Latest / Fake Doctors, Real Friends with Zach and Donald / 104: My Old Lady with Sarah Chalke

Transcript

104: My Old Lady with Sarah Chalke · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Donald. I'm very excited today.
• 0:01
  Speaker 2: I'm very excited today too. Listen, man, hold on before
• 0:04
  Speaker 2: we get it started and before we get into this.
• 0:06
  Speaker 2: I'm so happy with all of the press that we're
• 0:08
  Speaker 2: getting and all of the people that are listening to
• 0:11
  Speaker 2: us and stuff.
• 0:12
  Speaker 1: Thank you for listenings of tuning in.
• 0:13
  Speaker 2: This is really amazing.
• 0:14
  Speaker 1: We certainly weren't expecting it to We just did press
• 0:17
  Speaker 1: to Australia. We certainly weren't expecting this kind of reaction.
• 0:21
  Speaker 2: Not at all. And I did some press for Emergence
• 0:24
  Speaker 2: today and they wanted to talk about the podcast. Yes,
• 0:27
  Speaker 2: and it was overseas though, was like in the UK
• 0:30
  Speaker 2: and stuff. I guess are we playing in the UK?
• 0:32
  Speaker 2: Is this true?
• 0:33
  Speaker 1: All over the globe? You can listen to this in
• 0:35
  Speaker 1: Stod you can listen.
• 0:37
  Speaker 2: Can you really listen to it?
• 0:38
  Speaker 1: And stod Yes, if you have a computer you can
• 0:41
  Speaker 1: listen to us.
• 0:41
  Speaker 2: Right as long as you have iHeart. Wherever you get
• 0:44
  Speaker 2: your podcasts, you can hear us. We're a sponsor our
• 0:47
  Speaker 2: plug is iHeart so big shout out to iHeart.
• 0:50
  Speaker 1: I don't have it. We don't have a sponsor yet
• 0:51
  Speaker 1: really yet we will, I guess, But I just want
• 0:54
  Speaker 1: to say that, Red Bull. If you want to sponsor us,
• 0:56
  Speaker 1: you should, because I just drank a full one and
• 0:58
  Speaker 1: I am so hyped up right now. I'm so thrilled
• 1:02
  Speaker 1: about our guest.
• 1:03
  Speaker 2: So am I. I'm very excited about who we have
• 1:05
  Speaker 2: on the show now.
• 1:06
  Speaker 1: But first we should sing, Donald, let's get into it.
• 1:09
  Speaker 3: Six seven, eight stories that show we made about a
• 1:14
  Speaker 3: bunch of dogs and nurses.
• 1:18
  Speaker 4: Here's the stories natural, so YadA, YadA, all right.
• 1:33
  Speaker 1: Now. You might know her as America's favorite Canadian. You
• 1:38
  Speaker 1: might know her as second Becky. You might know her
• 1:42
  Speaker 1: as the beautiful blonde that starred on the show Scrubs
• 1:46
  Speaker 1: for many years. Go ahead, Donald, do you do the intro?
• 1:49
  Speaker 2: Ladies and gentlemen, boys and girls, cats, dogs, whatever you
• 1:53
  Speaker 2: may be, Please welcome to the show. The one and
• 1:56
  Speaker 2: only Sarah.
• 1:58
  Speaker 1: Chaw Sarah, Hi, Hi, Sarah. Don't worry. We'll add thunderous applause.
• 2:05
  Speaker 2: It'll sound like you walked into a stadium.
• 2:08
  Speaker 1: Yeah, Dan, can you add thunderous applause? Thank you? All right,
• 2:11
  Speaker 1: here's Sarah Chalk Hi, Sarah.
• 2:13
  Speaker 5: I didn't know whether to talk because I didn't hear
• 2:15
  Speaker 5: the thunder supplies. I thought maybe I was just getting
• 2:17
  Speaker 5: a glitch in these fancy headphones. Can I see you guys? Like,
• 2:22
  Speaker 5: right now, I'm staring at the garage band screen? Can
• 2:24
  Speaker 5: I make it small so I can see you? Guys?
• 2:25
  Speaker 2: All you got to do is click back on zoom.
• 2:28
  Speaker 5: So, so Dan, can I make Can I hit the
• 2:30
  Speaker 5: yellow button and make garage bands small?
• 2:32
  Speaker 2: I'm just gonna put it out there. You ruined our introduction.
• 2:35
  Speaker 1: No, guys, I don't want to edit it out. Dan, listen, no,
• 2:41
  Speaker 1: list I want now that Sarah's ruined the magic, I
• 2:44
  Speaker 1: want the fans to know that we've been on We've
• 2:46
  Speaker 1: been on zoom for a half hour. While Sarah was
• 2:48
  Speaker 1: getting technical support from edit. Sarah literally had a Sarah
• 2:53
  Speaker 1: had a technical intervention with our editor. She was like,
• 2:57
  Speaker 1: how do you start your laptop?
• 2:59
  Speaker 5: And yet I've still I felt I've never felt more
• 3:01
  Speaker 5: proud are you than I do in this moment, Because okay,
• 3:04
  Speaker 5: I just want to successfully Jean Michelle is gonna edit
• 3:06
  Speaker 5: this out. Just give me one second. I'm gonna hit
• 3:08
  Speaker 5: the yellow button in the corner, Dan and minimize garage
• 3:11
  Speaker 5: band so I can see Zach and Donald.
• 3:13
  Speaker 1: I do it. Just do it. You don't even have
• 3:15
  Speaker 1: to ask, I'm worried that Sarah's gonna call Dan for
• 3:17
  Speaker 1: other technical help in her life. She's gonna be like,
• 3:19
  Speaker 1: hey Dan, I'm wi FI signal.
• 3:26
  Speaker 5: I have dan zmail.
• 3:30
  Speaker 1: Special.
• 3:31
  Speaker 2: How are you, Sarah?
• 3:33
  Speaker 5: I'm good, guys. I miss you. I miss you, and
• 3:35
  Speaker 5: now seeing you on this zoom is making me miss
• 3:37
  Speaker 5: you more weird.
• 3:39
  Speaker 1: Where are you quarantining in Canada? I imagine, so I'm quarantining.
• 3:43
  Speaker 5: I'm quarantining Canada. My sister and I have decided to
• 3:46
  Speaker 5: quarantine our families together, so we have communally six children,
• 3:51
  Speaker 5: three dogs, and a cato.
• 3:53
  Speaker 1: Wow.
• 3:54
  Speaker 2: How are you doing school? How's school going?
• 3:56
  Speaker 5: School is interesting? School is basic. We have children between
• 4:01
  Speaker 5: the ages of three and sixteen, so we'd only have
• 4:05
  Speaker 5: so many screens and so much bandwidth to attend different
• 4:08
  Speaker 5: online classes. So we've been kind of doing some of
• 4:10
  Speaker 5: that and then some group classes. My sister is a lawyer,
• 4:14
  Speaker 5: so she's teaching law, so like really right things like,
• 4:17
  Speaker 5: you know, lessons on the Rights of the Child, the
• 4:20
  Speaker 5: United Nations Convention on the Rights of the Child. Next
• 4:22
  Speaker 5: week's the Constitution, and I do equally important things like
• 4:25
  Speaker 5: give them cartoons sides and they audition for cartoons.
• 4:29
  Speaker 2: That's amazing.
• 4:31
  Speaker 1: You could give them a scene from Rick and Morty
• 4:33
  Speaker 1: and you guys could all play parts.
• 4:35
  Speaker 5: We have actually we've done we've done some cartoons. We
• 4:39
  Speaker 5: haven't reached Rick and Morty yet because that's not appropriate
• 4:41
  Speaker 5: for the four year old, right and as it's sort
• 4:45
  Speaker 5: of you know, tight quarters, we haven't gotten there yet.
• 4:48
  Speaker 5: But yeah, it's it's pretty nuts. I mean, we're all
• 4:51
  Speaker 5: quarantined together. I'm the designated grocery shopper, probably because of
• 4:54
  Speaker 5: all my OCD tendencies. So I feel like that's the
• 4:59
  Speaker 5: most harrowing experience in in my life right now, which is, uh,
• 5:04
  Speaker 5: you know, I go to the grocery store. I have
• 5:06
  Speaker 5: my own you know, version of Ppe, which is like
• 5:09
  Speaker 5: rating the drama eight prop spin. So I have like
• 5:12
  Speaker 5: a tuk and sunglasses and I, you know, just put
• 5:15
  Speaker 5: my hoodie up and gloves.
• 5:18
  Speaker 1: On Canadians, is a hat, It's a hat.
• 5:21
  Speaker 2: Yes, I'm gonna say, I'm gonna say, what is Sarah?
• 5:26
  Speaker 1: If you wouldn't mind translating your canadianisms as we go
• 5:30
  Speaker 1: through the podcast. There are some non Canadians.
• 5:33
  Speaker 5: Listening listen, Yes, the main the main ones really are
• 5:36
  Speaker 5: to Garbrator parcade and seawall?
• 5:40
  Speaker 2: What's a garbaret?
• 5:42
  Speaker 1: Oh? The garbage disposal, the.
• 5:43
  Speaker 2: Garbage disposal, got it?
• 5:44
  Speaker 5: Yeah, which happened to be the first thing that broke
• 5:47
  Speaker 5: when I went when I came to Los Angeles and
• 5:48
  Speaker 5: the landlord did not understand me.
• 5:50
  Speaker 1: At a park is a parkade a parking parking structure?
• 5:55
  Speaker 6: Yeah.
• 5:55
  Speaker 5: Your Canadians doing very well. You've been studying.
• 5:58
  Speaker 1: I'm just guessing. I'm playing a game called guests the
• 6:00
  Speaker 1: Canadian expression. Are there any other.
• 6:03
  Speaker 5: Parcade? Seawall?
• 6:07
  Speaker 1: What's a seawall? The obvious? And then you have that
• 6:13
  Speaker 1: thing with the gravy and fries? What's that called? But
• 6:16
  Speaker 1: that's maybe the teine Okay, I know about poutine that.
• 6:21
  Speaker 5: Yeah, it's the gravy and the cheese curds on top
• 6:24
  Speaker 5: of the of the fries.
• 6:25
  Speaker 1: It's just fries, but they take great pride in it
• 6:28
  Speaker 1: in Canada.
• 6:30
  Speaker 5: How is your guys quarantine going?
• 6:31
  Speaker 2: Oh it's amazing.
• 6:34
  Speaker 1: That's sorry.
• 6:37
  Speaker 5: How much time do you spend Donald.
• 6:39
  Speaker 2: I'm gonna be honest with you.
• 6:41
  Speaker 1: Out in that closet, Donald tells his family that he's
• 6:44
  Speaker 1: recording the podcast. Donald's family thinks he records the podcast
• 6:48
  Speaker 1: every day. And he's in the closet. But meanwhile we do.
• 6:50
  Speaker 2: It like the week. Yeah. My wife keeps asking like, Yo,
• 6:53
  Speaker 2: how come when is the next episode coming out? You
• 6:55
  Speaker 2: record so many of them.
• 6:57
  Speaker 5: You're banking soon.
• 7:00
  Speaker 1: Things that Donald records like four podcasts a day in there.
• 7:04
  Speaker 2: Well, I definitely do a lot of press. I'll be like,
• 7:06
  Speaker 2: I'm doing so much press right now. You set up
• 7:09
  Speaker 2: you should.
• 7:09
  Speaker 1: Set up your your your PlayStation in there. Donald.
• 7:12
  Speaker 2: I just don't know how I get the TV in here.
• 7:13
  Speaker 2: That's the problem.
• 7:14
  Speaker 5: Dan dans d Dan danos he knows Dan could hook
• 7:18
  Speaker 5: it up. Down do it Dan really quickly. It says,
• 7:21
  Speaker 5: Zoom would like to record the computer screen. Grant access
• 7:25
  Speaker 5: to this application in security privacy preferences.
• 7:28
  Speaker 2: No, no, no, no, no no, you don't want to record.
• 7:30
  Speaker 1: This, Sarah. Dan is outside, he's not He's not there
• 7:33
  Speaker 1: for your technical needs.
• 7:36
  Speaker 2: Okay, so let's get into it.
• 7:38
  Speaker 1: Let's get in the wait. Before we get into the episode, Sarah,
• 7:40
  Speaker 1: Donald and I have done this a few episodes now,
• 7:43
  Speaker 1: and now that we have you, we wanted to ask
• 7:46
  Speaker 1: you tell us about your casting process because, as I remember,
• 7:52
  Speaker 1: you were coming off of Roseam, you were doing that
• 7:55
  Speaker 1: particularly unique thing where you had replaced the Becky.
• 7:58
  Speaker 2: That was years before.
• 7:59
  Speaker 5: It wasn't, Yeah, it was. I was like seventeen eighteen,
• 8:02
  Speaker 5: nineteen twenty when that happened, so four years before.
• 8:05
  Speaker 2: And uh.
• 8:05
  Speaker 1: And by the way, I was thinking as well as
• 8:07
  Speaker 1: I was preparing for this, because Sarah, I do a
• 8:08
  Speaker 1: lot of research. I get really into this now. By
• 8:10
  Speaker 1: the way, I found for you Scrubs fans out there
• 8:12
  Speaker 1: and for us, I found a website called Scrubs Wiki
• 8:15
  Speaker 1: wiki where it has like everything you ever want to
• 8:18
  Speaker 1: know about Scrubs. Like I'm like, literally, whoever made that?
• 8:20
  Speaker 2: Well, it doesn't have everything. It doesn't have us, No.
• 8:23
  Speaker 1: It doesn't have us, but it has a lot of
• 8:24
  Speaker 1: It has a lot of insightful information.
• 8:26
  Speaker 2: And I feel like I feel like they should not
• 8:28
  Speaker 2: go to wiki Scrubs wiki.
• 8:30
  Speaker 1: Yeah, but it has like it literally has like these
• 8:32
  Speaker 1: are the fantasies in the episode. These are the girls
• 8:34
  Speaker 1: name JD was called. These are It's like all break
• 8:36
  Speaker 1: broken down. Someone put a lot of work into it. Donald,
• 8:38
  Speaker 1: give them a shout out.
• 8:39
  Speaker 2: Shout out to you for putting all that work in.
• 8:42
  Speaker 2: But we got it from here.
• 8:43
  Speaker 1: Oh my god, Donald's jealous, all right, listen, Donald, you guys,
• 8:48
  Speaker 1: before I was thinking about Sarah and I was saying,
• 8:50
  Speaker 1: is there another example other than Roseanne where they just
• 8:54
  Speaker 1: replaced the actress and had them play the same character.
• 8:58
  Speaker 1: And I was bewitched witched? And was he still? Was
• 9:01
  Speaker 1: he just a different Darren?
• 9:03
  Speaker 2: Yeah?
• 9:03
  Speaker 5: I think they just flipped him out, flipped him out.
• 9:06
  Speaker 1: Tell just briefly about that, because I thought it's a
• 9:08
  Speaker 1: very unique thing, and you've told me and Donald, and
• 9:10
  Speaker 1: I just wanted if you could just talk about what
• 9:12
  Speaker 1: that was like really quickly because I think it's so interesting.
• 9:15
  Speaker 5: Yeah. I mean, I was sixteen when I auditioned, and
• 9:19
  Speaker 5: it was Glenn Quinn, the guy who played my husband Mark.
• 9:23
  Speaker 5: The audition was with him, and he just made out
• 9:25
  Speaker 5: with seven girls. We were all dressed exactly the same
• 9:28
  Speaker 5: and matching pink shirts. On the whole scene was this
• 9:30
  Speaker 5: like makeout scene where he's like baby baby cam here,
• 9:32
  Speaker 5: and I'm like, get a job at the gas station,
• 9:33
  Speaker 5: Get a job at the gas station. It's like baby
• 9:35
  Speaker 5: baby cam here. And it was literally like every other
• 9:38
  Speaker 5: actress that was auditioning was like twenty two living in
• 9:40
  Speaker 5: Los Angeles. I flew in, they flew me in for
• 9:43
  Speaker 5: the night to go and read, and I just remember
• 9:47
  Speaker 5: I was sixteen, he was twenty four, and just thinking
• 9:49
  Speaker 5: he is so handsome. How am I going to remember
• 9:52
  Speaker 5: one line? And they said, we'll let you know in
• 9:56
  Speaker 5: a couple of days. And then they called back and
• 9:57
  Speaker 5: they were like, Okay, come back tomorrow and read with Roseanna.
• 10:00
  Speaker 5: Then I did. And then Tom Arnold called me at
• 10:03
  Speaker 5: home a few days later, and he was trying to
• 10:06
  Speaker 5: feel out whether I was going to leave the show
• 10:08
  Speaker 5: to go to college, because I was younger then and
• 10:11
  Speaker 5: still you know, at an age where I would do that.
