Latest / Beyond The Blood: A Horror Movie Commentary Podcast / After Hours - April 2026 (Physical Media Show!)

Transcript

After Hours - April 2026 (Physical Media Show!) · Beyond The Blood: A Horror Movie Commentary Podcast

• 0:00
  Speaker 1: If you're looking for more horror outside of the mainstream,
• 0:03
  Speaker 1: look no further than Unsung Horrors, a podcast about underseen
• 0:07
  Speaker 1: horror movies.
• 0:09
  Speaker 2: I'm Lance and I'm Erica.
• 0:11
  Speaker 3: Every other week we'll cover a horror movie with fewer
• 0:14
  Speaker 3: than one thousand views on Letterboxed. We'll even give you
• 0:17
  Speaker 3: double feature recommendations to pair with the movies we discuss.
• 0:20
  Speaker 1: From gothic to shot on video, from slashers to comedies,
• 0:24
  Speaker 1: from Giallo to j horror, We'll cover all the subgenres.
• 0:28
  Speaker 1: So join us as we unearth these hidden gems of horror.
• 0:31
  Speaker 3: Follow us on Instagram, Twitter, and Facebook. All at Unsung
• 0:35
  Speaker 3: Horrors available wherever you listen to podcasts and part of
• 0:39
  Speaker 3: the Someone's Favorite Productions Podcast Network.
• 0:44
  Speaker 4: You are now listening to the Someone's Favorite Productions Podcast Network.
• 1:18
  Speaker 5: PAPP.
• 1:58
  Speaker 2: Welcome back to After Hours. This is our physical media
• 2:02
  Speaker 2: kind of spin off episode. I guess you can say
• 2:04
  Speaker 2: that we do monthly or bi weekly, or every three
• 2:07
  Speaker 2: weeks or just whenever we feel like. My name is
• 2:11
  Speaker 2: Chris Higgins, a bearded film guy, as always your host,
• 2:13
  Speaker 2: but I'm always joined by the ever so lovely Steve
• 2:16
  Speaker 2: from After Hours Video.
• 2:18
  Speaker 6: What's Happening guys.
• 2:20
  Speaker 2: And we have another guest. You've seen him here before
• 2:23
  Speaker 2: a bunch of times, Jordan from the movie Den. Thanks
• 2:26
  Speaker 2: for coming back, dude.
• 2:27
  Speaker 7: It's going on, guys, Thanks, thanks for having me on.
• 2:30
  Speaker 2: Yeah, of course we've just spent We intended to start
• 2:32
  Speaker 2: recording like forty five minutes ago, but we spent this
• 2:36
  Speaker 2: last time sending links to each other on VHS's. That's
• 2:40
  Speaker 2: what we've been doing.
• 2:41
  Speaker 6: The Dream's not dead.
• 2:44
  Speaker 2: I hope, I hope you boys are doing okay. You
• 2:46
  Speaker 2: guys been spending a lot of money on physical media.
• 2:48
  Speaker 7: Lately, yes, as always, no comment, a lot of money
• 2:54
  Speaker 7: on that and cough drops and suit of fed for me,
• 2:58
  Speaker 7: I'm just getting over hold.
• 3:00
  Speaker 2: So you're feeling better, I mean you're sounding thank you.
• 3:06
  Speaker 2: I put my hand to your head to feel your temperature. Yeah,
• 3:09
  Speaker 2: pretty good.
• 3:10
  Speaker 6: I'm saving up all my money for the Faces of
• 3:12
  Speaker 6: Death box set.
• 3:13
  Speaker 2: Yeah, if anybody knows, if anybody has a hook up
• 3:16
  Speaker 2: on the Face of Death HS box at Steve here
• 3:19
  Speaker 2: is willing to pay you one hundred dollars for it.
• 3:21
  Speaker 6: No more, no more, no more.
• 3:24
  Speaker 2: What it was like ten dollars shipping, I mean okay,
• 3:31
  Speaker 2: no shipped, and hopefully Jordan. Jordan's just left the twenty
• 3:36
  Speaker 2: five dollars offer on an eight thousand dollars halloweid VHS
• 3:39
  Speaker 2: on Eveay. He has Maybe at some point during this
• 3:42
  Speaker 2: episode he'll get accepted.
• 3:44
  Speaker 7: Dude, if that happens, yeah, you guys will know.
• 3:50
  Speaker 2: I mean, I thought it was a I was the
• 3:52
  Speaker 2: one who gave you the idea, and I thought it
• 3:54
  Speaker 2: was I was just joking, but yeah, you know if
• 3:58
  Speaker 2: you get it. Ever is what I'm saying.
• 4:00
  Speaker 6: Man, I respect that.
• 4:03
  Speaker 2: But it's always we're here to chat about some stuff
• 4:05
  Speaker 2: we've been watching on physical media. New old, doesn't matter.
• 4:08
  Speaker 2: We're just here to talk about what we've been watching.
• 4:11
  Speaker 2: I have four picks. I know, these lovely gentlemen here,
• 4:13
  Speaker 2: I have four or five picks, sometimes six seventy eight.
• 4:15
  Speaker 2: I don't know. They've been showing tons of stuff over
• 4:17
  Speaker 2: the last forty five minutes. So I'm unsure how long
• 4:20
  Speaker 2: this episode is going to be. But I'm ready to
• 4:24
  Speaker 2: kick it off. Do you guys mind if if I
• 4:26
  Speaker 2: start with uh, with with with some shit real quick?
• 4:31
  Speaker 7: Yeah?
• 4:31
  Speaker 2: No, okay, go for it, lay it out all right.
• 4:34
  Speaker 2: So I got a couple. I got a couple of
• 4:37
  Speaker 2: DVDs that I've been watching, and one of them, which
• 4:41
  Speaker 2: I want to say, I was gonna post. I was
• 4:43
  Speaker 2: gonna post this on Instagram. Our buddy Garrett co hosts
• 4:47
  Speaker 2: an incredible podcast called The Anchor Bay Archives Podcast. I
• 4:52
  Speaker 2: was gonna post this and tag him and do all that,
• 4:55
  Speaker 2: you know, fun stuff, and I was like, I cannot
• 4:58
  Speaker 2: post about this movie. You can't do it. And I
• 5:02
  Speaker 2: don't have a whole lot to say other than, you know,
• 5:05
  Speaker 2: not good things. But Day of the Dead two Contagium.
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  Speaker 2: This is from I don't evenmember what you hear. This
• 5:14
  Speaker 2: is from. This is from CHESA five. I think, yeah,
• 5:17
  Speaker 2: two thousand and five. I see Jordan's face, this little
• 5:21
  Speaker 2: tiny smirk that he has. This is a I don't
• 5:26
  Speaker 2: know if this is I think this is a prequel
• 5:29
  Speaker 2: that yes, it is in nineteen sixty eight. This takes
• 5:33
  Speaker 2: place in and it's a big pile of shit. I
• 5:42
  Speaker 2: don't even really know what to say. It's there's there's
• 5:47
  Speaker 2: a hospital and they have they put this virus in
• 5:52
  Speaker 2: a in a thing that gets put into a water
• 5:55
  Speaker 2: bottle that gets discovered years later, and these people in
• 6:00
  Speaker 2: a home and like one person turns into a zombie,
• 6:04
  Speaker 2: and starts killing people, and yeah, they're the back of
• 6:09
  Speaker 2: this box that I'm reading right now says part prequel,
• 6:13
  Speaker 2: part sequel, and a total gut ripping gorse viewing homage
• 6:16
  Speaker 2: to the original.
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  Speaker 6: And none of that is true, Chris, be honest, what's
• 6:21
  Speaker 6: better Day of the Dead two or Zombie three?
• 6:27
  Speaker 2: Uh? I would say, well, I would definitely say Zombie three,
• 6:32
  Speaker 2: but yeah, this is uh. I don't know what I
• 6:35
  Speaker 2: was thinking. I remember when I bought this, it was
• 6:37
  Speaker 2: it was mostly out of like nostalgia, because I did
• 6:39
  Speaker 2: see this so many times when I was young at
• 6:43
  Speaker 2: rental stores or whatever the case. And I do think
• 6:46
  Speaker 2: it's interesting to own movies like this because it's so
• 6:51
  Speaker 2: fucking weird that they even exist, that like Day of
• 6:54
  Speaker 2: the Dead two was made in that there's multiple like
• 6:57
  Speaker 2: unofficial sequels and spin offs and all kinds of stuff.
• 7:00
  Speaker 2: For David, one of them has said, haig, and it's
• 7:02
  Speaker 2: in three D or no, that's not either Living Dead.
• 7:05
  Speaker 2: I'm sorry Georgia Romero Films. But yeah, I figured I
• 7:09
  Speaker 2: kicked this off on a positive note and talk about
• 7:11
  Speaker 2: this this movie. But good news is for anybody who
• 7:14
  Speaker 2: is interested, there's an audio commentary with the writer and
• 7:20
  Speaker 2: co director, the producer and co director, and then the cinematographer,
• 7:24
  Speaker 2: which I don't know what he did. Was he hugriphied
• 7:28
  Speaker 2: for this? But there's also a making of as well
• 7:32
  Speaker 2: on this disc and it's presented in a widescreen presentation.
• 7:35
  Speaker 7: Can I please can we please get a beyond the
• 7:39
  Speaker 7: Blood commentary episode on David Dead two Contagium?
• 7:43
  Speaker 6: Oh boy, it would just be.
• 7:47
  Speaker 2: I don't I don't know. There's not enough whiskey in
• 7:49
  Speaker 2: the world for that. Man. I get like, you know, genuinely,
• 7:53
  Speaker 2: I watched stuff in our collection and I say, like,
• 7:57
  Speaker 2: if I'm never gonna watch this again, I'm gonna get
• 7:58
  Speaker 2: rid of it. And if I don't get rid of it,
• 8:01
  Speaker 2: if I don't like it, I keep it because, in
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  Speaker 2: my opinion, like certain movies hold historical context or value,
• 8:07
  Speaker 2: and I think like it's a cool piece to kind
• 8:09
  Speaker 2: of have for curation. This kind of doesn't fall into
• 8:13
  Speaker 2: either category. And I just don't know why I'm going
• 8:16
  Speaker 2: to keep it, but I'm going to keep it. And uh,
• 8:19
  Speaker 2: that's that's That's all I have to say about the
• 8:21
  Speaker 2: Day of the Dead two.
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  Speaker 7: It'll be worth a lot of money one day.
• 8:25
  Speaker 2: Yeah, I'm sure. I'm sure. Like everything else, at some
• 8:28
  Speaker 2: point this movie will have like a reevaluation and suddenly
• 8:32
  Speaker 2: it'll be like YouTube video that's like the on the
• 8:37
  Speaker 2: unsequeled or the The Requel of the Century reanalyzing Day
• 8:42
  Speaker 2: of the Dead.
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  Speaker 6: Two they'll bring down for the commentary.
• 8:46
  Speaker 2: I hope. So I'm there day one. So that was
• 8:52
  Speaker 2: my first selection for tonight, Jordan, What did you bring
• 8:58
  Speaker 2: for us?
• 9:00
  Speaker 7: Yeah, I've got a few here. I'll uh, let's see here,
• 9:06
  Speaker 7: let's start with uh, we'll start with this here. Since
• 9:10
  Speaker 7: on the top of the stack. This one actually got
• 9:12
  Speaker 7: a while ago from eighty eight Films, and it's a
• 9:16
  Speaker 7: from Alan Clark and it is his movie Scum Eightio
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  Speaker 7: Films announced this quite a while ago. I picked it
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  Speaker 7: up and just it sat on my shelf and never
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  Speaker 7: watched it. And I think, was it like a week
• 9:26
  Speaker 7: or so ago. I popped it in tried to check
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  Speaker 7: it out, and actually I really enjoyed it. It's a
• 9:32
  Speaker 7: very it's a it's a story that follows mainly this
• 9:39
  Speaker 7: I forget his name in the movie, him right there,
• 9:42
  Speaker 7: and he's it follows these group of kids that are
• 9:45
  Speaker 7: in this We would call it like a juvenile detention
• 9:47
  Speaker 7: center or you know, like a juvie. I forget what
• 9:51
  Speaker 7: they call it over in England and stuff, but it's
• 9:56
  Speaker 7: essentially it's that's what it is. But it's it's way
• 10:00
  Speaker 7: way worse than anything you can think.
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  Speaker 2: So a juvenile offender institution.
• 10:04
  Speaker 7: Yeah, I forget what they call it. There's a name.
• 10:06
  Speaker 7: There's a certain name they call it in this movie
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  Speaker 7: is say on the back.
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  Speaker 6: Uh.
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  Speaker 2: This movie was originally banned.
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  Speaker 7: Yeah it uh it. So it follows a kind of
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  Speaker 7: a story of a bunch of these kids with the
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  Speaker 7: main kid his name in here, Carlin is his name.
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  Speaker 7: He kind of becomes the ring leader of this uh
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  Speaker 7: detention center, and it just follows their lives. The the
• 10:40
  Speaker 7: the guards are incredibly just horrendous people. The ending is
• 10:47
  Speaker 7: is is pretty wild. I don't want to say too much.
• 10:49
  Speaker 7: It's hard because this is one of those movies going
• 10:52
  Speaker 7: in blind I think is the best way to watch it. Yeah,
• 11:00
  Speaker 7: I really there's not much I could say without spoiling
• 11:03
  Speaker 7: too much. Like I guess part of this one's in
• 11:08
  Speaker 7: the trailer. Like this one kid, he's like eighteen, he's
• 11:11
  Speaker 7: in there and he gets a letter from home and
• 11:14
  Speaker 7: they kind of make fun of him about it, and
• 11:16
  Speaker 7: the letter is I don't know if it's his parents
• 11:20
  Speaker 7: or his wife's parents saying, hey, you know, basically we
• 11:23
  Speaker 7: had to bury her. She's dead. I haven't heard from
• 11:25
  Speaker 7: a while, so I thought i'd let you know why.
• 11:28
  Speaker 7: And he's like, what's going on? Who? She goes, well,
• 11:30
  Speaker 7: who is that? And he goes, that was my wife?
• 11:32
  Speaker 7: And it just has I mean, it's it's a rough
• 11:37
  Speaker 7: it's it's just a rough watch, you know. I know. Yeah,
• 11:42
  Speaker 7: I don't want to say too much about the movie.
• 11:43
  Speaker 7: It's just it's a great one. I really enjoyed it.
• 11:47
  Speaker 2: How is that release like as a whole? Did you
• 11:50
  Speaker 2: watch any of the bonus features?
• 11:51
  Speaker 7: I didn't get a chance to watch much of the
• 11:52
  Speaker 7: bonus features, to be honest. It's it's a rigid you know,
• 11:57
  Speaker 7: like limited edition eighty eight Films release four K four
• 12:00
  Speaker 7: K looks great. I'm looking on the back here, so
• 12:07
  Speaker 7: it's a new four K remaster. What I'm actually gonna
• 12:11
  Speaker 7: open this up here real quick and see of course
• 12:15
  Speaker 7: see fright in the back has nothing on it. Uh. Yeah,
• 12:20
  Speaker 7: I didn't get a chance to go through all the
• 12:22
  Speaker 7: special features on this. Unfortunately, the first time watch for you.
• 12:26
  Speaker 6: Or it was it was.
• 12:27
  Speaker 7: Yeah. I watched the trailer when they announced this, and
• 12:30
  Speaker 7: I was like, okay, Actually the reason I bought this
• 12:32
  Speaker 7: was so I thought, you know, my wife might like this.
• 12:36
  Speaker 7: I mean, she's into these type of just so she deals.
• 12:42
  Speaker 7: My wife does is a mental health therapist for teenagers
• 12:47
  Speaker 7: and stuff like, oh man, this might be good for it.
• 12:48
  Speaker 7: She did not like it. So it's that rough of
• 12:52
  Speaker 7: a movie. Yeah, it's it's just a hard look at
• 12:58
  Speaker 7: the lives that these kids have. And I think it's
• 13:00
  Speaker 7: based off of a true story too, if I remember correctly.
• 13:03
  Speaker 7: They since have closed down this, uh, these facilities that
• 13:07
  Speaker 7: they had at the time, but it was just a
• 13:12
  Speaker 7: way that they tortured these kids.
• 13:14
  Speaker 6: Yeah, terrible.
• 13:15
  Speaker 7: Yeah.
• 13:16
  Speaker 2: Is it barstool prison? Is that what the yes it
• 13:20
  Speaker 2: sounds about right, Yeah, yeah, named named. I think the
• 13:24
  Speaker 2: inspiration for Barstool sports.
• 13:28
  Speaker 7: Stop.
