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Pixar Movie Writers Room · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:07
  Speaker 1: This week on the show, we have the Writer's Room
• 0:09
  Speaker 1: of Pixar.
• 0:11
  Speaker 2: Pixar is Disney's own branch of computer animated feel good movies,
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  Speaker 2: from Toy Story to The Incredibles to Finding Dorri to
• 0:21
  Speaker 2: Finding Nemo. There's so many wonderful movies that you love
• 0:26
  Speaker 2: that these people created.
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  Speaker 3: So if you're a kid, why don't you listen up.
• 0:30
  Speaker 4: There's gonna be a movie here that you might want
• 0:33
  Speaker 4: to see in theaters soon, and we're gonna break down
• 0:35
  Speaker 4: how it all happens.
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  Speaker 3: And if you're an adult, get ready to cry like
• 0:39
  Speaker 3: your child's self and heal that inner child. Let's listen in.
• 0:47
  Speaker 5: Well fringed to infinity and beyond, to infinity and beyond.
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  Speaker 3: We're going to a place we've never been before.
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  Speaker 6: We're happy to be.
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  Speaker 7: Here, imagination.
• 1:04
  Speaker 8: She felt located on, putting on my thinking cap and
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  Speaker 8: walking in to blast off.
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  Speaker 3: Yes, we're ready to go. We are ready to go.
• 1:22
  Speaker 9: Hi guys, uh fur man, you just did this one
• 1:27
  Speaker 9: to yourself.
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  Speaker 8: About show everybody here here we have you know you
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  Speaker 8: came in with your own bog.
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  Speaker 3: I just I felt from the beginning. Four would be
• 1:41
  Speaker 3: too much, you guys kind of painting me into a corner.
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  Speaker 3: Four would be too much.
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  Speaker 2: You don't.
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  Speaker 4: I don't think this was intentional. I think this was
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  Speaker 4: a choice you made on your and you do this
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  Speaker 4: at lunch.
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  Speaker 3: But we don't have to.
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  Speaker 6: Get into it.
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  Speaker 3: I saw it. It was almost a parasite spreading around
• 1:57
  Speaker 3: the room, and I caught it off at the.
• 2:00
  Speaker 5: Little Sprocket sprouting his own flower today, that could be
• 2:04
  Speaker 5: a movie. You wants to be a refrigerator.
• 2:11
  Speaker 3: That has legs? Hold on that Sprocket, refrigerator that has legs.
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  Speaker 6: How many legs? That's a question we have to ask
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  Speaker 6: at Pixar.
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  Speaker 3: Let's go to the legs department.
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  Speaker 7: Ok I love the legs. I'd say the sprout one leg.
• 2:31
  Speaker 3: That makes sense because it's a flower and.
• 2:32
  Speaker 10: It bounces like boom boot boom boom bo.
• 2:35
  Speaker 8: And its biggest arc is that a refrigerator is four legs,
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  Speaker 8: and it's.
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  Speaker 6: Bully this will be.
• 2:42
  Speaker 7: And the witch is a man, and Mom is leaving
• 2:48
  Speaker 7: and Dad is dead.
• 2:50
  Speaker 4: And the societal issue it addresses is tax brackets.
• 2:55
  Speaker 3: Done. Okay, have a smart TV.
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  Speaker 7: Our smart TV is kind of like the sphere.
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  Speaker 9: It's we got rid of the bulletin board a year
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  Speaker 9: ago and we put a gigantic smart TV in a room.
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  Speaker 3: And that's why we put all like endless endless white
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  Speaker 3: Ford and then we say it put it on all
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  Speaker 3: four walls.
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  Speaker 4: It is the sphere, except here at Pixar, it's the cube.
• 3:21
  Speaker 4: Vegas is shaking.
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  Speaker 9: We actually all the Pixar writers are only allowed in
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  Speaker 9: the smart TV a certain amount of time.
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  Speaker 5: It's kind of like nurses with pills a little bit.
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  Speaker 3: Only going to start writing a little bit. You know.
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  Speaker 8: It's almost like the sphere where it's like they say,
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  Speaker 8: our Pixar, our Pixar headquarters is like Vegas, but with
• 3:42
  Speaker 8: more water.
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  Speaker 10: Exactly.
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  Speaker 6: Yes, this is thrilling.
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  Speaker 1: We love.
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  Speaker 3: We drink so much a lot of I keep on saying, guys,
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  Speaker 3: you again, don't bring your dry erase markers and write
• 3:55
  Speaker 3: on the TV. It writes itself. Okay, writer, since.
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  Speaker 8: For that I don't know a dry erase board, a
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  Speaker 8: dry race marker. Who wants to be a writer, Oh.
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  Speaker 4: Can't because the writer because writers look don't look like that.
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  Speaker 3: Yes, that's good. Writers look a certain way. It's a
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  Speaker 3: dry race marker.
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  Speaker 5: But also everything he makes is impermanent, so how is
• 4:21
  Speaker 5: he going to make something last?
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  Speaker 3: And it deals with the grief, grief, grief and to
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  Speaker 3: like healthcare, health care added to the board. We go
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  Speaker 3: around and introduce our names. Why don't we int come on,
• 4:36
  Speaker 3: introduce yourselves? Why don't you go first?
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  Speaker 10: Welcome intrepid Vilagers into.
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  Speaker 5: The world of imagination.
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  Speaker 3: My name is Danny Dungo.
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  Speaker 10: I am an original Fixar creator.
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  Speaker 3: I was in charge of the Army Man on Toy
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  Speaker 3: story so fun.
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  Speaker 5: Since then, I've been relegated to handling the evolution of
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  Speaker 5: the way we make people in our movies.
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  Speaker 10: You got pretty good.
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  Speaker 5: And I'm also in charge of writing a lot of
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  Speaker 5: scripts and hanging out and I'm pretty much the king
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  Speaker 5: of the Potlucks.
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  Speaker 6: I love the way that our people look now.
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  Speaker 4: They're really round, like someone took a smoothie sandpaper out
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  Speaker 4: into the out into the cheek bones.
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  Speaker 6: And I really like what you've done.
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  Speaker 10: Well, that's what it is.
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  Speaker 8: Danny did the work of making humans soft. And you
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  Speaker 8: can really tell the Pixar movies where the humans don't
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  Speaker 8: look soft, and the Pixar movies where the humans do
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  Speaker 8: look so.
• 5:33
  Speaker 5: It rose into it.
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  Speaker 9: I mean, you know, what's funny is you could actually
• 5:36
  Speaker 9: chart when I discovered moisturizer.
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  Speaker 3: Somewhere around Coco.
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  Speaker 10: Would you say you were around Coco? I started, I
• 5:45
  Speaker 10: started using cocoa butter, shady butter.
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  Speaker 3: You know what, We're gonna make one with humans?
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  Speaker 5: I did.
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  Speaker 9: I said, we're gonna make one with people. I think
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  Speaker 9: I'm ready for it. And we're gonna focus on the people.
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  Speaker 3: And we're not.
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  Speaker 11: Gonna make those superheroes and we're not gonna make them dentists.
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  Speaker 3: Well, on a it was amazing because you have kind
• 6:01
  Speaker 3: of dictated what humans look like in general animation, you know,
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  Speaker 3: cultural thing. Every Disney movie, not even related to Pixar,
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  Speaker 3: every movie basically kind of paints humans in this bubbly way.
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  Speaker 5: Yeah, they called me the animation World of People maker
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  Speaker 5: because we were scared of making people.
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  Speaker 3: For a long time.
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  Speaker 5: You know, Walt nailed it with snow White and then
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  Speaker 5: everyone was scared to go back.
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  Speaker 10: He didn't nail it with Cinderella. I think she looks
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  Speaker 10: like a freak that looks like a mannequin.
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  Speaker 5: Looks like a mannequin. Might as well meet her at
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  Speaker 5: wool Worths. Woolworths, have you ever been to a woolword.
• 6:40
  Speaker 5: We should talk about woolworks.
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  Speaker 6: It was a fantastic I'm curious what it.
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  Speaker 3: Is the British market. It's American, it's an American.
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  Speaker 5: There was a world where Woolworth was on every street.
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  Speaker 3: Let's not get caught up in this because it really
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  Speaker 3: like a sax fits.
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  Speaker 7: What's all.
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  Speaker 3: A clothing story? Is it like a white house black market?
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  Speaker 3: Let's just say you could buy a colt and you
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  Speaker 3: can get a soda.
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  Speaker 7: I love white House.
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  Speaker 6: I want to know about that.
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  Speaker 4: Yes, Chicos, it's like blazers, Yes, Chicos blazers.
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  Speaker 6: Oh, I can't wait to age into that.
• 7:19
  Speaker 7: Hey we have we have to go back to Talbot soon.
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  Speaker 3: We have to.
• 7:22
  Speaker 4: I love Talbot's usually putting things in all the pockets.
• 7:26
  Speaker 10: The introduction blimp is here.
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  Speaker 6: Might as well hop on, let me hop on.
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  Speaker 4: My name Isna Moena di Lorena, and I designed the
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  Speaker 4: villains Pixar point ty point t villains with sharp shapes,
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  Speaker 4: angular features, angular hats and capes and shoulder pads. I
• 7:56
  Speaker 4: am the one who makes the things. Do you want
• 8:00
  Speaker 4: stand there?
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  Speaker 6: Are you familiar? I'm sure you.
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  Speaker 4: I've talked my ear off of your ears off about
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  Speaker 4: this the the linguistics visualization hypothesis of booba and kiki.
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  Speaker 6: Do we know bouba and kiki?
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  Speaker 8: Do not.
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  Speaker 6: Booa?
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  Speaker 4: This is real, this is tell me, let me inform
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  Speaker 4: all the viewers about booba and kiki. So scientists put
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  Speaker 4: out two shapes to people who speak all these different languages.
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  Speaker 4: One was soft and round and one was sharp and pointy.
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  Speaker 4: And they said, which one's bouba.
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  Speaker 7: And which one is kiki?
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  Speaker 4: And everyone across all languages agreed the pointy one is
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  Speaker 4: kiki and the soft one is bouba.
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  Speaker 6: I designed the kiki's.
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  Speaker 3: Yes, Morana. That is such a beautiful way of explaining we.
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  Speaker 5: Call we call de Morana's office, the office where no
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  Speaker 5: light can touch No.
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  Speaker 3: Yes, the kiki, the Kiki room.
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  Speaker 6: I say, let's have a kiki and people think something else.
• 9:05
  Speaker 3: A nice chat, a gossip zetter and you're talking about
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  Speaker 3: the kind of ethereal nature of villainy.
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  Speaker 4: No, I'm trying to get into the twisted mind of
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  Speaker 4: a childhood bully.
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  Speaker 10: And I would say you talked two hundred percent more
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  Speaker 10: on Halloween.
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  Speaker 3: Yes, more to say around that, you know. I think
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  Speaker 3: what's marvelous about your work is, you know, a lot
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  Speaker 3: of Pixart doesn't really have an more like spoken villain.
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  Speaker 3: A lot of it is kind of a theeal like
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  Speaker 3: look at Soul. The villain of Soul, I guess is
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  Speaker 3: time itself. And so you designing that was so interesting, Yes,
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  Speaker 3: how time can be evil?
