Latest / What's Your (Least) Favorite Scary Movie? / #151: High Tension (2003)

Transcript

#151: High Tension (2003) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? Welcome to watching laser scary
• 0:23
  movie, the podcast, where we talked about the good, the bad,
• 0:25
  the ugly, and the Absurd, and all of our favorite and least,
• 0:28
  favorite scary movie. Is because we believe every
• 0:30
  horror movie, rightfully has his fan base even when we don't
• 0:33
  always get it. My name is Travis.
• 0:35
  My name is Jessie and this week we are talking 2003's, high
• 0:40
  tension or hooked tension. If you are French less, and as
• 0:46
  you guys have heard me painfully try to pronounce French names
• 0:50
  The words before we are clearly not French.
• 0:53
  Always. I was like, how about how about?
• 0:55
  I only know, because you spoke to her Hulk toy toy.
• 1:00
  Okay, I'll take your word for it.
• 1:01
  Okay. Unless I'm been missing
• 1:03
  announcing that to you, it's entirely possible.
• 1:06
  Okay? So quick announcement.
• 1:09
  We did our to be or not to be episode on Sunday that came out
• 1:16
  do as I'ma Do. My solemn.
• 1:18
  Do my silent Doom, Asylum. Yes, yes.
• 1:20
  Old the movies and experience. The discussion was an
• 1:25
  experience. That's pretty much all I can
• 1:27
  really say about it. It's a mass delusion, it's a
• 1:29
  vast. It is a mass delusion.
• 1:31
  This is in the episode you'll get it or what you experienced
• 1:34
  was a mess location. If you seen the movie you also
• 1:36
  get. It's just a fucking trips.
• 1:38
  There's one of the weirdest movies we've covered on this
• 1:41
  podcast. So it's I don't I don't have any
• 1:44
  other words for anything else. That's it.
• 1:50
  Okay, cool. I got our poll results.
• 1:52
  Okay, last week we talked about perfect blue with Robert, its
• 1:55
  own and our poll was, would you rather be an actor or a pop
• 1:59
  Idol? So, on Twitter 88% of them,
• 2:03
  wanted to be an actor and 12% wanted to be a pop bottle.
• 2:07
  Meanwhile, on Instagram, there's a little bit more tight 56%
• 2:10
  wanted to be an actor and 44% when it be a pop Idol.
• 2:13
  Okay? Personally I would want to be in
• 2:18
  Nectar. Obviously, I want to be a
• 2:20
  knight. Yes.
• 2:20
  Well, you have acted guys. Yep, Jesse's got her own stuff
• 2:25
  on the wall. Hero among all of our other one
• 2:28
  of the greats. You're up there, baby.
• 2:31
  Yeah, okay. Yeah, that's pretty easy.
• 2:33
  Like yeah, I'm squished in right between Ghostface and Chuckie.
• 2:38
  Yeah, I mean you doing pretty good shape if you need to know
• 2:43
  where to rank me. All right?
• 2:45
  Let's talk about high tension. Okay.
• 2:48
  And for the record, this is my pick.
• 2:50
  But Jesse got all the information because I've been
• 2:54
  the hazard, she refers to MC for a few episodes in a row now.
• 2:58
  Yes, yes. We wanted to mix it up some so
• 3:02
  that way neither of us is carrying too much of one thing
• 3:04
  at a time. Yeah.
• 3:06
  Okay. So as you guys know this is June
• 3:10
  we're doing a pride month theme where we were talking about
• 3:13
  movies that have some sort of connection to lgbtq issues.
• 3:18
  Issues, concerns topics, interests, whatever it may be,
• 3:22
  either, it's in the theme of the movie or reading of the movie or
• 3:26
  cast or crew members. This one.
• 3:28
  I'm not even going to go into too much because I think it's
• 3:32
  pretty obvious. How?
• 3:32
  Yes one ties into the theme. Yeah, but I did.
• 3:35
  Go ahead and I got instead of sad statistics today about like,
• 3:40
  how many people died? I, I decided that I wanted to
• 3:45
  look up LGBT. Populations in France.
• 3:49
  Oh, cool. Okay, so and I tried to get as
• 3:51
  close to 2003 as possible. So according to a 2011 survey
• 3:57
  7840 one French adults, 6.6 percent of respondents
• 4:02
  identified as homosexual or bisexual and 98.8% as
• 4:08
  heterosexual compared to the heterosexual population.
• 4:11
  The homosexual population was much more likely to be male
• 4:14
  single and younger than 65, as well as to be living alone.
• 4:18
  Who is more likely to be economically?
• 4:19
  Active and work in Superior intellectual professions but on
• 4:22
  average had a smaller household income.
• 4:24
  They were also more likely to be residing in big cities,
• 4:27
  especially in the region of Paris, the bisexual population
• 4:31
  had fewer statistically significant deviations from the
• 4:33
  heterosexual population. Resembling the heterosexuals on
• 4:37
  some measures how much sexuals on others or being in a midpoint
• 4:41
  on still, some others other people.
• 4:44
  Yeah, basically, yeah, I think that should be like our biggest
• 4:47
  takeaway from. Month.
• 4:48
  Is that lgbtq+? People are people.
• 4:51
  Yep. So they get feels very weird to
• 4:53
  say like the homosexuals like it's like, yeah, I like maybe
• 4:59
  that's just how it is in the poll, how it's written.
• 5:01
  I was reading it verbatim from this, but, like, as I was
• 5:03
  saying, as like, this feels weird to say like this.
• 5:06
  Yeah, and then, I will cover this.
• 5:12
  As I've been doing, I did find an article written by an LGBT
• 5:17
  person. About this movie, okay?
• 5:20
  Because I think that's really important.
• 5:22
  When we talk about these movies to get another perspective on
• 5:26
  it. Yeah.
• 5:27
  So I will read that after after I've given some of the
• 5:31
  background information before we get into fun facts.
• 5:33
  Okay, cool. So alright.
• 5:35
  Alright, so For English-speaking purposes.
• 5:40
  So I don't have to subtract you guys to my French.
• 5:43
  Any more than necessary this movie is high tension.
• 5:47
  It was released in France on June 18th 2003 it, the American
• 5:54
  release was sometime in 2005. I don't want to call that a wide
• 5:58
  release because it's a very like American Century point of view
• 6:01
  to Hell on. It was acquired by a big
• 6:03
  company. I don't know if it was
• 6:05
  originally developed by them, but I get the impression.
• 6:07
  In that it was made in France and then they acquired the
• 6:11
  rights for like United States distribution.
• 6:13
  Yeah. And like the thing is a lot of
• 6:15
  the background information, like a lot of the factual information
• 6:18
  I have about, it comes from, like, a very American Centric
• 6:21
  view point as well. So, because that's where a lot
• 6:24
  of the controversy and whatnot stems from so, yeah.
• 6:28
  Okay, we watched it on DVD, we watch the dubbed version because
• 6:34
  it is really hard to take notes when there's subtitles.
• 6:37
  Yeah, which means I think we got the theatrical.
• 6:40
  We don't we didn't watch the unrated version of this.
• 6:42
  Yes, I can confirm we didn't because of the stuff that gets
• 6:46
  cut from it. I remember, yeah, I remember
• 6:49
  certain scenes being way more brutal watching them before and
• 6:52
  then I was a little bit disappointed not seeing some of
• 6:55
  that brutality this summer. Yes.
• 6:57
  However, if you don't owe it own it, you can stream it on to
• 7:00
  Hattie shudder to be Pluto TV Redbox Prime free vu2.
• 7:07
  Primetime. YouTube TV premium am C plus or
• 7:11
  Plex. If you don't want to have any of
• 7:13
  those free options you can also rent it on Google Play review.
• 7:17
  Do it's crazy how widely accessible is.
• 7:20
  Such an accessible movie for how controversial it is.
• 7:24
  Yeah, it's strange. But cool.
• 7:25
  I'm glad this was written by Alexander.
• 7:28
  I was shot and Gregory that masseur.
• 7:30
  Well, if that mean I am and I'm gonna do my best with these
• 7:34
  names. I practiced.
• 7:35
  I studied it's just Just, yeah, I was born in Tennessee and I'm
• 7:40
  trying music by Francois is Sean from, and special effects makeup
• 7:46
  by ginetto De Rossi, who worked a lot with Lucio falchi.
• 7:50
  Okay, cool. That sounded like a familiar
• 7:52
  name, starring Cecile de France as Marie.
• 7:56
  My when as Alex Philly pin Nahant nihaan as literature
• 8:04
  Frank Calhoun as Jimmy. Andre fainty as pair Alex.
• 8:15
  Oh Anna pili. A as mirror Alex and Marko,
• 8:20
  Claudia pasty, as Tom I put so much work into trying to find
• 8:26
  out the dog actor's name who played Hendrix.
• 8:29
  Couldn't find information I am at this point just assuming that
• 8:32
  is Alexander Oz, actual dog and his name is actually huh?
• 8:36
  That's what I'm thinking. I like that dogs actually hit
• 8:38
  you like that. It's that is what I'm going
• 8:42
  with. I couldn't find it like we went
• 8:44
  frame by frame through the end credits.
• 8:47
  Yeah, we did a Google Search and I don't know if you guys
• 8:51
  understand how hard it is to search both the terms Hendrix
• 8:55
  and tension together but you get a lot of guitar information.
• 9:01
  I did IMDb I did Wikipedia I like I just dissed it's just
• 9:07
  hundred. It's just Hendrix, you know?
• 9:10
  I'm I'm willing to accept that cannon at this point.
• 9:14
  All right. Travis budget, Hrbek.
• 9:16
  Ted, I think that this is probably budget.
• 9:21
  Okay, so here's my numbers are weird.
• 9:24
  The budget was 2.2 million euros know so I don't know how much
• 9:28
  that is in American dollars but they did give me the box office
• 9:34
  information in American dollars. So misting Go figure.
• 9:38
  Okay, opening box. Office was one point, nine
• 9:41
  million dollars world and I'm pretty sure that's the American
• 9:45
  opening. Yeah, that's what I'm thinking
• 9:46
  too. And I worldwide gross of 6.2
• 9:49
  million dollars. That's not bad.
• 9:51
  IMDb score of six point seven out of ten.
• 9:54
  Cool. Okay, I picked three movies and
• 9:58
  they're all with the theme of trying to mess with your head.
• 10:01
  Oh, I like that. Cool.
• 10:03
  The first one dead end. Remind me what?
• 10:07
  So in at the family Drive, our in-laws house on Christmas and
• 10:11
  the road just keeps repeating. And that's right.
• 10:13
  That is a weird movie. That is weird.
• 10:15
  Maybe we always forget, we've seen it until we like, watch a
• 10:18
  trailer and then we're like we have.
• 10:19
  That's how much it fucks with your head.
• 10:20
  Yes. So that was released September
• 10:23
  26 2003 budget of 900,000 dollars.
• 10:28
  Unknown gross. I don't think released in
• 10:31
  theaters. Yeah, well when I tried to look
• 10:33
  it up separately at tried to say that the gross was nine hundred
• 10:36
  thousand dollars, so I I think it was like yeah, IND be score
• 10:41
  of six point five out of ten. Wow, people acted to me, I think
• 10:46
  it's pretty obvious to us. It's kind of forgettable because
• 10:48
  we don't remember watching it. Here's the thing, is that?
• 10:50
  Like I think I remember enjoying it as a movie.
• 10:54
  It's just like the name, the poster and like the blip that
• 11:01
  you get. Like, as a descriptor, none of
• 11:04
  that stands out and then you start watching your like, oh
• 11:06
  shit. I've seen those.
• 11:06
  Yeah. Yeah exactly.
• 11:08
  So second movie Identity. Hey okay that's a nice little
• 11:14
  movie. That's a motherfucking Jack
• 11:18
  Frost director. He wrote that yeah which is
• 11:21
  crazy. That was released April 25th
• 11:25
  2003 that a 28 million dollar budget.
• 11:29
  Holy shit. Oh I remember that.
• 11:31
  Yeah, in a worldwide gross of 90 million dollars goddamn seven,
• 11:36
  point three out of Then that's a good movie Yammer.
• 11:39
  We did watch it and only watch it one time.
• 11:42
  It's more of like a thriller but definitely bleed since you like
• 11:45
  the horror genre, for sure. Okay.
• 11:50
  All right. Next one, I've actually not seen
• 11:53
  this one, have I? I don't know, but we've never
• 11:56
  really talked about it. Okay?
• 11:58
  Gothika during Halle Berry. Yeah, I've seen parts of that.
• 12:03
  Yeah, I remember the trailer freaked me out.
• 12:06
  I think you do, too. Aunt 3.
• 12:08
  Yeah, I remember that was back when I was like, do I want to
• 12:12
  watch this? Well, want to be that scared
• 12:13
  today, and I remember telling myself, no, you don't, Travis.
• 12:16
  I was frightened by Street lamps for a while because of the
• 12:18
  trailer because it was like, yeah, the little girl like
• 12:20
  standing on the Street Lamp and it was like, yeah.
