Latest / Relatables / BOOK CLUB: THE HOUSEMAID (CHAPTERS 21-30)

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BOOK CLUB: THE HOUSEMAID (CHAPTERS 21-30) · Relatables

• 0:00
  Speaker 1: Previously on Relatable's Baddi's book Club. Really is worried that
• 0:05
  Speaker 1: Nina's jealous, and so she's like, I need to make
• 0:09
  Speaker 1: this better. And so she says to Nina think on
• 0:12
  Speaker 1: the stairs. She's like, She goes Nina, like, I swear
• 0:19
  Speaker 1: that nothing was happening, and Nina laughs in her face. Right,
• 0:25
  Speaker 1: Nina laughs in her face? Ha, do you think my
• 0:29
  Speaker 1: husband would risk everything he has for? And I quote
• 0:36
  Speaker 1: she says, you think I'm scared that my husband would
• 0:38
  Speaker 1: risk everything in his life for some trampy servant living
• 0:43
  Speaker 1: in the attic. Crazy. Welcome to Relatables Baddi's Book Club,
• 0:50
  Speaker 1: where we will embark on a journey reading some of
• 0:53
  Speaker 1: the finest pieces of literature you have ever laid eyes
• 0:55
  Speaker 1: or is if that's your preferred way to consume a
• 0:57
  Speaker 1: book on The Housemaid Chapters twenty one to thirty. Oh
• 1:04
  Speaker 1: my goodness, Ay there's four. Okay, first things first, I
• 1:08
  Speaker 1: have some thoughts. All shit, Okay, what are we gonna
• 1:11
  Speaker 1: do first? What's first? You say, what's first? I wanted
• 1:13
  Speaker 1: to straight up and going to quite a few comments
• 1:14
  Speaker 1: about we need more chapters, episodes too short? I agree?
• 1:19
  Speaker 1: Shall we do make a decision right now and how
• 1:22
  Speaker 1: far we want to go from here? Proposal? Someone just
• 1:26
  Speaker 1: talking about parts, haven't I've seen one part in here
• 1:28
  Speaker 1: of you? There's no parts. So we're up to chapter
• 1:31
  Speaker 1: thirty thirty thirty one? What's thirty one? Yeah, and there's
• 1:34
  Speaker 1: sixteen eighty. We could do a cheeky little I think
• 1:36
  Speaker 1: two more parts, two more parts thirty and thirty easy,
• 1:39
  Speaker 1: I think, okay, I should do It's that old thirty
• 1:42
  Speaker 1: and thirty if that's all you can before leave, But
• 1:44
  Speaker 1: I dare say you want to hear some more and
• 1:47
  Speaker 1: you know what that means. We need to get a
• 1:49
  Speaker 1: voting system for what we're reading next. Yeah, I agree,
• 1:53
  Speaker 1: it's even going to be.
• 1:56
  Speaker 2: We'll do it on the last episode Fourth Wing, Present
• 1:59
  Speaker 2: City or Throne of Glass.
• 2:00
  Speaker 1: Yeah, those are the three. I think there's a three
• 2:03
  Speaker 1: throwing Red Rising, but no, no, I'm reading you've read it. Yeah,
• 2:07
  Speaker 1: that's it. I will say this Red Rising is of
• 2:14
  Speaker 1: all the books I've read, which is very not very
• 2:16
  Speaker 1: much books, is the best. It's actually, dude, get the
• 2:21
  Speaker 1: fuck out read it. Cassian actually better than one word.
• 2:26
  Speaker 2: I don't know if we can do this play anymore well,
• 2:28
  Speaker 2: going off that fantasy.
• 2:30
  Speaker 1: I like more than a psychological thriller. I was going
• 2:32
  Speaker 1: to say one word several, but you don't even know
• 2:34
  Speaker 1: what that means. Some people might know what that means. Yeah, Barrow,
• 2:38
  Speaker 1: whatever Darrow, I know where Darrow is?
• 2:40
  Speaker 2: You telemon us anyways, the Housemaid or firstly I want
• 2:47
  Speaker 2: to talk about I know you shouldn't compare the book
• 2:49
  Speaker 2: to the movie, but Sidney Sweeney I reckon terrible casting.
• 2:53
  Speaker 2: The more I'm getting into this book really terrible. Why
• 2:57
  Speaker 2: I think it's I think it just doesn't the way
• 3:00
  Speaker 2: it's written, the way Long Island person who's been to
• 3:02
  Speaker 2: jail is like flirting of all these men and doing doubting.
• 3:08
  Speaker 3: You know.
• 3:08
  Speaker 2: Yeah, but what you picture on the head in your
• 3:10
  Speaker 2: head compared to the movie you're casting of Sidney Sweeney,
• 3:13
  Speaker 2: not one pit person would have pictured anyone that looks
• 3:16
  Speaker 2: anything like Sidney Sweeney.
• 3:17
  Speaker 1: Yeah, but what do we think, Like, what do we
• 3:20
  Speaker 1: want to say? Yeah? Who they cast Fornina is not?
• 3:25
  Speaker 1: They better fucking cast the good Andrew. We know what
• 3:28
  Speaker 1: he looks like. I forgot, so he better be going.
• 3:30
  Speaker 1: He's scruff and Sexyodi. Yeah, but that was annoying me
• 3:34
  Speaker 1: because the more i'm reading, I'm like, this is not
• 3:36
  Speaker 1: Sydney Sweeney. After that, all I can picture is Sidney
• 3:39
  Speaker 1: Sweeney because I saw the trailer before I read the book.
• 3:41
  Speaker 2: Yeah, but I'm thinking, like black hair Scrorny gone to jail,
• 3:45
  Speaker 2: like mal deprived?
• 3:46
  Speaker 1: Is that? What is nutrition? Yeah? I don't know, like
• 3:50
  Speaker 1: you got to think about this though she was in
• 3:51
  Speaker 1: jail for ten years. Andrew Sweeny looks like she just rocked.
• 3:54
  Speaker 1: But it was low. It was at maximum security.
• 3:57
  Speaker 2: She was fed, come out of a euro summer like genetics.
• 4:03
  Speaker 1: I don't know.
• 4:04
  Speaker 2: Yeah, whatever, And then also the fucking I won't say
• 4:08
  Speaker 2: yet until we get to it, I won't say it,
• 4:10
  Speaker 2: but yeah, okay, I don't want to give it. I
• 4:13
  Speaker 2: don't want to give away the chapters, shall we, even
• 4:16
  Speaker 2: though everyone else has read them?
• 4:17
  Speaker 1: But yeah, we shower right. So we left off where
• 4:22
  Speaker 1: we figured out that the reason Nina went to the
• 4:25
  Speaker 1: psychiatric hospital was because nine years ago she tried to
• 4:28
  Speaker 1: kill Ceci and kill herself. Cool. So we go from
• 4:35
  Speaker 1: there and we get to go have a little geezer
• 4:38
  Speaker 1: at that big ass box that ends O brought in
• 4:40
  Speaker 1: that is from someone of the last name of Winchester.
• 4:43
  Speaker 1: Is still there and really's trying to move it too heavy.
• 4:46
  Speaker 1: Andrew comes home. He goes, oh my god, look at this.
• 4:47
  Speaker 1: My mother sent us a box. He opens it up.
