Latest / Classic Metal Show / Is Paul Stanley Right About the KISS Sound? (2016 Archive)
Transcript
- 0:00SPEAKER_01: Hey guys, it's Matt Starr and you're watching CMS TV.
- 0:19SPEAKER_00: Well, do you want to stay on the music topics?
- 0:22SPEAKER_00: One more topic before we take another break?
- 0:24SPEAKER_00: Sure.
- 0:25SPEAKER_00: I could do one or whatever.
- 0:27SPEAKER_00: All right.
- 0:28SPEAKER_00: We'll do one more music topic.
- 0:30SPEAKER_00: We'll take a break, and then we'll come back and do your music topic.
- 0:33SPEAKER_00: How's that?
- 0:33SPEAKER_01: All right.
- 0:34SPEAKER_00: Sounds good to me.
- 0:35SPEAKER_00: Paul Stanley of KISS.
- 0:38SPEAKER_01: Yeah.
- 0:39SPEAKER_00: He talks about vinyl, Spotify, and the injustice of the Internet.
- 0:45SPEAKER_01: Oh, boy.
- 0:46SPEAKER_00: Okay.
- 0:46SPEAKER_00: Let's hear it.
- 0:49SPEAKER_00: No ace, no kiss.
- 0:51SPEAKER_00: What?
- 0:52SPEAKER_00: Fuck there.
- 0:53SPEAKER_00: I mean, no they or no kiss.
- 0:59SPEAKER_00: It's a battle cry.
- 1:00SPEAKER_00: Any member of KISS Army will instantly recognize.
- 1:04SPEAKER_00: You wanted the best.
- 1:05SPEAKER_00: You got the best.
- 1:06SPEAKER_00: KISS!
- 1:10SPEAKER_00: Need to argue that point.
- 1:12SPEAKER_00: KISS has been unstoppable for over 40 years and counting,
- 1:15SPEAKER_00: and they just upped their game yet again with KISS Rocks Vegas out
- 1:21SPEAKER_00: on various formats by way of Eagle Vision,
- 1:25SPEAKER_00: a live chronicle of the band's incendiary residency at the joint,
- 1:30SPEAKER_00: the Hard Rock Hotel Casino in Las Vegas in November of 2014.
- 1:36SPEAKER_00: It's been two years, and they're just getting that out now.
- 1:39SPEAKER_01: You know, it takes a long time to get Tommy to sign off on his greatness.
- 1:43SPEAKER_00: It's taken two years to get a DVD out.
- 1:46SPEAKER_01: Dude, there's a lot of work that has to go.
- 1:48SPEAKER_01: Apparently.
- 1:48SPEAKER_00: Holy shit.
- 1:49SPEAKER_01: I mean, how, what do you think they rerecord these
- 1:51SPEAKER_00: things in a day?
- 1:53SPEAKER_00: Yeah, but two years.
- 1:55SPEAKER_00: I mean, look at Bob DelBandy and he sees turning those bitches out, you know, once a year now.
- 2:01SPEAKER_01: Have you heard live kiss on YouTube?
- 2:03SPEAKER_01: That takes a lot of studio time to get Paul right.
- 2:06SPEAKER_01: Yeah.
- 2:09SPEAKER_00: All right.
- 2:10SPEAKER_00: So they just turned out a DVD of their residency at the joint at the Hard Rock Hotel
- 2:17SPEAKER_00: and Casino in Las Vegas.
- 2:19SPEAKER_01: Next, you know, I heard for Christmas you can get the Vinnie Vincent tour footage.
- 2:26SPEAKER_00: Technology has advanced to the point now where you can really be fully enveloped by
- 2:33SPEAKER_00: and in the center of the chaos that can be kissed from time to time.
- 2:38SPEAKER_01: All right, who wrote this fucking bag of
- 2:41SPEAKER_00: shit?
- 2:42SPEAKER_00: This is somebody who's obviously a diehard Kiss fan.
- 2:46SPEAKER_00: Yeah, no kidding.
- 2:47SPEAKER_00: Tell Red to put down the pen.
- 2:48SPEAKER_00: Really?
- 2:50SPEAKER_00: Frontman,
- 2:51SPEAKER_00: vocalist,
- 2:51SPEAKER_00: guitarist,
- 2:52SPEAKER_00: eternal star child Paul Stanley told digital trends of
- 2:57SPEAKER_00: the Dolby Atmos Kiss Rocks Vegas experience.
- 3:02SPEAKER_00: Oh my goodness.
- 3:03SPEAKER_00: Wow, there's a lot of technology going into that.
- 3:06SPEAKER_01: That's a lot of titling.
- 3:07SPEAKER_00: Yeah, you're going to have to update your home stereo to be able to play this thing.
- 3:11SPEAKER_01: Yeah, no kidding.
- 3:12SPEAKER_00: Your speakers will start smoking.
- 3:15SPEAKER_00: Just like Ace's guitar.
- 3:17SPEAKER_00: I mean, Tommy's guitar.
- 3:19SPEAKER_01: Tommy doesn't do the smoke
- 3:20SPEAKER_00: from what I understand.
- 3:21SPEAKER_00: Okay.
- 3:23SPEAKER_00: Take it from me.
- 3:24SPEAKER_00: The full bore full channel assault of Kiss Rocks Vegas is most definitely
- 3:29SPEAKER_00: the best experience by way of Blu-ray and the mega multi-channel Dolby Atmos option.
- 3:38SPEAKER_00: So you can get the absolute complete effect of the set design and
- 3:42SPEAKER_00: the band's always mind-boggling pyrotechnics and the glory
- 3:46SPEAKER_00: of each Kiss member's chosen armor.
- 3:52SPEAKER_00: God damn.
- 3:54SPEAKER_01: I'm going to come.
- 3:55SPEAKER_01: He's sucking so much coffee.
- 3:57SPEAKER_00: I know.
- 3:57SPEAKER_00: But see, here's the thing.
- 3:59SPEAKER_00: That's all well and fine if you have the most up-to-date 4K system or something.
- 4:07SPEAKER_00: If you have an old,
- 4:09SPEAKER_00: maybe something that's 5,
- 4:10SPEAKER_00: 8, 10 years old, you're not going to get that full experience.
- 4:14SPEAKER_01: How's that going to look on my laptop?
- 4:16SPEAKER_01: Yeah, really.
- 4:16SPEAKER_00: I don't have a DVD player anymore.
- 4:19SPEAKER_00: That isn't helpful for everybody.
- 4:23SPEAKER_01: Do you still own a DVD player?
- 4:24SPEAKER_01: I do.
- 4:25SPEAKER_00: I have one.
- 4:26SPEAKER_01: See, I don't even have one.
- 4:28SPEAKER_01: I watch, like, now Bandian sent me his movies.
- 4:31SPEAKER_01: I'm yet to watch them because I have to watch on my laptop.
- 4:33SPEAKER_00: Well, I have a DVD player.
