Latest / X Minus One | Old Time Radio / X Minus One - "Tunnel Under the World" (Old Time Radio, 1956)
Transcript
- 0:00Speaker 1: Guy Burkhart wakes on June 15th from a dream of
- 0:03Speaker 1: an explosion, then finds small irregularities gathering around him. An
- 0:07Speaker 1: old friend fails to know him, and a familiar advertising
- 0:11Speaker 1: message repeats without end. From NBC Radio's X-1 comes Tunnel
- 0:16Speaker 1: Under the World, Episode 42, first broadcast March 14th, 1956.
- 0:22Speaker 1: Adapted for radio by George Lefferts from Frederick Pohl's Galaxy
- 0:26Speaker 1: Science Fiction Story, it stars Les Damon as Guy Burkhart,
- 0:30Speaker 1: with Ginger Jones, Bob Hastings, and John Larkin as narrator.
- 0:34Speaker 1: The setting is an American industrial town, where an accountant's
- 0:38Speaker 1: ordinary workday begins to yield unsettling questions. And now, we
- 0:42Speaker 1: return to the original broadcast.
- 0:45Speaker 2: In just a moment, X minus one. But first, your
- 0:49Speaker 2: home will be filled with the voices of top entertainers
- 0:52Speaker 2: and fascinating experts in the homemaking field tomorrow when Virginia
- 0:56Speaker 2: Graham and Mike Wallace bring you another broadcast of NBC's Weekday.
- 1:00Speaker 2: Among the special guests is Rita Gam, Hollywood star and
- 1:03Speaker 2: one of Grace Kelly's prospective bridesmaids. And Rita will be
- 1:07Speaker 2: joined by a singer whose unique style is well known
- 1:10Speaker 2: to as many fans, Johnny Ray. Then from Britain, it's
- 1:13Speaker 2: actor Trevor Howard. Meet them all tomorrow when NBC's weekday
- 1:17Speaker 2: brings you another day of fact and fun on this station.
- 1:21Speaker 3: Now stay tuned for X-1 on NBC. Countdown for blastoff. X-5, 4, 3, 2, X-1, fire.
- 2:02Speaker 4: From the far horizons of the unknown come transcribed tales
- 2:05Speaker 4: of new dimensions in time and space. These are stories
- 2:10Speaker 4: of the future. Adventures in which you'll live in a
- 2:12Speaker 4: million could be years on a thousand maybe worlds. The
- 2:16Speaker 4: National Broadcasting Company, in cooperation with Galaxy Science Fiction Magazine, presents.
- 2:22Speaker 5: X minus 1.
- 2:36Speaker 3: Tonight, a story by Frederick Pohl.
- 2:39Speaker 4: Tunnel Under the World.
- 2:49Speaker 6: On the morning of June 15, Guy Burkhardt woke up screaming.
- 2:58Speaker 6: It was more real than any dream he had ever
- 3:01Speaker 6: had in his life. He could still hear and feel
- 3:04Speaker 6: that sharp metal ripping explosion, that searing wave of heat.
- 3:09Speaker 3: He sat up. Mary, Mary.
- 3:11Speaker 6: Mary.
- 3:13Speaker 3: Mary!
- 3:13Speaker 7: Mary! Where are you?
- 3:15Speaker 8: Guy, what's wrong? You're trembling.
- 3:17Speaker 3: Where were you?
- 3:18Speaker 8: In the kitchen cooking breakfast. What is it?
- 3:20Speaker 3: I don't know. A dream, I guess. An explosion.
- 3:23Speaker 8: Did you say an explosion?
- 3:25Speaker 7: Yes.
- 3:26Speaker 8: But that's the dream I had.
- 3:28Speaker 5: What?
- 3:28Speaker 8: I dreamed there was a big explosion and then something
- 3:31Speaker 8: sort of hit me on the head.
- 3:32Speaker 3: Holy smokes. Maybe there really was some sort of explosion
- 3:37Speaker 3: and it started us dreaming.
- 3:39Speaker 8: Well, there'll be an explosion down at your office if
- 3:41Speaker 8: you don't hurry and get to work.
- 3:55Speaker 6: Coming in on the bus, Burkhart watched to see if
- 3:57Speaker 6: there was any evidence of an explosion.
- 4:00Speaker 3: There wasn't. If anything, the town looked better than ever.
- 4:04Speaker 6: The only thing that seemed strange to him was the
- 4:07Speaker 6: fact that none of the usual crowd was on the bus.
- 4:11Speaker 6: He was a little relieved when his old pal, Henry Swanson,
- 4:14Speaker 6: finally got on.
