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218: The 5th Annual Oscar Meltdown · Movie Meltdown

• 0:10
  Speaker 1: Hi, my name is Jennifer Lawrence and you're listening to
• 0:12
  Speaker 1: Movie Meltdown. It's showtime.
• 0:26
  Speaker 2: The following feature has been rated R by the Motion
• 0:29
  Speaker 2: Picture Association of America. It is intended for mature audiences
• 0:34
  Speaker 2: and parental discretion is advised.
• 0:36
  Speaker 3: Our nuclear reactor pumping out one million kilowatts of power.
• 1:06
  Speaker 1: Five more cooling in the containment chamber.
• 1:08
  Speaker 2: To your sentries, we have a rebound.
• 1:11
  Speaker 1: Meyer?
• 1:12
  Speaker 4: That is an Oscar Meyer?
• 1:13
  Speaker 5: That's Roger, dude.
• 1:16
  Speaker 4: Beth, you were standing with Oscar.
• 1:18
  Speaker 6: Is he your main wiener man?
• 1:25
  Speaker 7: Oldsmobile from Hollywood brings you one of the big special
• 1:29
  Speaker 7: events of the year. This is Bob Cummings speaking, and
• 1:31
  Speaker 7: this is the corner.
• 1:32
  Speaker 8: Of Hollywood and Vine.
• 1:34
  Speaker 7: The camera is panning you down the boulevard. These are
• 1:37
  Speaker 7: temporary bleacher seats to accommodate a crowd of thousands. The
• 1:40
  Speaker 7: line of traffic extends in both directions as far as
• 1:43
  Speaker 7: you can see. Everything in the central area here in
• 1:46
  Speaker 7: Hollywood is being funneled toward the Pantages Theater because this
• 1:50
  Speaker 7: is Oscar night. Oldsmobile brings you the 27th annual award
• 1:54
  Speaker 7: show of the Academy of Motion Picture Arts and Sciences.
• 1:58
  Speaker 7: And now here is the Academy Awards Orchestra, the Overture,
• 2:01
  Speaker 7: and David Rose conducting.
• 2:23
  Speaker 9: What's up and welcome to Movie Meltdown. I'm Brian and
• 2:26
  Speaker 9: this is the fifth annual Oscar Meltdown. For five years
• 2:29
  Speaker 9: now we've been doing our own little take on the Oscars.
• 2:33
  Speaker 9: Well this year we are coming to you live via
• 2:35
  Speaker 9: digital recording from Bo's house. Now keep in mind, this
• 2:39
  Speaker 9: time the gang decided to record the bulk of the
• 2:41
  Speaker 9: show after the Oscars. So I wanted to just get
• 2:43
  Speaker 9: rolling and get right into it. Well, there's no real
• 2:47
  Speaker 9: way to do a traditional intro in the middle of
• 2:49
  Speaker 9: what was going on there. So I'll just try to
• 2:51
  Speaker 9: ease you into it. So to set the scene, we're
• 2:54
  Speaker 9: sitting there at Bo's, a good amount of people on hand,
• 2:57
  Speaker 9: including Fred, Greg, Marlena, Ben, Bo, of course, myself. And
• 3:03
  Speaker 9: you'll hear a little of Bennett in the background, usually,
• 3:06
  Speaker 9: who I don't believe you met before, but he comes
• 3:08
  Speaker 9: into play.
• 3:09
  Speaker 1: And then there's Paul.
• 3:11
  Speaker 10: Paul.
• 3:13
  Speaker 9: Well, my words just won't do Paul justice. You'll just
• 3:16
  Speaker 9: have to hear him in action for yourself. But Paul
• 3:18
  Speaker 9: has been in all of Bo's movies. So if you
• 3:20
  Speaker 9: think he's great, which you should, and you want to
• 3:23
  Speaker 9: see him in action, that DVD that we have available
• 3:26
  Speaker 9: on the Movie Meltdown website, well, he's featured in that too.
• 3:30
  Speaker 9: Paul is quite a character and seemed very appreciative that
• 3:33
  Speaker 9: I introduced the Oscar Mayer element to the party this year.
• 3:37
  Speaker 9: So keep that in mind as well. So we've just
• 3:39
  Speaker 9: finished watching the 14 hours of the Oscars coverage, and
• 3:43
  Speaker 9: a good many people have been drinking the entire evening.
• 3:46
  Speaker 9: We've been eating loads of pork, and Beau served some
• 3:49
  Speaker 9: non-meat-related items as well, just to balance things out.
• 3:52
  Speaker 8: We've just seen the First.
• 3:53
  Speaker 9: Lady show up in the middle of the Oscar ceremony,
• 3:56
  Speaker 9: which you'll hear Paul's reaction to, which is hilarious. My
• 4:01
  Speaker 9: favorite part is, it's not really political as much as
• 4:03
  Speaker 9: it is just location.
• 4:05
  Speaker 8: Oh, it's too funny.
• 4:08
  Speaker 2: Yeah, you'll hear it.
• 4:10
  Speaker 9: And we're busting out the annual tradition of pastry crack
• 4:12
  Speaker 9: for dessert. And now we're going to try to take
• 4:15
  Speaker 9: all that insanity and channel it into an episode. A
• 4:18
  Speaker 9: lost cause, you say?
• 4:19
  Speaker 8: I find it more of a challenge.
• 4:23
  Speaker 9: That having been said, I will go on record as
• 4:25
  Speaker 9: saying this is not a good starter episode. I had
• 4:28
  Speaker 9: someone tell me last year that the first episode they
• 4:31
  Speaker 9: tried to listen to was one of our Oscar shenanigan-filled episodes. Well,
• 4:36
  Speaker 9: that's no way to do it. This isn't an intro episode.
• 4:39
  Speaker 9: This is for seasoned listeners, veterans even. who are familiar
• 4:44
  Speaker 9: with our dysfunctional family unit and style and appreciate hearing
• 4:49
  Speaker 9: the moments of genius that happen as you go off
• 4:51
  Speaker 9: the rails. So if that's you, hey, you came to
• 4:54
  Speaker 9: the right episode. We'll get right into it here in
• 4:56
  Speaker 9: a minute. But if not, yeah, go pick another one.
• 4:59
  Speaker 1: Or message me.
• 5:00
  Speaker 9: I can find you a good starter episode.
• 5:02
  Speaker 1: But this is not it.
• 5:04
  Speaker 9: With that all having been said, I give you this
• 5:06
  Speaker 9: year's Oscar Meltdown and introduce you to Paul.
• 5:11
  Speaker 1: Wow, pastry crack.
• 5:13
  Speaker 11: This is good.
• 5:15
  Speaker 4: What the hell?
• 5:17
  Speaker 1: Wake up, Marlena.
• 5:18
  Speaker 12: We got a podcast.
• 5:20
  Speaker 1: Bo, what was the name of this last cocktail here?
• 5:24
  Speaker 11: Oh, yeah.
• 5:25
  Speaker 1: Six Kinds of Crazy.
• 5:26
  Speaker 4: Six Kinds of Crazy.
• 5:27
  Speaker 12: Do you like it?
• 5:29
  Speaker 6: I do.
• 5:29
  Speaker 8: You should introduce yourself. Good.
• 5:32
  Speaker 1: It should be Steven because he's got the most booze.
• 5:34
  Speaker 1: Until they'll know who.
• 5:35
  Speaker 6: They're dealing with.
• 5:36
  Speaker 1: Time of the day to actually break the broadcast. Tell
• 5:40
  Speaker 1: them what your name is. I've lost something from my
• 5:43
  Speaker 1: own fridge.
• 5:45
  Speaker 11: Hello. My name is Paul Grohkopf. Is that good?
• 5:54
  Speaker 4: What?
• 5:54
  Speaker 1: That's your six. Actor. You're an actor yourself. You got
• 5:58
  Speaker 1: six shots in.
• 5:58
  Speaker 13: What?
• 5:59
  Speaker 8: In the fine film Symbiosis. Yes, I was in Symbiosis.
• 6:04
  Speaker 8: In fact, I was in all of it.
• 6:08
  Speaker 11: Most of Bo Kalin's films.
• 6:09
  Speaker 6: All of them.
• 6:10
  Speaker 11: Oh, excuse me. I stand corrected.
• 6:14
  Speaker 1: You sit corrected.
• 6:16
  Speaker 14: I sit corrected. I've been corrected twice. I sit corrected.
• 6:23
  Speaker 15: A lot more times than that.
• 6:24
  Speaker 1: Oh, okay.
• 6:26
  Speaker 14: But in the past few minutes, I've been corrected twice.
• 6:31
  Speaker 14: I have been in all of Bo Kalin's very fine films.
• 6:36
  Speaker 4: I can't find my pizza rolls right now.
• 6:37
  Speaker 14: Cole Kaelin cannot find his pizza rolls.
• 6:42
  Speaker 1: This is a party.
• 6:43
  Speaker 12: There's lost pizza rolls.
• 6:45
  Speaker 11: He has lost his pizza rolls.
• 6:47
  Speaker 4: We are a classy operation.
• 6:50
  Speaker 1: We're dealing with pizza rolls.
• 6:51
  Speaker 11: I don't know what that means.
• 6:57
  Speaker 1: No, it's not.
• 6:59
  Speaker 6: I don't know how much.
• 7:00
  Speaker 11: Recording we've done here. How much recording have we done?
• 7:03
  Speaker 4: Way too much.
• 7:04
  Speaker 11: Way too much.
• 7:05
  Speaker 14: But I just want to say, for the record, in
• 7:07
  Speaker 14: case we haven't done a whole lot, Brian is a
• 7:10
  Speaker 14: culinary genius. I just want that to go out there
• 7:14
  Speaker 14: because the man is brilliant when it comes to bologna.
• 7:21
  Speaker 1: Hot dogs, and Spam, and bacon.
• 7:27
  Speaker 8: Okay?
• 7:29
  Speaker 4: You had to get wrapped in bacon.
• 7:31
  Speaker 14: It's more than just bacon and bologna. He has thrown
• 7:38
  Speaker 14: in Spam. And that is just, it's been wonderful.
• 7:45
  Speaker 7: Okay?
• 7:46
  Speaker 14: We've been sitting there watching the Oscars and I have
• 7:48
  Speaker 14: been eating his little Puffy things, which he stuffs with.
• 7:53
  Speaker 16: Those are hors d'oeuvres.
• 7:57
  Speaker 6: Hors d'oeuvres.
• 7:58
  Speaker 11: Okay, they are specifically hors d'oeuvres.
• 8:01
  Speaker 1: Not to be taken wrong.
• 8:02
  Speaker 8: No, no.
• 8:03
  Speaker 1: Not that there's anything wrong with them, but that's not
• 8:05
  Speaker 1: what was going on tonight.
• 8:06
  Speaker 6: No, not at all.
• 8:08
  Speaker 11: Except if you throw in Christopher Plummer.
• 8:11
  Speaker 6: That's a different story.
• 8:13
  Speaker 14: The man's 87 years old and he still has it.
• 8:17
  Speaker 11: But anyway, damn straight.
• 8:20
  Speaker 14: But anyway, I was talking about his food preparation abilities.
• 8:26
  Speaker 14: I just wanted that to go on the record that
• 8:29
  Speaker 14: he's just really good at that.
• 8:33
  Speaker 11: That's all. I just want to get that out there.
• 8:35
  Speaker 1: I'll drink to that.
• 8:37
  Speaker 11: Who was that?
• 8:39
  Speaker 1: That would be Ben.
• 8:40
  Speaker 14: Ben said he would drink to that, and I've been
• 8:43
  Speaker 14: drinking to that quite a bit.
• 8:44
  Speaker 6: Okay.
• 8:48
  Speaker 14: If it's not obvious to anybody, it should be because
• 8:51
  Speaker 14: I have been.
• 8:53
  Speaker 11: Okay. Thank you very much.
• 8:55
  Speaker 6: Thank you very much.
• 8:56
  Speaker 11: I've been drinking to that quite a bit.
• 8:59
  Speaker 6: And if it was up to Bo Kalin, I'd probably
• 9:01
  Speaker 6: be drinking to that quite a bit more.
• 9:03
  Speaker 14: Because Bo Kalin is like that.
• 9:06
  Speaker 11: He does that.
• 9:08
  Speaker 8: He's a bad influence.
• 9:10
  Speaker 11: He is a bad influence.
• 9:11
  Speaker 6: Well, I don't know if he's a bad influence. He's
• 9:13
  Speaker 6: an influence, whether it's for good or evil.
• 9:15
  Speaker 4: He's a very good bad influence.
• 9:18
  Speaker 15: Yes, that's exactly correct.
• 9:20
  Speaker 4: He's a good bad influence.
• 9:21
  Speaker 8: He likes to encourage peer pressure.
• 9:23
  Speaker 14: That's right, and Bo has ran off seeking his pizza rolls.
• 9:28
  Speaker 11: Which seems to have been lost somewhere.
• 9:33
  Speaker 15: Desperately Seeking Pizza Rolls.
• 9:36
  Speaker 8: That should be a film.
• 9:38
  Speaker 11: That should be a film.
• 9:40
  Speaker 8: Is Desperately Seeking Pizza Rolls.
• 9:45
  Speaker 11: This is a film thing, isn't it?
• 9:48
  Speaker 4: Yes. It's a film thing. I wouldn't understand.
• 9:52
  Speaker 15: I definitely don't understand.
• 9:57
  Speaker 11: Because I've been talking to the microphone all night and
• 9:59
  Speaker 11: I don't know what that means.
• 10:01
  Speaker 4: It's not even plugged up.
• 10:02
  Speaker 6: It hasn't even been plugged up.
• 10:05
  Speaker 8: My gosh.
• 10:06
  Speaker 1: All that stuff I've been saying to it.
• 10:08
  Speaker 6: And it hasn't even been plugged up.
• 10:10
  Speaker 17: This is the longest skit from America's Funniest Home Videos.
• 10:13
  Speaker 6: Oh my gosh.
• 10:14
  Speaker 16: I've been talking to this microphone all night and it
• 10:17
  Speaker 16: hasn't even been plugged up.
• 10:20
  Speaker 1: Is this one plugged up?
• 10:21
  Speaker 18: I have no idea where the pizza rolls are.
• 10:24
  Speaker 1: I've been looking.
• 10:25
  Speaker 6: We're always still trying to find the pizza rolls.
• 10:26
  Speaker 1: I don't know where the pizza rolls are.
• 10:28
  Speaker 14: He hasn't found the pizza rolls.
• 10:30
  Speaker 1: They're somewhere in the house.
• 10:33
  Speaker 11: Is this on now? Are we supposed to be talking
• 10:36
  Speaker 11: about anything?
• 10:37
  Speaker 1: We should probably start the show.
• 10:39
  Speaker 6: Oh, we're starting the show? I'm not even on the show.
• 10:44
  Speaker 1: You are now.
• 10:46
  Speaker 12: You are now the star of the show.
• 10:48
  Speaker 8: Pretty much this episode, definitely.
• 10:50
  Speaker 1: He has to.
• 10:51
  Speaker 15: Go home soon.
• 10:52
  Speaker 9: That's why I wanted to get the introduction in there
• 10:53
  Speaker 9: so they know who they're dealing with.
• 10:55
  Speaker 1: I feel like I woke up in time to watch
• 10:56
  Speaker 1: Jennifer Lawrence trip up the stairs.
• 10:58
  Speaker 11: Okay, what are we supposed to be talking about?
• 11:02
  Speaker 2: Oscars.
• 11:03
  Speaker 19: Oscars?
• 11:04
  Speaker 11: Okay.
• 11:04
  Speaker 4: And Myers.
• 11:05
  Speaker 12: Well, these are the Oscslurs.
• 11:08
  Speaker 11: Oscslurs.
• 11:09
  Speaker 1: I saw that in your email.
• 11:12
  Speaker 11: Yeah, I thought that was very clever.
• 11:14
  Speaker 1: Your half is the Oslers.
• 11:16
  Speaker 12: I brought the Oscar Mayer party.
• 11:18
  Speaker 14: He said there, Brian certainly did bring the Oscar Mayer party,
• 11:23
  Speaker 14: and I, for one, appreciate it immensely.
• 11:26
  Speaker 11: It was very good. It's very good.
• 11:30
  Speaker 6: And Bo wants to get.
• 11:31
  Speaker 16: His all-star pizza rolls.
• 11:33
  Speaker 1: It would make more sense if you lost them in
• 11:35
  Speaker 1: someone else's house.
• 11:38
  Speaker 6: Hey, Bo, Bo, Bo, forget the pizza rolls, man. The
• 11:41
  Speaker 6: pizza rolls are gone.
• 11:42
  Speaker 1: They're not gone.
• 11:44
  Speaker 8: In a couple of weeks, you'll smell them, don't worry.
• 11:46
  Speaker 1: That's what I said.
• 11:47
  Speaker 13: They're somewhere in the house.
• 11:51
  Speaker 1: You'll find them.
• 11:52
  Speaker 14: See, the way these things work is that one day,
• 11:56
  Speaker 14: if you're not suspecting it, you will trip over something
• 12:00
  Speaker 14: and it will be.
• 12:00
  Speaker 12: A bag of pizza rolls. Well, it might be a bottle.
• 12:04
  Speaker 11: It might be because he.
• 12:05
  Speaker 4: It might be a bottle.
• 12:06
  Speaker 6: Because I tell you what, man, you can't go to
• 12:08
  Speaker 6: Kroger without bumping into that guy.
• 12:11
  Speaker 1: But he turns up on the damn Oscars.
• 12:14
  Speaker 6: I mean, I'm watching the Oscars, and there they are.
• 12:19
  Speaker 1: I was trying to watch Obama the other day, and
• 12:21
  Speaker 1: the damn.
• 12:21
  Speaker 8: Oscars broke out.
• 12:22
  Speaker 1: That's right. I was watching Obama, and the Oscars broke out.
• 12:25
  Speaker 6: That's about as bad as it gets.
• 12:27
  Speaker 14: I tell you what, you just can't go anywhere without
• 12:31
  Speaker 14: him sticking the noses in it.
• 12:35
  Speaker 11: Come on, you know?
• 12:36
  Speaker 1: I was watching Argo and Michelle Obama. That's right, that's right.
• 12:40
  Speaker 6: I was watching The Life of Pies.
• 12:41
  Speaker 8: She crawled in the boat, you know?
• 12:45
  Speaker 6: I tell you, it was awful.
• 12:48
  Speaker 11: It was awful.
• 12:48
  Speaker 19: I was saying, well, what's going on here, you know?
• 12:52
  Speaker 8: Obama's in the boat.
