Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Yours Truly Johnny Dollar: The Amy Bradshaw Matter, Parts One and Two (EP0957)

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Yours Truly Johnny Dollar: The Amy Bradshaw Matter, Parts One and Two (EP0957) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

0:28
All right, thanks so much, Lacy. You know you make a good
0:32
case here for doing Johnny Doller first, and I'll tell you what. We
0:38
will go ahead and we'll try it out, not after we finish Nightmare for
0:45
Night. So this week and next week we'll continue with the order we've been
0:51
doing it in, so Nightmare for Night first, then Johnny Doller. But
0:55
then in a couple of weeks we'll go ahead and we will we will try
1:00
We'll try Johnny. We'll try Johnny Doller first, and then whatever the next
1:07
serial is, and we'll try that out for four weeks and we'll see how
1:11
that goes and see how it works for listeners, see how it works for
1:17
me as a host, and so thank you so much, Leasa, and
1:22
listen for Johnny Doller first two weeks from this coming Friday. So this week
1:29
and next week we'll all order. The week after that, we'll try Johnny
1:34
Doller first. All right, Well, now on to listener comments and feedback
1:38
from our Facebook page, Facebook dot com slash Radio Detectives Raymond comments listen to
1:47
and from work. Good thing you break it up over the week, or
1:49
I'd be sitting in my drave way for an hour listening to hear the outcome
1:55
regarding Johnny Doller, Well, that's definitely good cakes for breaking it up into
1:59
three different base We definitely have to keep keep as many people in the workforce
2:07
as we can, So thank you. Raymond Sean's says Johnny Doller is my
2:13
favorite, and David said Bob Bailey is always a favorite. All right,
2:17
Well that'll do it for today. Join us back here for the Big Guy,
2:21
and on Wednesday we continue with yours Truli, Johnny and Doller. In
2:24
the meanwhile, send your comments to Box thirteen and Great Detectives dot net,
2:29
follow us on Twitter, Radio Detectives, and be sure and feel out our
2:32
listener survey survey dot Great Detectives dot net. From Boise, Ottaho, this
2:37
is your host, Adam Grahamson and off from Hollywood. It's time now for
2:45
Johnny Doller, George Adkins and Northwest Indemnity. Oh Hia, Georgie, how'd
2:49
you like to go to New York Johnny and get into the game man one
2:52
of the theater. Thanks a lot, Georgie, but no thanks, not
2:54
the grease paint type. I know. But Amy Bradja is Amy. Yeah.
3:00
We wrote a policy on her a couple of years ago. Look,
3:02
if it's a autograph you want, why send me. It's not that simple
3:07
anyhow. She's got all the fends she wants. I know I'm one of
3:09
them. I think she's great. Johnny, looks like somebody's trying to kill
3:14
her. Georgie. I'll be right over tonight and every weekday night, Bob
3:25
Bailey in the transcribed Adventures of the Man with the Action Packed Expense Account America's
3:30
Fabulous Freelance Insurance Investigators Truly Johnny Dollar Expense accounts submitted by special Investigator Johnny Doller
3:46
to the Northwestern Indendity Alliance, Hartford, Connecticut. The following is an accounting
3:51
of expenditures during my investigation of the Amy Bradshaw matters. Expense account Item one
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sixteen dollars and fifty cents transportation and incidentals to New York City. I checked
4:02
in at the hotel and then went over to the Criterion Theater on West forty
4:05
fourth or Amy was starring in a play called The Unguarded Hour. David Coleman,
4:12
the director, was standing in the wings watching the third act on stage.
4:16
David Coleman, Yes, I'm Johnny Doller. Insurance investigators sent over by
4:20
Northwestern Indemnity. Oh yes, mister Duller, I call them. Let's go
4:24
over here where we can talk all Jane, how's the play going? Twenty
4:30
two weeks now? I've been going along just fine until this business came up?
4:34
How did it start? Last evening, just before curtain time, I
4:39
dropped by Amy's dressing room. She looked well strange, how so pel trembling.