• 12:25
  So that released November 21st, 2003, Budget of 40 million.
• 12:33
  In a worldwide gross of 141 million.
• 12:36
  Shit. IMDb of 5.8 sorry Gothika too.
• 12:42
  That's, that's equal numbers right there.
• 12:43
  Come on, you know, I don't really have a very, she's a
• 12:46
  ghost. I know she's busy doing Catwoman
• 12:48
  shit. Well, I do think that she
• 12:50
  actually liked She did several thriller movies for a while
• 12:55
  because I think she also did the one where she was the 911 phone
• 12:57
  operator. I don't know where her General
• 13:00
  like wine of work consists of like what genre she Trends
• 13:04
  towards the most? I just know that I generally
• 13:06
  kind of like her because of how she responded.
• 13:12
  Like she had a very emotional reaction to being the first
• 13:15
  African-American actress to win an Oscar.
• 13:19
  She had a very emotional reaction.
• 13:21
  She got a lot of shit for it. It, she didn't give a shit and
• 13:23
  then the next year she got a Razzie.
• 13:26
  Yeah. And she spoofed herself, I
• 13:28
  respect the hell out of here is like that too.
• 13:30
  Why does she kept shit? Was it because of the movie or
• 13:33
  there, or was it because of the reasons so emotional, okay, for
• 13:37
  you know, a fucking historical win but for taglines, oh nice.
• 13:43
  And I say for with air quotes because the one that's on the
• 13:46
  poster it's on our tpd is one of those that I don't fucking
• 13:50
  consider a tagline but because Only one, right?
• 13:53
  Yeah. It's a review of it, the most
• 13:56
  terrifying film of the year, you know?
• 14:02
  2003, maybe because it's a pretty fucking terrifying movie.
• 14:08
  Okay, additional taglines. Okay, someone is hurting
• 14:12
  everyone around her dot dot dot. I like that.
• 14:18
  Love Hurts. Yeah, I like that too.
• 14:21
  Yeah. But like you don't know that
• 14:23
  she's like, she's in love with her yet.
• 14:25
  So like that kind of gives it away.
• 14:27
  Did it fucking tells you right up front in the movie.
• 14:31
  Also, the whole like someone who's hurting everyone around
• 14:34
  her at that. Also kind of hints that
• 14:36
  something's up with her. Exactly.
• 14:37
  Yeah. That's the cool thing about
• 14:39
  this. It all is trying to scream at
• 14:41
  you. This is her the entire time
• 14:43
  until but you don't really get it until you see it happen.
• 14:46
  And then, Finally Hearts will bleed.
• 14:51
  Okay? That sounds like a Valentine's
• 14:52
  Day themed movie. Yeah.
• 14:55
  Okay. All right, so before we get into
• 14:58
  fun facts, I wanted to read this small excerpt written by Henry
• 15:05
  giardina for into or maybe it's into more.
• 15:10
  As always, I will make sure that I'll link this in our show
• 15:14
  notes. That way, you can read the full
• 15:15
  thing yourself. This was written into 20:21.
• 15:19
  Okay. So in the article itself is
• 15:22
  called remembering the homophobic, transphobic were of
• 15:25
  high tension. Ok, but is a movie like high
• 15:29
  tension, actually homophobic. That seems too simple, a
• 15:33
  designation. You could look at the final
• 15:35
  twist at the end and read it as more transphobic than lesbo
• 15:38
  phobic. But the fact that Marie
• 15:40
  justifies her murder spree by saying that, she loves her
• 15:42
  friend and wants nothing to keep them apart points.
• 15:44
  To a much more common Narrative of the early aughts.
• 15:47
  Lesbians love too much. It makes them crazy and then
• 15:51
  they kill people monster, the Aileen wuornos biopic, came out
• 15:55
  the same year. So to party monster which told
• 15:58
  the story of queer Club. Kid killer Michael Alec a year
• 16:02
  later. The played out opened
• 16:04
  Off-Broadway and the history of boys opened its West End.
• 16:06
  Run gay. People were either Killers or
• 16:09
  pedophiles or victims all three maybe but you couldn't be
• 16:12
  anything else. Wow.
• 16:15
  Yeah. I could see that being negative
• 16:18
  and there's a lot of there's a lot more.
• 16:20
  More in this article. It's a really good article, but
• 16:23
  obviously, this is a very kind of, like, kind of complex thing
• 16:26
  to dissect. Yeah.
• 16:28
  And I'm not gonna like, you know, chop up this this bit.
• 16:33
  Sorry, boys. Yeah, somebody else's opinion,
• 16:36
  that they wrote and spent a lot of time writing on, just go
• 16:39
  ahead, check that out for yourself.
• 16:41
  Get somebody else's take on it. Yeah, that sounds like an
• 16:45
  interesting read though. Representation fucking matters.
• 16:50
  You know what I mean? And it's just it's a whole is a
• 16:52
  whole thing. Yeah.
• 16:55
  Okay so I don't have a ton of facts about this movie.
• 16:59
  No. So normally what I do when I
• 17:01
  look for fun, facts is perfect Center fun like I start off with
• 17:12
  like the Wikipedia see if something Peaks - oh I didn't go
• 17:16
  and search from there. The Wikipedia had very little on
• 17:19
  it. Really?
• 17:20
  Yeah. And then like I found some
• 17:21
  interesting things and IMDb so I tried to search those and get
• 17:25
  verification and I didn't get anything.
• 17:26
  And I don't know if it's just because like high tension is
• 17:29
  like, a hard phrase to search for even if you add like movie,
• 17:34
  or like background or anything like that, I will say we're
• 17:37
  partly responsible. We have a whole making of on our
• 17:40
  DVD. We just have been so pressed for
• 17:42
  time here. We we didn't have the time to do
• 17:44
  it but we could have done that. Yeah.
• 17:47
  So when it was released to American audiences to get it
• 17:50
  from an NC-17 rating down to an R rating, they had to cut a full
• 17:55
  minute of the movie and it was basically every kill got chopped
• 17:59
  down. I know.
• 18:01
  So let me see, I tried. Yeah.
• 18:03
  Okay so Alex's father is graphically decapitated with a
• 18:07
  bookcase and his headless next spring.
• 18:08
  Blood in the R-rated version. The murder is edited quickly cut
• 18:11
  away as the bookcase crushes and suffers his head.
• 18:13
  He still see the head come off but like quickly cuts.
• 18:17
  Right after. Yeah.
• 18:18
  Well when Alex's mother has her throat slashed, the scene is
• 18:20
  shortened. Most of the arterial spurting as
• 18:23
  the killer pulls back. Her head is gone subsequent
• 18:26
  shots of Marie inspecting. The body have also been edited
• 18:30
  the death of Jimmy the gas station clerk has been
• 18:32
  shortened. Close-up shots of the acts,
• 18:33
  taking his chest have been removed the scene rumery
• 18:37
  strikes, the Killer's face with the barbed wire pole is
• 18:39
  shortened and less explicit memory hits.
• 18:41
  The killer fewer times and fewer details of the wounds are shown
• 18:45
  the drivers disembowelment with the It's the one that I've
• 18:49
  missed the most and considering I didn't even realize he was
• 18:52
  disemboweled. Yes, that says, how much that
• 18:54
  was kind of. I remember watching that that
• 18:56
  one time and just thinking to myself, what the fuck, I can't
• 18:59
  believe they're showing this much and then watching it last
• 19:02
  night and be like, man, this is definitely is not all of it, and
• 19:06
  then there was a close-up shot of the Crowbar.
• 19:08
  Murray shoulder that gets cut. Okay, so the gore and the kills
• 19:15
  in this movie are fucking fantastic.
• 19:17
  Tastic listen. We all know from our coverage on
• 19:20
  Piranha 3D that Alexander. I shall loves some fake blood
• 19:26
  and he will dedicate a good portion of his budget to gallons
• 19:30
  and gallons and gallons of fake blood as he should as he should
• 19:35
  yes. So it delivers on the core
• 19:38
  aspect. What other movies has he done?
• 19:41
  He's done this. He did that piranhas and he did
• 19:45
  crawl. The alligator hurricane.
• 19:47
  We have not watched that we need to watch the so bad, him and
• 19:50
  Gregory love Asura, actually work together again.
• 19:52
  On P2P. That's right P2.
• 19:56
  I feel like there's something else too.
• 19:58
  There's lots of things. He's got quite a, he's got a
• 20:00
  healthy filmography. Thank you.
• 20:05
  Yeah. All right, I kept trying to say
• 20:06
  autobiography and I was at all accurate.
• 20:11
  So yeah, he's done a lot. He to some very violent no but I
• 20:15
  feel like it's similar. Her in some ways.
• 20:18
  Yeah there's similarities but like I feel like I would give
• 20:23
  credit more towards somebody else because well maybe not,
• 20:25
  maybe he was like me. I want to try and toned down
• 20:27
  this. I feel like P2 is a better
• 20:29
  version of this movie. Get out of here.
• 20:31
  I get the fuck out of here, so this maybe is listed in Time
• 20:35
  magazine's 10, most ridiculously violent films, yes.
• 20:42
  And it's like consistent. Like that was a lot of the
• 20:44
  critic critical feedback that was how it was like,
• 20:47
  gratuitously violent serving, no purpose to the plot, the fucking
• 20:50
  point and this is new French extremity.
• 20:53
  It's a new fucking genre. So one last fun fact.
• 20:58
  Is that There are a lot of people put it out there up.
• 21:05
  There were a lot of slot similarities to the book
• 21:09
  intensity by Dean Koontz. I've heard of this, and Dean
• 21:13
  Koontz has acknowledged these similarities, but he finds the
• 21:18
  movie. So simple, and nonsensical over
• 21:23
  the top violent that he doesn't want to bother pursuing any kind
• 21:27
  of action against it because he doesn't want his work associated
• 21:30
  with it. Come on, I'm too good for this
• 21:33
  shit. I am Dean Koontz and then I have
• 21:36
  one that I tried to look up. That I thought was really
• 21:40
  interesting. I read it as a blurb on IMDb and
• 21:42
  you guys know how I feel about like taking that as like, the
• 21:45
  straight up fun fact. I wanted I want to verify it and
• 21:48
  I couldn't find it, but supposedly this was originally
• 21:54
  written as two films. Really one film was going to be
• 21:58
  completely from Maria's Viewpoint.
• 22:00
  So basically, the First two thirds of this movie, right?
• 22:03
  And the very end would be her in the hospital.
• 22:08
  And the detective says the detective shows her the clip
• 22:12
  from the gas station. Like we haven't seen it up until
• 22:15
  this point, right? He shows her the clip at the gas
• 22:17
  station where she's the one killing Jimmy and says now, do
• 22:20
  you want to tell me your story again?
• 22:22
  And then there was going to be a whole second movie where we see
• 22:25
  that it was actually Murray doing the whole thing way.
• 22:27
  So we get the same movie but just her instead, Like we see
• 22:32
  what actually happened. So this, the movie was
• 22:35
  originally going to be Murray's version of events.
• 22:37
  So we think it's just a straight-up, like home invasion,
• 22:39
  whatever. Until the very end, right?
• 22:41
  Before credits roll. Yeah, we see the gas station,
• 22:44
  CCTV footage and then that teases towards a whole new
• 22:50
  second movie where we see the events as they actually
• 22:52
  happened. I like that as an ending and I
• 22:55
  like that as like an idea, but I don't like it if the second
• 23:00
  move, She is just the same movie reshot with her doing the same
• 23:03
  shit. Like I would need to have like a
• 23:05
  new like new things happening. Well, Travis don't worry,
• 23:10
  because none of what she sees, makes sense.
• 23:13
  When you consider the fact that she's actually the killer.
• 23:16
  No, but I have theories. Oh, boy, I have theories.
• 23:20
  Well, you know what? Go ahead, it's time.
• 23:22
  It's time for good. Bad, ugly and absurd.
• 23:25
  Okay. Well what is your, what's your
• 23:28
  good for this me? Well, I think that this movie is
• 23:34
  legitimately unsettling, okay, I don't matter how many times I
• 23:39
  watch it, I watched this movie and it gets to me.
• 23:42
  It's just fucking creepy. It's brutal and it's
• 23:46
  unforgiving. Like it's Relentless.
• 23:48
  You think anybody can be safe? No, nobody is fucking safe in
• 23:51
  this movie and normally, I'm an advocate for stuff like, and
• 23:55
  this is going to sound fucked up.
• 23:56
  But like killing kids movies, like sure because like I don't
• 23:59
  like having the This takes to wear like, this is going to be a
• 24:02
  safe character. They're not going to.
• 24:04
  But this right here like I felt bad for the kid again, actually,
• 24:09
  does make me feel bad. Yeah, for these people and
• 24:15
  that's it's different for this type of movie.
• 24:18
  For me, it is just so believable to like, he's got like that.
• 24:21
  Perfect little kid energy, like you like Alex hasn't seen the
• 24:24
  cowboy. Yeah.
