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Seven Wonders of the Ancient World: The Colossus of Rhodes · Ridiculous History

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  Speaker 1: Ridiculous History is a production of iHeartRadio. Welcome back to
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  Speaker 1: the show, fellow Ridiculous Historians. Thank you, as always so
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  Speaker 1: much for tuning in. Let's hear it for a wonder
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  Speaker 1: of the modern podcasting world. Our super producer, mister Max Williams.
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  Speaker 1: Who do we have joining us here? None other than
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  Speaker 1: the man, the myth, the legend, a wonder old zone.
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  Speaker 1: It's mister Noel Brown.
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  Speaker 2: Desired, thank you very much. Not much of a colossus,
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  Speaker 2: more of a what's the what's the opposite of a colossus?
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  Speaker 2: A pigmy?
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  Speaker 1: Oh no, come now, man, that's charged. You're a Titan.
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  Speaker 2: Thank you, buddy, I remember those guys.
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  Speaker 1: Yeah, you're welcome by grow my name from that movie
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  Speaker 1: Clash of the Titans.
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  Speaker 2: Remember the Titans Titans. Yeah, that's a football movie with
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  Speaker 2: what's that guy's name, Denzel Washington, the ragtag football kind
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  Speaker 2: of crew.
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  Speaker 1: Who says he no longer watches films. By the way,
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  Speaker 1: my name is Ben Bollen. We are going to talk
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  Speaker 1: about a continuing series. Way back in the days of yore,
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  Speaker 1: by which means several years ago, we got together in
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  Speaker 1: one of our pitch meetings and we started asking ourselves
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  Speaker 1: what are the Wonders of the Ancient World? Do you
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  Speaker 1: remember that one?
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  Speaker 2: Oh? How could I forget? What? Do we have? The
• 1:52
  Speaker 2: Hanging Gardens of Babylon? The of course? Did we do
• 1:57
  Speaker 2: the Pyramids of Giza? Certainly we did, Maybe we didn't.
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  Speaker 2: We've certainly talked about that one.
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  Speaker 3: I'm saving for last because that's the only one we
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  Speaker 3: actually know.
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  Speaker 2: For n h. Yeah, those are still around, you can
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  Speaker 2: still catch them. We did the Did we do Easter Island? No,
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  Speaker 2: we talked about that actually recently on stuff they don't
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  Speaker 2: want you to do. Yes, I'm so sorry, Max. It
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  Speaker 2: was a great series, but I'm spacing on all of
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  Speaker 2: the ones that we did. Babylon is the one that
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  Speaker 2: I know for sure.
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  Speaker 1: We're also going to have a metacognitive series or a
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  Speaker 1: meta series, at least an episode on what makes a
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  Speaker 1: wonder because, as we found in our exploration, a little
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  Speaker 1: bit of an arbitrary ranking. Who are we to judge? Well,
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  Speaker 1: we're your pals over at Ridiculous History. This is part
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  Speaker 1: four of the Wonders of the Ancient World, and we're
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  Speaker 1: talking about the Colossus of Roads. Unlike some of our
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  Speaker 1: previous stuff. To your point, nol, the Colossus totally existed.
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  Speaker 1: Maybe we start with knocking out a little bit of
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  Speaker 1: background devo, a little bit of context. Maybe we start
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  Speaker 1: with a buddy of ours, Greek god named Helios.
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  Speaker 2: Indeed, Helios according to our pals over Britannica, as the
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  Speaker 2: Greek sun god. Britannica knows that he was actually a Titan,
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  Speaker 2: child of the Titan Hyperion and Theia, the Titans in
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  Speaker 2: fact plural, while he, according to Britannica, drove a chariot
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  Speaker 2: daily from east to west across the sky and sailed
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  Speaker 2: around the northerly stream of ocean each night in a
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  Speaker 2: huge cup. In classical Greece, Helios was especially worshiped in Rhodes,
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  Speaker 2: where from at least the early fifth century BCE he
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  Speaker 2: was regarded as the chief god to whom the island belonged.
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  Speaker 2: His work spread as he became increasingly identified with other deities,
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  Speaker 2: often under Eastern influence.
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  Speaker 1: All right, so let's talk a little bit about that
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  Speaker 1: aforementioned Roads in the earlier quote, especially worshiped in Roads.
