Latest / Club 520 Podcast / Club 520 - Chase B on TOURING with Travis Scott, BEST DJ venues, Jay-Z New York shows

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Club 520 - Chase B on TOURING with Travis Scott, BEST DJ venues, Jay-Z New York shows · Club 520 Podcast

• 0:01
  Speaker 1: The volume shout out to boost Mobile, official sponsor of
• 0:07
  Speaker 1: Club five to twenty, and they back again and let
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• 0:39
  Speaker 1: of January twenty twenty six.
• 0:40
  Speaker 2: For full offer to tails, visit boosmobile dot com.
• 0:43
  Speaker 1: All right, man, we back another episode of Club five
• 0:45
  Speaker 1: to twenty Podcasts.
• 0:46
  Speaker 2: I'm your host. My name is DJ Willis brought you
• 0:48
  Speaker 2: Bob boost Smogle.
• 0:49
  Speaker 1: You know the vibes man twenty five dollars unlimited nationwide,
• 0:52
  Speaker 1: Tap in with the family chase. You've been around the
• 0:54
  Speaker 1: block for a long time, brother. I know you had
• 0:56
  Speaker 1: a Bootmobile back in the day man did I definitely
• 0:58
  Speaker 1: got the church. I had the next tail if to
• 1:00
  Speaker 1: mob them know, I'm trying to fuck y'all back up
• 1:02
  Speaker 1: andything like that. Now it's the same family next year.
• 1:04
  Speaker 2: Who's yeah? Yeah, we like the prepaid version for show Man.
• 1:06
  Speaker 1: Yeah, man liking when my got for show Let's get
• 1:09
  Speaker 1: it done for show manns A hard rock.
• 1:11
  Speaker 2: Bet be here. How you feeling right now?
• 1:12
  Speaker 1: Man? That's a little shaky, bro, But you know what
• 1:15
  Speaker 1: I mean. I'm still here to fight another day. I'm
• 1:18
  Speaker 1: probably in total this year twenty six so far, I
• 1:22
  Speaker 1: probably lost people, probably close to three four hundred thousand.
• 1:29
  Speaker 2: That's shaky for sure. Yeah, Lazy ain't been busting, bro.
• 1:33
  Speaker 1: I ain't gonna lie. If you three hundred, please call
• 1:35
  Speaker 1: the hollerine at the bottom of this ad. Try to
• 1:37
  Speaker 1: get another waves man for sure. But we're gonna get
• 1:39
  Speaker 1: this money anyway. Downloaded ad ight, bet be here, got
• 1:41
  Speaker 1: the lazy to get your paid man and shot plug
• 1:44
  Speaker 1: five twenty dot com and gets your march man. We've
• 1:45
  Speaker 1: got a special guest in the building, as usually introduce
• 1:48
  Speaker 1: him last to my far left. We got my dog
• 1:50
  Speaker 1: Bishop be here after prail LEAs. How you what nasty,
• 1:52
  Speaker 1: cool and nasty. Man.
• 1:53
  Speaker 2: Glad we got my guy. Man, it's gonna be a
• 1:55
  Speaker 2: good one for sure.
• 1:56
  Speaker 1: Come on, man, another legend from your second hometown, man,
• 1:59
  Speaker 1: second hotel.
• 2:00
  Speaker 2: You know he is hon Houston. Is that right?
• 2:02
  Speaker 1: We did our first live shoulder and they I heard
• 2:05
  Speaker 1: it was I heard it was sold out. The whole
• 2:06
  Speaker 1: thing went crazy. That's love, man, Proud of my city
• 2:09
  Speaker 1: for that.
• 2:09
  Speaker 2: For real. When they when they called my name, I
• 2:13
  Speaker 2: told you that's what we gotta get.
• 2:20
  Speaker 1: Gonna say that.
• 2:23
  Speaker 2: Man. Still to my right, my dog young, not your
• 2:25
  Speaker 2: young teag. How you are chilling?
• 2:27
  Speaker 3: Bro?
• 2:27
  Speaker 1: I'm excited, man. I got some questions for sure. You
• 2:30
  Speaker 1: got heard some good things about the Dallas show that
• 2:32
  Speaker 1: you'all went to. I asked, I talked about it. Come on, man,
• 2:35
  Speaker 1: we got a lot to talk about. Man.
• 2:37
  Speaker 2: Come on, man, we got the young legend in the building.
• 2:39
  Speaker 1: Man. He don't just do music, man, he creates ship.
• 2:41
  Speaker 1: One of the flyes dudes out here right now we're
• 2:42
  Speaker 1: talking about O d J. Be our dog, big dog.
• 2:44
  Speaker 1: Appreciate your sliding on this, man.
• 2:46
  Speaker 2: I'm not gonna y'all do this. Man, y'all do this.
• 2:48
  Speaker 2: That was that was seamless know it's regular. You know
• 2:59
  Speaker 2: that's the name of it. That's so real. Now, I
• 3:01
  Speaker 2: appreciate you having man a big fan of the show,
• 3:03
  Speaker 2: you know what I'm saying.
• 3:03
  Speaker 1: Sometimes you just want to look up on the screen
• 3:05
  Speaker 1: to see, you know, people that look like you just
• 3:06
  Speaker 1: talking about cool shit, you know what I'm saying.
• 3:08
  Speaker 2: So I'm glad to be here for real? Now what said?
• 3:09
  Speaker 1: Like we said, you see the oneful background right here
• 3:11
  Speaker 1: before y'all tapped in for show Man, we had the
• 3:13
  Speaker 1: fireplace cracking back here.
• 3:14
  Speaker 2: You know what I'm saying.
• 3:15
  Speaker 1: The legendary of YouTube sets obviously with you've been at
• 3:17
  Speaker 1: DJ man, how you feel about the the YouTube DJ
• 3:20
  Speaker 1: sets Man, Because people be tapped into those, Man, It's
• 3:22
  Speaker 1: like it's super necessary. I think, like as far as
• 3:24
  Speaker 1: like branding and shit, just marketing whatever. When I was
• 3:28
  Speaker 1: like really coming up, especially like leaving college and like
• 3:30
  Speaker 1: getting into like the club scene, it was like all
• 3:32
  Speaker 1: about like SoundCloud.
• 3:33
  Speaker 2: Yeah you know what I'm singloud. That's really how I
• 3:35
  Speaker 2: got lost start.
• 3:35
  Speaker 1: I had these mixtapes called Streets Need That, and it
• 3:38
  Speaker 1: would just be like I'm off of just like the
• 3:39
  Speaker 1: hottest shit that just came out older, like the last month,
• 3:42
  Speaker 1: people would like throw parties to them, like people like
• 3:44
  Speaker 1: when the next one come out because they pregaming in
• 3:45
  Speaker 1: their dorms and shit listening to that. So I feel
• 3:47
  Speaker 1: like now it's just like the evolution of it and
• 3:49
  Speaker 1: where you can actually see people reacting to the music
• 3:51
  Speaker 1: and all that. Some of it obviously like performative and shit,
• 3:53
  Speaker 1: and I should be hilarious, but I think it's a
• 3:55
  Speaker 1: good like tactic for DJs to get themselves out there.
• 3:57
  Speaker 2: Yeah, you're not real DJ.
• 3:58
  Speaker 1: If you got the YouTube set, you know, I'm say,
• 4:00
  Speaker 1: with a nice, nice table and the leafy in the back,
• 4:03
  Speaker 1: everybody color and ship dah.
• 4:06
  Speaker 2: Now that's dope. That's dope. Changes the vibe.
• 4:09
  Speaker 4: You really ain't got a really ain't gotta hire DJA
• 4:12
  Speaker 4: from Boogie Bro.
• 4:13
  Speaker 2: Yeah fact yeah, good brother.
• 4:14
  Speaker 1: Playlist right, you find your little favorite YouTube DJ or
• 4:17
  Speaker 1: whatever and the Ford chases like they put that.
• 4:19
  Speaker 2: On the screen. That's what we're doing at your party. Now.
• 4:28
  Speaker 1: We talked about this before. Yeah, we're here now for
• 4:30
  Speaker 1: the people on YouTube of our family. Let him know
• 4:32
  Speaker 1: what you're trying to do. Man, you ain't saying you
• 4:33
  Speaker 1: trying to book trace.
• 4:34
  Speaker 2: No, he's a booked first case, first artist. That's why
• 4:39
  Speaker 2: I'm here getting on camera. He Samember twenty eight. We
• 4:43
  Speaker 2: didn't have yeah, first artists here? Birthday man? Oh he
• 4:48
  Speaker 2: had a birthday badge over the party? Where's the party first?
• 4:54
  Speaker 2: Don't worry about that T B A, C B A
• 4:58
  Speaker 2: TV A just like just slide, don't worry about where's that?
• 5:03
  Speaker 2: Just pull up you.
• 5:08
  Speaker 1: Damn JPU is tough for your birthday party. Man, it
• 5:10
  Speaker 1: will soon with the music. Man, what got you into DJL? Man,
• 5:14
  Speaker 1: it's crazy. So I went to Howard University actually with
• 5:16
  Speaker 1: my dog right here, Ashly. We were there at the
• 5:17
  Speaker 1: same time.
