do you feel underrated though, because I mean, if
• 41:14
  Speaker 1: you had to put it, because I am, you know
• 41:15
  Speaker 1: I'm underrated. Charlotte Maagne like, oh, I'm underrated. I know
• 41:18
  Speaker 1: I'm underrated. If you do a survey. People asleep on
• 41:22
  Speaker 1: me because they don't Sometimes they don't understand it. Don't
• 41:25
  Speaker 1: bother me. I've always been highly confident. It's a thin
• 41:28
  Speaker 1: line between cockiness and confidence, and I sometimes I strid
• 41:32
  Speaker 1: to both of them. And so I know I know
• 41:34
  Speaker 1: what I'm doing in the booth. I know I'm somebody
• 41:36
  Speaker 1: that can wrap with daylight soul. I can wrap with
• 41:39
  Speaker 1: yge for the little baby. I have such a wide
• 41:43
  Speaker 1: area on a ground. I have such a wide range.
• 41:45
  Speaker 1: You know, people don't know how I'm a calm. I see.
• 41:47
  Speaker 1: They were saying that Lebron missed the game because of you.
• 41:50
  Speaker 1: He was in the studio with you late at night,
• 41:52
  Speaker 1: he posted the Warriors game damn near midnight, and then
• 41:54
  Speaker 1: the next day he didn't make it to the case.
• 41:56
  Speaker 1: You take the blame for that because it's not true true.
• 42:01
  Speaker 1: I mean, he didn't had missed the game, y'all, was
• 42:03
  Speaker 1: a missed sixteen to eighteen games. I had nothing to
• 42:06
  Speaker 1: do with it, and it was for what y'all know
• 42:09
  Speaker 1: that man, y'all see a y'all see a clip of
• 42:11
  Speaker 1: that man in the studio with me. Maybe maybe it
• 42:14
  Speaker 1: was an hour or something like this, and I had
• 42:15
  Speaker 1: something to do with his crowing. Dam pull. I can't
• 42:17
  Speaker 1: get sucked into that. That's not why he missed the
• 42:19
  Speaker 1: Warrior game, though he said it was work overloading. Nah.
• 42:25
  Speaker 1: So the thing is, everybody keeps looking at the day
• 42:27
  Speaker 1: and seeing with Lebron doing. Nobody's seeing what I'm doing
• 42:29
  Speaker 1: on the day. Nobody even know if the date is
• 42:31
  Speaker 1: official or not. I thought this was called the internet,
• 42:33
  Speaker 1: I think, and this is what y'all be doing, this
• 42:34
  Speaker 1: little thing that I play the internet every day. I
• 42:36
  Speaker 1: think y'all know y'all play on the internet every day,
• 42:38
  Speaker 1: and nobody care about the truth and the live more entertaining. Man,
• 42:41
  Speaker 1: I'm cool. I don't entertain. It's funny story. I don't entertain.
• 42:44
  Speaker 1: I'm a Laker fan, you know I won't. I want
• 42:46
  Speaker 1: them to make the playoffs. I'm I want so to
• 42:48
  Speaker 1: get back healthy. There's there's there's a few people that's
• 42:52
  Speaker 1: doing what I do that I love the Lakers like
• 42:54
  Speaker 1: I do. Let's talk about somebody. I'm not the reason
• 42:57
  Speaker 1: he didn't want to play. I only got like wanting
• 42:59
  Speaker 1: more wrong question too? Was there any content you were
• 43:01
  Speaker 1: kid to stay away from because Lebron was the an No,
• 43:04
  Speaker 1: I just knew how I had to kind of had
• 43:06
  Speaker 1: the ominience when he was around, you know, respectable, So
• 43:09
  Speaker 1: it went like not knock him off the pedestal what
• 43:12
  Speaker 1: he was doing to help me, you know what I mean.
• 43:13
  Speaker 1: So obviously it won no gass in the studio, you know,
• 43:17
  Speaker 1: it was more conversational, you know what I'm saying, Like
• 43:19
  Speaker 1: I think he had you know, a little red wine
• 43:21
  Speaker 1: circle lan if that, you know what I mean. So
• 43:23
  Speaker 1: it was just vibes. We've been doing this for a
• 43:25
  Speaker 1: god years. So I gave Lebron a whole another album
• 43:27
  Speaker 1: that he has. That's crazy, he has a whole another project.
• 43:30
  Speaker 1: And then I was working on this and I'm like, rompiness,
• 43:32
  Speaker 1: wish this whole thing up, you know what I mean?
• 43:34
  Speaker 1: And he still was asking about some of the records
• 43:36
  Speaker 1: that's on the other project. But this is like what
• 43:38
  Speaker 1: I felt like I went together. So I'm sure he
• 43:40
  Speaker 1: learned a lot about me during this process like me personally. Well,
• 43:43
  Speaker 1: seeing that you're such a basketball fanatic that you even
• 43:46
  Speaker 1: have lebron A and R on your album, you know,
• 43:48
  Speaker 1: I had to get you to come to a Nets
• 43:50
  Speaker 1: game in Brooklyn. Yeah, me and Angela went to the
• 43:52
  Speaker 1: Brookland game. Now she's sitting up there. She got she
• 43:56
  Speaker 1: got on, beat her foots on the woods and then
• 44:02
  Speaker 1: go sit courts idly. I left Charlomagne and Envy. I
• 44:06
  Speaker 1: left the date once with a date. Yes, they go
• 44:10
  Speaker 1: sit next to jay Z and Kayser stayed out. Don't
• 44:18
  Speaker 1: bring it. You just stay right where you are. I mean, no,
• 44:23
  Speaker 1: they're two. That's good there. So and my NSA doing
• 44:25
  Speaker 1: well this season, so I'm happy about that. Appreciate the invitation.
• 44:28
  Speaker 1: When we come back, we're gonna get into a two
• 44:29
  Speaker 1: change mini mix and don't move. It's a breakfast club.
• 44:32
  Speaker 1: Good morning. That was a two change mini mix. Morning.
• 44:35
  Speaker 1: Everybody is DJ, Envy, Angela, yee, Charlemagne the guy. We
• 44:39
  Speaker 1: are the breakfast club. Two changes in the building, Charlemagne,
• 44:43
  Speaker 1: I said me. As another reflective record, you refer to
• 44:46
  Speaker 1: yourself as a drug dealer, a killer, and a real
• 44:50
  Speaker 1: but it seems like you're more than all of that
• 44:51
  Speaker 1: at this point, So what are you? Two change? Um,
• 44:55
  Speaker 1: two change. I'm a great father, great husband, I'm an entrepreneur.
• 44:58
  Speaker 1: I'm I'm a musician. I have a lot of adjectives
• 45:01
  Speaker 1: to describe me. Tall, dark, handsome. I'm a virgo. I
• 45:05
  Speaker 1: enjoy long walks in the bank, doing pretty good. I'm
• 45:09
  Speaker 1: all those things and things like the album is very reflective.
• 45:12
  Speaker 1: You know. I use past tense a lot of my
• 45:15
  Speaker 1: music because I'm obviously not trapping right now, but these
• 45:18
  Speaker 1: are some of the things. My kids really listen to
• 45:20
  Speaker 1: my music now, Like I just got it. Just got
• 45:23
  Speaker 1: the phone with my son. He took my hey, you know,
• 45:26
  Speaker 1: Jews because that was only pretty goods like tramping music,
• 45:29
  Speaker 1: and so they thought it was funny that me and
• 45:31
  Speaker 1: him going back on the phone to my hey. He's
• 45:33
  Speaker 1: like hey, I'm like hey, and that was like, but
• 45:35
  Speaker 1: that's my old album and he three. And so it's
• 45:38
  Speaker 1: like when I got my wife the new car. I
• 45:40
  Speaker 1: ain't getting no TVs this time on purpose, because my
• 45:43
  Speaker 1: kids would watch TV the whole day to school. Hold,
• 45:45
  Speaker 1: I'm like, man, they need to look out the one
• 45:47
  Speaker 1: the song, So now they don't want to look out
• 45:49
  Speaker 1: the one to Still they just want to hear music,
• 45:51
  Speaker 1: and so they're gonna listen to my album. So I
• 45:53
  Speaker 1: don't say, like can sit and stuff like that too much.
• 45:56
  Speaker 1: Like I try to find creative ways to talk about
• 45:59
  Speaker 1: even sex and things like that. Obviously still do. But
• 46:01
  Speaker 1: when you got a ten year old asking me, did
• 46:03
  Speaker 1: you just say two girls in the pool kissing? And like,
• 46:07
  Speaker 1: did I say two girls in the pool kissing? I
• 46:09
  Speaker 1: ain't see what you what you're doing, you know, And
• 46:13
  Speaker 1: I can't make them stop listening. They got iPhones and stuff.
• 46:15
  Speaker 1: So I'm like, when my daughter asked me what a
• 46:17
  Speaker 1: drug dealer was, I told him me because obviously I
• 46:20
  Speaker 1: don't live the same way I lived before they got here.
• 46:22
  Speaker 1: But you know, kids are exposed to so much anyway.
• 46:25
  Speaker 1: You can't play with kids like that, you're playing yourself.
• 46:27
  Speaker 1: I had a threesome in the seventh grade. That's no
• 46:29
  Speaker 1: cap God damn. So don't don't play with kids like that.
• 46:33
  Speaker 1: The girls that it was two thirteen too, But the
• 46:36
  Speaker 1: first when I was in seventh grade, I could probably
• 46:38
  Speaker 1: say their name. They might try to suit me. No,
• 46:40
  Speaker 1: they don't do that. Don't do that. M might be
• 46:44
  Speaker 1: big and ugly by now, Facebook like she will find it.
• 46:49
  Speaker 1: In seventh grade, boy, this was that smoke and you
• 46:55
  Speaker 1: know who you are, they might come out to do
• 46:57
  Speaker 1: a video now just because yeah we do. We was,
• 47:05
  Speaker 1: but you didn't even know what you were doing anyway,
• 47:07
  Speaker 1: and I did. I did, So that was the threeson
• 47:10
  Speaker 1: was the second time I had sex. The first time
• 47:12
  Speaker 1: I was a little like it was a ninth grader
• 47:15
  Speaker 1: and I was like, okay, you know what I'm saying.
