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You Think it’s Weird (S4 E8 "Die, Jerk”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in. Hello, that's you. I am all
• 0:17
  Speaker 1: in with Scott Patterson and I Heart Radio Podcast. Hi everybody,
• 0:21
  Speaker 1: Scott Patterson, I am all in Podcast, Season four, Episode
• 0:24
  Speaker 1: A Died Jerk, and I am joined by my intrepid crew,
• 0:28
  Speaker 1: well almost all of them. Tara's missing today. Yeah. Wait,
• 0:31
  Speaker 1: Tara's on vacation race. She own assignment in but I'm been.
• 0:37
  Speaker 1: She's on Hill Morris, She's on Stars Hollow assignment. But Janiel,
• 0:40
  Speaker 1: where is Tara? She's a Disney World disney World. She's
• 0:45
  Speaker 1: a trader. He loves Disney. Wow. I think the rides
• 0:51
  Speaker 1: on our show are even more fun, don't you think?
• 0:55
  Speaker 1: Daniel Romo? Hello, Hello, baby sugarman. Hello chugging? What are
• 1:02
  Speaker 1: you chugging? There? Chugging? And minerals and um apparently Amy
• 1:07
  Speaker 1: has a big fat surprise. Guys. Ready, you're ready, I'm
• 1:14
  Speaker 1: I'm dying to know what it is. First of all,
• 1:16
  Speaker 1: I have to thank everyone who wrote in to help
• 1:20
  Speaker 1: me with this surprise. I know what it is. Help
• 1:24
  Speaker 1: you with the surprise. Get ready? Yeah? I found Malamar's.
• 1:32
  Speaker 1: I've never had one? Are they good? Well? I I
• 1:37
  Speaker 1: waited for you, guys. I haven't even one, can I
• 1:39
  Speaker 1: try one that says, Okay, I'm just gonna say because
• 1:43
  Speaker 1: I am trying to, you know, get holiday ready. So
• 1:46
  Speaker 1: a hundred and twenty calories for two cookies, so I'm
• 1:48
  Speaker 1: just gonna have one. They look amazing, you guys, they
• 1:54
  Speaker 1: look actually amazing. So just for anyone thing. I found
• 1:56
  Speaker 1: him at Target. I had to get them shipped though,
• 1:59
  Speaker 1: like they didn't have them my target, my local target.
• 2:02
  Speaker 1: You know what. They kind of they kind of remind
• 2:03
  Speaker 1: me of Girl Scout Cookies a little bit. So it's
• 2:06
  Speaker 1: the packaging while experience a cookie box, and then they're
• 2:10
  Speaker 1: wrapped in plastic, which I love because I loved knowing
• 2:13
  Speaker 1: things are the Girl Scout Cookies come wrapped in plastic?
• 2:16
  Speaker 1: I don't think so. No, they have the tag along
• 2:24
  Speaker 1: come like that. Amy, Yeah, okay, I know my Girl
• 2:27
  Speaker 1: Scout cookies. Let me tell you. Oh oh, there's sort
• 2:31
  Speaker 1: of a softness, a surprising softness. Okay, so they're a
• 2:35
  Speaker 1: little squashy. Okay, so I'm gonna gonna eat one. Oh
• 2:38
  Speaker 1: my god, drum roll now, I wish I remembered which
• 2:42
  Speaker 1: episode had all the malamar mentions. Took a minute. Okay,
• 2:50
  Speaker 1: Oh my god, Oh my god, holy they're excellent, so
• 2:57
  Speaker 1: tell us about it. What are you experiencing? I would
• 3:00
  Speaker 1: compare them to what I love a s'more bar, because
• 3:05
  Speaker 1: they had chocolate. There's like a marshmallowy thing. There's almost
• 3:09
  Speaker 1: like crumbly Graham crackers in there. Killing me right now?
• 3:14
  Speaker 1: Stuff anymore? Yes, you can't, I can't know. There's only
• 3:19
  Speaker 1: sixty calories in this sixty calories? Are you gonna send
• 3:23
  Speaker 1: me a box? What's going on? We got boxes coming?
• 3:25
  Speaker 1: I know. I like how Aby sent herself a box
• 3:28
  Speaker 1: but failed to send us one. That's so true. Okay,
• 3:35
  Speaker 1: I probably recommend hitting your targets and that's oh no,
• 3:40
  Speaker 1: wonder they named it that hit your target, Hit your target,
• 3:45
  Speaker 1: and order these. They're great. They're really really great. They're
• 3:48
  Speaker 1: made by an Abisco. They're they're great. And is there
• 3:52
  Speaker 1: a rhyme and reason too? Why it's only in the
• 3:56
  Speaker 1: fall and not year round? I would love to know
• 4:00
  Speaker 1: this is this is like this? Well, s'mores are sort
• 4:03
  Speaker 1: of campfire e right, so it's that could be all
• 4:06
  Speaker 1: seasons winter right there? Winter, but that's a summer treat.
• 4:12
  Speaker 1: That's a fourth of July treat. If I've ever tasted one? Yeah, oh,
• 4:25
  Speaker 1: pardon me, I need to silence my phone. It's my
• 4:27
  Speaker 1: first day out of bed. Did you get sick? I
• 4:30
  Speaker 1: got sick. Yeah, you get the same. Everyone has a cold,
• 4:35
  Speaker 1: so I was like night love. Everyone has it. I
• 4:38
  Speaker 1: love taking the night quill. Literally, it's because all the
• 4:42
  Speaker 1: kids are back in school, just spreading their Germans random
• 4:46
  Speaker 1: and all the kids went to Harry Styles and poor
• 4:48
  Speaker 1: Harry Styles is sick. Everyone's everybody. Literally, one of my
• 4:55
  Speaker 1: friends kids class had half the class out. Yeah. My
• 5:00
  Speaker 1: first is my first day up and around and sort
• 5:02
  Speaker 1: of like doing stuff, you know, welcome back to life.
• 5:05
  Speaker 1: Thank you. You sound pretty good. I mean I can
• 5:08
  Speaker 1: get a little. I might. I might. I might have
• 5:11
  Speaker 1: to hit the gym later. I don't know. I'm thinking
• 5:14
  Speaker 1: about it. I think that sounds terrible. I know it does.
• 5:18
  Speaker 1: I'd rather just go back to bed. No, it's good
• 5:21
  Speaker 1: to sweat it out. You'll feel way better after. You
• 5:24
  Speaker 1: should eat some soup. Oh I've been eating chicken soup. Yeah. Yeah,
• 5:27
  Speaker 1: actually works starving it up. Did you give it to
• 5:31
  Speaker 1: your wife too? No, I tried. She wouldn't let me. Well,
• 5:41
  Speaker 1: I mean it was I was gone the whole weekend,
• 5:43
  Speaker 1: so you know, I came home and I was like,
• 5:45
  Speaker 1: oh my god, I'm sick and I don't care. Right,
• 5:52
  Speaker 1: Oh my god, Okay, I'm ready, all right, Danielle synopsizes,
• 5:59
  Speaker 1: all right, this is season four, episode eight, Died Jerk
• 6:02
  Speaker 1: air date in November eleven, two thousand three. Rory is
• 6:05
  Speaker 1: learning how to become an opinion writer for the Yale
• 6:09
  Speaker 1: Daily News by reviewing a ballet show. David Lane's relationship
• 6:13
  Speaker 1: makes a return, sort of. Lorelie is surprised by the
• 6:17
  Speaker 1: news of Nicole and Luke. Meanwhile, Jason, a k digger,
• 6:21
  Speaker 1: gets a reluctant invite to Friday night dinner with Emily
• 6:25
  Speaker 1: and Richard. I know we're gonna get to it. Nothing
• 6:30
  Speaker 1: was more unhinged or oh my god, unhinged, absolutely unhinged
• 6:40
  Speaker 1: when she realizes Nicole is back at the diner and
• 6:44
  Speaker 1: she just yeah, I literally wrote on my notes, oh
• 6:46
  Speaker 1: my god, oh my god, that was bad. That was
• 6:51
  Speaker 1: so epic to what we'll get to that. Okay, Scott,
• 6:59
  Speaker 1: what do you think? I thoroughly enjoyed this episode. I'm
• 7:04
  Speaker 1: not saying it was like a top ten episode so
• 7:07
  Speaker 1: you've seen, yeah, but I think it was pretty darn good. Um. Yeah,
• 7:12
  Speaker 1: I like the opening. Uhm, it's got some nice new
• 7:19
  Speaker 1: blood in there. You've got some digger blood. You've got
• 7:22
  Speaker 1: some You've got some what's his name, Danny, Danny, Yeah,
• 7:26
  Speaker 1: Danny Strong in there. You've got some some new stuff popping.
• 7:31
  Speaker 1: So I like that, you know. And there's things going
• 7:34
  Speaker 1: on at Yale now it feels really full and she's
• 7:37
  Speaker 1: really settled in and um, I don't know. You know,
• 7:41
  Speaker 1: you've got the Luke stuff going on, and then of
• 7:44
  Speaker 1: course you got to throw a Nicole complication in there.