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  Speaker 4: Well, there's it's also sometimes I'm not designing a character
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  Speaker 4: that goes into the movie. Sometimes I'll design a character
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  Speaker 4: who exists in the negative space. Sometimes the villain of
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  Speaker 4: the movie is not being yourself.
• 9:55
  Speaker 5: Well, you also designed a really big villain in the
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  Speaker 5: movie up Carl's wife's fertility.
• 10:01
  Speaker 3: Yes, that evil, twisted thing.
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  Speaker 7: I hate that villain.
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  Speaker 6: Pinned one of.
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  Speaker 3: The worst village you've ever made, one of the most
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  Speaker 3: evil village you've ever made.
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  Speaker 8: It was such a dark week in the storyboard wing.
• 10:18
  Speaker 4: Fertility Snowman, and I pinned him up all till around
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  Speaker 4: the office and I said, remember, anytime you want to
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  Speaker 4: make Carl happy, look at this.
• 10:26
  Speaker 6: Look at what he's taken from you.
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  Speaker 3: It was hard to convince you that we didn't need
• 10:30
  Speaker 3: to put the infertility Snowman in the actual movement. And
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  Speaker 3: I still think it would.
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  Speaker 5: There's a there's a cut.
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  Speaker 12: There's a cut in the first nine minutes about where
• 10:40
  Speaker 12: you can see an evil snowman holding Carl and Ellie
• 10:44
  Speaker 12: as they're in the doctor's kind of strangling.
• 10:48
  Speaker 3: Can we play that scene? Absolutely? I will play that
• 10:50
  Speaker 3: one moment cut out so there's actually the sad part
• 10:53
  Speaker 3: of the song, you know it, And so this is
• 10:57
  Speaker 3: an image of the snowmang them. All right, that's the
• 11:02
  Speaker 3: clip I forgot.
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  Speaker 4: There's no talking in that. Say oh, but I wish
• 11:07
  Speaker 4: you could see it. If you could see it, you
• 11:09
  Speaker 4: would understand.
• 11:11
  Speaker 3: Well, let's keep going with what about you? Okay, Well
• 11:13
  Speaker 3: my name is John Marcos. I do basically everything else
• 11:19
  Speaker 3: that you guys do. You are on Feet, you were
• 11:22
  Speaker 3: on Villainy, you were on kind of People. And then
• 11:25
  Speaker 3: I do a lot of the storyboarding, the ideas, coming
• 11:28
  Speaker 3: up with the pain. I do like a lot of
• 11:30
  Speaker 3: the I'm the youngest one. I got at it. I
• 11:32
  Speaker 3: had a really fun, interesting indie film that kind of
• 11:35
  Speaker 3: made its market. You know. It was premierreed to Tiff
• 11:37
  Speaker 3: and I got gabbled up by the Pixar Monster. Because
• 11:40
  Speaker 3: you guys love my story show.
• 11:41
  Speaker 6: Don't be humble.
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  Speaker 4: He wrote The Father's Shoes, Yes.
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  Speaker 8: And Shoes Indie Darling when we see a movie wear
• 11:54
  Speaker 8: an inanimate object captured our heart in the first five
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  Speaker 8: minutes general, immediately, in general, immediate.
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  Speaker 3: And I've never worked in animation. You know. That was
• 12:03
  Speaker 3: a live action movie called The Father Shoes about a
• 12:06
  Speaker 3: young boy constantly wearing his father's shoes, trying to grow
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  Speaker 3: up into the man he was and learning that in
• 12:12
  Speaker 3: order to grow you have to let go.
• 12:14
  Speaker 5: But it was from the point of view of the shoes.
• 12:16
  Speaker 5: So if you say you weren't baiting the Pixar monster,
• 12:19
  Speaker 5: I don't know.
• 12:20
  Speaker 3: We come on, we've.
• 12:21
  Speaker 6: All I mean, the indie world baited the Pixar.
• 12:25
  Speaker 10: It was the shoes. It was the shoes at the park,
• 12:29
  Speaker 10: the shoes in the school, the shoes at lunch, the
• 12:32
  Speaker 10: shoes of the movies. It was just the shoes, but
• 12:34
  Speaker 10: the world changed around them. Shoes center frame. You knew
• 12:37
  Speaker 10: what you were doing.
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  Speaker 3: Past, you knew what you was doing Shoes. The movie tanked,
• 12:44
  Speaker 3: but you guys liked it, which.
• 12:46
  Speaker 10: Is hard to know that a short film definitively takes.
• 12:49
  Speaker 3: But we know that.
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  Speaker 6: Because people were angry.
• 12:53
  Speaker 3: People were angry.
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  Speaker 8: They almost medium, almost a medium where it's impassable.
• 12:59
  Speaker 6: I know, But you got a ten minute standing boovation at.
• 13:02
  Speaker 3: Some yes people laid on the ground and bood. So
• 13:07
  Speaker 3: I knew it. I knew it wasn't good, But you
• 13:08
  Speaker 3: guys can wisk me after and said we want a meeting.
• 13:10
  Speaker 3: And so after that I got brought in and kind
• 13:13
  Speaker 3: of the youngest buck, and I learned so much from
• 13:17
  Speaker 3: you guys. I've worked in the last two or three
• 13:19
  Speaker 3: movies that we've done two and a half. I like
• 13:21
  Speaker 3: to say, because you guys brought me in halfway through
• 13:24
  Speaker 3: the now canceled project Raccoon, Raccoon Raccoon.
• 13:28
  Speaker 7: Yes, we needed a story, so we brought you in.
• 13:30
  Speaker 4: Ye, and we see, we got we had gotten too raccoons.
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  Speaker 4: We had that part, and then we we knew that
• 13:37
  Speaker 4: something else needed to happen because.
• 13:38
  Speaker 6: We have some animals.
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  Speaker 8: We have some animals that we just can't crack. And
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  Speaker 8: that it was one of those things where all the studios,
• 13:44
  Speaker 8: all the all of the collaborators, everyone wanted that animal,
• 13:47
  Speaker 8: but we couldn't figure out the store.
• 13:49
  Speaker 5: Are you guys go by the way going to the
• 13:51
  Speaker 5: Viking funeral for Raccoon Raccoon.
• 13:52
  Speaker 3: We're pushing that server out onto the boat and lighting
• 13:55
  Speaker 3: on a biographall.
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  Speaker 10: Oh yeah, whole man, I'm going to I'm going to
• 14:01
  Speaker 10: miss that movie.
• 14:02
  Speaker 6: Staying on the Canada side of the New York side.
• 14:06
  Speaker 5: On the Canada side, I want to go to that
• 14:07
  Speaker 5: restaurant that's called Frankenstein.
• 14:10
  Speaker 8: The first half on the Canada side, then the second half.
• 14:12
  Speaker 7: On the New York side.
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  Speaker 3: That's wow. Okay, well you go ahead.
• 14:15
  Speaker 7: Hi everyone. My name is Wally.
• 14:19
  Speaker 3: Sound familiar.
• 14:21
  Speaker 7: Sometimes sometimes we put our.
• 14:23
  Speaker 3: Names and we have to talk about we have.
• 14:27
  Speaker 8: Anyway, my name is Wally, and I do the legs.
• 14:30
  Speaker 8: I love to draw. I did start out a storyboard artist.
• 14:36
  Speaker 8: I usually drop other things, but I always beg if
• 14:40
  Speaker 8: I could start with the legs. Oh well, that's why.
• 14:45
  Speaker 7: That's why we did Onward.
• 14:47
  Speaker 3: And it's so yeah, and that's why we did Onward.
• 14:49
  Speaker 7: Because they finally gave me one with your legs.
• 14:52
  Speaker 10: You got to do one with legs.
• 14:53
  Speaker 9: And because that the character is only legs, I said, please.
• 14:57
  Speaker 7: Please, please, one time, one time.
• 14:58
  Speaker 6: Please.
• 14:59
  Speaker 9: The the father of unworded is just legs.
• 15:04
  Speaker 3: Legs.
• 15:04
  Speaker 4: And I you know, I hate to call you out
• 15:06
  Speaker 4: a little bit, but this girl's always pitching millipedes.
• 15:10
  Speaker 3: Yeah, okay, let's talk about it. How about a thousand about.
• 15:13
  Speaker 6: A thousand legs?
• 15:14
  Speaker 4: You just want that employment, you want that healthcare guarantee,
• 15:18
  Speaker 4: the life.
• 15:18
  Speaker 6: I get it, I guess.
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  Speaker 8: I mean, no matter what, I'm getting employed drawing raccoons
• 15:23
  Speaker 8: going to graduation.
• 15:25
  Speaker 5: That was also a lot of delegation. By the way
• 15:27
  Speaker 5: we came to raccoons. Are those hands and legs?
• 15:29
  Speaker 9: I remember you it literally and picks our court for that,
• 15:32
  Speaker 9: trying to get it from the hands person.
• 15:34
  Speaker 7: We low to talk about.
• 15:35
  Speaker 3: Let's talk about it.
• 15:36
  Speaker 6: Let's talk about pis.
• 15:38
  Speaker 7: It's all purple, yeah, it's and it's a big bouncy house.
• 15:43
  Speaker 3: It's a big bouncy house horse.
• 15:46
  Speaker 10: Yes, the child horse horse. It sits on a yoga ball.
• 15:50
  Speaker 7: And you kind of have to make your way.
• 15:53
  Speaker 3: You may be thinking it's a child horse, a pony.
• 15:55
  Speaker 5: No, no, no, it's a young childhood child.
• 15:59
  Speaker 3: It's a horse and a bit.
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  Speaker 7: Oh what about that?
• 16:03
  Speaker 10: Okay, horse wants human food.
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  Speaker 3: Okay, I think that's pretty relatable.
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  Speaker 4: And all the other older horses, the old guard the
• 16:15
  Speaker 4: old bucks, they.
• 16:16
  Speaker 6: Say, you know, you can't eat a carrot, that's people food.
• 16:19
  Speaker 3: And so this is where I come in and try
• 16:21
  Speaker 3: to redirect it maybe to something a little bit more relatable,
• 16:24
  Speaker 3: like maybe it's a race horse that now really wants
• 16:27
  Speaker 3: to be the best racehorse. It's a young race horse
• 16:30
  Speaker 3: that wants to be the best race horse, but it's
• 16:32
  Speaker 3: too small for racing.
• 16:34
  Speaker 9: And that's interesting.
• 16:35
  Speaker 3: That's interesting, you guys, Okay, we can go back to food.
• 16:39
  Speaker 3: I think it's interesting.
• 16:41
  Speaker 4: I just think it might be sea biscuit, and I
• 16:43
  Speaker 4: don't want to step on sea biscuits toes what a
• 16:45
  Speaker 4: good movie.
• 16:45
  Speaker 5: It might be the film Racing Stripe without Zebra.
• 16:50
  Speaker 3: Now we could just rip that, honestly, that such a
• 16:53
  Speaker 3: good Pixar called Frankie.
• 16:56
  Speaker 5: I love. Let's talk wild because we are we all
• 17:02
  Speaker 5: on the same movie right now.
• 17:03
  Speaker 10: I can't remember if we're working on.
• 17:05
  Speaker 3: We're doing a bunch in the process. We're always I mean,
• 17:08
  Speaker 3: we had our classic pitch meeting where we write ideas
• 17:11
  Speaker 3: on a napkin kind of like so, as you guys know,
• 17:13
  Speaker 3: the original five first Pixar movies were written on a
• 17:17
  Speaker 3: napkin at a meeting, and so yes, we're constantly trying
• 17:20
  Speaker 3: to recreate that. We only are allowed to write on
• 17:22
  Speaker 3: napkins now for like the first ideation period.