4:46
She's staring at a note in her hand. Sounded like some sort of
4:49
crank No, Juno, you are an evil woman. You will be punished
4:54
by sudden death. Have you reported this to the police? Oh no,
4:59
that was a that if I did, it might get into the papers,
5:00
and we don't want that kind of publicity. I see. How about if
5:04
I talked to Amy after the show? I told her you'd be down and
5:08
she'll talk to you all good. Well, mister Dollar, the strain of
5:14
lists whole things begin to show up in her performance. She's making mistakes and
5:18
it rattles the cast, especially the you non genal Sheila Mitchell. Well,
5:24
I'll see what I can do. There's always the possibility that it is just
5:27
a crank note, and that Amy, I'll never hear any more of it.
5:30
That's what I'm hoping. But we might as well face another possibility that
5:32
somebody close to Amy is using the crank note as a cover. Has that
5:36
thought ever occurred to you? Why? No, no, it hasn't,
5:42
mister Daler. We will continue with the Bradshaw matter in a moment. I
5:56
waited for Amy Bradshaw in a dressing room at the theater. Fifteen minutes later,
6:00
after the final curtain, she swept in there. I've never seen her
6:03
from closer than the fifteenth row before I was pressed, but I didn't have
6:09
a chance to say so. I think the second act. Oh well,
6:13
that's the way it goes. If you'll just give me a minute to get
6:15
some of this makeup off now now, Hi, Hi, I know it
6:20
was only a question of time until you ran down. I'm sorry, I
6:24
guess I get a little overcharged out on the stage. Listen. It's nice
6:28
meeting you, mister Dollar, and I know how you've come down here,
6:30
but I think you're wasting your time. Oh soo, things really pretty silly,
6:34
you know, I hope so, Miss Bredshaw? You mean Amy?
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Okay, Amy, say look, how about having a drink with me?
6:41
Somewhere we can talk about it. I'd love to, but I'm afraid I
6:44
have a date tonight. Could we make it tomorrow? Maybe? Sure?
6:46
Okay, any time? Excuse me, come in. Oh Mike, I'm
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sorry. I know you had company. That's all right. This is Johnny
6:57
Doller, Johnny Mike Comroy. My agent was right. How are you?
7:00
What do you think of it tonight? Mike? Well? I seemed like
7:03
okay, Oh, uh, tell you what. I'll see you tomorrow.
7:09
Tomorrow, Mike, I've got a few things I got to take care of
7:14
tonight, Contracts to go over, you know, things like that. Oh,
7:17
of course, we're kind to meet your dollar. Hi, Amy,
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is that offer of a drink still good? Journey? Well? Sure,
7:29
but I thought you said you have. Oh oh sure, let's go.
7:33
Thanks for understanding anywhere I'm particulating. There's a little place right down the street,
7:39
small and quiet. Oh would you mind if we crossed the stage and
7:45
without the other door? No? Why? I think someone's waiting for me
7:48
outside this exit, sort of a friend of mine, Portercine. But he
7:54
can be a little wearing and I'm rather tired. Sure i'd see him through
8:00
the open door. A thin faced Ruther, elegant looking man in a black
8:03
Homburg. We went out the other side and down the street to a bar
8:07
a few doors away. It am too on expensive count four dollars drinks.
8:11
After the first one, Amy relaxed a little. I wanted to get her
8:15
talking about herself, and it wasn't too tough to do. There's not really
8:18
much to tell about me. I've been acting a long time. Sometimes it
8:24
seems too long. I've come a long way. Some people would say,
8:28
up, I hope it is. He make it sound pretty simple. I
8:31
mean, I guess we do what we have to, all of us.
8:33
I had to act so so just like that, huh, just like that.
8:39
You've always gotten everything you wanted, haven't you. I think so.
8:46
Hasn't anyone ever gotten in your way? No, Johnny, that's never happened.
8:52
If it did, it looks to me like somebody's standing in your way
8:54
right now. What do you mean that threatening letter you got the other day?
8:58
I told you the whole thing's still there's nothing to it. That's what
9:01
you told me. But I don't think you believe it. Okay, So
9:07
maybe I have worried a little about it. I wouldn't have if it hadn't
9:11
infant, that was probably only my imagination. What was Amy? Well,
9:16
last night after the show, I felt like walking a little. I went
9:20
west on forty fourth Street Times Squared as usual, it was crowded. I
9:24
stood on the curb waiting for the light to change, and suddenly I got
9:28
shoved out into the street, right out into the traffic. I jumped back
9:31
just in time. You see who did it? How can you tell in
9:35
a crowd like that. I know it's probably only coincidence that had happened right
9:39
after I got that note. But oh, Johnny, I still just can't
9:43
believe anybody is really trying to do me harm. But I guess what's been
9:50
making me nervous during the performances, staring out at that blackness past the footlights,
9:56
wondering if there's somebody out there who hates me. Uh huh. I
10:01
guess I can't stand being hated, Johnny. I've got to be loved.
