Latest / Fake Doctors, Real Friends with Zach and Donald / 316: My Butterfly

Transcript

316: My Butterfly · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Nice. Look at the tape on his headphones. Dan, can
• 0:02
  Speaker 1: you get him new headphones? Please? Yeah, you can get
• 0:04
  Speaker 1: him new headphones please. We're the most downloaded new comedy
• 0:07
  Speaker 1: podcast and the host can't have broken headphones. My headphones
• 0:11
  Speaker 1: broken anymore. Daniel has the power through iHeart to send
• 0:14
  Speaker 1: you new headphones. My headphones are no longer broken. If
• 0:18
  Speaker 1: you look, I have this beautiful thing called painters tape.
• 0:22
  Speaker 1: It holds it together. Well, I'm just saying that Daniel
• 0:25
  Speaker 1: has the hookup. Hey, Daniel, you could send me some
• 0:29
  Speaker 1: new headphones, and I appreciate that, but I'm gonna tell
• 0:32
  Speaker 1: you something right now. These are working just fine. But
• 0:34
  Speaker 1: if the people at iHeart feel like I'm just saying,
• 0:37
  Speaker 1: we could not iHeart for all the things they will
• 0:39
  Speaker 1: give us for free, like headphones, I'd be happy to
• 0:43
  Speaker 1: deliver you some headphones. I feel like I should stand
• 0:46
  Speaker 1: on another platform when it comes to things that iHeart
• 0:49
  Speaker 1: can give us for fear. Yeah, I think headphones. I
• 0:51
  Speaker 1: don't think. Yeah, let's think about the things that we
• 0:53
  Speaker 1: should ask iHeart for. Now that we are the number
• 0:57
  Speaker 1: one new downloaded comedy of twenty twenty, yeah, the most
• 1:02
  Speaker 1: downloaded comedy knew of twenty twenty, and I think that
• 1:06
  Speaker 1: makes sense number one, That makes sense number one in
• 1:09
  Speaker 1: that category. Yes, we found a category. We're number one,
• 1:12
  Speaker 1: number one. I don't think we can we can get
• 1:16
  Speaker 1: much free from iHeart, other than the gear to make
• 1:19
  Speaker 1: the podcast, like if your mic broke, or your headphone's broke,
• 1:23
  Speaker 1: or your digital recorder broke. I think the black top broke.
• 1:26
  Speaker 1: I need, I need, I need. I don't think the
• 1:30
  Speaker 1: top and a laptop to make this podcast work. I'm
• 1:34
  Speaker 1: I think it's gonna be a tough sell. I will
• 1:38
  Speaker 1: very fancy bottle of tequila? Have you have you? Did
• 1:40
  Speaker 1: you get your bottle of tequila? I did get my
• 1:42
  Speaker 1: bottle of tequila. I haven't opened it yet. Do you
• 1:44
  Speaker 1: know that's a three hundred dollar bottle of tequila? So
• 1:48
  Speaker 1: sipp it. It's funny. And he also to shoot it.
• 1:50
  Speaker 1: It was a sipp it. It's called sipping tequila, which
• 1:53
  Speaker 1: I didn't know was the thing, but I tried it
• 1:54
  Speaker 1: because I was did you shoot this? Did you shoot
• 1:58
  Speaker 1: the sipping tequila? No? I sipped it because I was
• 2:00
  Speaker 1: told this is very pricey tequila. You sip it, And
• 2:02
  Speaker 1: I sipped it and it was nice. It didn't hurt
• 2:05
  Speaker 1: like tequila usually hurts. Tequila hurts. Maybe when you have
• 2:08
  Speaker 1: a three hundred dollars model, it doesn't hurt so much.
• 2:13
  Speaker 1: You know what we should do? What's that? Since Will
• 2:16
  Speaker 1: is in the giving mood, yes doesn't. Will have a
• 2:21
  Speaker 1: mom named Paulette. Yes, Paulette Will, who is our overlorded
• 2:26
  Speaker 1: eyeheart and made this whole thing happen. His mom, Paulette
• 2:29
  Speaker 1: is a big fan of the podcast, and she's seventy
• 2:32
  Speaker 1: years old, so we're seventy years old. Happy birthday. The
• 2:36
  Speaker 1: fact that you are listening to my loud ass and
• 2:38
  Speaker 1: your seventy first time around the sun is amazing. I
• 2:43
  Speaker 1: hope this makes you day. I hope my loudness right
• 2:46
  Speaker 1: now it's so loud that you're like, whoa, it's my birthday.
• 2:51
  Speaker 1: Oh my god. I wish I had that energy at
• 2:53
  Speaker 1: ten thirty any more. I can't trick enough coffee to
• 2:55
  Speaker 1: have that kind of energy at ten thirty in the morning.
• 2:57
  Speaker 1: I am manufacturing this. What's this is? Once this is done,
• 3:01
  Speaker 1: we're gonna get woozy. You're gonna get I'm gonna get
• 3:04
  Speaker 1: very woozy. I'm gonna get very woozy. I showed Florence
• 3:07
  Speaker 1: trading places. She had never seen it. Oh my god,
• 3:11
  Speaker 1: we can make it, baby, me and you. It's a
• 3:16
  Speaker 1: it's a masterpiece. It really is a masterpiece of a film.
• 3:20
  Speaker 1: But you're wearing later. I remember that part. I do.
• 3:27
  Speaker 1: I remember from Sweden. I just watched it, and it's
• 3:32
  Speaker 1: amazing that dan Ackroyd in blackface didn't thought that he
• 3:36
  Speaker 1: would pass as a as an African American. Man, dude,
• 3:39
  Speaker 1: I told you, man, I certainly that what he says
• 3:42
  Speaker 1: when he walks into the freaking train car, I certainly
• 3:45
  Speaker 1: hope there's more. There's some space on this trend for me.
• 3:49
  Speaker 1: That shit is But the Jamaican accent, I'm laughing at it,
• 3:54
  Speaker 1: and I shouldn't be laughing out of them. Sorry, it's
• 3:56
  Speaker 1: so bad. I mean, it's it's so horrible, But it's
• 3:59
  Speaker 1: just money that in the world of the movie, they
• 4:02
  Speaker 1: they the characters thought that that was gonna fly in
• 4:05
  Speaker 1: the In the world of the movie, the dan ackroid
• 4:09
  Speaker 1: character Lewis Winthorpe, who is who Let's let's let's let's
• 4:14
  Speaker 1: let's just talk about his background. He's probably Ivy League
• 4:17
  Speaker 1: all the way. All he's done is ever done, is
• 4:20
  Speaker 1: Ivy League. When did he go to Jamaica long enough
• 4:24
  Speaker 1: to study how Jamaican people talk? One Act two and
• 4:33
  Speaker 1: picked up the dialect right like when where did he
• 4:36
  Speaker 1: go to school? That he was able to accomplish this,
• 4:39
  Speaker 1: and then not only that, when he was like when
• 4:41
  Speaker 1: they were like, when they were like when they were like, Okay,
• 4:43
  Speaker 1: we need to freak it. It's espionage. We need to
• 4:45
  Speaker 1: figure out a way on the on the train. When
• 4:49
  Speaker 1: we get on the train, we got to figure out
• 4:51
  Speaker 1: a way to get that briefcase. Okay, what do you
• 4:54
  Speaker 1: have that is useful for this situation? And Lewis winthorpe
• 5:00
  Speaker 1: Lewis Ray Louis raises his hand and goes, well, I
• 5:03
  Speaker 1: do a great Jamaican accent. So he hit me in
• 5:06
  Speaker 1: black face. I can get onto this. I can probably
• 5:09
  Speaker 1: get the suitcase, get the funk out of here, And
• 5:14
  Speaker 1: Billy Ray Valentine Eddie Murphy's character was like, yes, I
• 5:17
  Speaker 1: think that black face is probably the best angle for
• 5:20
  Speaker 1: you for this train. Well, he just made me realize
• 5:22
  Speaker 1: something I didn't realize before. Is Dan Ackroyd's character in
• 5:28
  Speaker 1: a costume because it's a it's a sort of a
• 5:33
  Speaker 1: New Year's Eve costume party. No, he's no, because he says,
• 5:36
  Speaker 1: I saw you with the some content, great African. We
• 5:41
  Speaker 1: had great time at the Benbul. So they're not in costume.
• 5:50
  Speaker 1: These people are actually playing. He's an actual Jamaican dude,
• 5:54
  Speaker 1: and Eddie's an African dude, and they met at an
• 5:58
  Speaker 1: African prince for black and a for Jamaican and African people.
• 6:04
  Speaker 1: They're right. But here's here's where I just realized that
• 6:06
  Speaker 1: the movie's a little confusing. Is that all those people
• 6:09
  Speaker 1: get in that train cabin and they're in costume but
• 6:14
  Speaker 1: and it's a costume party on the train, but they're
• 6:17
  Speaker 1: actually not. I mean, that's just a little bout something
• 6:19
  Speaker 1: I didn't realize before. Like they're in fake costumes. There's
• 6:23
  Speaker 1: a costume party on the train, but they could have
• 6:25
  Speaker 1: addressed as anything they could addressed. Why did they have
• 6:29
  Speaker 1: to be such broadcarros. Why did he have to be
• 6:31
  Speaker 1: in black face? Oh no, no, no, because he knows
• 6:33
  Speaker 1: what Winthorpe looks like. Hold on, now, he could have
• 6:36
  Speaker 1: put a mask on though it's a costume party, put
• 6:39
  Speaker 1: a Darth Vader mask on or something like that, and
• 6:41
  Speaker 1: that would have been a rap. Also, the guy in
• 6:43
  Speaker 1: the gorilla costume looks nothing like a gorilla, and yet
• 6:47
  Speaker 1: you're supposed to believe looks enough like a gorilla that
• 6:51
  Speaker 1: everyone's convinced that there's a there's two gorillas. Not only that,
• 6:55
  Speaker 1: but that the other gorilla in there thinks that the
• 7:00
  Speaker 1: person in the gorilla costume is a female gorilla. Holes. Yeah, yeah,
• 7:06
  Speaker 1: all right, there's a couple of holes in the movie.
• 7:07
  Speaker 1: But it's a masterpiece and I love it. So if
• 7:10
  Speaker 1: you've never seen Trading Places, I mean I don't. I
• 7:13
  Speaker 1: can't believe you exist. But if you've never seen Trading Places,
• 7:15
  Speaker 1: my girlfriend hadn't, and uh and she loved it and
• 7:18
  Speaker 1: we had a good laugh. All right, Donald, let's let's
• 7:21
  Speaker 1: start the show. Why don't you, Why don't you give
• 7:23
  Speaker 1: us some numbers that people love to hear? One, two, three, four,
• 7:26
  Speaker 1: Those aren't the numbers, Donald, Map six, seven, eight, about
• 7:32
  Speaker 1: we made about a bunch of docks and nurses, So
• 7:44
  Speaker 1: get around here. Yet around good episode. I remember thinking
• 7:55
  Speaker 1: at the time, this butterfly looked so fake. It looks
• 7:58
  Speaker 1: even faker in twenty twenty. Dude, I'm gonna be honest
• 8:01
  Speaker 1: with you. I just have I have a vague memory
• 8:04
  Speaker 1: of this episode, and so because of that, I felt
• 8:07
  Speaker 1: like when I was watching, I was like, oh, I
• 8:09
  Speaker 1: know what's gonna happen at the end, and then there
• 8:11
  Speaker 1: was that fake out. But then it happens. But then
• 8:14
  Speaker 1: what happened. What I thought it was gonna happen happens.
• 8:16
  Speaker 1: But there's that little fake out there where you're like,
• 8:19
  Speaker 1: oh shit, this is gonna go the other way, It's
• 8:21
  Speaker 1: gonna go the other way, and it doesn't. Yeah, they
• 8:23
  Speaker 1: subvert what you expect, which is good. You like, you know,
• 8:26
  Speaker 1: you don't want your audience guessing the end of the plot,
• 8:29
  Speaker 1: so it's always good to subvert expectations and shake it up.
• 8:34
  Speaker 1: And I thought this was a clever episode, having it
• 8:37
  Speaker 1: go one way in the in the in the first
• 8:39
  Speaker 1: part and the other way in the second. That was clever. Yeah,
• 8:43
  Speaker 1: and then it made me think, you know what I
• 8:45
  Speaker 1: should have I tried to write down all the things
• 8:48
  Speaker 1: that were different. We'll see if we if we if
• 8:50
  Speaker 1: we nail it. But okay, do you have a recap
• 8:52
  Speaker 1: ready for the world. I do. I think it's gonna
• 8:57
  Speaker 1: be a short one to day. I think it's not
• 8:58
  Speaker 1: gonna be as long. All right, you're gonna fuck up
• 9:01
  Speaker 1: the graph, guys, graph, But hold on, let me get
• 9:03
  Speaker 1: my stop watch. I bet you at the end of
• 9:06
  Speaker 1: the day it'll somewhat come back down to that thirty Mark. Okay,
• 9:10
  Speaker 1: here you go, and New Mark gets that go. In
• 9:12
  Speaker 1: this episode, we entered the Scrubs Molti verse, where things
• 9:16
  Speaker 1: are different but the same. Elliott doesn't want to let
• 9:19
  Speaker 1: a little girl down. Turk believes he's found his new
• 9:21
  Speaker 1: lucky charm, and the janitor has an army of custodians
• 9:26
  Speaker 1: hidden in his closet. Oh, man, would I do if
• 9:29
  Speaker 1: I had to do over? Hindsight is twenty twenty, Thank
• 9:33
  Speaker 1: goodness for twenty twenty one. But imagine if at midnight
• 9:37
  Speaker 1: when the ball dropped twenty twenty started all over it. No,
• 9:42
  Speaker 1: by the way, that was exactly thirty seconds, and you
• 9:45
  Speaker 1: had a beautiful little is it a pun there? Twenty
• 9:48
  Speaker 1: twenty Hindsight is twenty twenty, And then in the twenty
• 9:53
  Speaker 1: twenty one head explode emoji? You like that very clever?
• 9:58
  Speaker 1: Was that you or the Ganja coming up with that?
