Latest / Drama, Darling: A Real Housewives Comedy Podcast / 🐚 RHORI + 🍑 RHOA Recaps: Capo Chaos, Bratz Doll Voices, & RHOA Points & Clinks, Flutist Phaedra

Transcript

🐚 RHORI + 🍑 RHOA Recaps: Capo Chaos, Bratz Doll Voices, & RHOA Points & Clinks, Flutist Phaedra · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama Darling, Drama, Darling Drama, Darling.
• 0:19
  Speaker 2: Hello, everybody, welcome back to Drama Darling. You know it's me,
• 0:25
  Speaker 2: your little bish wife, and I'm here and so as
• 0:29
  Speaker 2: Emily jreesays, hi Ams Hello. You know we have a
• 0:34
  Speaker 2: double whammy today of Rhode Island and the Real Housewives
• 0:38
  Speaker 2: of Atlanta. And I got to tell you it's just
• 0:42
  Speaker 2: what the doctor ordered, because you know, I just got
• 0:45
  Speaker 2: back from a field trip. I was a chaperone today,
• 0:47
  Speaker 2: my daughter's amazing field trip. We went to Rancho Comulos,
• 0:51
  Speaker 2: which is originally a Native American area. It's kind of
• 0:56
  Speaker 2: like a mini mission, if you will, and then the
• 0:59
  Speaker 2: Spanish inhabited it and it is just rich with history,
• 1:03
  Speaker 2: let me tell you, fascinating. Anyway, you know, it just
• 1:08
  Speaker 2: feels good because here's the thing, when you step away
• 1:10
  Speaker 2: from the Housewives for even if it's just a hot second,
• 1:13
  Speaker 2: and then you come back to it, you're like, wow,
• 1:16
  Speaker 2: you really appreciate it. You know, absence makes the heart
• 1:19
  Speaker 2: grow fonder. One afternoon, you know, well, jury duty. You know,
• 1:23
  Speaker 2: I wasn't like really taking it as much as I
• 1:26
  Speaker 2: normally am. And so then I mean I got to
• 1:29
  Speaker 2: watch two episodes of Atlanta, which was really good, and
• 1:34
  Speaker 2: then got into Rhode Island, which we're going to have
• 1:38
  Speaker 2: to talk about first, because this was absolutely in what
• 1:42
  Speaker 2: it was insane. I actually I'm concerned. I'm concerned, worried
• 1:47
  Speaker 2: and entertained all the same time welcoming thank you. Yeah,
• 1:52
  Speaker 2: so we welcomed ourselves into two people who we who
• 1:55
  Speaker 2: have no boundaries, who are both reckless as hell, who
• 2:01
  Speaker 2: one has an agenda and really loves to push people's
• 2:05
  Speaker 2: buttons and and is being fake and is trying to
• 2:10
  Speaker 2: position herself a little bit as maybe the middleman, and
• 2:14
  Speaker 2: the other who was completely unhinged, and I think Alicia
• 2:18
  Speaker 2: said it that she's abusive, allegedly apparently and according to
• 2:23
  Speaker 2: what I saw, really reckless. Now you guess who which
• 2:27
  Speaker 2: one is, which.
• 2:28
  Speaker 3: I'm gonna say Ashley and probably like Ashley again in
• 2:35
  Speaker 3: the morning, Ashley in afternoon, Ashley, you believe.
• 2:40
  Speaker 2: Because it was just that about Audrey. No, actually, you
• 2:46
  Speaker 2: make a good point because like at Coppo, after everything
• 2:50
  Speaker 2: sort of was even coming down, she starts crying. I'm like,
• 2:54
  Speaker 2: you weren't even there.
• 2:55
  Speaker 3: No, she was at a Jonas Brothers concert right before that.
• 2:59
  Speaker 2: She was probably crying at the Jonas Brother's concert. I mean,
• 3:03
  Speaker 2: quite frankly, wouldn't we all?
• 3:05
  Speaker 3: I would cry?
• 3:06
  Speaker 2: I would I was never like, I just wasn't. I
• 3:11
  Speaker 2: don't know, it wasn't there. I don't know where it was,
• 3:13
  Speaker 2: but I wasn't like into the Jonas Brothers. Not that
• 3:15
  Speaker 2: there's anything wrong with that.
• 3:18
  Speaker 3: Yeah, I know, I'm with you and we are not there.
• 3:22
  Speaker 2: She was certainly crying at the Jonahs Brother's concert into
• 3:26
  Speaker 2: Jared's arms. Yes, what am I crazy? He was at Audrey's.
• 3:35
  Speaker 2: He can't go to a concert.
• 3:40
  Speaker 3: Okay, so I think you're talking about Listen, Joellen, you
• 3:44
  Speaker 3: are correct.
• 3:47
  Speaker 2: How did you know that?
• 3:47
  Speaker 3: While you're so smart, there was a question at Audrey's
• 3:50
  Speaker 3: trivia the other night, and so I knew the answer.
• 3:54
  Speaker 2: Jared does such a good job. Let's figure out, like
• 3:57
  Speaker 2: who is worse? Okay, Oh, it's tough, I know.
• 4:01
  Speaker 3: And you know why it's tough because Liz was not right.
• 4:05
  Speaker 3: But Joellen was making me so insane in that moment.
• 4:09
  Speaker 3: It was making Liz right.
• 4:11
  Speaker 2: Yes, right, yes, And that's the problem. This is tough
• 4:17
  Speaker 2: because here's the thing, like if I if I go
• 4:22
  Speaker 2: to my original you know stance, which is that the
• 4:26
  Speaker 2: person who is provocating who is the one with the
• 4:30
  Speaker 2: finger in the face first, Then I'm gonna ultimately have
• 4:35
  Speaker 2: to say it's Joellen who's worse. So if if I
• 4:38
  Speaker 2: am going to stand by that philosophy that the person
• 4:41
  Speaker 2: who instigates the most and first, then that would be
• 4:45
  Speaker 2: where I would land. However, h the way that Liz
• 4:51
  Speaker 2: spoke to Joeellen and just being like, you're fucking crazy
• 4:57
  Speaker 2: and like the things that she was saying that jo
• 5:00
  Speaker 2: I think she was trying to rip into her soul.
• 5:03
  Speaker 3: You know.
• 5:04
  Speaker 2: And then because she was alone, she wasn't leaving her alone,
• 5:10
  Speaker 2: thank you.
• 5:11
  Speaker 3: Because she's literally running after her.
• 5:13
  Speaker 2: Yeah, she was trying to get you know, trying to
• 5:15
  Speaker 2: rile her up because she was doing it for TV.
• 5:18
  Speaker 2: She knows and you know this is this was such
• 5:20
  Speaker 2: an interesting experiment in the Real Housewives ology of it
• 5:25
  Speaker 2: all because you see someone meaning Joe Ellen, who knows
• 5:31
  Speaker 2: what how to make good TV and what the Bravo
• 5:35
  Speaker 2: fans would want, what producers would want, and yet it's
• 5:40
  Speaker 2: coming so easy to her in such a way that
• 5:42
  Speaker 2: you're like, oh, that's part of who you are. I
• 5:46
  Speaker 2: see what's happening here, and you have no problem doing
• 5:48
  Speaker 2: this this is also not the first time you've done this,
• 5:51
  Speaker 2: and then you're like, if you're peeling back the layers,
• 5:55
  Speaker 2: you're thinking, well, did you learn like did you learn
• 5:58
  Speaker 2: this in those plays or did you go to those
• 6:01
  Speaker 2: places because you were doing this? I mean, I'm sorry,
• 6:04
  Speaker 2: but like.
• 6:04
  Speaker 3: Oh, no, no, I think this predates any of those places.
• 6:08
  Speaker 3: I think that Liz is to stand in for Joellen's
• 6:11
  Speaker 3: mom like this, Like when you hear the things that
• 6:14
  Speaker 3: Joellen says about Liz, she says the same things about
• 6:17
  Speaker 3: her mom. Y oh, and Joellen isn't going to run
• 6:23
  Speaker 3: after Rosie. She could give two ships. She's not going
• 6:25
  Speaker 3: to run after anybody. She's going to run after Liz
• 6:29
  Speaker 3: because she's got to fix it. She's got to correct
• 6:31
  Speaker 3: that problem. There is a.
• 6:33
  Speaker 2: Wow, I am blown away, move over bish therapists because
• 6:38
  Speaker 2: Emily Theresa has hung out Shingle No we love She's
• 6:42
  Speaker 2: probably talking about right now in her podcast. She's like, yeah,
• 6:48
  Speaker 2: I said the same thing. That is so right. I
• 6:53
  Speaker 2: don't even like I have chills because when you're seeing
• 6:56
  Speaker 2: the way that she is engaging with Liz and her
• 6:58
  Speaker 2: face and she's like right in her face and she's
• 7:00
  Speaker 2: she is not going anywhere. This is a person who
• 7:03
  Speaker 2: is very comfortable with putting up that front and putting
• 7:08
  Speaker 2: up that weaponry, which is her provocation. Yeah, and it's
• 7:14
  Speaker 2: like a standoff, you know.
• 7:16
  Speaker 3: Yeah, And the biggest thing that's upsetting her is that
• 7:19
  Speaker 3: Liz is saying that we aren't friends, which is like, basically,
• 7:23
  Speaker 3: I don't love you, and it's like a whole thing
• 7:26
  Speaker 3: we're seeing playing out.
• 7:28
  Speaker 2: Oh, it's just good, that's this is awful, you know.
• 7:32
  Speaker 2: And so one would say that people go looking for
• 7:37
  Speaker 2: people like that in their life, you know, or they
• 7:39
  Speaker 2: you know, they attract people attract each other to that.
• 7:42
  Speaker 2: And you know, maybe we're not to where why Liz
• 7:44
  Speaker 2: would attract someone like Joellen into her life, but I'm
• 7:47
  Speaker 2: sure that's also equally there.
• 7:51
  Speaker 3: Yeah.
• 7:52
  Speaker 2: But what's also interesting is that Joellen is saying that
• 7:56
  Speaker 2: Liz is one of my best friends. It's like bullshit,
• 8:00
  Speaker 2: that is, I don't I don't know if I believe.
• 8:03
  Speaker 2: I think you're just saying that so that it looks
• 8:05
  Speaker 2: worse to us. Meanwhile, you're scorching her in your confessionals,
• 8:11
  Speaker 2: So what a really good friend scorched her like that?
• 8:14
  Speaker 3: Yeah, Like I believe Alicia and Liz are good friends,
• 8:17
  Speaker 3: even though they have both said harsh things about each
• 8:20
  Speaker 3: other about this situation. But I don't think that Joelle.
• 8:24
  Speaker 3: I don't get the five that Joellen and Liz are that.
• 8:27
  Speaker 2: Tight only because Joellen keeps saying it, or we're supposed
• 8:31
  Speaker 2: to believe it.
• 8:33
  Speaker 3: Yeah, but then.
• 8:35
  Speaker 2: Don't you say to me that I've you're good friends
• 8:38
  Speaker 2: with me? I Kenna, I'm not your good friend, so
• 8:42
  Speaker 2: say it so I'm gonna leave. But this wickedess smile
• 8:47
  Speaker 2: that she has going on and these crazy eyes are
• 8:49
  Speaker 2: something we haven't quite seen on this level before. Da
• 8:53
  Speaker 2: da da da.
• 8:55
  Speaker 3: Yeah, not sober anyway, born or just alcohol.
• 9:00
  Speaker 2: But I don't know what's going on there, Like what
• 9:03
  Speaker 2: was what was happening with her visioligic medication?