• 5:18
  Speaker 2: Oh yeah, what year?
• 5:19
  Speaker 1: I was twenty twelve. I didn't graduated. I really want
• 5:22
  Speaker 1: to go back to school and get my degree and
• 5:23
  Speaker 1: all that. But I was didn't go to Howard. Yeah, yes,
• 5:26
  Speaker 1: I was there, and I was in the School of
• 5:28
  Speaker 1: Communications and shit, and I found out they had the WSBC,
• 5:32
  Speaker 1: like the radio station.
• 5:33
  Speaker 2: Yeah.
• 5:33
  Speaker 1: So I used to be like on the mic, like
• 5:35
  Speaker 1: hosting shit next to uh, you know, I have like
• 5:37
  Speaker 1: a radio show and all that. And then like when
• 5:39
  Speaker 1: artists would come to the school, I'd be like the
• 5:42
  Speaker 1: MC on the mic like hosting ship, like all right,
• 5:44
  Speaker 1: coming to say. That's how I met like Big Sean,
• 5:45
  Speaker 1: like all these niggas back in like even like Cole,
• 5:47
  Speaker 1: all them niggas like back in the first College Runs
• 5:49
  Speaker 1: and all that. I'd be like the MC, like you know,
• 5:52
  Speaker 1: making people on doing whatever. And I used to be
• 5:55
  Speaker 1: in the club this when I was like nineteen. I
• 5:56
  Speaker 1: used to take my ID so I couldn't like drink
• 5:58
  Speaker 1: the shit.
• 5:59
  Speaker 2: Dang. I would be on it like MC next to
• 6:00
  Speaker 2: the DJ.
• 6:01
  Speaker 1: And I'm like, I'm not gonna a lot of shit
• 6:02
  Speaker 1: conlain a little bit like to be like next to
• 6:04
  Speaker 1: the nigga with all like the juice and on it.
• 6:06
  Speaker 1: So I was just like, you know, I just want
• 6:07
  Speaker 1: to do both. So I like soul hell of shit,
• 6:09
  Speaker 1: got a little set up. Would just practice. When I
• 6:10
  Speaker 1: first started, I was terrible and like how I was like,
• 6:12
  Speaker 1: I'm not gonna lie you kind of tripping like you might.
• 6:14
  Speaker 2: Stick to the stick to the host and shit.
• 6:16
  Speaker 1: But you know, I just put the reps in and
• 6:17
  Speaker 1: all that, and I moved up here and then you
• 6:19
  Speaker 1: know figured it out that HBCU life. Man, No, it's different.
• 6:22
  Speaker 1: I can imagine that camp. It's like a little bit different. Yeah,
• 6:25
  Speaker 1: And its just like as a DJ. I credited so
• 6:27
  Speaker 1: much just because like Howard was different. It wasn't like
• 6:29
  Speaker 1: a local jone, Like you know what I'm saying, Like
• 6:31
  Speaker 1: where if you go to like a Prayer View back
• 6:32
  Speaker 1: in Texas, It's like a lot of people from Houston
• 6:34
  Speaker 1: and Dallas go there. So it was like more local
• 6:36
  Speaker 1: to that. Howard is like niggas, niggas from Atlanta to
• 6:38
  Speaker 1: Bay Jamaica. So like you really learn all this music,
• 6:41
  Speaker 1: like it's like a crash course is just like black culture,
• 6:43
  Speaker 1: hip hop, R and B whatever, So I really just
• 6:45
  Speaker 1: knew all this different type of shit. My serrato was
• 6:47
  Speaker 1: loaded just with everything you can imagine, you know when
• 6:50
  Speaker 1: I when I left school, so I was just prepared
• 6:51
  Speaker 1: for everything. You know what I'm saying, Damn you went
• 6:54
  Speaker 1: how I went to a predominantly white school, So how
• 6:57
  Speaker 1: was that experience?
• 6:57
  Speaker 2: You know what I'm saying. It was different from school.
• 7:01
  Speaker 2: School was black, so it was a little different. But
• 7:03
  Speaker 2: to go to Howard, Yeah, I stayed out with them parties.
• 7:06
  Speaker 1: Was like it was like I said, but it's just
• 7:08
  Speaker 1: like it was like shout to homie Chubby man, like
• 7:11
  Speaker 1: we would like have these parties and shit and like
• 7:14
  Speaker 1: every city with how they turn of like taking over
• 7:16
  Speaker 1: the floor and shit. So like you play some like
• 7:18
  Speaker 1: Dallas ship, all Dallas niggas come through the duggy or
• 7:20
  Speaker 1: whatever the fuck you play some barrier and shit, now
• 7:22
  Speaker 1: it state turn comes. So it's just like a non
• 7:24
  Speaker 1: stop fucking like culture class type of shit.
• 7:26
  Speaker 2: And it was like I ain't going there. Who get
• 7:28
  Speaker 2: in your fag?
• 7:29
  Speaker 1: Actually make it exactly what I'm saying different even like freshmen,
• 7:32
  Speaker 1: like Freshman week it's is young called Repio City, so
• 7:35
  Speaker 1: like that's when you first see you a freshman, you
• 7:37
  Speaker 1: on the yard, you just seeing all the shit you
• 7:38
  Speaker 1: never seen before. I'm like, who the fuck? Why did
• 7:40
  Speaker 1: these niggas talk like this? And while they dance like this?
• 7:42
  Speaker 1: You know you just learned so much like as soon
• 7:43
  Speaker 1: as you get there. So that's like how that's like
• 7:45
  Speaker 1: the really like Howard experience, you know what I'm saying.
• 7:47
  Speaker 2: So little They used to have BT weekend twenty twelve
• 7:50
  Speaker 2: years a freshman and I was freshman. I was twenty
• 7:53
  Speaker 2: old eight.
• 7:54
  Speaker 1: That was my f I walked across the street to
• 7:56
  Speaker 1: vote for Barack Obama and that's like my first month
• 7:59
  Speaker 1: out of how it was usual to go to the years,
• 8:00
  Speaker 1: you know for yeah, Curtis, Yeah, I seen the curtain
• 8:05
  Speaker 1: of things after you know that.
• 8:08
  Speaker 2: You know that the lad alumni real.
• 8:12
  Speaker 1: Straight up whoever swag surf area to feel when actually
• 8:16
  Speaker 1: came out like no hands all that ship?
• 8:18
  Speaker 2: I know where you dropped that ld A generational ship
• 8:22
  Speaker 2: generation long here.
• 8:25
  Speaker 1: What's the widest request you got to play in the
• 8:27
  Speaker 1: club or in the setting? I mean even just last night.
• 8:30
  Speaker 1: But like I told, man, some girl holding up her
• 8:32
  Speaker 1: phone with R. Kelly's like, man, we're not about to
• 8:35
  Speaker 1: do that right now. Honestly, Robert is where he is?
• 8:37
  Speaker 1: What's anything he's holding? His name was like shout.
• 8:44
  Speaker 2: Apparently inspired. I ain't at you transition from that RAN
• 8:49
  Speaker 2: to R and B. What I'm saying is it's that
• 8:53
  Speaker 2: point you want to It's like place honey, love it
• 9:00
  Speaker 2: there little remixed, you know what I'm saying, remixed finish.
• 9:09
  Speaker 1: Its respecting the brand though you it's just like man,
• 9:13
  Speaker 1: you you just trying to be on camera like doing
• 9:14
  Speaker 1: all that. For sure, I think I ain't nothing worse when,
• 9:17
  Speaker 1: like you in the club you see somebody droke, like
• 9:19
  Speaker 1: play this song, you know it happens, it's like getting
• 9:21
  Speaker 1: worse and worse, like it's none of us not have
• 9:23
  Speaker 1: got like different apps in your phone to like for
• 9:25
  Speaker 1: the camera can flash and ship like it's like not
• 9:27
  Speaker 1: like show somebody name, it's like flashing in your face.
• 9:29
  Speaker 2: It's like disrespectful at this point, like it's wild the
• 9:32
  Speaker 2: bottle service for song requests nasty word. But I'm saying,
• 9:35
  Speaker 2: if I was an oking artist, I can't hit your
• 9:37
  Speaker 2: hand to play my song. No, I don't do that.
• 9:38
  Speaker 5: No more, man, I don't do that too, okay, come
• 9:48
  Speaker 5: to know that is my favorite song. Getting them to man,
• 9:52
  Speaker 5: that's all up here.
• 9:54
  Speaker 2: But was that at least the thing that Howard he
• 9:57
  Speaker 2: was trying to get your name.
• 9:58
  Speaker 1: Going, Like, man, I'm not lying with even just like
• 10:01
  Speaker 1: Howard was one thing, bro, but just the DC area
• 10:04
  Speaker 1: was a whole different thing. Like when you leave that campus,
• 10:06
  Speaker 1: you in d C, like it's not no in fact,
• 10:08
  Speaker 1: you you out there in the trenches with them, with
• 10:10
  Speaker 1: the real niggas. So it's sometimes it was definitely some
• 10:13
  Speaker 1: altercation type of like my man really needs you, you
• 10:15
  Speaker 1: know what I'm saying, to play this shipcol for else.