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  Speaker 1: As we'll see, folks, with a big shout out to
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  Speaker 1: our research associate Max Williams spoiler also our super producer,
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  Speaker 1: there's a lot of what Corporate America would call synergy
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  Speaker 1: between these two between these two concepts. The thing about
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  Speaker 1: the City of Roads is that the City of Roads
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  Speaker 1: in that time is on an island in the Mediterranean
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  Speaker 1: Sea that is closer to modern day Turkey than it
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  Speaker 1: is to modern day Greece. Just because we always love
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  Speaker 1: our history complicated, that island is also called Roads. So
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  Speaker 1: there's a city called Roads, there's an island called Roads.
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  Speaker 1: And to our friends at Britannica, again, tip of the cap,
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  Speaker 1: the largest urban center on the island, Roads sits at
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  Speaker 1: the northeasternmost tip of Roads.
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  Speaker 2: The island got it. Indeed, they go on to say
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  Speaker 2: that in classical history, Rhodes was a massively crucial and
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  Speaker 2: powerful maritime force. It also had a lot of influence
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  Speaker 2: on Mediterranean history, as well as the preservation of architecture
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  Speaker 2: of the Gothic and Ottoman styles. So we've got a
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  Speaker 2: sun god who hangs out on the water and a
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  Speaker 2: city on the water, and now it's time for us
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  Speaker 2: to talk about how this thing actually got built.
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  Speaker 1: The city of Rhodes, writes mart Cart right, who we
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  Speaker 1: are not doing an impression of with each five haulbas
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  Speaker 1: was ideally placed on the island of the same name.
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  Speaker 1: The prosper from trade during the Hellenistic domination of the
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  Speaker 1: Mediterranean under Alexander the Great Successors, especially when more and
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  Speaker 1: more cities were established in the east. The island's wealth
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  Speaker 1: strategic position on these trade routes, they got noticed by
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  Speaker 1: a lot of foreign grand pubas, a lot of.
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  Speaker 2: Big to dos for sure. Is that is absolutely accurate. Antigonus,
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  Speaker 2: who is one of Alexander's successors who controlled Macedon and
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  Speaker 2: northern Greece, was one of those grand puba types, and
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  Speaker 2: he sent his son Demetrius, the first of Macedon, to
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  Speaker 2: attack roads between three or five and three or four BCE,
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  Speaker 2: which off Mike Ben pointed out to me BCE counts backwards.
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  Speaker 2: So there you go. The island's recent alliances with Antigonus's
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  Speaker 2: rival Ptolemy, the first you might have heard of over
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  Speaker 2: there in Egypt. It was another into attack roads and
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  Speaker 2: to neutralize that naval fleet.
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  Speaker 1: Yeah, they were super beefed up, even if they couldn't
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  Speaker 1: afford a lot of cattle at the time. So there's
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  Speaker 1: this twelve month siege lasting what we would call a
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  Speaker 1: year in the modern day. Our buddies, the Rhodians, the
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  Speaker 1: people who live on the island or in the city
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  Speaker 1: of Rhodes. They have a lot of stockades, blockations, fortifications,
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  Speaker 1: and they're able to withstand this siege such that our
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  Speaker 1: buddy Demetrius says, look, will stop blockading you. We gotta
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  Speaker 1: make stuff worthwhile for everybody. Let's negotiate a truce. And
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  Speaker 1: so Demetrius from this gets his honorific We love it honorific.
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  Speaker 1: This is how Demetrius gets the street name Besieger of Cities.
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  Speaker 1: But he doesn't get much else from this. He just
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  Speaker 1: leaves behind a bunch of his siege toys.
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  Speaker 2: Where does he get these wonderful toys? It's a good question.
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  Speaker 2: That includes thirty six point five meters of high tower
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  Speaker 2: that the Rhodians were then able to sell off to
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  Speaker 2: make a little scratch. And here is the thing. Thanks
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  Speaker 2: to the Port's making them a center for trade, they
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  Speaker 2: already had a ton of money, so they decided to
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  Speaker 2: ball out further. Yeah just a bit, yeah, okay, I
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  Speaker 2: love a smidge bit, max Uh and honor their patron God,
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  Speaker 2: which is where we see Charles of Lindis entering the
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  Speaker 2: chat rights. I knew you would do it. Charis not Charles.
