Latest / Arroe Collins Like It's Live / Sniper No Nation Is Ready For Your Surround Sound And Lighting Actor Chad Michael Collins

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Sniper No Nation Is Ready For Your Surround Sound And Lighting Actor Chad Michael Collins · Arroe Collins Like It's Live

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  Speaker 1: Have you check it out yet erro dot net, a
• 0:02
  Speaker 1: r r oe dot net. It's more than just a podcast,
• 0:06
  Speaker 1: it is twenty different podcasts. One of the hottest features
• 0:10
  Speaker 1: y A Authors Unplugged. Yeah, I said, why A. It
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  Speaker 1: doesn't matter what your age is. Y A Authors are
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  Speaker 1: making a big impact, especially when it comes to graphic novels.
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  Speaker 1: Check it out y A Authors Unplugged on erro dot
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  Speaker 1: net A r r oe dot net. Enjoy your exploration, Chad,
• 0:29
  Speaker 1: how do you deal with weather conditions? Because I mean
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  Speaker 1: when you're when you're told to show up on a set,
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  Speaker 1: I mean, mom, nature has her own way, and and
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  Speaker 1: stay when it comes to a story and it's like
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  Speaker 1: and the actors, I mean, no matter what, you you
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  Speaker 1: gotta be there.
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  Speaker 2: Yeah, yes we do. Uh the rain or shine, as
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  Speaker 2: they say, production schedules be production schedules. So whether it's those,
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  Speaker 2: or it's crippling heat or it starts down pouring, we
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  Speaker 2: almost almost never, for any reason cancel a shoot.
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  Speaker 1: And for you to be there I mean, because I mean,
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  Speaker 1: does that not pull from your martial arts background? Because
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  Speaker 1: no matter what, you've got to move through the storm.
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  Speaker 1: You look for ways because we're all taught you don't
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  Speaker 1: go to the fire, you learn how to walk around
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  Speaker 1: the fire. But the thing is, though, is that still
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  Speaker 1: it affects every inch of who you are as that
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  Speaker 1: human being.
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  Speaker 2: Yeah, that's very, very true, And it's fun. Being an
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  Speaker 2: actor is really great. You get to bring yourself to
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  Speaker 2: an otherwise lifeless character and just kind of breed that
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  Speaker 2: into into being and it's a lot of fun to explore.
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  Speaker 2: It's a lot of fun to wear many hats. I mean,
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  Speaker 2: my gosh, I've been a soldier and a cowboy, and
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  Speaker 2: oh my gosh, I've done so many different things, and
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  Speaker 2: it's been fun to kind of get a taste of
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  Speaker 2: all that sort of stuff out there.
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  Speaker 1: It's so funny that you say that, because because you know,
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  Speaker 1: when you do have that in your life where you
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  Speaker 1: play many different roles and then but yet you've got
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  Speaker 1: to go someplace and be somebody else. I'll sit there
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  Speaker 1: and people will say, you're not listening to me. I've
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  Speaker 1: been calling out to you. Well, maybe I'm not the
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  Speaker 1: person you're calling out to. Maybe I'm a Chad from
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  Speaker 1: this movie. That's who I am. I'm taking on his
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  Speaker 1: role right now. I mean, how do you deal with that?
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  Speaker 1: Because I mean, I mean in reality, I mean, you
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  Speaker 1: play so many roles, and that's a lot of personalities
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  Speaker 1: that you've got to fit into.
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  Speaker 2: I mean, luckily I haven't. I haven't come had a
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  Speaker 2: complete mental schism and keep all the split personalities fighting
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  Speaker 2: for attention back there in my mind. But it's fun.
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  Speaker 2: You do a job, you let it go, you give gratitude,
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  Speaker 2: and then yeah, you get out of the next one,
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  Speaker 2: and you know you're adaptable, of flexibility, you take on
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  Speaker 2: the different stuff. So but the role that I'm always
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  Speaker 2: the most fun to play, and I suppose you could
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  Speaker 2: call me typecast if you'd like. Again, I love it
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  Speaker 2: is the soldier role. And you know, it's what I
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  Speaker 2: get to do and call it dudey. It's what I
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  Speaker 2: get to do in Sniper, in our movie Sniper No
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  Speaker 2: Nation No.
