Latest / Movie Meltdown / 113.2: Raised on Promises...and Popcorn

Transcript

113.2: Raised on Promises...and Popcorn · Movie Meltdown

• 0:01
  Speaker 1: The following program is a proud member of the Palover
• 0:04
  Speaker 1: family of podcasts.
• 0:06
  Speaker 2: Check out all the shows over at palover.com.
• 0:08
  Speaker 3: That's P-A-L-A-V-E-R dot com.
• 0:12
  Speaker 4: The following feature has been rated R by the Motion
• 0:15
  Speaker 4: Picture Association of America. It is intended for mature audiences
• 0:18
  Speaker 4: and parental discretion is advised.
• 0:31
  Speaker 5: It's showtime, folks.
• 0:33
  Speaker 1: Enjoy the show. Ladies and gentlemen, prepare yourselves.
• 0:45
  Speaker 6: It's time for the third annual Movie Meltdown Oscar Mile Party.
• 0:54
  Speaker 7: Thank you very much, thank you very much.
• 1:19
  Speaker 5: Have you tried the popcorn yet?
• 1:20
  Speaker 8: Yes, I did.
• 1:22
  Speaker 1: Me and Aubrey all the time.
• 1:23
  Speaker 5: Good Lord, I'm getting full. Bacon popcorn. Bacon popcorn.
• 1:26
  Speaker 1: Bacon popcorn.
• 1:29
  Speaker 5: I made a little damn cookie.
• 1:31
  Speaker 1: Damn, you do like that. God damn, I can't have
• 1:33
  Speaker 1: enough of these fucking cookies. Here, you want another one?
• 1:38
  Speaker 5: No. I'm taking Wyoming all bad. The bacon is just
• 1:42
  Speaker 5: too confusing for me. The cookie itself is delicious, but
• 1:44
  Speaker 5: the bacon is throwing me off.
• 1:47
  Speaker 9: Microwave on high power for 1-4 minutes 1-4?
• 1:51
  Speaker 10: That's a huge fucking range in microwave.
• 1:54
  Speaker 11: Time it can burn in 3 seconds that's like an
• 1:59
  Speaker 11: insight table point of time we'll be there between 1
• 2:03
  Speaker 11: and 5 8.
• 2:04
  Speaker 1: O'clock in the morning and 10.30 at night you just
• 2:07
  Speaker 1: be there.
• 2:09
  Speaker 5: Sure what movie was Alec Baldwin in?
• 2:11
  Speaker 1: I think it's just because he's hosted before. What movie
• 2:14
  Speaker 1: has he.
• 2:14
  Speaker 5: Not been in?
• 2:16
  Speaker 1: Everybody loves Alan Baldwin at this point.
• 2:18
  Speaker 5: But was he in an Oscar nominated movie?
• 2:20
  Speaker 1: Except for his daughter. Yeah. Well, he did some fine parenting.
• 2:26
  Speaker 1: I don't know what.
• 2:27
  Speaker 11: You're talking about.
• 2:28
  Speaker 1: What did he call her? A fucking pig? That's fine parenting.
• 2:32
  Speaker 1: That's fine parenting. By the way, is Back to the
• 2:38
  Speaker 1: Future nominated this year? Because I might have missed something, but... Yeah.
• 2:43
  Speaker 1: You guys are just going crazy at this point. And
• 2:46
  Speaker 1: out of your way to work in a random movie. Hey,
• 2:48
  Speaker 1: aren't they going to redo this? Don't say that. No,
• 2:52
  Speaker 1: I thought I heard somewhere they were talking about... They
• 2:54
  Speaker 1: were talking about it a long time.
• 2:55
  Speaker 5: Ago, but.
• 2:56
  Speaker 1: I still think Zac Efron would be great as Marty.
• 2:58
  Speaker 12: Yeah.
• 2:59
  Speaker 1: Actually, yeah. I don't know if he can do the
• 3:04
  Speaker 1: Marnie thing, though. He's got at least the likable quality
• 3:08
  Speaker 1: of Michael J. Fox, but he might turn out to
• 3:11
  Speaker 1: be an Eric Stoltz.
• 3:12
  Speaker 6: Right.
• 3:13
  Speaker 1: We need to reshoot this shit. I've liked her.
• 3:18
  Speaker 5: Dresses the most out of anyone so far.