• 9:07
  Speaker 3: Is that medication she's taking? We know?
• 9:12
  Speaker 2: What's interesting too, is that Alicia at her table of Auntie's,
• 9:16
  Speaker 2: you know that went back five Rose Deep, was like
• 9:19
  Speaker 2: sticking up for Liz when they were like, yeah, saying
• 9:22
  Speaker 2: that about the medication, and She's like, no, she doesn't
• 9:25
  Speaker 2: do that. She doesn't, she does. She likes to keep
• 9:28
  Speaker 2: it clean, she doesn't, you know, I mean, that's that's
• 9:31
  Speaker 2: a friend, right, She's sticking up for her, even when
• 9:35
  Speaker 2: Liz has completely offended her and they can't quite get
• 9:39
  Speaker 2: past the situation. But here she is. She's telling them
• 9:41
  Speaker 2: what she did. But at the same time she's like, no, actually,
• 9:45
  Speaker 2: she's not taking those drugs. But then I'm like, why
• 9:48
  Speaker 2: are you saying that she is? Isn't she Why wouldn't
• 9:51
  Speaker 2: she be?
• 9:51
  Speaker 3: Yeah, well we watched her and Dolores take gummies at
• 9:54
  Speaker 3: the factory.
• 9:55
  Speaker 2: Like maybe Alicia is, well, look she thinks she's like,
• 10:01
  Speaker 2: oh no, she only has four leaf Clovis. That's that's
• 10:04
  Speaker 2: all she takes. So maybe Lisia just is no clue.
• 10:07
  Speaker 2: Why does she think that she doesn't take anything?
• 10:10
  Speaker 3: I don't know, weird, Yeah, And I think also, like
• 10:15
  Speaker 3: I kept getting the feeling that Liz was sticking up
• 10:18
  Speaker 3: for whichever aunt that she's closest to, because she's like
• 10:22
  Speaker 3: best friends with one of Alicia's aunts, that that's her connection,
• 10:26
  Speaker 3: like a younger aunt. And so I'm like in my
• 10:29
  Speaker 3: mind and thinking, oh, is Liz going this hard on this,
• 10:33
  Speaker 3: on this homeless thing because it puts her best friend
• 10:37
  Speaker 3: in a bad light and that family in a bad light,
• 10:40
  Speaker 3: and she doesn't want that her She doesn't want America
• 10:43
  Speaker 3: to think that that family would have abandoned right.
• 10:47
  Speaker 2: Yeah, what she did to your point, and she did
• 10:50
  Speaker 2: say in her confessional, no one would ever allow her
• 10:53
  Speaker 2: to be homeless. You she is a big, beautiful family.
• 10:57
  Speaker 2: I have to make sure that she knows that she
• 10:59
  Speaker 2: wouldn't on the street. But the whole point is that,
• 11:03
  Speaker 2: like you keep missing the point and that although Joe
• 11:06
  Speaker 2: Ellen was trying to convey it, which I did appreciate
• 11:13
  Speaker 2: until I didn't. Yeah, but it's sad because Alicia getting
• 11:20
  Speaker 2: back to the Coppo when they arrived and they got
• 11:22
  Speaker 2: out of that car, and like after the tears in
• 11:25
  Speaker 2: the car, those tears just kept going right into the coppo.
• 11:27
  Speaker 3: Oh, I know. It was like Ashley level it.
• 11:30
  Speaker 2: I mean, so bad, wet cheeks, like, yeah, I've never
• 11:35
  Speaker 2: seen anything like it. Poor Alicia. And I also maybe
• 11:39
  Speaker 2: think Liz is looking at Alicia going if she leans
• 11:43
  Speaker 2: into this, if she leans into this homeless thing, she's
• 11:47
  Speaker 2: gonna be the She's gonna be the darling of reality television.
• 11:51
  Speaker 2: She's gonna get too many fans. I can't have that.
• 11:55
  Speaker 3: See.
• 11:55
  Speaker 2: I think it's more vulnerable, it's more vulnerable.
• 11:59
  Speaker 3: Yeah, But I also think I go back to this
• 12:02
  Speaker 3: also that Liz is trying to protect Alisha from.
• 12:06
  Speaker 2: People saying that she's using the wrong word.
• 12:09
  Speaker 3: And and or she truly doesn't believe that Alicia was homeless,
• 12:13
  Speaker 3: like like, Liz is completely out of the loop on
• 12:17
  Speaker 3: what that could mean and doesn't want Alicia to get
• 12:21
  Speaker 3: exposed by every by locals and saying, no, she just
• 12:25
  Speaker 3: lived over here, she never lived like Liz has a
• 12:28
  Speaker 3: hard idea of what that word can mean.
• 12:31
  Speaker 2: There's no wiggle room for her, there's no gray area, right,
• 12:35
  Speaker 2: She is sticking to that. And apparently she apologized that
• 12:40
  Speaker 2: night at some point in the car before we got
• 12:43
  Speaker 2: to the table, because even Joellen referenced that she had
• 12:46
  Speaker 2: apologized like forty three times.
• 12:49
  Speaker 3: But that was so weird too.
• 12:50
  Speaker 2: I didn't see it, but it was.
• 12:53
  Speaker 3: Weird that Joellen was like literally the same sentence to Alisha,
• 12:58
  Speaker 3: like are you okay? Because she's apologized four hundred times?
• 13:01
  Speaker 3: And I don't know what else you want because I
• 13:04
  Speaker 3: feel so bad for you.
• 13:09
  Speaker 2: But that's I think that's what you're hitting on, is
• 13:11
  Speaker 2: that she's trying to ride that middle road of being
• 13:17
  Speaker 2: the peacemaker, being the one that brings everybody together. She's
• 13:19
  Speaker 2: trying to take on that role, and that's what's pissing
• 13:21
  Speaker 2: Liz off so bad, and it should because Liz wants
• 13:26
  Speaker 2: a pure, real, not fake show, and so do we,
• 13:31
  Speaker 2: So we don't want people running game on us like this,
• 13:34
  Speaker 2: and Joellen's trying to run game on Liz, and I
• 13:36
  Speaker 2: don't appreciate that one bit.
• 13:38
  Speaker 3: Man. I need to know the dynamics like with Liz
• 13:41
  Speaker 3: and her like whatever that family was, because watching Liz
• 13:46
  Speaker 3: wrap Joe Ellen's hair around your pointer finger and pull
• 13:50
  Speaker 3: it from that way, yeah wild. I was just like,
• 13:53
  Speaker 3: that is some sister shit that I fully forgot was
• 13:57
  Speaker 3: possible because that was a hard.
• 14:00
  Speaker 2: It was a slow and hard pull that mom and
• 14:05
  Speaker 2: dad aren't gonna see because she kind of went up
• 14:08
  Speaker 2: and she just I mean I was like, wow, just
• 14:10
  Speaker 2: like you said, that's family, that's family fighting. That's somebody
• 14:13
  Speaker 2: who knows how to fight without getting into trouble. And
• 14:16
  Speaker 2: so she was either also really I mean, obviously she
• 14:20
  Speaker 2: seemed extremely drunk, but she in her confessional is like,
• 14:25
  Speaker 2: does not think that she pulled her hair. She thinks
• 14:28
  Speaker 2: she's a fucking liar. She doesn't even remember doing that,
• 14:31
  Speaker 2: and she's like, I never touched her I may have
• 14:36
  Speaker 2: like moved her chair to get her away from me,
• 14:39
  Speaker 2: which Joellen's like, you pushed my chair, You smashed my chair.
• 14:44
  Speaker 2: We all saw it, and I mean, here's the thing.
• 14:48
  Speaker 2: What would have been a better option to get up
• 14:50
  Speaker 2: and walk away? Of course, of course Joellen did and
• 14:54
  Speaker 2: Joellen did, But I mean Liz instead of pushing her
• 14:57
  Speaker 2: chair out of the way, instead of pushing it very
• 15:00
  Speaker 2: quite violently. But that is physical, that's physical. The hair
• 15:07
  Speaker 2: and the chair push is a physical attack in my opinion.
• 15:11
  Speaker 3: And at the end of the day, Liz got what
• 15:15
  Speaker 3: she wanted, which was to get Joeellen out of her face.
• 15:20
  Speaker 2: And Joellen got what she wanted, which is to get
• 15:22
  Speaker 2: Liz to a point where she would lose her shit. Yeah,
• 15:26
  Speaker 2: and to me, that is pretty vindictive. And when Liz
• 15:30
  Speaker 2: calls her evil, I understand where she's coming from in
• 15:34
  Speaker 2: that she sees very clearly that Joellen almost like set
• 15:39
  Speaker 2: her up to be a bad villain, a violent, hands on,
• 15:45
  Speaker 2: physical villain on the Real Housewives. And you know how
• 15:47
  Speaker 2: the public sees those. We don't like them. We get
• 15:51
  Speaker 2: very upset when people put hands on. So that's why
• 15:55
  Speaker 2: she was like, I was coming here because I thought
• 15:57
  Speaker 2: we were going to make up. Now I know you're
• 16:00
  Speaker 2: gonna bury me or whatever she said, now I know.
• 16:03
  Speaker 3: Oh yeah, yeah yeah. At the stormy lunch.
• 16:05
  Speaker 2: Oh that was talk about two ladies with a lot
• 16:11
  Speaker 2: of negative energy pulling in some rain.
• 16:14
  Speaker 3: That's but you know what they do cutaways to Joe
• 16:17
  Speaker 3: Ellen and it was like newly sunshine after rain behind her,
• 16:21
  Speaker 3: and then when they cut back to Liz rain cloud.
• 16:24
  Speaker 2: God, the continuity. That's so bad.
• 16:28
  Speaker 3: But it was also like their vibe at the lunch,
• 16:31
  Speaker 3: so I was like, Okay, I'm with it. It's too
• 16:36
  Speaker 3: the vibe, Yeah, skies.
• 16:39
  Speaker 2: Their dynamic is so toxic and messed up that it's
• 16:47
  Speaker 2: fascinating to watch. And I really do think that Joeellen
• 16:53
  Speaker 2: is calculated and Liz is reactive. So you're getting like,
• 17:00
  Speaker 2: Liz isn't going to be really the first one to strike.
• 17:02
  Speaker 2: In my opinion so far from what I've seen, she's
• 17:06
  Speaker 2: going to be reactive, and if you cross her, she's
• 17:08
  Speaker 2: gonna storm up the state. If you say even the
• 17:10
  Speaker 2: littlest thing, she's going to be like, you know, ongoing,
• 17:14
  Speaker 2: you know, and she's gonna lose her shit.
• 17:16
  Speaker 3: Yeah yeah, yeah, she will hang back Alicia said in
• 17:20
  Speaker 3: the after show she thinks she's Big Anne. She's not
• 17:24
  Speaker 3: Big Anne.
• 17:25
  Speaker 2: She said big ant oh be still be Still in
• 17:28
  Speaker 2: my heart A lovely Mob Wives crossover. Alicia how about
• 17:36
  Speaker 2: in her confessional she was like, you know, Liz and I,
• 17:41
  Speaker 2: you know, we go way back, and I've Knowniced since
• 17:43
  Speaker 2: she was a kid, and she's abusive. I said it.
• 17:45
  Speaker 2: I was feeling really good to about myself, so I
• 17:47
  Speaker 2: said it. Can you believe that that took a lot?
• 17:51
  Speaker 2: That's gonna really come back And that's going to be
• 17:55
  Speaker 2: a major topic of conversation at the reunion because that
• 18:00
  Speaker 2: was a moment that Alicia had she probably has never had.