• 4:52
  Speaker 1: He goes, grim in the face. Baby clothes, fucking baby clothes.
• 4:57
  Speaker 1: Bro bladdy. Nina, she was boasting. But yeah, there was
• 5:01
  Speaker 1: some bread crumbing right there. Yeah, Nina wouldn't shut up
• 5:04
  Speaker 1: about having a kid. We're trying, We're trying, We're about
• 5:07
  Speaker 1: to have one. That's the worst way to do it.
• 5:10
  Speaker 1: You can't say for when the baby comes and you're
• 5:13
  Speaker 1: not pregnant. Yeah, especially when you need to go see
• 5:17
  Speaker 1: a specialist to get pregnant. It's coming, guys. But she's
• 5:20
  Speaker 1: also she's not all there. She's all there, but she's
• 5:24
  Speaker 1: like maybe got too much there. Who knows quote quote
• 5:28
  Speaker 1: Amanda from The Dancer Sitle Cuckoo. Yeah wow. So merely
• 5:33
  Speaker 1: likes to feel like she's gonna comfort like Andrew and stuff.
• 5:35
  Speaker 1: Obviously she wants to go over and like and begins
• 5:37
  Speaker 1: smooch and stuff. She just won't shut the fuck up
• 5:39
  Speaker 1: about fucking this.
• 5:39
  Speaker 3: Man.
• 5:40
  Speaker 1: I know.
• 5:42
  Speaker 2: It's starting to reveal how much of a red flag.
• 5:47
  Speaker 1: She is as well. Yeah, yeah, so yeah, there's like
• 5:50
  Speaker 1: hell attention between her and Andrew. Basically she's gone over.
• 5:52
  Speaker 1: It's okay, like grais his hands and ship she like
• 5:55
  Speaker 1: holds his hand and he holds her. Tension, she said,
• 6:00
  Speaker 1: there's sparks brou can She try and ends it rejected.
• 6:03
  Speaker 1: Next man, I see my employer. I'm gonna get under
• 6:06
  Speaker 1: him all right. Now. Next day we got Nina going
• 6:12
  Speaker 1: to Millie. Oh so like basically right, so, Millie's chilling,
• 6:16
  Speaker 1: she's doing her thing. Nina's coming in to the kitchen.
• 6:18
  Speaker 1: Andrew she's coming in home from work and stuff. And
• 6:19
  Speaker 1: Nina goes, ah, Milli, did you get those tickets for
• 6:22
  Speaker 1: that show? She goes, yes, I actually did. Oh my god,
• 6:25
  Speaker 1: I got the last ones. Also got you a night
• 6:29
  Speaker 1: at the plaza in the suite because it's in the city.
• 6:33
  Speaker 1: You guys go spend the night, and Cecy's gonna go
• 6:34
  Speaker 1: stay with a friend of course, and then you're also
• 6:38
  Speaker 1: like six rows back or some shit from the Broadway shows,
• 6:41
  Speaker 1: you're gonna be able to touch him. Nina says, awesome,
• 6:44
  Speaker 1: thank you so much. Now, and Milli's kind of something
• 6:47
  Speaker 1: says something along the lines of like yeah, Sunday, I
• 6:49
  Speaker 1: got on for Sunday, and so Nina goes, yes, like
• 6:53
  Speaker 1: that's so good, when like, I don't know what she says,
• 6:58
  Speaker 1: but she says, she says this Sunday.
• 7:00
  Speaker 2: And then she goes, yeah, you said next Sunday from
• 7:04
  Speaker 2: last Sunday, which is this coming Sunday.
• 7:06
  Speaker 1: Basically, Millie was right, Nina was wrong.
• 7:08
  Speaker 2: Yes, and she did that thing where she gas lights
• 7:10
  Speaker 2: her to think she is wrong because of this reason
• 7:12
  Speaker 2: she didn't tell.
• 7:13
  Speaker 1: Her yeah, which she always does makes her feel crazy.
• 7:15
  Speaker 1: Nina's blown up, saying, well, i can't go this Sunday
• 7:18
  Speaker 1: because I've got to take Ceci to camp and it's
• 7:20
  Speaker 1: in Wisconsin, it's a different state, and she's staying the
• 7:23
  Speaker 1: night then, and so Nina's going, oh, Millly, what have
• 7:28
  Speaker 1: you done? Really? Oh my god, Oh my god. No,
• 7:30
  Speaker 1: I'm sure you said the other one, like I got
• 7:33
  Speaker 1: non refundable tickets, Nina, all my days, Nina, let's lose.
• 7:39
  Speaker 1: Oh my fucking god, Mellly, this is coming out of
• 7:44
  Speaker 1: your paycheck, bitch, fucking she's a baller. I was like,
• 7:50
  Speaker 1: what the fuck what. Millie's obviously nearly in tears, and
• 7:57
  Speaker 1: then of course Andrew comes in to save the day,
• 7:59
  Speaker 1: and he goes, oh, look, it's like Nina, it's fine,
• 8:03
  Speaker 1: I'll call the credit card company. I'm sure we can
• 8:05
  Speaker 1: get a refund, all right, and then she goes, fine,
• 8:09
  Speaker 1: but Millie, if we can't get that refund, I expect
• 8:12
  Speaker 1: you to pay for this Czy.
• 8:14
  Speaker 3: What the fuck?
• 8:14
  Speaker 1: Bro? What the fuck? So okay, come Sunday, Ceci's heading
• 8:23
  Speaker 1: off to camp. Really's cheering, she hates Ceci. Nina's taken
• 8:27
  Speaker 1: her and then no, I would to pause on she said,
• 8:31
  Speaker 1: she got the house to herself.
• 8:33
  Speaker 2: Yeah, and then she goes, I can walk around naked
• 8:35
  Speaker 2: if I wanted to.
• 8:36
  Speaker 1: Yeah, this is weird, and she's I won't, but I could. Yeah.
• 8:40
  Speaker 1: That's a weird bit of bread, weird thing.
• 8:42
  Speaker 3: The thing.
• 8:42
  Speaker 1: Yeah, what a weird thing in someone else's house. It's
• 8:46
  Speaker 1: not what I would think. So Andrew comes down, looking
• 8:51
  Speaker 1: sexy as ever in his weekend clothes Jean's and a shirt.
• 8:55
  Speaker 1: Let's go, and he's also apparently got the refund for
• 8:57
  Speaker 1: the tickets, so happy days. Apparently. Now Andrew's going to
• 9:05
  Speaker 1: take his bags out of the car, and then Nina's like, oh, Andrew,
• 9:09
  Speaker 1: you are you sure you can't come with us? And
• 9:10
  Speaker 1: he goes, oh, I'd love to, but I've got I've
• 9:12
  Speaker 1: got to work tomorrow. I can't miss it. I've got
• 9:14
  Speaker 1: all these meetings, Nina, you always put work before us.
• 9:20
  Speaker 1: And he's all like, oh, I'm sorry, dear, I'm sorry. Apparently,
• 9:23
  Speaker 1: according to Millie, he doesn't, you know. He goes to
• 9:26
  Speaker 1: the recitals, he goes to the graduations, he goes to everything.
• 9:29
  Speaker 1: He takes days off work for things.
• 9:31
  Speaker 3: So Nina's just been a bitch bro through and through,
• 9:35
  Speaker 3: Nina leaves, Andrew's like, you know, I gotta I gotta
• 9:42
  Speaker 3: confess something.