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  Speaker 2: That's a different dynasty entirely. Thank you, Max with the facts.
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  Speaker 3: Phone.
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  Speaker 2: Up in the knowledge it's just for you.
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  Speaker 3: Sofia, Mary.
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  Speaker 1: Cares were Chars. If you guys preferred, don't call me Chuck.
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  Speaker 1: Lindis is at the Helm and this guy is figured
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  Speaker 1: out the wait for herculean task of sculpting this giant
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  Speaker 1: thing they're calling Helios. And if you look back to
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  Speaker 1: our buddy Plenty the Elder, a returning guest on the show,
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  Speaker 1: This statue, the Colossus of Rhodes as we call it now,
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  Speaker 1: it took a lot of effort. It took at least
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  Speaker 1: twelve years to be completed, and they made a bronze
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  Speaker 1: figure which stood about what we in the US would
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  Speaker 1: call one hundred and.
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  Speaker 2: Eight feet high.
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  Speaker 1: Folks, we know that is not as tall as a
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  Speaker 1: lot of others statues and sculptures today, but we have
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  Speaker 1: to remember, just like if we were a very rude
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  Speaker 1: Ben Bolen traveling and seeing the Tower of London, sculpture
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  Speaker 1: and structure and architecture back then was not as sophisticated
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  Speaker 1: as it is now. We've learned a lot about the
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  Speaker 1: nature of this statue. We've learned that he had a
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  Speaker 1: bronze outer shell. They probably hammered that on in sheets,
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  Speaker 1: assembled it on site, but no, they put so much
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  Speaker 1: work into this the structure, the internal structure in particular.
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  Speaker 2: One hundred percent. It required a lot of fortification inside.
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  Speaker 2: Think of maybe like the Statue of Liberty and all
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  Speaker 2: of the metal struts that exist withinside that structure to
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  Speaker 2: keep a hollow shell of a sculpture from caving in
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  Speaker 2: on itself. So it was supported by a series of
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  Speaker 2: internal iron struts, and certain pieces got weighted down further
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  Speaker 2: with stones to increase the stability. And Max pointed out,
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  Speaker 2: and we must also point out that they did feel
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  Speaker 2: it was important to include the penis. You gotta know
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  Speaker 2: a colossal undertaking unto itself.
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  Speaker 1: Which is funny because a lot of statuary at the
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  Speaker 1: time praised small penises.
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  Speaker 2: It's true, that is actly true, true, And we haven't
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  Speaker 2: seen the penis, so we can't speak to whether or
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  Speaker 2: not it was a grower or a shower.
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  Speaker 1: So we know that the statue's appearance in the modern
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  Speaker 1: day is primarily based on guesswork and excellent research. But
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  Speaker 1: it's not like you can call anyone today and ask
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  Speaker 1: about how their experience was building the Colossus of Rhodes.
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  Speaker 1: The best way to say it is that there are
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  Speaker 1: no surviving representations mock up sort scale models of the
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  Speaker 1: colossus in other ancient art forms, So we didn't have
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  Speaker 1: anybody hanging out building a little action figure version of
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  Speaker 1: the colossus.
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  Speaker 2: Yeah, Palmer, that would have been cool. I would have
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  Speaker 2: been how many points of articulation?
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  Speaker 1: I think you, I knew you're yes right? Where's our
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  Speaker 1: g I Joe of this?
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  Speaker 2: What would the penis have been one of them?
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  Speaker 1: And how articulate would it be? Prehensile penis? All right,
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  Speaker 1: story for another day. The depictions of Helios on the
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  Speaker 1: Hellenistic silver coin of Rhodes might be a reference point.
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  Speaker 1: So if we look at that coinage, we can speculate
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  Speaker 1: the statue may have had a lot more to it
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  Speaker 1: than you see in film and fiction today. May have
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  Speaker 1: had a crown of pointed sunbeams.
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  Speaker 2: Oh interesting, I did make a little reference earlier.
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  Speaker 1: It s.
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  Speaker 2: Very visible and famous statue that may have had something
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  Speaker 2: to do with this guy. So we'll get to that
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  Speaker 2: in a little bit.
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  Speaker 1: Also may have descended from earlier depictions of the Anaki.