• 17:24
  Speaker 7: But I love, I really love what Pixar.
• 17:26
  Speaker 8: Dude did dude, because now we have these iPads that
• 17:29
  Speaker 8: look like napkins.
• 17:30
  Speaker 3: Yes, right, because we had much.
• 17:32
  Speaker 8: Easier I just want to writing back in the day
• 17:35
  Speaker 8: of early Pixar versus now is pretty different, right.
• 17:39
  Speaker 9: I I went to cal Tech with John Lessener, Pete
• 17:43
  Speaker 9: doctor Andrew Byrd.
• 17:44
  Speaker 3: I went with the heroes.
• 17:46
  Speaker 11: And I was the guy in the back of the
• 17:47
  Speaker 11: class and they said, you can't talk to us, you
• 17:50
  Speaker 11: can't talk to us, you can't talk to us. And
• 17:54
  Speaker 11: then I snuck into the first meeting and they thought
• 17:57
  Speaker 11: they invited me, so I.
• 17:58
  Speaker 3: Stayed in there. Lasser a notoriously nice guy. Yes, he
• 18:03
  Speaker 3: gave me the shirt. Yeah, good guy.
• 18:07
  Speaker 7: But we were talking about what were we just talking about?
• 18:09
  Speaker 3: We were talking about interruption?
• 18:11
  Speaker 10: Blimp, Oh, interruption, blimp?
• 18:13
  Speaker 3: What here it comes after?
• 18:17
  Speaker 7: What's going on in that?
• 18:18
  Speaker 5: See?
• 18:18
  Speaker 10: You know we mentioned Frankie Munas.
• 18:20
  Speaker 11: We have so many amazing actors that come in, and
• 18:25
  Speaker 11: I have want to see if you have any stories
• 18:27
  Speaker 11: of working with some actors.
• 18:28
  Speaker 3: I remember when Tom Tom Hanks came in. I had
• 18:30
  Speaker 3: a really funny encounter. I can't even believe I'm saying this.
• 18:35
  Speaker 3: I was standing in the lobby and he came in
• 18:38
  Speaker 3: and oh, I can't even believe I'm saying this. And
• 18:42
  Speaker 3: then he walked by and he dumped his phone and
• 18:47
  Speaker 3: I picked it him and gave it to him.
• 18:51
  Speaker 10: I can't believe I'm saying.
• 18:53
  Speaker 3: That is a wild story.
• 18:55
  Speaker 6: You're gonna get He's gonna come after you for that.
• 18:58
  Speaker 3: I'm seeing this out loud. You're gonna have.
• 19:01
  Speaker 6: To get clearance for that.
• 19:03
  Speaker 7: You better lay her up.
• 19:05
  Speaker 3: That's a pretty crazy story.
• 19:07
  Speaker 7: Okay, you said it. You said it.
• 19:08
  Speaker 8: Okay, you can't believe it because you already.
• 19:16
  Speaker 3: So you just gave it his phone. Yeah, I guess what.
• 19:19
  Speaker 3: He's a wallpaper. It was a picture of a typewriter.
• 19:22
  Speaker 3: I can't believe I'm saying. Any of you guys have
• 19:27
  Speaker 3: an interesting stories.
• 19:29
  Speaker 6: Well should we talk about when we met? Akwa Fina?
• 19:36
  Speaker 3: What was that like?
• 19:39
  Speaker 8: Really talk to anybody about I haven't really talked.
• 19:43
  Speaker 7: We should we talk about it?
• 19:46
  Speaker 3: I think we should talk about when we met. She
• 19:50
  Speaker 3: was so nice and then we biffed it.
• 19:54
  Speaker 7: Okay, so we're in the ladies bathroom, right she was.
• 19:58
  Speaker 3: It was so nice.
• 20:00
  Speaker 6: She couldn't have been nicer, couldn't have been nicer.
• 20:02
  Speaker 4: We were in the ladies bathroom. Our Couiffino walks in.
• 20:06
  Speaker 4: She says, she says, do you guys have any toilet
• 20:12
  Speaker 4: paper in there? We're both in different stalls.
• 20:15
  Speaker 8: And De Miranda and I like to go into the
• 20:17
  Speaker 8: different stalls at lunch and share one vape, like to
• 20:22
  Speaker 8: pass back.
• 20:23
  Speaker 6: Light green vape.
• 20:24
  Speaker 3: I heard there's a vape glory hole in the women's bathroom.
• 20:27
  Speaker 3: I thought that was somebody pitching an idea.
• 20:31
  Speaker 7: No, and I haven't written wally on it, so people
• 20:33
  Speaker 7: think it's a prop.
• 20:36
  Speaker 8: Have an inspiration. So no, we're passing around our vape.
• 20:38
  Speaker 8: And she says would she say?
• 20:39
  Speaker 6: She says, do you have any toilet paper?
• 20:42
  Speaker 4: And we suddenly go, oh, no, there's four feet in
• 20:45
  Speaker 4: the stall.
• 20:47
  Speaker 6: How do we make ourselves? How do we answer her question?
• 20:49
  Speaker 7: And I go like this, look at those legs.
• 20:53
  Speaker 8: So that's not a good thing to say, I think,
• 20:54
  Speaker 8: and I go, De Miranda, look at these legs.
• 21:00
  Speaker 6: You look at these legs, and.
• 21:01
  Speaker 4: Then you dug us further and I said, oh, yeah,
• 21:05
  Speaker 4: all these legs aren't in here sharing a vape.
• 21:08
  Speaker 6: Everything's normal in here.
• 21:11
  Speaker 4: Just well, well, she left, and I think she to
• 21:16
  Speaker 4: this day, I think she recognized us by her shoes
• 21:19
  Speaker 4: later in the meeting, because.
• 21:20
  Speaker 3: You guys are both wearing very crystal clear shoes. That
• 21:23
  Speaker 3: give away you guys, I mean.
• 21:24
  Speaker 6: Wearing crystal clear shoes. It's Cinderella transparent.
• 21:31
  Speaker 8: So you can see both wear translucent shoes with socks
• 21:34
  Speaker 8: a tear names on it.
• 21:35
  Speaker 9: Yes, yeah, so that's a grandfather ruling for the old
• 21:38
  Speaker 9: days that women have to wear crystal clear.
• 21:42
  Speaker 3: Days.
• 21:42
  Speaker 4: You know, it's one of those rules that you know
• 21:44
  Speaker 4: we could stop doing, but I know, I think it's
• 21:47
  Speaker 4: kind of fun and Talbots makes an amazing pair.
• 21:50
  Speaker 8: We guys have to talk about talbuts have to talk
• 21:53
  Speaker 8: about Talbots and Chicos.
• 21:54
  Speaker 7: I love Chicos.
• 21:55
  Speaker 4: You guys have to come with us to Talbot's and Chicos.
• 22:00
  Speaker 4: Do I get Talbot's Chico's Crawl at the Grove next Wednesday?
• 22:05
  Speaker 3: Doing a couple of crazy girls from bowling?
• 22:08
  Speaker 7: Yes, oh these.
• 22:09
  Speaker 4: Girls girls are crazy crazy, they were getting crazy DreamWorks.
• 22:13
  Speaker 3: No, you guys are crossing the aisle for friendship.
• 22:16
  Speaker 7: Oh wait, we have.
• 22:17
  Speaker 8: It's like a women in film, literally competition.
• 22:21
  Speaker 5: People your age to say this word. I literally get
• 22:23
  Speaker 5: gun triggered when you say something.
• 22:25
  Speaker 3: So I'm thirty five, okay, And I don't know people.
• 22:28
  Speaker 3: I don't even know what gun trigger it is.
• 22:30
  Speaker 5: I get gun triggered by the word DreamWorks because of
• 22:33
  Speaker 5: all the spying and the espionage and the early two
• 22:36
  Speaker 5: thousands that we had to deal with.
• 22:37
  Speaker 7: Do you believe in the secret tunnels?
• 22:39
  Speaker 3: I think I do.
• 22:41
  Speaker 5: This idea is the similarities between the two Disney Pixar DreamWorks.
• 22:47
  Speaker 5: We were coming up with the same things. Flushed away ratituy,
• 22:51
  Speaker 5: I mean finding this.
• 22:53
  Speaker 3: Shocktail as ants, bugs.
• 22:55
  Speaker 5: Life, ants, bugs life, well, similarious.
• 22:57
  Speaker 10: We're too numerous to more.
• 23:00
  Speaker 7: Remember we're in development now. This is top secret.
• 23:02
  Speaker 8: We're in development on a movie about ghosts called Boutopia.
• 23:07
  Speaker 7: And look at what came out before we.
• 23:10
  Speaker 3: Took the name, not the idea god grain lit.
• 23:12
  Speaker 7: Yes, they changed it to Zoo.
• 23:15
  Speaker 10: So we so Disney kive up with Utopia.
• 23:18
  Speaker 3: Disney stole it. It's always happening DreamWorks and Disney and
• 23:22
  Speaker 3: everything stealing.
• 23:23
  Speaker 4: And you know we have to have protections in place
• 23:26
  Speaker 4: to make sure there aren't spies in.
• 23:28
  Speaker 7: Our midst Yes.
• 23:30
  Speaker 8: Oh, shall we talk about the clearances. You need a
• 23:32
  Speaker 8: certain clearance, you need a key fob.
• 23:35
  Speaker 3: Yes, Pixar security clearance.
• 23:37
  Speaker 4: You cannot know the moral lesson of the movie unless
• 23:42
  Speaker 4: you are at tier one.
• 23:44
  Speaker 10: Yes, yeah, there's five tiers.
• 23:47
  Speaker 6: Tier two allowed to know that.
• 23:49
  Speaker 3: Yeah, so yeah.
• 23:50
  Speaker 5: So tier one we call it your your level woody
• 23:53
  Speaker 5: level woody, and then tear two is a level nemo.
• 23:58
  Speaker 3: Tier three is level jack Jack jack Jack. Yes, and
• 24:03
  Speaker 3: the pain of the family frozen.
• 24:05
  Speaker 10: Frozen five is frozen.
• 24:08
  Speaker 3: That's basically everyone.
• 24:10
  Speaker 7: And that's just like my mother, like that's.
• 24:12
  Speaker 10: What people like on tour.
• 24:14
  Speaker 3: Gosh, I cannot get over that Aquafina story. I just still,
• 24:18
  Speaker 3: it's not over. It's the whole story, just the beginning.
• 24:27
  Speaker 4: Look at those legs, and I'm going, everything's normal in here,
• 24:32
  Speaker 4: everything's normal in the bathroom store.
• 24:34
  Speaker 6: What's that Aquafina? What did you say?
• 24:37
  Speaker 7: Just then Ellen DeGeneres walks.
• 24:39
  Speaker 3: In, Oh no, no, not Ellen.
• 24:41
  Speaker 7: And we could tell because she's dancing, are dancing.
• 24:46
  Speaker 3: She's walking over the sink counter like it's a coffee table.
• 24:48
  Speaker 6: She's going, O ho, I'm Ellen, I'm Ellen, I'm Ellen.