• 13:30
  Speaker 6: I will say eighty eight films, I feel like is
• 13:33
  Speaker 6: usually pretty consistent with all their releases, just with how
• 13:36
  Speaker 6: packed they are with you know, special features and just
• 13:39
  Speaker 6: how nice the releases look.
• 13:41
  Speaker 7: Yeah, so says Scum is a stark study of institutional
• 13:44
  Speaker 7: power and state sanctioned violence that refuses to bolts punches.
• 13:49
  Speaker 7: It's pretty accurate description.
• 13:55
  Speaker 2: Hell yeah, man, well thanks for bringing us some depth
• 13:57
  Speaker 2: for your first choice today.
• 13:58
  Speaker 7: Yeah, I'm not I'm not gonna promise it's gonna stay
• 14:02
  Speaker 7: that way, but start off at a serious note.
• 14:08
  Speaker 2: I'm just messing with you, man, Steve. I know you
• 14:11
  Speaker 2: always bring some hot and steamy stuff.
• 14:15
  Speaker 6: I don't think this first choice is gonna be like that.
• 14:17
  Speaker 6: I figured I'd ride off of Jordan's wave with this
• 14:20
  Speaker 6: next one. You know, definitely another feel good movie that
• 14:24
  Speaker 6: we could discuss. I've got none other than The Ugly
• 14:28
  Speaker 6: step Sister from Second Sight. I have heard nothing but
• 14:32
  Speaker 6: good things about this film from not only Jordan, but
• 14:36
  Speaker 6: a number of friends in our circle, and I said,
• 14:39
  Speaker 6: you know what, what the hell ended up picking it
• 14:43
  Speaker 6: up as a blind byb And for those of you
• 14:46
  Speaker 6: guys that aren't familiar with this film basically revolves around
• 14:50
  Speaker 6: a young woman who dreams of marrying the kingdom's prince,
• 14:52
  Speaker 6: but her beautiful stepsister becomes her greatest rival, and this
• 14:59
  Speaker 6: kind of revolves around the quest for physical perfection, which
• 15:03
  Speaker 6: she believes will win the prince's heart. I think would
• 15:06
  Speaker 6: be a way of putting it nicely, this is a
• 15:09
  Speaker 6: movie that I didn't really know what to expect with
• 15:13
  Speaker 6: it right off the bat. I had a good feeling
• 15:16
  Speaker 6: about this as soon as the score hit for this film.
• 15:20
  Speaker 6: Definitely felt like that there is some Eighties influence in
• 15:24
  Speaker 6: whether it's with the music or certain dream like sequences
• 15:28
  Speaker 6: throughout it. And I found myself just pulled into this one.
• 15:33
  Speaker 6: It was everything I was hoping for, especially as a
• 15:37
  Speaker 6: blind buy and more with it. But what really caught
• 15:41
  Speaker 6: my eye was the sequences of body horror. For it.
• 15:47
  Speaker 6: As somebody that is a big fan of like Cronenberg's
• 15:49
  Speaker 6: films and plenty of other notable body horror movies, this
• 15:53
  Speaker 6: was one that definitely caught my attention and I loved it.
• 15:58
  Speaker 6: I thought the four K transfer looked incredible. Definitely a
• 16:03
  Speaker 6: stacked release. Either of you guys seen I know Jordan
• 16:07
  Speaker 6: has Chris have you seen it?
• 16:09
  Speaker 2: I have not.
• 16:09
  Speaker 6: No, this one was a good one. I'm so happy
• 16:13
  Speaker 6: that I picked this one up. With this release, there's
• 16:17
  Speaker 6: a number of new audio commentaries that have been included
• 16:19
  Speaker 6: in on here. We've got a couple of new interviews
• 16:22
  Speaker 6: with uh the director and some of the actors in
• 16:27
  Speaker 6: this film, and it comes in a rigid slipcase or
• 16:33
  Speaker 6: like a hard box. I I just I was thoroughly
• 16:39
  Speaker 6: impressed with this release, and this is definitely going to
• 16:43
  Speaker 6: be a film that I'm going to be coming back
• 16:45
  Speaker 6: to time and time again.
• 16:46
  Speaker 2: Well, there's no US release right for Ugly Stepsister.
• 16:52
  Speaker 6: Not that I know. Yeah, not that I'm aware of.
• 16:55
  Speaker 2: Damn.
• 16:55
  Speaker 7: I wonder why it's I know it's on shutter, so
• 16:59
  Speaker 7: you know, maybe either it will be a blueberry.
• 17:00
  Speaker 2: Or something doing vinegar syndrome.
• 17:02
  Speaker 7: Blueh No vineger syndrome is too worried about all their
• 17:06
  Speaker 7: other other c.
• 17:11
  Speaker 6: I will I will say, Chris, I know you would
• 17:13
  Speaker 6: be thoroughly happy with this. There's one hundred and twenty
• 17:17
  Speaker 6: page booklet with it, and the riches slipcase features new
• 17:21
  Speaker 6: artwork by am Bembi, which I thought was pretty cool.
• 17:25
  Speaker 6: But overall, I mean second Sight delivers as always. I
• 17:29
  Speaker 6: really really love this release.
• 17:31
  Speaker 7: Did you watch the special features on this one? Did
• 17:34
  Speaker 7: you get a chance to check them out?
• 17:36
  Speaker 6: I watched. I was well, I was watching a few
• 17:39
  Speaker 6: of the interviews, ones with the director and one one's
• 17:42
  Speaker 6: with the actor or one of the actors. I think
• 17:44
  Speaker 6: it was uh Leah Mirren.
• 17:48
  Speaker 7: Yeah, she is I don't remember which one. She's the
• 17:53
  Speaker 7: Elvira right, Yes, the main character.
• 17:59
  Speaker 6: The girl that go for hell dude mildly.
• 18:04
  Speaker 7: Yeah. What's so crazy is this movie actually got nominated
• 18:06
  Speaker 7: for an oscar in Special Effects. Mm hmm, yeah, because
• 18:13
  Speaker 7: I definitely gonna watch. You should watch the They have
• 18:16
  Speaker 7: two special features, one with the interview that they like
• 18:20
  Speaker 7: they did with the other ones with these special effects
• 18:22
  Speaker 7: makeup artists, but also one where he breaks down every
• 18:26
  Speaker 7: effect that he used in the movie. And even like
• 18:29
  Speaker 7: early on all the when she's you know, I hate
• 18:33
  Speaker 7: to use this word, but she's she hasn't grown into
• 18:36
  Speaker 7: her body, so she's younger. She's got some you know,
• 18:38
  Speaker 7: little puffy r cheeks. All that stuff is practical effects
• 18:41
  Speaker 7: of prosthetics they put on her face. M wild, it looked,
• 18:46
  Speaker 7: it looked real. How well it was.
• 18:49
  Speaker 2: I remember I showed my wife the trailer for this,
• 18:53
  Speaker 2: like not long ago, and the music in the trailer
• 18:57
  Speaker 2: threw me off so much. It was like a tech No.
• 19:01
  Speaker 2: It reminds me of like the Substance trail.
• 19:03
  Speaker 7: They do a lot of like dream sequences. They're so
• 19:07
  Speaker 7: good where that music comes in and there's even a
• 19:10
  Speaker 7: dance number where it kind of has that as well.
• 19:13
  Speaker 2: Interesting okay, okay.
• 19:20
  Speaker 7: But what I say it's so cool about that movie though,
• 19:23
  Speaker 7: is it flips the Cinderella story on its head. Like
• 19:27
  Speaker 7: there are aspects in the film of the whole magical,
• 19:30
  Speaker 7: whimsical pumpkin and at the more at the end, but
• 19:35
  Speaker 7: it's almost as everyone. So the Disney one is basically
• 19:43
  Speaker 7: the story goes the beautiful perfect one you know, wins
• 19:48
  Speaker 7: that's you know, and you see Cinderella as this fair
• 19:52
  Speaker 7: perfect version of Cinderella, and this one's not really not
• 19:57
  Speaker 7: really the case. She's not the greatest of a person
• 20:00
  Speaker 7: in this movie.
• 20:01
  Speaker 6: Okay, okay, So what you're saying is this makes for
• 20:04
  Speaker 6: the perfect double future with Cinderella. The Disney One.
• 20:07
  Speaker 7: Yeah, yeah, you know, play that and then when we
• 20:10
  Speaker 7: came to bed watch The Ugly Stepsister.
• 20:12
  Speaker 2: Yeah, well great pick. Second side is always knocking it
• 20:17
  Speaker 2: out of the part.
• 20:17
  Speaker 6: Oh my god.
• 20:18
  Speaker 2: Sure, I'm sure it's a stellar, stellar release.
• 20:22
  Speaker 6: It gave me some confidence going in on this blind by,
• 20:27
  Speaker 6: especially with them backing it, and I feel like that
• 20:29
  Speaker 6: they always do outstanding work. So here's to another exceptional release.
• 20:35
  Speaker 6: Second Site with this one.
• 20:37
  Speaker 2: Yeah, I feel like I can pretty much confidently buy
• 20:39
  Speaker 2: anything they put out really without you know, I mean,
• 20:43
  Speaker 2: I didn't rush to pick this one up because, to
• 20:45
  Speaker 2: be fair, it wasn't a movie I was overly interested
• 20:48
  Speaker 2: in outside of like, it wasn't, you know, but like
• 20:51
  Speaker 2: I already pre ordered The Devil's Candy and Insomnia, and
• 20:54
  Speaker 2: I've actually never seen Insomnia, but I'm very familiar with
• 20:57
  Speaker 2: The Devil's Candy.
• 21:01
  Speaker 6: I think that there's a certain standard, at least I
• 21:04
  Speaker 6: feel like with a lot of these Second Site releases,
• 21:06
  Speaker 6: even the past ones, it just feels like they very
• 21:10
  Speaker 6: carefully curate their collection with the films that they choose
• 21:13
  Speaker 6: to bring in there. And this wasn't a movie I
• 21:16
  Speaker 6: heard a lot about prior to its release. So to
• 21:20
  Speaker 6: see it get all this praise afterwards, and to hear,
• 21:23
  Speaker 6: especially within the horror community, just how many people seem
• 21:26
  Speaker 6: to really, you know, latch onto this one. I don't know.
• 21:30
  Speaker 6: It's always cool. It's a movie the winner to the
• 21:32
  Speaker 6: radar for me. Yeah.
• 21:34
  Speaker 2: Yeah. What's now available on Shutter also now available available
• 21:38
  Speaker 2: physical media from Second Size Films. I think most of
• 21:41
  Speaker 2: your retailers should probably still have it in stock. I
• 21:44
  Speaker 2: haven't heard going out or anything, how many of you
• 21:48
  Speaker 2: guys are are fans of the Hitcher remake.
• 21:54
  Speaker 6: You're giving me a reason to go back and revisit it,
• 21:57
  Speaker 6: just like you did with Final Destination.
• 22:00
  Speaker 7: It's been so long since I've seen the remake.
• 22:03
  Speaker 2: Yeah, yeah, we talked about it very lightly on our
• 22:07
  Speaker 2: interview with Clark Callis for his book. I kind of
• 22:10
  Speaker 2: mentioned that I had just watched this, But yeah, I
• 22:13
  Speaker 2: have a DVD copy of The Hitcher from twosy and seven.
• 22:16
  Speaker 2: This is directed by I think David Burr or Dave
• 22:19
  Speaker 2: Myers is a director. Such an interesting movie and kind
• 22:23
  Speaker 2: of the history. Like two thousand and seven, I was
• 22:27
  Speaker 2: a sophomore in high school. This came out the Platinum
• 22:30
  Speaker 2: Dunes Films. Really gave me like a lot of like
• 22:37
  Speaker 2: I call it my gateway drug into the original films. Right,
• 22:40
  Speaker 2: obviously already knew Texas Chainsaw Mascer, but amite Villeharr the
• 22:43
  Speaker 2: original I saw through the remake and so forth. The
• 22:48
  Speaker 2: Hitcher was a movie I loved back like two thousand
• 22:52
  Speaker 2: and seven to like twenty ten, I would have told
• 22:56
  Speaker 2: you this was one of my favorite like films of
• 23:00
  Speaker 2: all time. You had Sophia Bush, She's incredible. You have
• 23:04
  Speaker 2: Sean Bean as the Hitcher. You have some pretty cool
• 23:10
  Speaker 2: like car crash chase sequences, of course, the iconic moment
• 23:16
  Speaker 2: where a character is pulled in half when he's attached
• 23:18
  Speaker 2: to a truck and a trailer pulled in half. And
• 23:24
  Speaker 2: I still want to say that I enjoy it, Like,
• 23:27
  Speaker 2: I still think this is an enjoyable remake, but the
• 23:31
  Speaker 2: original Hitcher is just so good it kind of I
• 23:37
  Speaker 2: have a hard time putting them anywhere near in the
• 23:40
  Speaker 2: same category. And I think, what's most interesting that I
• 23:43
  Speaker 2: thought about for a long time after I watched this
• 23:46
  Speaker 2: was how like the Hitcher is pretty like consistent with
• 23:56
  Speaker 2: the original, Like it doesn't do a whole lot different
• 23:59
  Speaker 2: from the orig Joannal, you know, and times have changed
• 24:05
  Speaker 2: so much from eighty six to twenty seven, and that
• 24:09
  Speaker 2: twenty year gap and the X excessive I would say
• 24:17
  Speaker 2: violence actually kind of turned me away from this remake
• 24:21
  Speaker 2: a little bit. It's almost like too much. It feels
• 24:25
  Speaker 2: like it's trying to be a classical like suspenseful thriller story,
• 24:29
  Speaker 2: but it has to be a like a torture of
• 24:32
  Speaker 2: porn film at the same time.
• 24:33
  Speaker 6: Very much at the time, I feel like, yeah.
• 24:36
  Speaker 2: It's kind of trying to be both and trying to
• 24:38
  Speaker 2: appease both. It also has this like of the time
• 24:42
  Speaker 2: music video kind of visual quality to it. It starts
• 24:46
  Speaker 2: right away. It's so funny. Man. I was watching this
• 24:48
  Speaker 2: and for the first twenty five minutes I had no
• 24:51
  Speaker 2: idea that our two characters were a couple because they
• 24:54
  Speaker 2: never kiss, They just hug. And then at some point
• 24:59
  Speaker 2: they mentioned boyfriend Chris.
• 25:00
  Speaker 6: Maybe they're taking it slow.
• 25:02
  Speaker 2: Yeah, maybe they are. Maybe they're taking it incredibly slow.
• 25:06
  Speaker 2: But I just I had no idea. I thought they
• 25:08
  Speaker 2: were brother's sister. I was like, oh wow, really close
• 25:10
  Speaker 2: brothers and brother and sister. Obviously I knew they were
• 25:14
  Speaker 2: a couple from seeing the movie before. I was like,
• 25:18
  Speaker 2: I was like, interesting that this is a couple who
• 25:21
  Speaker 2: he picks her up from college, so clearly it's been
• 25:23
  Speaker 2: a while since he's seen her, and she didn't even
• 25:26
  Speaker 2: give him a kiss.
• 25:27
  Speaker 7: M just give a little high five. What's up?
• 25:35
  Speaker 2: So yeah, yeah, you know, it's an enjoyable watch. I
• 25:38
  Speaker 2: do feel like it's kind of interesting how my brain
• 25:40
  Speaker 2: is turning away from this era so much. There's still
• 25:44
  Speaker 2: you know, Texas Chainsmasker I Love from three Friday The
• 25:47
  Speaker 2: thirteenth nine. I love, but the Abityville horror with the
• 25:51
  Speaker 2: Ryan Reynolds one I've actually turned away from. I've become
• 25:55
  Speaker 2: less of a fan of, and I do feel like
• 25:57
  Speaker 2: that a little bit. With The Hitcher, I do feel
• 26:00
  Speaker 2: like I've kind of gotten to the age where I'm like,
• 26:02
  Speaker 2: you know, I prefer the original, But just for the
• 26:05
  Speaker 2: sheer impact that this movie had on me at the
• 26:07
  Speaker 2: time that it came out, I needed to have it
• 26:10
  Speaker 2: in a collection, and you know, revisiting it was nostalgic.
• 26:13
  Speaker 2: And I will say too, the o Lad does a
• 26:17
  Speaker 2: very nice job with these DVDs.
• 26:20
  Speaker 6: I can imagine it.
• 26:21
  Speaker 2: Looked pretty good. They don't look fantastic. They of the
• 26:23
  Speaker 2: Dead too, look like shit.
• 26:28
  Speaker 6: I don't know how much you could do for that movie.
• 26:30
  Speaker 2: The Hitcher looked pretty good. So yeah, my second pick
• 26:34
  Speaker 2: was The Hitcher from two thousand and seven.