• 10:20
  Speaker 2: Yeah, that's how DC get down, must respect to it.
• 10:23
  Speaker 1: But when you leave that campus you you are a
• 10:25
  Speaker 1: citizen of the District of Columbia, my nigga, I respect.
• 10:28
  Speaker 2: Exact music out there.
• 10:30
  Speaker 1: So that ship is like, man, that's like one of
• 10:33
  Speaker 1: the things that I respect DC so much about is
• 10:35
  Speaker 1: just like they're like lens of just like being different
• 10:37
  Speaker 1: in the creative and ship like that's some ship you
• 10:39
  Speaker 1: would never hear in your life unless you went to
• 10:41
  Speaker 1: d C. I remember, I think it was a boost
• 10:43
  Speaker 1: mobile John on the Corner, wasn't it. Actually it was
• 10:46
  Speaker 1: like on like fourteenthing you or some shit like that
• 10:48
  Speaker 1: to boost mobile. Yeah, And that was like a boot
• 10:49
  Speaker 1: mobile and they would have go go just playing all
• 10:51
  Speaker 1: day with these big two big as speakers some people born.
• 10:54
  Speaker 2: Sometimes they would just be playing that ship all day, bro.
• 10:56
  Speaker 2: So I know that. So that's why that's a big thing.
• 10:59
  Speaker 5: You know.
• 11:00
  Speaker 1: They like remix every song like some shit, come on,
• 11:01
  Speaker 1: like they spend that ship, spend that ship, fuck my.
• 11:07
  Speaker 2: Song, fucking the song.
• 11:20
  Speaker 5: No with Go Go.
• 11:21
  Speaker 2: That's it's powerful. Yeahs to the culture for sure.
• 11:27
  Speaker 3: Man.
• 11:27
  Speaker 1: All right, man, what was that moment you feel like,
• 11:29
  Speaker 1: all right, man, I'm getting nice to the DJ show.
• 11:31
  Speaker 1: You started getting recognition, Like okay, my peers of people
• 11:33
  Speaker 1: I rock with started showing me love.
• 11:34
  Speaker 2: Man. It was just like the whole era.
• 11:36
  Speaker 1: It's even just like being in New York right now,
• 11:37
  Speaker 1: like New York and New York like this and like
• 11:40
  Speaker 1: mad lo right sober I got the call to uh DJ.
• 11:44
  Speaker 1: There was like some DJ canceled at it was the
• 11:47
  Speaker 1: Darby back then, it's like twenty fourteen, fifteen, some shit
• 11:49
  Speaker 1: like that. And I got the call the DJ there
• 11:52
  Speaker 1: and so I did my thing what I was playing,
• 11:54
  Speaker 1: like man, you know ship, I'll play a Howard.
• 11:56
  Speaker 2: And then the next day they was like can you
• 11:57
  Speaker 2: come back?
• 11:58
  Speaker 1: And it was all right, they're gonna be a little
• 11:59
  Speaker 1: more commercial then yesterday, and I'm like, what the fuck
• 12:01
  Speaker 1: is commercial? I really didn't understand that the time, Like
• 12:04
  Speaker 1: you're like top forty. I'm like, the hell it's top forty.
• 12:06
  Speaker 1: So then I literally was like in the middle of
• 12:08
  Speaker 1: the DJ set just downloading everything from like the Billboard
• 12:10
  Speaker 1: or whatever and just like mixing in there as best
• 12:12
  Speaker 1: I could and incorporating like the rap with it. And
• 12:14
  Speaker 1: that's when they was like, all right, this nigga might
• 12:16
  Speaker 1: be pretty talented. So yeah, I used to be there
• 12:19
  Speaker 1: like every pretty much like two three times a week.
• 12:20
  Speaker 1: Then they closed it to turn it into Up and Down,
• 12:22
  Speaker 1: which I think and my personal like club life is
• 12:25
  Speaker 1: still like the best club that ever exists, Okay, and
• 12:27
  Speaker 1: my entire shit and that shit, I probably did it
• 12:29
  Speaker 1: Thursdays there like every Thursday for like seven.
• 12:32
  Speaker 2: Years or something like that.
• 12:33
  Speaker 1: It was just And the thing is like back then,
• 12:36
  Speaker 1: it was like people albums always come out, you know,
• 12:38
  Speaker 1: like Thursday night, midnight whatever, So you come to New York,
• 12:41
  Speaker 1: do your press, and then everybody after party would be
• 12:43
  Speaker 1: at Up and Down. So like NIGG it was every week,
• 12:45
  Speaker 1: which is somebody album come to do that after party.
• 12:47
  Speaker 1: So it was just like a rotation. And when when
• 12:49
  Speaker 1: you had that little string you're like you know what
• 12:51
  Speaker 1: I'm saying, that's when I was like, alright, this sh
• 12:52
  Speaker 1: is rocketing out, like I'm good, you know, not.
• 12:54
  Speaker 2: To jump around.
• 12:54
  Speaker 1: Is it hard to play new music in the club
• 12:56
  Speaker 1: or like with something just dropped unless it's like a
• 12:57
  Speaker 1: major artist. Yeah, it's tough, Like people just aren't like
• 13:00
  Speaker 1: hip to ship as you think, you know what I'm saying.
• 13:02
  Speaker 1: Like even I was playing some of the Future Suit
• 13:04
  Speaker 1: last night, and you know people know it, but it's
• 13:05
  Speaker 1: like it's not just the entire crowd that really just
• 13:08
  Speaker 1: you know, but that's a part of like breaking records
• 13:09
  Speaker 1: and breaking artists.
• 13:10
  Speaker 2: You still gotta have like the confidence to do it.
• 13:11
  Speaker 1: So you know what I'm saying, You ever have to
• 13:13
  Speaker 1: say where they booed you who they weren't fucking with you?
• 13:15
  Speaker 2: Not boom nah Like me, it's just like you harding
• 13:18
  Speaker 2: yourself more than anything.
• 13:20
  Speaker 1: I'm just thinking, ship up, you know what I'm saying, Like,
• 13:22
  Speaker 1: you're just not as I feel like every DJ kind
• 13:24
  Speaker 1: of goes through this like like yearly slumps of just
• 13:26
  Speaker 1: like y'all's you know what I'm saying, Like because it
• 13:28
  Speaker 1: gets repetitive. You feel like you're doing the same shit,
• 13:30
  Speaker 1: so you switch from that ship to be different and
• 13:32
  Speaker 1: it's like now this sh it ain't working, you know.
• 13:33
  Speaker 1: So there's there been times where I just you know,
• 13:36
  Speaker 1: I didn't wasn't thinking like the highest of myself. But
• 13:38
  Speaker 1: then you just you know, come back and have a
• 13:39
  Speaker 1: great setting and you know, go from mareath. I know
• 13:41
  Speaker 1: you got a bunch of sets STUF guaranteed winner stuff.
• 13:44
  Speaker 1: Yeah yeah, I'm about to say that you got like
• 13:47
  Speaker 1: a song that you thought was a slap and like
• 13:49
  Speaker 1: because I got deject my house parties.
• 13:51
  Speaker 2: Yeah, it's songs in my head that slap.
• 13:55
  Speaker 1: Yeah.
• 13:55
  Speaker 2: And then when I play for everybody else, like everybody, yeah, go.
• 13:59
  Speaker 1: And say it right, and it's stuck back in the
• 14:06
  Speaker 1: are when you was a Howard. Yeah that's his Yeah, Paul,
• 14:09
  Speaker 1: he get in his band, he do what Yeah one
• 14:12
  Speaker 1: start hitting sixteen seventeen eighteen.
• 14:15
  Speaker 2: It's quiet, Yeah, it's quiet.
• 14:17
  Speaker 5: Yeah.
• 14:18
  Speaker 1: Yeah, it's wild now because like just even being in
• 14:20
  Speaker 1: the clubs and all that, it's like now, you know,
• 14:23
  Speaker 1: being thirty six is like the club isn't like catered to.
• 14:26
  Speaker 2: Us no more.
• 14:27
  Speaker 1: Hell hell hell were the old niggas in the club
• 14:30
  Speaker 1: lokey Yeah, So like now it's like the new like
• 14:33
  Speaker 1: rich niggas, like the new athletes and shit, they running
• 14:35
  Speaker 1: the shit, they buying the bottles whatever, and they want
• 14:37
  Speaker 1: to hear the ship that they were too young to
• 14:39
  Speaker 1: party too. It's like us here and holding the club.
• 14:40
  Speaker 1: It's like, oh hell yeah, like you know what I'm saying,
• 14:42
  Speaker 1: I grew up to it here and now I was
• 14:43
  Speaker 1: in the club. To them, it's like, oh yeah, I
• 14:44
  Speaker 1: play like some like twenty sixteen oozie or some shit like.