• 3:21
  Speaker 12: Oh, yeah, okay.
• 3:22
  Speaker 5: She had a red dress on earlier.
• 3:23
  Speaker 1: Are you right? She didn't smile. Ah, there we go.
• 3:32
  Speaker 1: There's the Meg out. Love that Joker. Love that Joker. Oh,
• 3:39
  Speaker 1: that head's full of.
• 3:42
  Speaker 12: Teeth.
• 3:42
  Speaker 5: As opposed to a mouth, that's not.
• 3:44
  Speaker 1: Her head is just all full of teeth.
• 3:47
  Speaker 5: I just want to put some on my plate. You
• 3:49
  Speaker 5: can see her wisdom teeth when she smiles. He just
• 3:52
  Speaker 5: looks so dirty all the time and greasy.
• 3:54
  Speaker 12: Like me.
• 3:55
  Speaker 5: Yeah, he does look greasy. He can't open his eyelids.
• 3:59
  Speaker 5: That's the problem.
• 4:00
  Speaker 1: It's called bacon pop. More than I needed.
• 4:17
  Speaker 5: I just want a tiny little bit. Wow.
• 4:20
  Speaker 1: This stuff tastes like... No, it smells like it was...
• 4:23
  Speaker 1: It smells like a campfire.
• 4:26
  Speaker 5: That's how we make it?
• 4:27
  Speaker 13: I know.
• 4:28
  Speaker 1: It smells like a campfire. Yeah, it does smell... It
• 4:30
  Speaker 1: does taste slightly worse.
• 4:32
  Speaker 6: Right.
• 4:34
  Speaker 1: It's not overpowering. No.
• 4:36
  Speaker 5: Bacon-aise.
• 4:38
  Speaker 1: What? Yep. Bacon-aise. Bacon ranch. Big insult.
• 4:46
  Speaker 5: Do you, like, direction?
• 4:49
  Speaker 1: No, it's different things you can buy. How come guys
• 4:50
  Speaker 1: always gotta wear tuxedos to these things? I don't get that.
• 4:53
  Speaker 1: You see a fucking sea of tuxedos, but the chicks
• 4:55
  Speaker 1: get to wear different dresses and shit. Why can't guys
• 4:57
  Speaker 1: wear different types of tuxedos?
• 4:58
  Speaker 5: I get to wear different tuxedos.
• 4:59
  Speaker 14: Huh?
• 4:59
  Speaker 5: I get to do different tuxedos.
• 5:01
  Speaker 1: They can wear tuxedos if they want. They did, actually.
• 5:04
  Speaker 1: It was Trey Parker who matched them. He wore the
• 5:07
  Speaker 1: Jennifer Lopez dress. And you'll notice you never saw that
• 5:11
  Speaker 1: on the episode.
• 5:11
  Speaker 5: No.
• 5:12
  Speaker 15: Really?
• 5:12
  Speaker 12: No.
• 5:13
  Speaker 1: Oh yeah they totally.
• 5:15
  Speaker 5: Cut them out they want to keep the Oscars classy.
• 5:18
  Speaker 1: I know but I was just like that's why I
• 5:20
  Speaker 1: wish they would have won that year because they couldn't
• 5:22
  Speaker 1: have taken it out like they cut them out of
• 5:24
  Speaker 1: all the red carpet stuff but I'm like if they
• 5:25
  Speaker 1: would have had to go on stage you guys would
• 5:28
  Speaker 1: have been fucked.
• 5:29
  Speaker 5: What year was that when they won for orgasm no.
• 5:32
  Speaker 16: They would have cut it out no that was for
• 5:33
  Speaker 16: South Park doesn't work yeah well I like the bacon
• 5:36
  Speaker 16: popcorn man it tastes pretty.
• 5:37
  Speaker 11: Good it's not bad yeah If I hadn't had so
• 5:41
  Speaker 11: much meat tonight, it probably would have been pretty good.
• 5:45
  Speaker 1: I want jalapeno popcorn. Okay, Selina. I made some the
• 5:49
  Speaker 1: other night. That's our pickle, actually.
• 5:52
  Speaker 5: He wouldn't use the pickle juice, but he did.
• 5:54
  Speaker 1: Do the hot sauce. No, I don't usually use the
• 5:56
  Speaker 1: pickle juice.
• 5:56
  Speaker 5: I use the hot sauce.