• 10:13
  Speaker 5: And Sarah Gilbert at the time had left to go
• 10:15
  Speaker 5: to Gail and she was flying back to do episodes,
• 10:17
  Speaker 5: and Lacy had left to go to Vassar, and so
• 10:20
  Speaker 5: I knew right away that that's what he was asked.
• 10:23
  Speaker 5: I could tell that's what he was getting at.
• 10:24
  Speaker 1: So I was like, oh, you were probably not allowed
• 10:26
  Speaker 1: to do that, right, So he was sort of tiptoeing around, right.
• 10:29
  Speaker 5: Was.
• 10:31
  Speaker 2: Baby, why don't you call uch? What happened?
• 10:34
  Speaker 5: Probably yes? So then I said I was like, no, no, college, gross,
• 10:37
  Speaker 5: absolutely not. And I knew I would go to college,
• 10:39
  Speaker 5: but it was the ros Antel was a big opportunity
• 10:40
  Speaker 5: for me, and I knew that I would.
• 10:42
  Speaker 1: You knew you weren't going to lose the job over it,
• 10:43
  Speaker 1: so you were like college.
• 10:44
  Speaker 5: College bombit and I, I just did it on the side,
• 10:48
  Speaker 5: and so, uh so I got the job. But the
• 10:51
  Speaker 5: craziest part of the story that I actually I hadn't
• 10:53
  Speaker 5: remember when we were talking about recently, was they called
• 10:56
  Speaker 5: me and told me I had the job. And I
• 10:57
  Speaker 5: went to a party that night. So I'm to this
• 11:00
  Speaker 5: like little high school in Canada and I get this
• 11:05
  Speaker 5: phone call that I was going to replace Becky, and
• 11:06
  Speaker 5: I told a couple people and it spread around our
• 11:09
  Speaker 5: high school pretty fast. It sounded like a lie. I mean,
• 11:11
  Speaker 5: it doesn't like I'm going to replace Becky on the
• 11:13
  Speaker 5: Roseanne Show. The Roseann Show was the number one show
• 11:14
  Speaker 5: at the time. It sounded fake. And then I get
• 11:18
  Speaker 5: a call the following week and it was The Roseanne
• 11:21
  Speaker 5: Show saying we're getting cold feet about recasting Becky, so
• 11:25
  Speaker 5: we don't know if we're going to do it, so
• 11:26
  Speaker 5: we're going to hold you for four months. We're going
• 11:27
  Speaker 5: to give you ten grand to hold you. So, first
• 11:30
  Speaker 5: of all, I'd never heard of money like ten thousand dollars.
• 11:32
  Speaker 5: I thought to do nothing, like just to sit here
• 11:34
  Speaker 5: for four months while you make a decision. And then
• 11:37
  Speaker 5: the other half of me thought, like, my ass is
• 11:39
  Speaker 5: grass at high school, Like they're going to tell me
• 11:43
  Speaker 5: in four months if we're actually going to do this.
• 11:45
  Speaker 5: So I had to kind of wait.
• 11:46
  Speaker 1: You should have brought that money. So you should have
• 11:48
  Speaker 1: brought that money to school and just fanned it out.
• 11:51
  Speaker 2: You got me on hold live.
• 11:55
  Speaker 1: For those of you who don't know, this is called
• 11:56
  Speaker 1: a holding deal, right, this.
• 11:58
  Speaker 2: Is a holding feat They hold me excuse.
• 12:02
  Speaker 1: Me when I fanned my face with my holding view.
• 12:07
  Speaker 5: Totally and then uh, and then I know, and by
• 12:10
  Speaker 5: the time you converted to Canadian dollars, it was obviously
• 12:12
  Speaker 5: a whole different situation. So so yes, it was a
• 12:15
  Speaker 5: crazy It was a crazy experience. I was a baby,
• 12:18
  Speaker 5: and I had no idea what I was doing, and
• 12:20
  Speaker 5: I just watched like Roseanne and Lori Metcalf and Sandra
• 12:23
  Speaker 5: Bernhardt and Sarah Gilbert and John Goodman and Johnny Gilecki
• 12:27
  Speaker 5: and this like ridiculous list of comedians and it was
• 12:32
  Speaker 5: kind of in awe and a little bit terrified. And
• 12:36
  Speaker 5: then after two seasons, they you know, gave every ready
• 12:39
  Speaker 5: hugs by like I'll see you guys after hiatus, which
• 12:41
  Speaker 5: is the break that you take between seasons for anyone
• 12:44
  Speaker 5: listening to that weird term. And uh, then I get
• 12:47
  Speaker 5: a phone call saying Lisa's coming back to play Becky,
• 12:51
  Speaker 5: and apparently I said I want to talk to Roseanne
• 12:54
  Speaker 5: for closure. I don't remember doing that, but barely what
• 12:57
  Speaker 5: I said, and so I did. And then and then
• 13:02
  Speaker 5: they called me like six episodes into the following season
• 13:04
  Speaker 5: and said come back this week. Darlene's getting married in
• 13:08
  Speaker 5: an episode and can you come down and be Becky?
• 13:11
  Speaker 5: And I was like it went and he said tomorrow.
• 13:13
  Speaker 1: So Lasi had just Liasy had just changed her mind
• 13:15
  Speaker 1: and she left.
• 13:16
  Speaker 5: They didn't tell me, They just said can you come
• 13:18
  Speaker 5: back tomorrow? And I said, well, I'm going to college
• 13:21
  Speaker 5: up here now and I'm doing this movie of the
• 13:26
  Speaker 5: week where John Ritter, interestingly enough, who played obviously your
• 13:29
  Speaker 5: dad on Scrubs, I was doing a TV movie with
• 13:33
  Speaker 5: him up here, and I said, so I can come on.
• 13:35
  Speaker 5: I can come on Friday night for tape night. So
• 13:37
  Speaker 5: it was the craziest day. I remember. I wrote an
• 13:39
  Speaker 5: ocean offee exam at like six point thirty in the morning,
• 13:41
  Speaker 5: went straight into the scene with this pregnancy belly. I
• 13:43
  Speaker 5: just remember ripping the pregnancy belly off on the way
• 13:45
  Speaker 5: to the airport and got to LA and they had
• 13:49
  Speaker 5: a car waiting for me with hair and makeup in
• 13:51
  Speaker 5: the car. Oh. I did my hair and makeup on
• 13:53
  Speaker 5: the way to the live taping, and the taping had
• 13:55
  Speaker 5: already started and I hadn't seen anyone since I'd been fired,
• 13:58
  Speaker 5: and they were like, hold these flowers, say this, stand here,
• 14:01
  Speaker 5: do this. You got to you know the point where
• 14:03
  Speaker 5: Roseanna would take questions from the audience and somebody said,
• 14:06
  Speaker 5: why do you keep switching Becky's back and forth? And
• 14:07
  Speaker 5: she was like, well, it's going to be shocky from
• 14:09
  Speaker 5: now on. And that's how I found out I had
• 14:11
  Speaker 5: the job back for the last year and a half
• 14:13
  Speaker 5: of the show.
• 14:13
  Speaker 1: Wow. That's insane. Wow, I really think, Sarah, that is
• 14:16
  Speaker 1: a that is a story that I never heard of
• 14:19
  Speaker 1: another actor having. That is just if you if you're
• 14:22
  Speaker 1: I mean, when do you ever see or hear something
• 14:26
  Speaker 1: like that happening to an actor. That's just insane.
• 14:28
  Speaker 2: Well, we as we all know, Sarah has the craziest
• 14:30
  Speaker 2: luck in the history of like just everything happens to
• 14:34
  Speaker 2: say Sarah.
• 14:34
  Speaker 1: We touched on that a bit in an earlier episode.
• 14:36
  Speaker 1: How you would come in on Monday morning and you
• 14:39
  Speaker 1: would have a story that was like nothing else we
• 14:42
  Speaker 1: had ever heard, and it happened every week.
• 14:46
  Speaker 5: Honestly, I still feel like sometimes I need to call
• 14:48
  Speaker 5: you guys, because I'm like you, you would not believe
• 14:51
  Speaker 5: what just happened to me. Lately it's mostly at the
• 14:53
  Speaker 5: grocery store. I mostly want to call you after I
• 14:56
  Speaker 5: leave the grocery store and be like, take a deep
• 14:58
  Speaker 5: breath and be like Okay, so I get there, the
• 15:01
  Speaker 5: box bottomself and all the producce drops in the main
• 15:04
  Speaker 5: aisle where everybody's standing. That's a woman behind me costs
• 15:06
  Speaker 5: little but in front of me. I mean, that is
• 15:08
  Speaker 5: every day, right.
• 15:09
  Speaker 1: You just couldn't believe that every Monday morning. You would
• 15:11
  Speaker 1: be like, you are not gonna believe what happened to
• 15:14
  Speaker 1: me this weekend? And then and then we'd be like yeah, right,
• 15:18
  Speaker 1: and then it would she would go into a story
• 15:20
  Speaker 1: that was like that's the most insane thing I've ever heard.
• 15:23
  Speaker 1: That's just this weekend, right.
• 15:25
  Speaker 2: And also it would be so crazy that I'd be like,
• 15:26
  Speaker 2: there's no way she can make.
• 15:27
  Speaker 5: This shit up, No way she could make I mean,
• 15:31
  Speaker 5: it is incredible how similar I am with Elliott.
• 15:37
  Speaker 2: Okay, well, let's talk about the audition process.
• 15:39
  Speaker 1: Yeah, talk about That's a good segue into talk about
• 15:42
  Speaker 1: getting scrubs now, because what was what was the auditioning process?
• 15:45
  Speaker 1: When I read finally came around to getting callbacks? I
• 15:48
  Speaker 1: was I was reading with you, so you were were
• 15:50
  Speaker 1: you the first person cast?
• 15:52
  Speaker 5: Doll and I were cast together? My audition process, I
• 15:56
  Speaker 5: had just moved back, like after the Roseansche, I moved
• 15:59
  Speaker 5: back to Canada for four years, and then my best
• 16:02
  Speaker 5: friend had finished film school and she wanted to produce
• 16:05
  Speaker 5: and I wanted to act. And there's you know, there
• 16:08
  Speaker 5: was just at the time not as much filming in
• 16:10
  Speaker 5: Canada as does now, and I creatively was like, Okay,
• 16:14
  Speaker 5: I'll go back and give ella another try. We had
• 16:16
  Speaker 5: we got a six month sublet and we moved down.
• 16:19
  Speaker 5: We didn't know anyone, and we never had any plans.
• 16:22
  Speaker 5: And so this one night we had plans. We were
• 16:24
  Speaker 5: going to a show and I get this. I had
• 16:26
  Speaker 5: two auditions and my you know, for the next day,
• 16:29
  Speaker 5: and normally I'm so type A. I would have canceled
• 16:31
  Speaker 5: my plans and spent every second that existed between getting
• 16:34
  Speaker 5: the sides until going into the audition working on it.
• 16:38
  Speaker 5: And I was like, you know what, fuck it, I'm
• 16:39
  Speaker 5: not canceling. You know, on Gen, We're going to go
• 16:41
  Speaker 5: to the show. And I got home and was midnight,
• 16:45
  Speaker 5: and my audition was at nine am, and the other
• 16:47
  Speaker 5: audition was at noon. My Scrubs audition was at nine am.
• 16:51
  Speaker 5: And I opened the script and I started reading it,
• 16:53
  Speaker 5: and I swore every page. I was like, fuck, oh shit,
• 16:56
  Speaker 5: oh my god, this is so good, and every page
• 16:58
  Speaker 5: I was like, oh shit, this is like the thing
• 17:00
  Speaker 5: I've ever read. Oh fuck, I want this job so badly.
• 17:02
  Speaker 5: I want this part so bad. And so by twelve thirty,
• 17:05
  Speaker 5: I'm like sitting there with having read the script and
• 17:08
  Speaker 5: with these sides, and I loved the show. I loved
• 17:11
  Speaker 5: the writing. I love the part so much. So I thought, Okay,
• 17:14
  Speaker 5: I'll skip the other audition. I won't read that one.
• 17:16
  Speaker 5: Whatever that is goes in the garbage. And I read
• 17:19
  Speaker 5: with Debbie and Brett, the cash In directors, at nine
• 17:22
  Speaker 5: o'clock on a Friday morning, and they said, Okay, can
• 17:24
  Speaker 5: you come back at three to read with Bill.
• 17:27
  Speaker 1: That's a good sign.
• 17:29
  Speaker 5: And then one of Jen's and my very very good
• 17:33
  Speaker 5: friends husbands was in town for work and he had
• 17:37
  Speaker 5: come over to visit us, and so him and Jen,
• 17:41
  Speaker 5: Aaron Brindle and Jen read the sides with me, and
• 17:45
  Speaker 5: so we just kept like running them and then I
• 17:48
  Speaker 5: went in and auditioned with Bill at three. Auditions were
• 17:52
  Speaker 5: like ten days later because they were still casting other
• 17:54
  Speaker 5: people to go to studio and network. So then we
• 17:57
  Speaker 5: did studio and then network. So there's four auditions, and
• 18:00
  Speaker 5: I were the same thing.
• 18:01
  Speaker 2: Every too, see Sarah, because the last two auditions we
• 18:06
  Speaker 2: were there together. I remember that, and you wore the
• 18:08
  Speaker 2: same jeans with the big ass belt and it had
• 18:12
  Speaker 2: a big belt buckle.
• 18:14
  Speaker 5: Am I right, Okay, I know the belt you're talking about.
• 18:17
  Speaker 2: Yeah.
• 18:18
  Speaker 5: I went through a very big belt buckle collecting faith.
• 18:21
  Speaker 5: So I had this old vintage leather belt and then
• 18:23
  Speaker 5: I would switch out like a like an old Coca
• 18:25
  Speaker 5: Cola belt buckle or like. So I did wear not
• 18:28
  Speaker 5: a lot, but in my memory, I don't know, we
• 18:30
  Speaker 5: could both. I have no idea which one of us
• 18:32
  Speaker 5: is right, But in my memory what I wore was
• 18:35
  Speaker 5: I wore black boots at the heel, black pants and
• 18:38
  Speaker 5: a tight black tank top because when I first moved
• 18:42
  Speaker 5: to LA and I would go on these auditions. I
• 18:44
  Speaker 5: remember I went out for an Aaron Spelling sharing these
• 18:46
  Speaker 5: like plaid funky bell bottoms that I thought all really
• 18:48
  Speaker 5: cool in this like vintage T shirt, and I thought
• 18:51
  Speaker 5: that I'm like super excited about the South. And I
• 18:53
  Speaker 5: walked in and there were ten girls and they were
• 18:56
  Speaker 5: all wearing tight black tank tops and tight black pants,
• 18:59
  Speaker 5: and I thought, Okay, so that's how you do it here,
• 19:02
  Speaker 5: got it.
• 19:03
  Speaker 2: I remember the genes being blue. I do remember them
• 19:06
  Speaker 2: being I thought they were tight as fuck too. I
• 19:08
  Speaker 2: remember being like, yeah, Jesus tight, I was the same gene.
• 19:13
  Speaker 1: I was the same way, not with the tight jeans,
• 19:15
  Speaker 1: but I the second I started getting callbacks, I was like,
• 19:18
  Speaker 1: I'm not washing this. I want my pheromones. I want
• 19:22
  Speaker 1: my pheromones on it. I'm not jinxing this thing. And
• 19:25
  Speaker 1: I would get like another callback and be like not
• 19:27
  Speaker 1: changing not I mean, I was just so towards the end,
• 19:31
  Speaker 1: I remember I was like doing the same thing I
• 19:33
  Speaker 1: did that when I would get up, I would sit
• 19:35
  Speaker 1: in the chair, have a coffee. I would go to
• 19:36
  Speaker 1: the treadmill do thirty minute. Like I had a whole regiment.
• 19:39
  Speaker 1: I would listen to the same few songs before I
• 19:41
  Speaker 1: went to the audition. I like had a ritual. Do
• 19:43
  Speaker 1: you remember what they were?
• 19:44
  Speaker 5: Ah, definitely Madonna.
• 19:47
  Speaker 1: One of mine was changed by Blind Melon.
• 19:50
  Speaker 5: Oh I love it?
• 19:51
  Speaker 2: Does it? How is a melon? Blind? It doesn't make
• 19:54
  Speaker 2: no sense.
• 19:55
  Speaker 1: Donald is the name of a very popular band. You
• 19:57
  Speaker 1: might like their music. Let's circle back to South Ho
• 20:00
  Speaker 1: was audition process.
