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Actors Who Are Difficult to Work With Panel · Artists on Artists on Artists on Artists

• 0:00
  Speaker 1: Welcome back to artists on artists on Artists on artists. Boy,
• 0:03
  Speaker 1: do we have a panel for you today?
• 0:04
  Speaker 2: The Streams Screenwriting Experts panels. New voices in Hollywood.
• 0:08
  Speaker 3: Costumes are character.
• 0:10
  Speaker 2: Buck Mary Kill wide shot, two shot close up on
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  Speaker 2: artists on artists on artists.
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  Speaker 1: Do you know why they call it show business? I
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  Speaker 1: always wondered that. Welcome back to artists on artists on
• 0:27
  Speaker 1: artists on artists. This week we focus on the divas
• 0:32
  Speaker 1: who make Hollywood what it is.
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  Speaker 2: That's right.
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  Speaker 1: We've gathered four of the most difficult actors to work
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  Speaker 1: with in Hollywood.
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  Speaker 4: When you are labeled a difficult actor, it is more
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  Speaker 4: challenging to find work. So these four came together and
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  Speaker 4: embraced the term difficult to discuss what it means to
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  Speaker 4: be difficult.
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  Speaker 3: Now listen in bitch.
• 0:59
  Speaker 1: I really have to true. Okay, I'll do it. My
• 1:02
  Speaker 1: name is John Wickfood. I've been playing cowboys and playing
• 1:06
  Speaker 1: people like that for the past forty years, and I
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  Speaker 1: guess I'm guess some fucking difficult.
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  Speaker 2: Hey, guys, what's up?
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  Speaker 5: My name is Sky the Ground and nice.
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  Speaker 2: Thanks, Thanks, guys.
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  Speaker 5: Thanks, It's an honor being here with such prolific working actors,
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  Speaker 5: and I'm really excited to get into the work, the
• 1:31
  Speaker 5: process and all the things like that. And yeah, in
• 1:35
  Speaker 5: the past I've been labeled as difficult, for sure, but
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  Speaker 5: it happens to the best of us, and you know,
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  Speaker 5: I don't really see it.
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  Speaker 4: My name is Cody Grouplos, and uh, I am honestly surprised.
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  Speaker 4: Everyone that I've worked with has told me they like
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  Speaker 4: working with me.
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  Speaker 2: I'm an actor.
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  Speaker 3: Well, you could be a good actor and people could
• 1:56
  Speaker 3: like acting with you, but you could be a pain
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  Speaker 3: in the act.
• 2:00
  Speaker 2: I don't know. I don't know.
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  Speaker 4: Maybe I mean I write and direct and a lot
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  Speaker 4: of my own stuff that I act in as well.
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  Speaker 4: I guess I'm you know, in particular, I have a
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  Speaker 4: specific way I like to do things, but I always
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  Speaker 4: like to make sure that you know.
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  Speaker 2: I have donut.
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  Speaker 4: Trucks coming at lunch at the last day of wrap,
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  Speaker 4: and I have a lot of gifts and a lot
• 2:19
  Speaker 4: of inside jokes, and I know every crew member's name.
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  Speaker 4: So it's really funny that I'm here because I don't
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  Speaker 4: think they would describe me as difficult.
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  Speaker 2: I really don't. I really don't think they would.
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  Speaker 5: Wow, that's crazy, man, that's absolutely insane.
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  Speaker 2: Good for you, and last but not least, the legend herself.
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  Speaker 3: Thank you. I'm the own marker and I'm ripe age
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  Speaker 3: of sixty five. Oh, we're not saying our ages? Fuck
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  Speaker 3: damn shit, delete that now, No, sir, I won't keep
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  Speaker 3: doing this unless I see you delated.
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  Speaker 4: I don't think they can do that.
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  Speaker 3: Well, I need you to see. I need to see
• 2:53
  Speaker 3: you delete my age.
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  Speaker 2: Just pretend, man, just pretend.
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  Speaker 1: The lady said, goddamn deleted age. Why don't you delete
• 3:00
  Speaker 1: it from your little computer? Or swear to God?
• 3:03
  Speaker 3: Thank you?
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  Speaker 5: Well, Uh, this is great to meet all you guys.
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  Speaker 5: I'm really excited to get into the process. I love
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  Speaker 5: each and every one of you as an actor, and
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  Speaker 5: I've been watching you guys for years, especially you two.
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  Speaker 2: And for me, I don't understand.
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  Speaker 5: For me, a big problem is my method is difficult,
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  Speaker 5: you know, because i'm method actor.
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  Speaker 2: I get in the weeds with it.
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  Speaker 3: Oh, so you're not difficult to work with, but difficult
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  Speaker 3: in process, like you'll have many steps.
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  Speaker 5: Well, people say my method is difficult, and then when
• 3:29
  Speaker 5: I'm out of method, I'm also difficult, you know.
• 3:32
  Speaker 1: So you're one of those freeing pansies or things. He
• 3:35
  Speaker 1: can run around pretending that he's the Batman when he's
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  Speaker 1: not the Batman. Whenever you're playing the Batman.
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  Speaker 5: Well, I've been cast in The Batman, actually a reboot
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  Speaker 5: of the Batman, So yeah, I can pretend I'm actually
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  Speaker 5: the Batman.
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  Speaker 2: So what do you say? Well, I think my method.
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  Speaker 1: I think that's fucking silly. I think you go home
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  Speaker 1: and you are who you are, and then when you're upset,
• 3:57
  Speaker 1: you are who you are when you're playing the part.
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  Speaker 1: I don't stand while you have to be the Batman
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  Speaker 1: while you're taking a ship, Well, I have.
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  Speaker 5: To be the Batman, because how would the Batman take
• 4:06
  Speaker 5: a ship? You know, he wouldn't just take a regular ship.
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  Speaker 5: He might do it on somebody's car. To prove a
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  Speaker 5: point about you yawning at my method, like I'm talking
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  Speaker 5: about my acting message.
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  Speaker 3: I'm sorry, I'm tired.
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  Speaker 4: Guys. I think they would want us to go after
• 4:22
  Speaker 4: each other. So I'm gonna try to encourage, you know,
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  Speaker 4: I like to have a safe set on set. I
• 4:27
  Speaker 4: like to make sure everyone is comfortable. I want to
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  Speaker 4: encourage that we keep an open mind because I think
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  Speaker 4: it's important that we all listen to each other, and
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  Speaker 4: we don't dismiss each other.
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  Speaker 3: And we know I didn't.
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  Speaker 1: I just y, No, I don't think so.
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  Speaker 3: Nobody dismissed anybody. I said I was tired.
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  Speaker 2: They didn't dismiss me, dude, Actually didn't. You know what
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  Speaker 2: I mean to come? Discourse is common. I was trying
• 4:45
  Speaker 2: to help. I was just trying to help.
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  Speaker 3: Protect him from what huh to old people? To old people, well,
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  Speaker 3: all generations differthing yours.
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  Speaker 1: It is way different the way that the way that
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  Speaker 1: you fucking pansis run a set these days.
• 5:00
  Speaker 3: What's your name again?
• 5:02
  Speaker 1: My name is John Wickford.
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  Speaker 3: That's a good name for it, John, and your name is.
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  Speaker 1: Nice to meet your you know.
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  Speaker 3: Shop based ass. See.
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  Speaker 5: Sorry, you guys are film legends and you've never met
• 5:15
  Speaker 5: never heard of her.
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  Speaker 1: I don't read the papers. I'll watch movies.
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  Speaker 2: John, I don't.
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  Speaker 4: I don't mean to call you on your bluff, but
• 5:21
  Speaker 4: there is literally footage of you accepting your oscar from
• 5:24
  Speaker 4: her in nineteen seventy three.
• 5:26
  Speaker 1: I don't go to award shows. I'll do those things.
• 5:29
  Speaker 3: Probably there were probably both blocked out, you know, I
• 5:33
  Speaker 3: have been as back in the day they are as
• 5:37
  Speaker 3: out of the picture.
• 5:38
  Speaker 1: That was when men could fucking drink. That was back
• 5:44
  Speaker 1: when men could take a fucking drink.
