Latest / Get Into Gate: A Stargate Podcast / Episode 317: Earth (SG-U 1.07)

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Episode 317: Earth (SG-U 1.07) · Get Into Gate: A Stargate Podcast

0:14
Speaker 1: Get into Gate episode three hundred and seventeen. We're talking
0:18
Speaker 1: some Stargate Universe Gate teams here.
0:21
Speaker 2: I'm Mitch over there, Brendan.
0:23
Speaker 1: Mate, Hi there, Hello, Matthew greeting, Hello friend SG you
0:28
Speaker 1: we're talking here, guys, episode seven of season.
0:37
Speaker 2: Thank you either follow up to last week? Are you
0:39
Speaker 2: covered there? But thank you so much? So annoyed we
0:41
Speaker 2: had to do them the wrong way around though, Yeah, yeah,
0:43
Speaker 2: it comes to the Cooper Square to God. Now was
0:48
Speaker 2: I talking to you about this?
0:50
Speaker 1: A couple of weeks ago, Maddie on the radio show
0:51
Speaker 1: I work, and they have a daily trivia competition every morning,
0:54
Speaker 1: and one of the questions was was it how many
0:57
Speaker 1: elements oh, may and planets, powers? And the caller didn't know,
1:03
Speaker 1: and then the hosts were like, yeah, as if you would,
1:06
Speaker 1: And one of them is a younger vintage than us,
1:08
Speaker 1: and the other hosts are older, and then they do
1:11
Speaker 1: it to the other hosts of the other trivia questions.
1:13
Speaker 1: She also didn't know, and then they just they laughed
1:16
Speaker 1: about it so long after that. If you're a fully
1:17
Speaker 1: grown adult, why would you know that? And I'm sitting there.
1:20
Speaker 3: Like the dumbest sh yeah, heart yea the whole do
1:26
Speaker 3: the whole song. Yeah, that's the dumbest sh our planet
1:29
Speaker 3: is the thing to do, and the looting isn't the way. Yeah, Like, couple.
1:35
Speaker 1: Guys, get a bit of bloody culture into your captain planet.
1:38
Speaker 1: God damn respect if you also had some you know,
1:42
Speaker 1: don cheatle stuff.
1:43
Speaker 2: So I know, right, but got me angry. There's a
1:46
Speaker 2: movie that needs REMA. There's like they need to remake.
1:48
Speaker 1: That episode seven of season one, sgu we are called
1:53
Speaker 1: yeah Earth, just like the little sound bite said with
1:55
Speaker 1: the situation on board the Destiny Dire General O'Neill, that's.
2:00
Speaker 2: Right, Richard.
2:02
Speaker 1: Episode Surprise and Homeworld Commander Order Colonel Young to execute
2:06
Speaker 1: a high risk plan concocted by the io a scientist,
2:10
Speaker 1: which in theory, could return the crew to Earth.
2:14
Speaker 4: Home World Command. That doesn't have a ring to it,
2:16
Speaker 4: does it, HWC. It's not as good as the SGC.
2:19
Speaker 2: It's not.
2:20
Speaker 1: It is kind of cool to seeing the signage up
2:23
Speaker 1: and just yeah, I.
2:24
Speaker 2: Was coming to my office. Yeah it will go well,
2:28
Speaker 2: wasn't it fresh office?
2:29
Speaker 1: The establishing shot of the Pentagon and O'Neill's got his
2:32
Speaker 1: office there.
2:33
Speaker 2: I liked it when it was Homeworld security.
2:35
Speaker 3: Yeah, and now that it's home World Command, I'm like, yeah,
2:38
Speaker 3: I'm trying.
2:39
Speaker 1: To make command. But when O'Neil popped up, and obviously
2:43
Speaker 1: I wasn't. I wasn't expecting that, and when he does,
2:45
Speaker 1: and I'm like, yeah, like it's it's not like he's
2:47
Speaker 1: in every episode. It's not like he was only in
2:49
Speaker 1: one and then thanks, you know, I've set you free.
2:52
Speaker 1: I'm like, I'm loving how they're using him.
2:55
Speaker 2: Literally says in this one surprise.
2:57
Speaker 1: Yeah, And towards the end and he's talking to young
3:02
Speaker 1: in you know, whoever else's body obviously, but he's he's
3:06
Speaker 1: being serious that Stargate universe the show needs him to be.
3:10
Speaker 1: But he's still being O'Neill that we're used to just
3:12
Speaker 1: in that setting. Just like he's like, yeah, you went
3:14
Speaker 1: off to go to this it didn't work. Like he's
3:16
Speaker 1: sort of being high pitched. It's been a little bit animated,
3:18
Speaker 1: and I'm like, whoa, Okay, I'm not judging him by that,
3:21
Speaker 1: you know. Also, if it's trademarked, I publogize, okay, And
3:26
Speaker 1: I just I really appreciate that that mix of the
3:29
Speaker 1: O'Neil that we've seen before, but the tonal shift for
3:33
Speaker 1: sgu and just also how much we're we're using him
3:37
Speaker 1: and I'm not getting this feeling of like RDA and
3:39
Speaker 1: and he's agents and managers saying all right, well we're
3:42
Speaker 1: going to give you five, all right, so space it out,
3:45
Speaker 1: Like I'm not getting that.
3:46
Speaker 2: It just feels like it's a script by script.
3:48
Speaker 1: They're like, you know what, we didn't use him last
3:50
Speaker 1: time we had the stones used and these guys came
3:53
Speaker 1: back to Earth or you know, transport of their consciousness.
3:57
Speaker 2: We will now because it's Iowa. We would feel like
3:59
Speaker 2: General O'Neill would be in there.
4:00
Speaker 1: Like I'm just loving how they're using him, and to
4:02
Speaker 1: tie it into the overall world because for so much
4:05
Speaker 1: of this being the first timer, it is so different.
4:08
Speaker 2: Visually, esthetically, like the whole narrative.
4:12
Speaker 1: As we've been talking, like it's so hard for us
4:13
Speaker 1: to come in and talk about these episodes because some
4:16
Speaker 1: of them kind of feel like last week and some
4:17
Speaker 1: of them feel like next week if we've watched ahead
4:19
Speaker 1: and yet. To make it feel like it's still part
4:22
Speaker 1: of that franchise, but not overuse RDA. To have ONeill
4:26
Speaker 1: use like this, I was just like, this is this
4:28
Speaker 1: is so cool.
4:29
Speaker 2: I love it. Yeah, and he doesn't.
4:30
Speaker 4: He's not out of character either, because you've seen these
4:33
Speaker 4: layers over the years. You've seen it in season one
4:36
Speaker 4: is a lot more serious, and then in the latest
4:38
Speaker 4: seasons in Lost City and and Janet Death Heroes Part
4:46
Speaker 4: one and two, so he has you know, we already
4:48
Speaker 4: know he has that range.
4:49
Speaker 2: Yeah, he just doesn't.
4:52
Speaker 4: He still tries to add that day stuff in that
4:56
Speaker 4: great but not as much, not as peppering as season six,
5:01
Speaker 4: seven and eight.
5:02
Speaker 3: Yes, yeah, and like Mitchell saying, it's like it wasn't
5:06
Speaker 3: like a and we're getting and special appearance by Richard Innis,
5:09
Speaker 3: and it wasn't like you know, in season sort of
5:12
Speaker 3: seven and eight where you could tell that they were banking,
5:15
Speaker 3: like we only had Urda for this many episodes, or
5:18
Speaker 3: in Atlantis when they brought him back for like the
5:20
Speaker 3: special two Partera where he and Woolsey are you know,
5:24
Speaker 3: stuck in Atlantis where he had his own separate plant story,
5:28
Speaker 3: all that kind of stuff. He was essentially just a
5:30
Speaker 3: just a random guest star that we just happened to know,
5:33
Speaker 3: you know, called the held down the franchise for Bloody
5:36
Speaker 3: and a decade if.
