Latest / The Bald Brothers Podcast / 92: Top Movies Black People Will Get At You For Not Seeing | #Thebaldbrotherspodcast

Transcript

92: Top Movies Black People Will Get At You For Not Seeing | #Thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: And the right stuff.
• 0:01
  Speaker 2: And then I realized, I said, man, you're just doing
• 0:03
  Speaker 2: stuff that you've seen on TV or porn. You know,
• 0:06
  Speaker 2: we were always watching porn when we were young. So
• 0:08
  Speaker 2: I was like, I'm just doing what I think men
• 0:10
  Speaker 2: should do in my marriage in the bedroom, all that stuff.
• 0:14
  Speaker 2: And then I released myself from the shackles of patriarchy
• 0:18
  Speaker 2: and I said, keV, be free.
• 0:20
  Speaker 1: And you know who came out moans McGee was like,
• 0:25
  Speaker 1: I'm Ariel. I let my body feel whatever whatever comes
• 0:34
  Speaker 1: out comes out. I feel like talking. I talk.
• 0:38
  Speaker 3: If I feel like total noise than Melissa does.
• 0:42
  Speaker 1: One million percent, I'd be having sex with her and myself.
• 0:50
  Speaker 1: I'm a performer in everything. I Do you like that, keV? Yes?
• 0:56
  Speaker 1: Talking to her something? How do you like that? I'm enjoining?
• 0:59
  Speaker 3: Great?
• 0:59
  Speaker 1: Well?
• 0:59
  Speaker 3: Actually, do you already tell me? She coming back in there?
• 1:02
  Speaker 3: Like I wasn't even in there? Oh oh oh, I
• 1:07
  Speaker 3: thought you.
• 1:07
  Speaker 1: Were kind of tied. Now you want to turn in?
• 1:21
  Speaker 3: I don't know, because I don't feel like get in
• 1:23
  Speaker 3: the bathroom to hear you in there, like, who's there?
• 1:27
  Speaker 1: You have been working out?
• 1:33
  Speaker 3: Ah?
• 1:34
  Speaker 1: But I think so. Here's the thing though, if anything
• 1:36
  Speaker 1: were to happen to Melissa and I.
• 1:38
  Speaker 2: Wouldn't even want I wouldn't even I would not feel
• 1:41
  Speaker 2: safe no more.
• 1:42
  Speaker 3: Oh yeah, because you got it.
• 1:43
  Speaker 2: I'd be like, man, I don't because now what she's
• 1:45
  Speaker 2: gonna think? She going the group chat. I wouldn't know
• 1:48
  Speaker 2: what to do.
• 1:49
  Speaker 1: I'd be like, yes, this is a sexual activity. We
• 1:52
  Speaker 1: are happy. You know what I'm saying.
• 1:54
  Speaker 2: Like, once you're twenty years in, man, the comfort little
• 1:58
  Speaker 2: there's a comfort level that I could be free. She
• 2:00
  Speaker 2: was to be like, Nigga, what was that? I don't know,
• 2:03
  Speaker 2: you know what I'm saying. But a new person, I
• 2:05
  Speaker 2: would be like, and I don't know what. I don't
• 2:07
  Speaker 2: know what's going on in the streets. I don't know
• 2:10
  Speaker 2: what people are used to.
• 2:11
  Speaker 3: That's what. That's the thing like when you when you
• 2:13
  Speaker 3: when you out here and you're dating around, you're looking
• 2:17
  Speaker 3: up with different people. It's like you're not fully comfortable yet.
• 2:21
  Speaker 3: On those early sessions.
• 2:23
  Speaker 1: I can't imagine.
• 2:24
  Speaker 3: She was like, you can't like why you ain't released?
• 2:27
  Speaker 3: I don't though I was a little man look out,
• 2:30
  Speaker 3: But they because they're not comfortable.
• 2:32
  Speaker 1: Yeah, because you don't. I can imagine you don't want
• 2:35
  Speaker 1: to be well, it's impossible to be.
• 2:38
  Speaker 2: Your full self on the first one, two three, because
• 2:43
  Speaker 2: what if you like he thought that was weird, you
• 2:45
  Speaker 2: know what I'm saying.
• 2:46
  Speaker 1: So I feel like you gotta be reserved.
• 2:48
  Speaker 2: That's why they say some of the best sets you
• 2:49
  Speaker 2: have is in a very committed relationship, for sure, because
• 2:52
  Speaker 2: you got that trust, you got all that stuff going.
• 2:54
  Speaker 1: You don't have. You don't got the fear of being
• 2:56
  Speaker 1: you know, Oh you're gonna make fun of me or whatever.
• 2:59
  Speaker 1: Just be free, moans McGee. Man. Most can't come out
• 3:03
  Speaker 1: if I something happened. Listen, Mamma geet gone baby.
• 3:06
  Speaker 2: Most McGhee dies, I'll be saluting. I couldn't be moans
• 3:15
  Speaker 2: MCGHEEO years to get that comfortable.
• 3:19
  Speaker 3: I've been working on making more noise.
• 3:22
  Speaker 1: B moans McGee as well. Tom post post Moon moans justice.
• 3:34
  Speaker 4: Money love, man, that's all I want to be money
• 3:37
  Speaker 4: love because here money love. You don't you never asked?
• 3:46
  Speaker 1: All right, y'all, Welcome to the Ball Brothers. This is
• 3:48
  Speaker 1: gonna sound so out of context if you're not watching
• 3:50
  Speaker 1: on Patreon, because this was the end of an episode
• 3:53
  Speaker 1: based on the middle part of another episode, and we
• 3:55
  Speaker 1: shoot all these episodes in the same day. But if
• 3:57
  Speaker 1: you just.
• 3:57
  Speaker 2: Watching Monday to Monday, you're like, what was man? And
• 4:00
  Speaker 2: it was a whole thing. Yeah, to be there. But
• 4:03
  Speaker 2: today's topic the top movies that black people will get
• 4:07
  Speaker 2: mad at you if you say you haven't seen. All right,
• 4:12
  Speaker 2: skip down a little bit. The movie talk all right,
• 4:16
  Speaker 2: so there is many Yes, Okay, I'm gonna go it's
• 4:21
  Speaker 2: my friend first you last time. So I'm gonna say
• 4:26
  Speaker 2: and there's so many.
• 4:28
  Speaker 3: Yeah, this is a lot.
• 4:29
  Speaker 2: I'm gonna say this. I'm gonna tell you why I'm
• 4:32
  Speaker 2: gonna say this. The Color Purple. Okay, the Color Purple
• 4:36
  Speaker 2: is a big one in the black community. People get upset.
• 4:40
  Speaker 2: The Color Purple is a movie that if you haven't
• 4:43
  Speaker 2: seen outside of the black culture part it's totally okay
• 4:47
  Speaker 2: because it is a heavy, heavy, traumatic, sad. It's not
• 4:54
  Speaker 2: something like a Christmas story like, oh you should check
• 4:58
  Speaker 2: this out.
• 4:58
  Speaker 3: It took me be able to see that.
• 4:59
  Speaker 1: But Christmas story is that the one he looks the thing.
• 5:02
  Speaker 3: I hate it and I won't see that until I
• 5:03
  Speaker 3: was I will not watch it.
• 5:05
  Speaker 1: By the way, at this point, I'm making a stand.
• 5:08
  Speaker 3: Just it looks his damn movie.
• 5:10
  Speaker 1: It was cool. Ralphy, shut up, Ralph, you'll shoot your
• 5:15
  Speaker 1: I've already chosen my Christmas movies and the Christmas movie is.
• 5:18
  Speaker 2: Not it Christmas Store, Christmas Story. It's out respective enough
• 5:22
  Speaker 2: to say that right now. But anyway, back to the
• 5:24
  Speaker 2: Color Purple were making kids watch this. It's super culturally relevant.
• 5:29
  Speaker 2: Tyler Perry used to do color Purple jokes in his
• 5:31
  Speaker 2: plays all the time, and everybody got it. So there's
• 5:34
  Speaker 2: a lot of jokes like you won't get this until
• 5:37
  Speaker 2: you do right by me, like so many of those
• 5:39
  Speaker 2: things are like part of black culture now, and black folks.
• 5:42
  Speaker 1: Will lose beat, Oh my god.
• 5:46
  Speaker 2: And the new one is sad as well, but people
• 5:49
  Speaker 2: won't get mad if you haven't seen that. It's the
• 5:50
  Speaker 2: original that you have had.
• 5:53
  Speaker 3: Did it at the box office tanked? It started. I
• 5:57
  Speaker 3: thought it was started out well and then it just knows.
• 6:01
  Speaker 2: Really the articles was that opening weekend for the first
• 6:04
  Speaker 2: day theirs the first day it did really like forty million.
• 6:08
  Speaker 2: It did really well first day, and then it was
• 6:10
  Speaker 2: like for the second weekend it was it was just
• 6:13
  Speaker 2: because the budget was.
• 6:14
  Speaker 3: High and so it just didn't do well overall.
• 6:19
  Speaker 1: Yeah, dang, it was good to me.
• 6:21
  Speaker 3: Because because you know, the original color purple did very
• 6:24
  Speaker 3: well at the box office back in the eighties.
• 6:27
  Speaker 1: Even though the boycotted.
• 6:29
  Speaker 3: Yeah, it did really well.
• 6:30
  Speaker 1: That's crazy.
• 6:31
  Speaker 3: It almost made a hundred in the box office domestically. Yeah,
• 6:36
  Speaker 3: it made a lot of money. It's up there like
• 6:38
  Speaker 3: in the eighties, nineties.
• 6:39
  Speaker 1: That's crazy, all right. What you got?
• 6:42
  Speaker 3: So I got coming to America?
• 6:44
  Speaker 1: Yep?
• 6:45
  Speaker 3: If you ain't seen coming to America, what did you do?
• 6:49
  Speaker 1: Why are you here?
• 6:51
  Speaker 3: What's the point of you even busting nuts to get
• 6:55
  Speaker 3: you here?
• 6:56
  Speaker 1: Why was your daddy moans?
• 6:57
  Speaker 3: Why was he wasted the moans on this? You ain't
• 7:00
  Speaker 3: seeing coming to America? Man, Get get out of my house.
