Latest / Children of the 80s / Top Ten Summer Songs of 1981
Transcript
- 0:00Speaker 1: Children of the Eighties is brought to you by Q
- 0:02Speaker 1: one O six point five Internet Radio. You can find
- 0:06Speaker 1: it online at Q one o six five dot com
- 0:09Speaker 1: or download the app.
- 0:30Speaker 2: Welcome back to Children of the Eighties. I am one
- 0:32Speaker 2: of your hosts, Jim, and I am joined as always
- 0:36Speaker 2: by the lady who was friends with Elvira and once
- 0:40Speaker 2: dated the boy from New York City. It's my co
- 0:43Speaker 2: host Lindsay.
- 0:45Speaker 1: Oh, you never failed me. Never, you never do, never disappoint.
- 0:51Speaker 2: That was a good well. I'm glad that I never disappointed,
- 0:54Speaker 2: because I've disappointed a whole lot of people a whole
- 0:56Speaker 2: lot of times in my life.
- 0:58Speaker 1: So when I was growing up and the Oakridge Boys
- 1:02Speaker 1: did the song Elvira, right, I thought their song was
- 1:06Speaker 1: about the Elvira that I would see sometimes on TV. Right,
- 1:11Speaker 1: I did too, And I don't think it is.
- 1:14Speaker 2: It's not.
- 1:15Speaker 1: Yeah, But I mean, would you blame them if they
- 1:19Speaker 1: did write a song about her?
- 1:20Speaker 2: No? But they actually didn't write the song. It's actually
- 1:23Speaker 2: a cover, yes, from something back in like the sixties,
- 1:27Speaker 2: which was pre Elvira.
- 1:29Speaker 1: Would you blame them for covering a song on Elvira
- 1:33Speaker 1: if it was about that Elvira?
- 1:35Speaker 3: No?
- 1:35Speaker 2: But if it was about Elvira, they could have left
- 1:37Speaker 2: the song the same, but instead of naming it Elvira,
- 1:41Speaker 2: they could have named it Mistress of the Dark.
- 1:46Speaker 1: Elvira was just one of those characters the eighties brought us.
- 1:50Speaker 2: I know, I was thinking about that the other day.
- 1:52Speaker 2: We had lots of just like characters in the eighties
- 1:55Speaker 2: that we knew that were famous. Essentially, they were the
- 1:59Speaker 2: pre kardash.
- 2:00Speaker 1: That we didn't know why they were famous exactly.
- 2:02Speaker 2: They were famous for whatever reason.
- 2:05Speaker 1: Larry bud Melman, Yes, I bring him up every opportunity.
- 2:09Speaker 2: I guess you do. So you've got Elvira, you've got
- 2:13Speaker 2: Leon Redbone. Not that he I mean he was, I
- 2:15Speaker 2: mean he was. He was a singer. Yeah, he was
- 2:16Speaker 2: a musician, but he just had that look. He hadn't
- 2:19Speaker 2: look like nobody else had in the a And so
- 2:22Speaker 2: it's just like all these things that you see as
- 2:24Speaker 2: a child, Like why did we know who Robert Goulay was?
- 2:27Speaker 3: Oh?
- 2:27Speaker 1: I know, I know, well I knew Robert Goulay because
- 2:31Speaker 1: the ladies on the Golden Girls talked about him.
- 2:34Speaker 2: Yes, But all I'm saying is they must have been
- 2:38Speaker 2: famous in the past and then still somehow kind of
- 2:41Speaker 2: stuck around into the eighties. But us young kids didn't
- 2:44Speaker 2: know why they were famous.
- 2:45Speaker 1: Max Headroom.
- 2:46Speaker 2: Yes, all the guys in the Miller Like commercials, right,
- 2:51Speaker 2: you know, they were all made famous. They were all
- 2:53Speaker 2: sports guys or whatever, and they were all made famous
- 2:55Speaker 2: because of those Miller Like commercials.
- 2:57Speaker 1: And there's so many references. Well, I mean every generation,
- 3:01Speaker 1: I guess has those references. But when you just said
- 3:04Speaker 1: the sports guys, that made me think about Joe Namath
- 3:07Speaker 1: and his fur coat. Yes, this younger generation, they have
- 3:10Speaker 1: no clue what we're talking about.
- 3:12Speaker 2: Joe was on Fantasy Island. Uh, he was on the
- 3:15Speaker 2: Brady Bunch yep. So yeah, sports guys got into Hollywood
- 3:21Speaker 2: and Hansy Joe Hansy, Joe Well Fred Dryer Hunter.
- 3:25Speaker 1: Yeah.
- 3:25Speaker 2: I played for the Los Angeles Rams. Yes, Merlin Olsen,
- 3:29Speaker 2: father Murphy and from Little House on the Barry right.
- 3:33Speaker 2: He was defensive lineman for the Los Angeles Rams, the
- 3:37Speaker 2: Fearsome Forsome. He was part of the Fearsome Forsome.
- 3:40Speaker 1: Webster's dad.
- 3:41Speaker 2: Yes, Alex Carris again, defensive lineman. Apparently the defensive lineman.
- 3:45Speaker 2: They have the personalities. But in the world what was
- 3:49Speaker 2: OJ a killer in addition to that, a liar, a thief,
- 3:58Speaker 2: a murderer, and a running back running back?
- 4:02Speaker 1: Yeah, So Clive Davis passed away this week, and I'm
- 4:09Speaker 1: I don't remember speaking of oh J. I'm gonna tie
- 4:12Speaker 1: it together. I don't remember in recent years someone passing
- 4:15Speaker 1: away where people were instantly like, he's getting what he
- 4:21Speaker 1: deserves now, And I've just seen so many posts of
- 4:25Speaker 1: people being like glad he's gone, because I was thinking
- 4:30Speaker 1: maybe we should do an episode on some of the
- 4:33Speaker 1: artists that he made famous. But now I'm thinking, well,
- 4:35Speaker 1: maybe not. I mean, and I just feel maybe he
- 4:40Speaker 1: is getting what he deserves. Maybe he's not. I don't know,
- 4:45Speaker 1: but I feel like we're drawing him out of the.
- 4:51Speaker 2: Cesspool of bad people in Hollywood.
- 4:54Speaker 1: Yeah, I feel like there's probably more bad than good.
- 4:58Speaker 1: Why are we gonna just like ostracize him.
- 5:01Speaker 2: I don't know.
- 5:03Speaker 1: But anyways, I know, do you not have an opinion
- 5:05Speaker 1: at all? I do not.
- 5:07Speaker 2: I do not. I heard some things too. I heard
- 5:09Speaker 2: some of the things that you were saying that, yeah.
- 5:12Speaker 1: And I and people backed it up with, you know,
- 5:14Speaker 1: different accusations, and I mean, I don't know, they could
- 5:17Speaker 1: be true. They could not be true. I have no idea.
- 5:20Speaker 1: I'm just saying usually there's just a little bit more
- 5:23Speaker 1: time right before people start saying, glad he's burning alive. Right, No,
- 5:28Speaker 1: he's not alive. Glad he's burning dead.
- 5:32Speaker 2: Him OJ and Osama bin Laden are the only three
- 5:35Speaker 2: people I know that have done that. Yes, we need
- 5:39Speaker 2: a fourth for amount rushmore So, I feel like I've
- 5:45Speaker 2: been waiting years to get this episode out. Two days ago,
- 5:52Speaker 2: we were supposed to do it and you were like, no,
- 5:54Speaker 2: I'm too tired.
- 5:56Speaker 1: Oh oh no, no, no, no, no, no. You asked
- 5:59Speaker 1: me like nine o'clock at night, Hey, ready.
- 6:03Speaker 2: To go record? No, no, no, no.
- 6:05Speaker 1: Everyone knows mama shuts down at eight.
- 6:09Speaker 2: No I am On Sunday, I asked you at like
- 6:13Speaker 2: six o'clock do you want to go?
- 6:14Speaker 1: Oh my gosh, no way. It was not six o'clock
- 6:17Speaker 1: because I was getting ready to go to bed.