• 7:46
  Speaker 1: Everything's sort of heading in one direction and then you
• 7:49
  Speaker 1: want to you mentioned there. I have to interrupt you
• 7:53
  Speaker 1: for one second. There's a TikTok going around right now
• 7:55
  Speaker 1: that is so epic of you and Lauren. And it's
• 7:59
  Speaker 1: a blooper scene. It's a scene, Oh god, you're doing
• 8:06
  Speaker 1: something in this blooper where she's sort of thanking you
• 8:10
  Speaker 1: and she says, that's what I love about you, but
• 8:13
  Speaker 1: she says I love you and wrong, right, we're sitting
• 8:17
  Speaker 1: we're sitting outside at night on the bench. Yes, and
• 8:22
  Speaker 1: then and then and then and then I say, well,
• 8:24
  Speaker 1: in that case, the show would be over and something
• 8:28
  Speaker 1: like it. It's so good, it's all over TikTok. Really,
• 8:32
  Speaker 1: Oh my god, I'm sorry to interrupt, but I just
• 8:34
  Speaker 1: made me do you say I love you? And she's like,
• 8:37
  Speaker 1: I got long the line wrong and you say something
• 8:39
  Speaker 1: funny and then she's like, that would be the end
• 8:41
  Speaker 1: of the show. The end of the show. I remember
• 8:43
  Speaker 1: that one. Yeah, so good. Anyway back to it. Sorry,
• 8:48
  Speaker 1: missed working with her, you know, I miss it. We
• 8:50
  Speaker 1: had it, we had fun. Yeah, she's just she's a
• 8:54
  Speaker 1: crack up. You know. It's like, yeah, sometimes you gets
• 8:57
  Speaker 1: so tired you just couldn't get anything right. Just you
• 9:00
  Speaker 1: just you know, you get that you just break and
• 9:02
  Speaker 1: you just start laughing. And then when it's clearly night,
• 9:05
  Speaker 1: when you're doing it by the middle of the night,
• 9:07
  Speaker 1: right right, so you know, the good directors will just
• 9:09
  Speaker 1: let you laugh at out because they know they can't
• 9:11
  Speaker 1: just stop it. You know. It wasn't a while. Dragon
• 9:15
  Speaker 1: Guy's come on, really, let's let's go, you know, and
• 9:17
  Speaker 1: it's like you just look at it, like God, just
• 9:19
  Speaker 1: just let's let us laugh because it's like there's no
• 9:22
  Speaker 1: horses out of the bar. This is like punch. Yeah. Wait.
• 9:26
  Speaker 1: I also love lower Lize hair. So she did like
• 9:29
  Speaker 1: a thing in this scene where it was almost like
• 9:31
  Speaker 1: a half little if you have bangs, it would be
• 9:34
  Speaker 1: like if you just pulled back the bangs and just
• 9:36
  Speaker 1: put that up, and everything else was down. Great hair,
• 9:40
  Speaker 1: great pink sweater with the bird. Oh god. And then
• 9:44
  Speaker 1: this Cisco you're chime in Cisco and Ebert like they're
• 9:50
  Speaker 1: talking about Atlantic City, and and then Richard gives his
• 9:55
  Speaker 1: review and she says something like and Cisco, no Ebert
• 9:59
  Speaker 1: because there's Cisco neighbor, right. Um? Yeah. I like the
• 10:04
  Speaker 1: opening and it was, you know, it was like it
• 10:07
  Speaker 1: was Digger at his best, which is Digger at his
• 10:10
  Speaker 1: worst almost if you know what I mean. Absolutely, And
• 10:14
  Speaker 1: it's like there's I don't know, Danielle, what was the
• 10:17
  Speaker 1: sensation that you were getting when Digger was doing his
• 10:20
  Speaker 1: his ploy? Wait, is Digger there yet? I thought we
• 10:23
  Speaker 1: haven't gotten to that part. That's not the opening. The
• 10:28
  Speaker 1: opening is the opening is then talking about the success
• 10:31
  Speaker 1: of Atlantic sid yes, and talking about Yeah, they're talking
• 10:35
  Speaker 1: about it, doesn't Digger come in? And later it's at
• 10:40
  Speaker 1: the end of the episode. Yeah, but I get why
• 10:42
  Speaker 1: you blurred it because it's the opening is all about Digger,
• 10:46
  Speaker 1: so you almost feel like I get I get it.
• 10:50
  Speaker 1: I thought that jumbles the memory. Wait, did you guys
• 10:57
  Speaker 1: are the part when she's like, um, a woman with
• 11:01
  Speaker 1: less than a reputable nature? And then was it Rory
• 11:07
  Speaker 1: that was like, it's not disrespectful unless it depends what
• 11:11
  Speaker 1: you're talking to them about or something like that. And
• 11:14
  Speaker 1: I'm just like, oh, no, Belie shops and she's like, off, Dad,
• 11:21
  Speaker 1: well I guess you're married, like about a plus A plus.
• 11:26
  Speaker 1: It's like Emily's worst nightmare. She even scolded. She even scolded, Rory,
• 11:31
  Speaker 1: you're hanging around. It's like that's your mother's influence, isn't it.
• 11:34
  Speaker 1: I mean it's just like they're just bagging on each
• 11:36
  Speaker 1: other at dinner, trying to keep it classy. It's not happening.
• 11:44
  Speaker 1: Was so fancy and it's just a rip fast. There's
• 11:48
  Speaker 1: there's a there's a there's a server standing in the
• 11:51
  Speaker 1: archway ready to go. Right. They just have to lift
• 11:54
  Speaker 1: a finger and she she comes over, you know. I
• 11:56
  Speaker 1: mean it's like, yeah, that's fancy, gilmors Man, Okay. And
• 12:00
  Speaker 1: then we go to the paper. What do you think
• 12:02
  Speaker 1: of all the the paper? Well, you know, a girl
• 12:08
  Speaker 1: from a small town, she's in now she's in the
• 12:10
  Speaker 1: big city and the big time, you know, and like
• 12:13
  Speaker 1: we're talking about Yale, so you know they're putting on
• 12:17
  Speaker 1: some productions over there. You've got Yale rap, You've got
• 12:20
  Speaker 1: you know, you've got one of the best theater schools
• 12:22
  Speaker 1: at that level in the world, right, and so I'm
• 12:24
  Speaker 1: sure the dance school is probably you know, top notch
• 12:28
  Speaker 1: as well. They've got that's a great point. I wouldn't
• 12:30
  Speaker 1: have put on such shitty productions at Yale because you
• 12:35
  Speaker 1: know how Rory goes and reviews the ballot is terrible
• 12:38
  Speaker 1: and then the end show is terrible. I don't think
• 12:41
  Speaker 1: that's Yale is going to have that crappy of shows.
• 12:44
  Speaker 1: I don't think they are either. They've got some of
• 12:46
  Speaker 1: the finest, you know, actors and the finest talent going
• 12:51
  Speaker 1: to that school. It's it's part of the reason they
• 12:52
  Speaker 1: got in Funny for the TV show. But I do
• 12:56
  Speaker 1: I do love that like Rory is getting challenged though,
• 13:00
  Speaker 1: because I feel like we're so used to her doing
• 13:02
  Speaker 1: everything right and being the star student and you know whatever,
• 13:06
  Speaker 1: and finally she's confronted with, you know, a little criticism
• 13:10
  Speaker 1: that her stuff isn't good enough. Right, Well, that was
• 13:13
  Speaker 1: right That's the point I was making. She's from this
• 13:15
  Speaker 1: little town, she's been really protected, overprotected, and now she's
• 13:20
  Speaker 1: in the big city and she's in the she's going
• 13:22
  Speaker 1: to have to She's going to have to start throwing
• 13:24
  Speaker 1: some punches if she wants to get little fish in
• 13:26
  Speaker 1: the big pond. Yeah. Man, Yeah, talent only gets you
• 13:30
  Speaker 1: so far. Now you gotta get some attitude. Yeah, good
• 13:37
  Speaker 1: pair of stuff in this episode. Flipping through the newspaper
• 13:40
  Speaker 1: and and Rory even like, my my article isn't in
• 13:44
  Speaker 1: here in Paris is like flipping so fast. It's like, oh,
• 13:47
  Speaker 1: thank god mine's in there. If she would I like
• 13:51
  Speaker 1: Paris in this episode. You know, I had we had
• 13:54
  Speaker 1: a similar assignment in in our high school where in
• 13:58
  Speaker 1: our English classway to go review the school play. It
• 14:00
  Speaker 1: was a musical and and and the teacher said, you
• 14:04
  Speaker 1: can either be John Simon of the New York Times
• 14:07
  Speaker 1: or you can be somebody else. So John Simon was
• 14:08
  Speaker 1: a serbic, I mean, he was just deadly in his
• 14:11
  Speaker 1: criticism and he just sliced people up. And the other
• 14:14
  Speaker 1: guy was a little more measured. So when I gave
• 14:18
  Speaker 1: my review, he said, obviously you're in this John Simon camp. No,
• 14:25
  Speaker 1: I didn't have I have to have a Doyle. It
• 14:34
  Speaker 1: was really good. I actually gave it a very good review.
• 14:36
  Speaker 1: I just there was a couple of things about it
• 14:38
  Speaker 1: that I found objectionable, that's all. So yeah, I mean
• 14:43
  Speaker 1: I actually think that Rory, Okay, what would you do
• 14:48
  Speaker 1: if you are writing for the paper? I mean, Scott,
• 14:51
  Speaker 1: we pretty much know your answer and you go to
• 14:53
  Speaker 1: this crappy ballet. Would you write the honest review? Yes?
• 14:57
  Speaker 1: You eviscerateed, you eviscerated. But here's but here's her dilemma.
• 15:01
  Speaker 1: She's a student there. She's got to fit in. She can't,
• 15:03
  Speaker 1: you know, she doesn't want to be a Paris and
• 15:05
  Speaker 1: make you a list of enemies and narrow it down
• 15:09
  Speaker 1: to five. You know, you know what I'm saying. So
• 15:13
  Speaker 1: it's a little different. So but if she wants to
• 15:15
  Speaker 1: develop as a writer and and and really excel at
• 15:19
  Speaker 1: you know, at that at that paper, which is a
• 15:21
  Speaker 1: prestigious place to be, I mean, can you imagine having
• 15:25
  Speaker 1: that on your resume and your journey Editor of the
• 15:28
  Speaker 1: Yale Review or whatever it's called, you know, um, what
• 15:31
  Speaker 1: are they called the Daily Bugle? No, the whippin poof
• 15:35
  Speaker 1: the dale. You know what I wanted to call it.