• 12:52
  Speaker 16: I was watching Lincoln. And Obama, you know, came up there,
• 12:57
  Speaker 16: you know? And he's dressed like Frederick Douglass. I was saying, well,
• 13:02
  Speaker 16: what's this all about, you know? Obama said, let my
• 13:05
  Speaker 16: people go. And Lincoln said, well.
• 13:08
  Speaker 13: Okay, I guess I can, you know, if you want
• 13:11
  Speaker 13: me to. I mean, you know, I got nothing going
• 13:14
  Speaker 13: on tonight. You know, my friend, you know, look at me.
• 13:17
  Speaker 13: I said, what the hell is this about? Lincoln was
• 13:20
  Speaker 13: just bored. He hadn't even heard anything.
• 13:22
  Speaker 20: You know, I was watching Argo, and then they were
• 13:25
  Speaker 20: in Tehran, and Obama walks out, you know, and he.
• 13:28
  Speaker 1: Says, uh, Hey, guys, what are you doing? He said,
• 13:30
  Speaker 1: we're making a movie.
• 13:32
  Speaker 15: And they said, what kind of movie are you making?
• 13:34
  Speaker 15: We said, we're trying to get these guys out of here.
• 13:36
  Speaker 6: Obama said, well, can I help?
• 13:37
  Speaker 1: And they said, well, maybe.
• 13:39
  Speaker 15: And then, you know, there he was, right in the
• 13:41
  Speaker 15: middle of that. It was just, I couldn't believe it.
• 13:45
  Speaker 8: There he was.
• 13:47
  Speaker 1: He just can't get away from it.
• 13:48
  Speaker 6: Oh, they're in the cabinet. I'm not aware.
• 13:52
  Speaker 1: Bo has found his pizza rolls.
• 13:55
  Speaker 15: Oh, my God.
• 13:56
  Speaker 20: Bo has found the pizza rolls. They're in the cabinet
• 13:59
  Speaker 20: with the plates. He looked in the cabinet with the plates.
• 14:03
  Speaker 20: And what was really weird is Obama was in there.
• 14:06
  Speaker 20: Obama was in the cabinet. with the plates and the
• 14:09
  Speaker 20: pizza rolls. He opened up the can and there was
• 14:11
  Speaker 20: a Bob and said, here's your pizza rolls.
• 14:14
  Speaker 12: It was amazing.
• 14:15
  Speaker 15: It was just one of the most amazing things I've
• 14:17
  Speaker 15: ever seen.
• 14:17
  Speaker 1: I'm going to Indochina.
• 14:18
  Speaker 15: And I said, what are.
• 14:20
  Speaker 1: You doing here?
• 14:21
  Speaker 15: And he said, I'm getting Bobby's pizza rolls.
• 14:23
  Speaker 1: I tell you, it was amazing.
• 14:26
  Speaker 8: That was just.
• 14:27
  Speaker 12: I wish we could talk about movies. That's the captions
• 14:37
  Speaker 12: for every episode. This is the most downloaded episode ever, Brian.
• 14:41
  Speaker 15: I mean, I don't know.
• 14:42
  Speaker 12: I can't imagine it not being.
• 14:43
  Speaker 1: I don't know.
• 14:46
  Speaker 8: What was your take on the Oscars, aside from the
• 14:49
  Speaker 8: Obama factor?
• 14:50
  Speaker 4: Singing.
• 14:51
  Speaker 1: Too much singing.
• 14:52
  Speaker 21: Every time I turned around, people were singing. I looked
• 14:54
  Speaker 21: on there, and they were singing about something. They were
• 14:57
  Speaker 21: singing about, I don't know. They were going back like Chicago.
• 15:00
  Speaker 21: They were singing about Chicago. They were singing about all
• 15:02
  Speaker 21: this stuff. I was saying, God, stop your singing. This
• 15:04
  Speaker 21: thing's going on and on and on.
• 15:06
  Speaker 15: And then when they said, why don't you award somebody something?
• 15:10
  Speaker 6: Anything.
• 15:10
  Speaker 12: I mean, throw an Oscar at them.
• 15:12
  Speaker 15: But still, they were singing. He said, no, let's sing
• 15:14
  Speaker 15: another song. And I'm saying, why are you singing another song?
• 15:17
  Speaker 15: I don't get it.
• 15:18
  Speaker 4: I don't get it.
• 15:18
  Speaker 22: So my take on Oscars is too much singing.
• 15:21
  Speaker 11: That's the first thing.
• 15:22
  Speaker 15: Second thing I have on Oscars is come up, get
• 15:26
  Speaker 15: your Oscar, walk off. They have to stand up there
• 15:29
  Speaker 15: and thank everybody. I know, I know, every year everybody says, why.
• 15:32
  Speaker 1: Do they have to thank everybody?
• 15:34
  Speaker 2: I don't know.
• 15:35
  Speaker 15: Now, I guess they feel beholden, but it's so self-serving.
• 15:38
  Speaker 15: Just go up there, get your Oscars, and say.
• 15:40
  Speaker 1: I won an Oscar.
• 15:42
  Speaker 6: Thank you.
• 15:42
  Speaker 23: And get the hell off there. That's what they ought
• 15:46
  Speaker 23: to do. Now, as for who won the Oscar and
• 15:48
  Speaker 23: what and all that, I don't know. I haven't seen
• 15:50
  Speaker 23: any of the movies. But if I had seen any
• 15:52
  Speaker 23: of the movies.
• 15:53
  Speaker 1: I guess I'd have an opinion.
• 15:55
  Speaker 15: But I don't. So that's that. But anyway, that's my
• 16:00
  Speaker 15: take on it. Too much singing, not enough awards.
• 16:05
  Speaker 4: I'm just the opposite. I haven't seen the movies, but
• 16:08
  Speaker 4: I have opinions anyway.
• 16:10
  Speaker 1: That's true every week.
• 16:11
  Speaker 14: Well, I obviously have opinions because I've read about the movies,
• 16:15
  Speaker 14: although I haven't seen any of them.
• 16:18
  Speaker 22: I do this thing, I get on the internet and
• 16:19
  Speaker 22: I read about them. Then I take what I read
• 16:22
  Speaker 22: about and I try to pick which ones win. And
• 16:24
  Speaker 22: then they don't... They didn't do a very good job
• 16:30
  Speaker 22: this year. Last year, they did a really good job.
• 16:32
  Speaker 6: This year, not so much.
• 16:33
  Speaker 4: I wanted Snow White to win so she could thank
• 16:36
  Speaker 4: the little people.
• 16:38
  Speaker 8: So she could go, I'd like to thank.
• 16:41
  Speaker 1: I don't know.
• 16:44
  Speaker 8: How did I get here? Where are my pizza rolls?
• 16:48
  Speaker 15: Well, the pizza rolls have been found thanks to Obama.
• 16:51
  Speaker 8: But.
• 16:53
  Speaker 15: As for Snow White, she wasn't nominated for anything.
• 16:56
  Speaker 4: Was she? No.
• 16:57
  Speaker 1: Most annoying actress?
• 16:59
  Speaker 15: Well, if there was a category for that, there'd be.
• 17:02
  Speaker 4: A lot of nominations.
• 17:03
  Speaker 8: Most lackluster performance? Again, there's a category for that.
• 17:08
  Speaker 1: Career-wide?
• 17:10
  Speaker 15: Again, there's a category for that.
• 17:12
  Speaker 22: But yeah, there would probably be a lot of nominations.
• 17:18
  Speaker 15: See, now that was a movie I saw.
• 17:20
  Speaker 1: I saw Snow White and the Huntsman.
• 17:22
  Speaker 22: I didn't see any of the movies that were nominated
• 17:25
  Speaker 22: for Best Picture, but I saw Snow White.
• 17:27
  Speaker 4: I saw a couple of them.
• 17:28
  Speaker 11: I saw.
• 17:29
  Speaker 4: I don't even remember which ones I saw. I do
• 17:34
  Speaker 4: think I saw some. I saw Beast of the Southern Wild.
• 17:37
  Speaker 21: Yeah.
• 17:37
  Speaker 12: I love the title.
• 17:38
  Speaker 4: Yeah.
• 17:39
  Speaker 1: I was pretty sure that wasn't good.
• 17:41
  Speaker 2: Yeah.
• 17:42
  Speaker 1: That really didn't deserve to be.
• 17:43
  Speaker 8: It was good.
• 17:44
  Speaker 1: It certainly wasn't Best Picture.
• 17:45
  Speaker 4: It was a fun movie to watch, but it wasn't
• 17:48
  Speaker 4: exactly good. You know what was a better movie than
• 17:52
  Speaker 4: that that was completely ignored by the entire world? It
• 17:57
  Speaker 4: was our old friend, Stakeland. It was actually a better.
• 18:00
  Speaker 1: Movie than that. Stakeland was 2011, though, wasn't it? Yeah.
• 18:05
  Speaker 4: No, it wasn't in the running or anything. But the
• 18:08
  Speaker 4: thing was, it was so obscure. Back then, blockbusters dotted
• 18:13
  Speaker 4: the earth.
• 18:15
  Speaker 8: Way back then.
• 18:16
  Speaker 4: Yeah, way back then, there were... When blockbusters roamed the earth.
• 18:22
  Speaker 12: 2011.
• 18:23
  Speaker 4: And they didn't, they'd never, it wasn't even in their system.
• 18:26
  Speaker 4: They'd never even heard of it. They couldn't even look
• 18:29
  Speaker 4: it up and say, we don't have it.
• 18:30
  Speaker 1: And we'd already covered it on the show.
• 18:32
  Speaker 4: And said, it doesn't exist.
• 18:34
  Speaker 1: That was a really good movie.
• 18:37
  Speaker 11: What is it?
• 18:39
  Speaker 3: It's kind of a post-apocalyptic, kind of like The Road,
• 18:44
  Speaker 3: but It's like the.
• 18:45
  Speaker 1: Best bits of all those post-apocalyptic movies. It's a little
• 18:47
  Speaker 1: bit of The Road, a little bit of Dawn of
• 18:49
  Speaker 1: the Dead, a little bit of 20 Days Later.
• 18:51
  Speaker 8: Yeah, and it was really good.
• 18:52
  Speaker 1: Everybody in it was pretty good.
• 18:55
  Speaker 8: It's no Lord of the Rings, but there was a
• 18:57
  Speaker 8: lot of The Lord of the Rings.
• 18:58
  Speaker 11: Oh, well, it is The Lord of the Rings.
• 19:01
  Speaker 4: Christopher Walken was in it.
• 19:03
  Speaker 1: Oh, yeah, Christopher Walken. I can't wait for the re-edit.
• 19:07
  Speaker 4: You know the movie he was in this year that
• 19:08
  Speaker 4: was one of my favorite movies of this year that
• 19:11
  Speaker 4: nobody says anything about? The Dark Horse. He was the
• 19:15
  Speaker 4: dad in The Dark Horse. It was a great movie.
• 19:20
  Speaker 4: Nobody said a word about it.
• 19:21
  Speaker 1: I haven't even heard of it.
• 19:24
  Speaker 12: I don't even know.
• 19:25
  Speaker 4: It's that guy, you know, happiness and.
• 19:28
  Speaker 1: Oh, Todd Solan.
• 19:29
  Speaker 8: Yes.
• 19:30
  Speaker 1: Whoa, like he directed it?
• 19:31
  Speaker 4: Yeah.
• 19:32
  Speaker 24: I just remember scrolling through Netflix once with a friend,
• 19:35
  Speaker 24: and I was like, what's this?
• 19:36
  Speaker 1: He's like, it's Todd Solan.
• 19:37
  Speaker 15: Get the fuck away from me.
• 19:38
  Speaker 6: Get the fuck away from me.
• 19:39
  Speaker 4: No, it's really very, very lighthearted for him. Which means
• 19:44
  Speaker 4: it's skull-crushingly depressing.
• 19:47
  Speaker 1: Which is your favorite kind of movie.
• 19:49
  Speaker 8: But it's fun.
• 19:51
  Speaker 4: Well, according to my kids, it's one of Dad's skull-crushingly
• 19:54
  Speaker 4: depressing movies. But it's really kind of a fun movie
• 19:58
  Speaker 4: for him. It doesn't have, like, you know, a pedophile
• 20:03
  Speaker 4: that you have to feel sad for. Or any of those, like,
• 20:07
  Speaker 4: things that just... Yeah, grind your brains in the hamburger.
• 20:13
  Speaker 4: It's really kind of funny. It's almost like, kind of
• 20:18
  Speaker 4: like a cross between his normal sensibility and maybe like
• 20:22
  Speaker 4: a Judd Apatow film. So it's kind of fun for
• 20:27
  Speaker 4: a while before the knife gets twisted. You realize it's.
• 20:30
  Speaker 12: Two and a half hours long.
• 20:31
  Speaker 8: Yeah.
• 20:33
  Speaker 4: No, it's really good. It's a really good movie. It's fun.
• 20:37
  Speaker 4: I would definitely recommend it, and I don't know why
• 20:39
  Speaker 4: it's not on the radar as a good movie.
• 20:43
  Speaker 1: I'd say it's hard to market him. Yeah, there's some
• 20:46
  Speaker 1: weird things about it.
• 20:48
  Speaker 8: He did a sequel to Happiness, did he not?
• 20:52
  Speaker 18: Yeah.
• 20:54
  Speaker 11: He's sort of gone.
• 20:55
  Speaker 12: I mean, what is it about his films that's changed so.
• 20:57
  Speaker 8: Much that he's not really on the radar anymore? He
• 21:01
  Speaker 8: was always, like, in a weird area anyway.
• 21:03
  Speaker 1: Like, even when he was sort of popular, he never mainstreamed.
• 21:06
  Speaker 8: You can't deny people were talking about him a lot.
• 21:09
  Speaker 12: But, like, that group of people, not mainstream.
• 21:11
  Speaker 8: Like, he never broke through in a mainstream film, because
• 21:14
  Speaker 8: he's not going to.
• 21:15
  Speaker 12: He has too much literary content.
• 21:17
  Speaker 4: Yeah, that's true. He has way too much literary, like,
• 21:21
  Speaker 4: credibility for a filmmaker. And I watched Beast of the
• 21:25
  Speaker 4: Southern Wild, and I enjoyed it, and I loved it.
• 21:28
  Speaker 4: But it also left me thinking, what a corrupt medium
• 21:32
  Speaker 4: film is. Because you can just do shit and get
• 21:36
  Speaker 4: away with it if you make a good impression. It's
• 21:38
  Speaker 4: like sales. You can really kind of say anything. If
• 21:43
  Speaker 4: you have an adorable kid in a movie, you.
• 21:46
  Speaker 1: Can do whatever. You don't have to make any fucking
• 21:49
  Speaker 1: sense on earth.
• 21:51
  Speaker 6: You just go, but it's an adorable kid.
• 21:54
  Speaker 8: Are you referring to the career of sales or the
• 21:56
  Speaker 8: career of John Sayles?
• 21:58
  Speaker 4: Oh, no, the career of sales. It's like how people
• 22:03
  Speaker 4: act as though it's a real thing, but it's really
• 22:05
  Speaker 4: just whatever works, works. But it's not a science. It's
• 22:12
  Speaker 4: just charm.
• 22:14
  Speaker 1: And that is why I think Django Unchained was so great,
• 22:17
  Speaker 1: because it's the exact opposite of that. It has that
• 22:21
  Speaker 1: literary quality of... you know, the characters being, you know,
• 22:26
  Speaker 1: weird or dark or crazy for the service of the story,
• 22:29
  Speaker 1: and there's no, like... There's humor, and there's enough crowd-pleasing
• 22:34
  Speaker 1: things in the movie to, like, you know, get it
• 22:36
  Speaker 1: the popularity that it's gotten.
• 22:38
  Speaker 4: But it's coherent.
• 22:39
  Speaker 1: But it's coherent at the same time.
• 22:40
  Speaker 4: It has an internal logic.
• 22:41
  Speaker 1: It manages to do both things at the same time. Like,
• 22:43
  Speaker 1: it manages to be this crowd-pleaser, but at the same time,
• 22:45
  Speaker 1: it's like this kind of literary, like, really dark, bitter
• 22:49
  Speaker 1: pill of kind of... a movie that, like, you could only, like,
• 22:54
  Speaker 1: really compare it to, like, a novel. Like, it has
• 22:56
  Speaker 1: that aspect to it. No, and it's got so many
• 22:58
  Speaker 1: levels going on. It's like, there's parts of it that
• 23:01
  Speaker 1: are just so funny, but then.
• 23:02
  Speaker 9: There's, like, commentary upon commentary going on.
• 23:05
  Speaker 1: Yeah, it's so brutal, but at the same time, it's
• 23:07
  Speaker 1: so hilarious.
• 23:08
  Speaker 18: Tarantino said his next career beyond screenwriting or filmmaking would
• 23:12
  Speaker 18: be writing novels.
• 23:13
  Speaker 14: Yeah.
• 23:13
  Speaker 8: He said that's the next thing he'd be interested in,
• 23:16
  Speaker 8: and I can totally see that.
• 23:18
  Speaker 18: Now, your little comparison as to sales, I mean, I
• 23:20
  Speaker 18: don't know if that's even the worst thing to say.
• 23:23
  Speaker 8: I think that is art in general.
• 23:25
  Speaker 18: You say, oh, this movie's got a corrupt, terrible kind
• 23:28
  Speaker 18: of message to it, but I'm going to sell it
• 23:29
  Speaker 18: to them.
• 23:30
  Speaker 1: And that is art. That's Hollywood more than anything.
• 23:35
  Speaker 11: I think it's art.
• 23:35
  Speaker 8: I'm going to draw this ugly person, but I'm going
• 23:37
  Speaker 8: to make them look great.
• 23:38
  Speaker 18: I'm going to make them look as interesting as possible.
• 23:40
  Speaker 8: Whatever I think is good about this, I'm going to
• 23:43
  Speaker 8: make you think it too.
• 23:45
  Speaker 12: It's to win you over.
• 23:46
  Speaker 8: About what I think is worthwhile in this, whether it's ugly.
• 23:49
  Speaker 4: Or whether it's creepy. I'm not saying it's a terrible message.
• 23:52
  Speaker 4: I'm just saying, what the fuck is the message? I'm saying,
• 23:55
  Speaker 4: what is this actually about? It's about a place and
• 24:00
  Speaker 4: a time that doesn't exist. And it doesn't really make
• 24:04
  Speaker 4: any sense.
• 24:05
  Speaker 8: And we don't care.
• 24:06
  Speaker 4: Like you get to the point where they blow up
• 24:08
  Speaker 4: like the levee. And all this water, like miles and
• 24:13
  Speaker 4: miles of water goes rushing in. And I guess they
• 24:16
  Speaker 4: just gently float over it in their boat. What happens here?