5:37
Speaker 4: You were like Jacob or Ellen and that you watched
5:40
Speaker 4: it the first time, you'd be like, yeah, oh was
5:43
Speaker 4: that guy the guy that you wouldn't even think about
5:47
Speaker 4: him because he's like, he's in it as much almost
5:49
Speaker 4: what it feels like as much as Telford is.
5:51
Speaker 2: Yeah, yeah, exactly. It feels it feels like he's you know,
5:55
Speaker 2: back on Earth. Yeah.
5:56
Speaker 4: They're always going back to him and talking to him. Yeah,
5:59
Speaker 4: they bring him up all the time, just reported to O'Neil,
6:01
Speaker 4: even though you don't see him on screen.
6:04
Speaker 3: It's just yeah, yeah, it definitely keeps him in the
6:05
Speaker 3: world without yet making it a big and special appearance
6:08
Speaker 3: by kind of thing.
6:09
Speaker 1: And also for the progression of the character within the
6:13
Speaker 1: world at the end, like we're so used to, you know,
6:15
Speaker 1: if we're following O'Neill and SG one and he's off world,
6:18
Speaker 1: he's making decisions based we already know the SGC and
6:21
Speaker 1: Hammond as a commander, he is getting a little bit
6:25
Speaker 1: more breathing room from whether it be the Pentagon and
6:28
Speaker 1: the President. But when the you know Iowa and all
6:31
Speaker 1: the different you know, those human like outside of the
6:34
Speaker 1: military people come in and they like, this is how
6:36
Speaker 1: the place should be run, and Hammond understood, no things
6:40
Speaker 1: shit goes wild here, Okay, Like, we exist under your command,
6:44
Speaker 1: but I'm going to allow them a little bit of
6:46
Speaker 1: breathing room to be able to make their own choices
6:48
Speaker 1: when they're off world. And yet still O'Neill would come
6:50
Speaker 1: back and say, I think we should be doing this, this,
6:52
Speaker 1: and this, and for the most part Hammond would agree,
6:54
Speaker 1: but he would also be able to put the foot
6:56
Speaker 1: down a little bit and give a bit more of
6:58
Speaker 1: a remember who's in charge here, whereas here O'Neill's in
7:01
Speaker 1: that position.
7:02
Speaker 2: And there was a clear spot at the end where
7:04
Speaker 2: Russia's like, yeah, I'm not going to do that. I'm
7:06
Speaker 2: gonna because you don't understand what it's like up there.
7:09
Speaker 1: I'm gonna go and talk to my people. Yeah, Young,
7:10
Speaker 1: so God, I keep doing this bloody thing. And Young
7:13
Speaker 1: says that, and then O'Neill's like, it's a direct order, and.
7:17
Speaker 2: I'm like, I'll take it under advice.
7:19
Speaker 1: But you used to be that guy saying you don't
7:21
Speaker 1: understand what it's like out there, trust me to make
7:24
Speaker 1: the right call for my people.
7:25
Speaker 4: I feel like I feel like in this episode as well,
7:29
Speaker 4: Young is kind of losing the plot because we see
7:31
Speaker 4: that when he goes to Emily's house and he's losing
7:35
Speaker 4: his mind and he's been taken out of command, and
7:37
Speaker 4: then I think he makes things up in his head
7:40
Speaker 4: as well.
7:41
Speaker 2: If you listen to this bit after he talks to O'Neil, he.
7:45
Speaker 5: Replaced me for now with that way, and hear my
7:48
Speaker 5: answer you were going to say give us more time,
7:51
Speaker 5: then you were going to be disobeying a direct order, sir.
7:54
Speaker 2: Look, I offered you command of the expedition.
7:56
Speaker 6: You were my first choice, but you turned it down
8:00
Speaker 6: words as I recall where I don't think it's still
8:02
Speaker 6: in me, sir.
8:03
Speaker 2: Well I'm there now, sir, Whether I like it or not,
8:06
Speaker 2: whether anyone likes it, this is wrong, and you know it.
8:08
Speaker 5: I spent most of my career looking up to you
8:10
Speaker 5: because you always did the right thing, even if it
8:12
Speaker 5: meant disregarding to him.
8:13
Speaker 2: Colonel, don't think I like this. They can't do this
8:17
Speaker 2: to us, can they?
8:18
Speaker 7: For now?
8:18
Speaker 5: They have I think it comes down to the fact
8:20
Speaker 5: that they don't trust Rush.
8:22
Speaker 4: So he says, it comes down to the fact they
8:24
Speaker 4: don't trust Rush. It's like literally that scene beforehand was
8:27
Speaker 4: you're stripped of command because you're not doing what you're
8:29
Speaker 4: told and you're trying to blame it on Rush. Interesting,
8:33
Speaker 4: I didn't pick that up.
8:34
Speaker 1: So there there's like two thoughts there is that he's
8:38
Speaker 1: coming and going, I see through what they're doing.
8:40
Speaker 2: This is actually because of Rush.
8:42
Speaker 1: And if they take me out of it and I'm
8:45
Speaker 1: not the leeway that I give him, you know.
8:47
Speaker 2: It's it's or it's the other way.
8:49
Speaker 1: Obviously they just actually don't want him in command anywhere.
8:53
Speaker 1: And I mean the sneakiness of like yeah, okay, go
8:55
Speaker 1: and can yeah okay, yep, go and go and talk
8:57
Speaker 1: about it. And then when he pops back down, they're like,
8:59
Speaker 1: oh no, by the way, Telford's up there, like doing
9:01
Speaker 1: what we you know, you were coming down here to
9:03
Speaker 1: say yes or no.
9:04
Speaker 2: We don't care. We've made the decision for you.
9:06
Speaker 1: And like holy shit, like you are literally out of
9:09
Speaker 1: your body and unable. It's not like you got to
9:11
Speaker 1: just try and find a phone or something like yeah, yeah,
9:14
Speaker 1: scary tactic.
9:15
Speaker 3: He was interesting because yeah, the way that young frame that,
9:18
Speaker 3: because it's like, well, Rush is the only one of
9:20
Speaker 3: the expedition who was supposed to be there, like Telford
9:23
Speaker 3: would have brought him along.
9:25
Speaker 2: I guess. Yeah.
9:25
Speaker 3: The only counter that I can think about to that
9:28
Speaker 3: is there is that moment I think between Russi and
9:31
Speaker 3: Telford later on where he says, like, you think that
9:36
Speaker 3: if if if our plan works, they won't let you
9:39
Speaker 3: back because of what you did.
9:40
Speaker 2: Like Rush knows he's in trouble.
9:42
Speaker 3: Because he he dialed Destiny when Icarus Space was exploding.
9:47
Speaker 3: So it's like Rush has not actually faced any repercussions
9:50
Speaker 3: of that. So Telford's essentially saying, well, if we get
9:53
Speaker 3: you all off the ship and we know how to
9:55
Speaker 3: dial back, there's no guarantee.
9:58
Speaker 2: Rush would actually get to go back.
9:59
Speaker 4: Yeah, So but I think I think, yeah, then why
10:03
Speaker 4: didn't they just get Rush to report back and then
10:06
Speaker 4: they don't let him back take his place?
10:07
Speaker 2: Yeah, exactly, That's what I mean.
10:09
Speaker 3: So it's like, yeah, like they needed to sort of
10:10
Speaker 3: flesh that out a little bit more.
10:11
Speaker 2: I think I would love to see that.
10:13
Speaker 1: I would just love to see him go mental back
10:16
Speaker 1: at the Pentagon and just be walking around, just smashing shit,
10:19
Speaker 1: throwing things at walls. Is like letting me like an
10:22
Speaker 1: angry child put.