• 18:04
  Speaker 2: She's probably never said it out loud to her or
• 18:07
  Speaker 2: to anyone other than Aunties, and that's gonna be a
• 18:11
  Speaker 2: real problem.
• 18:12
  Speaker 3: Well, that's what I was wondering, Like the dynamic there
• 18:17
  Speaker 3: with the Aunties and those two Liz and Alicia, Like
• 18:21
  Speaker 3: did they play together when they were little or Liz
• 18:25
  Speaker 3: just out of her age group so that she really
• 18:29
  Speaker 3: could boss her around? Like I was wondering, Like what
• 18:32
  Speaker 3: that was me too?
• 18:34
  Speaker 2: Yeah enough to where you know, they saw each other
• 18:37
  Speaker 2: on the block and Alicia got a taste of what
• 18:41
  Speaker 2: Liz was selling.
• 18:43
  Speaker 3: Well, Liz did not see Alicia on the block because
• 18:46
  Speaker 3: she was inside of a home. Let's just get that straight.
• 18:50
  Speaker 3: She was never out on a block. She was always inside.
• 18:55
  Speaker 2: According to Liz, she was on a block. You know.
• 19:00
  Speaker 2: I just keep thinking about it, and it's like, if
• 19:03
  Speaker 2: somebody sells your home, gives up your home, and you
• 19:07
  Speaker 2: don't have anywhere to live that you call your own home,
• 19:10
  Speaker 2: you are homeless. I don't care if you go to
• 19:12
  Speaker 2: your aunts. Is that would be the word. And certainly
• 19:17
  Speaker 2: I think it would have been smart of Alicia to have,
• 19:19
  Speaker 2: you know, included a caveat within that which was like,
• 19:22
  Speaker 2: we were so fortunate to have amazing family take us
• 19:26
  Speaker 2: in to where we felt like that was our they
• 19:29
  Speaker 2: made us a home for us. You know, we didn't
• 19:31
  Speaker 2: quite get to where it ultimately would have been a redemption. Instead,
• 19:36
  Speaker 2: it became a trigger point and a real big issue
• 19:39
  Speaker 2: that I'm wondering if if there's a poll on watch
• 19:43
  Speaker 2: it happens live, and I really should do a poll
• 19:45
  Speaker 2: over on Drama Darling, why don't I do that and say,
• 19:48
  Speaker 2: do you can't consider Alicia her childhood? Do you think
• 19:54
  Speaker 2: she was homeless or not?
• 19:55
  Speaker 3: Homeless or toothless. Yeah, I don't know, really, I stand
• 20:02
  Speaker 3: by I think she.
• 20:02
  Speaker 2: Was, but you know, you do you yes, I do
• 20:06
  Speaker 2: tell her shit.
• 20:07
  Speaker 3: And that was the whole argument. It was about her dad. Yeah,
• 20:10
  Speaker 3: it was about her confronting what her dad did. And
• 20:13
  Speaker 3: when she takes a step back and looks at that,
• 20:17
  Speaker 3: that's what she's talking about. Is it relates to her
• 20:20
  Speaker 3: husband not giving her what she deserves with the business.
• 20:24
  Speaker 2: I wonder what I'm sorry, go ahead, not Oh.
• 20:27
  Speaker 3: Well, that's it. That's where, right, That's where she's like
• 20:30
  Speaker 3: trying to figure out her Alicia's trying to figure out
• 20:33
  Speaker 3: where she stands now and how she doesn't want to
• 20:35
  Speaker 3: repeat the mistakes that maybe her mom did where it
• 20:39
  Speaker 3: was depending too much on the dad that left them
• 20:43
  Speaker 3: without a home and yeah of all their stuff.
• 20:46
  Speaker 2: Yeah man, you're right. And now she's kind of like
• 20:52
  Speaker 2: paralyzed in this situation with her partner and doesn't like
• 20:59
  Speaker 2: know where to go. She doesn't want to shake the
• 21:01
  Speaker 2: ground to lose anything, and yet she's worried that if
• 21:06
  Speaker 2: she ends up, if something happens, she will lose everything.
• 21:09
  Speaker 2: So she's in a real pickle. This show is really
• 21:12
  Speaker 2: amazing because it hasn't taken long for us to completely
• 21:15
  Speaker 2: evaluate psychologically these ladies at this point. And they are
• 21:19
  Speaker 2: issues like everybody else. But I mean they're they're heavy,
• 21:23
  Speaker 2: they're deep, and they're right on the surface. I mean,
• 21:26
  Speaker 2: they are just right there. We do not need to
• 21:29
  Speaker 2: like scoop up some pebbles from the river and you know,
• 21:34
  Speaker 2: shake them through and find some gold like Beverly Hills.
• 21:39
  Speaker 2: You know, we don't have to do that kind of mining.
• 21:41
  Speaker 2: It's right there. It's like, well, you do have to
• 21:43
  Speaker 2: do that kind of mining. If you want to see Dolores.
• 21:47
  Speaker 3: She's not going to be there very much.
• 21:50
  Speaker 2: Yes, that's right. The lore she was in one scene
• 21:54
  Speaker 2: with Liz when we got to Dolores's I legit thought
• 21:59
  Speaker 2: that we were in her Jersey Shore home. I thought
• 22:03
  Speaker 2: that was It was like the exact same look. It
• 22:06
  Speaker 2: was the exact same style, and it just looked the same.
• 22:09
  Speaker 2: I just didn't even I forgot that we were in
• 22:12
  Speaker 2: Rhode Island, quite honestly.
• 22:14
  Speaker 3: Yeah, outside was beautiful in the back When they finally
• 22:19
  Speaker 3: got to the backyard and they're sitting outside, it was like,
• 22:21
  Speaker 3: this is I like the landscape and I'm going to
• 22:23
  Speaker 3: get this at a Jersey shorehouse, right but right inside, Yeah,
• 22:28
  Speaker 3: it was like the same inside.
• 22:29
  Speaker 2: She Dolores loves like a walk up, like a keep
• 22:32
  Speaker 2: walking up kind of stacks the house. Yes, and that
• 22:39
  Speaker 2: is so funny.
• 22:40
  Speaker 3: Yeah, she's she has great calves. She could work on
• 22:44
  Speaker 3: below deck down under with all those steps.
• 22:46
  Speaker 2: I'll tell you what it is. It's very smart to
• 22:48
  Speaker 2: do that because you got like built in exercise.
• 22:51
  Speaker 3: Yes.
• 22:52
  Speaker 2: Wait, so who was there Liz and Dolores and there
• 22:56
  Speaker 2: was one more person but I don't remember who it was.
• 22:59
  Speaker 3: It was Kelsey Okay, yeah, they were talking about the
• 23:02
  Speaker 3: whole breakdown, and Kelsey's like, I would and Dlorus asked Kelsey, well,
• 23:07
  Speaker 3: what would you have done if you were there? Because
• 23:08
  Speaker 3: Kelsey wasn't there, and She's like, I don't know, I'd
• 23:11
  Speaker 3: stay out of it.
• 23:12
  Speaker 2: That's right, that's right. Oh yeah, but I did have
• 23:15
  Speaker 2: a note here It says that Liz said that Joellen
• 23:18
  Speaker 2: was trying to take the role of a peacemaker, and
• 23:22
  Speaker 2: then when, of course, Dolores was like what would you do?
• 23:25
  Speaker 2: Which I love because it's like, oh, okay, Dolores, are
• 23:27
  Speaker 2: we running housewives drills?
• 23:28
  Speaker 1: Like?
• 23:28
  Speaker 2: Are is what we're doing on our off time, and
• 23:30
  Speaker 2: on screen, we're running some drills, okay, okay, and then
• 23:37
  Speaker 2: Kelsey's like, didn't she kind of lean towards Liz? And
• 23:42
  Speaker 2: then when she was with Joe Ellen, she was Joellen
• 23:46
  Speaker 2: was like, why didn't you say that to Liz, that
• 23:50
  Speaker 2: you had my side or something like that. So she
• 23:52
  Speaker 2: tried to take both sides in a way, like she
• 23:54
  Speaker 2: kind of straddled the middle a little bit, which I
• 23:56
  Speaker 2: don't blame her. I don't want to get I don't
• 23:58
  Speaker 2: want to get mixed up in either one of them.
• 24:00
  Speaker 2: It's terrifying.
• 24:02
  Speaker 3: Well, that's just it. Like Liz is scary to me
• 24:05
  Speaker 3: because I think that Liz has a lot more power
• 24:08
  Speaker 3: than we know on a local level there.
• 24:10
  Speaker 2: Magical like literal black magic powers like yeah you know
• 24:14
  Speaker 2: what I mean, yeah yeah.
• 24:15
  Speaker 3: And then Joe Wellen knows where all the bodies are
• 24:19
  Speaker 3: buried for Kelsey kind of thing. So I think that
• 24:23
  Speaker 3: like Kelsey's like, like she said, I knew there would
• 24:26
  Speaker 3: be a day that I have to be in the
• 24:27
  Speaker 3: middle of one of these things, right right, And I'm
• 24:31
  Speaker 3: not thank god it wasn't there, so but thank god,
• 24:36
  Speaker 3: I think that she would have. I think she would
• 24:38
  Speaker 3: have yielded to Liz.
• 24:40
  Speaker 2: Oh I would have too, Yeah, because Joe Allyn is
• 24:45
  Speaker 2: all tricks. She's just a bunch of tricks, you know.
• 24:47
  Speaker 3: Yeah, But she's the one that's known Kelsey the longest.
• 24:51
  Speaker 3: Remember they worked at that tanning bed together. Like, she's
• 24:54
  Speaker 3: gonna pull some shit on Kelsey. Trust me, she's got, she's.
• 24:57
  Speaker 2: Waning whatever what. And whenever she pulls anything with anyone,
• 25:03
  Speaker 2: just be sure that she's going to get about a
• 25:06
  Speaker 2: half an inch away from your face when she does it.
• 25:10
  Speaker 2: Just get ready for it. And I'm just telling you
• 25:13
  Speaker 2: you can sneak up and pull her hair, and if
• 25:16
  Speaker 2: you do it right, the audience won't see you. And
• 25:21
  Speaker 2: Liz was pretty close, but was really obvious. It was
• 25:25
  Speaker 2: pretty obvious.
• 25:27
  Speaker 3: Do you think that Liz actually blacked out doesn't remember
• 25:32
  Speaker 3: that the idea?
• 25:34
  Speaker 2: Okay, I think that she doesn't remember, hm, I mean
• 25:38
  Speaker 2: the physical stuff in the confessional. She remembers pushing the chair,
• 25:44
  Speaker 2: so huh. Now, I don't know. I was gonna say yes,
• 25:48
  Speaker 2: but she was pretty defiant that she didn't pull her hair.
• 25:51
  Speaker 2: Do you think it's just a semantics because it was
• 25:53
  Speaker 2: like more of a tug.
• 25:54
  Speaker 3: Maybe. Yeah, that's a good point like maybe she's just like,
• 25:58
  Speaker 3: I am not going to admit to this camera right now,
• 26:01
  Speaker 3: and once she sees it, maybe she'll be like, oh,
• 26:04
  Speaker 3: it was pretty bad. I didn't realize how bad.
• 26:07
  Speaker 2: It was, kind of like the Danielle stop and when
• 26:10
  Speaker 2: she playes Margaret's ponytail and she was like, I tugged it,
• 26:15
  Speaker 2: you know, yeah, just down. That was so intense. That
• 26:25
  Speaker 2: was nuts. Yeah, yeah, yeah, Teresa's go ahead, go in Pully, Hey, Glen,
• 26:33
  Speaker 2: that's what Teresa's in the corner at Cappo and she's like, hey, Liz,
• 26:38
  Speaker 2: go pull go pull it, go on, do it, do it.