• 47:17
  Speaker 1: So then I thought I was you know, I told everybody,
• 47:20
  Speaker 1: don't tell nobody. You know what I'm saying, that brood
• 47:24
  Speaker 1: I told everybody. Yeah, I mean elementary. She in high
• 47:28
  Speaker 1: school cut my award off a sep. No more that, man,
• 47:32
  Speaker 1: Now I'm searching for I had a little pee on
• 47:34
  Speaker 1: a doll, a full full fledged dog now and these
• 47:37
  Speaker 1: two little girls they was, they was fast. They was
• 47:39
  Speaker 1: watching flicks and they called me. I was shooting ball.
• 47:41
  Speaker 1: They called me in the house and then you know,
• 47:42
  Speaker 1: the rest is history. But like basically what I'm saying,
• 47:45
  Speaker 1: I was back then and people were promistery with and
• 47:47
  Speaker 1: doing sneaky stuff. So you can't play yourself with kids.
• 47:50
  Speaker 1: Mama hit a liquid Kendrick, how do you how do
• 47:52
  Speaker 1: you choose features, Like do they choose you? Do you
• 47:54
  Speaker 1: do a record and say I'm gonna get Kendrick on this,
• 47:56
  Speaker 1: or do you do record already with Kendrick and mount
• 47:59
  Speaker 1: um No. So for Real came to my crib. I
• 48:01
  Speaker 1: was actually gonna tattoo. I was getting trap house tattered
• 48:04
  Speaker 1: on my leg and then for Real came and played
• 48:05
  Speaker 1: this beat and I had already gave Kendrick something to do,
• 48:08
  Speaker 1: and so when he played this beat and I did
• 48:11
  Speaker 1: my verse, and I was like, man, I think Kendrick
• 48:13
  Speaker 1: might just really destroy this song. Man and him just
• 48:16
  Speaker 1: kind of FaceTime until we got it done. The song
• 48:18
  Speaker 1: was done a while ago, but we couldn't get the
• 48:20
  Speaker 1: hook that that was just crazy enough I had. Man,
• 48:23
  Speaker 1: I had probably eight different hooks on this song. I
• 48:25
  Speaker 1: had a Sway version of Travis version off, a Real version.
• 48:28
  Speaker 1: I had a version, and then we just decided to
• 48:31
  Speaker 1: do it together. I had a Ya version, a hook
• 48:33
  Speaker 1: and everything. So it came. It came together like I
• 48:36
  Speaker 1: wanted you. You break down a jump shot on the record,
• 48:39
  Speaker 1: like you talk about how to actually follow through and
• 48:41
  Speaker 1: all of that. So what lessons did you learn from
• 48:43
  Speaker 1: college wall that you're still implementing your well, this is
• 48:45
  Speaker 1: what I learned. This was when I learned just playing
• 48:48
  Speaker 1: au ball, like Coach Outlaw was rest in peace. Coach
• 48:51
  Speaker 1: Outlaw I talked about how I learned more from my
• 48:54
  Speaker 1: coaches than I did from my own relatives, which is crazy,
• 48:56
  Speaker 1: but it's not crazy because you spend more time with
• 48:58
  Speaker 1: your coaches, spend more time. You go to school from
• 49:01
  Speaker 1: eight to three or whatever, and then you practice from
• 49:04
  Speaker 1: four to six, then you go home from seven to
• 49:07
  Speaker 1: whatever time you go to bed, right, So that's like
• 49:09
  Speaker 1: limited time with your parents. And I've learned through this
• 49:13
  Speaker 1: album when my disconnection was with that, how much I
• 49:17
  Speaker 1: spent time with other people than than than my own king.
• 49:21
  Speaker 1: Are you scared to go deep into the psyche of
• 49:23
  Speaker 1: of mister Eppstore, Yeah, I got some pain. You know,
• 49:26
  Speaker 1: it's some pain, and now I deal with it pretty good.
• 49:28
  Speaker 1: You know what I'm saying Some things that just so
• 49:30
  Speaker 1: close and dial to me. It's just it's just hard
• 49:32
  Speaker 1: to get out, you know what I'm saying, Like, it's
• 49:34
  Speaker 1: not average, it's not it's not it's not normal. It's
• 49:37
  Speaker 1: really savage, you know some of the things. You know
• 49:39
  Speaker 1: what I'm saying, Like I'm not I want going around
• 49:41
  Speaker 1: killing and robbing people, but some of the things I
• 49:42
  Speaker 1: did in my community, like I probably should have been
• 49:45
  Speaker 1: ashamed myself. At the same time, I felt like I
• 49:47
  Speaker 1: ain't having no other option. How do you how do
• 49:49
  Speaker 1: you navigate through the industry? The industry could be just
• 49:52
  Speaker 1: as now. I don't, but you know, I'll be by myself.
• 49:55
  Speaker 1: Really put, I'm cool with everybody in the industry. I'm
• 49:57
  Speaker 1: sure they all did the resume background check. I'm sure
• 50:00
  Speaker 1: they all thought about saying something crazy and then they're like, bro,
• 50:02
  Speaker 1: let let leave bro a loan. You know what I'm saying,
• 50:04
  Speaker 1: he did that's smiling all cap and that's not like
• 50:08
  Speaker 1: for no respect to nothing like that. It's just like
• 50:10
  Speaker 1: how I move. I respect people. I treat the valet
• 50:12
  Speaker 1: just like I treat the CEO. That's how I do it.
• 50:15
  Speaker 1: You know what I'm saying, people, I've saw people I've
• 50:18
  Speaker 1: been in the game loaner to see people get rich,
• 50:19
  Speaker 1: get broke, vice versa. You know what I'm saying. In
• 50:22
  Speaker 1: different attitudes changed, I think it's dope. If I get
• 50:24
  Speaker 1: a fat Super Bowl chick and remain the same, I
• 50:28
  Speaker 1: think that's dope. You know what I'm saying, buy a
• 50:30
  Speaker 1: car to I ain't bather th nobody, buy some property,
• 50:34
  Speaker 1: opening up another business next week, like I ain't ball
• 50:37
  Speaker 1: to nobody. I have a restaurant doing well. I'm opening
• 50:40
  Speaker 1: up members only a whole another spot in the lend
• 50:42
  Speaker 1: them open up Pamper Nail Studio. I got a nail shop.
• 50:45
  Speaker 1: I'm going to open up like mine for players, big
• 50:47
  Speaker 1: throne chairs. You're coming in, get your foots chopped off
• 50:51
  Speaker 1: of whatever you want to do. You know, yeah, you
• 50:55
  Speaker 1: get that bad black tool they need to get fore
• 50:58
  Speaker 1: I gotta you know, you gotta see black nail on that.
• 51:01
  Speaker 1: You know that dude got a black nail under that thing.
• 51:05
  Speaker 1: They got commercials that do each other. So now just
• 51:09
  Speaker 1: about man. I love being different, I love being myself.
• 51:12
  Speaker 1: I gotta go with my gut, you know, my my conscious.
• 51:14
  Speaker 1: I really believe in that that voice that talks to y'all.
• 51:17
  Speaker 1: I listened to that voice. I listened to it all
• 51:19
  Speaker 1: the way home. I feel like, yeah, the law of attraction.
• 51:21
  Speaker 1: I feel like you believe that for real, for real, man,
• 51:24
  Speaker 1: I've done it too many times. Man, Like I can
• 51:26
  Speaker 1: tell you now some stuff about that happen really good like,
• 51:29
  Speaker 1: I just all I can tell you you can hold you.
• 51:31
  Speaker 1: It's like I just dropped the whole shoe with forsacha.
• 51:34
  Speaker 1: Like two people dm me they shoe like, don't dm
• 51:37
  Speaker 1: meo the shoe? Put it up? Support you know, I
• 51:39
  Speaker 1: support y'all. Now, cool, you're holding its? Cool? Cool? Super
• 51:42
  Speaker 1: Bowl come come commercial, come out you ding me? Great job, Bro,
• 51:46
  Speaker 1: tell us somebody stop holding you. Cool the album, come
• 51:48
  Speaker 1: out Lebron put it up. Hey man, you're small to
• 51:51
  Speaker 1: hell Bro tell us somebody else stop holding it. You know? Okay? Cool,
• 51:54
  Speaker 1: you gonna keep holding you. I feel like you don't
• 51:57
  Speaker 1: think you're being celebrated in love too change Now I
• 51:59
  Speaker 1: want my rods. I can no. I won't. I want
• 52:01
  Speaker 1: to get picked up in the sky like I just
• 52:02
  Speaker 1: hit the buzzle beat. I won't get need that I
• 52:05
  Speaker 1: hit the game winning shot. I won't it. That's wild
• 52:07
  Speaker 1: to me, because I mean everybody, I don't know. Maybe
• 52:09
  Speaker 1: maybe because I do it and I see other people
• 52:11
  Speaker 1: do it that I'm not paying attention to who you
• 52:12
  Speaker 1: because you ain't holding on it, and you ain't you
• 52:15
  Speaker 1: ain't holding on in it for a different reason, for
• 52:17
  Speaker 1: a different reason. And like when I say things like that. Don't. Please,
• 52:20
  Speaker 1: don't let me sound petty because I'm blessed. You're doing
• 52:23
  Speaker 1: fine to a change. You just put out your best
• 52:24
  Speaker 1: body of work. I definitely it is good. You gotta
• 52:26
  Speaker 1: hit TV, show your family, no doubt. Man, don't don't
• 52:30
  Speaker 1: make me seem like I'm Don't make me seem like
• 52:31
  Speaker 1: I'm tripping over because I'm not. You asked the legit
• 52:33
  Speaker 1: couch do on Obvio said, would you rather be underrated
• 52:35
  Speaker 1: or unemployed? Listen? Listen. You don't play though, bro, you
• 52:40
  Speaker 1: listen listen. Man, just say some of the stuff you're
• 52:42
  Speaker 1: saying ain't gonna lot though. He's off. And then I
• 52:45
  Speaker 1: saw what you and Joe said about this being my album.
• 52:47
  Speaker 1: I was, you know, I was trying to get you
• 52:48
  Speaker 1: to here earlier. But I appreciate you putting that in
• 52:51
  Speaker 1: the air. You know what I'm saying. Still believing in me,
• 52:53
  Speaker 1: Still knowing I can get the jaw done or a
• 52:55
  Speaker 1: rapper go to the league is out right now to
• 52:57
  Speaker 1: change fifth studio album. Good to see you again, my brother.
• 53:00
  Speaker 1: It's the Breakfast Club, all right. I hate Instagram spam, bro,
• 53:04
  Speaker 1: I'm not interested in getting any illustrations. I don't care
• 53:06
  Speaker 1: if you got a huge booty, I don't need mixtape covers.