• 5:47
  Speaker 3: And that was when women could fucking shake their asses.
• 5:50
  Speaker 3: Not anymore.
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  Speaker 1: No, Now women are putting their ashes in blue jeans
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  Speaker 1: and they're going to work and they're demanding to be directors.
• 5:58
  Speaker 1: For some reason, direct thing is hard. You don't want
• 6:01
  Speaker 1: to do it. It doesn't make any sense.
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  Speaker 3: Go war, bitch, it's not more.
• 6:07
  Speaker 2: Has changed? Has it changed since?
• 6:10
  Speaker 6: Oh?
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  Speaker 1: How it hasn't it changed? Set is full of full
• 6:15
  Speaker 1: of keen wah. It's full of full of people talking
• 6:20
  Speaker 1: about yoga, talking about people are talking about people have
• 6:25
  Speaker 1: their phones out. I don't even have one. I don't
• 6:28
  Speaker 1: even have one.
• 6:30
  Speaker 3: Someone asked me for a charger the other day. I said,
• 6:32
  Speaker 3: what the fuck do you mean a charge?
• 6:34
  Speaker 1: What are they doing asking you for a charger?
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  Speaker 4: So we're talking about being difficult on set today. I
• 6:40
  Speaker 4: wanted to ask you guys, if you remember the first
• 6:43
  Speaker 4: time you were deemed difficult or you heard that people
• 6:46
  Speaker 4: thought you were difficult, and and and why it was
• 6:49
  Speaker 4: on that specific project.
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  Speaker 1: Well, I remember I wasn't always deemed as difficult. There
• 6:55
  Speaker 1: was the first some thirty thirty five years in my career,
• 7:00
  Speaker 1: when I was not considered difficult. I was considered just
• 7:04
  Speaker 1: another wonderful actor. But there's something around some around year
• 7:10
  Speaker 1: two thousand, two thousand and five, some some started to
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  Speaker 1: changing because I, you know, you know, I came up,
• 7:20
  Speaker 1: I found a woman on set, and I, you know,
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  Speaker 1: I started took a took a liking to her. I
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  Speaker 1: started talking to her. I was just being real friendly.
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  Speaker 1: And then next thing you know, I'm getting talking to
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  Speaker 1: so I felt disrespected, so trailer.
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  Speaker 2: I remember the story, didn't you take upskirt photos of
• 7:39
  Speaker 2: that girl?
• 7:40
  Speaker 1: Yeah? Took a liking to her, and also that you
• 7:44
  Speaker 1: want to a liking to the woman and exactly. And
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  Speaker 1: people from our generation we dated a little differently, and
• 7:53
  Speaker 1: now people do it in all kinds of crazy ways,
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  Speaker 1: and I've all the tinder.
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  Speaker 3: Is that what makes you axual harassment?
• 8:01
  Speaker 1: What makes me difficult is that I don't take no ship.
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  Speaker 1: Is there when people tell me that what I'm doing
• 8:09
  Speaker 1: is wrong? I don't take none of that ship? Okay?
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  Speaker 1: And so apparently that makes me difficult to work with.
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  Speaker 3: I don't know, I'm smoking here.
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  Speaker 5: Yeah, no, I'm cool with it. Do you mind if
• 8:22
  Speaker 5: I light up to Look.
• 8:24
  Speaker 4: I'm not gonna stop think smoking. You can smoke. I mean, look,
• 8:26
  Speaker 4: I'm right here with you, guys. I have a little vape.
• 8:28
  Speaker 4: I have a little.
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  Speaker 2: It's like, why don't you taste a cut and candy?
• 8:37
  Speaker 2: I have a question for you.
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  Speaker 1: Why don't you smoke like a fucking man? Hey, why
• 8:42
  Speaker 1: don't you smoke a real cigarette? Your fucking pants?
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  Speaker 3: It makes you difficult? You try.
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  Speaker 4: I don't quite know. I mean, i'm here. I can't
• 8:50
  Speaker 4: think of the first time that I was Dean's difficult.
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  Speaker 4: It's probably on the set of the first movie that
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  Speaker 4: I wrote, directed and acted in. It was called Uh,
• 9:01
  Speaker 4: My House is Not Your House, And it was really fun.
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  Speaker 2: I love that film, by the way, thanks so much,
• 9:10
  Speaker 2: Thanks so much.
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  Speaker 4: Yeah, it's about you know, it's about a guy kind
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  Speaker 4: of a slacker in his thirties who has his cleaning
• 9:17
  Speaker 4: lady move in with him and kind of all hell
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  Speaker 4: breaks loose, mumble core kind of stuff. We really We
• 9:22
  Speaker 4: shot it actually over seven days, and we shot it
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  Speaker 4: in my apartment.
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  Speaker 2: Well you're doing it, kind of doing it? Yeah.
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  Speaker 1: Yeah, I don't need to project. I have That's why
• 9:34
  Speaker 1: I have a fucking microphone.
• 9:36
  Speaker 2: Yeah, it's just like you talk normal, like if.
• 9:39
  Speaker 1: I was shooting this and that's a whole movie.
• 9:42
  Speaker 4: Yeah, So we were shooting that back and forth, and
• 9:44
  Speaker 4: I guess I just had a very specific taste.
• 9:46
  Speaker 7: You know.
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  Speaker 4: The lead actress who I was working with, who is
• 9:51
  Speaker 4: her name, was Elaine Galante, and she fantastic. She was incredible,
• 9:57
  Speaker 4: She was so talented, but she wasn't doing I needed
• 10:00
  Speaker 4: her to do, and I kind of had to make
• 10:03
  Speaker 4: things happen, you know, and like, as a director, we
• 10:05
  Speaker 4: only had seven days, and I had to push her
• 10:08
  Speaker 4: certain ways and I had to ask her to do
• 10:11
  Speaker 4: certain things.
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  Speaker 1: So what did you do? Grab her by the scruff?
• 10:14
  Speaker 1: Scream utter, what did you do?
• 10:17
  Speaker 3: Surely she didn't have any scruff.
• 10:19
  Speaker 4: I just kind of belittled her slowly and surely she
• 10:21
  Speaker 4: didn't have any scruff.
• 10:23
  Speaker 2: I just kind of belittled her over and over and
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  Speaker 2: over again.
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  Speaker 4: I kind of reduced her to nothing in the matter
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  Speaker 4: of three hours, and then she was everything I needed
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  Speaker 4: to do.
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  Speaker 2: But the thing is that that that's the director's method.
• 10:32
  Speaker 1: You know.
• 10:32
  Speaker 4: I'm sure you guys have worked with people who have
• 10:34
  Speaker 4: wanted a certain thing, and this is how they get it.
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  Speaker 4: I don't think that that's difficult. I think that that's
• 10:39
  Speaker 4: collaboration and that's that's a vision and carrying it through.
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  Speaker 4: So that's frustrating to hear.
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  Speaker 3: The way you said that upset me.
• 10:47
  Speaker 4: It did.
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  Speaker 3: Yes, I can't imagine why would be to be that woman.
• 10:50
  Speaker 3: And I hope and I hope you really think about
• 10:52
  Speaker 3: your power and that situation and you go back and
• 10:55
  Speaker 3: you realize why you were difficult.
• 10:58
  Speaker 4: That's really crazy for you to tell me that, because
• 11:00
  Speaker 4: you just are people literally written.
• 11:03
  Speaker 3: I'll tell you why they call it mumblecore. Did I
• 11:07
  Speaker 3: interrupt you?
• 11:08
  Speaker 2: Yeah? You did.
• 11:09
  Speaker 3: So what are you gonna do? Be little mate?
• 11:12
  Speaker 4: No, because I'm not gonna cast you in something and
• 11:14
  Speaker 4: I probably never would. To be honest, you usually missed
• 11:17
  Speaker 4: the mark in your movies.
• 11:18
  Speaker 3: I work with Woody Allen and Woollen only yeah, I know.
• 11:21
  Speaker 2: And stick with it.
• 11:23
  Speaker 1: To be fair, things are heating up.