10:23
Speaker 2: In the corner or Rush like, well, that's me back
10:27
Speaker 2: up there. That's when they just put him into a
10:29
Speaker 2: disabled person's body, and I had not considered that, and
10:35
Speaker 2: I'm kind of happy with that.
10:38
Speaker 3: The bit that I loved with O'Neill is that we
10:40
Speaker 3: we also get a little bit of a secondary cameo,
10:43
Speaker 3: but also a little flashback as well.
10:45
Speaker 6: Well, if it makes you feel any better, Colonel Carter
10:49
Speaker 6: saved my ass dozens of times using all kinds of
10:52
Speaker 6: wacky science.
10:53
Speaker 2: I didn't understand. That's the kind of bit that I
10:56
Speaker 2: can put in. Yeah, that's the perfect. Yeah, just he's
10:59
Speaker 2: into the whack under it, and it's a way.
11:02
Speaker 1: It's it's just it was just him and young at
11:04
Speaker 1: that point, right, like it's just the two of them.
11:06
Speaker 1: He can be a little bit looser. He's not doing
11:08
Speaker 1: that out there in the board table in front of
11:10
Speaker 1: the IOWA members. And you're like, like you said those
11:13
Speaker 1: moments in season seven and eight where he was just
11:15
Speaker 1: sitting at the table in or at the desk in
11:17
Speaker 1: the SGC.
11:18
Speaker 2: Just looking around, just like blinking.
11:20
Speaker 1: When he's supposed to be wacky O'Neill like he's actually
11:24
Speaker 1: living up to his role. But then get him in
11:26
Speaker 1: a room by himself, he's like Okay, I'm a bit
11:28
Speaker 1: more myself.
11:29
Speaker 2: Let me untuck this shirt a little bit and talk
11:30
Speaker 2: to you. So that was cool.
11:33
Speaker 3: Yeah, all right, I guess we need to get to
11:35
Speaker 3: it because I'm sure you guys have feelings about it.
11:37
Speaker 3: I'm sure you guys have experienced it in a way,
11:39
Speaker 3: don't the Telford the Telford Young switch?
11:44
Speaker 2: Yeah yeah, yeah, so hot?
11:49
Speaker 1: How quickly can the brain send signals to the body,
11:54
Speaker 1: because I'm just thinking, like when when Young got transported
11:58
Speaker 1: back midway through having sex with his wife. Yeah, and
12:01
Speaker 1: he's like, oh no, no, no, no, no, yeah, yeah, Like
12:04
Speaker 1: at the moment, is his like is his brain like
12:07
Speaker 1: already stimulated.
12:08
Speaker 2: Yeah, it's like instant like bars thing.
12:11
Speaker 1: Yeah yeah, but Telford like blinks and all of a
12:16
Speaker 1: sudden he's having sex with a woman inside Young.
12:18
Speaker 3: Yeah, He's back in his own body and inside Young's wife.
12:23
Speaker 2: Yeah yeah.
12:23
Speaker 1: And like and then you've got last week I said
12:27
Speaker 1: that the ASMR of what's her name? Chloe, Chloe and
12:33
Speaker 1: Scott kissing, I mean, the wife in this episode very vocal.
12:38
Speaker 4: Yeah, yeah, I love it to see it. But like
12:40
Speaker 4: she's sitting on his ZPM for God's sake.
12:43
Speaker 1: Telford wakes up and she's just going on top of him,
12:46
Speaker 1: making all kinds of noise and just his like Lou
12:48
Speaker 1: Diamond Phillips, the facial actor, like what the fuck?
12:54
Speaker 3: He had twenty three seconds with the Really we got
12:59
Speaker 3: to check this because he definitely nudded once. Once Young
13:05
Speaker 3: came back, it was over. Yes, So I believe the
13:08
Speaker 3: the intonation. There was also that she nudded while it
13:12
Speaker 3: was Telford, so she got hard.
13:16
Speaker 1: She she's doing it to Telford body either way. Yeah,
13:20
Speaker 1: Lou Dammond Phillips he backing. Oh is he look at him?
13:24
Speaker 3: He looks like, oh okay, I thought that was Has
13:26
Speaker 3: he done a has he done a full frontal movie that?
13:28
Speaker 2: Maybe? I don't know. I'm just looking at what's that?
13:33
Speaker 2: What's that urban urban myth about? What's his name? Green goblin?
13:38
Speaker 2: What's his name? Isn't there's that?
13:41
Speaker 3: There's that?
13:42
Speaker 2: Yeah? There was as well.
13:46
Speaker 3: Willem Dafoe did a nude scene in something and they
13:49
Speaker 3: had to get in a stunt body because his dick
13:52
Speaker 3: was too big.
13:54
Speaker 2: That's that's the spreading.
13:56
Speaker 4: Yeah, yeah, I'm pretty sure after that twenty three I
14:01
Speaker 4: did like I did like Telford's look on his face
14:04
Speaker 4: was like when he was he came back to Young's
14:06
Speaker 4: body work on the ship after he nudded, and he's
14:09
Speaker 4: either got that he's got that post nut clarity when
14:13
Speaker 4: he's looking at Scott Yeah, yeah yeah, or like he
14:16
Speaker 4: had that vinegar stroke face.
14:17
Speaker 2: It's just like Scott saw his O face.
14:21
Speaker 3: Yeah that's Scott was happy about that.
14:25
Speaker 2: Yeah, closet.
14:27
Speaker 3: Here's the thing too, It's something that universe never addresses,
14:32
Speaker 3: but I wish they would have at some point there
14:34
Speaker 3: was that. I don't think it wasn't oh no, maybe
14:37
Speaker 3: would It was an episode of Black Mirror whatever. It was,
14:40
Speaker 3: the one with Sam Wilson from Captain America. What's his name,
14:45
Speaker 3: Anthony Mackis. It's a great one where him and his
14:48
Speaker 3: best mate basically play the most realistic version of street
14:52
Speaker 3: Fighter ever. Right, he goes in and he's right, and
14:58
Speaker 3: his best mate goes in as chun Le and they
15:00
Speaker 3: feel everything. So it's this whole like and then Chunley
15:03
Speaker 3: and Ryu stuff being in the video game. So these
15:06
Speaker 3: two best friends are experiencing sex through this sort of thing.
15:10
Speaker 3: And something that Atlanta's that Universe never addresses is at
15:14
Speaker 3: no point is there ever any gender swap in terms
15:17
Speaker 3: of at no point does a male character go into
15:19
Speaker 3: a female's body or a female character go into a
15:21
Speaker 3: male's body. Because imagine like at that point if Telford
15:24
Speaker 3: had gone into Emily's body and was suddenly being his
15:29
Speaker 3: own body with yeah, well he did. But the idea
15:33
Speaker 3: of like we will never know what it's like to
15:37
Speaker 3: experience sex with a vagina on the receiving end, they
15:40
Speaker 3: could experiment with that. Yeah.
15:42
Speaker 2: Yeah.
15:42
Speaker 3: So it's like it's you know, a man could go
15:44
Speaker 3: through childbirth, you know, you could put him in the
15:46
Speaker 3: stones and a man could experience the pain of what
15:48
Speaker 3: childbirth is or yeah, vice versa.
15:51
Speaker 1: It's like yeah, yeah, yeah, yeah, and all like a
15:56
Speaker 1: month ago in the pregnancy, the wife just touches the stone.
15:59
Speaker 1: You gotta go through a I'll come back after lab
16:01
Speaker 1: it's done.
16:01
Speaker 3: Or what if they yeah, they had they chuck the
16:04
Speaker 3: stones on during the baby making session, so she's in
16:09
Speaker 3: the male's body, he's in the female's body, and then
16:12
Speaker 3: when it comes time to give birth they do it again.
16:14
Speaker 4: Well, they tag teams, get me out of here. It's like,
16:18
Speaker 4: you can have an hour, yeah, you can have ten minutes.
16:21
Speaker 2: Way to the next I'm just.