- 4:37SPEAKER_00: I have actually the combo player, the DVD VHS player.
- 4:41SPEAKER_00: Jeez, what year did you get that, 1979?
- 4:43SPEAKER_00: No, I actually bought it in, I think it was like 2009.
- 4:48SPEAKER_00: Really?
- 4:48SPEAKER_00: It's not that old.
- 4:49SPEAKER_00: Yeah, it was LG.
- 4:50SPEAKER_00: Yeah.
- 4:51SPEAKER_00: They were still making something for video, huh?
- 4:53SPEAKER_00: Yeah, you could actually burn VHS tapes to DVD or just watch DVD on it.
- 5:00SPEAKER_01: Can you burn a DVD to a VHS?
- 5:03SPEAKER_00: I don't think so.
- 5:03SPEAKER_00: It doesn't work that direction.
- 5:05SPEAKER_00: And what purpose would that serve anyway?
- 5:08SPEAKER_00: Dude, come on.
- 5:10SPEAKER_00: I'm lower end.
- 5:13SPEAKER_00: Hail and kill caller, you're on the air.
- 5:17SPEAKER_02: I'm just ringing in to say that probably this KISS Rocks Vegas is probably
- 5:20SPEAKER_02: the best live album or so-called live album that KISS have done in about 20 years.
- 5:25SPEAKER_00: Do you own it, Tim?
- 5:28SPEAKER_02: Yeah, I bought it.
- 5:29SPEAKER_00: You did?
- 5:29SPEAKER_00: How long have you had it, and how do you listen or view it?
- 5:35SPEAKER_02: It came in last week.
- 5:37SPEAKER_02: I got it from Amazon UK,
- 5:40SPEAKER_02: and I got the DVD, Blu-ray, And the audio CD, and there's also a bonus unplugged CD.
- 5:51SPEAKER_00: So did you watch the whole thing, and how do you view it?
- 5:55SPEAKER_00: What kind of a system do you see it?
- 5:57SPEAKER_00: I mean, do you get this full-on effect that they're talking about, or what?
- 6:03SPEAKER_02: Well, I mean,
- 6:04SPEAKER_02: I don't own a Blu-ray player,
- 6:05SPEAKER_02: so I just watch it on my laptop through the disk drives that I've got for my laptop.
- 6:11SPEAKER_02: But I'm actually more excited about the audio CD than anything else.
- 6:15SPEAKER_02: Well, how do you listen
- 6:16SPEAKER_00: to that?
- 6:17SPEAKER_00: How do you listen to that to get this full bombastic effect?
- 6:22SPEAKER_02: I just put it into my iTunes and put it on my iPod and listen to it like that.
- 6:32SPEAKER_00: So you're not listening to it on some kind of like a Bose system or something like that?
- 6:37SPEAKER_02: No, no, no, I did just...
- 6:41SPEAKER_02: Bought a couple of Rocket fixes for my studio.
- 6:46SPEAKER_02: But yeah, not really, no.
- 6:48SPEAKER_02: But I just think the album,
- 6:50SPEAKER_02: because there's some songs that they haven't released on other live albums before
- 6:56SPEAKER_02: that should have been released probably around the live three that weren't released.
- 7:00SPEAKER_02: So it's pretty cool, actually.
- 7:03SPEAKER_00: Well, I mean,
- 7:04SPEAKER_00: do you think you're being shortchanged because you're not hearing this
- 7:08SPEAKER_00: in its full fidelity like this writer is describing?
- 7:11SPEAKER_02: I've seen Kiss live before.
- 7:17SPEAKER_02: You know, it's like, I mean, when I went and saw Kiss and Motley Crue in 2013, I was front row.
- 7:24SPEAKER_02: I don't know how much more high fidelity he can get.
- 7:30SPEAKER_00: Well, I guess what I'm trying to get to, Tim,
- 7:33SPEAKER_00: is that what makes this the greatest live CD that Kiss has ever released,
- 7:39SPEAKER_00: aside from including songs that you haven't previously owned?
- 7:44SPEAKER_02: No, no, I didn't say that.
- 7:46SPEAKER_02: I said in the last 20 years.
- 7:48SPEAKER_00: Oh, in the last 20 years.
- 7:50SPEAKER_00: All right, I'm glad you threw that in.
- 7:51SPEAKER_02: Yeah, yeah.
- 7:53SPEAKER_02: For me, nothing will ever be Kiss Live 2.
- 7:56SPEAKER_02: That's just phenomenal, that record.
- 7:58SPEAKER_00: Chris, comment?
- 8:00SPEAKER_01: I agree.
- 8:01SPEAKER_01: As far as Kiss Live goes, Kiss Live 2 is it.
- 8:05SPEAKER_02: I mean, people talk about Kiss Live, but people love Kiss Live.
- 8:10SPEAKER_02: I guess it depends what era of the band you love more,
- 8:14SPEAKER_02: and I just think Destroyer, Rock and Roll Over, and Love Gun were great records.
- 8:19SPEAKER_00: Well, anything that does not have Tommy Thayer on it probably sucked.
- 8:26SPEAKER_02: I don't agree with Jackal there either.
- 8:28SPEAKER_02: I think Sonic Boom was pretty cool and Monster was okay.
- 8:32SPEAKER_02: I don't have an issue with all that.
- 8:35SPEAKER_02: But the thing I've had a major issue with is Paul Stanley's voice.
- 8:43SPEAKER_00: So how many overdubs do you think they had to do for this release of this live disc, Tim?
- 8:50SPEAKER_00: Do you have any guesses?
- 8:52SPEAKER_02: I don't know.
- 8:56SPEAKER_02: Well, I think they're probably down tune the guitars
- 9:06SPEAKER_00: to about C.
- 9:07SPEAKER_00: So where are you tonight listening to the CMS, Tim?
- 9:10SPEAKER_00: Are you at the soup kitchen?
- 9:15SPEAKER_00: Are you helping out the homeless or anything?
- 9:18SPEAKER_02: No, I'm sitting here at McDonald's again.
- 9:20SPEAKER_02: Handjob!
- 9:39SPEAKER_01: That's why Tim is always allowed to call.
- 9:46SPEAKER_00: Do they have a glory hole in the men's restroom at the McDonald's, Tim?
- 9:50SPEAKER_00: Is that why you go there so often?
- 9:52SPEAKER_03: Hey metalheads!
- 9:53SPEAKER_03: Tired of waiting for new episodes?
- 9:55SPEAKER_03: Crave the real raw classic metal show?
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- 10:00SPEAKER_03: You get every episode a full week early, completely uncensored, and 100% commercial
- 10:08SPEAKER_03: It's the only place to interact directly with the show,
- 10:11SPEAKER_03: plus you score the fast pass so your song requests get bumped straight to the head
- 10:14SPEAKER_03: of the line on every live version.
- 10:16SPEAKER_03: So what are you waiting for?