10:07
Look, Amy, did it ever occur to you this might not be a
10:11
crank out on the audience, that it might be someone closer to you?
10:13
What, Johnny, That's impossible, isn't I don't have many friends. They've
10:20
mostly to do with the play, but those I have a good one.
10:22
Who else besides your agent Pomroy? How about the director David Coleman. He's
10:26
a very old friend and one of the best. How about the producer Emily
10:31
is the last person in the world it wished me harm On a dollars and
10:33
sense basis, if nothing else. He and Dora bo Dora his wife.
10:37
I like her very much. Does she like you? Why shouldn't she?
10:41
What about this man you wanted to duck tonight, the one who was waiting
10:43
outside the theater Quartercaine? Oh, it's a sort of a fan, I
10:48
guess, a little eccentric maybe, but he's been very good to me.
10:52
Johnny. Really, it couldn't be any of them. Maybe maybe not.
10:58
Look, Amy, I was sent down here is Northwestern Indemnity holds a policy
11:01
on you know? Now? Who's the beneficiary? William Yorke? Who's he?
11:05
My husband? Oh? I didn't know you were married and we separated
11:09
six months ago. But I wanted he didn't, but he wanted I didn't.
11:13
It's as simple as that. Where is he now Here in New York
11:16
somewhere? I guess I don't know. He's a rider sort of Johnny,
11:22
I'm tired. Oh you're sure, you must be. I'm sorry I kept
11:26
you so long. No, I didn't mean that. It's been nice,
11:30
very nice. It's funny. I seemed to relax a little when I'm with
11:35
you. We left that one lay and one outside. I had them three
11:41
on expense account, two dollars taxied Towamy's apartment. There was a car parked
11:46
two doors down, while a man just sitting in it. I saw Amy
11:50
give it a quick look. Then, as she said good night to me
11:52
at the door, I noticed that she slipped the catch on it. I
11:54
saw it across the street and stepped into the shadows. A moment later,
11:58
the door of the park car opened and her agent, Mike Pomeroy, got
12:01
out and went into the apartment house. Then I realized I wasn't the only
12:05
one watching this. Half a block down the street, I could see a
12:07
figure in a shadowy doorway. I ran toward him, but he took off
12:11
around the corner. When I reached the corner, he was nowhere in sight.
12:16
Amy might have been taking this thing only half seriously, but I was
12:18
real serious about it. Now. She said she had some very nice friends,
12:24
but I had a strong hunch that one of these very nice friends was
12:28
out to kill her. Johnny Diller will be back in a moment to tell
12:46
you about tomorrow's episode. Johnny Doller Elson tell down a precinct headquarters. Johnny,
12:52
Oh, hi, yel, sorry, I missed your call a few
12:54
minutes ago. What's on your mind? An actress named Amy Bradshaw. Amy
12:58
one of my favorite me too, But right now I seem to be looking
13:01
for a guy who doesn't feel that way about her. Al it looks like
13:05
somebody's trying to kill Amy Bradshaw. Better coin down here and tell me all
13:09
about it. Expense accounts submitted by Special Investigator Johnny Dollar, location, New
13:20
York City to the Northwestern Indemnity Alliance, Hartford, Connecticut. The following is
13:24
an accounting of expenditures during my investigation of the Amy Bradshaw matter, the threat
13:30
of an attempt on her well insured life expense account Item five A dollar seventy
13:35
five cab from my hotel the precinct headquarters to talk to Detective Lieutenant Allison Teller.
13:39
All looked about the same as the last time I'd seen him. Rugged,
13:43
competent, maybe a few pounds have a here sit down, Johnny,
13:45
sit down. Thanks. Something about Amy Bradshaw, you said, Yeah,
13:50
I didn't know you were a friend of hers. Northwestern Indemnity holds a twenty
13:54
five thousand dollars life insurance policy on her. Yeah, take a look at
13:58
this note, Amy gout, it's several days ago. You are evil.