• 11:25
  Speaker 4: You haven't been in a Woody Allen movie since that
• 11:27
  Speaker 4: one he tried to release on Amazon two years ago.
• 11:30
  Speaker 3: With a Chursten Stewart.
• 11:32
  Speaker 4: Yeah, Selena Gomez and now you are. Now that's the
• 11:36
  Speaker 4: only person you work with. He's not making movie my choice. Yeah,
• 11:39
  Speaker 4: I know, Well he can have you okay, because I
• 11:42
  Speaker 4: I just don't think that we would gel.
• 11:43
  Speaker 3: I don't think so either. I don't know why you're
• 11:45
  Speaker 3: even talking about us geling.
• 11:46
  Speaker 5: Okay, So I ended up sending a bunch of rats
• 11:50
  Speaker 5: to my co host.
• 11:52
  Speaker 2: Co co host were on the figures.
• 11:56
  Speaker 1: That's what the Batman would do?
• 11:57
  Speaker 5: You fucking actually before or the Batman, it was a
• 12:01
  Speaker 5: news anchor.
• 12:01
  Speaker 1: Oh you just did that.
• 12:03
  Speaker 5: You were doing the show called Newsnightly, and it was
• 12:06
  Speaker 5: like this kind of like like you know, fucked up
• 12:08
  Speaker 5: night news and it was supposed to be kind of funny,
• 12:10
  Speaker 5: but I didn't.
• 12:11
  Speaker 2: Feel like it was a comedy. I felt like it
• 12:13
  Speaker 2: was a straight drama.
• 12:14
  Speaker 5: So this guy is kind of like weird with rats.
• 12:16
  Speaker 5: He has a bunch of rats at home, and so
• 12:18
  Speaker 5: I just got a bunch of rats and I broke
• 12:20
  Speaker 5: their necks and I would just put them in a
• 12:21
  Speaker 5: box and send them to.
• 12:23
  Speaker 3: All the other You broke the rats next?
• 12:25
  Speaker 2: Yes, I broke the rats?
• 12:26
  Speaker 4: Next the microphone?
• 12:29
  Speaker 6: How tell us why?
• 12:39
  Speaker 3: I mean, I've read Do you want to answer for me?
• 12:41
  Speaker 3: Young Spry?
• 12:43
  Speaker 2: You're painting me in a light.
• 12:44
  Speaker 4: That's not right.
• 12:45
  Speaker 3: I'm just talking to you. I'm not I'm not what
• 12:46
  Speaker 3: do you mean painting you in a lit I don't
• 12:48
  Speaker 3: know one thing about you? Okay, this is what I do.
• 12:51
  Speaker 3: That is why I think I'm here today. I find
• 12:54
  Speaker 3: someone and I swat him like a fly.
• 12:58
  Speaker 2: Dang, you chose your target.
• 12:59
  Speaker 3: And I try to stop.
• 13:01
  Speaker 4: I try, well, good luck because because that's not gonna
• 13:03
  Speaker 4: happen to me.
• 13:04
  Speaker 3: See, you're you're getting me excited. See I this is
• 13:07
  Speaker 3: I don't know. I don't know what kind of households
• 13:09
  Speaker 3: y'all get growing up in. I don't know what kind
• 13:11
  Speaker 3: of households y'all grow up in. Because this, this discourse
• 13:15
  Speaker 3: gets me on, and it turns me on. And I
• 13:19
  Speaker 3: bought back, and when you buy back at me, I'm
• 13:21
  Speaker 3: about back too.
• 13:22
  Speaker 4: I'm not biting. I'm not biting.
• 13:24
  Speaker 3: What you just said about there was inherently about what
• 13:26
  Speaker 3: do you mean I'm not biden when you did that.
• 13:31
  Speaker 2: Now you're being insulting to my behavior.
• 13:34
  Speaker 3: You talk down and you did that, that's a bout.
• 13:36
  Speaker 2: I'm not biting. I'm not biting.
• 13:37
  Speaker 3: I mean, I'm.
• 13:38
  Speaker 4: Literally I'm not. I don't know why i'm here, So
• 13:40
  Speaker 4: like you're kind of pulling me into this and you're
• 13:42
  Speaker 4: implicating me, and you're trying to put what you are
• 13:44
  Speaker 4: on to me like we're just trying to talk like it.
• 13:46
  Speaker 3: Just so bored by this young sprude?
• 13:50
  Speaker 2: What is? Why were you deemed difficult or just as little?
• 13:54
  Speaker 3: I don't like the youth. That's why I work with
• 13:57
  Speaker 3: Woody Allen. I don't. I don't work well, I don't,
• 14:00
  Speaker 3: I don't. I'm all over the place. What are you
• 14:02
  Speaker 3: gonna get?
• 14:03
  Speaker 1: John Well? I'm just wondering because I'm trying to place you,
• 14:07
  Speaker 1: because I think I do remember now we may have
• 14:10
  Speaker 1: been on a set together, maybe twelve, twelve, twenty, twenty
• 14:14
  Speaker 1: years ago.
• 14:14
  Speaker 3: I think it was, uh, I think it may have been.
• 14:18
  Speaker 1: I think it may have been a sitcom, real fucking
• 14:20
  Speaker 1: piece of shit, assd sitcom. I remember being worse than dirt.
• 14:26
  Speaker 1: I remember the script being real rotten stuff.
• 14:29
  Speaker 2: You didn't tell you, Oh, I told everybody that.
• 14:34
  Speaker 1: I went up to the writer's room and I said, knock, knock, knock.
• 14:37
  Speaker 1: When are your clowns gonna give me a good joke?
• 14:40
  Speaker 1: When are your clown's gonna write me a script that's
• 14:43
  Speaker 1: worth spitting on?
• 14:46
  Speaker 3: I do remember, remember you? When you like the script?
• 14:49
  Speaker 3: You spin all over it.
• 14:51
  Speaker 1: Yeah, well, I was always looking for someone to spin
• 14:53
  Speaker 1: on because I shoot tobacco and show it's a little byproduct.
• 14:56
  Speaker 1: But I do remember you wouldn't take shit from anybody.
• 15:00
  Speaker 1: I remember you locking yourself in every damn room in
• 15:04
  Speaker 1: that studio, every trailer, didn't matter if it was yours
• 15:08
  Speaker 1: or somebody else's. You were locking yourself in there, slepting
• 15:12
  Speaker 1: people left and run. And I really admire that.
• 15:15
  Speaker 3: I believe in kindness, I do, but I fix it
• 15:20
  Speaker 3: on one person like you, and I'm not. And I
• 15:28
  Speaker 3: think that's what my mother did, am I father?
• 15:31
  Speaker 4: Well, it's not gonna work on me because I've ever
• 15:34
  Speaker 4: worked with a difficult people than you. Okay, because difficult.
• 15:41
  Speaker 4: I'm not trying to throw people into the meat pit
• 15:43
  Speaker 4: like we are, Like I don't want other people to
• 15:45
  Speaker 4: have to come to this kind of stuff because this
• 15:47
  Speaker 4: is so embarrassing, Like I'm missing my surfing lesson for this.
• 15:49
  Speaker 4: So it's like frustrating.
• 15:50
  Speaker 2: You teach or you take I teach.
• 15:54
  Speaker 4: I I look, I don't want to name any names,
• 15:58
  Speaker 4: but teach.
• 16:00
  Speaker 2: No, those who can do really well teach to spread
• 16:02
  Speaker 2: their gifts.
• 16:05
  Speaker 1: Why are you wasting your time dancing on the waves
• 16:08
  Speaker 1: like some sort of ballerina.
• 16:11
  Speaker 4: I would love to see you surfing. It's really difficult.
• 16:14
  Speaker 2: You want. I'll give all of you a free lesson.
• 16:17
  Speaker 2: I already surf probably better than you.
• 16:19
  Speaker 4: Okay.
• 16:20
  Speaker 5: I was a surfer catching a surfer for this movie
• 16:23
  Speaker 5: called Zero point ten. It was this great flick and
• 16:27
  Speaker 5: it was supposed to be a comedy, but I just
• 16:29
  Speaker 5: didn't see it. I just thought it was a drama,
• 16:32
  Speaker 5: paramount plus paramount plus film.