• 24:52
  Speaker 7: She does that, and I go to look at those
• 24:56
  Speaker 7: legs and I.
• 24:57
  Speaker 4: Go, everything's normally here, and everything's normal in here.
• 25:01
  Speaker 6: Ellen, why don't you pick a stall?
• 25:03
  Speaker 3: Okay, why do we pause the story right now because
• 25:07
  Speaker 3: wait to hear the end of it. It should can't be.
• 25:11
  Speaker 3: I'm gonna story wait till you hear the end of
• 25:17
  Speaker 3: the star.
• 25:18
  Speaker 10: It'll take a little baby, little baby. Do you have
• 25:20
  Speaker 10: a celebrity encounter?
• 25:22
  Speaker 3: I just Tim Allen asked my race. But that was Yeah,
• 25:32
  Speaker 3: that was good.
• 25:34
  Speaker 5: We'll move on from that one.
• 25:35
  Speaker 3: I guess yeah, he does that.
• 25:37
  Speaker 1: Yeah, yeah, favorite musical and three one two three hairspray.
• 25:46
  Speaker 7: I don't know why I said hair spray.
• 25:48
  Speaker 3: I know why.
• 25:49
  Speaker 7: These are some things you can catch.
• 25:51
  Speaker 2: Hey, hi guys, we are artists and artist and artist artists.
• 25:55
  Speaker 3: You've been watching our show U.
• 25:57
  Speaker 2: But the thing is we also have a Patreon where
• 25:59
  Speaker 2: we hang out just as ourselves. We let our hair down.
• 26:02
  Speaker 2: We have like four extra hours of content every month
• 26:04
  Speaker 2: for you for a five dollars tier. You get after shows.
• 26:08
  Speaker 2: You get special challenges. I wrote an entire screenplay in
• 26:10
  Speaker 2: a day and we did a table read of it.
• 26:12
  Speaker 7: Yeah, you get.
• 26:13
  Speaker 1: Crazy amount of extra stuff. That is just us being
• 26:16
  Speaker 1: ourselves for such a cheap price. We have a five
• 26:18
  Speaker 1: dollars tier. You can come party. We all change our
• 26:21
  Speaker 1: names and have little aliases on there.
• 26:23
  Speaker 3: Yeah, we got ave. We love our patrons and we
• 26:25
  Speaker 3: love for you to join us.
• 26:26
  Speaker 2: It also really really helps us because we love to
• 26:29
  Speaker 2: bring this to you for free on YouTube and we
• 26:31
  Speaker 2: want to keep doing that.
• 26:32
  Speaker 7: So see you there.
• 26:37
  Speaker 3: We should talk about you know, I think everybody turns
• 26:39
  Speaker 3: the Pixar because it's children's movies, but we do such
• 26:43
  Speaker 3: a great job at creating a real life and real
• 26:47
  Speaker 3: pain that adults also love to watch it. I mean,
• 26:49
  Speaker 3: inside Out kind of changed a lot of the way
• 26:52
  Speaker 3: people teach therapy now to children and adults. That imagery
• 26:56
  Speaker 3: is so powerful. I think something that's so special about
• 26:59
  Speaker 3: Pixar is our ability to talk about something real that
• 27:02
  Speaker 3: is intergenerational, and I want to talk about like how
• 27:06
  Speaker 3: we end up coming up with those ideas, those strong
• 27:09
  Speaker 3: themes that carry through an entire story, even when it's
• 27:12
  Speaker 3: about something like a fish or a car. I think
• 27:16
  Speaker 3: it's just so interesting that we're able to take an
• 27:18
  Speaker 3: item or a thing and make it something so relatable.
• 27:22
  Speaker 3: So like, you guys are the freaking pros. Like I
• 27:25
  Speaker 3: was wondering, like do we want to dive into this
• 27:27
  Speaker 3: or what?
• 27:28
  Speaker 7: Yeah, I mean, I.
• 27:29
  Speaker 8: Think it even starts with just the structure of the
• 27:32
  Speaker 8: building right. So there's Pixar Court, which is just a
• 27:35
  Speaker 8: bouncy house outside, and then there's one building. There's one
• 27:39
  Speaker 8: big room that is real life topics. Yes, we call
• 27:43
  Speaker 8: it a problem pites, infertility college, hormones loss.
• 27:50
  Speaker 10: And it's connected to our HR departments.
• 27:52
  Speaker 5: Yes, if you have an issue and are in house
• 27:56
  Speaker 5: therapy and counseling, you sign away everything is and therapy
• 28:00
  Speaker 5: to be owned by Pixar case we need.
• 28:03
  Speaker 8: It's very scientology. And then you walk down the hallway
• 28:09
  Speaker 8: and there's a zoo. Yes, yes, so you can almost
• 28:12
  Speaker 8: like the writer. You can go in there, sit, listen
• 28:15
  Speaker 8: to your coworkers' problems or bring your own, then walk straight.
• 28:19
  Speaker 3: To the zoo.
• 28:20
  Speaker 10: It's beautiful. Yeah.
• 28:22
  Speaker 5: I was dealing with my my wife got laid off
• 28:25
  Speaker 5: and she had depression.
• 28:27
  Speaker 10: So I was dealing with depression.
• 28:28
  Speaker 5: And then I brought it over and I attached it
• 28:30
  Speaker 5: to a goat, and then that's when we had sad Goat.
• 28:33
  Speaker 10: Yes, and said goat, Sad Goat's coming out for brad.
• 28:37
  Speaker 6: Goat is gonna and spoiler alert happy.
• 28:41
  Speaker 10: Absolutely voiced Reba McIntyre was fun. Of course, Ted Danson
• 28:49
  Speaker 10: as the nasty farmer and.
• 28:51
  Speaker 7: Her best friend Rihanna, who's playing Rihanna.
• 28:54
  Speaker 3: Yeah, by the way, Rihanna is Rihanna. And it's a
• 28:57
  Speaker 3: beautiful metaphor about how it's all right to medicate yourself.
• 29:00
  Speaker 6: It is love that.
• 29:01
  Speaker 8: I've been waiting for Picture to do a medication film
• 29:03
  Speaker 8: for a long time.
• 29:04
  Speaker 3: So why do we just list some of the projects
• 29:07
  Speaker 3: coming out soon, like the kind of the general process
• 29:11
  Speaker 3: and what they're dealing with. I mean, we have The
• 29:13
  Speaker 3: Little Mermaid two seven point seven taking the franchise.
• 29:21
  Speaker 4: Yes, The Little Mermaid two point seven is about a
• 29:24
  Speaker 4: cyborg named Little Mermaid.
• 29:26
  Speaker 3: And it's dealing with the idea of how do we
• 29:30
  Speaker 3: escape legacy?
• 29:31
  Speaker 4: Yes, and robots are not allowed to go underwater because
• 29:34
  Speaker 4: they they frizz up and she frizz up and they
• 29:36
  Speaker 4: stopped working. Yes, this robot always knew she wanted to
• 29:39
  Speaker 4: be a mermaid, so she asks robot Ursula for.
• 29:44
  Speaker 7: A bubble to put her underwater.
• 29:46
  Speaker 3: Yes.
• 29:47
  Speaker 7: And somehow it ends with women in Stem.
• 29:49
  Speaker 4: Yes, yes, where we know that that's the that's the
• 29:54
  Speaker 4: and that's the women in Stem.
• 29:55
  Speaker 10: Yeah.
• 29:56
  Speaker 4: Well, you know when my Problem Pit, I uh, I
• 30:00
  Speaker 4: was having insomnia, so I went to the problem Pit
• 30:02
  Speaker 4: for my insomnia and then I went over to the
• 30:04
  Speaker 4: zoo and there's a penguin, so we're doing an insomnia penguin.
• 30:09
  Speaker 4: He just can't he cannot sleep that that penguin is
• 30:14
  Speaker 4: up all day sliding on the ice, just listening to
• 30:17
  Speaker 4: audio books, trying to fall asleep.
• 30:19
  Speaker 5: But then it's so exciting because he's up in the
• 30:21
  Speaker 5: middle of the night and he catches the weird, shady
• 30:24
  Speaker 5: doings of the nefarious narwhale and and.
• 30:28
  Speaker 10: He ends up uncovering a big conspiracy. The roles are
• 30:31
  Speaker 10: all gonna, they're gonna, they're gonna kill all the polar.
• 30:34
  Speaker 3: Bearsless it deals with hunting. It deals with hunting to
• 30:40
  Speaker 3: use their tusks to kill every single polar bear.
• 30:43
  Speaker 4: Absolutely because the humans have pitted them against each other.
• 30:47
  Speaker 3: It's so sad.
• 30:49
  Speaker 5: Yeah, well, I was really excited about one that we've
• 30:52
  Speaker 5: been cooking up. There's a movie that I had a
• 30:56
  Speaker 5: buddy that he worked over in Waves for the Water
• 31:00
  Speaker 5: and he was dealing with the fumigation and we decided
• 31:04
  Speaker 5: what if we did Bug Party, And so it's kind
• 31:06
  Speaker 5: of like a bug's life too, where they're all stuck
• 31:09
  Speaker 5: in a fumigative tent inside of a house.
• 31:11
  Speaker 10: Beautiful, and they're kind of having a blast in the gas.
• 31:14
  Speaker 9: It's kind of an acid trip until for extinction.
• 31:18
  Speaker 3: It deals with extinction.
• 31:19
  Speaker 10: It deals with the temporary ephemera.
• 31:21
  Speaker 7: Of life and race relations, and.
• 31:25
  Speaker 8: We're throwing its a little cherry on top. I remember
• 31:29
  Speaker 8: my husband cheated on me for the fourth time. I
• 31:32
  Speaker 8: was in the problem pitt. You're sitting there.
• 31:34
  Speaker 10: Four is the hardest one. Fourth is hard.
• 31:38
  Speaker 6: Shame on you for me twice, Shame on me three
• 31:41
  Speaker 6: or three times.
• 31:43
  Speaker 7: I'm stupid.
• 31:45
  Speaker 4: And then four is kind of like, well.
• 31:49
  Speaker 7: Well you're gay. So I'm in the fourth.
• 31:52
  Speaker 8: I'm in the problem pit. It's your no, you know,
• 31:56
  Speaker 8: I forget that problem. Fool me once, shame on you,
• 32:00
  Speaker 8: full my twice, shame on me for me three.
• 32:03
  Speaker 7: Four he's gay's you must be.
• 32:09
  Speaker 3: Yes.
• 32:10
  Speaker 8: So I'm having the problem pit, dealing with my cheating husband.
• 32:13
  Speaker 8: And then I go over there and on my way
• 32:14
  Speaker 8: to the zoo, I stopped by the kitchen to get
• 32:17
  Speaker 8: some water because I wanted more water. I saw a
• 32:19
  Speaker 8: ladle and then we started talking about ladles lying m hm.
• 32:25
  Speaker 8: And then we talked about appliances being honest yes, And
• 32:30
  Speaker 8: that's where we came up with Blender with the home life,
• 32:35
  Speaker 8: with the home life.
• 32:37
  Speaker 3: I'm so excited for you guys to see Blender with
• 32:40
  Speaker 3: a hole. You are gonna love Blender with a home life.
• 32:43
  Speaker 4: Jamie Lee Curtis is the honest microwave We've got, Danny
• 32:49
  Speaker 4: DeVito is the truth telling Britta Filters.