• 26:37
  Speaker 6: So where would the stack up in some of the
• 26:39
  Speaker 6: horror remakes that we got around that time, It's like
• 26:43
  Speaker 6: mid tier.
• 26:45
  Speaker 2: Yeah, I would say if top tier is Texas is
• 26:47
  Speaker 2: Texas Chainsaw three, then I would say this is like
• 26:51
  Speaker 2: mid tier.
• 26:52
  Speaker 6: Okay, what about you?
• 26:53
  Speaker 2: Where would you guys? Where would you guys like what
• 26:55
  Speaker 2: do you think is the best of the remake?
• 26:59
  Speaker 7: Oh? Man, well, touch shows on Asker three is definitely
• 27:03
  Speaker 7: up there. Bet. Yeah, I really like the Friday the
• 27:06
  Speaker 7: Thirteenth three. I do too, you know, That's that's one
• 27:09
  Speaker 7: that's up there for me too. So that's hard.
• 27:12
  Speaker 6: That's like a comfort movie for me. I don't know
• 27:14
  Speaker 6: what it is. I think it's especially around the time
• 27:16
  Speaker 6: for either of those films, more so Friday the Thirteenth.
• 27:19
  Speaker 6: I remember going with like a whole group of friends
• 27:21
  Speaker 6: went to the theater to go see it. You know,
• 27:23
  Speaker 6: it's just kind of have that association with it, you know,
• 27:28
  Speaker 6: just kind of in the midst of really getting into
• 27:30
  Speaker 6: horror like that at that specific moment in time.
• 27:34
  Speaker 2: Yeah, I feel like growing up too is realizing that
• 27:38
  Speaker 2: the Friday the Thirteenth remake is also a continuation of
• 27:40
  Speaker 2: Trent's story from Transformers and this is who he becomes.
• 27:45
  Speaker 7: Oh what are you talking?
• 27:49
  Speaker 2: The same actor, same name, asshole a dick in both movies.
• 27:57
  Speaker 2: Hey man, the Michael Bay Universe.
• 28:00
  Speaker 6: Listen, Derek Mears. Derek is a unit.
• 28:04
  Speaker 2: He is a unit. I will never forget that shot
• 28:07
  Speaker 2: at the end of the campfire scene in like the
• 28:09
  Speaker 2: prologue of the movie. Oh when he runs, yes, terrifying. Yeah,
• 28:15
  Speaker 2: that's great. And in fact that he hung her up
• 28:17
  Speaker 2: in the sleeping bag over the fire.
• 28:20
  Speaker 6: It's a shame that we never got to follow up
• 28:22
  Speaker 6: to that.
• 28:25
  Speaker 2: Yeah, we should have. Now we have an eight twenty
• 28:28
  Speaker 2: four television show.
• 28:29
  Speaker 7: Hey, what's her name?
• 28:31
  Speaker 6: Cautiously optimistic, Yeah, we'll say.
• 28:37
  Speaker 2: Jordan or Chris.
• 28:40
  Speaker 6: He's not doing well. First Day of the Dead two.
• 28:43
  Speaker 2: Now I'm getting there, right, just slowly getting I promise
• 28:47
  Speaker 2: you this, this next one is going to be exceedingly positive.
• 28:50
  Speaker 6: From it, probably the thirteenth TV series HEAs it down.
• 28:54
  Speaker 2: They'd be like, were I'm gonna I'm gonna talk about
• 28:55
  Speaker 2: episode four of season two of Friday the series, Jordan,
• 29:00
  Speaker 2: what do you got for me?
• 29:01
  Speaker 6: Yeah?
• 29:02
  Speaker 7: The next one I have here it is a new
• 29:04
  Speaker 7: Vinegar Cinder release and it is going to be Demon Warp.
• 29:08
  Speaker 7: This is a fun uh starts off as a bigfoot
• 29:13
  Speaker 7: creature feature in film, and it quickly turns into like
• 29:18
  Speaker 7: the last half hour, maybe it becomes a zombie alien
• 29:25
  Speaker 7: cult movie. It completely flips on you right at the end.
• 29:29
  Speaker 7: I mean it kind of opens up as kind of
• 29:31
  Speaker 7: a cult opens up with a priest walking his horse
• 29:34
  Speaker 7: to where this meteor falls into the earth. I don't know.
• 29:41
  Speaker 7: Maybe it's a priestly thing to walk a horse. I
• 29:43
  Speaker 7: don't know. He's riding this horse or see now you
• 29:47
  Speaker 7: got to me messed up. He's walking this horse over
• 29:50
  Speaker 7: as he's saying a prayer. And that's how it opens.
• 29:54
  Speaker 2: But you have.
• 29:57
  Speaker 7: George Kennedy is that his name. He's kind of the
• 30:02
  Speaker 7: main actor or the star actor of this movie. He
• 30:07
  Speaker 7: plays this guy whose daughter gets killed and taken away
• 30:14
  Speaker 7: by this bigfoot creature, and so he has become this
• 30:18
  Speaker 7: mountain man that lives in these hills looking for her
• 30:22
  Speaker 7: and this creature and warning off anybody who comes in
• 30:25
  Speaker 7: the area. Interesting. The main story is there's these group
• 30:30
  Speaker 7: of friends are going up to this guy's cabin where
• 30:34
  Speaker 7: that his uncle owns. Who they think they're gonna go
• 30:37
  Speaker 7: have a party and hang out, and really the kid
• 30:41
  Speaker 7: is going there to find his uncle because his uncle disappeared,
• 30:46
  Speaker 7: and he finds out, they find out quickly, you know
• 30:50
  Speaker 7: what happens. But it's a fun movie. It's not a
• 30:55
  Speaker 7: good movie. I'm gonna tell you that. It's one of
• 30:58
  Speaker 7: those so bad it's good type of films. What's funny
• 31:02
  Speaker 7: is the Bigfoot creature is literally they said they got
• 31:06
  Speaker 7: a gorilla costume and got him in watronic lips, so
• 31:11
  Speaker 7: could start. And that's about the peak of the out
• 31:14
  Speaker 7: the costume for this Bigfoot character. But in this you're
• 31:19
  Speaker 7: getting some interviews, some really great ones. You're getting uh
• 31:22
  Speaker 7: trying to find uh where we got on here? Uh
• 31:26
  Speaker 7: So you're getting ah interview called uh so, so there's
• 31:32
  Speaker 7: hold on all over the place. Best some breasts with
• 31:36
  Speaker 7: actress Michelle Michelle Bauer, So you got one with her,
• 31:41
  Speaker 7: and she has a very small role in this. You've
• 31:45
  Speaker 7: got one. Some of it was stupid, which is the writer.
• 31:48
  Speaker 7: And then this one, which was my favorite of Aesthetic
• 31:51
  Speaker 7: Beauty and Bigfoot, which is with the DP Michael Stringer,
• 31:55
  Speaker 7: and he talks about the main guy in this movie,
• 31:58
  Speaker 7: and he's the one where his uncle owns cabin. He
• 32:01
  Speaker 7: like did went into method acting for this movie. And
• 32:04
  Speaker 7: in this movie, this guy he's he's you could tell
• 32:07
  Speaker 7: he's got some gun handling experience, the character. And so
• 32:11
  Speaker 7: he's sitting there with a rifle and the DP goes
• 32:14
  Speaker 7: up to him to talk to him, and he sees
• 32:15
  Speaker 7: a box of live rounds of ammunition that the actor
• 32:19
  Speaker 7: put in the rifle. He's like, what are you doing?
• 32:22
  Speaker 7: He goes, why, God, I have motivation to use this.
• 32:26
  Speaker 7: He goes, you're you can't do that. So he's like,
• 32:29
  Speaker 7: I had to go to the armor and like, hey,
• 32:31
  Speaker 7: you know what, keep an eye on him the whole time. Anyways, dude,
• 32:36
  Speaker 7: there's some stories in this, but man, it's uh, it's
• 32:40
  Speaker 7: a lot of fun. There's a there's a character in
• 32:43
  Speaker 7: there where he kind of becomes a zombie near the inn.
• 32:46
  Speaker 7: It almost reminds me of an American War from London
• 32:49
  Speaker 7: where his friend is kind of just his cracking jokes
• 32:54
  Speaker 7: kind of character who's slowly rotting away. That's what he
• 32:57
  Speaker 7: kind of reminded me of in this movie. Yeah, this
• 33:00
  Speaker 7: movie is a trip. I had a lot of fun
• 33:02
  Speaker 7: with it. It's a four K from vinegar syndrome, so
• 33:04
  Speaker 7: you know it's gonna look good.
• 33:06
  Speaker 2: I've heard nothing, Yeah, I've heard nothing but the zeniest
• 33:09
  Speaker 2: about this movie.
• 33:10
  Speaker 7: Dude. I mean to go from a bigfoot story to
• 33:16
  Speaker 7: going into a cave seeing zombies walk around, and then
• 33:20
  Speaker 7: turning a corner and going into an alien space space
• 33:23
  Speaker 7: craft with like a demon scorpion king looking thing sitting there.
• 33:29
  Speaker 7: It's it's pretty wild.
• 33:32
  Speaker 2: Well is this is this still available from Vinegar Syndrome?
• 33:36
  Speaker 6: Do you know?
• 33:36
  Speaker 7: Off? I'm sure it is. It's one. It's from their
• 33:39
  Speaker 7: main Vinegar Syndrome line, so I think it's like there's
• 33:41
  Speaker 7: probably like two thousand on the left.
• 33:43
  Speaker 2: Jesus, all right, it's called Demon Warp, right, Demon Warp Okay, yeah,
• 33:49
  Speaker 2: Demon Warp from there.
• 33:51
  Speaker 7: Is uh, let's see where is the I don't even
• 33:58
  Speaker 7: see I mean I have it, Okay, doesn't even have
• 34:02
  Speaker 7: the list, I don't see it. And they made seven thousand,
• 34:04
  Speaker 7: so I know there's quite a bit of them.
• 34:06
  Speaker 2: Seven thousand. Yeah, funny, how like they make seven thousand
• 34:10
  Speaker 2: of this, but the most in demand stuff, they're like,
• 34:12
  Speaker 2: we made two.
• 34:13
  Speaker 7: Over two thousand left in socks, so you guys are
• 34:15
  Speaker 7: good on Vender Central's website.
• 34:18
  Speaker 2: Okay, all right, Demon Warp plenty available over at Vinegary
• 34:21
  Speaker 2: Syndrome dot com.
• 34:22
  Speaker 7: Yeah, it's uh yeah, it's a movie for sure.
• 34:26
  Speaker 6: Steve.
• 34:26
  Speaker 2: I'm begging for hot and see me here please.
• 34:33
  Speaker 6: Okay, I've got you covered then, Okay, you want hot,
• 34:38
  Speaker 6: see me, I've got you covered with none other than.
• 34:43
  Speaker 2: Shade, thank god.
• 34:45
  Speaker 6: Imprint, don't. I don't know if I would classify that
• 34:51
  Speaker 6: as hot or see me. But so this four K
• 34:56
  Speaker 6: box set from Imprint, I was super stoked to get
• 34:59
  Speaker 6: my hands it finally. I know I'd alluded to it,
• 35:02
  Speaker 6: I think on the last episode because we talked about
• 35:04
  Speaker 6: the Last Deduction and plenty of other erotic thrillers. That
• 35:08
  Speaker 6: was a very steamy episode of After Hours. But coming
• 35:13
  Speaker 6: at you guys, live with Jade this time around, and
• 35:17
  Speaker 6: for either of you guys, you guys have bost seen
• 35:19
  Speaker 6: this movie? Right?
• 35:20
  Speaker 2: Oh? Yeah, I love this movie.
• 35:22
  Speaker 6: What was your impressions of this? On first watch?
• 35:27
  Speaker 2: It feels like, uh, and maybe it's just the David
• 35:30
  Speaker 2: Cruzo of it all, but it just feels like a
• 35:32
  Speaker 2: really long episode of CSI.
• 35:34
  Speaker 7: Yeah, it does.
• 35:37
  Speaker 6: A little bit more erotic.
• 35:39
  Speaker 7: Yeah, I mean it's like a CSI was put on
• 35:42
  Speaker 7: HBO or something.
• 35:44
  Speaker 2: Yeah, it is, Oh dude, it is like, uh, it
• 35:47
  Speaker 2: is kind of like a Skinamax.
• 35:49
  Speaker 6: Yes.
• 35:49
  Speaker 2: Oh, look, we got William Freakin to direct an episode
• 35:52
  Speaker 2: of CSI Criminal Sex Investigators. You know what I mean?
• 35:57
  Speaker 6: I definitely will say Jade I don't think is one
• 36:00
  Speaker 6: of Freakin's better films. But I appreciate it for what
• 36:07
  Speaker 6: it is.
• 36:08
  Speaker 2: You know, I will say that Jade doesn't. It didn't
• 36:13
  Speaker 2: lean as much into the erotic part as I was
• 36:16
  Speaker 2: expecting it to.
• 36:17
  Speaker 6: For sure.
• 36:18
  Speaker 2: If everything the most of the erotic thriller part is
• 36:23
  Speaker 2: shot through like voyeurism style through recorded, you know what
• 36:27
  Speaker 2: I mean. Like it it feels a little bit more background.
• 36:30
  Speaker 7: Well it's not even but you don't even get any
• 36:33
  Speaker 7: of that till the end. Really like the latter part
• 36:35
  Speaker 7: of the film.
• 36:37
  Speaker 2: Yeah, yeah, I mean there is an excellent car chase. Well, yeah,
• 36:43
  Speaker 2: that's pretty hot.
• 36:44
  Speaker 7: Well how about that.
• 36:46
  Speaker 6: I mean, Chris has been watching Crash many times.
• 36:49
  Speaker 7: I don't know, Sorry this is a spoiler, but that
• 36:52
  Speaker 7: lady gets just destroyed by that car. Yeah, she's walking
• 36:57
  Speaker 7: across the street.
• 37:00
  Speaker 2: Yeah, this is like I remember really liking it, but
• 37:06
  Speaker 2: I definitely remember being a little bit like I felt
• 37:08
  Speaker 2: like I was a little over sold on some elements
• 37:14
  Speaker 2: of it. But as always, and I think I said
• 37:16
  Speaker 2: this on the last episode, Linda Fiarantino is incredible, and
• 37:20
  Speaker 2: I love that Chaz Commonaris in this as well.
• 37:24
  Speaker 6: Yeah he's incredible.
• 37:25
  Speaker 2: Yeah, so he's great. But the David Caruso of it
• 37:27
  Speaker 2: all is just.
• 37:29
  Speaker 6: Two.
• 37:29
  Speaker 2: It's like you can't look at him without thinking about
• 37:32
  Speaker 2: CSI Miami. I don't care how young he is. He's
• 37:34
  Speaker 2: one of those weird guys where like it's like the
• 37:37
  Speaker 2: only distinguishing feature of him getting older is like his hair.
• 37:40
  Speaker 2: I don't know so, but you know if you have
• 37:45
  Speaker 2: some bonus features on there produced by our podcast, that's
• 37:49
  Speaker 2: true owners, So.
• 37:52
  Speaker 6: It's very true.
• 37:53
  Speaker 7: My bean's in there too. I forgot m hm.
• 37:57
  Speaker 6: This release is stacked. You've got so you got three
• 38:01
  Speaker 6: different discs that are on here. So you obviously got
• 38:04
  Speaker 6: the four K restoration, which provides both theatrical and director's cut.
• 38:10
  Speaker 6: You get the audio commentaries on here. You actually have
• 38:13
  Speaker 6: I believe three in the four K, including Will Dotson
• 38:18
  Speaker 6: from Someone's Favorite Productions on there. Ye, let's see disc two.
• 38:23
  Speaker 6: We have the Blu Ray. This also has a handful
• 38:28
  Speaker 6: of commentaries on it as well, so quite a few
• 38:32
  Speaker 6: of these are actually newer. There's a video essay from
• 38:36
  Speaker 6: film critic Michelle Kissner. And then we also have the
• 38:42
  Speaker 6: Blu Ray documentary on disc three called The Kid Stays
• 38:45
  Speaker 6: in the Picture also features an audio commentary on here
• 38:50
  Speaker 6: by directors Nannette Bursting and Brett Morgan, and then there's
• 38:55
  Speaker 6: a number of featurettes on here. So if you know
• 38:59
  Speaker 6: anyone listening, if you're a fan of erotic thrillers of
• 39:03
  Speaker 6: the nineties, this one is definitely no exception. I think
• 39:08
  Speaker 6: of this as probably one of the more important ones
• 39:11
  Speaker 6: that come to mine around this time. I won't say
• 39:14
  Speaker 6: it's the best, but I appreciate it for what it is.
• 39:17
  Speaker 2: Did this pour over any of the Vinegar Syndrome bonus features? Oh,
• 39:21
  Speaker 2: that's a good question, because there was, As if.