• 15:39
  Speaker 1: It's out of my head right now, the blaze that's
• 15:41
  Speaker 1: the paper on h Wait, we'll get to more of this,
• 15:47
  Speaker 1: but we'll keep going in order. So we get next
• 15:50
  Speaker 1: to where um lauralize like walking with Lane and Rory,
• 15:55
  Speaker 1: and Lane keep saying like punching work counts kicking where
• 15:59
  Speaker 1: the sun shine and loraa La thinks they're mad at
• 16:05
  Speaker 1: somebody like it was all that was sort of like funny,
• 16:08
  Speaker 1: but what's happening for me? Like, what's happening here? What
• 16:12
  Speaker 1: was happening? So we they're sort of a walk and
• 16:15
  Speaker 1: talk and we're learning the baby's born and Laura Lize
• 16:19
  Speaker 1: heading to Sukis and she got the gift of the
• 16:21
  Speaker 1: box that's sort of like the cake box. And we're
• 16:24
  Speaker 1: getting a little bit of Lane and Dave that we're
• 16:26
  Speaker 1: there still together. So we get that he would be
• 16:29
  Speaker 1: home for Christmas. M probably not though I know no,
• 16:35
  Speaker 1: it's in California making a hit. Serious. Yeah, sorry, Lane,
• 16:42
  Speaker 1: he's out. He's on Fox Network now, he said on
• 16:48
  Speaker 1: the c W anymore, he's not coming home. I have
• 16:52
  Speaker 1: to say that. We get two Suki's and I laugh
• 16:56
  Speaker 1: so hard at Michelle because first of all, he sneezed
• 17:00
  Speaker 1: to me, is better in two than into you know
• 17:05
  Speaker 1: what year was this, two thousand three or four? Yeah,
• 17:09
  Speaker 1: because I mean a sneeze is like someone sneezes. Now
• 17:15
  Speaker 1: everyone's like, oh, your exile if you sneeze totally. And
• 17:24
  Speaker 1: then I thought it was so funny. Did you guys
• 17:26
  Speaker 1: notice when Suki and Lora la are talking, Michelle is
• 17:31
  Speaker 1: on the porch fully being chased by something, but it's
• 17:35
  Speaker 1: totally in the background. Did you guys see that? Yeah,
• 17:42
  Speaker 1: he's fully flailing. You have to rewatch it. No, it
• 17:47
  Speaker 1: was dive bombing him. He was trapped out there. Poor
• 17:51
  Speaker 1: poor guy, pour a little guy. And then and then
• 17:55
  Speaker 1: we see Bruce again. Bruce shows up. Oh Bruce, Oh
• 18:00
  Speaker 1: good Bruce Cage lore Lie with a passion. Let's not
• 18:05
  Speaker 1: approve what does not see or feel that others don't?
• 18:11
  Speaker 1: What is what is going on there? What is with that?
• 18:14
  Speaker 1: What is with that? What is Bruce as a character
• 18:16
  Speaker 1: trying to tell us as an audience? Uh, you know,
• 18:21
  Speaker 1: I think a lot of baby nurses are kind of
• 18:23
  Speaker 1: strict like that though, But I do like this exercise Scott,
• 18:27
  Speaker 1: because I I don't I'm trying to think about it, like,
• 18:32
  Speaker 1: what is Bruce trying to tell us about Lorlie? That's
• 18:35
  Speaker 1: actually really interesting? It is, right, why would you do
• 18:38
  Speaker 1: that to the main character? Why? Why is a minor
• 18:42
  Speaker 1: character that's only going to be there for a couple
• 18:44
  Speaker 1: of episodes, So hating on on our beloved lor Lie? Why? Why?
• 18:51
  Speaker 1: Just for the sake of comedy? Probably probably for the
• 18:56
  Speaker 1: sake of comedy. And it's fitting because Lorlie is sort
• 19:00
  Speaker 1: of the you know, free and she's not a rule follower,
• 19:05
  Speaker 1: and Bruce is like, it's it's something, it's it's it's
• 19:12
  Speaker 1: it's restrictions that give us the best of Laurela because
• 19:15
  Speaker 1: she you can't you can't put baby in a corner, right, right,
• 19:20
  Speaker 1: something to play off of and rebel against. And yeah,
• 19:24
  Speaker 1: that's exactly right. It goes against everything she's about. So now,
• 19:28
  Speaker 1: may I throw one flag on the play bone to
• 19:31
  Speaker 1: pict Yes, that's what we do. I felt like it
• 19:35
  Speaker 1: wasn't a baby, then it was a baby, then it
• 19:38
  Speaker 1: was Yeah, they're going back and forth. Yeah, you're like,
• 19:40
  Speaker 1: that is clearly a toy in your hands, right, and
• 19:44
  Speaker 1: they picked it up. I'm like, that's not a baby,
• 19:47
  Speaker 1: that's not even a doll like it was just a
• 19:50
  Speaker 1: bunch of blankets. Then when she held the baby and
• 19:54
  Speaker 1: you see the face, I'm like, that's a baby. Then
• 19:57
  Speaker 1: even when Bruce picked up the baby again, I'm like,
• 20:00
  Speaker 1: that's not a baby. Yeah, you don't want to have
• 20:02
  Speaker 1: a real baby there. That can cause first of all,
• 20:06
  Speaker 1: it's not safe. Second of all, can cause these huge
• 20:08
  Speaker 1: delays because the baby starts crying and pooping the whole thing.
• 20:11
  Speaker 1: So you use the baby only when you literally must
• 20:14
  Speaker 1: use it. I think it's an animatronic rubber baby. But
• 20:19
  Speaker 1: what about that one moves. It moves, it's eyes move,
• 20:21
  Speaker 1: its mouth and nose move, its hands move and all
• 20:24
  Speaker 1: that stuff. Wow, that's scary. You know, they're kind of cool. Yeah,
• 20:30
  Speaker 1: I think this shot was a baby. And they showed
• 20:33
  Speaker 1: the face that I don't think that was a real baby.
• 20:39
  Speaker 1: What they literally showed the face. It's a rubber baby,
• 20:42
  Speaker 1: No it is. It's made out of rubber, rubber and plastic.
• 20:49
  Speaker 1: You might not be rung because the baby when I
• 20:51
  Speaker 1: because I noticed the same thing amy the baby didn't
• 20:55
  Speaker 1: move like it wasn't like the eyes moved or the
• 20:57
  Speaker 1: mouth moved or the hands. It was just like any
• 21:00
  Speaker 1: rubber babies they have and Warner brothers in thousands of
• 21:04
  Speaker 1: rubber babies. Well, I think they have a few. Is
• 21:07
  Speaker 1: there any chance you can't have all these babies coming
• 21:10
  Speaker 1: in and it would be so expensive If you're shooting
• 21:12
  Speaker 1: at three o'clock in the morning or two in the
• 21:14
  Speaker 1: morning and you're on the set with oceans eleven people
• 21:16
  Speaker 1: are smoking cigarettes. Hey, let's throw the baby around. You know,
• 21:20
  Speaker 1: it's like you know what I mean, It's like, you
• 21:23
  Speaker 1: gotta have the rubber baby. Is there any chance, Hannah,
• 21:27
  Speaker 1: you could pull up that scene so we could look
• 21:29
  Speaker 1: at the baby and see if that was a baby.
• 21:35
  Speaker 1: Oh my god, Hannah. Literally I don't know how she
• 21:38
  Speaker 1: does it. Hannah got this scene in six seconds split.
• 21:44
  Speaker 1: So to me, that looks like a baby. That's a
• 21:47
  Speaker 1: fake baby. Hannah. It's so fair, Hannah. It's so fast.
• 21:51
  Speaker 1: She gets out of bed, turns out the lights, and
• 21:54
  Speaker 1: she's back in bed before the lights go out. That's
• 21:56
  Speaker 1: how fast she is. She's like, Muhammad, she got that
• 21:59
  Speaker 1: baby up here? Okay, so it can we put this
• 22:02
  Speaker 1: on Instagram so that we can do a poll real baby,
• 22:05
  Speaker 1: fake baby? And I'm going that's a baby. That baby
• 22:09
  Speaker 1: is laying their way too sweetly, just a sleeping baby.
• 22:14
  Speaker 1: It looks I think that's a rubber baby. Yeah, I
• 22:17
  Speaker 1: think it's a rubber baby. I think that's a real baby.
• 22:20
  Speaker 1: But when they actually rubber babies, faces usually look a
• 22:26
  Speaker 1: little more generic than that. That is a rubber baby.
• 22:29
  Speaker 1: It is a rubber baby. Yeah, that's now there's no baby.
• 22:32
  Speaker 1: So see that scene. There's no baby. Now there is.
• 22:36
  Speaker 1: There's a rubber that's a rubber baby. But I think
• 22:39
  Speaker 1: when they showed the face real baby. Look at Michelle
• 22:44
  Speaker 1: in the background, you guys, look at Michelle just sitting
• 22:46
  Speaker 1: there kind of looking at We enjoyed the scene. Oh
• 22:49
  Speaker 1: my god, fake baby. I mean, we got all the
• 22:51
  Speaker 1: dynamics of it. And I love that blazer on Lora
• 22:54
  Speaker 1: lie is she she did? She has? You know, the
• 22:57
  Speaker 1: wardrobe is looking good. I agree with you on that one,
• 23:01
  Speaker 1: very solid. Yeah. All right, We're back at Yale and
• 23:11
  Speaker 1: Roy's got a red sweater on, and uh, she's rejected again.
• 23:18
  Speaker 1: He's crossing everything off on her, and he's speed reading
• 23:21
  Speaker 1: the whole thing and he's just making locks and then
• 23:23
  Speaker 1: crossing off. He says, it's getting better, it's getting better.
• 23:28
  Speaker 1: And he says, just right, what you think right, what's
• 23:32
  Speaker 1: the right instead of right righty writing? Boy did she ever? Okay?
• 23:41
  Speaker 1: So then we go into Mrs Kim's and at first
• 23:45
  Speaker 1: I thought it was I called it a lemonade vase.
• 23:47
  Speaker 1: Didn't they go to the ballet after that? Did I
• 23:51
  Speaker 1: mess it up? Mm hmm? Yeah, they I wrote Nutcracker terrible?
