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One Piece, 834 & 835 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an unspoiled network podcast. This is spoil Me
• 0:09
  Speaker 1: covering One Piece, just the One Piece episodes eight thirty
• 0:20
  Speaker 1: four through eight thirty five. I almost said the wrong ones.
• 0:24
  Speaker 1: The mission failed. The Big Mom Pirates strike back and
• 0:29
  Speaker 1: run Sanji sos Germa sixty six sixty six forget how
• 0:36
  Speaker 1: you guys like to say it. In these episodes, being
• 0:41
  Speaker 1: Mom does not have the reaction everybody was expecting. But
• 0:45
  Speaker 1: don't worry. It's just that she's overstimulated and I think
• 0:47
  Speaker 1: a lot of us can relate to that. Welcome to
• 0:52
  Speaker 1: spoil Me, Welcome to the show everyone. I am Natasha.
• 1:13
  Speaker 1: Thank you very much to Florian for commissioning this episode.
• 1:18
  Speaker 1: Double six Saraphi, thank you, thank you. And Florian is
• 1:25
  Speaker 1: mentioning some things in the chat that I'll mention here.
• 1:27
  Speaker 1: I will be transitioning to covering everything on the lives
• 1:33
  Speaker 1: on Patreon Live. I will not be using crowdcast starting
• 1:37
  Speaker 1: next year, and the next episode of One Piece isn't
• 1:39
  Speaker 1: until next year, So the very next One Piece Live
• 1:43
  Speaker 1: will be on Patreon. If you would like to come
• 1:46
  Speaker 1: and watch it, you just have to become a free
• 1:49
  Speaker 1: level Patreon member. You don't have to pay any money.
• 1:52
  Speaker 1: You just need to register as a member and that's it.
• 1:56
  Speaker 1: And I won't be having the events posted months ahead
• 2:00
  Speaker 1: the way that they are on crowdcast. It will be
• 2:03
  Speaker 1: that the events for the week will be posted Monday
• 2:07
  Speaker 1: to start the week off, and thus it will be
• 2:12
  Speaker 1: a little bit easier to keep track of and it
• 2:14
  Speaker 1: will also be a little bit easier on candae because
• 2:17
  Speaker 1: in the past, if things were changed, it resulted in
• 2:21
  Speaker 1: having to go back and change like twenty other events
• 2:25
  Speaker 1: that were upcoming because there was a domino effect and
• 2:28
  Speaker 1: everything had already been scheduled. But if we're only posting
• 2:32
  Speaker 1: the week that we do the events, it will be
• 2:34
  Speaker 1: a lot easier to like handle changes in that sort
• 2:36
  Speaker 1: of thing. Florian says, I have to say these two
• 2:40
  Speaker 1: are slow, but the next three episodes go so well
• 2:42
  Speaker 1: together and I can't wait for that. Well, that's awesome.
• 2:45
  Speaker 1: I'm excited. I will say, you know, these episodes aren't
• 2:49
  Speaker 1: that slow to me. I actually found myself really engaged throughout.
• 2:54
  Speaker 1: I was a little bit surprised at the fact that,
• 2:58
  Speaker 1: like Big Mom doesn't quite have the reaction we expect,
• 3:02
  Speaker 1: but I also feel like there being a little bit
• 3:06
  Speaker 1: of confusion and us milling around figuring out what happens
• 3:10
  Speaker 1: is totally okay, and I can't be mad whenever we
• 3:17
  Speaker 1: get a little bit more opportunity for Brooke to just
• 3:21
  Speaker 1: show boat, because he is my just kind of like
• 3:27
  Speaker 1: soulmate in terms a soul kingmate in terms of his
• 3:33
  Speaker 1: entire lack of seriousness in any given situation. It is
• 3:38
  Speaker 1: so fucking great, guys. I'm just gonna say right now
• 3:43
  Speaker 1: that his delivery again it just this voice actor. I
• 3:49
  Speaker 1: need to find out what else he's in. I just
• 3:52
  Speaker 1: go watch those things, and I'm sure that you know
• 3:55
  Speaker 1: it's a big part of why this is so great
• 3:58
  Speaker 1: is simply because it's the character choices he's making for
• 4:03
  Speaker 1: Brookes specifically, and that maybe this wouldn't be the kind
• 4:07
  Speaker 1: of delivery that he would do for any other character
• 4:10
  Speaker 1: he's the voice actor for. But he just has such
• 4:13
  Speaker 1: great comedic timing. I can't help but think that would
• 4:15
  Speaker 1: translate to a lot of characters. And y'all, there are
• 4:19
  Speaker 1: two points in these episodes, one of them where the
• 4:23
  Speaker 1: guys are like yelling that he ripped his own face off,
• 4:25
  Speaker 1: and He's like, no, guys, this is just my face.
• 4:29
  Speaker 1: And then the dudes yell like, oh my god, he's
• 4:31
  Speaker 1: so creepy, and he just goes, oh no, like I'm
• 4:37
  Speaker 1: not even doing it justice, and then he winds up
• 4:42
  Speaker 1: getting his head popped off and his head rolls up
• 4:44
  Speaker 1: next to Louviy, and Lufy's like, all right, Brooke, are
• 4:48
  Speaker 1: you all right? Yeah, I'm all right, Well I'm dead.
• 4:54
  Speaker 1: How are you doing? I fucking lost my shit, guys,
• 5:01
  Speaker 1: I don't know. That wasn't even that funny a ligne,
• 5:04
  Speaker 1: but the how are you doing? Is? It was just
• 5:08
  Speaker 1: so unexpected and such a non sequitur, and so weirdly
• 5:13
  Speaker 1: the choice of the way he like decided to say it.
• 5:17
  Speaker 1: It was all It caught me completely off guard, and
• 5:21
  Speaker 1: I just I fell apart laughing. I was cracking up.
• 5:24
  Speaker 1: It was so funny to me. I know that I
• 5:28
  Speaker 1: spend so many episodes just literally like trying to repeat
• 5:32
  Speaker 1: brooklines word for word with the same like delivery and
• 5:36
  Speaker 1: probably not doing it very well. But I can't apologize
• 5:40
  Speaker 1: for it because it's so fucking good. It's so good,
• 5:45
  Speaker 1: you know, Oh my god, I just ugh, so okay.
• 5:50
  Speaker 1: If only he didn't just ask to see panties all
• 5:52
  Speaker 1: the time, he would be like number one character with
• 5:56
  Speaker 1: no reservations whatsoever. But that panty thing just really that
• 6:01
  Speaker 1: just really cuts it off for me, and it has
• 6:03
  Speaker 1: to be Chopper. So reminder that the end of the
• 6:08
  Speaker 1: last section, we had Brooke in his weird little disguise
• 6:14
  Speaker 1: looking like a a loofy marionette kind of breaking Big
• 6:21
  Speaker 1: Mom's mother's portrait with a hammer, and you know, Big
• 6:28
  Speaker 1: Mom sees it, and she does indeed freak out, but
• 6:32
  Speaker 1: it isn't the type of freak out they were expecting
• 6:35
  Speaker 1: because they were waiting for a scream. There is this
• 6:40
  Speaker 1: fabled sort of scream that causes everybody to get laid
• 6:44
  Speaker 1: the fuck out, which is part of what we prepared
• 6:47
  Speaker 1: for with the ear plugs, and you know, just YadA YadA.
• 6:51
  Speaker 1: So when she doesn't react that way, there's this weird
• 6:56
  Speaker 1: sort of dead space where people have to fit figure
• 7:00
  Speaker 1: out what we're gonna do now that all hell is
• 7:02
  Speaker 1: breaking loose and we don't have her scream to sort
• 7:08
  Speaker 1: of signal the start of the next part of the plan.