• 7:03
  Speaker 3: Get the hell out of get out. I want you
• 7:05
  Speaker 3: out of here. You think I'm playing, I'm gonna go
• 7:07
  Speaker 3: get the shotgun, the double barrel. I want you all
• 7:10
  Speaker 3: my properties.
• 7:11
  Speaker 1: What Stamp Jackson had in coming to America, he rob
• 7:13
  Speaker 1: the McDonald's have a double that. It might have been
• 7:19
  Speaker 1: a single barrel, okay, because.
• 7:20
  Speaker 3: The double barrel in the country.
• 7:22
  Speaker 1: Man, that's.
• 7:24
  Speaker 3: We need to be in coming to America. Though, If
• 7:27
  Speaker 3: you haven't seen that.
• 7:28
  Speaker 1: What is you doing? Yeah?
• 7:30
  Speaker 3: One thousand, everybody is offended.
• 7:33
  Speaker 1: Make my kids watch it, just so that one happened.
• 7:35
  Speaker 5: The music, the record is gonna scratch yep. The Civil
• 7:39
  Speaker 5: War is gonna hit the plate, yep.
• 7:40
  Speaker 3: It's gonna be a pause I've never seen coming to America, clean, clean,
• 7:44
  Speaker 3: clean record scratch. Hey, y'all, you're gonna hear an eagle
• 7:48
  Speaker 3: over here. It's gonna be crazy, it's gonna be.
• 7:56
  Speaker 6: All right.
• 7:57
  Speaker 1: I'm gonna go in this one. I know from personal experience.
• 8:00
  Speaker 1: Harlem Knights.
• 8:01
  Speaker 3: Yeah, the you was way behind schedule. The Blacks ain't
• 8:05
  Speaker 3: having it, especially to be as black and as movie
• 8:08
  Speaker 3: as you are, was way behind.
• 8:11
  Speaker 1: I didn't Harlem Nights until twenty the Pandemic. No, I
• 8:17
  Speaker 1: watched it in my old house. No, we watched it
• 8:20
  Speaker 1: before then. It was like twenty fifteen, twenty sixteen, twenty eighteen,
• 8:23
  Speaker 1: twenty nineteen.
• 8:24
  Speaker 3: No, you pumped that up.
• 8:26
  Speaker 1: No, I watch you when I never received the show.
• 8:28
  Speaker 1: It might have been late pandemic.
• 8:31
  Speaker 3: Let me check you saw. I feel like it was
• 8:34
  Speaker 3: during depending.
• 8:34
  Speaker 1: No, I wasn't a pandemic because I moved to Calabasas
• 8:37
  Speaker 1: in the pandemic. But I know I didn't watch it
• 8:40
  Speaker 1: in that house.
• 8:41
  Speaker 3: I did.
• 8:43
  Speaker 1: Let's see h.
• 8:47
  Speaker 3: Yeah, what was it?
• 8:48
  Speaker 1: It was twenty nineteen.
• 8:49
  Speaker 3: Yeah, I knew.
• 8:50
  Speaker 1: I knew before the pandemic, before the pandemic, rightway later,
• 8:54
  Speaker 1: twenty nineteen.
• 8:56
  Speaker 3: That's wild, And you missed the black I love the Blacks.
• 9:00
  Speaker 1: I do look and listen Nights come out eighty eighty nine,
• 9:06
  Speaker 1: eighty nine. Dang, I missed it. But when I tell
• 9:11
  Speaker 1: you still holds up.
• 9:13
  Speaker 3: Oh yeah.
• 9:14
  Speaker 2: I was thinking sometimes when you ain't seen a movie
• 9:17
  Speaker 2: in a long time, like wayte, since it came out
• 9:20
  Speaker 2: and people love it, you'd be like, ah, man, it's probably.
• 9:23
  Speaker 3: Like, no, it came year eighty nine. Yeah, it was
• 9:26
  Speaker 3: before another forty eight.
• 9:27
  Speaker 1: I feel like people be hyping it. Plus you got nostalgia,
• 9:31
  Speaker 1: So I was like, probably ain't gonna be that funny man.
• 9:33
  Speaker 1: That's what I'm just saying. That's what people be thinking.
• 9:35
  Speaker 3: I don't want to hear none of it.
• 9:36
  Speaker 1: But then I but I see it now.
• 9:37
  Speaker 2: But see, this is the problem. Even when you do
• 9:39
  Speaker 2: the black stuff that you should have done, people just
• 9:41
  Speaker 2: get mad that you.
• 9:41
  Speaker 3: You gotta get thrown on the grill.
• 9:43
  Speaker 1: You want to talk about people thrill in twenty nineteen,
• 9:46
  Speaker 1: But nah, man, you should have been in there that's
• 9:48
  Speaker 1: six years.
• 9:49
  Speaker 3: It took so long. I don't know, man, I don't
• 9:52
  Speaker 3: know what happened coming to America. You ain't see all
• 9:54
  Speaker 3: of the Night.
• 9:55
  Speaker 1: I done told you. My aunt had all the DVD
• 9:58
  Speaker 1: I mean the VHS ship. She didn't have Harllom Knights.
• 10:02
  Speaker 2: Okay, I've seen so many movies strictly because my aunt,
• 10:06
  Speaker 2: who didn't pay attention, was just like man, so I
• 10:09
  Speaker 2: was like, I'm gonna get you sucker, coming to America,
• 10:11
  Speaker 2: boys of the Hood. I used to be at her
• 10:13
  Speaker 2: house all the summers. Just then I watched you break
• 10:16
  Speaker 2: that up with a little.
• 10:16
  Speaker 3: Mermaid Hall of Nights. You would have watched it, for sure.
• 10:21
  Speaker 2: I watched everything black, and she had a lot of stuff.
• 10:24
  Speaker 2: But she didn't like this is what's I don't understand.
• 10:28
  Speaker 2: I don't Maybe she was Jehvah's witness. I don't think
• 10:30
  Speaker 2: she liked a lot of violence. And I think Harda
• 10:32
  Speaker 2: Knights had a little gun violence. Yeah, but like I'm
• 10:35
  Speaker 2: gonna get you sucker had a little gun violence. She
• 10:37
  Speaker 2: wasn't like but Harlem Knights had, like I'm.
• 10:40
  Speaker 3: Just gonna get your sucker. It was silly, silly, silly.
• 10:43
  Speaker 1: It was the Big Toe and stuff. It was like that.
• 10:45
  Speaker 1: It was ridiculous.
• 10:46
  Speaker 3: But yeah, Hall of Knights it was a little bit
• 10:48
  Speaker 3: more gangst.
• 10:48
  Speaker 1: It was a little more gangster. And that's what I
• 10:50
  Speaker 1: think it was. She was je Hopah's witness, who was
• 10:52
  Speaker 1: like Tony loves this about her. He likes when people
• 10:55
  Speaker 1: go against their religious stuff, but they're not supposed to
• 10:58
  Speaker 1: give and Jehovah's witness. She wouldn't give me a gift.
• 11:01
  Speaker 1: But when I go over her house after my birthday,
• 11:03
  Speaker 1: there would be something that I would like you She
• 11:08
  Speaker 1: would have said that.
• 11:11
  Speaker 2: It's like you couldn't. You couldn't say anything. You couldn't
• 11:17
  Speaker 2: And it was the only thing on the kitchen table.
• 11:18
  Speaker 2: It's like a ninja turtles, that's man. But she can't
• 11:21
  Speaker 2: say happy birthday. Right, we celebrate just so happened to
• 11:25
  Speaker 2: have a toile. It's just on the tape.
• 11:26
  Speaker 7: So what?
• 11:27
  Speaker 1: All?
• 11:28
  Speaker 3: Right?
• 11:28
  Speaker 1: Watch these movies.
• 11:29
  Speaker 2: But yeah, and remember people forget there was a time
• 11:35
  Speaker 2: right prior to streaming that movie also had to be
• 11:39
  Speaker 2: available to go and get right. And some movies were
• 11:42
  Speaker 2: not in blockbusters, Like I wasn't I wasn't looking for
• 11:45
  Speaker 2: it terribly, but I didn't even see Harlem Knights that much.
• 11:47
  Speaker 1: It was. No, it wasn't. Man, And in the stream
• 11:50
  Speaker 1: era you can now watch anything you want.
• 11:51
  Speaker 3: All the Nights was in the video. Still it wasn't.
• 11:54
  Speaker 3: I'm not about to let you get.
• 11:57
  Speaker 1: Was not in there.
• 11:59
  Speaker 3: To thousand and three. All the nice was in there.
• 12:02
  Speaker 3: It's Eddie Murphy movie. This ain't some low budget were
• 12:04
  Speaker 3: taking it off the shell place was in there, but
• 12:08
  Speaker 3: I'm not. I'm not buying it, man, I'm not buying
• 12:11
  Speaker 3: this what you got, I got a New Jack City.
• 12:17
  Speaker 1: I believe not only New Jack City. Every Hood movie
• 12:22
  Speaker 1: came out that most of my listens that New Jack
• 12:26
  Speaker 1: City is used team m Nino Brown.
• 12:31
  Speaker 3: You ain't see New Jack City like that might be.
• 12:34
  Speaker 1: The leader of the Hood classics.
• 12:36
  Speaker 3: New Jack City was new. Yeah, those two, I feel
• 12:41
  Speaker 3: like more people. Boys and Hood did slightly better at
• 12:46
  Speaker 3: the box office. They came out the same year. That's
• 12:48
  Speaker 3: what's crazy. They came out the same year.
• 12:51
  Speaker 2: Wait, wasn't Wesley Snapes bigger than he was a bigger
• 12:53
  Speaker 2: star than anybody in the Boys the Hood at the time.
• 12:56
  Speaker 3: Yeah, Well, Wesley Snape wasn't that big then. Really, Yeah,
• 13:01
  Speaker 3: he wasn't that big then, Like because before that he
• 13:03
  Speaker 3: was in major league. He wasn't like he never.
• 13:06
  Speaker 1: Let a film before Willie mas Hayes.
• 13:09
  Speaker 3: Yeah, he was in major league before New Jack City.