• 23:57
  Speaker 1: Oh yeah, they go the right after. Yeah, And that
• 24:02
  Speaker 1: was a funny scene. It was a funny scene because
• 24:05
  Speaker 1: you don't have to film what's actually going on. You
• 24:07
  Speaker 1: can get the reaction from the two which don't you
• 24:10
  Speaker 1: think that's actually even better? It was funnier. Yeah. Yeah,
• 24:16
  Speaker 1: I thought Loyalis jokes were pretty funny, the nutcracker joke,
• 24:21
  Speaker 1: and I knew Rory was going to take her lines
• 24:23
  Speaker 1: and put him in the article. Mm hmm. Then we
• 24:29
  Speaker 1: get to Mrs Kids and we've got the lemonade jug controversy, oh,
• 24:36
  Speaker 1: which was sweet and funny that Mrs Kim wants to
• 24:40
  Speaker 1: send Dave a gift. And I also like that Dave
• 24:43
  Speaker 1: is alive and well I do too. I like that
• 24:47
  Speaker 1: he's still in the mix without obviously being there. But
• 24:51
  Speaker 1: I thought it was a big moment that Mrs Kim
• 24:54
  Speaker 1: was told Lane to send this weird jug things to
• 24:58
  Speaker 1: Dave because he's a good boy, you know. Like I
• 25:01
  Speaker 1: was just like, oh, this is Mrs Kim's way of
• 25:03
  Speaker 1: like acceptance, which is shocking but sweet and Dave deserves it.
• 25:10
  Speaker 1: I agree. I agree, she's you know, Lane's gonna be now.
• 25:17
  Speaker 1: It's like Mrs Kim intruding on her relationship in a
• 25:21
  Speaker 1: positive way, but it's still an intrusion. It's I can
• 25:24
  Speaker 1: just stay out of it. You're right, you know, stop
• 25:28
  Speaker 1: trying to manipulate the situation. And I know it's you know,
• 25:33
  Speaker 1: her way, and and maybe at that point she understands
• 25:37
  Speaker 1: or she always under has understood her omniscience over that
• 25:41
  Speaker 1: whole family, you know what I mean. And what she
• 25:44
  Speaker 1: says goes. But it's it's like I'm glad Lane stepped
• 25:47
  Speaker 1: in and said, listen, mama, mama, you know stop okay,
• 25:53
  Speaker 1: let me let it breathe, let me do this. You know,
• 25:56
  Speaker 1: it's like it's gaining her independence. Mrs Kim is a
• 26:00
  Speaker 1: good mom. Yes and no? Yes, And I mean I
• 26:09
  Speaker 1: do what do you think, Scott, how what's the yes?
• 26:11
  Speaker 1: What's the no? Well? I you know, I had I
• 26:15
  Speaker 1: had some friends growing up who had parents like that,
• 26:20
  Speaker 1: UM who were very restrictive, who were you know, you
• 26:23
  Speaker 1: must study UM and if you get in trouble, you're
• 26:26
  Speaker 1: grounded for a whole month. I mean, very very very
• 26:28
  Speaker 1: strict UM. And and another friend had parents that were
• 26:33
  Speaker 1: you know, that would get very physical with him when
• 26:35
  Speaker 1: he was in trouble, and they both had severe problems
• 26:40
  Speaker 1: um UM. One became very successful, the other became successful
• 26:45
  Speaker 1: in another sense, but there were there were problems, there
• 26:47
  Speaker 1: were issues. So I you know, I don't think that that.
• 26:51
  Speaker 1: I mean, I really think it depends on the child
• 26:54
  Speaker 1: and what they're made of. But you're going to give um.
• 26:57
  Speaker 1: I mean Mrs Kim is giving Lane issues going forward
• 27:00
  Speaker 1: that she's going to have to deal with her whole life. Yeah.
• 27:04
  Speaker 1: I mean there's a point at which you know, you
• 27:07
  Speaker 1: just sort of have to let your kids fail. You
• 27:10
  Speaker 1: have to let them fail because they've got to figure
• 27:12
  Speaker 1: it out on their own. And if you don't let
• 27:14
  Speaker 1: them fail, you know they're there. And I would argue
• 27:18
  Speaker 1: Mrs Kim did that when Lane got drunk at the party.
• 27:23
  Speaker 1: Yeah she I think Mrs Kim might be, like, I
• 27:26
  Speaker 1: might give her thumbs up on being a mom. She's
• 27:31
  Speaker 1: very different than Laurelae. But when push comes to shove,
• 27:38
  Speaker 1: she does the right thing. Yeah, very involved and very strict.
• 27:46
  Speaker 1: I mean Lane can't do anything. She can't go out
• 27:48
  Speaker 1: after dark, she can't date, she can't go here, she
• 27:50
  Speaker 1: can I mean it's ridiculous. Yeah, you know, I just
• 27:53
  Speaker 1: think parents that are like that. I mean, there were
• 27:56
  Speaker 1: more parents like that back then and my parents generated
• 28:00
  Speaker 1: than there are today. And I think and I think
• 28:04
  Speaker 1: I think parenting has changed anyway, you know. Getting back
• 28:07
  Speaker 1: to the main point, I want to go on a tangent,
• 28:09
  Speaker 1: but yeah, I just think that that that Lane is
• 28:12
  Speaker 1: going to experience some serious issues going forward, and she's
• 28:14
  Speaker 1: going to have a tough time breaking out of that
• 28:17
  Speaker 1: even as an adult. I'll give it a different perspective
• 28:21
  Speaker 1: just because I did grow up that way. I had
• 28:24
  Speaker 1: very strict parents. But like I feel like Mrs Kim
• 28:30
  Speaker 1: is very strict on her. I'm definitely going to go
• 28:33
  Speaker 1: ahead and say that. But she's showing, she's giving things
• 28:36
  Speaker 1: that are showing that she cares about Lane. She's not
• 28:40
  Speaker 1: doing it to be you know, a strict parent just
• 28:43
  Speaker 1: because she's not doing it too, you know, like a
• 28:47
  Speaker 1: just be ah, she's doing it because she's like I
• 28:51
  Speaker 1: care about her, and she's showing these little things that
• 28:54
  Speaker 1: are you know, giving giving Lane something like send this
• 28:59
  Speaker 1: drug a Dave. He's a really good boy. That is
• 29:02
  Speaker 1: stands of approval. Um, okay, fine, you can go to
• 29:06
  Speaker 1: prom with Dave. That's another approval, Like because Mrs Kim
• 29:10
  Speaker 1: could very easily say absolutely not, you will not talk
• 29:13
  Speaker 1: to this boy in California, you will not take this
• 29:16
  Speaker 1: guy to prom, you will not see this man. And
• 29:19
  Speaker 1: she did do that in the beginning, so I will
• 29:21
  Speaker 1: say that. But she's at least like kind of giving
• 29:25
  Speaker 1: a little bit, which I appreciate of Mrs Kim. You know,
• 29:30
  Speaker 1: the payoff of the jug was really good and that
• 29:33
  Speaker 1: it wasn't it was so that one was Lane going
• 29:39
  Speaker 1: down a wormhole, but also showed that Lane isn't ready
• 29:44
  Speaker 1: to get married and maybe now maybe an inkling that
• 29:50
  Speaker 1: like she might date someone other than Dave. Yeah, and
• 29:56
  Speaker 1: maybe she doesn't see it as the end goal for
• 29:58
  Speaker 1: days right, you know, which, uh is tragic. This is
• 30:05
  Speaker 1: really going to make me sad. You just wanted to
• 30:10
  Speaker 1: be with Dave. I wanted to be with Dave. I
• 30:12
  Speaker 1: want Dave to come back from the O C. And
• 30:14
  Speaker 1: just hang out and starts hollow forever, the kind of
• 30:18
  Speaker 1: I will say, I never like to rewrite the show right,
• 30:21
  Speaker 1: like I never I do. I like it. But I
• 30:29
  Speaker 1: if I would have been whoever c W, the Paladinos, whoever,
• 30:35
  Speaker 1: I would have backed up a truck of money and
• 30:37
  Speaker 1: said to Adam Brody you are now a series regular
• 30:42
  Speaker 1: and kept him through the run of the show. You know,
• 30:45
  Speaker 1: they may have done that with all of those guys,
• 30:48
  Speaker 1: you know, Milo and Jared and all those guys, and
• 30:51
  Speaker 1: they you know, they may have all said no, right,
• 30:55
  Speaker 1: because I would argue that on the O c Adam
• 30:58
  Speaker 1: Brody was the lead. It was definitely an ensemble, but
• 31:01
  Speaker 1: the entire show revolved around him. So I think they're
• 31:05
  Speaker 1: I think their teams, their reps, you know, burned it
• 31:09
  Speaker 1: into their brains like this is a CW, this is
• 31:12
  Speaker 1: a smaller network. We need to get you on a
• 31:14
  Speaker 1: big network with your own show. You're right, and it's
• 31:19
  Speaker 1: not and it's and it's about you and and everything
• 31:22
  Speaker 1: revolves around you, and that's where you how you build
• 31:25
  Speaker 1: a career. So right, and Jared was super smart with that.
• 31:29
  Speaker 1: And see when child Michael Murray too, that happened to
• 31:32
  Speaker 1: him to totally so that that show and Milo Milo
• 31:37
  Speaker 1: went from this to being leveled up on Heroes and
• 31:41
  Speaker 1: then skyrocket literally, right, those young guys used that show
• 31:46
  Speaker 1: as a springboard. Right, it wasn't it wasn't an end
• 31:50
  Speaker 1: game for them. Talent that came out of Gilmore Girls
• 31:55
  Speaker 1: come on, like literally every single one of those guys,
• 31:59
  Speaker 1: every single on. Chad Michael Murray went on to have
• 32:01
  Speaker 1: his own show, Jared went on to have more, you know,
• 32:04
  Speaker 1: his own show multiple times over, Milo, Adam Matt Zuchre
• 32:11
  Speaker 1: has his own show. He did do Good Wife between
• 32:15
  Speaker 1: but now fully has I mean, that's pretty crazy. Yeah,
• 32:19
  Speaker 1: it's five guys right there, and then look at you.