• 16:34
  Speaker 2: Yeah. Ellie Kemper really difficult to work with, really just.
• 16:39
  Speaker 1: Just only the nicest thing, only wonderful.
• 16:43
  Speaker 4: Ellie Kemper was so awful to me. If Iola Davis
• 16:46
  Speaker 4: really really hard, wonderful, really hard to work with. Does
• 16:50
  Speaker 4: not know how to take a note.
• 16:52
  Speaker 5: Truly you're giving Viola Davis notes, idn'twear to god.
• 16:58
  Speaker 3: If you only list women, I'll him over there and
• 17:01
  Speaker 3: wop you like a whopper.
• 17:03
  Speaker 2: Okay, what I'll list a man?
• 17:06
  Speaker 7: Well okay, whah well, Well, no, Leo is fine.
• 17:17
  Speaker 5: I I love Leo.
• 17:21
  Speaker 2: I love Leo. He's great.
• 17:23
  Speaker 8: H Sindaya, that's I believe a one.
• 17:35
  Speaker 2: Chez.
• 17:35
  Speaker 5: Can I ask the question just check post checking. Everybody's
• 17:40
  Speaker 5: beat up a p A right, everybody's going to just
• 17:42
  Speaker 5: toe to toe with.
• 17:43
  Speaker 2: The PA emotionally physically.
• 17:45
  Speaker 5: Both either either everybody's done that.
• 17:48
  Speaker 3: Go around and guess if it was emotional physical, I
• 17:51
  Speaker 3: think you physically.
• 17:54
  Speaker 2: Wrong emotional.
• 17:55
  Speaker 3: I think yours was emotional because your arms are the
• 17:58
  Speaker 3: size of a fork.
• 17:59
  Speaker 5: I could see a swing back in the day, though
• 18:00
  Speaker 5: you remind me of me.
• 18:03
  Speaker 1: Back in the day. I was swinging. Back in the day,
• 18:06
  Speaker 1: I was swinging left and right, and I don't know
• 18:08
  Speaker 1: who I was hidden. But in the current day, yeah,
• 18:12
  Speaker 1: it could be emotional. But I don't talk to the
• 18:14
  Speaker 1: pas and I don't look at them, and that alone
• 18:16
  Speaker 1: has made him cry because they asked me what kind
• 18:18
  Speaker 1: of yogurt I want? They bang on my trailer all
• 18:20
  Speaker 1: the word, all hours of the day. They say, mister, mister,
• 18:24
  Speaker 1: mister wigfood, what yogurt do you want? And I look
• 18:27
  Speaker 1: at them in a way that makes them want to
• 18:31
  Speaker 1: throw themselves off a bridge because they should know what
• 18:37
  Speaker 1: yogurt is it. It's peach.
• 18:40
  Speaker 2: That's what you want.
• 18:45
  Speaker 1: I want peach yogurt.
• 18:47
  Speaker 4: Now, to quote yourself, that sounds like a yogurt that
• 18:50
  Speaker 4: a girly girl.
• 18:56
  Speaker 1: You guys, go about sun, you step back in your
• 19:02
  Speaker 1: goddamn Lane pansy ass smoking a fucking computer in your phone.
• 19:09
  Speaker 3: It's a down computer.
• 19:10
  Speaker 2: You're smoking a phone.
• 19:12
  Speaker 1: You're smoking a damn computer, and you're here to lecture
• 19:15
  Speaker 1: me about what a man is. Risen, Go fuck yourself,
• 19:18
  Speaker 1: go Steve Jobs.
• 19:20
  Speaker 3: No one thinks to talented.
• 19:21
  Speaker 2: You're not gonna get to me, none of you are.
• 19:23
  Speaker 3: I'm not trying physical.
• 19:26
  Speaker 2: What do you think?
• 19:28
  Speaker 1: Yeah, absolutely, he's a fucking batman running around in a cape.
• 19:34
  Speaker 1: Of course, ye.
• 19:35
  Speaker 5: Beating up well, because when you batman literally beats up people.
• 19:40
  Speaker 2: You know.
• 19:40
  Speaker 5: That's so you have to practice, and sometimes you have
• 19:42
  Speaker 5: to put people in uncomfortable situations to get an uncomfortable result.
• 19:46
  Speaker 5: You know, movies are supposed to make the audience always
• 19:49
  Speaker 5: feel comfortable. They're making supposed to make you feel like
• 19:51
  Speaker 5: you have to change. Sure, so yeah, I fucking emotionally
• 19:55
  Speaker 5: teared this pa down and then beat the ship out
• 19:57
  Speaker 5: of him.
• 19:58
  Speaker 2: Apparently people were mad.
• 19:59
  Speaker 1: I didn't get man, it's a job. You gotta do
• 20:02
  Speaker 1: your fucking job. You don't just get to show up
• 20:05
  Speaker 1: Willy Nelly playing pretend you're an actor.
• 20:08
  Speaker 5: What do you think acting is? You're a It's real,
• 20:13
  Speaker 5: it's real life.
• 20:14
  Speaker 1: Be a goddamn man for once. Be fucking normal until
• 20:19
  Speaker 1: they roll action.
• 20:20
  Speaker 5: So you're completely normal that you just continue, I'm fucking normal.
• 20:24
  Speaker 1: And then I snapped into character, which is a slightly
• 20:28
  Speaker 1: varied version of what I'm doing. Now, what are you
• 20:31
  Speaker 1: physical or emotional? I'm emotional.
• 20:35
  Speaker 3: I would never touch a soul.
• 20:37
  Speaker 2: Well that's crazy.
• 20:37
  Speaker 5: I read that article though, But you just slapping the
• 20:41
  Speaker 5: ship out of three. PA's kind of in a line.
• 20:46
  Speaker 5: Back in twelve on the set of the Brats Live
• 20:51
  Speaker 5: action movie.
• 20:55
  Speaker 3: Wow, that was when Woody and I went to the
• 20:57
  Speaker 3: wrong set. What a and I?
• 21:01
  Speaker 1: Oh, yeah, we showed up to the wrong damn sets.
• 21:04
  Speaker 3: You know those yellow set Back in the day, they
• 21:08
  Speaker 3: didn't have the code word, so you knew which production
• 21:10
  Speaker 3: company you're going to so and there weren't that many,
• 21:13
  Speaker 3: so you just followed the yellow arrow set. We were
• 21:17
  Speaker 3: on Brats. One thing led to another two hours later.
• 21:20
  Speaker 3: I'm slapping these girls so they could tell me what
• 21:22
  Speaker 3: the fuck's going on.
• 21:25
  Speaker 1: Sometimes you gotta get answer to that people. But to
• 21:27
  Speaker 1: answer your question, my favorite role was in a western
• 21:31
  Speaker 1: called High Noon. I played a cowboy who'd seen too much.
• 21:37
  Speaker 1: That was my favorite part because I got to really
• 21:41
  Speaker 1: tap into a guy with a big hat, cowboy with
• 21:45
  Speaker 1: a big hat, hat bigger than any of those pussy
• 21:49
  Speaker 1: ass for Dora hats they have running around on Glee.
• 21:54
  Speaker 4: It show's been off the air for ten years.
• 21:56
  Speaker 2: You've seen it, you've heard of it, out of that
• 21:59
  Speaker 2: fall your radar.
• 22:00
  Speaker 1: I saw a commercial for Once around two thousand and eight,
• 22:04
  Speaker 1: and it made my blood boil. What everybody because? Because
• 22:12
  Speaker 1: why are those men singing and dancing like that? And
• 22:16
  Speaker 1: why are those women walking around like that, all like
• 22:20
  Speaker 1: they know they're something? Why you know when you could know?
• 22:26
  Speaker 1: You guys all know when a woman walks around and
• 22:28
  Speaker 1: she thinks she's something.
• 22:31
  Speaker 3: About that job?
• 22:32
  Speaker 4: I believe I you know, I first of all believe women.
