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We Made An Action Movie (with Dan Lippert and Ryan Rosenberg) · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:07
  Speaker 2: This week on the show, we have the cast and
• 0:08
  Speaker 2: creatives of a new action film, The Extraction Team.
• 0:13
  Speaker 3: Action movies have been the rage since today, all the
• 0:17
  Speaker 3: way back into the eighties, and what makes an action
• 0:21
  Speaker 3: film special? Well, today we sit down with the cast
• 0:23
  Speaker 3: and crew of the Extraction Team to figure out what
• 0:29
  Speaker 3: makes action so special.
• 0:31
  Speaker 4: This movie will hit theaters soon, but pull up Michael
• 0:34
  Speaker 4: Bay's IMDb.
• 0:38
  Speaker 1: Chick kick, what are that grenade? And let's listen in.
• 0:46
  Speaker 5: Wow.
• 0:47
  Speaker 3: Unbelievable that we're all, I guess, in the same place again.
• 0:51
  Speaker 6: It's really good to be back in the same place.
• 0:53
  Speaker 7: With you guys.
• 0:55
  Speaker 1: Place here we are. I can't believe if the world's
• 1:00
  Speaker 1: about to see it, I can't believe it.
• 1:02
  Speaker 5: I've been working on these for fourteen years. We've all
• 1:05
  Speaker 5: been working on this for so long.
• 1:07
  Speaker 8: Yeah, yeah, that's right, hey, and I mean our intrepid director.
• 1:11
  Speaker 6: We couldn't have done it without you.
• 1:14
  Speaker 5: Could not have because I'm the one with all the connections.
• 1:18
  Speaker 1: Yeah.
• 1:20
  Speaker 7: When the press release came out and everybody said, Igor Stravin,
• 1:26
  Speaker 7: the guy who only plays Russian villains and movies is
• 1:29
  Speaker 7: going to direct an action movie. Yes, they laughed at you.
• 1:35
  Speaker 9: Everyone always laugh set to me all the time. They think, oh,
• 1:39
  Speaker 9: You're about to tell me something awful, and I'm actually.
• 1:42
  Speaker 5: Just telling you I have a good idea and I
• 1:45
  Speaker 5: think it's going to work.
• 1:48
  Speaker 6: It was a really tough set.
• 1:49
  Speaker 8: I thought it was a It was a tough set,
• 1:51
  Speaker 8: but I thought we got through it.
• 1:53
  Speaker 4: Really well because every note I would say feels like
• 1:55
  Speaker 4: a hostage situation, like I am doing a thousand calculations,
• 2:00
  Speaker 4: is in my mind trying to figure out if I'm
• 2:01
  Speaker 4: in danger or not.
• 2:02
  Speaker 1: It turns out I was doing a good job.
• 2:04
  Speaker 9: We had a lot of people leave said because I
• 2:06
  Speaker 9: used to say, hey, cameraman, punch in please.
• 2:11
  Speaker 3: And it was so intense because you really he kind
• 2:13
  Speaker 3: of was like yes. You were like, oh my god,
• 2:15
  Speaker 3: he's gonna shoot me.
• 2:16
  Speaker 6: Well, the camera would already be.
• 2:17
  Speaker 8: Like, so what do you think the extreme close ups
• 2:21
  Speaker 8: in the movie were trying to say the extreme extreme closees.
• 2:24
  Speaker 9: Well, the eyes are the window to the soul and
• 2:26
  Speaker 9: the pupil are the window to the eye, So you
• 2:29
  Speaker 9: gotta get in the middle.
• 2:31
  Speaker 6: So there's gonna be shots where you see only black pid.
• 2:33
  Speaker 1: Yes, God, I love the first time directly.
• 2:37
  Speaker 5: But that could have done it with all of you.
• 2:40
  Speaker 5: So we have to go around around and introduce ourselves.
• 2:43
  Speaker 5: I mean, we have to start with number one in nicoid.
• 2:46
  Speaker 7: On the first thing I said when I said in
• 2:50
  Speaker 7: my contract is is there a way to get a
• 2:52
  Speaker 7: call sheet where all the names are next to each other?
• 2:55
  Speaker 7: And I said, no, not hire our chorus. Okay, number
• 2:58
  Speaker 7: one and my name is for the credits.
• 3:00
  Speaker 2: And before everyone else, you did try it once and
• 3:03
  Speaker 2: you had on the el and I for you to
• 3:05
  Speaker 2: scroll through to the song.
• 3:06
  Speaker 4: Day you had to print out sixty pages of horizontal
• 3:09
  Speaker 4: call sheet in a row to be able to read
• 3:11
  Speaker 4: what we were.
• 3:12
  Speaker 5: One Excel row. And it was a really.
• 3:15
  Speaker 3: Still confusing because everybody was number one, so you didn't
• 3:19
  Speaker 3: know what scene you were showing up to shoot.
• 3:21
  Speaker 5: So we need number one one.
• 3:22
  Speaker 4: Number one just kind of get a cast party because
• 3:25
  Speaker 4: everyone came.
• 3:26
  Speaker 7: Yeah, and we learned that day when communism doesn't work.
• 3:32
  Speaker 7: It was an important lesson to everybody on set. I
• 3:34
  Speaker 7: remember at lunch was kind of like, this is political.
• 3:37
  Speaker 7: It's not just you know, confusing, it's political, and.
• 3:40
  Speaker 5: We got into it because I think it worked in
• 3:42
  Speaker 5: many ways.
• 3:43
  Speaker 7: Is a kid.
• 3:43
  Speaker 2: It's also that it's awesome that you also put the
• 3:45
  Speaker 2: pas on the call sheet in front of you.
• 3:47
  Speaker 1: Uh huh, you're the first actor on there.
• 3:49
  Speaker 7: Yes, also very confusing. Some pas were showing up to
• 3:52
  Speaker 7: set to be in the scenes, yes, based on what
• 3:55
  Speaker 7: they were reading. And I was coming really early in
• 3:57
  Speaker 7: the morning.
• 4:01
  Speaker 4: You were carrying in so many things during the load,
• 4:04
  Speaker 4: and it was really helpful.
• 4:05
  Speaker 7: Yeah, go ahead.
• 4:08
  Speaker 8: It really helped me that all the pas had makeup
• 4:10
  Speaker 8: on and looked so good, because normally they're just kind
• 4:12
  Speaker 8: of tires.
• 4:16
  Speaker 9: But it was on me to dress them back down
• 4:18
  Speaker 9: to get them back into PA they were.
• 4:22
  Speaker 7: They became very confident because the only thing separating actors
• 4:26
  Speaker 7: from everybody else on set is makeup and how good
• 4:29
  Speaker 7: we look anyway, I forget.
• 4:36
  Speaker 5: I love hearing you say your name.
• 4:37
  Speaker 7: Could you just tin Alan?
• 4:40
  Speaker 5: Uh?
• 4:45
  Speaker 7: You know, I don't, I don't. I feel embarrassed saying this,
• 4:50
  Speaker 7: but I need no introduction in America's greatest action star.
• 4:55
  Speaker 7: But happy to work with all of the uh crepid intrepid.
• 5:03
  Speaker 5: Thanks for that, Thank you so much.
• 5:05
  Speaker 8: My name is Billy Jason, of course, a supporting, supporting
• 5:09
  Speaker 8: buddy in the movie.
• 5:10
  Speaker 5: You know, so funny as the nerd.
• 5:13
  Speaker 2: Thank you buddy on camera, Buddy off camera, you are buddy,
• 5:17
  Speaker 2: Yeah yeah, yeah.
• 5:18
  Speaker 6: Yeah yeah.
• 5:19
  Speaker 8: I've never booked a leading role. They said I'm just
• 5:21
  Speaker 8: not right for it. I'm not sure, but.
• 5:22
  Speaker 5: Just so fun to have around, like two out of
• 5:24
  Speaker 5: five days a week.
• 5:25
  Speaker 6: Yeah, yeah, yeah.
• 5:28
  Speaker 1: We love seeing you sometimes.
• 5:29
  Speaker 6: Oh yeah, I love being seen sometimes. Yeah.
• 5:32
  Speaker 8: It was interesting how there was different rules for most
• 5:35
  Speaker 8: people on set than there was for me. But I
• 5:38
  Speaker 8: thought that did give me structure and I needed that that's.
• 5:41
  Speaker 3: In And I just thought your role was so funny,
• 5:45
  Speaker 3: like you play the best data person like I think
• 5:49
  Speaker 3: I've ever seen in one of these actions.
• 5:51
  Speaker 6: I gotta give it up to Seth Green. I gotta
• 5:53
  Speaker 6: give it up to Seth Green. The original Mapster.
• 5:56
  Speaker 8: Yes, absolutely, anybody who's seen that one movie where he
• 5:59
  Speaker 8: plays the who invented Napster.
• 6:01
  Speaker 6: He's the he's the proticulator Italian job.
• 6:06
  Speaker 7: Of the State, the original.
• 6:09
  Speaker 2: Naps It's just so funny when you're in the car,
• 6:13
  Speaker 2: you're in like one of the getaway cars and you're
• 6:15
  Speaker 2: and you're trying to track down the villain and you
• 6:17
  Speaker 2: fart in the car improv.
• 6:20
  Speaker 3: It was Yeah, I did some grownling and I freaking
• 6:25
  Speaker 3: love like, I love your catchphrase, Like can you give
• 6:28
  Speaker 3: it to us again?
• 6:28
  Speaker 5: It's like, how am I gonna get that done?
• 6:32
  Speaker 6: How am I gonna get that done? So good?
• 6:36
  Speaker 4: When you added the cross eyed I remember that day.
• 6:39
  Speaker 4: It was like it was like a hush fell over
• 6:42
  Speaker 4: the room.
• 6:43
  Speaker 9: We told you this movie is not funny. Nothing, nothing
• 6:47
  Speaker 9: else is literally funny.
• 6:49
  Speaker 7: In this Yeah.
• 6:50
  Speaker 6: No.
• 6:50
  Speaker 4: And I saw the first draft of the script that
• 6:53
  Speaker 4: was being sent around and they just had your lines.
• 6:55
  Speaker 4: They haven't figured it out yet, so we would just
• 6:57
  Speaker 4: say something funny, something funny, something funny.
• 7:00
  Speaker 1: I appreciate it.
• 7:01
  Speaker 6: Yeah, you guys got it.
• 7:02
  Speaker 8: I got me out of there pretty quick, said great job,
• 7:04
  Speaker 8: laughed at me, and then I was gone.
• 7:05
  Speaker 7: We didn't really meet until in Passing at the Air Alternate, Well,
• 7:10
  Speaker 7: your fart smelled. So I don't want to at the
• 7:14
  Speaker 7: A d R sessions because almost everything you do is
• 7:18
  Speaker 7: just you alone in a van or in a computer room.
• 7:21
  Speaker 7: It's just cutting to you on a mic, to my
• 7:23
  Speaker 7: character or the other characters just being flu mixed and funny.