• 32:21
  Speaker 1: I mean, that doesn't even mention Melissa McCarthy, Like, are
• 32:23
  Speaker 1: you kidding me for one second? You're absolutely right. You
• 32:30
  Speaker 1: know that Gilmore Girls can be referred to as kind
• 32:32
  Speaker 1: of a farm team for Hollywood, like he made the
• 32:37
  Speaker 1: Hollywood major league teams. So Gilmore fed a lot of
• 32:42
  Speaker 1: those those productions with Town. So I'll quickly mention the
• 32:48
  Speaker 1: gray pants and the gray sweater with the stripe I
• 32:51
  Speaker 1: love it. As we get to the most epic scene
• 32:54
  Speaker 1: in this whole episode, which was and maybe which maybe
• 32:58
  Speaker 1: it involves you. You know, this one doesn't even have Scott.
• 33:04
  Speaker 1: It's literally about Scott, but he never came out. So
• 33:08
  Speaker 1: Lauraa goes into the diner, she sees Nicole and is
• 33:12
  Speaker 1: your best acting, your best acting being all about you
• 33:16
  Speaker 1: and you not being there? Great acting? I knew we
• 33:21
  Speaker 1: were in for a ten out of ten when Laura
• 33:24
  Speaker 1: Lee says we'll all be and she's all, look at
• 33:32
  Speaker 1: you there to Nicole. If somebody could bring up the
• 33:38
  Speaker 1: and I I know people don't love it, but like,
• 33:41
  Speaker 1: can we please read that scene? Because what Lauren Graham
• 33:47
  Speaker 1: did was so freaking epic. It was hilarious and uncomfortable.
• 33:53
  Speaker 1: I mean she I just kept writing, holy cow, holy cow,
• 33:57
  Speaker 1: o MG, this is hilarious. Not hungry anymore? I mean,
• 34:02
  Speaker 1: is there anyone if Hannah can pull this off and
• 34:05
  Speaker 1: pull up that scene? I will if Hannah can do
• 34:09
  Speaker 1: this really fast? And then there's then there's like five
• 34:13
  Speaker 1: hand I'll let you off the hook because I got Danielle,
• 34:16
  Speaker 1: how do you guys do this so fast? Oh? She's
• 34:19
  Speaker 1: going to do it? Wait? Is there an I don't
• 34:22
  Speaker 1: want to be this person? So Danielle, do you want
• 34:23
  Speaker 1: to play Laurea, la what you just you just drooled
• 34:27
  Speaker 1: all over? If you well, if you guys will left.
• 34:31
  Speaker 1: But I don't want to be ab you'd be Laurel.
• 34:34
  Speaker 1: I'll be Nicole. All right, I'm gonna I'm gonna direct
• 34:37
  Speaker 1: you too in this episode. Thank you. But wait, okay,
• 34:39
  Speaker 1: so here we go. All right, go Scott. We're ready?
• 34:41
  Speaker 1: All right, ladies are you? Uh, you're good, you're feel ready?
• 34:45
  Speaker 1: I feel pretty good? Okay, Okay, whenever you're ready, ladies
• 34:50
  Speaker 1: commence Nicole, Hi, Lorely, we'll all be look at you there.
• 34:58
  Speaker 1: It's nice to see you. Yeah. Does Luke know you're there? Okay? Cut? Sorry, Amy,
• 35:04
  Speaker 1: don't don't laugh at your own jokes. Please, you can't.
• 35:08
  Speaker 1: You can't be the actress. And I'm fine. I'm just
• 35:10
  Speaker 1: gonna try and play it normal just because I was
• 35:13
  Speaker 1: over acting, I think you think so. Yeah, don't laugh
• 35:16
  Speaker 1: at your own jokes. Just it's not a joke, it's
• 35:19
  Speaker 1: just a reaction. All right. When you're ready, ladies take two, Nicole, hi, Lola,
• 35:26
  Speaker 1: we'll all be look look at you there. It's nice
• 35:29
  Speaker 1: to see you. Yeah. Does Luke know you're here? Yeah,
• 35:32
  Speaker 1: he's just in the back. Do you want him. No,
• 35:35
  Speaker 1: I don't want him. I don't want him. I was
• 35:36
  Speaker 1: just coming in for a bite with a friend, not
• 35:38
  Speaker 1: my imaginary friend, my friends, not with me. But he
• 35:41
  Speaker 1: doesn't eat normal food like this, so he's not coming
• 35:43
  Speaker 1: in you. So you could very good in you, very
• 35:47
  Speaker 1: good too. I'm just still living here in stars Hollow
• 35:49
  Speaker 1: and Rory's going to Yale. I that, of course, Well,
• 35:53
  Speaker 1: naturally would you'd be all filled in because Luke's talking
• 35:56
  Speaker 1: to you regularly? Mm hmm. Oh I I met a
• 36:01
  Speaker 1: bunch of lawyers from your firm. Really I did, yes, yes,
• 36:05
  Speaker 1: because well they were coming in to see Luke and
• 36:07
  Speaker 1: I'm in here a lot, and you know, right, yeah,
• 36:10
  Speaker 1: they're good guys, really good guys. They like you a lot,
• 36:13
  Speaker 1: and their partners at my firm, well, so they have
• 36:17
  Speaker 1: to like you. So I was Luke coming out or room.
• 36:20
  Speaker 1: He should be, you know, I'm not hungry. No, I
• 36:23
  Speaker 1: just remembered I ate. Oh, so it's really good to
• 36:27
  Speaker 1: see you same here, really good. So okay, Scott, I
• 36:36
  Speaker 1: want to brag. Did I nail that? No? You didn't. Sorry,
• 36:41
  Speaker 1: Oh my god, see you missed, you missed. You need
• 36:45
  Speaker 1: to take a pause. Oh my god, I literally didn't Amy.
• 36:50
  Speaker 1: I thought it was pretty good for somebody who wasn't trained,
• 36:53
  Speaker 1: and that was pretty good. I knew you were enjoying
• 36:55
  Speaker 1: yourself and you were, you know, the spirit of I
• 36:59
  Speaker 1: was in you. I felt that. Thank you. I thought
• 37:02
  Speaker 1: I was a ten out of ten. I'm not gonna lie, literally,
• 37:04
  Speaker 1: I would give you seven out of ten Malamar's. First
• 37:11
  Speaker 1: of all, I didn't do it justice, but that scene
• 37:13
  Speaker 1: was freaking genius as long as you enjoyed it. You
• 37:16
  Speaker 1: know what Billy Kid used to tell my wife when
• 37:18
  Speaker 1: she started skiing. He goes, listen, it doesn't matter as
• 37:22
  Speaker 1: long as you're smiling at the end of the run.
• 37:24
  Speaker 1: You're doing it right, and you're smiling. You're smiling at
• 37:27
  Speaker 1: the end of your run. Yeah, that was a girl.
• 37:30
  Speaker 1: That scene is. I can't do justice because it was
• 37:33
  Speaker 1: also the body language. Yeah, it was, and the whole
• 37:37
  Speaker 1: It's just like and at the end when Nicole was
• 37:39
  Speaker 1: eating her fries, I was like, oh, she knows she's
• 37:42
  Speaker 1: on like she is on top right now that she
• 37:46
  Speaker 1: just made Lorelei squirm. She's just casually eating the how
• 37:50
  Speaker 1: precise it is. You see how intricate the whole thing is.
• 37:53
  Speaker 1: You had a big chart that said Nicole, Laurel. That
• 37:57
  Speaker 1: would be point Nicole that we are seeing loyal I
• 38:05
  Speaker 1: and Rory both squirm in this episode. Danielle, they are
• 38:12
  Speaker 1: not right. They are not crushing it like they normally do.
• 38:17
  Speaker 1: So okay, so now we see on the door of
• 38:19
  Speaker 1: the dorm room died jerk and what who did you
• 38:23
  Speaker 1: think it was at when you first saw it? I
• 38:26
  Speaker 1: immediately knew it was for Rory, but I love that
• 38:29
  Speaker 1: parents tried owning it. She was like, we all know
• 38:32
  Speaker 1: this is probably for me, Oh my god. And then
• 38:39
  Speaker 1: Janet admits she kissed the boyfriend of someone on the
• 38:41
  Speaker 1: volleyball team, and then the other girls like, what's her name,
• 38:45
  Speaker 1: Olivia Hack? What's Olivia Hack's character? Tanna? Yeah, Tanna, Hannah.
• 38:51
  Speaker 1: She we knew it wasn't Tanna. Come on, yeah, we
• 38:55
  Speaker 1: were like, sorry, Tana, you know, don't You're not even
• 38:57
  Speaker 1: a leg in this race. Oh my god. So good.
• 39:04
  Speaker 1: So then we go quickly back to the diner where
• 39:07
  Speaker 1: we see Laura, Lee and Luke sort of now almost
• 39:10
  Speaker 1: having the same sort of awkwardness over Nicole. What did
• 39:17
  Speaker 1: you think in a little hostility like LORELEI was upset,
• 39:22
  Speaker 1: she was she came in hot and like, not in
• 39:25
  Speaker 1: a nice way. She came in like excuse me. Yeah,
• 39:30
  Speaker 1: she was confrontational to say the least, at a little
• 39:33
  Speaker 1: territorial there. Yeah, I wrote she's mad. Well, yeah, she
• 39:38
  Speaker 1: didn't really express it until the end. You know, she
• 39:42
  Speaker 1: thinks the new the new pots are stupid, right, she
• 39:46
  Speaker 1: put it into the stupid stupid and she left without
• 39:52
  Speaker 1: eating again. Oh my god, she's so hungry in this episode.