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  Speaker 1: But as a fan, dude, that's what I want to
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  Speaker 1: see you in. That's the role because I grew up
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  Speaker 1: watching John Wayne, John Wayne in army movies, all of
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  Speaker 1: those actors, because my dad he's the one that took
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  Speaker 1: me to those outdoor movie theaters to see that. So
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  Speaker 1: when I think of you, I do think of the
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  Speaker 1: John Waynes of the world and all these people that
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  Speaker 1: really did play those roles to bring them to life.
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  Speaker 2: Yeah, I think correct me if I'm wrong with John
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  Speaker 2: Wayne was it was a legit soldier before he got
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  Speaker 2: into the acting career. I believe I could be wrong there,
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  Speaker 2: but yeah, it's great. There's just something about the all
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  Speaker 2: American soldier that's at least we find with this character
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  Speaker 2: with these sniper movies that people across the world just
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  Speaker 2: love it. They love those stories, and you know, it's
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  Speaker 2: synonymous with our great nation is having that military and
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  Speaker 2: all the great stories and the history of that the
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  Speaker 2: rich history. So we always find that we do really
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  Speaker 2: well with international audiences, and I think it's because everybody's
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  Speaker 2: always cheering for the all American good guy.
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  Speaker 1: Yeah, but you're doing something very differently in this one, Chad,
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  Speaker 1: in the way that the global response is is that
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  Speaker 1: they think you're the enemy this time around. It's like
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  Speaker 1: suddenly all things, you know, all of a sudden, if
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  Speaker 1: it was a WWE you have to wear black.
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  Speaker 2: Now I know they are trying to make me a
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  Speaker 2: heal and it's not fair. Yeah. So Stiper Donation takes
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  Speaker 2: place directly after the events of our movie in twenty
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  Speaker 2: twenty five called snap to the least stand me, my
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  Speaker 2: right hand man, Agent zero. We go to Coasta Verde
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  Speaker 2: take care of a little black ops mission deal with
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  Speaker 2: an arms dealer, and we leave a little bit too
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  Speaker 2: much evidence behind, as you could say, and so that
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  Speaker 2: becomes an international scandal, and of course the crooked prime
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  Speaker 2: Minister Coast of Verde blows us up, and the US
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  Speaker 2: has got to say, we disallow them. They're terrorists now.
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  Speaker 2: So we got to fight to clear our name. We've
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  Speaker 2: got to fight to clean up the mess with it
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  Speaker 2: and Coast of Verde. And who better to come help
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  Speaker 2: us out than the legendary Tom Behringer originating his character
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  Speaker 2: Thomas Beckett to come bail with some branded out in
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  Speaker 2: Coasta Verde.
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  Speaker 1: And yet with you describing it just like that, I'm going,
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  Speaker 1: am I just reading the newspaper here because it really
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  Speaker 1: sounds like that something that's going on in the world
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  Speaker 1: right now. Oh my god, it is just so real
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  Speaker 1: and authentic.
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  Speaker 2: I mean, life wulvitats are sometimes is no wacky. You know.
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  Speaker 2: We shot this over a year ago in Cape Town,
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  Speaker 2: South Africa, so I don't think anybody drew up the
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  Speaker 2: script even the six months before then, with any sort
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  Speaker 2: of crystal ball, but here we are.
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  Speaker 1: So when you're on the set of a movie such
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  Speaker 1: as Sniper and No Nation and you see that everything
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  Speaker 1: around you has become chaotic, you as that actor, you've
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  Speaker 1: you've got to create focus with the storyline so that
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  Speaker 1: we're not sitting there staring in the background. How do
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  Speaker 1: you fine tune that or how do you make that
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  Speaker 1: connection to we the viewers? Because it would be so
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  Speaker 1: easy to get lost back there because if you bring
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  Speaker 1: up Private Ryan, the first thing that people think about
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  Speaker 1: is that opening scene when they're out there on the beach.
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  Speaker 1: There's more to this movie than that.