- 6:18Speaker 2: No, that was yesterday on Sunday. I asked you at
- 6:22Speaker 2: six o'clock if you wanted to go record, and you're like, no,
- 6:25Speaker 2: I'm too tired. And then yesterday I'm like, and it
- 6:28Speaker 2: wasn't nine o'clock, it was like seven thirty. But I said, hey,
- 6:31Speaker 2: do you want to go record? You're like no, I'm
- 6:33Speaker 2: getting ready to go to bed. And so then I'm like, fine,
- 6:36Speaker 2: come home from work early today. You did not, you came,
- 6:40Speaker 2: you came. No, no, hold on, I'm not done. You
- 6:43Speaker 2: can refute after I'm done. You came home at the
- 6:48Speaker 2: normal time. Then you sat down, which is fine. I
- 6:53Speaker 2: know you need a little bit of you know, some uh,
- 6:56Speaker 2: let's just come down from the work situation for a second.
- 6:59Speaker 2: That's fine. But you were like, hey, you ready to
- 7:01Speaker 2: go record? And I'm like, yeah, I assure him. So
- 7:02Speaker 2: I come running upstairs all excited and I turn on
- 7:07Speaker 2: all my stuff and then all of a sudden, you're
- 7:08Speaker 2: not here, and you're not here, and you're not here.
- 7:10Speaker 2: And then the next thing I know, I hear Emmy
- 7:12Speaker 2: playing the piano, and so I figure you're just down
- 7:15Speaker 2: there helping her with the piano rather than being up here.
- 7:18Speaker 2: And then the next thing I know, you come in
- 7:20Speaker 2: here with a steaming hot cup of coffee. I feel like,
- 7:23Speaker 2: maybe Emmy, while Emmy was playing the piano, you went
- 7:25Speaker 2: to Starbucks or seven brus or something and just disappeared
- 7:29Speaker 2: on me. So I've been up here chomping at the
- 7:31Speaker 2: bit to get this recording complete, and here we are.
- 7:37Speaker 1: So one thing I have noticed, while you have not
- 7:40Speaker 1: been working as much, you don't remember how crazy life
- 7:47Speaker 1: can be.
- 7:47Speaker 2: Sometimes that may be true.
- 7:49Speaker 1: You know, Like, you're right. I didn't purposely put it
- 7:54Speaker 1: off for two and a half days, but you're right.
- 7:58Speaker 1: It has been two and a half days.
- 8:00Speaker 2: So I'm finally ready to record one of my favorite
- 8:04Speaker 2: episodes of the year that we do each year.
- 8:09Speaker 1: So I've been grumpy all day. I've been in a
- 8:11Speaker 1: bad mood, yes, and I'm actually looking forward to this
- 8:17Speaker 1: episode the way I feel like if I'd have had
- 8:20Speaker 1: a great day and I was in a great mood,
- 8:22Speaker 1: I would come on here and be like, well, this
- 8:25Speaker 1: is gonna poop on my day because I hate nineteen
- 8:31Speaker 1: Whatever we're going to be talking about today, I'm not
- 8:33Speaker 1: sure you're ready for me to give it away.
- 8:36Speaker 2: Well, why don't we get moving and then and then
- 8:39Speaker 2: we'll get into it.
- 8:40Speaker 1: Okay, let's do it. This is a podcast that looks
- 8:48Speaker 1: back on the decade of the nineteen eighties. We talk
- 8:51Speaker 1: about things that were important to us as children and
- 8:54Speaker 1: what we look back on with fond memories as adults. Ultimately,
- 8:59Speaker 1: this is a nostalgia podcast.
- 9:02Speaker 2: Yeah, and nothing brings back nostalgia like music. That's very true,
- 9:09Speaker 2: especially music in the summer. US kids in the summer,
- 9:12Speaker 2: we had just a good time listening to music. Whether
- 9:15Speaker 2: we were young, whether we were older and going to
- 9:17Speaker 2: the pool or driving around or whatever, we just had
- 9:20Speaker 2: a good time. And so today we're doing the songs
- 9:23Speaker 2: of the summer of nineteen eighty one. We're gonna do
- 9:25Speaker 2: the top ten, just like we've always done. Last year
- 9:30Speaker 2: we did nineteen eighty seven. The year before when we
- 9:33Speaker 2: started this, we did nineteen eighty nine. So I figured,
- 9:36Speaker 2: let's go back to somewhere earlier in the decade and
- 9:39Speaker 2: tackle that year. So this year it's nineteen eighty one.
- 9:42Speaker 2: Because if we do all the good stuff at first
- 9:45Speaker 2: and then go back and do the bad stuff, nobody's
- 9:46Speaker 2: gonna listen. So we got to keep bouncing back and forth.
- 9:51Speaker 1: Oh, I just can't imagine that nineteen eighty one has
- 9:55Speaker 1: anything good to offer.
- 9:56Speaker 2: Okay, well, I think you're gonna be surprised.
- 9:58Speaker 1: Good, I hope, I am.
- 10:00Speaker 2: All right. So before we get to that, let's do
- 10:02Speaker 2: some clean up items. Okay, you ready?
- 10:03Speaker 4: Uh?
- 10:04Speaker 1: Oh, did you mess up again?
- 10:06Speaker 2: Did I mess up again?
- 10:07Speaker 1: And do you have some something you need to apologize for?
- 10:09Speaker 2: Uh no, but I did want to go over some
- 10:13Speaker 2: feedback and I didn't want to talk about our patreon. So, folks, again,
- 10:18Speaker 2: you can join our patreon for free, but if you
- 10:20Speaker 2: really want the real good stuff, you can join for
- 10:22Speaker 2: as little as five dollars a month. You get bonus episodes.
- 10:25Speaker 2: Right now, we're doing a contest for songs, and then
- 10:31Speaker 2: our Patreon members are going to be included in an
- 10:33Speaker 2: ongoing basis over the next year and a half to
- 10:37Speaker 2: two years as we try to determine the best year
- 10:40Speaker 2: of the nineteen eighties for music. So that is something
- 10:43Speaker 2: exclusive to our paid Patreon members. Just if you want
- 10:46Speaker 2: to be part of that, go on over there. You
- 10:49Speaker 2: can sign up for as little as five dollars a month.
- 10:52Speaker 2: You get bonus stuff. Let's just say that. And we
- 10:54Speaker 2: have outside the podcast, and we do have a lot
- 10:56Speaker 2: of phone We got a good little community over there. Okay,
- 10:59Speaker 2: with that out of the way, I did get an
- 11:02Speaker 2: email from our friends over at the Canadian Movie Crew. Okay,
- 11:07Speaker 2: from Derek. He said, happy birthday to Lindsay. Greetings from
- 11:12Speaker 2: the Great White North obviously because the Canadian movie crew.
- 11:15Speaker 2: Your episode really brought me back to childhood this past week.
- 11:18Speaker 2: I could see the memories as plain as day. And
- 11:21Speaker 2: then he goes on, which was probably dangerous because I
- 11:23Speaker 2: was driving at the time. He said he remembers going
- 11:26Speaker 2: to McDonald's for many birthday parties at a kid, but
- 11:29Speaker 2: at their local McDonald's. In addition to the party hats,
- 11:32Speaker 2: the favors, the cake, and the cigarette smoke, they also
- 11:36Speaker 2: got invited by an employee to go behind the scenes
- 11:39Speaker 2: and they'd learned about how the food was made, taken
- 11:41Speaker 2: on a tour of the restaurant's back rooms, and then
- 11:44Speaker 2: get taken into a room with a TV like on
- 11:47Speaker 2: a stand. You know how you had them in the
- 11:48Speaker 2: classrooms where the teachers would roll them in, Right, So
- 11:51Speaker 2: get taken into a TV on a stand and they'd
- 11:53Speaker 2: get to watch McDonald's shorts. What And he was like,
- 11:57Speaker 2: these aren't the cartoons from the nighteen nineties, right? These
- 12:01Speaker 2: were the live action kind of skits starring all the
- 12:04Speaker 2: characters from McDonald land, Ronald, Grimace, Hamblerger, Birdie and the
- 12:08Speaker 2: Fry Guys and Gles et cetera.