• 53:08
  Speaker 1: Leave me alone. I got you. I'll tell you how
• 53:11
  Speaker 1: to block that lead God a matter of fact, the
• 53:14
  Speaker 1: way you told me to block things, that's how you
• 53:16
  Speaker 1: block that. You do one that taught me how to
• 53:17
  Speaker 1: block things. Yes, that's what I did, right, all right?
• 53:23
  Speaker 1: Anyway you think about that? See that? All right? We
• 53:26
  Speaker 1: let's get to the RUMs. Let's talk to lunch just
• 53:31
  Speaker 1: oh gosh reports with Angela Angela the breakfast club. Wow.
• 53:39
  Speaker 1: We were talking about sluns taking over black planet dot com,
• 53:41
  Speaker 1: the social networking site. And now she has dropped a
• 53:45
  Speaker 1: surprise album that came out this morning. So it's called
• 53:50
  Speaker 1: When I Get Home. I wrote to it this morning.
• 53:52
  Speaker 1: It's nice little vibe. Yes, there's what nineteen songs, nineteen
• 53:56
  Speaker 1: songs on this album. Albums only like four minutes. She's
• 54:00
  Speaker 1: been trending ever since you put this out this morning.
• 54:03
  Speaker 1: So let's give you guys some clips in case you
• 54:06
  Speaker 1: haven't had a chance to hear anything yet. A sound
• 54:08
  Speaker 1: of rain. That's the number one trending song off the album.
• 54:11
  Speaker 1: Here's a piece he let it let all right. The
• 54:42
  Speaker 1: number two trending song is stay flu you got it. Oh,
• 54:48
  Speaker 1: there you go, Don Don Don Don the floor and
• 54:57
  Speaker 1: you canno taking all down, taking a home and they
• 55:05
  Speaker 1: feeling on the way taking all shots, and they feeling
• 55:09
  Speaker 1: on the face taking it all down. Feel it's already
• 55:19
  Speaker 1: a vibe, right you like that? I'm telling you right now,
• 55:21
  Speaker 1: they're playing all these records like this out of context.
• 55:23
  Speaker 1: Does this album job? Yeah? She said you have to
• 55:25
  Speaker 1: play it all the way through herself. Now my skin
• 55:27
  Speaker 1: at my logo. The speech is Gucci, Maine and Tyler
• 55:30
  Speaker 1: the creator, real, got the chills, who comes down with
• 55:37
  Speaker 1: the thing, got the fields, Couccie on the sheets, couch
• 55:42
  Speaker 1: on the sweet I didn't want to soccer. She had
• 55:46
  Speaker 1: Gucci on her cleats, liked to shine. Could you like
• 55:51
  Speaker 1: to play? She liked to come down? He got hard
• 55:56
  Speaker 1: and the plain. Yeah, she made that before the boycott.
• 55:59
  Speaker 1: And just like all of y'all who purchased all that,
• 56:02
  Speaker 1: Just like y'all who purchased all that expensive Gucci before
• 56:04
  Speaker 1: the boy because you can't just throw that away. I
• 56:06
  Speaker 1: gotta give y'all this record. It's too fire. I gotta
• 56:08
  Speaker 1: get into an a vibe for this, That's what I'm saying.
• 56:11
  Speaker 1: Like you can't right now. And here's here's how made that,
• 56:14
  Speaker 1: featuring Playboy, Cartie and a Dream, Quills, Jest Brown, The
• 56:25
  Speaker 1: Crowntain Brown, Crown, the Crown, Black Backs, Black Play, Black Molasses,
• 56:38
  Speaker 1: Buried the Master. Yeah, she said, y'all, I'm feeling with
• 56:50
  Speaker 1: so much joy right now where I can't thank y'all
• 56:53
  Speaker 1: enough for this moment and for the feelings I feel
• 56:55
  Speaker 1: in my body. I'm bringing home at me everywhere I go, y'all,
• 56:58
  Speaker 1: and I ain't running from ish no more. Your love
• 57:00
  Speaker 1: lifts me up so high. Thank you. Yeah. Playing all
• 57:03
  Speaker 1: these lucis is not to move. It's a complete body
• 57:05
  Speaker 1: of work and it first should be listened to its touch.
• 57:07
  Speaker 1: The vibe was perfect this morning, especially in Jersey because
• 57:10
  Speaker 1: the weather was disgusting and it was snow on the
• 57:12
  Speaker 1: ground and they hadn't put salt on the ground yet,
• 57:14
  Speaker 1: so I was forced to drive slow. That the reason
• 57:16
  Speaker 1: I was late this morning, so I listened to the
• 57:17
  Speaker 1: Solange now. She also sampled Devin the Dude scarfacing Mike
• 57:20
  Speaker 1: Jones on the album Okay, h Town. Other contributions Tyler
• 57:24
  Speaker 1: the Creator, Cassie the Dream, Gucci and more. So. Make
• 57:28
  Speaker 1: sure you guys have a chance to listen to that
• 57:30
  Speaker 1: one through one through nineteen work. Definitely not CR Double
• 57:34
  Speaker 1: ay music though, No, no, that ain't. That's not gonna
• 57:36
  Speaker 1: getting ready for crule. That ain't gonna be bumping that
• 57:38
  Speaker 1: CR Double A this week maybe Monday. And I gotta
• 57:40
  Speaker 1: go to Albany on Saturday. That's like a three D
• 57:45
  Speaker 1: so that's plenty of time for me to vibe out.
• 57:48
  Speaker 1: All right, Um, I'm Anjela yea. And that's your rumor
• 57:50
  Speaker 1: reporter that was all dedicated to Solange. All right now, Charlemaine, Yes,
• 57:54
  Speaker 1: give it that donkey. You we need dog Park Debby
• 57:57
  Speaker 1: to come to the front of the congregation. Were you
• 57:58
  Speaker 1: like that have a little or with her? Okay, yeah,
• 58:01
  Speaker 1: we'll do that when we come back. Keep a lot
• 58:02
  Speaker 1: this to Breakfast Club co morning. This don't be a
• 58:05
  Speaker 1: dusty because right now you want some real It's time
• 58:09
  Speaker 1: for Donkey of the Day. So if we ever feel
• 58:11
  Speaker 1: I need to be a donk man with the heat,
• 58:15
  Speaker 1: did get I had become Donkey of the day the
• 58:20
  Speaker 1: Breakfast Club bitching to spilt water all over myself. Jesus Christ, okay,
• 58:30
  Speaker 1: Jesus donkey today for Friday, March first goes to a
• 58:33
  Speaker 1: young lady in Massachusetts that the internet is named dog
• 58:37
  Speaker 1: park Debbie. Now, I hate when things like this happened because,
• 58:39
  Speaker 1: for whatever reason, they do not release the names of
• 58:42
  Speaker 1: these white collar criminals. And yes, I call them white
• 58:45
  Speaker 1: collar criminals because whenever a white person called the police
• 58:48
  Speaker 1: on a black person for no reason, it should be
• 58:50
  Speaker 1: considered a crime. Because whenever a black person has an
• 58:52
  Speaker 1: interaction with the police, it's a great chance our lives
• 58:55
  Speaker 1: are in danger, and even if our lives aren't in danger,
• 58:58
  Speaker 1: it feels like it because of the way my anxiety
• 59:00
  Speaker 1: is set up. So I propose that whenever a white
• 59:03
  Speaker 1: collar crime is committed, said white person should be fined
• 59:06
  Speaker 1: a substantial amount. Now, the latest white collar crime was
• 59:08
  Speaker 1: committed by dog park Debbie, and the reason she is
• 59:11
  Speaker 1: being called dog park Debbie is because she was walking
• 59:14
  Speaker 1: her dog at an employee dog park. And so was
• 59:16
  Speaker 1: a brother by the name of Franklin Baxley, tropping a
• 59:19
  Speaker 1: clues bombs for Franklin Baxley. I don't even know this guy,
• 59:22
  Speaker 1: and I like him. Okay, Now, Franklin was walking his dog.
• 59:25
  Speaker 1: If you have any doubts that Franklin is black, let
• 59:29
  Speaker 1: the record show that his dog's name is du says
• 59:38
  Speaker 1: Say is his dog's name named after jay Z's Kanjac. Well,
• 59:43
  Speaker 1: Franklin was walking through Say inside joke. Well, Franklin was
• 59:50
  Speaker 1: walking to Say and Franklin said that he visits the
• 59:53
  Speaker 1: dog park twice a day and all the dogs get
• 59:56
  Speaker 1: excited when a new one is here. Okay, Well, when
• 59:58
  Speaker 1: dog park Debbie walked in with her little mayonnaise flavored
• 1:00:01
  Speaker 1: mutt do, Say got excited. He ran over and started
• 1:00:04
  Speaker 1: humping on poor helmets. Franklin immediately removed Du Say's penis
• 1:00:08
  Speaker 1: from the mayonnaid's jar and apologize. Franklin said, the dog
• 1:00:11
  Speaker 1: park Debbie said to him, you should leave because your
• 1:00:13
  Speaker 1: dog keeps doing that. Franklin told dog park Debbie he
• 1:00:16
  Speaker 1: wasn't leaving, and she took out her phone called nine
• 1:00:19
  Speaker 1: one one. Let's hear it. Honestly, I'm you're not trying
• 1:00:23
  Speaker 1: to help me. Tell you no, you're not trying to
• 1:00:25
  Speaker 1: help me. I know the rules, the dogs, the rules.
• 1:00:29
  Speaker 1: What are you talking about. I'm right here, your dog
• 1:00:31
  Speaker 1: aggressively on top of another. The dogs hump each other
• 1:00:34
  Speaker 1: every day, and he took him off. I took him off.
• 1:00:38
  Speaker 1: I know it's my opinion, but you don't call the
• 1:00:40
  Speaker 1: cops over it. That's all I'm saying. It's not an
• 1:00:43
  Speaker 1: opinion that dogs hump every day. Okay, it's two dogs
• 1:00:46
  Speaker 1: hoping right now. I can guarantee you that dogs absolutely
• 1:00:50
  Speaker 1: hump every day. Well, when dog park Debbie walked walked in,
• 1:00:54
  Speaker 1: you know what I'm saying, she got upset. She called.
• 1:00:56
  Speaker 1: And this is why white caller criminals need to be fine.