14:01
You will be punished by sudden death. All. Come on now. A
14:05
couple of nights ago, after the show, somebody shoved Amy off the curb
14:09
and out into the traffic over in Time Square. Well, the same thing
14:11
happens to me almost every time I'm around Times Square. You know what I
14:15
smell in all this? Oh? Sure, you probably smell a publicity.
14:16
I sure. Do you think I'd fall for a thing like that? You
14:20
known Amy bread Shaw very long? No, I've seen her in a few
14:24
shows, but last night was the first time I've ever met her in person.
14:26
I didn't know you pretty well. I'd say you might be getting a
14:28
little stage druck gun her. Uh huh. What about the man who trailed
14:33
Amy to her apartment? Last night? Oh? Oh, I don't know.
14:37
I chased him, but he had too much of a lead on me.
14:39
I still wouldn't go jumping to any conclusions who you got to work on
14:43
for instance, Well, for one, David Coleman, her director. Then
14:46
there's the producer Emory Taylor and his wife Dora. From what Amy said,
14:50
I gathered Dora doesn't like her very well anybody else. And there's a ragent
14:52
Mike Pomeroy. She seems to be pretty wrapped up in him old stable fooling
14:56
it looks like it. Also a fellow named Porter Kane who's usually hanging around
15:01
the theater waiting for Amy. And finally the man I really came to talk
15:03
to you about. Who's that name? Is Bill York her husband, but
15:07
they're separated. Oh, she doesn't know where he is. You figure he
15:09
might tie in somehow. He is the beneficiary of Amy's insurance policy. Well,
15:16
I'll see if I can turn up an address on him for you.
15:18
Okay, thanks all. In the meantime, I think I'll pay a call
15:20
on this Port Decane see if I can find out just how good a fan
15:24
he is. We will continue with the Bradshaw matter in a moment. Expense
15:39
account ada of six to twenty five cab to the apartment of Port Decane.
15:43
In these seventies, it was an expensive looking place. I got there about
15:46
noon, but Port Decane was just finishing breakfast accompanied by chopin. May I
15:52
offer you a cup of coffee? Mister Dollar, Oh thanks a blank please?
15:56
Yes? No. If you came to see me about any Bradshaw,
16:00
I believe that's right, mister Kane. I represent Northwestern Indemnity Alliance. They
16:06
hold a policy on miss Bradshaw. You perhaps want some sort of character reference
16:10
on her. You might put it that way. In that case, you
16:12
couldn't have come to one better qualified than I. You see, Amy is
16:17
my career at present. Afraid I don't understand, mister Kane. For some
16:21
years ago I was relieved with the sordid but customarily necessary task of working for
16:25
my bread and butter. The result is that I've been able to devote myself
16:30
to a fascinating hobby. What kind of a hobby? I collect things.
16:34
All the objects of my interests vary, but they all have one thing in
16:38
common. Ah. This signat ring I'm wearing, for instance, Yes,
16:42
I noticed it. Very unusual. The crest is that of the Medici family
16:47
Renaissance Italy, the only ring of its kind in the world so far as
16:49
any. The authorities on that period. Are aware that vas on the table,
16:55
the painting on the wall, that sculpture one of a kind precisely,
17:00
which brings us quite logically to Amy, who is clearly one of a kind
17:06
soul. So I plan to add Amy to my collection just like that.
17:11
Huh. I'm certain Amy will see it my way in time, and I
17:15
have time now. If you'll excuse me, I must dress for the matinee.
17:21
Will I see you again, mister Dollar, Yes, you probably will,
17:26
mister Kane. I was glad to get out of the hot house atmosphere
17:34
of Kane's apartment. Real weird this character, and I had a hunch i'd
17:38
better keep an eye on him. I'd am seven a dollar sixty five camp
17:42
fare that evening that the Criterion Theater. I arrived half an hour before curtain
17:47
time and headed for Amy's dressing room. Then, as I approached her door,
17:51
you're listening, real careful, I'll give it to you once again.
17:52
You've been tossing wrong cues to Sheila for three nights now. You've been doing
17:56
everything you can to upstage or make her look bad. It's just that I've
18:00
been nervous lately. Maybe I have made a few mistakes of my name.
18:06
You know, I've got plans for Sheila, and I don't want her looking
18:08
bad in this play. We've got plans for Sheila. What about her?