• 7:11
  Speaker 1: You know, I also want to mention that Beggi he
• 7:16
  Speaker 1: in particular, you know, he was depending on this going
• 7:18
  Speaker 1: a certain way, and he's watching this and says like
• 7:23
  Speaker 1: just gotta wait one second and before like for her
• 7:27
  Speaker 1: to blow her wig I think is the way that
• 7:29
  Speaker 1: he says it. And I I listen to this podcast
• 7:38
  Speaker 1: called The Complete Guide to Everything, which I have mentioned before,
• 7:42
  Speaker 1: I think and I have there's a one particular episode
• 7:48
  Speaker 1: where this guy is trying to say like that she's
• 7:51
  Speaker 1: going to become really surprised, and he says she's gonna
• 7:55
  Speaker 1: get her wig blown off, And they eventually interrogate that
• 7:59
  Speaker 1: particular way of saying things and realize, oh, he's sort
• 8:05
  Speaker 1: of conflating she's going to be blown away with she's
• 8:10
  Speaker 1: going to get her hair or like whatever blows your
• 8:12
  Speaker 1: hair back, and they come to the conclusion that like
• 8:18
  Speaker 1: blow her wig off isn't a thing. It's just not
• 8:23
  Speaker 1: like actually an idiom. So when Beji says here it
• 8:29
  Speaker 1: like she's gonna blow her wig off, I was like,
• 8:31
  Speaker 1: oh shit, is it an idiom? Were we wrong about
• 8:34
  Speaker 1: all of that before? Like I genuinely am curious what
• 8:39
  Speaker 1: you guys all think, because I I, it's not familiar
• 8:45
  Speaker 1: to me. I don't remember it, you know. But it
• 8:49
  Speaker 1: could also just be that that's like part of the
• 8:51
  Speaker 1: translation thing as well. So I just don't know that one,
• 8:59
  Speaker 1: So let's see the reaction of being mom too. We
• 9:06
  Speaker 1: have like a I'm gonna jump ahead here a little bit.
• 9:09
  Speaker 1: I think it's fine. We find out eventually that Big
• 9:16
  Speaker 1: Mom got abandoned by her mother, and it's sort of
• 9:23
  Speaker 1: weird because like we don't really see the details of it,
• 9:28
  Speaker 1: and there's a sense in the way that her mother
• 9:31
  Speaker 1: waves goodbye that kind of points to the fact that
• 9:35
  Speaker 1: maybe she didn't abandon her daughter, that perhaps it wasn't
• 9:40
  Speaker 1: on purpose, that she did intend to come back to her.
• 9:43
  Speaker 1: There's just this sort of weird I'm not sure how
• 9:49
  Speaker 1: exactly to describe it, but it just feels as if
• 9:53
  Speaker 1: the mom just walked out on me sort of narrative.
• 9:58
  Speaker 1: Isn't really what was going on there, and it suggested
• 10:03
  Speaker 1: that there is a kind of like remaining trauma that
• 10:07
  Speaker 1: Big Mom is still coping with regarding being abandoned or
• 10:10
  Speaker 1: at least just not knowing where her mother is. And
• 10:13
  Speaker 1: she says something as well, like, uh, will you listen?
• 10:17
  Speaker 1: Nobody ever wants to listen to what I have to say,
• 10:22
  Speaker 1: which I am really curious what exactly would constitute to
• 10:28
  Speaker 1: her people wanting to listen to what she has to say.
• 10:31
  Speaker 1: Because like, from where I'm sitting, it certainly appears that
• 10:35
  Speaker 1: Big Mom gets exactly her way in everything and that
• 10:40
  Speaker 1: everybody listens to everything that she has to say. But uh,
• 10:45
  Speaker 1: you know, it's one thing for maybe people to like
• 10:48
  Speaker 1: obey your orders, and it's another thing for people to
• 10:50
  Speaker 1: really understand you. And so perhaps that's what it is,
• 10:55
  Speaker 1: is that she's feeling like lonely because nobody really understands
• 11:00
  Speaker 1: her vision or I don't know, but uh, this is
• 11:06
  Speaker 1: not like creating any sympathy for me with Big Mom exactly.
• 11:12
  Speaker 1: It may I'm not discounting that possibility entirely, but just saying,
• 11:17
  Speaker 1: for right now, you know, her mom walked out. It's
• 11:21
  Speaker 1: very sad, But also there are many people whose parents
• 11:24
  Speaker 1: walk out and they don't become absolute psychos, so, you
• 11:27
  Speaker 1: know whatever, But I am curious to learn more about
• 11:35
  Speaker 1: that and find out is her mother actually still alive
• 11:38
  Speaker 1: and out there somewhere. If Big Mom were to get
• 11:43
  Speaker 1: reunited with her mother, would it change anything for her
• 11:47
  Speaker 1: in terms of the way that she chooses to operate
• 11:49
  Speaker 1: or would she just keep on going the way she's
• 11:52
  Speaker 1: been going. Like I Uh, it's not that I dislike
• 11:59
  Speaker 1: the idea that big mom's personality might undergo a shift
• 12:04
  Speaker 1: so much as like sometimes that can be really easy
• 12:08
  Speaker 1: as a as a motivator for It's almost like a
• 12:14
  Speaker 1: dios ex machinat kind of thing, you know. But at
• 12:18
  Speaker 1: the same time, within like the ecosystem of one piece,
• 12:24
  Speaker 1: I think that I would be more willing to accept
• 12:27
  Speaker 1: that than I would with a lot of properties. I
• 12:30
  Speaker 1: think I would be willing to give some grace on that.
• 12:33
  Speaker 1: So yeah, curious about it, definitely, But I just wanted
• 12:38
  Speaker 1: to mention that it's not exactly giving her an excuse
• 12:45
  Speaker 1: this backstory so much as just giving us a little
• 12:48
  Speaker 1: bit of potential insight into like what it is that
• 12:54
  Speaker 1: is like her trauma in her past. So the like
• 13:04
  Speaker 1: what we wind up having to do because she sort
• 13:06
  Speaker 1: of loses track, I guess is the best way to
• 13:10
  Speaker 1: say it, of the fact that her mother's portrait was destroyed.
• 13:15
  Speaker 1: She winds up like they have to kind of regroup
• 13:20
  Speaker 1: and get her to see the broken portrait again later,
• 13:27
  Speaker 1: and that becomes like Loofy's mission is to pick it
• 13:30
  Speaker 1: up and hold it in front of her so that
• 13:32
  Speaker 1: she can't miss it and has to face it, you know.
• 13:35
  Speaker 1: I Okay, I mean just a sort of a weird
• 13:42
  Speaker 1: little glitch to throw into things. But it's okay, it's fine. So,
• 13:49
  Speaker 1: as I said, because she doesn't start screaming right away,
• 13:52
  Speaker 1: there turns out to be a lot more fighting immediately
• 13:56
  Speaker 1: than they had been expecting, because they thought her scream
• 13:59
  Speaker 1: would wind up laying out everyone so that the straw
• 14:04
  Speaker 1: hats could simply move into phase two of their plan.
• 14:06
  Speaker 1: And since that's not happening, we have all kinds of
• 14:10
  Speaker 1: straw not stra big mom pirates deciding it's time to
• 14:14
  Speaker 1: take Lufy out before he scuffers this entire red wedding
• 14:20
  Speaker 1: scenario and makes it so that none of this works,
• 14:23
  Speaker 1: because then she'll flip out even worse. In the meantime.
• 14:28
  Speaker 1: I should mention too, that all of the fake Louvi's
• 14:32
  Speaker 1: that are actually animals that have been transformed to look
• 14:36
  Speaker 1: like Loufy. They're just out there like assaulting wedding guests
• 14:43
  Speaker 1: and stuff. And I have got to say that was very,
• 14:50
  Speaker 1: very very funny to me. I think I just expected that, like, okay, well,
• 14:55
  Speaker 1: that part of the plan is over and so these
• 14:59
  Speaker 1: like reachers will be disabled somehow. I don't think I
• 15:04
  Speaker 1: thought through at all how that would even work because
• 15:08
  Speaker 1: we see that rule. She's got a whole other thing
• 15:11
  Speaker 1: going on with Caesar, so it's not like she's watching
• 15:14
  Speaker 1: this and judging when the time is right to like
• 15:17
  Speaker 1: kind of turn her spell off. And as far as
• 15:20
  Speaker 1: how the spell is even turned off, I don't know how.