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  Speaker 2: Yeah, there's a lot going on. We have an we
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  Speaker 2: don't do a beach and then well we don't. You know,
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  Speaker 2: I don't want to spoil anything. There may or may
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  Speaker 2: not be a beach. It cyper donation. But we opened
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  Speaker 2: this movie on a great boat sequence. You know, as
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  Speaker 2: we left off, you know, Brandon got a little gut
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  Speaker 2: shot and we're getting out of there and barely escaped
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  Speaker 2: for our lives and row a boat. We're supposed to
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  Speaker 2: rendezvous and allies they're supposed to ship us out of there,
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  Speaker 2: and it turns out, well, the boat is hijacked and
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  Speaker 2: getting a whole shoot up shootout on sea which is
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  Speaker 2: way farm at night under the cover of darkness to
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  Speaker 2: open up the movie. So we got a ten minute
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  Speaker 2: cold open on this movie. It's a real banger.
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  Speaker 1: Well, I'll tell you what. One of the conversation pieces
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  Speaker 1: that my wife had when we were experiencing the movie.
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  Speaker 1: I'll never say I watched this movie. I will say
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  Speaker 1: I experienced it because while you're watching it, you're going
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  Speaker 1: to go through a lot of emotional changes as well
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  Speaker 1: as awareness. And one of the things that really stood
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  Speaker 1: out is the fact that you're not going home, no
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  Speaker 1: matter how bad the conditions are, You're not going home.
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  Speaker 1: And I sat there and I thought about in today's
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  Speaker 1: real world, you know, one trip, Oh I tripped, I
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  Speaker 1: gotta go. I'll see you guys tomorrow. I'm in pain.
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  Speaker 1: You guys don't do that. And so, in a very invisible,
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  Speaker 1: great way, you're teaching people perseverance is a real thing.
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  Speaker 1: Now live it.
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  Speaker 2: Yeah, the only way out is through, as they say,
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  Speaker 2: so we've got to see this mission through if we
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  Speaker 2: got any chance of ever getting out. So, you know,
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  Speaker 2: look close to it is nice, but really nothing like
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  Speaker 2: the old us, so as you can bet we're keen
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  Speaker 2: to get back to it in our slanting perverse.
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  Speaker 1: Well, you deal with something here that you know. I
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  Speaker 1: sat there and I kept thinking about it. I mean, well,
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  Speaker 1: do most people even know about the Patriot Act? Because
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  Speaker 1: I mean, because that was something that was so evident
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  Speaker 1: in the first part of this millennium that we all
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  Speaker 1: talked about the Patriot Act, and you bring it up
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  Speaker 1: in this movie. It's almost like a reminder of by
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  Speaker 1: the way, this is the real deal and if this
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  Speaker 1: were really taking place, these people would be coming in.
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  Speaker 2: Yeah, you can't leave a mess behind on these missions.
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  Speaker 2: So you know, me and me and zero we get
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  Speaker 2: thrown on the old terrorist watch list because you know,
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  Speaker 2: we went we went basically the clost to run in
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  Speaker 2: to clean up a mess. It's very black ops. It's
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  Speaker 2: kind of like, hey, if anything goes wrong, we can't
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  Speaker 2: recognize that you're on your own. So and I'm sure
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  Speaker 2: that that happens in real life more than we know,
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  Speaker 2: which is crazy. But at the same time, it's not
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  Speaker 2: fun being the the country you fought for saying you're
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  Speaker 2: not welcome here anymore. So that's that's something Brandon struggles
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  Speaker 2: with this movie, and of course looks to set.
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  Speaker 1: That right, speaking of struggling and bringing your character to
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  Speaker 1: life so that we can feel and have a connection
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  Speaker 1: with you. Do you ever bring in the strategies that
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  Speaker 1: you use with D and D and you know which
• 8:18
  Speaker 1: is Dungeons and Dragons for those that don't know it,
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  Speaker 1: And do you ever use that same strategy on your
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  Speaker 1: character saying I wonder what this person would do if
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  Speaker 1: I made this move or if I did this with
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  Speaker 1: the gang.
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  Speaker 2: I'll tell you what D and D is all creativity
• 8:34
  Speaker 2: in the moment, improv and everything else to it. That's
• 8:36
  Speaker 2: why I love that game, and I high ard anybody
• 8:39
  Speaker 2: any try for that reason. But it's a very scripted environment.
