Latest / Movie Meltdown / Attack of the Killer Soundtrack: Musical Technobabble

Transcript

Attack of the Killer Soundtrack: Musical Technobabble · Movie Meltdown

• 0:00
  Speaker 1: Guess who? It's 10 o'clock. Do you care where your
• 0:03
  Speaker 1: parents are?
• 0:04
  Speaker 2: The following feature has been rated R by the Motion
• 0:06
  Speaker 2: Picture Association of America. It is intended for mature audiences
• 0:10
  Speaker 2: and parental discretion is advised.
• 0:20
  Speaker 3: This is not a drill.
• 0:23
  Speaker 4: Repeat, this is not the drill.
• 0:25
  Speaker 3: At this time, we are.
• 0:27
  Speaker 5: Requesting the immediate and orderly evacuation of the vicinity.
• 0:36
  Speaker 6: The Coast Guard and the Navy have been alerted and
• 0:38
  Speaker 6: are standing by on the eastern seaboard.
• 0:41
  Speaker 7: And it continues to burn out of control.
• 0:43
  Speaker 1: It has been regular. Every five to ten minutes, there
• 0:46
  Speaker 1: has been another convoy of units, fire companies, paramedics... A
• 0:50
  Speaker 1: citywide emergency has been declared.
• 0:52
  Speaker 6: Police officers are still on tactical full alert.
• 0:56
  Speaker 7: 2,000 National Guardsmen are standing by.
• 0:58
  Speaker 4: Air defense warning read. It's time for Movie Meltdown's Attack
• 1:06
  Speaker 4: of the Killers soundtrack.
• 1:08
  Speaker 1: Live transmission has begun, and we're into the final hour
• 1:12
  Speaker 1: of hell.
• 1:32
  Speaker 8: What's up, and welcome to Movie Meltdown's Attack of the
• 1:35
  Speaker 8: Killer soundtrack. I'm Brian, and this week I'm coming to
• 1:37
  Speaker 8: you with a wide array of movie-themed music, and in actuality,
• 1:41
  Speaker 8: the majority of it won't be coming from me. Instead,
• 1:44
  Speaker 8: I've got two guests to supply you with a double-barrel
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  Speaker 8: blast of The Killer Five. Now, at some point a
• 1:50
  Speaker 8: while back, I was hanging out with Ben and Dave
• 1:53
  Speaker 8: from Tower of Technobabble. Now, that's two-thirds of the cast
• 1:56
  Speaker 8: from Tower of Technobabble. Paul won't ever leave the house,
• 1:58
  Speaker 8: but I don't know what to tell you about him. Actually,
• 2:01
  Speaker 8: technically speaking, it's one-half of the cast of Tower of Technobabble,
• 2:05
  Speaker 8: if you include Towerbot, the robot who.
• 2:08
  Speaker 9: Is, in fact, my favorite member of the cast.
• 2:11
  Speaker 8: But that darn restraining bolt that keeps him from coming
• 2:14
  Speaker 8: out and hanging out with us. Unfortunately, I wish he
• 2:16
  Speaker 8: would come join us on many occasions. Now that I
• 2:19
  Speaker 8: think about it, maybe Paul has.
• 2:20
  Speaker 4: A restraining bolt, too.
• 2:22
  Speaker 10: That's why we never see it.
• 2:24
  Speaker 8: Anyway, so I was hanging out with Ben and Dave,
• 2:27
  Speaker 8: and we had the microphones in front of us, and
• 2:29
  Speaker 8: I said, hey, while we're here, let's record one of
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  Speaker 8: those awesome Attack of the Killer soundtrack episodes. I don't
• 2:34
  Speaker 8: know if they bought that crazy pitch, but... Ben thought
• 2:37
  Speaker 8: it was a cool idea, and actually Dave didn't know
• 2:39
  Speaker 8: it was coming. He sort of had it thrust upon him,
• 2:41
  Speaker 8: so you will hear he's winging it a little more
• 2:43
  Speaker 8: than Ben.
• 2:44
  Speaker 11: Just what do you think you're doing, Dave?
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  Speaker 8: But anyway, they put together a great collection of songs.
• 2:48
  Speaker 8: We had a lot of fun doing it, and I
• 2:50
  Speaker 8: wanted to share it with you guys. Now, I'm pretty
• 2:53
  Speaker 8: much going to let it play for the majority of
• 2:55
  Speaker 8: this episode. We run through them pretty good all on
• 2:58
  Speaker 8: our own. But I am going to have to come
• 3:00
  Speaker 8: back and interrupt us midway in here to call a technical.
• 3:04
  Speaker 12: On one of these two.
• 3:05
  Speaker 8: And sort of make an adjustment. You'll see when we
• 3:08
  Speaker 8: get there. But for the most part, I'm just going
• 3:10
  Speaker 8: to let it roll, and we will get into this
• 3:11
  Speaker 8: week's episode with Ben's Killer Five.
• 3:25
  Speaker 4: It's time for the Killer Five.
• 3:34
  Speaker 9: We're here with Ben and Dave from Tower of Technobabble.
• 3:37
  Speaker 13: Hey, Brian.
• 3:38
  Speaker 3: Hi.
• 3:39
  Speaker 8: We're going to go over some of our soundtrack choices. So, yeah,
• 3:43
  Speaker 8: we'll divide them up.
• 3:45
  Speaker 1: Have you explained the bit? Have you explained the bit?
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  Speaker 7: Explained the bit.
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  Speaker 3: Yeah.
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  Speaker 8: To you?
• 3:50
  Speaker 1: To the audience.
• 3:50
  Speaker 9: They're listening to it, so I'm assuming they'll already know.
• 3:52
  Speaker 1: Oh, do they know? Okay, all right.
• 3:54
  Speaker 14: Cool.
• 3:55
  Speaker 1: Well, explain it again to me just so I get
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  Speaker 1: the right context.
• 3:59
  Speaker 8: In this segment, we're going to discuss, you know, basically,
• 4:02
  Speaker 8: since we talked to so many people out there in
• 4:04
  Speaker 8: the world anyway, of all different varying, you know, movie
• 4:07
  Speaker 8: geeks to people involved in the industry, I thought we'd
• 4:10
  Speaker 8: just sort of ask people what they're into music-wise that
• 4:15
  Speaker 8: is still like movie.
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  Speaker 9: It's sort of much like the show, focuses on.
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  Speaker 8: The movie music thing and how both the songs that
• 4:24
  Speaker 8: get featured in there and the scores kind of you
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  Speaker 8: get attached to them. Or vice versa. Sometimes it shapes
• 4:32
  Speaker 8: the movie, the fact that that's in there.
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  Speaker 1: Thank you, because I thought I maybe, I might have
• 4:37
  Speaker 1: misunderstood what the assignment was.
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  Speaker 9: It's a little of both of those.
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  Speaker 7: This is all crap what I prepared.
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  Speaker 15: Crap!
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  Speaker 9: Well, we were going to think that eventually.
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  Speaker 1: I actually have a list here.
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  Speaker 8: But yeah, basically it's not even like, I won't even
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  Speaker 8: make people pin down favorites, because I can't even pick favorites.
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  Speaker 9: But just pick five that you think are cool or.
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  Speaker 8: Maybe you hate and you want to make other people suffer,
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  Speaker 8: but just stuff that you, you know, pick five that
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  Speaker 8: you think are worth talking about and then why you
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  Speaker 8: like them or don't and.
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  Speaker 9: Got it.
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  Speaker 10: Yeah, yeah.
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  Speaker 9: Just your five that you want to put out there.
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  Speaker 1: Oh, it could be something that you don't like.
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  Speaker 16: It could be.
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  Speaker 7: But I like everything because I'm a positive, sunny person.
• 5:15
  Speaker 8: Like.
• 5:16
  Speaker 1: everything musically in those Transformer movies. Got it. I'm ready.
• 5:20
  Speaker 7: Let's go.
• 5:21
  Speaker 1: Or even the 80s cartoon.
• 5:23
  Speaker 16: You got the touch!
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  Speaker 9: That's a classic. Classic.
• 5:31
  Speaker 8: But yeah, basically just five songs that you would like.
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  Speaker 9: To share with people.
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  Speaker 1: Alrighty. Okay. Number one?
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  Speaker 9: Okay, we'll ask this. Are they in... A specific order
• 5:42
  Speaker 9: or just random five?
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  Speaker 1: They are in the order that I noticed them as
• 5:46
  Speaker 1: growing up. The first sort of musical thing... Like, you know,
• 5:50
  Speaker 1: when I was a kid, you'd watch the movies, and
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  Speaker 1: music never really occurred to me. I never really noticed it.
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  Speaker 1: The first time I ever noticed a song hand to
• 6:01
  Speaker 1: Oprah was that Lonely Goat heard song in Sound of Music.
• 6:05
  Speaker 1: Do you know what I'm talking about? Okay, when I
• 6:08
  Speaker 1: was a kid, it was like... Every year, the Sound
• 6:11
  Speaker 1: of Music would come on, and it was a big deal.
• 6:13
  Speaker 1: Because back in those days, it was before cable, before VCR.
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  Speaker 1: People would rearrange their schedules. They would cancel their school
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  Speaker 1: board meetings. Because you had to be home to watch
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  Speaker 1: the four-hour Sound of Music.
• 6:24
  Speaker 9: We've discussed this. It's very similar with the annual Wizard
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  Speaker 9: of Oz event.
• 6:28
  Speaker 1: And the annual Star Wars, you know. So, like... When
• 6:32
  Speaker 1: I was a kid, I just really liked the whole
• 6:35
  Speaker 1: Lonely Goat Herd song, because it was... Can you hum
• 6:37
  Speaker 1: some of it for us?
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  Speaker 7: Because I haven't watched it. High on a hill, lonely
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  Speaker 7: goat herd, lady, oh, lady, oh, lady.