- 4:17Speaker 9: Excuse me. Henry!
- 4:19Speaker 3: Pardon me, sir. Henry, what's the matter with you? It's me,
- 4:23Speaker 3: Guy Burkhardt. Burkhardt? Sorry, I don't believe we've met. What? Henry,
- 4:28Speaker 3: for Pete's sake, it's me. If you'll excuse me, this
- 4:30Speaker 3: is my stop. Well, I'll be... How do you like that?
- 4:34Speaker 5: Oh!
- 4:41Speaker 6: Guy Burkhart got off in front of the gigantic Contro
- 4:44Speaker 6: Chemical building, took the elevator to the 98th floor where
- 4:48Speaker 6: he had worked in the accounting department for 12 years.
- 4:51Speaker 6: It wasn't until he was almost at his floor that
- 4:54Speaker 6: he realized the speaker was not playing the usual commercials.
- 4:59Speaker 10: Friends, are you happy with your present home freezer? Of
- 5:02Speaker 10: course not. Well, the answer to your problems is a
- 5:04Speaker 10: Beco freezer. Beco freezers are better freezers. Most wives would
- 5:08Speaker 10: do anything for a Beco freezer.
- 5:11Speaker 5: Friends, are you happy with your present home freezer?
- 5:20Speaker 3: Morning, Miss Horne.
- 5:21Speaker 8: Good morning, Mr.
- 5:21Speaker 3: Burkhardt. Well, new hairdo, I see. Why, yes.
- 5:25Speaker 8: Do you like it?
- 5:26Speaker 3: It makes a lot of difference in your appearance. Mr.
- 5:29Speaker 3: Barth in? No, sir.
- 5:31Speaker 11: He had an appointment with Mr. Dorchin of the Human
- 5:33Speaker 11: Research Institute.
- 5:35Speaker 3: Today? But today's the 15th of June. He has to
- 5:38Speaker 3: sign the quarterly statement.
- 5:39Speaker 8: He said he wouldn't be in.
- 5:40Speaker 5: Huh.
- 5:41Speaker 3: That's mighty peculiar.
- 5:43Speaker 8: Yes, sir.
- 5:44Speaker 3: Oh, by the way, Miss Horne, what the devil is
- 5:47Speaker 3: a feckle freezer? A feckle freezer? There's some new copy
- 5:51Speaker 3: on the elevator commercial. Dorchin must have landed another account.
- 5:55Speaker 3: Feckle freezers.
- 5:56Speaker 8: I really don't know, Mr.
- 5:57Speaker 3: Burkhardt.
- 5:58Speaker 5: Huh.
- 6:00Speaker 3: It's a funny day. Can't quite put my finger on it,
- 6:03Speaker 3: but there's something strange going on.
- 6:11Speaker 6: He couldn't shake the thought out of his mind. It
- 6:15Speaker 6: persisted all through the day and through dinner. He was
- 6:17Speaker 6: still brooding as he and Mary got ready for bed.
- 6:23Speaker 8: Dad, dear? Oh, no. Anything wrong?
- 6:28Speaker 3: I don't know.
- 6:30Speaker 8: Well, I guess I'll get a good night's sleep. Cummings?
- 6:33Speaker 3: I think I'll sit up and read for a while.
- 6:35Speaker 8: Well, good night, darling.
- 6:37Speaker 3: Night, dear.
- 6:46Speaker 6: At exactly midnight, Guy Burkhardt lapsed into a sudden, deep sleep.
- 6:53Speaker 3: And the following morning, he woke up, screaming.
- 7:00Speaker 8: Darling, what is it? What's wrong?
- 7:03Speaker 3: Oh, nothing. Bad dream, I guess.
- 7:07Speaker 8: You gave me such a shock.
- 7:10Speaker 3: I seem to be having a lot of nightmares lately.
- 7:12Speaker 8: Really?
- 7:14Speaker 3: Yes, the one I had yesterday. This was the same.
- 7:16Speaker 3: A big explosion and then nothing.
- 7:19Speaker 8: You had a dream yesterday?
- 7:21Speaker 3: Well, of course I did. You had the same sort
- 7:23Speaker 3: of dream. I did?
- 7:25Speaker 8: Guy, you're mistaken. I don't remember dreaming.
- 7:27Speaker 3: No, Mary, you told me.
- 7:29Speaker 8: Guy, you're mistaken.
- 7:30Speaker 3: But, Mary, you.
- 7:31Speaker 8: Maybe you dreamed I had a dream.
- 7:33Speaker 11: Maybe.
