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The Sin Is White Supremacy: a Theological Encounter with the Film “Sinners"

What is the sin in Sinners? — and then four of the most brilliant theologians working today spent an hour doing what great theologians do: they cracked the whole thing open. Set in 1932 Mississippi and layered with blues, hoodoo, vampires, and Black survival, Ryan Coogler's film turns out to be a theological event, and this conversation treats it like one. Adam Clark names white supremacy as the film's central sin — parasitic, predatory, embodied in white vampires who can only survive by consuming Black vitality. Kelly Brown Douglas traces the deep dialectic between the blues and the Black…

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