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  Speaker 1: And the thing that made it great, Conduit, was as
• 6:46
  Speaker 1: they were singing it, they were doing this little marionette
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  Speaker 1: puppet show thing to it. And I think that's what
• 6:51
  Speaker 1: got me into it, because I didn't really like the movie,
• 6:54
  Speaker 1: because it was like lots of... flowery, over-the-top music, and
• 7:00
  Speaker 1: it was all about love and stuff.
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  Speaker 7: Love and crap.
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  Speaker 1: So what I would do is I would sit through
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  Speaker 1: the movie for two hours, you know, going.
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  Speaker 7: Through, climb every mountain.
• 7:09
  Speaker 1: You know, like all this over-the-top old lady singing just
• 7:14
  Speaker 1: to get to this three-minute moment of them playing with
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  Speaker 1: toys and puppets, talking about little puppets drinking beer and
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  Speaker 1: goats doing it. And it was just... It was my
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  Speaker 1: favorite part.
• 7:26
  Speaker 7: That's where little birds come from, by the way.
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  Speaker 1: And it was like I had to suffer through this entire,
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  Speaker 1: and then whenever Rolf the Nazi turns on him and
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  Speaker 1: all that. Spoiler. I had to sit through all this
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  Speaker 1: just to get to the one good part with all
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  Speaker 1: the little puppets. And I think that might be why
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  Speaker 1: I kind of like stop motion because marionettes are beautiful.
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  Speaker 1: In essence, kind of the same school, you know.
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  Speaker 9: So really you just wanted to see him play with toys.
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  Speaker 3: I did.
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  Speaker 8: So if you would have watched a two-minute commercial, you
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  Speaker 8: would have been saving like an extra.
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  Speaker 9: Almost two hours worth of time to get that like,
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  Speaker 9: you know, little couple.
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  Speaker 1: Of minutes of toys. As a little kid. And, you know,
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  Speaker 1: the song, it's very hummable. It's very dum-dum-dum-dum. It sort
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  Speaker 1: of spoke to my German roots, you know. Kind of
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  Speaker 1: like an oom-pah feel to it. It's very Teutonic. As
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  Speaker 1: a kid, I just remember thinking, why isn't the whole
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  Speaker 1: movie like this?
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  Speaker 7: Why do I have to sit through, how do you
• 8:22
  Speaker 7: solve a problem like this?
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  Speaker 9: Not even the right music.
• 8:27
  Speaker 1: By the way, is this going to cost you money?
• 8:29
  Speaker 1: Am I getting you into some copyright problems? No, you've
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  Speaker 1: got to sing it for 30 seconds.
• 8:32
  Speaker 13: Okay, good, good.
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  Speaker 9: And it has to be recognizable.
• 8:35
  Speaker 1: I had to sit through Julie Andrews analyzing her feelings
• 8:38
  Speaker 1: just to get to the really kind of fun part.
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  Speaker 1: And my mom actually had the soundtrack on a vinyl record.
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  Speaker 1: And I would always play the Lonely Goat Herd song.
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  Speaker 1: It was just something about it. I loved it.
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  Speaker 7: Until I finally said, Ben, stop playing the Lonely Goat
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  Speaker 7: Herd song.
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  Speaker 3: So, yeah.
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  Speaker 1: If you were to see this record today. pristine, except
• 9:00
  Speaker 1: for the one little bit where the lonely girl turns.
• 9:02
  Speaker 9: Right here, just beat the hell.
• 9:04
  Speaker 1: It looks like the trench on the Death Star. That's
• 9:07
  Speaker 1: how much I wore it out. So that was number one.
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  Speaker 1: That was the first time I ever noticed a song,
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  Speaker 1: a specific song in a movie.
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  Speaker 5: High on a hill was a lonely goat, heard lay, hoot, lay, hoot, lay, hoo.
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  Speaker 17: Loud was the voice of the lonely goat, heard lay, hoot, lay, hoot, loo.
• 9:26
  Speaker 5: Folks in a town that was quite remote, heard lay, hoot, lay, hoot, lay, hoo.
• 9:31
  Speaker 5: Lusty and clear from the goat's throat, heard lay, hoot, lay, hoot, loo.
• 9:53
  Speaker 16: A prince on the bridge of a castle moat.
• 9:55
  Speaker 3: Heard lay, o'd lay, o'd lay, o'd lay.
• 9:58
  Speaker 5: Men on a road with a load to tug heard lay,
• 10:01
  Speaker 5: o'd lay, o'd lay.
• 10:03
  Speaker 13: Men in the midst of a troubled dote heard lay,
• 10:05
  Speaker 13: o'd lay, o'd lay.
• 10:07
  Speaker 8: Men drinking beer with a foam of float heard lay,
• 10:10
  Speaker 8: o'd lay, o'd lay.
• 10:22
  Speaker 5: One little girl in a pale pink coat heard lay-ho-da-lay-ho-da-lay-hoo
• 10:26
  Speaker 5: She yodeled back to the lonely goat heard lay-ho-da-lay-ho-loo.
• 10:31
  Speaker 15: Soon her mama with a gleaming gloat heard.
• 10:33
  Speaker 18: Lay-ho-da-lay-ho-da-lay-hoo What a duet for a girl and goat.
• 10:38
  Speaker 3: Heard lay-ho-da-lay-ho-loo Music.
• 11:26
  Speaker 5: One little girl in a pale pink coat.
• 11:28
  Speaker 16: Lady, oh, lady, oh, lady.
• 11:31
  Speaker 3: She yodeled back to the lonely goat head. Lady, oh, lady, oh, lady.
• 11:35
  Speaker 9: Soon her mama with a gleaming gloat heard.
• 11:38
  Speaker 3: Lady, oh, lady, oh, lady.
• 11:40
  Speaker 9: What did you ask for a girl.
• 11:42
  Speaker 16: And goat head? Lady, oh, lady, oh, lady.
• 11:45
  Speaker 3: Happy a day, lady, oh, lady, oh. Oh, lady, oh, lady, lady, oh.
• 11:50
  Speaker 16: And you asked for the karma trio.
• 11:52
  Speaker 1: This says a lot about you, the lonely goat.
• 12:18
  Speaker 7: Why is it every podcast we wind up psychoanalyzing Ben?
• 12:21
  Speaker 1: He asks for it?
• 12:22
  Speaker 19: You all seem to be suffering from a mild form
• 12:26
  Speaker 19: of hysteria.
• 12:28
  Speaker 16: You are such a geek.
• 12:32
  Speaker 14: Way to go, Egghead.
• 12:36
  Speaker 4: Geek.
• 12:37
  Speaker 1: What is a geek? My number two. I'm a little
• 12:40
  Speaker 1: bit older now. Let's see. I really got into the
• 12:45
  Speaker 1: Star Trek movies. At what point was this? It was
• 12:50
  Speaker 1: actually the movie that got me into it was The
• 12:54
  Speaker 1: Voyage Home. I kind of wasn't a Star Trek fan,
• 13:00
  Speaker 1: but for some reason, my parents actually took me to
• 13:02
  Speaker 1: see The Voyage Home, and I really got into it,
• 13:04
  Speaker 1: and so I started going backwards. You're going to.
• 13:08
  Speaker 7: Say something about the space hippies, aren't you?
• 13:10
  Speaker 1: No. I don't know how we got it, but somehow
• 13:14
  Speaker 1: we had a videotape of Star Trek 3 the search
• 13:21
  Speaker 1: for Spock and I really found that I was something
• 13:28
  Speaker 1: about the music the really cinematic orchestra music by the
• 13:33
  Speaker 1: way I'm totally avoiding Star Wars I'm not going to
• 13:35
  Speaker 1: talk about that but this was this was a movie
• 13:38
  Speaker 1: where I'm talking specifically about the scene where they steal
• 13:42
  Speaker 1: the Enterprise that long kind of 15-20 minute scene you
• 13:45
  Speaker 1: know And I just really liked how the music was
• 13:49
  Speaker 1: making it more exciting. And essentially, you're watching a very
• 13:53
  Speaker 1: slow model backing up at two miles an hour. But
• 13:57
  Speaker 1: the music just made it. Like, what I actually did,
• 14:03
  Speaker 1: I loved that scene so much. And I began to
• 14:06
  Speaker 1: realize it was because of the music. I was loving
• 14:09
  Speaker 1: how the music was punctuating the action, making it really emotional.
• 14:13
  Speaker 1: I actually got my little tape recorder, put it up
• 14:16
  Speaker 1: in front of the TV speaker. I recorded onto cassette
• 14:20
  Speaker 1: that 20, 15 minute stretch from the moment where Lieutenant
• 14:25
  Speaker 1: Hura turns her phaser on the guy at the transporter, like,
• 14:28
  Speaker 1: this is fantasy, you want an adventure, whatever, you know,
• 14:30
  Speaker 1: get in the closet. From that moment up until the
• 14:33
  Speaker 1: moment where Scotty gives Dr. McCoy the spark plugs from
• 14:37
  Speaker 1: the Excelsior. And I would play that bit over and over.
• 14:40
  Speaker 7: Keep in mind, kids, this is when you had to
• 14:42
  Speaker 7: tape record stuff off the TV. You didn't have your
• 14:44
  Speaker 7: DVDs and your Netflixes.
• 14:47
  Speaker 9: I'm glad I'm not the only one that did that,
• 14:49
  Speaker 9: because I did that with Star Wars.
• 14:50
  Speaker 1: And several other movies. And, you know, later on in life,
• 14:53
  Speaker 1: I actually, somehow I got a copy of the Star
• 14:55
  Speaker 1: Trek III soundtrack, and I didn't like it. Because it
• 14:59
  Speaker 1: was all, it didn't have any of the dialogue, it
• 15:02
  Speaker 1: didn't have any of the sound effects. And the music,
• 15:04
  Speaker 1: it was like the whole piece. So I could kind
• 15:08
  Speaker 1: of remember, okay, this is when the Starship's backing out.