- 7:33Speaker 3: Oh, yes, I might have done that, I suppose. Everything
- 7:37Speaker 3: did seem sort of strange yesterday.
- 7:39Speaker 8: Oh, that's probably it. You better get dressed, dear. Today's
- 7:41Speaker 8: the 15th. That's when the quarterly statement.
- 7:43Speaker 3: 15th?
- 7:44Speaker 8: Yes.
- 7:45Speaker 3: Well, it must have been a dream, because yesterday was
- 7:47Speaker 3: the 15th.
- 7:58Speaker 6: Guy Burkhart got up, dressed, ate breakfast, and took the
- 8:02Speaker 6: usual bus to work. Once again, everything seemed even brighter
- 8:07Speaker 6: and newer than usual. And once again, he was puzzled
- 8:10Speaker 6: when he noticed none of the old crowd on the bus.
- 8:16Speaker 3: Pardon me, please. Oh, look, don't shove so. Oh, morning, Henry. Morning.
- 8:22Speaker 12: For God's sake, don't talk to me. Is it you
- 8:25Speaker 12: being followed or something?
- 8:26Speaker 3: Don't you know?
- 8:28Speaker 12: I was sure you remembered.
- 8:29Speaker 3: Remembered what?
- 8:30Speaker 12: I can't talk.
- 8:32Speaker 8: This is my stuff.
- 8:33Speaker 3: Will you excuse me, please?
- 8:34Speaker 7: Henry.
- 8:35Speaker 6: Henry, for Pete's sake. As in yesterday's dream, Guy Burkhart
- 8:48Speaker 6: got off at his stop and took the elevator to
- 8:51Speaker 6: the 98th floor. The speaker in the elevator heard a
- 8:54Speaker 6: new commercial this time.
- 8:57Speaker 5: Marlin cigarettes.
- 8:59Speaker 13: They're sanitized. Does your present cigarette make your throat feel
- 9:04Speaker 13: raspy and unpleasant? Marlin cigarettes contain a miraculous new drug
- 9:09Speaker 13: which actually gives you the sensation of smooth, creamy smoke.
- 9:16Speaker 13: Marlin cigarettes.
- 9:18Speaker 5: Marlin.
- 9:22Speaker 3: He walked down the marble corridor to his office.
- 9:30Speaker 8: Good morning, Mr. Burricard.
- 9:32Speaker 3: Good morning, Miss Horne.
- 9:32Speaker 11: Do you like my new hairdo?
- 9:37Speaker 9: Uh, yes.
- 9:39Speaker 3: Is Mr. Barth in? No, sir. He had an appointment
- 9:43Speaker 3: with Mr. Dorton at the Research Institute.
- 9:45Speaker 9: I know. You know?
- 9:47Speaker 3: Well, I guessed it anyway. And today is the 15th
- 9:50Speaker 3: of June, and he won't be here to sign the
- 9:51Speaker 3: quarterly statement, and I'm going nuts. Let me have a cigarette,
- 9:54Speaker 3: will you? Yes, sir.
- 9:56Speaker 8: Try one of these. They're marlins.
- 9:58Speaker 12: Marlins?
- 10:00Speaker 3: Heard of Marlins before today. What are we, a bunch
- 10:02Speaker 3: of guinea pigs?
- 10:03Speaker 8: Something wrong, Mr.
- 10:04Speaker 6: Burkard?
- 10:05Speaker 3: Wrong? Perish the thought, Miss Horne. Perish the thought. He
- 10:17Speaker 3: went to his desk and stared at the mails.
- 10:20Speaker 6: Before he opened it, he knew that the factory distributor's
- 10:23Speaker 6: envelope contained.
- 10:24Speaker 3: An order for 12 new electronic computers.
- 10:27Speaker 6: He knew that the development journal contained an article about
- 10:30Speaker 6: a new method of transprinting selective brain circuits of human
- 10:34Speaker 6: engineers onto the electric brain circuits of robot engineers to
- 10:39Speaker 6: facilitate the operation of automatic factories. He knew that there
- 10:43Speaker 6: was a complaint from Feinbeck & Sons about the Controchemicals'
- 10:46Speaker 6: newest household robot circuit. After a long while, he forced
- 10:53Speaker 6: himself to open them.
- 10:55Speaker 3: They were exactly as he suspected. Hello?
- 11:03Speaker 5: This is Swanson. Henry Swanson.
- 11:05Speaker 3: What is it?
- 11:06Speaker 5: Do you remember?
- 11:07Speaker 3: Remember what?
- 11:08Speaker 12: Just remember.