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  Speaker 1: All right, I'm gonna let.
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  Speaker 2: It go Universe Crossover. Do check out the multi part
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  Speaker 2: series on the ancient godlike entities that are the aninachy
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  Speaker 2: over on stuff they don't want you to know.
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  Speaker 1: How well said? Oh my gosh, all right, So here's
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  Speaker 1: the issue. You might be saying, Hey, guys, I'm a billionaire.
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  Speaker 1: I travel around the world just to see stuff that
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  Speaker 1: you talk about on ridiculous history. So where exactly on
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  Speaker 1: the island of Rhoads or in the historic city of
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  Speaker 1: Roads and the ruins thereof do I find this statue? Unfortunately,
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  Speaker 1: the exact location of the statue is no longer known
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  Speaker 1: because we have no record of any contemporary writer saying
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  Speaker 1: exactly where it was, so we have to guess it's
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  Speaker 1: maybe on what would have been the eastern side of
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  Speaker 1: the harbor.
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  Speaker 2: One hundred percent more concrete evidence well, actually the form
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  Speaker 2: of sandstone would be a large circle of cut blocks
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  Speaker 2: which could have served as the foundation for these statues base.
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  Speaker 2: Add to that, there are also fine slightly curved marble
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  Speaker 2: blocks randomly used in the fortresses walls that date back
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  Speaker 2: to the third century BCE, as well as some odds
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  Speaker 2: shaped stones which might have been part of the weights
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  Speaker 2: that were used in the statues interior we talked about
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  Speaker 2: to weigh down those iron struts to help support the structure.
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  Speaker 2: A second possible location could be the High City center
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  Speaker 2: where the sanctuary to Helios was located. And just to
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  Speaker 2: paraphrase Mark Cartwright, who is an authority on subject the witches,
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  Speaker 2: I've been doing up to this point in these descriptions
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  Speaker 2: because he's really got it nailed down. We are talking
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  Speaker 2: about the sanctuary of Helios and potentially hopefully reliable pieces
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  Speaker 2: of masonry inscribed with some details as potential proof for
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  Speaker 2: this version of the story. So, the Greeks did often
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  Speaker 2: situate their statues of various deities near the sanctuary that
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  Speaker 2: was dedicated to them, which makes sense.
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  Speaker 1: So let's think of it this way. We go over
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  Speaker 1: to the sanctuary and we say, as modern researchers, ah,
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  Speaker 1: these rhodients super pro Helios. Surely they would have a
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  Speaker 1: solid record of the statues of their deities, and maybe
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  Speaker 1: their deities are next to the big fancy edifice and
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  Speaker 1: building and structure that they dedicated to their gods. Unfortunately,
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  Speaker 1: here in twenty twenty five, there have been extensive archaeological
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  Speaker 1: investigations to the sanctuary site, and no traces of the
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  Speaker 1: legendary Colossus of Roads have been found there. All we
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  Speaker 1: can say, based on numerous reports, was that the Colossus
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  Speaker 1: of Roads was massive for people at the time, if
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  Speaker 1: not massive for people in modern ages, and it was
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  Speaker 1: so popular that it ended up on coinage. It ended
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  Speaker 1: up on currency. It was also referenced often in Hellenistic
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  Speaker 1: sculpture and in art in general. It came to become iconic, right,
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  Speaker 1: and I do agree with the idea that it later
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  Speaker 1: informed larger sculptures like our Statue of Liberty here in
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  Speaker 1: the United States. Unfortunately, like the Hellenistic Age itself. Shout
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  Speaker 1: out to Mark Cartwright, the life of the statue, the
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  Speaker 1: life of the colossus was pretty brief. It was too big, It.
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  Speaker 2: Got too big to fail. It seems to have failed.
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  Speaker 1: Yeah, in one it got shattered into pieces. It was
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  Speaker 1: picked over by something.
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  Speaker 2: The statue of Statue of Zeus was another one that
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  Speaker 2: we did that had a similar fate, right, you're.
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  Speaker 1: Correct, And this statue, the Colossus of Rhodes, appears to
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  Speaker 1: have fallen too an earthquake around two twenty six to
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  Speaker 1: twenty five BCE, and people just left it where it was.