• 5:58
  Speaker 8: I should have got Ricky Gervais to toast this.
• 5:59
  Speaker 1: Wizard of Oz? Wizard of Oz was 39, so yeah.
• 6:07
  Speaker 5: Oh, is that what that movie is?
• 6:10
  Speaker 1: I don't know what it is. I don't know what
• 6:14
  Speaker 1: it is. I don't know what it is.
• 6:15
  Speaker 15: I think it's James Franco supposed to be playing the
• 6:18
  Speaker 15: wizard from what I hear now.
• 6:19
  Speaker 17: What?
• 6:19
  Speaker 5: Huh?
• 6:20
  Speaker 1: What are you talking about?
• 6:22
  Speaker 12: Wizard of Oz.
• 6:23
  Speaker 1: What about Wizard of Oz?
• 6:24
  Speaker 8: Franco's supposed to be playing the wizard.
• 6:26
  Speaker 1: They're remaking Wizard of Oz?
• 6:27
  Speaker 5: Yep.
• 6:28
  Speaker 1: What the fuck's all that shit?
• 6:31
  Speaker 18: What?
• 6:31
  Speaker 5: No, I'm kidding.
• 6:36
  Speaker 1: Nobody wants to see a Wizard of Oz remake.
• 6:38
  Speaker 5: What the fuck's up with that shit? It's going to
• 6:39
  Speaker 5: be terrible. As long as Tim Burton doesn't get it.
• 6:42
  Speaker 1: Oh, God. Oh, that would be bad.
• 6:44
  Speaker 5: I think he probably will, too.
• 6:45
  Speaker 1: I think one of the two, there's at least two
• 6:47
  Speaker 1: of them going right now. I think one of them
• 6:48
  Speaker 1: they were trying to get. Oh, you know Tim Burton
• 6:50
  Speaker 1: wants that so bad. He's got a heart on it
• 6:52
  Speaker 1: for that fucking movie. Johnny Depp would be the scarecrow.
• 6:54
  Speaker 8: Yeah.
• 6:54
  Speaker 5: No, I think he'd be the Tin Man. He'd be
• 7:01
  Speaker 5: every character.
• 7:02
  Speaker 1: Yeah, he'd be all three. He might be Dorothy.
• 7:05
  Speaker 5: He'd be a flying monkey.
• 7:07
  Speaker 1: No, he'd be a homewrecker. You were there, and you
• 7:10
  Speaker 1: were there.
• 7:11
  Speaker 5: Three at a time.
• 7:11
  Speaker 1: I know I'm 50, but I'm going to be Dorothy.
• 7:14
  Speaker 1: You thought Judy Garland was a stretch for a little girl.
• 7:17
  Speaker 1: Good Lord. Is that Yoda? The white Yoda.
• 7:25
  Speaker 5: The Yoda.
• 7:27
  Speaker 1: Wait, isn't that guy dead? I thought we already lost him.
• 7:33
  Speaker 1: Wasn't he in the montage last year? He came back.
• 7:38
  Speaker 1: That's impressive.
• 7:40
  Speaker 5: It's like his face is burned off in a fire.
• 7:44
  Speaker 1: You know, don't parade yourself out there if you can
• 7:46
  Speaker 1: barely do it. He's got dollsy Mary Loves.
• 7:50
  Speaker 5: I bet if that's what his earlobes look like, imagine
• 7:53
  Speaker 5: what his.
• 7:54
  Speaker 19: Balls look like.
• 7:58
  Speaker 1: Let's just leave it at that because I don't want
• 7:59
  Speaker 1: to find out. I just need myself in the balls.
• 8:03
  Speaker 1: That happens. So obviously, we are still here watching the
• 8:23
  Speaker 1: Oscars and making our snarky comments as always. So welcome
• 8:29
  Speaker 1: back to Movie Meltdown's Oscar Meltdown 3D. Once again, I
• 8:33
  Speaker 1: am Brian.
• 8:34
  Speaker 5: I am still Misty and still awesome.
• 8:36
  Speaker 8: I'm Jay.
• 8:38
  Speaker 1: I'm Greg and I'm slightly less awesome.
• 8:41
  Speaker 5: I've had more pork fries.
• 8:43
  Speaker 1: I'm greasier.
• 8:45
  Speaker 5: I'm Marlena and I'm sweating pork through my pores.