• 26:42
  Speaker 2: Teresa's like the little devil on her shoulder, you know.
• 26:46
  Speaker 2: Margaret's on the other get fits, go down the basements.
• 26:51
  Speaker 2: Just just just walk away. Anyway. It's so silly. Yeah,
• 26:59
  Speaker 2: that Coppo was wild, and then like fools rush In
• 27:04
  Speaker 2: starts playing. It was like a movie.
• 27:07
  Speaker 3: You know.
• 27:08
  Speaker 2: Alicia's like, oh my god, I love this song. She's
• 27:12
  Speaker 2: trying to dry her tears and riches, you know, sways
• 27:16
  Speaker 2: up there on stage. And then we had Ashley join.
• 27:20
  Speaker 2: We had ash someone else's friend was there, unique, Yeah.
• 27:25
  Speaker 3: She's Rosie's Friend's a friend.
• 27:29
  Speaker 2: That was sad, she's crying to her and yeah, lord.
• 27:34
  Speaker 3: See. The thing is like, I don't think Alicia can
• 27:36
  Speaker 3: act in terms of like I don't think she's ever
• 27:39
  Speaker 3: pulling it, like she's never manipulating a situation. But I
• 27:47
  Speaker 3: think that Joe Wellyn is using tactics that she uses
• 27:51
  Speaker 3: in real life to manipulate a situation and it doesn't
• 27:55
  Speaker 3: work on camera, like we see right through it.
• 27:58
  Speaker 2: You know what else doesn't?
• 27:59
  Speaker 3: Why?
• 28:04
  Speaker 2: I go, You're so right, she's using these tactics, she's
• 28:11
  Speaker 2: learned these skills and we can see right through them.
• 28:17
  Speaker 3: Yeah. Yeah, and then how maybe it was in the
• 28:21
  Speaker 3: after show, Joellen was like, I was just trying to
• 28:24
  Speaker 3: be peace smeeaker. I was just trying to be peace maker.
• 28:28
  Speaker 3: Didn't you think I did a good job?
• 28:29
  Speaker 2: I was like, no, my god, A peace maker doesn't
• 28:33
  Speaker 2: like run after someone and yell in their face over
• 28:37
  Speaker 2: and over again. And it's so manipulative because she's like,
• 28:41
  Speaker 2: you're like one of my best friends. Why are you
• 28:44
  Speaker 2: so mean to me? Why you so cruel to me?
• 28:48
  Speaker 2: And the way you talk to me? She's like, oh,
• 28:50
  Speaker 2: fuck yourself. She's like, why what did I ever do
• 28:53
  Speaker 2: to you? It's like, oh, relax.
• 28:56
  Speaker 3: God, then Liz did that shit too. Right back to
• 29:00
  Speaker 3: Alicia the second that things were kind of looking up, Liz, so,
• 29:05
  Speaker 3: why I'm the bad guy.
• 29:07
  Speaker 2: Oh yeah, you're right, she said, You're right.
• 29:10
  Speaker 3: The whole table of that ship.
• 29:12
  Speaker 2: These ladies, they are.
• 29:16
  Speaker 1: Poor.
• 29:16
  Speaker 3: Alicia was over there just like I'm sorry.
• 29:19
  Speaker 2: Liz like no, oh yeah, because she wanted to enjoy
• 29:25
  Speaker 2: the music. She just wanted to move on, you know, I.
• 29:28
  Speaker 3: Know, just like she always says, once you cross me,
• 29:32
  Speaker 3: I will you know, there's no going back. And I'm like,
• 29:36
  Speaker 3: there's you wait four seconds.
• 29:39
  Speaker 2: When she crossed me, She's like, I'll talk.
• 29:42
  Speaker 3: There's it's only going back once you cross because she
• 29:45
  Speaker 3: just wants to make it nice.
• 29:46
  Speaker 2: Once you cross me, I'll always go back. Okay, God,
• 29:52
  Speaker 2: Joe Ellen, She's just like when she's talking to Liz's like,
• 29:57
  Speaker 2: and and all you do is you're just mean to everyone.
• 30:00
  Speaker 2: And why are you being a nasty human being? When
• 30:03
  Speaker 2: you say that to somebody? Why are you being a
• 30:07
  Speaker 2: nasty human being? Like that is so it's so provoking.
• 30:11
  Speaker 2: It makes my blood boil. You know, you're calling someone
• 30:14
  Speaker 2: nasty and you're saying it's happening, You're doing it to everybody,
• 30:19
  Speaker 2: and then she's like, pull my hair again, that's that's
• 30:22
  Speaker 2: the person that you want to stop. That's the person
• 30:24
  Speaker 2: that needs to be behind bars first in my opinion.
• 30:28
  Speaker 3: Well but again I go back to it doesn't make
• 30:31
  Speaker 3: it right, but like, that is the kind of shit
• 30:33
  Speaker 3: she say to her mom, mm hm, you were so nasty.
• 30:36
  Speaker 3: You made me this way, And.
• 30:39
  Speaker 2: So her mom was like, why are you such a
• 30:41
  Speaker 2: nasty human being? So is do you think that joe
• 30:45
  Speaker 2: Ellen is like repeating the things that her mom would
• 30:48
  Speaker 2: say to her, So, like, are you saying, let's just
• 30:51
  Speaker 2: hold on, let me give you two, let's give let's
• 30:53
  Speaker 2: give the darlings in us some options here?
• 30:55
  Speaker 3: Okay, Okay.
• 30:57
  Speaker 2: It's either her mom did that to her as she
• 30:59
  Speaker 2: was growing up, why are you being so nasty? Why
• 31:03
  Speaker 2: you being so mean to me? You're a nasty human being? Okay?
• 31:06
  Speaker 2: Or is it that Joellen eventually just became this person
• 31:12
  Speaker 2: and was saying that stuff to her mom on her own,
• 31:14
  Speaker 2: like mom, why are you such a nasty human being?
• 31:16
  Speaker 2: And now she's looking to fight the same way A or.
• 31:20
  Speaker 3: It's a all the way.
• 31:22
  Speaker 2: There's all the way, baby, welcome in A because you
• 31:27
  Speaker 2: don't learn those tactics just you know, on the street.
• 31:30
  Speaker 3: No, and you don't send your kid that's not a
• 31:33
  Speaker 3: drug addict to a boot camp for rehabbing your drug problem.
• 31:38
  Speaker 3: Like it's just like that mom made some wild ass
• 31:41
  Speaker 3: choices and it was because she made up some bullshit
• 31:45
  Speaker 3: about Joellen. Like I think, like it just goes back
• 31:48
  Speaker 3: to all that, and then whatever that dynamic is with
• 31:50
  Speaker 3: his sister, I don't even know, because it does always
• 31:53
  Speaker 3: feel like Joeellen's sister that we have seen in the
• 31:56
  Speaker 3: few scenes or whatever.
• 31:58
  Speaker 2: Has that a peacemaker. That's the person that's in the middle,
• 32:02
  Speaker 2: not Joellen. She's an instigator and she's a fighter. And
• 32:06
  Speaker 2: on top of what you were just saying about Joellen
• 32:11
  Speaker 2: acting like her mother, she learned that when she was
• 32:14
  Speaker 2: very young, so much so that when she got older
• 32:18
  Speaker 2: she had the guts and the courage to stand up
• 32:21
  Speaker 2: against her mom probably and was giving her a piece
• 32:23
  Speaker 2: of her own medicine. And so her mom couldn't take that,
• 32:28
  Speaker 2: which is why she sent her away. And so you know,
• 32:32
  Speaker 2: I think that her mom created a monster, and then
• 32:35
  Speaker 2: when the monster rose up, she was like, I can't
• 32:39
  Speaker 2: deal with this anymore, send her away. And now you know,
• 32:43
  Speaker 2: with Joellen being back and being like, why did you
• 32:45
  Speaker 2: do that to me? And her mom still feels like
• 32:48
  Speaker 2: that she was probably like a nasty human being, but
• 32:51
  Speaker 2: it's like she's the one who she was the one
• 32:53
  Speaker 2: who did it first. What a sad situation, you know, Like,
• 32:56
  Speaker 2: as we're talking about it, I'm like, this is so sad.
• 32:58
  Speaker 2: It's awful. It really is. It's like it's just it's
• 33:01
  Speaker 2: just abuse. It's really like a level of child abuse.
• 33:05
  Speaker 2: You know. I'm allegedly in my opinion from what I see,
• 33:10
  Speaker 2: and I hate it. I really hate it. Likes, as
• 33:13
  Speaker 2: we watch this show, a lot of it is entertaining,
• 33:16
  Speaker 2: and then at the end of the day you're just like,
• 33:19
  Speaker 2: this is awful.
• 33:20
  Speaker 3: Oh, I mean, I'll stick with it. Is still very entertaining,
• 33:24
  Speaker 3: though unfortunately I'm just still entertained by it. Isn't maybe
• 33:29
  Speaker 3: I'm maybe I'm the problem.
• 33:31
  Speaker 2: No, you're not, because we're all but see, we're all
• 33:34
  Speaker 2: in this together, you know what I mean. It's like, yeah,
• 33:37
  Speaker 2: we all feel the same way, and this is why
• 33:40
  Speaker 2: we stick around because it always all the good stuff
• 33:44
  Speaker 2: it comes up to the surface eventually.
• 33:47
  Speaker 3: Yeah, but I do like that Joe Ellen knew enough
• 33:50
  Speaker 3: about who she is that she's like, hey, everybody want
• 33:53
  Speaker 3: you to meet my mom episode three, and I want
• 33:56
  Speaker 3: you to know this backstory good which Liz co signed,
• 34:01
  Speaker 3: like right, or Alicia? One of them was like, I
• 34:03
  Speaker 3: remember you always going away? One of them co signed
• 34:06
  Speaker 3: the whole Joellen Alicia?
• 34:08
  Speaker 2: Maybe was it Alicia?
• 34:10
  Speaker 3: Yeah? She's like, I just I knew you were going
• 34:13
  Speaker 3: away and maybe yeah so and Kelsey too. So in
• 34:18
  Speaker 3: terms of co signing this craziness, Yeah, so I'm glad
• 34:24
  Speaker 3: Joellen flagged it for us so we could at least
• 34:26
  Speaker 3: be like, oh, okay, got it because.
• 34:28
  Speaker 2: We can trace it back. And then she's not so
• 34:30
  Speaker 2: much in the hot seat because she has an excuse
• 34:33
  Speaker 2: in my opinion, you know.
• 34:35
  Speaker 3: Like we never we never really know about Danielle Stob
• 34:39
  Speaker 3: to your point, or like some of these other people,
• 34:42
  Speaker 3: you know, but we.
• 34:43
  Speaker 2: But Joellen's like, you know what, Yeah, I'm gonna get
• 34:45
  Speaker 2: ahead of it. There you go, Margaret Joseph's called her.
• 34:49
  Speaker 2: You know, I didn't want to get ahead of this
• 34:50
  Speaker 2: because you're Joe Monsters. Just bring your mother, Just show
• 34:54
  Speaker 2: that she's a bigger monster, brings this throng because she's
• 34:58
  Speaker 2: a peacemaker and then try to piece they're on the show.
• 35:03
  Speaker 3: But like, Margaret's the opposite. You see how cool Margaret
• 35:06
  Speaker 3: is because her mom is so cool, you know what
• 35:08
  Speaker 3: I mean?