• 39:25
  Speaker 7: I remember quickly, it does minus like one because.
• 39:28
  Speaker 2: There there's an interview on the Vinegar Syndrome disc with
• 39:31
  Speaker 2: the editors. It's I think it's called like something on Freaking,
• 39:36
  Speaker 2: and it's this incredibly honest, fun interview about what it
• 39:40
  Speaker 2: was like working with William Freaking and how the editor
• 39:42
  Speaker 2: kind of became Freaking's main editor. And it's a lot
• 39:47
  Speaker 2: of fun to kind of hear the antecdotes about what
• 39:50
  Speaker 2: it was like working with him and sort of the
• 39:52
  Speaker 2: pressures of working with him. It's very, very fun, very
• 39:56
  Speaker 2: very great.
• 39:57
  Speaker 7: Watch interview with assistant editor Darren Navarrow.
• 40:00
  Speaker 2: Yeah, there's two of them in the In the interview,
• 40:05
  Speaker 2: I think it was the editor and the assistant interview
• 40:07
  Speaker 2: editor for the for the Vinegar Syndrome, I'm curious.
• 40:14
  Speaker 6: I will say either way, you know, if you like
• 40:18
  Speaker 6: this movie, you want to pick it up. There's a
• 40:19
  Speaker 6: four K that's from Vinegar Syndrome that I think is
• 40:23
  Speaker 6: just as good.
• 40:24
  Speaker 2: Yeah, it's called Erical Blindness. William Freaking a Paramount a
• 40:27
  Speaker 2: feature with editor algi hess An, assistant editor Darren Navarro. Sorry,
• 40:31
  Speaker 2: Steve Good.
• 40:32
  Speaker 6: Oh no, no, it's all good. But I feel like
• 40:34
  Speaker 6: if you really love a movie like this, same with
• 40:37
  Speaker 6: the Last Deduction, these are movies that I felt like
• 40:40
  Speaker 6: I could justify getting the larger box set, totally recommend.
• 40:45
  Speaker 6: I don't regret getting either of them.
• 40:46
  Speaker 2: So I think my main complaint about the Vinegars Yndrome
• 40:51
  Speaker 2: one is just the artwork.
• 40:53
  Speaker 6: Yeah, it kind of missed the mark for me.
• 40:56
  Speaker 2: It's very strange.
• 40:57
  Speaker 7: To answer your question, Chris, I don't see it in
• 41:01
  Speaker 7: the imprint.
• 41:03
  Speaker 2: Okay, okay, So yeah that that's such a great, like
• 41:08
  Speaker 2: twenty minute interview with them that I wish, you know,
• 41:10
  Speaker 2: they were able to pour it over for people. But
• 41:12
  Speaker 2: if you have the video Cinder one and you haven't
• 41:14
  Speaker 2: listened to that yet, absolutely worth it.
• 41:17
  Speaker 7: I just want to say though, for Jade, I think
• 41:20
  Speaker 7: that has one of the best openings. The opening was
• 41:23
  Speaker 7: it the POV shot going up the stairs. You got
• 41:26
  Speaker 7: the mask taking the shot or taking the turn, and
• 41:29
  Speaker 7: you hear the guy getting murdered.
• 41:31
  Speaker 2: Yeah, yeah, very good.
• 41:34
  Speaker 7: It's it's almost a horror film opening shot. That's how
• 41:37
  Speaker 7: it feels.
• 41:38
  Speaker 2: Yeah. Yeah, it really leans into that thriller.
• 41:41
  Speaker 6: Yeah genre Jordan, you got the last production right? Did
• 41:45
  Speaker 6: you get the box set?
• 41:45
  Speaker 2: I did?
• 41:46
  Speaker 7: Yeah, from imprint.
• 41:47
  Speaker 6: Did you watch it?
• 41:48
  Speaker 7: I haven't had a chance to yet. Okay, that's on
• 41:51
  Speaker 7: my list. I actually I think I haven't supposed to
• 41:53
  Speaker 7: watch it this week.
• 41:55
  Speaker 6: Next month, we'll circle back. I just want to see
• 41:57
  Speaker 6: which one you like out of the two.
• 41:58
  Speaker 2: We'll circle back. So for my next pick, I decided
• 42:04
  Speaker 2: that I wanted to get into the Halloween spirit a
• 42:08
  Speaker 2: little bit earlier, and I decided to sit down and
• 42:11
  Speaker 2: watch Halloween three Season of The Witch on four K
• 42:15
  Speaker 2: from Screen Factory.
• 42:17
  Speaker 7: That's so good.
• 42:18
  Speaker 2: And I am pretty much I feel like sold that
• 42:22
  Speaker 2: this is my favorite Halloween film. I mean, every time
• 42:27
  Speaker 2: I watch it, I love it even more. And it's
• 42:30
  Speaker 2: so like you have Dean Kundi returning right after shooting
• 42:34
  Speaker 2: Halloween and Halloween two. You have Tommy Lee Wallace stepping
• 42:38
  Speaker 2: up as director. You have what Halloween two was supposed
• 42:43
  Speaker 2: to be originally, which is a movie that takes place
• 42:46
  Speaker 2: in a world where Halloween exists, but it's a new
• 42:49
  Speaker 2: story taking place on Halloween. And the scale of Halloween
• 42:53
  Speaker 2: three is gigantic. So for those who don't know Halloween three,
• 42:57
  Speaker 2: we follow Tom Atkins, who plays a doctor who kind
• 43:03
  Speaker 2: of gets entangled in a mystery that unfolds to be
• 43:07
  Speaker 2: about a stolen Stonehenge plate and world domination by an
• 43:13
  Speaker 2: Irish bad guy.
• 43:15
  Speaker 7: Hey, and he is just slinging dick.
• 43:17
  Speaker 2: He is. Yeah, tom Akins is always slinging dick. Yeah,
• 43:20
  Speaker 2: tom Akins is on the case. He he's look, dude,
• 43:24
  Speaker 2: look he's he's the man in this movie. He's he's uh,
• 43:27
  Speaker 2: he's a supplying the homeless with with alcohol.
• 43:32
  Speaker 6: What does he say? Uh? He's like, I don't got
• 43:35
  Speaker 6: no diseases or nothing. I'm like, okay, okay, so it
• 43:38
  Speaker 6: checks out.
• 43:38
  Speaker 2: Yeah, I'm gonna.
• 43:41
  Speaker 6: It was a different time back then.
• 43:43
  Speaker 2: I would love to know the average age gap between
• 43:47
  Speaker 2: tom Akins and every woman he sleeps with in any
• 43:50
  Speaker 2: of his movies.
• 43:51
  Speaker 7: I feel like tom Akins has been the same age
• 43:54
  Speaker 7: since Halloween three.
• 43:55
  Speaker 2: Yes not aged, Yes, yeah, he has since like the
• 43:59
  Speaker 2: fog you know know what I mean, the same it's.
• 44:03
  Speaker 7: That mustache man telling you ever since Croup show holds
• 44:07
  Speaker 7: all his power.
• 44:09
  Speaker 2: Yeah, yeah, No, He's great. I just love I love
• 44:14
  Speaker 2: this movie's ability to build fantastic suspense. And when I
• 44:22
  Speaker 2: say that, I say that mostly concerning the ending sequence,
• 44:28
  Speaker 2: which I think is one of the greatest moments in
• 44:31
  Speaker 2: eighties horror just in general, which is like, I'm gonna
• 44:36
  Speaker 2: spoil this old ass Halloween film for anybody who hasn't
• 44:40
  Speaker 2: because I don't feel like looking a few year and.
• 44:42
  Speaker 6: I envy anyone who hasn't seen this movie.
• 44:45
  Speaker 2: Yeah, the ending of the movie, we learn that basically
• 44:50
  Speaker 2: every single child who has purchased these shamrock masks is
• 44:54
  Speaker 2: going to wear them in front of the TV and
• 44:56
  Speaker 2: their head's gonna get squished and turned into bugs and
• 44:59
  Speaker 2: they're all gonna And there's this incredible moment when tom
• 45:02
  Speaker 2: Atkins finally makes it to the same gas station from
• 45:07
  Speaker 2: the beginning of the film to call the network to
• 45:11
  Speaker 2: have them to try to convince them to turn off
• 45:13
  Speaker 2: the channel because the commercial is beginning and the sequence
• 45:17
  Speaker 2: doesn't just go once they they stop that, and then
• 45:20
  Speaker 2: he changes channel and it's on the next channel, and
• 45:23
  Speaker 2: he's urging them to turn off, to shut it off.
• 45:25
  Speaker 2: It's on the second channel. Shut it off, shut it off,
• 45:28
  Speaker 2: and then they shut it off and he flips it
• 45:30
  Speaker 2: and it's still on channel three.
• 45:32
  Speaker 6: Screen and stop it at the end, well top it.
• 45:35
  Speaker 7: All the while this little kid is watching.
• 45:37
  Speaker 2: Yeah, because the parents pulled up and he runs in
• 45:40
  Speaker 2: to see it.
• 45:41
  Speaker 7: Which my thing is, why didn't you just unplug the TV?
• 45:45
  Speaker 2: Well? I think he's not trying to save directly the
• 45:48
  Speaker 2: kids standing there, but in general all the kids save one.
• 45:52
  Speaker 7: Yeah, only one.
• 45:54
  Speaker 2: Yeah.
• 45:55
  Speaker 6: Shout out to don Post with those masks.
• 45:58
  Speaker 2: Yeah yeah, yeah. It's uh, it's an incredible moment that
• 46:02
  Speaker 2: still I've seen this movie one hundred times and I
• 46:05
  Speaker 2: know what that ending sequence is, but it still gets me. Yeah,
• 46:08
  Speaker 2: it's so tom Akins' performance is incredible. It's it's this
• 46:13
  Speaker 2: perfect moment of just cutting back and forth between him
• 46:15
  Speaker 2: and the commercial playing. And we've seen the commercial so
• 46:18
  Speaker 2: many times leading up to the scene that we know
• 46:22
  Speaker 2: where we're at in the commercial, and we know that
• 46:24
  Speaker 2: we're only getting closer to the official all right, kids,
• 46:28
  Speaker 2: I to put on the masks ending doom.
• 46:31
  Speaker 6: Yeah about that opener, Oh dude, it's it's so oh man.
• 46:38
  Speaker 6: This movie is easily probably one of the high points
• 46:41
  Speaker 6: from the decade, and it's it's again. It's another comfort
• 46:45
  Speaker 6: movie that you can come back to, whether it's close
• 46:48
  Speaker 6: to Halloween or you know, even with Chris watching it
• 46:51
  Speaker 6: in March, I still think that this movie just there's
• 46:55
  Speaker 6: so much to love about it, and the score it
• 46:58
  Speaker 6: just takes us to another level in this.
• 47:00
  Speaker 2: The score is incredible, and I do think that the
• 47:04
  Speaker 2: practical effects in this movie are fantastic. I mean, there's
• 47:07
  Speaker 2: not a lot of them. This movie is not as
• 47:11
  Speaker 2: violence heavy as the rest of the franchise, but it's
• 47:13
  Speaker 2: violence that really fucking hits. Like when the homeless guy
• 47:17
  Speaker 2: gets or unhoused guy gets his head ripped off in
• 47:22
  Speaker 2: the junk yard. I know it's far the actual ripping
• 47:26
  Speaker 2: of the head off is far, but on the four
• 47:27
  Speaker 2: K you can see the crazy splatter of blood in
• 47:31
  Speaker 2: its crazy blood spray, and you can see the effects well.
• 47:35
  Speaker 7: You know, one of it, and it's not even that
• 47:37
  Speaker 7: much of a flashy effects scene, but it's when they
• 47:44
  Speaker 7: break the guy's like nose right up here and between
• 47:48
  Speaker 7: the yeah, just sees you you see a pop out.
• 47:52
  Speaker 7: Oh gosh.
• 47:54
  Speaker 2: And Dean Kundy's photography in this movie is incredible. Man.
• 47:57
  Speaker 2: There's there are some gorgeous landscape shots and this there's.
• 48:01
  Speaker 6: The sunset sequences.
• 48:03
  Speaker 2: Yeah, dude, Like this movie is shot incredibly well, and
• 48:08
  Speaker 2: everybody talks about how well he You know, how Halloween
• 48:11
  Speaker 2: two did such a good job at at continuation that
• 48:13
  Speaker 2: was because of Dean Coundy's photography. But I think Dean Condy,
• 48:17
  Speaker 2: I think he's my favorite of the three that he shot.
• 48:19
  Speaker 2: It's Halloween three. I think it looks incredible. I love
• 48:24
  Speaker 2: the internal set uh, where you know where this main
• 48:26
  Speaker 2: operation is going. I even love the tour through the
• 48:29
  Speaker 2: making of the mask where it shows you know, the
• 48:31
  Speaker 2: plaster and everything being put together for the masks. There's
• 48:36
  Speaker 2: just so much that I love about this movie. And
• 48:38
  Speaker 2: the screen Factory four K looks incredible. Obviously the design
• 48:42
  Speaker 2: of the three masks is iconic mm hm. But yeah,
• 48:46
  Speaker 2: I definitely think I think you can expect Halloween three
• 48:49
  Speaker 2: to pop up and Beyond the Blood sometime soon because
• 48:51
  Speaker 2: there's also a great time Lee Wallace commentary on this disc.
• 48:55
  Speaker 7: So where where do you stand on the I remember
• 49:01
  Speaker 7: her name in the movie, the main girl he's with
• 49:03
  Speaker 7: that he and her partner up to take.
• 49:05
  Speaker 6: Down Oh Ellie played by Stayson Elkin.
• 49:09
  Speaker 7: What do you what's your take? Was she always an android?
• 49:17
  Speaker 1: No?
• 49:17
  Speaker 2: I don't think so.
• 49:18
  Speaker 7: You don't think so. I think they took her and
• 49:21
  Speaker 7: created one.
• 49:23
  Speaker 2: He does have sex with her multiple times.
• 49:27
  Speaker 7: Hey man, these things are real realistic. I don't know.
• 49:30
  Speaker 6: Yeah, I'm wrong anything out?
• 49:32
  Speaker 2: Yeah, I mean, I don't, I don't you know. And
• 49:34
  Speaker 2: what's funny is I didn't even really think about it
• 49:36
  Speaker 2: that much. Yeah, you know what I mean. When the
• 49:38
  Speaker 2: car crash happens and it's revealed right that that she
• 49:43
  Speaker 2: is an android, I thought. I remember thinking like, oh
• 49:46
  Speaker 2: that sucks, Like I really kind of would have liked
• 49:48
  Speaker 2: to have seen this play out, But it makes sense
• 49:51
  Speaker 2: that nobody around him would be.
• 49:54
  Speaker 6: It just keeps getting worse.
• 49:56
  Speaker 2: It does. Yeah, the last act of this movie is
• 49:58
  Speaker 2: just like bad, bad, bad, and I love I do
• 50:02
  Speaker 2: love that Halloween that is playing before the commercial comes on,
• 50:09
  Speaker 2: you know what I mean. It's like and then he's
• 50:10
  Speaker 2: locked in a room. He's just watching Halloween. Really yeah,
• 50:15
  Speaker 2: it's it's a really cool, like just little you know,
• 50:18
  Speaker 2: uh kind of like meta thing going on there. It's
• 50:21
  Speaker 2: a little ahead of its time.
• 50:23
  Speaker 6: So I have to say the the theatrical poster by
• 50:28
  Speaker 6: ed Riveria, Oh my gosh, it's it. It's just such
• 50:34
  Speaker 6: a iconic shot.
• 50:37
  Speaker 2: The why right, it's like the with them on the.
• 50:40
  Speaker 7: Yeah, it's a montage in that movie, that scene.
• 50:45
  Speaker 2: Mm hmm. Yeah. Yeah, it's a good one. Man. Very
• 50:49
  Speaker 2: ballsy to kill off the kid in the scene with
• 50:52
  Speaker 2: the parents in the mocker room. Very ballsy to do,
• 50:56
  Speaker 2: but tons of fun. I love this movie. I think
• 50:59
  Speaker 2: it's probably, like I said, probably become my favorite Halloween
• 51:04
  Speaker 2: movie to watch. So and Jordan, I know that you
• 51:07
  Speaker 2: take that, uh you know, I know you take the
• 51:10
  Speaker 2: Halloween franchise very seriously. Halloween is your verite movie of
• 51:13
  Speaker 2: all time. So No.
• 51:15
  Speaker 7: Three is definitely it's It's an incredible movie.
• 51:18
  Speaker 2: Definitely better than two by a long shot.
• 51:21
  Speaker 7: I really like too though. That's the thing. Those first
• 51:24
  Speaker 7: three or the first three are.