• 1:00:58
  Speaker 1: All right, you are wasted valuable policeman hours. It is
• 1:01:01
  Speaker 1: real crimes that are going on in Massachusetts that police
• 1:01:04
  Speaker 1: could be tending to, but they are being distracted from
• 1:01:06
  Speaker 1: the real issues because people like dog Park Debbie are
• 1:01:09
  Speaker 1: so afraid of the big scary black man that she
• 1:01:12
  Speaker 1: has to call nine one one just because little Doo, say,
• 1:01:15
  Speaker 1: wanted some mayonnaise on his dog treat. All right, What
• 1:01:17
  Speaker 1: bothers me about this is you called the police on Franklin.
• 1:01:21
  Speaker 1: But what do you want the police to do? What
• 1:01:23
  Speaker 1: would the charge be you called the police on Franklin,
• 1:01:26
  Speaker 1: where you might as well call the police on Mother Nature,
• 1:01:28
  Speaker 1: call the police on God. Because dogs hump other dogs,
• 1:01:31
  Speaker 1: not because their owners tell them too, but because that's
• 1:01:34
  Speaker 1: the way dogs are designed. It's just that easy. Okay.
• 1:01:37
  Speaker 1: Dogs mount and other dogs. They hump other dogs, not
• 1:01:39
  Speaker 1: even for sexual reason, sometime just because they are excited. Okay,
• 1:01:42
  Speaker 1: I'll seeking attention, all right. When dogs are unsure of
• 1:01:45
  Speaker 1: they're placing the pack, they're more likely to hump. They
• 1:01:47
  Speaker 1: see how many dogs will accept the behavior, which usually
• 1:01:50
  Speaker 1: just leads to fights with other dogs. Okay, dog park
• 1:01:53
  Speaker 1: Debbie is actually being a Debbie dog downer because she's
• 1:01:56
  Speaker 1: ruining the fun. All right, you're not gonna tell me
• 1:01:58
  Speaker 1: that this hasn't happened to you before and dog parks,
• 1:02:00
  Speaker 1: So let's be honest here. It's not the dog humping
• 1:02:03
  Speaker 1: that's got you bothered. It's the black man that's walking
• 1:02:05
  Speaker 1: the dog that got you bothered. In fact, you probably
• 1:02:08
  Speaker 1: value the life of dou S more than you value
• 1:02:11
  Speaker 1: the life of Franklin Baxley. The problem wasn't the puppy.
• 1:02:15
  Speaker 1: The problem was your prejudice. Please let Cathy Griffin hand
• 1:02:17
  Speaker 1: in my white work. Please give this giant jar male
• 1:02:20
  Speaker 1: the biggest heahaw. All right, well, thank you for that
• 1:02:26
  Speaker 1: donkey today and dropping a clothes bombs for Franklin naming
• 1:02:28
  Speaker 1: his dog to say, you know what, I'm saying sticking
• 1:02:32
  Speaker 1: with the times, all right, No, I like that. All right. Now,
• 1:02:36
  Speaker 1: when we come back, Steve Stout will be joining us.
• 1:02:39
  Speaker 1: He's bringing his new artist, Chopper. Is Chopper considers his
• 1:02:42
  Speaker 1: artists because I know he's signed to United Masters. United Masters.
• 1:02:46
  Speaker 1: Is Steve Stout mother because there's a lot of other
• 1:02:50
  Speaker 1: artists on United Masters. I don't. I don't know if
• 1:02:52
  Speaker 1: that's his artist person. We'll find out next. Yeahs a
• 1:02:55
  Speaker 1: deal for distribution, all right, we'll talk to him next.
• 1:02:58
  Speaker 1: You don't move. It's to Breakfast Club. Come morning, you're
• 1:03:01
  Speaker 1: chicking out the world's most dangerous morning show. Morning Everybody
• 1:03:04
  Speaker 1: is DJ Envy, Angela Yee, Charlomagne the guy. We are
• 1:03:08
  Speaker 1: the Breakfast Club. We got some special guests in the building,
• 1:03:11
  Speaker 1: Steve Stout and his new artist, Chopper. I just started
• 1:03:14
  Speaker 1: hitting about Chopper because Chopper turned down a three million
• 1:03:16
  Speaker 1: dollar record deal to sign with your United Masters. Yeah.
• 1:03:20
  Speaker 1: And you know, Steve Stout doesn't really roll with artists
• 1:03:22
  Speaker 1: that much. It's important to come and support this young
• 1:03:26
  Speaker 1: man because he made a very important decision. I mean,
• 1:03:29
  Speaker 1: he decided to be independent, to own his rights, and uh,
• 1:03:34
  Speaker 1: you know, cod with an independent company, and a lot
• 1:03:37
  Speaker 1: of young guys sixteen years old would have taken the
• 1:03:39
  Speaker 1: money obviously, and we know how that all ends. In fact,
• 1:03:42
  Speaker 1: um nobody ends that. That story doesn't end. Well, I've
• 1:03:45
  Speaker 1: never met an artist in my life that ever said
• 1:03:48
  Speaker 1: one of the best decisions I ever made was signing
• 1:03:50
  Speaker 1: with a record But Chappa, how did you come to
• 1:03:52
  Speaker 1: that decision? Is be independent? Really owning all your stuff
• 1:03:55
  Speaker 1: because life, I think a lot of repels when they signed,
• 1:03:58
  Speaker 1: they think a short term, long term like you're not
• 1:04:01
  Speaker 1: making them money out though you know what I'm saying
• 1:04:03
  Speaker 1: the song because at the end of the day, the
• 1:04:05
  Speaker 1: labor own that song. But if you mus know I'm
• 1:04:10
  Speaker 1: saying that jall song, you're making money. Have you watched
• 1:04:12
  Speaker 1: other people's stories and been like, I don't want to
• 1:04:14
  Speaker 1: end up like that? Yeah? You sixteen? I love it
• 1:04:18
  Speaker 1: because a lot of people, you know, they don't have
• 1:04:20
  Speaker 1: that type of vision. Dollars a lot of money. You know,
• 1:04:23
  Speaker 1: what makes you think I'm gonna be able to make
• 1:04:26
  Speaker 1: more than this in the next couple of years. Well,
• 1:04:28
  Speaker 1: it's really just when it ain't know, cocky type thing,
• 1:04:32
  Speaker 1: but it's like you know your worst type. You mean,
• 1:04:36
  Speaker 1: what I'm saying I think I can make more through yeah,
• 1:04:40
  Speaker 1: or it's the white man's worst night man Steve black people,
• 1:04:43
  Speaker 1: young black people. Yeah. Well look, I've always believed that
• 1:04:48
  Speaker 1: record company contracts were very similar to share cropping, right,
• 1:04:53
  Speaker 1: like you don't really own it, and they make you
• 1:04:55
  Speaker 1: believe you own it. And a bank it's gonna make
• 1:04:57
  Speaker 1: it's it's it's a usury bank loo. You know, like
• 1:05:01
  Speaker 1: bank loans, there's laws against the amount of interest you
• 1:05:04
  Speaker 1: could charge on the bank loan. Record company contracts are
• 1:05:08
  Speaker 1: just bank loans with the most ridiculous interest rates. If
• 1:05:11
  Speaker 1: you have a calculated that would be against the law.
• 1:05:14
  Speaker 1: But they it's worse than that because they actually own it.
• 1:05:18
  Speaker 1: And this is an example of what, yes, what's yet
• 1:05:22
  Speaker 1: to come. These changes take place over generations. So you
• 1:05:26
  Speaker 1: got a sixteen year old guy who says, you know what,
• 1:05:27
  Speaker 1: this is what I'm doing, and it changes a generation
• 1:05:30
  Speaker 1: that goes, you know what, I don't need this anymore.
• 1:05:33
  Speaker 1: Instagram and social media is the new MTV and Apple
• 1:05:37
  Speaker 1: and Spotify as the new record store. What do I
• 1:05:40
  Speaker 1: need you for? And you look at it. I mean,
• 1:05:43
  Speaker 1: this guy put out the music on his own. I mean,
• 1:05:46
  Speaker 1: so in a month, got fifty is that fifteen million
• 1:05:48
  Speaker 1: views on YouTube? What does he need a record company
• 1:05:51
  Speaker 1: owning that for? That's all? And yeah, everybody should know
• 1:05:55
  Speaker 1: you know your worth. You know your worth. He knows
• 1:05:57
  Speaker 1: his worth. I certainly know mine. And that's the way
• 1:06:00
  Speaker 1: we're move and going forward. That's that's the power that
• 1:06:03
  Speaker 1: we all possess. How does that work? How does United
• 1:06:06
  Speaker 1: Masters work? We're distribution company. He's not signed to us.
• 1:06:09
  Speaker 1: We distribute the work that he owns own it. Yeah, yeah,
• 1:06:13
  Speaker 1: we distribute the work that he owns So we're just
• 1:06:15
  Speaker 1: a distribution partner form. We allow his music to go
• 1:06:18
  Speaker 1: from the studio onto Spotify on the Apple, so we
• 1:06:22
  Speaker 1: distribute to all the streaming platforms final and they pussy
• 1:06:26
  Speaker 1: puss it just like a label. We'll do what is
• 1:06:30
  Speaker 1: United Mass for people who don't I know what I'm
• 1:06:33
  Speaker 1: saying for people watching you, just for people who don't
• 1:06:35
  Speaker 1: know what it is. If you're an artist and you
• 1:06:37
  Speaker 1: want to get your music out all over the world,
• 1:06:39
  Speaker 1: but you don't want to sign to a record company
• 1:06:40
  Speaker 1: or or a record company hasn't contacted you, you can
• 1:06:44
  Speaker 1: put your music up on YouTube on your own easy,
• 1:06:46
  Speaker 1: But to get your music on Amazon, Title, Apple, Spotify.
• 1:06:51
  Speaker 1: You need a distribution company to do that, and we
• 1:06:53
  Speaker 1: also not only distribute it for you, but we collect
• 1:06:56
  Speaker 1: on your behalf and pay you the money on your math.
• 1:06:59
  Speaker 1: So it's basically a service that allows independent artists to
• 1:07:04
  Speaker 1: get their music distributed and to collect the money and
• 1:07:06
  Speaker 1: pay them, and then he pays you out of that money. Yeah, okay,
• 1:07:10
  Speaker 1: that you provide. He sees it in real time. It's transparent.
• 1:07:13
  Speaker 1: So whatever the money that comes in is earned, he
• 1:07:16
  Speaker 1: sees it. It's not like you know, don't I'll call
• 1:07:19
  Speaker 1: you when the money comes in and checks in the mail. Nonsense.