• 24:25
  I know real guy. Like I seriously, like, I it
• 24:29
  kills me. Seeing this kid on screen
• 24:32
  knowing what's going to happen to him.
• 24:33
  But like to me, that means that they're doing the right thing.
• 24:38
  I'm not supposed to feel indifferent about a kid being
• 24:40
  killed. I'm supposed to like, have I
• 24:43
  guess, suppose I have impact and like, all the kills, all of the
• 24:46
  scenes in this movie, have that impact for me.
• 24:49
  Okay. What about you?
• 24:51
  What's your good? I think the gore and effects are
• 24:54
  really good. I think until we get the twist,
• 24:58
  I enjoyed the attention of it. I enjoy the story.
• 25:01
  I enjoy calling it along. I'm going to I'm going to resist
• 25:05
  asking. What type of tension is?
• 25:09
  Thank you for resisting that. All right.
• 25:15
  Like, you know, I don't Hate this movie.
• 25:20
  I just don't think it's worth watching more than twice really
• 25:25
  well. We've watched it way more than
• 25:27
  twice. Yes, I recognize that and that
• 25:30
  is, you know, part of the compromise that comes along with
• 25:32
  marriage and you decided that you love a person, you want to
• 25:34
  spend their life with them, you take them for better and for
• 25:37
  worse and this is your for worse.
• 25:42
  This is what you meant. When you Okay, so bad.
• 25:49
  Um so yeah I I do think that the ending to this movie is kind of
• 25:53
  weak and I'm not necessarily saying the twist this week, but
• 25:59
  it just kind of fucking ends and I don't really like it ending
• 26:03
  with her in that hospital room and her sensing Alex on the
• 26:08
  other side of like the one-way mirror and she like this.
• 26:12
  A little like weird like, like well, gasp and reach out.
• 26:15
  Out towards her also, her Chucky her Bride of Chucky, facial
• 26:19
  scarring, and large stitches, going across the place, that
• 26:23
  makes sense. She got fucked up pretty hard in
• 26:25
  this movie. She takes a lot of damage.
• 26:27
  All I can see is Chucky When I See This is that really okay.
• 26:30
  Well that's I mean that's really about all.
• 26:33
  I could think of bad. I mean the know you know, a lot
• 26:38
  of people are a big fan of the twist.
• 26:39
  I don't have a problem with it. My problem with it obviously the
• 26:44
  twist is my Dad. Yeah.
• 26:45
  Okay. My problem with it is that if
• 26:47
  you do a twist like this, it needs to be more clever there.
• 26:53
  Think it's kind of cool seeing that like that footage of its oh
• 26:57
  shit. She killed, Jimmy.
• 26:59
  This is why. I mean it's only worth a Watch
• 27:02
  twice. Okay, so the First Time The
• 27:03
  Twist catches you off guard, you look follows you coming.
• 27:07
  Well, if you watch an 2023, you might see it coming because
• 27:09
  everybody loves those twists nowadays.
• 27:11
  Yeah, I think everybody loves the Swiss.
• 27:13
  I think it's a pretty universally hated twist, but
• 27:18
  like then the second time you watch it through and you're
• 27:20
  looking for hints of it and it's the second time watching through
• 27:23
  that, you're looking for hints of her being the killer, the
• 27:25
  whole time that you realize the whole thing.
• 27:27
  Just fucking falls apart. Yeah, and then there's no point
• 27:30
  watching it again because otherwise, it's just like, like,
• 27:33
  okay cool. There's a, like, a lot of blood
• 27:34
  and gore effects. But like, am I just going to
• 27:36
  watch 40 minutes of it and turn it off?
• 27:38
  Like, what's happening? I just there are so many things
• 27:41
  that are Illogical about it. Like, where did the truck come
• 27:45
  from? Because we've confirmed the
• 27:47
  truck exists. Where what happened to Jimmy's
• 27:52
  Car? Did she steal the car?
• 27:53
  Because you know, at the end the the injury she has come from the
• 27:57
  car crash where the truck hits like rear-ends er and forces her
• 28:02
  into a tree, that's the same injury that she had when she
• 28:05
  called out of there. So where did that injury come
• 28:07
  from? Like there's just so many like
• 28:09
  logical things that like It doesn't hold up under scrutiny
• 28:14
  and it feels very much like about half of em night
• 28:18
  shyamalan's career. Where he feels like he has to
• 28:20
  throw a twist into every single movie and sometimes it's
• 28:23
  revolutionary fucking sixth sense.
• 28:26
  Like, yeah. That is you go back and you
• 28:28
  watch that and you find something new.
• 28:29
  Every fucking time you watch the movie.
• 28:31
  You're like, oh man. Whoa, yeah.
• 28:34
  But like, then other times you get like, oh, it's the trees are
• 28:39
  killing everybody. And it's like, did we meet Not
• 28:41
  like did it have like what is what are you trying to say?
• 28:46
  Like you know what I mean? And I just it feels like they
• 28:50
  wanted to do something with the movie and they tried it this way
• 28:55
  and I just don't feel like it was fully baked.
• 28:57
  Okay, do you want to hear my theories about how at all like
• 29:01
  makes sense or do you want to wait, let's share them with me
• 29:06
  as we go through. I want you to make the events.
• 29:09
  Make sense as we're talking, there's no.
• 29:11
  Not really a single way to do it.
• 29:13
  It's like an all-encompassing thing.
• 29:15
  If you're saying that it's all from her head and her
• 29:17
  perspective, then I'm not taking it.
• 29:18
  No, not necessarily a partially. I think some of it is her
• 29:22
  filling in the blanks with her mind.
• 29:25
  Like, but I also think that all of the events that are
• 29:30
  happening, where we see the movie play out as her where
• 29:33
  she's getting chased like, and this may not work for
• 29:36
  everything, but I think that like I think it would be
• 29:39
  interesting if it was her like Killing these people and then
• 29:42
  going back and then reliving everything as herself.
• 29:45
  And then what we're seeing in this movie is like an
• 29:48
  amalgamation of both events where she's like playing the
• 29:52
  Killer and then she's playing the victim.
• 29:56
  So then what you want is essentially the original pitch
• 29:58
  that you said you didn't like no, I don't want to, I don't
• 30:02
  want to see the movie as Her being the Killer and doing like
• 30:07
  the same shit, but like, it just, it's her, like, we're
• 30:10
  watching the same movie, and I'm just seeing her there instead of
• 30:13
  like the man, but that's the thing is that we wouldn't see
• 30:16
  it. Logically, it makes no, but it's
• 30:18
  all coming from her head and she is an unreliable narrator.
• 30:23
  You know what I mean? Like we she's telling us that
• 30:26
  this is what's happening but it's not true because like she's
• 30:30
  not well I get that but other movies have done it better.
• 30:34
  Yeah, sure. Sure.
• 30:34
  But like I think though the whole thing of her like she goes
• 30:38
  into her room she kills somebody, she believes her room
• 30:40
  and she reenters the room with the head of like the headspace
• 30:43
  of her being Marie. And then she's doing all of the
• 30:46
  movements as if she were. So like she goes and kills the
• 30:49
  mom and that room like cuts her neck open, and then she goes
• 30:52
  into the quaza afterwards and then pretends like to be Marie
• 30:57
  and then reacting to everything even after she's already killed
• 31:00
  her. You know what I mean?
• 31:01
  Which I think if that's the case that would, Takes her like
• 31:05
  Alex's reactions to her that much more like creepy because
• 31:11
  like she like what if she's seeing both ends if they like
• 31:13
  she's see her be Murray for a second and then she likes these
• 31:16
  are snap into being the Killer and then like she's just getting
• 31:21
  this jumbled confusing mess of a person and like, that would be
• 31:25
  terrifying. Now, I don't, I'm not saying
• 31:27
  necessarily like this just a theory, it's just like an
• 31:31
  explanation that came to me last night while I was watching us.
• 31:34
  And so, you know, I could see it can make sense, it's a movie, it
• 31:37
  doesn't have to be visually, you know, accurate.
• 31:42
  It's a fucking movie. Listen.
• 31:45
  So, I story, I am normally the champion of suspension of
• 31:49
  disbelief, on this podcast, I normally will say, if I can,
• 31:52
  otherwise enjoy the movie, I will, I will let some things go.
• 31:56
  Okay, but it just feels lazy. Okay, that's fair.
• 32:01
  I totally understand why people say that too.
• 32:03
  And I Understand why this twist doesn't work for everybody
• 32:06
  because I mean, yeah, it's not exactly an original twist.
• 32:09
  Like, I'll admit that but like still, it does not take away my
• 32:13
  enjoyment from this movie at all.
• 32:16
  It's still a fun ride from start to finish.
• 32:19
  This movie, does not fucking let up.
• 32:20
  It gets started so fast and then it just stays going.
• 32:24
  I truly think if we kept it with the original ending, where we
• 32:28
  see all of it from Marie's POV and then the ending is the
• 32:31
  director, is the detective saying, Are you sure?
• 32:35
  This is your story. Do you want to go through it
• 32:37
  again and showing her the tape? Then we roll credits?
• 32:39
  If that's all we get, even if we don't get a follow-up movie, I'm
• 32:42
  okay with it. It's the same thing, though.
• 32:44
  It's just a different time of revealing.
• 32:45
  That information doesn't fix any of the things that happened.
• 32:48
  Know it doesn't fix anything of it but it doesn't give you time
• 32:50
  to sit there and think about it and the more we get flashes of
• 32:53
  Marie actually doing the kills. It's like but wait, you know
• 32:57
  what I mean? Like.
• 32:58
  Yeah but then you can't really do the whole thing with Alex in
• 33:01
  the end, right? Because like It doesn't make
• 33:04
  sense like it, you'd have to reshoot that it would have to be
• 33:07
  different because like that whole point of that is like,
• 33:09
  showing she's been the killer the whole time Alex has
• 33:12
  recognized us from the start, like, it all makes sense.
• 33:14
  Why she has not been cooperating with her the entire time You
• 33:19
  know what I mean? I don't know.
• 33:21
  I understand I respect everybody's opinion on it but
• 33:24
  no, it's not gonna ruin. It's Not Gonna Rain on My Parade
• 33:27
  today. I'm not trying to ruin your
• 33:28
  parade. I'm just you know, I'm just
• 33:31
  saying that you yesterday, you were like I don't understand how
• 33:35
  you don't love this movie. This Is How okay I get it.
• 33:38
  I get it. What's your ugly?
• 33:41
  The dog dies and the kid dies and just all of the family, like
• 33:45
  that whole family. I feel so bad for them because
• 33:47
  they're like, good people and It's I don't know.
• 33:51
  They do a good job like you don't get a lot of screen time
• 33:54
  of them but like seeing that just home life happening it.
• 33:59
  That's a that's just a way to build like enough for me to care
• 34:03
  about them and like a good character that I feel, they feel
• 34:07
  more like real people than most movies like most characters do
• 34:10
  in movies to me and it sucked having as much as I love the
• 34:15
  kills and then how I like great. They are like it is kind of
• 34:19
  Painful seeing it happen to, you know, that type of thing.
• 34:23
  Okay. What about you?
• 34:25
  I think the whole thing like that, she's a killer because
• 34:28
  she's a lesbian is or bisexual is that because though like I
• 34:33
  think it's like a it's how they tell the story.
• 34:36
  I don't think it's like, that's the cause of it.
• 34:38
  I think it's just like a she happens to be that but like I
• 34:42
  think she would have snapped no matter while like but we see no
• 34:45
  indication of what makes her snap.
• 34:47
  So the fact that like the reveal, Is that it was her that
• 34:50
  she was the killer that she snapped and that she's in love
• 34:53
  with Alex. Which yes, it's obvious to all
• 34:55
  of us but she wasn't willing to admit it to herself.
• 34:57
  Yeah like that all happens all at once so narratively even if
• 35:00
  that's not the story, they're trying to tell, that's the story
• 35:02
  that comes across. Okay?
• 35:04
  Yeah. And I just like I and I hope
• 35:07
  that's not what they're trying to say but it is like It's kind
• 35:12
  of like you do realize that you put these two things side by
• 35:15
  side with each other, right? Like yeah, but like you're
• 35:19
  making them two major points of character development.
• 35:21
  I do feel like it is shitty tag. Have it be like that if that's
• 35:25
  the case. But like at the same time I
• 35:26
  could see this being the same deal with like you know any
• 35:29
  other type of relationship to like you know like if it were a
• 35:32
  movie like that to like with like a man and a woman like it
• 35:35
  wouldn't be, you know. Say she's not in love with Alex
• 35:41
  like then she's like doesn't make any more sense or less
• 35:45
  sense. Like what what is her driving
• 35:48
  motivation to go on this? Killing Spree?
• 35:51
  I don't know. Okay, so far all we see is that
• 35:53
  she is really close to this person and her family, invites
• 35:56
  her in and she's even framed over the fucking mantle place.
• 35:59
  And then she just decides she's going to kill them all.