• 32:54
  Speaker 8: Oh and they and the grouchy garlic presh Rebel Wilson.
• 33:02
  Speaker 3: Tell you guys, yet, who is playing the blender? It'll
• 33:06
  Speaker 3: be It's actually a metaphor for how children deal with divorce.
• 33:11
  Speaker 3: It's actually a beautiful story.
• 33:13
  Speaker 7: And what if home is in home? Is everything in
• 33:15
  Speaker 7: your home your home?
• 33:16
  Speaker 3: That's exactly what we're talking about.
• 33:18
  Speaker 9: It's so we have a lease and just please guards
• 33:21
  Speaker 9: support the original ideas. Everyone always complains, well, we don't
• 33:25
  Speaker 9: want to see cards five.
• 33:27
  Speaker 3: We pushed for reboot.
• 33:29
  Speaker 10: Yeah, this is your fault.
• 33:32
  Speaker 5: These are the ideas that you're not getting because we
• 33:34
  Speaker 5: have to make finding squirt.
• 33:36
  Speaker 7: Let's talk about.
• 33:38
  Speaker 4: We've got inside out ten just sitting in a room
• 33:42
  Speaker 4: waiting to come out, and we are ready for something new.
• 33:46
  Speaker 9: Absolutely, guess what surprise Riley's dealing with the new emotion.
• 33:50
  Speaker 10: It's not getting what you want surprise.
• 33:54
  Speaker 7: That's and that's every emotion.
• 33:55
  Speaker 4: Really having to dig in the bottom of the barrel
• 33:57
  Speaker 4: of the problem pit. We're getting more specific emotions. One
• 34:01
  Speaker 4: of them is going to be disappointment but understanding.
• 34:06
  Speaker 10: One of them is Riley's thoughts on a I.
• 34:09
  Speaker 4: Like political opinion and not really like A like a feeling.
• 34:13
  Speaker 3: But yeah, I mean Joy's thoughts on a I are captivating.
• 34:20
  Speaker 3: I will say we introduced a couple of new emotions.
• 34:23
  Speaker 3: Thoughts on a I.
• 34:27
  Speaker 10: Voiced by Ben Stein an incredible performance.
• 34:32
  Speaker 8: Incredible performance we have, Yeah, we have thoughts on AI.
• 34:38
  Speaker 7: We have.
• 34:40
  Speaker 3: Tech tech, the emotion tech.
• 34:44
  Speaker 7: No, it's a deep breath tech tech.
• 34:47
  Speaker 4: These characters are what are you going to do type emotions,
• 34:51
  Speaker 4: excited for the kids to meet, what.
• 34:53
  Speaker 6: Are you gonna do about it?
• 34:54
  Speaker 3: Voice? Bat He is a comedy. He's hilarous. We love Gate.
• 35:01
  Speaker 3: He's coming in all the time, pitching idea. Let's just
• 35:03
  Speaker 3: say Gaydon has an open door policy. If he wants to,
• 35:05
  Speaker 3: he gets it.
• 35:06
  Speaker 7: Let's talk about this for inside out all of them.
• 35:09
  Speaker 8: Sometimes we go backwards and our reps bring in celebrities
• 35:12
  Speaker 8: and we have to riff off of what emotion they are.
• 35:14
  Speaker 7: Ye right, Yes, So we were looking.
• 35:17
  Speaker 8: At Ben Platt Ben Platt, and we just kind of
• 35:19
  Speaker 8: put him on the smart board.
• 35:21
  Speaker 10: Oh this is fun.
• 35:21
  Speaker 3: Yeah, let's throw some celebrities out and we'll say what
• 35:25
  Speaker 3: inside out? Bed Platt would be sort of a curious Yes,
• 35:32
  Speaker 3: playing the rock Johnson Pride, Pride.
• 35:34
  Speaker 9: That's good.
• 35:35
  Speaker 3: This is now we're kind of pointing out there like
• 35:37
  Speaker 3: downfall kind of sin.
• 35:39
  Speaker 7: I think we should be a little.
• 35:43
  Speaker 8: Julianne Moore, Oh, I left my windows open in my car.
• 35:47
  Speaker 3: Yes, yes, that fucked.
• 35:51
  Speaker 6: Okay, Alison Jenny.
• 35:54
  Speaker 3: Oh disillusionment, yeah, yes, disillusionment absolutely, Oh that'd be good.
• 36:00
  Speaker 9: Oh, let's go with Freddy Prince Jr.
• 36:05
  Speaker 3: Freddy Prince Joy. It don't know his work well enough. Okay,
• 36:08
  Speaker 3: that is uh manly giddiness.
• 36:12
  Speaker 7: Like that's a good one.
• 36:13
  Speaker 8: Riley experiences because she's going to meet somebody.
• 36:19
  Speaker 3: For once we get into four five six, we start
• 36:22
  Speaker 3: jumping into other people's brains, which is really.
• 36:24
  Speaker 8: Because I just wanted to get into mento polish. I
• 36:26
  Speaker 8: just wanted to do it.
• 36:27
  Speaker 9: Should we reveal who's playing menopause?
• 36:31
  Speaker 5: Do it?
• 36:32
  Speaker 3: Should we do it?
• 36:34
  Speaker 7: That's a big deal?
• 36:35
  Speaker 11: We should?
• 36:35
  Speaker 5: You should say, I can't wait to let you guys
• 36:37
  Speaker 5: know who's playing Menopause?
• 36:39
  Speaker 3: Kevin Costner. He is, and it's so.
• 36:43
  Speaker 4: Good, and his take on it is really unexpensive, so good.
• 36:48
  Speaker 8: When I hear it as a woman post metal pause,
• 36:50
  Speaker 8: I go, he's just doing Yellow.
• 36:53
  Speaker 6: He actually nailed it.
• 36:56
  Speaker 3: Hot in here.
• 36:58
  Speaker 9: He nailed it, and he would notice his lines are
• 37:01
  Speaker 9: actually just stolen from Yellow.
• 37:03
  Speaker 3: If you listen close, you can hear horses in the back.
• 37:05
  Speaker 13: A little bit of an overall, he has an AI
• 37:09
  Speaker 13: program that scans all the scripts from Yellowstone and plucks
• 37:13
  Speaker 13: out what is the most kid friendly stuff that an
• 37:16
  Speaker 13: animal could say?
• 37:17
  Speaker 8: But I mean, listen, sequel Land just covers so many
• 37:19
  Speaker 8: different things. Right, let's talk about helicopters for cars. We've
• 37:21
  Speaker 8: been we've been trying to crack helicopters for a long time.
• 37:25
  Speaker 3: And I know that there's a movie called Planes. Yes, yes,
• 37:28
  Speaker 3: we're doing copters. Copters, copters.
• 37:31
  Speaker 6: There's really cute.
• 37:33
  Speaker 3: And what's the pain of a copter? You know what
• 37:36
  Speaker 3: could a helicopter be going for? I think the pain
• 37:38
  Speaker 3: of a copter?
• 37:39
  Speaker 4: And it's something that we're talking about on the storyboard.
• 37:42
  Speaker 4: Is that your thing? He is so loud that you
• 37:45
  Speaker 4: can't hear people tell you they.
• 37:46
  Speaker 3: Love you yeah, so loud For us in the Pixar world,
• 37:52
  Speaker 3: the propeller is the thing.
• 37:53
  Speaker 6: Ye we ever thought the word propeller scared the kids?
• 37:58
  Speaker 8: I want to talk about how beautif that is what
• 38:00
  Speaker 8: you just did, de Miranda, because are there other places
• 38:03
  Speaker 8: in your life as a human where you're so loud
• 38:06
  Speaker 8: you don't hear someone is saying I love you?
• 38:08
  Speaker 12: Yees?
• 38:08
  Speaker 3: At work, I'm screaming all the time. I don't know
• 38:10
  Speaker 3: if anyone likes my ideas. I'm just shouting, shut up.
• 38:17
  Speaker 9: I don't even know what Tom Hanks experience when I
• 38:19
  Speaker 9: experienced that, Like, what if.
• 38:20
  Speaker 3: He was saying I love you?
• 38:22
  Speaker 7: What if he was saying I love you again?
• 38:27
  Speaker 3: I can't even believe that.
• 38:29
  Speaker 8: But wait, if we're talking about it again, we have
• 38:30
  Speaker 8: to talk about what happened with Emen.
• 38:35
  Speaker 3: Where we looked off time last time?
• 38:39
  Speaker 4: Mellen, oh, melan and so Ellen comes into the wait
• 38:43
  Speaker 4: just wait till John.
• 38:47
  Speaker 3: So.
• 38:47
  Speaker 4: Then Ellen goes, huh, my stalls had a toilet paper
• 38:52
  Speaker 4: good one, and then Aquifina goes, oh, we do.
• 38:55
  Speaker 3: Oh they have the same voice.
• 38:57
  Speaker 7: We're not voice actors. Stop that, okay, not its actors.
• 39:00
  Speaker 6: We're not doing impressions. The Showcase come on.
• 39:04
  Speaker 8: And right at this moment, I was meaning to take
• 39:07
  Speaker 8: the vape and throw it over to the Miranda's store.
• 39:10
  Speaker 8: I throw it too hard with my whip of a wrist.
• 39:15
  Speaker 7: The leg of the arm, and then I throw.
• 39:17
  Speaker 6: It and hit it box going on.
• 39:20
  Speaker 7: The head hits Ellen and then goes in Agafina's mouth,
• 39:24
  Speaker 7: and then.
• 39:24
  Speaker 5: So Acafina's going there going is it kind of like
• 39:27
  Speaker 5: when someone swallows a harmonica where she breathes in and out.
• 39:30
  Speaker 4: She's like a dragon and the whole place smells like
• 39:33
  Speaker 4: cotton candy.
• 39:33
  Speaker 3: Dragon speaking of dragon coming up, and we'll get back
• 39:42
  Speaker 3: to these ladies. Don't you worry.
• 39:44
  Speaker 6: This story is only a third of the way done.
• 39:46
  Speaker 3: Get wait to hit intermission.
• 39:49
  Speaker 7: Maybe this is a.
• 39:50
  Speaker 5: Movie that we've all worked on.
• 39:51
  Speaker 10: We just came out of a meeting for it. It's
• 39:52
  Speaker 10: called Layer. It's about all the people that work underneath a.
• 39:58
  Speaker 3: Dragon who guards a layer. And it it's like a
• 40:00
  Speaker 3: daily it's a.
• 40:02
  Speaker 4: Yeah movie, it sort of resets every thirty minutes. But no,
• 40:07
  Speaker 4: we have like a uh, it's sort of like our
• 40:11
  Speaker 4: version of you know how Despicable Me has that grow
• 40:16
  Speaker 4: and and.
• 40:17
  Speaker 10: We're talking about it only in reference we don't like it.
• 40:19
  Speaker 3: We don't like it. We're talking about it with a
• 40:21
  Speaker 3: little taste.
• 40:22
  Speaker 7: In our mouth of like ask a question.
• 40:24
  Speaker 8: So we're doing that, but nice, what country do you
• 40:26
  Speaker 8: go to to research Despicable Me?
• 40:28
  Speaker 3: What do you mean by that?
• 40:30
  Speaker 8: We all we should talk about this. Well, we always
• 40:32
  Speaker 8: wrant a big, big trip before every movie.