• 22:35
  Speaker 4: I say, yes, oh women, I say, I say that
• 22:38
  Speaker 4: women are better than men. But by women, well, they
• 22:43
  Speaker 4: just don't seem to understand where I'm coming from. And
• 22:46
  Speaker 4: it frustrates me. That's all. Like, I love women. I
• 22:50
  Speaker 4: think women are amazing. If they treated you with the
• 22:52
  Speaker 4: same respect, I think we would really get along well together.
• 22:55
  Speaker 4: I just can't seem to kind of figure that out.
• 22:58
  Speaker 1: Let me ask yourself, are you gonna laid?
• 23:01
  Speaker 3: That's a good question.
• 23:03
  Speaker 4: I am a celibate actively that that's why you're difficult.
• 23:10
  Speaker 2: We found it.
• 23:10
  Speaker 1: You're all stopped up, man, you're all stopped up.
• 23:13
  Speaker 4: I read twenty five screenplays a year. I don't have
• 23:16
  Speaker 4: time to nut. I don't. It doesn't work for me.
• 23:18
  Speaker 4: It's not gonna hap.
• 23:19
  Speaker 3: The com is building up in your in your hall.
• 23:22
  Speaker 2: If you man, the come is building up in your turn.
• 23:27
  Speaker 4: I don't need you to tell me about my coum
• 23:28
  Speaker 4: that is turned into Do not comesplain to me?
• 23:31
  Speaker 2: Okay, I know about my com I know about and
• 23:34
  Speaker 2: come really.
• 23:34
  Speaker 3: Well, okay, that was a man, and I told you
• 23:36
  Speaker 3: about your cumb Would that till he comes mining?
• 23:37
  Speaker 2: Yes, it would, because my coum is my com Okay.
• 23:40
  Speaker 1: What does this country fucking come to? Is this a
• 23:43
  Speaker 1: fucking porn set? Answer me? That is this a porn set?
• 23:47
  Speaker 1: Said a podcast?
• 23:48
  Speaker 5: What?
• 23:49
  Speaker 1: Yeah, fucking piss what's.
• 23:54
  Speaker 4: Your favorite podcast?
• 23:56
  Speaker 5: So you don't like porn sets?
• 24:02
  Speaker 2: That's crazy. I did not take you for the Daily
• 24:06
  Speaker 2: because I was.
• 24:06
  Speaker 5: Gonna say, we're all we're all Republican here right. Well,
• 24:09
  Speaker 5: I'm not really republican.
• 24:11
  Speaker 2: I just am.
• 24:12
  Speaker 5: I'm so left that all of the left people annoy
• 24:15
  Speaker 5: me and I find myself actually aligning with a little bit.
• 24:18
  Speaker 1: Of Oh okay, okay, so horseshoe theory.
• 24:21
  Speaker 4: Yeah, just pick and cheese from both sides. There's so
• 24:24
  Speaker 4: much on both sides.
• 24:25
  Speaker 3: I wish I wish both sides would listen to each other.
• 24:28
  Speaker 4: Oh, I wish we could all get along. I mean
• 24:30
  Speaker 4: that's truly. I mean with something we agree on.
• 24:33
  Speaker 3: How well you have a come black backup? The come
• 24:36
  Speaker 3: in your body is turning.
• 24:38
  Speaker 1: Hey, you shut your damn mouth. Woman. I don't want
• 24:40
  Speaker 1: to hear women talking about comb.
• 24:45
  Speaker 5: This is gonna be bad against each other.
• 24:49
  Speaker 2: I don't know what's gonna happen.
• 24:51
  Speaker 3: John, Does it make your blood boring?
• 24:52
  Speaker 1: Then I'm talking about calm you makes my blood fucking boil.
• 24:56
  Speaker 1: I remember when used to be women and they'd go
• 25:02
  Speaker 1: home and they'd put on their dress and they'd have
• 25:04
  Speaker 1: a steak ready for their husband.
• 25:06
  Speaker 3: What makes you think I won't have a stake ready
• 25:07
  Speaker 3: for my husband and.
• 25:08
  Speaker 1: I Well, that's that's just what women used to be.
• 25:13
  Speaker 1: And now this country is all upside down. People are
• 25:16
  Speaker 1: running around their shopping malls.
• 25:18
  Speaker 2: And you listen to the Daily.
• 25:22
  Speaker 5: Every Day, that's a daily podcast, very left leading.
• 25:29
  Speaker 1: I listen to it every day just to get mad.
• 25:33
  Speaker 1: I listened to it. I hear what they have to say,
• 25:36
  Speaker 1: and then I'll get mad. Well.
• 25:38
  Speaker 5: I just I don't understand where we're at too, because
• 25:40
  Speaker 5: I'm like, how can people like live when Coca Cola
• 25:43
  Speaker 5: is poisoning our water? You know, like Coca Cola is
• 25:46
  Speaker 5: inserting sugar into our.
• 25:48
  Speaker 2: Water, so we get addicted to sugar.
• 25:50
  Speaker 5: And then they close Yeah, they close down the gyms
• 25:52
  Speaker 5: because Coca Cola wants them to close down the gyms.
• 25:54
  Speaker 5: And big government, Biden controlled by big Coke and big Nestley,
• 25:59
  Speaker 5: closes down the gyms and I can't go to the
• 26:01
  Speaker 5: gyms with my friends. Now, I can't drink air. It's
• 26:03
  Speaker 5: like fucking bogus. You know, it's fucking bullshit. I should
• 26:07
  Speaker 5: be able to go to a gym and work out.
• 26:10
  Speaker 1: Do you talk about do you talk about those on.
• 26:12
  Speaker 2: Set all the time? The grips love me, No one.
• 26:17
  Speaker 3: You're the type that doesn't like the COVID officers.
• 26:19
  Speaker 5: I I literally cannot stand a COVID officer if I'll
• 26:25
  Speaker 5: be wearing and I see, I don't care.
• 26:28
  Speaker 2: I was a kid one.
• 26:30
  Speaker 3: I like everybody except you, your little twattish but.
• 26:33
  Speaker 2: You said you hated kids specifically.
• 26:35
  Speaker 3: Oh, I hate the youth. That's what I said. I
• 26:39
  Speaker 3: hate the youth.
• 26:40
  Speaker 1: I'm so difficult.
• 26:42
  Speaker 4: You are so difficult.
• 26:47
  Speaker 1: You're just a mess of contradictions. I can wire.
• 26:50
  Speaker 5: But yeah, I hate the COVID people, this whole new
• 26:52
  Speaker 5: COVID thing. I will not stand those people.
• 26:54
  Speaker 2: I love.
• 26:55
  Speaker 4: You know what, if we can get the sets to
• 26:57
  Speaker 4: be more inclusive, I'll bring anybody on. I think it's
• 27:00
  Speaker 4: amazing to have a new voice in there. I let
• 27:02
  Speaker 4: COVID officers come in. Some of them can watch the
• 27:06
  Speaker 4: editing with me if i'm if I'm on set and
• 27:07
  Speaker 4: there's room for me to edit, and I get them
• 27:11
  Speaker 4: their own donut track.
• 27:12
  Speaker 2: On the last day. Just the COVID people, just the
• 27:15
  Speaker 2: COVID people feels creepy. That feels really cool.
• 27:17
  Speaker 4: No, I think it's great. I think there's a lot
• 27:19
  Speaker 4: for them to do, and I think it's really exciting.
• 27:21
  Speaker 4: I don't like when they give me notes. If they
• 27:23
  Speaker 4: say anything, that's where kind of I have a problem.
• 27:26
  Speaker 1: But what type of notes do they give me?
• 27:29
  Speaker 4: They say, do I have can I can? I? Can
• 27:32
  Speaker 4: I pitch something? Because I like to say that I
• 27:33
  Speaker 4: have a inclusive set and and I literally go, no.
• 27:37
  Speaker 2: Well that makes sense. COVID people should not be pitching stuff.
• 27:41
  Speaker 4: Thank you, thank you.
• 27:42
  Speaker 3: I think you're difficult.