- 11:10Speaker 3: All right, now listen, Henry. Let's stop playing games. Yesterday,
- 11:13Speaker 3: either I was dreaming or you stubbed me on the bus. Today,
- 11:15Speaker 3: the same thing happened.
- 11:16Speaker 5: Oh, you do remember. Thank heavens. I thought so when
- 11:19Speaker 5: I saw you, but I couldn't be sure.
- 11:21Speaker 3: What is it you want?
- 11:23Speaker 5: Listen, tomorrow morning, when I get off the bus, you
- 11:26Speaker 5: get off with me.
- 11:28Speaker 10: Be casual.
- 11:29Speaker 5: They may be watching.
- 11:31Speaker 3: Who may be watching? Swanson! Hello!
- 11:43Speaker 8: You buzzed, Mr.
- 11:44Speaker 3: Bearcar? Yes, I'm still out of cigarettes. Would you buy
- 11:47Speaker 3: me a pack of Kelvins?
- 11:48Speaker 11: Wouldn't you rather have Marlins?
- 11:50Speaker 3: I smoke Kelvins.
- 11:52Speaker 8: But, Mr.
- 11:52Speaker 11: Burkhardt, Marlins have that soft, creamy smoke that's so soothing
- 11:57Speaker 11: to your throat.
- 11:57Speaker 3: Oh, do you really believe that stuff?
- 12:00Speaker 8: Well, it's true. I wouldn't say this, Mr.
- 12:03Speaker 11: Burkhardt, except that, well, I've gotten to know you pretty well,
- 12:07Speaker 11: and I've grown to admire you so much.
- 12:12Speaker 3: I see.
- 12:13Speaker 11: Would you mind, Mr. Burkhardt, if I told you that
- 12:15Speaker 11: for months now? I wanted to, well, just comfort you.
- 12:21Speaker 11: I know how troubled you feel.
- 12:24Speaker 3: Well, you've never mentioned your feelings before, Miss Horne. April.
- 12:30Speaker 8: My first name's April.
- 12:33Speaker 3: That's a pretty name.
- 12:34Speaker 8: You see, I do have your welfare at heart.
- 12:37Speaker 11: That's why when I see you smoking Kelvins, and I
- 12:40Speaker 11: know Marlins are so much better, won't you let me
- 12:43Speaker 11: buy some of them for you?
- 12:45Speaker 3: Well, I suppose so. Why not? Here, bring me a carton.
- 12:52Speaker 11: Oh, thank you, Mr.
- 12:54Speaker 3: Descartes. Guy. I, uh, I think you ought to go.
- 13:00Speaker 8: I'll be back.
- 13:09Speaker 6: There was something wrong. Something definitely peculiar about what was happening.
- 13:15Speaker 6: The call from Henry Swanson. The strange behavior of his secretary,
- 13:19Speaker 6: Miss Horne. These new products, the dream. Guy Burkhart went
- 13:24Speaker 6: home that night feeling like a man in a nightmare.
- 13:28Speaker 8: Is that you, dear?
- 13:31Speaker 3: It's me.
- 13:32Speaker 8: Did you have a good day?
- 13:33Speaker 4: Fair.
- 13:35Speaker 8: Oh, before you sit down, will you go down to
- 13:37Speaker 8: the cellar and put in a new fuse? The switch
- 13:39Speaker 8: in the hall closet blew out. I shut it off.
- 13:42Speaker 3: Okay.
- 13:43Speaker 8: Supper will be ready in a minute, so don't start
- 13:44Speaker 8: fooling around with that old boat hull you've been building.
- 13:47Speaker 6: I won't.
- 14:04Speaker 3: Mary!
- 14:05Speaker 5: Mary!
- 14:07Speaker 8: What is it?
- 14:07Speaker 3: Come down here. Hurry up.
- 14:11Speaker 8: What is it?
- 14:12Speaker 3: I don't know. I'm not sure. I was looking for
- 14:15Speaker 3: a fuse, and I thought maybe I'd drop one under
- 14:17Speaker 3: the boathouse, so I scratched around. Look. Let me put
- 14:20Speaker 3: the flashlight on it. Well? Look at the floor.
- 14:25Speaker 8: What about the floor?
- 14:26Speaker 12: It's supposed to be cement.
- 14:28Speaker 8: Well?
- 14:29Speaker 12: Well, it's copper.
- 14:31Speaker 3: There's a thin layer of cement, but underneath it's metal.
- 14:34Speaker 3: Look here. Underneath the concrete, more metal. And here on
- 14:42Speaker 3: the wall. See? Metal. Metal under the floor, behind the walls,
- 14:48Speaker 3: every place.
- 14:49Speaker 8: Well, I don't really understand.