• 10:01
  Speaker 1: This is a ganja. It's a lot of ganja. Was
• 10:03
  Speaker 1: it you in the ganja working in cahuds to come
• 10:05
  Speaker 1: up with that? Little pun. It was a lot of ganja.
• 10:07
  Speaker 1: It was a lot of and when I said it,
• 10:09
  Speaker 1: and when I said it, I said it a while ago.
• 10:11
  Speaker 1: But when I said it, I was like, yeah, I've
• 10:14
  Speaker 1: come up with the new ship. Very clever. Oh you
• 10:17
  Speaker 1: rap artists out there. Yes, Donald was willing to license Welcome.
• 10:22
  Speaker 1: Donald was willing to license his hindsight is twenty twenty,
• 10:26
  Speaker 1: but it's turning twenty twenty one. Thing, the baby you're
• 10:29
  Speaker 1: welcome is the baby a popular rap arts. The baby
• 10:34
  Speaker 1: is fire dude, Holy caw, Look, yo, I was sleeping.
• 10:39
  Speaker 1: He's the one that talks like he's head like, kind
• 10:42
  Speaker 1: of like he got in VOTs kind of wraps me.
• 10:44
  Speaker 1: The baby who the want to talk like? That's the one. Yeah,
• 10:49
  Speaker 1: I got pro I'm cautious. He's seven. I'm cautious. I
• 10:55
  Speaker 1: don't know any of the baby's works from Charlotte. I
• 10:57
  Speaker 1: don't want to describe. His voice is raspy necessarily, but
• 11:00
  Speaker 1: he's got a very deep voice. But but it kind
• 11:03
  Speaker 1: of talked like that. I'm cautious. I can't do it.
• 11:06
  Speaker 1: I can't. I can't do it. A brother justice, But anyway, yo,
• 11:09
  Speaker 1: flavor the baby, the baby, I don't really know the
• 11:11
  Speaker 1: baby's work, but I'm not really I don't really listen
• 11:14
  Speaker 1: to it. If you sit in the car and you
• 11:16
  Speaker 1: just want to listen to some stuff, go to your iTunes.
• 11:19
  Speaker 1: You're on iTunes, hit the hip hop thing. It's nothing
• 11:21
  Speaker 1: but all of the top hip hop artists. I hit it,
• 11:25
  Speaker 1: and the baby came on and the baby was fine.
• 11:28
  Speaker 1: Right if if you get a chance to watch the
• 11:30
  Speaker 1: video for the song Bop Bop, that's pretty good. Great, Daniel,
• 11:34
  Speaker 1: is that the new computer you built on your work bench? There?
• 11:36
  Speaker 1: It is? This is the new computer I builts. But
• 11:38
  Speaker 1: you can have one of those. Daniel builds computers from scratch.
• 11:41
  Speaker 1: You could have one just like that. Daniel also charges
• 11:44
  Speaker 1: a lot of money for his computers. He's like, you
• 11:47
  Speaker 1: know the difference, Daniel. Listen, here's the difference between Daniel.
• 11:51
  Speaker 1: Who was that spot that used to come from? Daniel's
• 11:53
  Speaker 1: not gonna try and make a lot of money off
• 11:55
  Speaker 1: of you, but it's a lot of time it takes.
• 11:56
  Speaker 1: You gotta pay for his time, cheap bastard. My rates
• 12:01
  Speaker 1: are very competitive, are they? Are they competitive with what's that?
• 12:07
  Speaker 1: What's that? Are they competitive with fries? Absolutely? If you
• 12:11
  Speaker 1: try to get one of these big box stores to
• 12:13
  Speaker 1: build a computer for you. They're gonna be like, well,
• 12:14
  Speaker 1: that's gonna be a pretty penny right there. But I'm
• 12:17
  Speaker 1: happy to help you if you need any But anyway, Donald,
• 12:19
  Speaker 1: if you need a fancy gaming computer, Daniel custom builds
• 12:25
  Speaker 1: and then he and he also he streams what do
• 12:27
  Speaker 1: you call it? You twitch stream? Twitch? Very good? He
• 12:30
  Speaker 1: twitched selling such an old man. He twitched streams building
• 12:34
  Speaker 1: the computer so you could actually have watch your computer
• 12:37
  Speaker 1: being made. That's true. Wow, thank you for the plug. Yeah, everybody,
• 12:41
  Speaker 1: what's your stream? Daniel? If ever you can't ever lie
• 12:45
  Speaker 1: and be like, well I work this much on the computer,
• 12:49
  Speaker 1: can actually sit there and watch? Yeah, you remind people,
• 12:53
  Speaker 1: Daniel what your stream is? Twitch dot TV, slash DJ
• 12:57
  Speaker 1: Underscore Daniel d A n L. Come check, man, if
• 12:59
  Speaker 1: you're doing these kinds of things, you know, I'm sure
• 13:02
  Speaker 1: some of you are. You can watch Daniel and his
• 13:04
  Speaker 1: friends chat while they build computers from scratch. It's pretty cool.
• 13:09
  Speaker 1: Thank you, You're so sweet. Thank you. I know I am.
• 13:11
  Speaker 1: By the way, I got you guys lovely Christmas presents.
• 13:15
  Speaker 1: And Donald's gonna try and say that from both of us.
• 13:17
  Speaker 1: They're not for me. I'm sure Donald's are on the
• 13:21
  Speaker 1: on on their way to your house as well. I'll
• 13:24
  Speaker 1: get his face. I'm gonna be once. I didn't know
• 13:26
  Speaker 1: we were doing gifts this year. Well, I you know,
• 13:30
  Speaker 1: there's no rules. This is our first Christmas together, but
• 13:33
  Speaker 1: I decided to usual Usually we you usually saved gifts
• 13:37
  Speaker 1: for second Christmas. Is No, that's bullshit. That's that's what
• 13:41
  Speaker 1: we're the most number one comedy podcast download new They
• 13:45
  Speaker 1: deserve a present? You want? You want to say that
• 13:48
  Speaker 1: in English? I don't know. I can never say it right,
• 13:51
  Speaker 1: say that adjectives, there's too many adjectives. New number one
• 13:59
  Speaker 1: new common podcast twenty twenty. Yeah, number one, the number
• 14:06
  Speaker 1: one most downloaded new comedy podcasts in twenty twice. All right,
• 14:15
  Speaker 1: let's tell you this episode. Okay, So, first of all,
• 14:18
  Speaker 1: there's an exterior establishing shot of Cox entering the hospital.
• 14:21
  Speaker 1: I told you we shot those. I told you, and
• 14:23
  Speaker 1: I know, and I never we shot them all at once,
• 14:25
  Speaker 1: obviously in the beginning of the show. And I don't
• 14:28
  Speaker 1: think they've ever used this one of Cox entering the
• 14:31
  Speaker 1: hospital in a first time ever seeing that, I've never
• 14:33
  Speaker 1: seed that. So there you go. This a little trivia,
• 14:36
  Speaker 1: And it's weird because then all of a sudden he's
• 14:38
  Speaker 1: in the hospital. If not, why not cut from that
• 14:40
  Speaker 1: into him entering the hospital? Why cut from that into
• 14:44
  Speaker 1: you guys already on the first floor or I mean
• 14:47
  Speaker 1: the third floor, walking doing your round. I don't know,
• 14:50
  Speaker 1: it's weird. Those shots are always weird, those establishing shots.
• 14:53
  Speaker 1: I don't know why they use them. I mean, it's
• 14:54
  Speaker 1: not even the same hospital. It's they're just they're they're odd.
• 14:57
  Speaker 1: But I guess they have to remind people who are
• 14:59
  Speaker 1: in a hospital, so they cut to a big shot,
• 15:01
  Speaker 1: big wide shot of hospital, or that at that, or
• 15:03
  Speaker 1: that the people don't live there and that they arrived there.
• 15:05
  Speaker 1: I guess. I don't know. At forty five seconds, you say, dude,
• 15:09
  Speaker 1: too deep, which we which I told you the origin
• 15:12
  Speaker 1: of too Deep, but will remind the audience. I had
• 15:15
  Speaker 1: no idea it made the show. I had no idea.
• 15:17
  Speaker 1: This was probably something that you were like, YO say
• 15:19
  Speaker 1: too deep. Well, too Deep had become a running joke
• 15:22
  Speaker 1: with us, because as as as fans of the podcast recalled,
• 15:26
  Speaker 1: my brother and I were once superstoned and we were
• 15:29
  Speaker 1: walking up the stairs and he put sneaking in, sneaking
• 15:32
  Speaker 1: and sneaking in late and he put his finger in
• 15:34
  Speaker 1: my butt cheeks. No, I mean your butth hole. Well, yeah,
• 15:38
  Speaker 1: I had pants on. I don't want anyone to think
• 15:39
  Speaker 1: like we were like walking up the stairs naked and
• 15:42
  Speaker 1: I and I and I turned back to him and
• 15:44
  Speaker 1: I said, instead of saying, dude, what the fuck are
• 15:46
  Speaker 1: you doing, I said, dude, too deep? And we both
• 15:49
  Speaker 1: started just belly laughing at the fact that it wasn't
• 15:52
  Speaker 1: that I was object objecting to the touch. It was
• 15:54
  Speaker 1: that the touch had gone too deep. Yeah, because it's like, look,
• 15:57
  Speaker 1: I'm trying to get We're trying to get in here quietly. Yeah,
• 16:00
  Speaker 1: and you're distracting me by sticking your finger too deep.
• 16:03
  Speaker 1: Later on, fine, now not the time, No, No, I disagree.
• 16:07
  Speaker 1: I think my analysis was. What was funny about it
• 16:10
  Speaker 1: was that it was saying, I'm not I don't mind
• 16:12
  Speaker 1: that you put your fingers between my cheeks, but this
• 16:14
  Speaker 1: time you've gone too deep. Anyway, this stupid joke became
• 16:17
  Speaker 1: a running gag between me and Donald and UH and
• 16:20
  Speaker 1: finally made it to Scrubs on in season three episode
• 16:25
  Speaker 1: what Is It three sixteen, Wow took a few years,
• 16:30
  Speaker 1: but Power Rangers, I have no knowledge of the packet.
• 16:33
  Speaker 1: I was going to ask you about that. I was like,
• 16:34
  Speaker 1: what do you know about the Power Rangers? Obviously you
• 16:36
  Speaker 1: know nothing because Power Rangers ho does not exist. Power Rangers,
• 16:40
  Speaker 1: how Rangers, whatever age they were intended for, it was
• 16:46
  Speaker 1: not me because I have no knowledge of the Power Rangers. Joel,
• 16:49
  Speaker 1: where they your age Ranger? The very first costume I
• 16:52
  Speaker 1: got to pick up for myself for Halloween was the
• 16:54
  Speaker 1: Ranger can't really and it was amazing. Yeah, you yeah,
• 17:01
  Speaker 1: to choose you had. Can you explain to me basically
• 17:04
  Speaker 1: the lore of that? What is their story? Yeah, they're
• 17:08
  Speaker 1: high school students, the whole of Ye, here's a very
• 17:15
  Speaker 1: fun nerd out, behind the scenes lore of how the
• 17:17
  Speaker 1: show got made for in America. But we're gonna sky
• 17:20
  Speaker 1: step that for five teenagers at school. Basically, aliens came
• 17:25
  Speaker 1: to Earth. There's one good alien he like gives them
• 17:28
  Speaker 1: some powers. When they team up, they can make a
• 17:30
  Speaker 1: big giant droid allah like Transformers. Uh, they're friends. They
• 17:34
  Speaker 1: do some karate, they hang out in the desert, they
• 17:37
  Speaker 1: ride motorcycles. They're the epitome of cool. But it was
• 17:39
  Speaker 1: very b right it was kind of done like a
• 17:41
  Speaker 1: B movie. No, very very very like the epitome of
• 17:48
  Speaker 1: uh uh syndicated show. Like you know, if you there
• 17:52
  Speaker 1: was the network shows and then there were the syndicated
• 17:55
  Speaker 1: shows that you made strictly for syndication. You would go
• 17:58
  Speaker 1: away and shoot like a crap ton of them. It
• 18:01
  Speaker 1: wasn't necessarily on an on any network. Just networks would
• 18:05
  Speaker 1: buy it and then they would use it as fillers,
• 18:07
  Speaker 1: like like a B sci fi movie. Yeah, well, I mean,
• 18:11
  Speaker 1: my my, there's a hole. There's a whole bunch of
• 18:14
  Speaker 1: things that are attached to this. But yeah, sure you
• 18:16
  Speaker 1: could call it a B sci fi movie. It's crazy
• 18:18
  Speaker 1: to me. Was there an Asian influence to it? Well, yeah,
• 18:22
  Speaker 1: it was a bunch of Asian car It was Asian
• 18:24
  Speaker 1: television shows that they and for something like if you
• 18:28
  Speaker 1: notice everything comes in five in uh in anime, right,
• 18:33
  Speaker 1: So like you know Voltron with five cats, uh you
• 18:37
  Speaker 1: know G four's five people. You know it goes it's
• 18:40
  Speaker 1: it's like that. And so when the television shows, you
• 18:43
  Speaker 1: have a bunch and it's always colorful too, like there's
• 18:45
  Speaker 1: the red one, there's a green one, there's a white one.
• 18:48
  Speaker 1: So there's a bunch of uh shows. Uh is it
• 18:52
  Speaker 1: from Japan? Yeah, I guess right, Japan. There are a
• 18:54
  Speaker 1: bunch of shows from Japan where there are different characters,
• 18:59
  Speaker 1: but for some reason, they always dress in green, yellow, red, blue,
• 19:05
  Speaker 1: and black. Right, And so now you have all of
• 19:09
  Speaker 1: these different shows out there that you could and and
• 19:11
  Speaker 1: and for some reason they always transform into a giant
• 19:14
  Speaker 1: robot and fight in the city. Also, right, that's the
• 19:17
  Speaker 1: show has an Asian influence, is what you're saying. It
• 19:20
  Speaker 1: was the Asian TV shows and SUPERCENTI. Yeah, Supercentai. It
• 19:28
  Speaker 1: was part of the Superhero Time programming block with Common Rider.
• 19:33
  Speaker 1: All right, Well I totally missed this. I just remember
• 19:35
  Speaker 1: them fighting really ridiculous looking monsters putties, good times, really good.