• 15:26
  Speaker 1: There's just a kind of chaos with the fact that
• 15:32
  Speaker 1: they are still out there and doing whatever they're going
• 15:36
  Speaker 1: to do without that really having been part of Lufy's plan.
• 15:41
  Speaker 1: He wanted them all to like make enough of a
• 15:46
  Speaker 1: distraction so that he could jump out and it be
• 15:48
  Speaker 1: like a fun entrance, but clearly did not think beyond
• 15:54
  Speaker 1: that at all. So none of what's going on is
• 15:58
  Speaker 1: part of his plan. I'm assuming it's all just sort
• 16:00
  Speaker 1: of like circumstantial, and if it winds up hurting them,
• 16:03
  Speaker 1: then hurting them being the big mom pirates great, but
• 16:07
  Speaker 1: it might not. It might backfire on the straw hats,
• 16:10
  Speaker 1: and you know that won't be awesome if that happens.
• 16:13
  Speaker 1: So this is when Judge is like talking to what's
• 16:22
  Speaker 1: the lickety guy he always pero sparrow paro spress bio.
• 16:29
  Speaker 1: I don't know how you say that, but you know
• 16:32
  Speaker 1: the guy he does all of the tongue puns he is.
• 16:36
  Speaker 1: The Judge's telling him like, clearly shit's about to go left,
• 16:42
  Speaker 1: get us our weapons, and we will be able to
• 16:46
  Speaker 1: help you take care of this straw hat problem. And
• 16:51
  Speaker 1: he's like, yeah, you know what, we're good, We're fine.
• 16:57
  Speaker 1: We don't actually need help from you. Just kick back,
• 17:01
  Speaker 1: loosen up a little bit, and let us handle the
• 17:05
  Speaker 1: whole situation. Don't you worry your pretty little head about
• 17:09
  Speaker 1: it is like what it comes down to, really, And
• 17:12
  Speaker 1: you can see Judge being sort of like he can
• 17:18
  Speaker 1: smell something's not right, but he can't put his finger
• 17:22
  Speaker 1: on it. And later on, when it's revealed just how
• 17:26
  Speaker 1: deep this whole betrayal is gonna go, he's like, even
• 17:31
  Speaker 1: criminals have a fucking code of ethics. You're really gonna
• 17:35
  Speaker 1: do this, Like it's almost surprising to me how surprising
• 17:45
  Speaker 1: this is to him? Almost I actually I do accept it,
• 17:50
  Speaker 1: but I don't mean it's surprising in terms of like
• 17:53
  Speaker 1: the writing. I mean, this is what people can be like,
• 17:59
  Speaker 1: you know, where they're just the most absolute bastard like
• 18:06
  Speaker 1: backstabbing asshole who has no feelings for anybody, but they
• 18:12
  Speaker 1: have their own kind of code in their mind, and
• 18:17
  Speaker 1: they can be horrible to people and still be adhering
• 18:21
  Speaker 1: to their own code as far as they see it.
• 18:25
  Speaker 1: And so when something goes in a very different direction,
• 18:30
  Speaker 1: they're genuinely taken off guard by it because this isn't
• 18:34
  Speaker 1: the type of betrayal that they think is acceptable, because
• 18:38
  Speaker 1: there is a type, there is a level to which okay,
• 18:43
  Speaker 1: you know, all's fair, and this violates that. And it's
• 18:47
  Speaker 1: just this arbitrary line in the sand that they have
• 18:50
  Speaker 1: in their own mind, and they haven't actually like gotten
• 18:54
  Speaker 1: other people to sign on the dotted line regarding this
• 18:58
  Speaker 1: arbitrary line. Nobody else necessarily agrees with them about it.
• 19:03
  Speaker 1: They just think, well, we can all say that this
• 19:07
  Speaker 1: goes too far, right, No, we can't, and why would we,
• 19:12
  Speaker 1: because you are despicable and so of course nobody really
• 19:17
  Speaker 1: feels like they need to like keep their word to
• 19:21
  Speaker 1: you or honor anything regarding you and you. It's the
• 19:26
  Speaker 1: very like trite sort of lay down with dogs and
• 19:30
  Speaker 1: you're gonna get fleas whatever it was, So sorry, Sarah instance,
• 19:37
  Speaker 1: this is one piece Everyone has trauma backstories, but not
• 19:39
  Speaker 1: everyone becomes an asshole because of it, exactly exactly, so
• 19:44
  Speaker 1: we have this whole thing that like winds up happening
• 19:47
  Speaker 1: with Judge. I'm just gonna sort of finish up talking
• 19:51
  Speaker 1: about what's happening with him, because not a lot really
• 19:57
  Speaker 1: changes in these two episodes regarding the situation with him
• 20:02
  Speaker 1: and his children. They're pretty much they stay where we
• 20:05
  Speaker 1: have left them, and I don't expect any change is
• 20:10
  Speaker 1: there until Soanji is able to like do whatever it
• 20:13
  Speaker 1: is he's going to try and do. But what Judge
• 20:20
  Speaker 1: is experiencing is a really weird thing because he's sitting
• 20:24
  Speaker 1: there and they all wind up getting trapped seated at
• 20:28
  Speaker 1: this table in candy and it's like, you know, some
• 20:32
  Speaker 1: kind of special type of weaponized rock candy that they
• 20:37
  Speaker 1: can't break out of. There's no way to escape it,
• 20:40
  Speaker 1: and so they just have to sit and like the
• 20:46
  Speaker 1: way that it is described by Pero Sparrow whatever his
• 20:50
  Speaker 1: name is, he says that you're basically going to sit
• 20:54
  Speaker 1: here and die in this spot, tears and all. So
• 21:00
  Speaker 1: they will sit there and starve to death, you know,
• 21:04
  Speaker 1: which I will say, in practice, this is unlikely. It's
• 21:09
  Speaker 1: probable that if everything else were to be handled and
• 21:13
  Speaker 1: they were still trapped, they would just be killed by somebody,
• 21:17
  Speaker 1: you know, somebody would put a bullet through their heads
• 21:20
  Speaker 1: or torture them to death or whatever. But for now,
• 21:24
  Speaker 1: it doesn't seem that the the orders are explicitly to
• 21:32
  Speaker 1: kill them, which if you stop and think about it,
• 21:35
  Speaker 1: is sort of weird. This is the only like speed
• 21:41
  Speaker 1: bump for me. It's not even really a problem in
• 21:45
  Speaker 1: quotes for me, I'm, I'm it's totally fine, actually, But
• 21:51
  Speaker 1: I do want to point out that had the whole
• 21:54
  Speaker 1: plan been we're going to murder all of German Double
• 21:59
  Speaker 1: six because you know, we want their property and whatnot,
• 22:06
  Speaker 1: it appears to me that the wedding was successful and complete.
• 22:13
  Speaker 1: It seems that Sanji Inpudding are actually married. I may
• 22:17
  Speaker 1: be wrong about that, and you know, probably you guys
• 22:21
  Speaker 1: can't really tell me if I am right or wrong
• 22:23
  Speaker 1: on that. I don't know if that's like a spoiler,
• 22:26
  Speaker 1: But so far as I saw, the entire ceremony was
• 22:31
  Speaker 1: carried out. So if that is so, murdering all of
• 22:38
  Speaker 1: Jerma double six right now makes total sense, they should
• 22:44
  Speaker 1: just go ahead and do it. And the argument like
• 22:49
  Speaker 1: that I'm making here is not because this is not
• 22:52
  Speaker 1: what's the word I want. The writing includes a character
• 22:59
  Speaker 1: yelling at Parosparo, being like, what are you fucking waiting for?