• 7:27
  Speaker 8: Some people are saying, there's a whole version of the
• 7:29
  Speaker 8: movie without my character. That's completely different.
• 7:33
  Speaker 6: That would be the.
• 7:33
  Speaker 7: First version we shot before the audience has said, this
• 7:36
  Speaker 7: is so so, so dramatic, and there's no levity at all.
• 7:42
  Speaker 8: I think nobody got extracted right, accidentally, nobody got extracted
• 7:46
  Speaker 8: in the first The.
• 7:47
  Speaker 1: Whole point is you're supposed to extract.
• 7:49
  Speaker 5: Yeah, that was my bad.
• 7:53
  Speaker 9: That's a good direct good that I said, will we
• 7:55
  Speaker 9: could change the names and said, nobody came from the name.
• 7:59
  Speaker 5: Yeah, to put extraction in.
• 8:00
  Speaker 1: It's crazy. It's the easiest pickup ever.
• 8:03
  Speaker 2: You're just in all these little spots that they just
• 8:05
  Speaker 2: did a couple of months later.
• 8:06
  Speaker 9: It's amazing how many corners are in every building. So
• 8:09
  Speaker 9: if you want to cut to a corner, it's easy
• 8:12
  Speaker 9: to even build a corner.
• 8:14
  Speaker 5: Thank you, Okay, thank you.
• 8:16
  Speaker 7: That was I remember, because I'll have my notifications on
• 8:19
  Speaker 7: and I remember getting a three am email that was
• 8:22
  Speaker 7: there was just the alarm emoj and I opened it
• 8:25
  Speaker 7: and it was from our intrepid director and it said
• 8:27
  Speaker 7: it's easy to build a corner. I feel like we
• 8:31
  Speaker 7: could have talked about this in person, but it seems
• 8:33
  Speaker 7: like you really felt the light bulb was shut up
• 8:36
  Speaker 7: in bed.
• 8:39
  Speaker 6: Oh my god, this illusion is in the room.
• 8:42
  Speaker 9: With us a corner, the man standing in the corner,
• 8:47
  Speaker 9: the one we haven't shot, the one where the camera was.
• 8:51
  Speaker 1: The corner is coming from inside the room.
• 8:53
  Speaker 5: Corner's coming from inside the room.
• 8:56
  Speaker 6: This is something I said.
• 8:57
  Speaker 5: Like that really something?
• 9:00
  Speaker 1: Oh for the next one, for the sequel, for the
• 9:02
  Speaker 1: season hopefully.
• 9:04
  Speaker 5: Okay, what's up?
• 9:09
  Speaker 1: I'm Jesse. I am something like I like to call
• 9:13
  Speaker 1: the DP, and you wouldn't let us call you the DP.
• 9:17
  Speaker 2: Something like the DP just a girl on a skateboard
• 9:21
  Speaker 2: with a fucking camera.
• 9:22
  Speaker 7: Man.
• 9:23
  Speaker 5: I always had to say, can we get someone like
• 9:25
  Speaker 5: to look at this done?
• 9:26
  Speaker 4: Can you like someone who is sort of like responsible
• 9:29
  Speaker 4: for the camera?
• 9:31
  Speaker 1: Yeah? Over here.
• 9:32
  Speaker 2: I think it's because I'm in a different generation than
• 9:33
  Speaker 2: all you guys, and I'm just like Jen Alfa and
• 9:35
  Speaker 2: I'm young and I just graduated, and I'm like, you
• 9:37
  Speaker 2: know what, a DP doesn't have to be that big
• 9:39
  Speaker 2: of a freaking deal anymore. It could just be a
• 9:41
  Speaker 2: girl on her fucking segway get the shot. Like That's
• 9:44
  Speaker 2: what I love about you, and I love this whole team.
• 9:46
  Speaker 8: You have a different wheeled transportation device every time I
• 9:49
  Speaker 8: saw you skateboard Segwa Razor scooter, car, motorcycle, and I.
• 9:53
  Speaker 1: Think it's impressive how they were.
• 9:55
  Speaker 4: You were able to on all of your wheeled devices,
• 9:57
  Speaker 4: find a place for your iPad to be mounted on.
• 10:00
  Speaker 1: Yeah, I got I have to see monitor, you know
• 10:02
  Speaker 1: what I mean.
• 10:04
  Speaker 7: It's almost the number one part of your job to me,
• 10:07
  Speaker 7: more important than the wheeld.
• 10:10
  Speaker 1: Hundred percent.
• 10:10
  Speaker 2: I don't really care if the speed of which that's going,
• 10:13
  Speaker 2: as long as I could see monitor, because you're right,
• 10:15
  Speaker 2: that's really important.
• 10:16
  Speaker 6: Is it important to not use the word in your job? Yeah?
• 10:20
  Speaker 1: No, I think I learned that in film school really early.
• 10:23
  Speaker 2: Drop the for other things, like let's punch in instead
• 10:28
  Speaker 2: of the punch in. So we're dropping let's the punch
• 10:32
  Speaker 2: Let's sit around fishing right now, we're getting the punching
• 10:35
  Speaker 2: would make you look really super green. So I just
• 10:38
  Speaker 2: go straight to punching, go straight to monitor, straight to
• 10:41
  Speaker 2: ten one instead of I have to go to the
• 10:44
  Speaker 2: ten one.
• 10:46
  Speaker 3: I just loved like a lot of your choice, Like
• 10:48
  Speaker 3: you guys worked on such a beautiful film language for
• 10:51
  Speaker 3: this movie, and some of those choices were wild, like
• 10:54
  Speaker 3: spinning the the camera like crazy.
• 10:57
  Speaker 6: Yeah.
• 10:57
  Speaker 2: When I got pissed and I was like, let me
• 10:59
  Speaker 2: throw it yes, it was like a wheel.
• 11:03
  Speaker 1: Of fortune wheeler. As long as I have eyes on monitor,
• 11:05
  Speaker 1: let's just throw it.
• 11:07
  Speaker 7: Yeah, t weird Valley Village and we see just the
• 11:09
  Speaker 7: angry spin of the camera, and I remember we all
• 11:11
  Speaker 7: looked at each other. You weren't there, but we all
• 11:13
  Speaker 7: looked at each other, and we're like, wait, we could
• 11:16
  Speaker 7: do this in the movie. Yeah, we could use this
• 11:18
  Speaker 7: camera spin for any of the scenes, the one where
• 11:21
  Speaker 7: my character realizes he didn't extract anybody yet, where he remembers.
• 11:28
  Speaker 4: Every time there's a flashback, it's sometimes.
• 11:31
  Speaker 1: Maybe I'm doing stuff for village, just to wake you
• 11:33
  Speaker 1: all up. What's going on?
• 11:34
  Speaker 5: It's so crazy. My original DP, hey Gard, had to
• 11:38
  Speaker 5: get out.
• 11:39
  Speaker 9: I've been working with him for forty five years and
• 11:42
  Speaker 9: on the first day he got hit by the lighting
• 11:44
  Speaker 9: truck and now you're here and it was awesome.
• 11:48
  Speaker 2: Yeah, and I just happened to be on my freaking wheelies,
• 11:52
  Speaker 2: just wheeling by on my freaking wheelies.
• 11:55
  Speaker 6: Anyway, he got some of the most amazing dolly shots
• 11:58
  Speaker 6: I've seen.
• 11:59
  Speaker 5: Thank you something ever, you are so good on wheels.
• 12:01
  Speaker 1: Yeah, tough on not wheels.
• 12:05
  Speaker 5: Because I'm bored.
• 12:06
  Speaker 2: I'm bored, guys, if I'm not moving, I'm like, sorry,
• 12:09
  Speaker 2: what do you say?
• 12:10
  Speaker 3: You know, it was on a tripod and it was
• 12:12
  Speaker 3: still somehow shaking everywhere.
• 12:14
  Speaker 5: Yeah, it's like you were purposely gonna messing it up.
• 12:16
  Speaker 1: It's almost like you were sea sick if you weren't there. Yeah,
• 12:19
  Speaker 1: and that's boredom.
• 12:20
  Speaker 7: It's generation. Another thing about having you know, young people
• 12:24
  Speaker 7: around even here with this kind of beforehand, is you
• 12:28
  Speaker 7: can check in on some stuff in the movie that's
• 12:30
  Speaker 7: like is this okay? You know where it's like somebody
• 12:33
  Speaker 7: dies and you go like, oh, it doesn't matter that
• 12:35
  Speaker 7: they died there of a certain like race or background,
• 12:38
  Speaker 7: and we go, is that okay now? Yeah?
• 12:42
  Speaker 2: Yeah, like, oh it smells like girl farts, And I
• 12:45
  Speaker 2: was like, I don't know if that's cool anyhow.
• 12:47
  Speaker 7: Those are just called I don't think we have to
• 12:50
  Speaker 7: do this here, but I will push back on that, Well.
• 12:55
  Speaker 6: You don't think you have to do it here, but
• 12:57
  Speaker 6: you're gonna do it here.
• 12:58
  Speaker 7: I just want to say that if we wanted to
• 13:00
  Speaker 7: be a whole debate, now might not be the time.
• 13:02
  Speaker 7: But I just think that it's a at the end
• 13:04
  Speaker 7: of day, a compliment. Girl farts means like better than
• 13:06
  Speaker 7: guy farts because girls are dainty.
• 13:09
  Speaker 8: Or it's not different, and we can acknowledge our differences.
• 13:14
  Speaker 7: Like it, you're ignoring the reality of I've smelled both
• 13:17
  Speaker 7: types of farts, and I know which ones are girls.
• 13:19
  Speaker 9: You know, let's not pretend this is the word gets
• 13:22
  Speaker 9: hard because then you begin to talk about all the
• 13:24
  Speaker 9: farts you smell.
• 13:25
  Speaker 3: That's the weird part. For the difference we start remembering them.
• 13:29
  Speaker 3: That's the weird.
• 13:29
  Speaker 1: Because you remember him so well.
• 13:33
  Speaker 5: Life.
• 13:34
  Speaker 7: It's me Goldie Hob Kurt Russell, Jack Nicholson. We're in
• 13:41
  Speaker 7: a bathtub together, hot tub.
• 13:43
  Speaker 6: Whoa.
• 13:45
  Speaker 7: We're in a hot bathtub together, and I remember getting
• 13:50
  Speaker 7: this this but it bubbled up and everyone looks around.
• 13:53
  Speaker 7: Who did this? And I'm like, it's got I expell it.
• 13:56
  Speaker 7: It's Goldie Hab because I know that me and Nicholson,
• 13:59
  Speaker 7: I know what it would smell like, you know. And
• 14:01
  Speaker 7: he looks at me with those Nicholson eyes he's wearing
• 14:03
  Speaker 7: the sunglasses and he goes, you could call them girl
• 14:06
  Speaker 7: farts forever. I'll guarantee you that.
• 14:10
  Speaker 8: You heard it here first. That's good enough for me.
• 14:13
  Speaker 8: That's good enough for me.
• 14:14
  Speaker 7: That's why I called my buddy Jason Bye bye, my buddy,
• 14:17
  Speaker 7: you know, Budd.