- 14:50Speaker 3: Mary, I know this sounds crazy, but somebody, for reasons
- 14:53Speaker 3: I can't even begin to guess, has taken this house
- 14:55Speaker 3: and replaced it with a clever imitation.
- 14:56Speaker 11: Guy!
- 14:57Speaker 3: Mary, I'm going to look around a little more.
- 14:59Speaker 8: Well, your dinner will be ready.
- 15:00Speaker 6: All right, save it for me. There are a couple
- 15:02Speaker 6: of things I've got to figure out. The following morning,
- 15:12Speaker 6: Guy Burkhardt woke up screaming. He dragged himself into the
- 15:18Speaker 6: kitchen where his wife, Mary, was preparing breakfast and discovered
- 15:21Speaker 6: it was still June 15th.
- 15:25Speaker 3: Mary, where's the morning paper? Where is it?
- 15:27Speaker 8: Outside the door, I guess.
- 15:29Speaker 3: Uh-huh. June 15th.
- 15:35Speaker 8: You'd better hurry, dear. Today's the day Mr. Barr fills
- 15:37Speaker 8: out the quarterly tax return.
- 15:39Speaker 3: Oh, no, it isn't.
- 15:40Speaker 5: Why?
- 15:40Speaker 3: He won't be there. He'll get a meeting with that
- 15:43Speaker 3: crackpot Dorchin at the Human Research Institute.
- 15:45Speaker 12: Mr.
- 15:45Speaker 8: Dorchin?
- 15:46Speaker 3: He'll be there. And Miss Horne will have a new hairdo,
- 15:49Speaker 3: and the elevator will be selling some new product, and Swanson...
- 15:52Speaker 3: What about Swanson? Swanson, he said... I wonder if it's
- 15:57Speaker 3: going to be the same today, or whether.
- 15:59Speaker 8: Guy, what in the world are you talking about?
- 16:03Speaker 3: Nothing, never mind. Where's my coat?
- 16:04Speaker 8: You haven't had any breakfast yet.
- 16:05Speaker 3: I don't want to miss my bus. I'll see you tonight.
- 16:10Speaker 3: Guy Burkhart got on his bus.
- 16:12Speaker 6: There were the same unfamiliar faces, the same unusually new-looking buildings,
- 16:17Speaker 6: the same unusually bright sunshine. And on the customary corner,
- 16:22Speaker 6: Henry Swanson, pale and furtive, climbed aboard.
- 16:29Speaker 3: Excuse me, sir.
- 16:30Speaker 5: It's quite all right.
- 16:32Speaker 12: Do you remember the phone call?
- 16:33Speaker 3: Yes.
- 16:34Speaker 12: Oh, thank heaven. Get off at the next corner and
- 16:36Speaker 12: follow me.
- 16:37Speaker 3: Where are you going?
- 16:38Speaker 7: There's an excavation for a building about a block down.
- 16:41Speaker 7: Make sure you aren't followed.
- 16:43Speaker 12: I'll go first.
- 16:55Speaker 3: Burkhart.
- 16:57Speaker 12: Here, behind the fence.
- 17:00Speaker 3: All right, now. Henry, what's this all about?
- 17:02Speaker 12: I'm not sure....
- 17:04Speaker 7: First I thought perhaps they were Russians. Now I'm beginning
- 17:07Speaker 7: to think they're Martians. No humans could have accomplished what
- 17:10Speaker 7: they've accomplished.
- 17:11Speaker 3: Now, wait a minute. Start from the beginning, Henry. What's
- 17:13Speaker 3: going on?
- 17:14Speaker 12: Look, Burkhardt, peculiar things have been happening to you, right?
- 17:19Speaker 11: Yes.
- 17:20Speaker 12: A lot of your friends are missing. Your house seems changed.
- 17:22Speaker 3: There's something stranger than that. The date. Today is June 15th.
- 17:28Speaker 3: Yet I could swear yesterday was June 15th and the
- 17:30Speaker 3: day before that.
- 17:31Speaker 12: You got it, friend. It's always June 15th. And you
- 17:34Speaker 12: and I are the only ones who know it.
- 17:37Speaker 3: Why, Henry? How?
- 17:39Speaker 12: I'm not sure. I think it's some sort of mass
- 17:42Speaker 12: hypnosis or something.
- 17:43Speaker 3: Well, why doesn't it work for us? My wife, Mary,
- 17:46Speaker 3: doesn't remember a thing.
- 17:47Speaker 12: Somehow, when it happened, they missed us.
- 17:50Speaker 7: We were protected from the full force of the rays
- 17:53Speaker 7: or whatever they used.