• 13:11
  Speaker 3: But when when New Jack City came out? Even when
• 13:15
  Speaker 3: I saw Wesley Snipes, I was like, who was that guy?
• 13:17
  Speaker 3: Like I didn't even piece together there was major.
• 13:19
  Speaker 1: Leagu Wait when when did uh? When did when did
• 13:23
  Speaker 1: New Jerk City come out?
• 13:24
  Speaker 3: Ninety one?
• 13:24
  Speaker 1: When did White Men Can't Jump come out?
• 13:26
  Speaker 3: Ninety two?
• 13:28
  Speaker 1: So, you know what, in my mind, that is the same.
• 13:32
  Speaker 1: I saw White Men Can't Jump first. I saw that
• 13:35
  Speaker 1: in the theater. I saw New Jack City later.
• 13:37
  Speaker 2: Okay, so in my mind he was already Western snide,
• 13:40
  Speaker 2: But I now realize that's out of order release wise.
• 13:43
  Speaker 3: Yeah, New Jack City is what propelled him to really Yeah,
• 13:47
  Speaker 3: so when was Demlicia Man ninety three?
• 13:50
  Speaker 7: Peeps? I know what you're thinking, Wow, are we in
• 13:55
  Speaker 7: your bathroom? Want to tell you something? Man, the bathroom.
• 13:59
  Speaker 6: A lot of the time, when you're getting ready for
• 14:02
  Speaker 6: that magic moment for somebody special, you might run up
• 14:06
  Speaker 6: in the bathroom when the fresh enough for you know
• 14:08
  Speaker 6: what I'm saying, get a little extra.
• 14:11
  Speaker 7: Ingredient for yourself. You know, I'm talking about you feel me.
• 14:14
  Speaker 7: That's why blue Chew is here for you.
• 14:18
  Speaker 3: Man.
• 14:18
  Speaker 7: Does blue Chew work? That's what people want to know.
• 14:21
  Speaker 7: Does it work?
• 14:22
  Speaker 3: If you're asking that question, we want you to know
• 14:24
  Speaker 3: that Blue Chew is putting their money where their mouth
• 14:27
  Speaker 3: is by giving you.
• 14:27
  Speaker 7: A month free. You get a free month a blue Cheo.
• 14:36
  Speaker 7: That sounds like a win to meeting. You know what
• 14:37
  Speaker 7: I'm saying. A free month of anything. It is a
• 14:40
  Speaker 7: good time.
• 14:41
  Speaker 1: Man.
• 14:41
  Speaker 7: I wish I had a free month of rent. That'd
• 14:43
  Speaker 7: be fire.
• 14:44
  Speaker 3: Blue Choo is an online service that delivers the same
• 14:46
  Speaker 3: active ingredients as Viagra, Sialis and levitrip, but at.
• 14:51
  Speaker 7: A fraction of the costs and an a chewable form.
• 14:54
  Speaker 7: The process is simple.
• 14:55
  Speaker 3: Sign up at bluechoo dot com, consult with their licensed
• 14:58
  Speaker 3: medical providers, and one you approve, you'll receive your prescription
• 15:02
  Speaker 3: within days now. Blue You tablets are made in the US,
• 15:06
  Speaker 3: avey and prepare and ship directly to your door. The
• 15:09
  Speaker 3: best part, it's all done online. That means no visits
• 15:13
  Speaker 3: to the doctor's office, no awkward conversations, and no waiting
• 15:16
  Speaker 3: in line at the pharmacy. You can take them anytime,
• 15:19
  Speaker 3: day and night. You can plan ahead or be ready
• 15:22
  Speaker 3: whenever an opportunity oasis. Yeah, man, listen man. Blue cho
• 15:34
  Speaker 3: wants men rock hard. They want y'all rock hard and
• 15:40
  Speaker 3: cock diesel if you will. They told me that's the mission.
• 15:43
  Speaker 3: They will not stop until every man is bricked up
• 15:46
  Speaker 3: like a brick house, all right, till every tent is pitched,
• 15:50
  Speaker 3: till every ride is raised. Discovering your options that bluecho
• 15:54
  Speaker 3: dot com. And we got a special deal for our audience.
• 15:58
  Speaker 3: All right, try to blue choree. Just pay five dollars
• 16:02
  Speaker 3: for shipping to check out when you visit blue choo
• 16:04
  Speaker 3: dot com.
• 16:05
  Speaker 7: That's blue Choo dot com to receive your first month free.
• 16:09
  Speaker 3: Visit blue chew dot com for more details and important
• 16:13
  Speaker 3: safety information.
• 16:14
  Speaker 7: And we thank blue Choo for sponsor the Ball Brothers.
• 16:17
  Speaker 3: So he was killing, he was working because and also
• 16:20
  Speaker 3: in that time frame Passinger fifty seven, I was.
• 16:22
  Speaker 1: About to say, and then two Wong Foods was like
• 16:24
  Speaker 1: ninety five ninety six.
• 16:25
  Speaker 3: That was like ninety five ninety six. Yeah, that was
• 16:28
  Speaker 3: that was much later. So it was like New jack
• 16:30
  Speaker 3: City then.
• 16:31
  Speaker 1: You know.
• 16:32
  Speaker 3: Also Jungle Fever was ninety one ninety one. Yes, so
• 16:37
  Speaker 3: Wesley Science, New Jackson yes. So he had already been
• 16:41
  Speaker 3: working with Spike Lee.
• 16:42
  Speaker 1: Because he was in Mo Better Blues, Give me the
• 16:44
  Speaker 1: Give me the Wesley Snipes' ascension.
• 16:46
  Speaker 3: Okay, so you had you had him in major League,
• 16:49
  Speaker 3: you would just see him. That's like, yeah, that's like
• 16:52
  Speaker 3: New Jack City. That's where he got top billing. Okay,
• 16:55
  Speaker 3: name above the above the title. Yep, it was Wesley
• 16:58
  Speaker 3: Snipes iced team Jed Nelson MARIVELVN people's New Jack City
• 17:04
  Speaker 3: comes out and then that summer Jungle Fever comes out.
• 17:08
  Speaker 1: So New York Ciities is like winter.
• 17:11
  Speaker 3: Yeah, it came out like februaryhere, so it was New
• 17:14
  Speaker 3: Jack City, Jungle Fever comes out, and that's him and
• 17:19
  Speaker 3: Anabella Shiora. But the leading seller of that movie was
• 17:23
  Speaker 3: Spike Lee. Ye.
• 17:24
  Speaker 1: Spike Lee joint ye.
• 17:25
  Speaker 3: So there was a Wesley was in there as well.
• 17:28
  Speaker 3: And then so he did those two in the same year.
• 17:31
  Speaker 3: That's a hot year because Jungle Fever did well too.
• 17:34
  Speaker 3: So then you got White Man Can't Jump, You got
• 17:37
  Speaker 3: Passenger fifty seven.
• 17:39
  Speaker 1: I forgot about Passenger fifty seven. That was a good movie.
• 17:43
  Speaker 3: So because that was like, oh, Wesley Snipes can do action. Yeah,
• 17:47
  Speaker 3: Well let's check this out and that's when he became
• 17:49
  Speaker 3: an action star, because before that he was drama. Even
• 17:52
  Speaker 3: though he's a major league, we see him in these dramas.
• 17:54
  Speaker 3: Oh he can be funny too. White man can't jump,
• 17:56
  Speaker 3: Wesley Snipes can do it all.
• 17:58
  Speaker 1: He's great.
• 18:00
  Speaker 2: I wish he didn't have the tax thing. I wish
• 18:02
  Speaker 2: he didn't even have the break in his career. He like,
• 18:04
  Speaker 2: We've appreciated him at every step, but he can't.
• 18:06
  Speaker 1: Do no wrong.
• 18:07
  Speaker 3: He has done it all as a leading man.
• 18:08
  Speaker 1: He was so that Kevin Hart mini series with him
• 18:11
  Speaker 1: and fantastic. Kevin Hart is a great dramatic action Did
• 18:17
  Speaker 1: you see Fight Night yet? Not yet.
• 18:18
  Speaker 3: I've heard good things though Kevin Hart. When I was
• 18:22
  Speaker 3: telling the Patron saying the Patron saints this, I was like, yo,
• 18:26
  Speaker 3: Kevin Hard, I fully buy him and not I don't
• 18:29
  Speaker 3: look for him for comedy anymore.
• 18:30
  Speaker 1: He's so good.
• 18:31
  Speaker 3: Like when I look at him and Fight Night or
• 18:33
  Speaker 3: anything where he plays like the straight man, I'm like,
• 18:35
  Speaker 3: I see him as that character.
• 18:38
  Speaker 1: My favorite Kevin Hart movies and work The Western Side
• 18:41
  Speaker 1: thing I can't think of the name with true Story
• 18:43
  Speaker 1: is my favorite thing he's ever done. I believed him
• 18:46
  Speaker 1: more in that role than anything else.
• 18:47
  Speaker 3: He's fantastic man.
• 18:48
  Speaker 1: Brian Cranston movies, The French remake The Upside my second
• 18:52
  Speaker 1: favorite thing. What was the next one?
• 18:58
  Speaker 3: Was it some dramatic peace?
• 19:01
  Speaker 1: No? He the movie where he was is it called Fatherhood? Fatherhood?
• 19:08
  Speaker 1: He was really believable. I was like, I like him
• 19:11
  Speaker 1: in dramatic role. I don't mind him in funny stuff
• 19:13
  Speaker 1: like but it's.
• 19:14
  Speaker 3: Like he I don't look at him and be like, man,
• 19:17
  Speaker 3: I just need to comedy, say something funny. I can
• 19:19
  Speaker 3: watch him in Fight Night and I'm looking at him
• 19:22
  Speaker 3: just trying to I'm only one episode then, but I'm
• 19:24
  Speaker 3: just watching him orchestrate the whole not hurt good. He's
• 19:28
  Speaker 3: good in it.
• 19:29
  Speaker 1: Man. Yeah, I've heard people was like, keV, you should
• 19:32
  Speaker 1: check out Fight top Notch World. Teresa, she's in Instagram. Instagram,
• 19:36
  Speaker 1: she's in that anyway. This is what I love about
• 19:43
  Speaker 1: this podcast. Y'all lucky.