• 23:05
  Speaker 1: Would you just get on with it and kill them? Dude?
• 23:07
  Speaker 1: Why are you still sitting there with him alive? So
• 23:11
  Speaker 1: this is not really an issue with the overall writing,
• 23:16
  Speaker 1: because he is aware as he's writing it that making
• 23:21
  Speaker 1: sure they are all dead is what would make the
• 23:24
  Speaker 1: most sense. I just can't figure out what it is
• 23:28
  Speaker 1: that Parisparo wants to keep them alive for he seems
• 23:32
  Speaker 1: to be like enjoying it is. Maybe all it is
• 23:36
  Speaker 1: is that it's like a kind of bulle thing for
• 23:39
  Speaker 1: him that he is getting off on just sort of
• 23:44
  Speaker 1: taunting them, I suppose. And I don't hate that as
• 23:51
  Speaker 1: a motivator, to be clear, because there are a lot
• 23:53
  Speaker 1: of people out there who are like that. You know.
• 23:56
  Speaker 1: It's more that for me, if that were his motive,
• 24:00
  Speaker 1: I would wish to have gotten to know him a
• 24:03
  Speaker 1: little bit better and to have reached this point with
• 24:08
  Speaker 1: the awareness that there is some sort of like particular
• 24:12
  Speaker 1: beef between him and Jerma that makes him want to
• 24:17
  Speaker 1: cause Judge to suffer. I don't want it to just
• 24:21
  Speaker 1: be ah, you know, he just sort of likes like now,
• 24:25
  Speaker 1: I would like a little bit more of a very
• 24:28
  Speaker 1: specific this is the history between the two of them,
• 24:32
  Speaker 1: or there was some insult earlier that he is still
• 24:35
  Speaker 1: sore over, or you know, just just something a little
• 24:39
  Speaker 1: bit more specific that would make this whole thing hang
• 24:44
  Speaker 1: together a bit more. Ah, what's the word? I want
• 24:50
  Speaker 1: that it would be a little bit clearer. Otherwise it
• 24:55
  Speaker 1: just sort of feels convenient for the plot, even with
• 25:01
  Speaker 1: a character written into everything who is urging him to
• 25:05
  Speaker 1: get it over with and kill them. Even so, it
• 25:08
  Speaker 1: still does feel very convenient. So just wanted to address
• 25:13
  Speaker 1: that and what happens, and because I keep getting sort
• 25:20
  Speaker 1: of sidetracked regarding Judge. But as he realizes that he
• 25:25
  Speaker 1: is being betrayed, he really is kind of losing his shit,
• 25:32
  Speaker 1: and he starts yelling at big Mom, like how could
• 25:36
  Speaker 1: you do this? Answer me? And obviously she is she
• 25:43
  Speaker 1: is busy, she is busy having a total breakdown and
• 25:47
  Speaker 1: is not here for any sort of chat right now.
• 25:51
  Speaker 1: So he is not getting the answers that he would
• 25:54
  Speaker 1: want and will not be getting them. There's nothing she
• 25:58
  Speaker 1: could say that would be adequate for him anyway. And
• 26:01
  Speaker 1: he keeps saying, how I've worked my whole life to
• 26:05
  Speaker 1: make Germa double six what it is? I like, how
• 26:09
  Speaker 1: could you do this? Honor amongst thieves, etc. Et cetera
• 26:12
  Speaker 1: kind of vibes, and eventually everybody around them begins to
• 26:19
  Speaker 1: mock him for crying, and he says something about how
• 26:24
  Speaker 1: if I had just been able to wear my raid suit,
• 26:26
  Speaker 1: we'd be the ones laughing at you right now. And
• 26:29
  Speaker 1: I'm like, yeah, well that's why they took it like
• 26:35
  Speaker 1: he just he says something. It's it's anytime somebody is like,
• 26:40
  Speaker 1: if only such and such, then such and such, and
• 26:42
  Speaker 1: I'm always like, that is the most absolutely useless thought
• 26:46
  Speaker 1: exercise most of the time, every now and then, every
• 26:50
  Speaker 1: very now and then, that there is a sort of
• 26:53
  Speaker 1: well if only this, then that, and perhaps we can
• 26:57
  Speaker 1: still make that happen. You know, you can find it
• 26:59
  Speaker 1: a point where thinking that way might actually ultimately be
• 27:03
  Speaker 1: sort of helpful, But for the most part it's just
• 27:07
  Speaker 1: a waste of time and energy and everybody's attention. And
• 27:13
  Speaker 1: there's a really funny clip from some like British morning show.
• 27:18
  Speaker 1: It's the equivalent of like Good Morning America looked like
• 27:21
  Speaker 1: where a chef came on and he made this lovely
• 27:24
  Speaker 1: like sauce with pasta and they taste it, and one
• 27:28
  Speaker 1: of the hosts says, if you just had a bit
• 27:31
  Speaker 1: of bacon in that, it would be like a carbonara.
• 27:35
  Speaker 1: And the chef looks at this woman and says, yeah,
• 27:38
  Speaker 1: and if my mother, my grandmother had wheels, she'd be
• 27:41
  Speaker 1: a bike. What's your point? And her and the other
• 27:46
  Speaker 1: host just like double over laughing, because, like, I think
• 27:50
  Speaker 1: they realized fair enough that the inanity of that comment
• 27:53
  Speaker 1: deserved to be called out. But that was sort of
• 27:55
  Speaker 1: how I felt with this, was just sort of why
• 27:57
  Speaker 1: what do you why? Yeah, yeah, this wouldn't happen had
• 28:01
  Speaker 1: you been armed, which is why they disarmed. You shut up.
• 28:05
  Speaker 1: And also the other thing that's happening here is that
• 28:09
  Speaker 1: his sons are not reacting at all the way that
• 28:15
  Speaker 1: he wants them to react. They are simply they are
• 28:22
  Speaker 1: accepting what is going on with the kind of equanimity
• 28:32
  Speaker 1: of people who either do not fully understand the consequences
• 28:38
  Speaker 1: of what is happening or who do not give a
• 28:43
  Speaker 1: shit about the consequences. They understand them, but they don't care.
• 28:48
  Speaker 1: And it leads to this interesting thing with you know,
• 28:52
  Speaker 1: Sonji's sister is watching this being because her father is bewildered.
• 28:58
  Speaker 1: He's looking at his sons, who are are actually kind
• 29:01
  Speaker 1: of laughing, and they're going, Wow, we really are just
• 29:06
  Speaker 1: sitting ducks. We let them Luris in here without weapons.
• 29:12
  Speaker 1: That was a pretty solid setup. I can't believe that
• 29:15
  Speaker 1: we fell for that. But they really got us, didn't they.
• 29:19
  Speaker 1: And there's this sort of distance to the way they're
• 29:21
  Speaker 1: talking about it, as if they were watching a TV
• 29:24
  Speaker 1: show and commenting on like this trap being sprung on
• 29:29
  Speaker 1: other characters, you know, and their father's looking at them
• 29:33
  Speaker 1: and actually says something like, what is wrong with you?
• 29:37
  Speaker 1: And I'm like, what do you mean? What is wrong? Oh, sir?
• 29:41
  Speaker 1: You built them like this? What are you? And then
• 29:46
  Speaker 1: when we are with like we're in Sanji's sister's head
• 29:49
  Speaker 1: because she doesn't say this out loud despite what her
• 29:54
  Speaker 1: audio says, because her audio says something like, I hate
• 29:58
  Speaker 1: to say it, father, but you made them like this.
• 30:02
  Speaker 1: And I found it kind of funny because she's saying
• 30:04
  Speaker 1: I hate to say it, but she's not saying it.