• 40:35
  Speaker 5: Yeah, I would say I always say one of my
• 40:36
  Speaker 5: favorite things about working at Pixar is the amount of
• 40:38
  Speaker 5: money we spent on vacations to look at things to
• 40:40
  Speaker 5: draw up into.
• 40:42
  Speaker 3: Yeah, it's we're all sent on these trips to observe life,
• 40:46
  Speaker 3: and it's actually very amazing how much you can pull
• 40:49
  Speaker 3: from just observing life. Yeah, where they go on a
• 40:51
  Speaker 3: sunny minions the toilet, to see a man making pizza
• 40:56
  Speaker 3: in Italy that's happy, oh oh beautiful really and that
• 41:02
  Speaker 3: one right in Toluca right in there.
• 41:05
  Speaker 6: And you know, sometimes we get some pushback from the.
• 41:08
  Speaker 4: Upstairs the numbers guys, and they're going, you know, do
• 41:12
  Speaker 4: you really have to go to Fiji to observe people
• 41:15
  Speaker 4: being friends with each other and being authentic to themselves
• 41:18
  Speaker 4: and being friends and being friendship And we're like, yes.
• 41:21
  Speaker 3: It's just different.
• 41:23
  Speaker 4: We can't go to Baker's Field and see that it's
• 41:27
  Speaker 4: not the same.
• 41:28
  Speaker 8: Do you really have to spend four months in Milan
• 41:30
  Speaker 8: watching Ferrari detailers make a car beautiful red? And you
• 41:36
  Speaker 8: also have to put your family up in a nearby
• 41:38
  Speaker 8: villa so you're near them and you can take care
• 41:40
  Speaker 8: of your family and also look at these Ferraris.
• 41:43
  Speaker 10: Yes.
• 41:44
  Speaker 9: Do you have to go to Monaco and stay at
• 41:46
  Speaker 9: the big casino and go to the F one races
• 41:49
  Speaker 9: because there's a zoo two hundred miles away that has
• 41:53
  Speaker 9: one stick bug that we're gonna look at.
• 41:55
  Speaker 3: Yes.
• 41:56
  Speaker 4: Do you have to go to Tokyo and go to this
• 41:58
  Speaker 4: specific one to toilet you've always wanted to go and
• 42:01
  Speaker 4: see and see the buttons that it does. And you
• 42:04
  Speaker 4: bring this girl that you've been kind of talking to
• 42:06
  Speaker 4: at the bar, and then she needs her own hotel too,
• 42:09
  Speaker 4: so that you can go to the cherry blossoms and
• 42:12
  Speaker 4: see what they look like when they bloom.
• 42:14
  Speaker 3: Yes, I mean it's NonStop.
• 42:17
  Speaker 9: It's crazy, But I will say I will say I
• 42:20
  Speaker 9: feel a little bit bad for the numbers guys, because
• 42:22
  Speaker 9: the accounting office at Pixar is so crazy.
• 42:25
  Speaker 10: The numbers are giants and big and they have to
• 42:27
  Speaker 10: move them across the road.
• 42:28
  Speaker 4: They get we're not we do, and the big felt
• 42:34
  Speaker 4: and heavy, heavy.
• 42:35
  Speaker 3: Felt, heavy felt.
• 42:37
  Speaker 7: I was about to say, phelps not a heavy thing.
• 42:39
  Speaker 6: No, it's not heavything, but but we made it heavy.
• 42:41
  Speaker 4: Those poor accountants pushing a two to carry a one,
• 42:45
  Speaker 4: they literally have to put it up on a big thing.
• 42:48
  Speaker 8: When they do budgets, they literally throw spaghetti at a wall.
• 42:51
  Speaker 7: It literally and it lands on numbers.
• 42:53
  Speaker 3: Yeah, I wanted to talk about really quick because I
• 42:55
  Speaker 3: think people are really interested in it. You know, how
• 42:58
  Speaker 3: do we get something so sad? You know, we usually
• 43:00
  Speaker 3: find a man character that is something so devastatingly sad
• 43:04
  Speaker 3: about them, and we put them in these boxes that
• 43:07
  Speaker 3: they kind of have to escape and deal with. And
• 43:09
  Speaker 3: I feel like sometimes we're writing and we have to
• 43:11
  Speaker 3: go not sad enough, not heartbreaking enough. We have to
• 43:14
  Speaker 3: make this pain more and more and more and more
• 43:17
  Speaker 3: and more and more and more and more and more
• 43:19
  Speaker 3: and more and more and more painful, you.
• 43:21
  Speaker 5: Know, absolutely, you know, I think this goes into that's
• 43:25
  Speaker 5: one of our twenty two rules of storytelling.
• 43:27
  Speaker 10: There we go fix ours very famously. Here we go
• 43:30
  Speaker 10: make it as sad as possible as number one.
• 43:32
  Speaker 3: Number one, let's do the twenty two. Number one, make
• 43:34
  Speaker 3: it as sad as possible. Yeah.
• 43:36
  Speaker 10: Number two. If the thing talks, then it also bleeds.
• 43:41
  Speaker 8: Ooh ooh, Now i'd say number three. If the thing
• 43:46
  Speaker 8: is a thing, it talks.
• 43:47
  Speaker 3: Mm hmm. Number four one parent only, yes, one parent
• 43:54
  Speaker 3: alive at maximum.
• 43:56
  Speaker 4: Number five, No one is evil. They're just hurting in
• 44:00
  Speaker 4: a different way that you are.
• 44:02
  Speaker 7: Number six. College is always far, Yes, very very far.
• 44:08
  Speaker 3: Number seven.
• 44:09
  Speaker 5: If a person is on screen for longer than four minutes,
• 44:12
  Speaker 5: there's gotta be something else going on.
• 44:15
  Speaker 6: Number eight. Kissing is the most that ever happens.
• 44:19
  Speaker 3: Yes. Number nine. If it's not painful enough, find an
• 44:23
  Speaker 3: old person and ask them for their pain and just
• 44:26
  Speaker 3: take that.
• 44:27
  Speaker 7: Number ten. The ozone is always in trouble.
• 44:31
  Speaker 3: Number eleven.
• 44:32
  Speaker 5: Make sure there's nine things in the last thirty seconds
• 44:35
  Speaker 5: that happens somewhere else in the entirety of the movie.
• 44:39
  Speaker 3: Number eleven. Did you say number eleven? I think so.
• 44:42
  Speaker 6: Number twelve.
• 44:43
  Speaker 4: You got to get sucked into a vortex of some
• 44:45
  Speaker 4: kind at some point, which.
• 44:46
  Speaker 7: Leads me perfectly to number thirteen. Write a ride.
• 44:50
  Speaker 3: Yes, yes, Number.
• 44:52
  Speaker 7: Four And if you have extra time, right, too rides.
• 44:54
  Speaker 9: Yes, and that brings me to number fourteen. Answer Birch's call.
• 44:58
  Speaker 3: Yes, I am at your service.
• 45:05
  Speaker 8: Answer and be respectful, be respectful, and i'd say answer
• 45:11
  Speaker 8: number fifteen.
• 45:12
  Speaker 7: Answer crox's call, Answer Crox's second from March, Separate from our,
• 45:17
  Speaker 7: Separate from merch.
• 45:18
  Speaker 3: Number sixteen. The side character needs to be funny.
• 45:25
  Speaker 7: And I say, and we mean that in a visual sense.
• 45:27
  Speaker 3: Yes, and number seventeen.
• 45:29
  Speaker 11: Uh.
• 45:30
  Speaker 3: Mummies are shaped like this.
• 45:32
  Speaker 8: Whoao yeah, yes number what number was eight? That was seventeen,
• 45:37
  Speaker 8: That was seventeen eighteen. Men masculinity shaped.
• 45:40
  Speaker 3: Like brick brick brick, Yes, and tied into that number nineteen.
• 45:44
  Speaker 3: Dads are always silly stupid. Dads are always like, well,
• 45:49
  Speaker 3: what's going on? I've been checked out a little bit.
• 45:52
  Speaker 6: Number twenty No number twenty.
• 45:55
  Speaker 4: If there are two, If there are two sidekick henchman villains,
• 45:59
  Speaker 4: one needs to be tall and skinny and the other
• 46:01
  Speaker 4: needs to be short and round.
• 46:02
  Speaker 9: Number twenty one. The kids must appeal to girls. Boys
• 46:08
  Speaker 9: will come regardless.
• 46:10
  Speaker 3: And number twenty two. If the kids aren't crying by
• 46:14
  Speaker 3: the end, it's not a Pixar.
• 46:18
  Speaker 5: Movie. Those are the rules every single movie you'll ever
• 46:22
  Speaker 5: see from Pixar has all twenty two of those rules,
• 46:25
  Speaker 5: all of them.
• 46:26
  Speaker 7: No matter what, Oh, merchants call, we have that whole thing.
• 46:30
  Speaker 3: We have a big phone, so we have a big
• 46:32
  Speaker 3: huge phone phonesadline phone.
• 46:38
  Speaker 7: We have to pick up the phone of merch calls.
• 46:41
  Speaker 6: We have to pick it up. And it's big, so
• 46:43
  Speaker 6: we know it's important.
• 46:45
  Speaker 4: And those girls are clocking the clacking, Sarah and Emily,
• 46:50
  Speaker 4: they are clack clack clack.
• 46:52
  Speaker 6: We got a shirt that you gotta make a movie.
• 46:55
  Speaker 7: Come on, towers, towels, towels.
• 46:57
  Speaker 10: If you think we're working harder, they're working even harder.
• 46:59
  Speaker 5: They go, oh, we have we have put an image
• 47:03
  Speaker 5: of a gecko on a baseball cap and this needs
• 47:05
  Speaker 5: to be a movie.
• 47:07
  Speaker 3: And we were like, that's insurance. KO already has that. No, no, no,
• 47:15
  Speaker 3: no no. They have been stuck on Geko. They have
• 47:17
  Speaker 3: been stuck on We pitched them so many gecko in
• 47:20
  Speaker 3: the Gecko in the business.
• 47:22
  Speaker 7: We've picked Gecko in the business is so dumb.
• 47:27
  Speaker 3: I know.
• 47:27
  Speaker 4: And they if they never grow out of geckos, they're
• 47:30
  Speaker 4: never gonna grow never, They're gonna get stuck.
• 47:34
  Speaker 3: Literally, And we pitched them gecko in costa Rica. Yes,
• 47:38
  Speaker 3: I thought that also had legs.
• 47:39
  Speaker 7: I liked Gecko falling in love with popcorn.
• 47:42
  Speaker 4: Yes, I love because society tells Gecko he can't love topcorn.
• 47:47
  Speaker 4: Society says that society is society.
• 47:51
  Speaker 3: You can't love popcorn.
• 47:53
  Speaker 7: And that's what Akwafina said.
• 47:55
  Speaker 3: Yes to Ellie, we got three.
• 47:59
  Speaker 4: Said Ellen, you cannot love pop as much as I
• 48:07
  Speaker 4: love popcorn.
• 48:08
  Speaker 9: So they're fighting each other because they think that they
• 48:10
  Speaker 9: did this this vague thing to each other and make
• 48:13
  Speaker 9: us on the.
• 48:13
  Speaker 1: Ground in the middle and are going, who are going
• 48:17
  Speaker 1: They're just getting nervous, going oh.
• 48:22
  Speaker 8: Which means our.