• 24:20
  Speaker 8: But you don't care. There's a giant mythical beast as well.
• 24:26
  Speaker 8: What the fuck?
• 24:28
  Speaker 4: It's just we don't care. That was the hook.
• 24:30
  Speaker 1: Really, when you think about it, that was the hook
• 24:32
  Speaker 1: that got everyone. Because if that movie, when you think
• 24:34
  Speaker 1: about it, imagine watching Beast of the Southern Wild without
• 24:38
  Speaker 1: all the scenes of the magical realism and all the
• 24:41
  Speaker 1: giant you know, warthog monsters going everywhere and people talking. Like,
• 24:46
  Speaker 1: it would be the most boring fucking movie. Like, think
• 24:49
  Speaker 1: about it.
• 24:49
  Speaker 14: Like, really.
• 24:50
  Speaker 1: Like, it's so crucial, like, that being there. And it's
• 24:52
  Speaker 1: not even, like, those scenes where they're, like, kind of
• 24:54
  Speaker 1: trotting down. Like, they're stampeding down. Like, I know it's
• 24:58
  Speaker 1: a shoestring budget movie, but, you know, I mean, it's still,
• 25:02
  Speaker 1: it feels kind of, like, very, there's no sense of, like,
• 25:05
  Speaker 1: where they're coming from or, you know. Or where they're going. Yeah,
• 25:09
  Speaker 1: I mean, it's like, I'm not saying it's like this
• 25:11
  Speaker 1: minimalistic approach, but it's just so like weird and just there.
• 25:16
  Speaker 1: Like there's no sense of like narrative momentum. No.
• 25:22
  Speaker 12: And I don't know.
• 25:22
  Speaker 1: I just feel like that was kind of like that
• 25:24
  Speaker 1: movie was kind of built on these like, I don't know,
• 25:27
  Speaker 1: not necessarily gimmicks, but like definitely visual gimmicks.
• 25:31
  Speaker 14: Yeah.
• 25:31
  Speaker 4: I think so.
• 25:32
  Speaker 1: As far as those giant monsters were concerned.
• 25:33
  Speaker 4: And I mean that in the best possible sense.
• 25:35
  Speaker 1: I'm not putting it down like I didn't enjoy it.
• 25:37
  Speaker 1: Here's what I feel like when I was watching that
• 25:39
  Speaker 1: movie in the theater, what the audience's vibe towards it.
• 25:42
  Speaker 1: Because it was one of those movies where after it's over,
• 25:44
  Speaker 1: most people in the theater were like, that was a
• 25:46
  Speaker 1: really good movie. And as it was going along, people
• 25:48
  Speaker 1: were watching this kid who's talking to all these little animals.
• 25:54
  Speaker 1: I was like, oh, that's kind of cute. That's kind
• 25:56
  Speaker 1: of charming. And then it shows these giant monsters like, oh,
• 25:58
  Speaker 1: this is something cool and different.
• 26:00
  Speaker 4: Like, wow.
• 26:01
  Speaker 1: And that's the hook that gets you are those giant warthogs.
• 26:05
  Speaker 1: And no one talks about them. Even in the Oscars here,
• 26:07
  Speaker 1: they didn't show any footage from them.
• 26:09
  Speaker 14: Yeah.
• 26:09
  Speaker 1: Which is weird to me because I feel like that
• 26:12
  Speaker 1: kind of fantasy... It's the keystone of the movie. That
• 26:15
  Speaker 1: fantasy aspect was seriously what made it such an interesting
• 26:20
  Speaker 1: movie for me. For a lot of people... The element
• 26:23
  Speaker 1: that made no sense... If you were to only see... Yeah...
• 26:25
  Speaker 1: If you were to only see... The clips that the
• 26:26
  Speaker 1: Oscars showed.
• 26:27
  Speaker 8: Of just.
• 26:27
  Speaker 1: You know... The.
• 26:28
  Speaker 4: Well.
• 26:28
  Speaker 1: I can't remember... I can't pronounce her name.
• 26:30
  Speaker 14: Uh.
• 26:30
  Speaker 1: No way you can.
• 26:31
  Speaker 4: It's okay... The... The consonants.
• 26:33
  Speaker 1: I've heard just like... Her and her dad... Which are like...
• 26:35
  Speaker 1: And a lot of those are... Scenes are interesting... Let's
• 26:36
  Speaker 1: just call her consonants... But... You would think like... When
• 26:39
  Speaker 1: you're watching those.
• 26:40
  Speaker 8: You're like.
• 26:40
  Speaker 1: Okay... What's so... Why did everyone love this movie so much?
• 26:43
  Speaker 8: Yeah.
• 26:43
  Speaker 1: I honestly truly think that... Like so much of... Why
• 26:47
  Speaker 1: that movie got the attention it did... Was because of those.
• 26:49
  Speaker 4: Scenes.
• 26:50
  Speaker 1: With those weird crazy creatures. Just thrown in there. Had
• 26:54
  Speaker 1: nothing to do with life.
• 26:55
  Speaker 8: To me, once I got there, I was like, why?
• 26:57
  Speaker 8: They're just sort of jammed in there. They don't really
• 27:00
  Speaker 8: affect the plot. And the movie is named for them.
• 27:04
  Speaker 7: I know.
• 27:04
  Speaker 1: And they don't really come into play. I was always
• 27:07
  Speaker 1: kind of curious.
• 27:08
  Speaker 8: There were moments in Beast of the Sudden Wild where
• 27:10
  Speaker 8: I saw drunken debauchery of just crazed people who had
• 27:14
  Speaker 8: kind of lost... I mean, there's some scenes.
• 27:17
  Speaker 1: In that movie, I'll be honest, that you're like, borderline
• 27:20
  Speaker 1: child abuse?
• 27:21
  Speaker 12: Like, really?
• 27:22
  Speaker 1: You're going to act this way towards a little kid
• 27:24
  Speaker 1: and not even give a shit?
• 27:25
  Speaker 18: They're rejecting civilization, and I thought maybe that could legitimize
• 27:30
  Speaker 18: the title.
• 27:31
  Speaker 8: That these are the beasts right here.
• 27:33
  Speaker 4: Right.
• 27:34
  Speaker 18: These are the people who would rather be animals. And
• 27:36
  Speaker 18: I'm not saying that the animal is an ugly thing.
• 27:38
  Speaker 18: It's like they want to just live. They want to feel.
• 27:41
  Speaker 18: And that's more of an animal thing. than the civilization
• 27:44
  Speaker 18: kind of thing. So I thought that could apply to
• 27:46
  Speaker 18: them just as much as the creatures you see.
• 27:48
  Speaker 1: You can definitely take it that way. Yeah.
• 27:50
  Speaker 4: And it's kind of like a James Joyce-ian thing. I
• 27:53
  Speaker 4: don't know why. But when I was reading international law
• 27:58
  Speaker 4: about the rights of people with diminished intellectual capacity, that's
• 28:05
  Speaker 4: when I understood James Joyce. Because he was like a
• 28:08
  Speaker 4: literary genius who was married to a woman who was
• 28:13
  Speaker 4: not even literate but he had that relationship and his
• 28:19
  Speaker 4: writing is really just about not being a snob about
• 28:24
  Speaker 4: what constitutes a decent human life and when Faulkner starts
• 28:29
  Speaker 4: trying to write about him he makes it more obvious
• 28:32
  Speaker 4: because he writes from the point of a severely retarded
• 28:35
  Speaker 4: guy and in that kind of stream of consciousness way
• 28:40
  Speaker 4: And then it's like, oh, I get it. And all
• 28:42
  Speaker 4: the things I didn't understand in James Joyce, like, you know,
• 28:45
  Speaker 4: there's that movie The Dead. There's a use of the
• 28:48
  Speaker 4: word irony in that story I never understood because she
• 28:51
  Speaker 4: was talking about his wife winds up talking about her
• 28:54
  Speaker 4: dead boyfriend. And he says, what was he? And she
• 28:58
  Speaker 4: says he worked in the gas works. And then he's
• 29:02
  Speaker 4: depressed by the failure of his irony. And I'm like,
• 29:05
  Speaker 4: what was his irony? I don't get it. What was his...
• 29:08
  Speaker 4: And it finally dawned on me, oh, it's because he
• 29:10
  Speaker 4: was a lower class guy, so what was he is
• 29:14
  Speaker 4: like ironic because he was nothing. And finally I understood
• 29:18
  Speaker 4: what that was supposed to mean. And it's all about,
• 29:22
  Speaker 4: you know, this guy who's a snob, essentially, without knowing
• 29:26
  Speaker 4: it because he's so highly educated. And he looks and
• 29:30
  Speaker 4: he offends the maid as he comes in the door
• 29:33
  Speaker 4: at the beginning.
• 29:34
  Speaker 8: It's like, oh, I get it.
• 29:36
  Speaker 1: And that's my relationship.
• 29:38
  Speaker 8: Barton Fink, John Turturro's character.
• 29:40
  Speaker 18: Is so proud of representing the common man while he
• 29:44
  Speaker 18: will not listen to the common man.
• 29:45
  Speaker 1: He won't listen, yeah.
• 29:47
  Speaker 4: And that was about Clifford Odets, who had that play,
• 29:52
  Speaker 4: I don't know, it was like, he didn't have the
• 29:54
  Speaker 4: same line in the movie, but it was something like,
• 29:56
  Speaker 4: I wouldn't trade that kid for a... You're going to
• 30:00
  Speaker 4: be hearing from that kid, and I don't mean a postcard.
• 30:03
  Speaker 4: What was that Clifford Odette's play? It was Awake and Sing.
• 30:08
  Speaker 4: If you read that play, it sounds just like Barton Fing.
• 30:13
  Speaker 4: But it's a little odd. Why are they making fun
• 30:16
  Speaker 4: of a guy that nobody pays any attention to anymore anyway?
• 30:19
  Speaker 4: It is kind of funny, though. So anyway, that's my
• 30:27
  Speaker 4: reaction to.
• 30:29
  Speaker 4: A beast of the southern wild.
• 30:31
  Speaker 6: All right.
• 30:32
  Speaker 9: On the other hand, you have had pastry crack for
• 30:35
  Speaker 9: the first time.
• 30:36
  Speaker 2: Ben, what do you think?
• 30:37
  Speaker 12: I think it is amazing.
• 30:39
  Speaker 1: I think it's delicious. I could have been talking while
• 30:43
  Speaker 1: I was eating it, but I was like, I'm just
• 30:45
  Speaker 1: going to shut.
• 30:46
  Speaker 4: Up and enjoy it.
• 30:48
  Speaker 1: Pastry crack. Yeah, this pastry crack. It's essentially what it is.
• 30:53
  Speaker 15: Can I have some pastry crack?
• 30:56
  Speaker 8: It has become an Oscar meltdown tradition.
• 30:59
  Speaker 1: I've had it before.
• 31:01
  Speaker 4: I had it last year.
• 31:02
  Speaker 1: I don't care. What am I?
• 31:07
  Speaker 4: A Hollywood starlet?
• 31:10
  Speaker 8: Dude, I've smoked asbestos.
• 31:13
  Speaker 1: You can hand me some pastry crack. I am proud.
• 31:19
  Speaker 4: Last year, I'm a vegetarian.
• 31:21
  Speaker 15: Last year, I ate the pork.
• 31:24
  Speaker 1: Because you can't fight. Because I don't want to be.
• 31:26
  Speaker 4: One of those people who's like, I don't do that.
• 31:28
  Speaker 4: I never do that. I'm like, okay, I'll do it.
• 31:33
  Speaker 4: I'm like that scene in Clerks, too.
• 31:35
  Speaker 6: What is it?
• 31:37
  Speaker 4: You never go ass to mouth. You never go ass
• 31:39
  Speaker 4: to mouth. And when you go, well, maybe sometimes.
• 31:43
  Speaker 8: There's certain circumstances.
• 31:47
  Speaker 1: So, okay, I have a question. What movies out of the, what,
• 31:52
  Speaker 1: nine Best Picture nominees did not feel like a self-conscious movie? Like,
• 32:00
  Speaker 1: the movie wasn't presenting itself like this is a movie
• 32:04
  Speaker 1: to you. Which, the worst example of that, I mean,
• 32:07
  Speaker 1: even though it was a good movie, of, you know,
• 32:09
  Speaker 1: that happening was Lincoln, for me. Lincoln was so, like, self-consciously.
• 32:13
  Speaker 4: Born to win.
• 32:14
  Speaker 1: A self... Like, a Steven Spielberg movie. Like, you could...
• 32:19
  Speaker 1: It was almost distracting how much, like, that kind of
• 32:24
  Speaker 1: sense of self-awareness was permeating through the... I don't know
• 32:28
  Speaker 1: if this is me.
• 32:29
  Speaker 8: I put.
• 32:30
  Speaker 18: Tarantino and Spielberg, I put them in the same boat,
• 32:33
  Speaker 18: the way how they regard what other movies.
• 32:35
  Speaker 1: Yeah, and that's the thing, like, Tarantino, I can see, like,
• 32:38
  Speaker 1: maybe it's the John Williams movies, but the thing with Tarantino,
• 32:41
  Speaker 1: I totally get where people are like, you can totally tell, like, yeah,
• 32:43
  Speaker 1: that's a Tarantino movie, and his movies are definitely referencing movies,
• 32:47
  Speaker 1: but at the same time, I have to just, like,
• 32:51
  Speaker 1: I'm so, like, I guess you could say distracted or, like,
• 32:54
  Speaker 1: absorbed in, like, how original his concepts are. are, and, like,
• 32:59
  Speaker 1: how original his characters are, and, like, the scenarios that
• 33:02
  Speaker 1: he puts them in, that it's just, like, I don't
• 33:03
  Speaker 1: even notice that, like, I'm not, like, oh, I'm watching
• 33:06
  Speaker 1: a Tarantino movie, because it gets to a point where I'm, like,
• 33:10
  Speaker 1: this isn't a really, like, like, this, this story that
• 33:12
  Speaker 1: I'm watching of, like, this slave who becomes, basically, this, like,
• 33:15
  Speaker 1: bounty hunter god, like, it's just, it's never been done before,
• 33:19
  Speaker 1: and it's kind of crazy, and it's, like, it's funny,
• 33:22
  Speaker 1: but at the same time, it's really dark, and weird,
• 33:24
  Speaker 1: and depressing, and sad, but it's, like, I can't, you
• 33:27
  Speaker 1: can't put your finger on it and the whole sense
• 33:31
  Speaker 1: of I'm watching a movie made by Quentin Tarantino, like
• 33:34
  Speaker 1: that whole Kill Bill kind of vibe, totally just like,
• 33:38
  Speaker 1: you forget about it.
• 33:39
  Speaker 18: To answer your question, I think the only movie that
• 33:42
  Speaker 18: doesn't feel self-conscious is Amour.
• 33:44
  Speaker 1: That's a good, that's probably the perfect answer, actually. I
• 33:46
  Speaker 1: was going to say, like, because that's one movie that
• 33:49
  Speaker 1: I feel like, I haven't seen it.
• 33:50
  Speaker 11: Alright, so I.
• 33:51
  Speaker 10: Don't know people that actually did the Oscar ballots.
• 33:54
  Speaker 1: We had Ben, Greg, Sharon, Brian, and me.
• 33:59
  Speaker 13: And Paul.
• 34:00
  Speaker 11: And I.
• 34:02
  Speaker 4: Not to be a grammar person.
• 34:05
  Speaker 10: Alright, so in bottom place, just because you didn't finish
• 34:08
  Speaker 10: the ballot, would be Ben.
• 34:09
  Speaker 1: Oops. I voted for like two things.
• 34:13
  Speaker 10: Called by Greg at 39, Bennett at 44, Sharon at 46...
• 34:19
  Speaker 10: Me and Brian tied for at 51.
• 34:21
  Speaker 8: Brian and I tied.
• 34:28
  Speaker 12: And coming in first place for his second year in.
• 34:33
  Speaker 1: A row.
• 34:35
  Speaker 5: How does he do it?
• 34:38
  Speaker 1: He didn't see a movie. He didn't see a single
• 34:40
  Speaker 1: goddamn movie. That's the secret.
• 34:43
  Speaker 12: You don't watch the movies.
• 34:47
  Speaker 15: No bias.
• 34:48
  Speaker 1: What does this teach us? Seriously, don't watch movies and
• 34:52
  Speaker 1: you will be way more knowledgeable.
• 34:54
  Speaker 15: About movies than people who watch movies.
• 34:57
  Speaker 4: Pugs of Tawny Phil watch the Weather Channel?
• 35:00
  Speaker 12: No.
• 35:01
  Speaker 9: It's the same way. You know, you're picking the horse race.
• 35:04
  Speaker 9: You pick the pretty colored horse that you like. You're
• 35:07
  Speaker 9: just as likely to win as everybody who spends two
• 35:09
  Speaker 9: days looking at the odds.
• 35:11
  Speaker 4: Throw darts at the stock market.
• 35:14
  Speaker 17: Or you pick the NCAA tournament by which mascot beat
• 35:18
  Speaker 17: up the other one.
• 35:19
  Speaker 4: That's true.
• 35:20
  Speaker 12: Luray DVD everything. Second year in a row.
• 35:23
  Speaker 11: All right.
• 35:24
  Speaker 13: Woo!
• 35:25
  Speaker 8: Hey!
• 35:27
  Speaker 15: I'm the best commentator who's ever watched this movie you'll
• 35:32
  Speaker 15: ever see.
• 35:35
  Speaker 8: That's your billing everywhere you go now.
• 35:38
  Speaker 2: Oh shit, the pizza rolls.
• 35:41
  Speaker 6: This is the end.
• 35:42
  Speaker 5: Hold your breath and count to ten Feel the earth.
• 35:54
  Speaker 1: Moving then.
• 35:59
  Speaker 25: Hear my heart.
• 36:00
  Speaker 26: Burst again For this is the end.
• 36:11
  Speaker 4: I've drowned and dreamt this.
• 36:13
  Speaker 19: Moment So overdue.
• 36:19
  Speaker 5: I owe it then.
• 36:24
  Speaker 1: Sweat the way I'm.
• 36:26
  Speaker 25: Stolen Let the sky fall When it crumbles We will
• 36:39
  Speaker 25: stand tall I'll face it all Together at the skyfall.
• 36:47
  Speaker 5: When it crumbles.
• 36:54
  Speaker 25: I'll face it all together at Skyfall.
• 36:58
  Speaker 26: At Skyfall. Hi, I'm Seth MacFarlane, and I'll be hosting
• 37:08
  Speaker 26: the Oscars this year, where we'll be celebrating all your
• 37:11
  Speaker 26: favorite films, like the James Bond movies.
• 37:14
  Speaker 4: Welcome, martini.