• 36:03
  I just never really saw it. Like, I think that, I mean, I
• 36:07
  she does repeat. Nothing's going to be a between
• 36:09
  this anymore, but like the family was never between them
• 36:12
  like, you know, like there was never exactly there's never a
• 36:15
  thing with that. Like, I think it would make
• 36:16
  sense if it were like if she were killing the men that she
• 36:21
  keeps like, the Alex keeps talking about like on the car
• 36:24
  ride and then when they there at the house when they first
• 36:26
  arrive, like that's what I'm saying.
• 36:28
  None of, none of her Killing Spree makes any sense.
• 36:31
  I just want its own and then you add in like the surprise.
• 36:36
  I'm in love with you. What it is.
• 36:38
  Add something there that I don't know whether or not they meant
• 36:42
  for it to be intentional but it's there.
• 36:44
  Yeah. No, you're right.
• 36:46
  It's I mean, is there. I just always saw it as like she
• 36:48
  happened to snap and I don't know, I didn't really think that
• 36:51
  it was always like because of this because you know I had yeah
• 36:56
  I just never thought the family was really an obstacle for her
• 36:59
  being able to pursue a relationship with Alex but what
• 37:03
  do I know? I don't know.
• 37:05
  What are we doing? It could be it could not be.
• 37:07
  Let's move on. Okay.
• 37:09
  All right. So what do you know, absurd,
• 37:12
  absurd, my absurd is we have a whole fucking chase scene with
• 37:16
  The Muse playing like why the fuck are we getting a muse music
• 37:19
  video in the middle of high tension?
• 37:22
  And it just like, goes on the entire time, my absurd is using
• 37:26
  that Muse and Coldplay are interchangeable.
• 37:28
  That's not actually part of the movie and that was part of my
• 37:31
  movie watching experience with you last night.
• 37:33
  I want the ma'am, I won't bring together use fans called Play
• 37:39
  fans. I'm starting to beef between
• 37:41
  those bands. Right now, I went to happen, I'm
• 37:44
  manifest that shit. But in all reality, I think the
• 37:49
  Absurd of this movie is, oh okay, okay, since we watch the
• 37:56
  dubbed version but we did still have subtitles on We had this
• 38:02
  moment at the gas station where the tutor is asking for whiskey
• 38:09
  and he says, yeah. The, the dubbing says, give me
• 38:14
  your best the subtitle. Say, J and B.
• 38:18
  And then when the guy when Jimmy is unlocking, the cabinet and
• 38:23
  grabs a bottle of J, and B as the subtitles of told him, but
• 38:27
  as the doves tells us is like His interpretation of the best.
• 38:33
  The killer says, in the dubbed version.
• 38:37
  I said your best and in the subtitle, says no, I want to
• 38:41
  Canadian. Yeah, yeah, whole thing is
• 38:45
  absurd. It's Campbell when he ends up
• 38:48
  grabbing as a second bottle. So Campbell is actually the best
• 38:51
  not J&B apparently. Yeah, yeah.
• 38:54
  Sorry. Campbell not Canadian.
• 38:56
  Yeah. Like the whole eye.
• 39:00
  I am you know this is the Perils of being you know like only
• 39:04
  monolingual I guess. Yeah I wish I spoke enough.
• 39:07
  French to understand what is being Lost in Translation
• 39:10
  between these versions because I'm sure there's like a Nuance
• 39:14
  between the languages that doesn't transfer over.
• 39:17
  Yeah, I'm curious too. Okay, so what do you rate this
• 39:21
  out of tune for you? Only give this a 4.
• 39:25
  I there's nothing else. That's redeemable about it.
• 39:29
  I think it's a There was forgettable.
• 39:30
  Movie, shit gets really violent and it has a lame twist.
• 39:34
  Damn okay I give this a like a 9 that is so high.
• 39:39
  You squeak really loud right there.
• 39:41
  It's ok. It's ok I'll leave it all.
• 39:43
  Leave the school like a reaction to my nine.
• 39:48
  It was not microphone. That was Jesse if she was
• 39:50
  actually screeching. It's honest.
• 39:54
  Like you came up with the name for something on the Fly.
• 39:56
  Mike rough. Oh mister Mike Ruff phone.
• 40:02
  Oh my God. Okay, I'm developing in the
• 40:04
  William Shatner as I get older like I find weird pauses.
• 40:08
  Whenever I speak sometimes text that looks, I see this weekend
• 40:17
  and I made a joke about how he never pronounces the X and Texas
• 40:21
  and Travis was like, that's not true.
• 40:23
  I don't like pay attention to for the resident.
• 40:25
  Says, these are the x axis. Yeah.
• 40:29
  Okay. Let's pay attention for the
• 40:31
  rest. The movie and you by the end,
• 40:34
  you're like, oh my God, he really doesn't he just goes
• 40:36
  Texas. Texas.
• 40:38
  Keeps winning team. Okay, let's not talk about Miss
• 40:44
  Congeniality. Let's talk about high tension,
• 40:46
  always starting, average of six point five, six months.
• 40:48
  Okay, cool. That's that's pretty good.
• 40:50
  What was that? I'm DB 6.7.
• 40:54
  Oh damn, we are under again two times in a row.
• 40:58
  Rose that happened. Okay, so the movie opens up with
• 41:03
  Marie at the hospital. It's like we start at the end.
• 41:06
  Yeah, she's just repeating. I Won't Anyone.
• 41:08
  I won't let anyone come between us anymore.
• 41:10
  And then are they recording? Just how Jesse opened it?
• 41:13
  Yep. Then it cuts to the then Alex
• 41:17
  and Marie on a road trip together.
• 41:19
  Well, no, no, she is, it's a flash of her running through the
• 41:24
  woods, which do, you know, is the end of the movie.
• 41:27
  But then she wakes up, The car and she says, I had this dream,
• 41:30
  I was being chased in the woods and I could fill the killer even
• 41:33
  though I couldn't see him and Alex is like, well, did he ever
• 41:38
  catch and she goes? Well, that's the thing.
• 41:39
  Is that it turns out that I was the killer the whole time.
• 41:42
  Yeah, I love how I just out front.
• 41:45
  Just tells you right here. I'm the killer.
• 41:48
  So they're going to Alex's family home because they're
• 41:50
  studying for exams. And apparently that's where Alex
• 41:53
  is able to study best and Marie's just tagging along
• 41:56
  because I guess she's, yeah. I also needs to study.
• 42:00
  Yeah. I guess they have the same
• 42:01
  classes. Yeah.
• 42:03
  So we get a shot of her family and her little brothers dresses.
• 42:06
  Cowboy. She wants her to see her him and
• 42:10
  his Cowboy outfit, and it's really sweet, and I feel really
• 42:13
  bad for this kid. It's a little.
• 42:16
  Knock off Woody. Yeah.
• 42:19
  Yeah. Like the kind, you get like the
• 42:21
  general store doesn't say like Woody.
• 42:22
  It says toy cats. Probably.
• 42:24
  Yeah, Walmart. Yeah.
• 42:27
  Next up, we see this guy in a scary truck and it's a very
• 42:32
  scary truck. Yeah.
• 42:33
  That's like the like you see that truck on the road?
• 42:35
  And you're like that dudes, definitely murdered some people.
• 42:38
  It's the the fucking Jeepers Creepers truck-based.
• 42:42
  Yeah. He's people like to say I'm not
• 42:45
  going to go for the obvious drug.
• 42:46
  It's a world sex from like a decapitated head.
• 42:49
  I hate that joke because it's so demeaning to the person.
• 42:52
  That was both like assaulted both in terms of being killed
• 42:56
  and then their corpse. Being like a salted further.
• 42:59
  Yeah, so yeah, it's just so and he just like he's done and just
• 43:03
  dumps ahead out the truck and drives off.
• 43:05
  Yeah, it's it is an interesting way to introduce us to the
• 43:11
  killer as we see them for most of the movie, which this guy's
• 43:14
  actually fucking creepy. Well, okay, and here's another
• 43:17
  thing. So on the dashboard of this
• 43:19
  truck, he's got a bunch of pictures, like cut out.
• 43:22
  Heads of the women, he's murdered and we see that later
• 43:26
  in the truck. Again, it's just all the person
• 43:30
  from her dream, like, it's not a real person.
• 43:32
  It's not a real truck if that truck does exist.
• 43:35
  I think it's probably on that farm.
• 43:38
  I just, I don't know. It's I mean, but yeah, I just
• 43:42
  think it's, it's not real man. It's just not real.
• 43:46
  You got to accept it. I know you don't want to accept
• 43:48
  it but that's just how it is in this movie.
• 43:49
  Why even show this? Because it's, you don't want to
• 43:52
  know that. It's not real.
• 43:53
  Like you guys it's building it up to make you think that it is
• 43:55
  real life. I know first, why I don't care.
• 44:00
  It's creepy. That's if I were a director for
• 44:04
  our Rider of. So my question is, why the fuck
• 44:06
  Travis? Did you have the scene on page
• 44:08
  11? I don't care, it's creepy, shut
• 44:11
  the fuck up. That's my best.
• 44:14
  You know what, fair so they arrived Alex's home and Alex
• 44:20
  spots someone in the cornfield in the middle of the night.
• 44:23
  So she stops the car to go out there.
• 44:25
  Check it and Maria's like okay I'll go follow you because I'm
• 44:29
  fucking creeped out. Yeah she was out there gets lost
• 44:33
  in the corn field and then she hears the car start up and then
• 44:36
  drive off, Alex. I can't believe I would be
• 44:42
  pissed if you did that to me. I was thinking to, like, at
• 44:47
  least she could hear the sound of the car driving away.
• 44:49
  That we should know which direction to go.
• 44:50
  But like, yeah, corn fields are nothing to fuck with like that's
• 44:53
  why they have fucking corn mazes and like, Like, okay, so also we
• 44:58
  get a little bit of back story on Alex's family.
• 45:01
  They just moved here about six months ago from not France.
• 45:06
  Like I barely speak. French is supposed to be the
• 45:08
  thing. I couldn't tell you because I
• 45:10
  speak French. Yeah and we do not so it's a
• 45:14
  million sounds like perfectly plausible French when we watch
• 45:17
  the French version what do I know?
• 45:21
  No yeah they mentioned like oh yeah the hillbillies were kind
• 45:24
  of not really fond of a servers but You've kind of been all
• 45:28
  right. Now rednecks?
• 45:29
  Yeah, rednecks. Whenever I did not know rednecks
• 45:32
  for international. I always thought it was like a
• 45:33
  strictly American thing. I feel like I've been
• 45:36
  enlightened. No, it's always been like a
• 45:38
  little bit more My Favorite Things, whenever I was looking
• 45:40
  up movies for our to be or not to be American Gothic
• 45:45
  apparently, like, one of the sub genres is Hicks boy, Tatian.
• 45:50
  You know what? Yeah.
• 45:51
  Yeah, I like it. Yeah, goodnight Rach.
• 45:53
  I would imagine slaughterhouse also falls into that maybe this
• 45:56
  to exploit Station. Okay.
• 45:59
  So the get home and it's like in the middle of the night and the
• 46:03
  dad greets them at the door and he's super welcoming.
• 46:06
  He's like hey, it's nice to finally meet you and not just
• 46:08
  see the picture that we have you above our mantle and Maria's
• 46:11
  like what the fuck do you have a picture of me above your man?
• 46:14
  Smells like is a picture I took in Spain.
• 46:16
  So here's the thing I think Alex might be a little bone love of
• 46:19
  Marie to its I mean yeah it's there and they are a perfectly
• 46:22
  plausible. Couple clearly she is important
• 46:24
  to her and her family. Is that too?
• 46:28
  Yeah, I don't know. But her like the entire time on
• 46:31
  the car trip there and then here in the kitchen, she's just
• 46:33
  talking about like all these boys that she's chasing after
• 46:36
  and Marie, was even like upset with her for ditching her the
• 46:40
  night before to go hang out with a guy.
• 46:42
  So yeah Marine slut Shane's. The hell out of her supposedly
• 46:47
  best friend. Yeah she does like she calls her
• 46:49
  a slut and a whore and all kinds of other things that I don't
• 46:53
  know how they get. I don't know how I adequately
• 46:55
  they were translated, but I don't think I've never heard
• 46:58
  some of this terminology, and I've got a mean mouth on me, so
• 47:03
  some nasty stuff, so they're all going to bed and Murray decides
• 47:09
  to go outside the smoke. And then she's like watching
• 47:12
  them all from outside the house which is kind of creepy but then
• 47:15
  she goes upstairs. Well, she sees Alex naked in the
• 47:18
  shower, she does. Yeah because I think it's kind
• 47:22
  eye contact with her too. Well, they're still renovating
• 47:24
  the house and as you know, one of them.
• 47:27
  Most expensive and hardest pieces of renovation to
• 47:30
  accomplish is putting up the shower curtain.
• 47:32
  Yeah. So you have to shower with like
• 47:34
  it just completely open. I mean that's how I yeah yeah
• 47:37
  it's a bitch but I mean we've lived here for two years and we
• 47:40
  still don't have a shower curtain note why don't you sue?