• 19:43
  Speaker 1: All right, So it's the Butterfly episode for those of
• 19:47
  Speaker 1: you who are following along talking about the butterfly effect
• 19:50
  Speaker 1: and how one moment can change everything. And uh, just
• 19:54
  Speaker 1: a little little moment of decor from the design department
• 19:58
  Speaker 1: when when Elliott first entered, here's the little girl's room
• 20:02
  Speaker 1: that she's helping. There's butterfly decorations all over the walls.
• 20:06
  Speaker 1: Did you notice that, Tom, I did not notice that
• 20:09
  Speaker 1: little subtle thing. You're looking for your Tabasco do Rag
• 20:13
  Speaker 1: because it's your lucky Tabasco surgical do rag. And we
• 20:17
  Speaker 1: see what happens if he doesn't have his Tabasco do Rag.
• 20:20
  Speaker 1: Rando will pop out of a patient's body and punch
• 20:24
  Speaker 1: Turk into ding Ding. So he needs to find that
• 20:26
  Speaker 1: do Rag. Do you think Todd wants to fuck Turk?
• 20:29
  Speaker 1: I think so, yes, yeah, I mean this is the
• 20:30
  Speaker 1: first episode where it really kind of came out that
• 20:33
  Speaker 1: if not fuck, if not fuck, he wants to at
• 20:36
  Speaker 1: least see his penis and put it on his face,
• 20:38
  Speaker 1: like there's there's his penis and just like rest on
• 20:42
  Speaker 1: it on his face. Yeah, just lie it down, Yeah,
• 20:45
  Speaker 1: just lie down, lie Turk's penis, drape it, drape it,
• 20:48
  Speaker 1: drape it, drape it. Drape his cock on your face.
• 20:53
  Speaker 1: Yeah no, no, not on not on Turk's face. He
• 20:56
  Speaker 1: wants Turk to drape his cock on his face. Okay,
• 21:00
  Speaker 1: face either way, they wants they want cock. He wants
• 21:03
  Speaker 1: cock drapage. Yes, I am. There's two moments early on
• 21:10
  Speaker 1: the show where I'm like, Todd wants to fuck Turk, Like,
• 21:13
  Speaker 1: I mean, we've already established that he's you know, bisexual
• 21:17
  Speaker 1: and open to lots of things. And he clearly is
• 21:21
  Speaker 1: reaching into your ass. And I don't know, there's just
• 21:25
  Speaker 1: lots of He doesn't want me to wear underwear. He's like,
• 21:28
  Speaker 1: I don't ever wear underwear. He talks about not you know,
• 21:30
  Speaker 1: he's very into, very into your your growing. So, like
• 21:34
  Speaker 1: I said, he wants to put it on his face.
• 21:36
  Speaker 1: Now what is it? Do? So are the surgical things
• 21:38
  Speaker 1: you wore did did they call those do rags? I
• 21:41
  Speaker 1: don't know. Okay, Now the classic like do rag, the
• 21:46
  Speaker 1: black one that you see like men wearing in the city.
• 21:48
  Speaker 1: What's the point of that? This city is so funny, dude,
• 21:52
  Speaker 1: But but you don't see them too many two rags
• 21:58
  Speaker 1: in South Orange, New Jersey. Is yeah, I could show
• 22:02
  Speaker 1: you some white boys with waves. Boy, I'm telling you
• 22:05
  Speaker 1: right now, it's all. It's all. I'm asking you what
• 22:08
  Speaker 1: the I'm asking you a not a jokey question of
• 22:12
  Speaker 1: the satiny one that you see like all the time.
• 22:14
  Speaker 1: It's to lay the hair flat, right, and it gets
• 22:17
  Speaker 1: so flat that it starts to get wavy, right, and
• 22:21
  Speaker 1: so you put a do rag on to maintain these
• 22:24
  Speaker 1: waves after you brush your hair. I see, Okay, and
• 22:29
  Speaker 1: and the surgical thing was obviously just to keep your
• 22:31
  Speaker 1: hair out. But I was wondered, if you if I
• 22:32
  Speaker 1: wondered if they really called them what they really called them,
• 22:35
  Speaker 1: the surgeons called them, if they called them to do
• 22:36
  Speaker 1: rags or we just called it duc Well, it could
• 22:37
  Speaker 1: be a drag. I mean, I mean it. All it
• 22:39
  Speaker 1: is is a rag that gets moist enough after you've
• 22:42
  Speaker 1: brushed your hair to make your hair do wavy things.
• 22:45
  Speaker 1: I see, all right, see ill learned something. You're all
• 22:47
  Speaker 1: learning something here on the podcast. So there's two pairs
• 22:50
  Speaker 1: of breasts early on in the show, right, there's a
• 22:53
  Speaker 1: large pair of female breasts that are out, and then
• 22:56
  Speaker 1: there's a pair of men's breasts, a man who has
• 22:59
  Speaker 1: sort of is heavy set enough to have breasts. This
• 23:02
  Speaker 1: is one of those moments where I feel like awkward
• 23:05
  Speaker 1: thinking of the casting where they're like, put a call
• 23:07
  Speaker 1: out for men with male breasts. I made it. The
• 23:13
  Speaker 1: day exists and they know they exist. Why would it
• 23:15
  Speaker 1: be awkward. It's just you know, the guy shows up
• 23:18
  Speaker 1: that morning and he's having coffee and he's so you
• 23:21
  Speaker 1: don't gotta feel sorry for nobody. He's getting paid money.
• 23:23
  Speaker 1: He was like, yo, you know. I'm I'm playing a
• 23:25
  Speaker 1: dude with the boobs. I'm gonna doude with the boobs
• 23:27
  Speaker 1: that he's sipping his coffee. I'm sharing. I'm just sharing
• 23:30
  Speaker 1: with you. Whenever there's these moments in anything, in any film,
• 23:34
  Speaker 1: even TV show, I have nothing to do with it it.
• 23:36
  Speaker 1: I'm always a little like, oh, man, Like I had
• 23:37
  Speaker 1: to come to work. He's like, yeah, hi, I'm the
• 23:39
  Speaker 1: large breasted male and they're like, okay, right here, sir.
• 23:43
  Speaker 1: And then when he got the check and got the Xbox,
• 23:45
  Speaker 1: he was like, best day. Hey. And if he liked women,
• 23:49
  Speaker 1: he got to spend the day next to a woman
• 23:51
  Speaker 1: with giant breasts and talk to her, so maybe that
• 23:54
  Speaker 1: was nice for him. And if he was an actor,
• 23:55
  Speaker 1: he was on scrubs. Yeah, that's true. By the way
• 23:58
  Speaker 1: you say regarding her breast, you say, look at them
• 24:01
  Speaker 1: all snugly and safe and whatnot. I thought that was
• 24:08
  Speaker 1: the funniest way for a man to to ogle. I
• 24:14
  Speaker 1: say both every time I get every time this word
• 24:17
  Speaker 1: comes to my brain, and I wonder if it's ogle
• 24:19
  Speaker 1: or ogl you at home? Is it agl or ogl? Oh?
• 24:23
  Speaker 1: Thank you? I was pretending like I heard them. Donald,
• 24:28
  Speaker 1: let me try it again you at home? Is it
• 24:30
  Speaker 1: agl or ogl? Oh? Thank you? You know it was
• 24:34
  Speaker 1: a big hit, But us saying people's names who don't
• 24:38
  Speaker 1: usually get their names said, oh really, A lot of
• 24:41
  Speaker 1: people were happy. They were like, you said that name.
• 24:44
  Speaker 1: Let's pick. Let's all pick a really random name that
• 24:47
  Speaker 1: doesn't often get said and say hi to that. Yeah.
• 24:49
  Speaker 1: Because I said talk, I was like tick and talk
• 24:52
  Speaker 1: and somebody's name was actually talk and they were like,
• 24:54
  Speaker 1: thank you for saying my name. Nobody ever says my name.
• 24:57
  Speaker 1: Are each gonna say hello to a random name that
• 24:59
  Speaker 1: isn't Renny? I'm gonna go first, Wait, don't make up,
• 25:02
  Speaker 1: don't make up some bullshit and be no, no, it's
• 25:04
  Speaker 1: gonna be your real name. It's just not that common
• 25:06
  Speaker 1: in name. Hey, Clarence, how are you? Thanks for listening? Donald, Apple,
• 25:14
  Speaker 1: Blue Armenia. I said one name, and you said hello
• 25:21
  Speaker 1: to Chris Martin Asidge. I don't know if Chris Martin's
• 25:24
  Speaker 1: child listens to the show, but I hope. Okay, Juel, Juel,
• 25:28
  Speaker 1: you're up, good morning. Stop let you well go go ahead, Joel,
• 25:34
  Speaker 1: Good morning, Amara, Amara, how are you welcome? Thanks for listening.
• 25:38
  Speaker 1: Daniel Shanika Yo Shanka. Daniel, go ahead, I will say
• 25:44
  Speaker 1: good morning to my friend. If he shakuda, if Jamila, Jamila, Okay,
• 25:52
  Speaker 1: jam Jachim. All right, everybody, welcome to the show. Thanks
• 25:56
  Speaker 1: for listening. The banjo Fantasy I people are I'll be
• 26:00
  Speaker 1: polarized on the banjo, but I love the banjo. I
• 26:02
  Speaker 1: think the banjo makes everything better. Dan, I mean, it's
• 26:10
  Speaker 1: hard not to like a banjo. In my personal opinion,
• 26:12
  Speaker 1: the banjo always makes me smile and it's great. I
• 26:14
  Speaker 1: love it. Every time I hear it in the score,
• 26:16
  Speaker 1: I love it. I just love banjo. Do you know
• 26:18
  Speaker 1: what I think? Do you know what I think of
• 26:20
  Speaker 1: when I hear banjo, Steve Martin? I think it's Steve Martin.
• 26:23
  Speaker 1: Every time I hear banjo, Steve Martin, Steve Martin, you
• 26:28
  Speaker 1: made banjo so happy for me. Yeah, thank you. You
• 26:32
  Speaker 1: may not know this if you're listening, but Steve Martin
• 26:34
  Speaker 1: is an excellent banjo player, and like that was his
• 26:38
  Speaker 1: act back in the day. He would come on stage
• 26:40
  Speaker 1: with a banjo. I loved Mumford and the Sons, and
• 26:44
  Speaker 1: then they got a lot of shit for like having
• 26:46
  Speaker 1: so much banjo, and then sudden they put out an
• 26:48
  Speaker 1: album without the banjo, and I missed the banjo. I
• 26:51
  Speaker 1: was like, where's the banjo? You know what I'm saying? Donald?
• 26:58
  Speaker 1: I do you never heard him? Joe and that? Are you?
• 27:02
  Speaker 1: Are you freaking kidding me? I've never heard of Mumfet
• 27:04
  Speaker 1: and Son. I don't know. You might be listening to
• 27:06
  Speaker 1: the Baby. I do like the Baby, but I do
• 27:10
  Speaker 1: like Mumfort and Song. You know what? Do you know what? Well?
• 27:15
  Speaker 1: You know? Do you know? Do you know? Speaking of
• 27:16
  Speaker 1: Mumfort and Sons, this guy sounds a little bit like
• 27:19
  Speaker 1: them to me. Uh and maybe it's just he only
• 27:22
  Speaker 1: has one really big He was an American idol Philip Phillips. No,
• 27:25
  Speaker 1: you're not alone. This is the place your home. Settle down,
• 27:36
  Speaker 1: it all all be clear. Don't pay attention to demons.
• 27:43
  Speaker 1: They feel you with feet turned down down and down down, down, down,
• 27:49
  Speaker 1: down down. That's that's my Are you never you don't?
• 27:54
  Speaker 1: This is on every way? Hold on? I'm sorry? Is
• 27:58
  Speaker 1: that American idol? Are you American? I'm American? Yes, yes
• 28:02
  Speaker 1: I am. I want because I don't want? That isn't?
• 28:05
  Speaker 1: That is probably the most American played song other than
• 28:09
  Speaker 1: That's everywhere other than the Starspangel Banner, Philip Phillips and
• 28:13
  Speaker 1: no you're not alone your home. That shit has played
• 28:16
  Speaker 1: all the time everywhere. I've never heard. Oh that we've
• 28:26
  Speaker 1: probably lost listeners. Come back, listeners, I can come back.
• 28:30
  Speaker 1: I can feel people going fuck this episode? Why because
• 28:36
  Speaker 1: I say, Philip Phillips, It's just too much and too loud.
• 28:39
  Speaker 1: I'm like, my ears hurt, and I love you. Your
• 28:43
  Speaker 1: ears don't hurt. I got this shit turned all the
• 28:45
  Speaker 1: way down, guys, so sorry, I'm speaking of ears hurting. Daniel,
• 28:51
  Speaker 1: how dare you stifle me and turn me down on
• 28:53
  Speaker 1: the headphone Listen, I'm listening to the show, and now
• 28:56
  Speaker 1: you're turning me down. You're turning me down and turning
• 28:59
  Speaker 1: me down, turning me down. People run with you in
• 29:04
  Speaker 1: their ears. It's too much. You're blowing people out. If anything,
• 29:07
  Speaker 1: it makes them run faster. Man, with somebody else, that's
• 29:10
  Speaker 1: that's that's that's instinctual. When you're when you hear somebody else,
• 29:15
  Speaker 1: your instinct is to pick up the pace and then
• 29:18
  Speaker 1: you wall shit, I better run faster. I'm helping people, man,
• 29:22
  Speaker 1: I'm helping people. Don't be mad at me. I'm helping you.
• 29:25
  Speaker 1: I'm helping you and you, guys, you are too loud sometimes,
• 29:30
  Speaker 1: and so Daniel is our safeguard against hurting people's ears.
• 29:33
  Speaker 1: And let's talk about my followers. Man, what the fuck
• 29:36
  Speaker 1: is guys? What's going on? I love all of you
• 29:39
  Speaker 1: that are following me now. I love you so much.
• 29:41
  Speaker 1: We did it. We did it. We did it. We
• 29:44
  Speaker 1: did it, We did it. What do we do? What
• 29:48
  Speaker 1: do we do? We? I gained since this podcast, I
• 29:51
  Speaker 1: gained over one hundred and something thousand. Wow. That's huge.