• 15:10
  Speaker 1: And it just wasn't as exciting because it was cut
• 15:14
  Speaker 1: together and edited in a way on my tape. So
• 15:17
  Speaker 1: this was kind of like a gateway drug to me.
• 15:19
  Speaker 1: I began to think maybe I like orchestra music. So
• 15:22
  Speaker 1: I tried to listen to classical music and stuff. It
• 15:25
  Speaker 1: didn't affect me the same way. And I think it's
• 15:26
  Speaker 1: because I needed sound effects. I needed like warp stuff
• 15:31
  Speaker 1: going on. It was just so much exciting with the music.
• 15:34
  Speaker 1: So I don't know. So that little bit from Star
• 15:36
  Speaker 1: Trek 3.
• 15:36
  Speaker 7: Even Starship's backing up to really sell the deal.
• 15:40
  Speaker 9: So listening to the song just isn't going to do
• 15:42
  Speaker 9: it for you.
• 15:43
  Speaker 1: No, no. I kind of needed the whole thing.
• 15:45
  Speaker 5: Oh, well, that's too bad. Thank you.
• 17:39
  Speaker 3: Thank you. Thank you. Thank you. We'll be right back.
• 21:42
  Speaker 11: Oh, my God.
• 23:03
  Speaker 3: Thank you.
• 23:30
  Speaker 1: But then, isn't that kind of what the movie is? Like,
• 23:32
  Speaker 1: a movie takes music, sound effects, dialogue, drama, mushes them
• 23:36
  Speaker 1: all together.
• 23:37
  Speaker 9: Yeah, and it's funny how much, like you said, how
• 23:40
  Speaker 9: much that changes it, and like, you know, you would
• 23:42
  Speaker 9: have been.
• 23:42
  Speaker 8: Bored by just the ship backing up, but just adding
• 23:45
  Speaker 8: that element to it makes it a whole different experience.
• 23:48
  Speaker 1: And as I got older, I began to notice that
• 23:51
  Speaker 1: they were using the same music from Star Trek 2
• 23:55
  Speaker 1: in Star Trek 3, but They kind of added more
• 23:58
  Speaker 1: orchestra bits to it. In Star Trek II, it's the
• 24:01
  Speaker 1: same melodies, but it's a little bit thinner. They didn't
• 24:04
  Speaker 1: have as full of an orchestra. In Star Trek III,
• 24:09
  Speaker 1: it was sweeping and emotional. I haven't felt this way
• 24:12
  Speaker 1: since The Lonely Goat Heard. Oh, my God.
• 24:15
  Speaker 7: Imagine if The Lonely Goat Heard backed up. Oh, my God.
• 24:19
  Speaker 8: There's a joke there that I'm not even going to finish.
• 24:22
  Speaker 16: Times have changed.
• 24:23
  Speaker 17: In the past 30 years, Tomas, we no longer swill
• 24:26
  Speaker 17: sherry and screw goats for fun anymore.
• 24:28
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• 24:57
  Speaker 11: Sounds better.
• 25:13
  Speaker 6: This is Hunter Carson, and you're listening to me have
• 25:16
  Speaker 6: a meltdown.
• 25:17
  Speaker 4: On Movie Meltdown.
• 25:25
  Speaker 1: All right, number three here? Okay, next one would be
• 25:28
  Speaker 1: Hard Day's Night, the Beatle movie. And at this point,
• 25:33
  Speaker 1: I was getting into music. I was learning how to
• 25:36
  Speaker 1: play bass. And the great thing about that movie was
• 25:42
  Speaker 1: it showed the Beatles playing, and it wasn't like a
• 25:45
  Speaker 1: video where they would be showing a story or something.
• 25:49
  Speaker 1: It actually showed them playing their instruments. And I just
• 25:54
  Speaker 1: spent a lot of time watching their hands, like how
• 25:56
  Speaker 1: they were moving, and it kind of, as I was
• 26:00
  Speaker 1: trying to learn bass, it was really kind of an
• 26:03
  Speaker 1: inspiration because it just seems so simple but complicated at
• 26:07
  Speaker 1: the same time. And that and the whole movie, the
• 26:12
  Speaker 1: whole plot of the movie is the Beatles are going
• 26:13
  Speaker 1: to go, they're going to play a show, and then
• 26:16
  Speaker 1: they leave.
• 26:18
  Speaker 9: The Beatles are going to be the Beatles.
• 26:19
  Speaker 1: That's the plot of the movie. And the music, it
• 26:23
  Speaker 1: was just a great period for them where the music
• 26:25
  Speaker 1: was really good. But I spent many happy hours just
• 26:30
  Speaker 1: watching it and studying it and trying to unlock the key,
• 26:35
  Speaker 1: the secret to what makes a good band a good band,
• 26:38
  Speaker 1: what makes a good bass player a good bass player.
• 26:40
  Speaker 1: Turns out it's talent. You really need that. Well, that's
• 26:44
  Speaker 1: no good.
• 26:46
  Speaker 9: Was there a specific song... Was.
• 26:48
  Speaker 8: There one that highlighted the bass more?
• 26:51
  Speaker 1: Yes, there was a song called And I Love Her,
• 26:54
  Speaker 1: and it stood out to me because it was so easy.
• 26:57
  Speaker 1: And basically, Paul McCartney is singing it, and he's standing there,
• 27:01
  Speaker 1: and it's just this kind of simple bass line. It
• 27:04
  Speaker 1: was simple enough for him to sing, for him to
• 27:08
  Speaker 1: sing lead on, and it looks simple enough to where
• 27:11
  Speaker 1: I could be like, I bet I could do that.
• 27:13
  Speaker 1: Because it was just a couple of notes, but the
• 27:15
  Speaker 1: way that it was played... made it essential to the
• 27:19
  Speaker 1: whole song.
• 27:29
  Speaker 20: I give her all my love That's all I do.
• 27:38
  Speaker 17: And if you saw my love.
• 27:42
  Speaker 16: You'd love her too.
• 27:45
  Speaker 3: I love her.
• 27:51
  Speaker 6: She gives me everything And.
• 27:56
  Speaker 20: Tenderly The kiss my lover brings She brings to me
• 28:08
  Speaker 20: And I love her.
• 28:14
  Speaker 17: A love like ours.
• 28:18
  Speaker 18: Could never die.
• 28:23
  Speaker 3: As long as.
• 28:25
  Speaker 14: I have you near me.
• 28:45
  Speaker 16: I'll never die And.
• 28:48
  Speaker 3: I loved her.
• 29:22
  Speaker 17: I know this love of mine will never die.
• 29:33
  Speaker 4: And I love her.
• 29:53
  Speaker 1: There was a lot of slow sweeping camera moves showing
• 29:56
  Speaker 1: the fingering and all that. It was cool. I watched
• 30:00
  Speaker 1: that over and over and over. Like, a lot of
• 30:02
  Speaker 1: people will say, you know, like, I guess in our age,
• 30:08
  Speaker 1: you know, like more modern bands got them into it.
• 30:10
  Speaker 1: But seriously, it was Hard Day's Night that made me
• 30:12
  Speaker 1: want to play bass because it actually looked doable.
• 30:19
  Speaker 9: These simpletons can do it. They'll never amount to anything.
• 30:22
  Speaker 7: You will believe a man can play a bass.
• 30:24
  Speaker 1: Hey, that's in black and white. I'm going to do
• 30:26
  Speaker 1: it in color.
• 30:27
  Speaker 9: I'm going to be a real rock star. Those guys,
• 30:29
  Speaker 9: they'll never amount to anything.
• 30:33
  Speaker 1: Yeah, it was cool. All right, number four. The only
• 30:37
  Speaker 1: Japanese animation or anime, as people in the know say,
• 30:41
  Speaker 1: was an animation called Cowboy Bebop. Have you ever heard that?
• 30:45
  Speaker 8: I have seen some of it, and it's one of
• 30:49
  Speaker 8: those I was not big into anime, and I saw
• 30:51
  Speaker 8: that and went.
• 30:52
  Speaker 9: Oh, it can be pretty good. I was amazed how
• 30:55
  Speaker 9: much I liked it.
• 30:56
  Speaker 1: I sort of see Cowboy Bebop. As the way I
• 30:59
  Speaker 1: see Tolkien and fantasy. I loved Tolkien. I loved Tolkien.
• 31:05
  Speaker 1: When I was a kid, I read it. I loved it.
• 31:07
  Speaker 1: So I was like, ooh, I should try some of
• 31:08
  Speaker 1: these other books with sorcerers and dragons on the cover.
• 31:11
  Speaker 1: And they sucked! So I was like, I just like Tolkien.
• 31:16
  Speaker 1: So the Cowboy Bebop, the anime was so good, I'd
• 31:19
  Speaker 1: try others. But the thing about the music in Cowboy
• 31:24
  Speaker 1: Bebop was it was jazz. Up until that point, I
• 31:29
  Speaker 1: really didn't like jazz. Whenever I would hear jazz, it
• 31:32
  Speaker 1: always sounded like public radio, slow, kind of boring. But
• 31:38
  Speaker 1: this was like violent jazz. It was visceral. That's a
• 31:43
  Speaker 1: good word for it, actually, visceral. The opening theme song,
• 31:48
  Speaker 1: for the show was actually called Tank. The song was
• 31:52
  Speaker 1: called Tank. It was really fast paced and you could
• 31:59
  Speaker 1: hear the guy straining to reach the notes on the
• 32:02
  Speaker 1: upright bass. It was a way to make something exciting
• 32:07
  Speaker 1: that was different from what I was used to. I
• 32:10
  Speaker 1: was used to cinematic John Williams making space exciting. But
• 32:16
  Speaker 1: this was more I don't know, foreign in a weird way,
• 32:20
  Speaker 1: which is odd because jazz... Came from here. Came from here,
• 32:23
  Speaker 1: but it took this Japanese animation to make me really
• 32:27
  Speaker 1: interested in.