• 39:57
  Speaker 1: I love that scene. I love that. It's one my
• 40:00
  Speaker 1: favorite scenes I did with her. I would then put
• 40:04
  Speaker 1: point Luke on my chart. Yeah, Luke one one again. Well,
• 40:10
  Speaker 1: I mean he's just living his life, right, I mean,
• 40:14
  Speaker 1: stuff happens, and he's going with the flow. He's trying
• 40:16
  Speaker 1: to relax into a relationship or back into it. You know,
• 40:21
  Speaker 1: you can't fault him for that. His wife. Yeah, you're right,
• 40:27
  Speaker 1: it is his wife. I just wrote, Lorela is freaking,
• 40:31
  Speaker 1: and I think she didn't freak before when you two
• 40:35
  Speaker 1: were sitting on the steps of the house when you
• 40:36
  Speaker 1: told her, because you said I got married and then
• 40:39
  Speaker 1: very quickly we know you got divorced or you're getting divorced,
• 40:43
  Speaker 1: so she didn't have to feel all this. Oh, she's feeling. Yeah,
• 40:50
  Speaker 1: I mean, I think we're in the genuine space where
• 40:53
  Speaker 1: he's moved on and he's he wants his life to
• 40:58
  Speaker 1: amount to something, and you know, he wants a partner
• 41:01
  Speaker 1: to share it with, and he's just you know, he's
• 41:03
  Speaker 1: not going to wait for her any longer if she okay.
• 41:06
  Speaker 1: So if I think that if lore Lee didn't learn
• 41:09
  Speaker 1: all this that he's getting back with Nicole a bit,
• 41:12
  Speaker 1: she never would have gone out with Digger. I think
• 41:14
  Speaker 1: it would have been they would have hooked up right
• 41:17
  Speaker 1: here because she's clearly ready losing her mind. And then
• 41:22
  Speaker 1: I think she goes to Digger because she can't have
• 41:25
  Speaker 1: Luke right now, right, I mean that's the only explanation. Yeah. Well,
• 41:30
  Speaker 1: also I like Digger, but we'll get to that. So
• 41:35
  Speaker 1: I have a question for you guys. They're very loud
• 41:40
  Speaker 1: walking around the entire restaurant. Literally, do these customers think
• 41:49
  Speaker 1: it's weird that it's not a large diner? They can
• 41:52
  Speaker 1: literally here there is higher conversation. I think that's the
• 41:58
  Speaker 1: norm for Luke's diner. Yeah. I think that's his place
• 42:03
  Speaker 1: and he'll talk when he wants to do they add
• 42:07
  Speaker 1: the background noise, so like when you guys are doing
• 42:09
  Speaker 1: the scene. Is it just dead quiet and they're except
• 42:11
  Speaker 1: for you too? Oh my god, it has to be.
• 42:17
  Speaker 1: It had better be. No talking, uh no, even whispering.
• 42:21
  Speaker 1: A lot of a lot of doing extra work is hard,
• 42:24
  Speaker 1: and when people are are getting into their extra characters,
• 42:28
  Speaker 1: you know, sometimes they sort of whisper because they're forming
• 42:32
  Speaker 1: the words they want to believe, they want the other
• 42:34
  Speaker 1: person to believe that they're having an actual conversation. It's
• 42:37
  Speaker 1: very difficult if you ever try to do that and
• 42:39
  Speaker 1: stay quiet in a scene except you know, you're mimicking
• 42:42
  Speaker 1: everything and you're not making any noise. It's very difficult
• 42:44
  Speaker 1: to do it. So, my god, i'd be fired in
• 42:46
  Speaker 1: four seconds. Yeah, well you don't get fired. Just said, hey,
• 42:49
  Speaker 1: you know, can you And a lot of like clinking
• 42:51
  Speaker 1: of glasses or putting putting things down, or clinking of
• 42:55
  Speaker 1: cutlery on I'm gonna have to watch the cutlery because
• 42:58
  Speaker 1: now do they pick it up? Like yeah, everything's very
• 43:01
  Speaker 1: like you'll you'll notice. And I just you know, I
• 43:05
  Speaker 1: was just watching a film where Kevin Spacey was in
• 43:09
  Speaker 1: a scene and he was who was the actor they
• 43:13
  Speaker 1: would let go? Oh no, Stanley Tucci was let go.
• 43:16
  Speaker 1: Kevin Spacey came in and said something and he was
• 43:19
  Speaker 1: packing up his things, and you know even there, right,
• 43:22
  Speaker 1: it's not you know, you don't you know, if you've
• 43:24
  Speaker 1: just been fired after nineteen years, you're gonna be a
• 43:26
  Speaker 1: littleist and you're gonna be throwing stuff in the box,
• 43:28
  Speaker 1: right because they're scorting you out of the building and
• 43:30
  Speaker 1: it's like it's really harsh, so and they're waiting for you,
• 43:34
  Speaker 1: so you're just gonna be pissed. But Stanley Tucci was
• 43:36
  Speaker 1: carefully placing all of the items in the box very quietly,
• 43:38
  Speaker 1: not to step on Kevin Spacey's lines or I'm sorry
• 43:43
  Speaker 1: Paul Bettany's lines. This i think it's margin call. Oh yeah,
• 43:49
  Speaker 1: so do you also have to do that for the edit,
• 43:51
  Speaker 1: like just in case they like, you don't want all
• 43:54
  Speaker 1: this noise going on when somebody else is talking when
• 43:57
  Speaker 1: you're talking, so you just gotta do things quietly. It's
• 44:00
  Speaker 1: like why they have the you know, like when whenever
• 44:03
  Speaker 1: somebody comes from a grocery store, they're special backs. They're
• 44:06
  Speaker 1: not the real bags because the real bags make too
• 44:09
  Speaker 1: much noise. But you have art, yeah, and you literally
• 44:13
  Speaker 1: have it at the grocery store so loud, or just
• 44:18
  Speaker 1: all the things Luke has to do, like the coffee,
• 44:21
  Speaker 1: put the coffee thing back in, drop a mug, drop
• 44:23
  Speaker 1: a plate, like that's a lot. You land it quietly,
• 44:26
  Speaker 1: you don't put it down normal. Is there stuff under
• 44:29
  Speaker 1: the plates, like you know, like things? There was a
• 44:34
  Speaker 1: whole choreographed thing that you had in this scene. I
• 44:37
  Speaker 1: mean it was a lot of things. Pick up move dude, dude,
• 44:42
  Speaker 1: But yeah, I noticed one of the plates was plated beautifully.
• 44:45
  Speaker 1: It had the beautiful mashto. Well, that's how we do it.
• 44:51
  Speaker 1: Is that all on your script? Like okay, say this line,
• 44:54
  Speaker 1: drop your cup, So you make it up, but then
• 44:57
  Speaker 1: you have to do it the same way all times. Yeah,
• 45:01
  Speaker 1: you can figure it out and rehearsal. Do you write
• 45:05
  Speaker 1: yourself a note like note to the mashed potatoes, go
• 45:08
  Speaker 1: to the fries, go to the count. No, you don't
• 45:09
  Speaker 1: write it down, You just you just remember it. Yeah. Yeah,
• 45:12
  Speaker 1: that's why I wouldn't be able to do that. If
• 45:15
  Speaker 1: you would, you could do it enough. Do you think
• 45:18
  Speaker 1: you could do it if you did that all those
• 45:20
  Speaker 1: movements he made without writing it down? No, because I
• 45:25
  Speaker 1: wouldn't be comfortable memorizing those lines like that, my head
• 45:29
  Speaker 1: would just be all about the lines and like making
• 45:31
  Speaker 1: SUREM delivering those that I'll forget, Oh I didn't pick
• 45:34
  Speaker 1: up the cup or I didn't pick up the plate,
• 45:36
  Speaker 1: like I don't know. I give you mad kudos because
• 45:39
  Speaker 1: I there's no way, no way, absolutely no way. Well,
• 45:43
  Speaker 1: you know that's why you do theater. In theater, you
• 45:46
  Speaker 1: do that. That's if you're trying to change it. If
• 45:49
  Speaker 1: you've been on stage and you've had to deal with
• 45:52
  Speaker 1: kitchen scenes and doing those, doing lots of activities, and
• 45:56
  Speaker 1: and and learning how to do all that stuff, you know,
• 45:59
  Speaker 1: you learn that the dance, the blocking, the choreography that
• 46:03
  Speaker 1: you come up with in rehearsal supports the scene and
• 46:06
  Speaker 1: supports the life of the dialogue. I mean, you gotta
• 46:09
  Speaker 1: give it life, right, you gotta give it a behavior.
• 46:11
  Speaker 1: I need to know this. What's harder the scene you
• 46:14
  Speaker 1: just did in the diner with lor Lye or Harry
• 46:17
  Speaker 1: Styles performing on stage. I sort of think Harry's got
• 46:22
  Speaker 1: it easier because you could make you know what it's all,
• 46:25
  Speaker 1: it's all the same. Yeah, he's got I'm sure he's
• 46:29
  Speaker 1: got choreograph moves that he does every single night, and
• 46:33
  Speaker 1: he and he knows what he's going to do in
• 46:36
  Speaker 1: every section of every song that he sings, but there's
• 46:39
  Speaker 1: room for it, like because it's a light show, right,
• 46:43
  Speaker 1: I mean, it's a whole thing's he's got to be
• 46:45
  Speaker 1: in certain spots for the lights to him the right way.
• 46:47
  Speaker 1: So it's all rehearsed, and I mean, I think there's
• 46:50
  Speaker 1: probably a looser structure when you're performing live like that,
• 46:53
  Speaker 1: but there's a general sort of blocking that must be
• 46:57
  Speaker 1: adhered to on every song. You know, those things are
• 47:00
  Speaker 1: very well thought out. My next question for you to
• 47:04
  Speaker 1: abruptly change the topic. Does Nicole like Laurel No, no way,
• 47:13
  Speaker 1: And does Laurel like Nicole No? That's a death match
• 47:19
  Speaker 1: right there. Yeah, Nicole loves this episode like she loves
• 47:30
  Speaker 1: everything about it. She loves that is so true. Yeah,
• 47:34
  Speaker 1: she was looking her chops at the end of that scene. Yeah,
• 47:38
  Speaker 1: I got her. Yeah. Okay, So we go to the
• 47:42
  Speaker 1: cafeteria and die jerk, we get Rory gets confronted. Do
• 47:48
  Speaker 1: you think the ballerina really would have done that? Um? Sure,
• 47:53
  Speaker 1: I think it's it's highly probable. Sure, Yeah, why not?