• 14:47
  Speaker 1: To them, that's like, oh, yeah, I remember being in
• 14:48
  Speaker 1: middle school, high school initials the ship, and now I'm
• 14:50
  Speaker 1: old enough to wally go up with this shit. So
• 14:52
  Speaker 1: like it's like a like a resurgence of all that,
• 14:54
  Speaker 1: you know what I'm saying. And the youngsters been playing
• 14:56
  Speaker 1: Ooozie right now, boy, we'll hear baby she dud. We
• 14:58
  Speaker 1: want to hear all the real like you said, the
• 15:01
  Speaker 1: nas and shouts, and he is a legend. But if
• 15:03
  Speaker 1: you are playing naves in the club, it is getting
• 15:06
  Speaker 1: drawed up in there.
• 15:08
  Speaker 2: Chase this fun.
• 15:14
  Speaker 1: What you most of getting ninety seconds out of the ships? Anyway,
• 15:21
  Speaker 1: it's real, That's why this is. You gotta give them
• 15:23
  Speaker 1: the game. What's too long to play a song in
• 15:27
  Speaker 1: the clubs? Man? It's it's such a delicate fine line, bro,
• 15:30
  Speaker 1: because a lot of times you can even tell us
• 15:33
  Speaker 1: what DJ is like if you actually know the music,
• 15:35
  Speaker 1: sometimes you might get some out of a second verse
• 15:38
  Speaker 1: that most songs don't. And a lot of niggas just
• 15:40
  Speaker 1: cut that ship off because they think it's like this
• 15:41
  Speaker 1: nigga clearly don't actually know the music, you know what
• 15:43
  Speaker 1: I'm saying, Like, some songs need a second verse, but
• 15:45
  Speaker 1: usually it's like hook verse, hook get out of there,
• 15:48
  Speaker 1: you know. So it's like ninety seconds.
• 15:50
  Speaker 2: DJs. A lot of DJs be felling knowing that, like
• 15:53
  Speaker 2: in the blend and mix and switch.
• 15:55
  Speaker 1: Yeah, like niggas don't be it's music guys. Like I'm
• 15:57
  Speaker 1: like a music guy first in like a DJ. Niggas
• 16:00
  Speaker 1: DJ's are not like music guys. That's what I think
• 16:02
  Speaker 1: about now when you pull up your seat. We get
• 16:04
  Speaker 1: a lot of praise for our DJs because they playing
• 16:06
  Speaker 1: real well. They did usition real well. We'll be having
• 16:08
  Speaker 1: some crazy mixes in the city. But like love, you'll
• 16:10
  Speaker 1: hear something you may heart before the way that they
• 16:11
  Speaker 1: just transition. Yeah, be fired enough to be all right,
• 16:14
  Speaker 1: I can talk with this old ass all.
• 16:15
  Speaker 2: Yeah about delivery for U.
• 16:16
  Speaker 1: It's all about delivery at the end of the day,
• 16:18
  Speaker 1: like sneaking in like them classic joints and all that.
• 16:20
  Speaker 2: So you know that should just be fun. You know,
• 16:22
  Speaker 2: I'm never gonna get tired of were.
• 16:23
  Speaker 1: Go get back to music surely, man, But we got
• 16:25
  Speaker 1: to talk about man new collab on the way with
• 16:27
  Speaker 1: the Liz Family shot to Freaky Fear My God for
• 16:29
  Speaker 1: show Man. Yeah, yeah, that collaborational process like man building
• 16:31
  Speaker 1: your own hats man man. That's shit fun bro. So
• 16:34
  Speaker 1: I met shout out to Lawrence Berger, he's the chairman,
• 16:37
  Speaker 1: I'm me and him. You're a Philly probably like two
• 16:39
  Speaker 1: three years ago, and he walked in. He's like, y'all
• 16:40
  Speaker 1: heard you. The guy gotta talked to you about hats
• 16:42
  Speaker 1: because I always been like a hat sneaky guy, like
• 16:44
  Speaker 1: my ship.
• 16:45
  Speaker 2: And he was like, yeah, like we should do something.
• 16:47
  Speaker 1: So I actually went to Indy where the headquarters is at,
• 16:50
  Speaker 1: and with them, they were like, uh, they wanted me
• 16:53
  Speaker 1: to do like three like Houston colorwaves like for the
• 16:55
  Speaker 1: astros and some shit, and I was like, I kind
• 16:56
  Speaker 1: of had like some of the ideas up my sleeve whatever,
• 16:58
  Speaker 1: so I have the idea for the first I don't
• 17:00
  Speaker 1: like what they had the Maximum Joint, And honestly, I
• 17:03
  Speaker 1: was surprised at how easy and seamless like they've made
• 17:05
  Speaker 1: that creation to because it's different fabrics and all this
• 17:08
  Speaker 1: different type of saddens and shit that they had never
• 17:11
  Speaker 1: used before. But shout out to Jason and he's like
• 17:13
  Speaker 1: a super talented just like fucking design, graphic design and
• 17:17
  Speaker 1: all that, and he made this shit come to life
• 17:19
  Speaker 1: and yeah, let's we released it March of last year,
• 17:22
  Speaker 1: and that shit just flew off the internet, flew off
• 17:24
  Speaker 1: the shelves, and then from there launces like now we
• 17:26
  Speaker 1: gotta make this like bigger than like a partnership. So
• 17:28
  Speaker 1: that's how the whole Crib directorship came about, and it
• 17:31
  Speaker 1: has been a beautiful process for real. So yeah, just love,
• 17:33
  Speaker 1: you know, just creating, getting ideas off, getting other people involved,
• 17:36
  Speaker 1: only parties involved, gets you all involved, you know what
• 17:38
  Speaker 1: I'm saying. Like it's like a whole thing we work,
• 17:41
  Speaker 1: I guess. So while we're here, before you even get
• 17:42
  Speaker 1: to the collab, you're talking about the hats. You know
• 17:44
  Speaker 1: what I'm saying, what's top three, top four, top five
• 17:46
  Speaker 1: hats for you.
• 17:46
  Speaker 2: Know what I'm saying.
• 17:47
  Speaker 1: You can go old school logo, yes, fittess or whatever.
• 17:49
  Speaker 1: Top three, top four, top five. We've been having some
• 17:51
  Speaker 1: arguments on here about them. Yeah, this Black Sox hat,
• 17:54
  Speaker 1: we feel like it didn't were like one of the
• 17:55
  Speaker 1: most defeat has. Like I want to start it might
• 17:57
  Speaker 1: be history. Excuse me, yeahah, I want to start Foundationally.
• 18:00
  Speaker 1: I feel like the Navy Blue Yankees just fat Navy
• 18:02
  Speaker 1: blue Yankee Gray Bottom is just you know, just gold.
• 18:04
  Speaker 1: It all right, I want to say the Honestly, I'm
• 18:10
  Speaker 1: gonna go because it means so much of this culture.
• 18:13
  Speaker 1: I'm gonna just go straight up the Green and Yellow Athletics.
• 18:16
  Speaker 1: I feel like it's just here, or you know what
• 18:19
  Speaker 1: I'm saying, even if you're not from Oakland. I just
• 18:20
  Speaker 1: feel like that's just It's like the hat that you
• 18:22
  Speaker 1: want to like color pop with, like you're wearing all
• 18:24
  Speaker 1: gray or some shit, you still get put on the
• 18:25
  Speaker 1: open a's and just and go crazy with that. I
• 18:28
  Speaker 1: think the Montreal expos pinwill red, white, and blue is
• 18:31
  Speaker 1: just more into the culture, especially like back in like
• 18:33
  Speaker 1: oh three five days, you know, wearing it with like
• 18:35
  Speaker 1: a nets jersey or some shit like that.
• 18:39
  Speaker 2: Super important me.
• 18:41
  Speaker 1: Just personally, I'm gonna go with the burgundy broken Star
• 18:44
  Speaker 1: Astros I would have had. It's probably mad piece and
• 18:47
  Speaker 1: it I would have had probably every day for like
• 18:49
  Speaker 1: two years for real.
• 18:51
  Speaker 2: That had just means a lot to me. And if
• 18:52
  Speaker 2: I was to pick a fifth one.
• 18:55
  Speaker 1: MLB, you can go anything, yeah, any team, Yeah, you
• 18:59
  Speaker 1: any because NBA has me far too that Cincinnati.
• 19:07
  Speaker 2: Be some man niggas, but that since.
• 19:08
  Speaker 1: Anyone all read the black red, yeah yeah, and the
• 19:13
  Speaker 1: Pirates joint. That was.
• 19:16
  Speaker 2: Pike and that was that that the Yellow Bill Pirates, Yeah,
• 19:20
  Speaker 2: feed it the Ariner's hat, yeah, the Blue can everywhere.
• 19:26
  Speaker 1: Another thing, even picking teams for the collapse and ships
• 19:29
  Speaker 1: like yeah, exam course for real, nigga, but another you know, honestly,
• 19:44
  Speaker 1: just on top of my head, I think the Raiders
• 19:45
  Speaker 1: had is just super important, Like yeah, that's gonna go,
• 19:48
  Speaker 1: like NFL get another.