• 29:57
  Speaker 1: Thank you, thank you very much. And I'd hate to
• 29:59
  Speaker 1: sound like an asshole, but it's not enough. It's not enough.
• 30:02
  Speaker 1: I know I'm an asshole. I'll be the asshole. I'll
• 30:04
  Speaker 1: be the asshole. It's not the best look to grovel
• 30:07
  Speaker 1: for followers. They love you and people will follow you.
• 30:09
  Speaker 1: Everybody Donald, I want, I want, I want more, I
• 30:13
  Speaker 1: need more. All right, let's circle back and the words
• 30:16
  Speaker 1: of Sharpay from high school musical. I need, I need,
• 30:21
  Speaker 1: I need, I need, I need, I need, I want
• 30:27
  Speaker 1: fabu less, I want fastbut less too much? Did I
• 30:35
  Speaker 1: go too far? We got to talk about this show?
• 30:38
  Speaker 1: Oh okay, I've had my moments. Let's take a break.
• 30:47
  Speaker 1: We'll be right back after these fine words. Let's go
• 30:56
  Speaker 1: back to the show. So JD has made a homemade
• 31:02
  Speaker 1: dolls of Cox and JD. We learn he made action figures,
• 31:06
  Speaker 1: action figures. He's acting out JD and Cox together at home. Yes,
• 31:14
  Speaker 1: and Harold dream is coming true. Apparently, Kelso has said
• 31:17
  Speaker 1: to Turk quote, homeboy, get your kuettomobile off the road, Yes,
• 31:24
  Speaker 1: right before Yes. Yes. Also, Carla eats couch candy on
• 31:33
  Speaker 1: the low. Yeah, Bill does that. Bill was the kind
• 31:36
  Speaker 1: of guy that you'd pass the candy bar and he'd
• 31:39
  Speaker 1: be like, oh, and it would be open and he'd
• 31:41
  Speaker 1: eat it. He has no I mean nowadays, I'm sure
• 31:43
  Speaker 1: he's changed his ways, but I remember always being grossed
• 31:45
  Speaker 1: out about him. He would just he had no German
• 31:48
  Speaker 1: fears and would just grab although this is I don't know.
• 31:51
  Speaker 1: Would you eat a Snickers bar if you found in
• 31:53
  Speaker 1: the couch and with half open nowadays? No, No, But
• 31:56
  Speaker 1: I mean like in normal times, yeah, you might be
• 32:00
  Speaker 1: like someone in my family. Yeah. I mean, you know, uh,
• 32:05
  Speaker 1: you know when shit changes when you have kids and
• 32:08
  Speaker 1: you see them eating stuff and then you look at
• 32:11
  Speaker 1: it and you know that that could be a cold
• 32:14
  Speaker 1: or the flu or whatever it is that they caught
• 32:17
  Speaker 1: at school and you're looking at them eating and they're like,
• 32:20
  Speaker 1: I'm not going to eat anymore, but it's something you
• 32:22
  Speaker 1: want to eat. That's when you're playing roulette, you know
• 32:24
  Speaker 1: what I mean. That's when it's like, all right, here
• 32:26
  Speaker 1: we go. Yeah, because your kids are little germ factories, right, absolutely.
• 32:30
  Speaker 1: I have a question about the do rag Yeah, just
• 32:35
  Speaker 1: you know, so it's clear Turk obviously has superstitions and
• 32:39
  Speaker 1: holds lucky charms you know, as uh, you know, as
• 32:43
  Speaker 1: value and stuff. But do you guys have anything like that?
• 32:45
  Speaker 1: Do you guys have silly superstitions? I know, Zach, you
• 32:48
  Speaker 1: were talking about how when you were younger you had
• 32:50
  Speaker 1: OCD and that's kind of like a superstition. Do you
• 32:53
  Speaker 1: still have that going out? Well, I don't just like
• 32:57
  Speaker 1: O c D in a sense, I have little superstitions
• 33:00
  Speaker 1: that I just go, well, I think it's ridiculous, but
• 33:04
  Speaker 1: just to be saved, I'm not gonna walk under a
• 33:06
  Speaker 1: ladder stuff like that, or like like I was told
• 33:10
  Speaker 1: when I was a kid that putting a hat on
• 33:11
  Speaker 1: the bed is bad luck. Yeah, I still don't do that.
• 33:14
  Speaker 1: I saw that in a moment. I don't let any
• 33:16
  Speaker 1: hats on the bed. I was a drug store cowboy, right,
• 33:19
  Speaker 1: I don't open umbrellas inside the house. Wasn't that Kelly
• 33:22
  Speaker 1: Lynch drug store cowboy that said that cowboy? Is that right?
• 33:26
  Speaker 1: I don't know. I just know that I don't do it.
• 33:28
  Speaker 1: Do you have any superstitions? You don't do things you
• 33:30
  Speaker 1: don't do. Let me see if you broke a mirror,
• 33:34
  Speaker 1: would you think you seven years bad luck? I try
• 33:37
  Speaker 1: my well, I try my heart. It's not to break
• 33:39
  Speaker 1: marriage because of that. Yeah, I don't want to break
• 33:41
  Speaker 1: a mirror, Daniel, what about you? Yeah? You know, I
• 33:48
  Speaker 1: think subconsciously in the back of my head, I'm like, oh,
• 33:50
  Speaker 1: don't walk under that ladder. But I don't think in
• 33:52
  Speaker 1: my heart of hearts, I would believe it if I
• 33:54
  Speaker 1: walked under a ladder and was like fuck bad luck. No,
• 33:57
  Speaker 1: I don't really believe it. But like I there's a
• 34:00
  Speaker 1: part of me and like I said, and I think
• 34:01
  Speaker 1: it made circle back to my ocdnis where I'm just like, well,
• 34:04
  Speaker 1: just to be safe, I'm not gonna walk out on
• 34:06
  Speaker 1: the ladder. Yeah, don't you also feel like as a
• 34:08
  Speaker 1: theater kid though, like theater, kid, I thought that hell
• 34:10
  Speaker 1: of superstitions, like I'll leave the ghost slide eye. They
• 34:15
  Speaker 1: don't say Macbeth in the theater, yeah, I will always
• 34:18
  Speaker 1: say break a leg that I mean, you know, there's
• 34:19
  Speaker 1: no there's no, there's certainly no g l in the theater.
• 34:23
  Speaker 1: Never you don't see that. You don't say McBeth in
• 34:26
  Speaker 1: the theater. That's considered huge bad luck. So you say
• 34:29
  Speaker 1: the Scottish play, the scott the Scottish play. What if
• 34:34
  Speaker 1: you're performing Macbeth, then well then you can No, you
• 34:38
  Speaker 1: can if you you can say the words Macbeth as
• 34:40
  Speaker 1: they're used in the show, of course, But because Macbeth
• 34:44
  Speaker 1: is you know, about witches and sorcery, there's always just
• 34:47
  Speaker 1: been this longstanding theater tradition that you do not say Macbeth.
• 34:51
  Speaker 1: That's like the worst luck for your play, And so
• 34:53
  Speaker 1: instead you say the Scottish play. There he goes a
• 34:57
  Speaker 1: little theater tribute for you. Todd says to Elliott, I
• 35:02
  Speaker 1: got a pink doggie. But it's not Little calls his
• 35:07
  Speaker 1: cock a pink doggie. Now, when JD and Elliott enter
• 35:13
  Speaker 1: the janitor's closet, that's pretty funny. They find before we
• 35:16
  Speaker 1: get there, you're skipping something. You're skipping something that you
• 35:19
  Speaker 1: did really good and we should talk about this. But
• 35:21
  Speaker 1: what a great doctor Cox you did. Oh, thank you,
• 35:24
  Speaker 1: my big doctor Cox rant. That's very good. You even
• 35:28
  Speaker 1: had some of the faces in the awe. He really,
• 35:32
  Speaker 1: I must have worked on that, because that's not a monologue.
• 35:35
  Speaker 1: You just want to show up and do. I'm sure
• 35:36
  Speaker 1: that I rememberized that and worked on that. Yeah, we
• 35:40
  Speaker 1: didn't make it to Joseph's the night the night before
• 35:42
  Speaker 1: that one. No, No, I had to put the work
• 35:44
  Speaker 1: in for that because Johnny was so amazing and how
• 35:47
  Speaker 1: hard he'd work on those and how much memorization they took.
• 35:50
  Speaker 1: And he talked on the show with us about how
• 35:52
  Speaker 1: often they'd change and he'd be like, oh, you're killing me.
• 35:55
  Speaker 1: But he could do it. He was so good at it,
• 35:57
  Speaker 1: you know. So for me, I know that I wanted
• 36:00
  Speaker 1: to do a good job, especially doing it in his
• 36:03
  Speaker 1: face to him. So yeah, it was funny, right he really.
• 36:09
  Speaker 1: You know it's crazy is that there's no connection between
• 36:11
  Speaker 1: you two in your shot, like it's just a one
• 36:15
  Speaker 1: or it's just a one, it's just you in the frame.
• 36:18
  Speaker 1: You don't it's not an over or anything like that.
• 36:20
  Speaker 1: So there's a possibility that Johnny wasn't there when you
• 36:23
  Speaker 1: know he was there. I'm sure. I know he's always
• 36:25
  Speaker 1: Johnny was always there. That's that's one thing that's always shoot.
• 36:29
  Speaker 1: I remember when there would be like it would be
• 36:31
  Speaker 1: it could even be Johnny, we need to wrap you
• 36:36
  Speaker 1: so that we can make your turnaround tomorrow. But we
• 36:41
  Speaker 1: still have to finish this scene. We still have like
• 36:44
  Speaker 1: another half an hour twenty minutes on this scene. But
• 36:46
  Speaker 1: you can go home. We're gonna just shoot Zack's or
• 36:49
  Speaker 1: Donald's coverage. Johnny would stay the extra twenty minutes and
• 36:52
  Speaker 1: be like, just just let's just shoot the ship. I
• 36:55
  Speaker 1: don't think I've ever worked with one of these douchebag
• 36:58
  Speaker 1: people you hear about that don't stay for off camera coverage.
• 37:01
  Speaker 1: I've never I've never had that experience. Have you ever
• 37:04
  Speaker 1: in your life? No, I don't think I ever have,
• 37:07
  Speaker 1: for those of you not in the business. So when
• 37:09
  Speaker 1: the shot, then you know, he sho when're shooting close
• 37:12
  Speaker 1: ups of people, and let's say it's a scene between
• 37:14
  Speaker 1: me and Donald's, and you've already done my close up
• 37:16
  Speaker 1: and now it's time to shoot his close up and
• 37:18
  Speaker 1: I'm doing the quote off camera dialogue with Donald. I'm
• 37:21
  Speaker 1: not being filmed, but I'm there to act with him
• 37:23
  Speaker 1: and make sure and be, you know, do the scene
• 37:26
  Speaker 1: and make sure his performance is good, as he has
• 37:29
  Speaker 1: done for me. So there is there are tales of
• 37:31
  Speaker 1: people that are such divas that they don't even stay
• 37:35
  Speaker 1: for the other actor's coverage the famous Apparently Rod Steiger
• 37:39
  Speaker 1: said that Marlon Brando was not in the car for
• 37:42
  Speaker 1: his coverage of the famous moment of of I could
• 37:45
  Speaker 1: have been a contender real, yeah, like you can if
• 37:49
  Speaker 1: you if you look this stuff up, you can find
• 37:51
  Speaker 1: like famous moments in cinema history where the other actor
• 37:55
  Speaker 1: or some sort of was doing some sort of diva
• 37:57
  Speaker 1: behavior and not there. But Robs, we never did, guess
• 38:00
  Speaker 1: because we were all very supportive of each other. You
• 38:03
  Speaker 1: considered a douchebag. If you do that, I mean, I
• 38:06
  Speaker 1: guess you have to be I don't know, man, and
• 38:09
  Speaker 1: and and I don't know if this is the way,
• 38:12
  Speaker 1: but and correct me if I'm wrong. But in some ways,
• 38:15
  Speaker 1: I guess you have to be selfish as an actor
• 38:17
  Speaker 1: to reach that level of you know what I mean?
• 38:20
  Speaker 1: And if I'm wrong, wrong, But I've had the opportunity
• 38:24
  Speaker 1: to work with de Niro and Morgan Freeman, all these people.
• 38:26
  Speaker 1: They're they're doing what you dream of, and that is
• 38:28
  Speaker 1: they're not just doing their off camera dialogue. They're doing
• 38:30
  Speaker 1: it as intensely as they did their on camera so
• 38:33
  Speaker 1: that you, the actor, have something powerful to work off of.
• 38:36
  Speaker 1: The Other thing that's annoying is when the other actors
• 38:38
  Speaker 1: off camera and they're like tired and yawning and like
• 38:41
  Speaker 1: half paying attention. You're like, come on, man, be present
• 38:44
  Speaker 1: for me, be here, I need I need you. That
• 38:47
  Speaker 1: is that is the truth, man, because sometimes your cues
• 38:50
  Speaker 1: are taken off of how the other person is reacting tour,
• 38:56
  Speaker 1: you know, And that's tough. And yeah, I've experienced it
• 39:01
  Speaker 1: a couple of times. I'm not going to say any names,
• 39:03
  Speaker 1: but they know. No, I didn't want to expect you
• 39:05
  Speaker 1: to say any names, but I just want to. It
• 39:06
  Speaker 1: turns out, but you didn't have that experience at Scrubs.
• 39:08
  Speaker 1: No one would ever do that Scrubs. No, no, no, no,
• 39:10
  Speaker 1: no no no no no no. All right. So yeah,
• 39:13
  Speaker 1: so JD and Elliott entered the janitor's closet for the
• 39:16
  Speaker 1: first time, and it was very funny shot. We see
• 39:18
  Speaker 1: all the other janitors. They all have the same hairstyle
• 39:21
  Speaker 1: as Neil. There's a poster of JD on the wall
• 39:24
  Speaker 1: and it's labeled him now a little bit of a
• 39:30
  Speaker 1: of a of a continuity fuck up. In that, Randall
• 39:34
  Speaker 1: says he just got the job, but we got the job. Yeah,
• 39:37
  Speaker 1: he had already gotten it. Yeah, he was already working.