• 37:16
  Speaker 11: Shaken, not stirred.
• 37:18
  Speaker 8: Yet no one has ever stirred a martini.
• 37:21
  Speaker 4: That's not how you make a martini.
• 37:23
  Speaker 2: Is this your first martini? This is your first martini,
• 37:25
  Speaker 2: isn't it? Yeah, yeah, you're gonna have fun.
• 37:30
  Speaker 4: The Oscars, live Oscars Sunday, February 24th on ABC.
• 37:37
  Speaker 1: People look like Edgar Winner.
• 37:39
  Speaker 20: Edgar Winner looks back, got long hair, and it's back.
• 37:43
  Speaker 6: I suppose.
• 37:45
  Speaker 15: Look at the chick here.
• 37:47
  Speaker 6: Oh, man, the chick.
• 37:49
  Speaker 1: Looks more like Edgar Winner than he does.
• 37:51
  Speaker 11: Look at her.
• 37:52
  Speaker 8: Move.
• 37:55
  Speaker 15: Who would win an Edgar Winner looks like contest here?
• 37:58
  Speaker 2: She would.
• 37:58
  Speaker 6: She would.
• 37:59
  Speaker 1: I bet she has man hands, too. I bet she does. Man,
• 38:02
  Speaker 1: I wouldn't want to.
• 38:03
  Speaker 11: Oh, man.
• 38:04
  Speaker 15: She could probably arm wrestle me to the ground.
• 38:07
  Speaker 4: Oh, yeah.
• 38:08
  Speaker 1: Anyway.
• 38:09
  Speaker 4: Sorry.
• 38:10
  Speaker 2: Just walk away.
• 38:11
  Speaker 8: Yeah.
• 38:12
  Speaker 6: Walk away. Look at her.
• 38:14
  Speaker 4: She is.
• 38:15
  Speaker 1: She is Edgar Winner. That's Edgar Winner in drag.
• 38:18
  Speaker 6: Look at that.
• 38:19
  Speaker 14: Edgar Winner in drag came out and picked up some
• 38:22
  Speaker 14: award for Skyfall, wasn't it?
• 38:24
  Speaker 8: Does any winner in drag kind of cancel itself out?
• 38:29
  Speaker 8: I think it does.
• 38:31
  Speaker 15: I still don't figure out how they got Ted out there.
• 38:33
  Speaker 1: I don't understand how that works.
• 38:36
  Speaker 15: I mean, he.
• 38:37
  Speaker 1: Walked out there. I saw Ted walk out there.
• 38:39
  Speaker 15: It's the magic of cinema.
• 38:42
  Speaker 1: It's the magic of cinema.
• 38:45
  Speaker 2: Tweaked Audio, your source for high-performance, noise-reducing earbuds. Available in
• 38:49
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• 38:53
  Speaker 2: great for both music and those chatty podcasts, like the
• 38:56
  Speaker 2: one you're listening to now. Tweaked Audio earbuds come with
• 38:59
  Speaker 2: a one-year warranty, and now there's a special deal for
• 39:02
  Speaker 2: Movie Meltdown listeners. Just go to tweakedaudio.com, and when you
• 39:06
  Speaker 2: check out, enter the discount code MELTDOWN. Then you'll get
• 39:09
  Speaker 2: 33% off and free shipping. Tweaked Audio. Sounds better.
• 39:14
  Speaker 4: You know, when we called Walt Disney and asked him
• 39:17
  Speaker 4: to present the music awards tonight, he.
• 39:20
  Speaker 8: Said, well, we said, Walt, with all.
• 39:22
  Speaker 4: The songs you've commissioned, with your pictures and luck with
• 39:25
  Speaker 4: Fantasia and all, you'd be the right man to do it.
• 39:28
  Speaker 4: After all, think how much you've done for Walt Disney.
• 39:30
  Speaker 1: Music in Hollywood.
• 39:31
  Speaker 4: And his warm reply was, I would have thought of
• 39:34
  Speaker 4: it the other way around.
• 39:35
  Speaker 19: Let the sky fall.
• 39:47
  Speaker 1: Face it all together, let the sky fall. When it rumbles,
• 39:55
  Speaker 1: we will stand tall. Face it all together, let the
• 40:03
  Speaker 1: sky fall.
• 40:09
  Speaker 27: To get back to Spielberg, I think I had only
• 40:16
  Speaker 27: a brief time in which I hated Spielberg, and it
• 40:18
  Speaker 27: just dwindled away when I realized that he is really
• 40:22
  Speaker 27: good at preserving tradition, where I sometimes feel threatened by
• 40:26
  Speaker 27: filmmakers who are trying to make really self-conscious ethics that
• 40:29
  Speaker 27: he's the only one who's good at being self-conscious of
• 40:31
  Speaker 27: what a grand-looking movie should be like.
• 40:35
  Speaker 4: I hated him for a long time. I hated him, like,
• 40:41
  Speaker 4: the book Jaws came out when I was, like, in
• 40:43
  Speaker 4: sixth grade. And, like, a friend of mine read it
• 40:45
  Speaker 4: because he had an older brother who knew about stuff
• 40:48
  Speaker 4: before anybody else did. And we read Jaws, and then
• 40:51
  Speaker 4: we saw the movie, and it's like, he fucked it up.
• 40:54
  Speaker 8: He totally changed everything.
• 40:56
  Speaker 4: What happened to, like, the sex stuff?
• 40:58
  Speaker 11: You blame him?
• 40:59
  Speaker 8: I mean, that was a screenwriting process that led up
• 41:01
  Speaker 8: to the making of this.
• 41:02
  Speaker 1: Yeah, I blame him.
• 41:03
  Speaker 4: I blame him. I'm just now starting to realize that.
• 41:06
  Speaker 1: What distinguishes a great, classic Spielberg film from just one
• 41:12
  Speaker 1: that just kind of sucks or is mediocre is just
• 41:15
  Speaker 1: basically the actors. Because all of his movies have that
• 41:17
  Speaker 1: sense of traditionalism, like War Horse, which came out the
• 41:22
  Speaker 1: year before. It still had that kind of, like, I'm
• 41:25
  Speaker 1: filming an epic, and John Williams kind of... sensibility. This
• 41:29
  Speaker 1: is clearly a school movie, but there were no standout
• 41:32
  Speaker 1: performances or nothing interesting. There wasn't an interesting script by
• 41:35
  Speaker 1: Tony Kushner. There wasn't an interesting performance by Daniel Day-Lewis
• 41:38
  Speaker 1: that really made it stick out. I still thought the
• 41:41
  Speaker 1: movie felt good. The movie felt good, definitely. I like
• 41:44
  Speaker 1: Lincoln a lot.
• 41:46
  Speaker 8: I'm talking about War Horse.
• 41:47
  Speaker 18: I even felt like it was a good feeling kind
• 41:51
  Speaker 18: of movie.
• 41:52
  Speaker 8: It was strangely based on a children's book.
• 41:54
  Speaker 1: Which I honestly don't think my own criticism against it
• 42:00
  Speaker 1: or not to Spielberg really at all because like I
• 42:02
  Speaker 1: think he's like as far as like being a a
• 42:08
  Speaker 1: showman or whatever you know like doing his thing like
• 42:10
  Speaker 1: he's really good at that and like when it works
• 42:13
  Speaker 1: it works really well and it worked really well in
• 42:15
  Speaker 1: War Horse but like the source material still had that
• 42:19
  Speaker 1: sense of like this is clearly from a play and
• 42:22
  Speaker 1: it's kind of awkward to me and like there's these
• 42:26
  Speaker 1: it felt repetitive at times yeah And it was a
• 42:30
  Speaker 1: lot better than a bunch of movies I'd seen in 2011.
• 42:32
  Speaker 1: I guess it was 2011. But I feel like Lincoln
• 42:37
  Speaker 1: was definitely the better movie because it had that extra
• 42:41
  Speaker 1: punch of a writer like Tony Kushner and an actor
• 42:44
  Speaker 1: like Daniel Day-Lewis or Sally Fields.
• 42:47
  Speaker 12: And also the subject matter.
• 42:48
  Speaker 1: Of Abraham Lincoln because there's never been a really serious... Oh,
• 42:57
  Speaker 1: I don't know about that. Like, really, like, I mean, well,
• 43:02
  Speaker 1: I mean, I haven't.
• 43:03
  Speaker 4: Seen the movie, so it may be at a level
• 43:06
  Speaker 4: of seriousness.
• 43:06
  Speaker 1: And I'm not like, I'm not even a fan of
• 43:08
  Speaker 1: like biopic movies, and this movie like was... I feel
• 43:11
  Speaker 1: like this was a biopic for people like me who
• 43:13
  Speaker 1: hate biopic movies.
• 43:15
  Speaker 4: You know, when you pronounce it biopic, it sounds myopic
• 43:20
  Speaker 4: rather than biopic. You know what that's called?
• 43:22
  Speaker 1: That's called me drinking the Lincoln cocktail. Me, the English major,
• 43:27
  Speaker 1: not knowing how to pronounce biopic.
• 43:33
  Speaker 14: Oh, sure.
• 43:34
  Speaker 8: I just thought that was the way we, as Americans,
• 43:36
  Speaker 8: bastardized the way this is.
• 43:39
  Speaker 4: I don't know. I thought it was biopic.
• 43:41
  Speaker 6: I thought it was because that sounds.
• 43:44
  Speaker 1: It is biopic.
• 43:45
  Speaker 18: People kept saying there was a Lincoln biopic on the way,
• 43:47
  Speaker 18: and when I finally saw it, I was like, wow.
• 43:50
  Speaker 18: You're going to call the last four months of his
• 43:51
  Speaker 18: life a biopic?
• 43:53
  Speaker 8: I love it.
• 43:54
  Speaker 18: This is concentrating on something and not trying to give
• 43:57
  Speaker 18: you too much.
• 43:57
  Speaker 8: Yeah, that seems rather biopic. I feel like I'm doing a.
• 43:59
  Speaker 1: Disservice by calling it a biopic. It's not a biopic.
• 44:03
  Speaker 1: It's kind of like an interesting... It feels like a
• 44:07
  Speaker 1: really good work of fiction. I know there's a lot
• 44:10
  Speaker 1: of factual research and bits of.
• 44:16
  Speaker 8: Basis.
• 44:17
  Speaker 1: Things, like actual, you know, meetings and things, you know,
• 44:20
  Speaker 1: taken from documentations or whatever and blah, blah, blah, political
• 44:23
  Speaker 1: jargon that they used to, you know, lay the foundation
• 44:27
  Speaker 1: for this movie, but it still felt like a really, like,
• 44:29
  Speaker 1: imaginative kind of way of, like, revisioning Lincoln. Like, you know,
• 44:35
  Speaker 1: it goes back to, like, the changing of the voice
• 44:38
  Speaker 1: and how he was this kind of... He was stuck
• 44:39
  Speaker 1: in this shitty marriage and... I don't know.
• 44:44
  Speaker 18: To hear Spielberg talk about Lawrence of Arabia totally justifies
• 44:48
  Speaker 18: everything about Lincoln. He talks about how the movie is
• 44:52
  Speaker 18: mostly not true.
• 44:54
  Speaker 8: Lawrence of Arabia. It may be the gayest movie ever made.
• 44:59
  Speaker 1: You know, the best movies, the movies that are really
• 45:02
  Speaker 1: good about real historical people or factual events are the
• 45:09
  Speaker 1: ones that take the most liberties.
• 45:10
  Speaker 4: I was looking at it going, no.
• 45:13
  Speaker 8: I'm sorry.
• 45:15
  Speaker 12: I'm sorry, guys.
• 45:17
  Speaker 1: I'm really sorry. This is two years in a row.
• 45:24
  Speaker 1: Paul is celebrating his win. I'm sorry.
• 45:26
  Speaker 6: I'm sorry.
• 45:27
  Speaker 1: I don't even watch them.
• 45:29
  Speaker 8: I'm sorry.
• 45:29
  Speaker 4: I don't want to drink.
• 45:31
  Speaker 6: I'm sorry.
• 45:31
  Speaker 1: I'm leaving now.
• 45:33
  Speaker 9: I'm out of here.
• 45:38
  Speaker 8: Bo, you should at least give the rundown of the
• 45:40
  Speaker 8: drinks this evening.
• 45:41
  Speaker 15: They were very impressive.
• 45:43
  Speaker 8: Oh, man. I could only drink like one and a half.
• 45:46
  Speaker 4: I could only drink like half a dozen of them.
• 45:49
  Speaker 6: After drinking a full jug of beer.
• 45:52
  Speaker 10: What, like the exact specifics on them as to the.
• 45:56
  Speaker 4: Recipes for the listeners?
• 45:57
  Speaker 8: The way they tie it in to the movie. Let
• 45:59
  Speaker 8: me get some booze first because I'm dry right now.
• 46:03
  Speaker 8: God forbid we have that.
• 46:04
  Speaker 4: I'm getting a little thirsty.
• 46:07
  Speaker 1: You have the most impressive liquor gun that I think
• 46:09
  Speaker 1: I've ever seen.
• 46:10
  Speaker 4: I know, it's like people of my parents' generation always
• 46:13
  Speaker 4: had a stocked bar.
• 46:15
  Speaker 12: Actually, that's not all of it because I've got a
• 46:16
  Speaker 12: bunch down in this one.
• 46:18
  Speaker 4: Oh, my God.
• 46:18
  Speaker 1: See, that's even more like my parents.
• 46:21
  Speaker 4: Because the first time my parents came to visit me
• 46:24
  Speaker 4: at my own house, they came in and they were like,
• 46:27
  Speaker 4: what's to drink? And I'm like, oh, fuck. Because I
• 46:31
  Speaker 4: don't keep, like, alcohol in my house.
• 46:33
  Speaker 1: Buy what you're consuming that night.
• 46:35
  Speaker 4: Yeah, and I didn't even do that back then. The
• 46:38
  Speaker 4: only time I started buying alcohol regularly was when I
• 46:42
  Speaker 4: lived in a dry town. Because I had to make
• 46:44
  Speaker 4: a point of it. But when I live and it's down.
• 46:47
  Speaker 8: The street, I would forget for years to buy alcohol.
• 46:51
  Speaker 4: And I didn't drink. But they came to visit me.
• 46:53
  Speaker 4: And I was like, all of a sudden, I'm like, oh,
• 46:56
  Speaker 4: I don't have a stocked bar. What do I do?
• 46:59
  Speaker 4: And my dad's like, it's okay. I've got some stuff
• 47:01
  Speaker 4: out in my trunk.
• 47:04
  Speaker 1: He's prepared.
• 47:04
  Speaker 4: He had a better stocked bar in the trunk of
• 47:07
  Speaker 4: his car than I had in my house.
• 47:10
  Speaker 19: I thought I was doing really well because I have
• 47:11
  Speaker 19: like four bottles or something on the table at home.
• 47:15
  Speaker 4: Yeah.
• 47:15
  Speaker 1: I was like, look at this impressive bar.
• 47:16
  Speaker 4: That I have. That's pretty good.
• 47:18
  Speaker 1: I've got one. It's pretty exciting.
• 47:19
  Speaker 4: That'll work.
• 47:20
  Speaker 10: Yeah, but the different drinks that I went with tonight,
• 47:24
  Speaker 10: the red carpet one that I went with, it's a shot.
• 47:27
  Speaker 4: Oh, my God.
• 47:31
  Speaker 8: Flashbacks? It was so good.
• 47:36
  Speaker 1: It was really just so good.
• 47:38
  Speaker 10: It's just a shot of this Thatcher's Blood Orange liqueur
• 47:42
  Speaker 10: and one of Palm, which is a pomegranate liqueur, and
• 47:45
  Speaker 10: then you just top off like the champagne flute with
• 47:48
  Speaker 10: a rose champagne, and that's it.
• 47:50
  Speaker 2: Yeah.
• 47:50
  Speaker 4: Very, very simple.
• 47:53
  Speaker 10: For the, let's see, what was the next one? The
• 47:55
  Speaker 10: next one was the Candyland, which was for... Actually, that's
• 47:59
  Speaker 10: the one I was thinking.
• 48:00
  Speaker 1: Of when you started out.
• 48:03
  Speaker 8: I don't normally partake, but there were only two. One
• 48:06
  Speaker 8: of which was Candyland, which I felt like it was
• 48:09
  Speaker 8: just to balance things out since I think that was
• 48:12
  Speaker 8: the person who was kind of robbed this evening. I
• 48:14
  Speaker 8: think Leonardo should have been nominate that's the best work
• 48:17
  Speaker 8: he's done his entire life leonardo.
• 48:20
  Speaker 10: Or samuel jackson i feel like if either had been
• 48:22
  Speaker 10: nominated they would have won because all the other contenders
• 48:26
  Speaker 10: in the category were previous winners i mean everybody was
• 48:28
  Speaker 10: a previous winner in tonight's best supporting actor yeah run
• 48:33
  Speaker 10: so um that's just so drastically different like the samuel
• 48:36
  Speaker 10: jackson was good but it was similar to what we've
• 48:38
  Speaker 10: seen but like leonardo was something different than we've seen
• 48:41
  Speaker 10: from him.
• 48:42
  Speaker 4: But back to alcohol.
• 48:43
  Speaker 8: But back to alcohol. This drink, it's like when you're a.
• 48:46
  Speaker 4: Child, what you imagine grown-ups are drinking that they're not
• 48:50
  Speaker 4: allowing you to have. And you're like, that must be
• 48:54
  Speaker 4: really good.
• 48:55
  Speaker 8: It must taste like candy.
• 48:57
  Speaker 10: Yeah, and that was the whole thing, is I wanted
• 48:59
  Speaker 10: something that tasted like candy. And I called it the
• 49:02
  Speaker 10: Candy Land in honor of his plantation. But the basic drink, it's...
• 49:10
  Speaker 10: It's actually six shots. One of Midori, which is like
• 49:13
  Speaker 10: a melon liqueur. One of Blue Curacao. One of both tequila.
• 49:20
  Speaker 10: Rose and Hot Rose. So you're getting both the strawberry
• 49:25
  Speaker 10: and the cinnamon in there. As well as the Butterschnaps. And, oh, God,
• 49:32
  Speaker 10: what is the sixth one? Oh, it's Swedish Fish Vodka.
• 49:36
  Speaker 4: That's the sixth.
• 49:37
  Speaker 1: What?
• 49:38
  Speaker 4: That's the one with the twist ending.
• 49:40
  Speaker 1: Now I know why I loved it so much.
• 49:42
  Speaker 10: And then I added about three shots worth of just
• 49:49
  Speaker 10: half and half, just to give it that milky flavor.
• 49:52
  Speaker 10: And then once I poured that into a glass... I
• 49:55
  Speaker 10: threw a bunch of strawberries into a food processor so
• 49:59
  Speaker 10: that way it just looked like ground-up flesh.