• 20:02
  Speaker 5: I feel like probably I'm guessing that Babies Got Back
• 20:05
  Speaker 5: was another one of the songs.
• 20:07
  Speaker 1: Oh oh wow, that really got you.
• 20:09
  Speaker 2: Do you want to tell them your Baby Got backstory?
• 20:12
  Speaker 5: Yes?
• 20:12
  Speaker 2: I was very impressed that you knew I didn't know
• 20:14
  Speaker 2: that song as well as you knew that song.
• 20:16
  Speaker 5: For grad parent event, we had to do a talent
• 20:19
  Speaker 5: for the parents. And kids got up and played the
• 20:20
  Speaker 5: violin and the piano, and ten of my girlfriends and
• 20:22
  Speaker 5: I got up and danced and we had a whole routine.
• 20:25
  Speaker 1: The routine you did is a bit It was a
• 20:27
  Speaker 1: bit sexual. I think that was kind of odd for
• 20:29
  Speaker 1: the talent show.
• 20:30
  Speaker 2: Now they were seeing yourself.
• 20:31
  Speaker 5: I think all of our parents were probably like i'd
• 20:33
  Speaker 5: asked them, I should like, what did you think when
• 20:35
  Speaker 5: your child was up there at grad parent event?
• 20:37
  Speaker 2: It seems like a very odd How old were you guys?
• 20:40
  Speaker 5: We were in grade twelve, which is Canadian.
• 20:42
  Speaker 2: Grade, right, so you're about to graduate.
• 20:45
  Speaker 1: We were in grade twelve, which is Canadian for twelfth grade.
• 20:48
  Speaker 2: Yep.
• 20:49
  Speaker 5: So any who sen of my songs the Holden BC
• 20:53
  Speaker 5: lot and in the quarantine cleanup, I did find my
• 20:57
  Speaker 5: sides from the auditor Little visitors past might save both
• 21:01
  Speaker 5: of those. But I remember being in the parking lot
• 21:04
  Speaker 5: and just like seat back in the car and lying there,
• 21:08
  Speaker 5: and someone told me to do this. I've never told
• 21:10
  Speaker 5: anyone this, but to visualize yourself walking into the audition,
• 21:16
  Speaker 5: visualize the whole thing playing out, and visualize yourself walking
• 21:20
  Speaker 5: out and it going really well. And so I remember
• 21:23
  Speaker 5: sitting in my car in the NBC parking lot, closed
• 21:25
  Speaker 5: my eyes, visualizing the whole thing. And then and then
• 21:29
  Speaker 5: Donald and I were in there together with some other
• 21:31
  Speaker 5: Turks and some other Elliots and some other jds, and
• 21:33
  Speaker 5: we basically all took turks going in and then they
• 21:37
  Speaker 5: came back out. And then you go back in with
• 21:39
  Speaker 5: this person and read together and then they peer you
• 21:41
  Speaker 5: up and you read together, and it was yeah, pretty
• 21:44
  Speaker 5: in nerve racking.
• 21:44
  Speaker 2: Let me ask you a question. Did you know any
• 21:47
  Speaker 2: of the young ladies that were auditioning for your role?
• 21:51
  Speaker 2: I knew both of the guys that were auditioning for Turk.
• 21:53
  Speaker 2: I knew And not only did I know them, I
• 21:56
  Speaker 2: knew them well too, Like I hung out with one
• 21:59
  Speaker 2: of them and we used to play a lot of
• 22:01
  Speaker 2: basketball together, and then the other one we did a
• 22:04
  Speaker 2: bunch of movies together, or we did a movie together.
• 22:06
  Speaker 2: But I would see him out at the club all
• 22:07
  Speaker 2: the time.
• 22:08
  Speaker 1: Was it Denzel?
• 22:09
  Speaker 2: I wish it was Denzel? I wish I could be
• 22:11
  Speaker 2: like Denzel. I got it, yo, d.
• 22:16
  Speaker 1: Denzel, Denzel, this one's mine.
• 22:18
  Speaker 2: I'm sorry, Sorry, buddy, you'll bounce back. Don't worry about it.
• 22:21
  Speaker 5: So was that weird to sit there with kind of
• 22:24
  Speaker 5: buddies or.
• 22:25
  Speaker 2: Yeah, you know, it was very It was very weird,
• 22:27
  Speaker 2: and it was It's also one of those things where
• 22:29
  Speaker 2: it was like, you know, if one of these guys
• 22:32
  Speaker 2: get it, I'm gonna freaking I'm gonna lose my shit,
• 22:34
  Speaker 2: you know what I mean. Like, as much as I
• 22:36
  Speaker 2: love you, guys, and as much as you know I
• 22:39
  Speaker 2: have root for you, guys, I want this so bad.
• 22:42
  Speaker 2: I want this so bad I could taste it. Both
• 22:44
  Speaker 2: very successful have gone on to do other things. I
• 22:48
  Speaker 2: just really wanted Chris Turk bad.
• 22:49
  Speaker 1: Yeah, well you got it.
• 22:51
  Speaker 5: I mean, so when you're sitting in that for people
• 22:53
  Speaker 5: that are listening, when you're sitting in that position and
• 22:54
  Speaker 5: you're going to so you're going to network, you don't
• 22:56
  Speaker 5: have the part yet, and you sign a six year contract.
• 23:00
  Speaker 5: They call it five plus one, and I was like, well,
• 23:02
  Speaker 5: but isn't that six years?
• 23:05
  Speaker 1: That's a contract lingo for. Don't tell them a six years.
• 23:08
  Speaker 1: We're going to call it five plus one.
• 23:10
  Speaker 5: Yeah, five plus one. So you signed five plus one,
• 23:12
  Speaker 5: and I feel like that's always such a feeling of
• 23:16
  Speaker 5: I mean, you're twenty four and you're thinking, wow, until
• 23:18
  Speaker 5: I'm thirty, and in any other scenario that would kind
• 23:21
  Speaker 5: of take your breath away. In this case, I was
• 23:22
  Speaker 5: just like, yes, for the love of God, please a
• 23:25
  Speaker 5: hundred years of doing this, Like there was no two
• 23:28
  Speaker 5: seconds of thinking about it. Was like, I'm desperate, and wow,
• 23:32
  Speaker 5: if it could ever go, I would be grateful for
• 23:35
  Speaker 5: as many years as it would go for and that
• 23:37
  Speaker 5: feeling of just complete signing that and so hopeful that
• 23:41
  Speaker 5: don't happen anyways. Then Bill called me the few hours
• 23:45
  Speaker 5: lay that day or it was the next day, it
• 23:46
  Speaker 5: was very soon after the audition was either later that
• 23:48
  Speaker 5: day or the next day, and I couldn't believe it.
• 23:51
  Speaker 5: I think we all probably after reading that script kind
• 23:53
  Speaker 5: of felt like it was really something special and had
• 23:57
  Speaker 5: the possibility of I mean you obviously you never know,
• 24:00
  Speaker 5: but the chance to go for it writing so good.
• 24:04
  Speaker 2: As you know, Sarah, I did not read the script
• 24:06
  Speaker 2: before we shot the pilot. I didn't read the script
• 24:08
  Speaker 2: until the table read and I was like, oh, that's
• 24:10
  Speaker 2: what happens. Read dude. I didn't know it was a
• 24:14
  Speaker 2: freaking dope pilot until my agent was like, dude, this
• 24:17
  Speaker 2: is like a really big pilot.
• 24:19
  Speaker 1: But I never I never knew the trivia that you
• 24:22
  Speaker 1: didn't read the script till the table read.
• 24:24
  Speaker 2: Dude, I did not know that, remember the Titans. I
• 24:26
  Speaker 2: didn't know what happened in the script until the table read.
• 24:29
  Speaker 2: I remember we did the dude. I just listen. I
• 24:33
  Speaker 2: just knew only my stuff. This was I was a kid,
• 24:35
  Speaker 2: I was young.
• 24:36
  Speaker 1: Listen, There would be times when we'd be shooting scrubs
• 24:38
  Speaker 1: where you know, the whole script wasn't out yet, and
• 24:41
  Speaker 1: you know, because the writers were behind, so we would
• 24:43
  Speaker 1: we'd get scenes, but Bill would sort of explain what
• 24:45
  Speaker 1: was going on, and you know, you shoot out of order.
• 24:47
  Speaker 1: So we'd be like Monday morning, you know, time to rehearse,
• 24:50
  Speaker 1: and Donald and I are like standing on a table,
• 24:52
  Speaker 1: and he'd whisper in my amy, like, yo, yo, why
• 24:54
  Speaker 1: are we standing on a table? I had no idea
• 25:01
  Speaker 1: what was happening in the script. All right, We're going
• 25:03
  Speaker 1: to take a quick break. I'll be right back with
• 25:05
  Speaker 1: the legendary Sarah Chalker.
• 25:13
  Speaker 2: And we're back, and we're back.
• 25:16
  Speaker 1: Sarah tell us about.
• 25:18
  Speaker 5: Really quickly, really quickly. Before I tell you, I need
• 25:19
  Speaker 5: to tell you. My favorite example of Donald not having
• 25:22
  Speaker 5: read the scene was during the auditions in the show,
• 25:27
  Speaker 5: when you were like, I can't remember what sees, but
• 25:30
  Speaker 5: we're supposed to be auditioning and Neil and Sam Lloyd
• 25:35
  Speaker 5: are auditioning you and like, I remember you walked in
• 25:40
  Speaker 5: and you, you know, were like, oh, yeah, I think
• 25:42
  Speaker 5: I could you read the actual script? You're like, I
• 25:44
  Speaker 5: think I can, you know, come up with a dance
• 25:45
  Speaker 5: for that, and you had to come up with a dance,
• 25:47
  Speaker 5: and you just came up with on the spot. And
• 25:49
  Speaker 5: you're such a fucking good dancer. You came up with
• 25:50
  Speaker 5: this unbelievable dance to poison. And then like, my kids
• 25:54
  Speaker 5: are all obsessed with the fact that it's the Fortnite
• 25:56
  Speaker 5: dance now and they watch the Fortnite character do it
• 25:59
  Speaker 5: besides you, and they've all tried to learn it. We've
• 26:03
  Speaker 5: tried to learn it. I can't learn it.
• 26:04
  Speaker 2: I don't think I could even do it again.
• 26:07
  Speaker 1: Listen. So I just want to say the building off
• 26:09
  Speaker 1: what Sarah said, that's a perfect example. Sorry Sarah, that
• 26:11
  Speaker 1: is the best example. Donald hadn't read the script and
• 26:14
  Speaker 1: everyone loves that dance. People talk about it. It's the
• 26:16
  Speaker 1: Fortnite dances everywhere. Donald literally showed up and was like,
• 26:19
  Speaker 1: you want me to do what now? And he had
• 26:21
  Speaker 1: to and he totally improvised that dance on the spot.
• 26:24
  Speaker 2: Well, there was a lot of years of of you know,
• 26:26
  Speaker 2: I was a huge New Audition fan, a huge Bell
• 26:29
  Speaker 2: Bib Davout fan. I still am a huge New Edition
• 26:32
  Speaker 2: in Bell Bib Davou fan, and Bobby Brown and Ralph
• 26:35
  Speaker 2: trans van all of them. Anyway, I had been dancing
• 26:39
  Speaker 2: like that my whole life, pretty much since I was
• 26:41
  Speaker 2: like and since ninety two, I was doing dances like that,
• 26:45
  Speaker 2: and so when they were like, we want you to
• 26:46
  Speaker 2: dance to poison, in my mind I was like, yeah,
• 26:50
  Speaker 2: I know, I know some steps that I could do
• 26:51
  Speaker 2: to that to everybody else, because I remember I was
• 26:54
  Speaker 2: late that day. Everybody packed the room that day, and
• 26:57
  Speaker 2: I know the pressure was on me, but I was like,
• 26:59
  Speaker 2: this is this is something that I do all the time. Now.
• 27:02
  Speaker 2: There are other times where I didn't prepare when we
• 27:06
  Speaker 2: were doing the show, and it cost us like hours
• 27:08
  Speaker 2: of filming.
• 27:09
  Speaker 1: Oh my god, Donald, I remember I was I was
• 27:12
  Speaker 1: directing once and Donald had a paragraph of medical jargon,
• 27:16
  Speaker 1: like a really hard a paragraph you would anyone would
• 27:19
  Speaker 1: have to practice a lot because it was like fast
• 27:22
  Speaker 1: medical jargon and like five sentences and I was directing
• 27:26
  Speaker 1: and just Donald could not get it because he hadn't
• 27:28
  Speaker 1: even looked at it. It's not something you could do
• 27:30
  Speaker 1: on the spot. And I remember, you know, when you're
• 27:32
  Speaker 1: directing a scene, you normally start with the widest shots
• 27:35
  Speaker 1: and then you start moving into closer and closer angles,
• 27:38
  Speaker 1: and I was like, Donald, we gotta move on, dude,
• 27:40
  Speaker 1: don't worry, We'll cut it together. We cut it together.
• 27:42
  Speaker 1: By the time we got to like an extreme close
• 27:44
  Speaker 1: up of Donald's face, like eyebrowed a chin, he finally
• 27:47
  Speaker 1: got it. And if you watch that episode, like Donald
• 27:50
  Speaker 1: does the whole monologue and a shot that's like this tight,
• 27:53
  Speaker 1: because that was finally the only time you ever got it.
• 27:55
  Speaker 2: Those days are over, by the way. Just anybody who's
• 27:58
  Speaker 2: looking to hire me for any thing, yeah, I am
• 28:01
  Speaker 2: not like that anymore.
• 28:02
  Speaker 1: I'm sure no no casting directors or directors are listening
• 28:06
  Speaker 1: to our podcast.
• 28:08
  Speaker 5: But and what Zach was saying about, you know, getting
• 28:11
  Speaker 5: the script sometimes, you know, as the season would get
• 28:14
  Speaker 5: towards the end, and the writers were so taxed trying
• 28:17
  Speaker 5: to crank out these scripts that were so funny. I
• 28:21
  Speaker 5: remember one morning we got to work on a Monday morning,
• 28:24
  Speaker 5: and it was the week that my character had the voiceover,
• 28:27
  Speaker 5: because each of our characters had a voiceover for one time,
• 28:30
  Speaker 5: and they didn't have the script out yet, but we
• 28:32
  Speaker 5: had to start shooting something, and so they said, We're
• 28:36
  Speaker 5: just going to do a long, kind of steady cam
• 28:38
  Speaker 5: shot following you through the hallways, and I just want
• 28:41
  Speaker 5: you to change your face around to go with different
• 28:44
  Speaker 5: emotions and things you're going to write. So just you know,
• 28:46
  Speaker 5: you're walking and you're thinking, like a little bit happy
• 28:49
  Speaker 5: and you're a little bit sad, and then you're thinking
• 28:51
  Speaker 5: about something. We talk for two hours, just me and
• 28:54
  Speaker 5: his steady cam.
• 28:55
  Speaker 1: I'm like, that's funny that they probably had to eventually
• 28:58
  Speaker 1: write to your expressions because they were changing, because then
• 29:00
  Speaker 1: they didn't and the camera didn't want to cut away.
• 29:02
  Speaker 1: So it's like, okay, wait, she's about it. Got a
• 29:04
  Speaker 1: second of seriousness and then a smile, so like we
• 29:07
  Speaker 1: need a one second sentence and then it's something to
• 29:10
  Speaker 1: smile about.
• 29:11
  Speaker 5: Then looking a little nostalgic and all.
• 29:15
  Speaker 1: Right, should we go into this episode? This is one
• 29:17
  Speaker 1: of my favorite episodes. This is one of my favorite
• 29:19
  Speaker 1: episodes of the whole nine years. It really is special,
• 29:23
  Speaker 1: and I want you to know I haven't seen it
• 29:25
  Speaker 1: in twenty years and I got goosebumps multiple times watching it.
• 29:28
  Speaker 1: That's how it really does hold up.
• 29:30
  Speaker 2: I was about, there's some really great moments in this show,
• 29:34
  Speaker 2: in particular with you, Sarah. This this you know, I
• 29:37
  Speaker 2: looked at this show when I first when we first
• 29:39
  Speaker 2: did this show, I was like, oh, wow, we all
• 29:41
  Speaker 2: get a chance to shine here. But this was a
• 29:44
  Speaker 2: moment I feel like for you and for Judy as well,
• 29:47
  Speaker 2: where you guys, you guys really crushed this episode. Like
• 29:50
  Speaker 2: it's really fucking good, like you two alone, you alone,
• 29:54
  Speaker 2: you and Judy alone. Like really, I don't know what
• 29:57
  Speaker 2: it is, but you guys start off on a you know,
• 30:00
  Speaker 2: as adversaries and by the end of it your friends.