• 39:39
  Speaker 1: He was already working with the janitor on the rooftop
• 39:41
  Speaker 1: toilet episode. Yeah, this is out of order. I don't
• 39:43
  Speaker 1: think he had a uniform. Then he said he was
• 39:46
  Speaker 1: his colleague or something. I don't know. I don't remember
• 39:48
  Speaker 1: if he was in uniform on the roof Oh, I
• 39:50
  Speaker 1: don't know. Maybe maybe he had a different job before
• 39:52
  Speaker 1: and now yeah maybe yeah that's true. Maybe he was
• 39:55
  Speaker 1: a hospital employee. But anyway, he's back with his powerful,
• 39:58
  Speaker 1: tiny fists. And and Marty did this began. Marty's a
• 40:03
  Speaker 1: long long run on Scrubs that he did. Yeah, but
• 40:06
  Speaker 1: this is all the fact that tiny, tiny, powerful fists
• 40:09
  Speaker 1: got a callback. Yes, you know, I think I think
• 40:12
  Speaker 1: I think the writers were trying to make it a
• 40:14
  Speaker 1: thing like got it, like like what you're talking about Willis,
• 40:16
  Speaker 1: But I don't think it ever really stuck. I don't
• 40:18
  Speaker 1: think it's stuck. I don't think powerful tiny fists was
• 40:21
  Speaker 1: said more than more than twice. I don't know. Oh no,
• 40:27
  Speaker 1: don't okay, it's like what do you call it? It's
• 40:32
  Speaker 1: like saying what do you say in the mirror three
• 40:34
  Speaker 1: times and someone appears, don't don't say beetle juice. I
• 40:39
  Speaker 1: was thinking, we're gonna go to a break and then
• 40:41
  Speaker 1: we have a guest. We'll be right back, all right,
• 40:50
  Speaker 1: anywhere bad, all right, bring in the guests. It's exciting.
• 40:55
  Speaker 1: Christmas is three days away. When we're recording this, I
• 41:00
  Speaker 1: should say hello Jen later Jo Anderson. It up for Janderson.
• 41:10
  Speaker 1: I don't think his name is Jenderson. I think that's
• 41:12
  Speaker 1: his camera lot. Came speculating with my wife since yesterday
• 41:20
  Speaker 1: what Donald would call me if he was just a
• 41:22
  Speaker 1: whole name. I just called you by your at That's
• 41:27
  Speaker 1: all I did. John, John, John, Welcome to the program.
• 41:31
  Speaker 1: John is wearing a beautiful shirt from the podcast of
• 41:35
  Speaker 1: me riding Donald and yelling eagle. I love the color. John.
• 41:39
  Speaker 1: Where are you calling from, sir? I'm calling from Johnson City, Tennessee.
• 41:42
  Speaker 1: If anybody's a NASCAR fan who's listening. I'm about thirty
• 41:45
  Speaker 1: minutes away from Bristol Motor Speedway. If you're from her
• 41:48
  Speaker 1: with that, I like your accent. You sound like a
• 41:51
  Speaker 1: man from Tennessee. I've been told that before. I'm actually
• 41:55
  Speaker 1: from Virginia riginally, Okay, Yeah, what part of Virginia for
• 42:00
  Speaker 1: the southwestern part, which is about like it's about an
• 42:02
  Speaker 1: hour and a half from here. Are you near Alexandra, Alexandria? No, No,
• 42:07
  Speaker 1: that's that's up in the northern parts. I'm like, he's
• 42:10
  Speaker 1: gonna name cities, you know in Virginia. No, that's where
• 42:13
  Speaker 1: TC Williams is. I have a lot of friends from
• 42:15
  Speaker 1: the DNB area, though, So there's I grew up in
• 42:18
  Speaker 1: a school with a lot of Ethiopians, and for some reason,
• 42:21
  Speaker 1: they tend to congregate up there in the Maryland, DC
• 42:24
  Speaker 1: Northern Virginia area. There's a large population of Ethiopian folks
• 42:27
  Speaker 1: up there. So that's I'm pretty familiar with that area.
• 42:30
  Speaker 1: And that is that a quarantine beard? No, it's actually not.
• 42:35
  Speaker 1: I have grown a beard for about for about eight
• 42:37
  Speaker 1: years and then a couple of months ago. So I'm
• 42:40
  Speaker 1: shaking really bad. I got my super nervous because I'm
• 42:42
  Speaker 1: don't be nervous. Friends here were all friends here, so
• 42:46
  Speaker 1: are the listeners like Tamika and Fuquan and Muhammad. But
• 42:52
  Speaker 1: so I was trying to my barber kind of got
• 42:54
  Speaker 1: it off. I had. I've had a beard for about
• 42:56
  Speaker 1: two years, and back in August, he got it a
• 42:59
  Speaker 1: little off, and I was trying to fix it myself
• 43:01
  Speaker 1: and like took a big took a big chunk out
• 43:04
  Speaker 1: of it, and so I turned it back down to
• 43:06
  Speaker 1: about what you got there, Donald, and have been trying
• 43:09
  Speaker 1: to get it back to glorious state. But how do
• 43:12
  Speaker 1: you get it? So? How do you get it to? Yeah?
• 43:14
  Speaker 1: How do you get it so full? Like I got
• 43:16
  Speaker 1: a pull mine, Like I get out of the shower
• 43:19
  Speaker 1: and it's a mat pretty much. You know. Don't use
• 43:22
  Speaker 1: I use And you can go on Instagram and Facebook.
• 43:25
  Speaker 1: There's a there's a great champion and conditioner at there
• 43:27
  Speaker 1: called Polish Gentleman. Okay, well, I've gotten into their products
• 43:31
  Speaker 1: for the last two years. They they're really good. They
• 43:34
  Speaker 1: actually have some caffeine in it and stuff which apparently
• 43:36
  Speaker 1: helps stimulate beard grow good beard oil Zack. That's what
• 43:40
  Speaker 1: we should do, that's what we should do. We should
• 43:42
  Speaker 1: get into facial men's groom. If you get into I
• 43:47
  Speaker 1: should get into minute. We should we should get into mental.
• 43:49
  Speaker 1: Give you a facial? Fuck you, dude, No, do you
• 43:52
  Speaker 1: want a facial for me? What kind of what kind
• 43:54
  Speaker 1: of what kind of talking about you're gonna have? You're
• 43:59
  Speaker 1: gonna have? I'm gonna give you some brafts. I'm gonna
• 44:02
  Speaker 1: give you a quarter million brafs like a bunch of generations.
• 44:05
  Speaker 1: I'm gonna I'm gonna give you a quarter million braf
• 44:07
  Speaker 1: facial isn't a quarter only a quarter million? That's all
• 44:13
  Speaker 1: you got. I think I once googled. I got a
• 44:15
  Speaker 1: little account, dude, No, Joelle, would you mind googling that?
• 44:19
  Speaker 1: I think I want google? How many sperm are in
• 44:21
  Speaker 1: the typical mail ejaculation Juell. I hope that's okay. I
• 44:25
  Speaker 1: can put Danial on this assignment if you will. But
• 44:27
  Speaker 1: I think I once I think I once googled and
• 44:32
  Speaker 1: it was a quarter million in the typical mail ejaculation. No,
• 44:36
  Speaker 1: twenty million in each millimeter. There are normally one hundred
• 44:39
  Speaker 1: million sperm. If twenty million sperm millimeter, there's usually some
• 44:44
  Speaker 1: trouble with fertility. Yeah, so dude, h no, no, no, no, no,
• 44:48
  Speaker 1: no no no. I didn't measure. I didn't measure my ejaculation.
• 44:52
  Speaker 1: I'm I'm talking about in the average mail ejaculation. Can
• 44:55
  Speaker 1: you get that figure? Because you said millimeters, Joel, and
• 44:58
  Speaker 1: everyone probably has different. Sorry, Leader, I'm sorry, John, I'm
• 45:08
  Speaker 1: sorry as raunchy as it possible. No, no, we will
• 45:14
  Speaker 1: keep it you. We're just talking about we're talking we're
• 45:17
  Speaker 1: talking about science. What we're talking about the little cart
• 45:21
  Speaker 1: the little cartoon versions that you guys do at the show. Yeah,
• 45:24
  Speaker 1: have you with like, you know, a little science looking
• 45:29
  Speaker 1: at semen form count Well, I don't know, I don't know.
• 45:37
  Speaker 1: I still don't understand. Maybe you well figured out. But
• 45:39
  Speaker 1: I was told that in the average typical male ejaculation
• 45:44
  Speaker 1: there's a quarter million potential children. There is quite a bit,
• 45:49
  Speaker 1: so I'm gonna say it's more than that. But okay,
• 45:51
  Speaker 1: well maybe in your I do have nine kids, You're right,
• 45:56
  Speaker 1: yours are Yours is probably more packed in. They're like
• 46:03
  Speaker 1: shoulder to shoulder, They're like right, they're like a pickle jar.
• 46:06
  Speaker 1: It's like a pickle jar. It was it was funny
• 46:09
  Speaker 1: because somebody I know you're a football fan. Donald I
• 46:11
  Speaker 1: saw after the Bills won their division. The other day,
• 46:14
  Speaker 1: someone posted a picture of a sperm and it said,
• 46:16
  Speaker 1: Josh Allen, the last time the Bills wanted to But
• 46:21
  Speaker 1: you saw this coming last year. Man. When the Bill
• 46:23
  Speaker 1: started winning last year, everybody was like, this is impossible,
• 46:26
  Speaker 1: this can't be. But now look at here we are
• 46:29
  Speaker 1: one year later and the Bills are still winning. They're
• 46:31
  Speaker 1: a good football team. It's official. I think they'll be
• 46:35
  Speaker 1: happy to know that. I watched some of the Northwestern
• 46:37
  Speaker 1: game on Donald like I was, I got I got interested,
• 46:41
  Speaker 1: and I watched a solid fifteen minutes of it, and
• 46:46
  Speaker 1: where you they were winning. They were winning against Ohio State,
• 46:50
  Speaker 1: I believe it was. And then number eight on Ohio
• 46:52
  Speaker 1: State he was just really good and he just kept
• 46:54
  Speaker 1: doing shit and did Ohio State win the game. All
• 46:59
  Speaker 1: I know is if you're an umber eight on Ohio State,
• 47:01
  Speaker 1: I think you're gonna you're gonna do well in the
• 47:03
  Speaker 1: football career. People up with the college stuff that much.
• 47:07
  Speaker 1: I'm a balls fan and that's probably why that we
• 47:09
  Speaker 1: never the Tennessee balls never Windell, you're still working on
• 47:13
  Speaker 1: the assignment, Tim chang Grass. Okay, so do you have
• 47:18
  Speaker 1: a question for Zach Braff or Donald Fazon or Daniel
• 47:23
  Speaker 1: Goodman or Joel Monique. Well, another good tip. You need
• 47:27
  Speaker 1: to Boston Boston Supplements. It's the it's hair and nail
• 47:31
  Speaker 1: and skin growth. And I'll take I take those. It
• 47:34
  Speaker 1: will help it seriously helps will work for the hair?
• 47:37
  Speaker 1: Will it work for the hair? It's too late for
• 47:39
  Speaker 1: your Shut the fuck up. I don't think. I don't
• 47:44
  Speaker 1: think any shut stuff up. You. You know the only
• 47:47
  Speaker 1: thing it's gonna work on that receiving hairline your face
• 47:51
  Speaker 1: quarter million braths. Well, you need to hurry up and
• 47:58
  Speaker 1: get over here my way. All right, all right, what's
• 48:02
  Speaker 1: your question, sir? We have to focus. Well, actually, Zach,
• 48:07
  Speaker 1: I wanted to thank you because you guys had Josh
• 48:09
  Speaker 1: on the other day and I was listening to him
• 48:12
  Speaker 1: and he's one of the great musicians I discovered from
• 48:14
  Speaker 1: from listening to But I wanted to tell you something.
• 48:19
  Speaker 1: Do you remember this from season nine? Do you remember
• 48:23
  Speaker 1: wearing this William fitz Simmons shirt. Yes, I love William
• 48:26
  Speaker 1: fitz Simmons. So twelve years ago I was on moths
• 48:29
  Speaker 1: Space and you posted something from the Sparrow the Crow,
• 48:31
  Speaker 1: and that man's music had changed my life. I actually
• 48:34
  Speaker 1: have I have two. Oh my god, he's got tats
• 48:39
  Speaker 1: about William Fitzsimmons's beautiful and that you don't know William
• 48:45
  Speaker 1: fitz Simmons music and you're a Scrubs fan. I highly
• 48:47
  Speaker 1: recommend because it's in the style of Josh and actually
• 48:52
  Speaker 1: he and Josh toure together and he's incredibly talented. And
• 48:57
  Speaker 1: his first album, what was the album where there was
• 49:00
  Speaker 1: of like some electronic and you mean the two hundred
• 49:04
  Speaker 1: and fifty millions sperm cells released during sex? You mean
• 49:07
  Speaker 1: that album? I know I had a brain fart because
• 49:10
  Speaker 1: they really did mean to say two dteen million, not
• 49:12
  Speaker 1: twenty fifty thousand. I believe you. I really did. Okay,
• 49:16
  Speaker 1: so I was saying a quarter million, but I'm mean
• 49:18
  Speaker 1: a quarter billion. You're saying about your dude. You're a
• 49:21
  Speaker 1: musician guy. Anyway, William fitz Simmons, there was an album.
• 49:24
  Speaker 1: It's first. I think it was his first. It had
• 49:25
  Speaker 1: sort of some electronica, uh, sort of mixed in with
• 49:29
  Speaker 1: the acoustic guitar. It was so original. I really really
• 49:32
  Speaker 1: liked that stuff. It's until When Were Your Ghost? Yes,
• 49:36
  Speaker 1: there's a song called It's Not True. That's just amazing.
• 49:40
  Speaker 1: All right, sir, what's your question? So I've actually what
• 49:44
  Speaker 1: taught Bill ELL's I was Rene Brown. Everyone probably here
• 49:48
  Speaker 1: knows who Benet Brown is. She does the questions at
• 49:51
  Speaker 1: the end of her podcast. Yes, I sent a man
• 49:53
  Speaker 1: and they're well recommended, a few of them, but I'm
• 49:56
  Speaker 1: going to pick one scrubs question and in one of
• 49:59
  Speaker 1: Renee's questions, Okay, the most interesting out of Burne's was
• 50:02
  Speaker 1: a concert that you will never forget. A concert that
• 50:07
  Speaker 1: you will never forget. I'll go ferry for first. It
• 50:11
  Speaker 1: was my first concert. It was Rush at Madison Square
• 50:15
  Speaker 1: Garden and me and all my friends took the train in.