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  Speaker 2: As you can imagine. When you've got a bullets shell,
• 8:44
  Speaker 2: the casings flying everywhere, you've got punches being thrown at you.
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  Speaker 2: Things need to be a little bit more scripted and
• 8:49
  Speaker 2: choreographed so that we can get through our darn days
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  Speaker 2: and known is going to be emergency me most of all.
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  Speaker 2: So it's very different in a very controlled environment. Well,
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  Speaker 2: there's a little room for rov and adjusting on the
• 9:02
  Speaker 2: day to as you said, weather conditions or certain set
• 9:05
  Speaker 2: pieces and stuff like that too, so you have to
• 9:07
  Speaker 2: remain adaptable and flexib but for the most part, you
• 9:09
  Speaker 2: stake to the script and the very strict schedules on
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  Speaker 2: these movies to make sure that no one gets hurt
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  Speaker 2: or catches a fist on the teeth.
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  Speaker 1: Please do not move. There's more with Chad Michael Collins
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  Speaker 1: coming up next the name of the movie Sniper No Nation.
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  Speaker 1: We are back with Chad Michael Collins. Well, listeners and
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  Speaker 1: viewers have got to understand when it comes to those
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  Speaker 1: scenes where you're using, you know, your body language. Basically
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  Speaker 1: you're using your fist, you're using your feet and everything
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  Speaker 1: else that's falling apart around you. The thing is is that,
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  Speaker 1: as my combat karate teacher used to tell me all
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  Speaker 1: the time, it is about the art. Quit thinking about
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  Speaker 1: kicking somebody's butt, Think of the art. And I always
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  Speaker 1: feel like that with with Sniper No you Know No
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  Speaker 1: Nation is the fact that I got to remember it. Wait,
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  Speaker 1: they're going for the art. That's why I'm being affected
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  Speaker 1: by this because they truly understand it is the art.
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  Speaker 2: It is an art form. And you know, I give
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  Speaker 2: such shout outs to our great stunt coordinators and choreographers
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  Speaker 2: and our great stuntmen who make us look like absolute
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  Speaker 2: rock stars, much much more above our skill level than
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  Speaker 2: in real life. And it is an art. You know,
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  Speaker 2: it's a dance. I like to call it the man dance.
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  Speaker 2: Mixing it up with the stuntmen and throwing each other
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  Speaker 2: around and you know, looking like we're really wailing on
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  Speaker 2: each other, but we're not really, but we kind of
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  Speaker 2: are at the same time. It's way fun, It's very creative.
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  Speaker 1: How do you put that publicist inside of you away?
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  Speaker 1: Because I mean with you and that keen eye of
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  Speaker 1: watching all people, because I always say that you're a
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  Speaker 1: silent watcher. I mean it's like, oh God, I'm falling
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  Speaker 1: witnessed as something. I've got to bite my lip or
• 10:41
  Speaker 1: I've got to sit there and say not today. Man,
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  Speaker 1: this isn't part of my publicist work.
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  Speaker 2: Those are my roots. I went to Los Angeles and
• 10:49
  Speaker 2: started working in publicity and acting as something I kind
• 10:52
  Speaker 2: of fell in naturally by just being a part of
• 10:54
  Speaker 2: the industry. And you know, I was doing both for
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  Speaker 2: a while there and trying to get my acting career
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  Speaker 2: off the ground. But I will also are doing the
• 11:00
  Speaker 2: pr stuff with the Fantastic Television film actors that I
• 11:04
  Speaker 2: got to learn a lot from and be friends with.
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  Speaker 2: So it was a lot of fun and it's definitely
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  Speaker 2: a great skill set, you know, to bring to the
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  Speaker 2: business of the acting career. And yeah, I wouldn't change
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  Speaker 2: my weird, unique course for anything. It's all served me
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  Speaker 2: very very well.
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  Speaker 1: When you look at those eyes in the mirror, do
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  Speaker 1: you see Brandon Beckett at any time? And you sit,
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  Speaker 1: there's a Brandon. This isn't a movie set, This is
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  Speaker 1: not where I need you to be. I'll see you
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  Speaker 1: in a little bit in the next storyline, but not here.