• 9:45
  Speaker 1: And that thing is I actually couldn't get a refund
• 9:50
  Speaker 1: on the tickets, and Millie it would be a shame
• 9:54
  Speaker 1: of them for them to go to waste. I want
• 9:55
  Speaker 1: you to have them and take a friend. I was like,
• 9:58
  Speaker 1: I couldn't, so oh really, ah, you know what, I'll pass.
• 10:03
  Speaker 1: I think that's a good idea. He goes, Oh, you've
• 10:06
  Speaker 1: got to come on, like, have you ever been to
• 10:08
  Speaker 1: a Broadway show? Like y? She goes, actually, I've never
• 10:13
  Speaker 1: been to a Broadway show. And he's like, oh my god,
• 10:17
  Speaker 1: that's terrible. That's terrible. She goes, oh, and secondly, I
• 10:22
  Speaker 1: don't actually have anyone to go with any friends. I
• 10:24
  Speaker 1: don't have anyone, and so he goes, blasphemy, I'll go
• 10:29
  Speaker 1: with you.
• 10:30
  Speaker 2: Right then, and there mine knew they were going to
• 10:35
  Speaker 2: make love.
• 10:35
  Speaker 1: Fucking hell. Bro. I was like, you're kidding. She goes,
• 10:40
  Speaker 1: oh no, no, no, no, Nina wouldn't like that. He goes, look,
• 10:42
  Speaker 1: I know she gets a bit jealous every now and then, right,
• 10:45
  Speaker 1: and I know she's a little bit mean to you,
• 10:48
  Speaker 1: but she would want you to go or something like that.
• 10:52
  Speaker 1: He's like, but who but she'll never find out, that's right. Yeah, yeah,
• 10:58
  Speaker 1: yeah no. He's like, look, I know she gets less,
• 11:00
  Speaker 1: but she won't know. And you need to go to
• 11:03
  Speaker 1: a roadway show once in your life. Was this the part?
• 11:05
  Speaker 2: I think it was within this conversation how she was
• 11:09
  Speaker 2: talking about Nina and he said in the past tense
• 11:14
  Speaker 2: loved instead of I love.
• 11:17
  Speaker 1: I think it was around here, it was before it
• 11:19
  Speaker 1: was before they went. I think that might have been
• 11:21
  Speaker 1: when he was opening his box.
• 11:22
  Speaker 2: Yeah that was my mum and he said I loved
• 11:25
  Speaker 2: and he looked all red and he goes, I mean love.
• 11:28
  Speaker 1: Yeah, yeah, she says something and then he goes, oh,
• 11:30
  Speaker 1: you know, like I back in like, oh yeah, he goes, yeah,
• 11:33
  Speaker 1: like we would have had kids earlier, but Nina was
• 11:37
  Speaker 1: sick or something, right, and that's obviously when she tried
• 11:40
  Speaker 1: to kill Celia, and so we we thought we would wait.
• 11:43
  Speaker 1: And also I actually think is right?
• 11:47
  Speaker 3: Is right?
• 11:47
  Speaker 1: Then when they spoke about how he's like, I don't
• 11:50
  Speaker 1: actually know what's gone wrong with Like he starting to
• 11:52
  Speaker 1: open up. He's like, I don't know what's gone wrong
• 11:53
  Speaker 1: with my marriage, Like you know Nina used to be.
• 11:57
  Speaker 1: Was this at the dinner table. Ah, maybe maybe he's
• 12:01
  Speaker 1: getting a bit into twine. Yeah, it's getting into time,
• 12:03
  Speaker 1: same stuff, but the same thing if it's smell. Basically,
• 12:05
  Speaker 1: he says I loved Nina, and then he goes, I
• 12:09
  Speaker 1: love Nina. Millie's like, I couldn't hear that. I see
• 12:13
  Speaker 1: the cracks and I will dive in. I will wedge
• 12:16
  Speaker 1: them up first. So they go get dressed, come back
• 12:23
  Speaker 1: down to the car. Andrew's looking sexy in a suit.
• 12:25
  Speaker 1: She walks down the stairs, Andrew breath taken away. Oh my, Millie,
• 12:30
  Speaker 1: you look beautiful. She's wearing one of the dresses Nina
• 12:32
  Speaker 1: gave her. Fits her amazingly perfectly fitted to her body.
• 12:36
  Speaker 1: Cocktail dress goes down to just above the knees. She thought,
• 12:38
  Speaker 1: that's all right. I covered myself up. I don't try
• 12:40
  Speaker 1: to be sexy for him. We're going to a show.
• 12:42
  Speaker 1: He's my boss, he's married, and he's he can't believe it.
• 12:45
  Speaker 1: He can't believe it. They get in the car, right, Beama,
• 12:49
  Speaker 1: BMW sexy. So they're in the BMW, they're about to leave,
• 12:56
  Speaker 1: and they're driving, and she realizes when she sits down
• 13:00
  Speaker 1: that once she sits down, the dress rides up and
• 13:02
  Speaker 1: you can see her her upper thighs, and so she's like, fuck,
• 13:05
  Speaker 1: She's like, I'm trying to get it down. Andrew's driving,
• 13:08
  Speaker 1: concentrated on the road, not looking at her thighs. He
• 13:10
  Speaker 1: stops at the red light and he can see she
• 13:13
  Speaker 1: can see him taking a little peek at the thighs,
• 13:16
  Speaker 1: and she looks up. She goes like this, and he
• 13:18
  Speaker 1: goes right, he goes, oh, not so nonchalant. Oh my god,
• 13:26
  Speaker 1: it's fucking crazy. So the show is obviously amazing. Yeah,
• 13:32
  Speaker 1: there's six rows in. She's just like daydreaming about the
• 13:37
  Speaker 1: fact that this could like her light, this could be
• 13:39
  Speaker 1: her life. Like she's daydreaming about the fact that you know,
• 13:43
  Speaker 1: she's like, I'm not an ex convict. I'm just I'm
• 13:45
  Speaker 1: just his girlfriend that he's taking to a show for
• 13:47
  Speaker 1: the night. Yeah, people won't notice. I don't have the
• 13:49
  Speaker 1: ring on that he does. Oh man. So they watch
• 13:55
  Speaker 1: the show. It's absolutely amazing. He gets up and he's like,
• 13:59
  Speaker 1: you know, I think that might be the stretch that
• 14:01
  Speaker 1: they've talked about in a couple of episodes ago episodes.
• 14:04
  Speaker 1: How about some dinner. Do you like French food? I
• 14:10
  Speaker 1: like French fries, he goes. She goes, I like their fries.
• 14:14
  Speaker 1: He says, ha ha, joke. Stuff. I know a great
• 14:18
  Speaker 1: French place a couple blocks away. Let's go. So they
• 14:21
  Speaker 1: head over to the French place. She takes a quick
• 14:24
  Speaker 1: look at the menu on the outside of the door.
• 14:25
  Speaker 1: She thinks, holy, He goes my shout of course. Ship
• 14:28
  Speaker 1: couldn't afford that. Ship better be oh my? All right,
• 14:33
  Speaker 1: what happens next? The menu is.
• 14:35
  Speaker 2: In French, so she goes, I can't read it or something,
• 14:40
  Speaker 2: and he goes.