• 19:44
  Speaker 2: We can't just do movies only. We only do the
• 19:46
  Speaker 2: other stuff. Just I swear we could do movie topics
• 19:49
  Speaker 2: only the stuff, but it's movies at the heart started stuff.
• 19:57
  Speaker 2: All right, What was that Wesley snaps? I feel like
• 20:00
  Speaker 2: he's done thirty seven, So when just Drad come in,
• 20:02
  Speaker 2: I mean.
• 20:03
  Speaker 3: Demolition Man was ninety three, so that was after Passinger
• 20:06
  Speaker 3: fifty seven, it was like, oh, we know he do action.
• 20:09
  Speaker 3: So and then he also also in ninety three he
• 20:12
  Speaker 3: was in Rising Sun with Sean Connery, which also did well.
• 20:16
  Speaker 3: Wesley Snipes was Killing Man in the nineties great, and
• 20:20
  Speaker 3: then ninety five was Money Trained. Money Train didn't do
• 20:23
  Speaker 3: as well as A White Man Can't Jump, but I
• 20:26
  Speaker 3: enjoyed it. Yeah, and then he was just doing mad
• 20:29
  Speaker 3: like action movies after that, and then Blade in ninety
• 20:32
  Speaker 3: eight and before the you know, in between he was
• 20:35
  Speaker 3: doing the Art of War and like uh Murdered sixteen hundred,
• 20:40
  Speaker 3: he dipped into like action ban.
• 20:42
  Speaker 2: Still and actually people do mention this a lot. I
• 20:45
  Speaker 2: wish he got more. He was the Marvel cinemat of
• 20:47
  Speaker 2: universe before yes, it was Marvel. I think that was
• 20:50
  Speaker 2: the first time a superhero movie was R rated was Blade.
• 20:54
  Speaker 2: Those movies were good. Totally forgot that. Ryan Reynolds and
• 20:57
  Speaker 2: Blade three because it was arable and Brion Reynolds doesn't
• 21:01
  Speaker 2: even look like himself in that movie. He had the
• 21:04
  Speaker 2: beard and the weird stuff because somebody was like the
• 21:06
  Speaker 2: year is nineteen whatever, Bryan Reynolds starts West stop Blade
• 21:10
  Speaker 2: year and Ben Affleck and Jennifer uh Lopez break up,
• 21:17
  Speaker 2: and that happened the year Blade three came out, and
• 21:20
  Speaker 2: the year that Deadpool came out, Jennifer, Jennifer uh Lopez
• 21:26
  Speaker 2: and Ben Affleck broke up and Wesley Stipes and Ryan
• 21:28
  Speaker 2: Reynolds were Blade Yes, Blade Trinity, and then Deadpool where
• 21:33
  Speaker 2: they were like, he starts opposite Blade.
• 21:35
  Speaker 1: But anyways, Okay, my next movie, Okay, Friday, Yes, and Lacks.
• 21:42
  Speaker 1: You don't have to have seen all the Fridays. You
• 21:46
  Speaker 1: don't have to see Next Friday or Friday after Next,
• 21:48
  Speaker 1: but you have to have seen o G.
• 21:51
  Speaker 3: You don't need Next Friday at all. You don't.
• 21:53
  Speaker 8: You don't even need it to exist, really, you don't.
• 21:57
  Speaker 8: The Mexican little Joker Next Friday out of here. You
• 22:01
  Speaker 8: know what, Here's what I appreciate about Next Friday. Mike Epps,
• 22:06
  Speaker 8: Pinky dom D C. Curry, Michael Blason, Don d.
• 22:09
  Speaker 9: C Curry and Kim Willy were good too, Mister Nasty, Yeah,
• 22:14
  Speaker 9: they were, they were good to That's like five things.
• 22:16
  Speaker 9: You just don't like that it was doing too much
• 22:18
  Speaker 9: everybody was doing too much except for Pinky. African was
• 22:22
  Speaker 9: absolutely doing too much, but it was a great do
• 22:25
  Speaker 9: too much, and he's also playing it straight.
• 22:27
  Speaker 3: Technically, he's playing it dead. Seriously. I felt like he
• 22:30
  Speaker 3: wasn't trying to make me laugh.
• 22:32
  Speaker 1: No, why does that bother you so much?
• 22:34
  Speaker 3: Because I'm like, you're desperate. You're desperate for these laughs.
• 22:39
  Speaker 2: A comedy that trying to make Baker laugh, Like, no,
• 22:42
  Speaker 2: anytime people make you do something, you'll be like take
• 22:47
  Speaker 2: I just.
• 22:47
  Speaker 3: Feel the desperation and it's like the Aztec Warrior. And
• 22:51
  Speaker 3: he kept saying it. I'm like, you're trying to make
• 22:54
  Speaker 3: this a catchphrase. That's what I was thinking. Like everything
• 22:57
  Speaker 3: in the in the first Friday was organically catch phrase.
• 23:00
  Speaker 3: Everything that was said, yes this one. I was like, Yo,
• 23:03
  Speaker 3: we got to relift the magic. We gotta we gotta
• 23:05
  Speaker 3: have something that people can say. We gotta have to
• 23:07
  Speaker 3: catch phrases.
• 23:08
  Speaker 1: I know that was a note they was given to
• 23:10
  Speaker 1: me worse than somebody trying to make you do.
• 23:12
  Speaker 3: A catch So I was like, man, y'all trying too hard.
• 23:15
  Speaker 1: Nothing worse, and I God, yes, but I did say
• 23:19
  Speaker 1: that for a lot of time.
• 23:19
  Speaker 3: And the reason I like Mike Epps and and next
• 23:22
  Speaker 3: Friday is because I know he was going off the
• 23:24
  Speaker 3: page and that stuff was sticking and working, and I
• 23:27
  Speaker 3: was just like see, I like, I like day they
• 23:29
  Speaker 3: and then uh, I was just like no. And then
• 23:33
  Speaker 3: they incorporated that one stoner dude. I was just like,
• 23:36
  Speaker 3: you don't need to be here, and it was just
• 23:38
  Speaker 3: like de bow turned it up, and then you had
• 23:42
  Speaker 3: sticky fingers is his companion. He was doing too much.
• 23:45
  Speaker 1: I was like, nah, man, So Friday after next year
• 23:47
  Speaker 1: was back cool.
• 23:48
  Speaker 3: Friday after next I was like, all right, y'all are
• 23:50
  Speaker 3: chilled out a little bit.
• 23:51
  Speaker 1: Money.
• 23:51
  Speaker 3: Mike was good money. Mike was fantastic. Damon was was fantastic.
• 23:55
  Speaker 3: That little fight in the beginning where Craig was fighting man, wait,
• 24:00
  Speaker 3: you know you heard that ship. I was like, that's
• 24:02
  Speaker 3: exactly what I would have said if I was an
• 24:04
  Speaker 3: ice Q's position, Like, you didn't hear me fighting this
• 24:07
  Speaker 3: man in the living room. You was in his sleep
• 24:10
  Speaker 3: the old time.
• 24:11
  Speaker 1: I love that you came back around, y'all. Call I'm
• 24:13
  Speaker 1: down and I'm right now. Yeah, I'll never forgive you
• 24:15
  Speaker 1: for next Friday. And I don't like sealing. I don't
• 24:18
  Speaker 1: make me laugh.
• 24:19
  Speaker 3: I didn't like next all.
• 24:20
  Speaker 1: Laugh. If I want to laugh, don't try to make
• 24:22
  Speaker 1: me laugh.
• 24:23
  Speaker 3: Comedies are hard because they trying to relive the magic
• 24:26
  Speaker 3: and they get desperate for the relive, and then you
• 24:28
  Speaker 3: can feel it.
• 24:30
  Speaker 1: I don't mind it though, No, man, I don't mind it.
• 24:33
  Speaker 1: So do you think No More Locked Doors was funny? Though?
• 24:36
  Speaker 1: No More Locked Doors? I'm legal. That's a difference felt.
• 24:41
  Speaker 3: I felt them trying.
• 24:42
  Speaker 1: To take his head on the pop corner, just crossing,
• 24:46
  Speaker 1: you know.
• 24:46
  Speaker 3: I did like. I liked his brothers better, Hector because
• 24:51
  Speaker 3: they were playing it dead serious.
• 24:53
  Speaker 1: Little joker was the one you didn't like he was doing.
• 24:56
  Speaker 3: I like him as an actor a lot.
• 24:57
  Speaker 1: Yeah yeah, but have to play that same role Training Day.
• 25:01
  Speaker 1: He literally played the same role.
• 25:03
  Speaker 3: He wasn't training He was the ship pushed in.
• 25:07
  Speaker 2: No, not him, the other heck, the guy who his
• 25:09
  Speaker 2: name is Hector in almost all those movies, the middle brother.
• 25:12
  Speaker 3: No, it's the it's the little one. Jacob Vargas was.
• 25:15
  Speaker 2: The one that was you know, talking about him, I'm
• 25:16
  Speaker 2: talking about the other brother that was Calm. Oh yeah,
• 25:18
  Speaker 2: he was at the table in Training Day. Oh yeah, yeah, yeah,
• 25:21
  Speaker 2: playing the same He played like the same guy in
• 25:23
  Speaker 2: like several movies Fast and Furious, where he's always had.
• 25:28
  Speaker 1: Nono what you're doing? Yeah, what's your line? I know.
• 25:32
  Speaker 3: Everything?
• 25:33
  Speaker 7: I know?
• 25:34
  Speaker 3: Yeah, I forgot. He was in Next Friday. He's he's
• 25:37
  Speaker 3: the other brother. But then the other one, the other
• 25:39
  Speaker 3: one was I really believed him. I believe him one
• 25:43
  Speaker 3: hundred percent. Yo, this dude, they got him off the
• 25:45
  Speaker 3: streets to l a sure, one hundred percent. All right,
• 25:49
  Speaker 3: you're up, all right, So I'm gonna I'm gonna go.