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  Speaker 1: You know, like a gigantic corpse until about six hundred
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  Speaker 1: and fifty four Common Era, So for centuries this thing
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  Speaker 1: was just too big to move unless you stole little
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  Speaker 1: scraps of it. And it's six point fifty four Common
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  Speaker 1: Era when forces from what we call Arabia raid roads
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  Speaker 1: in the island as well as the city, and they
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  Speaker 1: have the infrastructure to break this statue up. And you
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  Speaker 1: know what they do. They don't put it in a
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  Speaker 1: museum because Indiana Jones is not even a franchise yet.
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  Speaker 1: Instead they sell the bronze from the exterior for scrap.
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  Speaker 2: Ah. You hate to hear that that it also makes
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  Speaker 2: sense because they had no reverence for this and in fact,
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  Speaker 2: doing it that way was almost an act could be
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  Speaker 2: seen as like an active defiance to the culture that
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  Speaker 2: they are like dismantling. Right.
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  Speaker 1: Well, it was very good for the camel and camel
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  Speaker 1: handler industry because it took more than nine hundred camel
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  Speaker 1: loads to get rid of all this bronze. And this
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  Speaker 1: is where we go to the idea of the Statue
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  Speaker 1: of Liberty. That's what we call it here in the
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  Speaker 1: United States, famously at New York Harver. It is a
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  Speaker 1: design of Frederic August BARTOLDI. It is supposed to be
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  Speaker 1: to your earlier point, Noel, it's supposed to be a
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  Speaker 1: mark of symbolism. It is the ancient Colossus of Rhodes.
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  Speaker 1: This is this is a one to one echo of this,
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  Speaker 1: And we have a couple of quotations here. Maybe we
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  Speaker 1: start with the dedication of the colossus itself. We know
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  Speaker 1: this is quoted.
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  Speaker 2: Widely to you, o son, the people of Dorian Rhodes
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  Speaker 2: set up this bronze statue reaching to Olympus when they
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  Speaker 2: had pacified the waves of war and crowned their city
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  Speaker 2: with the spoils taken from the enemy, not only over
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  Speaker 2: the seas, but also on land. Did they kindle the
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  Speaker 2: lovely torch of freedom and independence for the descendants of
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  Speaker 2: Heracles belongs dominion over sea and land. Just to clarify this,
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  Speaker 2: is this dedication text associated with the statue of Liberty
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  Speaker 2: or is.
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  Speaker 1: This dedicated to the original colossal?
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  Speaker 2: That's what I thought, got it? Yeah, yeah, so it's
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  Speaker 2: one hundred percent. Get that one to one comparison there.
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  Speaker 1: And the inspiration here may have come somewhat from the colossus,
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  Speaker 1: but the original purpose of the Statue of Liberty the
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  Speaker 1: statue we all know and love, was not to be
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  Speaker 1: put in the United States. In fact, the sculptor visited
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  Speaker 1: BARTOLDI visited Egypt in eighteen fifty five, and he said,
• 20:55
  Speaker 1: I'm going to work on big statues too. We're just
• 20:59
  Speaker 1: going to tell you the truth here, folks. He saw
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  Speaker 1: the facade of the temple at Abu Simmel and he said, look,
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  Speaker 1: Egyptian government, you guys should build this giant statue and
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  Speaker 1: maybe like a beacon of light, and it should maybe
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  Speaker 1: be like a woman holding a torture aloft, and you
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  Speaker 1: could put it at the Suez Canal and you could
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  Speaker 1: call it something like carrying the light to Asia. I
• 21:24
  Speaker 1: don't know if you guys are busy, but I like
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  Speaker 1: building statues, so just sort of let me know. So
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  Speaker 1: long story short, he did use our guy, BERTOLDI used
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  Speaker 1: the colossus as a motivation or what our pal Turbo
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  Speaker 1: Benson will call a reference. And the idea behind it,
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  Speaker 1: to say the statue of Liberty is one to one
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  Speaker 1: based off the Colossus of Rhodes is a little bit
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  Speaker 1: of a stretch. But I really like your note about
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  Speaker 1: the crown of Stars.