- 12:10Speaker 1: Wow.
- 12:12Speaker 2: But apparently I didn't know this, and we didn't cover
- 12:14Speaker 2: this last week, but there was a lawsuit from Sid
- 12:16Speaker 2: and Marty Croft that caused McDonald's to have to drop
- 12:19Speaker 2: Mayor mccheese and Officer Big Mac, as well as the
- 12:23Speaker 2: Professor and Captain Crook. Yeah. I didn't know that either,
- 12:26Speaker 2: but let me know that. So they weren't in the
- 12:29Speaker 2: live action skit.
- 12:31Speaker 1: Sid and Marty Kroft had like an indoor I don't
- 12:35Speaker 1: even know fun land. That was where the CNN Center
- 12:40Speaker 1: was in Atlanta, And right at the end of my
- 12:44Speaker 1: mom's life, she was like, remember when we went to
- 12:48Speaker 1: whatever it was called, And I'm like, I have no
- 12:51Speaker 1: idea what you're talking about. I've never been there, And
- 12:53Speaker 1: my googled it and it was it was there in
- 12:55Speaker 1: like the food court area at the CNN Center, but
- 12:58Speaker 1: it was Sid and Marty and it had a name
- 13:01Speaker 1: and it was like some weird little like you've gone
- 13:04Speaker 1: on some kind of drug Hayese High and uh, I
- 13:09Speaker 1: guess she wents at some point before I was born.
- 13:12Speaker 1: But yeah, that they were something back in the seventies.
- 13:14Speaker 2: Wow, Okay, Well, anyway, that's what happened to Mayor mccheese
- 13:18Speaker 2: and officer her big Bany.
- 13:19Speaker 1: Wow.
- 13:20Speaker 2: So anyway, thank you Derek for the email. He goes
- 13:24Speaker 2: on and on about how great I am and about
- 13:25Speaker 2: how you you're not as good, but he likes you anyway,
- 13:30Speaker 2: you know, and talks about bowling alleys. Apparently they didn't
- 13:32Speaker 2: have Chuck E Cheese or showbiz in Canada in the eighties.
- 13:34Speaker 1: Well that's thinks. I'm sorry about that.
- 13:37Speaker 2: So sorry about that. We had roller skating parties. They
- 13:39Speaker 2: had ice skating party, so you know, I think that's
- 13:41Speaker 2: about a fifty to fifty trade there that tracks. But yeah,
- 13:45Speaker 2: and then they also had parties at Pizza Hut like
- 13:47Speaker 2: we did as well. So thanks Derek for the email.
- 13:50Speaker 2: We really appreciate it. And uh, folks, go check out
- 13:53Speaker 2: the Canadian Movie Crew if you like movies. They do
- 13:56Speaker 2: a great job over there. All right, did you get
- 13:59Speaker 2: any feedback.
- 14:02Speaker 1: I've been living somewhat in my own little world over
- 14:06Speaker 1: the last week, so I haven't been too present in
- 14:10Speaker 1: podcast land.
- 14:11Speaker 5: I apologize, Okay, fair enough, all right, I got one
- 14:16Speaker 5: more thing before we get on to today's episode.
- 14:26Speaker 6: I know, because I'm middle aged, I have another nominee
- 15:09Speaker 6: for Middle Aged Man Hall of Fame.
- 15:12Speaker 2: Brad.
- 15:12Speaker 1: Is Brad back trying to brand?
- 15:14Speaker 2: Is not back trying again? Yeah? I feel bad for him.
- 15:18Speaker 2: He thinks that you have something against him.
- 15:19Speaker 1: Which is not true. Brad.
- 15:23Speaker 2: All right, So today's nominee is none other than star
- 15:34Speaker 2: of Lethal Weapon mister Roger Murtau, also known as the
- 15:40Speaker 2: actor's name Danny Glover, who even at forty years ago,
- 15:46Speaker 2: was too old for this.
- 15:51Speaker 1: That's a good one.
- 15:52Speaker 2: That is a good one.
- 15:53Speaker 1: Okay. To save us some time, because I know last
- 15:56Speaker 1: episode it took me a really long time to make
- 15:58Speaker 1: up my mind, so I've quickly typed in Danny Glover.
- 16:03Speaker 1: He has not always looked middle aged. Right now, I'm
- 16:07Speaker 1: looking at a picture of him from nineteen fifty seven and.
- 16:10Speaker 2: Nineteen fifty seven.
- 16:12Speaker 1: He looks quite young. Well, I would hope.
- 16:15Speaker 2: So that was seventy years ago. You can't use something
- 16:20Speaker 2: from seventy years ago.
- 16:21Speaker 1: Nineteen fifty seven. I'm sorry, he looks young.
- 16:24Speaker 2: That was seventy years ago.
- 16:26Speaker 1: Okay. I'm looking at a picture of him from nineteen
- 16:29Speaker 1: eighty seven. I don't know how old he would have
- 16:31Speaker 1: been then, but he looks like he's about fifty.
- 16:34Speaker 2: Okay.
- 16:34Speaker 1: Nineteen ninety seven, Okay, it's about fifty five.
- 16:38Speaker 2: So in nineteen eighty seven he played rock Jer Murtal
- 16:42Speaker 2: a fifty he was either fifty or fifty one in
- 16:45Speaker 2: lethal weapon, but he was actually only thirty eight years
- 16:49Speaker 2: old at that point.
- 16:50Speaker 1: What yes, wow.
- 16:54Speaker 2: So I'm not I'm not going to allow you to
- 16:56Speaker 2: go back to the fifties. But you can go back
- 16:57Speaker 2: to the early eighties or the late seventies, maybe even
- 17:00Speaker 2: the mid seventies, but you can't go back to the fifties.
- 17:03Speaker 2: He would have been like he was eleven years old
- 17:05Speaker 2: then in nineteen fifty seven.
- 17:07Speaker 1: So I'm looking at pictures from the late eighties, early nineties.
- 17:11Speaker 1: He definitely looks like a middle aged man then. Now
- 17:15Speaker 1: I'm also looking at a picture of twenty twenty five.
- 17:18Speaker 1: It's very distinguished with his gray hair. He's actually more
- 17:21Speaker 1: handsome now than he was then. I am allowing it.
- 17:33Speaker 3: All.
- 17:34Speaker 1: Our fans really got into that.
- 17:35Speaker 2: They really did congratulates this Danny Glover into the Middle
- 17:39Speaker 2: Aged Man Hall of Fame. And that was submitted to
- 17:42Speaker 2: us by Patreon or Julie.
- 17:43Speaker 1: Oh, Julie.
- 17:45Speaker 2: So he's been too old for this stuff for the
- 17:48Speaker 2: last forty years. So I hear you, and back then
- 17:51Speaker 2: he was thirty nine.
- 17:52Speaker 1: That's crazy.
- 17:56Speaker 2: With that being said, if you don't have anything, let's
- 18:01Speaker 2: get to the meat of the show.
- 18:06Speaker 1: I'm ready. Let's do it, all right.
- 18:17Speaker 2: So, as I mentioned, we've done this the past two years,
- 18:20Speaker 2: and we're doing it again this year for nineteen eighty one.
- 18:23Speaker 2: And just to quickly go over it, I loved Casey
- 18:27Speaker 2: Casem back in the day. I like the end of
- 18:29Speaker 2: the year countdown stuff. I love statistics. I like to
- 18:32Speaker 2: compare stuff. I like to come up with formulas to
- 18:35Speaker 2: separate things. And so what I've done here is look
- 18:38Speaker 2: at the last couple of years, I've looked at the
- 18:40Speaker 2: Billboard Hot one hundred. This year, I just looked at
- 18:43Speaker 2: the top forty because Billboard went and just like everybody else,
- 18:47Speaker 2: got greedy and put it behind a paywall. But I
- 18:49Speaker 2: found something else. It gives me the top forty, and honestly,
- 18:53Speaker 2: top one hundred doesn't really matter anyway. So I made
- 18:56Speaker 2: a list of each song that hit the top forty
- 18:58Speaker 2: for each week, and then each song got points based
- 19:01Speaker 2: on their ranking that week. For instance, if a song
- 19:05Speaker 2: was number one, they got forty points, if they were
- 19:07Speaker 2: number two, they got thirty nine, if they fell to
- 19:10Speaker 2: number ten, they got thirty one. If they fell all
- 19:12Speaker 2: the way to forty, they got one point.