• 35:09
  Speaker 2: Well, actually her mom, she had a rough childhood. Her
• 35:12
  Speaker 2: mom has gone all the time. It was not right. Actually,
• 35:17
  Speaker 2: it's just that she got I know, she her coping
• 35:20
  Speaker 2: mechanism was different. That's what was different about it. And
• 35:23
  Speaker 2: I think she had a real problem with her mom.
• 35:25
  Speaker 2: But they've made amends and they've they've managed to get
• 35:29
  Speaker 2: through it. But that was a very not good situation.
• 35:32
  Speaker 3: I totally forgot about that. I just think of her
• 35:35
  Speaker 3: mom popping around, popping around, you know. Can we please
• 35:43
  Speaker 3: get that slam pig painting that Joellen did though. We
• 35:47
  Speaker 3: need that for Bravocon.
• 35:48
  Speaker 2: That was amazing.
• 35:50
  Speaker 3: We need the slampig painting and her and Kelsey sash
• 35:54
  Speaker 3: for Bravocon.
• 35:55
  Speaker 2: Thank you. I'm glad that you've come over to my
• 35:58
  Speaker 2: side of team Kelsey with all for antics, because she's
• 36:02
  Speaker 2: had some bangers, and no, they haven't all been like hits,
• 36:05
  Speaker 2: okay the bangers. Some of them have been real flops. Okay, However,
• 36:09
  Speaker 2: she's taken some big swings at the bat and I
• 36:12
  Speaker 2: appreciate that. So you know, I agree the the sash
• 36:18
  Speaker 2: and the painting and what else is that? It already? Okay? Well?
• 36:23
  Speaker 3: Who well Joellen did the painting, Kelsey Joe wait, Joellen
• 36:28
  Speaker 3: did the slam pig painting? Yeah? Because oh I did
• 36:32
  Speaker 3: a gorgeous California.
• 36:33
  Speaker 2: Sun Sorry, oh I have that. I had that mixed up.
• 36:36
  Speaker 2: I had that mess. Okay, okay, yeah, the gorgeous California sunset.
• 36:41
  Speaker 2: She's a really good artist. That was impressive.
• 36:45
  Speaker 3: Yeah, Kelsey should do face painting. I'm finding out this
• 36:49
  Speaker 3: fucking racket for kids face painting one hundred bucks an
• 36:53
  Speaker 3: hour in LA to face paint?
• 36:55
  Speaker 2: Wow? What is it in your neck of the woods?
• 36:59
  Speaker 3: Let us know? Sound off in the comments. How cheap
• 37:03
  Speaker 3: can I get a face painter for? Yeah, we had
• 37:06
  Speaker 3: a party party situation that's happening this weekend fare canceled.
• 37:13
  Speaker 3: We don't want a deal and then we're paying these
• 37:19
  Speaker 3: LA rates. Baby.
• 37:21
  Speaker 2: Now listen, if you're up in Santa Clarita, I could
• 37:24
  Speaker 2: get you a great deal on a face painter.
• 37:26
  Speaker 3: You know what I mean.
• 37:28
  Speaker 2: Happened? I called you, I'm kidding, I don't know one,
• 37:34
  Speaker 2: and I said, can't help you? Just can't help you.
• 37:37
  Speaker 3: Yeah, Amy, I have a I have a question. Do
• 37:42
  Speaker 3: you think we're going so hard on Joe Ellen because
• 37:44
  Speaker 3: we're terrified of Liz?
• 37:46
  Speaker 2: Yeah? I do, yeah, Jesus here here, it's it's totally Joellen. No,
• 37:52
  Speaker 2: this is just defending herself.
• 37:55
  Speaker 3: Okay, I just want to make sure.
• 37:59
  Speaker 2: Any So what else is going on? Yeah?
• 38:06
  Speaker 3: How about Rula.
• 38:08
  Speaker 2: La La? Rula La.
• 38:11
  Speaker 3: She's ready to align with Liz so that she can
• 38:16
  Speaker 3: take down Joeellen, and then all of a sudden, her
• 38:19
  Speaker 3: husband and her are wonderful.
• 38:21
  Speaker 2: I'm fine with that. I liked that meeting that they
• 38:24
  Speaker 2: had because Joellen, I'm sorry. Now she's putting her name
• 38:28
  Speaker 2: in my mouth. I'm starting to get possessed. Rula was like, oh, well,
• 38:37
  Speaker 2: welcome to my world. Now you see what I see?
• 38:40
  Speaker 2: Oh Rula. She doesn't know about the video, Emily.
• 38:44
  Speaker 3: Still poor Alicia.
• 38:46
  Speaker 2: No, but did you see the preview for next week?
• 38:49
  Speaker 3: Yeah? They gave that task to somebody else. They were like,
• 38:52
  Speaker 3: the producers like, sorry, Alicia, we gave you so many chances.
• 38:55
  Speaker 3: You have gone through forty nine thousand buckses of crack
• 39:00
  Speaker 3: and you still haven't done it.
• 39:01
  Speaker 2: Still can't tell her. She's like hold on, Wade, I
• 39:04
  Speaker 2: have an idea. I'm gonna get my dolls to tell her.
• 39:07
  Speaker 2: All right, I'm gonna have this gorgeous, gorgeous Brats doll.
• 39:11
  Speaker 2: This one has a lot of detail, it's not intimidating.
• 39:14
  Speaker 2: It's got a lot of love in its eyes. In fact,
• 39:16
  Speaker 2: it's got hearts inside of its eyes, and it's got
• 39:18
  Speaker 2: gorgeous purple lashes, and it has I Love You as
• 39:24
  Speaker 2: a T shirt dress, which is gorgeous. And then you
• 39:26
  Speaker 2: can see that the high thigh high boots on this doll,
• 39:30
  Speaker 2: and you know what Rula loves thy high.
• 39:32
  Speaker 3: We packed up, We packed up. We can't over time
• 39:35
  Speaker 3: with guys.
• 39:36
  Speaker 2: Sure, I ended stup going, damn, do you want some
• 39:39
  Speaker 2: crackers to go? Please have? Oh my god, would you
• 39:45
  Speaker 2: die if there was a confessional with one of the
• 39:48
  Speaker 2: Brats dolls, just two of them, two of them. I
• 39:53
  Speaker 2: thought I was gonna tell Rula. I thought I was
• 39:55
  Speaker 2: going to tell Rula, and then we thought we were
• 39:58
  Speaker 2: both going to do it together.
• 39:59
  Speaker 3: And yeah, it would be interesting to see if the
• 40:05
  Speaker 3: voices that Alicia gives the dolls and all that, I
• 40:09
  Speaker 3: do you want to see this happen.
• 40:11
  Speaker 2: It's not going to be any different. It's literally going
• 40:13
  Speaker 2: to be like this is Jasmine, Say hello, Jasmine, Hello.
• 40:18
  Speaker 2: And I called this one sweetheart, say hi, sweetheart Hello.
• 40:24
  Speaker 2: See they've got such distinct personalities.
• 40:31
  Speaker 3: It's both he low, it's not even high as she instructed.
• 40:40
  Speaker 2: Okay, oh boy, well let's see. Is there anything else
• 40:45
  Speaker 2: that we want to Kelsey and Bill? Oh, Kelsey and
• 40:48
  Speaker 2: Bill had a workout moment, and they've officially said that
• 40:53
  Speaker 2: they are official. Yeah, I have no they have been forever.
• 40:58
  Speaker 3: So yeah, I don't want him to talk her out
• 41:01
  Speaker 3: of free insurance. I'm like, let her have that insurance, dude,
• 41:05
  Speaker 3: what are you doing?
• 41:05
  Speaker 2: I mean, also, like the brain tumor thing and getting
• 41:08
  Speaker 2: out of the MRIs. That's expensive, so take it. You know,
• 41:11
  Speaker 2: he's too young to understand. Is someone's gonna have for
• 41:14
  Speaker 2: use your insurance? Ave you dig it?
• 41:17
  Speaker 3: Yeah? And according to Joellmen in the after show, Bill
• 41:19
  Speaker 3: has a ton of money, which I'm not saying that
• 41:23
  Speaker 3: he should start supporting Kelsey. I'm just saying, like, hey,
• 41:27
  Speaker 3: let her keep this insurance, like she needs this.
• 41:29
  Speaker 2: She needs it. She's like I got that brain thing,
• 41:32
  Speaker 2: you know, I'm like, what the fuck? What twenty fifteen?
• 41:37
  Speaker 2: You know that's so wild. Mm hmm. All right. Then
• 41:40
  Speaker 2: we headed over to Audrey's and they're trying out something new.
• 41:45
  Speaker 2: They're doing like a Schwartz and Sandy situation. They want
• 41:48
  Speaker 2: Audrey's to have a little nightlife, a little Vanda bumb rules,
• 41:51
  Speaker 2: little cocktail.
• 41:53
  Speaker 3: I mean, if they had a liquor license that whole time,
• 41:56
  Speaker 3: what were they doing. I need to know that they
• 41:58
  Speaker 3: didn't have that liquor licen And so the whole time.
• 42:01
  Speaker 2: Do they have a liquor license?
• 42:02
  Speaker 3: Do they say that, well, they're making drinks, they're making cocktails.
• 42:07
  Speaker 2: No, But I was wondering if like they were just
• 42:09
  Speaker 2: getting prepared to have a liquor license. But I think
• 42:11
  Speaker 2: you're right. They had to have had it or else
• 42:13
  Speaker 2: they wouldn't take the chance of like pouring liquor in
• 42:16
  Speaker 2: that building on camera.
• 42:18
  Speaker 3: The their slogan I thought was like from coffee to
• 42:22
  Speaker 3: cocktails or something like that. So they need to live
• 42:27
  Speaker 3: in their slogan. But if it's just dawning on them, now,
• 42:32
  Speaker 3: my slogan, they can slogan Jared. Yeah, I'm gonna hope
• 42:42
  Speaker 3: that that wasn't just something they thought of. It's they
• 42:45
  Speaker 3: had to have just gotten that liquor license.
• 42:47
  Speaker 2: Okay, smart, Now we can have some after hours at
• 42:51
  Speaker 2: Audrey's and Jared can work even harder. Good stuff. Yeah,
• 42:55
  Speaker 2: I love that She's like, I have these you know,
• 42:56
  Speaker 2: the great ideas. Let's start doing cocktails, stop working so much.
• 43:00
  Speaker 2: You came up with a god deals idea.
• 43:04
  Speaker 3: Well, they are doing much better. I do know that
• 43:08
  Speaker 3: they did talk about that. Audrey's is now Yeah, now
• 43:11
  Speaker 3: they're doing really well.
• 43:13
  Speaker 2: Great. Yeah, it's amazing what a being on a hit
• 43:17
  Speaker 2: show like The Real Housewives can do for your business
• 43:20
  Speaker 2: that's already up and running.
• 43:23
  Speaker 3: Yes, thank you, and that Bravo doesn't get a piece
• 43:26
  Speaker 3: of I wonder if it's already up and running, it's already.
• 43:33
  Speaker 2: That's the clause. Carve that out, carve it out, carve
• 43:36
  Speaker 2: it out, baby, you.
• 43:37
  Speaker 3: Have the option to, because Rinda talked about that too, remember, yeah,
• 43:42
  Speaker 3: she carved it out.
• 43:43
  Speaker 2: And then I think there was like Bethany worked out
• 43:45
  Speaker 2: some sort of deal. Remember it was a Bethany clause
• 43:49
  Speaker 2: or whatever.