• 14:42
  Speaker 1: We we yeah, yeah, yeah. She goes, can you read this?
• 14:44
  Speaker 1: He goes, we do you know French? He goes, we, Mademoiselle,
• 14:49
  Speaker 1: c come stay. I think that might have been Spanish,
• 14:55
  Speaker 1: but would you like it? Would you like me to
• 14:58
  Speaker 1: read it? Do you? Yeah? He's like, actually, you know
• 15:01
  Speaker 1: I know another language from studying abroad. How about you?
• 15:04
  Speaker 3: You know?
• 15:04
  Speaker 1: Did you do you know another language? She goes, i'muky
• 15:07
  Speaker 1: to know English. He's like, Melli, you should not talk
• 15:10
  Speaker 1: badly about yourself. You're a beautiful, smart woman. And I
• 15:13
  Speaker 1: was like, dude, put your dick away. Kind of subtle,
• 15:16
  Speaker 1: but away kind of subtle. He's like, do you want
• 15:19
  Speaker 1: to read it to you in English? She goes, honestly,
• 15:22
  Speaker 1: how about you just to order something? You think I'd like,
• 15:24
  Speaker 1: she knows what she's doing. That's hot. Oh my days.
• 15:28
  Speaker 1: All right, and then I'm pretty sure this happened at
• 15:29
  Speaker 1: the show, but I'm going to say it happened at
• 15:31
  Speaker 1: the restaurant. She gets a text message from Nina don't
• 15:34
  Speaker 1: forget to put the trash out. Oh yeah, yeah yeah, Millie.
• 15:37
  Speaker 1: Oh shit, Andrew, we've got to put the trash out.
• 15:40
  Speaker 1: And he's like, it's okay, it's okay, it'll be fine
• 15:42
  Speaker 1: if you find out. Worry about it. Right now, we're
• 15:44
  Speaker 1: at the restaurant. Sorry. Back to the restaurant. They've got
• 15:48
  Speaker 1: wine coming, expensive, yummy wine. They take a sip. Oh
• 15:52
  Speaker 1: my day. She goes, this is way better than the
• 15:53
  Speaker 1: five dollar wine I get from the bottle shrop down
• 15:55
  Speaker 1: the road. They order, and then he gets a phone call.
• 16:02
  Speaker 1: Oh shit, it's Nina. I better get this on the phone.
• 16:07
  Speaker 1: She's just yelling at him. She's screaming at him. He's like, Nina,
• 16:12
  Speaker 1: I can't talk you about this right now, hangs up.
• 16:14
  Speaker 1: I was like, ship, I'm going to date by.
• 16:16
  Speaker 4: The Yeah, we had a fuck out, mate, and so
• 16:24
  Speaker 4: we're not even subtly bread crumbing this apologies bad and.
• 16:28
  Speaker 1: So I don't think the book was subtle at all.
• 16:31
  Speaker 1: So he hangs up, and he goes like, man, I
• 16:33
  Speaker 1: just this is when he's like, I don't know what
• 16:36
  Speaker 1: happened in my marriage. Like he you know when I
• 16:41
  Speaker 1: first met Nina, Like she was a single mom working
• 16:44
  Speaker 1: two jobs, trying to provide driven beautiful and yeah, now
• 16:50
  Speaker 1: she you know, every other every other conversation we have,
• 16:55
  Speaker 1: she's just yelling at me. Millie goes, that's about sums
• 16:59
  Speaker 1: up relationship with her too. He says, at least we
• 17:03
  Speaker 1: got that in common. We also haven't come on the
• 17:06
  Speaker 1: fact we want to flop. Just kidding. So then Millie's
• 17:09
  Speaker 1: obviously like, you know, I'm sorry you guys. Yeah, he says,
• 17:15
  Speaker 1: I was actually engaged before before Nina. Because Millie asks,
• 17:23
  Speaker 1: she says, well what is he Yeah, like Nina now
• 17:29
  Speaker 1: shows no interest, so she's like kind of spoiled. She
• 17:30
  Speaker 1: shows no interest in like getting a job or anything
• 17:32
  Speaker 1: like that.
• 17:33
  Speaker 2: He phrased it funny in a sense of Nina stole
• 17:38
  Speaker 2: his past relationship of.
• 17:39
  Speaker 1: Him or something something in that in that way, and
• 17:41
  Speaker 1: she spoils Ceci and and he goes and so Millie goes, oh,
• 17:47
  Speaker 1: well she you know, the house is beautiful. You know
• 17:49
  Speaker 1: that's got to be Nina. And he goes, actually, no,
• 17:51
  Speaker 1: that was That's all mine. He like says in a
• 17:54
  Speaker 1: way where like no, the house is mine, like it's
• 17:56
  Speaker 1: not Nina's. And there wasn't mentioned earlier in the book
• 17:58
  Speaker 1: about an anti prenup that needs signed, and there there
• 18:01
  Speaker 1: was these bitches being like accomplished she signed that. And
• 18:04
  Speaker 1: so he goes, yeah, I was actually engaged before Nina,
• 18:08
  Speaker 1: and I have a feeling he's obviously cheated on the
• 18:10
  Speaker 1: last girl with Nina now in the background too, he's
• 18:14
  Speaker 1: pouring a lot of wine in the background, so he
• 18:16
  Speaker 1: gets yelled out by Nina down the glass. Pause it
• 18:19
  Speaker 1: all these conversations drinking, drinking. Now, after they stopped talking
• 18:26
  Speaker 1: about Nina, they go into other eyess. She says, it
• 18:28
  Speaker 1: was great dinner. We just drink wine and stuff. Dinner's over,
• 18:34
  Speaker 1: two bottles of wine deep. They get up and Andrew's
• 18:37
  Speaker 1: like whoa. He's stumbling. He's like, shit, I can not
• 18:41
  Speaker 1: drive home. Millie goes. Millie's drunk as well. She goes,
• 18:45
  Speaker 1: fuck you guys. We we still have that plaza. That's crazy,
• 18:49
  Speaker 1: we still have that plaza, you know. And I was
• 18:54
  Speaker 1: like what. So she goes, ah, it's a bad idea.
• 18:59
  Speaker 1: She even mentions like he could just get us a
• 19:01
  Speaker 1: taxi home. He can afford it. But he's not even
• 19:04
  Speaker 1: thinking about it. So he goes. She's like this, there's
• 19:09
  Speaker 1: not a good idea. Right. He goes, and there's two
• 19:13
  Speaker 1: beds in there. It's the suite, you know, there's two beds.
• 19:16
  Speaker 1: I'll be a perfect gentleman. I'll be the perfect gentleman.
• 19:20
  Speaker 1: Don't you trust me? That's why he says, don't you
• 19:22
  Speaker 1: trust me? And I was like, whoa manipulation, whoa, even
• 19:28
  Speaker 1: though she was dying for it. So they get in
• 19:31
  Speaker 1: the car and she goes, two beds, you know. He's
• 19:34
  Speaker 1: like yeah, yeah, yeah, and he's a bit drunk. Her
• 19:37
  Speaker 1: dress rides up again and he looks down at it,
• 19:40
  Speaker 1: and she's like looking at him, and he's like what.