• 27:45
  Speaker 5: Yeah that sounds if any COVID officers are coming up
• 27:48
  Speaker 5: to the director, it's like, could I pitch a couple
• 27:50
  Speaker 5: of things in a scene that's probably rehearsed.
• 27:52
  Speaker 2: You know, you were so bold. They're breaking COVID rule.
• 27:57
  Speaker 2: That was thank you, thank you. So not that I
• 27:59
  Speaker 2: care because COVID. I don't want to get in Hey man.
• 28:03
  Speaker 1: As they say on the daily, if we all just
• 28:05
  Speaker 1: wear our masks for about three more months, everything's gonna
• 28:08
  Speaker 1: sort it.
• 28:09
  Speaker 2: So you.
• 28:14
  Speaker 1: Listen. I agree with them, but then I get mad
• 28:17
  Speaker 1: about it.
• 28:18
  Speaker 4: Okay.
• 28:18
  Speaker 5: I'm just trying to fall, like, figure out where your virtue,
• 28:22
  Speaker 5: you know, your morals, Like what side do you on?
• 28:25
  Speaker 2: Just hit you with some things and you just wrap it.
• 28:27
  Speaker 1: Tell me, tell me, give me, give me a bunch
• 28:29
  Speaker 1: of things, and I'll tell you yes or no.
• 28:31
  Speaker 5: Okay, COVID the fighting of it, or that I'm wearing masks, yes,
• 28:37
  Speaker 5: vaccines yes, uh. Bathrooms no, gay marriage past okay, women
• 28:48
  Speaker 5: getting buried to other women.
• 28:50
  Speaker 2: Yes, guns uh uh.
• 28:54
  Speaker 4: Banning the Second Amendment.
• 28:56
  Speaker 3: No, women dressing lack tomboys. Yes, a woman not in
• 29:05
  Speaker 3: the dress past.
• 29:07
  Speaker 5: I know it, I know Okay, Here we go. Ukraine, Yes,
• 29:13
  Speaker 5: Saudi Arabia pass. I don't know enough about it.
• 29:18
  Speaker 3: When you say passes it because you don't want to answer,
• 29:21
  Speaker 3: or you don't know enough about.
• 29:21
  Speaker 1: It, passes me not knowing, knowing what, knowing enough about it?
• 29:26
  Speaker 2: France, how do you feel about No?
• 29:28
  Speaker 1: France is a no?
• 29:29
  Speaker 2: Germany yes, England no, Canada.
• 29:35
  Speaker 4: No taxes, raising taxes.
• 29:39
  Speaker 1: Do your god. I'm gonna punch you right in the most.
• 29:42
  Speaker 2: Come on, public school.
• 29:44
  Speaker 3: No, organic food no.
• 29:47
  Speaker 2: So vaccines yes, organic food No. All right. I feel
• 29:51
  Speaker 2: like we figured it out.
• 29:52
  Speaker 1: We figured out he don't try put me in a box.
• 29:57
  Speaker 2: You're right.
• 29:58
  Speaker 4: That was on us.
• 30:02
  Speaker 3: We thought there was an area that you would be
• 30:04
  Speaker 3: categorized bathrooms, pass on gay marriage.
• 30:11
  Speaker 2: There is a rumor about you that I have and
• 30:16
  Speaker 2: I want to ask you about one. Can I finish
• 30:18
  Speaker 2: the sentence?
• 30:19
  Speaker 4: No, it's fine.
• 30:20
  Speaker 2: I knew that was gonna come. Jesus see you. And
• 30:24
  Speaker 2: there's a rumor that you were on You were in
• 30:26
  Speaker 2: a movie.
• 30:26
  Speaker 4: In the seventies, a really incredible noir film. It was
• 30:30
  Speaker 4: called Historic Filipino Town. It is well known that on
• 30:36
  Speaker 4: the set of Historic Filipino Town, you made PA's wipe
• 30:42
  Speaker 4: your butt for you when you diarrhea.
• 30:45
  Speaker 2: Is that true?
• 30:48
  Speaker 3: No? Not multiple one?
• 30:51
  Speaker 2: Wow?
• 30:51
  Speaker 4: Who was that?
• 30:53
  Speaker 3: A boy by the name of Chester Hallmark.
• 30:56
  Speaker 4: Okay, the.
• 31:00
  Speaker 3: I'm not sure.
• 31:02
  Speaker 2: I thought you're really leading.
• 31:04
  Speaker 3: I'm asking if you've heard of it.
• 31:06
  Speaker 4: No, I don't know.
• 31:06
  Speaker 3: I said an apology note.
• 31:08
  Speaker 4: Oh you're sorry about that?
• 31:10
  Speaker 3: No, you fucking idiot. I don't even know what rumor
• 31:12
  Speaker 3: you're talking about. You're trying to pullsh it from me,
• 31:14
  Speaker 3: and I want to have it.
• 31:15
  Speaker 1: I like this. I like this. In the seventies, you
• 31:18
  Speaker 1: could ask people to do stuff, were you.
• 31:21
  Speaker 3: No, I think it's I think that there's smoke where
• 31:23
  Speaker 3: there's fire, and that room was probably kind of true,
• 31:26
  Speaker 3: but I don't like you bringing it up.
• 31:27
  Speaker 4: What did you say.
• 31:30
  Speaker 3: Where there's fire? Well, there's smoke where there's fire, and
• 31:33
  Speaker 3: maybe people are talking about the ways my butt gets
• 31:36
  Speaker 3: washed on set, and maybe I do have a specific process.
• 31:40
  Speaker 3: But you can't believe everything. Yeah, okay, I gonna ask
• 31:45
  Speaker 3: about am I heard about you?
• 31:46
  Speaker 4: Yeah, you don't know who I am, so go ahead.
• 31:48
  Speaker 3: Yeah, I had a room that you're really stupid.
• 31:50
  Speaker 2: Shut the fuck up.
• 31:52
  Speaker 5: That's funny.
• 31:58
  Speaker 1: Was really funny.
• 32:00
  Speaker 2: You guys are mocking me.
• 32:05
  Speaker 1: That I love. You're all right, you know, I like.
• 32:09
  Speaker 5: Go ahead, I love this. I love my theory. Unless, like,
• 32:12
  Speaker 5: when I'm pulling from.
• 32:14
  Speaker 1: His name was ask him what fucking character's methodize? Right now?
• 32:19
  Speaker 1: What are you right now? Superman?
• 32:21
  Speaker 5: No, I wouldn't be doing this podcast if I was
• 32:23
  Speaker 5: doing a character right now. I do have a movie
• 32:24
  Speaker 5: lined up, and I'm going to start preparing for it
• 32:26
  Speaker 5: in about two weeks. It's this beautiful indie film. It's
• 32:31
  Speaker 5: about a pilot that takes this one propeller plane and
• 32:34
  Speaker 5: it crashes with like ten people in the desert and
• 32:37
  Speaker 5: they have to figure out how to get back home.
• 32:40
  Speaker 5: But he is an addict, so throughout the whole journey
• 32:43
  Speaker 5: is his kind of going through that discovery. So in
• 32:47
  Speaker 5: two weeks, I start hardlining Heroin to get into the
• 32:50
  Speaker 5: role and we're going to take it from there. And
• 32:53
  Speaker 5: this guy is supposed to be very nice pilot, but
• 32:55
  Speaker 5: I want to kind of take it off. He is
• 32:57
  Speaker 5: mean to these people. He's brutal to these people. So
• 33:00
  Speaker 5: I'm thinking I invite these people over to I have
• 33:03
  Speaker 5: a plane.
• 33:03
  Speaker 2: I have a private plane.
• 33:04
  Speaker 5: Invite my other cast mates, or as I like to
• 33:06
  Speaker 5: call them, hosts, cohosts, just fucking.
• 33:10
  Speaker 2: Fake plane crash, right, just to get in their heads
• 33:13
  Speaker 2: a little bit.
• 33:13
  Speaker 1: Make sure they fake plane crash, just so convince another
• 33:19
  Speaker 1: human being next to you that they're about to end
• 33:21
  Speaker 1: their life. Yeah, and you think that's acting.