• 48:24
  Speaker 4: Crystal shoes are going back and forth going oh no,
• 48:27
  Speaker 4: they're gonna.
• 48:27
  Speaker 8: Figure about literally, and I look full voice, look at
• 48:30
  Speaker 8: de Miranda and go look.
• 48:31
  Speaker 7: At Charilette, and Ellen go what was that?
• 48:42
  Speaker 4: And then and Ellen say, I think this was Aquafina's idea.
• 48:45
  Speaker 4: How about we we toss a rock under the under
• 48:48
  Speaker 4: the stall and if it hits somebody, we'll know that.
• 48:52
  Speaker 6: It wasn't us.
• 48:53
  Speaker 3: So now the conspirators and they have a rock under
• 48:59
  Speaker 3: this stall and it hits outside, you know it's not us.
• 49:02
  Speaker 3: You guys didn't lift your legs.
• 49:04
  Speaker 7: Let's talk about premieres. I love going to then.
• 49:07
  Speaker 3: Oh god, I'm gonna ways to get the end of
• 49:09
  Speaker 3: that story.
• 49:10
  Speaker 10: I love the premiers. They're always at the El Capitana.
• 49:13
  Speaker 10: Some animal guys there.
• 49:14
  Speaker 3: It's so far away, some animal guy up.
• 49:17
  Speaker 10: I love to pat the animals is so fun.
• 49:20
  Speaker 3: Oh gosh, I did the We had.
• 49:22
  Speaker 6: That boa for a kind Snake.
• 49:25
  Speaker 4: We've got Kind Snake coming out in two thousand and
• 49:28
  Speaker 4: thirty two.
• 49:29
  Speaker 8: Yeah, the Garden of Eden from his perspective, and it's
• 49:33
  Speaker 8: Jennifer and.
• 49:34
  Speaker 3: The same again. The kind Snake is blamed again for
• 49:38
  Speaker 3: original sin and.
• 49:39
  Speaker 4: It's just because you know that lady took the apple,
• 49:43
  Speaker 4: and kind snake has.
• 49:45
  Speaker 9: To say, don't know the woman, it was her fault.
• 49:51
  Speaker 10: A lonely snake.
• 49:52
  Speaker 7: And I really love this film.
• 49:54
  Speaker 9: I a lonely snake who wanted to be an orchard owner.
• 49:58
  Speaker 9: He wanted to own an apple and he left. All
• 50:01
  Speaker 9: the other snakes said no, you're mean, you have to
• 50:03
  Speaker 9: be mean. He said, no, I'm gonna open an orchard
• 50:05
  Speaker 9: and people, whatever those might be, can come and enjoy
• 50:09
  Speaker 9: my fruit. And then because he was a snake, the
• 50:12
  Speaker 9: marketing turned around that he was evil.
• 50:14
  Speaker 3: Yes, it's and we were really talking about projected evil
• 50:17
  Speaker 3: in it? Do pin it all on Eve? She is.
• 50:23
  Speaker 7: Jen Addison does a great track A.
• 50:28
  Speaker 3: Good says, We're showing you it's not the snake, it's
• 50:35
  Speaker 3: the woman, and it's.
• 50:36
  Speaker 4: The woman, and the woman is the snake and she
• 50:38
  Speaker 4: has been this whole time.
• 50:40
  Speaker 3: This is what I've been cooking up after I broke
• 50:42
  Speaker 3: up with my ex snake the whole time.
• 50:50
  Speaker 6: Sorry, you gotta get.
• 50:53
  Speaker 3: Again. Of course it's just so silly, stupid. He's like,
• 50:56
  Speaker 3: oh what are you getting? Whoa andrel park.
• 51:02
  Speaker 4: Adam's fault Adam into this.
• 51:07
  Speaker 7: I'm blaming him in the Snake.
• 51:11
  Speaker 3: Yes, So guys come out to the Kind Snake.
• 51:14
  Speaker 10: Think we think you're gonna change your mind about that snake.
• 51:16
  Speaker 4: Yes, we think you're gonna walk away with some new
• 51:19
  Speaker 4: opinions on snakes and some new opinions on women.
• 51:22
  Speaker 7: I love how it ends. Big Finale.
• 51:24
  Speaker 8: I spoiler alert turn this off if you don't want
• 51:26
  Speaker 8: to be spoiled for Kind Snake.
• 51:28
  Speaker 7: God is a DJ.
• 51:30
  Speaker 3: So God is a DJ and your God, everybody, I
• 51:32
  Speaker 3: got one rule, don't eat the fruit.
• 51:35
  Speaker 5: So excited to announce God is being played by Neo.
• 51:40
  Speaker 7: Neo.
• 51:41
  Speaker 4: He is a dj and God and Women are for
• 51:44
  Speaker 4: rebb Ever exactly.
• 51:47
  Speaker 6: God, this movie is gonna gonna hit about.
• 51:51
  Speaker 7: Movies that have just been in the can that we've
• 51:53
  Speaker 7: never been able to really get.
• 51:54
  Speaker 3: Let's talk about our favorites that we had to send
• 51:57
  Speaker 3: over the Niagara Falls. Oh gosh, so many.
• 52:02
  Speaker 4: Jealous dentist whale It's amazing.
• 52:06
  Speaker 3: I loves dentists about a dentist who needs to learn
• 52:10
  Speaker 3: that not all teeth are the same.
• 52:12
  Speaker 5: I loved ingredients, where every ingredient of a sandwich has
• 52:15
  Speaker 5: to work together to be tasty because you never.
• 52:18
  Speaker 8: Think about them trying to be tasty, right, Yeah, we
• 52:21
  Speaker 8: just assume food is.
• 52:22
  Speaker 9: Well and they're forced together, you know, it's like you
• 52:25
  Speaker 9: see them in the fridge.
• 52:26
  Speaker 10: It mostly takes place as kind of a bottle.
• 52:27
  Speaker 9: Episode takes place one location and they're all forced together.
• 52:31
  Speaker 3: So it's a little human sin to beedesque where they're like.
• 52:33
  Speaker 9: I'm stop next to you, and I realize they have
• 52:37
  Speaker 9: to make it work and they give in to their fate,
• 52:39
  Speaker 9: which is being eaten.
• 52:40
  Speaker 4: I love your when you put a wild card ingredient
• 52:42
  Speaker 4: to the sandwich, like cranberries, and it's like, oh, how
• 52:46
  Speaker 4: is that gonna work.
• 52:47
  Speaker 7: What's that doing?
• 52:47
  Speaker 6: How are we gonna make that tasty potato chips?
• 52:56
  Speaker 7: We wrote potato chips four balling.
• 52:57
  Speaker 8: Yes, I really missed Fanel playing the piano piano, and
• 53:02
  Speaker 8: it was just kind of talking about how blessed we
• 53:04
  Speaker 8: are to hear as music. You're so lucky to have ears,
• 53:08
  Speaker 8: because flannels don't.
• 53:10
  Speaker 5: We actually got an advance word that Montessori schools were
• 53:13
  Speaker 5: so excited for that they were.
• 53:17
  Speaker 3: Flannel playing piano.
• 53:17
  Speaker 8: So next to the March phone, we have the Montessori
• 53:19
  Speaker 8: school's phone much smaller.
• 53:22
  Speaker 4: And they and when you pick up the phone, you'll
• 53:24
  Speaker 4: just hear breathing on the other end for a little bit,
• 53:27
  Speaker 4: and then you'll hear them mutter in French and then
• 53:29
  Speaker 4: they'll say we like it, and.
• 53:31
  Speaker 3: We go perfectly sure, okay that and they like that.
• 53:35
  Speaker 3: It's good. I always loved and so said it never
• 53:38
  Speaker 3: made it timid category five hurricane. That was so I
• 53:43
  Speaker 3: thought it was so interesting.
• 53:44
  Speaker 8: God, I almost could cry thinking about it, being like
• 53:48
  Speaker 8: hurricanes have a bad temper.
• 53:51
  Speaker 7: Why And it's.
• 53:53
  Speaker 4: Because we tell hurricanes that they can't be themselves, and
• 53:57
  Speaker 4: we put hurricanes in this box and we say.
• 53:59
  Speaker 6: Oh, be smaller.
• 54:01
  Speaker 4: We wish you would allow to a tropical straw be less,
• 54:05
  Speaker 4: take up less space.
• 54:08
  Speaker 6: But this hurricane gets to be more.
• 54:11
  Speaker 3: By the end. Also, the stone that saw it all
• 54:14
  Speaker 3: I love, yeah.
• 54:17
  Speaker 6: Deeply stone all the.
• 54:20
  Speaker 3: Stone is the beginning of man and the scenes man's
• 54:23
  Speaker 3: folly all the way through.
• 54:25
  Speaker 7: I'm sorry, I won't find evolution quirky, I won't.
• 54:28
  Speaker 3: I think it's about it is he decides to be
• 54:36
  Speaker 3: a man.
• 54:37
  Speaker 10: Come a flower that looks like a wash.
• 54:40
  Speaker 3: That's funny.
• 54:43
  Speaker 4: When those moths have those eyes on their back like birds.
• 54:47
  Speaker 9: Yes, those rabbits with tentacles that have just come out.
• 54:54
  Speaker 9: There's rabbits with tentacles, okay, out of their mouth. It's
• 54:57
  Speaker 9: a real later.
• 54:59
  Speaker 5: Actually, no, I'm not sure.
• 55:05
  Speaker 3: Oh no, I'm not sure.
• 55:07
  Speaker 7: Who are you casting as Riley's thoughts on the rabbit with.
• 55:09
  Speaker 3: Tentacles the rabbits. Oh, that's gotta be.
• 55:15
  Speaker 7: A little wonder one.
• 55:17
  Speaker 3: Sorry, hurry, I'm not casting in charge of the bodies.
• 55:21
  Speaker 6: Should we do a quick little Should we do a
• 55:24
  Speaker 6: little rapid fire?
• 55:25
  Speaker 3: Try to solve a societal problem. Take a societal.
• 55:28
  Speaker 7: Problem, and then we then go to the take.
• 55:30
  Speaker 6: It a pixel, and then we go to the zoo.
• 55:31
  Speaker 3: We make it a Pixar movie. Last week. Everybody say
• 55:33
  Speaker 3: a societal problem? Will group think this right? Okay? Great?
• 55:36
  Speaker 10: Okay?
• 55:37
  Speaker 3: Famine famine, Oh easy, easy.
• 55:41
  Speaker 4: It's a corn of copia who learns to believe in
• 55:45
  Speaker 4: himself before the jealous, jealous refrigerator comes and.
• 55:51
  Speaker 8: The refrigerator's legs have big, cast y.
• 55:54
  Speaker 3: Growing, growing older, getting too old.
• 55:57
  Speaker 5: Oh.
• 55:58
  Speaker 10: This is from the perspective of glasses. It's glasses being
• 56:03
  Speaker 10: given to different people. And it's from the glasses point
• 56:05
  Speaker 10: of view.
• 56:06
  Speaker 3: What do the glasses see?
• 56:07
  Speaker 7: And is a ray band and the wrinkles dance?
• 56:10
  Speaker 3: Yes, that's good.
• 56:13
  Speaker 7: Okay, what about this inherent bias?
• 56:17
  Speaker 6: Inherent bias?