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  Speaker 2: Yeah, Brandon doesn't haunt my dreams at all, and I
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  Speaker 2: never see him went in the mirror. Usually when when
• 11:38
  Speaker 2: I'm Brandon, I'm absolutely filthy. My face is cut the crap,
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  Speaker 2: I'm covered in blood, I'm dirty and whatever else. So
• 11:43
  Speaker 2: luckily I don't see that face in the mirror every
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  Speaker 2: day when I wake up. But I do a good
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  Speaker 2: job of getting when we're done, when we're wrapped, we
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  Speaker 2: give the hugs, we say to goodbye, we're on to
• 11:51
  Speaker 2: the next thing. And you know, when I get the
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  Speaker 2: call again to step into the Brandon's boots, I'm ready
• 11:56
  Speaker 2: to rock and pick up over left off.
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  Speaker 1: Come on, Chad, we live for that. We're guys, man guys.
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  Speaker 1: When we're little boys, we're out there with those Chanka
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  Speaker 1: trucks going get me dirty. Oh yeah, let's have some fun.
• 12:06
  Speaker 1: Let's roll in the mud.
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  Speaker 2: I'll tell you, as they say, it's a feature, not
• 12:11
  Speaker 2: a bug. I love it. I say, give me more,
• 12:14
  Speaker 2: give me more blood, give me more in it's corn cyer,
• 12:16
  Speaker 2: by the way, sometimes mixed with my own blood, but
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  Speaker 2: very rarely. And the dirt and everything else too. I
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  Speaker 2: think it's the way fun. You know, as a kid
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  Speaker 2: who love to get rough and tumble with his gi
• 12:25
  Speaker 2: jos and the neighborhood kids playing sports and everything, it's
• 12:29
  Speaker 2: way fun to do that for a living.
• 12:31
  Speaker 1: Is it odd to be the wizard behind the curtain?
• 12:33
  Speaker 1: In other words, you could share so many stories about
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  Speaker 1: what life is like on the set and how it
• 12:39
  Speaker 1: looks compared to what we receive as viewers.
• 12:44
  Speaker 2: Yeah, what you see? I mean, Look, I always make
• 12:46
  Speaker 2: the joke, you know, thirteen fourteen, sixteen hour days. Sometimes
• 12:50
  Speaker 2: making movies could be very boring and very tedious, doing
• 12:53
  Speaker 2: the same scene, the same lines over and over and
• 12:55
  Speaker 2: over and over again to get that right. Take and
• 12:57
  Speaker 2: the right camera angle and this that, whatever else. It's
• 13:01
  Speaker 2: not as glamorous as people think, because you do see
• 13:03
  Speaker 2: this beautiful, finished ninety minute version, but you know that's
• 13:07
  Speaker 2: going to take anyway from twenty to twenty five days
• 13:09
  Speaker 2: to try to capture that, and a whole lot of
• 13:10
  Speaker 2: editing and everything else too, And so people have a
• 13:14
  Speaker 2: surprise when they visit a film set that there's a
• 13:16
  Speaker 2: lot of monotony. And that's just due to the technical
• 13:20
  Speaker 2: factors and having a whole village putting this thing together, magically, sound, lighting, cameras,
• 13:26
  Speaker 2: props like you name it. There's so many moving parts that, yeah,
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  Speaker 2: people will be surprised that it's not ninety minutes of
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  Speaker 2: flashing and glam it's twenty five minutes. A hard sixteen
• 13:36
  Speaker 2: day grinds.
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  Speaker 1: My good friend Bill and I had an argument the
• 13:39
  Speaker 1: other day. He says that your next step is going
• 13:42
  Speaker 1: to be a graphic novel, and it's going to be
• 13:43
  Speaker 1: a sniper movie, but it's going to be in a
• 13:45
  Speaker 1: graphic novel. And he says, you're going to be the
• 13:46
  Speaker 1: one that's going to create it. And I said, why
• 13:48
  Speaker 1: would you say that? He says, have you talked to
• 13:50
  Speaker 1: him about his love for comic books. You got to
• 13:52
  Speaker 1: talk to him about that.