16:23
Speaker 1: It's interesting to you. You said that he went back
16:25
Speaker 1: after Telford he'd finished the session.
16:28
Speaker 2: Yeah, big time, Young, very much. I didn't finished it.
16:34
Speaker 2: And then Young goes back and it's done.
16:38
Speaker 1: Now he goes back into the euphoric feeling the body
16:42
Speaker 1: is experiencing. Yeah, but I'm like, is that the like
16:45
Speaker 1: that's the most unique case of blue balls?
16:47
Speaker 2: Yeah, totally. We were talking. I actually wrote that down.
16:51
Speaker 1: Scott and James, Right, they go in the broom closet
16:54
Speaker 1: episode one, and then he never showered before he had
16:58
Speaker 1: sex with Chloe, but there was a lot that had
17:01
Speaker 1: gone on, so like he's having sex with James, I'm
17:03
Speaker 1: just like thinking the outside of like if someone is
17:05
Speaker 1: able to tell him, like, you're having sex with this
17:07
Speaker 1: woman right now, you will actually finish this in another
17:11
Speaker 1: woman in three days, you know what I mean, Like
17:13
Speaker 1: that session will finish, and for poor old Young he's
17:18
Speaker 1: having sex. He never experienced the finish, but the body
17:22
Speaker 1: he's in did, Like.
17:24
Speaker 3: With what his life, who is reconciling with time?
17:28
Speaker 2: Why would you do that like that?
17:31
Speaker 4: That's the other thing I was thinking, is like why
17:32
Speaker 4: would you be in someone else's body and then go, yeah,
17:35
Speaker 4: we're going to bang, Because I would be like no,
17:37
Speaker 4: I'm not going to not in this body. Yeah, yeah,
17:39
Speaker 4: I don't want because they're supposed to be friends or
17:41
Speaker 4: acquaintances from way back.
17:44
Speaker 2: It's like she's always looked him at barbecues and young.
17:47
Speaker 1: Oh right, she's always had a bit of a thing
17:49
Speaker 1: for him. He doesn't know that, or maybe he does,
17:51
Speaker 1: but it was worth it to him.
17:52
Speaker 3: Yeah, I mean, don't pretend like you two wouldn't do it.
17:54
Speaker 2: Just just no swap bodies and just go and you
17:58
Speaker 2: know Young, Yeah, just changing. Yeah, that's hilarious movie.
18:06
Speaker 3: That was good.
18:07
Speaker 2: Yeah, I think I think we did.
18:08
Speaker 3: Like I feel like I.
18:09
Speaker 1: Knew you were going to take it there. Like I
18:10
Speaker 1: was watching this episode today and I'm like, Maddie will
18:12
Speaker 1: come in and be like, Okay, so you're having sex
18:14
Speaker 1: with each other's wife.
18:15
Speaker 2: I see. I think that's the weirder part.
18:17
Speaker 3: Like Eli was a little bitch for not like I
18:19
Speaker 3: spoke about a couple of weeks ago, I forgot about
18:21
Speaker 3: this episode. It's like Eli was enamored with the body
18:23
Speaker 3: that he was in and did nothing with it. I
18:26
Speaker 3: feel like, yeah, it's a hook up with a random
18:28
Speaker 3: person and you're in a random person's body, and you'll
18:30
Speaker 3: get with some other random person.
18:31
Speaker 2: That's fine. I don't know, mate.
18:33
Speaker 1: We all went through what happened with Wonder Woman nineteen
18:36
Speaker 1: eighty four in that in that movie, that Wonder Woman
18:42
Speaker 1: raped the body that Chris Pine was his consciousness was
18:46
Speaker 1: in because yeah.
18:47
Speaker 3: But I mean in this, in this situation, because she's
18:49
Speaker 3: a woman in this situation.
18:50
Speaker 2: Telford didn't know what.
18:51
Speaker 3: Was I watched that movie, didn't Yeah, yeah, Telford's getting right, Yeah, Telford.
18:57
Speaker 2: Telford didn't give permission or anything like.
18:59
Speaker 3: But maybe there's some kind of clause you signed that
19:01
Speaker 3: when where if you volunteer to go on the stone,
19:04
Speaker 3: it's what that person does with your body.
19:06
Speaker 2: And and who is he being raped?
19:08
Speaker 1: Is he being by the woman or is he kind
19:10
Speaker 1: of being both of them?
19:14
Speaker 3: Yeah, because Emily knows Emily Emily knows that she's having
19:17
Speaker 3: sex with her husband. She doesn't, Yeah, she doesn't know
19:20
Speaker 3: that they quickly swapped. Yeah, So so she's being ripped
19:24
Speaker 3: in that regard.
19:24
Speaker 4: Yeah, she knew that she was banging someone else's body
19:28
Speaker 4: because she's getting back at him Young for.
19:33
Speaker 1: Yeah maybe yeah, Young gets back into his body and
19:36
Speaker 1: she's like, what what did you do?
19:38
Speaker 2: At the end? Just then, what did you just what
19:40
Speaker 2: did you do at the end with my as.
19:43
Speaker 1: I when thinking about what did you describe it back
19:47
Speaker 1: to me?
19:47
Speaker 2: Did TJ teach you that swirl movie?
19:49
Speaker 1: You just here, Okay, we'll get some more fun because
19:54
Speaker 1: I want to talk about what happens at the end.
19:55
Speaker 1: But like when they sit there just basically having a smoke,
19:58
Speaker 1: and you know, like she's like, God, never want to
20:01
Speaker 1: see you again, and he's like, but I love you,
20:03
Speaker 1: and she's.
20:04
Speaker 2: Like, oh my god, crying.
20:05
Speaker 1: Then they're having sex, and then it was like you
20:08
Speaker 1: understood why I did all that. I'm like, for me
20:10
Speaker 1: as a viewer, I don't because it's been six episodes
20:12
Speaker 1: of you being so distant of him. But then for
20:14
Speaker 1: her to be like, I just wish that you went
20:16
Speaker 1: up there and like stuck with her, I'm like, oh, okay,
20:20
Speaker 1: because I could have up until this point, even though
20:23
Speaker 1: I have assumed that she's known there's something going on,
20:27
Speaker 1: I could also have assumed that there was something that
20:30
Speaker 1: happened between Young and TJ. But the wife is just
20:33
Speaker 1: angry because he's always been out of the marriage in
20:36
Speaker 1: proximity because of his job.
20:38
Speaker 4: There's a lot of foreshadowing and if you don't and
20:40
Speaker 4: if you're not careful, you might even miss it this
20:42
Speaker 4: episode because TJ's trying to get out of the base
20:46
Speaker 4: because she's had an affair with Young. Now they're stuck together.
20:50
Speaker 4: Somehow the wife knows Young as the wife knows somehow,
20:53
Speaker 4: he must have told her, I guess when he came
20:55
Speaker 4: back to Earth before they went to Destiny. And then
20:58
Speaker 4: she says, just after that conversation, just before they bang,
21:03
Speaker 4: I'm pretty sure, or after I don't know where she says, yeah,
21:06
Speaker 4: I know it's over between you and TJ. Yeah, and
21:10
Speaker 4: doesn't come out and say the names.
21:11
Speaker 2: But yes, because obviously the opening scene is Young having.
21:16
Speaker 3: The dream, the vision or that you know, whether it
21:19
Speaker 3: was a memory or whether it was just a dream
21:22
Speaker 3: of him and TJ. And then obviously, you know, we
21:25
Speaker 3: we tickled your ass with it a couple of weeks ago, Mitch,
21:27
Speaker 3: with the fact that you know, TJ was the one
21:29
Speaker 3: that could recognize when it was Young and when it
21:31
Speaker 3: was Telford, because they have they've had this and yeah,
21:36
Speaker 3: maybe it was. I don't know how deep we get
21:39
Speaker 3: into the the logistics of it all, but yeah, the
21:42
Speaker 3: assumption is basically, Emily, you that's why they were kind
21:46
Speaker 3: of distant or whatever, but.