- 19:14Speaker 1: Okay, so I got it.
- 19:15Speaker 2: I then added up all the points for all the
- 19:18Speaker 2: weeks that they were in the countdown from Memorial Day
- 19:20Speaker 2: to Labor Day. And the part that's really fun is seeing,
- 19:24Speaker 2: you know, as you add a new song, seeing if
- 19:26Speaker 2: it's going to reach the top ten or take over
- 19:29Speaker 2: the top. So when you think of the summer of
- 19:32Speaker 2: nineteen eighty one, what comes to mind the fact that
- 19:35Speaker 2: you were.
- 19:35Speaker 1: Too Yeah, that I was really really.
- 19:38Speaker 2: Little, all right, So I think you'll be surprised when
- 19:42Speaker 2: you see this list.
- 19:42Speaker 1: Okay, I hope it's better than what I'm picturing.
- 19:45Speaker 2: All right. So there were fifteen weeks from Memorial Day,
- 19:48Speaker 2: counting Memorial Day and Labor Day weekend. That means there
- 19:51Speaker 2: are fifteen number one songs or fifteen weeks of number
- 19:54Speaker 2: one songs. How many different songs do you think hit
- 19:56Speaker 2: number one over those fifteen weeks hit number one?
- 20:01Speaker 1: Eight?
- 20:09Speaker 2: There were actually only five different songs that hit number one,
- 20:14Speaker 2: and one of those number ones didn't finish in our
- 20:17Speaker 2: top ten songs of the summer. And I can't tell
- 20:20Speaker 2: you how thankful I am for that because it is
- 20:23Speaker 2: that piece of crap endless love by Lionel Richey and
- 20:27Speaker 2: Diana rust.
- 20:27Speaker 1: I love that song.
- 20:29Speaker 2: So that song, I believe, for the last four weeks
- 20:33Speaker 2: was number one, but it didn't enter the charts until
- 20:35Speaker 2: like late July, so it didn't gain enough points to
- 20:40Speaker 2: finish in our top ten. So here we go. We're
- 20:46Speaker 2: gonna talk about the top twenty. We'll go from twenty
- 20:49Speaker 2: to eleven, just kind of mentioning them and see what
- 20:53Speaker 2: you know about them and what you don't know about them,
- 20:55Speaker 2: and what I know about them, what I don't know
- 20:56Speaker 2: about them. But then when we get to the top ten,
- 20:58Speaker 2: that's when we really get into the meat of stuff. Right,
- 21:00Speaker 2: I'm ready, all right? Our number twenty song is Lady Parentheses,
- 21:04Speaker 2: You Bring Me Up by the Commodoors. This ended up
- 21:08Speaker 2: with two hundred and eleven points. It did not end
- 21:10Speaker 2: there top forty until July eleventh, and it was in
- 21:13Speaker 2: the top ten and climbing the last three weeks of
- 21:17Speaker 2: the summer. Okay, do you recognize that song?
- 21:20Speaker 1: Yes?
- 21:21Speaker 2: Okay, all right, you'd give us number nineteen.
- 21:24Speaker 1: The next one, number nineteen, This little girl Gary Us
- 21:29Speaker 1: Bonds what kind of name is that?
- 21:32Speaker 7: Uh?
- 21:34Speaker 2: Two hundred and thirty six points. This song got okay,
- 21:38Speaker 2: it never hit the top ten all summer.
- 21:40Speaker 1: I know I'm not comfortable with the little girl part.
- 21:43Speaker 2: Well I was going to get to that. So it's
- 21:45Speaker 2: creepy with little girl in it? But what was it
- 21:50Speaker 2: about little girls in the eighties that come?
- 21:52Speaker 3: Yes?
- 21:53Speaker 2: So this won't surprise you. This song was actually written
- 21:55Speaker 2: by Bruce Springsteen, who is the creep of all creeps.
- 21:59Speaker 2: Because if you were remember at the beginning of I'm
- 22:02Speaker 2: on Fire, he little girl as you got a home
- 22:05Speaker 2: goog oh?
- 22:14Speaker 1: Yeah? Can we just stop being creepy with little girl?
- 22:16Speaker 2: Yes? Can we please?
- 22:18Speaker 1: Now that I've got a twelve year old.
- 22:19Speaker 2: Yes, I'm gonna go punch Gary Us minds and Bruce
- 22:22Speaker 2: Springsteen favracy.
- 22:23Speaker 1: It's so Gary Us bonds like I'm struggling. Is that
- 22:28Speaker 1: a band? Is that a person? Is that a stage name?
- 22:31Speaker 2: But it's a creep all right? Number eighteen your favorite
- 22:37Speaker 2: artist Ronnie millsap with No Getting Over Me. I got
- 22:41Speaker 2: two hundred and forty points, but didn't enter the top
- 22:43Speaker 2: forty until the July eleven This song was in the
- 22:46Speaker 2: top ten and climbing the last four weeks of the summer.
- 22:49Speaker 2: So uh, it would go on to higher and hire heights.
- 22:53Speaker 2: All right, what's number seventeen?
- 22:55Speaker 1: Number seventeen America? Neil Diamond. Yes, got two hundred and
- 22:59Speaker 1: forty five points. Yes, it peaked at number eight for
- 23:03Speaker 1: three weeks in a row and then fell out of
- 23:05Speaker 1: the top forty by August first.
- 23:07Speaker 2: Yes. So number sixteen is the aforementioned Endless Love.
- 23:12Speaker 3: Why?
- 23:13Speaker 2: I hate that because it sucks. Diana Ross and Lionel
- 23:16Speaker 2: Rikshie with two hundred and forty six points just one
- 23:18Speaker 2: point above Neil, and to me there are ninety nine
- 23:21Speaker 2: thousand points below Neil. But as I mentioned, this didn't
- 23:24Speaker 2: enter until July eighteenth, but it went quickly up to
- 23:27Speaker 2: number one. It was the top song for the last
- 23:29Speaker 2: four weeks of the summer, and I think it would
- 23:30Speaker 2: hold on for another four or five weeks.
- 23:32Speaker 1: Wow, okay, Number fifteen suki Yaki A Taste of Honey?
- 23:39Speaker 2: Do you know that song.
- 23:41Speaker 1: Is suki yaki Japanese for little girl?
- 23:46Speaker 2: It is Japanese, but I don't think it's for little
- 23:48Speaker 2: girl now.
- 23:50Speaker 1: Two hundred and sixty six points. It spent the first
- 23:53Speaker 1: five weeks of the summer in the top four, then
- 23:56Speaker 1: fell out of the top forty by August first. Non
- 24:00Speaker 1: answer your question. Never heard that song?
- 24:02Speaker 2: Just as bad as you would think it was.
- 24:03Speaker 1: Oh I'm thinking some things.
- 24:05Speaker 2: Yeah. Number fourteen As a Woman Needs Love by Ray
- 24:08Speaker 2: Parker Junior with three hundred and five points. This one
- 24:11Speaker 2: spent the first six weeks of the summer in the
- 24:12Speaker 2: top ten before falling out of the top forty on
- 24:15Speaker 2: August eighth.
- 24:17Speaker 3: Oh.
- 24:18Speaker 1: Number thirteen, Queen of Hearts Juice Newton. You know I
- 24:23Speaker 1: love that song.
- 24:23Speaker 4: I know.
- 24:24Speaker 1: Oh my goodness. Three hundred and eleven points is what
- 24:27Speaker 1: it gets. Spent the last six weeks in the top ten,
- 24:30Speaker 1: but it didn't reach the top forty until June twentieth,
- 24:34Speaker 1: which hurt its overall ring.