• 19:42
  Speaker 1: She goes, you're looking at my legs. He goes, they're
• 19:44
  Speaker 1: beautiful legs. Fucking hell. It's like you can't resist. Oh no,
• 19:51
  Speaker 1: one could resist. Fuck me. You guys like you're a
• 19:54
  Speaker 1: beautiful woman, Millily, Like, if I haven't already told you tonight,
• 19:57
  Speaker 1: you look beautiful and stuff like that. She's like, two beds,
• 20:00
  Speaker 1: two beds. He goes, yeah, yeah, and then the car swerves.
• 20:06
  Speaker 1: She launches on him because she hasn't put a seatbelt on,
• 20:09
  Speaker 1: and then their cheeks graze and he's like under his breath, Millie,
• 20:14
  Speaker 1: and then they just start making out. Oh what bro
• 20:18
  Speaker 1: saw it coming? But and she kisses him back, Yes
• 20:21
  Speaker 1: she did. It's been ten years, now years, it's been
• 20:26
  Speaker 1: ten years, and Andrew, oh my god. Now the only
• 20:33
  Speaker 1: time they stopped kissing was and he had to check
• 20:35
  Speaker 1: them into the fucking plaza. All right, they go upstairs,
• 20:40
  Speaker 1: they make sweet sweet love all night. This pissed me off.
• 20:45
  Speaker 1: But where was the descriptive language. How big is it?
• 20:48
  Speaker 1: How long did he last? How many times did she come?
• 20:51
  Speaker 1: How wet was she? How what was his moaning? Like?
• 20:54
  Speaker 1: Where was this? It's been ten years. I want to
• 20:56
  Speaker 1: know how it feels the first time. Like, if you're
• 20:58
  Speaker 1: gonna put sex in her book, give us what we want? Yeah,
• 21:02
  Speaker 1: I was like was there a page missing? I was like,
• 21:05
  Speaker 1: what happened? And then it was just like we woke
• 21:06
  Speaker 1: up in the morning and I was like, no, you didn't. Yeah.
• 21:10
  Speaker 1: She goes so in short, I had sex with my
• 21:13
  Speaker 1: boss and I was like, cool, where's the details, where's
• 21:17
  Speaker 1: the long version? Fuck meh fu? Yeah. So she wakes
• 21:26
  Speaker 1: up right in a queen bed. I was like the Plaza,
• 21:30
  Speaker 1: the sweet at the Plaza queen bed with this Max
• 21:32
  Speaker 1: super king ship. Anyway, he's laying there, she's laying there.
• 21:40
  Speaker 1: He rolls over, wakes up, She's awake. She's like, I
• 21:45
  Speaker 1: wonder if he wants to go again. No, no, no, no, no,
• 21:49
  Speaker 1: he won't want to You can't. We can't do this again.
• 21:51
  Speaker 1: It can never happened. A this can never happen. So
• 21:58
  Speaker 1: then he wakes up and he's like really, goes to
• 22:00
  Speaker 1: get up he's well, got a hangover my days and
• 22:05
  Speaker 1: then he's like, are we good? He goes, yeah, yeah, yeah,
• 22:07
  Speaker 1: we're good. He goes, you won't tell Nina, will you.
• 22:09
  Speaker 1: She's like no, lips sealed, and then she goes to
• 22:13
  Speaker 1: get up, and he's like thank you and stuff, and
• 22:16
  Speaker 1: then he says, hey, merely, I'm not sorry for it.
• 22:21
  Speaker 1: I'm not sorry for any of it. And she's like,
• 22:25
  Speaker 1: oh yeah, Minita and blah blah blah. And I think
• 22:29
  Speaker 1: he also says like, but we can never do this again.
• 22:37
  Speaker 1: And it is also this the same time where he
• 22:39
  Speaker 1: says like, you know, I wish that if this was
• 22:45
  Speaker 1: basically he says like, I wish it was you basically.
• 22:48
  Speaker 1: I think that now there, Yeah, there was reminiscence of Nina. Yeah,
• 22:52
  Speaker 1: in million a sense, the hustle of the ground.
• 22:55
  Speaker 2: She works hard, she's ambitious, yeah, trying to make her
• 22:58
  Speaker 2: life better.
• 22:58
  Speaker 1: He wishes he met her way back. When that's what
• 23:00
  Speaker 1: he says, he says like, I wish I met you
• 23:02
  Speaker 1: with leend me gasline to me, fucking oath bro Semi.
• 23:05
  Speaker 1: This is textbook manipulation, holy rock hard manipulation, which you say,
• 23:11
  Speaker 1: fucking oh. So they drive home same clothes they wore.
• 23:15
  Speaker 1: He's got a head back into the city. Straight after
• 23:17
  Speaker 1: he gets home, she realizes we didn't take the trash out.
• 23:22
  Speaker 1: Then thens He's like, whatever, it's just a bed. He's like,
• 23:27
  Speaker 1: are we gonna make it in time? She goes, no, no, no,
• 23:29
  Speaker 1: I'm pretty sure we missed it. He guys, let me
• 23:32
  Speaker 1: deal with it. They pull in. Enzo's there, right, this
• 23:37
  Speaker 1: is this is sus bro. This is a little bit
• 23:39
  Speaker 1: of sus bread crumb and shit. Right. So Enzo's there
• 23:43
  Speaker 1: and he goes, oh, look, Enzo's here. Enzo sees million
• 23:45
  Speaker 1: in the car, shakes his head like you fucking clown.
• 23:51
  Speaker 1: He goes, oh, let me just ask Nzoe if he
• 23:53
  Speaker 1: can deal with the trash. So he goes over at Enzo.
• 23:56
  Speaker 1: He's like, Chozo says these things. You guys, mate, we
• 24:01
  Speaker 1: forgot to take the trash out. Can you take it
• 24:03
  Speaker 1: in your truck to the dump? And then says like
• 24:06
  Speaker 1: what He's like, truck rubbish dump, I'll give you fifty.
• 24:12
  Speaker 1: And I was like, damn, he, I'll give you a hundred.
• 24:15
  Speaker 1: And then I was like damn, He's like, Enzo, truck
• 24:19
  Speaker 1: rubbish dump, I'll give you two hundred. And so takes it.
• 24:25
  Speaker 1: Greedy motherucker. Greedy motherfucker takes the rubbish, puts in the
• 24:28
  Speaker 1: back of his truck, drives off. All right, Andrew gets
• 24:32
  Speaker 1: back in the car to drive the kind of the garage.
• 24:33
  Speaker 1: He goes, oh, fuck, what is it with that guy?
• 24:35
  Speaker 1: Such a dick? And he's like, and Millie's like, I
• 24:39
  Speaker 1: just don't think he understands this. When he goes, no,
• 24:40
  Speaker 1: he trust me, he knows what I'm saying. He was
• 24:43
  Speaker 1: just trying to get as much as he could out
• 24:44
  Speaker 1: of me. And he goes, I always I told Nina
• 24:49
  Speaker 1: to get rid of him, but she just keeps on
• 24:50
  Speaker 1: saying that everyone else in the neighborhood has him, and
• 24:52
  Speaker 1: he's the best at what he does. I'm telling you
• 24:54
  Speaker 1: he's day. He is fucking giving Nina backshots. I'm telling
• 25:01
  Speaker 1: you true. All right. So Millie's like a weird and
• 25:07
  Speaker 1: he's like, yeah, I don't know why, Like I just
• 25:10
  Speaker 1: find him, suss. He's in everyone else's yard on another
• 25:13
  Speaker 1: day of a week, he spends one third of his
• 25:14
  Speaker 1: time in our yard, you know. And he's like, and
• 25:18
  Speaker 1: Millie goes, well, I mean, you guys do have the
• 25:20
  Speaker 1: biggest house, you know, on the block, the biggest yard,
• 25:22
  Speaker 1: like spends the most time on. And he's like, yeah, yeah,
• 25:25
  Speaker 1: I guess whatever. Andrew goes to work. Milli goes about
• 25:28
  Speaker 1: our day. Nini gets home about two pm. She has
• 25:33
  Speaker 1: been shopping. She says to Milike, you take these upstairs.