• 47:42
  Yeah everywhere I just had our bathroom is a mess so she goes
• 47:48
  upstairs and I made a note here like okay so she goes
• 47:53
  everybody's going to sleep but instead she turns on some music
• 47:56
  and she starts To like masturbate.
• 47:58
  And that's listen. Here's the thing though, too.
• 48:01
  Is that like think whatever? I don't care what you do.
• 48:07
  Get yourself tired enough to go to bed like relax, it's fine.
• 48:09
  Why are you still in your fucking jeans?
• 48:12
  Yeah, that's in sweatpants I have never been comfortable
• 48:15
  enough and maybe I'm just the prude but I've never been
• 48:18
  comfortable enough to like do something like this, at a
• 48:21
  friend's house, you know what I mean?
• 48:24
  I guess especially the very first day.
• 48:26
  I meet the family like I'm definitely going to Jo.
• 48:28
  And he yeah, you guys are super welcoming.
• 48:32
  Thank you guys, for making me feel comfortable, he casa su
• 48:35
  casa. All right, I can, especially,
• 48:38
  especially putting on the headphones.
• 48:39
  So you can't hear like, what if like Mom was like woke up in the
• 48:43
  middle of next week? I just wanted to introduce
• 48:45
  myself a glass of warm milk. Like, what do you do?
• 48:50
  Like, you got jeans on to and like, you're not gonna get your
• 48:54
  hands out of there? Yeah.
• 48:55
  That's tight jeans even though. And so and it's not a carpal
• 49:00
  tunnel situation which we were not because of this but we were
• 49:04
  just talking about carpal tunnel.
• 49:07
  Why were we talking about carpal?
• 49:08
  Tunnel is you're talking about the weight of your margarita
• 49:10
  glass. Oh yeah though there's a hefty
• 49:12
  class now have two pans Empty Glass so like as she like
• 49:18
  finishes like she like yes finishes that's when the truck
• 49:23
  arrives and I'm like is this symbolic of something?
• 49:27
  Like is like are we supposed to like have a relation to this guy
• 49:34
  coming down the driveway as she's doing that like she's
• 49:37
  like, all right, I did and now it's time to traveling.
• 49:40
  This is why conservatives don't want women to explore enjoyment
• 49:45
  of sex. Because when a woman climaxes,
• 49:48
  she turns into a murderous Frenchman, I mean, they were
• 49:53
  right all along the proofs in the pudding, okay.
• 49:57
  Eddie has watched high tension, all of like the Republicans,
• 50:00
  it's like a staple within that party.
• 50:04
  So she after she finishes, she actually takes her headphones
• 50:08
  off and here is Hendricks downstairs barking.
• 50:11
  Which how did she not hear that before?
• 50:12
  How loud was her fucking cassette player?
• 50:15
  Dogs? Are allowed as fuck.
• 50:16
  Tell ya 02. Yeah, volume doorbell rings.
• 50:21
  The dad goes down there to answer it and then as he opens
• 50:24
  the door, he gets a hammer to the Head.
• 50:27
  And then the dog dies, unfortunately.
• 50:31
  But he attacks for his he does get a good bad on the killer.
• 50:34
  So he went down. Putting it in ya.
• 50:38
  Then he takes the dad and he does a little Halloween kill was
• 50:42
  action sticks. His head in between the banister
• 50:44
  poles and then takes the like the what is this thing like a
• 50:49
  dresser wardrobe? Like I think it's like a
• 50:52
  console. Like it's like a type of desk.
• 50:54
  Yeah, Wikipedia calls it a Bookcase, but that's not what
• 50:59
  bookcases look like. Either way, it's a bookcase for
• 51:02
  a person that doesn't like to read.
• 51:04
  Yeah, probably. Yeah.
• 51:06
  Well, he pushes it shows it against his head and just like,
• 51:09
  yeah, snaps his neck. Yeah, obliterates that Skull,
• 51:13
  Man. Yeah, so of course, this wakes
• 51:16
  up the mother and the little boy, Tom got.
• 51:20
  It feel so bad for the kids and the mom is saying, like go back
• 51:23
  to bed. I go back to bed, I wouldn't do
• 51:25
  that. Be like you'd come with me.
• 51:27
  Me and get into my room right now.
• 51:28
  I will protect you that way. But for her, she's like, goes
• 51:31
  just go somewhere else, get the fuck out.
• 51:33
  Go away. Tom suck.
• 51:38
  So she we just hear screaming Marie sees a phone in her room.
• 51:45
  It's not plugged in, so she's trying to find where the plug
• 51:48
  goes. And she's got an armoire and she
• 51:53
  can't move it. So this is where I also called
• 51:58
  some Shenanigans and some pothole issues because she can
• 52:02
  fucking Ram the same console from the same furniture set into
• 52:07
  a man's head. Hard enough to Kappa his de
• 52:10
  tete. I'm and this she can't like
• 52:14
  scooch a couple inches to get to an outlet.
• 52:17
  She's channeling in you know like the like lifting the car
• 52:21
  over like you know off of somebody like off your child
• 52:24
  type energy like That's what she's doing when she's in that
• 52:28
  killing the wherever she's going upstairs and doing this shit.
• 52:32
  She's just week from all the killing.
• 52:35
  She has been to muscle, like, if she just, like, running up and
• 52:38
  down these stairs to. Yeah, exactly.
• 52:44
  You know what? Maybe I do want to watch the
• 52:45
  second movie, then if this is how it plays out the yeah, I
• 52:54
  like it. And I kind of like the idea of
• 52:58
  all of the phones being sabotaged.
• 53:01
  It's the weren't like circumstantial sabotages, like I
• 53:04
  wish you'd be like, oh, the lines cut or all the thing got
• 53:07
  smashed. Like, instead of her just being
• 53:09
  like, oh darn, that's a TV, plug mashes, it runs out the room
• 53:12
  runs back into the room tries to use the phone.
• 53:14
  What the fuck? What?
• 53:15
  Yeah, well and okay. So here, I like this part.
• 53:18
  So the killer comes up straight like and she realizes she
• 53:21
  doesn't have a way out because the Killer's downstairs and she
• 53:24
  doesn't know how she's gonna sneak past.
• 53:26
  So So she packs up her shit real quick, makes it look like
• 53:28
  nobody's been in this room. Except she doesn't turn off the
• 53:31
  fucking light. That's true.
• 53:33
  Yeah. And she like, she even dries out
• 53:37
  the sink. Yeah.
• 53:39
  So she's smart. The killer comes in, and he's
• 53:41
  checking things. Like, he checks the heater, and
• 53:44
  she is French. And I guess the fruit.
• 53:46
  The French are notoriously like not afraid of the cold.
• 53:48
  I don't know. That's according to Marie.
• 53:51
  That's how it is because she's an alternate on if I get cold,
• 53:53
  bitch. So like okay, well, that's still
• 53:57
  cool. So let's go ahead and we're
• 53:59
  going to go into the bathroom, the sinks dry.
• 54:01
  But then he touches the faucet and he gets some water and he's
• 54:05
  like, how and he pulls back the shower curtains.
• 54:07
  But nobody's there. And then I guess he just gives
• 54:09
  up, which doesn't make any sense.
• 54:10
  If you are smart enough that you're going to touch like the
• 54:12
  faucet to get the water like that.
• 54:14
  You're going to look everywhere else.
• 54:15
  I'm saying this from like a pre twist knowledge point of view.
• 54:18
  I agree. Yeah.
• 54:20
  Laughs asked in this room. Yeah, like okay, well, you're
• 54:22
  smart enough to do this but you're not even going to look
• 54:24
  under the bed. That's the Children know, that's
• 54:27
  where you look for a monster. Why wouldn't a monster look
• 54:29
  there for a child? Making good points.
• 54:33
  I don't know. I don't have an answer to this
• 54:35
  but yes, so yeah. So anyway, Alex has like the
• 54:42
  world's best fucking ear plugs in to see you didn't wake up to
• 54:46
  any of those, still oblivious. And here's the thing, I love the
• 54:49
  concept of sleeping with some earplugs in.
• 54:51
  So that way you don't hear it sounds like that.
• 54:52
  But how do these type of people live without alarm clocks?
• 54:55
  Because if you don't hear other sounds, are you going to hear
• 54:57
  your alarm clock if you don't have an alarm?
• 54:59
  I think that would be an interesting way to do it, but
• 55:01
  they were going Up at 9:30. And they were going to start
• 55:03
  studying international law, that was their plan for the next day,
• 55:07
  I'm at the point in my life. Now, I don't need an alarm to
• 55:10
  like, wake up that early, like I just my body wakes up early
• 55:13
  anymore. Like, I can't help it.
• 55:15
  I want to sleep in but I can't. So yeah.
• 55:18
  Like on the weekend if I sleep in till 9:30 is like, man, I am
• 55:21
  so fully rested. Yeah, exactly.
• 55:23
  Even if we were up until like three of the night before his
• 55:25
  like 9:30 is, yeah, he does. My body will sleep in.
• 55:28
  Yeah. God, I hate being old.
• 55:31
  Yes. So yeah, finds Alex.
• 55:35
  She wakes up and then she like here's more commotion.
• 55:40
  So she goes to wonder around the house as she goes into the
• 55:43
  parents room and she's looking for a phone no she's looking for
• 55:46
  a phone but then she hears a sound.
• 55:49
  So she hides in the closet. And then the Matic, the mom, not
• 55:57
  the killer that comes in and Marie is about to get out of the
• 56:03
  closet, except the killer follows, the mom in and like
• 56:06
  almost completely cuts her head off, not quite, but he does cut
• 56:10
  her arm off because she's trying to use the phone.
• 56:14
  Yeah, so, she like wants to kill her leave.
• 56:17
  She goes out to see the mom of the moms like, why?
• 56:20
  Which I think is really the only moment that and think Alex is
• 56:24
  reactions from reuse. Those are the only moments that
• 56:26
  like post was. It's kind of like, okay, I get
• 56:28
  that. Now, if it feels kind of selfish
• 56:31
  like, why me like not everybody else, I get it but why me?
• 56:35
  You know, like yeah. Like but I can't just ask why I
• 56:40
  haven't You yet. I was in bed by the time you
• 56:43
  got. Ya, why are you killing me?
• 56:47
  Yeah. Like I mean just ask why that
• 56:49
  makes more sense. Why Sonny when that phone's not
• 56:54
  working? She hears Tom running and being
• 56:58
  followed and she is like I'm gonna go try and find Alex
• 57:03
  instead I can suck how she does not really any effort, she does
• 57:08
  not care the kids, she watches the kid.
• 57:11
  I think even Just run out the room and it's like, this is our
• 57:16
  chance. Let's go.
• 57:17
  Yeah, your brother was a brave, he sacrificed himself for us.
• 57:21
  Let's take this opportunity to get out of here.
• 57:22
  I do hate Alex hearing Tom out in the cornfield shouting Mommy,
• 57:28
  Mommy, so that being shot with a shotgun.
• 57:31
  It sucks, man. That yeah I hate that and Alex's
• 57:35
  realization of what's going on. It's just like it's harp.
• 57:37
  The whole thing is just awful. Yeah.
• 57:39
  Okay. So she finds Alex he's like The
• 57:42
  killer kept you alive for a reason.
• 57:44
  I wonder why and basically if you wanted you to hear it killed
• 57:48
  you already. You know what?
• 57:50
  I think I'd rather die than whatever this kind of a sadistic
• 57:52
  person is going to do to me next.
• 57:54
  Yeah exactly. I don't want to be his trophy
• 57:55
  item in my suffering. Yes I'm totally cool with it.
• 57:58
  See this is why I would never survive in a solid route because
• 58:00
  I'm like, you know what? In the out of give me the quick
• 58:03
  option. Please agree.
• 58:06
  So, ultimately, the killer takes Alex, and puts her in the back
• 58:10
  of his truck. And which, how did, how did
• 58:15
  Marie Curie Alex out of here? Because I think Marie probably
• 58:18
  weighs a solid, like, 15 20 pounds, more than I'm sure it
• 58:23
  probably weighs about 15 or 20 pounds more than Marie.
• 58:26
  I am sure that this stuff is probably not playing like the
• 58:30
  way they we see here. Yeah, I could see her.
• 58:32
  Maybe dragging her out, you know.
• 58:34
  I mean they could show the killer doing that too though.
• 58:37
  Because then we get to see like Alex like freaking out and like
• 58:40
  fighting back and like maybe we get a little We'll hit like oh
• 58:42
  shit is Alex actually super strong because she like she's
• 58:45
  throwing the killer off balance, you know what I mean?
• 58:47
  Like that's what I'm saying. This could have been done and
• 58:49
  I'm much more clever way. Sure.
• 58:51
  Yeah. Like where this person is
• 58:53
  instead of we have to hand wave like, oh, this is just how
• 58:56
  Marie's filling it in. Yeah, you know what?