• 51:26
  Speaker 6: Like pretty good.
• 51:27
  Speaker 2: Where's a love for Halloween?
• 51:28
  Speaker 6: Four?
• 51:28
  Speaker 7: Not as good as.
• 51:32
  Speaker 2: You shut your dirt? You know what?
• 51:35
  Speaker 6: Man?
• 51:35
  Speaker 2: Why don't you shut up and go over your next pick?
• 51:37
  Speaker 7: All right, right, Well, we had a good time with
• 51:40
  Speaker 7: Halloween three and stuff, but I want to bring it
• 51:42
  Speaker 7: back and you know, set the mood a little bit,
• 51:45
  Speaker 7: and I want to talk about uh this film right here.
• 51:48
  Speaker 7: Uh his name uh Uli. I never say his name,
• 51:53
  Speaker 7: right uh Uli? Whatever? Anyways, body of evidence. I can't
• 52:01
  Speaker 7: remember how to say his last name. But this movie
• 52:06
  Speaker 7: I thoroughly, thoroughly enjoyed. This is a lot of people
• 52:13
  Speaker 7: see this as a basic instinct kind of rip off movie,
• 52:16
  Speaker 7: which I could I could see where they're coming from.
• 52:19
  Speaker 6: It's similar, It's so much more than that.
• 52:21
  Speaker 7: But exactly, and the story of this goes is there's
• 52:27
  Speaker 7: this man gets killed and Madonna is the main suspect
• 52:32
  Speaker 7: in this murder, and Willem Dafoe represents her in this
• 52:35
  Speaker 7: murder trial, and during this murder trial that's taken place,
• 52:40
  Speaker 7: they end up having a very very steamy affair with
• 52:46
  Speaker 7: each other. And what cracks me up about this movie
• 52:49
  Speaker 7: is it goes from a very intense court case where
• 52:53
  Speaker 7: the judge has to call them up to the stand
• 52:56
  Speaker 7: to rip into them because they're not listening, you know,
• 52:59
  Speaker 7: constantly fighting, then them going into a into an elevator
• 53:04
  Speaker 7: with him getting a handy and them going down into
• 53:07
  Speaker 7: the into a dimly lit garage and they just kind
• 53:12
  Speaker 7: of go at it.
• 53:12
  Speaker 2: That's what the nineties were like, man oh Man and this.
• 53:16
  Speaker 7: But what I do love about this movie is a
• 53:19
  Speaker 7: cinematographer in this uh, the way this movie is lit,
• 53:24
  Speaker 7: I think is incredible a shot. There's an interview in
• 53:28
  Speaker 7: here with him where he talks about how for the
• 53:30
  Speaker 7: courtroom scenes you could see he put lights in the
• 53:33
  Speaker 7: windows and what he would do is he would shoot
• 53:37
  Speaker 7: haze into the courtroom to get the light streaking effect
• 53:42
  Speaker 7: to show into the room. I didn't notice. I mean,
• 53:44
  Speaker 7: I not that you could see it when I first
• 53:47
  Speaker 7: saw But after watching that interview, going back, you can
• 53:50
  Speaker 7: really start to appreciate all the stuff. He actually was
• 53:55
  Speaker 7: a camera op. I was telling Chris earlier, he's a
• 53:58
  Speaker 7: camera op for the Shining. He was camera like a
• 54:03
  Speaker 7: bunch of Stanley Kubrick films.
• 54:05
  Speaker 6: And then.
• 54:09
  Speaker 7: Yep, and then he jumped in. After that he became
• 54:13
  Speaker 7: the the was it the cinematographer I think for for
• 54:21
  Speaker 7: Full Metal Jacket. So he did a lot. He kind
• 54:24
  Speaker 7: of cut his teeth with Stanley Kubrick.
• 54:27
  Speaker 6: His uh, his biggest feet was taking on rumble Stiltskin.
• 54:34
  Speaker 7: Hell yeah, uncle Rumble.
• 54:39
  Speaker 6: An uncle for uncle to all of us.
• 54:41
  Speaker 2: Rumble Rump.
• 54:43
  Speaker 7: But Madonna, Man, that's why I bought this.
• 54:48
  Speaker 2: And I haven't watched it and I haven't seen it
• 54:51
  Speaker 2: like before. But when I looked up Madonna just in this,
• 54:57
  Speaker 2: I was like sold, dude, Okay.
• 54:59
  Speaker 7: Well then you got both cut to the movie in
• 55:00
  Speaker 7: four K obviously watched the unrated cuts when you're gonna
• 55:04
  Speaker 7: want to see.
• 55:05
  Speaker 2: Obviously, but.
• 55:08
  Speaker 7: Huh, why is that Jordan for It's just everything is there,
• 55:12
  Speaker 7: like they they take it to the next they push
• 55:15
  Speaker 7: the envelope with this Will and Dafoe in his own right,
• 55:18
  Speaker 7: great actor, but in this movie he's at the will
• 55:22
  Speaker 7: of Madonna's character. She she runs the show, and it's
• 55:29
  Speaker 7: she's she's crazy. She's she's pretty crazy in this movie,
• 55:33
  Speaker 7: and she's essentially a dominatrix in this movie. Is really
• 55:36
  Speaker 7: what she is? Yeah, I thought that was a great
• 55:42
  Speaker 7: great you have, uh, the the other attorney that's representing
• 55:47
  Speaker 7: I guess I don't know the other side. That would
• 55:49
  Speaker 7: be the state or you know whoever. He was the
• 55:52
  Speaker 7: guy that was in Godfather three. I can't think of
• 55:54
  Speaker 7: his name right now. Tom there's Tom or Joe Joe
• 55:58
  Speaker 7: Joe Mantegna.
• 56:00
  Speaker 2: Oh yeah, yeah, yeah, I mean I know him from
• 56:06
  Speaker 2: uh I'm blinking right now.
• 56:09
  Speaker 7: But yeah, this movie, it's got a lot of good
• 56:13
  Speaker 7: red herrings. You don't you start to question yourself of Okay,
• 56:18
  Speaker 7: you know, maybe she did do it, maybe she didn't
• 56:20
  Speaker 7: do it. You're not quite sure.
• 56:22
  Speaker 2: Criminal Minds is what he's from.
• 56:26
  Speaker 7: Uh he he, I didn't watch Criminal Minds, but he like,
• 56:29
  Speaker 7: he would definitely be in that show.
• 56:31
  Speaker 2: And Baby's Day Out.
• 56:34
  Speaker 7: He's in that movie.
• 56:36
  Speaker 2: Yeah, he's the main the main the main guy that
• 56:39
  Speaker 2: that it's like him, Joe Pontalano and the other guy.
• 56:41
  Speaker 2: I forget the other.
• 56:42
  Speaker 7: Guy's name anyways, Body of Evidence, dude. That movie it's
• 56:46
  Speaker 7: it's a trip for sure. And I was I was
• 56:49
  Speaker 7: looking at the Rotten Tomatoes score and this thing has
• 56:53
  Speaker 7: holding a nine percent.
• 56:54
  Speaker 6: It doesn't do this film just so I'm.
• 56:57
  Speaker 7: Yeah, it's it's a great movie. There's an also an
• 57:00
  Speaker 7: interview with the director, brand new interview, and he had
• 57:04
  Speaker 7: talked about how you know, Madonna was really the one
• 57:09
  Speaker 7: push that pushed this movie, and he was saying, how
• 57:15
  Speaker 7: the issue, the reason this movie didn't do so well,
• 57:18
  Speaker 7: he thinks, is because it was put up against basic instinct,
• 57:25
  Speaker 7: and people when they saw this movie, they were seeing
• 57:27
  Speaker 7: it through the lens of basic instinct, and so it
• 57:29
  Speaker 7: just didn't do good well.
• 57:31
  Speaker 6: I feel like between that and Fatal Attraction, those two
• 57:34
  Speaker 6: films kind of set the standard for the subgenre in
• 57:37
  Speaker 6: a lot of ways.
• 57:37
  Speaker 7: He had Sharon Stone, I mean incredible, right, so you
• 57:43
  Speaker 7: put her up against Madonna, I mean that's tough.
• 57:46
  Speaker 6: Another film that actually came out the same year, and
• 57:50
  Speaker 6: I actually watched this recently is Abel Frera's Dangerous Game,
• 57:54
  Speaker 6: So it came out in same year obviously in ninety three,
• 57:58
  Speaker 6: but Madonna's as well, and Harvey Kaite tells in it
• 58:03
  Speaker 6: excellent movie, really out there, kind of almost feels like
• 58:08
  Speaker 6: it has some David Lynch influence to it. But if
• 58:13
  Speaker 6: you liked a Body of Evidence, that's another another great
• 58:18
  Speaker 6: movie with Madonna in it.
• 58:20
  Speaker 2: And Leave Their.
• 58:21
  Speaker 7: Room, Yes, Tom Hanks movie. I don't know.
• 58:27
  Speaker 2: I just thought, what is it? In my head? I'm like,
• 58:30
  Speaker 2: what is a Madonna movie that I know? Leave their Own?
• 58:35
  Speaker 7: You know what, that's a good movie, though.
• 58:37
  Speaker 2: Their Own is great. Yeah, is great, Steve, I don't
• 58:42
  Speaker 2: know Jordan. Jordan brought the hot and heavy there. I'm
• 58:45
  Speaker 2: curious of what you're gonna bring next.
• 58:48
  Speaker 6: Oh, I gotta ask you, guys, do you believe in
• 58:50
  Speaker 6: time travel?
• 58:53
  Speaker 2: Depends?
• 58:54
  Speaker 6: Because I got Donnie Darko for you guys the four
• 58:56
  Speaker 6: K box set from Arrow Video. And this isn't a
• 59:03
  Speaker 6: recent release, but I had the opportunity to go back
• 59:05
  Speaker 6: and rewatch it recently, and it just made me appreciate
• 59:09
  Speaker 6: this movie on a whole new level. When did you
• 59:15
  Speaker 6: guys find out about this movie or when did you
• 59:17
  Speaker 6: initially watch it? Was it back when? Initially when it
• 59:20
  Speaker 6: came out?
• 59:20
  Speaker 2: Oh dude, I when did it come out? Two thousand
• 59:25
  Speaker 2: and two thousand and one dozen one? Right? Yeah? I
• 59:28
  Speaker 2: probably saw it within a year or so after it
• 59:32
  Speaker 2: came out. Man, my mom really liked this movie, and
• 59:37
  Speaker 2: I remember her telling me explicitly like it's just really
• 59:39
  Speaker 2: fucking weird, you know. And then I think a lot
• 59:43
  Speaker 2: of people were shocked about with the Patrick Swayzee kind
• 59:45
  Speaker 2: of being a child preditor, you know, aspect of it.
• 59:49
  Speaker 2: But this movie was like kids older than me, like
• 59:54
  Speaker 2: Chosen One. Let's say I saw in Chosen two. I was,
• 59:57
  Speaker 2: you know, twelve kids older than me like made this
• 1:00:01
  Speaker 2: their personality, this movie, like this is what people loved.
• 1:00:07
  Speaker 2: It was so weird and out there. And I remember
• 1:00:11
  Speaker 2: just seeing Frank everywhere. The Frank was so iconic, the
• 1:00:15
  Speaker 2: bunny costume. It was. Yeah, this was an important one.
• 1:00:20
  Speaker 6: Jordan, what about you?
• 1:00:21
  Speaker 7: Yeah, I knew about this movie. Frank was the reason
• 1:00:25
  Speaker 7: I knew about this movie. It was one of those
• 1:00:26
  Speaker 7: you saw it everywhere. I mean I saw that Bunny.
• 1:00:29
  Speaker 7: I didn't know what it was. I actually didn't see
• 1:00:32
  Speaker 7: it until I got that era release, to be honest,
• 1:00:34
  Speaker 7: I was I'm ever seeing it? Yeah. Yeah. It was
• 1:00:38
  Speaker 7: actually one of my first early videos on my YouTube
• 1:00:41
  Speaker 7: channel that I talked about that movie. It's it's that
• 1:00:46
  Speaker 7: movie's nuts. It's makes you It's one of those that
• 1:00:49
  Speaker 7: really makes you think, it makes you question. You know.
• 1:00:54
  Speaker 6: Now, do you guys like the theatrical or director's cut.
• 1:00:58
  Speaker 6: I do this.
• 1:00:58
  Speaker 2: Director's cut, director's cut, yeah, Richard Kelly, Richard like when
• 1:01:03
  Speaker 2: it comes to Richard Kelly, like when it comes to
• 1:01:06
  Speaker 2: Donny Darko's the director's cut. When it comes to Southland Tales,
• 1:01:09
  Speaker 2: I do the can cut.
• 1:01:14
  Speaker 6: I don't know because I remember the director's cut that
• 1:01:18
  Speaker 6: was initially how I saw it, went back and watched
• 1:01:20
  Speaker 6: as a theatrical cut. I just there's something about with
• 1:01:24
  Speaker 6: the theatrical cut. It leaves things so much more kind
• 1:01:28
  Speaker 6: of dream like, open ended. Is it really holding your
• 1:01:31
  Speaker 6: hand through the entire film that I think That's why
• 1:01:35
  Speaker 6: I appreciate it's kind of open to interpretation, not to
• 1:01:38
  Speaker 6: mention that there's some significantly changed songs like I know,
• 1:01:44
  Speaker 6: the Killing Moon by echoing the Bunnyman that's used in
• 1:01:48
  Speaker 6: the opening scene in the theatrical cut, and the director's
• 1:01:50
  Speaker 6: cuts never tear us apart by inexcess, which I feel
• 1:01:55
  Speaker 6: like it just kind of changes the you know, kind
• 1:01:58
  Speaker 6: of set in what's going to happen after that point.
• 1:02:01
  Speaker 6: But yeah, I mean this movie, I don't know, I
• 1:02:07
  Speaker 6: just have I have nothing but great things to say
• 1:02:09
  Speaker 6: about it. I mean, it refalls around Donny Darko, who's
• 1:02:11
  Speaker 6: a troubled high school student. He's in therapy, he's prone
• 1:02:15
  Speaker 6: to sleepwalking and basically in possession of an imaginary friend
• 1:02:20
  Speaker 6: who happens to be basically a six foot tall rabbit
• 1:02:24
  Speaker 6: named Frank Yep and Frank tells him that the world's
• 1:02:28
  Speaker 6: going to end, and I believe it's twenty eight days,
• 1:02:32
  Speaker 6: six hours, forty two minutes and twelve seconds. So during
• 1:02:35
  Speaker 6: this time, he's basically trying to navigate through being a teenager.
• 1:02:40
  Speaker 6: He nearly avoids death, and he's following Frank's instructions and
• 1:02:46
  Speaker 6: tries to kind of maintain like the space time continuum
• 1:02:52
  Speaker 6: with everything. It sounds really weird, it definitely is, but
• 1:02:57
  Speaker 6: it's definitely a cult classic for a reason. And this
• 1:03:01
  Speaker 6: is this four K Releases is top tier, so obviously
• 1:03:07
  Speaker 6: it comes with the four K transfer. Let's see what
• 1:03:11
  Speaker 6: else it's got on it. So it's got one hundred
• 1:03:13
  Speaker 6: page hardcover book, included the writings of Nathan Raven, Anton Biddle,
• 1:03:21
  Speaker 6: and Jamie Graham on it got a number of different interviews,
• 1:03:26
  Speaker 6: let's see. And it's got both cuts of the film,
• 1:03:30
  Speaker 6: which is pretty cool. But overall, I mean, I just
• 1:03:33
  Speaker 6: I love this movie and just seeing it get the
• 1:03:38
  Speaker 6: love that it truly deserves. I just I'm happy to
• 1:03:41
  Speaker 6: have this in my collection.
• 1:03:43
  Speaker 2: Yeah, do you remember have you had this since it
• 1:03:45
  Speaker 2: came out? Or is this something that you acquired later
• 1:03:47
  Speaker 2: on a.
• 1:03:49
  Speaker 6: Little bit later on? It wasn't when initially was released,
• 1:03:52
  Speaker 6: but I know that there weren't there issues with one
• 1:03:54
  Speaker 6: of the discs.
• 1:03:55
  Speaker 2: Yeah, I remember. I remember this kind of being like
• 1:03:56
  Speaker 2: one of the first big like disc recall issues like
• 1:04:03
  Speaker 2: before this, I'd heard of it before, but this was
• 1:04:05
  Speaker 2: like a big deal at the disc and this was
• 1:04:07
  Speaker 2: messed up like for some reason, and it wasn't even
• 1:04:10
  Speaker 2: I think it was one of the Imber Correctly, it
• 1:04:13
  Speaker 2: wasn't even one of the I think it was just
• 1:04:14
  Speaker 2: a theatric cut disc that had of error. But I
• 1:04:18
  Speaker 2: remember it being big like now, when it happens, it
• 1:04:22
  Speaker 2: kind of gets spread around everywhere. This was kind of
• 1:04:24
  Speaker 2: like whoa hold on Arrow? Made him as big? No,
• 1:04:28
  Speaker 2: but it's a beautiful set for sure.