• 25:36
  Speaker 1: They're a bit heavy. It sits down on the lounge.
• 25:38
  Speaker 1: Milli goes to take her bags upstairs. She goes, Owen, Millie,
• 25:42
  Speaker 1: I called the home phone last night at eleven and
• 25:46
  Speaker 1: no one answered. You should be answering the phone. It's
• 25:51
  Speaker 1: one of your duties. That's one of your duties. Yeah,
• 25:55
  Speaker 1: and Milly goes, I think I was asleep. I'm sorry,
• 25:59
  Speaker 1: and I can't hear it all up in the attics,
• 26:00
  Speaker 1: so good save. She goes, yeah, but neither did andrews
• 26:04
  Speaker 1: he didn't answer it either. She goes, well, ah, I
• 26:08
  Speaker 1: don't know what he was doing. I was asleep, Like
• 26:10
  Speaker 1: I said, I was asleep. I don't know where he
• 26:12
  Speaker 1: might have gone out out Where would he go with?
• 26:14
  Speaker 3: Who?
• 26:15
  Speaker 1: Really's? Like?
• 26:16
  Speaker 3: Fuck?
• 26:16
  Speaker 1: Did I know I was asleep? Nina Fair? She texts
• 26:21
  Speaker 1: Andrew after she goes upstairs. Nina asked her, but Nina
• 26:25
  Speaker 1: called the house last night by the way, She's like,
• 26:27
  Speaker 1: he'll know what to do. He always knows what to do.
• 26:29
  Speaker 1: I was like, oh, we God, get off his dick.
• 26:30
  Speaker 1: He shouldn't she shouldn't have tasted him.
• 26:33
  Speaker 3: Fu.
• 26:33
  Speaker 1: Nona's definitely tracking that shit. Oh bro, I reckon. Nina's
• 26:36
  Speaker 1: got cameras in the house and everything. Yeah, fucking hell,
• 26:39
  Speaker 1: terrifying by the way, Nina scares me. Yeah, all right, now,
• 26:44
  Speaker 1: it's been about a week Ceci's gone. The house is
• 26:47
  Speaker 1: beautifully quiet, even though she's an eerie little child. But
• 26:51
  Speaker 1: so she can't help but notice that Andrew and Nina
• 26:54
  Speaker 1: have been a little stand offish to each other. They
• 26:56
  Speaker 1: just don't really talk much. And yeah, yeah, yeah. She
• 27:00
  Speaker 1: she's cooking dinner. She wants to get it on the
• 27:01
  Speaker 1: table before they come in, and so she can just
• 27:03
  Speaker 1: get out of there, get her out of the awkwardness.
• 27:06
  Speaker 1: So she goes put the food on the table, and
• 27:12
  Speaker 1: she's taking a water glass, bumps into Andrew drops the
• 27:15
  Speaker 1: glass shatters everywhere. All right. He goes, let me help
• 27:19
  Speaker 1: you with that. She goes, no, no, no, He's like,
• 27:20
  Speaker 1: you let me help you. They're cleaning up. Nina comes in.
• 27:23
  Speaker 1: What's going on here? MILLI? I dropped glass, Millie, please
• 27:25
  Speaker 1: be more careful. It's like whatever food on table, right,
• 27:31
  Speaker 1: and then Nina says, thank you so much. Millie. What
• 27:38
  Speaker 1: was food like in prison? Crazy and merely like what
• 27:45
  Speaker 1: Andrew's looking at her in fucking like shock prison? She
• 27:49
  Speaker 1: goes it was okay. I guess it's like, well, keep
• 27:54
  Speaker 1: doing what you're doing because this is great. We don't
• 27:55
  Speaker 1: want of that prison food, all right. I was like, fuck, bro,
• 27:59
  Speaker 1: girl knows what she's doing. And then and then Millie leaves.
• 28:03
  Speaker 1: She goes on, Millie, before we leave, you've got some pepper.
• 28:06
  Speaker 1: She goes back in the kitchen, text out of the table,
• 28:09
  Speaker 1: puts like she like slams it like down, and Nina's like,
• 28:14
  Speaker 1: thank you. Nina's apparently got like caked up eyeliner, smudged lipstick.
• 28:20
  Speaker 1: She looks like a demon, looks demonic, Milli. Millie's like pleasure.
• 28:27
  Speaker 1: Nina goes. So Milli goes upstairs. She's about to cry.
• 28:30
  Speaker 1: She's laying in her bed until something catches her eye. Millie.
• 28:36
  Speaker 1: On her bedside table is the playbill from the Broadway show,
• 28:40
  Speaker 1: which is like what's happening that night? As if you
• 28:42
  Speaker 1: would keep the menu, So she goes, and I kept
• 28:45
  Speaker 1: it in my wallet so I could remember the night
• 28:47
  Speaker 1: because of how good it was. She goes, But I
• 28:50
  Speaker 1: left it in my wallet. I haven't touched it since,
• 28:53
  Speaker 1: so no one could find it. And it's on my
• 28:55
  Speaker 1: bedside table, she goes, No one's been in here, but
• 29:01
  Speaker 1: I'm the only one with the key. But that Nina.
• 29:05
  Speaker 1: And then the way it ends is, oh, my days,
• 29:09
  Speaker 1: I just made a dangerous, dangerous enemy.
• 29:13
  Speaker 2: Well, oh boy, that is a cliffhanger and a huh yeah, yeah, yeah, yeah,
• 29:20
  Speaker 2: honestly very entertained.
• 29:23
  Speaker 1: Yeah. I did see a lot of comments that said predictable,
• 29:27
  Speaker 1: and to her sense, it is have we predicted these things?
• 29:31
  Speaker 1: I actually didn't know if she was going to have
• 29:32
  Speaker 1: sex with Andrew. You told me no. I thought yes initially,
• 29:36
  Speaker 1: but obviously they did. Obviously they did. All right, tell
• 29:40
  Speaker 1: me what you're thinking, Oddie? What am I thinking?
• 29:42
  Speaker 2: I am thinking? So, I actually don't think Nina knows.
• 29:49
  Speaker 2: I think something else has happened there and it's going
• 29:52
  Speaker 2: to explain it. And I think what's going to happen
• 29:53
  Speaker 2: is Millie's going to make a mistake and slip again
• 29:56
  Speaker 2: with Andrew, and that's how they find out because of
• 29:58
  Speaker 2: whatever just happened.