• 32:27
  Speaker 3: I.
• 32:30
  Speaker 1: Don't know if you're going to keep it at just movies,
• 32:33
  Speaker 1: but they actually did a full-length Cowboy Bebop movie, and
• 32:38
  Speaker 1: they got a lot of this jazz in there too,
• 32:41
  Speaker 1: but specifically it was their theme song, Tank. Wait, wait, wait, wait, wait.
• 32:46
  Speaker 8: Play that stock record scratchy noise.
• 32:49
  Speaker 9: Yeah, that's what this situation calls for. All right, I'm
• 32:51
  Speaker 9: going to have to call a technical foul on Ben here. Now,
• 32:55
  Speaker 9: you hear him.
• 32:56
  Speaker 8: He goes on about this, and everything else he says
• 32:59
  Speaker 8: is right, and he is correct that they did make
• 33:03
  Speaker 8: a Cowboy Bebop movie, but where he was mistaken is
• 33:06
  Speaker 8: he thought they also played the song Tank in the movie.
• 33:11
  Speaker 8: And very quickly, I went back and double checked and
• 33:13
  Speaker 8: I emailed him. I'm like, hey, you're totally wrong.
• 33:16
  Speaker 1: Way to go.
• 33:17
  Speaker 8: Now, I knew as soon as I set up a
• 33:18
  Speaker 8: basic idea of how these episodes would work, people would
• 33:22
  Speaker 8: start trying to make their own little adjustments or work
• 33:26
  Speaker 8: something in there that didn't specifically fit. Now, I will
• 33:29
  Speaker 8: be a stickler for the details and tell people when
• 33:32
  Speaker 8: something isn't from a soundtrack, like the majority of the
• 33:35
  Speaker 8: stuff we play is.
• 33:36
  Speaker 9: But rules are made to be broken. And on this show,
• 33:39
  Speaker 9: I rule.
• 33:40
  Speaker 8: So I have decided that I am going to go
• 33:43
  Speaker 8: ahead and play Tank, even though it's not on the
• 33:45
  Speaker 8: film soundtrack, but because more importantly.
• 33:48
  Speaker 4: It's an awesome song.
• 33:51
  Speaker 9: It kicks so much ass.
• 33:52
  Speaker 8: So with that, I am going to go ahead and
• 33:55
  Speaker 8: play Tank. And then just to keep it balanced later,
• 33:58
  Speaker 8: I'm going to have to come back and make an adjustment.
• 34:00
  Speaker 8: You know, he's only got four out of five technically
• 34:02
  Speaker 8: from a film soundtrack, so maybe I'll fix it later.
• 34:06
  Speaker 8: But for now, we are gonna go ahead and play
• 34:08
  Speaker 8: Tank from the opening of Cowboy Bebop.
• 34:28
  Speaker 12: I think it's time to blow this scene, get everybody
• 34:30
  Speaker 12: and the stuff together.
• 34:32
  Speaker 11: Okay, three, two, one, let's jam.
• 35:21
  Speaker 3: Thank you. I'm just it.
• 37:38
  Speaker 1: It really got me excited just every time I heard it.
• 37:41
  Speaker 1: I was like, yeah, I want to go beat up people.
• 37:47
  Speaker 3: In space.
• 37:48
  Speaker 9: I like that that's your motivation.
• 37:52
  Speaker 1: And the last movie with music was The Commitments. And
• 37:57
  Speaker 1: The Commitments, I saw that like if Hard Day's Night
• 38:01
  Speaker 1: kind of inspired me to learn bass and to play bass,
• 38:04
  Speaker 1: Commitments is when I kind of knew what what what
• 38:07
  Speaker 1: i was doing and it it kind of just um
• 38:12
  Speaker 1: it's just really good music and um it's it's about
• 38:16
  Speaker 1: a irish soul band basically and there's one particular song
• 38:20
  Speaker 1: in there called um um why am i going blank.
• 38:26
  Speaker 9: Which one i think i know most of.
• 38:27
  Speaker 1: Them oh she make me i can do the bass
• 38:31
  Speaker 1: line for you Try a little tenderness. Try a little tenderness,
• 38:34
  Speaker 1: thank you. I don't know why I was blanking on that.
• 38:38
  Speaker 7: Teaser, pleaser, you got to, you got to, you got to.
• 38:40
  Speaker 1: Yeah, thank you.
• 38:42
  Speaker 8: Let's just perform it now.
• 38:45
  Speaker 5: Oh, she may be weary.
• 38:49
  Speaker 18: And young girls, they do get weary.
• 38:54
  Speaker 6: Wearing that same old shaggy.
• 38:59
  Speaker 21: Dress But when she gets weary, try.
• 39:13
  Speaker 18: A little tenderness.
• 39:27
  Speaker 6: You know she's waiting. just anticipating the things that she never, never, never,
• 39:41
  Speaker 6: never possesses yet.
• 39:44
  Speaker 13: But while she's there waiting without a hope, try a
• 39:54
  Speaker 13: little tenderness.
• 39:57
  Speaker 16: That's all you gotta do.
• 39:59
  Speaker 3: This is for you.
• 40:05
  Speaker 6: It's not just sentimental.
• 40:11
  Speaker 3: No, no.
• 40:14
  Speaker 6: She has her grief and.
• 40:19
  Speaker 3: Her care.
• 40:23
  Speaker 18: But soft words They all.
• 40:27
  Speaker 6: Spoke so gentle It makes.
• 40:32
  Speaker 22: It easier Easier to bear.
• 40:43
  Speaker 23: You won't regret it, no, no Young girls, they never
• 40:47
  Speaker 23: forget it Love is their only.
• 40:54
  Speaker 22: Happiness But it isn't so easy.
• 41:00
  Speaker 16: All you gotta.
• 41:04
  Speaker 22: Do is try to live your time today.
• 41:09
  Speaker 3: Oh, yeah. Oh, yeah. Squeeze her. Squeeze her. Never leave her.
• 41:20
  Speaker 3: You got to. You got to.
• 41:23
  Speaker 5: You got to. You got to. Try to live it.
• 41:41
  Speaker 5: .
• 41:42
  Speaker 3: .
• 41:46
  Speaker 5: .
• 41:52
  Speaker 3: .
• 41:55
  Speaker 6: .
• 42:00
  Speaker 3: Yeah! Yeah! Yeah! Yeah!
• 42:09
  Speaker 24: Yeah!
• 42:10
  Speaker 3: Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah!
• 43:00
  Speaker 1: It was interesting because, again, kind of like how jazz
• 43:04
  Speaker 1: music came from this country, but I didn't really notice
• 43:06
  Speaker 1: it until I saw a Japanese movie. I'm embarrassed to
• 43:10
  Speaker 1: say that soul music, which kind of came from America,
• 43:12
  Speaker 1: I didn't really get into it until this movie. Through
• 43:15
  Speaker 1: the eyes of weird Irish guys. Through the eyes of
• 43:18
  Speaker 1: a foreign country who appreciate what was born in this country,
• 43:25
  Speaker 1: but they kind of put this spin on it that
• 43:27
  Speaker 1: makes me suddenly notice it. I can't put my finger
• 43:30
  Speaker 1: on what it was, but as a bass player at
• 43:33
  Speaker 1: that point, I was just really in love with how Again,
• 43:38
  Speaker 1: it seemed simple, but it really, really wasn't. And that song,
• 43:42
  Speaker 1: Try a Little Tenderness, it starts out slow, it builds,
• 43:46
  Speaker 1: it builds, and it just gets to this neat crescendo.
• 43:49
  Speaker 1: And that's a movie I really paid attention to a lot.
• 43:54
  Speaker 1: Also because since by that point I was in a band,
• 43:56
  Speaker 1: I can say hand to heart, that is the most
• 43:59
  Speaker 1: realistic band movie you will ever see.
• 44:01
  Speaker 9: Because all they do is fight.
• 44:03
  Speaker 1: I won't spoil the ending, but... 99.99999% of bands kind
• 44:09
  Speaker 1: of turn out that way. That's my list.
• 44:15
  Speaker 2: Hurrah!
• 44:16
  Speaker 8: That album takes what are already amazing songs and somehow.
• 44:21
  Speaker 9: It lives up to all of them.
• 44:24
  Speaker 8: You would think nobody could do that good, especially a
• 44:27
  Speaker 8: bunch of dorky kids in Ireland, but they find a
• 44:29
  Speaker 8: way to do these interpretations of them that are really impressive.
• 44:34
  Speaker 1: And I think something else, too, was by getting the soundtrack,
• 44:40
  Speaker 1: I had, again, this is before there was the Internet.
• 44:43
  Speaker 1: You could just download songs here and there. By getting
• 44:45
  Speaker 1: the soundtrack, I sort of had a best-of sampler of soul.
• 44:51
  Speaker 9: Intro to blues and R & B.
• 44:53
  Speaker 1: And because at that time, whenever I would hear the
• 44:56
  Speaker 1: phrase R & B, it would always be applied to
• 44:58
  Speaker 1: people like, Mariah Carey, which I didn't really find that interesting, honestly.
• 45:04
  Speaker 7: It's neither R nor B.
• 45:05
  Speaker 9: She's a little off.
• 45:07
  Speaker 1: But whenever you would watch the Grammys, she'd be up
• 45:09
  Speaker 1: for Best R & B. So I didn't associate R
• 45:13
  Speaker 1: & B with that. But this was pure old-school soul,
• 45:19
  Speaker 1: and I just love it. I still love it. And
• 45:22
  Speaker 1: I'm actually looking for a soul band to join. So
• 45:24
  Speaker 1: if anyone out there is wanting to start up a
• 45:25
  Speaker 1: soul band.
• 45:26
  Speaker 9: I'm up for that.
• 45:26
  Speaker 1: Let's go.
• 45:27
  Speaker 23: All right.