- 10:18SPEAKER_03: Subscribe right now at classicmetalshow.locals.com and become a CMS VIP today.
- 10:31SPEAKER_01: Tim, Tim, how far are you?
- 10:33SPEAKER_01: Are you sitting down or are you by like the lines?
- 10:38SPEAKER_01: Are there people in line?
- 10:42SPEAKER_02: Yes, there are.
- 10:44SPEAKER_01: Walk up to somebody,
- 10:45SPEAKER_01: get behind them in line,
- 10:47SPEAKER_01: and then just yell out, stop grabbing my package, I'm handicapped.
- 10:56SPEAKER_02: Stop grabbing my package, I'm handicapped.
- 10:59Wow.
- 11:11SPEAKER_00: Geez.
- 11:18SPEAKER_02: So good.
- 11:25SPEAKER_00: Hail and kill.
- 11:28SPEAKER_00: There goes Tim.
- 11:30SPEAKER_00: Holy shit.
- 11:34SPEAKER_00: Stop grabbing my package.
- 11:36SPEAKER_00: I'm handicapped.
- 11:37SPEAKER_00: Wow.
- 11:38SPEAKER_00: Wow.
- 11:42SPEAKER_00: I can't believe he did it.
- 11:44SPEAKER_00: That's funny.
- 11:45SPEAKER_01: Holy shit.
- 11:48SPEAKER_00: That's funny.
- 11:50SPEAKER_00: All right.
- 11:51SPEAKER_01: All right.
- 11:51SPEAKER_01: That's for all you Tim haters out there.
- 11:55SPEAKER_01: Tim should get some points for that.
- 11:57SPEAKER_00: Sure.
- 11:59SPEAKER_01: That was good.
- 12:00SPEAKER_00: All right.
- 12:01SPEAKER_01: Holy smokes.
- 12:02SPEAKER_00: Well, that just goes to show you why we like Tim.
- 12:05SPEAKER_01: Yep.
- 12:06SPEAKER_01: That was fantastic.
- 12:07SPEAKER_01: All right.
- 12:08SPEAKER_00: All right,
- 12:08SPEAKER_00: getting back to this real quick,
- 12:10SPEAKER_00: take it from me,
- 12:11SPEAKER_00: the full bore,
- 12:12SPEAKER_00: full channel assault of Kiss Rocks Vegas is most definitely best experienced by way
- 12:17SPEAKER_00: of Blu-ray and mega multi-channel Dolby, blah, blah, blah.
- 12:22SPEAKER_00: Let's see.
- 12:23SPEAKER_00: Bassist vocalist,
- 12:24SPEAKER_00: the demon himself,
- 12:25SPEAKER_00: Gene Simmons, never fails to amaze with what he does and looks like on stage.
- 12:32SPEAKER_00: Especially the thunder of the songs like Detroit Rock City, Lick It Up, and Black Diamond.
- 12:39SPEAKER_00: An additional Kiss acoustic set featuring
- 12:41SPEAKER_00: the stripped-down favorites like Christine 16,
- 12:45SPEAKER_00: Hard Luck Woman, and Beth also show what guitarist Tommy Thayer...
- 12:51SPEAKER_00: What?
- 12:51SPEAKER_00: And drummer Eric Singer, Bring to the Kiss Backline.
- 12:56SPEAKER_01: Wow.
- 12:57SPEAKER_00: Want another opinion?
- 12:59SPEAKER_00: Take it from Mickey Free,
- 13:00SPEAKER_00: the mixed blood Cherokee Comanche native American guitarist vocalist discovered.
- 13:07SPEAKER_00: Oh my God, really?
- 13:09SPEAKER_00: Well, we're celebrating diversity here.
- 13:13SPEAKER_01: Enough with these fucking descriptions.
- 13:15SPEAKER_01: Jesus.
- 13:16SPEAKER_00: By Simmons and Stanley in the 70s who went on to play guitar with Shalimar
- 13:23SPEAKER_00: and Glam Punker's Crown of Thorns.
- 13:27SPEAKER_00: Okay.
- 13:28SPEAKER_00: Faggot.
- 13:28SPEAKER_00: Faggot.
- 13:55SPEAKER_00: Stanley called Digital Trends rights before heading directly to
- 13:59SPEAKER_00: the band's recent gig in Bridgeport, Connecticut to discuss why KISS rocks Vegas.
- 14:04SPEAKER_00: Totally rocks in Dolby Atmos.
- 14:09SPEAKER_00: What he feels the vinyl format is lacking and what it was like working
- 14:13SPEAKER_00: with original KISS Spaceman.
- 14:16SPEAKER_00: Guitarist Ace Freely again on his new solo album.
- 14:19SPEAKER_00: Shout it out, shout it out, shout it out loud.
- 14:24SPEAKER_00: Now,
- 14:25SPEAKER_00: do you think Ace actually or Paul Stanley actually quote unquote worked with Ace
- 14:31SPEAKER_00: or did he just record a vocal over some MP3 tracks Ace sent over?
- 14:36SPEAKER_01: You know what?
- 14:36SPEAKER_01: I think I read that they like did it in like
- 14:39SPEAKER_00: one day.
- 14:39SPEAKER_00: They did it together?
- 14:40SPEAKER_01: They do it together.
- 14:41SPEAKER_00: They actually were in the same room?
- 14:43SPEAKER_01: I think I read like Paul invited Peter out for like an afternoon or something.
- 14:50SPEAKER_00: Did you say Peter out?
- 14:52SPEAKER_01: Or not Peter, Ace, whatever, they're the same.
- 14:56SPEAKER_00: They're all the same.
- 14:58SPEAKER_01: One has been, another has been,
- 14:59SPEAKER_00: whatever.
- 15:02SPEAKER_00: Digital Trends asks,
- 15:03SPEAKER_00: I've been watching the Kiss Rocks Vegas on Blu-ray and in Dolby,
- 15:07SPEAKER_00: so I think we have to modify a certain phrase of yours,
- 15:11SPEAKER_00: you wanted the best, you got Dolby Atmos.
- 15:15SPEAKER_00: Okay.
- 15:17SPEAKER_00: Paul Stanley documenting the show with flying drones.
- 15:22SPEAKER_00: I got to admit that flying drone technology, that is really good.
- 15:27SPEAKER_00: For recording?
- 15:28SPEAKER_00: Yeah.
- 15:29SPEAKER_00: The clarity of the cameras that these little drones shoot is really amazing.
- 15:38SPEAKER_00: Because that one video that Metal Church shot inside that cooling tower at
- 15:44SPEAKER_00: that decommissioned nuclear plant, they shot that all with drones.
- 15:50SPEAKER_00: It has got, what, like stabilizer camera on it?
- 15:52SPEAKER_00: It's amazing.
- 15:54SPEAKER_01: Yeah.
- 15:55SPEAKER_00: I mean, you know,
- 15:56SPEAKER_00: you used to have to have like a boom and a,
- 15:58SPEAKER_00: you know, a high def camera and all this.