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  Speaker 2: Yes, that's definitely what grabbed me. But also just if
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  Speaker 2: you've ever walked inside the Statue of Liberty or seen
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  Speaker 2: any schematics of it, those internal struts are a big
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  Speaker 2: part of the construction of it too, which I guess
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  Speaker 2: is really just a logistical thing in terms of like
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  Speaker 2: design and engineering. But that did call it kind of
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  Speaker 2: also ring a bell or tick a boxer, you know whatever.
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  Speaker 1: Oh, I love it. I'm making the light bulb face.
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  Speaker 1: I think you nailed it. Also, we could say that,
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  Speaker 1: regardless of the motivations of the original sculptors, this has
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  Speaker 1: become the Statue of Rhodes here in the United States.
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  Speaker 2: And what would be an episode on one of the
• 22:38
  Speaker 2: Wonders of the Ancient World if we didn't discuss how
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  Speaker 2: it figures into the Civilization games.
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  Speaker 1: Right, And who better to explain this idea of the
• 22:48
  Speaker 1: wonder of the World and the Civilization game series than
• 22:52
  Speaker 1: our own pal, Max Williams. Max putting you on the
• 22:56
  Speaker 1: spot here.
• 22:57
  Speaker 2: Man, Okay, I gotcha.
• 22:59
  Speaker 3: Yeah, I mean, the Colossus is actually one that's showed
• 23:02
  Speaker 3: up in all seven games now, all seven mainline games,
• 23:05
  Speaker 3: and it's the wonder that you can build. It usually
• 23:09
  Speaker 3: makes you money. It's never one that I'm rushing to
• 23:13
  Speaker 3: and when someone else builds it, I'm not that sad,
• 23:18
  Speaker 3: but it looks really cool. And generally you have to
• 23:21
  Speaker 3: build in a coastal city, so you can't build in
• 23:22
  Speaker 3: the middle of the tundra.
• 23:24
  Speaker 1: I like building for the cinematics. I just love the
• 23:27
  Speaker 1: cut scene where you see the thing get built and
• 23:30
  Speaker 1: you get the little the little quotation so good.
• 23:34
  Speaker 2: It's SIFT seven.
• 23:35
  Speaker 3: It's good, but it's just not as good as six.
• 23:37
  Speaker 3: But that's I guess how you can describe SIP seven.
• 23:40
  Speaker 3: Just in general, it's just not as good as six.
• 23:42
  Speaker 1: And sometimes that's how people describe the ancient versus modern
• 23:46
  Speaker 1: wonders of the world. You look at humanity and you say,
• 23:50
  Speaker 1: three out of five, I like their early work. We
• 23:54
  Speaker 1: want to end with a symbolic point, right to the excellent,
• 24:01
  Speaker 1: to the excellent dedication you recited there nol for the
• 24:04
  Speaker 1: original Colossus of Rhodes. Here's what stands with us for
• 24:10
  Speaker 1: the modern colossus, the Statue of Liberty there in New
• 24:13
  Speaker 1: York Harbor. It is a poem that is only more
• 24:17
  Speaker 1: appropriate and important to realize now in twenty twenty five.
• 24:21
  Speaker 1: It goes like this, not like the brazen Giant of
• 24:25
  Speaker 1: Greek fame, with conquering limbs, astride from land to land.
• 24:30
  Speaker 1: Here out our seawashed sunset gate shall stand a mighty
• 24:34
  Speaker 1: woman with a torch, whose flame is the imprisoned lightning,
• 24:38
  Speaker 1: and her name Mother of exiles. From her beacon hand
• 24:43
  Speaker 1: glows worldwide. Welcome her mild eyes command the air bridged harbor.
• 24:49
  Speaker 1: That's when cities frame keep ancient lands. Your storied pomp,
• 24:53
  Speaker 1: cries she with silent Lipsam, give me your tired, your poor,
• 24:58
  Speaker 1: Your huddled mass is yearning to breathe, free the wretched
• 25:03
  Speaker 1: refuse of your teeming shore. Send these, the homeless tempest
• 25:09
  Speaker 1: tossed to me. I lift my lamp beside the golden door.
• 25:14
  Speaker 2: Moving, I swear to God. Dude, I don't think I've
• 25:16
  Speaker 2: ever heard the whole dedication. I just know the huddled
• 25:19
  Speaker 2: masses and the little bits that are cherry picked from it,
• 25:21
  Speaker 2: and like speeches and stuff. But that is powerful stuff.