• 14:20
  Speaker 6: Jason's my last name.
• 14:21
  Speaker 8: Yeah, So what was it like, you know for us
• 14:25
  Speaker 8: actors as directors, we're really alive on set, you know
• 14:29
  Speaker 8: what I mean, We're in the room, we're doing it.
• 14:31
  Speaker 8: What is it like to build the inanimate objects that
• 14:34
  Speaker 8: are being filmed?
• 14:34
  Speaker 5: Thank you?
• 14:35
  Speaker 3: So yeah, it's like such a really great job for me.
• 14:39
  Speaker 3: By the way, I'm Trevor Trevor Dunn. I build a
• 14:42
  Speaker 3: lot of the inanimate objects that are being used to
• 14:45
  Speaker 3: like run through walls, like the walls, like the jail cell,
• 14:50
  Speaker 3: like the actual sets.
• 14:52
  Speaker 8: I couldn't have done anything without the sets, like literally,
• 14:55
  Speaker 8: like they put me in this space.
• 14:57
  Speaker 3: Like I totally agree, like and that was really excited
• 15:00
  Speaker 3: for me to like just get my hands on something
• 15:02
  Speaker 3: real and awesome and then to watch you guys freaking
• 15:05
  Speaker 3: blow it up. It's so satisfying, Like it's so freaking
• 15:09
  Speaker 3: awesome to be there, Like I thought that was so
• 15:11
  Speaker 3: cool and it was such an honor to have like
• 15:13
  Speaker 3: such an amazing cast like kind of run through these things,
• 15:16
  Speaker 3: you know.
• 15:17
  Speaker 5: The work travel you put into this stuff. We blow
• 15:19
  Speaker 5: up the beautiful detail on every base on the very
• 15:23
  Speaker 5: keyboard key you know when that blows, it's amazing to
• 15:27
  Speaker 5: see it goal with forever. Yeah, it's a lot and
• 15:29
  Speaker 5: and and what was really funny. It was like the
• 15:31
  Speaker 5: funniest joke was like you wouldn't really tell me what
• 15:33
  Speaker 5: was going to be blowing up, like like so like
• 15:36
  Speaker 5: a lot of the things I just brought from home
• 15:37
  Speaker 5: because I was like, oh, it'll just be set back
• 15:39
  Speaker 5: and touches gone.
• 15:41
  Speaker 1: Like, yeah, your grandma's ring, right, grandma? That was so loud.
• 15:47
  Speaker 6: Yeah, my grandma's ring was your grandpa's casket or not?
• 15:50
  Speaker 5: That was my grandpa's.
• 15:51
  Speaker 7: Come.
• 15:53
  Speaker 3: It's so cool and it was really cool. It was
• 15:56
  Speaker 3: really cool.
• 15:57
  Speaker 9: Can I just say all the red tape we had
• 15:58
  Speaker 9: to walk through with the explosive guy to have something
• 16:01
  Speaker 9: blow up in the room and nobody knew what it would.
• 16:03
  Speaker 1: Be chafter can take a chill Bill?
• 16:08
  Speaker 5: Yeah, it was amazing.
• 16:12
  Speaker 3: And the ability to blow up a single ring camera
• 16:17
  Speaker 3: was amazing and we didn't know why. Yeah, so it's
• 16:21
  Speaker 3: like you don't even really know what it was.
• 16:22
  Speaker 6: Itlay is really comedic because of that.
• 16:26
  Speaker 5: Always say.
• 16:28
  Speaker 6: A ring explodes you here, and then we know.
• 16:32
  Speaker 4: Comedy is in the negative Spacey, how do people react
• 16:36
  Speaker 4: to it.
• 16:37
  Speaker 2: Yes, yeah, sorry, no, go ahead, just being on set
• 16:41
  Speaker 2: all the time when your stuff was being blown up.
• 16:43
  Speaker 2: I appreciated that you as we kept filming, like towards
• 16:47
  Speaker 2: the end of filming, you started getting better and not
• 16:49
  Speaker 2: yelling out all those memories when.
• 16:52
  Speaker 5: It would Yeah yeah, it was the first company to stop.
• 16:55
  Speaker 6: You were getting really good by the end.
• 16:57
  Speaker 5: Thank you, thank you.
• 16:58
  Speaker 3: It was like a note that I kept get in,
• 17:00
  Speaker 3: a note that I heard, like the eighty team was
• 17:02
  Speaker 3: so wonderful and so awesome, and it was just kind
• 17:04
  Speaker 3: of yelling at me a lot to stop talking and
• 17:06
  Speaker 3: blowing blowing moments because.
• 17:08
  Speaker 5: It's their job though, to yell.
• 17:09
  Speaker 3: And that's what I love about the They're like honed
• 17:12
  Speaker 3: in and mean on purpose that we all give them permission.
• 17:15
  Speaker 7: To do that.
• 17:16
  Speaker 8: I just work so much better. I am so much
• 17:18
  Speaker 8: better at work when I'm terrified. Yea, especially when it's
• 17:22
  Speaker 8: a stranger who's physically bigger than me and like literally
• 17:24
  Speaker 8: mean and has stinky breath.
• 17:26
  Speaker 6: That gets me to work.
• 17:27
  Speaker 3: It gets me to show up on time, yes and
• 17:30
  Speaker 3: plugged in. But yeah, oh no, they look at you.
• 17:32
  Speaker 9: I like when they look at you, like, oh they
• 17:34
  Speaker 9: know I'm gay.
• 17:36
  Speaker 7: You know what I mean.
• 17:39
  Speaker 5: Yeah, one time, Like it's not even very expressive. It's like.
• 17:46
  Speaker 2: It's like they know him, my God, and he knows that.
• 17:51
  Speaker 5: It's crazy.
• 17:51
  Speaker 3: It was tough to see, like a lot of family
• 17:53
  Speaker 3: heirlooms memories, but.
• 17:55
  Speaker 4: You had such a good sense of humor about it.
• 17:57
  Speaker 4: Like our group chat for the whole cast was know
• 18:00
  Speaker 4: my Memories.
• 18:00
  Speaker 1: It was called no my memories.
• 18:02
  Speaker 5: It's so funny.
• 18:03
  Speaker 6: It was just like, oh my god, no, no, no,
• 18:09
  Speaker 6: I knew about it.
• 18:10
  Speaker 8: I knew about it because I saw people posting, like
• 18:13
  Speaker 8: the screen grass and.
• 18:14
  Speaker 1: Wait, that's so crazy that you're not in it. We
• 18:16
  Speaker 1: we have to add you.
• 18:18
  Speaker 6: I love it.
• 18:19
  Speaker 4: Yeah, we have to get your number at some point.
• 18:22
  Speaker 1: Okay, and well we have to.
• 18:24
  Speaker 7: I wouldn't even do it. I don't think we need
• 18:26
  Speaker 7: to do it. There's not much going on that you
• 18:27
  Speaker 7: want in there.
• 18:28
  Speaker 1: Yeah, I mean the movie's overly busy. Yeah, like at
• 18:31
  Speaker 1: the point.
• 18:32
  Speaker 5: Speaking of I mean our star. Okay, all right, the
• 18:37
  Speaker 5: extraction herself.
• 18:40
  Speaker 4: Well, thanks god, you guys. You flatter me too much. Hey,
• 18:45
  Speaker 4: Jessica Ponytail, I I.
• 18:49
  Speaker 1: I am the star. I am the extractor.
• 18:52
  Speaker 4: I have done you know, I've done some movies before this,
• 18:56
  Speaker 4: but I haven't like done this specific. Ten years ago,
• 18:59
  Speaker 4: I was in this like Marvel movie called Wasp Woman.
• 19:02
  Speaker 6: Yeah, yeah, Marvel.
• 19:05
  Speaker 5: So much better.
• 19:07
  Speaker 6: Was like the twist we needed.
• 19:09
  Speaker 2: And Marvel's always based on a true story, right, which
• 19:13
  Speaker 2: is nice.
• 19:13
  Speaker 5: Right.
• 19:14
  Speaker 4: Wasp Woman was the true story of a woman who
• 19:16
  Speaker 4: got stung by a wasp so many times that she
• 19:19
  Speaker 4: like freaked out, She.
• 19:24
  Speaker 6: Freaked out, she.
• 19:27
  Speaker 1: Freaked out, Oh my god.
• 19:31
  Speaker 3: And I just didn't think she could get stung again.
• 19:33
  Speaker 3: It would be interesting. But it was everything.
• 19:36
  Speaker 1: Yeah, yeah, it was different.
• 19:38
  Speaker 6: You're acting I mean grounded in such reality.
• 19:40
  Speaker 4: Yeah, yeah, Like there were so many you know, sometimes
• 19:43
  Speaker 4: like as a girl in these movies, you never know
• 19:45
  Speaker 4: like what you're gonna get. But I thought this script
• 19:47
  Speaker 4: was super well rounded. Like I got to say stuff
• 19:51
  Speaker 4: like hu huh you were.
• 19:54
  Speaker 1: Saying and stuff like that.
• 19:56
  Speaker 4: So it was like sort of dimension where it's like, oh,
• 19:59
  Speaker 4: I know what's about to have, I know what's going on.
• 20:01
  Speaker 1: There's like the lights are on, somebody talk.
• 20:02
  Speaker 5: But we did the work.
• 20:03
  Speaker 9: We sent the script to an email that I was
• 20:07
  Speaker 9: told Alison Bechdel has access to.
• 20:11
  Speaker 1: Yeah, yeah, awesome, and thank.
• 20:13
  Speaker 5: You, thank you for that how many did you end
• 20:15
  Speaker 5: up having.
• 20:16
  Speaker 1: In this movie? Counting? Are we counting arms?
• 20:21
  Speaker 5: Do it without arms? And then with thems?
• 20:23
  Speaker 1: Okay, without arms? I think I have about fourteen lines with.
• 20:29
  Speaker 6: Each one hits so hard, so hard?
• 20:31
  Speaker 4: Yeah, fourteen lines. I think about sixty minutes of screen time.
• 20:34
  Speaker 4: Fourteen lines? Uh, with ums, i'd say, I'd say I
• 20:39
  Speaker 4: have forty five lines.
• 20:40
  Speaker 7: Yes. Wow. The journey of your character is what we
• 20:43
  Speaker 7: all found fascinating. Is because you know, I've been doing
• 20:46
  Speaker 7: action movies for four decades now, and I took the note,
• 20:49
  Speaker 7: you know, where the women are just there to die
• 20:51
  Speaker 7: or be in danger for the men to save, and
• 20:54
  Speaker 7: we said, not this one. You're going to learn a lesson.
• 20:56
  Speaker 7: You know, you're my life. At the beginning, you say
• 21:00
  Speaker 7: you can't keep extracting people, it's too dangerous. And then
• 21:03
  Speaker 7: you need to get extracted. And you learned that I
• 21:06
  Speaker 7: was right the whole time. Yeah, to extract you.
• 21:09
  Speaker 5: Yeah.