• 19:50
  Speaker 2: League in there. I think that the Raiders had super important.
• 19:52
  Speaker 1: Man, the snap backs really kind of get I ain't
• 19:54
  Speaker 1: gonna say get Fitted off the way, but it changed
• 19:56
  Speaker 1: like everybody's perceptional buying and stuff, because I mean, fit
• 19:59
  Speaker 1: is for a long time was gold there. It was
• 20:00
  Speaker 1: the only option, and then like oh nah, came with
• 20:03
  Speaker 1: the Teason snapbacks and they're like then it just changed.
• 20:06
  Speaker 2: Is it still battle there? It's not really a battle anymore.
• 20:08
  Speaker 1: I think Fitted culture came back stronger than like ever
• 20:10
  Speaker 1: for real, if I was even talking with Lawrence about
• 20:13
  Speaker 1: that yesterday, how like the mob just got more receptive
• 20:16
  Speaker 1: to excepting like you will never see like a like
• 20:19
  Speaker 1: an a's hat and like a Yankee colorway, you know,
• 20:21
  Speaker 1: like that wasn't a thing. But then the MB started
• 20:23
  Speaker 1: like approving all of these different color waves and logo.
• 20:25
  Speaker 1: So that's when has really came into like what you
• 20:28
  Speaker 1: see now, you know, with like the hat clubs of
• 20:30
  Speaker 1: the world and you know Liz HD and all these
• 20:32
  Speaker 1: custom you know, hat designers and shit like that.
• 20:35
  Speaker 2: But definitely snap backs got the fit is out of
• 20:38
  Speaker 2: there for a second, Bro, it was it was bad.
• 20:40
  Speaker 2: I just got that ship popping. Bro.
• 20:42
  Speaker 1: Today's show was brought to you by our betting sponsor,
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• 22:11
  Speaker 2: Shout out to the cool kids. People don't know.
• 22:12
  Speaker 1: The cool kids really kind of located first ones who
• 22:14
  Speaker 1: really got it cracking for it with main stream.
• 22:17
  Speaker 2: Yeah, they had it cracking with that with the starter
• 22:20
  Speaker 2: jackets and all the day they went crazy over snaps.
• 22:25
  Speaker 2: I think it just depends on what it is.
• 22:26
  Speaker 1: So like certain head, like you said, a Yankee fitted
• 22:28
  Speaker 1: is undefeated, undefeated, but like the Chicago the snap back
• 22:32
  Speaker 1: with this joint is that every day where, but it's
• 22:34
  Speaker 1: really up the preference. Bro. Still some heat for Shure
• 22:36
  Speaker 1: and like the old NBA draft hats, like the snap
• 22:39
  Speaker 1: backs like those are like the fire under here, Like
• 22:41
  Speaker 1: you can't go wrong with none of.
• 22:42
  Speaker 2: That Gold State Warriors snap back. Yeah, Like come on, Chris,
• 22:45
  Speaker 2: remember because that's far. It's hard, man.
• 22:50
  Speaker 1: They gotta let you get a jersey and man obviously
• 22:51
  Speaker 1: from Eastown, man, which one were doing.
• 22:53
  Speaker 2: Man, we're going oilers, We're going rockets. Man.
• 22:55
  Speaker 1: Man, that's a tough question. I'm not gonna lie catch
• 22:57
  Speaker 1: up with Mustard over the baby Blue and Red Man,
• 23:00
  Speaker 1: the Warren moon Man, Warren Moon shots to Warren moon Man.
• 23:03
  Speaker 1: He used to live in Most City and all that.
• 23:04
  Speaker 2: Man.
• 23:04
  Speaker 1: He used to have mag like the rod sales and ship.
• 23:07
  Speaker 1: Had the kids call to his like that him like
• 23:08
  Speaker 1: a driveway. Now, he was a real nigga, Bro, I'll
• 23:11
  Speaker 1: definitely go oilers for real.
• 23:13
  Speaker 2: Dang. He lived in Most City for real, Bro. He
• 23:15
  Speaker 2: live in his house. It's a big I think it's
• 23:16
  Speaker 2: still there. He has a big ass m on his gate.
• 23:19
  Speaker 2: Like everybody knew. It was more moon Hawse and he
• 23:20
  Speaker 2: would have functions and ship. You know, woman not he
• 23:23
  Speaker 2: a legend, not that us. You see they on some
• 23:26
  Speaker 2: hugon shit.
• 23:26
  Speaker 1: You see they shot finally shot a video for the
• 23:28
  Speaker 1: Most City. Done that ship hard, bro, More hards had
• 23:31
  Speaker 1: to do that, Broy, Just bring it, just bring it
• 23:32
  Speaker 1: back all the way for the coach and all that. Yeah,
• 23:34
  Speaker 1: I saw the video. It's cool, you know what I'm saying.
• 23:36
  Speaker 1: I wish more of it was in New York City.
• 23:38
  Speaker 1: I didn't even see the most of the logo in
• 23:39
  Speaker 1: the video. You know what I'm saying.
• 23:40
  Speaker 2: It's love.
• 23:40
  Speaker 1: I'm glad you're getting his recognition for us on that
• 23:43
  Speaker 1: We've been wrapping word for word for the last twenty years,
• 23:45
  Speaker 1: like literally, so damn so people bringing back their old
• 23:47
  Speaker 1: songs and making video and I ain't doing it or
• 23:49
  Speaker 1: not do that. Yeah, yeah, it was there's no roots
• 23:53
  Speaker 1: to this ship, bro, like get they're getting the mass respect,
• 23:56
  Speaker 1: getting the master what they're doing. I rather do do
• 24:00
  Speaker 1: music videos and we're doing the song not for real
• 24:02
  Speaker 1: because some of these these old niggas were doing songs
• 24:04
  Speaker 1: but I never played this version. Bro.
• 24:06
  Speaker 2: Respect, I hope you got all your money, but that
• 24:07
  Speaker 2: ship is not getting played. Music don't remix.
• 24:10
  Speaker 1: I got five on it even just like the sample
• 24:13
  Speaker 1: and I was getting sold ye, like the way every
• 24:17
  Speaker 1: song is just crazy now, like you know what I'm saying,
• 24:19
  Speaker 1: The songs don't even get five six years before somebody
• 24:21
  Speaker 1: sample it, redo it, cut the hookie game saying, so
• 24:24
  Speaker 1: it's getting wild. I wanted to ask them how it
• 24:26
  Speaker 1: was that time back to the music, like when you
• 24:29
  Speaker 1: did your first tour show, the big tour show, which
• 24:32
  Speaker 1: I first tour was on the first tour, Man, it
• 24:34
  Speaker 1: was a try we did. We opened up for Casey Veggies. Bro,
• 24:36
  Speaker 1: you can't just like say that like that to.
• 24:41
  Speaker 2: Walk though I'm just saying, but like you know, I
• 24:46
  Speaker 2: don't boy, Yeah, that's like we're saying I was here otherday.
• 24:49
  Speaker 1: Yeah, you know what I'm saying. But for like, I
• 24:51
  Speaker 1: wouldn't be a tour DJ if it wasn't for you know, Tray,
• 24:54
  Speaker 1: Like you know what I'm saying. We grew up together
• 24:55
  Speaker 1: and all that going to just be somebody's toward DJ.
• 24:57
  Speaker 1: It was like literally because we had a mission, you
• 24:59
  Speaker 1: know what I'm saying, so locked in. Yeah, it was
• 25:01
  Speaker 1: just locked in. I wouldn't just DJ for somebody else
• 25:03
  Speaker 1: because honestly, toring is like hell a tiring and ship,
• 25:06
  Speaker 1: you know what I'm saying, Like it's a big responsibility.
• 25:08
  Speaker 1: But you know, for the for the culture and for
• 25:09
  Speaker 1: our mission, it was it was not necessary. So how
• 25:12
  Speaker 1: do you start bro Like Nigga, The venues be little, Nigga,
• 25:16
  Speaker 1: them shits be small. We had a show in Connecticut
• 25:18
  Speaker 1: one time, Nigga at Toast Place, which is like a
• 25:20
  Speaker 1: legendary venue out there, Nigga.
• 25:22
  Speaker 2: It was probably six people in the crowded Nigga.
• 25:24
  Speaker 1: We did the show in the DJ booth like literally
• 25:27
  Speaker 1: everybody standing next to me, jumping on top of the ship.
• 25:29
  Speaker 1: We did the show in the booth because there was
• 25:30
  Speaker 1: nobody there. You can see the video from like south
• 25:32
  Speaker 1: my Southwest, probably like four or five people in the crowd.
• 25:34
  Speaker 1: And then just put that work in grind, you know
• 25:36
  Speaker 1: what I'm saying, put singles out features the tour for everybody,
• 25:39
  Speaker 1: and then you know, you look up and you know
• 25:40
  Speaker 1: he solid fan base. So that ship, you just talk
• 25:43
  Speaker 1: about him all the time. It was like, bro, god
• 25:45
  Speaker 1: won and he was Yeah, Bro, you ain't had nobody
• 25:48
  Speaker 1: says a slim thug.