• 30:02
  Speaker 2: And that's for a half an hour. To be able
• 30:04
  Speaker 2: to tell a story like that's very difficult to start
• 30:08
  Speaker 2: two people off as enemies, especially when the narrative so
• 30:11
  Speaker 2: far in the show has been you guys not getting along.
• 30:14
  Speaker 2: And so, you know, it really is a testament to
• 30:17
  Speaker 2: how good you are as an actress that you guys
• 30:20
  Speaker 2: were able to not only bring the funny, but bring
• 30:23
  Speaker 2: the drama and then also bring the connection so that
• 30:26
  Speaker 2: the story tracks all the way through. And I just
• 30:28
  Speaker 2: wanted to give you props on that straight up, right out,
• 30:31
  Speaker 2: you know the bat. And also it was so early
• 30:33
  Speaker 2: on in the show too, it was episode four, and
• 30:36
  Speaker 2: so for us to be able to jump in and
• 30:39
  Speaker 2: tell such a good story it's really a testament to
• 30:42
  Speaker 2: how good First of all, Matt tarsis, Holy shit, what
• 30:44
  Speaker 2: a good writer d.
• 30:45
  Speaker 1: Matt Tarsus wrote it. And we should also say that
• 30:47
  Speaker 1: this was the first episode not directed by Adam Bernstein,
• 30:50
  Speaker 1: and it was the first episode directed by Mark Buckland,
• 30:53
  Speaker 1: who really added a lot of cool style. You know,
• 30:56
  Speaker 1: we've spoken about how Adam Bernstein really developed the language,
• 31:00
  Speaker 1: how the camera moves and scrubs and how you could
• 31:02
  Speaker 1: do some trick shots, and how there was a lot
• 31:03
  Speaker 1: of creativity. The camera was a character in the show,
• 31:06
  Speaker 1: and Mark Bucklan, I think, with this episode, really took
• 31:08
  Speaker 1: that and ran with it and added a lot of
• 31:11
  Speaker 1: a new language to the way the show was shot.
• 31:13
  Speaker 5: Adam Bernstein, it should be said, directed the Baby's Got
• 31:16
  Speaker 5: Back video in case anyone out there does.
• 31:18
  Speaker 1: Not know that, Yes, that's that is that is beautiful
• 31:21
  Speaker 1: trivia there for you Scrubs fans. Sarah can do the
• 31:23
  Speaker 1: full dance and knows all the lyrics the Babies Got
• 31:25
  Speaker 1: Back And coincidentally, was it Sir Mix a Lot? Yes,
• 31:28
  Speaker 1: it is Sir Mix a Lot music video was directed
• 31:31
  Speaker 1: by Adam Bernstein. There you go, that's not on your
• 31:32
  Speaker 1: Scrubs wiki.
• 31:33
  Speaker 2: Right. Thank you told you wiki wiki we got it
• 31:36
  Speaker 2: from here.
• 31:37
  Speaker 5: Well, first of all, Donald, thank you for saying all
• 31:39
  Speaker 5: those nice things. I felt the same way about you guys.
• 31:41
  Speaker 5: Like I was like going, like, wow, Donald, Zach fucking
• 31:44
  Speaker 5: nailing this episode. And it's like we just started, like
• 31:46
  Speaker 5: we were a few weeks in. It was that fourth episode,
• 31:47
  Speaker 5: but it was the third one that we'd shot in
• 31:49
  Speaker 5: that chunk, you know, separated out from the pilot. And
• 31:52
  Speaker 5: like I feel like Bill had told us a long
• 31:55
  Speaker 5: time ago that he didn't he say to the network,
• 32:01
  Speaker 5: We're going to set it up one out of every
• 32:03
  Speaker 5: three patients die here and you're kind of waiting the
• 32:05
  Speaker 5: whole episode to find out who it's going to be,
• 32:06
  Speaker 5: and then they all die. I feel like he said
• 32:08
  Speaker 5: that to the network and they said, no, you can
• 32:09
  Speaker 5: only have one patient die, and he said, no, it's
• 32:11
  Speaker 5: going to be all three. But we have to do that. Yeah,
• 32:13
  Speaker 5: we're coming out of the gate right now. We're going
• 32:15
  Speaker 5: to show the audience that this is what the show is.
• 32:17
  Speaker 5: And all those years on Scrubs, this one, for me
• 32:21
  Speaker 5: absolutely is the one that stands out whenever I think
• 32:23
  Speaker 5: of the show as being the one that really shows
• 32:28
  Speaker 5: the responsibility that's put on these young, young, young doctors.
• 32:31
  Speaker 5: I mean, my little sister is in her first year
• 32:34
  Speaker 5: right now of being a real doctor. What a crazy
• 32:37
  Speaker 5: time in the world to be doing that. And I
• 32:41
  Speaker 5: can't believe, for stories, I can't believe what level of
• 32:44
  Speaker 5: responsibility that they're given right out of the gate. I mean,
• 32:48
  Speaker 5: I'll be at work on set and I'm on lunch,
• 32:50
  Speaker 5: and I come back from lunch and she's like, you know,
• 32:53
  Speaker 5: she's just been doing CPR on someone for thirty minutes,
• 32:57
  Speaker 5: trying to save them. And I'm like, well, I was
• 32:58
  Speaker 5: just in here a makeup touch and they took the
• 33:00
  Speaker 5: same curl and recurled it again to make it curly,
• 33:05
  Speaker 5: you know, like it just it's such a uh it
• 33:08
  Speaker 5: takes your breath away. Really, what the decisions young doctors
• 33:11
  Speaker 5: have to make?
• 33:12
  Speaker 1: Do you think your sister was inspired by you? I
• 33:15
  Speaker 1: mean it's interesting. You know a lot of younger sisters
• 33:17
  Speaker 1: might be inspired that their older sister was a real doctor.
• 33:20
  Speaker 1: But because she grew up with you playing this character,
• 33:23
  Speaker 1: does she think that that inspired her at all?
• 33:25
  Speaker 6: Oh?
• 33:25
  Speaker 5: I tried to get my I remember I'd say to
• 33:27
  Speaker 5: my family like, hey, guys, like, did you see. You know,
• 33:30
  Speaker 5: I was so excited about the show. I like, you've seen.
• 33:31
  Speaker 5: They were like, well, we t vote it because it's
• 33:34
  Speaker 5: on the same time as twenty four.
• 33:35
  Speaker 2: But that Jack.
• 33:35
  Speaker 5: Bauer, what he did? They I feel like, you know,
• 33:43
  Speaker 5: she's thirteen years younger than me, and I would like
• 33:45
  Speaker 5: to think that I had that kind of an influence,
• 33:48
  Speaker 5: but really she came out of the womb a doctor.
• 33:51
  Speaker 5: I mean, she the stories are crazy me. Yeah, she
• 33:54
  Speaker 5: was just so interested in medicine from such a young
• 33:58
  Speaker 5: age and really so calm under pressure, like I remember,
• 34:02
  Speaker 5: just just responsible. I mean I remember we went on
• 34:05
  Speaker 5: a road trip and she'd had her license for maybe
• 34:06
  Speaker 5: two weeks and my dad was like, so she's gonna drive, right,
• 34:09
  Speaker 5: And I was like, Dad, I've been I've been driving
• 34:11
  Speaker 5: for thirteen and a half years. He's like, yeah, yeah,
• 34:13
  Speaker 5: so she's gonna drive right. Like she just is just
• 34:16
  Speaker 5: a much more responsible human. But it definitely has been
• 34:20
  Speaker 5: interesting just rewatching a couple, like just last night, rewatching
• 34:25
  Speaker 5: a couple of the early episodes and thinking them, thinking
• 34:28
  Speaker 5: about them just in the context of her and this
• 34:31
  Speaker 5: one in particular, because it's pretty it's pretty unbelievable, as
• 34:35
  Speaker 5: you know, you see JD and Elliott and Turk and
• 34:39
  Speaker 5: the pressure that is on them and just all of it,
• 34:42
  Speaker 5: like trying to figure out, you know, what calls they
• 34:44
  Speaker 5: can make on their own and when to go for help.
• 34:46
  Speaker 2: Here's a little bit more scrubs trivia. Your little sister
• 34:50
  Speaker 2: taught my eighteen year old, when he was probably nine
• 34:56
  Speaker 2: to ten months at this time, how to walk. It
• 35:01
  Speaker 2: happened on the third floor of the hospital, right in
• 35:04
  Speaker 2: between our dressing rooms. That's so crazy crazy. And now
• 35:09
  Speaker 2: she's an adult and she's taking care of patients. Wow,
• 35:12
  Speaker 2: is she on the front line right now?
• 35:14
  Speaker 5: She is. I think about her mostly every minute.
• 35:18
  Speaker 6: Wow.
• 35:18
  Speaker 5: We've been pots and pans every night, all of us.
• 35:23
  Speaker 5: And my three year old has broken a couple measuring
• 35:26
  Speaker 5: cups because she gets so into it.
• 35:29
  Speaker 1: That's very sweet. You do it as like an honor
• 35:31
  Speaker 1: to the healthcare workers.
• 35:33
  Speaker 5: Yeah, so it's it's really cool. Actually, everybody, everybody goes
• 35:37
  Speaker 5: out on Everybody goes outside at like seven o'clock and
• 35:40
  Speaker 5: just egs the pots and pans and screams and cheers.
• 35:43
  Speaker 1: Oh. I like that. I want my neighborhood. I want
• 35:45
  Speaker 1: my neighborhood to do that. We need a primal scream.
• 35:48
  Speaker 5: Oh you start it, It's so cool.
• 35:50
  Speaker 2: Yeah.
• 35:51
  Speaker 1: Just segueing back to the show, I want to just
• 35:53
  Speaker 1: say that you'll hear us at a minute and forty
• 35:55
  Speaker 1: five seconds, there's this really cool steady cam shot that
• 35:58
  Speaker 1: really kind of sets up the tone of the show.
• 36:02
  Speaker 1: You'll hear us talk about. The word steady came a
• 36:04
  Speaker 1: lot on this and if you don't know what it is,
• 36:06
  Speaker 1: it's a it's like it's a way of mounting the
• 36:08
  Speaker 1: camera on an operator's body so that the operator can
• 36:11
  Speaker 1: move around and the camera just feels like it's floating around,
• 36:14
  Speaker 1: and it's something that was used extensively on the Scrubs
• 36:17
  Speaker 1: set as we traveled on the hallways. But I pointed out,
• 36:20
  Speaker 1: as I was talking about Mark Buckler in the director's style,
• 36:22
  Speaker 1: how I like this sort of way he's introducing that
• 36:24
  Speaker 1: this episode is going to be about the three of us,
• 36:26
  Speaker 1: where the camera starts on me and then it and
• 36:29
  Speaker 1: then it goes to Sarah and it never it never cuts,
• 36:32
  Speaker 1: and then it goes by the children and then it
• 36:33
  Speaker 1: comes up to Donald as he comes into the room.
• 36:35
  Speaker 1: And I just thought that was kind of an early
• 36:39
  Speaker 1: example of something that we did ended up doing a
• 36:41
  Speaker 1: lot of of of sort of moving around the hallways
• 36:44
  Speaker 1: without cutting a lot.
• 36:45
  Speaker 2: Yeah. Also, if I don't know if you guys noticed,
• 36:47
  Speaker 2: but the hospital is really dark in this episode.
• 36:50
  Speaker 1: Yeah, it's true.
• 36:52
  Speaker 2: The lights aren't on. Really everything's you know, it's very
• 36:55
  Speaker 2: very dark in this episode. Not only that, here's another thing.
• 36:58
  Speaker 2: It's jumping ahead, but this is one of the first
• 37:00
  Speaker 2: times where Kelso isn't the bad guy on the show. Also,
• 37:05
  Speaker 2: what I've noticed is that when we're dealing with something
• 37:09
  Speaker 2: like that's as powerful or as strong as death, it's
• 37:13
  Speaker 2: us versus the hospital. If you've noticed that, you know
• 37:16
  Speaker 2: what I mean, it's the cast versus death. And in
• 37:20
  Speaker 2: this one, Kelso gives is a mentor in this one.
• 37:24
  Speaker 2: He gives really good advice in this one to JD.
• 37:28
  Speaker 2: And he's not the obstacle. He's the one that's actually
• 37:31
  Speaker 2: trying to help solve the problems in this Now, if
• 37:35
  Speaker 2: you watch other episodes, he's never really like that, you
• 37:39
  Speaker 2: know what I mean, He's always he's always the bad guy.
• 37:42
  Speaker 2: This was the first episode, well obviously the first episode
• 37:45
  Speaker 2: in a run, but this is the first episode that
• 37:46
  Speaker 2: I can remember where I was like, wow, Kelso was
• 37:49
  Speaker 2: on board with us this whole time.
• 37:51
  Speaker 1: Mm hmm. I like what you pointed out too about
• 37:53
  Speaker 1: the lighting, because traditionally in half hour TV comedy everything's
• 37:56
  Speaker 1: always bright. There's like this unwritten rule that for it
• 37:59
  Speaker 1: to be funny, it's out of you bright. And again
• 38:02
  Speaker 1: just challenging some of the conventions. In this episode, both
• 38:05
  Speaker 1: John Inwood, the cinematographer, and Mark Buckland did things like
• 38:10
  Speaker 1: have have it be in dark rooms? You know, having
• 38:13
  Speaker 1: some of the dramatic moments like in ICU later happened
• 38:17
  Speaker 1: in you know, at night or at sundown, which I thought,
• 38:21
  Speaker 1: was I agree, that was something I hadn't I had
• 38:22
  Speaker 1: noticed that was this is the first time they did that.
• 38:24
  Speaker 2: Yeah, it carries on throughout the series too.
• 38:27
  Speaker 1: Yeah. At two twenty six we meet Catherine Juston playing
• 38:31
  Speaker 1: Missus Tanner. Now, she is such an uzz She has
• 38:34
  Speaker 1: since passed away, but was such an extraordinary actress. And
• 38:36
  Speaker 1: I remember she had just done a very high profile
• 38:40
  Speaker 1: run on the West Wing where that character had passed
• 38:43
  Speaker 1: away as well, and I remember thinking, well, is that
• 38:46
  Speaker 1: gonna be odd that she's coming onto art. I mean,
• 38:49
  Speaker 1: I'm glad she's coming on because she's a wonderful actress,
• 38:51
  Speaker 1: but having just played someone else who died. I think
• 38:54
  Speaker 1: I just remember that being in my head like she
• 38:56
  Speaker 1: had just done such a hope, high profile moment on
• 38:59
  Speaker 1: West Wing. But then the second I started working with her,
• 39:02
  Speaker 1: I just felt in awe of her, of her talent,
• 39:06
  Speaker 1: and that was the furthest thing from my mind.
• 39:08
  Speaker 5: It's one of my favorite moments in the episode when
• 39:10
  Speaker 5: she says, are you a good doctor? And you say
• 39:12
  Speaker 5: it's probably too soon to tell, And I just feel
• 39:14
  Speaker 5: like it's such a such an example of how the
• 39:17
  Speaker 5: show walked that line of like you're just on the
• 39:20
  Speaker 5: edge of your seat and you're crying and then you're laughing,
• 39:22
  Speaker 5: and there's a few moments.
• 39:24
  Speaker 2: Oh, there's a couple of moments that I laughed in
• 39:26
  Speaker 2: my ass. So when JD goes to the park to
• 39:30
  Speaker 2: meet up with her, yeah, and he's like, you got
• 39:33
  Speaker 2: to get your ass back to the hospital. And then
• 39:36
  Speaker 2: he's like, is that some Moores? And then they cut
• 39:38
  Speaker 2: away and then they cut back and he's still chastising her,
• 39:41
  Speaker 2: but now you've got chocolate all on his lips.
• 39:43
  Speaker 1: Yeah, JD was not going to pass up Amores moment.
• 39:46
  Speaker 1: Are you kidding me?
• 39:47
  Speaker 5: You think he could have gone a big cake.
• 39:50
  Speaker 1: JD was not. JD was trying. It was a perfect
• 39:53
  Speaker 1: JD thing to be like really trying to be taken
• 39:55
  Speaker 1: seriously with s'mores, chuck let over all of his lips.
• 40:00
  Speaker 5: They're one of my favorite laugh out low moments is
• 40:02
  Speaker 5: when donald is doing.
• 40:03
  Speaker 1: The workout video, which is foreshadowing the Bois and dance
• 40:09
  Speaker 1: a little bit because you're dancing in the very same
• 40:11
  Speaker 1: room and and a little.