• 25:52
  Speaker 3: I'm gonna do this for personal reasons, but I don't
• 25:55
  Speaker 3: feel like it that it should apply. Si stag too.
• 25:59
  Speaker 3: I don't like the heat I got for not seeing
• 26:02
  Speaker 3: this movie because I feel like it's not a classic.
• 26:05
  Speaker 3: But I'm gonna just throw it on the list since
• 26:07
  Speaker 3: y'all roll so much.
• 26:08
  Speaker 1: Hell, Leah, do you see what I got to deal with?
• 26:13
  Speaker 3: Sistag too. I don't think it's a class.
• 26:19
  Speaker 1: This is what I want to quit this podcast. I'd
• 26:22
  Speaker 1: rather kick a baby in the kneecap every time we
• 26:25
  Speaker 1: sit down and shoot than to say.
• 26:27
  Speaker 3: This man, you talk al right, it's not why why
• 26:33
  Speaker 3: ain't it?
• 26:34
  Speaker 1: And I heard it before I needed you to say it.
• 26:36
  Speaker 1: To me again, why is it not? And I know
• 26:38
  Speaker 1: how you feel, and I do agree since the first
• 26:42
  Speaker 1: sistag is more of a classic, No it ain't for
• 26:45
  Speaker 1: black culture. Wake Up, Sister. Rack one is a great movie.
• 26:54
  Speaker 1: I've never seen a better movie.
• 26:56
  Speaker 3: It's a it.
• 26:57
  Speaker 1: Actually I agree with it has a better story, better
• 27:00
  Speaker 1: story for sure. Sister, the Mob, the Showgirls. A big
• 27:06
  Speaker 1: fan of fish.
• 27:08
  Speaker 3: It the second one and then will Be took a
• 27:12
  Speaker 3: back seat to the kids. You don't like it, fu
• 27:16
  Speaker 3: them kids, man, I wanted to see.
• 27:18
  Speaker 1: She didn't take a back seat.
• 27:19
  Speaker 3: She took a back seat.
• 27:22
  Speaker 1: She was the teacher Cole beans Hey and collar Greens.
• 27:26
  Speaker 1: She was in it good.
• 27:28
  Speaker 3: She was a good teacher and I felt that connect.
• 27:30
  Speaker 3: But the reason people love that movie is is the
• 27:33
  Speaker 3: songs were better for sure. That's what it's all about.
• 27:37
  Speaker 1: You know what I would love And I don't know
• 27:39
  Speaker 1: why Broadway does. Have they done his sister act too? Broadway?
• 27:41
  Speaker 1: I don't know, boy, you talk about take my.
• 27:45
  Speaker 3: Money, I'm surprised they haven't. If they haven't, I has
• 27:49
  Speaker 3: that not happened? The music and both sisters acts really
• 27:52
  Speaker 3: resonated their one.
• 27:54
  Speaker 1: Yeah, the first one I know for sure, But I
• 27:57
  Speaker 1: like the first.
• 27:57
  Speaker 3: I feel like they can blend the two.
• 27:59
  Speaker 1: Little the Little Lady was my favorite. Jimmy.
• 28:03
  Speaker 3: She was because she's just a boss.
• 28:07
  Speaker 1: Pokus poks adorable. Sister Act. I feel like she'd be cool.
• 28:10
  Speaker 3: Sister Act two is not a Black classic. Thank you,
• 28:14
  Speaker 3: thank you.
• 28:15
  Speaker 1: We're going to settle this right.
• 28:16
  Speaker 3: Thank you to Rich.
• 28:17
  Speaker 1: We're gonna settle this right. And I'm talking about pull up.
• 28:22
  Speaker 3: That's why your camera's preaching, man.
• 28:25
  Speaker 1: Pocket y'all Baker that Sister Act is a Black class.
• 28:33
  Speaker 3: It's not a black classic.
• 28:34
  Speaker 2: Black classic until last Thursday, So he don't want he
• 28:38
  Speaker 2: got no nostalgia.
• 28:40
  Speaker 1: It's a black class.
• 28:42
  Speaker 3: We wasn't We weren't even talking about it when it
• 28:44
  Speaker 3: came out in nineteen ninety three. We wasn't talking about
• 28:47
  Speaker 3: it as blacks weren't out here, Like did you see
• 28:50
  Speaker 3: Sister Too? Did you see that?
• 28:51
  Speaker 1: We wasn't even talking about Here's what I said. I
• 28:54
  Speaker 1: can't see what came on. I was in real time.
• 28:58
  Speaker 2: Yeah, damn it on VHS like we did most of
• 29:01
  Speaker 2: the time in the nineties. We watched it and see this,
• 29:04
  Speaker 2: Tony ain't watching a million times.
• 29:05
  Speaker 3: Like the regular black That's why y'all like it so
• 29:07
  Speaker 3: much because you saw it all the time, because you
• 29:08
  Speaker 3: ain't have no other movies to choose from, plenty of movies.
• 29:11
  Speaker 3: Y'all just had that cassette sitting there. Let's just watch
• 29:14
  Speaker 3: it again. And you like the songs, that's what it's
• 29:17
  Speaker 3: all about.
• 29:18
  Speaker 1: You want to beat somebody, You want to go somewhere.
• 29:20
  Speaker 1: You gotta wake up and pay attention. See, you don't
• 29:23
  Speaker 1: even know that, know, lia Leah is white. I am white,
• 29:29
  Speaker 1: and I don't. You don't even know what I'm talking about.
• 29:32
  Speaker 3: I don't because it's not it's not a classic.
• 29:36
  Speaker 1: This Both Brothers is over.
• 29:38
  Speaker 3: It's not a class. That's the name of the tool.
• 29:41
  Speaker 3: It's not a class.
• 29:42
  Speaker 1: But blacks will get upset.
• 29:45
  Speaker 3: I know. They was on my neck.
• 29:47
  Speaker 1: And now that you've seen it and you don't respect
• 29:49
  Speaker 1: it or even more of it was cute. Rather, it
• 29:51
  Speaker 1: wasn't cute.
• 29:52
  Speaker 3: It was cute.
• 29:52
  Speaker 1: It was classic.
• 29:54
  Speaker 3: It was cute with good songs.
• 29:55
  Speaker 1: It was great. It does lead heavily on the blackness
• 29:59
  Speaker 1: and the song. But reading her mom, man, that was good, Shirlie, Ralph,
• 30:02
  Speaker 1: We've been there before, been there, done that. The mom
• 30:05
  Speaker 1: don't don't approve of The dream Man. How many times
• 30:08
  Speaker 1: we got to go through this movie. The dad was
• 30:10
  Speaker 1: a music always, the other parent was always a musicians.
• 30:14
  Speaker 3: Because you ain't gonna make it. I just want you
• 30:17
  Speaker 3: to focus on school because I don't want you to
• 30:19
  Speaker 3: end up like me. It's the same trying. Now they
• 30:25
  Speaker 3: have the five R beat.
• 30:26
  Speaker 2: They do that now, tell me what they're doing superhero
• 30:28
  Speaker 2: moves all the time. I don't want you to get
• 30:30
  Speaker 2: close because everybody who get close to me ends up done.
• 30:32
  Speaker 1: Want to push you away, be getting killed though it's different,
• 30:37
  Speaker 1: but it's a trope for sure. Logan, I was as
• 30:39
  Speaker 1: soon as that girl came.
• 30:40
  Speaker 10: You get getting with me kidding, claws come out slow,
• 30:44
  Speaker 10: and I don't want you to get closer because everybody.
• 30:46
  Speaker 1: Else died heard it all before.
• 30:51
  Speaker 3: Logan is fantastic.
• 30:52
  Speaker 1: Why Logan's great?
• 30:54
  Speaker 3: Logan.
• 30:54
  Speaker 1: Let me tell you what off about Logan. It made
• 30:56
  Speaker 1: me so mad that they don't nominate comic Moe for
• 30:59
  Speaker 1: Oscar stuff. Absolutely that could have been nominated for Best Picture.
• 31:02
  Speaker 1: You could have nominated Hugh Jackman for Best Actors. You
• 31:05
  Speaker 1: could supporting, supporting and if you if you nominated The Baby,
• 31:08
  Speaker 1: I would have been mad either.
• 31:08
  Speaker 3: I wouldn't have been mad either. Should in That should
• 31:12
  Speaker 3: have been nominated for Best Pictures. Hey, Jackie should have
• 31:14
  Speaker 3: got ASCAR nominated.
• 31:15
  Speaker 1: He should have got it. Maybe he doesn't win, but
• 31:17
  Speaker 1: it was not worthy. And that movie was very low
• 31:21
  Speaker 1: superhero stuff. Yeah, they had a couple of fights.
• 31:24
  Speaker 3: But it wasn't that didn't feel like a comedy.
• 31:26
  Speaker 1: No, it was like an action. I mean had a
• 31:27
  Speaker 1: lot of action, but it was a dramatic film.
• 31:30
  Speaker 3: Action. The action what I love about Logan. The action
• 31:33
  Speaker 3: meant something. It wasn't just like we fighting just to
• 31:36
  Speaker 3: be fighting. I was nervous and we're not stopping. He
• 31:40
  Speaker 3: got the twenty three came. He did get the Black
• 31:43
  Speaker 3: family killed. That Black kill. That's the second time he
• 31:46
  Speaker 3: got his family killed.
• 31:47
  Speaker 1: So you go big dinner balls. Their people is gonna
• 31:51
  Speaker 1: be dead.
• 31:52
  Speaker 3: Last meal they had once.
• 31:55
  Speaker 1: You gotta tray a biscuits. You're out of here, buddy.
• 31:58
  Speaker 2: You opened up your father house to a superhero and
• 32:02
  Speaker 2: you went big mill.
• 32:03
  Speaker 1: You're dead.
• 32:05
  Speaker 3: That's the last miss. The bees, the mass potato, and
• 32:09
  Speaker 3: the corner. You laid it down and they looking at
• 32:11
  Speaker 3: you like, man, y'all are really warm.
• 32:13
  Speaker 1: You got tree out, you got the pickup truck. Done,
• 32:16
  Speaker 1: you got the the tire swing. People are gonna shoot
• 32:21
  Speaker 1: your house.