• 50:20
  Speaker 1: We were like, I don't know, fourteen years old, and
• 50:23
  Speaker 1: we took the train into Madison Square Garden and we
• 50:27
  Speaker 1: were drinking can can be or out of out of
• 50:29
  Speaker 1: bags and I proceeded to get way too drunk, way
• 50:34
  Speaker 1: too drunk, like fourteen year old kid drunk in the city.
• 50:38
  Speaker 1: And I was like swinging, and I remember the concert
• 50:41
  Speaker 1: started and I was like, oh no, like I've had
• 50:45
  Speaker 1: too much. And instead of I knew, I knew I
• 50:48
  Speaker 1: wasn't gonna I knew I was either gonna be sick
• 50:50
  Speaker 1: or something bad was gonna happen. So I just stood
• 50:53
  Speaker 1: up and left, and I got back on the train
• 50:57
  Speaker 1: and went home. I heard like three I heard like
• 51:00
  Speaker 1: three songs of Rush, and my friends were all like,
• 51:03
  Speaker 1: where'd you go? Where'd you go? Where do you go?
• 51:04
  Speaker 1: And little did they know I had. I took the
• 51:06
  Speaker 1: train home because I was too drunk, and I was
• 51:08
  Speaker 1: worried that I was gonna compute my very first concert.
• 51:12
  Speaker 1: I'm so sorry. I'm sorry, Donald will about you a
• 51:16
  Speaker 1: concert you'll never forget. Okay Yo the Fuji's before they
• 51:20
  Speaker 1: blew the fuck up the food I got a chance
• 51:23
  Speaker 1: to see them at NYU right around the time when
• 51:26
  Speaker 1: uh that one album dropped, right when Laura I had.
• 51:29
  Speaker 1: I knew Lauren because we did a movie together when
• 51:32
  Speaker 1: we were younger, and she was telling me about this
• 51:34
  Speaker 1: band and they had just dropped Mona, Lisa, can I
• 51:38
  Speaker 1: get a date on Friday? And if you're busy, I
• 51:40
  Speaker 1: wouldn't mind take inks at her day? Ay ay ay
• 51:44
  Speaker 1: round up the posse. Foodie's coming around the way right,
• 51:49
  Speaker 1: And so it was at NYU, and I remember they
• 51:51
  Speaker 1: had everybody outside and it was some really tiny dude
• 51:55
  Speaker 1: at the door and he was like, nobody else is
• 51:58
  Speaker 1: coming in. We're at capacity, and they will a bunch
• 52:01
  Speaker 1: of us outside. And this is the first concert I
• 52:04
  Speaker 1: ever did this, But we bum rushed a concert. I
• 52:08
  Speaker 1: had never done that in my life. They threw this
• 52:10
  Speaker 1: little kid out the way, and then we rushed into
• 52:13
  Speaker 1: the concert and we got to see Fuji's and groove
• 52:17
  Speaker 1: theory banging. Okay, all right, John, what's your next question? Well, Dan, Dan,
• 52:32
  Speaker 1: and they will want to answer that too. Okay, Dan,
• 52:36
  Speaker 1: I can answer in seven seconds, Yeah, Joe, well you
• 52:38
  Speaker 1: go first. I also haven't answered ready. Basse Nectar Halloween
• 52:42
  Speaker 1: twenty twelve. I want to say my second time hippie flipping,
• 52:49
  Speaker 1: which is the combination of drugs I won't reveal here
• 52:51
  Speaker 1: because children listen. It was loud, it was Basse Throbby,
• 52:59
  Speaker 1: We did some why things and a taxi are It
• 53:02
  Speaker 1: was like, this were the most incredible nights of my
• 53:04
  Speaker 1: entire life. Yeah, okay, wow, Wow, what an incredible answer.
• 53:12
  Speaker 1: That's good. All right, Danel, what's your answer real quick?
• 53:15
  Speaker 1: Recently I went to a concert with my whole family.
• 53:17
  Speaker 1: It was my mom, dad, and sister. It's so rare
• 53:19
  Speaker 1: that we share all the same music. Taste for one
• 53:21
  Speaker 1: particular thing, but it was a postal service with bats
• 53:25
  Speaker 1: and Big Frieda opening at the Greek Theater and just
• 53:29
  Speaker 1: having like going to a show with my parents and
• 53:31
  Speaker 1: having them see Big FRIEDA, who is like a New
• 53:33
  Speaker 1: Orleans bounce artist. She's amazing. I highly recommend you all
• 53:36
  Speaker 1: listen to Big Frieda if you haven't. But having Big
• 53:38
  Speaker 1: Free to open for Postal Service, a band that my
• 53:40
  Speaker 1: whole family likes, and then Big FREEDA, who's someone that
• 53:43
  Speaker 1: I really like but my family is not necessarily aware of,
• 53:48
  Speaker 1: and just being like, so, guys, this is New Orleans
• 53:51
  Speaker 1: bounce music and there's gonna be a lot of booty
• 53:54
  Speaker 1: shaking and you're just gonna have to be ready for that.
• 53:56
  Speaker 1: And then seeing my my very old father just being
• 53:59
  Speaker 1: like this is this is interesting? It is cool. And
• 54:05
  Speaker 1: concerts with your parents. I I, you know, I wouldn't
• 54:08
  Speaker 1: my dad passed away, but I definitely would be. I
• 54:11
  Speaker 1: don't think we would agree on the same music unless
• 54:13
  Speaker 1: it was, you know, musical theater, which we both love.
• 54:16
  Speaker 1: But like, they know, it's cool that you can go
• 54:17
  Speaker 1: to a show with your dad. It was very it
• 54:19
  Speaker 1: was very lucky that we all shared the music taste
• 54:21
  Speaker 1: for this one group. It was their final tour. It
• 54:23
  Speaker 1: was like, everybody's old enough to go to a concert,
• 54:25
  Speaker 1: let's make it this one. And it was really an
• 54:27
  Speaker 1: amazing time. All right, John H Next question, Uh so
• 54:31
  Speaker 1: this this would be my my Scrows question. So you
• 54:34
  Speaker 1: know I've always treated Scrubs like the camera and the
• 54:36
  Speaker 1: music because I have all the seasons on DVD. I
• 54:39
  Speaker 1: don't I don't fool with because screw the music up
• 54:42
  Speaker 1: too much. And you're smart character, and so you know,
• 54:47
  Speaker 1: there's so many great musical montages or I mean the
• 54:49
  Speaker 1: finale that season a finale is you know one of
• 54:52
  Speaker 1: my favorites doctor Consons and those three patients Laverne with
• 54:57
  Speaker 1: Bretton and another great phenomenal artist that you do looking
• 55:00
  Speaker 1: to you on the show. Do you guys have a
• 55:02
  Speaker 1: favorite musical montage from the show? I don't. I don't
• 55:05
  Speaker 1: believe if I's ever asked this, I haven't heard it,
• 55:07
  Speaker 1: and I've listened to the entire podcast. That is a
• 55:10
  Speaker 1: very good question. I my brain first, I guess it's
• 55:14
  Speaker 1: not technically a musical montage because it's a musical number,
• 55:16
  Speaker 1: but my brain first went to that in the in
• 55:18
  Speaker 1: the musical episode that that that song where we're sort
• 55:21
  Speaker 1: of spoofing lame Is. It's going to be okay, No,
• 55:27
  Speaker 1: that's a that's the beginning. No no, no, no, no,
• 55:31
  Speaker 1: you're but that's that's five hundred and twenty five thousand,
• 55:34
  Speaker 1: that's what that's a bite of. It's going to be. Okay,
• 55:37
  Speaker 1: that's what's going to happen, happen everything. Okay, we're right
• 55:41
  Speaker 1: here beside you, right here, we will stay. I don't know.
• 55:47
  Speaker 1: There's this moment that sort of a lame Is moment
• 55:49
  Speaker 1: we're all marching. Yes, I like that. I mean, I
• 55:53
  Speaker 1: think it's hard to top the musical, but it doesn't
• 55:55
  Speaker 1: really count as a musical montage. I don't know, Donald's
• 55:57
  Speaker 1: you have an answer for a Scrubs musical montage. Yeah,
• 56:02
  Speaker 1: you know, it's not necessarily the music that did it
• 56:06
  Speaker 1: for me. It's how it's how the voice over acts
• 56:13
  Speaker 1: with the music. So one of my favorite ones, and
• 56:18
  Speaker 1: I don't know exactly which one it is, and I
• 56:19
  Speaker 1: think you made it up, but it's the one where
• 56:25
  Speaker 1: Elizabeth Bogis is on the show and it's the first
• 56:27
  Speaker 1: time you guys have a date. And I don't know
• 56:29
  Speaker 1: what song is playing. But there's two of them. Actually,
• 56:33
  Speaker 1: that's one of them are picnic and you're like, unless
• 56:36
  Speaker 1: you like chicken salad, Yeah, that's the one I stole
• 56:40
  Speaker 1: for Garden State. That's right. But but that's then occurs
• 56:45
  Speaker 1: with this time, right. But that song and your monologue
• 56:49
  Speaker 1: on that song work just like your that song and
• 56:53
  Speaker 1: just like your monologue and the song when Turk finally
• 56:57
  Speaker 1: asks Carla to marry him and she says, yeah, someday
• 57:01
  Speaker 1: somebody's gonna ask you. Uh, that point is found that
• 57:06
  Speaker 1: it's the way the monologue, the way the end monologue
• 57:10
  Speaker 1: uh is merged with the song is what makes it special.
• 57:15
  Speaker 1: It's not just the song. It sounds like you're turning
• 57:17
  Speaker 1: this into a compliment, I am, it's it's also your
• 57:22
  Speaker 1: voice and how you ride the beat of the song
• 57:25
  Speaker 1: or these are very important things. You know, when you're
• 57:28
  Speaker 1: in the flow and you're riding the wave with the song,
• 57:30
  Speaker 1: it makes the monologue even more poignant and more. You know,
• 57:33
  Speaker 1: my dulcet tones are enjoyable to the ear. My dulcet
• 57:36
  Speaker 1: tones that you're speaking of, Donald Is are probably the
• 57:39
  Speaker 1: reason that I was cast as Chicken Little. The intonations
• 57:45
  Speaker 1: I used to wrap up the show is probably the
• 57:48
  Speaker 1: reason I was hired to be Chicken Little. I do
• 57:52
  Speaker 1: you think so? Can you just give me an example
• 57:54
  Speaker 1: of a the sky's falling real quick, the sky is falling.
• 57:59
  Speaker 1: Are you go everybody? Yeah? I can, I can see
• 58:01
  Speaker 1: I can yeah, yeah, yeah, yeah yeah. People don't know
• 58:04
  Speaker 1: I'm Chicken Little. Their minds are blown when they find
• 58:06
  Speaker 1: out a lot of people didn't see Chicken Little, zack
• 58:08
  Speaker 1: a lot of people. It hurts quite a few people
• 58:14
  Speaker 1: saw Chicken a Little. Thank you. Yeah, well, he's right there.
• 58:17
  Speaker 1: Not enough people saw it to get a sequel. But
• 58:19
  Speaker 1: it did do. It did do all right. But he's right.
• 58:22
  Speaker 1: There's not a lot of Chicken Little love out there.
• 58:24
  Speaker 1: There isn't a lot of Chicken Little. My kids saw
• 58:26
  Speaker 1: Chicken Little and they loved it. I know. But when
• 58:29
  Speaker 1: I go to the parks, you can't find Chicken a
• 58:31
  Speaker 1: Little gear. I always look. There's no Chicken Little ride.
• 58:37
  Speaker 1: There's no Chicken Little ride at Disneyland. Joel, do you
• 58:40
  Speaker 1: like Chicken Little? You're at Disney fan She's never still.
• 58:43
  Speaker 1: We watched it a lot in Spanish class. Of course,
• 58:49
  Speaker 1: she's I didn't get the one that heard your voice
• 58:50
  Speaker 1: a lot. But they heard the Spanish version of Chicken
• 58:54
  Speaker 1: a Little, but it wasn't your voice. Hold on, hold on,
• 58:58
  Speaker 1: hold lot of second, I've only seen the Spanish version
• 59:01
  Speaker 1: of Chicken a Little. Well, that's not me, Joel. Sorry,
• 59:09
  Speaker 1: so fun though here I am. I'm so happy that
• 59:13
  Speaker 1: Joel has at least seen Chicken a Little a bunch
• 59:14
  Speaker 1: of times. And she's like, but I've only seen the
• 59:16
  Speaker 1: Spanish that's really funny. Oh my god. All right, it's
• 59:23
  Speaker 1: time for Tennessee's favorite segment. Everybody, Donald, it's time to
• 59:28
  Speaker 1: fix your life. John, let us, let us help you,
• 59:35
  Speaker 1: Let us help you. We're here, we're free therapists. We're
• 59:37
  Speaker 1: batting a thousand on helping people and saving their lives.