• 58:58
  Sure, I'm okay with it. But I understand that's a legit
• 59:01
  criticism right there. So Marie has like snuck into the
• 59:06
  car or the trunk, but has a did get a knife.
• 59:10
  Yeah. And ready to pounce on them.
• 59:11
  Guy. But instead of actually coming
• 59:13
  around back to look inside, just shuts the door and drives off
• 59:16
  with him. Can you imagine that being Alex
• 59:19
  and Maria is like here I got this knife hold on to it just in
• 59:23
  case and like Marie has just murdered your whole family and
• 59:27
  is presumably going to murder you after torturing you some
• 59:31
  like but also gives you this week.
• 59:33
  Yeah. He's like is that like that?
• 59:36
  Maybe like, wow, I'm a better wanting a challenge.
• 59:38
  I don't know. Maybe like that.
• 59:39
  Yeah, test me. Yeah.
• 59:41
  It was gonna kill me. It's going to be you learn it.
• 59:44
  Yeah, that's her driving. We manages to successfully pick
• 59:49
  the lock of the back of the truck and then the killer stops
• 59:52
  at a gas station to gas up. So, she takes that opportunity
• 59:56
  to hop out real quick. That's where she gives her the
• 59:58
  knife. Like, hey I'm might not be back
• 59:59
  if not take this knife. Yeah, check yourself.
• 1:00:02
  You'll be able runs inside and kind of hides.
• 1:00:05
  Her like tells Jimmy who is the gas station Cory quick.
• 1:00:08
  Hey, call the cops shits going down, he's like what's
• 1:00:10
  happening? And then she she runs away
• 1:00:12
  because the killers coming in, I want to see more than any other
• 1:00:21
  scene in the movie. I want to see this gas station
• 1:00:24
  seen one. Her enemies perspective.
• 1:00:26
  Yeah I say hey Jimmy is like I'm not name's not even Jimmy I'm
• 1:00:30
  not even fucking Jimmy like I'm French.
• 1:00:33
  Well hey it's Sean is Jean-Pierre.
• 1:00:39
  Yeah it's like okay yeah give me your best.
• 1:00:47
  Said your bus? He's like well in French.
• 1:00:50
  You actually said, give me J of be but that's fine.
• 1:00:55
  But it was like I bet you like to fuck the old ladies that come
• 1:00:58
  here like what? But like it's coming from Murray
• 1:01:00
  and his Murray doing a voice. I just don't know what can you
• 1:01:06
  imagine if ya? Like imagine if you saw me like
• 1:01:11
  Iran is also suggest call 911 real quick and then like I run
• 1:01:15
  out of the house. Then I come back in through the
• 1:01:17
  door and I'm like hey Travis you ever fuck any old ladies here
• 1:01:21
  late at night and try to get started.
• 1:01:25
  You don't understand. I don't like this.
• 1:01:30
  Okay, so quick that makes Jimmy's hesitation to call the
• 1:01:34
  police even more confusing because him is my, he's like,
• 1:01:39
  you know what, maybe I maybe she's Miss.
• 1:01:43
  She thinks I'm somebody else. Almost, see how this plays out.
• 1:01:46
  She weighs 80 pounds. Yeah, it probably takers.
• 1:01:49
  I got a nice goatee. Yeah, I'm definitely not gonna
• 1:01:52
  drop my guard at all around her. Yeah, which like, what was
• 1:01:56
  Reasoning for that to like, because it doesn't like, wait,
• 1:02:00
  she's grabbing the drink from the, what did she ask for her?
• 1:02:03
  Because she runs off from way off frame.
• 1:02:06
  When we see the CCTV footage, that's why I've liked for the
• 1:02:10
  humor effect. But also, I want to see
• 1:02:13
  logistically, how it played out in the gas station?
• 1:02:15
  Well, we do see from the footage here.
• 1:02:17
  We do have some footage of what really went down.
• 1:02:20
  She runs up to him with the axe and gets him right in the chest.
• 1:02:24
  I'm saying like we don't see. See him going to get it, like,
• 1:02:29
  get the whiskey for her? I don't know.
• 1:02:31
  Dude, you can't keep asking this every single scene.
• 1:02:34
  The same question every single time I wouldn't, if they didn't
• 1:02:38
  put those twists in there, it's just it is, is they needed to be
• 1:02:42
  asking it while they were writing this.
• 1:02:44
  So that way they could make it make sense.
• 1:02:46
  I suppose, I don't know. I don't have a better answer for
• 1:02:49
  you Talia. I need you to stop.
• 1:02:50
  We don't need your input. Talia hates this movie to
• 1:02:54
  spoiler for her rating at, oh, yeah.
• 1:02:56
  By the way. Yeah, she, she's letting us know
• 1:03:01
  right now and the police. Yeah.
• 1:03:11
  And the police are not helpful at all.
• 1:03:13
  I know what gas station are. Yeah.
• 1:03:15
  She's like, I don't fucking know.
• 1:03:16
  I'm not from here, and they're like, can't help you.
• 1:03:18
  If you don't know where you're at, calm down ma'am.
• 1:03:20
  Like. Okay.
• 1:03:22
  Okay. So they're just As good as
• 1:03:23
  American cops over there. Cool.
• 1:03:26
  So she gets pissed off and hangs up on them and then she said to
• 1:03:30
  go to the bathroom. Yes, the killer has the same
• 1:03:33
  impulse. Yeah.
• 1:03:34
  Did she actually go in there to pee?
• 1:03:36
  Like I feel like that's probably actually a thing that happened.
• 1:03:39
  This is this right here like in her head like yeah this is what
• 1:03:43
  is she? Just went to go pee, wash your
• 1:03:45
  hands, all that stuff. So then she goes and she takes
• 1:03:49
  the cashiers car. And she's going to fall to track
• 1:03:51
  because she hears the truck drive away.
• 1:03:53
  Yeah. So she takes cashiers car and
• 1:03:56
  the gun from under the counter and she follows I've died.
• 1:03:59
  Look at this see this wrong just Jimmy have a Confederate flag on
• 1:04:04
  his car. I didn't see that looked like he
• 1:04:08
  had it on his plate. I thought.
• 1:04:09
  So I could be wrong. Are you, what's the French flag?
• 1:04:13
  Look like. Maybe you're just so conditioned
• 1:04:15
  living in the South to like I've seen a lot of Confederation and
• 1:04:18
  you're like, which I thought like if The case I did have a
• 1:04:24
  can like a moment in my mind. No, the French flag looks
• 1:04:26
  nothing like the Confederate flag.
• 1:04:28
  It's that's wow. What?
• 1:04:30
  Basic flag red white and blue baby.
• 1:04:32
  Just man, who waited until 30 seconds before the design was
• 1:04:37
  due to turn in the leg? I don't know.
• 1:04:40
  I could be wrong. I'm not a flag person.
• 1:04:42
  I know there's a lot of people that walk flags and think that
• 1:04:45
  they're cool. So if you are one of those
• 1:04:47
  people in that, you've seen this movie, tell me, did I say the
• 1:04:50
  Confederate flag or does he some other flag?
• 1:04:52
  I don't know. But yeah, so she's following the
• 1:04:56
  killer in Alex and they take a detour through like a wooded
• 1:05:00
  area. So she like turns off her
• 1:05:02
  headlights and starts to follow again, smart.
• 1:05:05
  Hmm. However, at some point, she
• 1:05:08
  loses track of the van, the van or the truck.
• 1:05:11
  The truck falls behind her. They have a Chase and he's like
• 1:05:17
  bumping into her which doesn't make any sense, because she's in
• 1:05:20
  a little sports car and he's off roads, man, like you can't be
• 1:05:23
  driving super fast. That's true.
• 1:05:25
  That's actually well, she doesn't give a shit.
• 1:05:27
  Jimmy doesn't give a shit. Nobody actually cares about this
• 1:05:30
  car anymore. It doesn't get shit.
• 1:05:31
  Jimmy, it's like still alive. He's like, he's like, have you
• 1:05:36
  ever seen a horror movie? You can survive a single Stab
• 1:05:38
  Wound. Yeah, he's a little axe, the
• 1:05:40
  chasm. Okay.
• 1:05:42
  It's just an accident. Yeah.
• 1:05:46
  Okay, so yeah, she ends up wrecking the car and like flips
• 1:05:50
  over pretty badly manages to get out and find like a little
• 1:05:55
  Greenhouse area with like plants and shit.
• 1:05:58
  And the as you find in a greenhouse you do and she gets
• 1:06:02
  out and the killer chases after her in there, which again, the
• 1:06:06
  kill. And here's the thing, is that,
• 1:06:08
  like, I think this movie could have been so much more
• 1:06:10
  interesting if they didn't put in this twist because they're
• 1:06:12
  both very clever. Has like, he's takes his belt
• 1:06:16
  and his flashlight and he hangs the flashlight up.
• 1:06:18
  So that way she thinks that he's over there.
• 1:06:20
  But really he's hiding behind her and he attacks her with a
• 1:06:22
  plastic sheet. Yeah.
• 1:06:23
  But meanwhile, she's taking this post and she's wrapped some
• 1:06:26
  barbed wire around it and she's got like a weapon ready.
• 1:06:29
  Like I want to see these two like actually battle it out as
• 1:06:32
  to real people that are smart, but on different ends of the
• 1:06:35
  spectrum of evil. Maybe if they remade this movie
• 1:06:38
  and they just made it straight up, not a Twist and it's just a
• 1:06:42
  killer in this is just a girl. You know, run with it.
• 1:06:47
  I guess that could be. I think I would still enjoy the
• 1:06:50
  movie. I would probably like it more.
• 1:06:52
  If it was just like a straight-up home invasion movie.
• 1:06:54
  Yeah. Because you know what we know
• 1:06:56
  for a fact that Alexander ajja can take like a fairly basic
• 1:07:00
  premise when we've seen it before and make it a lot of fun
• 1:07:03
  and really gory. He does it with P2, he did it
• 1:07:05
  with Piranha 3D. We're going to check out crawl.
• 1:07:09
  I'm not big on creature features but I have a feeling I'm going
• 1:07:12
  to enjoy that movie. I am too.
• 1:07:14
  So So, I just like, I wish that they hadn't like, force this in
• 1:07:18
  there. Yeah, I get it.
• 1:07:20
  I get, I get the hate for it. I'm not trying to make you hate
• 1:07:25
  the movie. I'm just later.
• 1:07:26
  I'm feeling very passionate. Yeah, you're not going to
• 1:07:28
  change. I am unwavering on this.
• 1:07:30
  I know, I just want you to know because you keep like, you're
• 1:07:32
  doing, like, the like looks calm down voice.
• 1:07:35
  Like I'm not. No, I'm just trying to you.
• 1:07:37
  Yeah, I could tell you it's the same answer every single time.
• 1:07:40
  I understand. It doesn't make sense.
• 1:07:43
  Yes. PP.
• 1:07:47
  It's just scary. Okay.
• 1:07:50
  So yeah, she like takes that barbed wire posts and actually
• 1:07:53
  beats the shit out of him in the head with and you think he's
• 1:07:56
  dead. But yeah, it has one, last jump
• 1:07:59
  scare but then she like has the plastic around him and she
• 1:08:02
  chokes him out. Yeah.
• 1:08:04
  And then We see the cops arrive at the gas station and I go, oh
• 1:08:09
  shit. I gotta call the coroner accept,
• 1:08:11
  and then subtitles, it said, da, which you don't you don't go
• 1:08:14
  straight to the DA. You get a, we got a whole bunch
• 1:08:17
  of other steps first, I don't know, maybe it's different in
• 1:08:19
  France. They're like we don't need a
• 1:08:21
  medical examiner to tell us. This guy's dead.
• 1:08:23
  I like their cop car though. It's kind of cool.
• 1:08:26
  It's kind of boxy. I dig it.
• 1:08:29
  That's when they see the footage, the security footage.
• 1:08:33
  Yeah. And discover that.
• 1:08:35
  At. The killer was teeny tiny little
• 1:08:40
  Marie and she looks straight at the camera like she's like yeah,
• 1:08:43
  what? Yeah, yeah.
• 1:08:45
  Well you can see like in her mind as she doesn't kill and
• 1:08:48
  then I guess it is right here is supposed to be probably what the
• 1:08:53
  actual explanation is she like goes into like a state.
• 1:08:58
  Yeah and state just like looks up into the sky and it's just
• 1:09:02
  like then that right there is probably where everything is
• 1:09:05
  like coming together in her head that We're seeing how I'm sure I
• 1:09:09
  guess so. Yeah, they know that that's the
• 1:09:13
  deal. So we see Marie go to the back
• 1:09:15
  of the truck to free Alex and she's like, hey, it's cool.
• 1:09:19
  I killed the killer like and Alex is like what the fuck are
• 1:09:22
  you talking about? Like Maria finally gets Alex
• 1:09:26
  Unchained. Yeah by the way somewhere
• 1:09:29
  somehow Marie found chains and a few padlocks and was able to
• 1:09:35
  wrap these around Alex without it.