- 24:36Speaker 2: Yeah, otherwise it would have made it. If it had
- 24:37Speaker 2: been there around Memorial Day, it probably would have been
- 24:39Speaker 2: in the top ten. Number twelve is All Those Years
- 24:42Speaker 2: Ago by George Harrison. This was in the top ten
- 24:46Speaker 2: for six weeks, and it peaked at number two for
- 24:49Speaker 2: three of those weeks and probably could have been a
- 24:51Speaker 2: number one song except for it was held off by
- 24:54Speaker 2: a long running number one song.
- 24:56Speaker 1: So not to bring us down. But I don't really
- 24:59Speaker 1: want a funeral. But if you insist on having some
- 25:04Speaker 1: kind of a memorial service for me, I think I
- 25:07Speaker 1: kind of want this.
- 25:07Speaker 2: Song play you went all those years ago? Kind of
- 25:10Speaker 2: it's a tribute to John Lennon.
- 25:12Speaker 1: Well, couldn't it be a tribute to Lindsay Butler? Sure?
- 25:15Speaker 2: Thanks, all right, go ahead and you do number eleven.
- 25:18Speaker 2: Since this is your favorite band.
- 25:21Speaker 1: You make my dreams come true. Haul of notes. It
- 25:27Speaker 1: spent twelve of the fifteen weeks on the chart. It
- 25:30Speaker 1: missed the summer top ten by three points. It spent
- 25:34Speaker 1: six weeks in the top ten but never got higher
- 25:37Speaker 1: than number five.
- 25:39Speaker 2: All Right, you ready to get to the top ten.
- 25:44Speaker 1: Let's do it?
- 25:45Speaker 2: All right? Here is our number ten song. This is
- 25:51Speaker 2: remember our buddy Allen Hunter calls the early eighties the
- 25:54Speaker 2: good and the bad and the ugly.
- 25:55Speaker 1: This is the ugly.
- 25:56Speaker 2: This is either the ugly or.
- 25:57Speaker 4: The bad, Down, Down and.
- 26:27Speaker 3: Sugar.
- 26:32Speaker 2: So that is Stars on forty five.
- 26:34Speaker 1: So it sampled other songs by Stars.
- 26:36Speaker 2: On forty five. It's sampled a lot of sixty songs
- 26:39Speaker 2: and a lot of Beetles stuff, which makes sense considering
- 26:44Speaker 2: John Lennon had just been murdered. Yeah, that one wasn't OJ,
- 26:50Speaker 2: was it?
- 26:52Speaker 1: No about it abound as bad as OJ, but no.
- 26:55Speaker 2: So this spent the first seven weeks of the summer
- 26:57Speaker 2: in the top ten. It actually number one on the
- 27:02Speaker 2: week of June twentieth, knocking out the previous number one,
- 27:06Speaker 2: and then would be knocked out the next week by
- 27:08Speaker 2: that same song that it knocked out. It was out
- 27:12Speaker 2: of the top forty by August eighth. This song reached
- 27:15Speaker 2: number one in twelve different countries. It was the year
- 27:23Speaker 2: a number twenty four hit for the Billboard Hot one hundred,
- 27:25Speaker 2: and it was a year in top three hit for
- 27:28Speaker 2: eight countries. Why was the song so popular, you.
- 27:32Speaker 1: Ask, Well, I have no idea, but I did a
- 27:34Speaker 1: quick Google search and I've got the ten different songs.
- 27:38Speaker 1: Okay they included in the in this song. Okay, you
- 27:42Speaker 1: want to hear them? Yeap Venus Sugar Sugar, no reply,
- 27:48Speaker 1: I'll be back, drive my car. Do you want to
- 27:52Speaker 1: know a secret? We can work it out. I should
- 27:56Speaker 1: have known better nowhere, man, you're going to that girl.
- 28:00Speaker 4: You know what?
- 28:01Speaker 2: They should have known better than to do this song.
- 28:03Speaker 2: That's what they should have known better. Yeah, Uh, should
- 28:07Speaker 2: have known Richard Marx was' until nineteen eighty nine, though,
- 28:09Speaker 2: So how'd they do this in nineteen eighty one?
- 28:11Speaker 1: They're time travelers?
- 28:12Speaker 2: Oh? Okay, Dolorian or phone booth UFOs. All right, so
- 28:19Speaker 2: I don't think we need to give our thoughts on
- 28:21Speaker 2: this song. We both think it's kind of crap, right, yep,
- 28:23Speaker 2: all right? Why don't I let you handle number nine?
- 28:27Speaker 2: Since you used to date this person.
- 28:35Speaker 1: Tell us about the.
- 28:37Speaker 8: Easy down and he's no crown. He has a fine
- 28:45Speaker 8: as I have seen it time.
- 28:52Speaker 3: And a small half.
- 28:57Speaker 1: Number nine boy from New York City by the Manhattan Transfer. Now,
- 29:03Speaker 1: why is this my boyfriend?
- 29:04Speaker 2: Because I said earlier that you dated the boy from
- 29:07Speaker 2: New York City.
- 29:08Speaker 1: I don't even know anybody from New York City.
- 29:10Speaker 2: Yeah you do?
- 29:13Speaker 1: Okay. Three hundred and thirty nine points is how many
- 29:16Speaker 1: of this song got. It entered the top forty on
- 29:20Speaker 1: June thirteenth and only missed two weeks. It peaked at
- 29:23Speaker 1: number seven, where it stayed for three weeks, and it
- 29:27Speaker 1: was on the top ten for six weeks in a row.
- 29:30Speaker 1: It was the thirty sixth biggest song of nineteen eighty one.
- 29:36Speaker 2: Yeah, this song was originally recorded and released by the
- 29:40Speaker 2: ad Libs in nineteen sixty four and peaked at number
- 29:43Speaker 2: eight on the Billboard Hot one hundred, so it actually
- 29:45Speaker 2: did a little bit better one spot better in eighty
- 29:49Speaker 2: one than it did in sixty four.
- 29:51Speaker 1: In nineteen sixty five, the Beach Boys recorded an answer
- 29:55Speaker 1: song to The Boy from New York City titled The
- 29:59Speaker 1: Girl from New York City.
- 30:00Speaker 2: You know what, I bet Deaf Dave didn't know that.
- 30:04Speaker 1: Oh yea thie.
- 30:06Speaker 2: I bet he didn't know that.
- 30:07Speaker 1: So I feel like I know the original version more
- 30:09Speaker 1: so than this eighties version.
- 30:11Speaker 2: Really. Yeah, Okay, I mean this song was I mean
- 30:14Speaker 2: it was on all the time, obviously because it was
- 30:17Speaker 2: number seven, But I just remember hearing it all the time.
- 30:19Speaker 2: And you know, in nineteen eighty one, when you're a
- 30:22Speaker 2: little kid, you're like a seven year old boy, the
- 30:25Speaker 2: only music you really get to hear is when you're
- 30:27Speaker 2: in the car or if your parents are playing a
- 30:29Speaker 2: record at home. Right, So anytime we were in the car,
- 30:33Speaker 2: I felt like I was hearing this song, yes, right,
- 30:35Speaker 2: So I felt like it was on the radio all
- 30:38Speaker 2: the time. I don't really remember Stars on forty five,
- 30:40Speaker 2: but Boy from New York City, I remember that one,
- 30:44Speaker 2: all right? I remember this next one too, This is
- 30:47Speaker 2: number eight.
- 30:50Speaker 1: I'm on, man, I'm on a love of them as
- 30:56Speaker 1: a day touch little fans time not common card. I
- 31:08Speaker 1: want somebody will come say when it comes to low.
- 31:14Speaker 2: So that is Slowhand by my favorite sisters, which are
- 31:22Speaker 2: who the Pointers Sisters? Yes? So this finished with three
- 31:26Speaker 2: hundred and forty nine points. The song actually did not
- 31:29Speaker 2: enter the top forty until June twenty seventh, but two
- 31:32Speaker 2: weeks later it was in the top ten and stayed
- 31:35Speaker 2: the top ten for the rest of the summer. It
- 31:38Speaker 2: peaked at number two but never made it to number
- 31:41Speaker 2: one because of stupid endless love.
- 31:44Speaker 1: You're not letting that one go never.