• 25:51
  Speaker 2: The brewing it it was. It was dropped for like
• 25:54
  Speaker 2: new like superstars out the city, you know what I'm saying.
• 25:56
  Speaker 2: So so you been on trash the game? Yeah, now
• 25:59
  Speaker 2: that's hard man.
• 26:00
  Speaker 1: Yeah, man is crazy because that got a crazy influence
• 26:03
  Speaker 1: from Houston, like all this type of Southern DJs music
• 26:05
  Speaker 1: like that alone, but Houston for sure, like that ruin.
• 26:07
  Speaker 1: I mean obviously still going crazy, but that particular rule,
• 26:10
  Speaker 1: like the Swisher House run was insane and like all
• 26:13
  Speaker 1: of them were crazy in that. Bro, you go to Houston,
• 26:15
  Speaker 1: it's still like it's that time. For like you go
• 26:18
  Speaker 1: to a basketball game, who performed a half time slim
• 26:20
  Speaker 1: Yeah even than that ship for real, It's kind of crazy.
• 26:29
  Speaker 2: I was the city during these times because youre old
• 26:31
  Speaker 2: enough to really get still experiences.
• 26:33
  Speaker 1: Bro.
• 26:33
  Speaker 2: I wasn't like middle school nigga.
• 26:34
  Speaker 1: He was in the area of like I ain't have
• 26:36
  Speaker 1: no money and nothing, but we're in the area just
• 26:38
  Speaker 1: like going getting some cheap ass grilled from like Sharpstown,
• 26:40
  Speaker 1: all that type of ship like we was.
• 26:42
  Speaker 2: We was really in it, you know, like seeing the
• 26:43
  Speaker 2: influential for really it was.
• 26:45
  Speaker 1: It was a great time for And I don't like
• 26:47
  Speaker 1: revisions history because people trying to backtrack with Mike Jones
• 26:49
  Speaker 1: was now Mike Jones was that he respect it, bro,
• 26:52
  Speaker 1: He was that nigga. Everybody know their phone number still
• 26:54
  Speaker 1: to this day, Bro, you still got to stay locked in.
• 26:56
  Speaker 1: You caught up this right now, he might answer that, fucker,
• 26:58
  Speaker 1: I'm not you got that one really was working.
• 27:04
  Speaker 3: I don't know that.
• 27:05
  Speaker 2: I thought I was just.
• 27:14
  Speaker 1: About the blows yo on the loan about the blows.
• 27:19
  Speaker 1: Crazy just to have all of them at the time.
• 27:23
  Speaker 1: I like that man actually talk to the niggas.
• 27:27
  Speaker 2: It was around selling mixtape out, they trunks all that.
• 27:29
  Speaker 1: It was like the whole thing, even with DJ aspect
• 27:32
  Speaker 1: Man coming obviously screw Man recipes. Michael Wat's one of
• 27:35
  Speaker 1: my favorite DJs. Man bro, y'all had it cracking down there?
• 27:38
  Speaker 1: Did you have any influence for the Olds down there?
• 27:40
  Speaker 1: A cruise screwges not even I wasn't even like Chopping
• 27:42
  Speaker 1: screw and Ship, but I did randomly on Southclode Chopping
• 27:45
  Speaker 1: screw Trup called quiz Man not Maraudas, just because I
• 27:47
  Speaker 1: felt like I just just put on SoundCloud you was that?
• 27:50
  Speaker 2: You know?
• 27:51
  Speaker 1: I went to all that You're a music and for real, yeah, no,
• 27:54
  Speaker 1: no for U because the niggas like Trip is not
• 27:57
  Speaker 1: listen to a Chopping Screw ersion that album you strictly
• 28:01
  Speaker 1: for me? Yeah, respective yeah, And I know we just
• 28:04
  Speaker 1: we talking all over the place. But how did you
• 28:06
  Speaker 1: leave TSU and go to Howard? Bro?
• 28:08
  Speaker 2: What was that sison?
• 28:10
  Speaker 1: You know? I was, Yeah, I was like a basketball
• 28:12
  Speaker 1: recruit that so I was actually I was running track
• 28:16
  Speaker 1: in high school and I went up to Howard to
• 28:19
  Speaker 1: take a visit and I actually got an uncle that
• 28:20
  Speaker 1: lived on I forgot what he was on. It was
• 28:24
  Speaker 1: like close to Georgetown and Ship, and I just went
• 28:26
  Speaker 1: to his crib just like soaked up all the game whatever,
• 28:29
  Speaker 1: And yeah, I just saw it like the It felt
• 28:31
  Speaker 1: like because my family really from out here. My mother
• 28:34
  Speaker 1: from Jersey, pos from Connecticut, my whole family from like Harlem, Jersey,
• 28:37
  Speaker 1: Philly like all that shit. So I was like I
• 28:39
  Speaker 1: had East Coast like Tennessee's already, but I'm like a
• 28:41
  Speaker 1: Southern kid.
• 28:42
  Speaker 2: I get to d C.
• 28:43
  Speaker 1: It felt like a perfect mesh like both who was
• 28:45
  Speaker 1: like these East Coast niggas out of country like this,
• 28:48
  Speaker 1: so it kind of like felt like home a little bit.
• 28:49
  Speaker 1: I was like, shit, I can fuck with this, you know,
• 28:51
  Speaker 1: and it's just like a new experience. So I was
• 28:52
  Speaker 1: just like, whatever, this is right here, like I want
• 28:54
  Speaker 1: to like see this through so so and that's why
• 28:56
  Speaker 1: I just decided shoes.
• 28:58
  Speaker 2: I just asked. That's a beautiful place.
• 29:00
  Speaker 1: I never went to t Shue, but yeah, you know,
• 29:02
  Speaker 1: it's in the trading exactly, and that's like where you're
• 29:06
  Speaker 1: supposed to go, you know what I'm saying.
• 29:07
  Speaker 2: Sure here is an advocate for for sure, he's like.
• 29:11
  Speaker 1: In Tennessee State. Okay, that's another Yeah, yeah, you're too
• 29:17
  Speaker 1: old to be on campus now, boy, but yeah, I
• 29:21
  Speaker 1: have to.
• 29:21
  Speaker 2: Hear thereout here.
• 29:29
  Speaker 1: Yeah, listen, man, we've been trying to fatigue on Man,
• 29:31
  Speaker 1: he ain't really too tapped into I got Don Tolliver Man,
• 29:34
  Speaker 1: Tell why he should first of all, tell you what
• 29:36
  Speaker 1: he needs to spend to get locked in.
• 29:38
  Speaker 2: Tell why he needs to pull to a Don Taliban
• 29:40
  Speaker 2: show how the thing, Smoking Man, get your tickets? Man
• 29:42
  Speaker 2: left about it? Yeah, outside, ain't coming to that too. Yeah,
• 29:47
  Speaker 2: go to the next thanks Smoking Boy. But the birthday party.
• 29:56
  Speaker 1: Games Bridge, James Bridge, I'm pulling up the game for sure. Man.
• 30:01
  Speaker 2: Twenty six is going down now. Man, we're taking it.
• 30:04
  Speaker 2: I'm taking right. You go see roadway it changes like
• 30:09
  Speaker 2: he ain't never heard that many. We got the more
• 30:11
  Speaker 2: most loyal niggas. Man, Bro sh crazy, they'd be ready
• 30:14
  Speaker 2: to cry. That was one of the greatest concerts. He's
• 30:17
  Speaker 2: a hater. That's the first time I ever seen him.
• 30:23
  Speaker 4: I love you as fuck, but I took you there, Bro,
• 30:31
  Speaker 4: And then see how he was like he was crying,
• 30:33
  Speaker 4: but I'm like he was looking like.
• 30:35
  Speaker 2: This is really amazing. Yeah, I can't believe that many
• 30:38
  Speaker 2: people at sinking them. So yeah, Bro. When the eighty
• 30:41
  Speaker 2: five drop, Bro and moving.
• 30:45
  Speaker 6: Talking to Dell in the back talking, I'm like, this
• 30:50
  Speaker 6: is our first hard that we couldn't run into security stuff.
• 30:55
  Speaker 6: But he's funny back though he runs. Yeah, it's a
• 30:59
  Speaker 6: show man over man.
• 31:00
  Speaker 1: If I was to put you on my favorite person
• 31:02
  Speaker 1: with down T album is Life of Done just all
• 31:04
  Speaker 1: to like swing on West Timor that's no photos, way bigger,
• 31:08
  Speaker 1: five times all. That's all them classics. Heaven and Hell
• 31:11
  Speaker 1: start from, you know, from the foundation. That's enough our
• 31:16
  Speaker 1: party card again. You know talking about CARDIGT in the
• 31:20
  Speaker 1: club in Houston, what song was? We was in the
• 31:24
  Speaker 1: party one time and y'all was like, Nigga, it's over young.
• 31:30
  Speaker 1: They broke, got some music, bro, every part they might
• 31:31
  Speaker 1: put the drink in the sky, bro and lost their
• 31:34
  Speaker 1: night to everywhere out.