• 1:07:22
  Speaker 1: You know record companies, they'd pay you. They'll give you
• 1:07:25
  Speaker 1: an advance and you get like a statement once every
• 1:07:27
  Speaker 1: six months. I mean you get paid over long, long
• 1:07:30
  Speaker 1: periods of time. This is he sees it seven days,
• 1:07:34
  Speaker 1: fourteen days, twenty eight days. You see exactly what your
• 1:07:36
  Speaker 1: song generated, and you get paid that money. Now, what
• 1:07:39
  Speaker 1: if he needs marketing promotions? Does United Masters provide those
• 1:07:43
  Speaker 1: services also? Yeah? That's why we hear it right now. Yeah,
• 1:07:47
  Speaker 1: because the job of you would not be here if
• 1:07:48
  Speaker 1: he was not signing you not a massive I didn't
• 1:07:54
  Speaker 1: say that, bro, I didn't say that y'all got a
• 1:07:57
  Speaker 1: partnership with the NBA. Right, Oh yeah, what is that? Well,
• 1:08:00
  Speaker 1: it's another thing that we did. We decided like, not
• 1:08:03
  Speaker 1: only do we want to do distribution, but we want
• 1:08:05
  Speaker 1: to provide to your point services and one of the
• 1:08:08
  Speaker 1: services my strong set, my skills in brands. It's what
• 1:08:13
  Speaker 1: I've You know, I went from music and I built
• 1:08:15
  Speaker 1: an advertising companies. You guys, well if you don't know,
• 1:08:18
  Speaker 1: now you know. I built an advertising company and I
• 1:08:22
  Speaker 1: wanted to be able to bring that service to artists
• 1:08:24
  Speaker 1: that were assigned to United Masses or was working with us.
• 1:08:27
  Speaker 1: So the NBA is our first partner, with many more
• 1:08:30
  Speaker 1: partnerships to announcements to follow where we allow your music
• 1:08:35
  Speaker 1: to actually be used in all of the NBA content.
• 1:08:38
  Speaker 1: The NBA has one point five billion followers with their
• 1:08:41
  Speaker 1: social footprint, they have twenty six billion views of their content.
• 1:08:45
  Speaker 1: All the music that's behind that all goes to United Masses.
• 1:08:48
  Speaker 1: How much is United as from artists? Ten percent? Okay
• 1:08:52
  Speaker 1: if you depend on the deal, but if you're just
• 1:08:54
  Speaker 1: distribution with zero services, you just go through our service,
• 1:08:58
  Speaker 1: it's ten percent. I want to know for Choppol, how
• 1:09:00
  Speaker 1: hard was it not? Only to turn down to three
• 1:09:02
  Speaker 1: million dollars, but not to like sign a deal, because
• 1:09:04
  Speaker 1: that's everybody's dream as a young artist to sign a
• 1:09:07
  Speaker 1: record deal. On me young is like, it wasn't hard
• 1:09:10
  Speaker 1: at all. Really just anything I if it move you mad,
• 1:09:16
  Speaker 1: gotta be your business. You know what I'm saying, A
• 1:09:18
  Speaker 1: good move. I just feel like they move or sign
• 1:09:21
  Speaker 1: it wasn't a good move. I'm saying, if you're working,
• 1:09:24
  Speaker 1: you're working hard, you're doing this. You know that. I
• 1:09:27
  Speaker 1: was saying money gonna coom three million. They're three million
• 1:09:30
  Speaker 1: right now. But if you you're working hard, and you
• 1:09:34
  Speaker 1: know I'm saying, working doing what you're doing, you could
• 1:09:36
  Speaker 1: probably make five million in one year instead of just
• 1:09:39
  Speaker 1: they're three million. You add then they're gonna recuperate that anyway.
• 1:09:43
  Speaker 1: It's just the first thing he's When I sat down
• 1:09:46
  Speaker 1: with him, he sucked. He talked about how much money
• 1:09:48
  Speaker 1: he paid for the video and how much money he
• 1:09:50
  Speaker 1: paid for the studio time, and how much money he
• 1:09:52
  Speaker 1: got back he made five xos investment problem too, he
• 1:09:56
  Speaker 1: said that immediately this is like meeting one. I'm like,
• 1:09:59
  Speaker 1: who talks like that? I mean, I paid attention to
• 1:10:01
  Speaker 1: every little thing and my belief that independent artist is
• 1:10:05
  Speaker 1: the way of the future, that these labels honestly are
• 1:10:09
  Speaker 1: nothing more. They served the purpose at a time, but
• 1:10:12
  Speaker 1: for centuries, all they've done is taken away. You know.
• 1:10:17
  Speaker 1: I just was. I was with Al Sharpton yesterday. How
• 1:10:20
  Speaker 1: did Al Sharpton getting this? I'll tell you well, Al
• 1:10:23
  Speaker 1: Sharpton used to be James Brown road mast right, and
• 1:10:26
  Speaker 1: Al Shalton was telling me yesterday that as many times
• 1:10:29
  Speaker 1: as James Brown has been sampled in the whole thing,
• 1:10:31
  Speaker 1: this man sat in the morgue for seventy days. There
• 1:10:34
  Speaker 1: was not five thousand dollars to pay for his funeral
• 1:10:38
  Speaker 1: because he didn't own the music. And we just said
• 1:10:41
  Speaker 1: when Prince wrote slave on his face, we were looking
• 1:10:43
  Speaker 1: at it like it was crazy. He knew they put
• 1:10:47
  Speaker 1: slave in the recording contracts. The original copy is called
• 1:10:51
  Speaker 1: the master and the duplicates are called slaves. These things
• 1:10:54
  Speaker 1: are just wild to me. And when you look at it,
• 1:10:57
  Speaker 1: you know, it was like was hopping around hipping in
• 1:11:00
  Speaker 1: happy because they got a record deal and they turned
• 1:11:02
  Speaker 1: around and you can't pay for your funeral. Now, whether
• 1:11:05
  Speaker 1: he blew the money or did whatever he did. M
• 1:11:09
  Speaker 1: James Brown case, if he owned his rights, he would
• 1:11:12
  Speaker 1: have been he wouldn't have been in that situation. I
• 1:11:14
  Speaker 1: don't like any of that. We need to protect his rights,
• 1:11:17
  Speaker 1: not own his rights. We got more with Steve Stouton
• 1:11:20
  Speaker 1: chopper when we come back. Don't move as to breakfast club.
• 1:11:22
  Speaker 1: Good morning morning. Everybody is DJ mvy angela yee. Charlomagne
• 1:11:27
  Speaker 1: the guy we all the breakfast club we have, Steve
• 1:11:29
  Speaker 1: Stouton is all his chopper in the building. Charlomagne gotta
• 1:11:31
  Speaker 1: ask you, do you accept Dame Dash's apology? Yeah? Yeah.
• 1:11:37
  Speaker 1: By the way, I told Dame Dash about a year
• 1:11:40
  Speaker 1: ago that a lot of the things that he had
• 1:11:43
  Speaker 1: said and professed during his the height of his career
• 1:11:48
  Speaker 1: with Rockefeller and Rockeware was we're ahead of its time.
• 1:11:53
  Speaker 1: I told him that and um, and I felt that
• 1:11:57
  Speaker 1: I had to say that to him because well, I
• 1:11:59
  Speaker 1: was building his company. I was thinking through all of
• 1:12:01
  Speaker 1: the guys who sacrificed to help pave the way to
• 1:12:05
  Speaker 1: teach in their own way that we should be owning
• 1:12:09
  Speaker 1: ourselves and owning our empowering ourselves. And he's on that
• 1:12:13
  Speaker 1: short list of guys who did that. So I definitely
• 1:12:16
  Speaker 1: called him and told him that. So you know the
• 1:12:18
  Speaker 1: fact that you know he called you know, he apologized.
• 1:12:20
  Speaker 1: I didn't like the fact that he actually put me
• 1:12:23
  Speaker 1: in the category of a culture vulture. That's that's crazy
• 1:12:26
  Speaker 1: to me that he would do it. In fact, I
• 1:12:29
  Speaker 1: think culture vulture is a great idea, and there are
• 1:12:31
  Speaker 1: a lot of culture vultures, a lot of guys out
• 1:12:33
  Speaker 1: there barring and stealing and ripping off the culture right now,
• 1:12:38
  Speaker 1: and a lot of them are getting supported by us,
• 1:12:40
  Speaker 1: and they don't even realize that we're that they all stealing.
• 1:12:44
  Speaker 1: So I support the theory of culture vultures and I
• 1:12:47
  Speaker 1: would love to work with them and let's put those
• 1:12:49
  Speaker 1: guys on blast. But the fact that he ever called
• 1:12:52
  Speaker 1: me that was wild to me, and I hope that's
• 1:12:55
  Speaker 1: what he apologized for, because there's nothing at all that
• 1:12:58
  Speaker 1: I've ever done in mind hire career that would even
• 1:13:01
  Speaker 1: categorize me close to that. All I've ever done was
• 1:13:05
  Speaker 1: pushed the culture forward from day one. That's all I've done,
• 1:13:08
  Speaker 1: and that's all I am I'm ever gonna do if
• 1:13:11
  Speaker 1: I what success is to me is did I move
• 1:13:14
  Speaker 1: the culture forward? When I went into advertising? Nobody gave
• 1:13:17
  Speaker 1: a about advertising and why would you leave the record
• 1:13:19
  Speaker 1: business to go into advertising? Because I want to take
• 1:13:22
  Speaker 1: what I learned from the record business and put that
• 1:13:25
  Speaker 1: an advertising business. Nobody was gonna put Jada Kiss on
• 1:13:28
  Speaker 1: TV doing a commercial back in two thousand and one,
• 1:13:31
  Speaker 1: but Alan and Iverson, who would do that? Who's gonna
• 1:13:34
  Speaker 1: give jay Z sneakers? You think jay Z sneaking and
• 1:13:37
  Speaker 1: fifty cents sneaking for Rell sneaker has nothing to do it.
• 1:13:40
  Speaker 1: Why all these guys got sneakers today? It has everything
• 1:13:43
  Speaker 1: to do it. Why that's my job. I've taken that job.