- 17:56Speaker 12: Burkhardt, where were you on the night of the 14th
- 17:58Speaker 12: about midnight?
- 18:00Speaker 3: You say that was Sunday night?
- 18:01Speaker 7: Yes.
- 18:03Speaker 3: Yeah, I was down in the cellar under the boat
- 18:05Speaker 3: I'm building.
- 18:06Speaker 12: And I was in my darkroom developing some pictures.
- 18:09Speaker 3: This just doesn't make any sense to me. Russians, Martians.
- 18:13Speaker 3: What makes you think that?
- 18:14Speaker 12: I've seen them.
- 18:16Speaker 11: Where?
- 18:17Speaker 12: At the end of the tunnel.
- 18:18Speaker 3: What tunnel?
- 18:19Speaker 12: The one they built under Tylertown. A tunnel under Tylertown? Yes,
- 18:23Speaker 12: that's right. It's made out of copper or some alloy.
- 18:27Speaker 3: Copper? Wait a minute. I found a copper layer under
- 18:30Speaker 3: my cellar floor last night.
- 18:31Speaker 12: So did I. That's how I discovered it. I found
- 18:35Speaker 12: a way to get in, too. It's at the bottom
- 18:37Speaker 12: of this excavation.
- 18:39Speaker 3: Holy mackerel. Henry, why don't we tell the police?
- 18:41Speaker 12: Because we can't trust them. Even the police may be
- 18:44Speaker 12: Martians in disguise.
- 18:45Speaker 3: Oh, come on. Now you're being melodramatic.
- 18:47Speaker 12: Oh, am I? Well, you just come with me.
- 18:49Speaker 3: Where?
- 18:50Speaker 12: Into the tunnel.
- 18:50Speaker 3: I'll show you.
- 18:58Speaker 6: Henry Swanson led Guy Burkhardt to a small hole on
- 19:01Speaker 6: the side of the excavation. There he removed a cut-out
- 19:03Speaker 6: piece of metallic substance and they crawled into a dimly
- 19:06Speaker 6: lighted tunnel. They walked for what seemed like two miles
- 19:09Speaker 6: until Swanson held his finger to his lips.
- 19:14Speaker 3: We've got to be quiet now. Henry, this is fantastic.
- 19:18Speaker 3: We've got a tunnel right under the whole town.
- 19:20Speaker 7: Oh, you haven't seen anything yet. There's a room a
- 19:23Speaker 7: little farther down. We'll be able to look through a glass.
- 19:26Speaker 12: In the door.
- 19:27Speaker 3: Is it safe?
- 19:29Speaker 12: It's perfectly safe unless one of them comes along.
- 19:32Speaker 7: Come on.
- 19:33Speaker 3: Okay.
- 19:38Speaker 12: Here.
- 19:40Speaker 7: Burkhardt, look through this glass. Now, just so I know
- 19:44Speaker 7: I'm not completely insane, tell me what you see.
- 19:47Speaker 3: Go to Lord. Well, a tremendous panel with dozens of telescreens.
- 19:56Speaker 3: And in front of each of them is a servo robot.
- 20:00Speaker 3: They seem to be computing something. Yes, I've watched.
- 20:02Speaker 7: They're evaluating data from the screens.
- 20:06Speaker 3: Have you gotten a chance to look at the data
- 20:08Speaker 3: on those screens?
- 20:09Speaker 12: No. I've been afraid of going. There might be a
- 20:13Speaker 12: warning circuit somewhere.
- 20:15Speaker 3: Well, if we knew what those robots were working on,
- 20:18Speaker 3: we could go to the authorities. I'll risk it if
- 20:21Speaker 3: you will. All right, it's worth the chance. We're lost anyway. Okay.
- 20:28Speaker 12: Open the door.
- 20:36Speaker 3: So far, so good.
- 20:37Speaker 12: Come on.
- 20:39Speaker 3: Let's take a look at that data.
- 20:40Speaker 12: Don't interfere with the robots.
- 20:42Speaker 3: Don't worry. Here, let's look at this screen. Listen to this.
- 20:49Speaker 3: Tests in the 47K12 group with Marlon cigarettes pulled 80%
- 20:54Speaker 3: using the soft feminine approach. Indications are that an extension
- 20:58Speaker 3: of this approach would influence at least 70% nationwide. The
- 21:03Speaker 3: direct elevator pitch pulled only 10%. This should be abandoned
- 21:06Speaker 3: and a new series of high persuasion personal elements introduced.
- 21:11Speaker 12: Henry, do you know what this means?