• 21:09
  Speaker 4: I think it was a really awesome a lesson for
• 21:12
  Speaker 4: my character to learn that husband is right.
• 21:15
  Speaker 5: Yeah. I have to say too.
• 21:17
  Speaker 9: You know, you say you only had forty five lines
• 21:19
  Speaker 9: including ums, but we're not counting getting this sheet kicked
• 21:22
  Speaker 9: out of you that you'd have eight hundred lines.
• 21:25
  Speaker 8: Something would say, every received punch is you saying something?
• 21:29
  Speaker 1: Literally, I was gonna say the exact same thing. Every
• 21:31
  Speaker 1: every inflicted wound is a monolog.
• 21:34
  Speaker 4: I'm sorry, I'm not being fair because ums are um,
• 21:38
  Speaker 4: but we're not counting us where it's like like right
• 21:43
  Speaker 4: and counting ows.
• 21:44
  Speaker 3: We got like two hundred lines, and I thought it
• 21:48
  Speaker 3: was like so fun and interesting. What an interesting take that,
• 21:51
  Speaker 3: like while you're being like held captive, like you were
• 21:55
  Speaker 3: trying to extract yourself and you couldn't succeed without your husband.
• 21:58
  Speaker 1: Like no, it's so true.
• 21:59
  Speaker 7: Because the end of the day and you go ahead,
• 22:02
  Speaker 7: this question was for you, but all answer first only.
• 22:05
  Speaker 1: And that's the lesson I learned in the movie.
• 22:06
  Speaker 4: And so I'm like, it's I think it's awesome that, Yeah, thank.
• 22:10
  Speaker 7: You for accepting that, because I think it's a story
• 22:14
  Speaker 7: about you know, you can't just make an action movie
• 22:16
  Speaker 7: about action. It's got to be about marriage, which is
• 22:19
  Speaker 7: what this is. And so that way everyone could relate
• 22:22
  Speaker 7: and bring in their own and we shared so many
• 22:24
  Speaker 7: stories about our histories with marriage and my seven wives
• 22:28
  Speaker 7: and everything.
• 22:29
  Speaker 4: Yeah, you you talked, so you had a lot of wives,
• 22:33
  Speaker 4: and that's what struck me. Every time we cut it
• 22:36
  Speaker 4: was like you had a new wife that you were
• 22:38
  Speaker 4: talking about.
• 22:39
  Speaker 5: I was reminiscing about this scene.
• 22:41
  Speaker 7: Yes, well, the the the Bill Clinton era was tough
• 22:45
  Speaker 7: for me.
• 22:48
  Speaker 1: Yeah, yes, my parents, right, I'm sure you heard.
• 22:52
  Speaker 5: You went through a lot of different partners of that time.
• 22:55
  Speaker 7: Yes, six wives, through the Lewinsky trial and everything like that.
• 23:00
  Speaker 6: Trickle down. That was trickle down culture, but trickle down culture.
• 23:05
  Speaker 7: I felt like it was nice for you to kind
• 23:08
  Speaker 7: of I felt the energy of you. You would, you know,
• 23:11
  Speaker 7: be dating somebody and you'd want advice and stuff like that.
• 23:14
  Speaker 1: Yeah, I got.
• 23:15
  Speaker 4: I got a lot of awesome feedback to like, you know,
• 23:20
  Speaker 4: if I'm if he's not texting me back, I should
• 23:24
  Speaker 4: kind of just like take a chill pill, right, and
• 23:27
  Speaker 4: that kind of like really, uh is something I'm taking
• 23:31
  Speaker 4: to heart and something I'm actively doing is taking a
• 23:35
  Speaker 4: chill pill. Like if something happens to me, I'm sort
• 23:37
  Speaker 4: of taking a chill pill about it.
• 23:39
  Speaker 1: And everything's been awesome and great.
• 23:40
  Speaker 6: Yeah, are you getting those from the studio?
• 23:45
  Speaker 1: The chill pill? Oh, the chill pills. Yeah, those are good.
• 23:49
  Speaker 7: The same stuff they gave Shirley Temple.
• 23:51
  Speaker 1: Yeah, I mean if they broke, don't fix it.
• 23:53
  Speaker 4: It's tough when you Sometimes they don't label them properly,
• 23:56
  Speaker 4: so you think you're taking a chill chill chill out
• 23:59
  Speaker 4: pill when you when you need like chill, and a
• 24:02
  Speaker 4: chill is like an up like chill.
• 24:04
  Speaker 1: But alert come to works.
• 24:06
  Speaker 7: Yeah, you still got to be able to take some punches,
• 24:08
  Speaker 7: give some kicks.
• 24:10
  Speaker 9: Speaking of let's talk about the movie itself. The plot
• 24:14
  Speaker 9: very exciting. Special Agent Jack Force is about to retire
• 24:19
  Speaker 9: when his wife gets kidnapped and the people he was
• 24:24
  Speaker 9: going to never see again he has to kill and
• 24:27
  Speaker 9: he has to go in and we shot in Syria
• 24:29
  Speaker 9: specifically it was was shot in.
• 24:38
  Speaker 1: It was amazing to shoot in Syria.
• 24:40
  Speaker 6: Awesome. Yes, so cool, and I'm so glad we did
• 24:43
  Speaker 6: it with no permit. You know, I.
• 24:47
  Speaker 1: Won't sign on for a movie if there's a permit.
• 24:49
  Speaker 6: I won't do it.
• 24:51
  Speaker 7: I remember three years ago I was reading the Wall
• 24:54
  Speaker 7: Street Journal and I said, A saw it is on
• 24:55
  Speaker 7: his way out. We have to shoot something there before
• 24:58
  Speaker 7: he's gone. We have to get o we got the
• 25:01
  Speaker 7: tax breaks, go.
• 25:04
  Speaker 5: To capitalize this before it's all.
• 25:06
  Speaker 1: Look at that perfect timing three years.
• 25:09
  Speaker 3: Literally we shot and then literally maybe on wrap this
• 25:12
  Speaker 3: is when the regime.
• 25:14
  Speaker 7: Fortunately, for the sequel, we'll probably have to do Detroit
• 25:18
  Speaker 7: for Syria or something like that.
• 25:19
  Speaker 8: Another one, another classic one, every fucking movie.
• 25:27
  Speaker 1: I watched the Detroit going for Syria. I'm like, I
• 25:30
  Speaker 1: know that fucking lot. Yeah, you got a chevron in
• 25:33
  Speaker 1: the back.
• 25:34
  Speaker 5: I like, I know this is in Syria.
• 25:35
  Speaker 9: They're eating square pizza.
• 25:41
  Speaker 6: I know that. Come on, that's the one giveaway.
• 25:45
  Speaker 5: Were trying to fix that a little edges for Syria.
• 25:50
  Speaker 3: No, of course, but they're eating completely different yea, yeah, yeah,
• 25:54
  Speaker 3: they're like that pizza.
• 25:57
  Speaker 6: Way. Oh god, I do so tall.
• 26:02
  Speaker 3: I just have a question, like, now that we've like
• 26:04
  Speaker 3: all watched it and it's gone through post and color
• 26:07
  Speaker 3: and special effects, like, what was like, because because there's
• 26:10
  Speaker 3: so much difference between like what we film and what
• 26:13
  Speaker 3: we see the final product, was there a scene that
• 26:15
  Speaker 3: like surprised you in the movie that like, oh my gosh,
• 26:18
  Speaker 3: when they added CJI, when they added the explosions, when
• 26:20
  Speaker 3: they added everything, or maybe like you're acting even surprised you, Like,
• 26:24
  Speaker 3: was there a moment that surprised you?
• 26:25
  Speaker 7: Guys?
• 26:26
  Speaker 5: I don't know I just kind of think of this stuff.
• 26:29
  Speaker 7: That's a really good question. I need to think about
• 26:32
  Speaker 7: it for a second, but I'll say definitely. The first
• 26:35
  Speaker 7: thing that pops to mind is we shot a scene
• 26:37
  Speaker 7: that was just me ordering a coffee from a barista,
• 26:41
  Speaker 7: and then uh film did on film when we did
• 26:46
  Speaker 7: the comedy reshoots, you just used my footage but then
• 26:48
  Speaker 7: edited uh my bluddy Jason here into a totally different
• 26:55
  Speaker 7: conversation where it wasn't even me ordering or anything like that. Thought.
• 26:58
  Speaker 7: I was surprised just by that whole thing.
• 27:00
  Speaker 3: It was so interesting because there was almost chemistry there,
• 27:04
  Speaker 3: like it almost felt like you guys are.
• 27:06
  Speaker 9: It's funny, yeah, because all your lines worth queuing up,
• 27:09
  Speaker 9: like you were talking to barista and then you were responding.
• 27:11
  Speaker 5: I think we have a clip. Let's play this clip.
• 27:14
  Speaker 5: Let's play.
• 27:16
  Speaker 7: You alright, machiato. I'll have one coffee.
• 27:23
  Speaker 6: How's it going today? Pretty rainy out.
• 27:26
  Speaker 7: Two sugars, a little bit of creeb.
• 27:29
  Speaker 6: All right.
• 27:30
  Speaker 8: Have you heard the new Kolby Calai album. We're selling
• 27:32
  Speaker 8: them right here on CD.
• 27:34
  Speaker 7: Oh my gosh, my wife is missing.
• 27:36
  Speaker 1: I love that scene.
• 27:39
  Speaker 5: You can tell that you guys are buddies.
• 27:43
  Speaker 1: It's really like the couple.
• 27:47
  Speaker 6: What does a data person do?
• 27:48
  Speaker 8: Like, really, Barista, you know what I mean, while they're
• 27:52
  Speaker 8: getting their data stuff together there, Barista told him. And
• 27:57
  Speaker 8: you know what was so interesting about that day on sets.
• 27:59
  Speaker 8: I was on set when we were shooting your half
• 28:00
  Speaker 8: the scene, and I'm like, why don't we just do
• 28:02
  Speaker 8: shot reverse shot, you know what I mean? But I
• 28:04
  Speaker 8: was hanging out with your ex wife, taking her around,
• 28:07
  Speaker 8: buying her things on rodeo things like that, and I
• 28:11
  Speaker 8: had to Tipper her name, yeah, both.
• 28:13
  Speaker 6: That's I don't even know if her name really is Tipper.
• 28:16
  Speaker 6: By the way.
• 28:16
  Speaker 8: I think she's just trying to get everyone to give
• 28:17
  Speaker 8: her money. I really do, because I had to give
• 28:20
  Speaker 8: her a lot of money. And you said you were
• 28:21
  Speaker 8: going to give me a stipend, but that never happened.
• 28:24
  Speaker 7: Yeah, well the divorce kind of came up, and I
• 28:26
  Speaker 7: just felt like I didn't know you a stipend because
• 28:28
  Speaker 7: she wasn't my wife. Tipper and I got a divorce.
• 28:31
  Speaker 8: Right, But interesting day on set. I really wanted to
• 28:35
  Speaker 8: be in the movie with you, you know what I mean,
• 28:38
  Speaker 8: just with you.