• 43:50
  Speaker 3: Yeah, I don't and.
• 43:52
  Speaker 2: I think that's what it is.
• 43:54
  Speaker 3: Yeah, I think that is. I think I think she
• 43:56
  Speaker 3: got to keep all a skinny girl. And that's when
• 43:59
  Speaker 3: Bravo's like whoa, whoa, whoa. We're gonna have a piece
• 44:03
  Speaker 3: of everybody's Angela Hokley fan money, your little handheld fans.
• 44:09
  Speaker 3: We're gonna get a piece of that.
• 44:12
  Speaker 2: Clink clink, clink. Those are quarters falling savage. Okay, speaking
• 44:20
  Speaker 2: of let's head on over to Atlanta.
• 44:23
  Speaker 3: Lovely.
• 44:28
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• 48:13
  Speaker 2: what I really enjoyed being at Shamia's movie panel. I
• 48:17
  Speaker 2: would have liked to have seen a clip of the movie.
• 48:20
  Speaker 2: Did we see a clip?
• 48:22
  Speaker 3: I don't think so, clip clip.
• 48:24
  Speaker 2: I wanted to see her like making out with this guy,
• 48:26
  Speaker 2: but I'm sure that they that Gerald wouldn't have wanted that.
• 48:30
  Speaker 2: But yeah, like Bravo should have done that.
• 48:35
  Speaker 3: Yeah I didn't. I thought that was a little like
• 48:38
  Speaker 3: they couldn't get permission to show it.
• 48:40
  Speaker 2: I was just it might not be done yet.
• 48:43
  Speaker 3: Oh, probably not.
• 48:46
  Speaker 2: But you know what, I was so confused. I was like,
• 48:48
  Speaker 2: it says Shamilla's movie panel. I was like, Oh, does
• 48:51
  Speaker 2: she have like a YouTube channel where she talks about
• 48:53
  Speaker 2: movies and it's like Ciskel and Ebert and it's like
• 48:56
  Speaker 2: Shamia and her friends? Okay, where this come from? This
• 49:00
  Speaker 2: whole time, I'm like, why does she have a movie panel?
• 49:03
  Speaker 2: Why don't I know about this? And what movie is
• 49:05
  Speaker 2: she talking about? I guess they don't have the rights
• 49:07
  Speaker 2: to talk about the movie. I was so confused. Yeah,
• 49:11
  Speaker 2: until later when we found out about the intimacy scene.
• 49:17
  Speaker 3: Gerald hates all of this. He hates filming. He doesn't
• 49:21
  Speaker 3: want to go to the doctor's appointments and be filmed.
• 49:24
  Speaker 3: He doesn't want her being filmed. Shmia being filmed, She doesn't.
• 49:28
  Speaker 3: He hates filming altogether. He hates film, doesn't.
• 49:31
  Speaker 2: Hates film, and he doesn't want to be on film.
• 49:35
  Speaker 2: He hates modern film.
• 49:39
  Speaker 3: Loves plays and musical, hates film and television.
• 49:45
  Speaker 2: Well, that would be a better bet for Shamia because
• 49:48
  Speaker 2: you can't really get too far with intimacy on a
• 49:51
  Speaker 2: stage that's true. Poor Gerald. I hate that he had
• 49:55
  Speaker 2: to watch his wife and feel that pain. I just
• 49:59
  Speaker 2: feel I do feel bad for him.
• 50:01
  Speaker 3: You are doing a bit.
• 50:03
  Speaker 2: No, I kind of feel bad for Gerald. He didn't
• 50:06
  Speaker 2: what what he's not? He doesn't he can't handle this life.
• 50:10
  Speaker 3: La Okay, she said, maybe he didn't sign up for it.
• 50:14
  Speaker 2: But right what if she's like a great actor. Oh okay,
• 50:21
  Speaker 2: I think we would have known by now. But maybe
• 50:27
  Speaker 2: maybe she is somewhere, you know, I don't we well.
• 50:31
  Speaker 3: We don't know. We have to see it because she
• 50:35
  Speaker 3: is not acting on the Housewives of Atlanta.
• 50:38
  Speaker 2: That's true. She's acting up. No, she's acting up and
• 50:42
  Speaker 2: she's leaning into her genuine character, which they all should
• 50:45
  Speaker 2: be doing. But no, she's definitely not acting. And by
• 50:49
  Speaker 2: the way, next like whenever this happens in the season,
• 50:52
  Speaker 2: I am so devastated at what's coming. I have to
• 50:56
  Speaker 2: tell I just have to talk about it right now
• 50:58
  Speaker 2: Poorsha and Shamiah. And when they start talking about their
• 51:01
  Speaker 2: mothers and insulting each other's mothers, Yeah, I am just
• 51:09
  Speaker 2: struck to my core, so disheartened, so disappointed, and so sad.
• 51:15
  Speaker 3: Well, I guess we're gonna have to wait to see.
• 51:18
  Speaker 2: No, I'm not going to watch that week. Oh really,
• 51:22
  Speaker 2: I won't do it.
• 51:23
  Speaker 3: What if it was like Monica and Joe Ellen talking
• 51:26
  Speaker 3: about bashing those moms?
• 51:29
  Speaker 2: Yeah, that's fine. I don't know them that well and
• 51:31
  Speaker 2: I don't know their mothers, but I know Porscha's mom
• 51:34
  Speaker 2: really well. I love Miss Diane.
• 51:36
  Speaker 3: We love yes, we love Miss Diane.
• 51:38
  Speaker 2: And I can't imagine, like what And Porsha and Shamia
• 51:43
  Speaker 2: have known each other for so long and to see
• 51:47
  Speaker 2: that their relationship is here and it's unraveling. It's been
• 51:51
  Speaker 2: unraveling on TV now. Obviously something happened a long time
• 51:55
  Speaker 2: ago between Porscha's mom and Shamia's mom. We know that. Yeah,
• 51:58
  Speaker 2: and they've done, I think a pretty good job at
• 52:01
  Speaker 2: not speaking on their mother's and that all goes out
• 52:04
  Speaker 2: the window and that's just really disappointing. But yikes, I
• 52:07
  Speaker 2: hope I hope it takes place at Shimia's movie panel.
• 52:10
  Speaker 2: That's all I have to say. In those director's chairs. So,
• 52:18
  Speaker 2: oh my god, is it Pinky's Babydella? That was like
• 52:25
  Speaker 2: turning for and she came in with a birthday hot
• 52:28
  Speaker 2: singing the ABC's.
• 52:30
  Speaker 3: Yeah that was nice.
• 52:31
  Speaker 2: I was huge, She's gonna cry over how cute that was.
• 52:34
  Speaker 2: I cannot believe how cute that was. Probably one of
• 52:37
  Speaker 2: the cutest moments I think we've seen of kids on
• 52:40
  Speaker 2: The Housewives that and then of course when Milania was
• 52:44
  Speaker 2: just beating the shit out of Gea. You know, that
• 52:47
  Speaker 2: was sweet. That was real sweet. And then of course
• 52:50
  Speaker 2: mister President in the backseat like I'll always see your baby.
• 52:54
  Speaker 2: Those are the three, you know that always stick with
• 52:56
  Speaker 2: me when it comes to kids.
• 52:58
  Speaker 3: Yeah, and now just Nia's kid staring in the camera.
• 53:02
  Speaker 2: Oh god, Adelaide, Yes, you're right, jeez.
• 53:06
  Speaker 3: There's a lot of them. There's a lot of good
• 53:08
  Speaker 3: cute kid moments. You know. For as harsh as I
• 53:11
  Speaker 3: am for the at home family scenes when nothing happens
• 53:16
  Speaker 3: and feels staged, when they're like when they hit, they
• 53:20
  Speaker 3: hit hard, you know what I mean, they're really good sometimes.
• 53:25
  Speaker 2: I know, if we didn't have that camera in Phadra's
• 53:28
  Speaker 2: car on that first day of him going to kindergarten,
• 53:30
  Speaker 2: oh my god, Oh my god, I mean, can we
• 53:34
  Speaker 2: talk about Phaeder for a second. This, this lady reiki
• 53:39
  Speaker 2: master playing a flute, sitting and meditating, has come a
• 53:45
  Speaker 2: very long way. From wearing that donkey booty outfit which
• 53:49
  Speaker 2: we saw flashback of in this episode. I am blown away,
• 53:55
  Speaker 2: blown away, Well.
• 53:57
  Speaker 3: It's better than being blown out like the air mattresses
• 54:00
  Speaker 3: she used instead of full floats.
• 54:03
  Speaker 2: Is that what those were?
• 54:05
  Speaker 3: Yes?
• 54:06
  Speaker 2: No, oh my god, right, those.
• 54:09
  Speaker 3: Are all air mattresses.
• 54:11
  Speaker 2: That makes sense. I mean it doesn't make sense that
• 54:14
  Speaker 2: you put them in the water.
• 54:15
  Speaker 3: They're not waterproof.
• 54:16
  Speaker 2: Okay, that was hilarious when it's.
• 54:20
  Speaker 3: Like some of those are motorized inflatable mattresses, so.
• 54:25
  Speaker 2: That they probably all are. I can't believe that. I
• 54:29
  Speaker 2: did not clock that at all.
• 54:31
  Speaker 3: I did. I was like, what are they gonna do?
• 54:33
  Speaker 3: Oh okay, oh my god.
• 54:36
  Speaker 2: So you were like, oh, they're going in you saw
• 54:40
  Speaker 2: it from a mile away?
• 54:42
  Speaker 3: Well, I honestly, when I saw them, I was like,
• 54:47
  Speaker 3: this is a good idea. Because I saw the thin
• 54:50
  Speaker 3: ones that you I was like, oh, the fuzzy tops,
• 54:52
  Speaker 3: and I was like, oh, I bet that's you know,
• 54:55
  Speaker 3: it won't get hot, like the sun won't. And I'm
• 54:57
  Speaker 3: talking about daytime, like yeah, who And then I was like,
• 55:00
  Speaker 3: wait a second, those are motorized inflatable mattresses. This isn't
• 55:06
  Speaker 3: gonna work. And the seams are not waterproof.
• 55:10
  Speaker 2: This isn't gonna do. This did not pass Emily's inspection
• 55:14
  Speaker 2: for water approved equipment. And then you've got these two
• 55:18
  Speaker 2: guys in the pool who don't know what to do.
• 55:21
  Speaker 2: I'm like, aiden other guy, lift her up and pull
• 55:24
  Speaker 2: her out of the pool. She's gonna sink. She's sinking.
• 55:28
  Speaker 2: I was like, this woman is on the Titanic at Phaedra's.
• 55:30
  Speaker 2: We gotta get her out of there. It's terrifying. Oh
• 55:34
  Speaker 2: my god, but her, Oh my god, Phaedra. I just
• 55:38
  Speaker 2: cannot believe what we saw. Could you believe what we
• 55:41
  Speaker 2: were looking? At the Healing Waters event? Phaedra in like
• 55:46
  Speaker 2: a kaftan playing a flute.
• 55:48
  Speaker 3: I mean, it was bizarre and bizarre to me, but.
• 55:51
  Speaker 2: I just didn't see it coming. I just didn't see
• 55:53
  Speaker 2: it coming. Oh okay, good, I just want to make
• 55:55
  Speaker 2: sure that we didn't. We both didn't see that.
• 55:58
  Speaker 3: No, it was wild, it was it was I mean,
• 56:02
  Speaker 3: I like I loved how wild it got.