• 1:09:37
  The truck. They were just in the truck.
• 1:09:39
  She was chained up before they laugh.
• 1:09:42
  Yeah, right. Well, she went outside to go
• 1:09:44
  smoke. Maybe she found them out there.
• 1:09:49
  I'm fighting for this thing. So, yeah, when she gets her
• 1:09:54
  unchanged, Alex grabs the knife and she's like, get the fuck
• 1:09:57
  away from me and they're like fun.
• 1:10:00
  She's like, you killed my family and this is where we see the
• 1:10:02
  flashes of the murder except they're all being performed by
• 1:10:06
  Marie. Yeah.
• 1:10:08
  And so Alex stabs her and runs off.
• 1:10:10
  And now Maria is the killer again and we go back and forth
• 1:10:14
  between her being the Killer and not being the Killer, and I need
• 1:10:16
  to ask you, if you heard this the same way I did, so the
• 1:10:20
  Killer Grabs the concrete saw from the front of the truck and
• 1:10:26
  he's running and chasing. Alex Haley.
• 1:10:28
  Woods. There was something in the audio
• 1:10:33
  that was a little bit weird. Did it sound to you?
• 1:10:36
  Like the killer was going very good weapon actually didn't work
• 1:10:43
  this entire time. Either like that.
• 1:10:48
  Look, I swear. I was like Shirley I'm just
• 1:10:51
  hearing the audio but I saw you. You were making fun of the
• 1:10:57
  captions where the caption just said broom.
• 1:11:00
  For what if this whole time? She's not actually been driving
• 1:11:03
  either. She's just been going from,
• 1:11:07
  like, all of this has just been like what she fantasizes about
• 1:11:10
  when she makes your face. Yeah.
• 1:11:22
  Alex is the like one of the luckiest people ever in a horror
• 1:11:25
  movie because she's in secluded woods and like the least
• 1:11:28
  traveled road, but she manages to flag down a car that actually
• 1:11:32
  stops for her. Well, kind of has to Swerve out
• 1:11:35
  of the way and swerves off the road.
• 1:11:37
  Kind of wrecking a little bit. Yeah.
• 1:11:39
  And then she doesn't even ask if she can get in the car.
• 1:11:41
  She just opens the door. Just go.
• 1:11:42
  Okay. And the guys like what the fuck
• 1:11:43
  is happening and then he's like yeah, looks behind them.
• 1:11:47
  There's a fucking person, chasing them with a cement bus
• 1:11:50
  sauce. And that's terrifying car won't
• 1:11:52
  start Marie jumps on top of the car and then gets on the
• 1:11:57
  windshield and just fucking buzzes right through it.
• 1:12:01
  And man, this is probably my favorite gonna movie so much
• 1:12:04
  blood and like we've watched enough behind the scenes stuff
• 1:12:07
  that I'm just like pick because we see Alexander Alex's face in
• 1:12:11
  the bag. Yeah just being covered with
• 1:12:13
  blood and you can just picture like off-screen ginetto like
• 1:12:17
  with a couple spray bottles anime wins.
• 1:12:21
  Being in the backseat guy. Like he's just like yeah,
• 1:12:25
  fucking shooting everywhere. It's so gory but I love it so
• 1:12:29
  much. So yeah, through all of this
• 1:12:33
  Alex has crawled out of the car and she's just crawling down the
• 1:12:35
  road. She's got a giant Shard of glass
• 1:12:38
  like stuck in her heel. Yeah, it's painful to look at
• 1:12:41
  because at first you can't see it.
• 1:12:42
  You're like, why is she home? Why are you calling?
• 1:12:44
  Yeah, and then it like closes in your like oh that makes sense.
• 1:12:48
  Yeah and then Maria's like, you love me.
• 1:12:52
  Say you love me. You don't love me.
• 1:12:53
  Do you? And she like forces a kiss on
• 1:12:56
  her and then that's when Alex stabs her through the chest.
• 1:13:00
  Chest with a crowbar, which that had to have taken a lot of force
• 1:13:03
  because I feel like a crowbar. Isn't like if she can do that,
• 1:13:07
  then Murray has been capable of doing all these streets.
• 1:13:10
  By Feats of I would argue Alex, has more of a, cause for
• 1:13:13
  adrenaline in the moment it already has.
• 1:13:15
  She's like, in her mind, she's thought that she's been chased,
• 1:13:19
  like, she's got that adrenaline pumping to she's feeding off of
• 1:13:22
  it. So yeah, she's been stabbed and
• 1:13:26
  then it cuts to the hospital that opening the movie in the
• 1:13:29
  hospital. She's Just saying nothing will
• 1:13:31
  stand between us now. And we see Alex is looking at
• 1:13:35
  her through a one-way mirror and just can't see me.
• 1:13:38
  Can she and the doctors like that and then Alex reason guy
• 1:13:43
  just reaches out at her? Yeah, and that's a saw, the
• 1:13:47
  movie ends It's kind of a week ending.
• 1:13:51
  Definitely think I could have ended better than that.
• 1:13:53
  Here's the thing. Talking about this, I had fun
• 1:13:56
  talking about it. I like the direction of
• 1:13:59
  everything. I just think that the twist
• 1:14:01
  makes everything fall apart, and if they took it away, it would
• 1:14:03
  be so much better. That is the fact of the matter
• 1:14:06
  stands. It's their, it forces you to sit
• 1:14:08
  with it for a really long fucking amount of the runtime.
• 1:14:12
  I think it was just dropped there at the end.
• 1:14:14
  Like it'd be one of those things that like you think back on it
• 1:14:16
  later? You're like I wonder how that
• 1:14:17
  went down. But because they left so much of
• 1:14:20
  it in there. Yeah, it forces you to sit with
• 1:14:23
  it for too long and it just, it drives me crazy.
• 1:14:26
  I can see that, I can see that and it ruins the movie for me.
• 1:14:29
  Where is I think if we just kept it simple, like, every movie
• 1:14:32
  doesn't have to be like this big, whoa, mind-blowing moment
• 1:14:38
  because, you know what movie makes just as much sense, but
• 1:14:41
  does a Twist like this better? But fucking malignant, we're
• 1:14:46
  like, she was the killer of the whole time.
• 1:14:48
  In a way that is completely implausible but somehow still
• 1:14:51
  stands up to scrutiny better than this mess.
• 1:14:54
  Yeah, I guess, but at least in that when you don't have to
• 1:14:57
  question how she did it because you're just straight up seeing
• 1:14:59
  it. It's just.
• 1:15:00
  Yeah, well it's also like it's supernatural.
• 1:15:02
  So that like and we get some kind of an explanation away
• 1:15:05
  other than like, I'm trauma. Yeah, I guess.
• 1:15:07
  Yeah. So like it just eat it bothers
• 1:15:11
  me because, you know, there are some times where I'm, like, I
• 1:15:13
  can see what this movie can be and I will give it credit for
• 1:15:16
  being most of the The way they are.
• 1:15:18
  But this one pisses me off because I know what this team
• 1:15:21
  can do there, and it feels like they threw in a Twist because
• 1:15:24
  that's what felt like they needed to do and it just I don't
• 1:15:28
  like it. Okay, I respect, what could be a
• 1:15:31
  really good movie and drags it down for me, the for me as a
• 1:15:34
  person. Do you change your rating any?
• 1:15:37
  All right out of respect to you. I'm going to leave it at a for
• 1:15:39
  instead of lowering our two three.
• 1:15:41
  Oh damn. I thought you would maybe bump
• 1:15:43
  it. No bullshit.
• 1:15:45
  Okay, I'm keeping mine at 9:00. Okay, that's the love.
• 1:15:48
  Movie man, this is so fucking good.
• 1:15:49
  I don't let that twist ruin it for me because the rest of the
• 1:15:53
  movie is so fun to watch, it's so fucking good and I understand
• 1:15:57
  that and there have been plenty of movie pointed out dumb shit
• 1:16:00
  for me and I'm like, I can look past it.
• 1:16:02
  Yeah, I get it. I just it's why I totally
• 1:16:05
  respect that you have fun with it.
• 1:16:06
  But it just, it's, I cannot get past it.
• 1:16:10
  It's like the fucking windows and Mandy, like I said, they're
• 1:16:15
  just, it's one of the I can't, I was just moving.
• 1:16:18
  Oh, yeah, Windows. God damn it.
• 1:16:20
  Okay, okay. Talia hated this movie from the
• 1:16:25
  get-go from the get-go. She started growling
• 1:16:27
  immediately. She Fouled, when they were
• 1:16:30
  talking to Hendricks, she growled when Hendrix was barking
• 1:16:33
  and then round win. High-tension title, card came up
• 1:16:36
  on the screen, she was immediately.
• 1:16:38
  She was like, fuck this movie and then like she eventually
• 1:16:42
  tired herself out and slept the rest of it.
• 1:16:44
  So, Talia, I think Talia is going to give this a 3.
• 1:16:48
  She actually did continue to bark at me.
• 1:16:50
  Yeah, I think because I've liked my love of this movie yet, she's
• 1:16:54
  like you did this. It was about halfway through the
• 1:16:57
  movie around the part of the twists.
• 1:17:00
  Zoe was either on the couch or on the chair the whole time.
• 1:17:03
  She was so she did watch it. Yeah.
• 1:17:06
  All right. Who's your weights here?
• 1:17:10
  I really to the kids because I like to play as a cowboy
• 1:17:13
  whenever I was a good to that shit was fun.
• 1:17:15
  I really hate to the mom because it's like, why.
• 1:17:18
  Then like ya know why they were, they were perfectly Pleasant to
• 1:17:22
  her and she just decided she was going to kill them her, why me?
• 1:17:29
  That's what you have to relate to.
• 1:17:29
  Not the whole thing is, why everybody else.
• 1:17:31
  Why me I get everybody else? That's fine.
• 1:17:35
  But they also get the I'd spare me.
• 1:17:39
  All right, dream sequel. So like what if they did do
• 1:17:43
  that? That's what I want.
• 1:17:44
  I want to see that version of it.
• 1:17:45
  Yeah. Okay.
• 1:17:46
  Shereé, I I do too because like yeah, they could be funny.
• 1:17:50
  It could be creepy. I don't know the way them
• 1:17:52
  envisioning it though. It's kind of funny.
• 1:17:54
  I want it can't be. Yeah, they want to a full other
• 1:17:57
  end of the spectrum, complete Camp, dude.
• 1:18:00
  What if they like ended with that guy?
• 1:18:02
  Actually being real? The you know.
• 1:18:05
  Yeah, like he's been one, that's the twist.
• 1:18:08
  That movie then wanting to do the murders the whole time but
• 1:18:10
  Murray he's getting to them before him.
• 1:18:12
  Yeah that's the twist. That guy's actually a killer
• 1:18:16
  that's going on around there. Oh shit.
• 1:18:18
  Okay cool. Alright internet reviews I got a
• 1:18:23
  new tagline. He's heckling We never saw that
• 1:18:30
  coming. She's a buzzkill.
• 1:18:40
  So Roger Ebert wrote a scathing scathing review man, himself.
• 1:18:46
  Fuck, I just okay, hold on undo. No I said I'm do know.
• 1:18:51
  Did you lose it? I did.
• 1:18:54
  Hold on, he gave it one star. Yeah, he hates this fucking
• 1:19:07
  genre. High gets low marks for
• 1:19:09
  possibility. And then the first thing before,
• 1:19:17
  he's even written, anything is a still shot from the movie.
• 1:19:22
  A part of the blade approaching a sleeping Alex, and it says, an
• 1:19:25
  image such as this does not bode well for the sleeper.
• 1:19:29
  Okay, I'm not going to read the whole thing because he does
• 1:19:32
  recap the movie, but I want to read the opening paragraph in
• 1:19:35
  the closing paragraph. Okay?
• 1:19:37
  The philosopher Thomas Hobbes tells us life can be poor, nasty
• 1:19:40
  brutish and short, so is this? Movie Alexander ashes high
• 1:19:44
  tension is a slasher film, about a mad man prowling.
• 1:19:47
  A rule area of France, chopping slashing and crunching his way
• 1:19:50
  through, let's see a body count of five or six people including
• 1:19:53
  a small child that the film does not neglect to show crumpled up
• 1:19:56
  and dead in a cornfield. That's what it's about anyway
• 1:19:59
  until we discovered actually consists of something else.
• 1:20:01
  Altogether something I think is not possible given our current
• 1:20:04
  understanding of the laws of physics, done that.
• 1:20:10
  The rest of the movie you'll have to see for yourself.
• 1:20:12
  Self or not, which would be my recommendation.
• 1:20:15
  I'm tempted, I am tempted at this point to issue a spoiler
• 1:20:19
  warning and engage in discussion of several.
• 1:20:21
  Crucial events in the movie, that would seem physically
• 1:20:23
  logically and dramatically impossible.