• 28:40
  Speaker 6: But it was really fun.
• 28:41
  Speaker 8: I mean, the set you built was great, the way
• 28:43
  Speaker 8: you shot in the back of my head was fantastic.
• 28:47
  Speaker 5: Yeah, it was hard for us not to. We talked
• 28:48
  Speaker 5: all the time. You could be saying anything.
• 28:52
  Speaker 2: Our storyboards are all memes, yes, right, and that that
• 28:56
  Speaker 2: scene we're pulling from the Spider Man meme where you
• 28:58
  Speaker 2: back of your head, right, they're the same.
• 29:01
  Speaker 1: Yeah, that's yeah. I think that was awesome to it.
• 29:03
  Speaker 5: And then yeah, Spider Man into philosop Raptor.
• 29:09
  Speaker 7: And I remember seeing Velociraptor and going, but what if
• 29:12
  Speaker 7: we filter in Shannon Sharp saying that ain't no problem.
• 29:17
  Speaker 3: You did have notes for that's such a good pitch
• 29:19
  Speaker 3: and that really captured on film.
• 29:21
  Speaker 7: Excuse me, that's uh, my parking is up there, so
• 29:25
  Speaker 7: I'll just text my assistant to blow up the car.
• 29:28
  Speaker 6: I'll go get it in just a second.
• 29:30
  Speaker 7: Thank you. That's the thing about working on movies is
• 29:35
  Speaker 7: you never know how the relationship will pan out. Buddy
• 29:37
  Speaker 7: is my assistant?
• 29:38
  Speaker 10: Do?
• 29:38
  Speaker 6: You never know who you're going to meet.
• 29:42
  Speaker 1: That's amazing because.
• 29:45
  Speaker 7: You used to do so well in commercials and stuff
• 29:47
  Speaker 7: like that where you didn't need to do assistant work,
• 29:49
  Speaker 7: But now all those jobs are going to people that
• 29:52
  Speaker 7: people want to see on screen.
• 29:53
  Speaker 6: Me, Well, I used to be mister Pringle and now
• 29:55
  Speaker 6: who is it me?
• 29:57
  Speaker 7: They kind of buffed up mister Pringle.
• 30:00
  Speaker 10: Possibly they buffed up the cans to Curvelen has assur.
• 30:10
  Speaker 1: I can love a curvy Pringle can.
• 30:12
  Speaker 7: I would say one thing about this movie that was
• 30:15
  Speaker 7: different from almost anything I've shot is we would come
• 30:19
  Speaker 7: to set on other people's days just because we had
• 30:22
  Speaker 7: such a nice time there.
• 30:24
  Speaker 1: Yeah.
• 30:24
  Speaker 4: We had the bleachers set up for the people who
• 30:27
  Speaker 4: were not in the scene who could kind of like
• 30:29
  Speaker 4: cheer on.
• 30:30
  Speaker 1: Yeah, yeah, like good connection.
• 30:33
  Speaker 2: I even had some of you guys, like when we
• 30:34
  Speaker 2: went tubing to get that one shot, I was in.
• 30:36
  Speaker 1: The tube, you join me? That was was even on you.
• 30:40
  Speaker 7: Incredible and the next act field in my forearm. So
• 30:43
  Speaker 7: this is a whole new type of workouts.
• 30:46
  Speaker 4: You switch jobs too, really for me, really, I was
• 30:51
  Speaker 4: the falcon there.
• 30:54
  Speaker 6: Was interesting, But that was proud of you for doing
• 30:58
  Speaker 6: every job on set.
• 30:59
  Speaker 7: You are.
• 30:59
  Speaker 8: You would ask us to do anything. You wouldn't do
• 31:01
  Speaker 8: that fucking pecked your nose off. You don't hold them
• 31:05
  Speaker 8: by the neck, I found out later, and while that.
• 31:08
  Speaker 4: Was happening, the real handler was so stressed out. I've
• 31:13
  Speaker 4: never seen a woman more on.
• 31:15
  Speaker 5: The verge of a breaking down.
• 31:17
  Speaker 7: A lady.
• 31:18
  Speaker 5: Stick to crafty.
• 31:20
  Speaker 1: You gotta pass out the potato salad.
• 31:22
  Speaker 8: You got some. I love when they make fresh potato
• 31:26
  Speaker 8: salad and take it around midday. No, you really need
• 31:29
  Speaker 8: a treat, but you know what, I want to walk
• 31:31
  Speaker 8: over and they just come with that perfectly made cold
• 31:33
  Speaker 8: potato salad.
• 31:34
  Speaker 5: I love it, and I love the brave person who
• 31:36
  Speaker 5: picks it first.
• 31:37
  Speaker 2: Yesing through the day a stick, just getting one.
• 31:43
  Speaker 4: God, that was the boom guy taking over crafty everything.
• 31:49
  Speaker 7: Brother, it's not the boom.
• 31:55
  Speaker 5: It's not a boom bro.
• 31:56
  Speaker 1: You to do your it's switched jobs. You don't have
• 32:00
  Speaker 1: to do your thing. You don't have to put your
• 32:03
  Speaker 1: spin on it.
• 32:05
  Speaker 7: Buddy.
• 32:05
  Speaker 1: I know how you eat it home because you deal
• 32:07
  Speaker 1: with space.
• 32:10
  Speaker 5: My God, learn what a plate is.
• 32:11
  Speaker 6: My remember going to Chinese with him? They jump stick.
• 32:16
  Speaker 4: Crazy, boom the room. He just had one chopstick with
• 32:21
  Speaker 4: a shiant fun of chow made eating freaking shoe.
• 32:27
  Speaker 5: Miles looks like a donkey.
• 32:34
  Speaker 7: Also, I would just be like coming in for my
• 32:36
  Speaker 7: frid rice. I'd be like, boom in the plate, it's
• 32:42
  Speaker 7: right here, it's in there.
• 32:43
  Speaker 6: Boom tipped in.
• 32:46
  Speaker 7: Oh, I think the.
• 32:46
  Speaker 6: Boom would swing soy sauce around the room.
• 32:49
  Speaker 2: Oh it sucks when you get like an Americano five am.
• 32:51
  Speaker 1: You're like booming cup.
• 32:55
  Speaker 6: Ridiculous, ridiculous.
• 32:58
  Speaker 5: Some great memories.
• 33:00
  Speaker 1: God, what a fun, fun, fun, fun time.
• 33:03
  Speaker 3: One of my favorite scenes actually was like because it
• 33:06
  Speaker 3: was so surprising for me when we shot. It was
• 33:09
  Speaker 3: the final extraction because they wanted me to make a
• 33:12
  Speaker 3: shot for shot, like you guys were like pushing for
• 33:15
  Speaker 3: me to make a shot for shot remake of my
• 33:16
  Speaker 3: own apartment, And so I brought in so much of
• 33:19
  Speaker 3: like literally all of my things for my apartment to
• 33:21
  Speaker 3: make it feel lived in and stuff like that.
• 33:23
  Speaker 5: Because it was the kidnapped room where she was, we
• 33:26
  Speaker 5: wanted to look awful.
• 33:27
  Speaker 4: Yeah, I remember the stage directions were like interior place
• 33:30
  Speaker 4: I would never and it.
• 33:33
  Speaker 3: Was it was like place of your apartment, like you'd
• 33:36
  Speaker 3: see it like your apartment.
• 33:39
  Speaker 4: And I remember the the and I know it was
• 33:41
  Speaker 4: just acting, but it really tested me because living in
• 33:45
  Speaker 4: that space, just seeing those posters on the walls and
• 33:48
  Speaker 4: the lint on the floor and the oh my god,
• 33:51
  Speaker 4: the like the trundle bed there was like it set
• 33:56
  Speaker 4: me into and you could tell.
• 33:58
  Speaker 6: They could afford better. You can tell they make a
• 34:01
  Speaker 6: good living and they should live better.
• 34:03
  Speaker 9: But for exactly who hasn't told this person to grow up?
• 34:07
  Speaker 1: It was a matter of taste and not income. And
• 34:09
  Speaker 1: that was the worst part.
• 34:10
  Speaker 7: I remember looking at me like, this character better be
• 34:16
  Speaker 7: related to Bob Marley because he has way too many
• 34:18
  Speaker 7: posters of him everywhere.
• 34:19
  Speaker 3: Yeah, and I got a lot of questions that day
• 34:22
  Speaker 3: about what I like about Bob Marley and I and
• 34:24
  Speaker 3: I just love his music and I think he's like
• 34:26
  Speaker 3: an icon, like I think he is.
• 34:28
  Speaker 6: I threw up when I walked on set. I threw
• 34:31
  Speaker 6: up right away.
• 34:32
  Speaker 3: And it was hard to watch it explode because in
• 34:36
  Speaker 3: that moment, you guys just exploded literally every single item
• 34:39
  Speaker 3: in that and everybody cheered from the bleachers.
• 34:41
  Speaker 5: Yeah, we're done with my mother's journal.
• 34:43
  Speaker 3: There was a whole college class there that day, do
• 34:45
  Speaker 3: yeah you let that college class.
• 34:47
  Speaker 5: Watch was a shadow.
• 34:49
  Speaker 7: Almost a fun week because by this point you had
• 34:52
  Speaker 7: said all my memories almost every day, so you started going,
• 34:55
  Speaker 7: I can't bring things that are my memories to set.
• 34:57
  Speaker 7: So we had to find ways to be like, oh,
• 34:59
  Speaker 7: we're doing doing a white elephant where everyone brings something
• 35:02
  Speaker 7: important to them don't get back at the end, and
• 35:05
  Speaker 7: then well we say you go first, and then and
• 35:08
  Speaker 7: then we don't do any other ones.
• 35:10
  Speaker 1: I remember I had to stop too many.
• 35:14
  Speaker 6: Convinced.
• 35:15
  Speaker 4: I had to pick you as secret Santa, and then
• 35:17
  Speaker 4: were you to pick me? And then I had to
• 35:19
  Speaker 4: like hint at you that I really wanted to see
• 35:21
  Speaker 4: your letters from your ex girlfriend, that I really wanted
• 35:24
  Speaker 4: it again.
• 35:25
  Speaker 1: But they look great in the shot, the look, they
• 35:27
  Speaker 1: look great in the shot. I want you back. And
• 35:30
  Speaker 1: then it shattered and there was.
• 35:32
  Speaker 6: There wasn't a white elephant.
• 35:34
  Speaker 2: No, no, did you We said that on the group chat,
• 35:36
  Speaker 2: We said this isn't a real Yeah.
• 35:38
  Speaker 8: I gave a lot of gifts to it. I thought
• 35:40
  Speaker 8: it was going to come back around.
• 35:41
  Speaker 1: Oh shoot, we got to put you in the group chats.
• 35:43
  Speaker 9: And this is there's somebody from the studio that keeps
• 35:47
  Speaker 9: calling me being like someone left all these stupid iPads
• 35:50
  Speaker 9: in Syria.