- 31:46Speaker 2: It would end the year as the nineteenth biggest song
- 31:50Speaker 2: for nineteen eighty one. So what are your thoughts on
- 31:54Speaker 2: that song? So that song as a kid made me
- 31:59Speaker 2: uncomfortable because they said the word lover, because I didn't
- 32:02Speaker 2: know exactly what they were singing about, but I knew
- 32:05Speaker 2: it was something that I wasn't quite old enough to know.
- 32:08Speaker 1: But I know the Pointer sister's version. But the song,
- 32:11Speaker 1: the version of the song that I grew up with
- 32:13Speaker 1: was Conway Twitty.
- 32:14Speaker 2: Oh really, I thought the song was about Eric Clapton
- 32:19Speaker 2: because they call him.
- 32:23Speaker 1: Oh my goodness.
- 32:24Speaker 2: All right, so you liked the song.
- 32:26Speaker 1: So my sweet sweet aunt just recently had a massive
- 32:33Speaker 1: pulmonary embolism and they didn't expect her to live, and
- 32:37Speaker 1: thank god, she has and she's eighty three. She comes
- 32:41Speaker 1: out of the medically induced coma and they take her
- 32:45Speaker 1: off the ventilator and literally one of the first lucid
- 32:50Speaker 1: moments she has, she's talking about Conway Twitty. That's that's
- 32:57Speaker 1: how you know an icon is an icon.
- 33:00Speaker 2: Okay, well, we're not talking about Conway Twitty. Well, I
- 33:03Speaker 2: think we should talking about the Pointer Sisters.
- 33:05Speaker 1: I'm sorry.
- 33:07Speaker 2: I prefer the Pointer Sisters over Conway Twitty myself. All right,
- 33:13Speaker 2: all right, let's get to the number seven song.
- 33:17Speaker 1: And you found yourself a new love.
- 33:31Speaker 3: Number together love.
- 33:43Speaker 1: Lets what kind of that?
- 33:50Speaker 2: Well, why don't you tell folks.
- 33:54Speaker 1: I can do it?
- 33:55Speaker 2: Because it's bad.
- 33:56Speaker 1: That is number seven. It's called Hearts My I'm already balin.
- 34:02Speaker 2: Yeah, I had never heard of this song. I had
- 34:04Speaker 2: never heard of the singer.
- 34:06Speaker 1: I'm balen on this song, but I recognize the song
- 34:10Speaker 1: when I heard it, y'all. I've never heard that song
- 34:13Speaker 1: in my life. I hope I never hear it again.
- 34:15Speaker 1: The only thing I'm upset about right now is I'm
- 34:17Speaker 1: gonna have to edit this podcast and listen to that again.
- 34:22Speaker 1: Oh my goodness. Okay, mister Baylin got three hundred and
- 34:25Speaker 1: fifty points. It spent thirteen of the fifteen weeks in
- 34:29Speaker 1: the top forty. What was going on?
- 34:32Speaker 4: I don't know.
- 34:33Speaker 1: It was in the top ten for four weeks in
- 34:35Speaker 1: a row. It peaked at number eight for two weeks. Uh,
- 34:40Speaker 1: what in the year is the forty first biggest song
- 34:43Speaker 1: for nineteen eighty one?
- 34:45Speaker 2: Yeah, and you know what takes me off? It beat
- 34:46Speaker 2: out Slowhand by the Pointer Sisters by one's thinging point.
- 34:50Speaker 2: Otherwise they would have been flip flopped. So you've already
- 34:54Speaker 2: given your thoughts on this song. You never want to
- 34:56Speaker 2: hear it again. Unfortunately, you're gonna have to you edit, yeah,
- 35:00Speaker 2: and put it all together. Yeah, that song sucks. That's
- 35:03Speaker 2: all I gotta say about it. All right, I'll let
- 35:05Speaker 2: you do number six, since you had to do the
- 35:07Speaker 2: sucky song, and since this is one of your favorites here.
- 35:14Speaker 3: Rhyme singing elam.
- 35:45Speaker 2: Is that more your style?
- 35:46Speaker 1: Oh my gosh, I cannot. I don't have words for
- 35:49Speaker 1: how much I love this song. Okay, this is number
- 35:52Speaker 1: six el Vira Oakridge Boys. I'll give the stats, but
- 35:56Speaker 1: then I got to talk about my love of this song.
- 35:58Speaker 1: So three, one hundred and seventy seven points. Ah, man,
- 36:04Speaker 1: it sopped. It's been the entire summer except for Memorial
- 36:08Speaker 1: Day weekend in the top forty. It was a top
- 36:12Speaker 1: ten song for eight weeks. It peaked at number five
- 36:15Speaker 1: for four weeks in a row. Prior to its peak,
- 36:19Speaker 1: it spent three weeks at number.
- 36:21Speaker 2: Six, so seven weeks. It looks like for seven weeks
- 36:25Speaker 2: it was either number six or number five.
- 36:27Speaker 1: And as it should have, it hit number one on
- 36:30Speaker 1: the country charts. It would end the year as the
- 36:32Speaker 1: thirty first biggest song for nineteen eighty one, which is
- 36:35Speaker 1: ironic because it finished the summer at thirty one on
- 36:38Speaker 1: the top forty charts.
- 36:40Speaker 2: Yeah, that is a little ironic. That's so totally a
- 36:42Speaker 2: gem stat that you pulled up.
- 36:44Speaker 7: I know I did.
- 36:44Speaker 1: I pulled it out in ironically enough. It is a
- 36:47Speaker 1: cover of a song from nineteen sixty five, which we.
- 36:50Speaker 2: Talked about before. We talked about this when we did
- 36:52Speaker 2: our Country crossover back in the first season.
- 36:56Speaker 1: So I had about a five minute radio career back
- 37:00Speaker 1: in the early knots aughts not knots. No, they're not
- 37:05Speaker 1: because they're zeros. They're like a knot. I don't know
- 37:11Speaker 1: what's an aught a zero. An aught is like an
- 37:14Speaker 1: otter or something. Anyway, so for for like five minutes.
- 37:17Speaker 1: But one of my highlights was getting to meet the
- 37:19Speaker 1: Oakreage boys and they sang Alvirah to me live.
- 37:23Speaker 2: Did they really? Did you tell them the story about
- 37:24Speaker 2: you standing up on the table and singing it at
- 37:26Speaker 2: the uh what was it at the cracker barrel?
- 37:29Speaker 7: Oh?
- 37:29Speaker 1: That was Jesus Loves Me. I stood up. Oh, I
- 37:34Speaker 1: stood up on the table at po folks and saying
- 37:37Speaker 1: Jesus loves me. I was a traveling preacher back in
- 37:40Speaker 1: the day. But anyways, so that was one of the
- 37:44Speaker 1: highlights of that time of my life. But going back
- 37:49Speaker 1: to when it was originally out, you know, my dad
- 37:52Speaker 1: was very much a hands off eighties dad, but one
- 37:55Speaker 1: of the things that connected us was our love for
- 37:59Speaker 1: eighties country, and so when this song would come on
- 38:02Speaker 1: the radio, he would get down on his knees and
- 38:04Speaker 1: dance with me.
- 38:04Speaker 2: Oh, that's fack in the day. That's sweet.
- 38:07Speaker 1: Now can you picture my dad doing that?
- 38:09Speaker 2: Totally? Your dad was like a big kid, all right.
- 38:14Speaker 2: That moves us on to our number five song. I'll
- 38:15Speaker 2: take this one stop day so anywhere that is the
- 38:46Speaker 2: one that you loved by air Supply. It would end
- 38:49Speaker 2: up with three hundred and eighty nine points. It was
- 38:52Speaker 2: on the top forty all summer except for the last
- 38:54Speaker 2: two weeks. It was a top ten song for eight weeks,
- 38:58Speaker 2: and it peaked at number one on July twenty fifth
- 39:00Speaker 2: and knocked out are What's gonna be our number two song?