• 8:49
  Speaker 1: Oh, we just, you know, busted into the microwave popcorn
• 8:53
  Speaker 1: pork flavored. We've got our bacon flavored microwave popcorn and we're,
• 8:57
  Speaker 1: you know, we're ready to go. Bacon cookies. Bacon cookies and, yeah,
• 9:01
  Speaker 1: so it's, you know, it's a bacon festival as... Well,
• 9:04
  Speaker 1: as we expected going into this. It's a porcupalooza.
• 9:07
  Speaker 8: Do people still have their 3D glasses on?
• 9:10
  Speaker 1: Oh, you know. Don't take them off. They've had them
• 9:14
  Speaker 1: on a week. You've been going to work with them
• 9:16
  Speaker 1: on a week. You've been driving with them and people
• 9:19
  Speaker 1: are like, what the fuck are you doing? They told
• 9:21
  Speaker 1: me I couldn't take them off until the end of
• 9:23
  Speaker 1: the show. You can't name us in the police report
• 9:26
  Speaker 1: from the accident. There were voices in my head and
• 9:29
  Speaker 1: they said to wear these glasses.
• 9:30
  Speaker 6: So, yeah.
• 9:31
  Speaker 1: Please continue to wear your glasses throughout the rest of
• 9:34
  Speaker 1: this episode.
• 9:34
  Speaker 5: Forever.
• 9:35
  Speaker 1: And possibly forever. That's questionable.
• 9:38
  Speaker 6: It's time for Sofa Theater.
• 9:41
  Speaker 14: You know, I've always been known for showing you well,
• 9:45
  Speaker 14: lots of things. Anyway, I'm also famous for showing you
• 9:49
  Speaker 14: really bad movies. You know, the Cram de la Crap.
• 9:53
  Speaker 14: But today, I'm proud to present a film written and
• 9:56
  Speaker 14: directed by one of the greatest filmmakers of all time.
• 9:59
  Speaker 19: See if you can guess who it is. I'll make
• 10:01
  Speaker 19: him an offer he can't refuse.
• 10:03
  Speaker 5: Now, this is ridiculous.
• 10:05
  Speaker 1: No, no.
• 10:05
  Speaker 19: Okay, here's another one. I love the smell of napalm
• 10:08
  Speaker 19: in the morning.
• 10:09
  Speaker 5: You're all being ridiculous.
• 10:11
  Speaker 19: Well, excuse me, lady wet blanket. Okay, last clue. Fredo,
• 10:18
  Speaker 19: you broke my heart.
• 10:20
  Speaker 8: Come back.
• 10:21
  Speaker 12: Come back.
• 10:21
  Speaker 19: I'll tell you. It's Francis Ford Coppola. I am so excited.
• 10:27
  Speaker 19: I wonder which one of his classic hits we're going
• 10:29
  Speaker 19: to see tonight. The Godfather? Godfather 2? Apocalypse Now? Dementia 13?
• 10:36
  Speaker 1: Ah, yes.
• 10:37
  Speaker 20: That was a sad thing, that one.
• 10:41
  Speaker 18: Oh, yeah.
• 10:42
  Speaker 14: You're telling me. Boy, it was almost as bad as
• 10:44
  Speaker 14: The Godfather 3. I mean, even I have to draw
• 10:47
  Speaker 14: the line somewhere.
• 11:04
  Speaker 5: Alright, we're talking about the movie now.
• 11:06
  Speaker 1: Hush up, sir. What movie? Dementia 13. Oh, when I
• 11:09
  Speaker 1: slept through?
• 11:10
  Speaker 5: Yeah, I know. You were snoring like a crazy cat.
• 11:14
  Speaker 5: Hell yeah, I was fucking tired.
• 11:16
  Speaker 15: You stay up for days playing fucking Castlevania, but God
• 11:19
  Speaker 15: forbid you stay up for, according to my.
• 11:21
  Speaker 1: DVD cases, an hour.
• 11:22
  Speaker 17: Alright, so we are back with this week's Sova Theater.
• 11:28
  Speaker 17: This week's Oscar Meltdown edition of the Sova Theater, we
• 11:31
  Speaker 17: will be discussing Dementia 13.
• 11:34
  Speaker 1: The year is 1963. The director, Francis Ford Coppola. Misty,
• 11:39
  Speaker 1: do you prefer your back-of-the-box description?
• 11:42
  Speaker 8: I don't know.