• 1:13:46
  Speaker 1: So anybody who says anything to me that is not
• 1:13:49
  Speaker 1: complimentary of the of what I've contributed to get us
• 1:13:53
  Speaker 1: all where we are today is in the music business
• 1:13:56
  Speaker 1: is out of their mommy and they need they need
• 1:13:58
  Speaker 1: an education. On on on Steve Stock to even talk
• 1:14:02
  Speaker 1: about anything that's not like that. I didn't push the
• 1:14:06
  Speaker 1: culture forward or any I just went on a little. Ready,
• 1:14:08
  Speaker 1: I guess I got upset. I don't like that. I
• 1:14:11
  Speaker 1: want to ask you guys a question, if you don't
• 1:14:12
  Speaker 1: mind us, what do you think about? Like, what do
• 1:14:17
  Speaker 1: you think about the Gucci situation? Um? I think I
• 1:14:20
  Speaker 1: have a lot of thoughts on that that I've been
• 1:14:22
  Speaker 1: trying to figure out. I do think they absolutely need
• 1:14:26
  Speaker 1: diversity there. I also feel like it's a foreign company
• 1:14:29
  Speaker 1: and I don't know what the sensitivities are to certain things.
• 1:14:32
  Speaker 1: I do know that that turtleneck was up on the side.
• 1:14:35
  Speaker 1: It wasn't like it just got put up because I
• 1:14:37
  Speaker 1: have to sweatpass this in the picture. Um. So I
• 1:14:39
  Speaker 1: had seen it and I didn't think, no, it's not matching,
• 1:14:43
  Speaker 1: it's just the picture. I just I looked at the
• 1:14:46
  Speaker 1: website like months ago, and I had seen it on there,
• 1:14:50
  Speaker 1: and I didn't think they were trying to do like
• 1:14:51
  Speaker 1: a black face. I didn't think that was the intention
• 1:14:54
  Speaker 1: of it. I thought it was just like an ugly turtleneck.
• 1:14:57
  Speaker 1: And I was like, why would I want to put
• 1:14:58
  Speaker 1: a turtleneck over my face and get makeup on it?
• 1:15:01
  Speaker 1: You know, That's just what my thought was. So I
• 1:15:03
  Speaker 1: didn't really and I know a lot of people had
• 1:15:05
  Speaker 1: to have seen it before that because it was up
• 1:15:07
  Speaker 1: for months. So I don't know that their intent was
• 1:15:09
  Speaker 1: to be like, Okay, we're gonna do this blackface turtleneck.
• 1:15:12
  Speaker 1: I do think that it's great for them to have
• 1:15:15
  Speaker 1: them called out for that and for them to implement
• 1:15:18
  Speaker 1: these plans of diversity that they better follow up on. Yeah,
• 1:15:21
  Speaker 1: so my point of view on it I part of
• 1:15:26
  Speaker 1: again moving culture forward. I put Dapper Dan with Gucci
• 1:15:31
  Speaker 1: a year and a half ago to do that and
• 1:15:33
  Speaker 1: put that arrangement together. And what I've been saying for
• 1:15:37
  Speaker 1: years is that black people, African Americans is the best
• 1:15:42
  Speaker 1: consumers in the world because they buy products that aren't
• 1:15:45
  Speaker 1: marketed to them. Right for some strange reason, if something
• 1:15:49
  Speaker 1: isn't marketed to African Americans, they look at it as aspirational.
• 1:15:53
  Speaker 1: I want to get that, even though they're not talking
• 1:15:55
  Speaker 1: to me directly. In the case of Gucci, absolutely I don't.
• 1:16:00
  Speaker 1: Their intent wasn't to be um harmful, but they're culturally
• 1:16:06
  Speaker 1: completely unaware, clueless, and it's because they look at they
• 1:16:12
  Speaker 1: must look at African Americans specifically and go They like
• 1:16:16
  Speaker 1: big logos and bright colors, but not necessarily understand the
• 1:16:20
  Speaker 1: depth have any nuance to what really is offensive or not,
• 1:16:24
  Speaker 1: which means they can do programs with you know, getting
• 1:16:28
  Speaker 1: young black designers in the company and all that. That's cool,
• 1:16:31
  Speaker 1: but they need like a black executive or black executives
• 1:16:35
  Speaker 1: on their board. They need a diversity council. You can't
• 1:16:38
  Speaker 1: sit in Italy and understand exactly the nuances without having
• 1:16:43
  Speaker 1: black people over there or people that are in the
• 1:16:46
  Speaker 1: culture informing you constantly, not one day master class, a
• 1:16:50
  Speaker 1: constant flow of information helping you stay on the right.
• 1:16:54
  Speaker 1: And I'm sure they do it. I'm sure there's a
• 1:16:57
  Speaker 1: there's a Chinese version of offensive right they're in. I'm
• 1:17:00
  Speaker 1: sure this. I don't know what's offensive to people in Italy.
• 1:17:02
  Speaker 1: I would exactly. We may say pizza wrong. We don't
• 1:17:06
  Speaker 1: even know what's offensive to that, Mamma Mia. And so
• 1:17:09
  Speaker 1: you gotta have so if that, if that's your customer base,
• 1:17:12
  Speaker 1: you gotta put people in there that understand it, because
• 1:17:16
  Speaker 1: you're gonna make these mistakes on a regular basis. The
• 1:17:19
  Speaker 1: other thing, I don't want to I don't want this
• 1:17:20
  Speaker 1: to get lost. It's not only them, by the way,
• 1:17:23
  Speaker 1: this is the this is Erma's that I had Oprah
• 1:17:25
  Speaker 1: Winfrey standing outside and didn't let her in the store. Right, So,
• 1:17:28
  Speaker 1: whether it be Oprah Winfrey and Erma's or Proader with
• 1:17:31
  Speaker 1: the monkey in the bag or you or the brand
• 1:17:35
  Speaker 1: that had the noose umber, what they all saying is
• 1:17:39
  Speaker 1: we're foreign companies and we don't know. And what I'm
• 1:17:43
  Speaker 1: saying is all of you luxury brands that are sitting
• 1:17:47
  Speaker 1: over in Europe that are getting our dollars, put a
• 1:17:51
  Speaker 1: diversity council together, put young people like such as yourself
• 1:17:55
  Speaker 1: as yourself and be like you have that around you.
• 1:17:59
  Speaker 1: If your intention and it's not to make mistakes like that,
• 1:18:02
  Speaker 1: then you should have people around you don't make sure
• 1:18:04
  Speaker 1: that you never make those mistakes. I think they have
• 1:18:06
  Speaker 1: to know though it's too specific. Like the sambo lips
• 1:18:09
  Speaker 1: the monkey the news talk to me. I think I
• 1:18:14
  Speaker 1: told him. I don't know who I told it with
• 1:18:17
  Speaker 1: the news. I don't see how you know what I'm saying.
• 1:18:20
  Speaker 1: It's black, it's being black. How you can get offended
• 1:18:23
  Speaker 1: about it? I look at it like this, like we
• 1:18:25
  Speaker 1: were choice, Like do you not see? You know what
• 1:18:28
  Speaker 1: I mean? Like you need media training. That is the
• 1:18:30
  Speaker 1: stupidest thing I ever heard in my life. Yes, lynching, lynching.
• 1:18:35
  Speaker 1: You need to do the history of lynching in America,
• 1:18:36
  Speaker 1: my brother, I know that, But I'm saying so this
• 1:18:39
  Speaker 1: you don't have no resemblent. No, well, it's an actual
• 1:18:42
  Speaker 1: news people hanging and not tied into a noose. That
• 1:18:49
  Speaker 1: was the issue. It's it was supposed to be a
• 1:18:51
  Speaker 1: nautical theme for Burberry. It could have been just the
• 1:18:53
  Speaker 1: ropes hanging, but instead it was tied into a noose
• 1:18:55
  Speaker 1: around your nose, a specific way that a rope is tied, Yes,
• 1:19:00
  Speaker 1: where it goes from, Oh that's a rope to that's
• 1:19:03
  Speaker 1: a specifically and um, that is absolutely it's so offensive.
• 1:19:10
  Speaker 1: That's why that's what got Jesse Smollett. Yeah, that's why
• 1:19:14
  Speaker 1: he used why he looks like a clown. He was
• 1:19:16
  Speaker 1: then he was trying to do it all. He was
• 1:19:17
  Speaker 1: trying to turn this into his moment. And you know what,
• 1:19:20
  Speaker 1: you guys are talented. You're talented, and I've watched from
• 1:19:24
  Speaker 1: an outside, I've watched you get better over time, better,
• 1:19:28
  Speaker 1: much better interview, a much better interview, much more in
• 1:19:31
  Speaker 1: depth journalistic perspective. When things kudo see you on that
• 1:19:35
  Speaker 1: your real talent. Unfortunately, we're in an era where fame
• 1:19:40
  Speaker 1: and talent adds. Yeah, yeah, and people would do anything
• 1:19:46
  Speaker 1: for fame. You know, it don't sound ridiculous anymore that
• 1:19:49
  Speaker 1: Kim kardash me at a sex tape. If you can
• 1:19:51
  Speaker 1: have aff if you know that you a sex tape
• 1:19:54
  Speaker 1: can get you that you're doing that all day long.
• 1:19:56
  Speaker 1: We got to move away from that because I don't
• 1:19:58
  Speaker 1: want the talent to get lost behind that fame. The
• 1:20:03
  Speaker 1: fame is fu and the talented people who are going
• 1:20:06
  Speaker 1: like this, you know what, I'm gonna opt out the
• 1:20:09
  Speaker 1: talent check the fame box because that's working. Fame is
• 1:20:12
  Speaker 1: getting rewarded and people are doing dumb for fame. That's
• 1:20:16
  Speaker 1: what Jesse Smollett did it for. He did it for fame.
• 1:20:19
  Speaker 1: He did it for attention. That drug of attention is
• 1:20:21
  Speaker 1: a real problem. You did. You took this opportunity and
• 1:20:24
  Speaker 1: you guys turned it into something that everybody around the
• 1:20:27
  Speaker 1: world talks about. The breakfast club. It's a privilege to
• 1:20:30
  Speaker 1: be on the breakfast club. That's talent did that. It
• 1:20:32
  Speaker 1: wasn't a stupid that did that. We have some stupid happened,
• 1:20:40
  Speaker 1: but but but but talent got you where you are
• 1:20:43
  Speaker 1: and and talent's always gonna win in the long run.