• 50:01
  Speaker 4: And I just threw that in.
• 50:03
  Speaker 10: And the last finishing touch, which I realized I forgot
• 50:06
  Speaker 10: on the first couple of them, is just you can
• 50:08
  Speaker 10: pour a little bit of strawberry syrup around the edges
• 50:11
  Speaker 10: on the inside so it drizzles down like blood.
• 50:14
  Speaker 4: This must be what angels taste like.
• 50:17
  Speaker 8: And after you drink them, you strip to the waist
• 50:19
  Speaker 8: and beat each other, one to the death on the floor.
• 50:21
  Speaker 10: I mean, that's where Alan is tonight, is he's actually
• 50:24
  Speaker 10: dead on the floor. And then, let's see, for Anne
• 50:30
  Speaker 10: Hathaway winning, I did Master of the House, is what
• 50:34
  Speaker 10: I called it.
• 50:35
  Speaker 4: To which Paul continued singing the entire time. Yes, yes
• 50:40
  Speaker 4: he did. But it was a shot of absinthe. Which
• 50:44
  Speaker 4: makes the heart grow ponderous. It does. Yes, it does.
• 50:49
  Speaker 4: Two of St.
• 50:51
  Speaker 10: Germain, which is an elderflower liqueur, and once you pour
• 50:54
  Speaker 10: that into a glass, just top it off with carbonated
• 50:58
  Speaker 10: apple juice.
• 51:00
  Speaker 4: And that's actually what that was. Heaven. The Life of
• 51:05
  Speaker 4: Pie drink, which I named.
• 51:08
  Speaker 1: That was my favorite. Oh, thank you.
• 51:11
  Speaker 4: Every time you recount one of these drinks, I want
• 51:13
  Speaker 4: Barbara Streisand to come out and sing Memories.
• 51:17
  Speaker 10: Or at least sing like she did tonight to where
• 51:19
  Speaker 10: it brings the show to an end.
• 51:20
  Speaker 1: It's called The Life of.
• 51:28
  Speaker 10: Pi, one that Richard Parker, and that was really, really simple.
• 51:31
  Speaker 10: It was just a shot of Amarula, one of Amaretto,
• 51:38
  Speaker 10: and one of Domaine de Canton, which is a ginger liqueur.
• 51:41
  Speaker 10: You shake those on the rocks and pour it over
• 51:44
  Speaker 10: the rocks and add some curry powder.
• 51:47
  Speaker 4: It's like butter.
• 51:48
  Speaker 11: It is very good.
• 51:50
  Speaker 4: It's very similar to butter.
• 51:51
  Speaker 1: I can't believe it's not butter.
• 51:54
  Speaker 4: It's like if a cinnamon roll.
• 51:55
  Speaker 1: Were an alcoholic beverage.
• 51:59
  Speaker 4: Let's see.
• 51:59
  Speaker 10: The other two, The Emancipator, Daniel Day-Lewis winning Lincoln. I
• 52:05
  Speaker 10: wanted something that was very Kentucky, so it's two shots
• 52:08
  Speaker 10: of moonshine and one of Knob Creek. And you just
• 52:12
  Speaker 10: top off the rest of the glass with alate. Alate
• 52:17
  Speaker 10: is good stuff with liquor.
• 52:19
  Speaker 11: It is.
• 52:20
  Speaker 1: For some people.
• 52:21
  Speaker 8: If you're not familiar with it.
• 52:23
  Speaker 4: Why are you mixing that with scotch? Because it's good.
• 52:27
  Speaker 4: That's my only rationale for anything.
• 52:30
  Speaker 8: I'm assuming the rest of the world has no idea
• 52:33
  Speaker 8: what that is. Flavor.
• 52:35
  Speaker 1: You can look it up online.
• 52:37
  Speaker 8: You'll probably be frightened by it if you run into
• 52:39
  Speaker 8: it somewhere.
• 52:40
  Speaker 10: And then the one that a couple people are finishing
• 52:42
  Speaker 10: off right now is what I call.
• 52:44
  Speaker 1: The one that's kicking my ass.
• 52:46
  Speaker 10: It's called Six Kinds of Crazy because it's got six
• 52:48
  Speaker 10: shots of alcohol in it, but it tastes like fruit juice.
• 52:51
  Speaker 1: I'm intimidated by it because it's one of those delicious, fruity,
• 52:54
  Speaker 1: Hawaiian Punch fun cocktails. But at the same time, I'm
• 52:59
  Speaker 1: told that there's 27 different flickers in it. or whatever,
• 53:06
  Speaker 1: you know, included in it, so.
• 53:08
  Speaker 4: Yeah, the glass pitcher guy is going to bust through
• 53:10
  Speaker 4: the wall any minute.
• 53:12
  Speaker 28: Oh, yeah.
• 53:13
  Speaker 14: Oh, yeah.
• 53:13
  Speaker 10: Well, I picked the silliest glasses I had, so. Yeah,
• 53:18
  Speaker 10: Paul earlier was reading the peanuts glass that he was
• 53:24
  Speaker 10: drinking out of.
• 53:26
  Speaker 4: Let's see. Fred has Mayor McCheese. Yes.
• 53:29
  Speaker 10: Ben has Theodore from Alvin and Chipmunks, and Brian has Grimace.
• 53:34
  Speaker 8: I specifically chose my Grimace, because he's my favorite.
• 53:37
  Speaker 4: But yeah, it is.
• 53:39
  Speaker 8: I'm enjoying that one in honor of my dear friend
• 53:42
  Speaker 8: Jennifer Lawrence.
• 53:43
  Speaker 10: Yeah, it's a shot of the Parrot Bay 90-proof coconut rum,
• 53:48
  Speaker 10: and a shot of banana rum.
• 53:50
  Speaker 1: I do taste the coconut, actually.
• 53:52
  Speaker 10: Yeah, one of mango rum, one of peach schnapps, one
• 53:55
  Speaker 10: of black duck, which is a cranberry liqueur, And Tattoo,
• 54:00
  Speaker 10: which is another rum.
• 54:01
  Speaker 4: I have to admit, I don't really taste anything anymore.
• 54:05
  Speaker 10: No, and I topped it off with V8 Splash. It's
• 54:10
  Speaker 10: like it's a mix of V8 plus fruit juices.
• 54:12
  Speaker 1: So it's good for you. It is.
• 54:15
  Speaker 4: It's healthy. It's healthy. It's health-licious.
• 54:18
  Speaker 10: And one I'll make in a sec, if folks are
• 54:20
  Speaker 10: up to it, is the golden statue.
• 54:22
  Speaker 8: No?
• 54:23
  Speaker 4: I'm in. Calm down.
• 54:24
  Speaker 6: All right.
• 54:26
  Speaker 4: I call the golden statue, which is.
• 54:29
  Speaker 1: You're going to wake up in the morning.
• 54:30
  Speaker 8: This is the greatest night ever.
• 54:33
  Speaker 1: If Jack Nicholson were here, he'd be drinking us all
• 54:36
  Speaker 1: under the table and just calling us all pussies. You'd
• 54:39
  Speaker 1: be like, who wants to go for the gold statue drink?
• 54:41
  Speaker 1: You'd be like, I'll go for that one.
• 54:45
  Speaker 10: It's kind of similar to what you're drinking, but what
• 54:47
  Speaker 10: it is, it's a shot of the coconut rum, a
• 54:49
  Speaker 10: shot of the banana rum, and then a shot of Galeano,
• 54:53
  Speaker 10: which is an anise-flavored liqueur, and then you double the
• 54:57
  Speaker 10: amount of liquor, or the... double the volume in there
• 55:00
  Speaker 10: with mango orange juice.
• 55:02
  Speaker 4: I'd like to point out before I began this grand adventure.
• 55:06
  Speaker 4: Grand adventure. Cut him off. Yes. Cut him off has
• 55:11
  Speaker 4: been like the running gag of the night, by the way.
• 55:14
  Speaker 4: Two Snuffy Smith jugs of beer that I was very
• 55:19
  Speaker 4: excited about because they were like $ 3. 99 and it's like
• 55:23
  Speaker 4: a really good beer. That's what I'm drinking right now.
• 55:25
  Speaker 8: Yeah, it's really good.
• 55:27
  Speaker 4: It's tasty. I usually like really heavy, dark beers, but
• 55:30
  Speaker 4: it's a light beer that tastes good, which surprises me
• 55:36
  Speaker 4: because I used to swear.
• 55:37
  Speaker 10: I would never buy a light beer.
• 55:41
  Speaker 4: What's the point? And you can have heavy beer. But
• 55:45
  Speaker 4: I got some one day because it was on draft
• 55:47
  Speaker 4: and it was cheap because I also like cheap beer.
• 55:51
  Speaker 11: Of course.
• 55:52
  Speaker 4: Yeah, I mean, there are beers I drink ironically because... Like,
• 55:56
  Speaker 4: I remember them from when I was a kid.
• 55:58
  Speaker 6: You be careful.
• 55:58
  Speaker 1: That's hipster move right there. That's the ribbon! I can
• 56:03
  Speaker 1: drink PBL. Shut that shit!
• 56:05
  Speaker 4: Or Cook's was a really horrible beer we used to drink.
• 56:09
  Speaker 4: Or Black Flag was like one of the worst beers
• 56:12
  Speaker 4: ever made. But you get to the point, there was
• 56:15
  Speaker 4: like some Eastern European beer they had at Value Market
• 56:20
  Speaker 4: that tasted like some sort of Eastern European cologne. And
• 56:24
  Speaker 4: you just could not force it down your gullet. It
• 56:28
  Speaker 4: was like, I can't drink something that tastes like a
• 56:32
  Speaker 4: bad cologne that some guy in.
• 56:34
  Speaker 3: Of.
• 56:36
  Speaker 1: All the colognes you drank, this.
• 56:38
  Speaker 4: Was the worst. Oh, it was horrible. I couldn't get
• 56:40
  Speaker 4: through it. And I felt defeated by it. I felt defeated.
• 56:45
  Speaker 4: I felt like the South after the Civil War. I
• 56:48
  Speaker 4: felt like, I'll rise again, goddammit. But you knew it
• 56:52
  Speaker 4: wasn't going to happen. I don't know where you're going
• 56:57
  Speaker 4: with that, actually. You started out. I got to where
• 57:00
  Speaker 4: I was going with that. That's where I was going.
• 57:03
  Speaker 29: Keep in mind, he's been hitting all of these drinks
• 57:06
  Speaker 29: along the way. So has Paul, in case the listeners
• 57:09
  Speaker 29: couldn't tell. Actually, I think this is going to be
• 57:11
  Speaker 29: the most downloaded episode ever, just to hear Paul.
• 57:14
  Speaker 1: We'll see about that.
• 57:15
  Speaker 4: Go on his tangent.
• 57:19
  Speaker 10: Did you need anything for me before I get over
• 57:20
  Speaker 10: there and start mixing drinks again?
• 57:22
  Speaker 29: No.
• 57:23
  Speaker 4: Nope.
• 57:23
  Speaker 1: You can get right on that.
• 57:24
  Speaker 15: All right, I will.
• 57:25
  Speaker 8: You never hit my heart Let the sky.
• 57:30
  Speaker 19: Fall When it crumbles.
• 57:35
  Speaker 5: We will stand together Face it all together Let the sky.
• 57:41
  Speaker 19: Fall When it crumbles.
• 57:57
  Speaker 24: Hello, I'm Jim Cogan.
• 58:06
  Speaker 4: And I'm John Wisby.
• 58:08
  Speaker 24: And this is a promo for the Crash and Burn
• 58:10
  Speaker 24: movie podcast. every episode we pick a theme and review
• 58:15
  Speaker 24: three films each we like but fall within that theme
• 58:20
  Speaker 24: and then.
• 58:20
  Speaker 18: We also take a classic b movie or some.
• 58:23
  Speaker 20: Other film that's good for the wrong reasons for our
• 58:27
  Speaker 20: so bad.
• 58:27
  Speaker 1: It's great slot and we rip the piss out of it.
• 58:31
  Speaker 24: So that's the Crash and Burn Movie Podcast. Every fortnight,
• 58:34
  Speaker 24: you can pick it up at www.crashandburnmoviepodcast.co.uk. There you can
• 58:40
  Speaker 24: subscribe to the RSS feed. You can subscribe in iTunes.
• 58:44
  Speaker 24: You can stream or download the previous episodes. You can
• 58:47
  Speaker 24: like us on Facebook and follow us on Twitter.
• 58:51
  Speaker 4: That's the Crash and Burn Movie Podcast.
• 58:54
  Speaker 24: Www.crashandburnmoviepodcast.co.uk. A legend, Oscar-winning actor, Christopher Plummer.
• 59:07
  Speaker 11: Oh, okay.
• 59:08
  Speaker 13: All right, for those of you who have a Richard
• 59:11
  Speaker 13: Parker block pie, hurry up.
• 59:12
  Speaker 12: And drink it, because you're about to get an Anne
• 59:14
  Speaker 12: Hathaway one.
• 59:15
  Speaker 1: All right. And here, Christopher Plummer.
• 59:19
  Speaker 15: And I think the very best kiss in all of
• 59:21
  Speaker 15: movie history is him in the garden. Look at him.
• 59:25
  Speaker 1: He's still on.
• 59:26
  Speaker 12: Was him in which movie?
• 59:27
  Speaker 1: The Sound of Music. Sound of Music. In the garden
• 59:30
  Speaker 1: when he kisses her for the first time.
• 59:32
  Speaker 10: I think you're talking about his most romantic kiss was
• 59:35
  Speaker 10: in Beginners with another guy.
• 59:39
  Speaker 1: Oh, yeah.
• 59:41
  Speaker 4: Chris!
• 59:42
  Speaker 15: Chris and another guy?
• 59:44
  Speaker 1: Well, I can't look at him the same way again.
• 59:47
  Speaker 12: It's so much hotter now?
• 59:49
  Speaker 9: Yes.
• 59:49
  Speaker 1: Is there a spit take about that?
• 59:52
  Speaker 4: Oh, wow.
• 1:00:02
  Speaker 1: Yeah, he almost made Galliano go have a nose. And
• 1:00:06
  Speaker 1: you all missed it over here.
• 1:00:07
  Speaker 6: You really just missed it. For an 80-year-old man. Damn.
• 1:00:16
  Speaker 12: You can't fight that.
• 1:00:28
  Speaker 1: I won't even try.
• 1:00:32
  Speaker 28: This is John Wilson, the creator of the Razzie Awards,
• 1:00:47
  Speaker 28: and you're listening to Movie Meltdown.
• 1:00:49
  Speaker 15: I think I love.
• 1:01:01
  Speaker 10: It's part of your problem, you know, you haven't seen
• 1:01:03
  Speaker 10: enough movies.
• 1:01:04
  Speaker 2: All of life's riddles are answered in the movies.
• 1:01:08
  Speaker 4: And now, on with the show.
• 1:01:13
  Speaker 5: Loving arms, keeping me from wrong. Put your hand in
• 1:01:19
  Speaker 5: my hand and we'll stay.
• 1:01:23
  Speaker 6: Let the sky fall When it crumbles We will stand.
• 1:01:32
  Speaker 13: Tall Face it all together.
• 1:01:34
  Speaker 19: Let the sky fall When it crumbles.
• 1:01:40
  Speaker 25: We will stand tall Face it all together Let the sky.
• 1:01:46
  Speaker 4: Fall I just want people listening to know that there
• 1:01:54
  Speaker 4: is like TV white static in this room. Yeah, there is.
• 1:01:58
  Speaker 4: It's a great thing. I love TV white static. Ben
• 1:02:01
  Speaker 4: has to finish that drink before we.
• 1:02:03
  Speaker 15: I appreciate the very calm, soothing videodrome signal.
• 1:02:06
  Speaker 1: Yeah.
• 1:02:07
  Speaker 4: Poltergeist. It was calming on Poltergeist.
• 1:02:09
  Speaker 8: TV white noises the new black. If we've gotten the
• 1:02:14
  Speaker 8: basic rundown out of the way, we do need to get.
• 1:02:17
  Speaker 1: Through the Movie Meltdown Awards.
• 1:02:20
  Speaker 8: Let's do this.
• 1:02:21
  Speaker 1: Oh, the Movie Meltdown Awards! Otherwise known as the Foilers.
• 1:02:28
  Speaker 4: We'll get those out.
• 1:02:31
  Speaker 8: They're pretty impressive. I know you're pretty excited. The best
• 1:02:34
  Speaker 8: part of the foil. Number one, it's the metal that
• 1:02:37
  Speaker 8: I think is most similar to our show.
• 1:02:40
  Speaker 2: Is it gold?
• 1:02:41
  Speaker 11: Is it platinum? It's aluminum.
• 1:02:43
  Speaker 8: There's an electric blue reflecting off of it.
• 1:02:46
  Speaker 4: That's the magic of the foilers.
• 1:02:50
  Speaker 1: It's just as beautiful as that Yeti ice sculpture.
• 1:02:52
  Speaker 14: Yeah.
• 1:02:53
  Speaker 8: And the other selling point is you can also take.
• 1:02:55
  Speaker 12: Leftovers in them.
• 1:02:56
  Speaker 6: So you can, you know.
• 1:02:58
  Speaker 1: When you're done with the award ceremony, you can load
• 1:03:01
  Speaker 1: it up with pork.
• 1:03:02
  Speaker 4: He looks like he's feeling his breast.
• 1:03:03
  Speaker 1: Did you shape it around an award and.
• 1:03:04
  Speaker 4: Then somehow peel it off?
• 1:03:06
  Speaker 8: No. These come this way from their boiler's factory. There's
• 1:03:12
  Speaker 8: elves cranking them out in the factory. He looks like
• 1:03:14
  Speaker 8: Jay in Clark's 2 saying, I'd fuck me. I'd fuck
• 1:03:19
  Speaker 8: me hard.
• 1:03:20
  Speaker 1: If it was Christopher Plummer, sure.
• 1:03:22
  Speaker 4: Yeah.
• 1:03:23
  Speaker 11: Well.
• 1:03:24
  Speaker 8: That's the theme of the evening as well.
• 1:03:26
  Speaker 4: Right. No, look, I mean, it looks like his arms
• 1:03:30
  Speaker 4: are going like this.
• 1:03:33
  Speaker 1: It's like an Oscar holding his own Oscar. Foiler knows
• 1:03:36
  Speaker 1: he's hot.
• 1:03:36
  Speaker 8: What do you know? They're trusting me to give out
• 1:03:38
  Speaker 8: this next award all by myself.
• 1:03:41
  Speaker 1: What exactly do I do here, sir? What do I
• 1:03:45
  Speaker 1: do here?