• 40:13
  Speaker 5: Bit and some and some sweet moves that I guarantee
• 40:15
  Speaker 5: you we're not in the eighties workout video. But when
• 40:18
  Speaker 5: the like she had such energy and warm dude, the
• 40:20
  Speaker 5: Women League of Women Voters called and they want to
• 40:22
  Speaker 5: know where to zend your membership.
• 40:27
  Speaker 1: Sarah tell us about I'm a tell us about I'm
• 40:30
  Speaker 1: a Chunky Monkey from Funky Town because I remember that,
• 40:33
  Speaker 1: and I just was like, who wrote that? That is
• 40:34
  Speaker 1: the most random thing in the world.
• 40:36
  Speaker 5: I guess Matt Tarsus or who knows.
• 40:39
  Speaker 1: But was the idea that you were just testing out?
• 40:42
  Speaker 1: Elliott was just testing out that she could say anything
• 40:45
  Speaker 1: in front of a woman.
• 40:46
  Speaker 5: Yes, yes, I think so.
• 40:47
  Speaker 2: Yes.
• 40:49
  Speaker 5: Obviously to Carla's disclay.
• 40:52
  Speaker 2: There's a lot of there's a lot of trivia in
• 40:54
  Speaker 2: this episode, because we we introduced characters that from that
• 40:59
  Speaker 2: moment on weren't on the show anymore. Like I remember
• 41:03
  Speaker 2: Layla Lee, she plays the surgeon in the room with
• 41:07
  Speaker 2: doctor Wynn and Turk.
• 41:08
  Speaker 1: She was really good. I had the same reaction. I
• 41:10
  Speaker 1: was like, what happened to her?
• 41:11
  Speaker 2: She was, yeah, so I do know the story. I
• 41:13
  Speaker 2: remember we were filming and it was a couple of
• 41:17
  Speaker 2: episodes in and she was going to come back as
• 41:19
  Speaker 2: my nemesis. And she was saying how she had just
• 41:22
  Speaker 2: got this part on a television show that was going
• 41:25
  Speaker 2: to take her out of California, or not out of California,
• 41:28
  Speaker 2: but out of the Los Angeles area, and she was
• 41:30
  Speaker 2: going to go do that instead. Now I remember being like,
• 41:33
  Speaker 2: but what about us, what about what we've got going?
• 41:36
  Speaker 2: This is so funny, And she was like, you know,
• 41:38
  Speaker 2: I'm a guest star on this show, but on the
• 41:41
  Speaker 2: other show I would be a lead. And so she
• 41:43
  Speaker 2: went and took the other job. To be honest with you,
• 41:45
  Speaker 2: And now do you remember what the show was. It
• 41:47
  Speaker 2: was Tremors. Oh okay, it was the syndicated version of Tremors,
• 41:50
  Speaker 2: And I remember it ran for a while and the
• 41:53
  Speaker 2: dad from Family Ties I think is on it. I'm
• 41:56
  Speaker 2: not sure. I couldn't.
• 41:57
  Speaker 1: I just remember watching that scene, which we'll get to
• 42:00
  Speaker 1: you later in the episode, and you guys had such
• 42:02
  Speaker 1: a funny banter that that's spoofing of a couple driving together.
• 42:06
  Speaker 1: And then I had the same thought. I go, oh
• 42:08
  Speaker 1: that that that young woman was so funny. What happened
• 42:10
  Speaker 1: to her? And I guess she got her own show
• 42:12
  Speaker 1: at the time.
• 42:12
  Speaker 2: She got well, yeah, she got a job and went
• 42:15
  Speaker 2: on to do other things.
• 42:17
  Speaker 5: To other people of Scrubs lore who were introduced in
• 42:19
  Speaker 5: this episode seven fifty nine, I very quickly. If you
• 42:24
  Speaker 5: watched Danny rose Field assistant and obviously became a producer
• 42:27
  Speaker 5: on the show. He walks by in the park and
• 42:29
  Speaker 5: he has Tankers.
• 42:30
  Speaker 2: On his shoulders.
• 42:31
  Speaker 1: Shoulders, yeah, and Tankers was what a big bulldog that
• 42:34
  Speaker 1: he Yeah, Tankers And I just we have to talk
• 42:38
  Speaker 1: about the legendary Mike Schwartz, who plays his very first appearance,
• 42:43
  Speaker 1: very first appearance. A lot of times we're watching these
• 42:45
  Speaker 1: episodes that I forget that some of these people were
• 42:46
  Speaker 1: introduced so early. So Mike Schwartz was one of the
• 42:48
  Speaker 1: writers on the show. Very funny a comedy writer, and
• 42:51
  Speaker 1: he plays the delivery guy, the ups guy, if you will.
• 42:54
  Speaker 1: That his first they established him giving something to Kelso
• 42:57
  Speaker 1: and then later he comes and delivers a ton of
• 42:58
  Speaker 1: bricks to me. He is uh he. We had so
• 43:01
  Speaker 1: many laughs with that guy.
• 43:02
  Speaker 5: Huh oh, constantly doing bits and making us all laugh,
• 43:05
  Speaker 5: Like you walk by him in the hallway and he'd
• 43:07
  Speaker 5: be like, what's that, Oh, it's Jake Crew.
• 43:10
  Speaker 1: He would do this. He would do this bit that
• 43:12
  Speaker 1: I don't know why. It was so funny, but he
• 43:14
  Speaker 1: would go he would pretend to call off to someone
• 43:16
  Speaker 1: that wasn't there, and he would and he would do
• 43:19
  Speaker 1: a bit where he was pretending that they were asking
• 43:21
  Speaker 1: him who made his shirt, and so he'd be reaching
• 43:24
  Speaker 1: for the tag. He'd be what, oh, hold on to me.
• 43:27
  Speaker 1: Oh yeah, it's Jay Crew. And it was so stupid,
• 43:31
  Speaker 1: but he was talking to no one and you would
• 43:33
  Speaker 1: laugh every single time.
• 43:34
  Speaker 5: Every time were Lonely's guy in the world where you
• 43:36
  Speaker 5: tap him on the shoulder and be like, we ended.
• 43:38
  Speaker 1: Up putting that in the show.
• 43:42
  Speaker 2: He went on to be the was he the drummer
• 43:46
  Speaker 2: for the for the airband That same episode that we
• 43:49
  Speaker 2: were talking about ast year.
• 43:50
  Speaker 1: Yeah, he liked his character. Like later episodes we learned
• 43:53
  Speaker 1: that his character like speed metal.
• 43:55
  Speaker 2: Right and and and that his character was a big
• 43:57
  Speaker 2: time like drug addict and everything like that.
• 43:58
  Speaker 1: And it was always I think suff that and he
• 44:01
  Speaker 1: was very lonely. But that that bit about that was
• 44:03
  Speaker 1: his bit where you if no one touched him, So
• 44:06
  Speaker 1: if you ever did graize his shoulder, he would sort
• 44:08
  Speaker 1: of cuddle his own shoulder because he was so low.
• 44:11
  Speaker 1: He was so lonely and lacking.
• 44:13
  Speaker 5: Of touch, the loneliest guy in the world. And then
• 44:15
  Speaker 5: Randall Winston is introduced as Death Yes, yeahs.
• 44:20
  Speaker 1: And Randall Winston was our line producer on the show.
• 44:24
  Speaker 1: And uh, for those who don't know, a line producer
• 44:26
  Speaker 1: is the producer that really is handling the sort of
• 44:28
  Speaker 1: the daily money of things, really like the guy with
• 44:30
  Speaker 1: the spreadsheet being like we can afford that, we can't
• 44:32
  Speaker 1: afford that. And he was a very he was he
• 44:36
  Speaker 1: is a very tall man. How tall would you say,
• 44:38
  Speaker 1: is six seven or six six? Yeah? And so he
• 44:41
  Speaker 1: he was established early on as as Death and run yes,
• 44:48
  Speaker 1: and some of you are too young to know that
• 44:51
  Speaker 1: what this joke is about. Connect four, but Connect four
• 44:54
  Speaker 1: was a was a game from.
• 44:55
  Speaker 2: It still is a game still, but I'm.
• 44:57
  Speaker 1: Saying they didn't have the cheesy ad. She's the ad
• 45:00
  Speaker 1: in the eighties was a brother and sister playing and
• 45:04
  Speaker 1: the sister wins and the brother goes pretty sneaky sis.
• 45:09
  Speaker 1: Remember that, you guys can look it up on YouTube.
• 45:12
  Speaker 1: And so that's why we were spoofing that old eighties
• 45:15
  Speaker 1: ad where I go pretty sneaky death.
• 45:19
  Speaker 2: But you got to do the lead up to it
• 45:21
  Speaker 2: is I win where I don't see it right here
• 45:25
  Speaker 2: diagonally pretty sneaky sis, pretty sneaky Sis.
• 45:31
  Speaker 5: And Randall is his main belief was that it's not
• 45:35
  Speaker 5: a party unless both hands are in the air. So
• 45:37
  Speaker 5: we had the most incredible rap parties.
• 45:40
  Speaker 2: And parties man and Randall and Randall is like some
• 45:48
  Speaker 2: of the highlights of every part, like the some of
• 45:52
  Speaker 2: the best party highlights that I've ever experienced involved Randall.
• 45:58
  Speaker 1: Fortunately for us, the guys ending the money for the
• 46:00
  Speaker 1: party really loved to party.
• 46:03
  Speaker 5: Yeah, we had some good parties.
• 46:05
  Speaker 1: I'm sure there's episodes where they were like, you don't
• 46:06
  Speaker 1: need that set, we're throwing a party.
• 46:12
  Speaker 5: Why Johnny Ce's home space looked very sparse because we
• 46:17
  Speaker 5: needed to go to Voge.
• 46:18
  Speaker 1: Oh god, we were just talking about that. How Johnny ceed.
• 46:20
  Speaker 1: They didn't get around to Johnny cees uh partly building
• 46:23
  Speaker 1: Johnny C's apartment. It was just a hospital set.
• 46:26
  Speaker 5: But I think Randall spearheaded. I'm sure the like we
• 46:28
  Speaker 5: got to we got to go on that crazy, amazing
• 46:31
  Speaker 5: trip everybody to Vegas. We had to do like they
• 46:34
  Speaker 5: were able to kind of combine a press event with
• 46:36
  Speaker 5: the Scrubs wrap party, and so they organized it so
• 46:39
  Speaker 5: like our whole cap went to Vegas all together.
• 46:43
  Speaker 2: Things that will never happen ever in ever again.
• 46:47
  Speaker 1: Right, I doubt any show is taking their whole company
• 46:49
  Speaker 1: to Vegas to throw a bash. Will the old days?
• 46:53
  Speaker 5: Yeah, when we got to shoot a whole season in
• 46:56
  Speaker 5: the Bahamas with the whole crewis company an episode?
• 46:59
  Speaker 1: Sarah Maym stayed and shot a season?
• 47:03
  Speaker 5: What is the season?
• 47:04
  Speaker 1: Donald? I want to know the sports question, and I
• 47:07
  Speaker 1: want you to be honest. Yes, did you know what
• 47:09
  Speaker 1: the quote unquote catch was? Absolutely, it's about it. It's
• 47:13
  Speaker 1: a famous thing that sports people know about.
• 47:15
  Speaker 2: Absolutely. So Joe Montana, Yeah, it looked like he couldn't
• 47:19
  Speaker 2: throw it to anyone in this game. Now, granted I
• 47:23
  Speaker 2: don't know who who they were playing, so when we're
• 47:27
  Speaker 2: talking about it in the show, I didn't know who
• 47:28
  Speaker 2: they were playing. But he found Dwight Clark in the
• 47:31
  Speaker 2: end zone and it was you know, it's one of
• 47:34
  Speaker 2: the biggest catches in history. As a matter of fact,
• 47:36
  Speaker 2: it's a part of a commercial, like a Gatorade commercial
• 47:39
  Speaker 2: or something like that. And that's how I first heard
• 47:42
  Speaker 2: about it because I wasn't a big football fan growing up.
• 47:45
  Speaker 2: I didn't I didn't become a football fan until later
• 47:47
  Speaker 2: on in life. But yes, I didn't know when we
• 47:50
  Speaker 2: did the When when they referenced the catch, I knew
• 47:52
  Speaker 2: exactly what it was.
• 47:53
  Speaker 1: Okay, good because I didn't know because I don't know
• 47:55
  Speaker 1: anything about sports. If like everyone who's into sports knows, oh,
• 47:58
  Speaker 1: the catch, it's called like the catch.
• 48:00
  Speaker 2: Well, I mean at that time it was called the catch.
• 48:03
  Speaker 2: I'm sure. Since then they're like Eli Manning and Mario
• 48:07
  Speaker 2: Manningham they have a you know how he found him
• 48:11
  Speaker 2: on the you know, running down the it's it's I
• 48:14
  Speaker 2: didn't know when or where the catch was, but I
• 48:17
  Speaker 2: had heard of the reference before.
• 48:19
  Speaker 1: Donald tell us about the bowling thing. Because I was
• 48:20
  Speaker 1: laughing at this going, what are those what are those pins?
• 48:23
  Speaker 5: Like?
• 48:23
  Speaker 1: What is that supposed to be in the hospital of
• 48:25
  Speaker 1: those giant blue things.
• 48:27
  Speaker 2: First of all, this this is a testament for how
• 48:29
  Speaker 2: immature Christopher Turk was. So the kid says to him, Hey,
• 48:32
  Speaker 2: it's the Catch. Turk turns around, goes, yeah, I watched
• 48:35
  Speaker 2: The Catch with you, and within fifteen minutes he's bowling
• 48:38
  Speaker 2: a kid down the hospital hall. Like, how did this
• 48:41
  Speaker 2: kid convince Like, that's how weak willed Chris Turk is.
• 48:44
  Speaker 2: How in the hell did this kid convince him to
• 48:48
  Speaker 2: put him in a wheelchair and push him down the
• 48:51
  Speaker 2: hall into a bunch of I guess they were recycling bins?
• 48:55
  Speaker 1: Is that where they were supposed to being? I think so,
• 48:57
  Speaker 1: because to me they look like cardboard tubes that someone.
• 49:00
  Speaker 2: Right, I'm hoping that it was a recycling But like,
• 49:03
  Speaker 2: how did this kid convince him? And the rest of
• 49:05
  Speaker 2: the floor, Like Chris Turk walked out the room and
• 49:08
  Speaker 2: was like, Yo, this is what we're gonna do, all right,
• 49:12
  Speaker 2: I'm gonna put him in a wheelchair.
• 49:13
  Speaker 1: I know, I just started. I know, I just started
• 49:16
  Speaker 1: as a doctor here, but I'm gonna roll a patient
• 49:19
  Speaker 1: in a wheelchair down the Hall. If you're a new doctor,
• 49:23
  Speaker 1: don't try that at work, please.
• 49:25
  Speaker 2: Well, and that was the great thing about the show
• 49:27
  Speaker 2: also is that he was held accountable for it, you
• 49:30
  Speaker 2: know Kelso right away. And this is where Kelso mentors
• 49:34
  Speaker 2: Turk kind of also like, we're not here to make friends,
• 49:36
  Speaker 2: We're here to treat these patients. Dude, be a doctor.
• 49:39
  Speaker 1: Yeah. I wanted to talk about the Park Salary referenced
• 49:42
  Speaker 1: it already, but I remember feeling really bad at nine
• 49:45
  Speaker 1: minutes and thirty seconds slamming that little girl's face into
• 49:48
  Speaker 1: the cake.
• 49:48
  Speaker 2: That was hilarious. I wish I could do that to
• 49:50
  Speaker 2: my kids sometimes.
• 49:52
  Speaker 1: It was funny. I mean it was funny on paper
• 49:54
  Speaker 1: when we got there and she has that cute little
• 49:56
  Speaker 1: face and I was like, so, you guys really want
• 49:58
  Speaker 1: me to jam this girl's face cake? And they're like, yeah,
• 50:01
  Speaker 1: you gotta do it. You can't just like fake it.
• 50:03
  Speaker 1: You got to do it. And I was like, and
• 50:04
  Speaker 1: I talked to her. I was like, sweetie, are you
• 50:06
  Speaker 1: okay with this? And she's like, yeah, sure, it's gonna
• 50:08
  Speaker 1: be funny. And I was like, all right, here we go.
• 50:09
  Speaker 1: And I just jammed her head in and it felt
• 50:11
  Speaker 1: really nice.
• 50:12
  Speaker 2: Yeah, listen, Sarah can attest to this. She has children
• 50:16
  Speaker 2: as much as we love our children.