• 45:28
  Speaker 1: On it.
• 45:28
  Speaker 7: I'll play the washboard.
• 45:29
  Speaker 16: I'm going to teach you the meaning of commitment.
• 45:31
  Speaker 1: Dave, I do not get superheroes.
• 45:34
  Speaker 3: Oh, my God.
• 45:35
  Speaker 1: I don't get you. What don't you get?
• 45:37
  Speaker 10: Towerbot here. Well, the meatbags were going to say that
• 45:42
  Speaker 10: if you're a geek and like podcasts, then you could
• 45:44
  Speaker 10: try Tower of Technobabble at www.toweroftechnobabble.com. Then this started.
• 45:52
  Speaker 1: Well, it's up to you.
• 45:54
  Speaker 10: I'm gonna get my taser and put a stop to this.
• 45:57
  Speaker 10: Tower bot out.
• 46:00
  Speaker 1: Okay, monkeys. It's nap time.
• 46:07
  Speaker 8: Alright, and now for the other barrel in our double
• 46:09
  Speaker 8: shot of the killer five, we are going to continue.
• 46:12
  Speaker 1: On with Dave's picks.
• 46:22
  Speaker 4: It's time for the kill of five.
• 46:29
  Speaker 8: What are your important songs that you'd like to share
• 46:32
  Speaker 8: with the world?
• 46:33
  Speaker 7: Let me preface this by saying that I didn't get
• 46:35
  Speaker 7: this assignment until right before the record button hit.
• 46:38
  Speaker 8: Again, it doesn't have to be favorites of all time.
• 46:41
  Speaker 8: We don't have to pin it down. Just five songs
• 46:43
  Speaker 8: that you'd like to share with us.
• 46:44
  Speaker 7: Well, I'm going to do a lot of that one
• 46:46
  Speaker 7: song by this guy.
• 46:47
  Speaker 1: Okay.
• 46:47
  Speaker 7: So just kind of hang with me here. And I
• 46:50
  Speaker 7: don't have Ben's well-thought-out reasoning. It's going to be much
• 46:54
  Speaker 7: more on the fly.
• 46:55
  Speaker 1: That was a slam.
• 46:56
  Speaker 9: You might not have known it, but I.
• 46:58
  Speaker 8: Well, you're crazy.
• 47:02
  Speaker 7: Okay, in no particular order, number one is the theme
• 47:06
  Speaker 7: to Superman, the 1978 Donner film.
• 47:09
  Speaker 1: Amazing.
• 47:11
  Speaker 7: The way it builds, because it doesn't start. It just goes, dump, dump, dump.
• 47:20
  Speaker 7: It really builds. It gets a motion. It gets a momentum.
• 47:24
  Speaker 7: And with the title credits going, it just... And then
• 47:30
  Speaker 7: we've talked about this before. It's like every good Superman theme,
• 47:32
  Speaker 7: you can sing the word Superman in the theme.
• 47:36
  Speaker 1: Superman. Superman. Superman.
• 47:41
  Speaker 6: Superman.
• 47:42
  Speaker 1: You know, it's funny you say it because usually credits...
• 47:46
  Speaker 1: are the big the opening credits of the part i
• 47:47
  Speaker 1: hate the most i want to fast forward through it
• 47:50
  Speaker 1: but you're right superman is one of the ones where.
• 47:53
  Speaker 7: It is the start of the movie and we've talked
• 47:56
  Speaker 7: about this on our own podcast before but for some
• 47:58
  Speaker 7: reason that movie just seems bigger it's the way it's
• 48:02
  Speaker 7: shot it's the i don't know what the technology i
• 48:05
  Speaker 7: don't have the i don't have the words to really
• 48:07
  Speaker 7: explain what i'm richard donner yeah but for some reason
• 48:10
  Speaker 7: that movie just looks big even on like a tv
• 48:13
  Speaker 7: now i mean it doesn't even have to be in
• 48:14
  Speaker 7: the theater i like it But there's just something big
• 48:17
  Speaker 7: about that movie, which is perfect for the subject matter.
• 48:19
  Speaker 7: But that theme gets you in that mood from the
• 48:23
  Speaker 7: very beginning.
• 48:24
  Speaker 1: You know, it's funny. You say the way the theme starts,
• 48:27
  Speaker 1: it grabs your attention immediately, but then it slowly builds
• 48:31
  Speaker 1: and gets more. That's sort of how a movie should be.
• 48:34
  Speaker 11: Right.
• 48:34
  Speaker 1: That theme song is textbook Cliff Notes 101. This is
• 48:38
  Speaker 1: how you should make a movie. Make it like this
• 48:40
  Speaker 1: theme song. Grab your attention.
• 48:42
  Speaker 11: Yeah.
• 48:43
  Speaker 1: And then get the suspense and keep you on the
• 48:45
  Speaker 1: edge of your seat. Right.
• 49:18
  Speaker 3: Oh, no! Thank you. Thank you. Thank you.
• 53:07
  Speaker 8: I mean it is amazing it is one of those
• 53:08
  Speaker 8: that's held up like it's still like you can't name
• 53:12
  Speaker 8: most of the other theme songs.
• 53:14
  Speaker 9: What's the Wolverine theme?
• 53:16
  Speaker 15: Wolverine!
• 53:18
  Speaker 9: You know Superman. No matter how many bad movies they make.
• 53:22
  Speaker 16: You're not seeing the big picture here.
• 53:25
  Speaker 1: Who did the music for Superman? John Williams.
• 53:30
  Speaker 8: That one is just so recognizable to this day. You
• 53:33
  Speaker 8: can have whoever you want playing Superman now, but in
• 53:36
  Speaker 8: my head, that's the Superman music.
• 53:39
  Speaker 9: You can't Yeah.
• 53:40
  Speaker 7: Well, the other thing is, I mean, I saw, let's say,
• 53:42
  Speaker 7: Iron Man 3. I saw that last week. I couldn't
• 53:44
  Speaker 7: tell you what that thing was.
• 53:45
  Speaker 13: Yeah.
• 53:45
  Speaker 7: There's nothing wrong with it. It wasn't anything bad.
• 53:47
  Speaker 1: It was just not memorable. Not memorable.
• 53:49
  Speaker 16: Yeah.
• 53:50
  Speaker 7: But, you know, for 30 years ago, I can still.
• 53:52
  Speaker 1: Yeah. You know, it's funny. After Star Wars came out,
• 53:57
  Speaker 1: I think a case could be made that a lot
• 54:00
  Speaker 1: of the guys in Hollywood, you know, they wanted to
• 54:04
  Speaker 1: do the special effects like Lucas. They wanted to, you know,
• 54:06
  Speaker 1: they wanted to do the framework. I think a lot
• 54:09
  Speaker 1: of the musicians suddenly wanted to be John Williams overnight.
• 54:12
  Speaker 8: I mean, he was, he was movie music for that,
• 54:16
  Speaker 8: you know, and still kind of continues to be. At
• 54:20
  Speaker 8: least now, new people have sort of stepped up, but
• 54:22
  Speaker 8: at the time, there was nobody, like, recognizable. Like, nobody,
• 54:25
  Speaker 8: there were no composers in the modern era that were
• 54:28
  Speaker 8: a household name.
• 54:29
  Speaker 1: That was it.
• 54:30
  Speaker 9: Like, John Williams was it.
• 54:30
  Speaker 1: Right.
• 54:33
  Speaker 7: Okay, so, number two, we'll go the other direction. The
• 54:36
  Speaker 7: movie Once, and I can't, Once? Yeah, Once. It's a
• 54:40
  Speaker 7: story of a band in... Were they in Ireland? Yeah,
• 54:44
  Speaker 7: they were in Ireland.
• 54:47
  Speaker 1: I'm not familiar with this.
• 54:48
  Speaker 7: Look it up, kids. Well, it's Glenn Hansford and.
• 54:51
  Speaker 3: I.
• 54:53
  Speaker 7: Can't remember what the girl's name is. See, that one girl?
• 54:57
  Speaker 1: Do you have your iPhone?
• 54:59
  Speaker 7: It came out a few years ago. Falling Slowly, that
• 55:02
  Speaker 7: was the song from it.
• 55:05
  Speaker 5: I don't know you, but I want you All the
• 55:13
  Speaker 5: more for that Words fall.
• 55:20
  Speaker 2: Through me and always fool me And I can't react.
• 55:33
  Speaker 24: Games that never amount to more than they're meant will
• 55:41
  Speaker 24: play themselves out.
• 55:50
  Speaker 5: Take their St. Kimball and point.
• 55:57
  Speaker 3: It home.
• 55:58
  Speaker 5: We've still got time. I've had the choice, you've made
• 56:14
  Speaker 5: it now.
• 56:21
  Speaker 2: Falling slowly, eyes that know me And I can't go
• 56:31
  Speaker 2: back Wounds that take me and.
• 56:40
  Speaker 5: Erase me and I'm painted black.
• 56:49
  Speaker 24: You have suffered enough and warred with yourself.
• 56:58
  Speaker 16: It's time that you walk.
• 57:07
  Speaker 3: Take this St.
• 57:09
  Speaker 5: Kimball and pour it home. We've still got time. Raise
• 57:22
  Speaker 5: your hopeful voice. Take their St. Campbell's out Let's slowly
• 58:21
  Speaker 5: sing your melody out.
• 59:18
  Speaker 7: These people basically scraped up the money to get a recording.
• 59:22
  Speaker 7: They were trying to get a recording deal, but they
• 59:24
  Speaker 7: had to get a demo reel. And so they scraped
• 59:26
  Speaker 7: up enough money to get in a studio, and basically
• 59:28
  Speaker 7: they just got in a studio after hours and just
• 59:30
  Speaker 7: jammed out an album overnight. And at the end of
• 59:33
  Speaker 7: the night, the engineer says, okay, you sound good on
• 59:38
  Speaker 7: these $ 50, 000 speakers in the studio. Let's take this CD,
• 59:42
  Speaker 7: go out to my crap car and listen to it
• 59:44
  Speaker 7: in my crap speakers.