• 1:04:31
  Speaker 6: And the good thing is, I think from when this
• 1:04:34
  Speaker 6: initially was released all the way up until now, most
• 1:04:36
  Speaker 6: of the boutique labels are pretty quick to you know,
• 1:04:39
  Speaker 6: correct things that there's a mistake on them, or send
• 1:04:41
  Speaker 6: you a replacement disc or I know we recently had
• 1:04:44
  Speaker 6: that with a Bay of Blood and Leprechaun. They're working
• 1:04:48
  Speaker 6: on the replacement disc for that.
• 1:04:50
  Speaker 2: So I was a watch to g a video earlier
• 1:04:52
  Speaker 2: and somebody was like, man, it's a leprechaon on four
• 1:04:55
  Speaker 2: looks terrible there's no color, and then it's like they're like,
• 1:04:59
  Speaker 2: oh wait about to add color timing to the Wow.
• 1:05:03
  Speaker 6: Thankfull I didn't pick it up yet.
• 1:05:05
  Speaker 2: Yeah, yeah, so yeah. I love Donnie Darko man and
• 1:05:09
  Speaker 2: Drew great early, Drew Barrymore performance, jenam alone. My favorite
• 1:05:18
  Speaker 2: line of the whole movie is tell me how does
• 1:05:19
  Speaker 2: one suck a fuck? That's my favorite. My favorite line
• 1:05:23
  Speaker 2: of the movie. I love that and getting crushed in
• 1:05:27
  Speaker 2: your sleep by an airplane motor pretty good way to.
• 1:05:30
  Speaker 6: Go nightmare fuel that your sister and mother were on right, Yeah,
• 1:05:37
  Speaker 6: well they pray that never happens to me.
• 1:05:39
  Speaker 2: Yeah, yeah, great pick man. I love Donnie Darko. I
• 1:05:43
  Speaker 2: was actually just talking about this with with somebody at
• 1:05:45
  Speaker 2: work the other day. Man, so I'm happy to talk
• 1:05:47
  Speaker 2: about it twice.
• 1:05:48
  Speaker 6: That soundtrack Man Tears for Fears.
• 1:05:51
  Speaker 2: What do you guys think about the Patrick Swayze subplot.
• 1:05:56
  Speaker 6: I like that it kind of goes against if I
• 1:06:00
  Speaker 6: had not been familiar with what happens in this movie.
• 1:06:04
  Speaker 6: I feel like seeing it for the first time definitely
• 1:06:07
  Speaker 6: goes against the green I feel like for most of
• 1:06:09
  Speaker 6: the other roles that he's done previously, so it's I
• 1:06:12
  Speaker 6: think of this as a standout for him.
• 1:06:16
  Speaker 2: Yeah, I agree, I agree. Yeah, awesome, man, thank you
• 1:06:21
  Speaker 2: for the great pick that Still, I was just checking
• 1:06:23
  Speaker 2: eBay prices. I didn't know if this thing was like
• 1:06:25
  Speaker 2: crazy out of print. It looks like it's like hovering
• 1:06:27
  Speaker 2: around like the sixty to seventy dollars range. It's a
• 1:06:29
  Speaker 2: thick box, it's a thick release, and I haven't dove
• 1:06:33
  Speaker 2: into at booklet yet because it's pretty daunting. But yeah,
• 1:06:38
  Speaker 2: I love those colors too, man. I think that artwork
• 1:06:40
  Speaker 2: they chose for this one was phenomenal, especially over the
• 1:06:43
  Speaker 2: Blu ray that they had already done.
• 1:06:46
  Speaker 6: This was I think one of the earlier four K
• 1:06:51
  Speaker 6: box sets I got from from Errol because I remember
• 1:06:55
  Speaker 6: getting deep Red tenebray Bird with crystal plumage, and then
• 1:07:02
  Speaker 6: Dinny dark O roughly all around the same time. He'lls
• 1:07:04
  Speaker 6: Have Eyes was another one.
• 1:07:05
  Speaker 2: Yeah, yeah too.
• 1:07:10
  Speaker 6: I didn't. I didn't grab that.
• 1:07:12
  Speaker 7: I have that.
• 1:07:13
  Speaker 6: I can confirm I have that.
• 1:07:15
  Speaker 2: So for my last pick, I'm gonna go over something
• 1:07:18
  Speaker 2: a little bit less talked about than most things. But Steve,
• 1:07:22
  Speaker 2: I know this is right up your alley. Jordan. You
• 1:07:24
  Speaker 2: have become a fan of this director, we're so I'm
• 1:07:27
  Speaker 2: very very proud of you. And this is from nineteen
• 1:07:30
  Speaker 2: eighty one. This is Lucio Fulci's The Black Cat. And
• 1:07:34
  Speaker 2: this kind of came between, if I remember correctly, this
• 1:07:40
  Speaker 2: movie kind of came out in between The Beyond and
• 1:07:44
  Speaker 2: like around like the Contraband time, so it kind of
• 1:07:46
  Speaker 2: fell into this weird midway for his career, and this
• 1:07:50
  Speaker 2: movie kind of went under the radar, mostly because I
• 1:07:53
  Speaker 2: don't feel like it's as gory as the other films
• 1:07:57
  Speaker 2: kind of around it. But The Black Cat is a very,
• 1:08:02
  Speaker 2: like I'm talking about, very loose adaptation of the Edgar
• 1:08:05
  Speaker 2: Allan Poe story, and it tells the story of an
• 1:08:09
  Speaker 2: investigator into a small town who goes on a hunt
• 1:08:13
  Speaker 2: looking for two missing teenagers. And while on the hunt
• 1:08:17
  Speaker 2: for these two missing teenagers kind of begins to unravel
• 1:08:20
  Speaker 2: a series of murders that have been happening, and all
• 1:08:24
  Speaker 2: of these murders are kind of being circled around this
• 1:08:27
  Speaker 2: black cat who somehow keeps appearing. Which, by the way,
• 1:08:29
  Speaker 2: as I said that, my cat is yelling at me
• 1:08:31
  Speaker 2: through the door which I'm going to open for him
• 1:08:35
  Speaker 2: right now.
• 1:08:40
  Speaker 6: It's an omen he knew he knew.
• 1:08:44
  Speaker 2: And yeah, I mean I love this movie, like I
• 1:08:49
  Speaker 2: this is the first time I watched it on the
• 1:08:50
  Speaker 2: Errow video set, which is and then he walked away.
• 1:08:53
  Speaker 2: All he wanted me to do was open the door
• 1:08:55
  Speaker 2: by way. This came out of the Black Cats set,
• 1:08:59
  Speaker 2: which also include dudes Sergio Martinez. Your advice is a
• 1:09:03
  Speaker 2: locked room and only I have the Cake, which is
• 1:09:06
  Speaker 2: another Eggar Allan Poe adaptation of that story.
• 1:09:09
  Speaker 6: Another great movie.
• 1:09:11
  Speaker 2: Yeah, yes, yes, another great movie. But yeah, I really
• 1:09:14
  Speaker 2: just kind of fell in love with this movie. I
• 1:09:16
  Speaker 2: think that it it still packs that full gie punch.
• 1:09:20
  Speaker 2: There's some really nasty stuff in this movie. There's a
• 1:09:23
  Speaker 2: great fire stunt the beginning of the movie. There's this
• 1:09:26
  Speaker 2: wicked car crash sequence where somebody goes through a windshield.
• 1:09:31
  Speaker 2: There's some pretty pretty rough stuff in this movie. And
• 1:09:34
  Speaker 2: I do feel like as a whole, it doesn't it
• 1:09:37
  Speaker 2: doesn't reach the heights of some of Fulgi's other highest points.
• 1:09:42
  Speaker 6: Where would you rank this in those films? I mean
• 1:09:45
  Speaker 6: I think you could probably or we could probably all agree.
• 1:09:49
  Speaker 6: It doesn't go up there with like the Gates of
• 1:09:51
  Speaker 6: Hell or Zombie.
• 1:09:52
  Speaker 2: But no, no, I would put it like it's better
• 1:09:55
  Speaker 2: than Pneumonia, It's better than Manhattan Baby kind of falls
• 1:09:59
  Speaker 2: on like that middle area where kind of like I
• 1:10:02
  Speaker 2: feel like bad Lucille Folchi is still.
• 1:10:06
  Speaker 6: Good Lucille Folger, you know, compared to some directors.
• 1:10:09
  Speaker 2: Yeah, yeah, it still has you know, exactly what you're
• 1:10:13
  Speaker 2: looking to get out of full g film, Maybe just
• 1:10:15
  Speaker 2: not to the extremity, but I thought Jordan would be
• 1:10:19
  Speaker 2: really happy to hear. This has a score by Pino
• 1:10:20
  Speaker 2: di Nagio oh Man, Yeah, which dude, very very good,
• 1:10:26
  Speaker 2: very funky, very beautiful. It's one of the highlights of
• 1:10:32
  Speaker 2: the film for me, that score. But I also want
• 1:10:35
  Speaker 2: to shout out one of the bonus features on here,
• 1:10:38
  Speaker 2: which is like a twenty five minute conversation with Stephen Thrower.
• 1:10:42
  Speaker 2: Stephen Thrower is mostly known for I just want to
• 1:10:46
  Speaker 2: make sure I have the name right. Yeah, Steven Thrower,
• 1:10:50
  Speaker 2: he wrote pretty much literally the book on Lucille Fulcie,
• 1:10:54
  Speaker 2: and he also wrote a great book that called Nightmare USA,
• 1:10:58
  Speaker 2: which is kind of the rise of the American exploitation film.
• 1:11:02
  Speaker 2: And he gives incredible insight for about twenty three minutes
• 1:11:05
  Speaker 2: about this movie and kind of talks about how the
• 1:11:08
  Speaker 2: movie was never released theatrically, so they had to watch
• 1:11:12
  Speaker 2: it on this really terrible panin scan VHS that came
• 1:11:15
  Speaker 2: out in the UK, and there are as typical full
• 1:11:19
  Speaker 2: Chiat films do. There are these stunning shots of eyes,
• 1:11:24
  Speaker 2: and during those scenes on the VHS they were just
• 1:11:28
  Speaker 2: looking at bridges of noses because the pantin scan wasn't,
• 1:11:34
  Speaker 2: you know, lining up, It was just doing the center
• 1:11:36
  Speaker 2: of the frame, and most of these shots are kind
• 1:11:39
  Speaker 2: of like off center that I might be on the
• 1:11:40
  Speaker 2: left or the right. So he talks about how much
• 1:11:44
  Speaker 2: how wonderful the work on this arrow restoration was to
• 1:11:47
  Speaker 2: finally get this movie looking the way it needed. But
• 1:11:50
  Speaker 2: had a ton of fun with this one, so I
• 1:11:52
  Speaker 2: hope more people will get a chance to check it out.
• 1:11:54
  Speaker 2: I wish we would get another release that wasn't tied
• 1:11:57
  Speaker 2: to this double box set. That way people didn't have
• 1:12:00
  Speaker 2: to buy the Sergio Martino film teams with this or
• 1:12:02
  Speaker 2: have to put out the money for this box set.
• 1:12:04
  Speaker 6: I feel like it's just a matter of time because
• 1:12:06
  Speaker 6: I feel like a lot of well, his bigger works
• 1:12:10
  Speaker 6: have already gotten boutique, you know, releases. I feel like,
• 1:12:14
  Speaker 6: you know that Manhattan Baby could be one set. Maybe
• 1:12:19
  Speaker 6: the foreseeable future could could end up getting you.
• 1:12:22
  Speaker 7: Know about a four K. Yeah, see cat in the Brain? Yeah,
• 1:12:27
  Speaker 7: where's that four K?
• 1:12:29
  Speaker 2: Yeah? I mean I hope. So there's a brand new
• 1:12:31
  Speaker 2: commentary on this disc by Chris Alexander. At the time,
• 1:12:34
  Speaker 2: he was editor in chief for Fangoria. Now he's owner
• 1:12:38
  Speaker 2: of Delirium Magazine, which is a full moon magazine. There's
• 1:12:44
  Speaker 2: a location look at. There's a career interview with Aghmar
• 1:12:47
  Speaker 2: or with actress Dagmar Lazander. There's an archive interview with
• 1:12:50
  Speaker 2: one of the Black Hat stars. You know, there was
• 1:12:53
  Speaker 2: a lot of work put in to this movie coming out,
• 1:12:57
  Speaker 2: and yeah, I think it does. I think it does
• 1:13:00
  Speaker 2: deserve a little bit of a of a better kind
• 1:13:03
  Speaker 2: of standalone edition. I just hope more people will give
• 1:13:05
  Speaker 2: this one a chance somehow if they can find it.
• 1:13:09
  Speaker 6: It's a great pick.
• 1:13:10
  Speaker 2: Thank you, sir, thank you. That's my last pick.
• 1:13:14
  Speaker 6: Joan, what you got for us?
• 1:13:15
  Speaker 7: Yeah? I have this one right here, This one I
• 1:13:19
  Speaker 7: simply actually got because of Steve.
• 1:13:25
  Speaker 6: One. He got.
• 1:13:30
  Speaker 7: This movie. So I watched this in two two nights.
• 1:13:34
  Speaker 7: I started it late one night, fish the next day,
• 1:13:38
  Speaker 7: an amazing, amazing movie. I was completely blown away by
• 1:13:43
  Speaker 7: this movie. And that's going to be at close range.
• 1:13:47
  Speaker 6: This was it.
• 1:13:48
  Speaker 7: Let's go, I've never seen this movie. What a stacked cast.
• 1:13:52
  Speaker 7: First off, I just want to say Christopher Walk and
• 1:13:54
  Speaker 7: Sean Pinn, Michael Penn, Key for Subtle and uh uh
• 1:14:00
  Speaker 7: what's his name? Crispin Glover's in this. I mean I
• 1:14:04
  Speaker 7: was shocked when I I mean they just kept coming,
• 1:14:07
  Speaker 7: you know of that of this era when this movie
• 1:14:10
  Speaker 7: came out, all the you know, kind of teenage heart
• 1:14:13
  Speaker 7: throb actors were in this.
• 1:14:17
  Speaker 5: Now.
• 1:14:19
  Speaker 7: I love Chris Walking in this movie. He is just
• 1:14:21
  Speaker 7: this crazy. So he is Sean Penn's father kind of
• 1:14:27
  Speaker 7: a uh was never really there for him.
• 1:14:30
  Speaker 2: Was off.
• 1:14:31
  Speaker 7: He he was a thief, he went off and did
• 1:14:33
  Speaker 7: his own stuff.
• 1:14:34
  Speaker 6: He's kind of like a dead beat pretty much.
• 1:14:36
  Speaker 7: Yeah, Sean Payn gets kicked out of his house and
• 1:14:39
  Speaker 7: so he goes to his dad, and his dad is
• 1:14:42
  Speaker 7: basically takes him under his wing to show him the
• 1:14:45
  Speaker 7: ropes and gets to the point where it's a little
• 1:14:48
  Speaker 7: too much for Sean Penn's character. There's a very this scene.
• 1:14:56
  Speaker 7: Just talking about it gives me chills. When they're taking
• 1:14:59
  Speaker 7: this guy into this into water, this water to kill him.
• 1:15:02
  Speaker 7: And Sean Penn is kind of behind some trees watching
• 1:15:07
  Speaker 7: and you see Christopher Walker just look over him and
• 1:15:09
  Speaker 7: just kind of whisper it, put his finger over his
• 1:15:12
  Speaker 7: mouth says, you know, don't say anything. Anyways, one thing
• 1:15:17
  Speaker 7: leads to another, and Sean Penn and his buddies they
• 1:15:22
  Speaker 7: get arrested and people they get out, and now Christopher
• 1:15:29
  Speaker 7: Walkin's character and his group of friends, his buddies are
• 1:15:34
  Speaker 7: scared that they're going to talk. So I guess I'm
• 1:15:38
  Speaker 7: giving away the movie. They're just they're they're pretty much
• 1:15:42
  Speaker 7: gonna take him out one by one, and it you
• 1:15:47
  Speaker 7: want to talk about anxiety and just on the suspense.
• 1:15:51
  Speaker 7: And there's a Latin near the the shot of the
• 1:15:54
  Speaker 7: movie when Christopher Walking and Sean Pin are in the
• 1:15:58
  Speaker 7: kitchen of his dad's house. There's a conversation they have
• 1:16:01
  Speaker 7: with each other and it is some of the greatest
• 1:16:04
  Speaker 7: things on film I have seen. And I'm not kidding.