• 50:17
  Speaker 5: Oh, sometimes you want to just.
• 50:21
  Speaker 2: Their face into a cake.
• 50:24
  Speaker 5: Especially to be quarantining for the near multiple multiple days months.
• 50:30
  Speaker 2: If I had the opportunity, and I knew my wife
• 50:33
  Speaker 2: wouldn't be pissed off at me for doing it, Rocco's
• 50:36
  Speaker 2: face would have been slammed into a couple of its birthday.
• 50:38
  Speaker 1: Cakes, into many a cake.
• 50:40
  Speaker 2: I'm just gonna put that out there right now, and.
• 50:42
  Speaker 5: I need to go bake a couple of cakes.
• 50:44
  Speaker 1: We're gonna go break and we come back. We have
• 50:46
  Speaker 1: a caller, all right. We're getting good at that whole
• 50:55
  Speaker 1: break thing, Joelle. We're very lucky here on this show,
• 50:58
  Speaker 1: Sarah Chalk that we get to take a call or
• 51:00
  Speaker 1: once an episode. And here she is, what's your what's your?
• 51:04
  Speaker 2: Alexis Torres?
• 51:09
  Speaker 1: Donald just gave you an Oprah intro. I was looking
• 51:14
  Speaker 1: for your name, And the good thing about zoom is
• 51:15
  Speaker 1: it just says it right there. Alexis Torres, plumbley right
• 51:18
  Speaker 1: there on the bottom ruin the woman's hearing she's in quarantine.
• 51:26
  Speaker 6: I'm actually in Harrisburg, Pennsylvania right now.
• 51:30
  Speaker 1: My family has a steakhouse nearby called the Glass Lounge.
• 51:38
  Speaker 6: Oh. I haven't gone there yet, but it's awesome.
• 51:41
  Speaker 1: Will you go there? I want you to tell him
• 51:43
  Speaker 1: I sent you. If you're in there, If you're in
• 51:45
  Speaker 1: that area, go.
• 51:46
  Speaker 2: To the gods. It's going to be a buddy. It's
• 51:48
  Speaker 2: going to be a will Oh.
• 51:49
  Speaker 1: Yeah, not now obviously, but you know when when this
• 51:52
  Speaker 1: last nightmare is over, go check out the Glass Lounge.
• 51:55
  Speaker 6: Yeah. I will definitely go for sure.
• 51:57
  Speaker 1: Thank you for coming on. And do you have a question?
• 52:00
  Speaker 1: Doesn't have to be Sarah Chalk focused. It doesn't just
• 52:03
  Speaker 1: because she's yes.
• 52:04
  Speaker 2: You want to we understand.
• 52:08
  Speaker 5: Is a human and she probably knows the best person
• 52:11
  Speaker 5: to talk to it.
• 52:12
  Speaker 7: I mean, we'll see, No, just kidding. I have actually
• 52:17
  Speaker 7: technically question for all of you guys. If you could
• 52:20
  Speaker 7: switch rolls with anyone in the series, any character, Who
• 52:24
  Speaker 7: would it be and how would you play their character?
• 52:26
  Speaker 7: Would it be different than how it was originally played?
• 52:28
  Speaker 1: Or that's a very good question. Sarah go first.
• 52:32
  Speaker 5: I mean, if it meant that I could have Donald's
• 52:35
  Speaker 5: dancing skills?
• 52:37
  Speaker 1: Was the fantasy? Was that fantasy that Sarah and I
• 52:39
  Speaker 1: were making out and I was making out with you
• 52:41
  Speaker 1: because she was you. Oh my god.
• 52:43
  Speaker 2: That it starts off where you guys are making out
• 52:44
  Speaker 2: and then she's like, you fantasized about kissing turk just now,
• 52:47
  Speaker 2: didn't you?
• 52:50
  Speaker 5: And then I made up with Mandy Moore as myself.
• 52:52
  Speaker 1: You were Mandy was dressed up as herself. No, Mandy
• 52:55
  Speaker 1: was just herself and you were dressed up as me.
• 52:56
  Speaker 1: I think, right, I think that was a really beautiful
• 52:59
  Speaker 1: moment and television history right there.
• 53:01
  Speaker 5: I did make out how to make Out with Judy
• 53:03
  Speaker 5: in the pilot? Yeah, that's right.
• 53:05
  Speaker 1: Yeah, we just watched that were you made out with
• 53:07
  Speaker 1: the model girl?
• 53:08
  Speaker 2: Is that the pilot or is that the second episode?
• 53:10
  Speaker 1: That was the second episode?
• 53:11
  Speaker 6: Yeah.
• 53:11
  Speaker 1: But so you'd like to be Donald if you could
• 53:13
  Speaker 1: be anybody else, is what you're saying.
• 53:14
  Speaker 5: Well, if I could, if if I could do that
• 53:16
  Speaker 5: fucking poison dance or rowdy, that would be pretty low.
• 53:20
  Speaker 1: Low brush thatch crush. It's a very good question, I guess.
• 53:26
  Speaker 1: I it's funny because you don't want to pick. You
• 53:29
  Speaker 1: want to have some screen time, right, you want to
• 53:31
  Speaker 1: pick one of the sevens, so you're gonna have some
• 53:32
  Speaker 1: good screen time. I think I would choose Johnny C
• 53:37
  Speaker 1: just because he had such amazing and they just knew
• 53:40
  Speaker 1: how to write for him so amazingly well, and he
• 53:43
  Speaker 1: he was just uh, I don't know. I think that
• 53:47
  Speaker 1: I just love the all the material they gave Johnny,
• 53:50
  Speaker 1: So I think that would be a really challenging fun
• 53:51
  Speaker 1: part to even attempt to Doick.
• 53:55
  Speaker 5: Mash walking around in banana hammock.
• 53:56
  Speaker 2: That's who I was going to pick. If I could
• 53:58
  Speaker 2: pick anybody, I guess it would be mash uh if
• 54:01
  Speaker 2: I could get But like we teased, we used to
• 54:04
  Speaker 2: make fun of Mashow about running line and everything like that.
• 54:07
  Speaker 2: But I had such a hard time learning my lines
• 54:09
  Speaker 2: back then that I probably it probably would have suited
• 54:12
  Speaker 2: me to play Mash.
• 54:13
  Speaker 1: You know, the first thing, the first step to a
• 54:16
  Speaker 1: solving memorizing your lin style is to actually just do it, or.
• 54:20
  Speaker 2: To read the script. Actually that's read the script.
• 54:23
  Speaker 1: I love how you're always like, I just have such
• 54:24
  Speaker 1: a hard time memorizing lives. I'm like, dude, you've been
• 54:26
  Speaker 1: playing PlayStation in your pressing room.
• 54:28
  Speaker 2: That's what you even looked at it? No, yeah, okay, right,
• 54:31
  Speaker 2: do you have another question?
• 54:32
  Speaker 1: Another question We're going to answer a better one.
• 54:36
  Speaker 2: Yeah, your question sucked. That's what I just said.
• 54:39
  Speaker 1: I like you, I.
• 54:40
  Speaker 5: Like creative, it was, it was thoughtful.
• 54:45
  Speaker 1: I think you're spectacular and I love Harrisburg, but I
• 54:47
  Speaker 1: think you got a better question than you.
• 54:51
  Speaker 2: No, I don't know if now you got.
• 54:53
  Speaker 7: To ask what was something that you were super proud
• 54:56
  Speaker 7: of back then that you did. Maybe it was a
• 54:58
  Speaker 7: scene or a specific joke or anything like that. But
• 55:01
  Speaker 7: then now, since you guys are doing the rewatch and
• 55:04
  Speaker 7: you've seen it, now you're kind of like.
• 55:05
  Speaker 6: Oh, that wasn't as good as I remember.
• 55:07
  Speaker 1: That's a good question, Sarah. As guests, you have to
• 55:10
  Speaker 1: go first.
• 55:11
  Speaker 5: Jesus, the pressure. I feel like interestingly enough.
• 55:15
  Speaker 1: Like you're like, I feel like interesting enough. I was
• 55:17
  Speaker 1: just fucking amazing.
• 55:18
  Speaker 6: I mean, I mean, I thought you were amazing.
• 55:20
  Speaker 5: Like I on the early stuff, a little bit hard,
• 55:22
  Speaker 5: harder to watch. I feel like I learned so much
• 55:26
  Speaker 5: on the show. I feel like I learned so much
• 55:28
  Speaker 5: from Baill, I learned so much from the rest of
• 55:29
  Speaker 5: the cast, And I feel like it's so different watching
• 55:32
  Speaker 5: those early episode Thans eight years later. Certainly with Elliott too,
• 55:36
  Speaker 5: the character changed a lot. Like in the pilot, we
• 55:38
  Speaker 5: even did reshoots. She was much harder and much you
• 55:42
  Speaker 5: know there was she was a bit more of a
• 55:44
  Speaker 5: batch in the in the in the beginning, and then
• 55:46
  Speaker 5: and then we actually did a couple of reshoots to
• 55:48
  Speaker 5: soften her. And then I think, you know, the line
• 55:53
  Speaker 5: between me and her started to blur. It's a first
• 55:56
  Speaker 5: part of your question what were you the most proud of?
• 55:58
  Speaker 5: Certainly interestingly enough, it's this is definitely one of those
• 56:01
  Speaker 5: episodes like when I think back on the eight years,
• 56:03
  Speaker 5: this is the first one to pop into my mind
• 56:05
  Speaker 5: about just the kind of show that that Scrubs was.
• 56:10
  Speaker 5: And and then in terms of things to do differently, well,
• 56:15
  Speaker 5: that's just I.
• 56:16
  Speaker 1: Mean, Sarah, I don't think you could have done everything differently.
• 56:18
  Speaker 1: I wish that I could go back and have a chin,
• 56:22
  Speaker 1: because I this episode starts with the least flattering view
• 56:26
  Speaker 1: of my non existent chin, and in later episodes I
• 56:31
  Speaker 1: would I would look at the director and be like, bro,
• 56:33
  Speaker 1: don't shoot me like that. I mean, I'm doing I'm
• 56:35
  Speaker 1: doing the best I can with what I have, but
• 56:37
  Speaker 1: that's not the angle I want for myself and Bill.
• 56:41
  Speaker 5: I don't know how many listeners know this, but Bill
• 56:43
  Speaker 5: would like to add things that were actual, real physical
• 56:46
  Speaker 5: attributes and write them into the show. So characters would
• 56:50
  Speaker 5: be named by their physical attributes. So like the guy
• 56:52
  Speaker 5: with the beard is beard for say, because you know,
• 56:55
  Speaker 5: and so for me, my character, you know, you had
• 56:58
  Speaker 5: to say lines like short gives me pig face, which
• 57:01
  Speaker 5: is not untrue, and or there was one where I
• 57:06
  Speaker 5: had my characters like, oh yeah, chin, hair's back because
• 57:09
  Speaker 5: I have this mole where three hairs grew out of it.
• 57:13
  Speaker 5: And so that was actually written into the show. By
• 57:15
  Speaker 5: the way, my son said to me a few years ago,
• 57:18
  Speaker 5: completely seriously. He's like, Mama, I have terrible news. And
• 57:21
  Speaker 5: I said what, and he goes, you're growing a beard.
• 57:25
  Speaker 1: Oh my gosh.
• 57:26
  Speaker 5: So so there were definitely moments of the show where
• 57:30
  Speaker 5: he just had to go gate all in the name
• 57:32
  Speaker 5: of comedy and so air out my biggest insecurities.
• 57:36
  Speaker 2: Yeah, and you know, in.
• 57:38
  Speaker 5: Terms of how it worked too, like Bill would come
• 57:40
  Speaker 5: up and he would watch us, and this is not
• 57:41
  Speaker 5: common for every you know, creator of a show to
• 57:44
  Speaker 5: come up for every single rehearsal. He would come up
• 57:47
  Speaker 5: from you know, to the to the set from the
• 57:49
  Speaker 5: writer's room, and the writer's room was in another wing
• 57:51
  Speaker 5: of the hospital. He would tweak a lot of stuff.
• 57:53
  Speaker 5: He would say, I actually don't love this blocking. I
• 57:56
  Speaker 5: think how it'd had it in my head was X
• 57:58
  Speaker 5: Y or Z, and and he would he would. He
• 58:01
  Speaker 5: would tweak our performance in our jokes too, to the
• 58:03
  Speaker 5: point where, like a lot of times I think actors
• 58:05
  Speaker 5: like don't like a line read, and I just had
• 58:07
  Speaker 5: so much respect for him. I'd be like, yeah, just
• 58:09
  Speaker 5: if you've got some way in your head, just you know,
• 58:12
  Speaker 5: tell us and we'll do it right.
• 58:14
  Speaker 1: Yeah, all right, Well, thank you for coming on. Lexais plumb.
• 58:19
  Speaker 1: Are you gonna give her? Are you gonna give you
• 58:21
  Speaker 1: the Oprah? Goodbye? Send off as well done.
• 58:24
  Speaker 2: Let's say goodbye to Alexis Torres plumber.
• 58:29
  Speaker 1: You get a car, You get a car, You get.
• 58:30
  Speaker 2: A car, Alexis, We cannot give you a car.
• 58:33
  Speaker 6: I know it's okay. I can't go anywhere anyway.
• 58:36
  Speaker 1: Go anywhere, yes, yes, go get a state. When this
• 58:38
  Speaker 1: is all said and done at the Glass Lounge, all right,
• 58:40
  Speaker 1: thank you so much, Alexis. Alexis writer you guys at
• 58:44
  Speaker 1: eleven forty nine. One of my biggest regrets in the
• 58:47
  Speaker 1: history of Scrubs is that I flinch right before those
• 58:50
  Speaker 1: bricks fall on me. And I remember Bill being so
• 58:53
  Speaker 1: disappointed in me because there were like four takes of
• 58:55
  Speaker 1: it and I flinched every time. But it's pretty tricky
• 58:58
  Speaker 1: to not flinch when you know, bunch, I know that
• 59:00
  Speaker 1: they're not real bricks, but it still was noticeably uncomfortable.
• 59:06
  Speaker 5: I mean, it'd be pretty hard not to, especially, I
• 59:08
  Speaker 5: feel like all that shit, like, even if it was
• 59:10
  Speaker 5: like a major prat fall or something, once you've done
• 59:13
  Speaker 5: it once, I feel like our best chance out of
• 59:15
  Speaker 5: the gate is on your first take, because the second
• 59:17
  Speaker 5: you've done it, once you know what's going to happen.
• 59:19
  Speaker 5: You know the feeling of it. Maybe you like tweak
• 59:21
  Speaker 5: something a little bit in your shoulder and then it's
• 59:23
  Speaker 5: kind of it's around.
• 59:23
  Speaker 1: But this was early on in the show, and I
• 59:25
  Speaker 1: and I and I was I was really loving doing
• 59:27
  Speaker 1: physical comedy, and I always love physical comedy. You referenced
• 59:30
  Speaker 1: John Ridder. I mean when I grew up on Three's Company,
• 59:32
  Speaker 1: and I just thought that John Ridder was the funniest
• 59:35
  Speaker 1: person I'd ever seen, and I wanted to be like him.
• 59:39
  Speaker 1: And Bill was giving me lots of love for my
• 59:41
  Speaker 1: physical comedy, and this was the first moment where he
• 59:43
  Speaker 1: like called me in the editors room. He's like, dude,
• 59:45
  Speaker 1: you flinched on every take and I was.
• 59:47
  Speaker 2: Like, no, you blew it.
• 59:50
  Speaker 1: I was like, I let daddy down, fucking blew it.
• 59:53
  Speaker 5: The first time I was called up by by Bill
• 59:56
  Speaker 5: after he left the editing room was you guys will
• 59:59
  Speaker 5: remember the we had been so lucky to get nominated
• 1:00:03
  Speaker 5: for an Emmy and we were going and we were
• 1:00:05
  Speaker 5: excited and I got to borrow this fancy dress and
• 1:00:09
  Speaker 5: the stylist I never had a stylist before, and she said,
• 1:00:13
  Speaker 5: so you need to go get it. And I said, no,
• 1:00:19
  Speaker 5: I'm not going to do that. I'm not going to
• 1:00:20
  Speaker 5: go get a tan. And she said, okay, go get
• 1:00:22
  Speaker 5: a spray tan. And so I said, okay. So I
• 1:00:25
  Speaker 5: think the Emmys were like on the Sunday and so
• 1:00:27
  Speaker 5: on the friday of work.
• 1:00:28
  Speaker 2: It might have been well before that. It might have
• 1:00:30
  Speaker 2: been well before that. It might have been like maybe
• 1:00:33
  Speaker 2: five days before or something like that, dude, because we
• 1:00:37
  Speaker 2: did the whole up.