• 59:46
  Speaker 20: Nice.
• 59:46
  Speaker 7: And if it still sounds good, then we know we
• 59:48
  Speaker 7: got a hit. But it was just the feeling of
• 59:51
  Speaker 7: getting in a car and listening to something you've done
• 59:53
  Speaker 7: all night and listening to the fruits of your labor.
• 59:58
  Speaker 7: It's the way it's shot. It's the way it is.
• 1:00:00
  Speaker 7: But I can imagine a band doing that. I mean,
• 1:00:02
  Speaker 7: just getting in the car and driving.
• 1:00:04
  Speaker 1: I will tell you that that is actually still... still
• 1:00:07
  Speaker 1: done they you basically make the recording you go out
• 1:00:11
  Speaker 1: and you get in your car and you drive around
• 1:00:12
  Speaker 1: and you listen to it yeah.
• 1:00:13
  Speaker 7: So i mean that's spot on but it was just
• 1:00:16
  Speaker 7: it's not it was it wasn't the song particularly that
• 1:00:18
  Speaker 7: they were listening to but it was it was the
• 1:00:20
  Speaker 7: music the feeling of the music i mean that whole
• 1:00:23
  Speaker 7: movie is it's about musicians so that the music is
• 1:00:27
  Speaker 7: a character in the story almost um that point of
• 1:00:30
  Speaker 7: the music sort.
• 1:00:31
  Speaker 1: Of like how the theme to jaws was almost a
• 1:00:34
  Speaker 1: character in the movie too exactly Hope I didn't take
• 1:00:37
  Speaker 1: one of yours by saying Jaws. Damn it!
• 1:00:40
  Speaker 7: No, but that would have been a good one.
• 1:00:42
  Speaker 9: Again, much like the last John Williams. I mean, he's
• 1:00:46
  Speaker 9: not a bad composer.
• 1:00:47
  Speaker 7: No, I think he'll be good. I think he's got
• 1:00:50
  Speaker 7: good works ahead of him.
• 1:00:51
  Speaker 9: One of these days, he's going to put out a
• 1:00:53
  Speaker 9: really memorable tune.
• 1:00:54
  Speaker 7: He's going places.
• 1:00:56
  Speaker 1: It's funny. There's a Mystery Science Theater movie where he
• 1:00:59
  Speaker 1: did the music. Was it... It wasn't Tatio, was it?
• 1:01:02
  Speaker 4: Or was it.
• 1:01:03
  Speaker 7: Oh, John... Where.
• 1:01:05
  Speaker 1: And it's just, you see his name come up in
• 1:01:08
  Speaker 1: the credits, and it's just amazing.
• 1:01:17
  Speaker 7: Number three, it's the movie Crossroads.
• 1:01:21
  Speaker 1: Oh, wait, wait, wait, wait. The Ralph Macchio or the
• 1:01:25
  Speaker 1: Britney Spears?
• 1:01:27
  Speaker 7: I'll give you a hint. I'm not a girl, but
• 1:01:29
  Speaker 7: not quite.
• 1:01:31
  Speaker 9: So you like girls, thus the Britney Spears. All right.
• 1:01:35
  Speaker 7: No, it's actually the other one.
• 1:01:36
  Speaker 8: I want to mix the two, and I want to
• 1:01:38
  Speaker 8: see Britney Spears playing slide guitar. Can we make that happen?
• 1:01:42
  Speaker 1: I want to see Britney make her deal with the devil.
• 1:01:44
  Speaker 9: I think she did.
• 1:01:45
  Speaker 1: Become a pop star known all over the world. That
• 1:01:49
  Speaker 1: would never happen unless the devil was there at the crossroads.
• 1:01:55
  Speaker 9: I think she did, and her time came, and she
• 1:01:57
  Speaker 9: paid for it.
• 1:02:00
  Speaker 7: Your golden hair will be shorn by your own hand.
• 1:02:06
  Speaker 23: Yeah, sure, whatever.
• 1:02:10
  Speaker 7: Anyway, no, I'm talking about the Ralph Macchio movie. About
• 1:02:13
  Speaker 7: a young white boy who wants to play the blues
• 1:02:15
  Speaker 7: and actually kind of does well at it.
• 1:02:17
  Speaker 9: If you make a.
• 1:02:19
  Speaker 1: Deal with the devil.
• 1:02:21
  Speaker 7: Anyway, basically he's trying to win his mentor's soul back
• 1:02:24
  Speaker 7: from the devil by having a... It's called Cutting Heads,
• 1:02:28
  Speaker 7: a guitar... competition with the devil's advocate, who in this
• 1:02:32
  Speaker 7: case is Steve Vai.
• 1:02:33
  Speaker 9: I haven't seen that in forever, but yeah, I was like,
• 1:02:36
  Speaker 9: isn't that Steve Vai?
• 1:02:37
  Speaker 7: I'm trying to think, who was the guy who actually
• 1:02:38
  Speaker 7: played the guitar? It wasn't Ralph Macchio. You mean the
• 1:02:41
  Speaker 7: older guy? No, he wasn't in the.
• 1:02:43
  Speaker 9: They went out on the actual soundtrack.
• 1:02:45
  Speaker 1: It actually might have been Steve Vai, honestly.
• 1:02:47
  Speaker 7: Well, he played his, but.
• 1:02:48
  Speaker 1: No, but I think Steve Vai may have done the
• 1:02:51
  Speaker 1: Ralph Macchio bits, too.
• 1:02:52
  Speaker 7: Google! Ry Cooter.
• 1:02:57
  Speaker 1: There we go.
• 1:02:58
  Speaker 20: Oh, okay.
• 1:02:58
  Speaker 7: Thank goodness.
• 1:02:59
  Speaker 9: There we go.
• 1:03:00
  Speaker 1: I thought you meant at the very end when they
• 1:03:01
  Speaker 1: were doing that.
• 1:03:02
  Speaker 7: Yeah, but the Rye Cooter is actually playing.
• 1:03:04
  Speaker 1: Oh, okay, okay.
• 1:03:04
  Speaker 7: It's a soundtrack.
• 1:03:05
  Speaker 1: Right, okay.
• 1:03:06
  Speaker 7: But that's another movie that the music plays such a
• 1:03:09
  Speaker 7: big part of. And the music is actually the weapon
• 1:03:13
  Speaker 7: in the end of it. And it's a very interesting
• 1:03:16
  Speaker 7: use of the music. And they have such two different styles.
• 1:03:19
  Speaker 7: The Rye Cooter slash Ralph Macchio bit is much more blues-based,
• 1:03:24
  Speaker 7: much more... you know, slide guitar, even though they, it
• 1:03:27
  Speaker 7: gets faster and faster. It's still in that genre. Whereas
• 1:03:29
  Speaker 7: Levi is much more of the heavy metal rock.
• 1:03:33
  Speaker 8: It was interesting watching those two again, because they're such different,
• 1:03:36
  Speaker 8: different and distinctive styles, like trying to pit them against
• 1:03:41
  Speaker 8: each other is weird, but in the way that they
• 1:03:43
  Speaker 8: do it, where they almost have to play the same thing,
• 1:03:46
  Speaker 8: but he does it in blues style and he plays
• 1:03:48
  Speaker 8: it in heavy metal style. And it is interesting to
• 1:03:50
  Speaker 8: watch that same piece of music, like get, shoved into
• 1:03:53
  Speaker 8: these two different machines, more or less.
• 1:03:55
  Speaker 7: Right, and basically the way it rises, each round rises
• 1:03:59
  Speaker 7: in tempo.
• 1:03:59
  Speaker 3: Yeah.
• 1:04:00
  Speaker 7: It's an interesting mix of music.
• 1:04:04
  Speaker 23: This is the mojo hand, the Louisiana voodoo charm.
• 1:04:09
  Speaker 9: The winning boy's magic.
• 1:04:11
  Speaker 16: You see, there's only one last true.
• 1:04:13
  Speaker 1: Mojo left in the world.
• 1:04:15
  Speaker 3: Take it right now. Take it and go up there
• 1:04:19
  Speaker 3: and do your stuff.
• 1:04:20
  Speaker 16: I'm giving you.
• 1:04:21
  Speaker 11: All the magic I've got.
• 1:04:23
  Speaker 3: What shall I do?
• 1:04:26
  Speaker 6: Then you can call upon your brother.
• 1:04:30
  Speaker 16: Who's next up there? Who's coming on up?
• 1:04:34
  Speaker 9: Who's going to get their head cut?
• 1:04:36
  Speaker 16: How about you, chicken boy?
• 1:04:38
  Speaker 11: Oh, my Lord, what shall I do?
• 1:04:43
  Speaker 3: What shall I do? Well, well, well.
• 1:04:55
  Speaker 9: Who sent you here?
• 1:04:57
  Speaker 16: Can't talk, little man?
• 1:04:58
  Speaker 23: That can't play none either.
• 1:05:01
  Speaker 3: Oh, huh. Thank you. Oh, my God. We'll be right back.
• 1:08:58
  Speaker 15: Ha, ha, ha, ha, ha! Thank you.
• 1:10:03
  Speaker 3: So so Thank you.
• 1:11:35
  Speaker 9: Again, it's a better movie than I think people realize.
• 1:11:38
  Speaker 3: Yeah.
• 1:11:38
  Speaker 1: And it's... It's very, very quotable, too. I don't know.
• 1:11:42
  Speaker 18: Plus.
• 1:11:43
  Speaker 7: Hellhounds on your Twitter, Willie Brown.
• 1:11:45
  Speaker 3: Plus.
• 1:11:45
  Speaker 9: Jamie Girtz. I mean, come on.
• 1:11:46
  Speaker 7: Well, Jamie Girtz.