- 16:02SPEAKER_00: Now they got these little drones that just fly everywhere, you know?
- 16:05SPEAKER_00: You just need a drone and an iPhone.
- 16:07SPEAKER_00: Yeah, more or less.
- 16:08SPEAKER_00: Well, they do use the iPhone camera.
- 16:10SPEAKER_00: I mean, they don't use the actual iPhone.
- 16:13SPEAKER_00: They actually use the lens of an iPhone camera.
- 16:16SPEAKER_01: Right.
- 16:16SPEAKER_00: You know, and they get these incredible shots with these little drones.
- 16:22SPEAKER_00: Right.
- 16:22SPEAKER_00: Right.
- 16:24SPEAKER_00: So they use these in concert now.
- 16:26SPEAKER_00: And I don't know if you noticed that.
- 16:28SPEAKER_00: Did you look at that guy who jumped the canyon last week?
- 16:33SPEAKER_01: Yeah.
- 16:34SPEAKER_00: Did you see that they used drones for that?
- 16:36SPEAKER_00: Yeah, I did.
- 16:37SPEAKER_00: To catch his ascent?
- 16:40SPEAKER_01: Yep.
- 16:42SPEAKER_00: That technology is fantastic.
- 16:45SPEAKER_01: Yeah, it is.
- 16:47SPEAKER_00: It was a huge success for us to do Kiss Rocks Vegas in
- 16:50SPEAKER_00: that way was something we couldn't say no to.
- 16:54SPEAKER_00: The idea of building a show that didn't have to be transportable or taken down every night.
- 16:59SPEAKER_00: We could basically do a stadium show in a small venue because we brought it in piece by piece.
- 17:09SPEAKER_00: The visual presentation and the surround sound is just fantastic,
- 17:13SPEAKER_00: and I especially enjoy getting blown to bits by your classic guitar destruction at
- 17:19SPEAKER_00: the end of the show.
- 17:20SPEAKER_00: You must really be pleased with how it all turned out.
- 17:24SPEAKER_01: Brother.
- 17:25SPEAKER_00: And Paul's answer?
- 17:26SPEAKER_01: Well, not as much as I'm pleased by you continually sucking my cock.
- 17:29SPEAKER_01: Right.
- 17:30SPEAKER_01: Jeez, oh man, enough.
- 17:34SPEAKER_01: All right, go ahead.
- 17:34SPEAKER_00: He says, oh, we're very pleased.
- 17:36SPEAKER_00: The band was great.
- 17:37SPEAKER_00: The venue was great.
- 17:38SPEAKER_00: The show was great.
- 17:40SPEAKER_00: The food was great.
- 17:42SPEAKER_00: The groupies were great.
- 17:45SPEAKER_00: Being able to really capture it in that way was very satisfying for all of us.
- 17:49SPEAKER_00: I think it was a great document and a great testament to who we are and what we are.
- 17:54SPEAKER_00: Right.
- 17:55SPEAKER_00: Having the KISS acoustic set in there as a bonus and getting
- 17:59SPEAKER_00: to hear classic songs like plaster cast or all strip bare just adds to
- 18:03SPEAKER_00: the overall package.
- 18:05SPEAKER_00: Stanley says, yeah, we wanted to do more than just have a concert, so to speak.
- 18:10SPEAKER_00: So including our acoustic set,
- 18:12SPEAKER_00: which we do every day before our electric shows is something like MTV Unplugged.
- 18:18SPEAKER_00: People get to see what we are when you strip everything away.
- 18:23SPEAKER_00: Good.
- 18:24SPEAKER_00: Yay.
- 18:27SPEAKER_00: If you don't have a good core songs to begin with,
- 18:29SPEAKER_00: stripping them down in that way won't get them across any better
- 18:32SPEAKER_00: because Kiss songwriting has been so strong since Tommy Thayer joined the band.
- 18:38SPEAKER_00: Oh, that's not what he said.
- 18:40SPEAKER_00: Has been so strong for the past 40 plus years, these songs really come across acoustically.
- 18:47SPEAKER_00: I think so.
- 18:47SPEAKER_00: You can enhance something with as many bombs and laser beams as you want,
- 18:53SPEAKER_00: but a crap song is a crap song.
- 18:56SPEAKER_00: And if anybody would know a crap song,
- 18:58SPEAKER_01: it is Paul Stanley.
- 19:00SPEAKER_01: Right.
- 19:01SPEAKER_01: Put out solo album after solo album of crap songs.
- 19:05SPEAKER_00: For those of you,
- 19:06SPEAKER_00: for those of us who put the needle to the groove on Destroyer back in the day,
- 19:12SPEAKER_00: I can definitely say that you have plenty of good songs to pull from.
- 19:15SPEAKER_00: Would you say vinyl is your favorite listening method?
- 19:19SPEAKER_00: What do you think his answer is?
- 19:22SPEAKER_01: Well, I like all kinds, but we grew up on vinyl, so I would have to say yes.
- 19:30SPEAKER_00: That's an interesting one.
- 19:31SPEAKER_00: I know people swear by vinyl.
- 19:34SPEAKER_00: For me, what it has in warmth, it lacks in top end.
- 19:40SPEAKER_00: It's interesting for me because I like a certain,
- 19:43SPEAKER_00: I don't want to say strident top end to something,
- 19:46SPEAKER_00: but I like more highs perhaps than most vinyl has.
- 19:50SPEAKER_00: It certainly has more warmth, and I understand that.
- 19:53SPEAKER_00: Me, I'd rather listen to vinyl than re-EQ it.
- 19:55SPEAKER_00: Okay.
- 19:55SPEAKER_00: Okay.
- 20:05SPEAKER_00: I really grew up in an era where once we got into studio,
- 20:08SPEAKER_00: we were listening to JBL 4311 Studio monitor speakers,
- 20:13SPEAKER_00: L100 Studio floor speakers, and Yamaha NS10s.
- 20:18SPEAKER_00: Man, this guy knows his equipment.
- 20:20SPEAKER_00: Geez, oh man, enough.
- 20:22SPEAKER_00: Those really became the benchmark and the standard for what I was comfortable listening to.
- 20:26SPEAKER_00: I was never somebody who was impressed with the complete transparency of music.
- 20:31SPEAKER_00: I used to call those doctor systems because somebody thought that was the way to go
- 20:36SPEAKER_00: when, in fact, I like music to be somewhat colored.
- 20:41SPEAKER_00: Racist.
- 20:41SPEAKER_00: Colored.
- 20:43SPEAKER_00: Racist.
- 20:44SPEAKER_00: In particular,
- 20:45SPEAKER_00: I've always been a huge fan of the sound of JBL speakers with music,
- 20:49SPEAKER_00: and that's because when I was in Electric Lady Studios as a teenager...
- 20:55SPEAKER_00: That's when I was listening to music.
- 20:57SPEAKER_00: That's what I was listening to music on.