- 21:13Speaker 3: I haven't the faintest idea. I don't blame you. This
- 21:16Speaker 3: is crazy, but it fits the facts when I think
- 21:18Speaker 3: about it. Do you know who's behind this?
- 21:21Speaker 12: Martians?
- 21:22Speaker 3: No, not Martians, Henry. Humans. What? Humans who are interested
- 21:26Speaker 3: in developing the perfect propaganda machine.
- 21:28Speaker 7: What?
- 21:28Speaker 3: I don't know who they are or how they've done it,
- 21:31Speaker 3: but somehow they've taken Tyler Town over. Hypnosis? Hypnosis, drugs,
- 21:37Speaker 3: maybe some kind of array or something. However they do it.
- 21:39Speaker 3: What happens is that they let us live through a
- 21:41Speaker 3: single day. During that day, they pour all kinds of
- 21:44Speaker 3: suggestions and propaganda into us. At the end of the day,
- 21:47Speaker 3: they evaluate the results. See how we've reacted. And at midnight,
- 21:51Speaker 3: they wash the day out of our minds. And the
- 21:53Speaker 3: next morning, we start the same day over again with
- 21:55Speaker 3: different stimuli.
- 21:56Speaker 12: Do you know what that means, Henry?
- 21:58Speaker 3: Suppose one man learned how to influence people 100%. Why,
- 22:02Speaker 3: in a year, he could sell us anything from freezers
- 22:04Speaker 3: to political candidates. Wait a minute. We're guinea pigs, Henry.
- 22:08Speaker 3: This whole community is one big test tube for Dorchan's
- 22:11Speaker 3: propaganda research.
- 22:12Speaker 12: Berg, what do we do?
- 22:13Speaker 3: I don't know, but somehow we've got to get out
- 22:15Speaker 3: of this town and get to the FBI.
- 22:16Speaker 12: How do you think we can?
- 22:17Speaker 3: It's worth a try. Come on. Wait. What is it?
- 22:21Speaker 12: Look through the door. There's somebody coming down the tunnel.
- 22:24Speaker 3: We've got to hide.
- 22:25Speaker 12: Behind the circuit box.
- 22:29Speaker 3: Good Lord, it's Dorchan, the head of the research institute.
- 22:40Speaker 5: All right, Burkhart, come out.
- 22:44Speaker 9: We know you're in this room. Miss Horne has informed
- 22:48Speaker 9: us that you remember. I must warn you that it's
- 22:53Speaker 9: useless to buck us. Come out peacefully. Let our maintenance
- 22:58Speaker 9: crew adjust you properly so you don't remember from one
- 23:01Speaker 9: experiment to the next. It will be quite painless. If
- 23:07Speaker 9: you don't come out peacefully, we'll have to get you.
- 23:11Speaker 3: Take this wrench. When I give the word, jump in.
- 23:14Speaker 12: But he may be armed.
- 23:15Speaker 3: We've got nothing to lose. Very well.
- 23:19Speaker 5: I'm coming after you.
- 23:22Speaker 12: No!
- 23:28Speaker 3: Burkhart, I've killed him.
- 23:29Speaker 4: Wait.
- 23:30Speaker 3: Get his coat unbuttoned. Maybe his heart is still beating. Henry!
- 23:36Speaker 8: What is it?
- 23:36Speaker 3: What's wrong? Look underneath his coat. Heaven help us. It's
- 23:41Speaker 3: a robot. A humanoid robot designed to look like Dorchin.
- 23:46Speaker 12: Come on, let's get out of here.
- 23:47Speaker 3: Wait.
- 23:48Speaker 12: What's that?
- 23:48Speaker 3: The loudspeaker.
- 23:49Speaker 5: I told you it was useless, gentlemen. Who are you?
- 23:53Speaker 9: Mr.
- 23:54Speaker 5: Dorchin, naturally. The real Mr. Dorchin.
- 23:58Speaker 3: What are you trying to do to us?
- 24:00Speaker 9: Merely trying to prevent you from damaging my experiment, gentlemen.
- 24:04Speaker 3: You can't get away with this, Dorchin. Sooner or later, somebody,
- 24:07Speaker 3: the FBI or somebody, is going to get wind of
- 24:09Speaker 3: this madness.
- 24:09Speaker 5: Really, Burkhardt, you're quite naive.
- 24:13Speaker 9: Now, why not be reasonable and let the maintenance crews
- 24:15Speaker 9: adjust you?
- 24:17Speaker 3: And if I refuse, I suppose you'll kill me.
- 24:20Speaker 5: That would be quite impossible.
- 24:22Speaker 11: Oh?