21:48
Speaker 2: And then it's over. It's over.
21:50
Speaker 3: TJ is transferring out, So I think they could have reconciled,
21:55
Speaker 3: but then the icorous situation happens and now they're both
21:57
Speaker 3: stuck on the ship together, and that's what it's.
22:00
Speaker 2: Made it hard for Emily now.
22:01
Speaker 3: So but then obviously right at the end, which I
22:03
Speaker 3: don't know if you were you know, seventy thirty or
22:05
Speaker 3: anything like that, but the very very last scene is
22:07
Speaker 3: we cut back to Emily's house and knock knock open
22:11
Speaker 3: the door and there is one LDP.
22:14
Speaker 1: Honestly, look when when it cut Alford to Emily and
22:16
Speaker 1: I'm like, oh, because yeah, this is what if old
22:20
Speaker 1: mate just decides to.
22:22
Speaker 2: Back again. Yeah, And I'm like, oh you what are you?
22:26
Speaker 2: What is this? Hello beautiful your husband? Hello wife, Hello
22:30
Speaker 2: wife Hesberg, you'resburg Let's let's play this game where I
22:35
Speaker 2: don't know what your name is. It is.
22:38
Speaker 4: It is funny that we come up on the morality
22:40
Speaker 4: of this stuff and I want to play this Keino file.
22:43
Speaker 4: We all know that Eli's you're a full blow and
22:47
Speaker 4: so this kinophile is set. I think next week or
22:52
Speaker 4: the week after the next time Chloe goes back to Earth,
22:55
Speaker 4: and so in this scene, Eli is on Destiny interviewing
23:00
Speaker 4: Chloe's buddy, who's host to a girl named Kelly.
23:09
Speaker 8: Harriman.
23:09
Speaker 6: Kelly, this is for a documentary I'm doing about Lifeline Destiny. Okay,
23:13
Speaker 6: and this is your first time aboard? Yeah, ends using
23:16
Speaker 6: the communication.
23:17
Speaker 2: Stones, Yeah, first time.
23:19
Speaker 6: So I'm curious while Chloe's back on Earth just walking
23:23
Speaker 6: around in your body.
23:24
Speaker 8: You know, how does that make you feel? Because I
23:26
Speaker 8: can tell you for the first time that I use
23:28
Speaker 8: the stones. It creaked me out. You know, Well, we
23:32
Speaker 8: volunteer to do this, so really, what made you volunteer?
23:35
Speaker 9: You're all stuck out here. You deserve a chance to
23:37
Speaker 9: go home see the people you love.
23:40
Speaker 2: What do you get out of it?
23:41
Speaker 9: A chance to see what it's like on an ancient
23:43
Speaker 9: ship across the universe.
23:44
Speaker 2: Does it make you wonder though, what Chloe's doing right now?
23:48
Speaker 3: Yeah?
23:49
Speaker 9: We signed permission reforms. What do they say, I hereby
23:53
Speaker 9: give consent for the temporary use of my body blah
23:55
Speaker 9: blah blah for you.
23:57
Speaker 2: Know, personal stuff like like does it say no?
24:02
Speaker 9: But folks are visiting their husbands and wives or boyfriends
24:05
Speaker 9: and girlfriends. I mean, that's kind of a point, right,
24:10
Speaker 9: and that doesn't bother you when privacy sort of goes
24:13
Speaker 9: out the window.
24:13
Speaker 3: Both ways.
24:14
Speaker 9: I had a shower this morning in this body. Thank
24:16
Speaker 9: you for showing me how they work?
24:18
Speaker 2: Yeah, no problem. The form is what does the form say?
24:23
Speaker 9: Oh yeah, I acknowledge that the death of a person
24:27
Speaker 9: on either side of the connection may result in the.
24:29
Speaker 2: Death or the other.
24:29
Speaker 6: Nobody really knows if that's actually the way it would.
24:33
Speaker 6: Is there anything you can or can't do while you're here?
24:35
Speaker 9: Not do anything that might impact negatively on relationships between
24:38
Speaker 9: personnel on the.
24:39
Speaker 2: Ship, the fragile balance?
24:42
Speaker 9: Yeah, you are kind of cute.
24:44
Speaker 6: Oh I couldn't possibly we're a friend somebody kid?
24:49
Speaker 9: Can I go now?
24:50
Speaker 2: Yeah?
24:51
Speaker 6: Yeah yeah sure think thank you for your time.
24:55
Speaker 4: So it's kind of interesting is that then i'd sight
24:58
Speaker 4: explicitly in the show, but they kind of say, yeah
25:00
Speaker 4: you can bang, yeah, feel free. And then obviously you
25:03
Speaker 4: know Eli, you know, struck out when he went to
25:06
Speaker 4: the club, So it's like if Eli goes home and
25:10
Speaker 4: jerks off, he's jerking off another man's dead. Yeah, So
25:15
Speaker 4: I don't know how like you know, And it's interesting
25:17
Speaker 4: because that file is after this episode. So it's like
25:23
Speaker 4: Eli didn't know what the contract was with the body,
25:26
Speaker 4: which is weird.
25:27
Speaker 3: Well I guess, I mean, he wouldn't have signed that,
25:31
Speaker 3: so maybe it's because he was so quickly scooped up
25:33
Speaker 3: taken to Icarus, literally didn't even have pants on, so yeah,
25:40
Speaker 3: maybe And obviously like there was the they had the
25:43
Speaker 3: non disclosure agreement when they rocked up to his front door.
25:45
Speaker 2: Yeah, but it didn't say anyone can use your body
25:47
Speaker 2: to bang. Yeah.
25:48
Speaker 3: Yeah, that wasn't the stone part. So yeah, maybe he
25:51
Speaker 3: never actually read the fine print when it came. And
25:54
Speaker 3: I guess they wouldn't be a copy of that anywhere
25:55
Speaker 3: on Destiny, so he just wasn't aware of it. It's
25:58
Speaker 3: funny though, because so they probably they didn't brief them,
26:03
Speaker 3: I guess.
26:03
Speaker 2: And what you're allowed to do, what you're to do. Yeah,
26:05
Speaker 2: that's interesting in this episode.
26:07
Speaker 1: And I guess like everybody is in on it, right,
26:10
Speaker 1: the families and stuff, you know, like.
26:12
Speaker 3: It wasn't yeah, but that's yeah, he was given clearance
26:17
Speaker 3: to tell her if he wanted to, yes, which is
26:19
Speaker 3: weird because I like how this I find this hard
26:22
Speaker 3: to trust that the families would believe that they are
26:26
Speaker 3: right immediately.
26:27
Speaker 1: So like that's okay. So so Young's wife knows there
26:31
Speaker 1: some he's doing some weird shit. Took her a little
26:33
Speaker 1: bit to believe. We saw that. We didn't get to
26:36
Speaker 1: see the full comprehension for Chloe's mum when she went
26:40
Speaker 1: back to talk about Shooter getting killed, but then her
26:45
Speaker 1: just saying in that grab, oh yeah, well everyone's got
26:48
Speaker 1: you know, husbands and wives and families and boyfriends and
26:50
Speaker 1: girlfriends and stuff. So you know, we figured that's going
26:52
Speaker 1: to happen. It's cool, but they would have to be
26:55
Speaker 1: in on it, like they would have to know what's
26:57
Speaker 1: going on, because otherwise they're going to use their entire
26:59
Speaker 1: time going what else can I do to prove I'm like,
27:02
Speaker 1: I'm semi here, like, like, what else do I need
27:05
Speaker 1: to do to prove to you that it's me so
27:06
Speaker 1: that we can just get this going and make this
27:08
Speaker 1: a contract.