• 30:07
  Speaker 1: This is all in her head and she's just you know,
• 30:10
  Speaker 1: reflecting on this, but not actually telling him to his face, Hey,
• 30:15
  Speaker 1: this is your fault. Actually, I don't know why you're surprised,
• 30:21
  Speaker 1: And it just was really really funny to me that
• 30:26
  Speaker 1: he is genuinely baffled at their behavior and their reaction.
• 30:32
  Speaker 1: It's just, I mean, I really don't know what kind
• 30:39
  Speaker 1: of disconnect you have from your own creation that you
• 30:42
  Speaker 1: watch them kill people and have no reaction, and you
• 30:46
  Speaker 1: watch them beat the shit out of one another and
• 30:48
  Speaker 1: bully their little brother, and it never occurs to you
• 30:53
  Speaker 1: ever that this could bounce back at you. Of course
• 30:56
  Speaker 1: it doesn't, because this is a leopards aren't supposed to
• 30:59
  Speaker 1: eat my face situation. So that's you know, all of
• 31:08
  Speaker 1: this is going on, and his sister is sort of
• 31:12
  Speaker 1: like dispassionately watching as the trap closes in and still
• 31:19
  Speaker 1: is thinking the thing that she was before, of like
• 31:21
  Speaker 1: this the world's better off and they got us fair
• 31:25
  Speaker 1: and square, and oh well, just sort of allowing this
• 31:29
  Speaker 1: to happen and not really on any level trying to
• 31:33
  Speaker 1: resist what's going on here. But then she sees Sanjy
• 31:40
  Speaker 1: coming back for them, and I'm kind of jumping ahead
• 31:42
  Speaker 1: here because there's a whole thing with Sonji and putting.
• 31:45
  Speaker 1: I will double back and talk about that. But when
• 31:48
  Speaker 1: she sees Sanji coming towards them, she has a moment
• 31:52
  Speaker 1: of just, oh, I really underestimated you. I thought for
• 31:58
  Speaker 1: sure that you would just let us sink after everything
• 32:03
  Speaker 1: that we've done to you and the way that you've
• 32:05
  Speaker 1: been treated. I was so sure. And you have proven
• 32:10
  Speaker 1: that at least one person in our family is decent
• 32:15
  Speaker 1: and has a conscience, and she's actually genuinely moved by it,
• 32:20
  Speaker 1: it seems like, which I liked. I thought that was
• 32:22
  Speaker 1: sort of sweet, just because it would be understandable if
• 32:31
  Speaker 1: her only reaction was sort of like, ah, dude, I
• 32:35
  Speaker 1: told you to get out of here, what are you doing?
• 32:37
  Speaker 1: But she's not. She's like, I don't think this is
• 32:40
  Speaker 1: a good idea. But part of why I'm willing to
• 32:44
  Speaker 1: accept all of this is just a fatalistic acceptance that
• 32:48
  Speaker 1: our whole family is garbage and you're proving me wrong.
• 32:52
  Speaker 1: And I needed that. I needed that to not really
• 32:56
  Speaker 1: be fully true, and I liked it. I just thought
• 32:59
  Speaker 1: that was like a nice moment. I feel bad for her,
• 33:04
  Speaker 1: like in a very particular kind of way, where it's
• 33:09
  Speaker 1: more I don't feel bad for her, like she doesn't
• 33:15
  Speaker 1: deserve any of this, because I wouldn't go so far
• 33:19
  Speaker 1: as to say that I don't think she deserves it
• 33:23
  Speaker 1: obviously as much as the rest of her family, and
• 33:26
  Speaker 1: I feel like that's a fair statement, you know, But
• 33:31
  Speaker 1: there there is the possibility that maybe there's more that
• 33:37
  Speaker 1: she could have done at other points in her life.
• 33:39
  Speaker 1: I don't know, but the way that she's sort of
• 33:44
  Speaker 1: beaten down by everything and has this real belief in
• 33:50
  Speaker 1: her that the world's better off without us, and that
• 33:56
  Speaker 1: you know, we just have brought so much pain on
• 33:59
  Speaker 1: so many people and would continue to do so that
• 34:03
  Speaker 1: it's it's just not a great loss if they succeed.
• 34:09
  Speaker 1: That's a pretty dire point of view to have, you know,
• 34:15
  Speaker 1: And it's genuinely sad. It's a bummer. So I want
• 34:22
  Speaker 1: Sanji to rescue her. Like, just to be clear, I
• 34:28
  Speaker 1: am not over here saying that she doesn't deserve to
• 34:32
  Speaker 1: be rescued or that, Like, it's just I have very
• 34:39
  Speaker 1: mixed feelings about her, because there's a sense of her
• 34:43
  Speaker 1: sort of throwing her hands up regarding the whole thing
• 34:47
  Speaker 1: and just being like, well, I guess there's nothing to
• 34:51
  Speaker 1: be done and we're all terrible, And a part of
• 34:55
  Speaker 1: me feels like that's a bit to It's almost like
• 35:00
  Speaker 1: her abdicating any responsibility in a way that I think
• 35:03
  Speaker 1: is probably not completely true or accurate. It's just easy
• 35:13
  Speaker 1: to be like, well, I could take a stand, but
• 35:17
  Speaker 1: that would result in a type of suffering that I'm
• 35:20
  Speaker 1: not interested in. And so there's somebody who is going
• 35:23
  Speaker 1: to take my whole family out and I don't have
• 35:26
  Speaker 1: the courage to do it myself, but I will let
• 35:29
  Speaker 1: it happen. That I'm sort of like, well, like, are
• 35:34
  Speaker 1: you a coward? Then? Is that really what it comes
• 35:37
  Speaker 1: down to here? But uh, I also recognize that, like, yeah,
• 35:42
  Speaker 1: maybe maybe she's a coward. Like it happens. We're not
• 35:47
  Speaker 1: all fucking heroes, and that's okay too. I don't know.
• 35:50
  Speaker 1: I'm I go back and forth a lot in my
• 35:53
  Speaker 1: head about her. I find her very interesting and I
• 35:56
  Speaker 1: wouldn't mind spending more time with her just to like
• 36:01
  Speaker 1: get a better sense of what her personality is like
• 36:06
  Speaker 1: outside of these very extreme situations, you know what I'm saying.
• 36:12
  Speaker 1: So anyway, I'm gonna double back here and talk about
• 36:19
  Speaker 1: Sanji and Pudding, because there's only a very little that's
• 36:22
  Speaker 1: going on with him, really, and the main thing is
• 36:25
  Speaker 1: that he is running off, he's got putting in his arms.
• 36:32
  Speaker 1: He is telling her, we're gonna get someplace safe where
• 36:37
  Speaker 1: they can't reach us, and you know, we just had
• 36:40
  Speaker 1: this moment where it seemed like she was only partially
• 36:46
  Speaker 1: willing really to believe that he wasn't sickened by her
• 36:53
  Speaker 1: third eye, and when he like insists that he doesn't care,
• 36:57
  Speaker 1: she's almost yelling at him, but she also collapses and
• 37:02
  Speaker 1: doesn't seem to really like have it in her to
• 37:05
  Speaker 1: argue the point any further, because she really begins to
• 37:08
  Speaker 1: pop off. But now now that they're running, it's sort
• 37:15
  Speaker 1: of like she has the chance to mentally regroup. So
• 37:21
  Speaker 1: she's being carried by Sanji and he says, we're going
• 37:24
  Speaker 1: to go somewhere safe, and she looks up and gets
• 37:30
  Speaker 1: this expression on her face. She just, you know, her
• 37:33
  Speaker 1: brows furrow and she frowns, and all of a sudden,
• 37:37
  Speaker 1: she just pulls a gun and shoots him, and he dodges,
• 37:42
  Speaker 1: and he keeps dodging because this bitch is pulling the trigger.