• 1:11:47
  Speaker 9: Anything with Jamie Girtz.
• 1:11:48
  Speaker 7: And it was Jamie Girtz of that era.
• 1:11:51
  Speaker 9: There ain't nothing wrong with that.
• 1:11:52
  Speaker 1: If you kept your hands on that guitar as much
• 1:11:54
  Speaker 1: as you keep them on that there girl's ass, maybe
• 1:11:56
  Speaker 1: you'd be a guitar player by now.
• 1:12:02
  Speaker 8: But yeah, I think even more than anything, the finale
• 1:12:05
  Speaker 8: there makes that movie.
• 1:12:07
  Speaker 9: It really does bring.
• 1:12:08
  Speaker 3: It all together.
• 1:12:10
  Speaker 7: Number four, I'm going to go with the soundtrack to
• 1:12:12
  Speaker 7: Tron Legacy.
• 1:12:14
  Speaker 9: Really i've heard a lot of good things about that
• 1:12:16
  Speaker 9: i have not listened to.
• 1:12:17
  Speaker 7: Much of it is a a it stands alone you
• 1:12:20
  Speaker 7: can actually listen to it it's a if you're in
• 1:12:23
  Speaker 7: if you're in a techno kind of mood which you
• 1:12:25
  Speaker 7: know sometimes i'm a graph designer by trade and when
• 1:12:28
  Speaker 7: when i you know i can't listen to music all
• 1:12:30
  Speaker 7: the time but when i can when i'm doing something
• 1:12:32
  Speaker 7: i can listen to music that's a really good really
• 1:12:35
  Speaker 7: good background because it makes me feel like i'm typing
• 1:12:36
  Speaker 7: with purpose and action.
• 1:12:39
  Speaker 9: And creating my own world.
• 1:12:43
  Speaker 7: Take this program i am leader of this world but
• 1:12:47
  Speaker 7: it's a really solid piece of work and it really
• 1:12:51
  Speaker 7: helped the movie a lot it really worked well with
• 1:12:53
  Speaker 7: the visuals in that movie so any in particular song
• 1:12:58
  Speaker 7: wise there's uh one called the fall and it's about
• 1:13:01
  Speaker 7: halfway through the movie where the action on the screen
• 1:13:04
  Speaker 7: is they're plunging in an elevator but But the sound
• 1:13:08
  Speaker 7: on the soundtrack is it's almost like a wordless scream.
• 1:13:11
  Speaker 7: I mean, it's just the way it's going down. And
• 1:13:15
  Speaker 7: it's very evocative.
• 1:13:16
  Speaker 11: I thought.
• 1:13:32
  Speaker 22: Bye.
• 1:14:33
  Speaker 4: End of line.
• 1:14:39
  Speaker 9: Hi, this is Tom Kane, the voice of Yoda.
• 1:14:42
  Speaker 1: And listening to Movie Meltdown, you are good.
• 1:14:49
  Speaker 3: All right.
• 1:14:55
  Speaker 9: Grand finale.
• 1:14:55
  Speaker 7: And grand finale. I'm going to go for it. I'm
• 1:14:58
  Speaker 7: going to grab the third rail. The theme from Star Wars.
• 1:15:02
  Speaker 7: And I say it because of this. I'm old enough.
• 1:15:04
  Speaker 7: I'm probably the oldest person at this table, as I
• 1:15:06
  Speaker 7: usually am these days.
• 1:15:08
  Speaker 1: Go to bed, old man.
• 1:15:10
  Speaker 7: As the older generation dies off, I'm the tip of
• 1:15:12
  Speaker 7: the spear.
• 1:15:17
  Speaker 1: Last man standing.
• 1:15:18
  Speaker 7: Last man standing for now. I'm the oldest man in
• 1:15:21
  Speaker 7: the world for now. There's always somebody behind you.
• 1:15:24
  Speaker 1: All right, explain it. You were old enough to see
• 1:15:27
  Speaker 1: it in the theater.
• 1:15:28
  Speaker 7: I saw it in the theater. It was 1977. I
• 1:15:30
  Speaker 7: was eight years old. Yeah, I was eight years old.
• 1:15:35
  Speaker 7: And the way that movie comes on, it was... You've
• 1:15:37
  Speaker 7: got to look at it from the historical perspective and
• 1:15:39
  Speaker 7: not the 30, 40, 50, 60, 80 times you've seen
• 1:15:42
  Speaker 7: it since. First time you see it, and keep in
• 1:15:45
  Speaker 7: mind you hadn't seen anything like this. Screen goes black.
• 1:15:49
  Speaker 7: Long time ago in a galaxy far, far away. Screen
• 1:15:51
  Speaker 7: goes black again. Boom. You see the title. You hear
• 1:15:55
  Speaker 7: that big trumpet fanfare. grabs your attention, drags you in.
• 1:15:59
  Speaker 7: It's kind of the opposite of Superman, where it's like
• 1:16:02
  Speaker 7: it builds.
• 1:16:02
  Speaker 24: No.
• 1:16:03
  Speaker 7: It's all lead. There is no lead in.
• 1:16:06
  Speaker 6: We are here.
• 1:16:06
  Speaker 1: We don't need no stinking credits. You're not here to
• 1:16:09
  Speaker 1: see credits.
• 1:16:10
  Speaker 3: You're here to see explosions.
• 1:16:13
  Speaker 1: And they deliver.
• 1:16:14
  Speaker 7: It's a period of civil war in the galaxy, Pitch.
• 1:17:52
  Speaker 3: Thank you. Thank you.
• 1:19:49
  Speaker 11: So so.
• 1:20:21
  Speaker 3: Thank you.
• 1:21:27
  Speaker 1: There are any trade negotiations. There's no tax disputes.
• 1:21:33
  Speaker 13: Boom.
• 1:21:33
  Speaker 3: War.
• 1:21:34
  Speaker 7: Awesome. So, I mean, and that, again, it's been repeated
• 1:21:39
  Speaker 7: and it's almost hackneyed right now. But if you look
• 1:21:41
  Speaker 7: at it from the historical perspective of actually seeing it
• 1:21:43
  Speaker 7: for the first time, it grabs your attention and it
• 1:21:46
  Speaker 7: doesn't let go.
• 1:21:47
  Speaker 4: So.
• 1:21:48
  Speaker 7: Yeah. As far as a piece of functional music, movie music.
• 1:21:52
  Speaker 9: And again, one that completely, like, shaped the movie.
• 1:21:57
  Speaker 7: Like, that movie.
• 1:21:58
  Speaker 8: I don't know what it would have been certainly without
• 1:22:00
  Speaker 8: the entire score, but maybe even just that main title
• 1:22:03
  Speaker 8: theme is like so important that, yeah, it may have
• 1:22:07
  Speaker 8: changed the entire final outcome.
• 1:22:10
  Speaker 1: Was there, was there ever any question that it wouldn't
• 1:22:14
  Speaker 1: be a orchestrated sound soundtrack? Like, because a lot of
• 1:22:18
  Speaker 1: sci-fi up until that point was all like the synth
• 1:22:21
  Speaker 1: kind of keyboard and the theremin, you know, was, was
• 1:22:25
  Speaker 1: the orchestra something that Lucas wanted or fought for? I
• 1:22:29
  Speaker 1: don't know.
• 1:22:30
  Speaker 7: I can't imagine it being any other way.
• 1:22:31
  Speaker 1: Because that movie would have been terrible if it had
• 1:22:33
  Speaker 1: been there.
• 1:22:35
  Speaker 7: Again, the music really pulls you into the movie. It
• 1:22:37
  Speaker 7: tells you there's not going to be any subtlety in
• 1:22:39
  Speaker 7: this movie. There's not a lot of subtlety in Star Wars.
• 1:22:42
  Speaker 8: No, and it's funny that he was bringing in a
• 1:22:45
  Speaker 8: pretty big gun there. He was already pretty well established
• 1:22:49
  Speaker 8: even by then.
• 1:22:49
  Speaker 1: This was after Jaws.
• 1:22:50
  Speaker 9: Yeah, after Jaws.
• 1:22:51
  Speaker 8: So it's like they really didn't have a lot. It's
• 1:22:53
  Speaker 8: like they had his music, and Obi-Wan. Alec is a
• 1:22:57
  Speaker 8: really well-established actor. But other than that, it's a bunch
• 1:23:01
  Speaker 8: of nobodies and some special effects that they're not even
• 1:23:03
  Speaker 8: sure if.
• 1:23:03
  Speaker 7: They're going to work on screen. They had to develop
• 1:23:05
  Speaker 7: on the fly. This will probably work.
• 1:23:08
  Speaker 8: It feels like that was almost legitimizing them. It was like, hey, look,
• 1:23:12
  Speaker 8: this guy, he's a big name in movies. And it does,
• 1:23:17
  Speaker 8: because it's a real orchestra. And it really kind of
• 1:23:20
  Speaker 8: brings back sort of that old Hollywood feel, I guess. That, like, yeah,
• 1:23:23
  Speaker 8: this is a new kind of sci-fi idea, but we're
• 1:23:26
  Speaker 8: going to have a little bit of the old world,
• 1:23:27
  Speaker 8: you know. We'll have the old Hollywood stuff.
• 1:23:29
  Speaker 1: Kind of makes you, again, the whole prequel thing, you know.
• 1:23:33
  Speaker 1: It's like you need that real world. You need the feeling.
• 1:23:36
  Speaker 1: You need the weight. Like the orchestra versus a synth,
• 1:23:41
  Speaker 1: you know.
• 1:23:41
  Speaker 3: Yeah.
• 1:23:43
  Speaker 8: Which is why the only good part in the prequels
• 1:23:45
  Speaker 8: is that one song that has, like, human voices in it.
• 1:23:49
  Speaker 3: Oh.
• 1:23:49
  Speaker 1: Qui-Gon is dead. Yeah, that one, yeah.