- 39:03Speaker 2: When we get there? It held these spots in the
- 39:06Speaker 2: top ten one, two, three, six, and seven, and it
- 39:11Speaker 2: would end the year as the twenty eighth biggest song
- 39:14Speaker 2: for nineteen eighty one. Here's a fun fact that was
- 39:19Speaker 2: twenty eight. Air Supply also had the twenty seventh biggest
- 39:22Speaker 2: song of the year for nineteen eighty one, and that
- 39:24Speaker 2: was every Woman in the World. So if you're listening
- 39:28Speaker 2: to the year end Casey Casem countdown, you'd have heard
- 39:30Speaker 2: air Supply back with back to back songs twenty seven. Yeah,
- 39:34Speaker 2: so what do you think about this song?
- 39:36Speaker 1: You know, I like it. It's a really sweet love song. Yes,
- 39:39Speaker 1: I have a soft spot for air supply the Grahams. Yes,
- 39:44Speaker 1: so it definitely it's no hard hitting song, but it's sweet, right, Yeah,
- 39:49Speaker 1: for sure, it's not a hard hitting song.
- 39:51Speaker 2: This next one isn't a hard hitting song either, But
- 39:53Speaker 2: I'm gonna let you take our number four onn.
- 39:58Speaker 1: And man ah, yes we wanna doll? Hod on me?
- 40:11Speaker 7: You baby?
- 40:23Speaker 1: Now you're giving me a look across the table. You
- 40:27Speaker 1: like this song or don't know?
- 40:28Speaker 2: This song is horrible?
- 40:29Speaker 1: Oh my god? I thought so because I'm over here
- 40:31Speaker 1: having literally like an emotional reaction to this song. And
- 40:35Speaker 1: I look at you, thinking like, oh, our eyes are
- 40:37Speaker 1: gonna meet, and you give me a look like you're nauseous. Yes,
- 40:40Speaker 1: I was Jim Butler. Play that again.
- 40:46Speaker 2: I don't wanna do it. I don't wanna wanna man.
- 40:55Speaker 1: Yes, we wanna doll? What on.
- 41:04Speaker 4: You bebe? Wow?
- 41:15Speaker 1: I'm literally I've never heard that song before, and I'm
- 41:18Speaker 1: having like a reaction to it.
- 41:20Speaker 2: Okay, so if we still had an audience before that song,
- 41:24Speaker 2: we certainly don't have it anymore after you made me
- 41:26Speaker 2: play it twice.
- 41:27Speaker 1: Okay, coming in at number four, I don't need you
- 41:31Speaker 1: fuck right Now three and ninety six points. It missed
- 41:38Speaker 1: the first two weeks, then spent the rest of the
- 41:40Speaker 1: summer in the top forty. It was a top ten
- 41:44Speaker 1: song for eight weeks. It was still number eleven on
- 41:47Speaker 1: Labor Date weekend. It peaked at number three for two
- 41:51Speaker 1: weeks before falling to number eleven. It would end the
- 41:56Speaker 1: year as the forty fourth biggest song for nineteen eighty one.
- 42:01Speaker 2: So I'm thinking that in nineteen eighty one country singers,
- 42:03Speaker 2: you know, with the crossover, they were apparently pretty cocky
- 42:06Speaker 2: because he's telling this lady he doesn't need her, and
- 42:09Speaker 2: Ronnie Millsap was telling people that there's no getting over
- 42:13Speaker 2: me when I when I leave you. Yeah, we got
- 42:17Speaker 2: some country narcissist crossovers in nineteen eighty one.
- 42:20Speaker 1: So I love Kenny Rogers. I mean, he's on the
- 42:23Speaker 1: Mount Rushmore of country singers, country singers. That voice, How
- 42:28Speaker 1: could you not just melt when you hear.
- 42:30Speaker 2: He's got a great voice. I love Kenney Rogers, but
- 42:33Speaker 2: I did not like that song. I had never heard
- 42:34Speaker 2: it either, and that's not I mean. And I had
- 42:37Speaker 2: Kenny Rogers's greatest hintsing you know, what that's not on it?
- 42:39Speaker 2: And I think there's a reason why.
- 42:40Speaker 1: So I met somebody a few years ago, and after
- 42:44Speaker 1: I had known him for a while, like maybe a year,
- 42:47Speaker 1: he tells me he works for Kenney Rogers. This was right,
- 42:50Speaker 1: not long before he passed away, and I was just
- 42:53Speaker 1: blown away, And of course I'm trying to play it cool.
- 42:56Speaker 1: Turns out Kenny Rogers bought a house and this gentleman
- 43:00Speaker 1: was an employee of the home. So when Kenny bought
- 43:03Speaker 1: the house, he got the employee.
- 43:05Speaker 2: Oh, I thought you were gonna tell me that he uh,
- 43:08Speaker 2: he worked for Kenny Rogers, the left handed picture baseball player.
- 43:12Speaker 1: But that's what I guess. My point is, that's a
- 43:14Speaker 1: level of rich that I didn't know existed.
- 43:16Speaker 2: That you come with the house.
- 43:18Speaker 1: Did you know that that rich people buy homes that
- 43:20Speaker 1: come with employees. I didn't know.
- 43:22Speaker 2: No, I didn't know that either. Well, apparently I probably
- 43:25Speaker 2: will never know that other than what you just told me.
- 43:28Speaker 2: All right, let's move on to our number three song.
- 43:32Speaker 3: Suddenly I'm a mon of other world. It shut up
- 43:37Speaker 3: in somebody.
- 43:45Speaker 6: On it.
- 43:46Speaker 1: I never thought of.
- 43:56Speaker 4: Hit me.
- 43:59Speaker 3: Believe it.
- 44:05Speaker 2: All right? That is, believe it or not or the
- 44:07Speaker 2: theme from Greatest American Hero by Joey Scarbury. This had
- 44:12Speaker 2: four hundred and twenty three points for the summer. It
- 44:15Speaker 2: was in the top forty all summer except for the
- 44:16Speaker 2: first two weeks. It missed the first two weeks. It
- 44:19Speaker 2: would spend the last ten weeks of the summer as
- 44:23Speaker 2: a top ten song. It peaked at number two for
- 44:27Speaker 2: two weeks, once again was held off by that piece
- 44:30Speaker 2: of crap endless Loof. And there's only one other song
- 44:34Speaker 2: that spent more than ten weeks in the top ten
- 44:36Speaker 2: this summer. We haven't talked about it yet. This would
- 44:39Speaker 2: end the years the eleventh biggest song for nineteen eighty one.
- 44:46Speaker 2: So we've talked about this song a lot on our
- 44:48Speaker 2: podcast we have. I feel like it got a raw
- 44:51Speaker 2: deal in the television theme song Countdown Tournament.
- 44:57Speaker 1: Oh yeah from our tournament.
- 44:59Speaker 2: Yeah, from our tournament.
- 45:00Speaker 1: I thought you were gonna say, because it got put
- 45:03Speaker 1: with Greatest American Hero that it't got a raw deal.
- 45:06Speaker 2: No, it's perfect for the Greatest American Hero. They're perfect
- 45:10Speaker 2: for each other.
- 45:10Speaker 1: If you were saying it got a raw deal because
- 45:13Speaker 1: it was put with the Greatest American Hero, did it
- 45:16Speaker 1: make up when for it when it got featured on Seinfeld.
- 45:21Speaker 2: Yes, but it didn't. It wasn't done wrong by being
- 45:25Speaker 2: put with greatest American hero. All Right, a true one
- 45:28Speaker 2: hit wonder. I don't remember Joey Scarberry doing anything else.
- 45:32Speaker 2: What more can we say about this song?
- 45:33Speaker 1: Nothing.
- 45:34Speaker 2: It's been on the podcast more than I have been.
- 45:37Speaker 2: All Right, let's get to our number two song.
- 45:39Speaker 1: This is a good one.
- 45:44Speaker 7: When she snows you, she throws you, she's frosha and
- 45:53Speaker 7: she knows just what it tags to be probed.
- 46:00Speaker 1: The balls thinks she's a spouse.
- 46:03Speaker 7: She's gowing headed day sides.
- 46:19Speaker 1: Okay, number two Betty Davis Eyes by Kim Carnes Man.