• 37:46
  Speaker 1: She is going for it, and he's having to matrix
• 37:49
  Speaker 1: the shit out of this while attempting to convince her
• 37:54
  Speaker 1: to stop, and she's trying to lean into this whole
• 38:02
  Speaker 1: villain thing as she's shooting, and she's saying, this is
• 38:04
  Speaker 1: who I really am. Are you surprised or maybe disappointed?
• 38:10
  Speaker 1: And gets a kind of weirdly satisfied expression on her
• 38:17
  Speaker 1: face when she says maybe disappointed, And there's just a
• 38:22
  Speaker 1: sense of like, if you were disappointed, that would be
• 38:26
  Speaker 1: an emotion. I would understand that. I'm familiar with that
• 38:30
  Speaker 1: I've seen before, and so I would know how to
• 38:34
  Speaker 1: cope with that, you know. But that's not actually what
• 38:41
  Speaker 1: he's He actually seems to care about her on some level.
• 38:47
  Speaker 1: And I don't know if it's like a real love
• 38:53
  Speaker 1: or if it's simply that he kind of saw through
• 38:56
  Speaker 1: her situation and could tell what it was that she
• 39:00
  Speaker 1: had likely gone through if he just like put two
• 39:03
  Speaker 1: and two together. But he dodges all of these shots,
• 39:11
  Speaker 1: and he does not hold it against her that she
• 39:14
  Speaker 1: tried to shoot him. He just like she says something
• 39:20
  Speaker 1: about how easy it is to deceive men like him,
• 39:26
  Speaker 1: and that she's done it a bunch of times and
• 39:29
  Speaker 1: it's so easy that it's like embarrassing, and he says, yeah,
• 39:37
  Speaker 1: but I am not the only one you were deceiving,
• 39:44
  Speaker 1: am I? And she gets this look on her face
• 39:48
  Speaker 1: and just like, what do you mean? And we see
• 39:54
  Speaker 1: in the flashback again all of the times that she
• 39:57
  Speaker 1: was being bullied, But there's not really an explicit explanation
• 40:07
  Speaker 1: for what he's saying. It's more like we are meant
• 40:12
  Speaker 1: to infer. I guess either that she's been lying to
• 40:17
  Speaker 1: herself about how much this hurts and trying to pretend
• 40:20
  Speaker 1: it doesn't by because like this is a thing that
• 40:24
  Speaker 1: we often do as a defense mechanism, where like, Okay,
• 40:27
  Speaker 1: well somebody you know, x y Z is they're clearly
• 40:30
  Speaker 1: going to hurt me in some way, and so I'll
• 40:33
  Speaker 1: just get out in front of it, and I will
• 40:35
  Speaker 1: make it so that they can't hurt me because I'll
• 40:37
  Speaker 1: hurt them first, or I will hurt myself first so
• 40:42
  Speaker 1: that they can't Like whatever they do, the sting won't
• 40:46
  Speaker 1: be there anymore because I beat them to the punch.
• 40:48
  Speaker 1: You know. I don't know if it's supposed to be
• 40:52
  Speaker 1: that like you're lying to yourself about how hardened you
• 40:57
  Speaker 1: are and like what a bad person you are, or
• 41:00
  Speaker 1: if it's more you're lying to yourself about the fact
• 41:02
  Speaker 1: that like you're really part of this family when actually
• 41:06
  Speaker 1: they never accepted you, and they were never going to
• 41:09
  Speaker 1: and even though you think that doing this is going
• 41:12
  Speaker 1: to result in being a real part of things, it's
• 41:17
  Speaker 1: never going to happen, you know, I do not It
• 41:22
  Speaker 1: could be any of those. I don't know if it's
• 41:26
  Speaker 1: actually like really meant to be too specific, but I
• 41:35
  Speaker 1: think it's probably just you're out here trying to act
• 41:39
  Speaker 1: like you're just this like monstrous killer and you're not,
• 41:43
  Speaker 1: and you know you're not, but you feel like that's
• 41:46
  Speaker 1: what you have to be because everybody around you has
• 41:49
  Speaker 1: made you feel like a complete freak, you know. So anyway,
• 41:54
  Speaker 1: I just kind of like this moment, even though I
• 41:55
  Speaker 1: don't really know what it means yet. And like I said,
• 41:59
  Speaker 1: there's just a sense of like Sonji does care about
• 42:03
  Speaker 1: her on some level, but I'm not really sure how
• 42:06
  Speaker 1: much that's like a real romantic thing and how much
• 42:10
  Speaker 1: is just him sympathizing with her because you know, Sonji
• 42:15
  Speaker 1: was the freak in his own family. Sonji was the
• 42:18
  Speaker 1: one that was supposed to be a certain way and
• 42:22
  Speaker 1: just he never exemplified that and so they disowned him.
• 42:27
  Speaker 1: And it's almost like watching putting, we get a look
• 42:32
  Speaker 1: at what it would have been like if Sonji had
• 42:35
  Speaker 1: tried to fake being more like his brothers, you know
• 42:40
  Speaker 1: what I mean, because there's no I kind of find
• 42:44
  Speaker 1: it really admirable if you stop and think about it.
• 42:47
  Speaker 1: There's no sense within Sanji that he attempted to hide
• 42:53
  Speaker 1: the way that he felt, or his sensitivity or his
• 42:56
  Speaker 1: you know. And there are plenty of people who would
• 42:59
  Speaker 1: they would attempts to just cover up the fact that
• 43:01
  Speaker 1: they have feelings by, if anything, being even more brutal
• 43:07
  Speaker 1: than their brothers out doing them in that, and Sanji
• 43:12
  Speaker 1: just never seemed to even consider it. He is who
• 43:16
  Speaker 1: he is, and he was just very real and honest
• 43:19
  Speaker 1: about that. And there's a sort of I won't say
• 43:26
  Speaker 1: there's like more strength in that, because I think there's
• 43:31
  Speaker 1: there would be more strength in that if he were
• 43:33
  Speaker 1: old enough to make the choice. But it seems like
• 43:36
  Speaker 1: he was so young and so like, you know, just
• 43:41
  Speaker 1: naive that he didn't even know that he could fake it.
• 43:46
  Speaker 1: He didn't realize that that was even like a possible
• 43:48
  Speaker 1: option for him. But I think that might be part
• 43:53
  Speaker 1: of what's going on here with the way that he's
• 43:55
  Speaker 1: seeing Putting is just realizing like therefore there but for
• 43:59
  Speaker 1: the great of God go eyes. I think what the
• 44:02
  Speaker 1: saying is essentially just like that could have been me
• 44:06
  Speaker 1: so easily if like a few different things, a few
• 44:10
  Speaker 1: twists of fate had just gone a slightly different way.
• 44:14
  Speaker 1: I can't judge them because I could extremely easily have
• 44:18
  Speaker 1: wound up in the exact same situation. And I you know,
• 44:24
  Speaker 1: if the wedding did actually happen, if they're actually married now,
• 44:28
  Speaker 1: oh sorry, I hit my mic there. If they're actually
• 44:31
  Speaker 1: married now, I kind of like it. I would be
• 44:35
  Speaker 1: very interested to see like how all this gets dealt with.