• 1:03:46
  Speaker 12: Tell me.
• 1:03:47
  Speaker 1: They just came in. That's the craziest thing.
• 1:03:49
  Speaker 11: That's how foil comes out of a box.
• 1:03:51
  Speaker 1: In those shadows of an Oscar statue. You tear it off,
• 1:03:55
  Speaker 1: and it just does that.
• 1:03:56
  Speaker 2: It's not even your name right now.
• 1:03:58
  Speaker 4: Oh, I have one, too.
• 1:04:00
  Speaker 1: Are you adding one?
• 1:04:02
  Speaker 4: I have a Fred Trivia Award.
• 1:04:04
  Speaker 8: We were supposed to add them a while ago, but
• 1:04:06
  Speaker 8: most people didn't, except that dumb mustache award.
• 1:04:09
  Speaker 4: I don't know what it was.
• 1:04:10
  Speaker 8: Are we blaming Alan for that one?
• 1:04:12
  Speaker 4: I'm sorry for not voting, actually. Yeah, I'm sorry for voting.
• 1:04:15
  Speaker 1: Your votes do not count.
• 1:04:17
  Speaker 4: I voted.
• 1:04:19
  Speaker 8: Don't talk about the shit.
• 1:04:20
  Speaker 6: Yeah, I'm the one that's not on.
• 1:04:22
  Speaker 4: Most of the movies I hadn't even seen, but I'm like,
• 1:04:25
  Speaker 4: I can form an opinion anyway.
• 1:04:26
  Speaker 8: See, that's what I wanted.
• 1:04:28
  Speaker 1: A lot of other people were like, I haven't seen it.
• 1:04:30
  Speaker 11: I don't want it.
• 1:04:31
  Speaker 8: I'm like, I'm going for it anyway. All we are
• 1:04:34
  Speaker 8: is opinions based on nothing. Come on.
• 1:04:38
  Speaker 4: So that's what I did, and I wind up a pedophile.
• 1:04:41
  Speaker 1: Well, we were just sort of breaking ties.
• 1:04:43
  Speaker 8: Now, technically... Hottest actress. We're not there yet. And I
• 1:04:46
  Speaker 8: go for Emma Watson.
• 1:04:48
  Speaker 1: We're not there yet.
• 1:04:49
  Speaker 4: And then I watch the movie that night and I'm like,
• 1:04:51
  Speaker 4: I'm a fucking pedophile.
• 1:04:52
  Speaker 6: Well, we all knew that.
• 1:04:54
  Speaker 8: She's 12 years old. That's what's hot about her.
• 1:04:56
  Speaker 6: Good God.
• 1:04:57
  Speaker 9: Oh, whoa, whoa. Most of it actually came from the
• 1:05:04
  Speaker 9: Secret Circle, our hardcore fans.
• 1:05:07
  Speaker 1: Those of you who didn't vote for that, if.
• 1:05:10
  Speaker 8: You haven't reached that level of the hierarchy, well, you're
• 1:05:12
  Speaker 8: slacking and you need to email us and find out
• 1:05:14
  Speaker 8: how you can be part of that. But until then,
• 1:05:17
  Speaker 8: this is.
• 1:05:17
  Speaker 1: You know, most of which came from them.
• 1:05:19
  Speaker 8: And, you know, so thank you to them for actually
• 1:05:22
  Speaker 8: voting initially and sending in what they thought should have
• 1:05:25
  Speaker 8: been at least been in the running. So that's how
• 1:05:27
  Speaker 8: all this came into play. So the first question we
• 1:05:30
  Speaker 8: threw out there is, which nobody seems to like the
• 1:05:33
  Speaker 8: trailer questions. I still kind of like trailers, so I...
• 1:05:37
  Speaker 8: But they also ruin everything in trailers, so everybody seems
• 1:05:39
  Speaker 8: to avoid them. So we've had at least two people
• 1:05:42
  Speaker 8: in both of these next two categories that have voted
• 1:05:44
  Speaker 8: for I don't.
• 1:05:45
  Speaker 4: Watch trailers at all.
• 1:05:46
  Speaker 8: So we still ask, what was the best trailer for
• 1:05:48
  Speaker 8: a film in 2012?
• 1:05:49
  Speaker 4: Yeah. The winner is.
• 1:05:53
  Speaker 4: Shaken, Not Stirred. Skyfall?
• 1:05:56
  Speaker 8: Yeah. The winner is Django Unchained.
• 1:05:59
  Speaker 4: Ah, yeah, that was a good trailer.
• 1:06:00
  Speaker 8: I think the second one's a good trailer. Because I
• 1:06:03
  Speaker 8: just saw the second one for the first time. What's
• 1:06:05
  Speaker 8: the second one? Well, they just have different, like, the
• 1:06:07
  Speaker 8: very first one that they came out with is the
• 1:06:09
  Speaker 8: one that we were talking about a while ago that's, like,
• 1:06:12
  Speaker 8: horribly misleading. Like, it seems like the whole movie is
• 1:06:14
  Speaker 8: going to be them just touring around different plantations looking for,
• 1:06:18
  Speaker 8: when that's really, like, one scene, and they knock that
• 1:06:20
  Speaker 8: out of the way.
• 1:06:21
  Speaker 1: So, I think the second one they made is actually
• 1:06:23
  Speaker 1: the better.
• 1:06:24
  Speaker 4: One, but... Yeah.
• 1:06:26
  Speaker 1: I'm not sure. They didn't specify. I personally feel, while I...
• 1:06:30
  Speaker 1: definitely think Django Unchained is like the better movie but
• 1:06:34
  Speaker 1: like Dark Knight Rises like that first trailer that came
• 1:06:37
  Speaker 1: out like I think it was like during the Super
• 1:06:38
  Speaker 1: Bowl like that was so dramatic like it was almost
• 1:06:43
  Speaker 1: like a self contained like two minute short film like
• 1:06:45
  Speaker 1: and they kept playing it over and over I think
• 1:06:48
  Speaker 1: that was probably the best trailer I don't remember the
• 1:06:52
  Speaker 1: specifically the Django Unchained I remember them showing like the
• 1:06:55
  Speaker 1: premise like what the premise what the first 50 minutes
• 1:06:58
  Speaker 1: of the movie is And not taking you further than that. But, like,
• 1:07:02
  Speaker 1: the Dark Knight Rises, like, showed all these, like, dramatic, like,
• 1:07:05
  Speaker 1: points in the movie. Like, mixed together. And you're like, oh,
• 1:07:09
  Speaker 1: you know that's going to be crazy, but you don't
• 1:07:11
  Speaker 1: know why. And it's not really spoiling anything, but it
• 1:07:13
  Speaker 1: still kind of gets your blood pumping. And it kind
• 1:07:15
  Speaker 1: of went through the whole, like, movie in, like, two minutes.
• 1:07:18
  Speaker 4: And that was kind of cool.
• 1:07:19
  Speaker 1: But it didn't reveal anything. Which is, like, I think
• 1:07:22
  Speaker 1: the best trailers kind of do that.
• 1:07:24
  Speaker 8: That's a good trailer.
• 1:07:25
  Speaker 6: I love movies.
• 1:07:26
  Speaker 12: But not the whole movie.
• 1:07:28
  Speaker 18: Exactly.
• 1:07:28
  Speaker 1: That's why I liked it.
• 1:07:29
  Speaker 12: But that's why it was bad. But it was good.
• 1:07:32
  Speaker 1: Because of that. It was a trailer for a completely
• 1:07:36
  Speaker 1: different movie.
• 1:07:37
  Speaker 4: It was perfect.
• 1:07:38
  Speaker 1: Exactly, yes. At the end of this, you're like, I
• 1:07:42
  Speaker 1: didn't see that trailer. We're all just like, yeah, I
• 1:07:44
  Speaker 1: didn't see the trailer.
• 1:07:46
  Speaker 10: The Dark Knight Rises was the trailer for Amor, which
• 1:07:50
  Speaker 10: was the trailer for Monsters University.
• 1:07:55
  Speaker 12: And that was not in 3D.
• 1:07:58
  Speaker 9: See, this is why we don't introduce alcohol into our
• 1:08:01
  Speaker 9: normal episodes.
• 1:08:03
  Speaker 8: Amour was originally titled Die Hard.
• 1:08:07
  Speaker 1: You're very pleased with that.
• 1:08:09
  Speaker 6: Yeah, I'm very.
• 1:08:10
  Speaker 8: Happy with that.
• 1:08:11
  Speaker 1: Shouldn't it be Die Soft?
• 1:08:11
  Speaker 8: I'm going to be doing that for years.
• 1:08:13
  Speaker 1: Think about it. It should be Die Soft, right?
• 1:08:16
  Speaker 4: Spoiler alert.
• 1:08:18
  Speaker 8: Am I right?
• 1:08:18
  Speaker 4: Am I right?
• 1:08:19
  Speaker 1: Am I right? I'm ignoring that.
• 1:08:24
  Speaker 8: I don't know.
• 1:08:24
  Speaker 11: I forgot.
• 1:08:25
  Speaker 8: It's actually called Deathbed, The Bed That Eats People.
• 1:08:29
  Speaker 15: A classic.
• 1:08:30
  Speaker 17: The trailer that got me the most excited about a
• 1:08:33
  Speaker 17: movie was Prometheus.
• 1:08:36
  Speaker 8: Well, that would be the next win because question two
• 1:08:41
  Speaker 8: is the most misleading.
• 1:08:42
  Speaker 1: Trailer for the film in 2012.
• 1:08:43
  Speaker 12: Prometheus wins.
• 1:08:45
  Speaker 1: Prometheus should win.
• 1:08:47
  Speaker 15: Nobody voted for it.
• 1:08:47
  Speaker 1: Like, nobody voted for that. Wow. It's hard to remember
• 1:08:50
  Speaker 1: trailers exactly.
• 1:08:51
  Speaker 14: I know.
• 1:08:52
  Speaker 6: I think that's why.
• 1:08:52
  Speaker 1: Apart from, like, once you see the movie.
• 1:08:54
  Speaker 6: After you see.
• 1:08:55
  Speaker 4: The movie Prometheus, then the trailer is like, what in
• 1:08:59
  Speaker 4: the world?
• 1:08:59
  Speaker 6: I didn't do it.
• 1:09:00
  Speaker 1: That movie yeah it's a totally different like you totally
• 1:09:02
  Speaker 1: see it you see it like it's a different thing
• 1:09:05
  Speaker 1: once you see the whole thing completed.
• 1:09:07
  Speaker 9: Yeah so yeah nobody voted for Prometheus and once again
• 1:09:12
  Speaker 9: proving we had a couple of different ones the one
• 1:09:15
  Speaker 9: that got the most votes gave up on trailers in
• 1:09:18
  Speaker 9: 2012 yeah So, again, I think we're retiring the trailer
• 1:09:22
  Speaker 9: category because nobody really wants to watch trailers anymore.
• 1:09:26
  Speaker 4: Well, now everybody posts actual clips from the movie. Marlena
• 1:09:29
  Speaker 4: says she wanted a taste.
• 1:09:32
  Speaker 11: Thank you.
• 1:09:33
  Speaker 8: I'm still a big fan of the movie posters, too. Again,
• 1:09:35
  Speaker 8: I don't know how many people pay attention to movie posters,
• 1:09:37
  Speaker 8: but if you're a.
• 1:09:38
  Speaker 17: Real movie geek, you know. To me, it's almost like
• 1:09:41
  Speaker 17: I might see them once or twice, and then.
• 1:09:46
  Speaker 17: A lot of movies have multiple, have multiple, and then
• 1:09:49
  Speaker 17: I'm like, well, I can't, I couldn't really draw out of.
• 1:09:51
  Speaker 4: A hat what, you know, what best would be, so
• 1:09:54
  Speaker 4: I don't.
• 1:09:55
  Speaker 8: I think that's it. Nobody remembers, like, specifics. When you
• 1:09:58
  Speaker 8: go back at the end.
• 1:09:58
  Speaker 29: Of the year, you've lost track of them all, so
• 1:10:00
  Speaker 29: maybe that's part of the issue, too.
• 1:10:02
  Speaker 4: Time passes.
• 1:10:03
  Speaker 8: That was number three, what is the most awesome movie
• 1:10:06
  Speaker 8: poster for a 2012 film?
• 1:10:07
  Speaker 1: And, again, Django Unchained.
• 1:10:10
  Speaker 8: Yeah.
• 1:10:11
  Speaker 4: Now, the reason we vote for that, if you're, if
• 1:10:14
  Speaker 4: you don't really remember, is you just go, It's the
• 1:10:17
  Speaker 4: new Tarantino movie.
• 1:10:19
  Speaker 8: Right there, he's got best trailer.
• 1:10:21
  Speaker 4: Because it's like, it's a trailer for the new Tarantino movie.
• 1:10:26
  Speaker 4: And you go, I'm on board. Because it's the new
• 1:10:29
  Speaker 4: Tarantino movie. And it could be like any of the
• 1:10:32
  Speaker 4: other trailers. He could use any one of them. And
• 1:10:35
  Speaker 4: you'd go, but this is a new Tarantino movie. I'm
• 1:10:38
  Speaker 4: going to go see that.
• 1:10:39
  Speaker 1: It always kind of works.
• 1:10:40
  Speaker 17: Well, just seeing Christoph Waltz next to Jamie Foxx dressed
• 1:10:44
  Speaker 17: up like a cowboy.
• 1:10:46
  Speaker 1: It already looks like fun.
• 1:10:50
  Speaker 18: I can't wait to see Christoph Waltz or Jamie Foxx
• 1:10:54
  Speaker 18: go after whatever's in the trunk of that car.
• 1:10:59
  Speaker 1: I know which poster is specific.
• 1:11:02
  Speaker 8: I wonder who's going to cut whose ear off. Yeah,
• 1:11:07
  Speaker 8: they didn't pick the specifics. I don't know if it
• 1:11:09
  Speaker 8: was the teaser or the actual one sheet, but... Even
• 1:11:12
  Speaker 8: the limb sheet's not bad, so.
• 1:11:14
  Speaker 1: I don't know about you guys, but I'm specifically, like,
• 1:11:16
  Speaker 1: I have in mind the poster where it shows the
• 1:11:19
  Speaker 1: silhouette of, like, I guess it's Jamie Foxx, like, holding
• 1:11:22
  Speaker 1: the chains up, and, like, in the background, like, you
• 1:11:25
  Speaker 1: see a guy, like, on horseback shooting, like, the chain link. apart,
• 1:11:30
  Speaker 1: like unchained. It's pretty badass. That's the one I thought
• 1:11:34
  Speaker 1: was awesome.
• 1:11:34
  Speaker 12: Does that even exist? I don't think that poster exists.
• 1:11:37
  Speaker 1: Oh, it totally does. It's like one of the three official.
• 1:11:40
  Speaker 12: Let's go online and you show it to me now.
• 1:11:43
  Speaker 1: It's pretty badass. I just figured that's what you guys
• 1:11:45
  Speaker 1: voted for because it was the most badass version of Django.
• 1:11:48
  Speaker 4: You mean D'Jamie Foxx? D'Jamie Foxx.
• 1:11:51
  Speaker 6: D'Jamie Foxx.
• 1:11:53
  Speaker 4: And then he shoots the chain.
• 1:11:55
  Speaker 1: The Jamie Foxx. The D and the second X are silent.
• 1:11:59
  Speaker 11: Oh, okay.
• 1:12:01
  Speaker 4: Which X?
• 1:12:02
  Speaker 1: The second. It could be the first one. I'll let
• 1:12:05
  Speaker 1: you decide. You can choose. Seriously, this was a real poster,
• 1:12:10
  Speaker 1: and it was awesome.
• 1:12:11
  Speaker 12: Either X can be silent. I'm not racist. That's really cool.
• 1:12:15
  Speaker 12: I've never seen that poster.
• 1:12:18
  Speaker 1: And it's like he's shooting it.
• 1:12:19
  Speaker 4: We're looking at a movie poster of.
• 1:12:22
  Speaker 8: On a podcast.
• 1:12:22
  Speaker 6: It's official, too.
• 1:12:23
  Speaker 1: It's not, like, a fan-made thing. I don't know.
• 1:12:25
  Speaker 12: It doesn't have any credits at the bottom of the.
• 1:12:27
  Speaker 4: Poster, though.
• 1:12:27
  Speaker 1: It really was, like, the... It was, like, released by
• 1:12:31
  Speaker 1: the Weinstein Company. It was, like, these whole series of.
• 1:12:34
  Speaker 12: Is it one of those online posters, though?
• 1:12:36
  Speaker 1: No, like, I mean, it was a real... I.
• 1:12:40
  Speaker 12: Don't... It's not a real poster.
• 1:12:41
  Speaker 1: It's too cool to be, like, a real poster.
• 1:12:43
  Speaker 2: It is.
• 1:12:44
  Speaker 1: I'm pretty sure it's a real.
• 1:12:45
  Speaker 8: Yeah.
• 1:12:47
  Speaker 1: I mean, but like the official poster where it's just
• 1:12:48
  Speaker 1: like a chain going on. They're just like, it's Schultz.
• 1:12:51
  Speaker 4: Undechained.
• 1:12:52
  Speaker 1: Yeah, it's like undechained. It's like Schultz and Django just
• 1:12:56
  Speaker 1: kind of walking off in the distance.
• 1:12:57
  Speaker 6: It's good, but it's just kind of boring.
• 1:12:58
  Speaker 1: I think that's the Weinstein silhouettes.
• 1:13:01
  Speaker 4: I'm pretty sure I recognize those silhouettes.
• 1:13:04
  Speaker 1: I'm moving on. Next one I liked as a question.
• 1:13:07
  Speaker 9: The most questionable career decision made by an actor, actress,
• 1:13:11
  Speaker 9: or filmmaker in 2012.
• 1:13:13
  Speaker 11: Who won?
• 1:13:15
  Speaker 9: Almost unanimous here. Michael Bay not retiring. Everybody liked that one.
• 1:13:20
  Speaker 9: Does he want to retire?
• 1:13:24
  Speaker 8: No, but everybody.
• 1:13:25
  Speaker 1: Really wants him to.
• 1:13:28
  Speaker 12: Let's see.
• 1:13:31
  Speaker 1: The way it's worded initially is the movie moment that.
• 1:13:34
  Speaker 8: Made you say, oh my, in official George Takei style.
• 1:13:37
  Speaker 9: But yeah, it's the most shocking movie moment of 2012
• 1:13:41
  Speaker 9: for whatever reason.
• 1:13:42
  Speaker 8: Sex, violence, profanity, whatever you found to be shocking.
• 1:13:47
  Speaker 1: We got Samuel L.