- 24:23Speaker 5: You see, Burkhardt, you're already dead.
- 24:28Speaker 3: Dead?
- 24:29Speaker 5: You're shocked. It's quite true. You and everyone else in
- 24:34Speaker 5: this town.
- 24:35Speaker 9: were killed by a premature atomic blast at the Chondro
- 24:38Speaker 9: chemical plant. The blast occurred at 7 a.m.
- 24:41Speaker 5: On June 15th.
- 24:43Speaker 9: That is the last thing imprinted on your minds. That
- 24:46Speaker 9: is why you wake up screaming each morning.
- 24:48Speaker 3: No, it isn't true.
- 24:49Speaker 5: But it is.
- 24:51Speaker 9: What I and my associates did was take the brain
- 24:53Speaker 9: circuits from your dead bodies. We stored them in electrochemical
- 24:56Speaker 9: batteries till we had a chance to rebuild the cities
- 24:59Speaker 9: and begin our tests.
- 25:01Speaker 3: Do you think I believe a fantastic tale like that?
- 25:04Speaker 9: I imagine you find it incredible. Of course, we didn't
- 25:07Speaker 9: rebuild everything exactly. After all, it only has to last
- 25:11Speaker 9: for a single day, June 15th.
- 25:14Speaker 5: At midnight, we turn off the power and wash out
- 25:16Speaker 5: the memory of the day.
- 25:18Speaker 9: You and your friend Swanson, unfortunately, have defective circuits.
- 25:22Speaker 5: You remember.
- 25:23Speaker 3: Burkhart, it's no use.
- 25:24Speaker 12: We're trapped.
- 25:25Speaker 3: Give up. No, not me.
- 25:26Speaker 12: What can we do?
- 25:27Speaker 3: We can make a run for it down the tunnel.
- 25:28Speaker 3: Come on.
- 25:29Speaker 5: It's useless, Burkhart.
- 25:30Speaker 3: Keep going.
- 25:31Speaker 5: It's useless. Useless. Useless.
- 25:49Speaker 3: Now, now, this door is open. It opens.
- 25:53Speaker 5: Oh, no.
- 25:58Speaker 3: No, I don't believe it. Swanson, look.
- 26:08Speaker 6: They were standing on a ledge of smooth, finished metal.
- 26:12Speaker 6: At their feet, the ledge dropped away into a chasm
- 26:15Speaker 6: so deep they could not see the bottom. Beyond was
- 26:19Speaker 6: only a glare so bright that their eyes could not
- 26:22Speaker 6: stand to look into it. And yet, just at the
- 26:27Speaker 6: limit of their vision, something towered. Something so huge it
- 26:33Speaker 6: was almost inconceivable.
- 26:36Speaker 3: Something.
- 26:37Speaker 5: Worker?
- 26:39Speaker 9: Yes?
- 26:40Speaker 5: This is Dorton. Now do you understand why it's useless?
- 26:44Speaker 3: Yes. The great looming figure moved closer.
- 26:49Speaker 6: It seemed to take shape now, and yet it was
- 26:53Speaker 6: so gigantic as to be unbelievable.
- 26:56Speaker 3: It came closer. The glare was partially blocked.
- 27:00Speaker 6: And then, Guy Burkhardt knew that the towering shape was
- 27:05Speaker 6: none other than Dorchin himself.
- 27:08Speaker 9: You see how I did it, Burkhardt? I took your
- 27:12Speaker 9: brain circuits and had them reduced. so they could be
- 27:16Speaker 9: transferred to tiny humanoid mannequins. That's what you are, Burkhart.
- 27:22Speaker 5: A tiny miniature of yourself.
- 27:25Speaker 9: And this city, this whole experiment I'm conducting, is built
- 27:30Speaker 9: on a tabletop.
- 27:45Speaker 6: It was the morning of June 15th, and Guy Burkhardt
- 27:50Speaker 6: woke up out of a dream, screaming.
- 28:11Speaker 4: You have just heard X-1, presented by the National Broadcasting
- 28:14Speaker 4: Company in cooperation with Galaxy Science Fiction Magazine, which this
- 28:19Speaker 4: month features another story by tonight's author, Frederick Pohl. It's
- 28:23Speaker 4: the second installment of his novel, Slaveship. Your announcer, Fred Collins.
- 28:29Speaker 4: X-1 was directed by Daniel Sutter and is an NBC
- 28:33Speaker 4: Radio Network production.
- 28:43Speaker 1: Our visit with X-1 and Tunnel Under the World now
- 28:46Speaker 1: draws to a close.
- 28:47Speaker 3: Good night.