• 1:00:41
  Speaker 5: Okay, Okay, So I get to uh, I get to
• 1:00:43
  Speaker 5: the tanning booth and it's like that fucking episode of
• 1:00:45
  Speaker 5: Friends where Ross becomes a nine instead of for three,
• 1:00:48
  Speaker 5: because it keeps spraying stuff at him. He doesn't turn around,
• 1:00:51
  Speaker 5: its sprays again. So I get in there and you
• 1:00:54
  Speaker 5: watch this little video and you put this cream on
• 1:00:55
  Speaker 5: your hands and you got to spin around and do
• 1:00:57
  Speaker 5: these weird poses. And I had like negative five minute
• 1:01:00
  Speaker 5: to get this done before going to set, and I
• 1:01:01
  Speaker 5: put a hairnet over my face so that I wouldn't
• 1:01:04
  Speaker 5: tan my face, and then I rip that off and
• 1:01:06
  Speaker 5: then then keep spraying, and so I get to set
• 1:01:10
  Speaker 5: and I'm I'm tanned, and then no.
• 1:01:14
  Speaker 2: I'm say, hold on, now, you were you were full
• 1:01:16
  Speaker 2: of No, no, not yet, not yet, because what happens
• 1:01:19
  Speaker 2: with this spray ten is it develops over time.
• 1:01:22
  Speaker 5: And so I was in the makeup chair and my
• 1:01:24
  Speaker 5: makeup and we're doing these scenes and then as the
• 1:01:26
  Speaker 5: day goes on, I'm just getting like more and more
• 1:01:29
  Speaker 5: and more tanned, and instead of actually tanned, it was
• 1:01:32
  Speaker 5: just more and more and more orange. And so Bill
• 1:01:36
  Speaker 5: comes harder than any special effect we've ever done on
• 1:01:38
  Speaker 5: a show, order than the zac's head explode in the
• 1:01:42
  Speaker 5: fantasy sequence, is going to be making you look less
• 1:01:45
  Speaker 5: like an oop umpa you were, like, we're trying to
• 1:01:48
  Speaker 5: float filters in front of your face because we can't
• 1:01:51
  Speaker 5: color time it and just jack out, like we can't
• 1:01:53
  Speaker 5: just wind the knob and take out some of the
• 1:01:56
  Speaker 5: color because we keep doing it. You're see with Donald
• 1:01:58
  Speaker 5: and then make Donald white.
• 1:02:00
  Speaker 2: Dude, I'm gonna say something right now. I remember, I
• 1:02:02
  Speaker 2: remember when it happened. I remember you being on set
• 1:02:04
  Speaker 2: and I remember saying to you, did you change something?
• 1:02:07
  Speaker 2: Did you do your hair different or something like that,
• 1:02:09
  Speaker 2: what's so different? And you were like, I remember, ten.
• 1:02:12
  Speaker 1: I remember, just like kids in a in a family,
• 1:02:14
  Speaker 1: the three of us, whenever one of us was in trouble,
• 1:02:17
  Speaker 1: I was always so happy when it wasn't me, and
• 1:02:19
  Speaker 1: you just be like you just be on set, just
• 1:02:21
  Speaker 1: kind of bouncing around like shit, somebody's in trouble and
• 1:02:24
  Speaker 1: it's not me, and Sarah is freaking orange, so embarrassing.
• 1:02:30
  Speaker 2: It's like we were laughing time I got the braces
• 1:02:33
  Speaker 2: on the inside of my mouth.
• 1:02:34
  Speaker 1: They were laughing about that. When Donald showed up with
• 1:02:36
  Speaker 1: bracest and he would like, so Bill, I got braafift
• 1:02:39
  Speaker 1: and nobody couldn't even notice.
• 1:02:43
  Speaker 2: The exact same thing.
• 1:02:45
  Speaker 5: Oh good, So did you just have to go get
• 1:02:48
  Speaker 5: and taken out.
• 1:02:48
  Speaker 2: Yeah right off, Yeah, dude, yeah, he made me getting
• 1:02:50
  Speaker 2: taken out.
• 1:02:51
  Speaker 5: I got in visil line in like season two. Everybody
• 1:02:53
  Speaker 5: made so much fun of me, but I had it.
• 1:02:55
  Speaker 5: I would like I had to take him out like
• 1:02:56
  Speaker 5: right before take but you're supposed to war like twenty
• 1:02:58
  Speaker 5: two to between. Like it was just a disaster.
• 1:03:01
  Speaker 1: I just remember Donald, it was so funny watching him
• 1:03:03
  Speaker 1: try to sell the bill that the brace is. Nobody
• 1:03:06
  Speaker 1: was gonna notice those braces on the inside of his teeth.
• 1:03:08
  Speaker 2: It's gonna be great. Everybody's gonna love this. Nobody's even
• 1:03:10
  Speaker 2: gonna notice.
• 1:03:11
  Speaker 1: And I think it's gonna be great for my It's
• 1:03:13
  Speaker 1: gonna be great for my teeth.
• 1:03:16
  Speaker 5: I remember I went I went home that night after
• 1:03:18
  Speaker 5: the spray tann and I had to scrub every ounce
• 1:03:21
  Speaker 5: of my body. I just my face and my body.
• 1:03:24
  Speaker 5: I just was like taking to it. And then I
• 1:03:26
  Speaker 5: did a movie in Hawaii last year and the person
• 1:03:28
  Speaker 5: wanted us to do a spray tan so Lauren Lapis
• 1:03:31
  Speaker 5: who plays the lead in the movie, and I was
• 1:03:33
  Speaker 5: supposed to have spray tns. I said, I've actually had
• 1:03:35
  Speaker 5: a couple of really bad experiences with spray tands. I
• 1:03:38
  Speaker 5: don't recommend it. I think it's just reacts with me
• 1:03:42
  Speaker 5: the bad Orange way. And they're like, no, no, no, we
• 1:03:44
  Speaker 5: have like the best people in Hawaii. They're gonna come,
• 1:03:46
  Speaker 5: They're gonna do it. You're gonna love it. So I
• 1:03:48
  Speaker 5: come down the next morning, the woman comes to how
• 1:03:51
  Speaker 5: Telling room, the four sprays you down. I come down
• 1:03:53
  Speaker 5: to the hair and makeup trailer and they are freaking out.
• 1:03:55
  Speaker 5: They're like, your legs are orange. And then Lauren Lapis
• 1:03:58
  Speaker 5: hasn't seen any of this preamble Cheo Rooks, and she's like,
• 1:04:02
  Speaker 5: who loves the sprint? And they're like, Sarah, quickly go
• 1:04:06
  Speaker 5: back at Joe tone, take some salt, scrub, scrub it
• 1:04:08
  Speaker 5: all off, get it all off quick. I'm like, okay,
• 1:04:10
  Speaker 5: I'll be right back.
• 1:04:12
  Speaker 1: Oh God, So Sarah, I don't think Spray's hands are
• 1:04:14
  Speaker 1: for you.
• 1:04:14
  Speaker 5: No.
• 1:04:15
  Speaker 2: Do you burn when you get into the sun?
• 1:04:18
  Speaker 7: Uh?
• 1:04:18
  Speaker 5: He is?
• 1:04:19
  Speaker 1: She's very pale. Look at her, like how pale she is.
• 1:04:22
  Speaker 5: It was the other joke on this movie, the reason Hawaii.
• 1:04:25
  Speaker 5: I would literally, in between in between scenes, I would
• 1:04:28
  Speaker 5: be you know, completely covered up to the point where
• 1:04:31
  Speaker 5: we would go out at night and everyone else would
• 1:04:35
  Speaker 5: be like uh, chalk, do you have your son screening on?
• 1:04:38
  Speaker 5: Like I just I mean, oh, I burn.
• 1:04:41
  Speaker 1: Let's talk about this scene. But the dramatic scene, Sarah,
• 1:04:43
  Speaker 1: I think your acting is really good here at seventeen
• 1:04:46
  Speaker 1: oh three, there's this awesome scene where you and Judy,
• 1:04:49
  Speaker 1: where Judy comes to get you and you're at the
• 1:04:50
  Speaker 1: soda machine. I think this is a really really good
• 1:04:52
  Speaker 1: acting on your part.
• 1:04:54
  Speaker 2: Was this Was this the first big monologue for you
• 1:04:57
  Speaker 2: on the show?
• 1:04:58
  Speaker 5: I thought you were gonna say? Was this the first
• 1:05:00
  Speaker 5: time that you put in your iPod and listen to
• 1:05:01
  Speaker 5: Josh Raiden?
• 1:05:02
  Speaker 6: Oh?
• 1:05:03
  Speaker 1: Is that what you did? Or you're giving Josh Raiden?
• 1:05:05
  Speaker 2: Was it Josh Raiden? Or was it? Who was it?
• 1:05:07
  Speaker 1: I will remember, well, don't don't take away her, don't
• 1:05:12
  Speaker 1: take away her. Josh Raiden plugged Donald.
• 1:05:15
  Speaker 2: Josh Rayden's gotten enough plugs on this show?
• 1:05:17
  Speaker 1: Is that? Is that? Is that who you used to
• 1:05:18
  Speaker 1: get to make your eyes? Uh, to make yourself emotional
• 1:05:21
  Speaker 1: in eyes tear up?
• 1:05:22
  Speaker 5: Well? I was still young, I mean at that point.
• 1:05:24
  Speaker 5: Now you know, as you grow older you have many
• 1:05:27
  Speaker 5: more experiences draw from. But I used to use an
• 1:05:29
  Speaker 5: iPod and I would play sad music and kind of
• 1:05:32
  Speaker 5: get into the mode. I don't know then that scene
• 1:05:34
  Speaker 5: was kind of it was very early on. It was enough.
• 1:05:37
  Speaker 5: I mean I remember just shooting it and it was
• 1:05:39
  Speaker 5: was it.
• 1:05:39
  Speaker 1: Babies got back. I mean, there's something about the lyrics this.
• 1:05:45
  Speaker 5: You can see if you look very closely, if you
• 1:05:46
  Speaker 5: stop freeze the frame, you can see my hips just
• 1:05:49
  Speaker 5: kind of undulate. My booty's shaken a little bit. Yeah,
• 1:05:53
  Speaker 5: Josh Raiden, let's give a plug man. He he obviously
• 1:05:57
  Speaker 5: was a soundtrack to many things. I delivered my children
• 1:05:59
  Speaker 5: to josh O Raydon.
• 1:06:00
  Speaker 1: Sorry, you go if you're gonna, If you're gonna deliver
• 1:06:02
  Speaker 1: your children, and that's coming up, we recommend you use
• 1:06:06
  Speaker 1: the musical stylings of Joshua Raidon.
• 1:06:09
  Speaker 2: Josh Raidon sang the song at my wedding. Their first
• 1:06:13
  Speaker 2: dance was to Josh Raydon and he fucked up the
• 1:06:16
  Speaker 2: song tremendously, he did. But I love them, Oh my god.
• 1:06:18
  Speaker 2: He didn't even remember the song. I got the video,
• 1:06:21
  Speaker 2: which got the video?
• 1:06:22
  Speaker 1: Which which song of it was?
• 1:06:23
  Speaker 2: It was?
• 1:06:25
  Speaker 1: It was which song of his?
• 1:06:26
  Speaker 2: No, it was moon Pours through the Ceiling Tonight and
• 1:06:31
  Speaker 2: praises us We lie, And it was perfect for the uh,
• 1:06:35
  Speaker 2: for the moment, the rest of my life, cake of
• 1:06:38
  Speaker 2: this night. Whoa yeah, and only the heartaches have given
• 1:06:45
  Speaker 2: me side they bring me to you, right, bring me
• 1:06:49
  Speaker 2: to you. Fucked it up the whole He fucked up
• 1:06:52
  Speaker 2: the whole song.
• 1:06:52
  Speaker 5: Dude, I wish the opposite of a plug.
• 1:06:56
  Speaker 2: No, it was fun, dude, he did it. Listen. It's
• 1:06:59
  Speaker 2: not every day you get somebody like him to one
• 1:07:02
  Speaker 2: perform at your wedding, also to do it for free.
• 1:07:05
  Speaker 1: So you know that he also performed at Ellen's wedding.
• 1:07:08
  Speaker 2: I'm sure they paid him. I didn't have to pay
• 1:07:11
  Speaker 2: him and for that alone, and we thank you. Josh Raydon,
• 1:07:16
  Speaker 2: you are one of my heroes.
• 1:07:19
  Speaker 5: Kelly Donald didn't ask me to sing at his wedding.
• 1:07:21
  Speaker 1: By the way, has the worst voice in the world. America.
• 1:07:24
  Speaker 1: Let me tell you something, America and all other nations listening,
• 1:07:27
  Speaker 1: don't ever let Sarah sing.
• 1:07:28
  Speaker 5: Windows will break, photogs.
• 1:07:32
  Speaker 1: These are what's this, what's happening in my house? The
• 1:07:33
  Speaker 1: windows going.
• 1:07:36
  Speaker 5: I was conspicuously absent in the musical episode. And also do.
• 1:07:40
  Speaker 1: You remember when when the when Aryl when Daryl Hannah
• 1:07:43
  Speaker 1: and splash says her name. That's what happens when Sarah.
• 1:07:48
  Speaker 5: I guess we haven't covered that yet that you guys
• 1:07:50
  Speaker 5: didn't ask me to help you record the opening song.
• 1:07:53
  Speaker 5: Can you imagine?
• 1:07:53
  Speaker 1: Do you like our song?
• 1:07:55
  Speaker 5: I love your song?
• 1:07:56
  Speaker 1: Yeah, Charlie Pooth wrote the music and Donald and I
• 1:07:58
  Speaker 1: were Donald and I were the lyriss.
• 1:08:00
  Speaker 2: Well we wrote the melody too and then sent it
• 1:08:02
  Speaker 2: to him. Well the melody is right.
• 1:08:04
  Speaker 1: Credit for melody. Melody was us. Charlie Pooth is producer
• 1:08:08
  Speaker 1: and music writer, right, and you and I are the lyricists.
• 1:08:13
  Speaker 2: But we can also we also need to give a
• 1:08:15
  Speaker 2: little shout out to sitcom shows from back in the day,
• 1:08:18
  Speaker 2: like the Jefferson.
• 1:08:19
  Speaker 1: Oh yeah, And someone said on Twitter, I thought it
• 1:08:22
  Speaker 1: was it was right. It said it's a mix between
• 1:08:24
  Speaker 1: the Brady Bunch theme and the Jeffersons theme.
• 1:08:26
  Speaker 2: Yeah, yeah, yeah, yeah, yeah, yeah, that's exactly what it is.
• 1:08:30
  Speaker 1: Yeah, I thought that was really perfect. Sarah, do you
• 1:08:33
  Speaker 1: find yourself singing our theme song when you're in your
• 1:08:36
  Speaker 1: house in quarantine?
• 1:08:37
  Speaker 5: It's it's you know, I I've actually learned it. I've
• 1:08:40
  Speaker 5: got learning the guitar of the ukulelea actually, and I'll
• 1:08:43
  Speaker 5: I'll send you guys a clip of me singing and
• 1:08:45
  Speaker 5: you you know, I'll leave it in your hands if
• 1:08:46
  Speaker 5: you show.
• 1:08:48
  Speaker 1: My girlfriend caught me on the treadmill listening to our
• 1:08:50
  Speaker 1: theme song and laughed at me, not with me, at me.
• 1:08:56
  Speaker 5: You're proud of it. You're proud of it.
• 1:08:57
  Speaker 2: Things I noticed about the show, about this show go ahead.
• 1:09:00
  Speaker 2: I had no idea that I bopped that hard in
• 1:09:02
  Speaker 2: the hallway. And when I say bop, I mean like
• 1:09:05
  Speaker 2: I had the straight up. My walk is legendary.
• 1:09:10
  Speaker 1: Strut is it like a stress?
• 1:09:12
  Speaker 2: It's like a struck. But it's like so over the top, dude,
• 1:09:15
  Speaker 2: it's so over the top.
• 1:09:16
  Speaker 1: It's like George Jefferson when he would this is.
• 1:09:18
  Speaker 2: Exactly like George jeffersons. It's like so heavy. It's like, yo, dude,
• 1:09:24
  Speaker 2: why are you going so hard with that?
• 1:09:26
  Speaker 1: And that was your inspiration? Do you remember who your
• 1:09:28
  Speaker 1: inspiration was?
• 1:09:29
  Speaker 2: It's always Sherman Hemsley, Sherman Hemsley always.