• 11:43
  Speaker 1: This one, it's equally as lengthy and, I don't know,
• 11:47
  Speaker 1: go ahead and go for that one. You want me
• 11:49
  Speaker 1: to read mine?
• 11:50
  Speaker 8: Yeah.
• 11:50
  Speaker 5: Oh, I gotta read?
• 11:51
  Speaker 1: We're going with the ghetto, was it Big Lots, you said?
• 11:55
  Speaker 5: I'm pretty sure it's the Dollar Tree.
• 11:56
  Speaker 1: Oh, Dollar Tree, even better. This is obviously the highest
• 11:59
  Speaker 1: quality film.
• 12:00
  Speaker 5: So why is it, it tells you the movie's.
• 12:02
  Speaker 8: Only 60 minutes.
• 12:03
  Speaker 1: Which it's not, by the way.
• 12:05
  Speaker 5: It says this DVD is compatible with all DVD.
• 12:07
  Speaker 8: Players, though.
• 12:08
  Speaker 1: Good to know.
• 12:08
  Speaker 8: All right, are we ready for Dimension 13, the breakdown?
• 12:13
  Speaker 1: All right.
• 12:14
  Speaker 3: Each year, a dysfunctional woman, Lady Halloran, calls her family
• 12:18
  Speaker 3: together to mourn over the death of her young daughter, Kathleen,
• 12:23
  Speaker 3: who drowned in L.A.
• 12:24
  Speaker 8: Seven years earlier.
• 12:25
  Speaker 15: Meanwhile, this morbid ceremonial becomes problematic when a stranger begins
• 12:30
  Speaker 15: hacking family members one by one with an axe.
• 12:33
  Speaker 3: Follow this horror thriller as all the clues begin to
• 12:36
  Speaker 3: lead them to Kathleen's watery grave.
• 12:39
  Speaker 1: Dun dun dun.
• 12:40
  Speaker 5: Which one is the killer?
• 12:44
  Speaker 1: Oh, with that spoiler alert.
• 12:46
  Speaker 15: I'm pretty sure it wasn't her because when she's the
• 12:48
  Speaker 15: first one to die.
• 12:50
  Speaker 1: Now you really spoil it.
• 12:51
  Speaker 11: No, we know who the first one to die is
• 12:54
  Speaker 11: in the first five minutes of the movie.
• 12:56
  Speaker 5: Well, she's the second one to die.
• 12:59
  Speaker 1: Well, I just loved the opening.
• 13:02
  Speaker 11: I loved how He's dying, having a heart attack, and
• 13:07
  Speaker 11: he's laughing at her because she's not going to be
• 13:09
  Speaker 11: in the world. I was like, maybe this is going
• 13:11
  Speaker 11: to be a good movie. He's dying and laughing at
• 13:14
  Speaker 11: his wife for being a bitch. He's taunting her. It's like,
• 13:18
  Speaker 11: get me back. You're not going to get any money.
• 13:21
  Speaker 1: He's just playing with her as she's rowing a boat.
• 13:25
  Speaker 1: And it went down from there. For me, at least.
• 13:28
  Speaker 1: And that's the only movie that I watched.
• 13:30
  Speaker 16: So it was pretty good to you yeah it was
• 13:33
  Speaker 16: good for me I was awake.
• 13:35
  Speaker 1: For the very beginning and awake for the very end
• 13:39
  Speaker 1: she kept elbowing me I was really tired you.
• 13:42
  Speaker 8: Know You're exhausted from your many journeys in Pennsylvania.
• 13:45
  Speaker 1: What the hell is this?
• 13:47
  Speaker 3: He's going to break his little people arms off.
• 13:50
  Speaker 1: Who is this old guy? Isn't that Kirk?
• 13:54
  Speaker 20: It's Douglas.
• 13:54
  Speaker 15: Is it?
• 13:55
  Speaker 14: Yeah.
• 13:55
  Speaker 1: It looks like it used to be Kirk Douglas. He's
• 13:57
  Speaker 1: a decomposed Kirk Douglas. It's a shame because he was
• 14:00
  Speaker 1: awesome back in the day. Don't give it to Helen.
• 14:03
  Speaker 5: Helen O'Connor?
• 14:04
  Speaker 1: Oh my God.
• 14:05
  Speaker 5: Give it to the little girl. She's cute.
• 14:06
  Speaker 14: Yeah.