• 56:18
  Speaker 3: See, this is easy for me. It's a dolphin in
• 56:20
  Speaker 3: a shark. Now why because they both have inherent biases
• 56:24
  Speaker 3: of each other, and.
• 56:24
  Speaker 10: So this is I would say this is also easy.
• 56:27
  Speaker 10: Body swap.
• 56:28
  Speaker 3: It would be normally body swap dolphins.
• 56:30
  Speaker 6: Would freaky Friday dolphins.
• 56:33
  Speaker 7: One helps the other with a job.
• 56:34
  Speaker 5: But if we're if we're getting rid of body swap,
• 56:37
  Speaker 5: what helps the other with the dog is really good?
• 56:39
  Speaker 3: So dolphins.
• 56:42
  Speaker 6: The dolphin goes, I have to I have to terrorize
• 56:46
  Speaker 6: this boat.
• 56:47
  Speaker 3: What whoa what the heck, I have to bring with
• 56:51
  Speaker 3: this family.
• 56:53
  Speaker 7: And they were both whispered to each other, what to
• 56:55
  Speaker 7: do I do?
• 56:56
  Speaker 3: What tricks that?
• 56:57
  Speaker 6: See what?
• 56:58
  Speaker 3: Yes?
• 56:58
  Speaker 10: Yes, yes, yes, yes, Okay.
• 57:01
  Speaker 7: What about mold?
• 57:02
  Speaker 5: Mold?
• 57:05
  Speaker 9: Well do we want to love the mold and embrace it?
• 57:08
  Speaker 9: Or do you want to talk about how you really
• 57:10
  Speaker 9: should be cleaning it? Well, let's get the Montster schools
• 57:12
  Speaker 9: on the phone.
• 57:12
  Speaker 4: Alright, bizoozoot bscal BSc.
• 57:22
  Speaker 6: A bascom maybe whisker little fen.
• 57:31
  Speaker 3: The mold.
• 57:31
  Speaker 10: I don't speak French.
• 57:37
  Speaker 6: I don't think I liked it. They were pitching back
• 57:39
  Speaker 6: and forth. It seemed you hear that.
• 57:41
  Speaker 10: Okay, we need to keep all right.
• 57:43
  Speaker 6: Problem okay, lipsticks.
• 57:49
  Speaker 10: A problems.
• 57:57
  Speaker 6: Us out of perfectly good lipstick.
• 58:00
  Speaker 14: Let's talk about purpose is probably this is This is
• 58:05
  Speaker 14: like when we were three and a half years into
• 58:08
  Speaker 14: a movie about how coffee is getting too expensive.
• 58:11
  Speaker 4: This is sometimes we need to hit the Is this
• 58:15
  Speaker 4: a personal problem I'm having?
• 58:16
  Speaker 8: Yes, that happened with our first class movie that was
• 58:18
  Speaker 8: like about everyone in first class.
• 58:21
  Speaker 3: Yes, actually is not. There's not enough space in first
• 58:25
  Speaker 3: class and.
• 58:26
  Speaker 4: It's kind of annoying when they wake you up to
• 58:28
  Speaker 4: give you champagne.
• 58:29
  Speaker 7: For free and the main character was the champagne.
• 58:31
  Speaker 3: Oh that was like when we did that, we tried
• 58:33
  Speaker 3: to write that whole script about how too many people
• 58:36
  Speaker 3: are signing up for t s a pre check now
• 58:37
  Speaker 3: and now it's like it's regular.
• 58:41
  Speaker 10: Oh, this is a fun one having bad credit.
• 58:44
  Speaker 4: Okay, okay, So a bunch of oranges on a tree
• 58:50
  Speaker 4: of currency and the currency is how much.
• 58:53
  Speaker 6: Pulp you have?
• 58:53
  Speaker 3: Oh and this is good and maybe we can make
• 58:55
  Speaker 3: it a metaphor for the merchant of Venice. Yes, so
• 58:58
  Speaker 3: this issi orange flesh and I hear that, and I
• 59:03
  Speaker 3: hear trip to Venice, Italy. We have to go to Venice.
• 59:06
  Speaker 9: We have to go to Venis to write our movie
• 59:08
  Speaker 9: about bad credit, to look at oranges and minute I
• 59:13
  Speaker 9: love that.
• 59:14
  Speaker 8: Let's can I say a trip I want to go
• 59:16
  Speaker 8: on and you guys on.
• 59:21
  Speaker 3: The right way.
• 59:22
  Speaker 8: I always what did you go to New Zealand?
• 59:28
  Speaker 10: I mean, there's so many animals.
• 59:29
  Speaker 3: It's the easy thing.
• 59:30
  Speaker 10: Of the animals.
• 59:31
  Speaker 3: Wait, the last key we ever, that's a good idea. Oh,
• 59:34
  Speaker 3: that's good. Dementia, dementia. Oh the last kiwi forgot that
• 59:39
  Speaker 3: they were a kiwi.
• 59:39
  Speaker 10: They think they're a dog.
• 59:41
  Speaker 4: Perfect they're doing the trips for win the Purina Dog Show.
• 59:46
  Speaker 3: Yes, a Ki wins a dog show.
• 59:49
  Speaker 7: Okay, okay, what may you want.
• 59:50
  Speaker 3: To go on?
• 59:51
  Speaker 8: Oh?
• 59:51
  Speaker 10: I want to go to Morocco.
• 59:54
  Speaker 3: Oh those hand came came with asthma, camera.
• 1:00:01
  Speaker 4: Race camera, race cast, Saharan desert.
• 1:00:07
  Speaker 3: Just save the world. Let's go to Morocco.
• 1:00:12
  Speaker 6: I want to go.
• 1:00:12
  Speaker 3: I want to go to Antarctica.
• 1:00:17
  Speaker 7: This old bell lives in Antarctic.
• 1:00:19
  Speaker 8: This bell, it's it's it's lover the honk Wait, not
• 1:00:29
  Speaker 8: the hog.
• 1:00:30
  Speaker 10: Wait, I'm gonna get it.
• 1:00:32
  Speaker 3: Is this old Is this old honk? Is this old bell?
• 1:00:37
  Speaker 3: The honk? Is this old bell?
• 1:00:40
  Speaker 4: I can see the post the honk?
• 1:00:43
  Speaker 3: Is this old bell? Antarctica? What on you guys? I've
• 1:00:48
  Speaker 3: always always always wanted to go to Scotland. Here's the
• 1:00:54
  Speaker 3: I know we've done brave. We've done brave. I know, okay, brave.
• 1:00:57
  Speaker 5: Can we find a way this We can't just can't
• 1:01:00
  Speaker 5: do bears, We can't do redheads.
• 1:01:01
  Speaker 3: Mereda has a daughter America. If you have the chance
• 1:01:08
  Speaker 3: to brave, to change your fate with a daughter, would
• 1:01:11
  Speaker 3: you change your daughter?
• 1:01:17
  Speaker 4: I think that's perfect, that's so, that's honestly that's what
• 1:01:21
  Speaker 4: woman What Ellen said to Aquafinas, she.
• 1:01:25
  Speaker 8: Had her hands in between her, so.
• 1:01:30
  Speaker 4: Ellen has in her headlock, and she said, if you
• 1:01:32
  Speaker 4: throw a vape on my show, And she says, if you.
• 1:01:37
  Speaker 8: Have a daughter and you want her life to be
• 1:01:39
  Speaker 8: better than yours, your he go through tribulations and that's
• 1:01:43
  Speaker 8: that's that's womanhood.
• 1:01:44
  Speaker 3: Tell me how that's womanhood somehow. And then Ellen looks
• 1:01:47
  Speaker 3: at Aquafina.
• 1:01:47
  Speaker 4: And she says, well, I think you're right.
• 1:01:52
  Speaker 7: And right then Miranda, and right there, Miranda opens the
• 1:01:57
  Speaker 7: stall door. It goes, and Ellen.
• 1:02:01
  Speaker 3: Look out and Aquafina looks up.
• 1:02:04
  Speaker 4: She's still in the headlock and Ellen is now crying,
• 1:02:07
  Speaker 4: and they make our contact with us, and then they go.
• 1:02:10
  Speaker 3: I hope the story lands ye.
• 1:02:14
  Speaker 7: From Talbot, so the guys from and we're likely.
• 1:02:22
  Speaker 4: Because we were running around Talbants the Blazers, and we
• 1:02:28
  Speaker 4: didn't think anybody noticed we were doing a little routine
• 1:02:30
  Speaker 4: up there. We had no idea that Aquafina and Ellen
• 1:02:35
  Speaker 4: separately saw us at the grove.
• 1:02:36
  Speaker 7: Talbots right and and and then we go.
• 1:02:42
  Speaker 3: From TV.
• 1:02:45
  Speaker 7: We'll get to it later.
• 1:02:47
  Speaker 3: That has to be is there is there something else
• 1:02:52
  Speaker 3: that happens?
• 1:02:53
  Speaker 6: We all follow each other on Instagram?
• 1:02:56
  Speaker 3: Now do do?
• 1:03:00
  Speaker 12: Do?
• 1:03:00
  Speaker 7: Do?
• 1:03:04
  Speaker 3: Ide?
• 1:03:06
  Speaker 7: And I said, do I love your work? One day
• 1:03:08
  Speaker 7: you should come to chalmuch with me?
• 1:03:11
  Speaker 6: And then you DM never do I said, I love
• 1:03:14
  Speaker 6: your work. Ellen?
• 1:03:15
  Speaker 4: Do you taught me to be kind to one another?
• 1:03:17
  Speaker 4: And she said, why don't you come meet me at Chicos.
• 1:03:24
  Speaker 9: One thing I did to tell you is that when
• 1:03:25
  Speaker 9: I picked up I connected it to my You shared
• 1:03:29
  Speaker 9: each other's contacts, and the very brief I never reached
• 1:03:33
  Speaker 9: out to him.
• 1:03:34
  Speaker 3: Do you imagine what I say?
• 1:03:37
  Speaker 2: But sometimes I coming to friends, maybe going to a
• 1:03:40
  Speaker 2: Sandwiches on Third.
• 1:03:45
  Speaker 3: Tom Alan walked away before I could answer. This is
• 1:03:49
  Speaker 3: what our artists answering the question.
• 1:03:52
  Speaker 4: Now, that's why they call it shows love the beautiful dice.
• 1:03:59
  Speaker 3: For more stuff.
• 1:04:00
  Speaker 7: We have three things there too.
• 1:04:01
  Speaker 3: Go now bye. Artists on artists on artists on artists.
• 1:04:06
  Speaker 15: This is an improvised Hollywood Roundtable podcast, created, performed, and
• 1:04:10
  Speaker 15: produced by Kylie Braikman, Jeremy Colhane, Angela Giirtana, and Patrick McDonald.
• 1:04:15
  Speaker 3: Music is by Gabriel Ponton.
• 1:04:16
  Speaker 15: The opinions expressing this podcast do not reflect the opinions
• 1:04:19
  Speaker 15: of anyone who works on it, not even the performers
• 1:04:22
  Speaker 15: because this is an improvised podcast and we're stupid.
• 1:04:24
  Speaker 3: Full video versions of AOAOAOA are available on.
• 1:04:27
  Speaker 15: YouTube, so please like and subscribe and leave us a
• 1:04:30
  Speaker 15: five star review wherever you get your podcasts.
• 1:04:33
  Speaker 3: Good night, Hollywood,