• 35:53
  Speaker 6: Okay, that's me. I'm very generous.
• 35:55
  Speaker 8: I bought a bunch of iPads and had them shipped
• 35:57
  Speaker 8: overnight to Syria.
• 35:59
  Speaker 1: I left all my fits spinners in Syria. Speaking of Fidget, spinners.
• 36:03
  Speaker 2: I want to talk about my favorite scene I shot
• 36:05
  Speaker 2: on the fidget spinner.
• 36:08
  Speaker 5: Your characters.
• 36:09
  Speaker 2: Your characters are like somehow about to kiss during mid extractions?
• 36:14
  Speaker 1: Right.
• 36:14
  Speaker 3: I loved it because you know, usually when you have
• 36:16
  Speaker 3: like a dolly, you like like light push in, light
• 36:19
  Speaker 3: pop push out, your like kind of movement, you add
• 36:21
  Speaker 3: a movement to the scene to add a little bit
• 36:23
  Speaker 3: of like tension and stuff. You instead spun the camera
• 36:26
  Speaker 3: very very slowly like this on a fidget spinner to
• 36:29
  Speaker 3: add tension.
• 36:30
  Speaker 5: I thought that was nauseous, but it was in a
• 36:32
  Speaker 5: good way.
• 36:33
  Speaker 1: Thank you so much.
• 36:33
  Speaker 7: Yeah, and I don't know what everyone's picturing at home,
• 36:36
  Speaker 7: but this is It's not like we had a fidget
• 36:38
  Speaker 7: spinner fashioned to normal size. These are the little fidget
• 36:41
  Speaker 7: spinners that you put. You made the tripod where you
• 36:43
  Speaker 7: pull the thing all the way up very close together,
• 36:47
  Speaker 7: and then your little toes were on another one going in.
• 36:49
  Speaker 4: The opposite Yeah, one of my bossive like system of
• 36:52
  Speaker 4: gears and levees.
• 36:53
  Speaker 1: They were all fidget spinners.
• 36:55
  Speaker 7: But I remember on that day nobody was distracted by
• 36:58
  Speaker 7: their adhd know.
• 37:05
  Speaker 2: I think it was the only day our sound guys
• 37:06
  Speaker 2: Boom was just still.
• 37:08
  Speaker 9: Normal moving all around, and you two were amazing on
• 37:11
  Speaker 9: that kiss and because I said, do we need an
• 37:14
  Speaker 9: intimacy coordinator and you said, no, I can handle it right.
• 37:17
  Speaker 7: And I do that on my own movie.
• 37:21
  Speaker 4: And I remember I didn't answer the question, but but
• 37:25
  Speaker 4: you were able to answer, and you I just really
• 37:28
  Speaker 4: appreciate how you were.
• 37:29
  Speaker 1: Able to like pick the ball up.
• 37:30
  Speaker 4: You know, it's like there's no it's like it's it's
• 37:32
  Speaker 4: like I got your back, right.
• 37:33
  Speaker 8: I didn't have to think once on the movie because
• 37:35
  Speaker 8: he told me what to do every day.
• 37:36
  Speaker 6: Yeah, it was incredible.
• 37:37
  Speaker 3: Well, we can actually play that clip, like the big
• 37:39
  Speaker 3: final clip kissing. I love how they edited you into
• 37:42
  Speaker 3: it too, like this is like right after the extraction,
• 37:46
  Speaker 3: you guys are finally connected. Like I just really want
• 37:48
  Speaker 3: to see this anyway.
• 37:51
  Speaker 6: What was it like on set that day? Let's do it,
• 37:56
  Speaker 6: Let's let's see it.
• 37:57
  Speaker 5: Let's let's all play the clip.
• 38:01
  Speaker 7: Are you okay, Sandra? I should be asking you that question?
• 38:06
  Speaker 6: God, it's hot out.
• 38:09
  Speaker 7: What does that smell?
• 38:10
  Speaker 1: I thought?
• 38:11
  Speaker 4: I thought I could have extracted myself, but I didn't
• 38:15
  Speaker 4: have it.
• 38:16
  Speaker 7: It's okay, baby, fingers are slipping on the keys, They're
• 38:23
  Speaker 7: coming in if I don't see you again.
• 38:27
  Speaker 1: No, no, I'll go.
• 38:30
  Speaker 7: No, No, I have to go out there. Come here.
• 38:34
  Speaker 1: I got us into this mess. I'm gonna get us out.
• 38:37
  Speaker 6: Oh God, sirens, make me far.
• 38:42
  Speaker 10: Come here, baby, amazing, turn it off, extracted.
• 39:11
  Speaker 6: I guess I have to watch the end.
• 39:12
  Speaker 7: You punched the last woman, you bursted.
• 39:17
  Speaker 6: God to So, I mean, Siria is hot, Detroit is hot.
• 39:21
  Speaker 6: Where are we?
• 39:23
  Speaker 5: Wow? That was such a legendary ending.
• 39:25
  Speaker 4: Amazing that the way that we that we improvised that
• 39:28
  Speaker 4: because you know you kind of you. You pulled one
• 39:31
  Speaker 4: of the bad guys aside and were like and and
• 39:33
  Speaker 4: at this one, just keep punching.
• 39:35
  Speaker 5: Exactly fun with it.
• 39:36
  Speaker 9: So I had an amazing conversation with our financiers. They
• 39:40
  Speaker 9: came up to me and they said, we have fifteen
• 39:42
  Speaker 9: minutes for the last twenty pages.
• 39:46
  Speaker 7: Incredible.
• 39:49
  Speaker 6: You could feel the financiers on this one. They brought
• 39:52
  Speaker 6: us through the us.
• 39:54
  Speaker 5: They brought us there is an amazing was rolling.
• 39:58
  Speaker 1: And I brought a little gift for the tea.
• 40:00
  Speaker 5: I oh my god, that conversation. Yeah, great job everyone.
• 40:09
  Speaker 5: Next time we have to act like it last old done.
• 40:14
  Speaker 3: Hey, just heads up, we we have to get out
• 40:17
  Speaker 3: of here.
• 40:18
  Speaker 5: Well, do you mean we have to get we have
• 40:19
  Speaker 5: fifth if this is serious.
• 40:20
  Speaker 6: We did everything perfect. It was your fault, but let's
• 40:23
  Speaker 6: just get through this. We have fifteen minutes for the last.
• 40:26
  Speaker 5: This is how you want to pacify you right now, we're.
• 40:28
  Speaker 1: Thinking for the end. Just drive a truck through it.
• 40:30
  Speaker 9: Just if you could drive a truck through trucks that
• 40:32
  Speaker 9: explode in front of us.
• 40:33
  Speaker 5: Well, you got fifteen minutes. And again, we did everything perfect.
• 40:36
  Speaker 1: We did everything we could.
• 40:38
  Speaker 7: The movie is co funded by US siphoning money off
• 40:41
  Speaker 7: of the Russian government giving money to the Asad regime,
• 40:44
  Speaker 7: and that money is about to run dry.
• 40:46
  Speaker 2: And told you maybe a couple of hours ago, but
• 40:48
  Speaker 2: it just really came into Okay, okay.
• 40:50
  Speaker 9: Okay, next time seeing one of you to talk to
• 40:52
  Speaker 9: me because this is a team up and I don't.
• 40:54
  Speaker 5: Like this feeling.
• 40:55
  Speaker 1: So we thought it would be nice if we all
• 40:57
  Speaker 1: came out.
• 40:57
  Speaker 5: Because it wasn't nice.
• 40:59
  Speaker 1: We were all sorry. We were all at breakfast. Anyway.
• 41:04
  Speaker 6: We had a delicious breakfast.
• 41:06
  Speaker 5: Have you been to wear breakfast?
• 41:09
  Speaker 1: Breakfast?
• 41:09
  Speaker 6: Yes, I've had breakfast.
• 41:11
  Speaker 1: You're gonna love it.
• 41:12
  Speaker 8: Grow up, you know, you get older, you're like, I
• 41:13
  Speaker 8: don't need breakfast every day. I just have a big lunch.
• 41:15
  Speaker 8: But then you actually have breakfast with your friends and like, yeow,
• 41:18
  Speaker 8: this started my day off.
• 41:19
  Speaker 5: Didn't just say we had fifty and we had twelve. Okay,
• 41:22
  Speaker 5: you waited talking about breakfast. All right, everyone have fun
• 41:25
  Speaker 5: with this one.
• 41:26
  Speaker 6: We've just gone to them.
• 41:29
  Speaker 7: Wow.
• 41:29
  Speaker 8: That was wow. I like more watching movies or making them.
• 41:39
  Speaker 5: Yeah, you know what I mean.
• 41:41
  Speaker 6: I don't know.
• 41:42
  Speaker 5: For you, it's almost like watching a movie.
• 41:45
  Speaker 6: Yeah, that's right. I guess that's what I love is interdisciplinary.
• 41:48
  Speaker 3: Did they show you the clips before when you were
• 41:50
  Speaker 3: edited in? I beg your party, like when you were
• 41:52
  Speaker 3: added to the scene.
• 41:53
  Speaker 8: This is the first time I've seen any clip or
• 41:55
  Speaker 8: heard any audio of any of the movie.
• 41:57
  Speaker 1: Oh my god. That's oh my gosh.
• 41:59
  Speaker 8: You didn't get I almost didn't come here today, but
• 42:02
  Speaker 8: I overheard someone else talking on the phone on speakerphone
• 42:05
  Speaker 8: on the lot, and I.
• 42:05
  Speaker 6: Was doing it for me. I could tell.
• 42:11
  Speaker 7: I'll say this. I went to one of your shows
• 42:13
  Speaker 7: at the Groundlings Theater, one of your and it was
• 42:16
  Speaker 7: incredible to see that there you're respected, You're at the
• 42:19
  Speaker 7: top of the hierarchy the room. But the second you
• 42:25
  Speaker 7: walk on set, nobody gives a shit about that. It
• 42:28
  Speaker 7: already cares about like that little world that it.
• 42:31
  Speaker 3: Really makes it feel so small, even though you probably
• 42:33
  Speaker 3: feel that it's bigger than LI.
• 42:35
  Speaker 4: So wait, you you pay for classes.
• 42:39
  Speaker 6: I used to.
• 42:39
  Speaker 8: Now I pay just to pay the teacher directly for rehearsal,
• 42:42
  Speaker 8: for rehearsals, so I'm not.
• 42:45
  Speaker 6: In class anymore. It's really funny.
• 42:47
  Speaker 9: Saw a show too, and everyone literally he gets the
• 42:49
  Speaker 9: longest standing ovation at the end of the show, and
• 42:51
  Speaker 9: I thought, And then they talk about how he's in
• 42:54
  Speaker 9: the extraction team.
• 42:55
  Speaker 5: They talk about.
• 42:56
  Speaker 9: It and insane and it's so funny because I'm like,
• 42:59
  Speaker 9: but I know that he knows he had a terrible
• 43:02
  Speaker 9: time on that set and he was nothing here far
• 43:06
  Speaker 9: the magic of theater. I guess it's like bragging about
• 43:08
  Speaker 9: I'm I'm going to go be an ant like that's
• 43:11
  Speaker 9: what he's doing there.