• 29:59
  Speaker 1: Now, wait, one more thing to add. While Million Andrew
• 30:05
  Speaker 1: were cleaning up the glass, he's trying to say something
• 30:07
  Speaker 1: to it. That's when Nina comes in, so they obviously
• 30:09
  Speaker 1: can't say it. And then he goes to like go
• 30:11
  Speaker 1: over near her, near the broom cabinet, and he like
• 30:15
  Speaker 1: goes up real questomer. He's like, we need to talk later,
• 30:18
  Speaker 1: and then Nina brings up the prison thing, and so
• 30:21
  Speaker 1: she was like, I wonder what Andrew wanted to talk
• 30:23
  Speaker 1: to me about. So now remember that so Andrew wanted
• 30:26
  Speaker 1: to talk to Milly about something.
• 30:28
  Speaker 2: I actually think this is a hard curve ball and
• 30:30
  Speaker 2: very scary, but I think it's fitting for the book.
• 30:33
  Speaker 1: You know how.
• 30:36
  Speaker 2: Millie keeps forgetting things, and it's alluded that it's Nina's fault.
• 30:41
  Speaker 2: I think they're drugging Milli or Nina's drugging Million a sense,
• 30:45
  Speaker 2: or doing something to make her forget her memory, and
• 30:47
  Speaker 2: these things are actually happening, but she's actually just forgetting.
• 30:52
  Speaker 1: And she actually is doing these things because that one,
• 30:56
  Speaker 1: I think.
• 30:57
  Speaker 2: And then what's going to happen is she thinks Nina knows,
• 31:00
  Speaker 2: but she actually doesn't, and she's gonna stuff up with Andrew.
• 31:02
  Speaker 1: And Andrew or her is gonna tell Nina in a
• 31:06
  Speaker 1: sense in a way. So do we think Nina's crazy though?
• 31:10
  Speaker 2: Oh yeah, she's drugging fucking Millie or she's doing something
• 31:13
  Speaker 2: to her to make her forget her memory. And I reckon,
• 31:14
  Speaker 2: these things are happening, and she's actually just forgetting something
• 31:20
  Speaker 2: like that, because I don't think she knows.
• 31:22
  Speaker 1: I think because she's the type to me if she knew,
• 31:25
  Speaker 1: she would be like, get the fuck out of my
• 31:27
  Speaker 1: house or should stab her right there? And I don't know.
• 31:29
  Speaker 1: I think that she's like crazy enough to play the
• 31:31
  Speaker 1: long game, you reckon? Yeah, so what do you reckon? Look?
• 31:38
  Speaker 1: I was like, why did why'd they fuck? Like? Yeah,
• 31:42
  Speaker 1: it's a terrible decision, don't she? Were? You weak? Guys?
• 31:46
  Speaker 1: That's my motto, right, So hmmm, I am going to
• 31:56
  Speaker 1: say I'm happy with the book. I think that what
• 31:58
  Speaker 1: we've just experienced is one twist and turn of many
• 32:01
  Speaker 1: to come in the next thirty chapters. I think it's
• 32:03
  Speaker 1: going to be crazy. I want to make a prediction
• 32:06
  Speaker 1: on who do we think the overall villain is? Or
• 32:13
  Speaker 1: I also think Andrew is probably a past alcoholic and
• 32:17
  Speaker 1: he's done some bad things. So yeah, I think that
• 32:22
  Speaker 1: Andrew has got a side to him that we have
• 32:29
  Speaker 1: not seen, and no one has seen, because I think
• 32:33
  Speaker 1: that there's a reason he's staying with Nina that we
• 32:40
  Speaker 1: don't know, but I have a feeling it's because of
• 32:43
  Speaker 1: some sort of control that he has over her, because
• 32:48
  Speaker 1: she tried to kill her kid and he wants to
• 32:51
  Speaker 1: have a kid with her, Like who in their right
• 32:54
  Speaker 1: mind would do that? I agreed. I genuinely think that
• 33:02
  Speaker 1: that Andrew is potentially the villain in this.
• 33:05
  Speaker 2: I think they're as bad as each other. I think,
• 33:08
  Speaker 2: what do we think is going to happen with Enzo?
• 33:09
  Speaker 2: But I think everyone's going to die except for Enzo
• 33:12
  Speaker 2: and Milly.
• 33:13
  Speaker 1: I think that so Enzo plays a bigger part in
• 33:18
  Speaker 1: this somehow, and I hope that it's that he is
• 33:22
  Speaker 1: Nina's baby daddy, Cee's dad.
• 33:24
  Speaker 2: I think he's going to save merely at one point,
• 33:26
  Speaker 2: and there's there's going to be a point where Millie
• 33:28
  Speaker 2: gets locked in the attic, of course, like it's going
• 33:31
  Speaker 2: to happen sooner or later.
• 33:32
  Speaker 1: I think that what's going to happen is she's going
• 33:36
  Speaker 1: to get in a big fight with Nina and say
• 33:40
  Speaker 1: she quits, and Nina's going to say you don't get
• 33:43
  Speaker 1: to leave to you fired or something crazy shit like that.
• 33:46
  Speaker 1: So then Millie's like, I'm going to get back my
• 33:48
  Speaker 1: things locked in, locked in? Yeah, I agreed. Now I
• 33:53
  Speaker 1: I think that I did I have Oh yeah, I
• 33:58
  Speaker 1: think that what's actually how happened here is I think
• 34:04
  Speaker 1: that the last time they had a maide, Andrew slept
• 34:11
  Speaker 1: with that one too.
• 34:12
  Speaker 3: Oh.
• 34:13
  Speaker 1: And I think that Nina is obviously crazy and she
• 34:21
  Speaker 1: got another young, pretty living maid just like just because
• 34:27
  Speaker 1: like she can, and she wants to, like, I don't know,
• 34:32
  Speaker 1: do you reckon?
• 34:33
  Speaker 2: Out of spite, she hired Millie knowing her background to
• 34:37
  Speaker 2: go to Andrew.
• 34:38
  Speaker 1: Hahuh, you just slept with a convict. Yeah, you just
• 34:43
  Speaker 1: slept someone that slept with someone that murdered someone. Yeah.
• 34:46
  Speaker 1: All you like is murderers. Oh he has a type. Yeah,
• 34:52
  Speaker 1: she's trying to She's trying to get one up on
• 34:57
  Speaker 1: Andrew because it's prenup shall agreement.
• 35:01
  Speaker 2: Agreed, and probably Andrew for his business for some reason,
• 35:04
  Speaker 2: can't have this find out. Maybe that's why he's staying.
• 35:07
  Speaker 2: So he slept with the last maid his business. Can't
• 35:09
  Speaker 2: find out that he's sleeping with maids, he'll ruin his reputation.
• 35:12
  Speaker 2: So he's just doing it again because he knows he's
• 35:13
  Speaker 2: stuck anyway. Yeah, and he's like, I just want to
• 35:16
  Speaker 2: fuck Yeah, I just want to fuck.
• 35:19
  Speaker 1: You.
• 35:19
  Speaker 2: I do think that he's a bad guy at the end, though,
• 35:21
  Speaker 2: when they have when they slept together, I was thinking,
• 35:24
  Speaker 2: do you reckon Millie gets pregnant, but there was no
• 35:29
  Speaker 2: bread coming there.
• 35:31
  Speaker 1: But I was thinking that initially because he wants a kid,
• 35:34
  Speaker 1: she wants to be his wife, and then is that
• 35:39
  Speaker 1: how Nina finds out? That would be crazy? Bro Oh.