• 31:36
  Speaker 2: It was.
• 31:45
  Speaker 1: Five drive, Bro, I promise you. I don't want to
• 31:48
  Speaker 1: say disrespect. But he wasn't mixing.
• 31:51
  Speaker 2: I was talking. He dropped there bro, the.
• 31:53
  Speaker 1: Whole energy, no matter, no matter, Bob, that's the that's
• 31:56
  Speaker 1: the song that like, I'm sucking up. Hey, just give
• 31:58
  Speaker 1: me to get out this one rock for sure, just
• 32:01
  Speaker 1: the whole before the show. You know what I'm saying,
• 32:02
  Speaker 1: Just catch a vibe, have a little shorty. I'm saying,
• 32:05
  Speaker 1: that's a red grass of white play.
• 32:07
  Speaker 2: That joint.
• 32:07
  Speaker 1: She's gonna be smooth all the way through. So I
• 32:09
  Speaker 1: remember me and Crowd Man were just looking around. I
• 32:11
  Speaker 1: was just like, it ain't nothing but beautiful people enjoying
• 32:14
  Speaker 1: this music right now.
• 32:15
  Speaker 2: It's just beautiful.
• 32:23
  Speaker 1: Peg.
• 32:24
  Speaker 7: The hole wasn't there, Black with the whole she told
• 32:33
  Speaker 7: beautiful Black woman man said it was. I can't say
• 32:39
  Speaker 7: the word I want to say.
• 32:42
  Speaker 2: It was there, not for real.
• 32:43
  Speaker 1: It's crazy just to state, like an arena full of
• 32:46
  Speaker 1: just joints is crazy having the time of their life.
• 32:49
  Speaker 1: It was the whole camp, like all y'all going crazy
• 32:51
  Speaker 1: individually and together, like you trabbed on everybody else, like locked.
• 32:54
  Speaker 2: In with you man with the peas man, what's that
• 32:57
  Speaker 2: feeling like you get your old shoes? My boy?
• 32:59
  Speaker 5: Man?
• 32:59
  Speaker 1: That was that was the on this process man, Like
• 33:01
  Speaker 1: ever foral just even like sampling out shit for the
• 33:03
  Speaker 1: first time. There's like a couple of other colorways that
• 33:05
  Speaker 1: we simpled out, and just it was an interesting thing
• 33:08
  Speaker 1: because I never like you can go on like two
• 33:10
  Speaker 1: K Shoe Creator and like and colorways some shit, but
• 33:13
  Speaker 1: then like you get the shoe Like maybe I want
• 33:15
  Speaker 1: this back time to be swayed because like it's a
• 33:17
  Speaker 1: little more comfortable on my heel or like little shit
• 33:20
  Speaker 1: like that, like all this brush swede age is better
• 33:22
  Speaker 1: than like a leather or it's all these little details
• 33:25
  Speaker 1: that you never really like the eye lits need to
• 33:26
  Speaker 1: be this color instead of whatever. So it's a whole
• 33:28
  Speaker 1: bunch of little details like go into it and then
• 33:30
  Speaker 1: just the final product for people to receive it and
• 33:32
  Speaker 1: like actually wear them and want to wear them.
• 33:34
  Speaker 2: You know what I'm saying.
• 33:35
  Speaker 1: That's like a whole different prouct I think that's like
• 33:36
  Speaker 1: my favorite part is like niggas really stepping out to
• 33:38
  Speaker 1: like special occasions with your shit on. You know what
• 33:40
  Speaker 1: I'm saying, that's that's shit hard. So uh I was
• 33:43
  Speaker 1: like my favorite shit was done in that shoe. And
• 33:45
  Speaker 1: that's the whole process of with the release parties and everything.
• 33:48
  Speaker 1: Shout out to Jordan, man, you know what I'm saying.
• 33:49
  Speaker 1: We're gonna keep it going. I know we're getting slim
• 33:52
  Speaker 1: on time, man, But I wanted to ask you what
• 33:53
  Speaker 1: do you enjoy more? DJing or producer. I'm not gonna lie,
• 33:57
  Speaker 1: that's a great question. I enjoy I'm always gonna be
• 34:00
  Speaker 1: a DJ first, man, I'm always gonna be a DJ first.
• 34:03
  Speaker 1: That's just what I'm you know, I think that's like
• 34:05
  Speaker 1: God's you know, that's why he want me on this
• 34:08
  Speaker 1: earth to do for real. But producing I even got introducing,
• 34:11
  Speaker 1: it was like a step forward, like how I said,
• 34:12
  Speaker 1: like the MC ship turned into the DJ because I
• 34:15
  Speaker 1: wanted to, like you know, you know, be a part
• 34:17
  Speaker 1: of this musically instead of just like vocally. Now as
• 34:20
  Speaker 1: a DJ, I'm like, I want to play my own
• 34:22
  Speaker 1: ship too, you know what. So that's when I turned
• 34:23
  Speaker 1: in started making beats. I made beasts for like a
• 34:25
  Speaker 1: good five years before I even seen anything out because
• 34:27
  Speaker 1: I was like, I know these ships ass like I
• 34:28
  Speaker 1: do you know what I'm saying. I know my ship
• 34:30
  Speaker 1: week right now, but let me get you know what
• 34:31
  Speaker 1: I'm saying, my practice up whatever. And then turned into
• 34:34
  Speaker 1: putting the whole album out and you know, doing the
• 34:37
  Speaker 1: songs for the homies Gold Black Shal Yeah. So it's
• 34:41
  Speaker 1: just important just to contribute, you know what I'm saying.
• 34:43
  Speaker 1: That's all my thing now is like contributing to sneaker culture,
• 34:46
  Speaker 1: that hot culture.
• 34:47
  Speaker 2: I looked up the niggas like my big brother Clark
• 34:49
  Speaker 2: Kent legend man. You know what I'm saying.
• 34:51
  Speaker 1: DJ Am was like a huge influence on me had
• 34:54
  Speaker 1: we had the kicks back in the day. So that's
• 34:56
  Speaker 1: what I'm saying. It was like an all encompassing thing.
• 34:58
  Speaker 1: It wasn't just about the music there obviously stremely talented,
• 35:00
  Speaker 1: but it was about being more than a DJ.
• 35:02
  Speaker 2: Likes what Clark was always about was like.
• 35:04
  Speaker 1: Doing you know, even sitting down with creders like y'all
• 35:08
  Speaker 1: and like really spreading culture and you know, with the
• 35:10
  Speaker 1: sneakers and with the hats and just represent New York
• 35:12
  Speaker 1: City the way he did. You know, it was like
• 35:13
  Speaker 1: much bigger than just like music and DJ and it
• 35:15
  Speaker 1: was like being an entity. And you know, he also
• 35:17
  Speaker 1: told me about how to get this bread too. He
• 35:19
  Speaker 1: was like, he need to charge his niggas some more money,
• 35:21
  Speaker 1: like for real, He straight up was like, Nigga, you
• 35:23
  Speaker 1: need to be right here, Nigga DJ foot Lockers for
• 35:26
  Speaker 1: twenty five thousand shit like that.
• 35:27
  Speaker 2: I'm like, I didn't even know that was possible. I
• 35:28
  Speaker 2: want to be on the radio, you know what I'm saying.
• 35:30
  Speaker 2: For real?
• 35:30
  Speaker 1: So what number was you comfortable at the time when
• 35:33
  Speaker 1: he told.
• 35:33
  Speaker 2: You he looking for the price for his party. That's
• 35:36
  Speaker 2: what nigga, I wasn't when you first nigga was niggas.
• 35:43
  Speaker 2: Let's get the niggas back to the to the gap nigga.
• 35:45
  Speaker 1: I used to do, let's play Santo's party house, and
• 35:48
  Speaker 1: I was like, everybody's first show would be there.
• 35:50
  Speaker 2: Line.
• 35:50
  Speaker 1: I remember it was like even niggas like all the
• 35:53
  Speaker 1: sound class ship, like Chief Keep's first show will be there,
• 35:55
  Speaker 1: like Fredo Santana like that, and I'd be like the
• 35:57
  Speaker 1: owner DJ. And that's how I really get my name
• 35:59
  Speaker 1: out because my name was always the flyer like sounds
• 36:00
  Speaker 1: by whatever. But I was doing that ship for maybe
• 36:03
  Speaker 1: fifty bucks, like just throw me something so I can
• 36:05
  Speaker 1: get home type of shit, you know. So, bro, I
• 36:08
  Speaker 1: really that's why I really respect New York City because
• 36:09
  Speaker 1: I used to be nigga sleeping in Peninstation, no bread,
• 36:12
  Speaker 1: trying to get back to Jersey all that shit, you know,
• 36:14
  Speaker 1: just trying to get like a little bit of chicken,
• 36:16
  Speaker 1: and it just turned into, like I said, with that club,
• 36:18
  Speaker 1: that's really grounded, bro real. But you say, even with
• 36:21
  Speaker 1: the early traph shows where it's just six people that
• 36:22
  Speaker 1: people don't see that people think it's instagratification.