• 1:13:47
  Speaker 8: Jackson.
• 1:13:49
  Speaker 1: His character alone in Django Unchained. There's a lot of Django.
• 1:13:53
  Speaker 4: What were the other contestants?
• 1:13:56
  Speaker 6: Um, we had.
• 1:13:58
  Speaker 9: The only other main ones, we had the big fight
• 1:14:01
  Speaker 9: at the end. I say at the end because the
• 1:14:04
  Speaker 9: entire movie is a.
• 1:14:05
  Speaker 1: Fight in the raid.
• 1:14:06
  Speaker 9: And, again, I think the only time this movie is
• 1:14:09
  Speaker 9: mentioned in there, the C-section in Prometheus.
• 1:14:12
  Speaker 4: Huh.
• 1:14:14
  Speaker 8: Yeah, I saw that.
• 1:14:14
  Speaker 4: Yeah, that was.
• 1:14:17
  Speaker 1: I guess.
• 1:14:18
  Speaker 6: I don't know.
• 1:14:19
  Speaker 1: More of what for me?
• 1:14:21
  Speaker 8: What?
• 1:14:22
  Speaker 4: Until you mentioned the C-section, I forgot I had watched
• 1:14:26
  Speaker 4: that movie. If you had asked me five minutes ago
• 1:14:30
  Speaker 4: if I had watched Prometheus, I would have been like, no,
• 1:14:33
  Speaker 4: I don't think I have.
• 1:14:33
  Speaker 1: I kind of want to do a whole episode. Then
• 1:14:35
  Speaker 1: you mentioned the C-section.
• 1:14:37
  Speaker 4: And I'm like, oh yeah, I saw that.
• 1:14:39
  Speaker 1: I think we need to come back to that one.
• 1:14:41
  Speaker 1: The why is Guy Pearce an old man....
• 1:14:45
  Speaker 8: Because he's Guy Pearce.
• 1:14:46
  Speaker 4: Why did it need to be?
• 1:14:47
  Speaker 1: I mean, it didn't need to be.
• 1:14:49
  Speaker 11: May I interject?
• 1:14:50
  Speaker 7: Yeah.
• 1:14:51
  Speaker 12: About Guy Pearce?
• 1:14:51
  Speaker 4: Yeah.
• 1:14:52
  Speaker 8: He doesn't want to be recognizable lately.
• 1:14:53
  Speaker 1: You notice this?
• 1:14:54
  Speaker 12: Every movie he appears in, he.
• 1:14:56
  Speaker 8: Doesn't look like Guy Pearce anymore.
• 1:14:57
  Speaker 1: He doesn't look like Guy Pearce.
• 1:14:58
  Speaker 8: Look at him in Lawless. Eyebrows shaved, hair slicked back,
• 1:15:02
  Speaker 8: looking really creepy.
• 1:15:03
  Speaker 1: Yeah, the whole eyebrows, like the villain shaving their eyebrows
• 1:15:06
  Speaker 1: is getting a little old. I think that's happened like
• 1:15:09
  Speaker 1: three too many times.
• 1:15:11
  Speaker 8: But still, every time I see.
• 1:15:12
  Speaker 1: Guy Pearce, he does not want to be recognized. He
• 1:15:14
  Speaker 1: dies really, really fast.
• 1:15:16
  Speaker 4: But I've been not looking like Guy Pearce for years
• 1:15:19
  Speaker 4: before he started doing it.
• 1:15:21
  Speaker 1: It's worked for my career to not look like Guy Pearce.
• 1:15:22
  Speaker 18: No, my girlfriend does not know who Guy Pearce is.
• 1:15:25
  Speaker 18: I just don't remember what he looked like.
• 1:15:27
  Speaker 8: I was like, L.A.
• 1:15:28
  Speaker 1: Confidential.
• 1:15:29
  Speaker 12: She should write his name on her arm.
• 1:15:33
  Speaker 1: She should get a guy piercing. Backwards.
• 1:15:40
  Speaker 18: There's also the other John Hillcoat movies where Guy Pearce
• 1:15:43
  Speaker 18: does not look like Guy Pearce in any of them.
• 1:15:45
  Speaker 18: Not the proposition, not the road where he's at the
• 1:15:48
  Speaker 18: very end of the movie.
• 1:15:51
  Speaker 1: Guy Pearce is a weirdo as well. Maybe he's going
• 1:15:55
  Speaker 1: to do that. Animal Kingdom, he had the Mustache.
• 1:15:59
  Speaker 8: He was so nice and tame in that one that
• 1:16:01
  Speaker 8: you couldn't recognize him.
• 1:16:02
  Speaker 1: He requires some kind of ridiculous facial hair, I guess.
• 1:16:08
  Speaker 8: So. Where are we?
• 1:16:10
  Speaker 4: Let's see.
• 1:16:10
  Speaker 9: Next up, again, from the show that said he kills good,
• 1:16:15
  Speaker 9: we asked the question, the goodest kill in a film
• 1:16:18
  Speaker 9: in 2012.
• 1:16:18
  Speaker 4: Goodest kill.
• 1:16:21
  Speaker 1: Which, again, most of the votes.
• 1:16:22
  Speaker 9: Went straight to every racist slave owner in Django Unchained.
• 1:16:27
  Speaker 1: Django's sort of.
• 1:16:27
  Speaker 12: Sweeping the boilers this year.
• 1:16:30
  Speaker 17: The dog wasn't necessarily goodest, but it was.
• 1:16:35
  Speaker 1: Worstest? It made an impression. Worstest, I think. But this
• 1:16:39
  Speaker 1: is all the racist.
• 1:16:41
  Speaker 4: Slave owners, though. Impressionistest.
• 1:16:42
  Speaker 1: You know, the handshake kill.
• 1:16:48
  Speaker 4: Was.
• 1:16:49
  Speaker 12: It catches you off guard.
• 1:16:51
  Speaker 1: It was rewarding. You know what kind of ruined the impact?
• 1:16:54
  Speaker 1: That was still a great scene. I feel like it
• 1:16:57
  Speaker 1: was coming. You know what kind of ruined it for me?
• 1:16:59
  Speaker 1: Because I knew what was coming was the handshake scene
• 1:17:02
  Speaker 1: in Drive. Because it was basically the same kind of deal.
• 1:17:06
  Speaker 1: I actually thought the same thing would happen. I was like,
• 1:17:08
  Speaker 1: oh fuck, he's going to do the exact same thing.
• 1:17:11
  Speaker 1: Spoiler alert. Calvin Candy is going to have a razor
• 1:17:16
  Speaker 1: or some kind of knife hidden in his sleeve and, like,
• 1:17:19
  Speaker 1: try to kill Schultz. But it was way more badass
• 1:17:23
  Speaker 1: that Schultz had his tiny Derringer or whatever, like, in
• 1:17:26
  Speaker 1: his sleeve.
• 1:17:27
  Speaker 4: For me, in Drive, it didn't feel necessary that he died.
• 1:17:31
  Speaker 4: It just felt like, well, he didn't think this through
• 1:17:33
  Speaker 4: very well. He seemed, like, pretty on his game up
• 1:17:36
  Speaker 4: till now. Now he just seems stupid. He didn't have
• 1:17:39
  Speaker 4: to die.
• 1:17:39
  Speaker 8: He could have, like, worked this out.
• 1:17:42
  Speaker 1: Right.
• 1:17:42
  Speaker 8: But it felt like the director.
• 1:17:45
  Speaker 4: Wants him to die. There was a lot of unnecessary.
• 1:17:48
  Speaker 17: yeah it didn't.
• 1:17:50
  Speaker 4: Really work for me i don't know and and it's
• 1:17:55
  Speaker 4: my intention and i'm never going to get around to
• 1:17:57
  Speaker 4: it so i'm going to go ahead and say it
• 1:17:59
  Speaker 4: as if i've done it right to splice in like
• 1:18:02
  Speaker 4: a a uh GPS talking to him while he's driving.
• 1:18:08
  Speaker 8: That would be so great. You could just put in
• 1:18:11
  Speaker 8: that automated voice.
• 1:18:11
  Speaker 1: That's why it's such a great driver.
• 1:18:12
  Speaker 15: Recalculate.
• 1:18:13
  Speaker 11: Recalculate.
• 1:18:14
  Speaker 1: Every time he takes a turn, it's recalculated.
• 1:18:16
  Speaker 8: When possible, make a legal U-turn.
• 1:18:20
  Speaker 4: I get that so much. And I swear to God,
• 1:18:24
  Speaker 4: she sounds so pissed off.
• 1:18:26
  Speaker 1: Where are you going now?
• 1:18:29
  Speaker 4: You are at your destination. Please turn around now.
• 1:18:32
  Speaker 8: When possible.
• 1:18:34
  Speaker 4: Make a legal U-turn.
• 1:18:37
  Speaker 1: Continuing on with our proper grammar. Yes.
• 1:18:39
  Speaker 8: The wrongest actor or actress for a role in 2012. Again,
• 1:18:43
  Speaker 8: almost like completely unprompted. Everybody came through with the same answer.
• 1:18:47
  Speaker 4: Snow White.
• 1:18:48
  Speaker 1: Didn't even have to have it.
• 1:18:49
  Speaker 8: No, and I can't argue with this one.
• 1:18:52
  Speaker 1: Tyler Perry is Alex Cross.
• 1:18:54
  Speaker 8: Yeah, because he isn't. Because he isn't.
• 1:18:57
  Speaker 28: He is not.
• 1:18:57
  Speaker 1: Rick Reynolds could be is better than Tyler Perry.
• 1:19:01
  Speaker 4: Tyler Perry's Medea, and that's it. And I still don't
• 1:19:04
  Speaker 4: know why he was in Star Trek. You also wonder
• 1:19:08
  Speaker 4: about Tyler Perry because I don't really follow him that much.
• 1:19:11
  Speaker 4: But I notice, like, as a white person, people draw
• 1:19:18
  Speaker 4: very strong lines between Wes Anderson movies. Like, some of
• 1:19:22
  Speaker 4: them are great, and some of them are the worst
• 1:19:24
  Speaker 4: movies ever made. To me, I don't understand how you
• 1:19:28
  Speaker 4: can like any of them and not like all of
• 1:19:31
  Speaker 4: them a little bit.
• 1:19:33
  Speaker 8: They're all pretty good.
• 1:19:35
  Speaker 4: And they had this note of elegy for a presumptively
• 1:19:39
  Speaker 4: white world.
• 1:19:40
  Speaker 1: All of them did.
• 1:19:41
  Speaker 12: I saw that with an all-black audience.
• 1:19:43
  Speaker 1: I don't know what you're talking about. I saw it
• 1:19:45
  Speaker 1: memorized with an all-black audience.
• 1:19:46
  Speaker 12: It was actually just me.
• 1:19:48
  Speaker 8: Jared, and the whole time.
• 1:19:50
  Speaker 4: Well, I just wonder if black people go to Tyler
• 1:19:53
  Speaker 4: Perry movies and it's like, well, when Madea did this,
• 1:19:56
  Speaker 4: I was totally on board. But when Madea did that... No,
• 1:20:00
  Speaker 4: that was bullshit.
• 1:20:02
  Speaker 1: So are you saying that Tyler Perry is the black
• 1:20:05
  Speaker 1: Wes Anderson? I don't know. That's where I thought you
• 1:20:10
  Speaker 1: were going. That's where I thought that's where you were going.
• 1:20:12
  Speaker 1: He's going, what?
• 1:20:13
  Speaker 10: So Medea goes to jail is the black royal tenenbaum.
• 1:20:17
  Speaker 6: Exactly.
• 1:20:21
  Speaker 8: That's what I'm saying.
• 1:20:23
  Speaker 11: But I don't know.
• 1:20:24
  Speaker 4: I like all Wes Anderson movies, but they're all kind
• 1:20:28
  Speaker 4: of The same movie.
• 1:20:30
  Speaker 5: Cool.
• 1:20:31
  Speaker 4: They're on the cold side. They're a little bit, you know, calculated,
• 1:20:36
  Speaker 4: and that's great. And, you know, I watched Moonrise Kingdom,
• 1:20:42
  Speaker 4: and I loved it, but I'm almost so amused I
• 1:20:45
  Speaker 4: can't care what happens. It's so amusing. It's just, and
• 1:20:50
  Speaker 4: then there's the house porn. You know, the whole house
• 1:20:54
  Speaker 4: porn element. I could just stare at the houses. Get
• 1:20:57
  Speaker 4: those fucking people.
• 1:20:58
  Speaker 11: Out of the way.
• 1:20:58
  Speaker 1: I don't care about them.
• 1:21:01
  Speaker 4: And the story is delightful, but it doesn't grip you
• 1:21:07
  Speaker 4: like other movies might. Because they're his little chess pieces.
• 1:21:13
  Speaker 4: He's moving them around, and it's fun. But it's kind
• 1:21:17
  Speaker 4: of like the greatest... like little magnetic puppet theater you've
• 1:21:21
  Speaker 4: ever seen.
• 1:21:22
  Speaker 1: Well, the perfect movie for him is Fantastic Mr.
• 1:21:24
  Speaker 6: Fox.
• 1:21:25
  Speaker 1: Yeah, literally.
• 1:21:26
  Speaker 8: Great movie. That's exactly what he got to.
• 1:21:28
  Speaker 1: Do, finally.
• 1:21:29
  Speaker 4: Yeah, but you know, you can't deny that like his,
• 1:21:33
  Speaker 4: like Bottle Rocket, that kind of kills you, doesn't it?
• 1:21:39
  Speaker 4: It kind of kills you.
• 1:21:41
  Speaker 8: It's a good story.
• 1:21:43
  Speaker 4: It's just the way he does it is so cool
• 1:21:46
  Speaker 4: and so distant and I don't know. Everybody rags on
• 1:21:52
  Speaker 4: Life Aquatic. But man, I grew up watching Jacques Cousteau.
• 1:21:58
  Speaker 4: Jacques Cousteau was my introduction to moral relativity because I
• 1:22:03
  Speaker 4: thought it was Jacques who stole as a child when
• 1:22:08
  Speaker 4: I was like three or four. And I'm like, well,
• 1:22:11
  Speaker 4: I guess he was a criminal. But now he's made
• 1:22:14
  Speaker 4: a life for himself on the open seas. And people
• 1:22:18
  Speaker 4: seem okay with it. And I figured he was like
• 1:22:21
  Speaker 4: a pirate or something. And he was always looking for treasure.
• 1:22:25
  Speaker 4: He was Jacques Cousteau. And he's marked for life. You know,
• 1:22:29
  Speaker 4: it's like branded.
• 1:22:30
  Speaker 11: Yeah.
• 1:22:32
  Speaker 8: What do you do when you're branded?
• 1:22:34
  Speaker 1: Join the Navy?
• 1:22:35
  Speaker 4: Yeah. He was innocent. Not a charge was true. But
• 1:22:42
  Speaker 4: that's what I thought Jacques Cousteau was. And then I
• 1:22:44
  Speaker 4: watched this movie, and I don't know, everybody hates it,
• 1:22:47
  Speaker 4: but I think it's so funny. When he says, like,
• 1:22:49
  Speaker 4: what would be, when they ask him what would be
• 1:22:51
  Speaker 4: the point of the, he's like, revenge.
• 1:22:56
  Speaker 8: Come on, that's not funny.
• 1:22:57
  Speaker 1: Are you kidding me?
• 1:22:59
  Speaker 8: How is that not funny? That's funny. I don't know. Anyway,
• 1:23:04
  Speaker 8: I like all of.
• 1:23:05
  Speaker 4: Them a little bit. You can pick and choose among
• 1:23:08
  Speaker 4: them all you want. But they're all Wes Anderson movies
• 1:23:12
  Speaker 4: to me.
• 1:23:13
  Speaker 1: Has there been a Wes Anderson movie that's been nominated
• 1:23:15
  Speaker 1: for Best Picture?
• 1:23:17
  Speaker 11: Has there? No. No, never happened.
• 1:23:21
  Speaker 10: You know, I'm surprised they didn't do it with Moonrise
• 1:23:23
  Speaker 10: Kingdom this year.
• 1:23:24
  Speaker 1: It seemed like if there ever was going to be
• 1:23:27
  Speaker 1: a Wes Anderson movie nominated for Best Picture, it would
• 1:23:30
  Speaker 1: have been this one.
• 1:23:32
  Speaker 4: And so Norman Rockwell. But every scene in it has
• 1:23:37
  Speaker 4: some little gesture that reminds you how good a filmmaker
• 1:23:40
  Speaker 4: he is. He just can't stop himself from telling you,
• 1:23:44
  Speaker 4: I am a fucking good filmmaker. And that's not good.
• 1:23:48
  Speaker 4: That's not really a great thing to have in a movie.
• 1:23:52
  Speaker 4: As a filmmaker, he keeps poking you like he's on Facebook.
• 1:23:56
  Speaker 4: Remember what a great fucking filmmaker I am? He can't
• 1:24:00
  Speaker 4: get through a single continuous shot. Without going, look at that.
• 1:24:05
  Speaker 6: Wasn't that cool?
• 1:24:10
  Speaker 3: You could argue that about Tarantino. But he's also right.
• 1:24:13
  Speaker 3: But Tarantino's a little bit more like, what's his name?
• 1:24:18
  Speaker 3: John Malkovich. Because you watch John Malkovich as an actor,
• 1:24:21
  Speaker 3: and you can tell he's good, and you can tell.
• 1:24:24
  Speaker 8: He knows he's good.
• 1:24:26
  Speaker 4: But somehow it doesn't break you out of, it doesn't
• 1:24:29
  Speaker 4: ruin it.
• 1:24:29
  Speaker 10: I was going to say, when it comes to Tarantino,
• 1:24:32
  Speaker 10: it feels more like self-parody.
• 1:24:34
  Speaker 4: Than it does with.
• 1:24:35
  Speaker 8: It's like he can.
• 1:24:36
  Speaker 4: Be a show-off and be vulnerable at the same time.
• 1:24:39
  Speaker 28: Yeah.
• 1:24:40
  Speaker 4: Kind of like when Tina Fey makes fun of somebody.
• 1:24:43
  Speaker 4: She's like, I'm making fun of somebody. I'm going out
• 1:24:47
  Speaker 4: on a limb here. And so you give it to her.
• 1:24:50
  Speaker 4: Whereas other people are just being bitchy and you go,
• 1:24:52
  Speaker 4: I'm not giving that to you. You're not asking me.
• 1:24:57
  Speaker 4: And here's the thing about Les Mis. I haven't seen
• 1:25:00
  Speaker 4: the movie, but I'm going to condemn it to hellfire anyway.
• 1:25:04
  Speaker 8: I have not seen it.