• 32:21
  Speaker 3: Done.
• 32:22
  Speaker 1: You're done. You're done.
• 32:24
  Speaker 3: You're done.
• 32:25
  Speaker 2: As soon as they nate did, I said, faire man.
• 32:29
  Speaker 1: I knew y'all was gonna die.
• 32:32
  Speaker 3: It was a lovely black family.
• 32:35
  Speaker 1: Man.
• 32:35
  Speaker 3: They all three of them dead. They ain't even spare
• 32:40
  Speaker 3: the child.
• 32:41
  Speaker 1: The baby. Get that baby out of here. Everybody's dying
• 32:46
  Speaker 1: and we're shooting a hole in your pickup truck too.
• 32:48
  Speaker 1: You live on a farm, you're done.
• 32:51
  Speaker 3: That's to say, because he killed.
• 32:52
  Speaker 7: It's all about growth. The podcast that we do, we
• 32:56
  Speaker 7: want to grow year after year. Every year. We want
• 32:59
  Speaker 7: to go up, we want to glow up.
• 33:01
  Speaker 3: And that's what we want to do in business, right,
• 33:03
  Speaker 3: whether it be a podcast, whether it be merged, whether
• 33:05
  Speaker 3: it be shows added, we always.
• 33:08
  Speaker 7: Want to grow and evolve.
• 33:10
  Speaker 3: And since the last holiday season, don't ask myself, I
• 33:13
  Speaker 3: ask Cam like, yo, have we grown? Have we grown?
• 33:16
  Speaker 7: As a podcast? Is your podcast growing?
• 33:18
  Speaker 3: You know? We got multiple podcasts going, but a lot
• 33:22
  Speaker 3: of shame over the last year. And if you have
• 33:23
  Speaker 3: a growing e commerce business, you can relate whether you're
• 33:27
  Speaker 3: looking for a better efficiency during the hectic holiday season
• 33:31
  Speaker 3: or your business is outgrowing your old shipping solutions.
• 33:34
  Speaker 7: You need ship Station to help you scale your business.
• 33:40
  Speaker 11: Ship Station helps you achieve exceptional shipping efficiency with a robust,
• 33:46
  Speaker 11: all in one order fulfillment system that integrates with over
• 33:49
  Speaker 11: one hundred and eighty of the most popular e commerce platforms, marketplaces,
• 33:54
  Speaker 11: and carriers.
• 33:55
  Speaker 7: One of the dopest things about ship station is the automation.
• 33:59
  Speaker 6: You know, none of us like to do repetitive tasks
• 34:03
  Speaker 6: over and over and over again, but ship Station could
• 34:07
  Speaker 6: automate that.
• 34:07
  Speaker 7: You know what I mean.
• 34:08
  Speaker 3: They can automate many repetitive tasks, such as assigning orders
• 34:11
  Speaker 3: to a specific warehouse, selecting its shipping service, and splitting
• 34:15
  Speaker 3: orders into multiple shipments. Effortlessly scale your business with smart
• 34:20
  Speaker 3: features and automations that boost efficiency while bringing the costs down.
• 34:24
  Speaker 3: Lead your business into the future with technology built to
• 34:27
  Speaker 3: save you time, extra costs, and headaches. It's the fastest,
• 34:31
  Speaker 3: most affordable way to ship products to your customers, with
• 34:34
  Speaker 3: discounts up to eighty nine percent off ups, DHL Express
• 34:40
  Speaker 3: and USPS rates. Seamlessly, integrate with services and selling channels
• 34:45
  Speaker 3: you already use, and manage orders on one easy dashboard,
• 34:49
  Speaker 3: deliver a better customer service experience with industry leading features
• 34:53
  Speaker 3: that help you find the best carrier rates, print labels,
• 34:57
  Speaker 3: and make customer service a breef.
• 35:00
  Speaker 1: Please.
• 35:00
  Speaker 3: Over one hundred and thirty thousand companies have grown their
• 35:03
  Speaker 3: e commerce business with ship Station, and ninety eight percent
• 35:07
  Speaker 3: of the companies that stick with ship Station for a
• 35:09
  Speaker 3: year become customers for life. So scale your e commerce
• 35:14
  Speaker 3: business with the shipping software that delivers.
• 35:17
  Speaker 7: Switch to ship station today.
• 35:18
  Speaker 3: Go to shipstation dot com slash ball to sign up
• 35:23
  Speaker 3: for your free sixty day trial. That's shipstation dot com
• 35:27
  Speaker 3: slash ball. Don't forget that ball in there. You know
• 35:32
  Speaker 3: what I'm saying. That ball that is gonna get you
• 35:34
  Speaker 3: a free sixty day trial.
• 35:36
  Speaker 7: Man, get in on that.
• 35:37
  Speaker 1: But you got a family killed the wo or he's
• 35:39
  Speaker 1: getting that's why he got. If people get close to me, even.
• 35:42
  Speaker 3: The black family, that's why the trope matters and the
• 35:44
  Speaker 3: musicians don't matter.
• 35:45
  Speaker 1: No like that happen.
• 35:47
  Speaker 3: She was just hating. She was hate. I'm trying to
• 35:51
  Speaker 3: keep you alive. That's the difference.
• 35:53
  Speaker 1: That's true. Rico start saying. Once you start talking about
• 35:55
  Speaker 1: your dreams and getting married that day, dam that was
• 35:58
  Speaker 1: in black Dynamite too.
• 36:00
  Speaker 3: Yeah, and once you once you connect with a character, Hey, man,
• 36:04
  Speaker 3: I really.
• 36:04
  Speaker 1: Appreciate We get out of this and get back home.
• 36:07
  Speaker 1: Man were going.
• 36:09
  Speaker 3: Every time they had a little final moment Cavekev leaving
• 36:11
  Speaker 3: the apartment, I'd be like, cav Man, I really appreciate you. Man,
• 36:15
  Speaker 3: I love your tongue. You're dead in the next scene,
• 36:20
  Speaker 3: You're out of here. You never connect with the main
• 36:23
  Speaker 3: care connect.
• 36:24
  Speaker 2: We should make a movie like, don't don't care. You
• 36:28
  Speaker 2: connected met the scene for the die, so don't just
• 36:33
  Speaker 2: tell you. Don't tell me, nothing happened.
• 36:35
  Speaker 3: And then when you leave, I yelled out the window,
• 36:38
  Speaker 3: I love your.
• 36:38
  Speaker 4: Care No.
• 36:43
  Speaker 3: I told you. I didn't think it was real.
• 36:51
  Speaker 1: No, no, I'm trying to run from the connection. I
• 36:56
  Speaker 1: love you. I love your cave man. You changed my
• 36:59
  Speaker 1: life Without you.
• 37:01
  Speaker 3: I don't know how I would have went on. You
• 37:04
  Speaker 3: got hit by a bus, You run over by the
• 37:07
  Speaker 3: bus for a good message, whatever.
• 37:11
  Speaker 5: And then I look at the camera, Blam, I love
• 37:17
  Speaker 5: you camp blam. Every time you never connect, Man, it's
• 37:24
  Speaker 5: a rap.
• 37:25
  Speaker 1: It's one two, three movies dot com. It's gonna happen.
• 37:28
  Speaker 1: You're done, all right, me or you?
• 37:30
  Speaker 2: It's you the wiz yes, got to see the Wiz.
• 37:36
  Speaker 2: We made our kids watching the Wiz. They like it,
• 37:39
  Speaker 2: they did not enjoy.
• 37:42
  Speaker 1: We took them to see The Wiz on Broadway.
• 37:44
  Speaker 3: They were nothing.
• 37:45
  Speaker 2: You guys are over two on the Wiz. We doesn't
• 37:48
  Speaker 2: seen it and they because I feel like nostalgia plays
• 37:51
  Speaker 2: a huge role.
• 37:52
  Speaker 3: I feel like the songs are so good.
• 37:54
  Speaker 1: So they like the songs. Okay, they like you can't Win.
• 37:57
  Speaker 1: They like just the rest of old and something. They
• 38:01
  Speaker 1: just didn't like it because it looked it took a
• 38:03
  Speaker 1: minute to get going. You know what I'm saying. By
• 38:06
  Speaker 1: the time you get to you know you can't win.
• 38:09
  Speaker 1: And don't mean we got bad news. It was like okay,
• 38:12
  Speaker 1: but especially like that first song in the kitchen ring
• 38:15
  Speaker 1: back to feeling that.
• 38:20
  Speaker 3: That's kind of parents. That's tough to come through.
• 38:23
  Speaker 5: Man.
• 38:24
  Speaker 3: He's like, man, why they singing like this?
• 38:32
  Speaker 1: And the Wiz on Broadway they were so talented. But Tony,
• 38:34
  Speaker 1: it was long. It was long, man, I had just
• 38:39
  Speaker 1: flown back.
• 38:40
  Speaker 3: I was like, I feel like, the songs don't get
• 38:42
  Speaker 3: good until you can't win.
• 38:44
  Speaker 1: You can't win it when it kicks off, when it
• 38:47
  Speaker 1: kicks off, but before that, yeah.
• 38:51
  Speaker 3: I can see that being tough. But after that, though,
• 38:55
  Speaker 3: you can't win out home cooked firing along.
• 38:57
  Speaker 2: Now we now were cooking with grease. But up until then,
• 39:00
  Speaker 2: you know, they got the TikTok.
• 39:02
  Speaker 1: You know what I'm saying. You got to give me
• 39:04
  Speaker 1: something early.
• 39:04
  Speaker 3: I get it because I don't think the Baker boys
• 39:07
  Speaker 3: truly appreciated the Wiz. I don't think damn did appreciate
• 39:11
  Speaker 3: Schoolhouse Rock. Yeah, turn it.
• 39:17
  Speaker 1: I'm just man, yo, turned it off.
• 39:26
  Speaker 2: I feel like it's hard to connect with movies that
• 39:29
  Speaker 2: came out before you were born unless you grew up
• 39:32
  Speaker 2: watching them. If you go back to a movie that
• 39:35
  Speaker 2: was out before you were born and you didn't watch
• 39:37
  Speaker 2: it as a kid, like what the hell is this
• 39:40
  Speaker 2: and why do you like it?