• 1:16:08
  Speaker 7: It was incredible. I was so blown away by it.
• 1:16:12
  Speaker 6: It's a movie that I think doesn't get talked about
• 1:16:14
  Speaker 6: nearly enough. And Let's Not Forget also features Madonna's Love
• 1:16:23
  Speaker 6: to Tell Oh Yes, a pretty crucial song that's used
• 1:16:27
  Speaker 6: in the movie.
• 1:16:28
  Speaker 7: That's that's in the movie.
• 1:16:31
  Speaker 6: Did this slip up to your did this live up
• 1:16:33
  Speaker 6: to your expectations?
• 1:16:34
  Speaker 5: Oh?
• 1:16:34
  Speaker 7: Dude, it blew it out of the water. I was look.
• 1:16:38
  Speaker 7: I knew Seampa was a phenomenal actor. I knew that,
• 1:16:42
  Speaker 7: but I'm telling you, man, he just he just impressed
• 1:16:48
  Speaker 7: me even more than he already has. I think it's
• 1:16:56
  Speaker 7: just crazy to see. What shocks me is how far
• 1:17:01
  Speaker 7: Christopher Watkins's character goes in this movie. Oh yeah, he
• 1:17:04
  Speaker 7: doesn't care. He is about himself by no means necessary.
• 1:17:10
  Speaker 7: When you know, when they're taking them out to the
• 1:17:12
  Speaker 7: field and his brother is saying, you know, if you
• 1:17:16
  Speaker 7: ever got if you ever had to take the stand, basically,
• 1:17:20
  Speaker 7: would you speak against.
• 1:17:21
  Speaker 2: Me or raight?
• 1:17:22
  Speaker 7: Mangoes no, and he goes you liar. You know just
• 1:17:25
  Speaker 7: that scene, man, it gets to you.
• 1:17:29
  Speaker 6: It's a Uh, it's a movie that I definitely don't
• 1:17:31
  Speaker 6: think it's talked about nearly enough. Yeah, and I have
• 1:17:36
  Speaker 6: to say, just to point out vinegar syndrome sub label,
• 1:17:41
  Speaker 6: I believe it's cinematograph. Yeah, that's what I Oh God,
• 1:17:44
  Speaker 6: some of their releases are just I've been so impressed.
• 1:17:48
  Speaker 6: The ones I have so far are obviously at close Range,
• 1:17:52
  Speaker 6: married to the mob, Dangerous Game, the Gambler, drop Zone.
• 1:17:58
  Speaker 6: They're I don't know, I've been thoroughly impressed with with
• 1:18:04
  Speaker 6: just They're giving us something different. And you know these
• 1:18:08
  Speaker 6: movies that they've they've been highlighting and giving the boutique treatment.
• 1:18:14
  Speaker 6: It's definitely allowing these films to get the audience of
• 1:18:17
  Speaker 6: the love.
• 1:18:18
  Speaker 2: While I don't own any I remember I remember Justin's
• 1:18:26
  Speaker 2: like when when Cinematograph was announced and him talking about
• 1:18:30
  Speaker 2: what the label is meant to be, like what he's
• 1:18:33
  Speaker 2: trying to focus on. And I remember at first, like
• 1:18:38
  Speaker 2: the first couple of releases, I was like, I don't know,
• 1:18:39
  Speaker 2: this doesn't feel like what he said it was going
• 1:18:41
  Speaker 2: to be. And now I feel like it has become
• 1:18:44
  Speaker 2: what Justin said it was going to be. So I'm
• 1:18:47
  Speaker 2: very happy it's found. It's it's found, it's putting because
• 1:18:50
  Speaker 2: the last five or six seven have really felt like
• 1:18:55
  Speaker 2: these essential like gaps in you know, seventies to nineties
• 1:19:03
  Speaker 2: history that aren't stuck to a particular genre.
• 1:19:06
  Speaker 7: Yeah, there's their newest one with Robert Davall. No. I
• 1:19:10
  Speaker 7: saw that I can't remember what it's called, but I
• 1:19:12
  Speaker 7: want to see that. I want to get that so bad.
• 1:19:13
  Speaker 7: But I want to talk about the special features on
• 1:19:15
  Speaker 7: this release because I think that's one that blew me away.
• 1:19:20
  Speaker 7: So you're getting a new audio commentary with Bill Ackerman
• 1:19:22
  Speaker 7: and Jim Lekowski. There's an archival audio commentary, but so
• 1:19:27
  Speaker 7: these two are one I want to highlight. It's called
• 1:19:29
  Speaker 7: Hillbilly Lucifer, which is a new video interview with Christopher
• 1:19:33
  Speaker 7: Walking and Controlling Your Desky, a new video interview with
• 1:19:36
  Speaker 7: Sean Penn. So that that's still wild to me that
• 1:19:42
  Speaker 7: now these labels are starting to get the actors, someone
• 1:19:46
  Speaker 7: like Christopher Walk and someone like Sean Penn to come
• 1:19:49
  Speaker 7: back and talk about these movies.
• 1:19:52
  Speaker 6: That's surprising, right. Sometimes I don't know about you guys,
• 1:19:56
  Speaker 6: but I feel like with some of these movies, the
• 1:19:58
  Speaker 6: actors or actresses, maybe even the director is so far
• 1:20:01
  Speaker 6: removed from that movie at that point their career that
• 1:20:04
  Speaker 6: they I feel like it's sometimes kind of hard for
• 1:20:07
  Speaker 6: them to try to get them to revisit it.
• 1:20:10
  Speaker 7: Yeah, what else are you getting in this? You're getting
• 1:20:14
  Speaker 7: a new interview with the casting director, some archival stuff
• 1:20:19
  Speaker 7: in here, a bunch of archival interviews. There's a short
• 1:20:24
  Speaker 7: locations video. Yeah, great stuff in this release, So I
• 1:20:31
  Speaker 7: not recommend this movie enough. Now Ero Video did a
• 1:20:36
  Speaker 7: blu ray like pretty recently. You know, if you have that,
• 1:20:41
  Speaker 7: that's awesome, But if you don't have it, this is
• 1:20:44
  Speaker 7: the vendor Syndromes.
• 1:20:46
  Speaker 6: Is the way to go. Those releases out of that
• 1:20:49
  Speaker 6: line feel like you're getting something special. I think that's
• 1:20:51
  Speaker 6: what I love about them so much. They have like
• 1:20:55
  Speaker 6: a very unique style box set that makes it feel
• 1:20:57
  Speaker 6: more premium. I look forward to each one that I
• 1:21:01
  Speaker 6: was picking up, but I think that that is probably
• 1:21:04
  Speaker 6: the high point out of them. I also strongly recommend
• 1:21:07
  Speaker 6: The Gambler definitely carries that uncut gems energy to it.
• 1:21:18
  Speaker 7: Yeah, I have the Gambler, so I got that's the
• 1:21:20
  Speaker 7: next one I had to watch. Pick that one up.
• 1:21:23
  Speaker 6: You won't regret it. Well, I've got a movie that
• 1:21:27
  Speaker 6: I feel like is probably the perfect segue, and I've
• 1:21:31
  Speaker 6: got none other than Abel Ferira's Bad Lieutenant from One
• 1:21:37
  Speaker 6: to One Films. I'm a big fan of this movie.
• 1:21:40
  Speaker 6: I absolutely love this movie. Huge fan of Harvey Kaitel.
• 1:21:45
  Speaker 6: And where does this rank for you? Guys like as
• 1:21:52
  Speaker 6: far as like maybe out of maybe Abel for A's
• 1:21:56
  Speaker 6: films or movies that were coming out around this time.
• 1:22:02
  Speaker 2: You know, I've only seen Bad Lieutenant once. I have
• 1:22:04
  Speaker 2: the Keno.
• 1:22:06
  Speaker 7: Four K.
• 1:22:07
  Speaker 2: I think I have the Kino four K. I remember
• 1:22:12
  Speaker 2: being shocked that this movie was rated a NC seventeen.
• 1:22:19
  Speaker 2: Like I for some reason didn't remember how brutal this
• 1:22:23
  Speaker 2: movie was until I revisited it on that Keno release.
• 1:22:28
  Speaker 2: I still think, I mean, I still have some gaps
• 1:22:31
  Speaker 2: in my Abel fer Era knowledge. I still put I think,
• 1:22:37
  Speaker 2: probably like Miss forty five over it and stuff, but
• 1:22:42
  Speaker 2: I need to give it another go.
• 1:22:45
  Speaker 6: Miss forty five. I'd probably put this Miss forty five
• 1:22:53
  Speaker 6: in King of New York. I think all up there.
• 1:22:56
  Speaker 7: For me, where would you put like the addiction.
• 1:23:02
  Speaker 6: I would probably like in the next tier down. I
• 1:23:06
  Speaker 6: don't think it's a bad movie by any means, but
• 1:23:11
  Speaker 6: as far as rewatchability for me, I'd probably put those
• 1:23:15
  Speaker 6: three smidge ahead, like maybe it's tough a driller killer
• 1:23:20
  Speaker 6: and the addiction kind of in the same tier.
• 1:23:24
  Speaker 2: Really do drill like that?
• 1:23:25
  Speaker 5: Low?
• 1:23:27
  Speaker 6: Not low? But I think that, uh, I don't know,
• 1:23:31
  Speaker 6: It's not a movie that I could come back to
• 1:23:32
  Speaker 6: a lot to watch it. You have to be like
• 1:23:34
  Speaker 6: in the specific mood to watch that type of movie.
• 1:23:36
  Speaker 2: I feel like that's all able for era films that
• 1:23:38
  Speaker 2: I've seen, though, I feel like they're all so specific
• 1:23:42
  Speaker 2: to how you feel when you watch them. Yeah, you know,
• 1:23:46
  Speaker 2: it's like there's no right time to just I was
• 1:23:49
  Speaker 2: just funny. I was just thinking about Bad Lieutenant today
• 1:23:52
  Speaker 2: and I was like, I don't know when I'm in
• 1:23:53
  Speaker 2: the mood to watch this again. But you have the
• 1:23:57
  Speaker 2: one on one films really there, right.
• 1:24:00
  Speaker 6: Yep yep. So this has some new extras in it,
• 1:24:05
  Speaker 6: So just so you guys, for those of you listening
• 1:24:08
  Speaker 6: who aren't familiar with this, movie stars Harvey Kaitel basically
• 1:24:12
  Speaker 6: as the Lieutenant, and he is basically a corrupt police
• 1:24:20
  Speaker 6: officer who has been rolling the streets through gambling, stealing,
• 1:24:24
  Speaker 6: using killing. He's addicted to drugs. He falls deeper into
• 1:24:29
  Speaker 6: his vices will investigating the brutal assault of a young
• 1:24:33
  Speaker 6: nun and so he's basically forced to confront his own
• 1:24:37
  Speaker 6: sins and walks the line of self destruction. And I
• 1:24:43
  Speaker 6: would say probably the elusive promise of redemption it. I
• 1:24:47
  Speaker 6: don't know about you, guys, I feel like for Abel Ferira,
• 1:24:50
  Speaker 6: he mirrors a lot of the themes I feel like
• 1:24:54
  Speaker 6: Martin Scorsese touches on in his movies. Yeah. So, but
• 1:25:00
  Speaker 6: real quickly, we've got a number of new extras. So
• 1:25:03
  Speaker 6: there's an interview with the Abel Ferira as well as
• 1:25:06
  Speaker 6: with the cinematographer. There's a limited edition booklet, and I'm
• 1:25:14
  Speaker 6: making of an audio commentary with Abel Ferira and cinematographer
• 1:25:18
  Speaker 6: Ken kelsh So overall, I highly recommend this, whether it's Keno.
• 1:25:24
  Speaker 2: Larber or this one.
• 1:25:26
  Speaker 6: I just really really love this film.
• 1:25:28
  Speaker 2: So what do you think of Are you a fan
• 1:25:31
  Speaker 2: of the one on one films style of their releases.
• 1:25:35
  Speaker 6: Of like the yeah, slim there's slimmer box sets. I
• 1:25:40
  Speaker 6: would consider them. Yeah, I like them. Trying to think what.
• 1:25:43
  Speaker 7: Other Well, they're kind of like that Bay of Blood.
• 1:25:48
  Speaker 6: Yeah, yeah, they're nice.
• 1:25:51
  Speaker 2: They remind me of like the Indicator or like the
• 1:25:53
  Speaker 2: not Indicator, I'm sorry, like the powerhouse films, like the
• 1:25:56
  Speaker 2: Genrellin releases and stuff like that. Jordan, I know you
• 1:26:00
  Speaker 2: have a few of them.
• 1:26:01
  Speaker 7: Well that well, well, the genre on ones those are
• 1:26:04
  Speaker 7: like a little more rigid. These are like Cannibal Holocaust
• 1:26:09
  Speaker 7: from Grindhouse. It's that kind of outer, outer thinner paper
• 1:26:16
  Speaker 7: like cardboard, but I don't know I explain it.
• 1:26:19
  Speaker 6: It's like the kind of the glossy material for the
• 1:26:22
  Speaker 6: box set. I have Castle Freak, Tourist Trap, and Trancers.
• 1:26:31
  Speaker 7: The Tourist Trap one's really good. I have that one.
• 1:26:34
  Speaker 6: Yeah, Yeah, I have like I have.
• 1:26:36
  Speaker 2: I have some of the I've been collecting them because
• 1:26:37
  Speaker 2: they're numbered, so I have like Existens, roller Coaster, the
• 1:26:42
  Speaker 2: New Kids, like a bunch of the earlier ones that
• 1:26:45
  Speaker 2: are they're super nice Manze, but like their first one
• 1:26:47
  Speaker 2: was what's that film called the Grifters?
• 1:26:53
  Speaker 6: Did they do? Spookies?
• 1:26:55
  Speaker 2: Was that they did?
• 1:26:56
  Speaker 6: Okay?
• 1:26:57
  Speaker 2: Yeah they did?
• 1:26:57
  Speaker 6: Ye?
• 1:27:00
  Speaker 2: Great pick Man, great pick real Quick? Anything before you
• 1:27:04
  Speaker 2: got before we head off, Anything that you guys want
• 1:27:06
  Speaker 2: to touch on Jordan, Any final titles you want to chang? Yeah.
• 1:27:10
  Speaker 7: The last one I wanted to talk about, real Quick
• 1:27:12
  Speaker 7: is it's a New Era release. It's kind of the
• 1:27:14
  Speaker 7: one everyone's talking about right now. I didn't get a
• 1:27:17
  Speaker 7: chance to watch all the special features yet, but their
• 1:27:20
  Speaker 7: release four K release of Salem's Lot one of my
• 1:27:23
  Speaker 7: most anticipated releases. What is so incredible one? It looks
• 1:27:30
  Speaker 7: so good. This is a thick fix set. You're getting,
• 1:27:34
  Speaker 7: of course both the TV mini series as a mini series,
• 1:27:37
  Speaker 7: so part one and Part two also as a continuous movie,
• 1:27:41
  Speaker 7: but you're also getting the really shortened theatrical version on
• 1:27:47
  Speaker 7: this and then some really good special features and here
• 1:27:50
  Speaker 7: as well, Chris Alexander has an audio commentary. Brand new
• 1:27:53
  Speaker 7: audio commentary by Chris Alexander.
• 1:27:55
  Speaker 2: Please tell me it's a mini series cut right, not
• 1:27:59
  Speaker 2: the theatric.
• 1:28:00
  Speaker 7: It doesn't say it does It is on disc two,
• 1:28:05
  Speaker 7: which is the theatrical version and extras. Because it's it's
• 1:28:09
  Speaker 7: interesting because they list it on here as the disc
• 1:28:12
  Speaker 7: one original TV Mini series version. That's all. It says,
• 1:28:16
  Speaker 7: Disc two theatrical version and extra So I don't know, Okay,
• 1:28:20
  Speaker 7: it's version, then I would assume. I mean, you know,
• 1:28:24
  Speaker 7: four hours of talking, you know, that's that's a lot.
• 1:28:26
  Speaker 2: We'll do it. Yeah, there you go, We'll take it
• 1:28:29
  Speaker 2: on ourselves.
• 1:28:30
  Speaker 7: Let's see a new interview with Stephen Kane biographer Douglas Winter.
• 1:28:35
  Speaker 5: Uh.
• 1:28:35
  Speaker 7: You're also getting second coming in New Appreciation by author
• 1:28:38
  Speaker 7: and critic Grady Hendricks.
• 1:28:40
  Speaker 2: Oh so good do Grady Hendrix is on this.