- 20:59SPEAKER_00: Stanley and Simmons hung out at the Electric Lady Studios in New York City,
- 21:03SPEAKER_00: which was built to the exact specifications of none other than Jimi Hendrix in
- 21:08SPEAKER_00: the early 70s whenever they could sing background vocals for the likes
- 21:14SPEAKER_00: of Lynn Christopher until in 1973 Kiss cut a five-track demo at Electric Lady
- 21:21SPEAKER_00: with Hendrix's favorite producer, Eddie Kramer.
- 21:24SPEAKER_01: Who wrote this out, this thing, Shadow Steel?
- 21:29SPEAKER_01: Jesus Christ, could he jam any more exact dates into this?
- 21:33SPEAKER_01: God.
- 21:36SPEAKER_00: The writer writes or asks, I always love the Macintosh Blue Glow.
- 21:41SPEAKER_00: Do you have a favorite album or artist that you consider
- 21:45SPEAKER_00: to be your perfect listening experience on that system?
- 21:50SPEAKER_00: And he's like, what?
- 21:54SPEAKER_00: Well, he wants to get all technical with Paul.
- 21:57SPEAKER_01: Okay.
- 21:57SPEAKER_01: Yeah, but I'm saying Paul's answer is
- 21:58SPEAKER_00: probably like, huh?
- 21:59SPEAKER_00: No, I think Paul actually has an answer.
- 22:02SPEAKER_00: Okay, good.
- 22:03SPEAKER_00: Well, Steely Dan sounds pretty amazing.
- 22:06SPEAKER_00: And obviously, Led Zeppelin and things like that are phenomenal.
- 22:10SPEAKER_00: Led Zeppelin has always, for me, stands the test of time.
- 22:14SPEAKER_00: But Steely Dan,
- 22:16SPEAKER_00: what you hear going on on some of those tracks when you're listening on
- 22:19SPEAKER_00: a good system is kind of a mind-blowing thing.
- 22:23SPEAKER_00: Experience,
- 22:26SPEAKER_00: something that perhaps insulated in the background audio-wise,
- 22:29SPEAKER_00: suddenly on a good system,
- 22:31SPEAKER_00: you get what the instrument is doing and what it is being played.
- 22:37SPEAKER_00: A lot of modern listeners stream your music.
- 22:39SPEAKER_00: Some Kiss songs have well over 20 million listens on Spotify,
- 22:43SPEAKER_00: like I Was Made for Loving You, Heavens on Fire, Rock and Roll All Night.
- 22:48SPEAKER_00: What do you as an artist feel about streaming?
- 22:52SPEAKER_00: What do you think?
- 22:54SPEAKER_00: Hates it.
- 22:56SPEAKER_00: I think it's ruining the industry.
- 22:59SPEAKER_00: Okay.
- 23:00SPEAKER_00: It's a choice.
- 23:02SPEAKER_00: It's a convenience for sure.
- 23:03SPEAKER_00: And then it just comes down to, is the artist getting paid?
- 23:10SPEAKER_00: What happened when the internet got involved with the music is that initially,
- 23:15SPEAKER_00: and to this day, in some ways, is stolen property.
- 23:20SPEAKER_00: And it's really not fair when the artist is making a deal based upon take it or leave it.
- 23:25SPEAKER_00: I don't believe that most artists are getting what they deserve.
- 23:28SPEAKER_00: They're getting what they can.
- 23:31SPEAKER_00: And that's ass backwards.
- 23:32SPEAKER_00: That's the tail wagging the dog when somebody is in essence saying,
- 23:38SPEAKER_00: I will do this with or without you.
- 23:41SPEAKER_00: Well, you don't have much to stand on and that's the unfairness.
- 23:44SPEAKER_00: That's the injustice of the internet.
- 23:48SPEAKER_01: See...
- 23:50SPEAKER_01: We go round and round with this.
- 23:53SPEAKER_01: The artists on this don't get it.
- 23:57SPEAKER_01: Music has less value now.
- 24:00SPEAKER_01: It just doesn't have value.
- 24:03SPEAKER_01: In the 70s and 80s and 90s,
- 24:06SPEAKER_01: I guess,
- 24:07SPEAKER_01: up until streaming or up until MP3s came around,
- 24:12SPEAKER_01: part of the value was the collectability of it.
- 24:17SPEAKER_00: And the fact that you couldn't really get it anywhere else
- 24:20SPEAKER_00: unless you were trading tapes or something.
- 24:22SPEAKER_01: Well, yeah,
- 24:23SPEAKER_01: but I mean,
- 24:24SPEAKER_01: when
- 24:27SPEAKER_01: you liked a band, whatever that band was, you bought everything from that band.
- 24:35SPEAKER_00: Yeah, but you couldn't get it any other way, though.
- 24:38SPEAKER_01: You could.
- 24:38SPEAKER_01: There was way.
- 24:39SPEAKER_01: You could tape your friends or whatever.
- 24:41SPEAKER_00: Well, that's what I'm saying.
- 24:41SPEAKER_00: Unless you were trading tapes.
- 24:44SPEAKER_01: Right, right.
- 24:45SPEAKER_00: But that took some effort to do that.
- 24:48SPEAKER_01: Sure.
- 24:49SPEAKER_01: But you could get it.
- 24:52SPEAKER_01: And part of what made it cool back then was having it.
- 24:58SPEAKER_01: Mm-hmm.
- 24:59SPEAKER_01: The credits, you know, we all knew the producers.
- 25:03SPEAKER_01: We all knew who the girlfriends were.
- 25:05SPEAKER_01: Sure.
- 25:05SPEAKER_01: We all knew all that shit.
- 25:07SPEAKER_01: We read the credits and looked for names of guys from other bands we listened to.
- 25:11SPEAKER_01: Mm-hmm.
- 25:13SPEAKER_01: All of that stuff was part of it.
- 25:16SPEAKER_01: But with the advent of digital media,
- 25:19SPEAKER_01: and not just in music,
- 25:21SPEAKER_01: but across the board digital media, that shit's not important anymore.
- 25:26SPEAKER_00: Well, again, it's devalued it because it's so easily attainable for nothing.
- 25:31SPEAKER_01: Yeah, but you still don't...
- 25:34SPEAKER_01: Like, I was a credit whore, and I'm sure you were too.
- 25:37SPEAKER_00: Yeah, I am.
- 25:38SPEAKER_00: I still do.
- 25:39SPEAKER_00: I still enjoy a physical CD just to see what they put in the credits.
- 25:43SPEAKER_01: See, and me anymore, I can't be bothered with that shit.
- 25:46SPEAKER_01: Right.
- 25:47SPEAKER_01: I just can't be bothered wasting my time.
- 25:51SPEAKER_01: You know, half of my shit doesn't even have the right art on it.
- 25:55SPEAKER_01: Quite honestly, you know, when I look at my phone, you know, it's whatever.
- 25:58SPEAKER_01: Amazon slaps on it, and I don't go back through and fix it.