27:09
Speaker 4: Which I think it is like part of the fun
27:12
Speaker 4: of trying to convince someone In parts of shows where
27:15
Speaker 4: you're like, no, it's me because I know this, this
27:17
Speaker 4: and this about, they're.
27:18
Speaker 2: Like, ship, maybe it is you. Yeah, we missed all that.
27:21
Speaker 1: I mean saying that if we you know, if it
27:23
Speaker 1: happened to me. And I went up to Sarah and
27:25
Speaker 1: she's like, what's my favorite color? But a trick question
27:29
Speaker 1: you've never told me.
27:32
Speaker 3: Whereas the flip side is your favorite color. The flip
27:36
Speaker 3: side is also like if you know if Mary lis
27:38
Speaker 3: with Winstead walked up to you and went, Mitch, it's me, Sarah.
27:44
Speaker 2: I believe you when you also added to armies.
27:46
Speaker 3: Yeah, yeah, but I reckon.
27:52
Speaker 2: Yeah.
27:53
Speaker 4: I think low key Eli's mum was so glad that
27:55
Speaker 4: he left because she's probably getting cock blocked. Yeah, thirty
28:01
Speaker 4: years or hell, she's making cookies or some like walks
28:05
Speaker 4: out the Yeah.
28:09
Speaker 3: Because Joe the barber from Citizen Citizens everything about everyone,
28:15
Speaker 3: He and his.
28:16
Speaker 2: Wife are never made up him and are still connected.
28:19
Speaker 1: Yeah.
28:19
Speaker 9: Yeah.
28:19
Speaker 4: Mentally, there's a there's a clip from air that I
28:22
Speaker 4: want to play right now of Eli's mum and this
28:25
Speaker 4: is their conversation in the first pilot episode where Eli's
28:28
Speaker 4: explaining it and want to context matters because I feel
28:31
Speaker 4: like she's actually ecstatic that he's leaving.
28:34
Speaker 2: She can't believe it. She's like, yeah, she's happy that
28:37
Speaker 2: he's leaving. Where are top secret? I'm serious? I can't
28:42
Speaker 2: say anything more. Than that. I don't understand you were leaving.
28:46
Speaker 2: She's buzzing, Sorry, but did you get the letter from.
28:50
Speaker 9: God?
28:52
Speaker 2: Are you in a plane? Now? You sound like you're
28:54
Speaker 2: in a nothing like that. You didn't have to do this,
28:59
Speaker 2: just sco It's like a present. He didn't have to
29:02
Speaker 2: do that. She's just just like, oh my god, he's
29:05
Speaker 2: got a job. Now I'm going to bang.
29:07
Speaker 4: He's like, this is gonna I was actually worried, for
29:09
Speaker 4: Eli's sake, that she was going to try and crack
29:11
Speaker 4: onto the dude.
29:13
Speaker 3: Oh that yeah, that would be I could have been interesting.
29:15
Speaker 3: She's like, well, you're a handsome young man.
29:17
Speaker 4: He's like he's like trying to be emotional with her,
29:19
Speaker 4: like it's his mom. And then she's like, oh, this
29:21
Speaker 4: young man's cracking on to me. Let's do it.
29:24
Speaker 2: She and he's to be like whoa, whoa, whoa, whoa.
29:27
Speaker 2: She walks over the radio, call me mummy. She walks
29:31
Speaker 2: over to the radio and just was like, here's to you,
29:34
Speaker 2: missus Robinson. I'm gonna put this apron on, but I'm
29:38
Speaker 2: going to take everything else. Yeah, I think you're trying
29:40
Speaker 2: to seduce me. It's funny because it's funny.
29:43
Speaker 3: That you had a grab of Eli's one because I
29:45
Speaker 3: had a grab her from this episode as well.
29:47
Speaker 2: Everyone's out of grab.
29:48
Speaker 6: She's not gonna understand she can barely follow an episode
29:51
Speaker 6: of Star Trek.
29:56
Speaker 1: Who can Yeah, she barely finished one and that's understandable.
29:59
Speaker 2: Yeah, especially stop talking about it. Is this useless Janeway bitch.
30:09
Speaker 3: Something I was interested in, Like we're talking about the
30:11
Speaker 3: stones and stuff because obviously the other part of that
30:13
Speaker 3: is Chloe and Eli off doing their bits and pieces.
30:16
Speaker 2: Now when they were in the car just like drunk Chloe,
30:21
Speaker 2: by the way, is my favorite version of Chloe. Yeah,
30:23
Speaker 2: I was talking.
30:26
Speaker 3: Except for well, that's where I get to is I
30:29
Speaker 3: can't remember when they are in the car. It's just
30:32
Speaker 3: the two of them in that. I just spat when
30:35
Speaker 3: the two of them are in that car together time
30:38
Speaker 3: they were unzipped and then I was spitting. I was
30:40
Speaker 3: still in a broke Back Mountain situation. Is Eli seeing
30:44
Speaker 3: Chloe or is Eli seeing the other girl? And is
30:46
Speaker 3: Chloe seeing Eli or is Chloe seeing Yeah?
30:49
Speaker 4: Guy, And we wondered that in uh season nine was
30:52
Speaker 4: it when Daniel and Daniel.
30:54
Speaker 2: And Valla, We're like, do they Yeah?
30:57
Speaker 3: So, because if you think about it because obvious there's
31:00
Speaker 3: that moment where Elo has that little day dream where
31:02
Speaker 3: Chloe does kiss him and then you know he's snap
31:04
Speaker 3: cut and it's like, but if she's drunk and she's
31:07
Speaker 3: seeing that other quote unquote hot guy. Yeah, I mean
31:10
Speaker 3: compared to Elo, I guess, but yeah, it wasn't that great? Yeah,
31:16
Speaker 3: Like what is what is Chloe seeing there? Because yeah,
31:19
Speaker 3: that's what I'd really like to know.
31:21
Speaker 2: Yeah, well she's seeing the real the girl guy. Yeah right, okay. Interesting.
31:26
Speaker 4: So that's and it's funny too because in that Kino
31:30
Speaker 4: file that I played before, it's Chloe playing whatever, Lieutenant Kelly.
31:35
Speaker 4: Yeah right, so that's actually the They don't do it
31:38
Speaker 4: in the show, but they do it in those Keino files,
31:40
Speaker 4: which is interesting.
31:41
Speaker 3: Two things, Just because you brought it up again, Quino file,
31:46
Speaker 3: What what would your guys response be to me if
31:49
Speaker 3: I admitted to you on this podcast that I'm.
31:51
Speaker 2: A pluvio file, we would have assumed it's pretty So
32:04
Speaker 2: what does that mean? Pluvio fi? It sounds so dirty
32:08
Speaker 2: to me. I don't know what it is, but you did.
32:13
Speaker 3: A person who loves, find joy and experiences peace of
32:17
Speaker 3: mind during rainy days.
32:19
Speaker 2: Yeah, I knew that about you. Who's not a pluvia?
32:22
Speaker 2: We're all if you're not, you should be right. Who's
32:25
Speaker 2: love a rainy day? The Brits? I reckon, they're not
32:28
Speaker 2: enough of that ship.
32:30
Speaker 3: Apparently from the Latin, pluvia means rain and philos means loving,
32:35
Speaker 3: So even when you're talking about a quinophile, the file
32:40
Speaker 3: is loving Lov's.
32:45
Speaker 4: It's funny that there's so many actual things happening in
32:49
Speaker 4: this episode. Something we haven't even touched on is they're
32:52
Speaker 4: trying to dial back to Earth.