• 33:25
  Speaker 2: I mean, it's the closest thing to it.
• 33:26
  Speaker 3: So then you'll remember what that felt like and then
• 33:28
  Speaker 3: use that on set. Is that what I mean?
• 33:30
  Speaker 5: No, the idea is to make them so scared of
• 33:33
  Speaker 5: me that they don't know what to expect when they're
• 33:35
  Speaker 5: on set with me, because that's what the whole script
• 33:37
  Speaker 5: is about. It's your the person in charge doesn't always
• 33:40
  Speaker 5: have to be a good guy.
• 33:42
  Speaker 1: Now, this is a difficult man right here. This is
• 33:44
  Speaker 1: the most difficult man I've ever heard of me. Yeah,
• 33:47
  Speaker 1: there's a difficult man. That's a difficult man. You're terrorizing people.
• 33:52
  Speaker 1: I'd just show up and I do my job.
• 33:54
  Speaker 2: Yeah, where were you born?
• 33:56
  Speaker 1: I was born in Colorado?
• 34:01
  Speaker 5: Okay, any more questions? No, I was just wondering that
• 34:03
  Speaker 5: it seems just a very interesting accent.
• 34:05
  Speaker 1: And I was born in Colorado and then I came
• 34:08
  Speaker 1: down to uh La to start acting right around sixties.
• 34:15
  Speaker 3: But you don't you know, you don't have an accent.
• 34:17
  Speaker 3: Your job was punched it.
• 34:19
  Speaker 1: Yeah, and I said, of a couple of cowboy movies.
• 34:22
  Speaker 1: I earned this accent like a man earns an accent.
• 34:26
  Speaker 1: I got punched in the mouth from both directions while
• 34:28
  Speaker 1: I was saving a woman from the train tracks.
• 34:32
  Speaker 2: That was a movie though that was made up.
• 34:35
  Speaker 1: No, that that had to be real.
• 34:37
  Speaker 2: That if that wasn't real, So did one man punch
• 34:42
  Speaker 2: you on both sides? There were two people punching with
• 34:44
  Speaker 2: one fist.
• 34:45
  Speaker 1: No, it was two evil train barons and they were
• 34:47
  Speaker 1: trying to catch the beautiful lady tied to the train tracks.
• 34:51
  Speaker 1: And I stepped in and they each sucker punched me
• 34:54
  Speaker 1: to half the jaw. And now on dog leg of this.
• 34:56
  Speaker 2: That's method, man, that's literally method. That's not literally method.
• 35:00
  Speaker 1: This is just my life.
• 35:01
  Speaker 5: There's no way that there was two evil trained beards
• 35:04
  Speaker 5: of the sixties with a dame attached.
• 35:06
  Speaker 2: To the Hey, don't guy, don't try to co op
• 35:09
  Speaker 2: his experiences.
• 35:10
  Speaker 1: I would remember what kind of moment.
• 35:12
  Speaker 2: Try to co op his experience.
• 35:14
  Speaker 4: You don't have to you don't have to question his
• 35:16
  Speaker 4: truth like this.
• 35:16
  Speaker 1: Is no, this was real.
• 35:19
  Speaker 2: Question.
• 35:19
  Speaker 1: Shut the hell up, man, this was real. These jobs
• 35:24
  Speaker 1: they fail though. Both those trained barons came out of nowhere.
• 35:27
  Speaker 1: They punched me in the face, and then they went
• 35:29
  Speaker 1: over to a little snack table where a bunch of
• 35:31
  Speaker 1: rice crispies were set up and started going craft No, God,
• 35:36
  Speaker 1: damn it, I know what a crafty is.
• 35:38
  Speaker 3: There's no way multiple snacks, not just rice crispies. You
• 35:40
  Speaker 3: fucking idiot, bastard.
• 35:42
  Speaker 2: Well, what are you saying? You believe him? Also, you
• 35:50
  Speaker 2: believe him.
• 35:51
  Speaker 3: We grew up in a different time.
• 35:54
  Speaker 2: We know, Jesus, you saw this kind of stuff all
• 35:56
  Speaker 2: the time.
• 35:57
  Speaker 3: No, I just believe that somebody would punch a man.
• 36:00
  Speaker 1: Thank you, si On, because that's what would happen all
• 36:03
  Speaker 1: the time when men had disagreements, We punch yourselves each
• 36:07
  Speaker 1: other out. And now when men have disagreements, they go
• 36:10
  Speaker 1: walk themselves into a therapist's office, bend over and get fucked.
• 36:17
  Speaker 5: Wow, Oh my god, I actually I actually agree with that.
• 36:20
  Speaker 5: I fucking hate modern medicine and all that fucking that's bullshit.
• 36:24
  Speaker 2: I agree with you.
• 36:25
  Speaker 1: I don't know, we'll be in with that I'll still
• 36:27
  Speaker 1: take a title.
• 36:29
  Speaker 2: I will literally never touch it. Poison.
• 36:32
  Speaker 4: I go to the therapist. I can't recommend it enough.
• 36:34
  Speaker 4: I go three times a week. And she says I'm
• 36:37
  Speaker 4: the best.
• 36:37
  Speaker 2: Yeah, do you? She absolutely? She says I'm really good,
• 36:40
  Speaker 2: her the best.
• 36:41
  Speaker 4: She said, I'm her favorite client and I'm the best,
• 36:44
  Speaker 4: and I do really well in there.
• 36:47
  Speaker 2: Yeah, she she hates you. You don't know that. No,
• 36:50
  Speaker 2: we I definitely know that. What are you talking.
• 36:52
  Speaker 3: I don't think she hates you. I just think she's
• 36:53
  Speaker 3: bad at a job. You should win therapy, Yes, shouldn't.
• 36:59
  Speaker 4: That's a great point. And I'm surprised at that. Surprised
• 37:02
  Speaker 4: you had to wear with all to figure that out?
• 37:04
  Speaker 4: Was the xan nex coming down? Or what's up?
• 37:07
  Speaker 3: Are your ears getting bigger because you're looking like Dumbo?
• 37:12
  Speaker 1: What's not worry? No, it was very funny.
• 37:21
  Speaker 3: Okay, last question, last question? What is everyone up to?
• 37:25
  Speaker 3: What's that? What's next?
• 37:27
  Speaker 2: Well?
• 37:27
  Speaker 5: I got that plane crash movie coming up, and besides that,
• 37:29
  Speaker 5: I'm just posting.
• 37:30
  Speaker 3: On tw I was gonna my second part of the
• 37:32
  Speaker 3: question was what's next? And how are you going to
• 37:33
  Speaker 3: be less difficult?
• 37:35
  Speaker 1: Oh?
• 37:35
  Speaker 2: Yeah, today?
• 37:38
  Speaker 1: What do we learn today.
• 37:39
  Speaker 5: I guess nobody really told me why it was difficult,
• 37:42
  Speaker 5: and I guess what I learned was yeah, nothing at all,
• 37:49
  Speaker 5: literally nothing at all. I don't think you guys were
• 37:52
  Speaker 5: the people to teach me anything.
• 37:53
  Speaker 1: So good, damn damn man. Well, I'm trying to get
• 37:59
  Speaker 1: through to your.
• 37:59
  Speaker 5: So you are, this is you trying to get through
• 38:01
  Speaker 5: to me? You have you taken a liking to be
• 38:06
  Speaker 5: what's going?
• 38:06
  Speaker 2: Are you?
• 38:07
  Speaker 4: Like?
• 38:07
  Speaker 7: No?
• 38:08
  Speaker 5: Don't you fucking no?
• 38:09
  Speaker 2: Not like a sun thing?
• 38:11
  Speaker 1: But I okay, sure I'm not. I didn't. Just be clear,
• 38:16
  Speaker 1: I didn't take a liking to you in the way
• 38:17
  Speaker 1: I take a liking to a woman.
• 38:19
  Speaker 5: Okay, we know, we definitely. I'm just saying good daily.
• 38:25
  Speaker 2: Thing is just still throwing me up. But anyway, didn't
• 38:29
  Speaker 2: you know I.