- 26:01SPEAKER_01: I don't care.
- 26:02SPEAKER_01: You know, it just isn't important anymore.
- 26:05SPEAKER_01: And it's because music in general is not a collectible to me anymore.
- 26:10SPEAKER_01: It's just fucking background.
- 26:12SPEAKER_01: And there's one part ease,
- 26:14SPEAKER_01: one part the music's not as good as it used to be,
- 26:19SPEAKER_01: and one big part just, you know, I've gotten older.
- 26:26SPEAKER_01: I've changed.
- 26:27SPEAKER_01: And I think the audience has changed, but the artists don't get it.
- 26:31SPEAKER_00: Well, you know, I'm going to side with Paul here a little bit.
- 26:36SPEAKER_00: Okay.
- 26:36SPEAKER_00: Because you're kind of making his point that since the invent of the internet,
- 26:44SPEAKER_00: you had to go by, if you wanted to own certain music.
- 26:49SPEAKER_00: Yeah.
- 26:49SPEAKER_00: Barring your taping your friend's record or, you know, dubbing tapes or whatever.
- 26:56SPEAKER_01: Yeah.
- 26:56SPEAKER_01: Yeah.
- 26:57SPEAKER_00: You had to go get it because there was no other way of getting it.
- 27:01SPEAKER_00: There was no other way.
- 27:03SPEAKER_00: Right.
- 27:04SPEAKER_00: Now with the internet,
- 27:05SPEAKER_00: with all the download sites and the BitTorrents and all these other stuff,
- 27:11SPEAKER_00: everything's out there for nothing.
- 27:14SPEAKER_00: So nobody has any reason to go get it.
- 27:17SPEAKER_00: And you're not going to go buy it for an album cover,
- 27:21SPEAKER_00: especially if you could have all the songs.
- 27:24SPEAKER_00: The album covers and the credits and all that was just a bonus to owning the music.
- 27:31SPEAKER_00: But when you can get the music for nothing,
- 27:34SPEAKER_00: it's just like, well,
- 27:35SPEAKER_00: you know,
- 27:36SPEAKER_00: I think it's cool and everything,
- 27:37SPEAKER_00: but I'm not going to go buy the record just to read it.
- 27:40SPEAKER_01: Right.
- 27:42SPEAKER_01: But you know what, though?
- 27:43SPEAKER_01: I mean, I still buy the occasional record here and there, and I don't need to.
- 27:47SPEAKER_01: I mean, fuck, they send us everything.
- 27:49SPEAKER_01: Sure.
- 27:49SPEAKER_01: But, like, I've bought, I don't know, two or three records this year.
- 27:54SPEAKER_01: You know,
- 27:55SPEAKER_01: I bought the Zach record,
- 27:57SPEAKER_01: and I bought the Chris Robinson Brotherhood record,
- 28:01SPEAKER_01: and I think I bought the Volbeat record.
- 28:05SPEAKER_01: You know, and...
- 28:07SPEAKER_01: I'll buy it on occasion if it's something...
- 28:09SPEAKER_01: I bought the Metallica record.
- 28:10SPEAKER_01: I pre-ordered it.
- 28:12SPEAKER_01: So I will buy on occasion.
- 28:15SPEAKER_01: But ultimately... And see, this is what I've always said about downloading.
- 28:19SPEAKER_01: People don't go...
- 28:21SPEAKER_01: If they're real into a band, they'll buy it.
- 28:26SPEAKER_01: Even if it's free.
- 28:27SPEAKER_01: Even if you can get it from a torrent site or whatever.
- 28:30SPEAKER_01: Most of the shit that people download is that stuff that they...
- 28:35SPEAKER_01: Maybe had an interest in, but never enough interest to check it out.
- 28:40SPEAKER_01: You know, like, and I'll be honest, from the Napster days, I grabbed all the Triumph shit.
- 28:47SPEAKER_01: That's when I got Triumph.
- 28:50SPEAKER_01: And I deleted most of it because I wasn't into it.
- 28:53SPEAKER_01: But, you know, I mean, I would have never bought it, ever.
- 29:00SPEAKER_01: I would have never bought it.
- 29:01SPEAKER_01: And now, you know, now I'll just listen to it on Spotify.
- 29:04SPEAKER_01: Sure.
- 29:05SPEAKER_01: Because that's all the more I need.
- 29:06SPEAKER_01: Every once in a while I get the urge to lay it on the line or whatever.
- 29:12SPEAKER_01: So I listen to it on Spotify and I'm good.
- 29:13SPEAKER_01: Sure.
- 29:14SPEAKER_01: Because that's all the more value it actually has to me.
- 29:17SPEAKER_01: Triumph does not have $13 worth of value to me.
- 29:20SPEAKER_01: Right.
- 29:21SPEAKER_01: They have, you know, the one-tenth of one cent that they get from a plate.
- 29:27SPEAKER_01: Sure.
- 29:29SPEAKER_01: You know, that's what I'm willing to give them.
- 29:32SPEAKER_01: And I think that's the truth of the matter is that the artists have overblown their thought.
- 29:41SPEAKER_01: First of all, they overcharged for however many years.
- 29:43SPEAKER_01: Yeah, they did.
- 29:44SPEAKER_01: I agree.
- 29:45SPEAKER_01: Part of this is backlash to that after overcharging 1899 for a fucking 30 minute CD.
- 29:52SPEAKER_01: Sure.
- 29:53SPEAKER_01: You know, and they still overcharge that fucking Rob Zombie.
- 29:56SPEAKER_01: You know, he put out a record like six months ago or whatever it was.
- 30:00SPEAKER_03: Mm hmm.
- 30:01SPEAKER_03: Hello.
- 30:02SPEAKER_01: Good afternoon.
- 30:03SPEAKER_01: How are you?
- 30:04SPEAKER_03: I'm good.
- 30:05SPEAKER_03: I'm just in the middle of a confessional church, but I got time.
- 30:10SPEAKER_03: Oh, you're at church?
- 30:10SPEAKER_03: I don't want to bother you.
- 30:11SPEAKER_03: No, it's okay.
- 30:12SPEAKER_03: I'm not the confessional, but the priest is in here.
- 30:14SPEAKER_03: I've been here for like 20 minutes, so I got time.
- 30:16SPEAKER_03: Okay, real quick, this is a mortgage.
- 30:20SPEAKER_03: Now, were you looking to pay off debt or make some home improvements?
- 30:23SPEAKER_03: Both, actually.
- 30:25SPEAKER_03: Man, I haven't been at confessional in years.
- 30:27SPEAKER_03: I don't even know how it works anymore to you.
- 30:30SPEAKER_03: Confession?
- 30:31SPEAKER_03: Excuse me?
- 30:32SPEAKER_03: Yeah.
- 30:32SPEAKER_03: Are you asking me if I know?
- 30:34SPEAKER_03: I'm just honestly a little stunned.