• 44:41
  Speaker 1: I'm not mad if they're not or if you know,
• 44:44
  Speaker 1: they decide that it's like not official or whatever. But uh,
• 44:48
  Speaker 1: the idea of maybe there being some kind of redemption
• 44:55
  Speaker 1: for putting, I'm very much here for it. I would
• 44:59
  Speaker 1: be on board for that storyline. So Florian says, Sanji
• 45:08
  Speaker 1: is giving me gay boy where everyone knew the moment
• 45:11
  Speaker 1: he came out the womb. Oh I didn't think about that, Florian,
• 45:15
  Speaker 1: But yeah, I definitely see what you're saying. It's funny
• 45:19
  Speaker 1: because like he is such a horn dog that but
• 45:23
  Speaker 1: it almost feels like overcompensating in a way by the
• 45:25
  Speaker 1: writer and Seraphim says, my read is that the whole cold,
• 45:30
  Speaker 1: manipulative murderer thing is a mask she put on and
• 45:33
  Speaker 1: convinced herself was the real her. Okay, yeah, that's pretty
• 45:36
  Speaker 1: much where I landed, But I wasn't sure if it
• 45:38
  Speaker 1: was also just regarding lying to her family like or
• 45:42
  Speaker 1: lying to herself about being able to be part of
• 45:44
  Speaker 1: the family, or which I guess it kind of amounts
• 45:47
  Speaker 1: to the same thing really, So yeah, the heat, Like
• 45:54
  Speaker 1: I said, he winds up eventually like turning around and
• 45:58
  Speaker 1: going back to help his family, and I am looking
• 46:04
  Speaker 1: forward to seeing how that works out, because personally I
• 46:09
  Speaker 1: am I am very on the fence. I'm proud of
• 46:15
  Speaker 1: him for going back toward his family. I want this
• 46:20
  Speaker 1: on a like to work in a way, but I
• 46:24
  Speaker 1: also don't think his family is particularly worth saving. So
• 46:29
  Speaker 1: I just I don't know. It's like, you get the
• 46:35
  Speaker 1: points for going back, and then if they all die anyway,
• 46:40
  Speaker 1: like I also get the relief of them no longer
• 46:43
  Speaker 1: being in the world. I don't see Sanji's family respecting
• 46:49
  Speaker 1: him more or feeling like they owe him for coming
• 46:53
  Speaker 1: back and rescuing them. I just don't feel like they
• 46:57
  Speaker 1: are those types of people. They don't that kind of
• 47:04
  Speaker 1: like gratitude and feeling of obligation is a sense that
• 47:11
  Speaker 1: only a certain type of person would really have. And
• 47:16
  Speaker 1: his whole family other than his sister, are fucking psychopathic,
• 47:20
  Speaker 1: you know. So I don't I I like the idea of, oh, well,
• 47:26
  Speaker 1: he goes back and maybe this like repairs their relationship.
• 47:30
  Speaker 1: I don't see it, and like, why would you want
• 47:32
  Speaker 1: to repair your relationship with people like this? Anyway? It's
• 47:36
  Speaker 1: just not I'm I want him to go back. I
• 47:41
  Speaker 1: want this to be who he is. But do I
• 47:44
  Speaker 1: care if they actually all die? Not really? You know,
• 47:49
  Speaker 1: his sister even like, I'm good either way, She's the
• 47:54
  Speaker 1: only one that I'm really like. Okay, if she lives,
• 47:58
  Speaker 1: that's fine. The rest of them, if they live, I'm
• 48:01
  Speaker 1: a little disappointed, to be honest. So I guess we'll
• 48:06
  Speaker 1: just have to wait and see. So okay, let's let's
• 48:10
  Speaker 1: finally talk about the other fights that are happening. There
• 48:13
  Speaker 1: is so much going on, because like, I'm almost out
• 48:17
  Speaker 1: of time here and I haven't even touched on this
• 48:20
  Speaker 1: weird genie guy that we're we're dealing with here, because
• 48:25
  Speaker 1: we get this, like other Baddie that it's a really
• 48:31
  Speaker 1: bizarre I don't know if this dude's like, if it's
• 48:38
  Speaker 1: two dudes, or if it's the one, because he like
• 48:41
  Speaker 1: releases the genie it seems from within himself, and so
• 48:49
  Speaker 1: I am confused about exactly how all this works. I'm
• 48:55
  Speaker 1: trying to jump to the spot where this happens, but uh,
• 48:58
  Speaker 1: what do you call it? Crunchy Roll is being very difficult,
• 49:03
  Speaker 1: so he like has this weird motion that he does
• 49:09
  Speaker 1: where he like rubs himself like he's the magic lamp.
• 49:14
  Speaker 1: And Genie comes out and is going after Sangy and
• 49:22
  Speaker 1: he's blue. He's got pink hair. And when I say blue,
• 49:27
  Speaker 1: you know, the genie in Aladdin is blue, And so
• 49:29
  Speaker 1: I feel like if I say the Genie's blue, you're
• 49:32
  Speaker 1: gonna picture that automatically, which would be understandable. But the
• 49:35
  Speaker 1: blue that this genie is is a much darker like
• 49:40
  Speaker 1: navy blue. And I don't know why, but I thought
• 49:43
  Speaker 1: that was such a cool look, especially paired with the
• 49:46
  Speaker 1: very pale pink hair and accessories and pudding. She's like
• 49:56
  Speaker 1: in the middle of this as this guy is sending
• 49:59
  Speaker 1: the Genie to attack Sanji, and she runs up to
• 50:04
  Speaker 1: what is his name, Daifuku, I think, and is trying
• 50:08
  Speaker 1: to tell him to stop, and he tells her, you
• 50:11
  Speaker 1: had your chance to kill Soanji, and you completely blew it.
• 50:17
  Speaker 1: And I think it's sort of interesting the way that
• 50:22
  Speaker 1: it looks from afar. If you are observing this whole thing,
• 50:29
  Speaker 1: it really does look as if she attempted to kill
• 50:37
  Speaker 1: Sanji in good faith. It doesn't look like she was
• 50:43
  Speaker 1: just going through the motions and covering her own ass.
• 50:51
  Speaker 1: If I were watching what happened between her and Sanji,
• 50:56
  Speaker 1: I would believe that she were really trying to kill him.
• 50:59
  Speaker 1: So even though she fucked up and didn't actually do
• 51:03
  Speaker 1: the job, I wonder, if things went a certain way,
• 51:08
  Speaker 1: if she'd be convincing enough that she could get a
• 51:11
  Speaker 1: second chance from her family, because it sort of feels
• 51:16
  Speaker 1: like that was a good enough attempt. But it may
• 51:23
  Speaker 1: just be the fact that she failed is simply enough
• 51:27
  Speaker 1: of a disgrace. I can't tell, because like, so many
• 51:32
  Speaker 1: people in this family are failing at trying to kill
• 51:35
  Speaker 1: everybody that they're trying to kill, So, like, how much
• 51:39
  Speaker 1: can you afford to hold people to a certain standard
• 51:41
  Speaker 1: when everybody is not meeting that standard? I don't know anyway,
• 51:47
  Speaker 1: I'm getting sidetracked here with this cool genie who when
• 51:51
  Speaker 1: he like he's swooping around and leaves this sort of
• 51:56
  Speaker 1: trail behind him that almost looks like water or something.
• 52:00
  Speaker 1: It's really odd, and is firing on Sanji. It almost
• 52:08
  Speaker 1: looks like flame. It's hard for me to fully tell
• 52:11
  Speaker 1: exactly what it is that he's working with, but yeah,
• 52:17
  Speaker 1: so suffice to say, Sanji winds up beating this guy
• 52:21
  Speaker 1: and then like going back toward his own family. I
• 52:25
  Speaker 1: just wanted to mention the genie because I think it's cool.
• 52:28
  Speaker 1: And then we have to go over to Lufy and Beggie.