• 43:12
  Speaker 8: And I appreciated your speech at my show, I thought,
• 43:14
  Speaker 8: And I'm glad you had to stand up and.
• 43:16
  Speaker 5: Talk that spotlight guy moved on the fast.
• 43:18
  Speaker 3: Yeah, I gotta say I loved your skit and character
• 43:22
  Speaker 3: at the Growling is the guy who can't find the
• 43:24
  Speaker 3: water at the airport.
• 43:25
  Speaker 5: Thought that was so funny.
• 43:27
  Speaker 1: Happened? That's literally happening.
• 43:29
  Speaker 6: Yeah right, you didn't understand. Hi, I'm supposed to take
• 43:37
  Speaker 6: off out of him A four, but I can't find
• 43:39
  Speaker 6: a drinking fountain.
• 43:41
  Speaker 5: Yeah, we have them. They should be down the street.
• 43:44
  Speaker 5: But right now we're just.
• 43:45
  Speaker 6: Down the street. Aren't inside an airport. Where's the drinking fountain?
• 43:51
  Speaker 6: Has anybody seen a fountain here at all?
• 43:54
  Speaker 7: Now both of you have accents.
• 43:59
  Speaker 5: Boo boom fountain boom boom boom.
• 44:03
  Speaker 3: Well uptown, the movie's playing again. Well, you can go
• 44:18
  Speaker 3: to the other terminal.
• 44:20
  Speaker 5: It's too I can't type on the wait, let's watch
• 44:24
  Speaker 5: this play out. This might be beautiful harmony.
• 44:27
  Speaker 7: You'll have to extract this bullet from my stomach.
• 44:31
  Speaker 3: They can't let you, look, sir, I can't let you
• 44:35
  Speaker 3: have a drink out of this.
• 44:36
  Speaker 1: You save yourself.
• 44:43
  Speaker 7: No, okay, fine, but I'll come back for you. I'll
• 44:46
  Speaker 7: come back for you me.
• 44:47
  Speaker 5: This is my water bottle. Don't come up and drink
• 44:49
  Speaker 5: it from.
• 44:49
  Speaker 8: Well, fine, I'm gonna walk away, but don't make fun
• 44:53
  Speaker 8: of my limp.
• 44:55
  Speaker 7: Where's the water? Someone get my kidnapped wife of water.
• 45:01
  Speaker 1: I'm so thirsty.
• 45:03
  Speaker 4: I wish I could have one of those from the
• 45:05
  Speaker 4: vending machine.
• 45:07
  Speaker 7: Where are the vending machines in this place?
• 45:09
  Speaker 5: You could just go to a vending machine and get
• 45:11
  Speaker 5: a water.
• 45:12
  Speaker 6: A vending machine. I don't have two dollars. Look at
• 45:14
  Speaker 6: my other limb.
• 45:16
  Speaker 7: Wait, honey, it's that Bruno Mars song that was playing
• 45:19
  Speaker 7: the first.
• 45:19
  Speaker 6: Time we met.
• 45:20
  Speaker 1: Wow.
• 45:23
  Speaker 5: What amazing set. I can't believe that worked together so well.
• 45:28
  Speaker 3: And I loved It's just so funny that at the
• 45:30
  Speaker 3: Groundlings you did a character that I had two limps.
• 45:32
  Speaker 7: Yeah.
• 45:33
  Speaker 8: Yeah, well they say they put something in the legs,
• 45:35
  Speaker 8: you know, and I did put something in one leg
• 45:38
  Speaker 8: and it wasn't enough, so I put.
• 45:39
  Speaker 7: It for it.
• 45:40
  Speaker 5: They pushed it will be funny.
• 45:43
  Speaker 7: I don't know how you do what you do. I
• 45:45
  Speaker 7: could get the words on the page by the genuses.
• 45:48
  Speaker 7: I could not do that stuff.
• 45:49
  Speaker 1: I appreciate what is everyone working on after this? This
• 45:52
  Speaker 1: movie took a big, big chunk of my life. So
• 45:55
  Speaker 1: I'm like, what's next.
• 45:56
  Speaker 3: Yeah, So I'm just trying to rebuild, trying to start
• 45:59
  Speaker 3: again in a big way. All my stuff is gone, so,
• 46:03
  Speaker 3: you know, just trying to collect and uh, you.
• 46:05
  Speaker 6: Probably got raw materials, right, you got some raw materials
• 46:08
  Speaker 6: from said or.
• 46:09
  Speaker 5: Wood is not nothing?
• 46:11
  Speaker 1: Parts of your car still made it through after that scene.
• 46:14
  Speaker 3: When we cut that scene, much of just plain wood
• 46:16
  Speaker 3: and a half of cars.
• 46:18
  Speaker 1: And a good blow up.
• 46:20
  Speaker 7: Real.
• 46:20
  Speaker 3: Yeah, but actually just I found these awesome uh Driver
• 46:26
  Speaker 3: posters you know that movie at the Drive posters that
• 46:30
  Speaker 3: I'm gonna put like my new apartment, and can I
• 46:32
  Speaker 3: suggest a bunch of different shore posters.
• 46:35
  Speaker 5: Put them in frames. You're an adult, don't just put
• 46:38
  Speaker 5: them on the wall with tape. No, they look good.
• 46:41
  Speaker 3: And then I also am I bought the drive jacket
• 46:44
  Speaker 3: actually from.
• 46:45
  Speaker 5: The movie.
• 46:47
  Speaker 11: That's kind of like adolescent, you know, like you should
• 46:50
  Speaker 11: get like like a Baby Driver poster or something that's
• 46:53
  Speaker 11: like a little more grown, more grown up, you know,
• 46:54
  Speaker 11: because I kind of from like a certain period, you know.
• 46:58
  Speaker 5: Okay, yeah, I just move Yeah, I just have never
• 47:01
  Speaker 5: seen Baby Driver.
• 47:05
  Speaker 7: Well, I'm i'm personally as an executive producer of this
• 47:09
  Speaker 7: film seeing how much you lost making it. And to me,
• 47:14
  Speaker 7: that's there's something beautiful because as actors, we lose so
• 47:17
  Speaker 7: much of ourselves in these movies, and nobody else is
• 47:20
  Speaker 7: risking anything. And I like when the crew. Well, in
• 47:25
  Speaker 7: this set, the crew is risking things, your life, your
• 47:30
  Speaker 7: your lunch being thrown up, you know. So it feels
• 47:34
  Speaker 7: like we have something in common here, right, and I
• 47:37
  Speaker 7: feel like as actors we could really it makes it
• 47:39
  Speaker 7: brings us up to the next level.
• 47:41
  Speaker 5: Wow, so you're gonna help or well.
• 47:45
  Speaker 7: Can you help me get pack the emotional loss? Yeah?
• 47:50
  Speaker 7: I get I almost Heath Ledgard during this one, you
• 47:54
  Speaker 7: know what I mean? Because I gave so much of
• 47:56
  Speaker 7: myself to.
• 47:56
  Speaker 8: Extract you should have. We would have loved to see
• 47:58
  Speaker 8: that performance. I love to see that, just that commit.
• 48:02
  Speaker 5: You almost you almost rented that apartment.
• 48:05
  Speaker 7: I almost did, and then I was like, it's exhausting
• 48:07
  Speaker 7: and I want to go out tonight. I started keeping
• 48:10
  Speaker 7: a character journal, and I was like, I don't know
• 48:12
  Speaker 7: what this guy thinks. He's not me.
• 48:15
  Speaker 1: Just wasting paper.
• 48:18
  Speaker 8: Stinks in here, really stinks in here. I don't know
• 48:20
  Speaker 8: who did that, but I know it wasn't one of
• 48:21
  Speaker 8: the boys. I'll say that.
• 48:24
  Speaker 4: Okay, guilty, guilty, I am.
• 48:32
  Speaker 1: Actually in another Morvel movie.
• 48:34
  Speaker 4: It's about a lady who gets bit by a rat
• 48:37
  Speaker 4: and she makes her realize she doesn't like rats.
• 48:42
  Speaker 6: Rat think right, rat thing?
• 48:44
  Speaker 1: Rat thing, rat thing.
• 48:45
  Speaker 6: Think I've heard of this?
• 48:46
  Speaker 1: Yeah, yeah, yeah, yeah yeah, And.
• 48:47
  Speaker 4: It's a woman who's like kind of perturbed and she's like, shoot,
• 48:52
  Speaker 4: I didn't like that.
• 48:52
  Speaker 6: I can see it.
• 48:53
  Speaker 1: It's kind of a lot of that.
• 48:54
  Speaker 9: Can I give you, like a literally put on some
• 48:56
  Speaker 9: of these mordible movies? Maybe a question you can ask? Yeah,
• 48:59
  Speaker 9: I was wondering you could ask, hey, can something else
• 49:02
  Speaker 9: happen in this movie? Like forty five minutes in?
• 49:05
  Speaker 4: Oh? Interesting, because they's just like, what do you think
• 49:08
  Speaker 4: is missing?
• 49:09
  Speaker 9: I think something something gets bit, you get bit or
• 49:12
  Speaker 9: you get stung, and then you go crazy for about
• 49:15
  Speaker 9: an hour and a half.
• 49:16
  Speaker 5: That'd be sick. Yeah, it's it's what it is.
• 49:21
  Speaker 4: This is our key, this is our key audience member
• 49:24
  Speaker 4: that we're trying to get. So that is actually all
• 49:26
  Speaker 4: the testing we needed. I'm gonna keep I'm gonna move
• 49:28
  Speaker 4: forward as planned.
• 49:29
  Speaker 6: You know what I'm excited for.
• 49:31
  Speaker 8: I'm excited for when we get down the road and
• 49:32
  Speaker 8: we see all these characters mash up together. I'm excited
• 49:35
  Speaker 8: for the Naughty Professor version of this Morvel universe.
• 49:38
  Speaker 1: Yeah, well, we're thinking about it. We're thinking maybe Wasp
• 49:42
  Speaker 1: Woman and rat Fing a bunch of women healing.
• 49:45
  Speaker 4: Yeah, she gets together to heal and they're all her
• 49:49
  Speaker 4: in different ways.
• 49:50
  Speaker 1: That's all. It's gonna be really exciting, really perfectly. I'm
• 49:53
  Speaker 1: attached for the reboot to Pit My Ride.
• 49:55
  Speaker 5: Wow.
• 49:56
  Speaker 6: Wow wow.
• 49:58
  Speaker 2: From the car perspective, from the cars, respected the cars,
• 50:01
  Speaker 2: it's like a.
• 50:03
  Speaker 1: What is the fab five queer eye? The cars are
• 50:07
  Speaker 1: going to make these boys look like man.
• 50:10
  Speaker 3: Wow.
• 50:11
  Speaker 5: Five cars that are tricking out of.
• 50:15
  Speaker 4: It.