• 1:25:05
  Speaker 4: I've seen the stage play, but the story fucking twists
• 1:25:09
  Speaker 4: your arm to care about the characters. Guy stole bread
• 1:25:13
  Speaker 4: and he went into jail for 19 years.
• 1:25:18
  Speaker 8: I give. Uncle.
• 1:25:20
  Speaker 6: Whatever.
• 1:25:20
  Speaker 8: I don't know.
• 1:25:21
  Speaker 4: It's like it's not going to just let you care
• 1:25:24
  Speaker 4: on your own merit. It's going to say, no, goddammit,
• 1:25:27
  Speaker 4: you have to care. Goddammit, we're going to keep piling
• 1:25:30
  Speaker 4: this on. You cannot walk out of this theater without
• 1:25:34
  Speaker 4: caring about this motherfucking shit. And then I start to rebel.
• 1:25:39
  Speaker 4: Then I start to go, well, now I don't care.
• 1:25:43
  Speaker 4: And then he goes to, like, who's the guy who's
• 1:25:45
  Speaker 4: going to steal the silver? And the guy says, oh,
• 1:25:47
  Speaker 4: we'll take this too. And I know how that is,
• 1:25:49
  Speaker 4: because you hate to break up a set. Like, somebody
• 1:25:55
  Speaker 4: stole a power drill off my back porch. And I'm like, dude,
• 1:26:01
  Speaker 4: the thing has a charger and a battery. You've got
• 1:26:04
  Speaker 4: a very clumsy screwdriver.
• 1:26:07
  Speaker 12: And you left me.
• 1:26:08
  Speaker 8: No address to forward the shit you need. I don't know.
• 1:26:14
  Speaker 4: I don't know about Les Miserables. I just don't see
• 1:26:17
  Speaker 4: myself seeing it in a big hurry. And that's kind
• 1:26:21
  Speaker 4: of how I felt about people on this show have
• 1:26:24
  Speaker 4: debated Perks of Being a Wallflower. But I kind of
• 1:26:29
  Speaker 4: feel like Perks of Being a Wallflower is not a
• 1:26:31
  Speaker 4: very honest movie. It's not very honest. It's not coming clean.
• 1:26:36
  Speaker 4: It's like, oh, you feel bad for the guy about
• 1:26:39
  Speaker 4: his aunt because she died. And right when you're getting
• 1:26:43
  Speaker 4: over that, oh, and she abused him. So there's that too.
• 1:26:48
  Speaker 4: And then he's writing a letter to who?
• 1:26:51
  Speaker 8: Who the fuck is he writing to? You don't know.
• 1:26:53
  Speaker 4: They don't care.
• 1:26:54
  Speaker 8: It's a device.
• 1:26:55
  Speaker 1: He's writing a letter to you. Exactly.
• 1:26:58
  Speaker 4: He's narrating it to us, but it's not us. He's
• 1:27:03
  Speaker 4: going to use a misdirection. Instead of just narrating the
• 1:27:07
  Speaker 4: story to us, the viewer, it's like, no, no, I'm
• 1:27:11
  Speaker 4: narrating it to some other person who goes to a
• 1:27:15
  Speaker 4: different school. You don't know them. But in a way,
• 1:27:19
  Speaker 4: it's kind of bullshit, but it's also kind of the
• 1:27:21
  Speaker 4: mark of authenticity, because damaged people, like sincerely damaged people,
• 1:27:27
  Speaker 4: do shit like that. But it doesn't really capture, like,
• 1:27:32
  Speaker 4: when the girl he's obsessed with is going upstairs with
• 1:27:36
  Speaker 4: another guy, it doesn't capture how fucking awful that really is.
• 1:27:41
  Speaker 4: It just doesn't begin to even know And many other
• 1:27:47
  Speaker 4: things do. Like, my so-called life is so much better
• 1:27:50
  Speaker 4: at the agony of being in high school than Perks
• 1:27:54
  Speaker 4: of Being a Wallflower is. Perks of Being a Wallflower
• 1:27:57
  Speaker 4: is kind of like, yeah, it's bad, but look.
• 1:28:00
  Speaker 8: Everything's cool.
• 1:28:02
  Speaker 4: Nothing is cool about my so-called life. Yeah, and people
• 1:28:04
  Speaker 4: love you. Everybody loves you.
• 1:28:07
  Speaker 1: All of a sudden. I don't know. There's something about
• 1:28:12
  Speaker 1: it that.
• 1:28:12
  Speaker 8: Don't add up.
• 1:28:12
  Speaker 1: It was kind of really weird how, like, shoehorn like
• 1:28:16
  Speaker 1: how like their whole basically his initiation into like you
• 1:28:19
  Speaker 1: know becoming their friends like they were just like oh
• 1:28:22
  Speaker 1: we'll take him to this party they weren't really hanging
• 1:28:23
  Speaker 1: out with him but he's like my best friend killed
• 1:28:26
  Speaker 1: him killed themselves and they're and she's just like he
• 1:28:29
  Speaker 1: just told me his best friend's killed himself that's fucked
• 1:28:31
  Speaker 1: up no like we gotta be his friend now and
• 1:28:33
  Speaker 1: now like that's like that's like the turning point like
• 1:28:35
  Speaker 1: oh shit like okay that's what it takes and then
• 1:28:39
  Speaker 1: like yeah like you said the rest of the movie
• 1:28:40
  Speaker 1: is like really happy and cheerful and then all of
• 1:28:43
  Speaker 1: a sudden there's this like weird twist with his aunt
• 1:28:46
  Speaker 1: which I didn't even know there was an aunt my.
• 1:28:49
  Speaker 4: Wife read the book and she's watching the movie we
• 1:28:51
  Speaker 4: get to the end and I'm like wait I'm getting
• 1:28:53
  Speaker 4: a weird vibe here did she molest him and my
• 1:28:56
  Speaker 4: wife is like I don't know You read the book,
• 1:28:59
  Speaker 4: wouldn't you? No, it didn't stand out, really.
• 1:29:02
  Speaker 1: Even the scenes foreshadowed where it's flashing back to where
• 1:29:05
  Speaker 1: he's a kid. I didn't even know those were flashbacks.
• 1:29:07
  Speaker 1: I thought they were just really bad disjointed scenes of
• 1:29:12
  Speaker 1: his siblings or something. He had a younger brother. I
• 1:29:14
  Speaker 1: was like, oh, that was him? I thought that was
• 1:29:18
  Speaker 1: just a misplaced... It was weird.
• 1:29:20
  Speaker 11: I don't know.
• 1:29:21
  Speaker 4: It was odd, but it was a good movie in
• 1:29:22
  Speaker 4: its way. In some ways, I think it's for real,
• 1:29:26
  Speaker 4: but it's kind of fucked up at the same time.
• 1:29:29
  Speaker 4: And I feel really bad because I voted for Emma
• 1:29:32
  Speaker 4: Watson as hottest actress and I watched the movie and
• 1:29:34
  Speaker 4: I was like, she's 12! She's fucking 12 in this movie.
• 1:29:38
  Speaker 1: And that's what you like. Yeah, right.
• 1:29:41
  Speaker 15: Well, we're not that far yet.
• 1:29:44
  Speaker 8: Right. We're still at CGI now.
• 1:29:48
  Speaker 9: We're at the most obnoxious use of CGI in a
• 1:29:52
  Speaker 9: 2012 film. And I believe the person who sent this
• 1:29:55
  Speaker 9: in specifically worded.
• 1:29:56
  Speaker 28: It as.
• 1:29:58
  Speaker 8: Twilight, Breaking Dawn part, who gives a fuck?
• 1:30:01
  Speaker 14: Yeah.
• 1:30:03
  Speaker 1: And the specific was digital baby face.
• 1:30:06
  Speaker 4: Oh, God.
• 1:30:07
  Speaker 9: Yep.
• 1:30:09
  Speaker 1: Digital baby face. I think that's okay.
• 1:30:11
  Speaker 4: You've got the cutest little digital baby face.
• 1:30:18
  Speaker 8: Oh, I do think this needs to be in more
• 1:30:19
  Speaker 8: shows because there's something about having a good villain in
• 1:30:22
  Speaker 8: your movie. So the best villain of a 2012 film.
• 1:30:26
  Speaker 4: My vote is not Javier Bardem.
• 1:30:29
  Speaker 1: Well, you sort of didn't win.
• 1:30:32
  Speaker 14: Oh.
• 1:30:33
  Speaker 1: It's actually a tie. He's one of the two.
• 1:30:35
  Speaker 8: I think it's between him and Calvin Candy.
• 1:30:40
  Speaker 1: Both of which, I don't know, I.
• 1:30:41
  Speaker 4: Still, again. I think I voted for Calvin Candy without
• 1:30:45
  Speaker 4: seeing the movie.
• 1:30:45
  Speaker 1: Stephen didn't count?
• 1:30:48
  Speaker 8: Samuel L.
• 1:30:48
  Speaker 1: Jackson.
• 1:30:50
  Speaker 8: Is he not more evil than Calvin Candy?
• 1:30:52
  Speaker 4: I'd say he's more evil than Calvin Candy.
• 1:30:54
  Speaker 1: Nobody. Nobody with Steven. He got mentioned a couple other times,
• 1:30:59
  Speaker 1: but not that one. I hated him more than Candy.
• 1:31:05
  Speaker 9: Yeah, because he seems like, if anybody, Candy has deluded himself.
• 1:31:10
  Speaker 12: Yeah, he's a little bit clueless. He's stupid.
• 1:31:12
  Speaker 8: Yeah, whereas Steven knows better.
• 1:31:15
  Speaker 4: If anything, you almost feel like he's manipulating Candy to
• 1:31:18
  Speaker 4: an extent.
• 1:31:18
  Speaker 1: Yeah, definitely.
• 1:31:19
  Speaker 8: By the end of it, you realize he is.
• 1:31:21
  Speaker 4: I just voted against Bardem because he didn't do the
• 1:31:24
  Speaker 4: cool stuff you see a villain do. And he was
• 1:31:28
  Speaker 4: trying to be like a Joker-like, larger-than-life villain, and it
• 1:31:32
  Speaker 4: just didn't add up. All he did was like, shoot
• 1:31:37
  Speaker 4: a woman in the head. William Burroughs did that to
• 1:31:41
  Speaker 4: his wife.
• 1:31:42
  Speaker 8: That's nothing.
• 1:31:47
  Speaker 4: That's like when you find out what the initiation is
• 1:31:51
  Speaker 4: for being in the Hells Angels.
• 1:31:53
  Speaker 11: It's like, you pussies.
• 1:31:55
  Speaker 8: I've done that.
• 1:31:56
  Speaker 4: I never thought twice about it.
• 1:32:00
  Speaker 1: Oh, okay.
• 1:32:00
  Speaker 8: From villain to monsters. Once again, monsters.
• 1:32:03
  Speaker 1: Kristen Stewart.
• 1:32:05
  Speaker 8: So the best monster, and that was my favorite, is
• 1:32:07
  Speaker 8: that someone nominated Kristen Stewart as best monster.
• 1:32:12
  Speaker 1: Didn't win, but that was probably my favorite. Definitely in
• 1:32:14
  Speaker 1: that category, that was my favorite nomination. Oddly enough, Merman
• 1:32:18
  Speaker 1: from Cabin in the Woods.
• 1:32:19
  Speaker 10: Huh.
• 1:32:20
  Speaker 11: Yeah.
• 1:32:20
  Speaker 1: That was cool. Everybody liked that one.
• 1:32:23
  Speaker 4: That was cool.
• 1:32:23
  Speaker 1: Monster moment.
• 1:32:24
  Speaker 12: Everybody liked that one.
• 1:32:27
  Speaker 11: Oh, let's see.
• 1:32:28
  Speaker 13: Ooh.
• 1:32:28
  Speaker 9: Round out this half here with the one that I
• 1:32:31
  Speaker 9: think is a little too trendy.
• 1:32:33
  Speaker 1: It's not my doing, people.
• 1:32:36
  Speaker 8: I only asked for you guys to come up with
• 1:32:38
  Speaker 8: one official new category.
• 1:32:39
  Speaker 4: I think it was really Brian's doing.
• 1:32:41
  Speaker 1: I think it was Alan.
• 1:32:43
  Speaker 8: I think it was.
• 1:32:44
  Speaker 12: He's not here.
• 1:32:44
  Speaker 1: Let's blame Alan.
• 1:32:45
  Speaker 4: Alan. Alan.
• 1:32:47
  Speaker 8: I do like the wording, though.
• 1:32:48
  Speaker 11: But really, Brian.
• 1:32:49
  Speaker 8: Best supporting mustache in 2012. Oh, yeah.
• 1:32:53
  Speaker 12: So, I don't know.
• 1:32:54
  Speaker 8: I mean, and actually, it seems to me the people voted.
• 1:32:57
  Speaker 4: Did Burt Reynolds' Lifetime Achievement. No, that's either that or
• 1:33:01
  Speaker 4: Adam West and Hooper. This is going.
• 1:33:04
  Speaker 8: To make the hipsters that live a couple doors down
• 1:33:06
  Speaker 8: from you happy.
• 1:33:07
  Speaker 4: I'm sorry, the douchebags.
• 1:33:09
  Speaker 8: The douchebags, yeah.
• 1:33:10
  Speaker 9: But obviously the people at home don't care either because,
• 1:33:13
  Speaker 9: once again, it tied and half of the votes went to.
• 1:33:15
  Speaker 1: I have mustache blindness.
• 1:33:17
  Speaker 8: So, that's my vote too, really.
• 1:33:20
  Speaker 1: But I think we need to retire this one already.
• 1:33:22
  Speaker 9: The other tie half here was Zach Galifianakis in the campaign.
• 1:33:28
  Speaker 9: I think just because that's the way he always looks, really.
• 1:33:30
  Speaker 1: He's just sort of always like that.
• 1:33:32
  Speaker 4: With this kind of cast, the show was bound to
• 1:33:36
  Speaker 4: come off with or without a director. But I thank
• 1:33:40
  Speaker 4: all of you for letting me take the credit.
• 1:33:47
  Speaker 2: All right, kids.
• 1:33:48
  Speaker 9: At this point, we're going to take a break. I
• 1:33:50
  Speaker 9: know I'm exhausted. We could all use a break from
• 1:33:52
  Speaker 9: the party in about a week's worth of break.
• 1:33:55
  Speaker 8: But we will be back next.
• 1:33:56
  Speaker 9: Week, and we'll be bringing you something different. We'll leave
• 1:34:00
  Speaker 9: a little bit of the ceremony situation behind and just
• 1:34:03
  Speaker 9: talk about a movie. What Oscar-caliber movie will we talk about,
• 1:34:07
  Speaker 9: you ask?
• 1:34:10
  Speaker 8: Okay, kids, get out your decoder pins.
• 1:34:12
  Speaker 1: Dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun.
• 1:34:15
  Speaker 7: You can tell that tonight's message was really important.
• 1:34:18
  Speaker 9: It's time for the Secret Circle reveal of the next
• 1:34:20
  Speaker 9: exciting feature. Next week, we will be back to talk
• 1:34:23
  Speaker 9: about the Oscar-winning film, Hooper. Okay, maybe it's not Oscar-winning,
• 1:34:29
  Speaker 9: but it is Oscar-related. Because when you think about classy
• 1:34:33
  Speaker 9: Oscar films, you think about a 70s-era Burt Reynolds. But
• 1:34:39
  Speaker 9: we'll get into that next week. Along with the rest
• 1:34:41
  Speaker 9: of the results of the Meltdown Awards, which the second half,
• 1:34:44
  Speaker 9: we even get into some specific movie Meltdown-related topics. And personally,
• 1:34:48
  Speaker 9: I found the responses we got from you very interesting.
• 1:34:51
  Speaker 9: So we'll get into that next week as well. So
• 1:34:54
  Speaker 9: you'll hear all that and more in the next exciting
• 1:34:56
  Speaker 9: episode of Movie Meltdown.
• 1:35:01
  Speaker 19: This is the.
• 1:35:04
  Speaker 1: End Hold your breath and.
• 1:35:08
  Speaker 30: Count to ten Feel the earth move Then, here my heart.
• 1:35:21
  Speaker 3: Hurts again For this is the end.
• 1:35:28
  Speaker 1: I've drowned and drifted some old men.
• 1:35:37
  Speaker 5: So overdue I owe them.
• 1:35:44
  Speaker 14: Sweat the way I'm.
• 1:35:46
  Speaker 4: Stolen Let the sky.
• 1:35:52
  Speaker 19: Fall When it crumbles.
• 1:35:58
  Speaker 10: We will stand tall And face it all together Let.
• 1:36:04
  Speaker 19: The sky fall When it comes down, we won't stand down.
• 1:36:13
  Speaker 5: We'll face it all together at Skyfall. At Skyfall.
• 1:36:24
  Speaker 1: At Skyfall.
• 1:36:35
  Speaker 26: Skyfall is where we start. A thousand miles in poles apart.
• 1:36:47
  Speaker 26: Where worlds collide and days are dark.
• 1:36:51
  Speaker 1: You may have my number. You can take my name.
• 1:36:54
  Speaker 26: But you will never take my heart.
• 1:37:00
  Speaker 1: When the sky falls.
• 1:37:03
  Speaker 19: When it crumbles, we will stand tall and face it
• 1:37:10
  Speaker 19: all together.
• 1:37:15
  Speaker 1: Where you go, I go. What you see, I see.
• 1:37:21
  Speaker 5: I know I'd never be me without.
• 1:37:25
  Speaker 30: The security of your loving arms keeping me from falling.
• 1:37:43
  Speaker 5: When it crumbles We will stand tall.
• 1:37:50
  Speaker 15: And face it all.
• 1:37:52
  Speaker 19: Together let the sky fall When.
• 1:37:56
  Speaker 26: It crumbles We will stand tall.
• 1:38:18
  Speaker 5: Let the sky fall.
• 1:38:30
  Speaker 6: We'll see you next time.
• 1:39:17
  Speaker 1: This is definitely a fan-made one. It's like handcuffs. People
• 1:39:23
  Speaker 1: listening can totally, you know, they know what I'm talking about.
• 1:39:27
  Speaker 1: Picture it with your mind. Just imagine all these posters
• 1:39:32
  Speaker 1: I'm looking at on Google Images. Just Google it.
• 1:39:38
  Speaker 8: Google some more stuff.
• 1:39:41
  Speaker 2: This episode is a production of Movie Meltdown, produced and
• 1:39:44
  Speaker 2: edited by The Oddity Studios. with opening music performed by
• 1:39:47
  Speaker 2: the Empires. For more on how to sponsor or support
• 1:39:50
  Speaker 2: the show, email producer at moviemeltdown.com.
• 1:39:53
  Speaker 18: Talk hard!