• 38:29
  Speaker 1: See men like you. I see men like you go
• 38:32
  Speaker 1: a wayward, and I don't want you to become the
• 38:35
  Speaker 1: kind of man who can't act because he's looking for
• 38:38
  Speaker 1: something else. And you gotta show up to work every
• 38:42
  Speaker 1: day and work put in the work. Don't work outside
• 38:46
  Speaker 1: of work, because then you're not working. You gotta go
• 38:48
  Speaker 1: to set. You gotta go to work.
• 38:51
  Speaker 5: You understand I don't follow I don't really understand.
• 38:55
  Speaker 1: Your mouth is saying that you don't follow, but your
• 38:57
  Speaker 1: eyes are saying you're scared, and you do follow.
• 38:59
  Speaker 5: Son, You're not gonna get You're not gonna get through me. Okay,
• 39:01
  Speaker 5: my fucking method is my fucking method. Okay, my fucking
• 39:04
  Speaker 5: method is my fucking method, because what is my life
• 39:08
  Speaker 5: without it?
• 39:08
  Speaker 3: This guy pissed himself. I thought I smelled something in
• 39:11
  Speaker 3: the room that's hilarious.
• 39:15
  Speaker 5: So yes, I peede. But that's all part of my method.
• 39:17
  Speaker 5: So why don't you back the fuck off, old man?
• 39:19
  Speaker 5: And why don't you listen to one episode of the
• 39:21
  Speaker 5: Daily because all they're mostly trying to say is women
• 39:24
  Speaker 5: are allowed to do anything they want.
• 39:26
  Speaker 1: Now, I can listen to the Daily and disagree with it.
• 39:28
  Speaker 1: I'm open to this different viewpoints, but listen to me.
• 39:31
  Speaker 3: I'm not gonna stop they.
• 39:33
  Speaker 2: We're talking, So alright, we'll do that later.
• 39:38
  Speaker 1: You better stop before you head down this path. Okay,
• 39:40
  Speaker 1: I mean it, I mean it. If you any problem
• 39:43
  Speaker 1: you have with me is a problem you have with yourself.
• 39:45
  Speaker 5: I'd love to get a thing of whiskey with you
• 39:48
  Speaker 5: and just drink and see who can drink more.
• 39:50
  Speaker 1: Are you gonna show up as a man, or are
• 39:52
  Speaker 1: you gonna show up as the bad man?
• 39:54
  Speaker 5: I'm gonna show up as whatever the fuck I want?
• 39:56
  Speaker 5: How about that? I actually we're not going to distillery.
• 40:01
  Speaker 1: Oh we'll never come there.
• 40:03
  Speaker 3: Do you have a distillery or are you a fucking idiot?
• 40:06
  Speaker 2: Men can do it all right now, we can do
• 40:08
  Speaker 2: anything we want.
• 40:09
  Speaker 5: Okay, what did you learn? What did you learn at?
• 40:12
  Speaker 4: What did I learn? I learned that I am so
• 40:16
  Speaker 4: not difficult compared to you guys.
• 40:18
  Speaker 5: I think actually you're the worst part, the worst form
• 40:22
  Speaker 5: of difficulty. We are obviously difficult. Why do we understand
• 40:26
  Speaker 5: how we're difficult? You won't even accept it?
• 40:29
  Speaker 3: What you are so far up your own bot what
• 40:32
  Speaker 3: that you will never know? Even your therapist is up
• 40:35
  Speaker 3: your anus.
• 40:37
  Speaker 4: You guys are just like.
• 40:39
  Speaker 1: You made a house in your colon and you ain't
• 40:41
  Speaker 1: never leaving it.
• 40:42
  Speaker 2: What you went up? You made a house.
• 40:46
  Speaker 1: I'm saying you bought property inside your own ass.
• 40:50
  Speaker 2: You guys are probably.
• 40:50
  Speaker 3: Can't even buy he's renting property in colon.
• 40:53
  Speaker 2: I feel so sorry for all of you, guys. I
• 40:56
  Speaker 2: just feel really I just feel really sorry for all
• 40:59
  Speaker 2: of you guys.
• 41:00
  Speaker 1: I'm just taking your head so Damn.
• 41:02
  Speaker 2: I just feel like I just feel like I am so.
• 41:05
  Speaker 2: I just feel like you guys are fucked up.
• 41:09
  Speaker 3: He pissed himself too. Can I get a napkin?
• 41:11
  Speaker 2: I like it when I pissed myself. Don't piss shame me.
• 41:14
  Speaker 2: This is a kink.
• 41:15
  Speaker 3: I'll pish shame anybody. It smells like shit.
• 41:17
  Speaker 1: It's a kink. Man pisoned himself out of embarrassment, and
• 41:20
  Speaker 1: suddenly it's a kink. I will what does this world
• 41:24
  Speaker 1: come to? Well, I've learned that I can't keep up.
• 41:28
  Speaker 1: I've learned that I can't keep up, but I am starting.
• 41:30
  Speaker 2: You know much more than any of us.
• 41:35
  Speaker 1: Yeah, I know a lot about what Presidents of the
• 41:37
  Speaker 1: Lenski is doing in the path and the different factors
• 41:41
  Speaker 1: that led to him being elected. I know a lot
• 41:43
  Speaker 1: about greenhouse gas emissions. And I know a lot about
• 41:46
  Speaker 1: how the Trump family is correlated. Is throwing away money
• 41:50
  Speaker 1: in certain parts? Tomorrow logo? But old, I just to say,
• 41:55
  Speaker 1: what do.
• 41:55
  Speaker 2: You think about that? Do you like that?
• 41:57
  Speaker 3: You don't even know the facts?
• 41:58
  Speaker 1: But I don't know.
• 42:00
  Speaker 5: I just think it's interesting.
• 42:05
  Speaker 1: If you want, if you want my opinions, you have
• 42:11
  Speaker 1: to buy me a whiskey like Batman over years, offering too,
• 42:15
  Speaker 1: I literally will pissy too. Yeah, maybe if he doesn't
• 42:19
  Speaker 1: piss himself. But no, I think I did learn something
• 42:22
  Speaker 1: today and I can't. I'm coming around to the fact
• 42:25
  Speaker 1: that I can finally admit that I'm a stubborn old.
• 42:28
  Speaker 3: Cow, stubn old cow. We worked together on a sitcom,
• 42:32
  Speaker 3: The Cow's Home.
• 42:33
  Speaker 1: It was The cows Home. We were married in that.
• 42:37
  Speaker 1: I was on the air for nine We did nineteen together,
• 42:41
  Speaker 1: That's what it was. Because you did look very familiar
• 42:44
  Speaker 1: to me.
• 42:45
  Speaker 3: Your sweat smelled familiar.
• 42:47
  Speaker 2: Okay, what did you learn?
• 42:50
  Speaker 7: Ah?
• 42:52
  Speaker 3: And I have to dry clean this dress because it
• 42:54
  Speaker 3: smells like piss.
• 42:57
  Speaker 4: Answer you the question, now, that's why they call it
• 42:59
  Speaker 4: show business.
• 42:59
  Speaker 2: Could not.
• 42:59
  Speaker 3: I Hi, I'm Angela Jertana, I'm.
• 43:02
  Speaker 4: Jeremy Colhayne, I'm Patrick McDonald's, and I'm Kylie Brakman.
• 43:06
  Speaker 1: Artists on Artists On Artists on Artists is an improvised
• 43:08
  Speaker 1: Hollywood roundtable podcast available on iTunes and Spotify.
• 43:12
  Speaker 2: You can follow us at aoaoaoa pod on Twitter and Instagram.
• 43:16
  Speaker 4: That's right, four a's with three o's in between.
• 43:19
  Speaker 5: Then pod music for this week's episode, was provided by
• 43:22
  Speaker 5: Gabriel Ponton Stars.
• 43:24
  Speaker 1: They're just like us, and if you like this episode,
• 43:27
  Speaker 1: you can give us five of them by rating and
• 43:29
  Speaker 1: reviewing us on Apple Podcasts. That's all for now, good
• 43:33
  Speaker 1: night Hollywood,