18:14
Amy? We can talk about that some other time, but for now,
18:18
I just want you to understand you're to lay on Sheila. I mean,
18:22
is that a threat? Mike? Take it anywhere you like. It sounded
18:29
like Pomroy was coming outside, so I ducked around behind a piece of scenery
18:32
and waited a moment. Then I went back to Amy's story. Oh,
18:37
Johnny, Hello, Amy, you look tired. I am. I just
18:41
had a little go around with Mike. I've been fluffing some of my lines
18:45
lately. He seems to think I've been doing it deliberately to make Sheila Mitchell
18:49
look bad, But he's wrong. Have you found out anything yet, Johnny,
18:55
No, not much. I still can't believe there's anything too it.
18:57
It's so silly to let it upset me, silly even to give it a
19:00
thought. Well, try not to, Amy, Let me worry about it,
19:04
all right? Did I ever tell you it's nice having you around?
19:10
Johnny? I left a dressing room and started for the alley door. But
19:15
somebody stepped out in front of me. It was Mike Pomeroy. Hello Dollar,
19:22
Oh, hi Pomeray. I was just talking to Dave Coleman the directory.
19:25
He told me he was the one who sent for you. He told
19:29
me why you didn't know about the threatening letter Amy got. No, No,
19:33
I didn't look a dollar. Every actress I've ever known has gotten at
19:37
least one note like that during her career. You don't think they should be
19:40
taken too seriously, then, no, a. Amy's pretty nervous these days,
19:44
and as long as you're around stirring things up, she'd be worried about
19:47
it. If there's anything to be done about it, I can handle it.
19:51
In other words, you want me to mind my own business at it.
19:53
You said that dollar I didn't might not be a bad IDEA funny thing.
20:03
When somebody tells me to lay off a case, my interest in it
20:07
always doubles. After the final curtain, I went backstage to wait for Amy.
20:11
The stage door was open and I could see Porter Kane waiting in the
20:14
alley outside, so I went over to him. Well, mister Dollar,
20:18
good evening, Hello Kane on duty again tonight. Perhaps that's one way of
20:22
putting it. I thought I might have a little chat with Amy after she's
20:26
chained. I'm afraid she has a date. Do you happen to know with
20:30
whom? Yeah me, mister Dollar. Are you suggesting that I'm to regard
20:36
you with some sort of rival? Not at all, Kane, I'm just
20:40
suggesting that I'm a friend of Amy's. I see, good night, mister
20:48
Doller. After Kane left, I stood beside the stage door and tried to
20:56
figure out some of the angles on this case. There were too many of
20:59
them. By the time I went in. The theater was dark except for
21:03
a dim light bulb over the stage, and everyone had gone. Everybody,
21:06
that is except Amy. I ran into the dark and theater. She was
21:11
standing horrified next to the stairway by the dressing rooms, her eyes fixed on
21:14
something that lay on the floor. Johnny, I was on my way up
21:18
to meet you. I here to swish through the ear this heavy sandbag.
21:21
It barely missed me out. Stay back against the wall, Amy, you'll
21:23
be okay there. I climbed the long ladder up to the catwalk above the
21:29
stage, where they sometimes used the sandbags to balance hunks of scenery. It
21:32
was dark up there. I started edging along the catwalk. Suddenly my foot
21:37
hit a loose board. I almost lost my balance, a loose board that
21:40
could have been left for me. And it was a long, long drop
21:42
down to the stage. Whoever it'd been up there, I knew the theater
21:45
pretty well. Finally I went back down to Amy. She was trempling.
21:51
Johnny. It's okay, It's okay, Johnny. Maybe I didn't take it
21:56
seriously before, but I do know somebody dropped that sandbag from up there deliberately.