- 30:37SPEAKER_03: I'm Catholic.
- 30:38SPEAKER_03: I don't understand.
- 30:40SPEAKER_03: Like, that's not okay.
- 30:42SPEAKER_03: What's not okay?
- 30:43SPEAKER_03: You should probably say something about this in your confessions.
- 30:48SPEAKER_03: I don't know.
- 30:48SPEAKER_03: Is it a joke to you?
- 30:49SPEAKER_03: No, I was asking you if you knew.
- 30:51SPEAKER_03: I haven't been here in a while.
- 30:52SPEAKER_03: I'm just having a conversation with you.
- 30:55SPEAKER_03: Why are you asking me is what I'm...
- 30:57SPEAKER_03: I'm confused.
- 30:58SPEAKER_03: I'm a little bit taken back.
- 31:00SPEAKER_03: You're taken back.
- 31:01SPEAKER_03: I'm honestly uncomfortable.
- 31:02SPEAKER_03: I don't think you believe in... Maybe you should leave that church.
- 31:06SPEAKER_03: No, I'm... You're not a good person.
- 31:09SPEAKER_03: Why am I not a good person?
- 31:10SPEAKER_03: Did I ask you a question?
- 31:12SPEAKER_03: I don't like this.
- 31:13SPEAKER_03: I'm asking for advice.
- 31:14SPEAKER_03: I'm in the confessional right now waiting for the priest.
- 31:16SPEAKER_03: That's why I just asked you that question.
- 31:18SPEAKER_03: That's awesome.
- 31:19SPEAKER_03: It wasn't out of the blue.
- 31:20SPEAKER_03: Congratulations.
- 31:21SPEAKER_03: You're at a church.
- 31:22SPEAKER_03: There's deacons.
- 31:23SPEAKER_03: There's everybody around you.
- 31:24SPEAKER_03: James, you've got to take care of yourself a little bit better.
- 31:27SPEAKER_03: You can't be in a church and talk like that.
- 31:29SPEAKER_03: Well, that's why I'm in the confessional.
- 31:30SPEAKER_03: I'm trying to get better.
- 31:32SPEAKER_03: Oh, hello?
- 31:33SPEAKER_03: Hi.
- 31:35SPEAKER_03: Hi, this is Father Don.
- 31:36SPEAKER_03: Do you have any sins you'd like to confess, son?
- 31:40SPEAKER_03: Is using a butt plug a sin?
- 31:42SPEAKER_03: You can't be in a church and talk like that.
- 31:45SPEAKER_03: Technically, it's not.
- 31:47SPEAKER_03: James, God's looking at you right now, and he doesn't like what he sees.
- 31:51SPEAKER_03: What if I used it on myself?
- 31:54SPEAKER_03: I'm going to have to look that one up.
- 31:59SPEAKER_01: It's regular cost, $13.99, or what's a disc cost now, like $13.99?
- 32:04SPEAKER_00: You know, it's been so long, I haven't been to a record store forever.
- 32:07SPEAKER_00: I haven't even looked at a CD for, I couldn't tell you when.
- 32:12SPEAKER_01: Let's just say it was like 13 bucks.
- 32:13SPEAKER_01: I'm sure it's probably in there.
- 32:15SPEAKER_01: Sure.
- 32:16SPEAKER_01: Right?
- 32:18SPEAKER_01: 24 minutes.
- 32:21SPEAKER_01: 24 minutes.
- 32:23SPEAKER_01: Why would you buy that?
- 32:24SPEAKER_00: Yeah, it's 50 cents a minute.
- 32:26SPEAKER_01: Yeah.
- 32:27SPEAKER_01: Why would you drop down $13 for that?
- 32:31SPEAKER_01: That's fucking ridiculous.
- 32:33SPEAKER_01: Mm-hmm.
- 32:34SPEAKER_01: You know, so...
- 32:36SPEAKER_01: You know, I mean, it's really turned into what is important now.
- 32:41SPEAKER_01: It's a collector's market.
- 32:42SPEAKER_01: Right.
- 32:43SPEAKER_01: If you're into it,
- 32:44SPEAKER_01: you'll go and buy the vinyl,
- 32:46SPEAKER_01: and if you collect vinyl, and that's who buys records anymore.
- 32:50SPEAKER_01: The rest of us just listen on fucking Spotify or Apple Music or whatever,
- 32:55SPEAKER_01: you know, because the market has changed.
- 32:58SPEAKER_01: Sorry, Paul, but your shitty monster record is not worth $13 anymore.
- 33:03SPEAKER_01: Sure.
- 33:04SPEAKER_01: It's not.
- 33:05SPEAKER_01: It's not.
- 33:07SPEAKER_01: You know,
- 33:07SPEAKER_01: just because Kiss is putting out a record anymore, I mean,
- 33:10SPEAKER_01: dude, when Kiss was putting out Monster, did you even listen to it when it came out?
- 33:15SPEAKER_01: No.
- 33:16SPEAKER_00: I mean, you're a Kiss fan, aren't you?
- 33:18SPEAKER_00: I like some of their stuff.
- 33:19SPEAKER_00: I'm not a diehard fan.
- 33:21SPEAKER_00: I've seen them maybe four times.
- 33:25SPEAKER_01: So even today, you probably have not listened to that whole album.
- 33:28SPEAKER_00: I got to be honest with you.
- 33:29SPEAKER_00: No, I didn't.
- 33:30SPEAKER_01: And you probably didn't listen to the one that came after that,
- 33:32SPEAKER_01: Hell or Hallelujah, or is that the same album?
- 33:33SPEAKER_01: I don't even know.
- 33:35SPEAKER_01: What was the other one?
- 33:36SPEAKER_01: Sonic Boom.
- 33:37SPEAKER_01: Sonic Boom.
- 33:38SPEAKER_01: Did you listen to that one?
- 33:39SPEAKER_01: No.
- 33:40SPEAKER_01: Yeah.
- 33:41SPEAKER_01: That's the point.
- 33:42SPEAKER_01: Back in the old days, you would have bought them.
- 33:44SPEAKER_01: Sure.
- 33:45SPEAKER_01: Even though you're the same level of a Kiss fan that you were 20 years ago, right?
- 33:52SPEAKER_01: Pretty much, yeah.
- 33:53SPEAKER_01: They were always okay.
- 33:55SPEAKER_01: If they had something out, you'd go get it.
- 33:57SPEAKER_01: Sure.
- 33:58SPEAKER_01: But now, you won't because the music has less value.
- 34:03SPEAKER_01: Right.
- 34:04SPEAKER_01: And that's my point.
- 34:07SPEAKER_01: There's so many other things that you can watch and do and view and listen to and whatnot.
- 34:14SPEAKER_00: But it is an oversaturation of what's available to you.
- 34:18SPEAKER_00: Because back in our day,
- 34:21SPEAKER_00: back in the 80s,
- 34:23SPEAKER_00: the only two things you had was commercial radio and buying a record or a tape.