32:54
Speaker 3: Well before we get to that, can I just finish
32:55
Speaker 3: off on the Eli and Chloe than I'm happy to
32:58
Speaker 3: keep going with that Chloe shit for sure. Well, just
33:01
Speaker 3: because obviously we had the whole thing with Young and
33:06
Speaker 3: Telford swapping bodies at a interesting time. Every other time
33:12
Speaker 3: we have seen anyone come back to Earth using the stones,
33:14
Speaker 3: they're in the back of an suv. They're being driven
33:16
Speaker 3: around just so that Chloe and Eli can have the
33:20
Speaker 3: private moment where drunk Chloe cries. They're sitting in like
33:22
Speaker 3: a two door Porsche Boxer or whatever. But then Eli
33:25
Speaker 3: starts driving. So what would have happened if the stones
33:30
Speaker 3: had buffered while Eli was driving and then all mate
33:35
Speaker 3: gets back into his body doing you know, ninety down
33:38
Speaker 3: the freeway or something like that. But they don't address
33:41
Speaker 3: it in this where it's like I feel like, that's
33:42
Speaker 3: probably the reason why everyone's being driven around.
33:44
Speaker 2: In black suv. Yeah, for sure.
33:46
Speaker 3: So I thought it was weird that Eli and Chloe
33:48
Speaker 3: get into this little this little sports car.
33:50
Speaker 2: Yeah, it could have been in the back of the suv.
33:53
Speaker 3: Yeah, they could have still had that conversation and the
33:55
Speaker 3: you know, that's what I was thinking about when they
33:57
Speaker 3: stumbled out.
33:57
Speaker 4: Of the the club the club, which I thought was
34:00
Speaker 4: a horrible scene, but we'll skip that bit. I'm like, oh,
34:04
Speaker 4: where's the guy to pick him up? Yeah, that's what
34:06
Speaker 4: I was waiting for. Yeah, but they get into a
34:08
Speaker 4: car and then he's driving. I'm like, wait, are you drinking?
34:11
Speaker 7: Yeah?
34:11
Speaker 4: Yeah, that's what I like diplomatic community.
34:15
Speaker 1: Because there was just the way that it was framed
34:17
Speaker 1: in the shot. And he went and put her into
34:19
Speaker 1: the passenger seat and then he swings the keys in
34:21
Speaker 1: his hand and he goes to walk around, and I
34:23
Speaker 1: was just like and I was like, waiting, like this
34:27
Speaker 1: where CoP's gonna come and go, Hey, you've been drinking,
34:29
Speaker 1: takes them.
34:29
Speaker 2: Off to jail.
34:30
Speaker 1: You imagine old mate, he comes back to his body.
34:32
Speaker 1: He's been interesting. Actually, I wasn't doing anything anything to drink. Yeah, mate,
34:39
Speaker 1: he gets hits with a headache, Like, yeah, that would
34:42
Speaker 1: be great.
34:42
Speaker 4: I was thinking it'd be great if you could swap
34:44
Speaker 4: buddies or someone get absolutely blind drunk and then you
34:46
Speaker 4: swap back.
34:47
Speaker 2: Yeah, you don't have a hangover hangover, that'd be awesome.
34:50
Speaker 3: Just on the car thing though, I saw this incredible
34:52
Speaker 3: video that I'll show you guys. I thought it was
34:55
Speaker 3: in La, but it was actually in like Chili or
34:57
Speaker 3: something like that. There's this new thing where, like where
34:59
Speaker 3: cards is, if you're driving onto an on ramp right,
35:03
Speaker 3: the car will be in front of you. When it
35:05
Speaker 3: gets close to like you're getting into the highway, the
35:07
Speaker 3: car will stop and sort of turn a little bit
35:09
Speaker 3: and they'll get out and try and car jacks. That video, yeah,
35:12
Speaker 3: and where the woman like it's her, like it's the
35:15
Speaker 3: dash cam and she just plants it and like runs
35:18
Speaker 3: over this guy flying off flying and then just like
35:23
Speaker 3: fires down down the highway. And I thought it was
35:24
Speaker 3: like a hit and run in La, but it was
35:27
Speaker 3: it's like an attemptive carjacking.
35:30
Speaker 2: Yeah, I think I've seen that. It's like something. Yeah, yeah,
35:34
Speaker 2: it's crazy.
35:35
Speaker 4: Yeah, that nightclub scene when they had the live performer,
35:38
Speaker 4: I'm like, this reminds me too much of like Smallville.
35:41
Speaker 3: Yeah, and I was thinking the o C they would
35:45
Speaker 3: always have when when they had that season where they
35:47
Speaker 3: had that the club where all the all the seventeen
35:50
Speaker 3: year old kids were working at a nightclub on the
35:52
Speaker 3: on the pier and they would happen. Yeah, like all
35:55
Speaker 3: these just random bands come in. But yeah, janelleman Nay
35:58
Speaker 3: of all things. By twenty eleven, she had quite a
36:02
Speaker 3: big profile, didn't she.
36:03
Speaker 2: Like that's it was like thirty people in the club
36:07
Speaker 2: dancing and it was like.
36:08
Speaker 1: That I was so separated, really right, Yeah, and it's
36:15
Speaker 1: like so well lit, and they're just like doing like
36:17
Speaker 1: really old people dance at a young person's club and
36:20
Speaker 1: they're so far away from one another like this looks.
36:23
Speaker 4: Eli was dancing like this is going to be a
36:26
Speaker 4: weird tangent. But he was dancing like the guy the
36:30
Speaker 4: detective in the mask, not the main detective, but he's goofy.
36:33
Speaker 1: Yeah, that's what he was dancing like.
36:38
Speaker 2: Or whatever his name was.
36:40
Speaker 4: For sure, they got me Cube on Beat and.
36:45
Speaker 2: My mad bloody gear. I wrote this. You know you
36:54
Speaker 2: got oh We're underwater. I was just trying to find
36:56
Speaker 2: some gentelmane. No one asked. We're fine. I've got a
37:01
Speaker 2: radio library in front of me. Seven million. Sounds like
37:07
Speaker 2: she's very popular. I get it. Well, just Brendan said
37:09
Speaker 2: he'd never heard of her. I'm just still haven't got it.
37:12
Speaker 3: What's what's her most famous song? That's I'm just trying
37:14
Speaker 3: to figure out. You probably one of those things. We'd
37:18
Speaker 3: probably know it when you heard it.
37:20
Speaker 1: Probably now I've got a feeling I'm like, was she
37:24
Speaker 1: the one the lead star? As I keep talking while
37:29
Speaker 1: I search in the Knives out sequel glass Onion, which yeah,
37:35
Speaker 1: she was. She was the lead actress in Glass Onion
37:38
Speaker 1: and Knives the Dance. Yeah, Janelle Monnay Twins.
37:43
Speaker 2: You would know that Twins Basil. You know fork me.
37:50
Speaker 3: You remember that fun song Tonight we she was.
37:57
Speaker 2: She featured in that. I don't keep singing it. Maybe
38:00
Speaker 2: I'll pick it up. You know it mane, I'm listening
38:08
Speaker 2: to Elton John.
38:13
Speaker 3: I need to get more story Street.
38:16
Speaker 2: It should be on Spotify. We guess the chorus. Yeah,
38:20
Speaker 2: I know, yeah, you were just good tracks on over Oh.
38:24
Speaker 3: We flogged it. I was here when this was it,
38:29
Speaker 3: never heard it. Maybe they all sound the same, Yeah,
38:35
Speaker 3: I would have.
38:36
Speaker 2: Is that it? What about the other heade on the
38:40
Speaker 2: other head ze? Oh yeah yeah.
38:43
Speaker 4: Don't you think when they're trying to deplete the batteries
38:47
Speaker 4: of destiny that shooting the weapons? I guess it's the
38:50
Speaker 4: most effective way to reduce the power.
38:52
Speaker 3: But they kind of see I were they're revealing their position,
38:58
Speaker 3: but also those blast they're just going on forever at
39:01
Speaker 3: something like what are they going to hit?