• 1:28:43
  Speaker 7: Hell yeah, New England US Fara to a new interview
• 1:28:46
  Speaker 7: with filmmaker Mick Garris is on here. New featurette looking
• 1:28:51
  Speaker 7: at the locations of the sales lot. Heather Wixon has
• 1:28:55
  Speaker 7: a featurette on here, Joe Lipsett has one, or so
• 1:29:04
  Speaker 7: the co host of Harror Queer's Joe Lipset and Trace Thurman.
• 1:29:08
  Speaker 7: So it's it's a pack set.
• 1:29:10
  Speaker 6: I can't wait to watch it.
• 1:29:11
  Speaker 7: It's I love this movie so much. It's you know,
• 1:29:16
  Speaker 7: we've all seen Salem's Lot, the Stephen King novel. It's
• 1:29:20
  Speaker 7: so this movie. The way Toby Hooper wrote directed this,
• 1:29:25
  Speaker 7: it just feels so rich and lived in the town itself,
• 1:29:30
  Speaker 7: the people and everyone about it. Atmosphere, everyone feels like
• 1:29:36
  Speaker 7: they're supposed to be there.
• 1:29:37
  Speaker 6: It's not.
• 1:29:38
  Speaker 7: No one's a shoe in the town. Drunk is probably
• 1:29:41
  Speaker 7: one of my favorite characters for this movie. He's just great.
• 1:29:46
  Speaker 7: I love this movie so much. It's it's amazing. Salem's
• 1:29:49
  Speaker 7: Lot is an incredible movie.
• 1:29:51
  Speaker 6: I just got that in plus a few other titles,
• 1:29:55
  Speaker 6: so that I'm definitely excited. I've been I've been pacing myself.
• 1:29:58
  Speaker 6: I've been I've been saving and getting to the point
• 1:30:01
  Speaker 6: where I'll be watching Salem slot because I want to. Hell,
• 1:30:04
  Speaker 6: I might watch it night. You know you got four hours,
• 1:30:07
  Speaker 6: all right, listen, I'll make the time.
• 1:30:09
  Speaker 7: I will say. The only knock I think is kind
• 1:30:12
  Speaker 7: of weird to me on this movie is the ending.
• 1:30:14
  Speaker 7: The very ending is just a little I don't know
• 1:30:17
  Speaker 7: how I feel about it to this day, but that's
• 1:30:21
  Speaker 7: about it.
• 1:30:22
  Speaker 2: Oh man, Well, at least it's better than the uh
• 1:30:25
  Speaker 2: it a Gary Duberman remake that it was on Hbo'll.
• 1:30:29
  Speaker 6: Talk about it. Oh god.
• 1:30:30
  Speaker 7: I remember my wife and I we had to go somewhere.
• 1:30:33
  Speaker 7: We were at a hotel and I took had Apple
• 1:30:38
  Speaker 7: TV and I took my Apple TV because I knew
• 1:30:41
  Speaker 7: that was premiering that night to watch it. Very disappointed.
• 1:30:45
  Speaker 2: Yeah, sounds about right. I didn't even watched it. When
• 1:30:47
  Speaker 2: I heard they cut it from like three hours down
• 1:30:49
  Speaker 2: in ninety minutes, I was like, I'm not gonna get this.
• 1:30:51
  Speaker 2: I'm gonna give this a try. Yeah, I'm waiting for
• 1:30:54
  Speaker 2: mine to come in. I did pre order that with
• 1:30:56
  Speaker 2: the Arrow hard Boiled, so I got a little bit
• 1:30:58
  Speaker 2: more time to wait until mine comes in. But very
• 1:31:02
  Speaker 2: excited for that. As you guys, just watch me stop
• 1:31:04
  Speaker 2: my cat from ending this episode, Steve, what about you men,
• 1:31:11
  Speaker 2: any last minute picks to go over?
• 1:31:13
  Speaker 6: Okay, I wanted to say the best for last And
• 1:31:16
  Speaker 6: you guys know how long I've been looking for this
• 1:31:19
  Speaker 6: for this is easily. I feel like I say, a
• 1:31:25
  Speaker 6: lot of movies are my favorites, and this movie was
• 1:31:29
  Speaker 6: so influential to me, especially just because of I would
• 1:31:33
  Speaker 6: say how unsettling it was when I first saw it,
• 1:31:35
  Speaker 6: and that is none other than Larry Clark's Kids nineteen
• 1:31:40
  Speaker 6: ninety five. I fucking love this movie.
• 1:31:46
  Speaker 5: It is a very.
• 1:31:49
  Speaker 6: Controversial, gritty look at a group of New York City
• 1:31:55
  Speaker 6: teens over the course of a single day, and we're
• 1:31:59
  Speaker 6: basically founding them around, capturing their aimless routines, a skateboarding, partying,
• 1:32:05
  Speaker 6: casual relationships. And so we start to see over the
• 1:32:09
  Speaker 6: course of the movie, over the twenty four hours, that
• 1:32:11
  Speaker 6: these actions ripple outward and that there's definitely consequences. So,
• 1:32:17
  Speaker 6: like I mentioned, directed by Larry Clark, written by Harmony Krinn,
• 1:32:21
  Speaker 6: and it just kind of presents a snapshot of youth
• 1:32:24
  Speaker 6: and recklessness. I had the slipcover version of this and
• 1:32:30
  Speaker 6: it was one, as I confess to you guys, one
• 1:32:33
  Speaker 6: of my biggest regrets not getting the box set, and
• 1:32:35
  Speaker 6: I was finally able to add that to my collection.
• 1:32:39
  Speaker 6: Comes with the Blu ray. The documentary We Were Once
• 1:32:42
  Speaker 6: Kids comes in a rigid, ridgid case with a slipcase
• 1:32:48
  Speaker 6: inside or by Tony Stella. Comes with Chris specifically, a
• 1:32:53
  Speaker 6: forty eight page booklet and a reversible poster. I'm just
• 1:32:59
  Speaker 6: so beyond thrilled to finally have this, and I just,
• 1:33:03
  Speaker 6: I don't know, I just love this movie more more
• 1:33:05
  Speaker 6: than I could describe it.
• 1:33:06
  Speaker 2: We got to talk offline about what you're gonna do
• 1:33:08
  Speaker 2: with that slip covered version.
• 1:33:13
  Speaker 6: TVD.
• 1:33:15
  Speaker 2: I don't own Kids, so I don't know.
• 1:33:18
  Speaker 6: You don't know.
• 1:33:18
  Speaker 2: I don't, I don't. I wish I did, I I had,
• 1:33:21
  Speaker 2: I had a DVD that that fell to disc rop. Oh,
• 1:33:26
  Speaker 2: so I lost that and I actually would have loved
• 1:33:29
  Speaker 2: I wanted that and the Bully, like the limited editions,
• 1:33:32
  Speaker 2: and at that time I just didn't pull the trigger
• 1:33:35
  Speaker 2: on them quick enough.
• 1:33:35
  Speaker 6: As long I know, Bully is another one. That Bully
• 1:33:40
  Speaker 6: is another one that I would like to eventually get
• 1:33:43
  Speaker 6: my hands on, and a couple real quickly before we
• 1:33:47
  Speaker 6: wrap up that I just wanted to touch on so Uh,
• 1:33:51
  Speaker 6: I know that Jordan already mentioned some of the ones
• 1:33:53
  Speaker 6: I recently got in and haven't had a chance to
• 1:33:55
  Speaker 6: watch him yet. So Salem's a lot demon warp body
• 1:33:59
  Speaker 6: of evidence, but also finally got in a bay of blood,
• 1:34:04
  Speaker 6: Mario Baba's classic Hell Yeah, and last but not least,
• 1:34:09
  Speaker 6: I got this on sale. Funny. We were talking about
• 1:34:13
  Speaker 6: this four K of the addiction from Abel Ferira, so
• 1:34:18
  Speaker 6: pretty pumped to dive into all these.
• 1:34:22
  Speaker 2: Yeah, I haven't been getting much at all, man, I
• 1:34:24
  Speaker 2: got the uh, what's the last thing that I got in?
• 1:34:28
  Speaker 2: I think the large Ventrere curison set.
• 1:34:32
  Speaker 6: You got your work cut up for you with that.
• 1:34:34
  Speaker 2: Yeah, No, Between that and the Hannikey box set, I
• 1:34:38
  Speaker 2: feel like I'm gonna be depressed for a long time.
• 1:34:40
  Speaker 6: You will be Oh no, that's not good.
• 1:34:43
  Speaker 2: It's actually funny. I was looking at like some of
• 1:34:45
  Speaker 2: the because I have I have a bunch of uh
• 1:34:48
  Speaker 2: not a bunch. I have like a probably a half
• 1:34:52
  Speaker 2: of Vontreer's films on various formats, like I'm Breaking the
• 1:34:57
  Speaker 2: Waves in Antichrist from Criterion. I'm gonna hold onto those
• 1:35:00
  Speaker 2: for the bonus features, and those are great, So I'm
• 1:35:04
  Speaker 2: excited to get into that set and kind of look
• 1:35:06
  Speaker 2: at some of the other movies that he's put out
• 1:35:08
  Speaker 2: that weren't kind of the biggest stuff, you know. No, boys,
• 1:35:12
  Speaker 2: thank you for another excellent time here on After Hours,
• 1:35:17
  Speaker 2: a lot of fun talk about what we've been watching.
• 1:35:20
  Speaker 2: I do want to plug really quick. If you guys
• 1:35:22
  Speaker 2: are listening to this. Jordan and I have a brand
• 1:35:28
  Speaker 2: new podcast. I've decided that I wasn't spread thin enough
• 1:35:31
  Speaker 2: already needed to do something else. No, I'm just kidding.
• 1:35:37
  Speaker 2: I have been kind of itching for a while to
• 1:35:41
  Speaker 2: do something in the podcast format where I can just
• 1:35:43
  Speaker 2: kind of do this, you know, kind of what we
• 1:35:46
  Speaker 2: do on here on after Hours, but whittle it down
• 1:35:49
  Speaker 2: to more of a weekly thing where I just kind
• 1:35:52
  Speaker 2: of talk about what I've been watching for the week.
• 1:35:54
  Speaker 2: And I want to make like this very cozy show
• 1:35:56
  Speaker 2: that just kind of celebrates physical media in a different way.
• 1:36:00
  Speaker 2: So I reached out to Jordan about doing something and
• 1:36:04
  Speaker 2: we announced it a few days ago, a brand new
• 1:36:06
  Speaker 2: podcast called The Fireside Collection So Cool, which is Jordan
• 1:36:11
  Speaker 2: and I a weekly show where we just kind of
• 1:36:13
  Speaker 2: sit back and talk about what we watched for a week.
• 1:36:16
  Speaker 2: You know, all this stuff on physical media or in
• 1:36:18
  Speaker 2: movies or in streaming, whichever way we've been watching movies.
• 1:36:22
  Speaker 2: And as of yesterday, we have also officially joined Someone's
• 1:36:26
  Speaker 2: Favorite Productions podcast network. So wherever you can find Beyond
• 1:36:31
  Speaker 2: the Blood, you'll also be able to find Fireside Collection. Jordan,
• 1:36:35
  Speaker 2: thanks for doing that with me.
• 1:36:36
  Speaker 7: Man, Yeah, dude, thank you, Thank you for reaching out
• 1:36:39
  Speaker 7: to me. I know we were. This has kind of
• 1:36:41
  Speaker 7: been in the works and various iterations for a while,
• 1:36:45
  Speaker 7: and I'm just happy to finally pull the trigger on it,
• 1:36:49
  Speaker 7: unveil it to the world and you know, be able
• 1:36:52
  Speaker 7: to talk just have a good time, a couple of
• 1:36:55
  Speaker 7: couple of dudes just talking about movies they enjoy, you know. Yeah,
• 1:37:00
  Speaker 7: no crazy, crazy, nothing to it. Just have a good time.
• 1:37:03
  Speaker 2: No, yeah, it's just gonna be the sound of the
• 1:37:05
  Speaker 2: sound of a campfire and you know, just hanging out
• 1:37:09
  Speaker 2: talking movies. That was a whole goal. Was a great
• 1:37:11
  Speaker 2: kind of a cozy, kind of reflection of what we
• 1:37:13
  Speaker 2: watch for a week, and it's something that I like
• 1:37:15
  Speaker 2: to do kind of on my own time anyway. I
• 1:37:17
  Speaker 2: really like to kind of sit back every once in
• 1:37:19
  Speaker 2: a while and just kind of take the movies in
• 1:37:21
  Speaker 2: this kind of gives us a chance to do that
• 1:37:23
  Speaker 2: and kind of discuss them at the same time. So
• 1:37:27
  Speaker 2: I'm very excited to get that rolling. Of course, we'll
• 1:37:28
  Speaker 2: always have guests, Steve, You'll be coming on obviously. After
• 1:37:31
  Speaker 2: hours is going to continue, Beyond the Blood is going
• 1:37:33
  Speaker 2: to continue, all that stuff.
• 1:37:34
  Speaker 6: This is just kind of a I'll be your guys
• 1:37:36
  Speaker 6: biggest fan.
• 1:37:37
  Speaker 7: Oh yes, yes, So.
• 1:37:40
  Speaker 2: Make sure by the time you listen to this, so
• 1:37:42
  Speaker 2: I'm sure we'll have a couple episodes out of that.
• 1:37:45
  Speaker 2: So go back and give that a listen. Let us
• 1:37:46
  Speaker 2: know what you think. Outside of that, gentlemen, Always a
• 1:37:51
  Speaker 2: good time, Jordan. Let people know where they can find you.
• 1:37:54
  Speaker 7: Man, Yeah, you can find me mainly the movie din
• 1:37:58
  Speaker 7: Over on YouTube, tube, Instagram, where I I just talk
• 1:38:03
  Speaker 7: about movies and film in through the lens of physical media,
• 1:38:10
  Speaker 7: mainly talk about horror. I just did tomorrow while tomorrow
• 1:38:13
  Speaker 7: a video is gonna be doing is my courage of
• 1:38:16
  Speaker 7: body of evidence from from Vinegar Syndrome. So be on
• 1:38:20
  Speaker 7: the lookout for that and other than that, I mean,
• 1:38:25
  Speaker 7: not a whole lot else. Just come hang out, we
• 1:38:27
  Speaker 7: have a good time.
• 1:38:28
  Speaker 6: I uh.
• 1:38:30
  Speaker 7: Yeah, I think that's about That's really about it.
• 1:38:32
  Speaker 2: And awesome, awesome Steve as always man Lether people know
• 1:38:36
  Speaker 2: where they can spot you.
• 1:38:37
  Speaker 6: You guys can find me after ours video all of
• 1:38:40
  Speaker 6: our social media. I have to say a co host
• 1:38:43
  Speaker 6: of Beyond the Blood, I am very excited to uh
• 1:38:47
  Speaker 6: to be released in some of these upcoming episodes that
• 1:38:49
  Speaker 6: we got we got finished and right upload.
• 1:38:53
  Speaker 2: Yeah. Where as we're recording this, we're sitting on two
• 1:38:55
  Speaker 2: episodes that have you that are gonna come out before
• 1:38:58
  Speaker 2: this that are very exciting. And then our April movie
• 1:39:02
  Speaker 2: is probably the most exciting of the year yet that
• 1:39:05
  Speaker 2: we're gonna be covering. So I guess April movie. I
• 1:39:10
  Speaker 2: don't know.
• 1:39:10
  Speaker 6: I lost track, Yes, I had to think about it
• 1:39:12
  Speaker 6: first second, hence the long pause. I'm like, are we
• 1:39:16
  Speaker 6: in April? Almost By the.
• 1:39:18
  Speaker 2: Time you listen to us, please go back and check
• 1:39:20
  Speaker 2: out our staff picks episode of In a Violent Nature
• 1:39:23
  Speaker 2: with our friend Christian from Planet H and also go
• 1:39:28
  Speaker 2: back and listen to our main episode from March where
• 1:39:30
  Speaker 2: we broke down. The audio commentary by Guido Henkel on
• 1:39:33
  Speaker 2: the Case of the Bloody Iris released by Celluloid Dreams,
• 1:39:37
  Speaker 2: one of my personal favorite shallow films and same a
• 1:39:40
  Speaker 2: very cool, in depth discussion from a great commentary track.
• 1:39:44
  Speaker 2: So we hope you enjoy that. Pick up that four
• 1:39:46
  Speaker 2: K absolutely wonderful and as always, you can find me
• 1:39:50
  Speaker 2: a bearded film guy on Instagram and uh yeah, I
• 1:39:54
  Speaker 2: think that about sums it up. We will see you
• 1:39:56
  Speaker 2: guys on the next one.
• 1:40:05
  Speaker 4: Thank you for listening. To hear more shows from the
• 1:40:08
  Speaker 4: Someone's Favorite Productions podcast network. Please select the link in
• 1:40:12
  Speaker 4: the description.