• 47:58
  Speaker 1: I think if you're an actor and you or a
• 48:00
  Speaker 1: dancer or a singer and you get a bad review.
• 48:02
  Speaker 1: I mean, are you gonna go you get a bad review, Scott,
• 48:05
  Speaker 1: You're gonna go call the New York Times and tell
• 48:07
  Speaker 1: them like die jerk. Well, Scott's not getting compared to
• 48:13
  Speaker 1: being a hippo. So if somebody called you a hippo
• 48:17
  Speaker 1: and a review, you might be a little I don't know.
• 48:22
  Speaker 1: I just think, you know, my here's my message to
• 48:26
  Speaker 1: that ballerina. Mh you better grow a thicker skin totally
• 48:33
  Speaker 1: if you're gonna make it totally, because you're gonna get
• 48:37
  Speaker 1: slammed on the way up. No matter how good you are,
• 48:40
  Speaker 1: you're gonna get slammed by something. That's how many of
• 48:43
  Speaker 1: those were getting on the Instagram Read our Apple reviews.
• 48:48
  Speaker 1: People are very nice, real mean, and that's they're right.
• 48:54
  Speaker 1: They get to do that. That's their right. They get
• 48:57
  Speaker 1: to write to to a certain sent like I don't
• 49:00
  Speaker 1: think you should do terrible, terrible things, but like they
• 49:03
  Speaker 1: can write to us and say, you guys suck. Yeah,
• 49:05
  Speaker 1: that's that's just life. You know. I like it better
• 49:08
  Speaker 1: when they give us like notes and we can improve.
• 49:10
  Speaker 1: But yeah, they're right, you suck. It's it's it's very
• 49:13
  Speaker 1: possible that at times you can suck. It's really, no
• 49:18
  Speaker 1: matter how much work you put in about how dedicated
• 49:20
  Speaker 1: you are to about how much you love it, it's
• 49:22
  Speaker 1: possible that the end result is like, you know, no,
• 49:25
  Speaker 1: you're not somebody's cup of tea. It just happens, you know,
• 49:31
  Speaker 1: no matter how much you want it right, totally, I got.
• 49:36
  Speaker 1: I'm trying to find one that I read that was okay, way,
• 49:39
  Speaker 1: this was so good respect respect to the person. So
• 49:44
  Speaker 1: first of all, somebody who and I don't like to
• 49:47
  Speaker 1: read the name because I don't know if they want
• 49:48
  Speaker 1: to be on that, you know, so I'm not reading
• 49:50
  Speaker 1: it just to be respect. But number one, no, no, no,
• 49:52
  Speaker 1: they're not thoughts. This is real Amy, You've really grown
• 49:56
  Speaker 1: on me. So I'm thinking, oh my god, my day
• 49:59
  Speaker 1: is may I have a fan? I'm growing up? And
• 50:04
  Speaker 1: then you know, like went on Instagram. It says like
• 50:06
  Speaker 1: two more comments, so I click, oh, two more comments
• 50:09
  Speaker 1: and it says I can't relate. I was like, it
• 50:17
  Speaker 1: took me right back down. Okay, so uh see that
• 50:21
  Speaker 1: was very funny, but didn't age well. Digger and Richard
• 50:27
  Speaker 1: hooking up the wireless, I mean I guess it aged
• 50:30
  Speaker 1: well because of the time, but it was like he's
• 50:33
  Speaker 1: take the wireless. We're wireless, taking the last laptop, mom,
• 50:39
  Speaker 1: you can do shopping on the internet, you know, like
• 50:42
  Speaker 1: things like that. It's like Google Google them. I mean,
• 50:46
  Speaker 1: so it was like very funny, but it was so dated.
• 50:50
  Speaker 1: He's out on the patio. It's crystal clear out here. Wait.
• 50:56
  Speaker 1: Is that Is that charming when it's so dated or
• 50:59
  Speaker 1: is it just yeah? Kind of like it. I like
• 51:03
  Speaker 1: seeing Richard being all happy and goofy and full of
• 51:07
  Speaker 1: life and enjoying himself, you know, discovering something new and
• 51:12
  Speaker 1: having this new partnership and this new lease on life.
• 51:15
  Speaker 1: It's it's nice to be around that. You know, he's
• 51:18
  Speaker 1: happy like a kid again. You know, it's like everything's
• 51:20
  Speaker 1: brand new. Yeah, and not to mention it's still kind
• 51:23
  Speaker 1: of relatable. Like my grandparents don't have like they just
• 51:27
  Speaker 1: have their landline, you know, like they don't have a
• 51:29
  Speaker 1: laptop or anything like tech savvy like that. So it's
• 51:33
  Speaker 1: still even though it was twenty years ago, it's still
• 51:35
  Speaker 1: kind of relatable. Yeah, it's relatable where it's Yeah, but
• 51:38
  Speaker 1: you're definitely like we all have like we all have
• 51:41
  Speaker 1: a lot of time. Okay, So then what do you
• 51:44
  Speaker 1: think of Digger when he says he's going to get
• 51:46
  Speaker 1: Emily to invite him to dinner. You know this he's annoying. Yeah,
• 51:59
  Speaker 1: he just he's just you know, he's so in love
• 52:01
  Speaker 1: with himself. He thinks he's so clever, right, and I'm
• 52:04
  Speaker 1: going to really prove it to her, and he's so
• 52:06
  Speaker 1: like on it, and and it's just, yeah, it's just
• 52:10
  Speaker 1: a little too much. Right. Oh. I loved it. I
• 52:13
  Speaker 1: I it's it's fun. It was actually fun to watch, right,
• 52:18
  Speaker 1: Like he set it up, he does it. Then he
• 52:20
  Speaker 1: sat at dinner table and he's going to ask her
• 52:22
  Speaker 1: to dinner, and it's you know, it's supposed to be romantic,
• 52:24
  Speaker 1: like I'm not sure we'll have enough, and she's acting
• 52:27
  Speaker 1: like she's just getting all turned on, and it was
• 52:29
  Speaker 1: I was just too okay, So I love that. I
• 52:33
  Speaker 1: thought that was so Yeah, I have to disagree because
• 52:37
  Speaker 1: I loved Jason and Emily. I thought that was adorable.
• 52:40
  Speaker 1: And then I loved the subliminal flirty flirt flirt with
• 52:45
  Speaker 1: Digger and Laura La and nobody gets it but Rory.
• 52:50
  Speaker 1: He was basically asking, like setting up their date at
• 52:53
  Speaker 1: the table. Of course, it was so adorable. I will
• 52:59
  Speaker 1: give that to him. That's kind of cute. Sure, fine, fine,
• 53:03
  Speaker 1: like that's cool, but I don't know. He still just
• 53:08
  Speaker 1: bothers me. The only thing that bothered me about him
• 53:10
  Speaker 1: was I didn't like how he was holding his fork
• 53:13
  Speaker 1: because it was like, you're not eating holding for he
• 53:16
  Speaker 1: was holding his fork upside down, and I'm like, you're
• 53:19
  Speaker 1: not going to eat? But yeah, I mean it's so
• 53:21
  Speaker 1: tough for me. I get a lot of dialogue in
• 53:24
  Speaker 1: that scene. Yeah, I couldn't. He couldn't really eat. I
• 53:27
  Speaker 1: don't think he had. I don't think he had eating
• 53:29
  Speaker 1: food on his mind. True. I give that a ten
• 53:34
  Speaker 1: out of ten. I loved it. I thought that whole
• 53:36
  Speaker 1: thing was hilarious. And we're working in the article and
• 53:41
  Speaker 1: Richard and Emily read the article. They would love it.
• 53:44
  Speaker 1: They would love that article. They love they love it,
• 53:48
  Speaker 1: and then we've got this sort of dance. Definitely a
• 53:51
  Speaker 1: good scene. It was. It was well acted, well executed.
• 53:56
  Speaker 1: It was very clever. And then that Rory saw right
• 54:00
  Speaker 1: through it. She's like, um, are you gonna go out
• 54:02
  Speaker 1: with him? Because that was obvious? It was obvious, right,
• 54:07
  Speaker 1: It was almost too obvious. It was just too you know,
• 54:10
  Speaker 1: maybe that's what bothered me a little bit about it.
• 54:12
  Speaker 1: It was just a little too obvious where it's like
• 54:15
  Speaker 1: Emily and Richard had to pretend like they didn't know
• 54:17
  Speaker 1: what was going on, and it was pretty obvious what
• 54:19
  Speaker 1: was going on, you know what I mean. The other
• 54:22
  Speaker 1: thing I'm going to say is the phone call scenes
• 54:25
  Speaker 1: literally do not bother me. I think they are totally working,
• 54:29
  Speaker 1: and I think it's the way they shoot them because
• 54:32
  Speaker 1: it's not just I'm on the phone. Well, there's not
• 54:34
  Speaker 1: that many of them anymore. You would be surprised there
• 54:37
  Speaker 1: was a ton in this episode. I don't notice how
• 54:40
  Speaker 1: many were there. There was a lore like calling Rory
• 54:44
  Speaker 1: before she goes to the and the Shane and wasn't
• 54:47
  Speaker 1: was there one with Lane and Rory? Two? Jackie says
• 54:52
  Speaker 1: there were two, and I'm telling you two in an
• 54:55
  Speaker 1: hour is not that much. But it's also the movement,
• 54:58
  Speaker 1: so they make sure that Lane is moving during hers
• 55:01
  Speaker 1: and Rory's moving, so you really feel like it's not
• 55:04
  Speaker 1: just stagnant. No one's sitting there talking on the phone.
• 55:07
  Speaker 1: I think they're I think it's working, right, Yeah, if
• 55:13
  Speaker 1: you use them sparingly in the right way, they can
• 55:15
  Speaker 1: be very effective. I just can't overdo it. True, So
• 55:22
  Speaker 1: favorite lines, and then let's give Digger a one out
• 55:27
  Speaker 1: of ten malamars and then the episode one out of
• 55:30
  Speaker 1: ten malamars. I just want to know where you guys standing,
• 55:34
  Speaker 1: want to give the episode and Digger one out of ten.