• 25:25
  Speaker 2: I really really enjoyed that. And what an epic reading.
• 25:27
  Speaker 1: Thanks dude, Oh no, thanks to Emma Lazarus, the author
• 25:31
  Speaker 1: of the New Colossus. And so maybe to your earlier point,
• 25:35
  Speaker 1: this shows us. Sorry, I'm getting a little emotional. I'm
• 25:39
  Speaker 1: a sucker.
• 25:41
  Speaker 2: I was feeling it. Sorry, I didn't mean to step
• 25:43
  Speaker 2: on you, but when I was exclaiming during your reading,
• 25:46
  Speaker 2: I was overcome as well, because especially God not to
• 25:50
  Speaker 2: be political at all, but now more than ever, what
• 25:52
  Speaker 2: that represents. It's being challenged in many ways, and it
• 25:57
  Speaker 2: really does hit home.
• 25:59
  Speaker 1: And so perhaps we have a wonder of the world
• 26:03
  Speaker 1: our own right. And that's why we will argue that
• 26:12
  Speaker 1: the old Colossus of Rhodes, which totally did exist, is
• 26:17
  Speaker 1: echoed in the Statue of Liberty, right at least in
• 26:22
  Speaker 1: the dedication. The idea in one of the most important
• 26:26
  Speaker 1: cities of ancient Greece reflected in one of the most
• 26:29
  Speaker 1: important cities in modern America. And I think Noel and
• 26:35
  Speaker 1: Max and I all got a little perclept, as they
• 26:38
  Speaker 1: would say, we're talking about how awesome this idea is.
• 26:43
  Speaker 1: We have a continuing series on Wonders of the ancient world,
• 26:47
  Speaker 1: and we hope you enjoyed this one.
• 26:50
  Speaker 2: Folks.
• 26:50
  Speaker 1: We want to thank every scholar who has been looking
• 26:54
  Speaker 1: into this and doing the real world on the ground research.
• 26:57
  Speaker 1: Of course, we also must thank our our super producer
• 27:01
  Speaker 1: and research associate, mister Max Williams.
• 27:04
  Speaker 2: Max Williams, who found one of those incredible researchers, Mark Cartwright,
• 27:10
  Speaker 2: who is our continuing history research protagonist, as Max put
• 27:13
  Speaker 2: it in this story writing for World History Encyclopedia. So
• 27:17
  Speaker 2: thanks Mark, and thanks.
• 27:18
  Speaker 1: Max, and also thanks to Alexander Williams who composed this
• 27:23
  Speaker 1: slap and bop you're hearing at the end.
• 27:26
  Speaker 2: The Colossus of music and other things real, what do
• 27:29
  Speaker 2: you call it? A multi hyphenate, Paul Polymath. Sure, that's Alex,
• 27:33
  Speaker 2: That's our Alex.
• 27:34
  Speaker 1: Yeah, the opposite of a Thanks to Jonathan Strickland, whom
• 27:39
  Speaker 1: I blame directly for the fact that you cannot see
• 27:43
  Speaker 1: the Colossus of Rhodes today.
• 27:45
  Speaker 2: He knows what he did.
• 27:47
  Speaker 1: He knows, he knows big. Thanks to aj Bahamas, Jacobs Big,
• 27:52
  Speaker 1: Thanks to doctor Rachel Big, Spinach, Lance.
• 27:55
  Speaker 4: Big Fence, Oh jeez, Christophers, Yeah, Steeves, Jeff go here
• 27:59
  Speaker 4: in spirit Thanks, I'm going from a car here in spirits,
• 28:05
  Speaker 4: and Ben, thanks to you, Buckeroo. I'm stealing it from
• 28:08
  Speaker 4: you just for this moment, because it's just fun to say.
• 28:11
  Speaker 2: Yeah.
• 28:11
  Speaker 1: Also, I guess I should say I'm I'm not a
• 28:14
  Speaker 1: history cop.
• 28:16
  Speaker 2: I know whether you turn referring to the mustachs. Yeah yeah, Okay,
• 28:21
  Speaker 2: well I think you look great. We'll see you next time. Books.
• 28:30
  Speaker 2: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,
• 28:34
  Speaker 2: or wherever you listen to your favorite shows.