• 56:04
  Speaker 2: It was. Yeah, yeah, me too. I just could not
• 56:08
  Speaker 2: believe it because like this gal was just on traders,
• 56:10
  Speaker 2: you know, and then now this whole time, like she's
• 56:14
  Speaker 2: just in her backyard hosting healing Waters events, like, what
• 56:18
  Speaker 2: what's happened? Well?
• 56:19
  Speaker 3: I was like, oh, I wonder if all that time
• 56:21
  Speaker 3: that she couldn't use her phone and was locked in
• 56:23
  Speaker 3: that hotel room in Scotland, if that's when she was
• 56:27
  Speaker 3: like I'm going to learn the flute, right, and that's
• 56:31
  Speaker 3: what she was doing over there, right?
• 56:32
  Speaker 2: And reiki? Yeah, but I would have liked to have
• 56:36
  Speaker 2: seen her do reiki. She said she's a reiki master.
• 56:40
  Speaker 2: Does that just mean that she's yeah, because like you'd
• 56:47
  Speaker 2: have to put your hands on someone in order to
• 56:50
  Speaker 2: like be trained in the art or therapy of reiki, right,
• 56:55
  Speaker 2: Like it's like a massage and pushing energy.
• 56:59
  Speaker 3: Isn't it like an energy?
• 57:00
  Speaker 2: Think?
• 57:00
  Speaker 3: You know what? I'm okay to not see it, like.
• 57:04
  Speaker 2: I would have liked the proof.
• 57:06
  Speaker 3: I would have, sure, but what is the I mean,
• 57:11
  Speaker 3: no offense.
• 57:12
  Speaker 2: She would just stand behind Shemiah and be like healing.
• 57:19
  Speaker 2: Everybody knows that you're healing.
• 57:22
  Speaker 3: Has a very soothing energy about her, So I'm already like, ah, okay.
• 57:30
  Speaker 2: You're like she was already a reiki master in your eyes?
• 57:33
  Speaker 3: Is what?
• 57:33
  Speaker 2: Sure? Well, I was going to be behind the desk
• 57:37
  Speaker 2: and doing some law in another week or so, we're
• 57:40
  Speaker 2: going to see her back behind that desk, which I
• 57:42
  Speaker 2: would have you haven't seen that in a long time.
• 57:45
  Speaker 3: I wouldn't mind seeing her as a mortician. Honestly, I'm
• 57:48
  Speaker 3: so curious about that side of her. She talked, we
• 57:50
  Speaker 3: hear about it all the time, and I'm so curious
• 57:53
  Speaker 3: about it.
• 57:54
  Speaker 2: She has to be one of the most interesting housewives
• 57:58
  Speaker 2: of them all. I would say it is Phaedra and
• 58:02
  Speaker 2: the Countess Luanne who I think are the most intriguing
• 58:06
  Speaker 2: with their journeys. I mean, look at what Fedra is
• 58:09
  Speaker 2: doing and what.
• 58:11
  Speaker 3: She's just done that she signed. She just does everything
• 58:15
  Speaker 3: I know and like, and not just like everything, like
• 58:18
  Speaker 3: kind of things that you need a lot of, like
• 58:21
  Speaker 3: education and certifications.
• 58:23
  Speaker 2: Right there are a lot of certifications. You're just like
• 58:25
  Speaker 2: sitting there and someone's like, oh, man, I wish my
• 58:28
  Speaker 2: divorce was final. I just signed the papers, but they
• 58:31
  Speaker 2: need to be notarized. She's like, everybody knows, I'm a
• 58:33
  Speaker 2: notary public sign sigence science, sign scigence science. Thank you, Phedra.
• 58:39
  Speaker 2: She just does everything. Oh when she was like grass
• 58:43
  Speaker 2: fed when someone's like, ooh, this this seems organic, and
• 58:46
  Speaker 2: didn't did she say range free, grass fed meat. That's
• 58:50
  Speaker 2: what I heard. Range free, like free, not like free
• 58:54
  Speaker 2: of the range, not not free range.
• 58:57
  Speaker 3: She said it to Pinky. I don't know did she
• 59:00
  Speaker 3: say that.
• 59:01
  Speaker 2: She said range free, so that means that they're locked up, right,
• 59:07
  Speaker 2: she sent it backwards. I just thought it was funny.
• 59:09
  Speaker 2: I know what she meant, but it just made me laugh.
• 59:13
  Speaker 2: But that was interesting. Now here we have this K Michelle.
• 59:20
  Speaker 2: You know when Drew said you don't belong. I mean,
• 59:25
  Speaker 2: as much as that's a harsh ass thing to say
• 59:29
  Speaker 2: to somebody, what I heard is you don't belong in
• 59:33
  Speaker 2: the Housewives, because that's what this show is. And you
• 59:35
  Speaker 2: are nitpicking every little thing. And we can't get past
• 59:39
  Speaker 2: Baltic Avenue with you pulling up things that are ridiculous.
• 59:44
  Speaker 2: So I'm a little bit annoyed with K Michelle. What
• 59:47
  Speaker 2: are your thoughts, Emilie.
• 59:48
  Speaker 3: If K Michelle was not doing that, I don't know
• 59:52
  Speaker 3: what the season would be. Yeah, but we have to
• 59:54
  Speaker 3: see Dewey well, yeah, because let me tell you what
• 1:00:00
  Speaker 3: Shell was not biting. When Portioner had the come to
• 1:00:04
  Speaker 3: Jesus luncheon planned by Cynthia and Pinky and Porsche's needing
• 1:00:08
  Speaker 3: a big old bowl of oysters. Ca Michelle did not
• 1:00:13
  Speaker 3: take the bait.
• 1:00:14
  Speaker 2: Yeah, and now we keep flashing back to that scene
• 1:00:16
  Speaker 2: when she didn't take the bait over and over again.
• 1:00:20
  Speaker 2: Stop showing that I like oysters and you're making them
• 1:00:22
  Speaker 2: look disgusting.
• 1:00:24
  Speaker 3: So I don't know. I just think Ca Michelle, it's
• 1:00:28
  Speaker 3: a learning curve. I don't even think she's doing it intentionally.
• 1:00:31
  Speaker 3: I think she's actually like shocked. Yes, there, I got
• 1:00:35
  Speaker 3: there all the time.
• 1:00:36
  Speaker 2: I do agree with you. I think she genuinely is
• 1:00:41
  Speaker 2: like startled and doesn't understand, and that's why she's nitpicking,
• 1:00:46
  Speaker 2: which you would normally do in real life. But what's
• 1:00:49
  Speaker 2: fired is that it's it's a Housewives show, and so
• 1:00:53
  Speaker 2: to do that on the Housewives at this point is
• 1:00:55
  Speaker 2: just so odd. And I think they're all like, all right,
• 1:00:58
  Speaker 2: what are you doing? Like we're trying to gain momentum here,
• 1:01:01
  Speaker 2: and but.
• 1:01:02
  Speaker 3: Are they because I feel like, if she's not doing it,
• 1:01:05
  Speaker 3: then I see Angela over there full out producing. Right.
• 1:01:10
  Speaker 2: No, that's that scene with Shemiah and Angela. They were
• 1:01:14
  Speaker 2: both they both put it out there like as far
• 1:01:17
  Speaker 2: as you know, making a little heavier than it needed
• 1:01:20
  Speaker 2: to be yeah when although I loved it when Shamia left,
• 1:01:25
  Speaker 2: she was just like she like she's throwing out taglines.
• 1:01:29
  Speaker 2: She's just like eating up the scene. And I was like, Okay,
• 1:01:32
  Speaker 2: that kind of was funny. But they they just don't
• 1:01:36
  Speaker 2: have an like Angela and Shimiya don't have enough there
• 1:01:40
  Speaker 2: to your point about what would be happening, and Shamia
• 1:01:43
  Speaker 2: being like, well, use your discernment to help you sell
• 1:01:45
  Speaker 2: some houses, and Angela's like you, you're telling people, I
• 1:01:49
  Speaker 2: stir things up. It's so little. They're trying to like
• 1:01:53
  Speaker 2: feed on this tiny little, you know, morsel, and it's
• 1:01:57
  Speaker 2: just nothing there. So they kind of they're trying. At
• 1:01:59
  Speaker 2: least Angela is kind of trying. I don't know, I
• 1:02:02
  Speaker 2: don't know what to make of it.
• 1:02:03
  Speaker 3: But I just don't know where to land with Angela
• 1:02:06
  Speaker 3: because she is like going so hard in a pushing
• 1:02:09
  Speaker 3: kind of way, whereas I feel like kay Michelle is
• 1:02:12
  Speaker 3: playing defense and to me, I guess I can get
• 1:02:16
  Speaker 3: myself into that easier.
• 1:02:18
  Speaker 2: No, they're both, they're both not Look if we're going
• 1:02:21
  Speaker 2: to choose one or the other, one or the other, Yes,
• 1:02:23
  Speaker 2: I agree, ky Michelle is way more interesting because it's
• 1:02:26
  Speaker 2: pushing a storyline more authentically. But it's also just so
• 1:02:32
  Speaker 2: strange that she seems so taken aback by what's happening.
• 1:02:37
  Speaker 3: Yeah, because she's like, what is hip hop this.
• 1:02:42
  Speaker 2: Whole Let's just cut to the boyfriend thing that she
• 1:02:46
  Speaker 2: was seeing. The last person that she was dating publicly. Okay,
• 1:02:51
  Speaker 2: that was a real point. That was the last person
• 1:02:54
  Speaker 2: I was dating publicly publicly. And I was like, Okay, okay,
• 1:02:58
  Speaker 2: we get it. You're famous, we got we got it,
• 1:03:00
  Speaker 2: we got it okay publicly blah blah blah. Why Porsha
• 1:03:04
  Speaker 2: when she dated him didn't even know her? Why was
• 1:03:08
  Speaker 2: it so important to her that Porsha didn't tell her
• 1:03:12
  Speaker 2: that they dated? That to me is really absurd.
• 1:03:15
  Speaker 3: See I got it? What? Yeah? Oh my gosh, it's
• 1:03:19
  Speaker 3: so funny because I thought we would, I I that's interesting.
• 1:03:24
  Speaker 3: I thought you would have gotten it, gosh, Amy, I
• 1:03:27
  Speaker 3: thought that you would have gotten it. I thought that
• 1:03:29
  Speaker 3: you were like a bigger heart, a smarter person.
• 1:03:32
  Speaker 2: Oh god, oh lord.
• 1:03:37
  Speaker 3: I'm t because we've talked about in the past, like
• 1:03:41
  Speaker 3: how I'm like, hey, it's once you're done with somebody,
• 1:03:43
  Speaker 3: I don't give a shit who you date. It's not
• 1:03:45
  Speaker 3: But like and you have said no, I would be
• 1:03:49
  Speaker 3: I would feel jilted or whatever if I don't. Right,
• 1:03:52
  Speaker 3: So in this situation, I did think, like, because they
• 1:03:58
  Speaker 3: are public facing, and because like Porscha may be bringing
• 1:04:02
  Speaker 3: this person on camera whatever. And Porscha's so sensitive about
• 1:04:06
  Speaker 3: x'es on camera so much so that clearly she's filming
• 1:04:09
  Speaker 3: with Dennis, so he doesn't go film with anybody else
• 1:04:11
  Speaker 3: on the show.
• 1:04:11
  Speaker 2: But Porscha isn't dating him currently.
• 1:04:13
  Speaker 3: I know she's not, but I'm saying, at to ky
• 1:04:16
  Speaker 3: Michelle's point, Hey, we're both public facing on the same show,
• 1:04:21
  Speaker 3: and you might be dating somebody that I'm you might
• 1:04:23
  Speaker 3: be running around or with somebody that I was with.