• 39:41
  Speaker 1: It's all in the middle of the TV and stuff,
• 39:43
  Speaker 1: and like.
• 39:43
  Speaker 3: It looks it definitely looks different. Yeah, I'm trying to
• 39:47
  Speaker 3: think of movies that that were like I try to.
• 39:50
  Speaker 2: Watch my Everybody at All Death was like Blazing Saddles.
• 39:53
  Speaker 2: Blazing Saddles, you gotta watch it. I turned it on
• 39:55
  Speaker 2: and I was like, I'm not connected with And also
• 39:58
  Speaker 2: they hiped it to the max. Okay, I thought I
• 40:01
  Speaker 2: remember watching it and being like, oh, this probably was
• 40:03
  Speaker 2: really risky when it came out, some of them jokes.
• 40:06
  Speaker 2: I was like, oh, yeah, this kid because it was
• 40:08
  Speaker 2: like seventy something, seventy seven maybe, so I remember being like,
• 40:12
  Speaker 2: it's funny, but they hyped it up like it's the
• 40:14
  Speaker 2: best things is comedy good is coming to America And
• 40:17
  Speaker 2: I was like, so I watched it and I was like, now,
• 40:20
  Speaker 2: mel Brooks, I bet I like bel bro mel Brooks
• 40:22
  Speaker 2: is dope. I love del Brooks and I got it,
• 40:24
  Speaker 2: but it wasn't like I just wasn't feeling how y'all
• 40:27
  Speaker 2: was feeling. The overhiped it. But it is funny though, yeah,
• 40:30
  Speaker 2: and I know it was.
• 40:31
  Speaker 1: They got away with some with.
• 40:33
  Speaker 3: Some wild stuff. You know what holds up this old
• 40:36
  Speaker 3: I think that's before my time and maybe even but
• 40:38
  Speaker 3: I think I saw it as a kid. Airplane I
• 40:40
  Speaker 3: love it.
• 40:41
  Speaker 1: It's just yeah, but it's Leslie Wilson.
• 40:44
  Speaker 3: Man.
• 40:45
  Speaker 2: I don't think he's done and that's an ensemble piece,
• 40:47
  Speaker 2: but been Leslie man.
• 40:48
  Speaker 3: Yeah, Airplane is.
• 40:49
  Speaker 1: Let might just go back and watch all them naked guns.
• 40:52
  Speaker 5: Oh the naked gun is so funny man, man, I
• 40:56
  Speaker 5: love him. This is just how straight he be playing everything.
• 40:59
  Speaker 1: That's why you like, I feel like he's not trying
• 41:02
  Speaker 1: to make me laugh at all. The movie is trying
• 41:04
  Speaker 1: to make you silly stuff.
• 41:06
  Speaker 3: But him did serious that time when he got out
• 41:10
  Speaker 3: the car and didn't didn't shut it down properly, and
• 41:13
  Speaker 3: the car was just driving on his own, causing complete chaos.
• 41:17
  Speaker 3: And then he shooting. He shooting at the car.
• 41:20
  Speaker 1: The air bag is going on.
• 41:22
  Speaker 3: Shoot y'all get the license plate to y'all, get the
• 41:25
  Speaker 3: description of it. And then he like it was. He
• 41:29
  Speaker 3: didn't say nothing.
• 41:30
  Speaker 1: The revolver.
• 41:31
  Speaker 3: He had the revolver shooting at an empty car that
• 41:33
  Speaker 3: he let roll out.
• 41:34
  Speaker 1: Yeah, no, good come good man. What you got?
• 41:39
  Speaker 3: Oh? I got a I got a few things. I got.
• 41:43
  Speaker 3: This just go through even though it's not a black movie.
• 41:46
  Speaker 3: But black folks be tripping goonies, do we bep? Yes,
• 41:52
  Speaker 3: they've been on my neck about the goonies for I
• 41:55
  Speaker 3: saw it last year all the way through. First time
• 41:59
  Speaker 3: I saw all the way they was on my neck.
• 42:03
  Speaker 3: They was like, you ain't seeing the Godi's tone.
• 42:07
  Speaker 1: I feel like that might be a everybody.
• 42:10
  Speaker 3: I can't think of black movies or we're talking about
• 42:14
  Speaker 3: movies black people get mad at you.
• 42:15
  Speaker 1: Black people get mad at you.
• 42:17
  Speaker 3: Goonies.
• 42:18
  Speaker 1: I think everybody get mad.
• 42:20
  Speaker 3: Everybody was mad at me black folks.
• 42:22
  Speaker 1: Is like the Sandlote, How you ain't seen the Sandlot? Like,
• 42:26
  Speaker 1: what was you doing that you didn't watch the Sandlot?
• 42:30
  Speaker 3: I saw the Sandlot, you know what I'm saying?
• 42:31
  Speaker 1: Likeonies, just like the sandline, like how you didn't Goonies.
• 42:35
  Speaker 3: Is even bigger than the sad for sure, and they
• 42:38
  Speaker 3: was what did you watch the Goonies? And that that's
• 42:41
  Speaker 3: what I can't figure out. The Goonies is right up my,
• 42:44
  Speaker 3: That's how I came out. I'm just absorbing all the movies.
• 42:47
  Speaker 3: We wrinten everything, We're going to see everything. I don't
• 42:50
  Speaker 3: know how the Goonies slipped under my radar.
• 42:53
  Speaker 1: So that can happen hard of Knights, huh, you can happen,
• 42:56
  Speaker 1: but not heard of Knights.
• 42:57
  Speaker 3: Well you was. You was mad ridiculous though, because you
• 43:01
  Speaker 3: missed the Black McGee.
• 43:03
  Speaker 1: Okay, you know, and I'm black McGee, you big.
• 43:09
  Speaker 3: Black McGee and big Comedy McGee together, so it was
• 43:11
  Speaker 3: it was a two for one and you didn't come
• 43:14
  Speaker 3: in with the Hall of Nights. You yeah, man, you
• 43:17
  Speaker 3: know you're always talking black comedy man feel more though
• 43:22
  Speaker 3: I'm pollering it on. But for some reason, though, I
• 43:24
  Speaker 3: don't know how the Goonies are scared because I don't
• 43:26
  Speaker 3: watch the Lost Boys and the Monster Squad. I watched
• 43:31
  Speaker 3: everything around, and I'm like, yo, why didn't y'all rent
• 43:34
  Speaker 3: the Goonie? When I watched it was like because I
• 43:40
  Speaker 3: felt for years, I felt like I saw it and
• 43:43
  Speaker 3: I was like, yeah, I saw the Goonies. And then
• 43:45
  Speaker 3: I was like, wait a minute, because I knew about
• 43:47
  Speaker 3: to Hey, you guys, and I remember what's his name,
• 43:50
  Speaker 3: uh chunk, and you know, I remember all that.
• 43:53
  Speaker 2: But it was like that was just part of culture.
• 43:57
  Speaker 2: People had the goony shirts like it was a cool thing.
• 44:00
  Speaker 2: Have the Goonies movie shirt. In other movies they will
• 44:03
  Speaker 2: be wearing the goony shirt. Even now the shirt lots thope. Yeah,
• 44:07
  Speaker 2: Lost Bots is kind of like that too. I'm just
• 44:08
  Speaker 2: like such a cold clo I love.
• 44:10
  Speaker 3: I saw that theaters. I was like, man, this is
• 44:12
  Speaker 3: the best ship ever.
• 44:13
  Speaker 1: Lost Boys man told that was my movie. Man.
• 44:18
  Speaker 3: Lost Boys was fire.
• 44:19
  Speaker 2: Was like, Man, nobody else will ever use vampires in
• 44:22
  Speaker 2: a way that is as good as Lost Boys.
• 44:24
  Speaker 1: Until I saw True Blood, I was like, okay, well
• 44:27
  Speaker 1: this is there. Because Lost Boys was.
• 44:29
  Speaker 2: Was great because it wasn't like Dracula like vampire stuff
• 44:34
  Speaker 2: until Lost Boys.
• 44:35
  Speaker 1: For me, it was the same like.
• 44:38
  Speaker 2: Being creepy yeah, Transtovania stuff like okay, and then Lost
• 44:43
  Speaker 2: Boys came.
• 44:43
  Speaker 1: I was like, these vampires are cool.
• 44:45
  Speaker 3: These vampires are cool.
• 44:47
  Speaker 1: Young.
• 44:47
  Speaker 3: Yeah, you got young heroes.
• 44:49
  Speaker 1: They clicked back with the hair.
• 44:51
  Speaker 3: It tapped into the youth now yeh oh snap man.
• 44:56
  Speaker 3: I wanted I wanted to be them and the guys.
• 45:00
  Speaker 3: I wanted to be the vampires and the good guys.
• 45:02
  Speaker 3: I wanted to be Corey Haynes and Corey Fellmer. I
• 45:05
  Speaker 3: want to play that. I want to play the frog
• 45:08
  Speaker 3: Brothers so bad, Like if I was in that movie,
• 45:11
  Speaker 3: I would want to be one of the Frogs. Because
• 45:14
  Speaker 3: they was dead serious. In that comic book shop, they
• 45:17
  Speaker 3: was like, yo, man, vampires is really out here. Andy
• 45:20
  Speaker 3: was like what yeah, man, you laughing this comic books
• 45:24
  Speaker 3: based on real ship man. They were trying to spit.
• 45:28
  Speaker 3: Then they was serious movie there. As soon as he
• 45:33
  Speaker 3: walked in, they was on his neck like knew in town.
• 45:36
  Speaker 3: You let just feel you in what's going on around here?
• 45:39
  Speaker 3: I love them character. But it was like, but what
• 45:41
  Speaker 3: made the Lost Boys so good? For me too? This
• 45:43
  Speaker 3: was at the time where I was scared of scary movies.
• 45:46
  Speaker 3: So I went to the movie theater nervous and ship like, man,
• 45:49
  Speaker 3: what y'all taking me to this time? Because y'all gonna
• 45:51
  Speaker 3: have me up all night and be sleeping in there
• 45:53
  Speaker 3: with moms again.