• 13:54
  Speaker 2: That sounds like a dream. And if I could wrestle
• 13:57
  Speaker 2: control of the copyright from Sony, you better go to
• 13:59
  Speaker 2: the publisher right now. That's above my pay grades, sadly,
• 14:03
  Speaker 2: But I am a big comic book nerd who's recently
• 14:06
  Speaker 2: got into collecting graded comics, the CGC grades. I've just
• 14:11
  Speaker 2: picked up some really fun ones Punishing number one, Punisher,
• 14:13
  Speaker 2: Wardiale number one. Jim Lee's my all time favorite artist.
• 14:16
  Speaker 2: So I'm going back and you know those beat up
• 14:18
  Speaker 2: old comics that have been sitting in a box forever
• 14:21
  Speaker 2: from my childhood, Well, I'm going out now and I'm
• 14:24
  Speaker 2: getting I'm getting the upgraded mint versions of them.
• 14:27
  Speaker 1: How is AI changing your world? I know that in
• 14:29
  Speaker 1: the radio world here that the changes are there, But
• 14:32
  Speaker 1: I see it as making us great in our stage,
• 14:35
  Speaker 1: even better than what it's been. What about yours.
• 14:40
  Speaker 2: It's a very interesting thing, you know, and this technology
• 14:43
  Speaker 2: do so fast and so exponentially. I know it's kind
• 14:46
  Speaker 2: of a concern for anyone in the creative field, the
• 14:49
  Speaker 2: writers and the actors and the directors and people that
• 14:52
  Speaker 2: are involved, especially in this industry. I've all been kind
• 14:55
  Speaker 2: of walking on Eightshell's wondering how this is going to
• 14:58
  Speaker 2: play out. I think it's an amaz tool for information research,
• 15:02
  Speaker 2: aggregating information. I don't use it very much. I don't
• 15:05
  Speaker 2: use it to generate images and stuff like that, because
• 15:09
  Speaker 2: you know, I don't want the artist talented artists to
• 15:11
  Speaker 2: be replaced altogether with that. But you know, with big
• 15:14
  Speaker 2: technology comes big changes, and I hope that we could
• 15:17
  Speaker 2: find a happy medium and let it kind of use
• 15:20
  Speaker 2: a service as a tool and I start replacing the peoples.
• 15:25
  Speaker 1: Yeah, I got to ask you a radio geeky question
• 15:27
  Speaker 1: only because this is what radio people do when we
• 15:30
  Speaker 1: get behind closed doors. That voice of yours. Do you
• 15:33
  Speaker 1: wake up in the morning going K rock Los Angeles
• 15:36
  Speaker 1: four songs in a row? I mean, because I mean,
• 15:38
  Speaker 1: my God, with a voice like that, I would be
• 15:40
  Speaker 1: putting that on every commercial. Or do I mean, when
• 15:43
  Speaker 1: did you realize that you have that voice?
• 15:48
  Speaker 2: I think it just comes with age and working hard,
• 15:51
  Speaker 2: playing hard. I don't think I'm going to replace Sam
• 15:54
  Speaker 2: Elliott anytime soon. I don't think they're gonna call me
• 15:57
  Speaker 2: for cools the banker. I don't think that's going to
• 16:00
  Speaker 2: happen in time. So but hey, who knows, maybe another
• 16:02
  Speaker 2: couple of decades. I don't get down in that register.
• 16:05
  Speaker 1: I was gonna say, I don't know about that. I'm thinking,
• 16:08
  Speaker 1: I don't know. I'm hearing something here. I mean, voices
• 16:11
  Speaker 1: are my thing. Oh my god. You also do something
• 16:16
  Speaker 1: in this movie that really gets my attention, and it's
• 16:18
  Speaker 1: because I'm very fascinated with numbers. The number fifty plays
• 16:21
  Speaker 1: a valuable part in this movie, and I just I
• 16:24
  Speaker 1: want more people to understand that numerals and numerology are
• 16:28
  Speaker 1: so important to how we walk.
• 16:31
  Speaker 2: And that's interesting. Fifty. What's the reference there for in
• 16:35
  Speaker 2: this movie?
• 16:35
  Speaker 1: Well, the one thing that always what's got my attention
• 16:37
  Speaker 1: is the number five, and number five is because you
• 16:40
  Speaker 1: can't break it down anymore from there. So therefore the
• 16:42
  Speaker 1: I mean that means it's a strong number moving forward. Now,
• 16:44
  Speaker 1: that number zero has my attention because what that does
• 16:47
  Speaker 1: is that's a foundation, and you can build upon the foundation.