39:03
Speaker 1: Yeah? I meant to know about that beforehand. Did I
39:05
Speaker 1: seventy thirty that at one point? Because and then yeah,
39:09
Speaker 1: it's like there's people staring at the window. They were
39:11
Speaker 1: going to do it right, and I'm like, oh, one
39:14
Speaker 1: of them is going to freak out and they're just like.
39:17
Speaker 3: That.
39:18
Speaker 1: But is someone going to reac because they went to
39:20
Speaker 1: a second scene with different characters still looking like, is
39:24
Speaker 1: someone going to react to this?
39:25
Speaker 2: Like I am?
39:26
Speaker 4: Because that's so Yeah. I was thinking the same thing
39:29
Speaker 4: about you. With the weapons being like ballistic, it's not
39:32
Speaker 4: like a rail gun where it's actually like a pellet
39:34
Speaker 4: because it's energy there and it would just eventually dissipate. Yeah,
39:38
Speaker 4: you would have like, you know, radiation from the sun
39:41
Speaker 4: or something, a phaser.
39:42
Speaker 2: I don't know about that. That's too.
39:46
Speaker 7: Well.
39:46
Speaker 2: I didn't do this before. It was character based, but
39:50
Speaker 2: character based, yeah, Elo said it.
39:52
Speaker 3: Yeah, someone to point out in some of the trigger
39:54
Speaker 3: it's like the because obviously we used to see like
39:57
Speaker 3: asgard beam weapons and like drones are obviously most popular
40:01
Speaker 3: ancient weapon, but this he predates that. But some sort
40:04
Speaker 3: of made a connection to back in Trinity. That episode
40:08
Speaker 3: of Atlantis where Rodney blows up three quarters of the
40:11
Speaker 3: Solar system, the weapon is very similar because remember the
40:15
Speaker 3: weapon starts going crazy on the roof of the building
40:17
Speaker 3: or whatever and Shepherd has to like dodge it in
40:20
Speaker 3: the jumper and stuff like that, and they're saying, yeah,
40:22
Speaker 3: the weapon is very sort of reminiscent of that. So
40:25
Speaker 3: potentially whatever that Trinity thing was, was yeah, using the same, similar,
40:29
Speaker 3: similar kind of weapon.
40:31
Speaker 4: They couldn't get that to work, or was it just
40:32
Speaker 4: more of the power thing in Atlantis?
40:34
Speaker 2: I think something like yeah, we vacuum modular No, because remember.
40:39
Speaker 3: The ancients had abandoned that project, and Roddy was like,
40:41
Speaker 3: well I could figure it out. Yeah, yeah, yeah, yeah,
40:44
Speaker 3: I don't think it was the weapon. It was the energy, yes,
40:46
Speaker 3: build up, yeah, because that's right. It wasn't as z PM.
40:49
Speaker 3: It was yeah, vacuum something like yeah, yeah, you're.
40:51
Speaker 4: Right, yeah, yeah. But I've really liked that. This is
40:55
Speaker 4: another Rush thing where you just like you don't know
40:57
Speaker 4: what he's up to. You're like, yeah, he he put
41:00
Speaker 4: in safety protocols and then he did all the lightning
41:03
Speaker 4: and the lights in the alarms for a bit of theater,
41:06
Speaker 4: and then he's like, you could have told us, he said,
41:07
Speaker 4: I didn't know who's on my team.
41:08
Speaker 2: Still know what I thought would?
41:10
Speaker 3: I think that was great for his character, But I
41:12
Speaker 3: feel like what would have been a funnier thing, it
41:13
Speaker 3: probably would have been a Peter Deluize edition, is if
41:16
Speaker 3: Rush was like, well, I didn't know how good actors
41:18
Speaker 3: you all were.
41:20
Speaker 2: I wanted you all to think it was real.
41:22
Speaker 1: But yeah, I was questioning that as a as a viewer,
41:24
Speaker 1: like when when Scott came over and like immediately reacted
41:28
Speaker 1: to it, like oh, he was in on it, But
41:30
Speaker 1: then after he's like, you scared the ship out of us.
41:32
Speaker 2: Oh you're just a great reactor, you know. So yeah,
41:35
Speaker 2: that was It's.
41:36
Speaker 3: Also, well, how how much control of the ship does
41:38
Speaker 3: Rush actually have? Like, and I think there was a
41:41
Speaker 3: pretty big time jump as well, because we have to
41:43
Speaker 3: factor in is like, well, yeah, we had to empty
41:47
Speaker 3: the the battery of destiny, so but then it would
41:53
Speaker 3: have then had to have jumped FDL to find another
41:55
Speaker 3: sun that it could then go in to do all
41:57
Speaker 3: the stuff that need to do for us to then
41:59
Speaker 3: stuff to start the experiment. So yeah, there would have
42:02
Speaker 3: been a bit of time there, I imagine.
42:04
Speaker 4: Just too like and that's why they were coming and
42:06
Speaker 4: back and forth out of the stones. I think that
42:09
Speaker 4: works for On. That works for Rush too, because Young's
42:12
Speaker 4: not there, Eli's not there, and Telford's back and forth. Yeah,
42:17
Speaker 4: so he can easily manipulate the situation.
42:19
Speaker 2: Yeah. Absolutely, A lot of people are behind this. Well,
42:37
Speaker 2: a lot of people play the lottery.
42:40
Speaker 9: What surprising dos they.
42:41
Speaker 7: Do it with the lives?
42:43
Speaker 2: I know you're opposed. I have serious concerns myself.
42:49
Speaker 9: I'm just wondering how much safer it might be if
42:53
Speaker 9: you were involved.
43:00
Speaker 3: What are you doing.
43:02
Speaker 2: By making sure we still have enough power to control
43:04
Speaker 2: these consoles. When approaching the star.
43:06
Speaker 3: Doctor Williams says, you've come up with a way of
43:08
Speaker 3: improving the odds of success one.
43:10
Speaker 2: I don't want to die, Connel good. Hopefully we've proven
43:14
Speaker 2: that's not our goal ever. End Rush, what's upening? We
43:18
Speaker 2: just jumped to FTL.
43:21
Speaker 9: Rush.
43:21
Speaker 2: You don't tell phones? Yes, everything okay? He will be
43:25
Speaker 2: soon enough. Step back, you bag. You get overload.
43:35
Speaker 3: The capacitors bringing power flow down. Climitations are not holding
43:40
Speaker 3: because the system wasn't meant to handle this much power.
43:43
Speaker 2: Mistaken.
43:44
Speaker 8: The shield is failing, Colonel.
43:46
Speaker 2: We need to abort shut it down.
43:49
Speaker 3: It's not working.
43:50
Speaker 2: I thought you said you could stop it. I don't
43:52
Speaker 2: you want to shut down? Where the well are you
43:54
Speaker 2: going to?
43:59
Speaker 9: Look?
43:59
Speaker 2: God? Thank you?
44:05
Speaker 5: If I could have everyone's attention, please, I'm sorry to
44:09
Speaker 5: have to tell you that, uh, we will not be
44:13
Speaker 5: going home, not yet anyway. But you can't all relax
44:18
Speaker 5: and return to your quarters. The ship will not.
44:21
Speaker 2: Be exploding, at least not today.
44:25
Speaker 1: Thank you.
44:28
Speaker 9: You staged the whole thing, so all of.
44:31
Speaker 2: This was just to get rid of Telford. Had to
44:34
Speaker 2: be done. So you're saying that the ship was never
44:37
Speaker 2: gonna explode.
44:38
Speaker 5: Oh no, we would most definitely all be dead had
44:40
Speaker 5: I not put certain limits in planes. I also arranged
44:44
Speaker 5: for the alarms and warnings to go off regardless.
44:46
Speaker 2: A bit of theater. Almost nice. You could have warned us,
44:51
Speaker 2: scared the crap out of everybody. Well, I didn't know
44:55
Speaker 2: who was on my side.
44:56
Speaker 7: Tonight rush real savage like don alight.
45:12
Speaker 2: Rush to get into gig h