• 1:20:46
  Speaker 1: I agree, Mesty stout Chopper, give me your Instagram, Oh,
• 1:20:52
  Speaker 1: chopper with six ps, Chopper with six pas which a
• 1:20:55
  Speaker 1: YouTube page? Okay, and United Masters dot com. You masters
• 1:21:00
  Speaker 1: at United Masters, United Masters dot Com. And let's go
• 1:21:03
  Speaker 1: get it. It's the Breakfast Club, the Breakfast Club Morning.
• 1:21:09
  Speaker 1: Everybody is DJ Envy, Angela Ye, Charlemagne, the god We
• 1:21:13
  Speaker 1: are the Breakfast Club. What's happening? Good morning? Is Friday?
• 1:21:16
  Speaker 1: Damn it, it is Friday. Let's get to these rumors
• 1:21:18
  Speaker 1: to talk to Rockefeller biopic. This is the rum of
• 1:21:21
  Speaker 1: report with Angela year Breakfast Club. Well, Biggs aka Kareem
• 1:21:32
  Speaker 1: Biggs Burke just sat down for an interview with Revolt
• 1:21:35
  Speaker 1: TV and he talked about the Rockefeller biopic that he's
• 1:21:39
  Speaker 1: working on. You know, he was one of the founders
• 1:21:41
  Speaker 1: of Rockefeller. He said, yeah, I'm working on it now,
• 1:21:44
  Speaker 1: and he said the film is going to be like
• 1:21:46
  Speaker 1: one of the Great Gangs to flix Um. He talks
• 1:21:48
  Speaker 1: about his story and his story alongside Jay Z and
• 1:21:52
  Speaker 1: Damon Dash and he said it's going to be told
• 1:21:54
  Speaker 1: in cinematic stylef similar to The Godfather Part two. I
• 1:21:58
  Speaker 1: can't see Sean Carter allowing that, And I'm gonna tell
• 1:22:01
  Speaker 1: you why, because remember when he was supposed to do
• 1:22:02
  Speaker 1: The Black Book with Dreamhampton and he said it was
• 1:22:05
  Speaker 1: too personal. Yeah, I feel like Biggs would have to
• 1:22:07
  Speaker 1: reveal so much personal stuff from that situation. I don't
• 1:22:10
  Speaker 1: think he want to be a part of that, I said,
• 1:22:12
  Speaker 1: showing us as kids. He said, it'll probably be separate
• 1:22:15
  Speaker 1: stories of Jay, damon myself, all the hardships, all the
• 1:22:17
  Speaker 1: paintings that being evicted, living in a shelter, staying in
• 1:22:20
  Speaker 1: people's houses and floors for two years, Jay losing his
• 1:22:22
  Speaker 1: father at four years old, when his father left him,
• 1:22:25
  Speaker 1: Dame lud his mom at fourteen years old, and having
• 1:22:27
  Speaker 1: to put himself through private school, all of the hardships.
• 1:22:29
  Speaker 1: Is it too early for them? No, not at all,
• 1:22:33
  Speaker 1: not at all, because it seems like Rockefeller is I
• 1:22:35
  Speaker 1: don't want to say done. But you know, Jay got
• 1:22:37
  Speaker 1: a new chapter. Biggs as a new chapter, so capping
• 1:22:41
  Speaker 1: that Rockefeller chapter I would love to set. But now
• 1:22:45
  Speaker 1: they all have their own different ventures. Absolutely seems so young.
• 1:22:48
  Speaker 1: Maybe I just want them to see me young because
• 1:22:49
  Speaker 1: it makes me feel so old. Maybe I always teena
• 1:22:52
  Speaker 1: when they did. What's love got to do with it? Um?
• 1:22:55
  Speaker 1: I don't know. It's always a good gauge for me.
• 1:22:57
  Speaker 1: You're about seventeen when that happened. But I mean rockefell,
• 1:23:00
  Speaker 1: the records, it doesn't it isn't you know, make putting
• 1:23:03
  Speaker 1: out records anymore. So since that chapter is done, you
• 1:23:06
  Speaker 1: can't do something. I'm here for it. I'm watching it.
• 1:23:08
  Speaker 1: I definitely want to stay it for it, all right.
• 1:23:09
  Speaker 1: Michael Jackson's never laying a ranch is back on the market.
• 1:23:13
  Speaker 1: Whooms that right now? The family? Yeah, I would think so.
• 1:23:18
  Speaker 1: So they're trying to sell it. It's been now rebranded
• 1:23:21
  Speaker 1: as the Sycamore Valley Ranch. It'sted now in the name
• 1:23:24
  Speaker 1: of that ranch. Okay for a thirty one six things
• 1:23:28
  Speaker 1: that happened there. It's been listed for thirty one million dollars. Now.
• 1:23:31
  Speaker 1: Originally the asking price was one hundred million dollars when
• 1:23:36
  Speaker 1: they first put it on the market back in twenty fifteen.
• 1:23:39
  Speaker 1: So according to the real estate agent, they said, the
• 1:23:42
  Speaker 1: decision to relist what the reduced price was because the
• 1:23:44
  Speaker 1: timing is right now for new stewardship. Are just gonna
• 1:23:47
  Speaker 1: turn into a real park. I'm with you, turn into
• 1:23:49
  Speaker 1: the museum museum slash park. I think I would be dope.
• 1:23:51
  Speaker 1: People come there, ride to ride, do you know what
• 1:23:53
  Speaker 1: I'm saying, serve hot dogs. Well, that would have to
• 1:23:56
  Speaker 1: mean that the family then would still have to maintain it.
• 1:23:59
  Speaker 1: Maybe not, it would sell itself. Yeah, but maybe they
• 1:24:02
  Speaker 1: don't feel like having to go through all that. Maybe
• 1:24:04
  Speaker 1: get a property manager to take care of it, and
• 1:24:06
  Speaker 1: maybe they'd rather just cash out. I can't speak for
• 1:24:09
  Speaker 1: what the state or the family wants to do. We
• 1:24:11
  Speaker 1: do know that that HBO documentary is coming out this weekend,
• 1:24:15
  Speaker 1: The Leaving Neverland two part four hour documentary with the
• 1:24:19
  Speaker 1: testimony Wade Ropeson and James Safe Chuck and Oprah is
• 1:24:22
  Speaker 1: going to be hosting afterwards. They could do a haunted
• 1:24:24
  Speaker 1: house that Neverland where they have like a Michael Jackson
• 1:24:26
  Speaker 1: that looks like Momo running through the house scaring people.
• 1:24:29
  Speaker 1: That would be That's what I'm saying, that all kind
• 1:24:31
  Speaker 1: of ways to make money with Neverland. I don't know
• 1:24:33
  Speaker 1: if they want that dope, but that would be dope. Yeah,
• 1:24:35
  Speaker 1: I mean it's a lot. That would be a huge operation,
• 1:24:37
  Speaker 1: the people they would have to pay and hire, and
• 1:24:39
  Speaker 1: maybe they just don't want to do that. Maybe Neverland
• 1:24:42
  Speaker 1: has too many bad memories for the family now that
• 1:24:44
  Speaker 1: Michael's not there, they feel bad every time they see it. All. Right, now,
• 1:24:48
  Speaker 1: let's talk about Jesse Smolette and the brothers who allegedly
• 1:24:51
  Speaker 1: took part in what they are saying is a stage
• 1:24:53
  Speaker 1: attack because we still don't know what happened. Now, they
• 1:24:55
  Speaker 1: have released a statement through their lawyer saying, my clients
• 1:25:00
  Speaker 1: I have tremendous regret over their involvement in this situation,
• 1:25:03
  Speaker 1: and they understand how it has impacted people across the nation,
• 1:25:06
  Speaker 1: particularly minority communities and especially those who have been victims
• 1:25:09
  Speaker 1: of hate crimes themselves. So that is the statement now,
• 1:25:13
  Speaker 1: and that's their first statement that they have released a
• 1:25:14
  Speaker 1: public apology. All right, Ariana Grande and Big Sean, they
• 1:25:18
  Speaker 1: were spotted together getting a little cozy in his car
• 1:25:23
  Speaker 1: after a recording studio session in La. They said she
• 1:25:26
  Speaker 1: was at the studio first, Big Sean showed up after,
• 1:25:28
  Speaker 1: and then she came outside. She had a dog with them.
• 1:25:31
  Speaker 1: If you guys remember she did think it was gonna last,
• 1:25:33
  Speaker 1: because she did even mention that and thank you next butt,
• 1:25:40
  Speaker 1: and then even in her music video. Her burn book
• 1:25:43
  Speaker 1: shows that she still thinks that Sean is so cute,
• 1:25:45
  Speaker 1: so sweet and could still get it. She wrote that
• 1:25:47
  Speaker 1: in her burn book. So who knows, maybe the two
• 1:25:50
  Speaker 1: of them will end up. Is he still with Jennico?
• 1:25:53
  Speaker 1: I don't think so. What I wouldn't want to be
• 1:25:56
  Speaker 1: a no woman's burn book. That sound crazy. I don't
• 1:25:59
  Speaker 1: give a ghna read. Yeah, I don't think you in
• 1:26:03
  Speaker 1: anybody's book anyway, and nobody misses you, bro, Yeah, and
• 1:26:05
  Speaker 1: I thought you never had an STD All right now,
• 1:26:08
  Speaker 1: Lila Anthony, so good. Lila Anthony and mel B. They
• 1:26:14
  Speaker 1: were undropped in Mike in the freestyle battle and Lila
• 1:26:17
  Speaker 1: went first. Let's see how you think she did. Yo.
• 1:26:20
  Speaker 1: It's important that I say one thing off the bat.
• 1:26:22
  Speaker 1: Mel B is an icon. I'll admit that Spice girls
• 1:26:26
  Speaker 1: were huge, had hits so consistent, but you were nothing
• 1:26:29
  Speaker 1: more than Victoria's assistant. Mel Are you even trying? I
• 1:26:34
  Speaker 1: thought you were scary Spice, not terrifying. First singing the
• 1:26:38
  Speaker 1: foe for disgrace. If you want to be her, love
• 1:26:40
  Speaker 1: it and you got horrible tastes. Okay, you know come
• 1:26:43
  Speaker 1: on now, you know La hip hop, come of bron
• 1:26:47
  Speaker 1: She should have ended it with a all right, next up,
• 1:26:52
  Speaker 1: mel B. Let's see if she ripped Lola. Lola used
• 1:26:56
  Speaker 1: to be a VJ to correct me if I'm wrong,
• 1:26:58
  Speaker 1: But all she ever did with introduced might hit songs.