• 52:32
  Speaker 1: Who BEGGI is trying to like, you know, straddle this
• 52:39
  Speaker 1: line where he is both working with Loofy but making
• 52:44
  Speaker 1: it look like he is making a good faith attempt
• 52:47
  Speaker 1: to stop Loofy. And because like, despite the fact that
• 52:52
  Speaker 1: at this point I thought we all knew by now
• 52:56
  Speaker 1: that he was a traitor, evidently we don't yet. So
• 53:02
  Speaker 1: if we get to the point finally where he is
• 53:05
  Speaker 1: just flat out like firing on his own people and
• 53:08
  Speaker 1: they're going, oh, you backstabber, you know, like within these episodes,
• 53:12
  Speaker 1: we do get there, but I thought we were there
• 53:15
  Speaker 1: already and it turns out not, so he's still trying
• 53:18
  Speaker 1: to sort of cover his ass right here. And we
• 53:25
  Speaker 1: have the the like whole thing with Jimbe as well,
• 53:30
  Speaker 1: who is like the one who gave them this tip
• 53:33
  Speaker 1: about how big Mom would react and now she's not
• 53:38
  Speaker 1: reacting that way, and so Jimbe is sort of like, oh, God, like,
• 53:42
  Speaker 1: what do I do? I guess I just have to
• 53:44
  Speaker 1: buy time until she does have the reaction I predicted
• 53:48
  Speaker 1: she'd have, because he seems to be to be keeping
• 53:52
  Speaker 1: the faith that she will eventually scream and have her
• 53:56
  Speaker 1: big breakdown. It's just not happened yet. But uh, overall,
• 54:03
  Speaker 1: the whole thing with Lufy comes down to the conversation
• 54:08
  Speaker 1: with him and Brooke, where Brooke is like, you need
• 54:11
  Speaker 1: to be careful, Lufy, because she has just not fully
• 54:15
  Speaker 1: grasped what's happened to her mother's portrait. So if we
• 54:20
  Speaker 1: want her to completely break down the way that we predicted,
• 54:24
  Speaker 1: we're going to have to shove it in her face
• 54:26
  Speaker 1: again and get her to see. And so Lufy takes
• 54:30
  Speaker 1: it upon himself. The one part of this that I
• 54:40
  Speaker 1: didn't talk about last time, and I have my eye
• 54:44
  Speaker 1: on a little bit now and I'll talk about this
• 54:46
  Speaker 1: time is what's going on with Caesar clown. And I
• 54:50
  Speaker 1: don't remember if I mentioned it last time. I don't
• 54:52
  Speaker 1: think I did. But Caesar has his own mission that
• 54:57
  Speaker 1: he has been sent on, and we have the flashbacks
• 55:02
  Speaker 1: in this episode as well. But it was a couple
• 55:05
  Speaker 1: episodes ago where you know, Chopper and Nami are walking
• 55:10
  Speaker 1: away with Carrot and they're yelling over their shoulder that
• 55:16
  Speaker 1: Caesar better not screw this up. I think it's Nam
• 55:20
  Speaker 1: that says like, don't screw it up, loser, and it's Chopper.
• 55:26
  Speaker 1: After Karrot says is he really that bad? Chopper says
• 55:29
  Speaker 1: something like yeah, he's the worst. And I actually kind
• 55:34
  Speaker 1: of felt for him in that moment and had a
• 55:37
  Speaker 1: second of thinking, oh, is he going to like betray
• 55:40
  Speaker 1: them because he feels like he's being mistreated really badly,
• 55:44
  Speaker 1: and so he's just gonna be salty and decide to
• 55:49
  Speaker 1: throw the match, so to speak, you know what I mean.
• 55:54
  Speaker 1: But it doesn't seem like that's the way it's going
• 55:58
  Speaker 1: to go. If they have his heart, BEGGI has his heart,
• 56:02
  Speaker 1: so that appears to be quite enough motivation to keep
• 56:07
  Speaker 1: Caesar on the straight and narrow at least four. Now,
• 56:11
  Speaker 1: if there were a point where he gets his own
• 56:13
  Speaker 1: heart back, I could see him wanting to give them
• 56:16
  Speaker 1: all the finger. But I don't think Big Mom would
• 56:19
  Speaker 1: treat him better exactly. So that does not mean that
• 56:23
  Speaker 1: he wouldn't go ahead and try and give him the
• 56:25
  Speaker 1: finger anyway, because he doesn't strike me as somebody who
• 56:27
  Speaker 1: like particularly is far seeing regarding his behavior. But just
• 56:34
  Speaker 1: to say that, like.
• 56:35
  Speaker 2: I I was worried about his reliability, not in terms
• 56:45
  Speaker 2: of the way the rest of the straw hat seemed
• 56:47
  Speaker 2: to be where they're kind of he is just such
• 56:51
  Speaker 2: a screw up.
• 56:52
  Speaker 1: I was thinking of it more like if he were
• 56:55
  Speaker 1: to fuck them, it would be on purpose, that would
• 56:57
  Speaker 1: not be an accident. And also the fact that it's
• 57:02
  Speaker 1: him alone with Brulai, and Brulay could like she has
• 57:08
  Speaker 1: many many vested interests in fucking with them. So if
• 57:14
  Speaker 1: he and Bruli decided to like put their heads together here,
• 57:20
  Speaker 1: if it weren't for the fact that Beggie has his heart,
• 57:23
  Speaker 1: I would be genuinely concerned. At this point. I am
• 57:29
  Speaker 1: not like really thinking that anything is going to happen here,
• 57:34
  Speaker 1: but I would be lying if I said that I
• 57:37
  Speaker 1: was at ease with this situation. I'm not. This feels
• 57:41
  Speaker 1: like a bit of a powder keg that could go
• 57:45
  Speaker 1: either way at this point. So I just wanted to
• 57:49
  Speaker 1: mention that because, like, I don't even know if we
• 57:52
  Speaker 1: know exactly what his plan is, what his part of
• 57:57
  Speaker 1: the plan is, I mean, like what it is that
• 57:59
  Speaker 1: he has been a sign to do. But he's got Brulat,
• 58:02
  Speaker 1: he's charting her along with him, and she is yelling
• 58:05
  Speaker 1: not to use her powers anymore because by the time
• 58:08
  Speaker 1: all of this like comes to light, she is going
• 58:11
  Speaker 1: to be in so much trouble. So she's really really
• 58:15
  Speaker 1: agitated right now, and you know, sucks to suck. Really,
• 58:19
  Speaker 1: maybe you shouldn't have been so easy to trick and
• 58:24
  Speaker 1: take down. That sounds like a U problem, skill issue.
• 58:28
  Speaker 1: What can you do? So I'm yeah, I like Florian
• 58:36
  Speaker 1: said that these were slow episodes, but I actually I
• 58:39
  Speaker 1: didn't think so these were pretty solid. We didn't have
• 58:42
  Speaker 1: a ton of like repeat footage, we didn't have tons
• 58:44
  Speaker 1: of going back to flashbacks that we've seen a million times,
• 58:48
  Speaker 1: Like this was pretty much plot for the whole thing.
• 58:54
  Speaker 1: So you know, I feel like that's pretty good. All right, everybody, Well,
• 58:59
  Speaker 1: I'm gonna wrap this up, but I want to thank
• 59:02
  Speaker 1: you all so much for listening to the coverage. I
• 59:06
  Speaker 1: really hope that you are continuing to enjoy it. Thank
• 59:09
  Speaker 1: you again to Florian for commissioning this one. And just
• 59:14
  Speaker 1: again reminder that like in the new Year, I will
• 59:16
  Speaker 1: be doing these lives on Patreon and not on crowdcast anymore.
• 59:22
  Speaker 1: And if you are somebody who did do a Wanna
• 59:28
  Speaker 1: Be episode with me and you want a copy of
• 59:30
  Speaker 1: it before I leave Crowdcast forever, get in touch with
• 59:34
  Speaker 1: me and let me know and I will download it
• 59:36
  Speaker 1: and will I think I can email you a link
• 59:39
  Speaker 1: to the file. I can't email you the file directly
• 59:41
  Speaker 1: because it's a pretty big file, these recordings, but I
• 59:45
  Speaker 1: can put it on my Google Drive and email it
• 59:47
  Speaker 1: to you or dropbox or something. So just get in touch,
• 59:51
  Speaker 1: let me know. And yeah, I really appreciate everybody and
• 59:57
  Speaker 1: your support throughout these years. It's been along time and
• 1:00:00
  Speaker 1: we still have a lot to get through. So all right, friends,
• 1:00:04
  Speaker 1: until next time to the Loo, motherfuckers. That was an
• 1:00:37
  Speaker 1: Unspoiled Network podcast