• 59:40
  Speaker 1: Were three therapists and Donald, that's what he meant to say. Good,
• 59:46
  Speaker 1: So yeah, I was. Actually I have not written in
• 59:49
  Speaker 1: one hundred and sixty times like the wind dude did,
• 59:51
  Speaker 1: but I've sent quite a few emails and U and
• 59:54
  Speaker 1: one of them I tied Old Kanzack's mom helped fix
• 59:57
  Speaker 1: my life. And it's because I'm also I'm a foster
• 1:00:00
  Speaker 1: care therapist working on my licenser, and so I work
• 1:00:04
  Speaker 1: with teenagers, think kids that are eighteen here in foster care,
• 1:00:08
  Speaker 1: which if I can just plug foster care right now,
• 1:00:11
  Speaker 1: like numbers are down across the country for foster parents
• 1:00:14
  Speaker 1: and foster home. So if you're listening and you want
• 1:00:16
  Speaker 1: to do something good, and you're thinking about having kids
• 1:00:19
  Speaker 1: or wanting kids, please look into becoming a foster parent,
• 1:00:21
  Speaker 1: because a foster cares across the country's hurting right now
• 1:00:25
  Speaker 1: because of COVID. So so I was wondering if you've
• 1:00:29
  Speaker 1: ever heard your mom say anything about like working with
• 1:00:31
  Speaker 1: teenage clients who are very I don't like the word
• 1:00:34
  Speaker 1: resistant as a therapist and a clinician, It's just that
• 1:00:37
  Speaker 1: they're very If you think about it in terms of
• 1:00:40
  Speaker 1: Burnet Brown's work, they are just armored up and are
• 1:00:44
  Speaker 1: not willing to be vulnerable if you do not want
• 1:00:46
  Speaker 1: to be Brown. And I can understand why I've spent
• 1:00:48
  Speaker 1: a couple of nights in a foster home growing up
• 1:00:50
  Speaker 1: and having a bad childhood. You don't want to talk
• 1:00:52
  Speaker 1: to anybody. You don't want to share that trauma and
• 1:00:54
  Speaker 1: get into it. So I just wonder, zac if you've
• 1:00:56
  Speaker 1: ever heard your mom talk about clients she's had as
• 1:00:59
  Speaker 1: a child's ecologists and how she maybe works with kids
• 1:01:02
  Speaker 1: that are a little more difficult to get to open
• 1:01:05
  Speaker 1: up and get them sharing and talking about their I
• 1:01:09
  Speaker 1: don't know. I can tell you they do a lot
• 1:01:10
  Speaker 1: of play therapy. And I used to do play therapy
• 1:01:12
  Speaker 1: when I was in counseling as a child. So I
• 1:01:15
  Speaker 1: think the idea is that you, you know, get the
• 1:01:18
  Speaker 1: child involved with a game of some sort or toys
• 1:01:22
  Speaker 1: so that they're not focused on the obvious, and that
• 1:01:25
  Speaker 1: you can then you know, they would bring the children
• 1:01:28
  Speaker 1: into a room filled with toys, whether it's a dollhouse
• 1:01:31
  Speaker 1: or cars, you name it. It's all got all the
• 1:01:33
  Speaker 1: any toy a kid would like, you know, within reason,
• 1:01:35
  Speaker 1: and not video games obviously. And then and then they
• 1:01:39
  Speaker 1: see what the child gravitates towards, and then try and
• 1:01:43
  Speaker 1: play with the child and get the child talking about
• 1:01:45
  Speaker 1: what's going on in their lives using the toys. So
• 1:01:49
  Speaker 1: the child may not realize that they're opening up and
• 1:01:51
  Speaker 1: and and and some of their layers are coming off
• 1:01:54
  Speaker 1: because they feel they're just talking to the therapist about
• 1:01:58
  Speaker 1: the dolls in the kitchen of a doll house. And
• 1:02:01
  Speaker 1: and and then my mom, a skilled child psychologist, would
• 1:02:05
  Speaker 1: then say, okay, well you know, they just kind of
• 1:02:07
  Speaker 1: let the child steer where the conversations going and and okay, oh,
• 1:02:12
  Speaker 1: who do you want me to be? I want you
• 1:02:13
  Speaker 1: to be the dad? And then okay, I'm going to
• 1:02:15
  Speaker 1: be the dad. What does the dad say when he
• 1:02:17
  Speaker 1: comes home? You know, I'm just making sit up. But
• 1:02:19
  Speaker 1: but my I think I know that my my, both
• 1:02:22
  Speaker 1: my mother and my stepfather used a lot of play
• 1:02:24
  Speaker 1: therapy with children because that was a good way to
• 1:02:27
  Speaker 1: sort of get to know what was going on behind
• 1:02:30
  Speaker 1: their armor, as you say, without them, you know, essentially
• 1:02:35
  Speaker 1: knowing what was happening, they're just opening up because in
• 1:02:37
  Speaker 1: their minds they're just playing. We have a certified play
• 1:02:41
  Speaker 1: therapist at our agency, and she's phenomenal. And then of
• 1:02:45
  Speaker 1: course I've been working from home for ten months and
• 1:02:47
  Speaker 1: so that's obviously that makes things like play therapy and
• 1:02:51
  Speaker 1: the former therapy I'm really interested in. And the training
• 1:02:55
  Speaker 1: I was that's called m d R. So they're wanting
• 1:02:58
  Speaker 1: trauma treatment. Tell everyone what that is and layman's terms.
• 1:03:02
  Speaker 1: Because this has come up a lot, and I'm glad
• 1:03:05
  Speaker 1: you brought it up, by the way, because this has
• 1:03:07
  Speaker 1: come up a lot in my life lately. Em Dr
• 1:03:10
  Speaker 1: and I know multiple people who've had very traumatic things
• 1:03:14
  Speaker 1: happen in their lives and this has helped them. So John,
• 1:03:18
  Speaker 1: just you know there's that thing on Reddit like explain it,
• 1:03:20
  Speaker 1: Like I'm five, Can you explain to the listeners, like
• 1:03:23
  Speaker 1: in the simplest terms what EMDR is. Yeah, Well, so
• 1:03:27
  Speaker 1: EMDR sands for I movement, desensitization and reprocessing. So basically
• 1:03:33
  Speaker 1: what and if the producer are listening. The creator of
• 1:03:36
  Speaker 1: this theory who she developed it a few years after
• 1:03:39
  Speaker 1: I was born on thirty three, so this is late eighties.
• 1:03:41
  Speaker 1: I think she created. Francine Shapiro Getting Past Her Pass
• 1:03:45
  Speaker 1: is a great book, Getting Past your Past pastor past
• 1:03:49
  Speaker 1: take control of your life with self help techniques from
• 1:03:51
  Speaker 1: em DR therapy. Yeah, that's really good. I want to
• 1:03:54
  Speaker 1: write that down myself. But but but just explain to
• 1:03:56
  Speaker 1: people because it's a little bit it's a little bit
• 1:03:59
  Speaker 1: wacky with the first time you hear it. But I
• 1:04:01
  Speaker 1: can tell you I know people that it has helped,
• 1:04:03
  Speaker 1: So just explain to me what it is. So what
• 1:04:06
  Speaker 1: do you MDR is that they use several techniques and
• 1:04:09
  Speaker 1: what you'll do is once the client is ready, So
• 1:04:12
  Speaker 1: we have what's called resourcing techniques first. So what resourcing
• 1:04:15
  Speaker 1: does is basically helped keep the client grounded in the
• 1:04:18
  Speaker 1: present while having one foot in the past enough to
• 1:04:21
  Speaker 1: actually talk about the trauma. And so really what AMDR
• 1:04:25
  Speaker 1: is all about is using eye movements or bilateral stimulation.
• 1:04:29
  Speaker 1: You can you can do the tapping like this, or
• 1:04:31
  Speaker 1: you can tap on your on your knees. Usually though,
• 1:04:34
  Speaker 1: it's you have the client follow you for a set
• 1:04:37
  Speaker 1: of odd movements back and forth like this, and the
• 1:04:40
  Speaker 1: science is not exactly sure what is going on neurologically
• 1:04:43
  Speaker 1: in the brain that causes this effect. There's there's a
• 1:04:47
  Speaker 1: couple of different schools as well, but basically what that
• 1:04:49
  Speaker 1: helps it She came up with this idea based off
• 1:04:52
  Speaker 1: Rimsley because our odds move in our sleep, right, and
• 1:04:56
  Speaker 1: that the odd movement does something in our brains neurologically
• 1:04:59
  Speaker 1: to help us process unprocessed memories that are causing us grief, pain, despair, whatever.
• 1:05:07
  Speaker 1: And so it's actually, I mean it's it's approved by
• 1:05:11
  Speaker 1: World Health Organization and sam Shaw and who is the
• 1:05:16
  Speaker 1: other big big thing it's been it's been going to
• 1:05:19
  Speaker 1: be the most one of the most effective treatments for
• 1:05:21
  Speaker 1: PTSD and tromp. It sounds like hypnosis. It's actually the
• 1:05:25
  Speaker 1: lady that I did this week long intensive training with
• 1:05:27
  Speaker 1: back in November. She was a certified hip hypnosis too.
• 1:05:31
  Speaker 1: She did n DBT therapy and hypnosis, but she's a
• 1:05:35
  Speaker 1: certified the m DR therapist as well. It is kind
• 1:05:37
  Speaker 1: of it makes you think there is like, you know,
• 1:05:39
  Speaker 1: there's some well it's that classic thing we always see
• 1:05:41
  Speaker 1: with with the with the with the stop Watch coming
• 1:05:44
  Speaker 1: back and forth. But but John just sort of even
• 1:05:47
  Speaker 1: the sound with the from uh get get out. Oh
• 1:05:52
  Speaker 1: oh yeah, the same thing I was gonna say. So,
• 1:05:56
  Speaker 1: just so if you're clear what John's talking about is
• 1:05:58
  Speaker 1: that you John and Mike understand it right that you are.
• 1:06:02
  Speaker 1: Let's say that let's say that the therapist is using
• 1:06:04
  Speaker 1: the back and forth technique. Your eyes are going left
• 1:06:06
  Speaker 1: and right, left and right as you recount a traumatic event,
• 1:06:10
  Speaker 1: and and over time that softens your brain's reaction to
• 1:06:14
  Speaker 1: the to the trauma. Am I am? I correct? I
• 1:06:17
  Speaker 1: think that's a pretty good way to put it. Basically,
• 1:06:19
  Speaker 1: you know, you can target any disturbance really, so there's
• 1:06:22
  Speaker 1: actually like different forms of EMDR that you can work on.
• 1:06:25
  Speaker 1: One like, okay, somebody said something that really offended me
• 1:06:28
  Speaker 1: or hurt my feelings this week, you can you can
• 1:06:30
  Speaker 1: do this and work on it. And basically it's kind
• 1:06:33
  Speaker 1: of like a free flowing I almost kind of like
• 1:06:35
  Speaker 1: to think of it as like a stream of consciousness
• 1:06:37
  Speaker 1: thing whatever comes to mind, you don't you just like
• 1:06:40
  Speaker 1: whatever comes up in your mind and your feelings and
• 1:06:42
  Speaker 1: what your emotions are going through as you're doing the ball,
• 1:06:44
  Speaker 1: add withal simulation with the odd movements or the or
• 1:06:46
  Speaker 1: the tapping, whichever one your your therapist is working with,
• 1:06:50
  Speaker 1: and then you know you'll do that. You know it's
• 1:06:52
  Speaker 1: ten or fifteen sets of it, and then notice what
• 1:06:55
  Speaker 1: the therapist will ask you what are your feeling? What
• 1:06:56
  Speaker 1: are you thinking? And then what there's a gage. There's
• 1:07:00
  Speaker 1: a scale in MDR, so if you're disturbed, if your
• 1:07:03
  Speaker 1: level I can't remember exactly what it was because I'm
• 1:07:05
  Speaker 1: still very much new to this and learn it, but
• 1:07:08
  Speaker 1: the therapist will ask on a scale one to ten,
• 1:07:10
  Speaker 1: how to disturbed? Are you right? And let's say you
• 1:07:11
  Speaker 1: start out with a eight. Do several sets of the
• 1:07:14
  Speaker 1: balladdal sipulations and they are movements or the tapping, and
• 1:07:17
  Speaker 1: the goal is to lessen the disturbance, right, and so
• 1:07:19
  Speaker 1: to get you down to like a two or three,
• 1:07:21
  Speaker 1: maybe even a four where it's okay. And then like
• 1:07:24
  Speaker 1: on the broad on the very broad form of MDR,
• 1:07:27
  Speaker 1: which you know can take multiple sessions, it is to
• 1:07:30
  Speaker 1: help you process an unprocessed memory that it could be
• 1:07:34
  Speaker 1: very traumatic, and then help you heal from that memory.
• 1:07:36
  Speaker 1: I actually had a former clergy person in mine in
• 1:07:40
  Speaker 1: my life who I think suffered some kind of immense
• 1:07:44
  Speaker 1: abuse in childhood. So maybe he did an MDR and
• 1:07:47
  Speaker 1: found like that it was the most incredible therapy he's
• 1:07:50
  Speaker 1: ever done. And that Yeah, I've heard a lot of
• 1:07:52
  Speaker 1: positive feedback. So if you're if you're listening and you
• 1:07:54
  Speaker 1: and you have some PTSD or some trauma that's really
• 1:07:58
  Speaker 1: holding you back, or some thing really hurtful that you
• 1:08:03
  Speaker 1: can't seem to let go of, look into this and
• 1:08:05
  Speaker 1: maybe you can find a therapist in your area. It's
• 1:08:08
  Speaker 1: called EMDR and the book is called Getting Past Your Past.
• 1:08:13
  Speaker 1: You also mentioned Bernie Brown, who I just want to
• 1:08:15
  Speaker 1: touch on. There's a book she wrote called Daring Greatly
• 1:08:18
  Speaker 1: that I got a lot out of. Oh, for anyone
• 1:08:20
  Speaker 1: going through a hard time right now, if you actually
• 1:08:22
  Speaker 1: got to see Mom and Bernie on the Breathing of
• 1:08:24
  Speaker 1: Wilderness tour. I was like right in front of the stage,
• 1:08:27
  Speaker 1: like she looked at me a couple of times, and
• 1:08:28
  Speaker 1: I was like, I'm fam blowing as hard as I
• 1:08:31
  Speaker 1: am with you guys today when I'm I recommend any
• 1:08:34
  Speaker 1: and all of her books. I went through it a
• 1:08:35
  Speaker 1: couple of years ago, and her her work on shame
• 1:08:40
  Speaker 1: has been foundationally this life changing for me if and
• 1:08:43
  Speaker 1: she's she's a little more accessible than some of the
• 1:08:46
  Speaker 1: MDR stuff too. So Bernie Brown became famous initially because
• 1:08:50
  Speaker 1: she had a TED talk about shame and it went
• 1:08:54
  Speaker 1: so viral. I think it's the most watched TED talk
• 1:08:57
  Speaker 1: if not one of you can see it on YouTube
• 1:09:00
  Speaker 1: if you want. That'll take you twenty minutes if you
• 1:09:02
  Speaker 1: if you don't have time for anything else, watch watch
• 1:09:05
  Speaker 1: Brene Brown's first TED talk on YouTube. It's twenty minutes long.