• 16:50
  Speaker 1: So therefore we have an individual building a foundation in
• 16:53
  Speaker 1: a movie that says no nation. Therefore, he's got to
• 16:55
  Speaker 1: build his own plan. It's got to come from his gut,
• 16:58
  Speaker 1: which is where the zero is. You see, how I
• 17:00
  Speaker 1: do this. I will sit there and I'll play with
• 17:02
  Speaker 1: two freakin' numbers and break it down to the point
• 17:05
  Speaker 1: where it's going, and I'll go, that's exactly what this
• 17:07
  Speaker 1: movie is about.
• 17:09
  Speaker 2: Well, that's fascinating, and I'm not educated to that sort
• 17:12
  Speaker 2: of stuff, but I do think there's probably some power
• 17:15
  Speaker 2: and some really fun fun things to consider in terms
• 17:18
  Speaker 2: of that. Go but yeah, five, what's that?
• 17:21
  Speaker 1: Five is the number of what five is in it? Well,
• 17:23
  Speaker 1: you know, let me find that out real quickly. If
• 17:24
  Speaker 1: you've got a couple seconds here, let me let me
• 17:26
  Speaker 1: put that in real fast.
• 17:27
  Speaker 2: Okay, you know this interesting subject for sure.
• 17:36
  Speaker 1: For sure, spiritual number of five represents you, ready, personal transformation, freedom,
• 17:42
  Speaker 1: and adaptability. It is sniper. It is sniper all the way.
• 17:46
  Speaker 2: Dude.
• 17:47
  Speaker 1: Oh my god, they knew exactly what they were doing.
• 17:52
  Speaker 2: Well maybe maybe they do. I'm not privy to that,
• 17:54
  Speaker 2: but good catch on your part of.
• 17:56
  Speaker 1: My exploration spontaneity learning is that what he is doing,
• 18:01
  Speaker 1: what Brandon is doing, everything about him is what that
• 18:04
  Speaker 1: number is all about. And you have that foundation of
• 18:06
  Speaker 1: zero right behind it. That means he wins.
• 18:10
  Speaker 2: And I love that because every time we revisit Brandon.
• 18:14
  Speaker 2: Now this has been nine movies I've been a part of,
• 18:15
  Speaker 2: going back in twenty ten. Yeah, we're uncovering a new layer,
• 18:19
  Speaker 2: We're in a new situation. We're always learning, we're always
• 18:22
  Speaker 2: getting wise or more experience, hopefully staying alive first and foremost.
• 18:26
  Speaker 2: But it's certainly that number five. It's the description of
• 18:29
  Speaker 2: Brandon all day.
• 18:30
  Speaker 1: Wow, where can people go to find out more about you?
• 18:33
  Speaker 1: So they can go to these nine movies and everything
• 18:35
  Speaker 1: else that you're doing.
• 18:38
  Speaker 2: Yeah, well they can watch Snipeer Nomation I just dropped
• 18:40
  Speaker 2: on April seventh, Digital and DBD for those old school
• 18:45
  Speaker 2: hard media collectors, and this is the ninth one I've
• 18:48
  Speaker 2: been a part of. Twelfth. Ok, we're all going back
• 18:49
  Speaker 2: to nineteen ninety three, the original Tom Ban, Joe, Billy Zane.
• 18:53
  Speaker 2: But I'm on all the social media handles. I like
• 18:55
  Speaker 2: to stream Call of Duty, Model Warfare and war Zone
• 18:59
  Speaker 2: on Twitch, which is just at Chad Michael Collins, which
• 19:02
  Speaker 2: is where you can find me across the socials.
• 19:04
  Speaker 1: Hello it man, You got to come back to this
• 19:05
  Speaker 1: show anytime in the future. The door is always going
• 19:07
  Speaker 1: to be open for you, mister Chad. I appreciate that er,
• 19:11
  Speaker 1: Will you be brilliant today? Okay, you too.
• 19:15
  Speaker 2: Good luck with at the festival this weekend you met.
• 19:17
  Speaker 1: Thank you so much.