• 50:18
  Speaker 7: Jack, the failed pilot that.
• 50:22
  Speaker 5: I have seen.
• 50:22
  Speaker 9: I have seen an episode, the first episode they sent
• 50:25
  Speaker 9: it to me. These cars put a muffler in a
• 50:28
  Speaker 9: teenage boy.
• 50:29
  Speaker 1: Wow, finally start speaking.
• 50:31
  Speaker 5: Wow.
• 50:33
  Speaker 6: I thought I didn't think that's where it was going
• 50:35
  Speaker 6: to go. But that's amazing.
• 50:36
  Speaker 5: Yeah, it's horrified.
• 50:37
  Speaker 7: Unfortunately, his dad remains a homophobe for the whole episode.
• 50:43
  Speaker 6: Episode interesting.
• 50:47
  Speaker 1: It's part of are you interacting anything coming up?
• 50:50
  Speaker 9: Well, I am excited to announce I have been committed
• 50:54
  Speaker 9: to the Extraction team two, three.
• 50:58
  Speaker 6: And four.
• 50:59
  Speaker 5: Are we are we attached to? Well, there's one person
• 51:02
  Speaker 5: who's attached. Okay out, Yeah, you could be in it.
• 51:12
  Speaker 5: We won't know until we get closer to the release day. Yeah.
• 51:15
  Speaker 6: Put me on the other side of things or whatever.
• 51:17
  Speaker 6: I'm always available.
• 51:18
  Speaker 5: We know you're available, and we'll let you know.
• 51:20
  Speaker 6: Okay, okay, we're on the same page. We're on the
• 51:23
  Speaker 6: same page.
• 51:24
  Speaker 5: I'm excited though the universe is expanding.
• 51:26
  Speaker 9: Jessica Ponytail character is going to get an entire scene
• 51:30
  Speaker 9: where she kicks us for one.
• 51:32
  Speaker 7: Wow.
• 51:34
  Speaker 5: Really excited.
• 51:36
  Speaker 1: I think I get to say something like, how's that
• 51:39
  Speaker 1: for your own medicine?
• 51:42
  Speaker 5: For your own for this one?
• 51:44
  Speaker 7: And we don't have to do this, but is there
• 51:46
  Speaker 7: a way maybe someone could write the whole script in
• 51:48
  Speaker 7: English instead of you writing it in Russia and then
• 51:50
  Speaker 7: just Google translating, because like, how's that for?
• 51:57
  Speaker 1: Do you think we should get an English pass on it?
• 51:59
  Speaker 4: That?
• 52:00
  Speaker 1: It's like one thing?
• 52:00
  Speaker 5: But isn't that what you mean?
• 52:04
  Speaker 1: It's not wrong?
• 52:06
  Speaker 5: O Caun, you send me a sample.
• 52:09
  Speaker 6: I just do this.
• 52:09
  Speaker 5: Sit me a sample of you translating Russian to English.
• 52:12
  Speaker 6: I don't have that. I gotta break in. I just
• 52:19
  Speaker 6: need to find my break in.
• 52:21
  Speaker 5: Jason, what do you got lined up?
• 52:23
  Speaker 7: Uh?
• 52:24
  Speaker 8: Well, I'm I'm hoping to get reinstated by Uber. There
• 52:28
  Speaker 8: that had a little confusion with a red light problem,
• 52:31
  Speaker 8: but I think it was the light not the driver.
• 52:33
  Speaker 5: And the same with the light.
• 52:35
  Speaker 8: The light was too slow, it was too red, and
• 52:39
  Speaker 8: that's what the camera says. But I don't again, I
• 52:42
  Speaker 8: think the cameras are in black and white. I could
• 52:43
  Speaker 8: even tell what's red or not. Anyway, Lyft is also
• 52:45
  Speaker 8: going to reinstate me soon and hopefully you breets will
• 52:49
  Speaker 8: also let me once they do that.
• 52:50
  Speaker 3: I also heard you're maybe going out for a big
• 52:53
  Speaker 3: character showcase coming up, or auditioning to do a character showcase.
• 52:56
  Speaker 8: Yes, I'm auditioning for the for their JFL showcase.
• 53:02
  Speaker 5: You're going to audition.
• 53:02
  Speaker 8: I'm an audition for the Gramming. So see if they
• 53:04
  Speaker 8: let me into the audition for JFL. And yeah, it's
• 53:06
  Speaker 8: cost two thousand dollars. But I'm working on some of
• 53:09
  Speaker 8: my best stuff.
• 53:09
  Speaker 3: Oh my gosh, can you just kind of run off
• 53:12
  Speaker 3: some of those characters.
• 53:12
  Speaker 6: That's Spaghetti Papa. Spaghetti Papa is going to be in there.
• 53:17
  Speaker 5: Spaghetti Papa. I just can't get enough spaghetti.
• 53:19
  Speaker 6: Mister Backwards is going to be in there. Yeah, the
• 53:23
  Speaker 6: way the room exactly. And don't forget about Auntie butt Face. Yeah,
• 53:30
  Speaker 6: she she's funny, you know, and people do like that.
• 53:34
  Speaker 8: I do that people, like a lot of them are yeah, yeah,
• 53:41
  Speaker 8: she's good, she's.
• 53:42
  Speaker 7: Really good, but we do have fell asleep. Sorry, okay,
• 53:55
  Speaker 7: well you don't have to play.
• 53:56
  Speaker 6: Okay, thank you.
• 53:58
  Speaker 5: What are you going to final?
• 54:00
  Speaker 7: Well, we'll be shooting these next four and I'll be
• 54:02
  Speaker 7: doing that in repertory with David Mammott's Speed the Plow
• 54:05
  Speaker 7: on broad which I'm very excited to do. That's being
• 54:10
  Speaker 7: directed by uh David Mammott.
• 54:15
  Speaker 5: Yeah, you told me.
• 54:17
  Speaker 9: You almost pulled out when you realize Speed actually has
• 54:19
  Speaker 9: nothing to do with the play.
• 54:21
  Speaker 7: No, yeah, I thought it was the movie Speed but
• 54:23
  Speaker 7: on a Plow. And that's because if you've noticed, if
• 54:28
  Speaker 7: you've ever gotten to a play, they're not action movies,
• 54:31
  Speaker 7: and they could be.
• 54:33
  Speaker 3: And it's so nice to hear somebody say it like that.
• 54:35
  Speaker 3: It's so simple, like plays are not action. When they
• 54:38
  Speaker 3: try to make it action movies, it doesn't work.
• 54:42
  Speaker 7: And I was like, oh my gosh, that was my
• 54:45
  Speaker 7: that was my suggestion though, because it was like, this
• 54:48
  Speaker 7: whole thing is just did the guy have sex with
• 54:50
  Speaker 7: the student? Not why doesn't she run him over at
• 54:53
  Speaker 7: some point?
• 54:54
  Speaker 1: Or like yeah, she should get in a helicopter.
• 54:57
  Speaker 8: So much simpler to just say the plow needs to
• 54:59
  Speaker 8: stay above fifty miles an hour, and you just fly
• 55:03
  Speaker 8: around the stage plowing a field.
• 55:05
  Speaker 6: It's so much simpler.
• 55:07
  Speaker 7: I'll be able to working on the script to see
• 55:10
  Speaker 7: with a little bit of my buddy Jason's help.
• 55:13
  Speaker 6: Let's hope.
• 55:13
  Speaker 8: So I'm right outside the studio every day hoping they
• 55:17
  Speaker 8: let me in.
• 55:18
  Speaker 7: But I'm very excited about that. And then we're in
• 55:20
  Speaker 7: talks with the UH. Once I saw the falcon trainer
• 55:24
  Speaker 7: see the director get attacked, I was like, this freak out.
• 55:27
  Speaker 7: I feel like you could do this if we can
• 55:29
  Speaker 7: buy her store.
• 55:30
  Speaker 4: Yeah, we're really excited. And this woman is so hard
• 55:33
  Speaker 4: to get a hold of. Yes, but as soon as
• 55:36
  Speaker 4: we get her on the line, we i am I'm
• 55:40
  Speaker 4: trying to get those life rights because I'm trying to
• 55:42
  Speaker 4: go method as that woman.
• 55:43
  Speaker 5: That's also why we fired her.
• 55:44
  Speaker 9: By the way to the falcon she started to get
• 55:46
  Speaker 9: a hold of, they get slipping off her head.
• 55:49
  Speaker 1: She slipped right, She moisturizes constantly.
• 55:54
  Speaker 9: Crazy, you want your falcon sleep off her hand, shup
• 55:58
  Speaker 9: claws you think they'll be able.
• 55:59
  Speaker 4: To It's really like, it's really endearing because the falcon's
• 56:02
  Speaker 4: kind of going whoa, it's.
• 56:04
  Speaker 5: Definitely I've never seen a falcon bearing there.
• 56:07
  Speaker 6: A little hat on. There's a little hat on.
• 56:09
  Speaker 2: Yeah, or sometimes when he's holding stuff and he drops
• 56:12
  Speaker 2: all his papers.
• 56:13
  Speaker 9: Yeah.
• 56:15
  Speaker 3: Wow, you guys are talking outside of of the movies.
• 56:18
  Speaker 3: Is that is that an item we should look out for?
• 56:21
  Speaker 4: Or I mean, look, I I'm I'm taking a chill pill.
• 56:28
  Speaker 4: I'm definitely not reading into anything and I'm taking everything
• 56:32
  Speaker 4: day and day out.
• 56:33
  Speaker 7: Well, just scona tail. Why don't you turn.
• 56:37
  Speaker 5: That my grandmother's ring back together? Grandmother?
• 56:47
  Speaker 7: The question?
• 56:47
  Speaker 5: Now, that's what we call it. Show business, Good.
• 56:50
  Speaker 9: Hollywood, give it a prodcast Ryan Roseberg and Damn a
• 56:54
  Speaker 9: podcast called Man Dog Pod.
• 56:55
  Speaker 5: You have to go check it out. Go join their Patreon.
• 56:58
  Speaker 5: It's so good. They're incredible.
• 56:59
  Speaker 6: Thank you, don't in trouble.
• 57:00
  Speaker 2: Get on both patreons, and thank you for joining us
• 57:03
  Speaker 2: at the Beautiful Dynasy Typewriter Bye.
• 57:08
  Speaker 4: Artists on Artists On Artists on Artists is an improvised
• 57:11
  Speaker 4: Hollywood roundtable podcast created, performed, and produced by Kylie Brakman,
• 57:15
  Speaker 4: Jeremy Colhanne, Angela Girtana, and Patrick MacDonnell. Music is by
• 57:20
  Speaker 4: Gabriel Ponton. The opinions expressed on this podcast do not
• 57:23
  Speaker 4: reflect the opinions of anyone who works on it, not
• 57:26
  Speaker 4: even the performers, because this is an improvised podcast and
• 57:29
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• 57:34
  Speaker 4: so please like and subscribe and leave us a five
• 57:36
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• 57:37
  Speaker 1: You get your podcasts. That's all for now, good Night, Hollywood,