- 34:30SPEAKER_01: Yeah, Tuesday was a fucking holiday
- 34:32SPEAKER_00: for me.
- 34:32SPEAKER_00: That was it.
- 34:33SPEAKER_00: Now today you got Netflix, you got Amazon, you got Spotify, you got Cody.
- 34:41SPEAKER_00: Maybe you do.
- 34:43SPEAKER_00: You got all kinds of stuff.
- 34:45SPEAKER_00: So it's oversaturation of media.
- 34:51SPEAKER_00: When we were kids,
- 34:54SPEAKER_00: the only outlets for music,
- 34:55SPEAKER_00: obviously,
- 34:56SPEAKER_00: like I said,
- 34:57SPEAKER_00: is either the record store, commercial radio, or actually going to the live show.
- 35:04SPEAKER_00: That was it.
- 35:05SPEAKER_01: But what does oversaturation do in any market?
- 35:08SPEAKER_01: It makes it worthless.
- 35:09SPEAKER_01: Yeah, it lowers the value.
- 35:12SPEAKER_01: Yeah, and that's exactly what has happened.
- 35:16SPEAKER_00: But that's kind of the point that Paul was saying,
- 35:19SPEAKER_00: is that since the invent of the internet,
- 35:21SPEAKER_00: because everything's internet-driven,
- 35:23SPEAKER_00: be it Netflix or Spotify or everything,
- 35:28SPEAKER_00: that's devalued the art or the product, rather.
- 35:33SPEAKER_01: Sure.
- 35:34SPEAKER_00: And that's what he's saying.
- 35:35SPEAKER_00: It's just like it's hard to make any money at this now
- 35:38SPEAKER_00: because everything is devalued,
- 35:40SPEAKER_00: just like we went through this elaborate discussion to say how it became devalued.
- 35:46SPEAKER_01: Yeah, but don't you think Kiss are fucking as guilty as anybody for devaluing things
- 35:51SPEAKER_01: by oversaturating the market with their own shit?
- 35:54SPEAKER_01: Sure.
- 35:55SPEAKER_01: You know, I mean,
- 35:56SPEAKER_01: even they were one of the first ones to get on board with the release in concerts
- 36:00SPEAKER_01: the night of the show.
- 36:02SPEAKER_01: And what did they do?
- 36:04SPEAKER_01: They devalued that to where that's not worth anything anymore.
- 36:09SPEAKER_00: But they struck while the iron was hot, and they capitalized on it while it lasted.
- 36:13SPEAKER_01: Yeah, but the point is, don't bitch, because they're part of the problem.
- 36:18SPEAKER_01: Sure.
- 36:20SPEAKER_01: And that's really what I think, is that they are a part of the problem.
- 36:24SPEAKER_01: But yeah,
- 36:27SPEAKER_01: he could be right,
- 36:28SPEAKER_01: but at the same time, he's got to accept that music is just not valuable anymore.
- 36:33SPEAKER_01: Just not.
- 36:35SPEAKER_01: You know, take that, you know, I'm not saying it's not good.
- 36:37SPEAKER_01: I'm not saying that I don't like listening to it.
- 36:40SPEAKER_01: You know,
- 36:41SPEAKER_01: if my favorite bands,
- 36:42SPEAKER_01: if somehow there was a,
- 36:45SPEAKER_01: like they're getting ready to release the 20th anniversary
- 36:48SPEAKER_01: of Great Southern Trendkill and it's going to have like a bunch of songs
- 36:51SPEAKER_01: that didn't make that record.
- 36:53SPEAKER_01: I'm excited about that.
- 36:55SPEAKER_01: I'll buy that.
- 36:57SPEAKER_01: But they reformed Pantera.
- 37:02SPEAKER_01: I'd listen to it before I would buy it.
- 37:04SPEAKER_01: And I'm a Pantera fan.
- 37:06SPEAKER_01: Sure.
- 37:07SPEAKER_01: You know?
- 37:09SPEAKER_00: That's just the way it is.
- 37:10SPEAKER_00: Yep, I agree.
- 37:11SPEAKER_00: Well, let's wrap this up real quick.
- 37:14SPEAKER_00: All right.
- 37:16SPEAKER_00: I have to say I love the cover of Freeze, Fire and Water.
- 37:20SPEAKER_00: You sang and played on with Ace Frehley on his Origins Volume 1 solo album.
- 37:26SPEAKER_00: Thank you.
- 37:26SPEAKER_00: Thank you.
- 37:27SPEAKER_00: I enjoyed doing it.
- 37:28SPEAKER_00: It was great to connect with Ace in a positive way and to reminisce and recall all
- 37:33SPEAKER_00: the good stuff and put aside all the other bad stuff.
- 37:38SPEAKER_00: Please stop sucking his dick.
- 38:00SPEAKER_01: He stinks now.
- 38:03SPEAKER_00: You know your timber changes and your range may change, and that is par for the chorus.
- 38:09SPEAKER_00: It is ridiculous to go see an artist 30 or 40 years on and say,
- 38:14SPEAKER_00: gee, he doesn't play or sound like he once did.
- 38:17SPEAKER_00: Of course he doesn't.
- 38:18SPEAKER_00: He's 30 or 40 years older.
- 38:19SPEAKER_00: Yeah.
- 38:23SPEAKER_00: Okay.
- 38:25SPEAKER_00: Is it fair to say that 50 or more years from now when most of us are no longer
- 38:30SPEAKER_00: on this planet,
- 38:30SPEAKER_00: Kiss songs like Love Gun,
- 38:32SPEAKER_00: Rock and Roll Our Night are still going to be listened to by many generations
- 38:37SPEAKER_00: to come?
- 38:37SPEAKER_00: And do you feel Kiss music is timeless music?
- 38:41SPEAKER_00: Of course it is.
- 38:42SPEAKER_00: I do.
- 38:45SPEAKER_00: I do.
- 38:46SPEAKER_00: You only have to come to a concert and see that it has really evolved into a tribe.
- 38:54SPEAKER_00: And that you have your neighbors, your younger siblings, your grandparents there.
- 38:58SPEAKER_00: It's really about having a pivotal moment and a pivotal time in your life with us
- 39:03SPEAKER_00: and with all of those people.
- 39:18SPEAKER_03: Heavy Metal Warriors, are you ready to crank it up?
- 39:23SPEAKER_03: The Classic Metal Show is live every Saturday night,
- 39:27SPEAKER_03: 9pm to 3a, and you can blast it right on your big screen TV.
- 39:32SPEAKER_03: Just download the Check the Rumble app on your smart TV or streaming device.
- 39:36SPEAKER_03: Head to rumble.com slash c slash CMS.
- 39:39SPEAKER_03: Follow the channel and get ready to head bang from your couch or your bed.
- 39:43SPEAKER_03: Monday through Friday at 8 p.m. Catch the daily replay.
- 39:48SPEAKER_03: The Classic Metal Show, louder on Rumble!