• 35:46
  Speaker 1: I like, I'm not gonna like I get scared to
• 35:48
  Speaker 1: read this book. It is a little bit scary. It's
• 35:50
  Speaker 1: one of those ones you don't want to read when
• 35:51
  Speaker 1: it's dark. I just like, I just don't know what's
• 35:55
  Speaker 1: gonna happen, honestly, honestly. So chapters, Yeah, we'll do. So
• 36:02
  Speaker 1: there's sixty chapters, so we'll go to wait, we say thirty,
• 36:08
  Speaker 1: so we need to read if we want to do
• 36:09
  Speaker 1: it in two more parts on your fifteen fifteen? Yeah, yeah,
• 36:12
  Speaker 1: should we do fifteen fifteen or should we do thirty
• 36:15
  Speaker 1: straight up. We could probably just finish it, to be honest,
• 36:17
  Speaker 1: So that means we need to fucking figure out what
• 36:19
  Speaker 1: we're reading next.
• 36:20
  Speaker 2: It could be in this episode. Well that was only
• 36:22
  Speaker 2: half an hour. So if we do double yeah, do
• 36:24
  Speaker 2: we want to put a pole? What's coming out? Yeah,
• 36:26
  Speaker 2: we'll put a pole on Patreon gets two votes and
• 36:31
  Speaker 2: Patron gets two votes, so everyone, I'll put a pole
• 36:33
  Speaker 2: on Patreon and for everyone on Patreon their vote counters.
• 36:35
  Speaker 1: Too, oh okay, and then on I don't know if
• 36:40
  Speaker 1: I'll put it in the Batties Instagram channel as well.
• 36:45
  Speaker 1: That's one better. So they're the two options. So if
• 36:46
  Speaker 1: you're in the Baddies Instagram channel, yeah, we're going to
• 36:49
  Speaker 1: put in a poll for either Throne of Glass, Fourth
• 36:53
  Speaker 1: Wing or Crescent City. We're going to do the same
• 36:56
  Speaker 1: thing in Patreon. We'll tally all the votes. If you
• 37:00
  Speaker 1: vote in the about his book Club channel on Instagram,
• 37:04
  Speaker 1: counts as one vote. Yeah, if you go and you
• 37:06
  Speaker 1: pay for Patreon and vote in Patreon, if all of
• 37:09
  Speaker 1: those votes count as two votes correct each, So for
• 37:12
  Speaker 1: each one, so yeah, shit, we're going to have to
• 37:17
  Speaker 1: Oh oh, I'm not worried about buying him I'm just
• 37:21
  Speaker 1: worried about. So here's the thing with Fourth Wing is
• 37:23
  Speaker 1: I want to read it. I want to do Fourth Wing.
• 37:27
  Speaker 1: So now I am keen on Fourth Wing. But with
• 37:31
  Speaker 1: Fourth Wing, I was listening to Shits and Gigs and
• 37:34
  Speaker 1: he one of them was reading Fourth Wing, and I
• 37:36
  Speaker 1: was like, ah, I might not ever read it, so
• 37:38
  Speaker 1: so I'll just listened to it. So I was listening
• 37:40
  Speaker 1: to his synopsis on Fourth Wing. So I know some
• 37:42
  Speaker 1: of the big spoilers that happened in the first two books,
• 37:44
  Speaker 1: but he didn't finish the last book. Yeah, that's out,
• 37:48
  Speaker 1: So once we get to the third one, I'm chillin'.
• 37:50
  Speaker 1: I know some of the big things that happen in
• 37:51
  Speaker 1: the first two. But what I've noticed is because now
• 37:54
  Speaker 1: James from Shitts and Gigs is doing Akatar, and I've
• 37:57
  Speaker 1: read Akatar, his synopsis is on a Tara are not
• 38:01
  Speaker 1: all that accurate, so they give away spoilers, but they
• 38:04
  Speaker 1: give it like he was. I'm thinking to myself, he's
• 38:06
  Speaker 1: leaving out so much juice, So I think there's still
• 38:09
  Speaker 1: a lot of juice for me to get in Fourth Wing.
• 38:11
  Speaker 2: And I guess a little bit of the behind the
• 38:13
  Speaker 2: scenes in our decision making, although it's all up to
• 38:17
  Speaker 2: the baddies. In a sense, Akatar for the podcast was
• 38:21
  Speaker 2: amazing for the first two books, maybe even three, but
• 38:25
  Speaker 2: the last two the listenerships went down drastically.
• 38:30
  Speaker 1: It went down quite a bit. Yeah, it's like it
• 38:31
  Speaker 1: was like those two books were less hype for some reason.
• 38:33
  Speaker 2: It's almost like people stopped reading it or I don't know,
• 38:36
  Speaker 2: we got less good. But in a sense best for
• 38:40
  Speaker 2: the podcast is also the one that has the most hype.
• 38:44
  Speaker 1: Yeah. Change, And people have said Throne of Glass is long. Yeah, yeah, yeah.
• 38:50
  Speaker 1: A lot of people were like worried that it's not
• 38:51
  Speaker 1: good for a podcast.
• 38:52
  Speaker 2: Yeah, that's what I mean, like it could be true,
• 38:55
  Speaker 2: whereas we know Fourth Wing is good. Yeah, and it's
• 38:58
  Speaker 2: almost like wish.
• 39:00
  Speaker 1: We could do We probably could justify doing Fourth Wing
• 39:04
  Speaker 1: for the main episodes and Patreon, yeah fuck it, let's
• 39:08
  Speaker 1: just kill yeah yeah yeah. But yeah, because in a sense,
• 39:11
  Speaker 1: I do think those two might be too long for
• 39:13
  Speaker 1: a podcast to make it entertaining, but the real diehards
• 39:15
  Speaker 1: would love it. And I want to give everyone everything.
• 39:18
  Speaker 1: That true, there's almost too much reading for us true true, true,
• 39:21
  Speaker 1: true true. But that's all the information, so you know,
• 39:24
  Speaker 1: but you got Hey, if you guys, votes are on
• 39:25
  Speaker 1: a glass, that's what we're reading that. Yeah, so you
• 39:27
  Speaker 1: can make an informed decision. Yeah, how many votes do you?
• 39:32
  Speaker 1: And I get? None? None? None? What about three? Three votes?
• 39:37
  Speaker 1: So I think your vote counters three and my vote
• 39:41
  Speaker 1: counters three. It could be the decided I was going
• 39:44
  Speaker 1: to say, the only thing, the only time we should
• 39:46
  Speaker 1: get a vote is when there needs to be a decider. True. True,
• 39:51
  Speaker 1: Well you hate opinions anyway, So but yeah, sorry about
• 39:58
  Speaker 1: red Rising. Anybody that does want us to read that,
• 40:01
  Speaker 1: that one is unfortunately off limits already. I recommend you
• 40:05
  Speaker 1: read it, though it's fucking sick, bro, it's a good idea,
• 40:07
  Speaker 1: and get in a better routine. I lost it after
• 40:09
  Speaker 1: BALI oh really reading every night and now I don't
• 40:11
  Speaker 1: feel like it's a housemate's chill as fun. But we'll
• 40:18
  Speaker 1: leave it there. Come back next week and we'll be done.
• 40:20
  Speaker 1: We'll be the finale, thee oh my god, stay the
• 40:24
  Speaker 1: fuck bad