• 1:27:01
  Speaker 1: She was so good awful if you remember because of
• 1:27:05
  Speaker 1: her MTV stop playing videos forever you write the ball,
• 1:27:09
  Speaker 1: you can't bring a title home. So he gave you
• 1:27:11
  Speaker 1: a ring, but he can't get one of his owns.
• 1:27:13
  Speaker 1: Come us a ball? Who takes it to the glass.
• 1:27:16
  Speaker 1: So you're the first time ever that he wished it passed. Wow,
• 1:27:21
  Speaker 1: delivery was trash? Sounds too polite. But whoever was how
• 1:27:30
  Speaker 1: you know she didn't write now? I don't know delivery
• 1:27:32
  Speaker 1: was trash? That's why. But VJAS is supposed to introduce videos.
• 1:27:35
  Speaker 1: That's what they'll stop it. You take the person that
• 1:27:38
  Speaker 1: stop it. God awful. I don't remember a lot of
• 1:27:40
  Speaker 1: being god awful and on direct effects back in the
• 1:27:43
  Speaker 1: day he might only five minutes after he said not
• 1:27:45
  Speaker 1: god awful? Is that what she wasn't? That's all you
• 1:27:49
  Speaker 1: have to say. You have to say god awful? All right?
• 1:27:51
  Speaker 1: Well it is Friday, and uh, you know, I don't
• 1:27:55
  Speaker 1: know if you were here Shan Lamine when Envy said
• 1:27:56
  Speaker 1: this yesterday, but you know the way we close out
• 1:27:58
  Speaker 1: every Friday from now one freaky freaky Friday, right, Yeah,
• 1:28:01
  Speaker 1: you had the job John most holding out of here
• 1:28:04
  Speaker 1: by by time, holding it out of here, all right,
• 1:28:07
  Speaker 1: So that's what we gotta do because it's wow wow,
• 1:28:13
  Speaker 1: Vy is crazy wow. I'm sure that was taken out
• 1:28:17
  Speaker 1: of context. I'm sure I was taking out of freaky
• 1:28:22
  Speaker 1: way it again, holding it out of here, I'm closing,
• 1:28:28
  Speaker 1: never mind, does it close to explain how this could
• 1:28:30
  Speaker 1: be taken out of context? I don't want to revote.
• 1:28:32
  Speaker 1: We'll see you guys tomorrow. Everybody else do whatever he does,
• 1:28:36
  Speaker 1: shout to it. Ja Rule's birthday is on an eleap
• 1:28:41
  Speaker 1: hear on eleapyar, so he didn't get the celebrated yesterday,
• 1:28:44
  Speaker 1: knowing as he's celebrated today, So we're gonna celebrate it
• 1:28:47
  Speaker 1: right now. For you don't know when he's celebrated. I
• 1:28:48
  Speaker 1: don't know, but the birthday. How do you know he's
• 1:28:50
  Speaker 1: not celebrating it today. I saw a picture of him
• 1:28:52
  Speaker 1: on the golf course. His birthdays on the twenty nine.
• 1:28:55
  Speaker 1: Today is the first. Yesterday is the twenty eight, so
• 1:28:57
  Speaker 1: he's celebrating today. So we celebrating form. We're gonna get
• 1:28:59
  Speaker 1: it to a job Rule mix. Let me know your
• 1:29:01
  Speaker 1: favorite job joint? What I don't think you want you
• 1:29:03
  Speaker 1: at this part? Got here would open Buttholes club he
• 1:29:07
  Speaker 1: can close, I can close it. H I'm closing my
• 1:29:11
  Speaker 1: butter whole. I'm getting out of him now. The breakfast club,
• 1:29:14
  Speaker 1: your morning's will never be the same morning. Everybody's DJ
• 1:29:19
  Speaker 1: Mvy Angela Yee, Charlomagne, the guy we all the breakfast
• 1:29:22
  Speaker 1: club that shout the Two Chains for joining us this
• 1:29:24
  Speaker 1: morning to change. His album is out now, Rapper go
• 1:29:28
  Speaker 1: to the no what is it called, Rapper go to
• 1:29:30
  Speaker 1: the League. It's a lot of good music out. I mean,
• 1:29:34
  Speaker 1: you got a really salute at Lanta, the Offset album,
• 1:29:36
  Speaker 1: the Two Chains album, I Hurt. Gunner's album is good.
• 1:29:38
  Speaker 1: I haven't heard it chet. Oh yeah, Lane put out
• 1:29:41
  Speaker 1: a little vibe for the wife, for you and for
• 1:29:43
  Speaker 1: you and the wife this weekend. It's a lot of
• 1:29:46
  Speaker 1: good music out, man. Yeah, and all the week and long.
• 1:29:49
  Speaker 1: I'm gonna be I'm gonna listen to Slange album on
• 1:29:51
  Speaker 1: Monday because all week and long I'm out in Charlotte
• 1:29:52
  Speaker 1: for see how double a. Oh yeah, Solange album is
• 1:29:54
  Speaker 1: definitely not Cundy. Now maybe early in the morning, you
• 1:29:58
  Speaker 1: know what I'm saying, Like, if you just vibe meditating
• 1:30:00
  Speaker 1: on a balcony somewhere, maybe I doubt I doubt it
• 1:30:03
  Speaker 1: though I'll vibe, but that Monday. So tonight I'm gonna
• 1:30:06
  Speaker 1: be at Candy Ball with mister Ruggs. And then of
• 1:30:08
  Speaker 1: course Saturday is our Breakfast Clus. You can't just slide
• 1:30:12
  Speaker 1: over that. What's up, Rugs? That's my guy in Saturday
• 1:30:16
  Speaker 1: the Breakfast Club Day party, our annual day party shout
• 1:30:19
  Speaker 1: to Louis VS. Is also his birthday celebration. So we're
• 1:30:21
  Speaker 1: gonna be partying for Louis V. Saturday, Louis V. Saturday Night,
• 1:30:25
  Speaker 1: howel at the morning, and Sunday Lucky's Ball in Allcade
• 1:30:29
  Speaker 1: and then I'll be back Sunday nights. Well, listen, I'm
• 1:30:31
  Speaker 1: gonna be listening to Solange's album because I'm gonna be
• 1:30:33
  Speaker 1: in my car in a nice three hour drive. I'm
• 1:30:35
  Speaker 1: going to Albany and I'll actually be on our Black
• 1:30:37
  Speaker 1: Women in Media panel that's presented by Sunni Albany's and
• 1:30:40
  Speaker 1: Double ACP. And that's gonna be with Ashley Sharpton and
• 1:30:44
  Speaker 1: Rakia May So that should be really fun. So if
• 1:30:46
  Speaker 1: you guys are in Albany, made sure are you come
• 1:30:48
  Speaker 1: through for this Women of Color in Media, Women Black
• 1:30:52
  Speaker 1: Women in Media panel that we have going on. I'll
• 1:30:54
  Speaker 1: be doing absolutely nothing Okay, my daughter got a Chile
• 1:30:56
  Speaker 1: eating competition this weekend. Okay, that's what I will be doing.
• 1:30:59
  Speaker 1: That's a guy. I was just sitting there watching. But
• 1:31:01
  Speaker 1: if you do want to support anything that I do,
• 1:31:03
  Speaker 1: you can always, uh, you know, go to PBS dot
• 1:31:05
  Speaker 1: org and watch Buccari Sellers while I breathe of I hope.
• 1:31:08
  Speaker 1: Or you can go to Hulu and watch Norieggers on
• 1:31:10
  Speaker 1: the Run Eating. Okay, a couple couple of things I
• 1:31:13
  Speaker 1: executive produced. All right, while you're sitting around doing nothing
• 1:31:16
  Speaker 1: like me, you can watch that, watch all of those things.
• 1:31:18
  Speaker 1: You know what I'm gonna be watching too after that
• 1:31:20
  Speaker 1: this weekend? What's that that Teddy Pendergrass movie. I started listening.
• 1:31:24
  Speaker 1: I am so excited, so good on Showtime. Yeah, the
• 1:31:27
  Speaker 1: documentary I saw. I watched that, and I watched the
• 1:31:29
  Speaker 1: Sam Cook documentary. I watched the Sam Cook one already.
• 1:31:32
  Speaker 1: I thought that Teddy Pendergrass one was on Netflix, so
• 1:31:34
  Speaker 1: I looked on that back time. Yeah, but it's on Showtime.
• 1:31:37
  Speaker 1: So hey, drop one of clues bomb for Tyrese. Tyre's
• 1:31:41
  Speaker 1: back working man, he's back working. If they just announced
• 1:31:44
  Speaker 1: the Teddy Pendergrass movie is getting the production yesterday. He's
• 1:31:46
  Speaker 1: playing Teddy pender Grass. That's right. So Lee Daniels is directed.
• 1:31:49
  Speaker 1: Let me so we are not boycotting Guci anymore? Is
• 1:31:52
  Speaker 1: it over? Because I's even Lee Daniels wearing a Gucci sweater.
• 1:31:54
  Speaker 1: They're in the post he post yesterday, Daniels. Don't give
• 1:31:56
  Speaker 1: a damn ball what y'all doing. Okay, that's what. No,
• 1:31:59
  Speaker 1: that's what. By the way, that post was before the
• 1:32:01
  Speaker 1: Gucci boycott though it was before yeah, because that was
• 1:32:03
  Speaker 1: after they did the pitch meeting for the movie. While ago.
• 1:32:06
  Speaker 1: I just want to make sure, all right, all right
• 1:32:09
  Speaker 1: when we come back, positive note, don't move. It's the
• 1:32:10
  Speaker 1: Breakfast Club. Good morning, morning. Everybody is DJ Envy Angela Yee.
• 1:32:15
  Speaker 1: Charlemagne the guy. We all the Breakfast Club. Now, um,
• 1:32:19
  Speaker 1: you guys have a great weekend, Charlemagne. Yes, you know
• 1:32:23
  Speaker 1: I have a positive note for the people. Yes, man,
• 1:32:25
  Speaker 1: I mean I got a positive note. I want to
• 1:32:26
  Speaker 1: say salute to y'all. Enjoy the weekend. But I want
• 1:32:28
  Speaker 1: to tell you, man, don't waste words on people who
• 1:32:30
  Speaker 1: deserve your silence. Sometimes the most powerful thing you can
• 1:32:33
  Speaker 1: say is nothing at all. Remember that this weekend Breakfast
• 1:32:36
  Speaker 1: club you'll finish for y'all dumb