- 46:28Speaker 1: I love her voice. I know I wish I tried
- 46:30Speaker 1: the voice. Okay, four hundred and forty three points. This
- 46:35Speaker 1: song rocks. Yeah.
- 46:37Speaker 2: When I think of the early eighties, I think of
- 46:38Speaker 2: the song.
- 46:39Speaker 1: It missed the last two weeks of summer on the
- 46:41Speaker 1: Top forty chart, but it was a top ten song
- 46:45Speaker 1: for ten weeks.
- 46:46Speaker 2: That's not the most impressive stat It was.
- 46:49Speaker 1: Number one to start the summer for three weeks. Got
- 46:52Speaker 1: knocked out of the top spawn on June twentieth. A
- 46:54Speaker 1: lot of things happened on June twentieth, you know by
- 46:57Speaker 1: stars on forty five, then went back to number one
- 47:01Speaker 1: and spent four more weeks there.
- 47:03Speaker 2: That's impressive. That doesn't happen a lot.
- 47:05Speaker 1: It spent seven total weeks at number one and two
- 47:09Speaker 1: weeks at number two. It would end the year as
- 47:12Speaker 1: the biggest song for nineteen eighty one.
- 47:15Speaker 2: Right, and so we've talked about this song. We both
- 47:18Speaker 2: love this song. To me, this is a probably a
- 47:21Speaker 2: top ten song of the eighties, even though it's in
- 47:23Speaker 2: early eighty one. But I want to ask you something.
- 47:26Speaker 2: What song so this was number two for the summer?
- 47:29Speaker 2: What song could possibly have beaten a song that spent
- 47:33Speaker 2: seven weeks at number one during the summer.
- 47:37Speaker 1: I cain't even fathom.
- 47:38Speaker 2: I have no idea, So I'll give you some hints.
- 47:44Speaker 2: This was the only song that stayed in the top
- 47:46Speaker 2: forty for all fifteen weeks of the summer. It topped
- 47:49Speaker 2: the chart for two weeks and was knocked out by
- 47:51Speaker 2: Endless Love. Here's the most impressive thing I think about
- 47:55Speaker 2: this song's run. It entered the top ten on June
- 47:59Speaker 2: twentieth and stayed there and was still number nine on
- 48:03Speaker 2: Labor Day Weekend. Oh wow, it was top five for
- 48:08Speaker 2: eight weeks in a row, so you would have heard
- 48:12Speaker 2: Casey case I'm talking about this song for fifteen straight
- 48:15Speaker 2: weeks from Memorial Day to Labor Day. And this ended
- 48:19Speaker 2: up being the fifth biggest song for nineteen eighty one.
- 48:23Speaker 2: Can you guess what this song is?
- 48:25Speaker 1: I have no idea, oh late nineteen No, what were said?
- 48:30Speaker 2: I had, just it's go.
- 48:34Speaker 7: Jess, Go find Jesse, Go.
- 48:50Speaker 4: Find find.
- 48:59Speaker 2: All right, talk to me about Jesse's Girl.
- 49:01Speaker 1: That's a great song, okay, Number one, Jesse's Girl by
- 49:05Speaker 1: none other than mister Rick Springfield. Four hundred and ninety
- 49:09Speaker 1: points are Walking Class DJ.
- 49:12Speaker 2: Yes, so it finished way ahead of Betty Davis Eyes,
- 49:15Speaker 2: which blew me away when I was doing this.
- 49:17Speaker 1: So get this.
- 49:19Speaker 2: I was working on this many weeks ago and my
- 49:23Speaker 2: brother Matt was texting me and I said, Hey, I'm
- 49:25Speaker 2: working on a show, and he was like, what are
- 49:26Speaker 2: you working on? I said, the top ten songs of
- 49:29Speaker 2: the summer for nineteen eighty one, and he was like, well,
- 49:31Speaker 2: Google says that Jesse's Girls is the number one is
- 49:34Speaker 2: the song of the summer for nineteen eighty one, And
- 49:37Speaker 2: I was like that fat guy on Maul Rats when
- 49:39Speaker 2: the kid looks at the picture and goes, oh, look
- 49:42Speaker 2: it's a schooner. Because I'm like, you, dumb bastard, I'm
- 49:48Speaker 2: like Betty Davis Eyes was number one for seven weeks
- 49:51Speaker 2: during the summer. It's not gonna be Jesse's girl. Well,
- 49:55Speaker 2: it turns out it was Jesse's girl. I think Jesse's
- 50:01Speaker 2: Girl being in the top ten basically for all summer
- 50:03Speaker 2: allowed it to jump past even something that was number
- 50:07Speaker 2: one for seven weeks.
- 50:08Speaker 1: So is this a public apology to your brother?
- 50:11Speaker 2: I told I already told them already. All right, okay,
- 50:14Speaker 2: so just wrapping up here, what'd you think of the list?
- 50:17Speaker 1: You know what, it wasn't half bad. And here's something
- 50:21Speaker 1: that rarely happens. I have found a song I'm now
- 50:26Speaker 1: going to go download and put on my playlist. Can
- 50:29Speaker 1: you ride your show? It never happens.
- 50:32Speaker 2: Okay, So you have to admit that nineteen eighty one,
- 50:36Speaker 2: at least for the summer, wasn't as bad as you
- 50:38Speaker 2: thought it was going to be. Now, there were some
- 50:41Speaker 2: stinkers on there, don't get me wrong, but I would
- 50:44Speaker 2: have replaced those stinkers by like you make those dreams
- 50:46Speaker 2: come True by Holland Oates. All Those Years Ago by
- 50:49Speaker 2: George Harrison, Queen of Hearts by Juice Newton. Even a
- 50:52Speaker 2: Woman Needs Love by Ray Parker. If you've never heard that,
- 50:54Speaker 2: I would suggest go and listen to America by Neil Diamond.
- 50:57Speaker 2: That's a good one too, really, you bring me Up
- 51:00Speaker 2: by the Commodorees. That's a really good one as well.
- 51:03Speaker 2: So nineteen eighty one again the good, the bad, and
- 51:08Speaker 2: the ugly. Right, the good are very very good, the
- 51:12Speaker 2: bad are very very bad, and then we got a
- 51:14Speaker 2: few in there that are real ugly.
- 51:17Speaker 3: You know what?
- 51:17Speaker 1: That really does sum it up very well? It does,
- 51:19Speaker 1: all right?
- 51:20Speaker 2: You got anything else as far as just overlooking this thing.
- 51:24Speaker 2: I'm still a nerd, right.
- 51:25Speaker 1: You're still a nerd. That's not going to change anytime soon.
- 51:36Speaker 3: Not a lot.
- 51:40Speaker 2: Yeah, I mean it is what it is at this point.
- 51:43Speaker 1: Are you going to go out and download the Kenney Rogers?
- 51:46Speaker 4: I am not.
- 51:47Speaker 2: I am not, but you know what I am going
- 51:48Speaker 2: to do. I'm gonna tell folks to make sure that
- 51:50Speaker 2: they click the subscribe button on whatever podcast forum they
- 51:54Speaker 2: have to make sure that they're guaranteed to never miss
- 51:57Speaker 2: a show.
- 51:57Speaker 1: Please do We would appreciate that, and you can find
- 52:01Speaker 1: us on all the socials. We are on x we
- 52:03Speaker 1: are on Instagram, we are on Facebook. We are also
- 52:07Speaker 1: now like we mentioned earlier, on Patreon.
- 52:10Speaker 2: Or you can email Children of the nineteen Eighties at
- 52:14Speaker 2: gmail dot com. Also, really, the fastest way to help
- 52:19Speaker 2: the show grow is to tell somebody, Hey, let somebody
- 52:21Speaker 2: know about the Children of the Eighties podcast. Come listen
- 52:24Speaker 2: to Jim and Lindsay as they relived the glorious decade
- 52:29Speaker 2: of the nineteen books. Glorious, I love it all right, Well,
- 52:34Speaker 2: until next time.
- 52:35Speaker 1: I'm Jim and I'm Lindsay, and we are Children of
- 52:39Speaker 1: the Eighties.