• 45:55
  Speaker 5: Because they were just showing me just the scariest I'm like, man,
• 45:59
  Speaker 5: I don't know what was scaring you.
• 46:01
  Speaker 10: Thriller tore me in half. I avoided it for years,
• 46:05
  Speaker 10: wanted to be so scared just the music, not even
• 46:08
  Speaker 10: the video. I will have my phone on shuffle.
• 46:13
  Speaker 3: Scent Price coming the Dog thousand years.
• 46:19
  Speaker 1: It was like, please turn off the seal.
• 46:21
  Speaker 3: Your dude can't want to hear that.
• 46:25
  Speaker 1: His voice was so good lag this silly dude.
• 46:31
  Speaker 3: He was holding that mic. He had long fingernails, blood
• 46:35
  Speaker 3: coming out the side.
• 46:37
  Speaker 7: This sell you dude.
• 46:38
  Speaker 3: Man. We was we was, come on, man, what you're doing?
• 46:41
  Speaker 2: And also the beginning like this has nothing to do
• 46:44
  Speaker 2: with your cult, and so you're like, hey, man, you
• 46:47
  Speaker 2: have to have.
• 46:47
  Speaker 1: This disclaimer on here.
• 46:49
  Speaker 3: Thriller tore me up.
• 46:50
  Speaker 2: Man, that's a lot to say to kick it off.
• 46:54
  Speaker 2: You've got nothing to do with your colt time out.
• 46:56
  Speaker 3: Wait, why are you opening with this? What are we
• 47:00
  Speaker 3: getting into? I just want to hear some some singing
• 47:02
  Speaker 3: and dance.
• 47:04
  Speaker 1: It's gonna be some and dances gonna be different the
• 47:06
  Speaker 1: grief like, yeah, he only made twenty care for that
• 47:09
  Speaker 1: voice over. They asked me one wrong, he said, no,
• 47:11
  Speaker 1: pay me up cash.
• 47:12
  Speaker 3: I know.
• 47:12
  Speaker 9: Vincent Price was like he was the darkness calls upon
• 47:16
  Speaker 9: the royalties of Midnight Crooms into my account.
• 47:20
  Speaker 4: Man.
• 47:21
  Speaker 1: You know, man's why Jason, we were Mama said I
• 47:24
  Speaker 1: give me them ro She.
• 47:25
  Speaker 3: Was a real one. He was like, you take a million, man,
• 47:31
  Speaker 3: We want to, We want to.
• 47:33
  Speaker 1: Why why is that an option? You know what I'm saying.
• 47:35
  Speaker 1: We got to give it to you.
• 47:36
  Speaker 3: You know who took the back end Obi Wan Kenobi.
• 47:41
  Speaker 1: He took back in.
• 47:43
  Speaker 3: Alec Guinness, he took back in.
• 47:47
  Speaker 1: He took back in Ethan Hawk, takes back in the lot.
• 47:49
  Speaker 3: He got percentages on that ass.
• 47:53
  Speaker 1: Dang.
• 47:54
  Speaker 3: You know he really want to do the movie.
• 47:57
  Speaker 1: Which ill get Yeah, because it wasn't what it was.
• 48:00
  Speaker 3: Yeah, he's going into that in the seventies and what
• 48:02
  Speaker 3: kind of ship is it?
• 48:04
  Speaker 1: Yeah?
• 48:04
  Speaker 3: I'll do it. I guess give me this.
• 48:06
  Speaker 2: That's what the Sopranos thing said. All them actors was
• 48:09
  Speaker 2: like HBO the Boxing Channel. Man, there was on the
• 48:13
  Speaker 2: on that documentary telling you about life. This ain't finna
• 48:15
  Speaker 2: be nothing, but I'll do it.
• 48:18
  Speaker 1: Bro.
• 48:18
  Speaker 2: They were like, we are legit stars. They thought it
• 48:20
  Speaker 2: would never even come out. They had an open casting call,
• 48:26
  Speaker 2: like come over here and all these Italians.
• 48:28
  Speaker 3: That's crazy.
• 48:29
  Speaker 1: That's how they got Jenny Sack. It's great, that's crazy.
• 48:32
  Speaker 1: Want to watch again.
• 48:33
  Speaker 3: I love the soprano. I will.
• 48:35
  Speaker 1: My problem is if I watched that pilot forget about it. Yeah,
• 48:40
  Speaker 1: I got to see the whole. That's why I can't
• 48:42
  Speaker 1: go wire too. I will happily been man that So
• 48:46
  Speaker 1: I'll be watching YouTube clips of that show like I've
• 48:48
  Speaker 1: never seen them again. And he feel to die.
• 48:52
  Speaker 2: Richie, Richie with the baseball bats is so good.
• 48:57
  Speaker 3: Be hungry too.
• 48:59
  Speaker 1: They got.
• 49:01
  Speaker 3: Carmela was in that kitchen they was going working. Damn,
• 49:06
  Speaker 3: she was cooking.
• 49:06
  Speaker 1: Never died. They made those meals, but the superhero wasn't around,
• 49:11
  Speaker 1: so they lived.
• 49:11
  Speaker 3: Yeah you know, you know why they lived because the
• 49:14
  Speaker 3: superhero always had beef with them. Mhm he's always had
• 49:18
  Speaker 3: eyes with Carmela and his daughter and and AJ. Yeah,
• 49:22
  Speaker 3: AJ got on my goddamn nerves.
• 49:26
  Speaker 1: I hated a meadow meadow I could get metal.
• 49:30
  Speaker 3: I was feeling sometimes. I'm like, I'm glad you're bringing
• 49:33
  Speaker 3: the youth into to challenge him, because Tony needed to
• 49:36
  Speaker 3: be challenged. AJ wasn't.
• 49:38
  Speaker 1: She asked him straight up if he was in the mob,
• 49:40
  Speaker 1: and he lied, and she was.
• 49:42
  Speaker 3: Like, I appreciate Meadow for ye to challenge Tony.
• 49:46
  Speaker 2: She was mad at Carmela though, Yeah, but she was
• 49:49
  Speaker 2: never mad at Tony. And it's like you she you
• 49:52
  Speaker 2: know what I'm saying. But Carmela complicit too.
• 49:54
  Speaker 1: Yeah. Yeah, she one of the jewels and stuff I'm saying.
• 49:56
  Speaker 1: Shemar she knew it. I was crazy. That was just
• 50:01
  Speaker 1: like you got your little gumar. There was like, you know,
• 50:04
  Speaker 1: I got the gumar. Ya keep it. Don't let her
• 50:06
  Speaker 1: call the house with the gumar.
• 50:07
  Speaker 3: I'm with you, Michelle. Oh this Ben just showed Michelle.
• 50:13
  Speaker 3: I'm with it though. We can be something. We're supposed
• 50:15
  Speaker 3: to finish the wire as matter of fact. Yeah, but yes,
• 50:18
  Speaker 3: so was the one I just picked the goonies. We
• 50:21
  Speaker 3: got another one that's good.
• 50:29
  Speaker 1: That's all.
• 50:30
  Speaker 3: That's all.
• 50:30
  Speaker 1: Yeah, the Hood for.
• 50:32
  Speaker 3: Good measure you we got Juice, we got Malcolm X,
• 50:36
  Speaker 3: we got and the new one that a lot of
• 50:40
  Speaker 3: people like you ain't seen it, even though it shouldn't
• 50:42
  Speaker 3: be that surprising, Belly.
• 50:45
  Speaker 1: I feel like you gotta see Belly, Yeah, because it's.
• 50:47
  Speaker 3: Like, even though that movie didn't do well and it's
• 50:49
  Speaker 3: not a good movie, it's not a good movie.
• 50:54
  Speaker 1: Walked.
• 50:54
  Speaker 3: I wish he would have made more movie, me too, man.
• 50:56
  Speaker 1: Music directors make good movies.
• 50:58
  Speaker 2: Spike John's was a was a music record, David David
• 51:01
  Speaker 2: Fincher music, Williams. Belly's best thing is how well it
• 51:06
  Speaker 2: was shot. That club scene is referenced in shotless in
• 51:10
  Speaker 2: color correction.
• 51:11
  Speaker 1: Videos in any film. People colors beautiful always always cite
• 51:18
  Speaker 1: that scene in Belly. Everybody.
• 51:21
  Speaker 3: I thought Belly was gonna be the best movie I've
• 51:23
  Speaker 3: ever seen, and it was coming on and then I
• 51:26
  Speaker 3: was like, what the hell is happening right now? It
• 51:30
  Speaker 3: was all over the place. It was like several Vie director. Yes,
• 51:35
  Speaker 3: he directed Waterfalls TLC.
• 51:37
  Speaker 1: Really he directed the Italian Job.
• 51:43
  Speaker 3: Yeah, it's a lot if you look at the resume,
• 51:47
  Speaker 3: which I'm glad I in dB includes music videos. Now
• 51:50
  Speaker 3: you can see a lot of directors directed music videos
• 51:53
  Speaker 3: before they transition in.
• 51:54
  Speaker 1: Your eye is your eye? Yeah, you know what I'm saying.
• 51:56
  Speaker 1: Music videos, it is just telling a story. A movie
• 51:59
  Speaker 1: ain't nothing but a bunch of scenes.
• 52:01
  Speaker 3: And that's what billy, that's what Billy feels like.
• 52:07
  Speaker 1: All right, y'all. It's been the Bob Brothers pull up
• 52:11
  Speaker 1: on us, pull up on So what was that from?
• 52:17
  Speaker 3: We never did we never did that city, never did.
• 52:20
  Speaker 1: It, Paris, man, We're not coming back. We'll be here
• 52:24
  Speaker 1: every week Bob Brothers show, whenever we happen. Go to
• 52:26
  Speaker 1: Chemo Stas dot com or Tony Baker dot com. We're
• 52:28
  Speaker 1: always promoting either the one that's gonna come out or
• 52:31
  Speaker 1: the one that's coming out soon. If you like this,
• 52:33
  Speaker 1: you're like that, and we're gonna be coming to your
• 52:35
  Speaker 1: city soon. Yes, relative to win this.
• 52:39
  Speaker 11: Man.
• 52:40
  Speaker 1: Bye,