22:00
Somebody is trying to kill me, and I'm scared, Johnny. I'm
22:04
scared. Johnny Dollar will be back in a moment to tell you about tomorrow's
22:23
episode. Friends, send for your set of some of the most exciting toys
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of the year. Six giant inflatable toys for only one dollar, some up
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to three feet tall. You get bounce over Happy Clown Happy, the Australian
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kangaroo, Roscoe, the two feet long roller skating bear, Whitey, the
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fat indoor snowman, Mortimer of the Giant Mouse eighteen inches long, and last
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but not least, a great giant Talking Sata, a roly fully giant over
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three feet tall and thirty two inches around the belly that actually says Merry Christmas
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out loud when you pull the tape. That six sensational giant toys for only
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one dollar, made of sturdy, gaily colored late texts that the kids can
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easily inflate. Send one dollar for each set to Giant Animals, Box seventeen
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not delighted with your Giant Animals, your money refunded immediately order today. You
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may never hear this offer again. Rush one dollar plus ten cents for packing
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and mailing in cash, checker money order to Giant Animals Box one seven three
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oh Grand Central Station, New York City. That's one dollar plus ten cents
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for each set with your name of address to Giant Animals, Box seventeen thirty
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Grand Central Station, New York City. Now here's our star to tell you
23:41
about tomorrow's episode of The Amy Bradshaw Matter. Tomorrow, a man steps out
23:47
of the stage, from out of the past and into a role he doesn't
23:49
want to play. Join us. Want you yours Truli Johnny dollar, yours
24:07
truly Johnny Doller starring Bob Bailey, is transcribed in Hollywood. Written by Robert
24:12
Wright, it is produced and directed by Jack Johnstone. Be sure to join
24:17
us tomorrow night at same time and station for the next exciting episode of Yours
24:22
Truly Johnny Doller, Roy Rowan speaking. Welcome to the Great Detectives of Old
24:52
Tom Radio from Boiseanaho. This is your host, Adam Graham. If you
24:57
have a comment, email to me Box thirteen at Great Detectives dot net,
25:03
follow us on Twitter at Radio Detectives, and become one of our friends on
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Facebook, Facebook dot com slash Radio Detectives. Before we do get started,
25:12
I want to remind you as you're making your summer for travel plans, a
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very simple way to support the great Detectives of Old Time Radio is going to
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Johnnydollar Air dot com. Johnny doollar air dot com is a Priceline affiliate,
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so you get all the advantages of price sign and I just ask that you
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check their first to be as you make your travel plans. If you find
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a good deal, then you're able to get that deal and part of your
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purchase goes to the Great Detectives of Old Time Radio. So remember when you're
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planning your travel, think Johnny doollarair dot com. First. Well, now
25:49
it's time to get into today's episode of Yours Truly, Johnny Dollar. This
25:55
one is the Amy Bradshaw matter. And know these have not been programs that
26:03
have had sponsors, They've been sustained. Well, now we get actual sponsors,
26:10
and so we will have commercials, which I know is a highlight for
26:14
many fans, but I'm not certain it'll be on this program. Anyway.
26:18
Let's take a listen to any branchhaw manor welcome back. Well, these have
26:27
to be some of my least favorite commercials. I did put in a note
26:33
to Andrew to have it because so that we only get a grand total of
26:38
two commercials in these half hour blocks. So when I heard the first time
26:47
that you may never hear this offer again, I was like, I wish
26:52
that were true, But I think we'll have this just for a couple of
26:56
weeks, so it's definitely part of a radio your history. All right,
27:00
Well, on the listener comments, some feedback those of your voice will Adam.
27:08
This is Lisa the prot I just finished listening to today's download and the
27:15
pronunciation of an of the composer is the l Tree Shaft to covid safta Covid.
27:22
Also, I have a quest. I wonder if you would consider changing
27:27
the order of the Friday podcast so that Johnny Dollar is first. You made
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the comment today that we had some control over how what order we listen to
27:38
things in, and so I do that, But every single week, would
27:41
I do if I fast forward to the middle of the podcast, listen to
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the Johnny Dollar and your comments, and then I have to rewind to the
27:51
beginning and listen to whatever the other thing is. I'm sure I'm not the
27:53
only one who can't wait to hear the Johnny Dollar. Sometimes I don't listen
27:57
to whatever the first thing was that you play, although I liked the most
28:03
recent one, whatever it was, I'm about a reporter, but I don't
28:06
even remember it because I'm just so desperate to get to the end of Johnny
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Dollar, because God, Cliffhanger has really got me a painting. I'm sure
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I'm not the only one in there, but I cannot listen to whatever the
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first thing as you're playing on Friday because I just want to hear what's happening
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to Johnny. Okay, thanks, so much. I really love your show.
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I've been a long time listener. Thanks again the fine all right,
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so let's go ahead. We have an email here or a voicemail. Let's
28:30
go ahead and take a listen to this voicemail mail