• 1:20:25
  But clever viewers will be able to see for themselves that this
• 1:20:28
  movie's plot has a hole that is not only large enough to drive a
• 1:20:31
  truck through. But in fact does have a truck
• 1:20:33
  driven right through it note, the film's British title is
• 1:20:37
  switchblade romance, which if you've seen the film will seem
• 1:20:40
  curiouser and curiouser and curiouser.
• 1:20:43
  Well, you know, if I read that review, I think hearing stuff
• 1:20:47
  like that. Sounds awesome to me, like, none
• 1:20:50
  of this shit's possible. It's got so many plot holes.
• 1:20:53
  It's so fucking bizarre. I'm like, that's a horror movie.
• 1:20:56
  That's a slasher movie. Oh fuck.
• 1:20:58
  Yeah. I'm gonna watch out.
• 1:20:59
  Yeah, an especially coming from Roger, Ebert.
• 1:21:01
  I'm like, well, you have bad taste when it comes to horror
• 1:21:03
  movies. So I'm kind of resentful of the
• 1:21:04
  fact that I have to agree with them here.
• 1:21:06
  Yeah, well, you know, sometimes you're right, sometimes you're
• 1:21:10
  not, I guess this one is right for you.
• 1:21:12
  Broken clocks. Right, twice a day.
• 1:21:14
  So yeah. I mean I get it it does have
• 1:21:17
  potholes and there's a lot of like things that are hard to
• 1:21:20
  believe, I don't know. Like I know he's a Critic and
• 1:21:24
  he's got to do his job and breaking it down.
• 1:21:25
  But there are just times where I think it's perfectly acceptable,
• 1:21:29
  to just accept it and just go along for the fucking ride.
• 1:21:32
  I got some Powers basil. Exposition, I think it's best to
• 1:21:35
  just not think about it and enjoy the ride.
• 1:21:38
  He said it best, he did he did and that is actually how we
• 1:21:42
  palet, cleansed after the double feature of this and doom
• 1:21:46
  assignment, yes, night would be washed Goldmember because we are
• 1:21:50
  people of class. Yes, we are.
• 1:21:53
  Here we are. Okay, I've got some listener
• 1:21:56
  reviews. We got people chiming in for
• 1:21:59
  this one. Hopefully it's in support.
• 1:22:00
  They looked mostly positive from.
• 1:22:02
  I saw two glands. Yeah, I haven't read them yet.
• 1:22:04
  Hmm. Okay, let's start off with our
• 1:22:07
  guests from last week's. Said Robert its own.
• 1:22:09
  Okay, he says so fucking good. Thank you.
• 1:22:15
  He was hyped about it when we announced last week.
• 1:22:17
  Yeah, happy. And he was talking about how
• 1:22:19
  difficult it was to get a copy of it back in the day.
• 1:22:23
  So he's an OG supporter of the movie, I appreciate it.
• 1:22:28
  Next up, these are all on Instagram by the way.
• 1:22:30
  Okay, just these two. The horror fried podcast a
• 1:22:37
  fucking ride. Ride honestly, it's Madness.
• 1:22:41
  I mean that's pretty accurate. Yes, fucking Madness and is, all
• 1:22:44
  right. Okay, over on Twitter.
• 1:22:52
  We start off with Kevy Kev. I loved it and immediately grabs
• 1:22:56
  your attention and choke holds it up until that very end of act
• 1:23:00
  three. Oh well, nothing's perfect,
• 1:23:02
  still great, great movie. See that right.
• 1:23:04
  There is cool like, yeah, it's awesome.
• 1:23:06
  It was very cool up until that twist, which is kind of lame.
• 1:23:08
  But yeah, that's kind of how I feel about it.
• 1:23:10
  I like it without the twist. Well, he said, great, great
• 1:23:13
  movie. I don't think he would say that.
• 1:23:15
  He said right up until the third act.
• 1:23:17
  Oh well, nothing's perfect, still a great great movies.
• 1:23:20
  How aliens. Yeah.
• 1:23:20
  Okay, fine. Tyler says this movie is like
• 1:23:26
  violent is fucked, and I definitely have questions about
• 1:23:30
  certain scenes with the reveal of the twists, but it's still a
• 1:23:33
  pretty fun. Watch, exactly.
• 1:23:36
  That's how you're supposed to go within, right there.
• 1:23:38
  All right. Now, we got Chad, who was a big
• 1:23:41
  supporter of Doom Asylum? He says, Saw this in theaters
• 1:23:46
  when it came out and I was Ford incredible.
• 1:23:48
  Exercise of what tension? Ha, ha, ha.
• 1:23:52
  I keep I've always said a ha I sha excels at that.
• 1:23:55
  I've heard him introduce himself in link commentary before and he
• 1:24:00
  says it a shot, very French like it's not a hard J or definite
• 1:24:06
  age. It's like somewhere in the
• 1:24:07
  morning. Shh, okay.
• 1:24:10
  Well, okay, are dumb, Southern mouths, can't pronounce it
• 1:24:14
  correctly. Incredible exercise of tension,
• 1:24:17
  Elijah excels at that and you feel the violence some scenes
• 1:24:21
  will make me wince spite. The trash ending, the rest of
• 1:24:24
  the flick, more than makes up, which they had stuck with the
• 1:24:27
  original ending. I do agree with that.
• 1:24:31
  I think that the original ending would have been really strong
• 1:24:33
  with this right here. But yeah, exactly.
• 1:24:35
  Like there's some shit that happens there.
• 1:24:38
  That's not exactly the best thing.
• 1:24:39
  But the overall experience is poking fun.
• 1:24:43
  And I absolutely Solutely agree with you.
• 1:24:46
  And that's it. That's all reviews.
• 1:24:48
  So we got people out there that like it.
• 1:24:50
  Yes. And I don't, I don't blame the
• 1:24:52
  people that liked it, but like the people that like it, such as
• 1:24:55
  yourself, are very Ardent about why you like it.
• 1:24:59
  Yeah, it just hits. All the places that I like, in a
• 1:25:02
  horror movie and a slasher, especially creepy.
• 1:25:05
  Villain, good kills. Good chases, very tense moments.
• 1:25:09
  My thing is, if you're going to have this many leaps in logic,
• 1:25:12
  you need to not play the Like it needs to tonally needs to be
• 1:25:17
  different like not take itself seriously?
• 1:25:19
  Yes. Yeah I can that's the thing.
• 1:25:21
  Is that it's a very serious film it is.
• 1:25:24
  Yeah. So hey I can understand that.
• 1:25:27
  Yes. Okay, so that's it for this
• 1:25:30
  weeks episode next week. We have another one that had
• 1:25:33
  said it's going to be beaten for me this month.
• 1:25:36
  It's yeah, I'm honest. And I'm so sad.
• 1:25:42
  I think maybe this wet, you'll like it.
• 1:25:44
  We're talking this is another instance of an of a creative
• 1:25:48
  person that I respect. And enjoy most of their works
• 1:25:52
  for. Just this particular one doesn't
• 1:25:55
  hit for me. I think.
• 1:25:56
  Give it another shot. You might you might like it more
• 1:25:58
  this summer on. Yes, I'm going to go into in it.
• 1:26:00
  I'm gonna go into it with an open mind and an open heart.
• 1:26:03
  Okay, good. And it's Hellraiser.
• 1:26:05
  Yes, it's how we Regional this is our patreon voted episode.
• 1:26:09
  Yes. So where can people watch that
• 1:26:11
  right now? Do you know if it's still on
• 1:26:13
  shutter? I believe it is.
• 1:26:14
  Yeah. Let me double check for you
• 1:26:16
  though. I know it was at one point.
• 1:26:17
  It was in the Joe Bob. Original Marathon.
• 1:26:20
  Yeah. There is a job on Marathon.
• 1:26:22
  Yeah. So like the the bring back Joe
• 1:26:23
  Bob last drive and like final last marathon.
• 1:26:26
  Just kidding. Haha.
• 1:26:28
  Yeah, and it is on shutter, okay but it is also available for
• 1:26:32
  free on to be Pluto TV if you have a subscription to prime or
• 1:26:37
  am C+ or a YouTube prime time or YouTube TV premium subscription,
• 1:26:42
  you can also rent it from Redbox Google player.
• 1:26:44
  If you do. So there's a lot of ways to
• 1:26:46
  watch. It is a classic.
• 1:26:48
  I do think it should be watched even if I don't necessarily like
• 1:26:51
  love it myself, but maybe I will.
• 1:26:54
  Maybe I will love it after watching it again.
• 1:26:56
  Well, tune in next week to find out everybody.
• 1:26:59
  Yes, in the meantime, I'm going to plug our patreon once again
• 1:27:04
  because we've got wonderful supporters, such as Eric and
• 1:27:07
  baby of chicken. Not scared.
• 1:27:09
  Joe. I could try.
• 1:27:10
  This is fun name. Amber and Michael.
• 1:27:12
  Yes. And as a reminder for the month
• 1:27:14
  of June and Ignition of pride month and the ongoing support
• 1:27:17
  needed for lgbtq Q individuals. We are donating all of our
• 1:27:21
  proceeds for my patreon and we are going to match those to the
• 1:27:24
  Trevor Project. And Robert atone has offered
• 1:27:27
  that anybody who wants to individually donate to the
• 1:27:29
  Trevor Project. Whoever donates the most by the
• 1:27:32
  end of the month. If we, if he's if you send proof
• 1:27:35
  to us or to him, he will send you a copy of each of his books
• 1:27:40
  personally signed by hand. Yeah.
• 1:27:41
  Super generous offer that? He, yes.
• 1:27:43
  And now sonar Episode 4. Perfect blue is so and yeah.
• 1:27:47
  And the Trevor Project is an organization, that means a lot
• 1:27:50
  to us. And so we really like supporting
• 1:27:53
  it. And hopefully, if you've never
• 1:27:55
  heard of them before check them out.
• 1:27:57
  Yeah. Or you can just donate and not
• 1:28:00
  tell anybody about it. If you don't feel like doing it
• 1:28:02
  for prize, like this, want to do it to just do it.
• 1:28:04
  That's fine. It's a fucking good.
• 1:28:05
  Yeah, it's like, it's like suicide prevention.
• 1:28:07
  Yeah, I mean, that's just a good cause in general, but this is
• 1:28:10
  like, specifically for the LGBT and like, we live in Kentucky,
• 1:28:14
  which Is doing its damnedest to take away all the rights for
• 1:28:19
  especially right now, a trans individuals.
• 1:28:22
  And so the Trevor Project is super super important for
• 1:28:27
  helping deal with you know the backlash that comes along with
• 1:28:32
  you know your government and your society around you feeling
• 1:28:38
  against you it's super easy to get into like a bad head space
• 1:28:41
  with that type of stuff. Yeah you know you got a lot of
• 1:28:43
  people out there. We love You guys?
• 1:28:45
  Yeah. Where are you Trevor Project?
• 1:28:48
  If you need any help, go reach out to them and that's what
• 1:28:51
  they're there for. It's, for lgbtq young people.
• 1:28:54
  Okay. And they've got like text chat.
• 1:28:57
  Call options. Good all the ways, like,
• 1:29:00
  however, you are most comfortable talking to a person.
• 1:29:02
  Yeah, okay. Alright.
• 1:29:05
  So that's all right. We'll see you guys soon.
• 1:29:08
  And in the meantime, you can also find us on our social
• 1:29:10
  media. We've got Facebook, Instagrams,
• 1:29:12
  least favorite scary, movie, podcast, or Twitter.
• 1:29:14
  Is fave, pod, you can find us on our website.
• 1:29:17
  What's your least favorite? Scary movie.com.
• 1:29:18
  And you can email us at least favorite scary movie at
• 1:29:20
  gmail.com. And if you would like to support
• 1:29:22
  us as a show, one of the easiest ways you can do it is just by
• 1:29:25
  liking us following us subscribing to us.
• 1:29:29
  If you've listened to a full episode on Spotify, you can just
• 1:29:32
  go ahead and you can give us five stars.
• 1:29:34
  You maybe need to nobody will stop you.
• 1:29:36
  Yeah, it doesn't have to be a full episode.
• 1:29:37
  Think it's like, I promise we will not call the cops on him.
• 1:29:40
  If he goes to 5 star rating, 15 minutes, I think is all you have
• 1:29:43
  to listen to have an episode to be able to A rate so that your
• 1:29:45
  15 minutes is no more than 15 minutes?
• 1:29:47
  Yeah you can yeah, do that right on there Apple?
• 1:29:50
  Same deal like it helps us and we appreciate any bit of skies.
• 1:29:55
  I am desperately in need of Serotonin and like the little
• 1:29:58
  hit I get every time I pull up the app and see that we've
• 1:30:00
  gotten more listeners like nice. It's keeping me alive.
• 1:30:03
  Yeah. Okay guys, thank you guys for
• 1:30:07
  being here. We'll see you all next week with
• 1:30:09
  Hellraiser, all right? A puppy, hush.
• 1:30:32
  I know it's a little bit late for a demonstration on how lot I
• 1:30:34
  can bark, but here we go.