• 1:09:32
  Speaker 1: I wanted to say something about the scene in nineteen
• 1:09:36
  Speaker 1: oh seven There's the I had this dramatic scene with
• 1:09:38
  Speaker 1: Catherine Juston and it was the first time I ever
• 1:09:41
  Speaker 1: had the balls to go to Bill because I thought
• 1:09:44
  Speaker 1: I did a good job. And then he showed me
• 1:09:46
  Speaker 1: an edit of it, and he had taken out some
• 1:09:48
  Speaker 1: of my dramatic pauses. And it was one of the
• 1:09:51
  Speaker 1: first times in my acting career where I was like,
• 1:09:54
  Speaker 1: I was like, I gotta go talk to him, because
• 1:09:56
  Speaker 1: he's making me look like a bad actor. He's he's
• 1:09:58
  Speaker 1: taking out the pauses, like you know, because you know,
• 1:10:00
  Speaker 1: the show had to be cut down to twenty two
• 1:10:02
  Speaker 1: minutes or something, and I remember Bill going like, dude,
• 1:10:04
  Speaker 1: there's no time. It's twenty two minutes. There's no time
• 1:10:06
  Speaker 1: for pauses. There's no time for traumatic pauses. And I
• 1:10:10
  Speaker 1: think in the end he put he put a little
• 1:10:12
  Speaker 1: bit back, but it was like it was when she goes,
• 1:10:14
  Speaker 1: are you okay? And then I go, I'm scared. And
• 1:10:17
  Speaker 1: then when I saw it edited together for the first time,
• 1:10:19
  Speaker 1: I was like, are you okay? I'm scared? And I
• 1:10:21
  Speaker 1: was like, oh, that makes me look really bad. And
• 1:10:23
  Speaker 1: this is the thing that actors, I'm sure I know
• 1:10:26
  Speaker 1: as a director feel all the time. Sometimes you look
• 1:10:29
  Speaker 1: and go why did you cut me like that? Like
• 1:10:31
  Speaker 1: on the day, I thought I was doing a much
• 1:10:32
  Speaker 1: better job. But if you take out that pause and
• 1:10:35
  Speaker 1: cut to me like like that I don't look as
• 1:10:38
  Speaker 1: good as I want to be. You know, I'm sure
• 1:10:39
  Speaker 1: you guys had that feeling throughout the show sometimes.
• 1:10:41
  Speaker 2: Well yeah, you know, you we would tell jokes sometimes
• 1:10:44
  Speaker 2: and jokes wouldn't make the show, and you know, we'd
• 1:10:47
  Speaker 2: have moments where we thought, you know, we were crushing
• 1:10:51
  Speaker 2: it and then only to see you know, the editors
• 1:10:55
  Speaker 2: and Bill decided to use the reaction shot instead of
• 1:10:58
  Speaker 2: your actual you know, instead of your before gone right
• 1:11:01
  Speaker 2: or the joke's just completely gone right.
• 1:11:03
  Speaker 5: Yeah, I love that. I love that scene that you're
• 1:11:05
  Speaker 5: talking about, Zac. It was one of my favorite ones
• 1:11:07
  Speaker 5: in the in the episode when you know, she tells
• 1:11:10
  Speaker 5: you to go and live your life and you're like,
• 1:11:12
  Speaker 5: you know, uh huh uh, I'm just turning on a
• 1:11:13
  Speaker 5: few things and you go up to the thing and
• 1:11:15
  Speaker 5: you're kind of pretending.
• 1:11:16
  Speaker 1: I don't want to go. And then it's always you know,
• 1:11:18
  Speaker 1: my father, who passed away recently, always always would reference
• 1:11:23
  Speaker 1: this moment in Scrubs that he thought it was so
• 1:11:25
  Speaker 1: incredibly moving, the idea of a of an older woman
• 1:11:28
  Speaker 1: comforting a young doctor about death, and and he said,
• 1:11:33
  Speaker 1: I just you know, he was He's like, I never
• 1:11:35
  Speaker 1: seen anything like that before and and and I just
• 1:11:39
  Speaker 1: watching it this time, I just remember how much he
• 1:11:41
  Speaker 1: would always reference that because it was so beautiful, that
• 1:11:44
  Speaker 1: that sentiment that the JD doesn't know how to deal
• 1:11:47
  Speaker 1: with death yet, but here's this older woman who's ready
• 1:11:49
  Speaker 1: to go and she's the one comforting him about it.
• 1:11:51
  Speaker 1: I just thought that was beautifully written.
• 1:11:53
  Speaker 5: Somehow managed to also be funny in parts. That was
• 1:11:55
  Speaker 5: what I couldn't believe, Like when she's just like everybody dies,
• 1:11:58
  Speaker 5: No they don't.
• 1:11:59
  Speaker 2: Right, No, they don't right. The Scheiffel to the Miffel Tower.
• 1:12:03
  Speaker 1: The Mindful Tower, the Miffel Tower, about the Minfele Tower.
• 1:12:06
  Speaker 2: That being said, the whole list thing, especially with the
• 1:12:10
  Speaker 2: way things are right now, that whole list thing got
• 1:12:13
  Speaker 2: me to thinking, you know what I mean, I don't
• 1:12:15
  Speaker 2: have any regrets in my life or anything like that,
• 1:12:18
  Speaker 2: but there are certain things that I still want to do,
• 1:12:21
  Speaker 2: you know what I mean. And uh, you know, we're
• 1:12:25
  Speaker 2: in quarantine and it doesn't seem like, you know, it
• 1:12:28
  Speaker 2: doesn't feel like we're going to get out of this
• 1:12:29
  Speaker 2: anytime soon, you know what I mean. Not to sound
• 1:12:32
  Speaker 2: more but or dark or anything like that, but when
• 1:12:35
  Speaker 2: JD brings up the list and she's like, I've done
• 1:12:37
  Speaker 2: all of those things already. It really made me think, like, well,
• 1:12:42
  Speaker 2: you know, when this is over, I'm gonna make sure
• 1:12:45
  Speaker 2: that I get out and I live a lot more
• 1:12:47
  Speaker 2: than I did before, you know what I mean?
• 1:12:49
  Speaker 1: And well, that's interesting. I mean, this quarantine thing, I agree.
• 1:12:53
  Speaker 1: I think it gives you perspective. And I've just been
• 1:12:56
  Speaker 1: feeling focusing on gratitude a lot because I just think that,
• 1:12:59
  Speaker 1: like when all this is so insane, and it makes
• 1:13:03
  Speaker 1: you focus on how lucky we are and what we
• 1:13:06
  Speaker 1: want to appreciate in life. You know, they just the
• 1:13:08
  Speaker 1: simple things like being able to go to a restaurant
• 1:13:11
  Speaker 1: with friends and laugh and have a drink. And I
• 1:13:14
  Speaker 1: don't know, it's interesting you say that. So have you
• 1:13:16
  Speaker 1: made a list on or are you making lists of things
• 1:13:18
  Speaker 1: you want to know?
• 1:13:19
  Speaker 2: I'm going to start a list. I know. A lot
• 1:13:20
  Speaker 2: of it has to do with my kids and making
• 1:13:22
  Speaker 2: sure that they get to experience a lot of the
• 1:13:24
  Speaker 2: things that I didn't experience when I was a kid,
• 1:13:26
  Speaker 2: when I was young, you know what I mean. I
• 1:13:29
  Speaker 2: try to do that now, but I feel like maybe
• 1:13:32
  Speaker 2: I need to go a little bit overboard and then
• 1:13:34
  Speaker 2: you know, have my wife tell me we need to
• 1:13:36
  Speaker 2: dial it back a little bit. We're going too far,
• 1:13:40
  Speaker 2: you know what I mean? Like, Uh, there's certain things
• 1:13:43
  Speaker 2: that my kids have never done that and that's because
• 1:13:46
  Speaker 2: I don't do it, you know what I mean? And
• 1:13:47
  Speaker 2: I don't want to do that to them. I want
• 1:13:50
  Speaker 2: them to have that experience in that adventure.
• 1:13:53
  Speaker 5: I feel like I feel like it's it's also because
• 1:13:57
  Speaker 5: we don't know when this is over. We don't know
• 1:13:59
  Speaker 5: how long we're going to be doing for and it
• 1:14:00
  Speaker 5: doesn't seem to be short. Obviously it sounds like potentill
• 1:14:03
  Speaker 5: we have a vaccine. Who knows how long this chunk
• 1:14:06
  Speaker 5: of our lives is and what it looks like and
• 1:14:07
  Speaker 5: whether it opens back up. I feel like as impossible
• 1:14:11
  Speaker 5: it is, it is and has trite as it's like
• 1:14:13
  Speaker 5: trying to you in the moment and trying to figure
• 1:14:14
  Speaker 5: out what like the rare times with them that I
• 1:14:17
  Speaker 5: have now that are so hard to get in the
• 1:14:21
  Speaker 5: like in the every day think about how much time
• 1:14:23
  Speaker 5: you spend in the car driving them to activities, doing whatever,
• 1:14:26
  Speaker 5: and when work takes over and that becomes so all consuming,
• 1:14:29
  Speaker 5: and I feel like as much of it is that
• 1:14:31
  Speaker 5: we can squeeze out just here, like just sitting with them.
• 1:14:35
  Speaker 5: Like I was reading something the other day saying, you know,
• 1:14:38
  Speaker 5: people are worried about their kids getting behind in education.
• 1:14:40
  Speaker 5: What if they actually came out ahead? And I thought
• 1:14:41
  Speaker 5: that was such a cool way to look at it, Like, kids,
• 1:14:44
  Speaker 5: this is going to form who they are and who
• 1:14:46
  Speaker 5: they become. And what if they actually start to appreciate
• 1:14:49
  Speaker 5: the small things that we're starting to appreciate right now
• 1:14:51
  Speaker 5: instead of just the grind of everyday life. And what
• 1:14:55
  Speaker 5: if they actually learn to do meaningful chores at home
• 1:14:58
  Speaker 5: and learn the value in that and learn how to
• 1:15:02
  Speaker 5: you know, actually be I hear.
• 1:15:05
  Speaker 2: You know. The only thing I worry about with all
• 1:15:06
  Speaker 2: of that is there's social skills when this is all
• 1:15:09
  Speaker 2: said and done, you know what I mean, That's the
• 1:15:12
  Speaker 2: only thing I worry about. But yeah, you know, we
• 1:15:15
  Speaker 2: got this kid reading, you know, she's on site words
• 1:15:17
  Speaker 2: and we're trying to get her to read and stuff
• 1:15:19
  Speaker 2: like that, and we're working with math and all of
• 1:15:21
  Speaker 2: that stuff. But at the end of the day, it's like,
• 1:15:24
  Speaker 2: you know, there's something special about being around other children
• 1:15:28
  Speaker 2: their age to interact with, you know what I mean.
• 1:15:31
  Speaker 5: It's so true. I know my heartbreaks for only kids.
• 1:15:34
  Speaker 5: Who are you know, having to go through this right
• 1:15:36
  Speaker 5: now with no kids to play with. It's really hard.
• 1:15:39
  Speaker 1: The show ends with Hallelujah by John Cale, which has
• 1:15:42
  Speaker 1: been covered by lots of folks. I thought this was
• 1:15:45
  Speaker 1: a particularly beautiful rendition, and again I think it was
• 1:15:50
  Speaker 1: the first real time I noticed the show ending with
• 1:15:53
  Speaker 1: a sweet, somber, uplifting song in a beautiful way, cutting
• 1:15:58
  Speaker 1: to the montage, and I got I wrote down, I
• 1:16:00
  Speaker 1: got goosebumps at twenty fourteen when we all three whip
• 1:16:04
  Speaker 1: our heads around, yeah, revealing that we've all it's not
• 1:16:08
  Speaker 1: one in three in this case. The odds have fallen,
• 1:16:10
  Speaker 1: so we've lost three of three. I got goosebumps up
• 1:16:14
  Speaker 1: and down my arms at that moment. I thought that
• 1:16:15
  Speaker 1: was really beautifully done.
• 1:16:17
  Speaker 5: Absolutely so shocking when that happens, right Like, as a viewer,
• 1:16:20
  Speaker 5: I think you're not expecting that. You're kind of waiting
• 1:16:22
  Speaker 5: for that statistic that they set up at the beginning.
• 1:16:25
  Speaker 2: And then we end the show, And this is what
• 1:16:27
  Speaker 2: I was saying a few episodes before, Sarah, you weren't
• 1:16:30
  Speaker 2: here for this, but it's really important for doctors to
• 1:16:33
  Speaker 2: be able to pick themselves back up after something like
• 1:16:36
  Speaker 2: this happens. And you know, it's also very important that
• 1:16:40
  Speaker 2: this happens to these young doctors at an early time,
• 1:16:44
  Speaker 2: so they do know how to set up boundaries and
• 1:16:46
  Speaker 2: do know how to set up balls to help them
• 1:16:49
  Speaker 2: be professional. It's tragic that it has to be death
• 1:16:52
  Speaker 2: that does it, but yeah, you know, to lose someone
• 1:16:55
  Speaker 2: you care about and then show up the next day
• 1:16:57
  Speaker 2: at that job, it's very difficult. I can't I can't
• 1:17:01
  Speaker 2: imagine it. I find it difficult to watch and it's
• 1:17:03
  Speaker 2: very difficult to experience I would imagine.
• 1:17:06
  Speaker 5: And that was that, and that piece of it so
• 1:17:07
  Speaker 5: cool that the show kind of owes that right after
• 1:17:09
  Speaker 5: with all, you know, Turt going back and introducing himself
• 1:17:12
  Speaker 5: to the patient, Jad taking the time to go be
• 1:17:14
  Speaker 5: on the grass, Elliot kind of figuring out how to
• 1:17:16
  Speaker 5: take charge. And that was kind of cool too. Johnny's
• 1:17:19
  Speaker 5: conversation with Elliott when he says, you made the right call,
• 1:17:23
  Speaker 5: you did, and she says, I know, and I don't.
• 1:17:26
  Speaker 5: I didn't remember that. And when I saw that, I
• 1:17:29
  Speaker 5: you know, just sort of having her take that confident position.
• 1:17:32
  Speaker 1: Yeah, that was really powerful. I was really powerful I thought, Okay, listen, guys,
• 1:17:37
  Speaker 1: we did it. We did it. I'm so glad Sarah
• 1:17:39
  Speaker 1: we had you because we wanted to have you on
• 1:17:41
  Speaker 1: this one, because we all keep saying, this was a
• 1:17:43
  Speaker 1: very special episode for all of us, and thank you
• 1:17:46
  Speaker 1: for for coming on. And I hope you know we're
• 1:17:49
  Speaker 1: having fun doing this. I hope that Donald and I
• 1:17:51
  Speaker 1: both hope that you'll come as as as many times
• 1:17:53
  Speaker 1: as you're willing to and and rewatch the show with us.
• 1:17:56
  Speaker 5: I loved it. It was so fun, so fun to do.
• 1:17:59
  Speaker 2: So is that a yes?
• 1:18:00
  Speaker 1: Was that a yes? That was a very non Commis
• 1:18:03
  Speaker 1: that is that?
• 1:18:03
  Speaker 5: Is? I'm in you? Just you can know where I am.
• 1:18:05
  Speaker 5: Guys not doing anything?
• 1:18:06
  Speaker 1: How do you say? How do you say goodbye? And Canadians?
• 1:18:09
  Speaker 2: I think it's goodbye? Wait? Is it something like? That's French?
• 1:18:16
  Speaker 1: That's well, you know there's a lot of them speak
• 1:18:18
  Speaker 1: French up there.
• 1:18:18
  Speaker 5: Donald, that's bilingual country here, guys?
• 1:18:21
  Speaker 2: Is it?
• 1:18:22
  Speaker 1: Yes? On that note? Donald, if you'll lead us in song?
• 1:18:26
  Speaker 2: Uh?
• 1:18:26
  Speaker 5: Why god? Donald? Why can't I lead us in song?
• 1:18:28
  Speaker 1: Sorry? You can lead us in song? We will now,
• 1:18:31
  Speaker 1: Donald Countison, Please one two? I prefer when you count
• 1:18:36
  Speaker 1: down like DeBie.
• 1:18:38
  Speaker 2: Okay, you got big dreams.
• 1:18:40
  Speaker 1: You take the monologue. This time.
• 1:18:42
  Speaker 2: Fame costs, and right here is where you start paying sweat.
• 1:18:49
  Speaker 3: Six stories about show we made about a bunch of.
• 1:19:00
  Speaker 2: Is a stormy next all should know?
• 1:19:04
  Speaker 4: So gather rad you here, hop gather round you here Hops,
• 1:19:09
  Speaker 4: but we watch your wiz and