• 55:36
  Speaker 1: No, no no, I'm judging it already as I'm saying, the
• 55:41
  Speaker 1: scale is one out of ten millions the new scale.
• 55:44
  Speaker 1: I've never heard of one out of ten. I'm just
• 55:47
  Speaker 1: throwing it in there. How many malamars for Digger and
• 55:50
  Speaker 1: how many malamars for the episode? But it's ten now, okay,
• 55:55
  Speaker 1: it's never So what do you why do you feel
• 55:58
  Speaker 1: the need to explain to one out of ten to us?
• 55:59
  Speaker 1: And forgot, guys, we're gonna go to one to time
• 56:04
  Speaker 1: because we usually one to sixteen. We're going off the rails.
• 56:09
  Speaker 1: You what is this, you're saying, I'm being a little
• 56:14
  Speaker 1: captain obvious. Well, are we into kindergarten? Here? Are we
• 56:17
  Speaker 1: telling the one out of ten? Or how many alamar's
• 56:21
  Speaker 1: and favorite lines? I gave mine, but you guys give yours. Danielle, Okay,
• 56:25
  Speaker 1: my favorite is from Rory when she says, it's April
• 56:28
  Speaker 1: Levine's world and we're just living in it. You know what,
• 56:31
  Speaker 1: that's my favorite line to you stole my line. I'm
• 56:33
  Speaker 1: gonna take that line to that was That was a
• 56:36
  Speaker 1: really good line. That was good. Can also relate was
• 56:40
  Speaker 1: that in the middle. It was that when she was
• 56:42
  Speaker 1: defending herself and when she was getting ranted at by
• 56:45
  Speaker 1: the hippo God, I forget she said that when she was,
• 56:52
  Speaker 1: you know, reeling her response to the raging Ballerina. Right, yeah,
• 56:59
  Speaker 1: you're a hundred. That was a very good that was
• 57:04
  Speaker 1: I laughed out loud of that line. That was great. Um,
• 57:08
  Speaker 1: that's my favorite line too. How many malamars guys for
• 57:11
  Speaker 1: this episode, Daniel, what do you think? I'll give this
• 57:14
  Speaker 1: episode eight out of ten Malamars. I did really enjoy it. Um, Digger,
• 57:19
  Speaker 1: I'll give a two out of ten and only giving
• 57:21
  Speaker 1: two because the banter back and forth is good. But
• 57:25
  Speaker 1: he just bothers me. Amy, what do you what do
• 57:29
  Speaker 1: you think? I'm gonna give the scene with Loralai and
• 57:32
  Speaker 1: Nicole ten out of ten Milamars. I'm gonna give Digger
• 57:36
  Speaker 1: eight out of ten Malamars, and I'm gonna give the
• 57:39
  Speaker 1: episode seven and a half, malamars, Wow, Okay, I'm going
• 57:45
  Speaker 1: to give so Digger. We're like rating Digger now, yeah,
• 57:51
  Speaker 1: just because I want to know. Um, well, I think
• 57:58
  Speaker 1: he's awfully good, you know, I think I think the
• 58:02
  Speaker 1: actor is awfully good. Um and I think he's you know,
• 58:07
  Speaker 1: I'm gonna I'm gonna lighten up on Digger because you're
• 58:12
  Speaker 1: supposed to be on my team. I am on your team.
• 58:15
  Speaker 1: But it's a very specific job that he has to
• 58:18
  Speaker 1: do right, because he can't be really really charming. He
• 58:26
  Speaker 1: can't really be a rival. He has to be a
• 58:28
  Speaker 1: hinch Schmart. There's got to be something that the audience
• 58:32
  Speaker 1: says no to immediately. They can't even be you know
• 58:37
  Speaker 1: what I mean? So they so they that that. So
• 58:41
  Speaker 1: I'm on that basis, I'm gonna give him a ten
• 58:45
  Speaker 1: out of ten, you know what I mean. But in
• 58:49
  Speaker 1: terms of ability, you know, I'm gonna I'm gonna go
• 58:53
  Speaker 1: to okay, because that, as an audience is what I'm
• 58:59
  Speaker 1: supposed to be feeling, right, I think, So I think
• 59:02
  Speaker 1: it's good. So ya ten out of ten. Casting the
• 59:04
  Speaker 1: right actor like Digger. I thought that was sexy the
• 59:09
  Speaker 1: whole thing. Sorry, well, wait, how many mile mars for
• 59:16
  Speaker 1: the episode? What did you give it? Eight? Daniel? You
• 59:19
  Speaker 1: gave it seven and a half. You know, I'm I'm
• 59:25
  Speaker 1: right up there all close to close to nine almost,
• 59:29
  Speaker 1: I think eight eight point eight five. Yeah, I really
• 59:34
  Speaker 1: liked this episode. I really thought it was It was
• 59:37
  Speaker 1: mostly terrific. Yeah, everyone had something yeah, right, like everyone
• 59:43
  Speaker 1: had like a no one was boring in this episode.
• 59:46
  Speaker 1: Everyone had some a storyline that was crucial to their character.
• 59:50
  Speaker 1: That is true. That is really true. It's it's like
• 59:52
  Speaker 1: a show that's hitting its stride. It's like in in
• 59:56
  Speaker 1: full bloom almost, you know, it's like everybody, Yeah, even
• 59:59
  Speaker 1: Ma l got some. Yeah. I didn't never saw Kirk.
• 1:00:03
  Speaker 1: We never had Kirk. But okay, you know yeah, yeah
• 1:00:06
  Speaker 1: he had a big last episode. Yeah he's tired, right,
• 1:00:08
  Speaker 1: he's tired, and too much Kirk for us maybe a
• 1:00:13
  Speaker 1: bad thing, you know, because he's so memorable. Right, So
• 1:00:18
  Speaker 1: it's correct. Um, yeah, what's next? Yeah, what's next? It's
• 1:00:23
  Speaker 1: Ted Copple's Big Night Out. Okay, so the next episode
• 1:00:25
  Speaker 1: is season four, episode nine, Ted Copple's Big Night Out. Um, anyway,
• 1:00:32
  Speaker 1: that's it. That's gonna be a ramp as we Uh,
• 1:00:35
  Speaker 1: as we steer this Gelopi off the freeway and into
• 1:00:38
  Speaker 1: the repair shop. UM, we think we're going to get there.
• 1:00:43
  Speaker 1: All the best everybody, best fans on the planet. Thanks
• 1:00:46
  Speaker 1: for downloading, uh and we will see you next time.
• 1:00:49
  Speaker 1: Stay safe. Oh wait a minute, hang on a second, Um,
• 1:00:53
  Speaker 1: I have a very special announcement. What about your crack staff.
• 1:00:55
  Speaker 1: They didn't find anything. Oh geez, yeah, hang on, crack staff.
• 1:01:00
  Speaker 1: In the meantime, I'm gonna be a German Comic Con
• 1:01:03
  Speaker 1: Dortmund December one and two. German. I mean that's not
• 1:01:08
  Speaker 1: just that's no Rhode Islands. Well, the Rhode Island was
• 1:01:13
  Speaker 1: a big deal too. That was a big big two.
• 1:01:17
  Speaker 1: And my crack staff has uh forwarded me their notes. Um,
• 1:01:23
  Speaker 1: welcoming me back to California, and uh, thank you for
• 1:01:27
  Speaker 1: welcoming me back all right around the seventh yourself. You
• 1:01:34
  Speaker 1: will eat those words soon because of the thing that
• 1:01:40
  Speaker 1: and you will meet my crack staff. And let me
• 1:01:43
  Speaker 1: tell you, they are crack and they are staffy. They're okay,
• 1:01:48
  Speaker 1: give it to me. Seven thirty with Laurel Leilane and
• 1:01:50
  Speaker 1: Roya are approaching Suki's house. In the far background, you
• 1:01:55
  Speaker 1: can see what appears to be a large spotlight set
• 1:01:57
  Speaker 1: up on top of Luke's diner building. Whoa yeah, is
• 1:02:02
  Speaker 1: that like for for the show? Yeah? Sure. At the
• 1:02:07
  Speaker 1: eighteen mark, there are two students in the background sorting slides.
• 1:02:12
  Speaker 1: The one on the left is a Canadian teenager who
• 1:02:16
  Speaker 1: had recently battled leukemia. She was on the set that
• 1:02:19
  Speaker 1: day courtesy off to Make a Wish Foundation, who fulfilled
• 1:02:23
  Speaker 1: her wish to meet the Gilmore Girls cast. Um. Yeah,
• 1:02:28
  Speaker 1: they did that every so often. It was always a
• 1:02:30
  Speaker 1: wonderful day on set with the Make a Wish kids.
• 1:02:34
  Speaker 1: Um Uh. Now the male voice singing Michael Rowe the
• 1:02:38
  Speaker 1: boat ashore at the end of the episode is Seth McFarlane. Yes,
• 1:02:47
  Speaker 1: they've also my crack Staff has also suggested a couple
• 1:02:50
  Speaker 1: of favorite lines. Um, Emily, you are certainly not going
• 1:02:55
  Speaker 1: to google me, Mrs Kim Mike Gluten, Patty's called fires
• 1:03:00
  Speaker 1: who we're switching to spaghetti and wheatballs. Okay, So that's it. Um,
• 1:03:05
  Speaker 1: that's it for crack staff, who you will meet soon
• 1:03:10
  Speaker 1: and uh. And that is that, folks. Stay safe, See
• 1:03:14
  Speaker 1: you next time. Hey everybody, and don't forget follow us
• 1:03:47
  Speaker 1: on Instagram at I Am All in podcast and Emailie
• 1:03:51
  Speaker 1: at Gilmore at I Heart radio dot com. Oh you
• 1:03:56
  Speaker 1: Gilmore fans. If you're looking for the best cup of
• 1:03:57
  Speaker 1: coffee in the world, go to my website from my company,
• 1:04:01
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• 1:04:03
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