• 1:04:26
  Speaker 3: Can you give me a heads up? I think that's
• 1:04:28
  Speaker 3: what and I know that they are together now, but
• 1:04:31
  Speaker 3: I couldn't get a beat on the timeline of when
• 1:04:33
  Speaker 3: Porsha was with him.
• 1:04:34
  Speaker 2: I couldn't get an understanding of that too, But it
• 1:04:36
  Speaker 2: seemed like it was a long enough time ago to
• 1:04:40
  Speaker 2: where I mean, clearly Porsche she is, you know, she's
• 1:04:43
  Speaker 2: been on a lot of dates. She's like forgotten about it,
• 1:04:45
  Speaker 2: so she's like, what are you talking about? So to
• 1:04:47
  Speaker 2: her it's nothing, but also, Kay, Michelle is married, and
• 1:04:52
  Speaker 2: I mean, I understand what you're saying to some degree,
• 1:04:56
  Speaker 2: I just still don't. I'm a little hung up on that.
• 1:05:00
  Speaker 2: So I just thought that was a little bit of
• 1:05:02
  Speaker 2: another thing that she had a problem with. That was
• 1:05:06
  Speaker 2: like again, but I could get wrong. She could be
• 1:05:09
  Speaker 2: being set up many times over by several people, or
• 1:05:14
  Speaker 2: these are tiny little setups or accidental situations that she
• 1:05:19
  Speaker 2: just keeps getting the heat because she has an interesting life,
• 1:05:23
  Speaker 2: she's been around interesting people. She's more compelling than everybody else,
• 1:05:27
  Speaker 2: and so honestly, when a new person comes on The Housewives,
• 1:05:30
  Speaker 2: that's the type of energy that goes towards that person.
• 1:05:34
  Speaker 2: Everyone's energy goes towards that person because they're gonna be
• 1:05:38
  Speaker 2: like a magnet to move a story or ask questions
• 1:05:42
  Speaker 2: and then something will come up. So she seems to
• 1:05:46
  Speaker 2: have a lot of I don't wanna say trigger points
• 1:05:49
  Speaker 2: because that's the wrong word, but a lot of maybe
• 1:05:53
  Speaker 2: boundaries that I think are unrealistic for being on this
• 1:05:56
  Speaker 2: type of show in terms of being like a regular
• 1:05:59
  Speaker 2: she wants to be ty'd like a regular person, and
• 1:06:01
  Speaker 2: it's just like not going to happen. So I guess
• 1:06:03
  Speaker 2: That's where I'm having an issue because I'm like, what
• 1:06:05
  Speaker 2: is your shelf life going to be on this show
• 1:06:09
  Speaker 2: if you like can't handle these little things? And I
• 1:06:11
  Speaker 2: think the ladies are getting real tired of it.
• 1:06:14
  Speaker 3: Well, it's also like we don't have anybody. I mean,
• 1:06:18
  Speaker 3: maybe we do operating on like in secrecy with like
• 1:06:23
  Speaker 3: the things that they don't want on camera. Like for
• 1:06:26
  Speaker 3: the most part, these this cast is pretty out there.
• 1:06:29
  Speaker 3: Like Pinky and Kelly are talking about their financial issues.
• 1:06:33
  Speaker 3: It's not like they those are going to get exposed.
• 1:06:36
  Speaker 2: They've exposed them right right, so they're already they've they've
• 1:06:40
  Speaker 2: gotten ahead of it, so it's not gonna come back
• 1:06:42
  Speaker 2: to buy them.
• 1:06:43
  Speaker 3: That's I think Angela's kind of sugarcoating some of the
• 1:06:47
  Speaker 3: housing stuff.
• 1:06:48
  Speaker 2: Maybe yes, And she's pushing hard because she needs this show.
• 1:06:52
  Speaker 2: I mean, Kelly and Pinky need it too. So at
• 1:06:55
  Speaker 2: the end, when they're at the table, Portia and ky
• 1:06:58
  Speaker 2: Michelle were arguing, Kelly jumps in and she has something
• 1:07:02
  Speaker 2: to say to Porsha and she gets really upset at her,
• 1:07:05
  Speaker 2: and Porsha's yelling at at her, putting her finger she's
• 1:07:10
  Speaker 2: pointing at her in her face and then Kelly puts
• 1:07:12
  Speaker 2: her glass once twice, three times.
• 1:07:15
  Speaker 3: Like didn't I like, and I don't think that Porsha
• 1:07:19
  Speaker 3: was wrong. Actually Kelly was. She was fully jumping into
• 1:07:23
  Speaker 3: something that nobody was looking for her.
• 1:07:27
  Speaker 2: Oh man, was I upset because I actually I actually
• 1:07:31
  Speaker 2: did not see Porscha's finger and so I when I like,
• 1:07:34
  Speaker 2: at first, I was like, oh my god, Kelly, what
• 1:07:36
  Speaker 2: are you doing putting your glass in her face like
• 1:07:38
  Speaker 2: that so many times? And then I was rewinding it,
• 1:07:42
  Speaker 2: and then I saw that Porscha did she put her
• 1:07:45
  Speaker 2: finger in her in her face first, and she did
• 1:07:48
  Speaker 2: it like twice, and I was like, oh, well shit, Oh.
• 1:07:51
  Speaker 3: I didn't see. I didn't clock that either.
• 1:07:53
  Speaker 2: That's the I know. I didn't either. So that's a problem. See,
• 1:07:58
  Speaker 2: the second you put someone's thing, something anything in anyone's
• 1:08:02
  Speaker 2: face like that is that to me, it's almost just
• 1:08:05
  Speaker 2: like on their body when you are that close to them.
• 1:08:08
  Speaker 3: And that was so, but Porscha didn't and Kelly like through.
• 1:08:13
  Speaker 3: Kelly was like she got right in the middle.
• 1:08:16
  Speaker 2: I know why, right, She just has such an axe
• 1:08:19
  Speaker 2: to grind with Porscha. It's so ridiculous.
• 1:08:23
  Speaker 3: I think she's just swinging for like status.
• 1:08:27
  Speaker 2: M because she we're abilitizing with her, like rampathizing with
• 1:08:32
  Speaker 2: this divorce and like yeah, the child support all this
• 1:08:35
  Speaker 2: stuff and she can't film with her kids dah da da.
• 1:08:38
  Speaker 2: And then the next thing, you know, she just like
• 1:08:40
  Speaker 2: winds up and just jumps into something unnecessarily. I'm like, well,
• 1:08:45
  Speaker 2: there you go, not really feeling it anymore.
• 1:08:48
  Speaker 3: Yeah, it's like I think Kelly knows that she goes
• 1:08:52
  Speaker 3: for Porsche, She's going to have an air time, so
• 1:08:55
  Speaker 3: she's going.
• 1:08:56
  Speaker 2: To go for Porsia.
• 1:08:56
  Speaker 3: It's kind of a waste of time. Who's she going
• 1:08:58
  Speaker 3: to go for?
• 1:09:01
  Speaker 2: Like Angela? Angela would love it. Wait, well, Porsia now
• 1:09:06
  Speaker 2: has taken the lid off of whatever this rumor is
• 1:09:09
  Speaker 2: and that Kelly has had an affair with a pastor
• 1:09:13
  Speaker 2: on an airplane allegedly allegedly thank you.
• 1:09:17
  Speaker 3: Yeah.
• 1:09:18
  Speaker 2: So, you know, at first, I thought that Porscha was
• 1:09:21
  Speaker 2: making this up to like show Kelly like I can
• 1:09:24
  Speaker 2: do that too. I can make up rumors out of
• 1:09:25
  Speaker 2: thin air and people will believe it, watch me do it.
• 1:09:29
  Speaker 2: I honestly thought that she made that up. Now I'm like, oh,
• 1:09:33
  Speaker 2: is this true? Because she was really emphatic about it.
• 1:09:37
  Speaker 3: It seems like we're the last to know. The audience
• 1:09:40
  Speaker 3: is the one, like, yes, I think that allegedly this
• 1:09:44
  Speaker 3: may have happened.
• 1:09:45
  Speaker 2: Wow, intense, right, and you'd think, like, why would Kelly
• 1:09:49
  Speaker 2: want to keep at her if she has this information
• 1:09:51
  Speaker 2: and she could use it against her.
• 1:09:53
  Speaker 3: I think whoever this preacher was maybe didn't maybe told
• 1:09:57
  Speaker 3: Kelly that his marriage was over m m allegedly, So
• 1:10:02
  Speaker 3: that's why.
• 1:10:03
  Speaker 2: That's what she shut. The airplane door closed from unoccupied
• 1:10:08
  Speaker 2: too occupied.
• 1:10:10
  Speaker 3: Well, I think it's a private jet, so I think
• 1:10:13
  Speaker 3: they had a lot of space.
• 1:10:15
  Speaker 2: And so taking that jet for a spin around the
• 1:10:19
  Speaker 2: country to preach the word of the Lord.
• 1:10:21
  Speaker 3: Jesus loves a private jet PJ Jesus and Laala. Yeah.
• 1:10:28
  Speaker 3: I think that that's where she's hanging her hat in
• 1:10:33
  Speaker 3: terms of like, I didn't like she didn't know that
• 1:10:37
  Speaker 3: the marriage was still happening.
• 1:10:40
  Speaker 2: We'll say, right, Okay, one more thing, how did you
• 1:10:43
  Speaker 2: like the really beautiful audition of Drew's meeting with her
• 1:10:48
  Speaker 2: team and that audition for her own spin off?
• 1:10:51
  Speaker 3: Honestly, I'd watch that. I don't need Drew on the show.
• 1:10:54
  Speaker 3: I just need the team.
• 1:10:56
  Speaker 2: The team was awesome and Drew, he's a good actor.
• 1:11:01
  Speaker 2: She was really good in that scene. Yeah she was,
• 1:11:05
  Speaker 2: because she was acting. She was acting, and I agree.
• 1:11:09
  Speaker 2: I was like, she's good, She's freaking really good. So
• 1:11:12
  Speaker 2: good on you, Drew.
• 1:11:13
  Speaker 3: That team is expensive, she do?
• 1:11:18
  Speaker 2: Why is she?
• 1:11:19
  Speaker 3: Why?
• 1:11:19
  Speaker 2: Why you don't need that team? Everybody knows, and now
• 1:11:22
  Speaker 2: you've got a new manager, and I'm sorry, everybody knows.
• 1:11:26
  Speaker 2: She just needs reiki from Vedra and I love that.
• 1:11:29
  Speaker 2: She's like, I can't perform. I can't perform because Freedom
• 1:11:34
  Speaker 2: is fighting with my stylist and I just can't perform
• 1:11:38
  Speaker 2: like this. I'm like, where are you performing this much?
• 1:11:40
  Speaker 2: Like I don't understand, And she's like, I just need
• 1:11:44
  Speaker 2: to figure out who needs to go and who needs
• 1:11:47
  Speaker 2: to stay. She looks like a camera like next week
• 1:11:52
  Speaker 2: on Drew's team. She's fighting so hard for that anyway.
• 1:11:58
  Speaker 2: All right, listen you guys, let's get to our own
• 1:12:01
  Speaker 2: healing party, and thank you for joining us this fabulous
• 1:12:06
  Speaker 2: day in gorgeous California and wherever you are, thanks for listening.
• 1:12:12
  Speaker 2: Bye guys, Bye MS.
• 1:12:14
  Speaker 1: Bye Drama, Darling Drama, Darling Drama, Darling