• 36:25
  Speaker 2: A sposted to Picks I'm letting that. No. People took
• 36:27
  Speaker 2: years to get the years to get it from the
• 36:29
  Speaker 2: mud from them up.
• 36:31
  Speaker 1: It's necessary. It's all character development. I enjoyed every minute
• 36:34
  Speaker 1: of it, for real. It was like I never thought, like,
• 36:35
  Speaker 1: what this shit doesn't work out. It was like, nigga,
• 36:37
  Speaker 1: I'm just taking l's right now. We're gonna turn this
• 36:38
  Speaker 1: ship up. And you know, yeah, yeah we said, I've
• 36:42
  Speaker 1: seen that first broadcast we had with the podcast.
• 36:44
  Speaker 2: Boy it was.
• 36:46
  Speaker 1: It was, yeah, told I got you here, bro, if
• 36:49
  Speaker 1: you could take three artists and make a dream song,
• 36:51
  Speaker 1: who you picking?
• 36:51
  Speaker 2: Oh ship dream song? Yeah? Man?
• 36:54
  Speaker 1: First of all, if man, I'm not gonna lie I
• 36:56
  Speaker 1: even know how it's gonna sound sonically. But I got
• 37:00
  Speaker 1: to get Stevie Wonder on some ship. Just because of
• 37:02
  Speaker 1: Stevie Wonder, I'm always gonna say him first out the gate.
• 37:06
  Speaker 2: I think some Stevie chords, some phar Real drums and
• 37:11
  Speaker 2: ship like that.
• 37:11
  Speaker 1: We can put Farrell in there, and who's like, I'm
• 37:14
  Speaker 1: gonna say some ship like Honestly, I'll say, like you tip,
• 37:18
  Speaker 1: you know what I'm saying. I don't know what that
• 37:19
  Speaker 1: would sound like, but that's three niggas. I was to
• 37:20
  Speaker 1: put like some ship together.
• 37:22
  Speaker 2: Pause. It would be Forrilla, make that happen, Forilla, make
• 37:25
  Speaker 2: that happen. Yeah, I probably listen at that ship wanting
• 37:38
  Speaker 2: Brown chase me down Tyler Trail. We're gonna len that
• 37:50
  Speaker 2: ships lie about the lyrics and the song for sure. Yeah.
• 37:53
  Speaker 1: I just raised like super like old school when it
• 37:54
  Speaker 1: came to music. You know, the Sunday cleaning House music
• 37:57
  Speaker 1: on Yeah, just how just that's how I was just
• 38:00
  Speaker 1: giving it up before we got out of here. Man,
• 38:01
  Speaker 1: we was just in New York. Man the whole show.
• 38:03
  Speaker 1: Man get a chance to pull up my boy ah
• 38:05
  Speaker 1: Man went to the first two Yoky on Fire, love
• 38:09
  Speaker 1: it every minute.
• 38:10
  Speaker 2: What happened at the third show?
• 38:10
  Speaker 1: The third one got a little trick dery one got
• 38:13
  Speaker 1: a little you know what I'm saying. So my dog
• 38:16
  Speaker 1: Man shout to my dog, Sheryl Man shouting my dog
• 38:18
  Speaker 1: shirt win a Sheldon. You know what I'm saying, Big
• 38:19
  Speaker 1: duce game. All that they hit me. They was like, yo,
• 38:22
  Speaker 1: what so we throwing this because honestly, I was gonna
• 38:24
  Speaker 1: leave Sunday. I was gonna go back to Houston, regrouped
• 38:26
  Speaker 1: and come back here for fanatics and all that but
• 38:28
  Speaker 1: he hit me like, Yo, Sunday, we having this crazy
• 38:30
  Speaker 1: after party hole hosting. You know what I'm saying, be
• 38:32
  Speaker 1: gonna be there, like it's like a real thing, Like yeah,
• 38:34
  Speaker 1: we want you to DJ. I'm what nigga say, fucking
• 38:37
  Speaker 1: less right, So he's like yo. So the day of
• 38:39
  Speaker 1: the concert, I didn't even really plan on going, but
• 38:42
  Speaker 1: they were like, yea, if you could be here by
• 38:43
  Speaker 1: like ten, ten thirty, that'd be cool.
• 38:45
  Speaker 2: I'm like, hell yeah, I'm like I'm not going to
• 38:47
  Speaker 2: the show. I'm just gonna lock in.
• 38:48
  Speaker 1: At first, we was gonna go and then leave early
• 38:50
  Speaker 1: all type of shit. I was like, nah, I'm just
• 38:51
  Speaker 1: gonna locking at the event.
• 38:52
  Speaker 2: Fuck it.
• 38:53
  Speaker 1: So we get there probably like ten o'clock, Mahomie first
• 38:55
  Speaker 1: choicee DJ and killing shit. We are having a great time.
• 38:59
  Speaker 1: It's like ten thirty there like, yeah, I hope it
• 39:00
  Speaker 1: ain't going yet. I'm hold on Like she looks like
• 39:03
  Speaker 1: he's supposed to going like like nine living. Like the
• 39:05
  Speaker 1: whole thing was like to touch the stage and not
• 39:07
  Speaker 1: a low. We was there waiting yeah, right, so this
• 39:10
  Speaker 1: is a little different like in school something you're probably
• 39:11
  Speaker 1: waiting on somebody. Then we see like all the riot
• 39:13
  Speaker 1: shit because we on Instagram just jigging this shit live feed,
• 39:16
  Speaker 1: like oh, it's going down to this ship. We see
• 39:19
  Speaker 1: the whole riot shit outide there, Like yeah, he can't
• 39:21
  Speaker 1: go on stage until all this shit gome down. Yeah,
• 39:23
  Speaker 1: We're like, okay, you know, probably give it like another thirty.
• 39:26
  Speaker 1: Nigga's twelve thirty hold stage. So we just in our whole,
• 39:30
  Speaker 1: we eating lu Collie Pizza burgers, having a great time.
• 39:33
  Speaker 1: Nigga like do say, unlimited Ace. This is like a
• 39:36
  Speaker 1: million dollar party they're about to throw for after the concert.
• 39:38
  Speaker 1: So we're like, all right, when he do get on stage,
• 39:40
  Speaker 1: you're piping form for like an hour, hour and a half.
• 39:42
  Speaker 2: That nigga did three hours, Yes, jiggas, we was there
• 39:47
  Speaker 2: three hours worth of hit.
• 39:48
  Speaker 1: I heard you know what I'm saying. Were watching this
• 39:49
  Speaker 1: shit on the phones and all were like, Yo, he
• 39:50
  Speaker 1: going crazy. We're like, Yo, this party, nigga. When everybody
• 39:53
  Speaker 1: get here from that concert, this party gonna be nasty. Niggas,
• 39:56
  Speaker 1: She's gonna be going down. They walking in the whole
• 39:58
  Speaker 1: like three thirty. They little walk through that was like, yeah,
• 40:01
  Speaker 1: hope not coming.
• 40:03
  Speaker 2: I think we've just been here.
• 40:04
  Speaker 1: I've been here since like nine thirty. It's three thirty
• 40:07
  Speaker 1: four o'clock in the morning, and I'm just like, yeah,
• 40:08
  Speaker 1: I'm just gonna pack this. I'm drunk as hell first
• 40:10
  Speaker 1: of all. Yeah, we're like, we're just gonna pick this
• 40:12
  Speaker 1: up and take it to the crib. Shouts the whole man.
• 40:16
  Speaker 1: I was he had a legendary weekend. I hope you
• 40:17
  Speaker 1: do this ship often. He's not for all this ship.
• 40:20
  Speaker 1: Just bring in the city back. The Knicks is going crazy.
• 40:21
  Speaker 1: The World Cup is out here for that whole back outside,
• 40:24
  Speaker 1: it's just New York because.
• 40:25
  Speaker 2: It's just up right now, New York lit right now.
• 40:27
  Speaker 2: He said no refunds on the booking as well. Yeah,
• 40:31
  Speaker 2: boy see, I'm gonna check it. You know what I'm saying.
• 40:33
  Speaker 2: It's going down for sure. Man. Listen, man shouts to
• 40:35
  Speaker 2: my god. Man, we gotta do this to get be here.
• 40:37
  Speaker 2: Appreciate it. You got like it for the city. Man,
• 40:39
  Speaker 2: It's I'm gonna hit deal. Far talk to Chase Man.
• 40:43
  Speaker 2: I'm pulling up. We did that. We got to talk
• 40:45
  Speaker 2: about that. I'm gonna do my deal. I know, I
• 40:49
  Speaker 2: give the fuck Cubs. I'm gonna respect respect. We are sure, man.
• 41:01
  Speaker 2: Talk feel me, Hey, tapping with Chase Bes Hey, you
• 41:03
  Speaker 2: need to deal man, Let's get it done.
• 41:05
  Speaker 1: Man talking to fail me a hard rock bet till
• 41:06
  Speaker 1: next time we at twenty for like man, Yeah yeah,
• 41:10
  Speaker 1: the volume h