• 1:09:08
  Speaker 1: It's really powerful too. You can actually find em DR
• 1:09:12
  Speaker 1: therapist if you don't mind me to plug this. It's
• 1:09:14
  Speaker 1: called E M d R International Association. And then the
• 1:09:17
  Speaker 1: website is www dot E M d R i A
• 1:09:21
  Speaker 1: dot org. So it's IMDREA dot org. So E M
• 1:09:25
  Speaker 1: D r i a dot org and you can go
• 1:09:27
  Speaker 1: on so like, find a therapist in your area and
• 1:09:31
  Speaker 1: check it out if it doesn't work for you, doesn't
• 1:09:32
  Speaker 1: work and you know it, but it's really interesting and
• 1:09:35
  Speaker 1: and you know you might as you're listening to this
• 1:09:37
  Speaker 1: and if you if you're interested, you read up on it,
• 1:09:39
  Speaker 1: you might think it sounds a little wacky. But I'm
• 1:09:41
  Speaker 1: telling you be open to wacky things because they sometimes work.
• 1:09:45
  Speaker 1: I'm very open to all sorts of wacky New Age things.
• 1:09:48
  Speaker 1: And sometimes they're placebos, and sometimes they change people's lives.
• 1:09:52
  Speaker 1: And there's obviously enough data on this embr to have
• 1:09:56
  Speaker 1: it showing a difference in people's lives, so it's not
• 1:09:58
  Speaker 1: it's not voodoo very much. It's been research. Yeah, yeah,
• 1:10:02
  Speaker 1: it's very very well well, John, I think this is
• 1:10:04
  Speaker 1: the first time you've fixed everybody else's lives. You seem
• 1:10:09
  Speaker 1: like a very nice person. If I if I lived
• 1:10:12
  Speaker 1: in your area, I would want to be your friend.
• 1:10:14
  Speaker 1: I would I would. I think I would hang up
• 1:10:16
  Speaker 1: from this and be like, John, do you want to
• 1:10:20
  Speaker 1: get coffee sometime and just chat. I just feel like
• 1:10:23
  Speaker 1: you seem like a very good man. The Starbucks right
• 1:10:26
  Speaker 1: around the corner and you and I could. I've been
• 1:10:28
  Speaker 1: I've been begging William pitt Simmons to come to Johnson
• 1:10:30
  Speaker 1: City for years because just like right across the state
• 1:10:33
  Speaker 1: from me, and trying to get him come. So you
• 1:10:35
  Speaker 1: and I get hit him up and say, hey, dude's there.
• 1:10:37
  Speaker 1: Oh my god, sitting with you and William it seems
• 1:10:40
  Speaker 1: like a dream. But no, but thank you for coming on.
• 1:10:43
  Speaker 1: You're thank you for being a great fan of the show,
• 1:10:45
  Speaker 1: and and thank you for making a difference in your life.
• 1:10:49
  Speaker 1: You know, I Donald and I hope that we make
• 1:10:51
  Speaker 1: a tiny difference by making people giggle during this wacky time.
• 1:10:54
  Speaker 1: But you're actually doing something quite noble and working with
• 1:10:57
  Speaker 1: foster children and uh and we we we on behalf
• 1:11:00
  Speaker 1: of society. We thank you, thank you, thank you. Thanks,
• 1:11:04
  Speaker 1: I'll take care of be happy you're up for john
• 1:11:12
  Speaker 1: This is like in the supermarket aisle when you say
• 1:11:14
  Speaker 1: hi to someone and then you see them in every
• 1:11:16
  Speaker 1: aisle after that, there's always that moment where you're like,
• 1:11:20
  Speaker 1: oh you again, Oh got us, we got us start
• 1:11:24
  Speaker 1: meeting like and the like, have like finally, just don't
• 1:11:26
  Speaker 1: go down the aisle when you see and you have
• 1:11:28
  Speaker 1: like ten aisles of cringe. Well, I always feel that
• 1:11:31
  Speaker 1: when we say goodbye of the guests and there's like
• 1:11:33
  Speaker 1: four seconds that we're all just sitting there winning from
• 1:11:35
  Speaker 1: it to leave. Wow, what an amazing man. Yeah, that's
• 1:11:39
  Speaker 1: really cool, dude, good guest, Joel, thank you. So let's
• 1:11:42
  Speaker 1: go over because we're running along. Let's go over these
• 1:11:45
  Speaker 1: uh that when it switches to the multiverts, when we
• 1:11:48
  Speaker 1: go to when the butterfly effect takes effects. Let's start
• 1:11:51
  Speaker 1: from the top. Butterfly lands on the boop on the
• 1:11:53
  Speaker 1: first act, Butterfly lands on the man boop in the
• 1:11:55
  Speaker 1: second act. Uh. First act Banjo playing by j DS,
• 1:12:00
  Speaker 1: second act ban Joe, Duo, Cox and Kelso. First act
• 1:12:07
  Speaker 1: Jad's a lefty. Second act JD's a righty. That was
• 1:12:11
  Speaker 1: pretty cool. I thought that was pretty awesome. I think
• 1:12:13
  Speaker 1: he's just making sit up because he missed the pen
• 1:12:15
  Speaker 1: he's I don't think he's a lefty. I you know,
• 1:12:17
  Speaker 1: he's not a lefty. I think it's a multiverse episode.
• 1:12:19
  Speaker 1: I think this is a different multiverse. I think this
• 1:12:21
  Speaker 1: is I don't think this is the Scrubs universe that
• 1:12:24
  Speaker 1: we know it. I think it's a different universe. And
• 1:12:26
  Speaker 1: at the end and at the end when the butterfly
• 1:12:28
  Speaker 1: lands again, we're going to go to another Scrubs universe
• 1:12:31
  Speaker 1: where something happened. Anyway. Okay, so Turk doesn't stand up
• 1:12:35
  Speaker 1: for calling the second act, but he does in the
• 1:12:37
  Speaker 1: first act, and it all hinges on JD catching the elevator.
• 1:12:44
  Speaker 1: If he would have caught the elevator in the first act,
• 1:12:47
  Speaker 1: maybe none of this would have happened. The butterfly effect
• 1:12:50
  Speaker 1: happens down in the in the in the in the
• 1:12:54
  Speaker 1: in the reception area. But the real, the real pivotal
• 1:12:58
  Speaker 1: moment is him making it too the elevator. Why and
• 1:13:04
  Speaker 1: because that's where he learns about what what could? That's
• 1:13:07
  Speaker 1: where he gets the idea for the patient. And Mickhead
• 1:13:10
  Speaker 1: has another line. Mickhead has another line, and he does
• 1:13:13
  Speaker 1: it very well. Yeah you're right, you are funny, j D.
• 1:13:16
  Speaker 1: Yeah you're right, j D, you are funny. So anyway,
• 1:13:22
  Speaker 1: this is what this is where it kind of caught
• 1:13:23
  Speaker 1: me off guard. So in the first act, there's this
• 1:13:26
  Speaker 1: little girl who's looking for her stuffed animal. But then
• 1:13:32
  Speaker 1: this guy who ate street sushi is the person that dies.
• 1:13:38
  Speaker 1: In the second act, the little girl's still there and
• 1:13:42
  Speaker 1: the guy who eats street sushi is still there, and
• 1:13:45
  Speaker 1: right before the guy goes into surgery, they introduced the
• 1:13:50
  Speaker 1: little girl again, and so you think, all right, so
• 1:13:53
  Speaker 1: here it is, this is where the turn happens, here's
• 1:13:56
  Speaker 1: the here's the here's where you know, here's where Scrubs
• 1:14:02
  Speaker 1: kicks you in the ass. The guy's not gonna die.
• 1:14:05
  Speaker 1: The little girl's gonna die this time. Yeah. And then
• 1:14:08
  Speaker 1: we go into the r and the guy dies again,
• 1:14:11
  Speaker 1: and part of you is like, oh, thank god they
• 1:14:13
  Speaker 1: didn't kill the little girl. But the other part of
• 1:14:15
  Speaker 1: you was like, oh, it's the same conclusion no matter what,
• 1:14:19
  Speaker 1: you know. Sometimes it's just that person's time to go,
• 1:14:22
  Speaker 1: you know. But that was a great mislead because I
• 1:14:25
  Speaker 1: was I was already getting ready. I was working myself
• 1:14:28
  Speaker 1: up for Oh no, they're gonna lose the little girl.
• 1:14:31
  Speaker 1: The little girl's not gonna well. I think kudos to
• 1:14:33
  Speaker 1: the writers because that seemed the obvious thing to do,
• 1:14:36
  Speaker 1: and then they subverted expectations by going, you know, Scrubs
• 1:14:40
  Speaker 1: and Bill and the writers were good at that. They
• 1:14:42
  Speaker 1: would they would tee up what you thought your brain
• 1:14:46
  Speaker 1: would figure would be the ultimate conclusion, and then they
• 1:14:48
  Speaker 1: subvert it and go the other way right, and they
• 1:14:51
  Speaker 1: go the exact way that you thought, like, because in
• 1:14:53
  Speaker 1: the beginning of it, I was like, Okay, so everything's different,
• 1:14:56
  Speaker 1: but at the end it's gonna be the same. I
• 1:14:58
  Speaker 1: know it, I know it, I know And then they
• 1:15:00
  Speaker 1: throwed a little girl at you, and that was freaking it.
• 1:15:04
  Speaker 1: I was like, wait what, Oh no, no, no, no, no,
• 1:15:06
  Speaker 1: it's gonna be the girl. Don't you think when you're
• 1:15:08
  Speaker 1: watching a movie and every plot point you're like, right
• 1:15:11
  Speaker 1: before it happens, you're like, oh, they're gonna do X
• 1:15:13
  Speaker 1: y Z, And then it happens, you're like, oh, we
• 1:15:16
  Speaker 1: were watching this movie. That is the most ridiculous movie.
• 1:15:19
  Speaker 1: The Family Stone. I love the Family. I needed you.
• 1:15:25
  Speaker 1: Obviously we did too. You obviously are not alone, Joel,
• 1:15:29
  Speaker 1: because it was trending amongst Christmas movies on on iTunes.
• 1:15:33
  Speaker 1: But what a ridiculous movie that is. Have you seen it? Yeah,
• 1:15:40
  Speaker 1: of course I've seen it. These two brothers decide there
• 1:15:42
  Speaker 1: he's gonna switch partners. It's so stupid and like he
• 1:15:47
  Speaker 1: has the meat cute with Claire. Days she falls off
• 1:15:49
  Speaker 1: the bus and it's like oh, and it's like and
• 1:15:51
  Speaker 1: then the ring gets stuck on her finger. I mean,
• 1:15:54
  Speaker 1: oh my god, it's so ridiculous. It's so ridiculous. Cast
• 1:15:59
  Speaker 1: dynamite cast. I do have to say the cast was great,
• 1:16:02
  Speaker 1: and I do to say that Sarah Jessica Parker was
• 1:16:04
  Speaker 1: really funny, really did a funny job. All Right, I
• 1:16:06
  Speaker 1: see my dog digging up the garden. So we're gonna
• 1:16:09
  Speaker 1: wrap it up. I just wanted to end with saying
• 1:16:11
  Speaker 1: the Lost and Found box was labeled free stuff, which
• 1:16:14
  Speaker 1: I thought was very funny. I also think I also
• 1:16:17
  Speaker 1: think that this episode is one of those episodes that
• 1:16:21
  Speaker 1: stands alone as you could catch it at any time,
• 1:16:25
  Speaker 1: and this was one of my favorite episodes, and it's
• 1:16:27
  Speaker 1: because it's infinite at the end, it's sort of like,
• 1:16:31
  Speaker 1: what's the one the movie with Leo Inception? Yeah, you
• 1:16:35
  Speaker 1: know JD. It feels like JD's caught in a groundhog
• 1:16:39
  Speaker 1: Day loop. Yeah, it could keep going. It could keep
• 1:16:41
  Speaker 1: going and going and going and going and over over
• 1:16:44
  Speaker 1: and over again. And this is the only episode ever
• 1:16:46
  Speaker 1: in Scrub's history where you have that. Yeah. Well, I
• 1:16:50
  Speaker 1: think it's a really good one and it's very clever.
• 1:16:52
  Speaker 1: And I guess we should say Marry Christmas to everybody. Right, Well,
• 1:16:57
  Speaker 1: I love you guys, and be merry Christmas. And you
• 1:17:03
  Speaker 1: guys have great presents, and when they arrive and you
• 1:17:05
  Speaker 1: open them, I don't want you to have the thought
• 1:17:06
  Speaker 1: this is nice. It's from Zack and Donald. It's solely
• 1:17:09
  Speaker 1: from Zach. Make sure to credit you in the Instagram video.
• 1:17:14
  Speaker 1: And next year I would like and I'm boxing and
• 1:17:17
  Speaker 1: I want unboxing videos from both of you. And next year,
• 1:17:21
  Speaker 1: next year, win, I give you your gifts as it's
• 1:17:25
  Speaker 1: supposed to be. You know, you never give gifts on
• 1:17:29
  Speaker 1: the first year. On the right, AIG's still open, bro,
• 1:17:31
  Speaker 1: you can run to writing right now. No, I like
• 1:17:34
  Speaker 1: what I'm I like what I've discovered. I'm going with
• 1:17:36
  Speaker 1: what I'm what I listened with, right, you know? You
• 1:17:39
  Speaker 1: know right Aid has that gift dial. I'd like to
• 1:17:44
  Speaker 1: think of it as it's not really a Christmas gift
• 1:17:47
  Speaker 1: until the second Christmas. All right. I love you guys.
• 1:17:50
  Speaker 1: I love you guys. Christmas. Everybody out there, we love
• 1:17:54
  Speaker 1: you by everybody. We love you. Stories about Sure we
• 1:18:01
  Speaker 1: made about a bunch of docs and nurses and Channa
• 1:18:06
  Speaker 1: who loved he. I said, He's a stories never you
• 1:18:10
  Speaker 1: all should know. So gathering around you. Here are gathering
• 1:18:15
  Speaker 1: around you, Here are free watch your wizard time m HM.