• 1:23:52
  Speaker 8: No, the big battle scene with Darth Maul, which is, again,
• 1:23:55
  Speaker 8: the best part of that movie.
• 1:23:57
  Speaker 7: You've got to set through Edelweiss before you get to
• 1:23:59
  Speaker 7: that part.
• 1:24:01
  Speaker 8: You finally get to that part at the end, and
• 1:24:02
  Speaker 8: it's like, oh, see, once again, Duel of the Fates
• 1:24:05
  Speaker 8: makes this movie.
• 1:24:06
  Speaker 9: So, yeah.
• 1:24:07
  Speaker 7: That's mine. What are yours?
• 1:24:08
  Speaker 3: I don't know.
• 1:24:10
  Speaker 9: I'm not playing this game.
• 1:24:10
  Speaker 1: Oh, hey.
• 1:24:12
  Speaker 9: I have to bring other people in.
• 1:24:15
  Speaker 1: I know what your favorite song of all time is.
• 1:24:18
  Speaker 1: You take me higher than the sky. From the Star
• 1:24:22
  Speaker 1: Wars Holiday Special. Starship. Come on.
• 1:24:27
  Speaker 9: It's a great song, and I love that music video.
• 1:24:37
  Speaker 7: It deserves me that you've seen the holiday special enough
• 1:24:39
  Speaker 7: to just pull that out of nowhere.
• 1:24:42
  Speaker 1: And yet, I can't do the Diane Carroll song.
• 1:24:45
  Speaker 9: He watches it on a little box at home.
• 1:24:49
  Speaker 1: I still maintain that the only reason they got that
• 1:24:51
  Speaker 1: job is because their name was Starship. Because they were
• 1:24:56
  Speaker 1: trying to do space-themed things. And the guys from Emerson, Lake,
• 1:25:01
  Speaker 1: and Palm were like, Oh, we could have the Star Wars... Job,
• 1:25:04
  Speaker 1: if only we had named ourselves Galactic Nebula or something.
• 1:25:08
  Speaker 7: Galactic Emerson Lichen Palmer.
• 1:25:09
  Speaker 9: In the most popular holiday special ever. Oh, no, wait,
• 1:25:14
  Speaker 9: never mind then.
• 1:25:15
  Speaker 15: Scratch that.
• 1:25:15
  Speaker 9: This is going to make somebody's career. Scratch that.
• 1:25:18
  Speaker 7: Sorry, Starship.
• 1:25:19
  Speaker 1: What's this yellow crap? We could have been in.
• 1:25:21
  Speaker 16: The Star Wars.
• 1:25:22
  Speaker 8: And like Jefferson Starship was so embarrassed, they were like, look,
• 1:25:25
  Speaker 8: we need to change our name again. Let's drop this
• 1:25:27
  Speaker 8: Jefferson thing and see if we can skate by on just.
• 1:25:31
  Speaker 1: Yeah, actually, it was Jefferson who got us the deal
• 1:25:34
  Speaker 1: to be in the Star Wars.
• 1:25:35
  Speaker 9: It was all Jefferson's idea, man.
• 1:25:36
  Speaker 1: So we, like, fired him, and then we had to
• 1:25:37
  Speaker 1: be Starship because he technically owned the copyright to.
• 1:25:41
  Speaker 7: Our new band's name is John Smith.
• 1:25:44
  Speaker 9: We don't like Jefferson. That's our new band.
• 1:25:49
  Speaker 4: Good stuff.
• 1:25:49
  Speaker 1: You have failed me for the last time.
• 1:25:53
  Speaker 8: All right, so no, I am not going to play
• 1:25:55
  Speaker 8: Jefferson Starship at this point.
• 1:25:57
  Speaker 1: You're welcome.
• 1:25:58
  Speaker 8: But I am going to play one more to round
• 1:26:01
  Speaker 8: things out and to fix that problem from earlier. Now,
• 1:26:04
  Speaker 8: Ben chose a song that wasn't from the Cowboy Bebop
• 1:26:06
  Speaker 8: movie soundtrack. So now I will play one from that
• 1:26:10
  Speaker 8: very soundtrack to fix the issue. And thus, all is
• 1:26:13
  Speaker 8: once again right with the world. So he wanted to
• 1:26:15
  Speaker 8: play the opening of the show. So now I'll trade
• 1:26:18
  Speaker 8: up for the opening song of the movie, which is
• 1:26:20
  Speaker 8: performed by the Seatbelts. Well, something like that. The Seatbelts,
• 1:26:25
  Speaker 8: it seems, is a whole lot of different people. They've
• 1:26:27
  Speaker 8: been many members over the years, different variations, depending on
• 1:26:31
  Speaker 8: what era. I mean, they did the music for the
• 1:26:33
  Speaker 8: TV series, and then they've done the soundtrack for the
• 1:26:36
  Speaker 8: video game, and then at least some of them came
• 1:26:38
  Speaker 8: back to do the soundtrack for the movie. So it's
• 1:26:41
  Speaker 8: many different people over the years.
• 1:26:42
  Speaker 9: But to simplify, I'm just going to call them the Seatbelts.
• 1:26:45
  Speaker 8: So this is The Seatbelts with Ask DNA. So thank
• 1:26:48
  Speaker 8: you for joining us on this musical journey through cinema.
• 1:26:51
  Speaker 8: We had a lot of fun assembling it for you,
• 1:26:53
  Speaker 8: so I'm glad you could share in this little experience
• 1:26:56
  Speaker 8: we had. And with that, I will remind you, get
• 1:26:59
  Speaker 8: a life.
• 1:26:59
  Speaker 12: And we'll provide the soundtrack.
• 1:27:15
  Speaker 19: You can't free enough You can't hide You.
• 1:27:20
  Speaker 3: Can be cool You.
• 1:27:23
  Speaker 23: Can cry Do it wrong Not at all Do.
• 1:27:27
  Speaker 3: It right.
• 1:27:30
  Speaker 19: No one owes you No one's to blame.
• 1:27:41
  Speaker 16: Ask your conscience the.
• 1:27:43
  Speaker 21: Why and how Do it then, do it when, but
• 1:27:47
  Speaker 21: do it now.
• 1:27:50
  Speaker 3: What's up?
• 1:27:52
  Speaker 5: Sweet cakes Who's here? Anyway Oh, girls.
• 1:28:03
  Speaker 1: Easy What you.
• 1:28:07
  Speaker 19: Gonna do, little buckaroo?
• 1:28:12
  Speaker 9: Yeah, you gotta do it.
• 1:28:13
  Speaker 3: Happy for his eyes, come on.
• 1:28:27
  Speaker 19: No, we all can be super fly. G, Q, P, H, D, F, B, I.
• 1:28:37
  Speaker 19: You can pretend to you can.
• 1:28:41
  Speaker 23: Try Move ahead, lay down dead or slip on by.
• 1:28:48
  Speaker 19: When the truth seems so far away Need answers for
• 1:29:01
  Speaker 19: your dismay.
• 1:29:02
  Speaker 16: Ask yourself. Ask your mom.
• 1:29:05
  Speaker 7: Ask PMA.
• 1:29:07
  Speaker 3: What's up? What's up?
• 1:29:10
  Speaker 16: Sweet case.
• 1:29:11
  Speaker 3: Who's here? Who's here? Anyway. Anyway. The girls. The girls.
• 1:29:21
  Speaker 3: Are easy. Are easy.
• 1:29:24
  Speaker 16: What you gonna do, little buckaroo?
• 1:29:26
  Speaker 3: Hey, you!
• 1:29:29
  Speaker 5: All you gotta do, happy fool, is ask your mom.
• 1:29:35
  Speaker 16: Yeah, just ask your mom.
• 1:29:40
  Speaker 3: Do, do, do.
• 1:29:43
  Speaker 16: Just ask your mom.
• 1:29:45
  Speaker 3: Do, do, do.
• 1:29:47
  Speaker 16: Yeah, ask your mom.
• 1:29:50
  Speaker 3: Do, do, do. Super Guru Mama Dalai Lama Come.
• 1:30:09
  Speaker 16: On, come on, come on, ask your mama Super Guru.
• 1:30:13
  Speaker 5: Mama Dalai Lama.
• 1:30:20
  Speaker 16: Come on, come on, come on, ask your mama Super
• 1:30:24
  Speaker 16: Guru Mama Dalai Lama What's up?
• 1:30:36
  Speaker 3: What's up?
• 1:30:38
  Speaker 9: Sweet cakes.
• 1:30:39
  Speaker 3: Sweet cakes.
• 1:30:40
  Speaker 19: Who's hip?
• 1:30:42
  Speaker 3: Who's hip?
• 1:30:43
  Speaker 16: Anyway.
• 1:30:44
  Speaker 3: Anyway. Up girls.
• 1:30:46
  Speaker 16: Up girls.
• 1:30:48
  Speaker 6: Are easy.
• 1:30:49
  Speaker 3: Are easy.
• 1:30:52
  Speaker 19: What you wanna do, little buckaroo? Come on!
• 1:30:59
  Speaker 5: What's up, sweet cakes?
• 1:31:04
  Speaker 3: Who's here? Anywhere here?
• 1:31:09
  Speaker 16: Oh, girl, I'm eating. So what you gonna do, little buckaroo?
• 1:31:14
  Speaker 3: Hey, you better ask him out!
• 1:31:18
  Speaker 5: All you gotta do happy food is ask your mom theme.
• 1:31:31
  Speaker 7: From Battleship is my favorite because it really is feel
• 1:31:35
  Speaker 7: free this.
• 1:31:35
  Speaker 14: Episode is a production of Movie Meltdown produced and edited
• 1:31:38
  Speaker 14: by the Oddity Studios for more on how to sponsor
• 1:31:41
  Speaker 14: or support the show email producer at moviemeltdown.com.
• 1:31:47
  Speaker 3: Aloha.
• 1:31:49
  Speaker 18: Talk hard.