• 14:09
  Speaker 1: He probably can't even read it.
• 14:10
  Speaker 5: Oh, my God. You guys should hear him talk now.
• 14:14
  Speaker 1: God.
• 14:14
  Speaker 5: I can't even tell who it is.
• 14:16
  Speaker 1: Oh, Kirk Douglas got old.
• 14:20
  Speaker 5: A long time ago.
• 14:22
  Speaker 20: Yeah.
• 14:23
  Speaker 1: What?
• 14:23
  Speaker 8: I think he said.
• 14:25
  Speaker 7: Oh, yeah.
• 14:26
  Speaker 1: I thought he said Homewrecker. It's not Homewrecker or The
• 14:29
  Speaker 1: Little Girl, so whatever. Hey, all right.
• 14:31
  Speaker 5: Who's that lady? Is it from.
• 14:34
  Speaker 1: Yeah, from The Fighter. Yeah. From when I hear you
• 14:37
  Speaker 1: did a good job, but we've got a movie to
• 14:38
  Speaker 1: talk about soon. We don't watch real movies. We don't
• 14:41
  Speaker 1: watch real movies. We watch movies from 1963 about people
• 14:44
  Speaker 1: getting hacked up with an axe. All right. Yeah.
• 14:48
  Speaker 5: I didn't hate this movie.
• 14:49
  Speaker 8: I guess I don't know why I didn't hate this movie.
• 14:51
  Speaker 1: No, I really kind of liked it.
• 14:52
  Speaker 18: Did people hate it?
• 14:53
  Speaker 1: Because from what I saw... They hated it.
• 14:54
  Speaker 8: Oh, really?
• 14:55
  Speaker 1: There was a whole lot of it that I hated.
• 14:58
  Speaker 5: It's bad enough for Elvira to deem like... Worthy to
• 15:03
  Speaker 5: make fun of.
• 15:04
  Speaker 1: Yeah, based on our little intro there, Elvira's not thrilled
• 15:07
  Speaker 1: with it. For once, I kind of disagree with Elvira.
• 15:09
  Speaker 1: I didn't think it was that bad. I thought it
• 15:12
  Speaker 1: seemed like Make Me a Psycho. Okay, I was going
• 15:16
  Speaker 1: to ask that. Did anybody else get that on their own?
• 15:20
  Speaker 5: It seemed like that.
• 15:21
  Speaker 1: Because it was one of those, I got midway into it,
• 15:24
  Speaker 1: and I hadn't really, again, I knew of it for years,
• 15:27
  Speaker 1: and I was meant to watch it, but I hadn't
• 15:28
  Speaker 1: really watched it or seen much on it. And got
• 15:31
  Speaker 1: midway into it, and that's what I was... Like, it
• 15:34
  Speaker 1: just occurred to me all on my own, this is
• 15:36
  Speaker 1: kind of a psycho-like structure to the plot. And then
• 15:39
  Speaker 1: when I went online, it's like, just to get the
• 15:41
  Speaker 1: info on it, it was like, everybody was like, oh,
• 15:43
  Speaker 1: it's a psycho ripoff! And that's, like, all they talked about.
• 15:46
  Speaker 1: And I was like, well... I mean, I feel like.
• 15:48
  Speaker 12: I see that.
• 15:49
  Speaker 5: I can see that. I feel like if it were
• 15:50
  Speaker 5: going to be a psycho ripoff, it'd be a lot
• 15:52
  Speaker 5: closer to the plot of Psycho.
• 15:53
  Speaker 1: Yeah.
• 15:54
  Speaker 5: Because he was dressing up like his sister.
• 15:56
  Speaker 1: Yeah. Well, but see, you know, it's the mother... Is
• 15:59
  Speaker 1: the mother insane? It's this... There's a family problem.
• 16:02
  Speaker 11: There's the son that's, you know, the crazy one that
• 16:05
  Speaker 11: seemed like he might have had it put together. the
• 16:07
  Speaker 11: actress that dies, you think this is the lead actress
• 16:10
  Speaker 11: that dies halfway through the movie.
• 16:12
  Speaker 1: That's what I was thinking. And that's what did it
• 16:14
  Speaker 1: for me. That was like the structure of the story.
• 16:17
  Speaker 1: After that, it changes. But to me, yeah, that whole
• 16:19
  Speaker 1: first part, it starts off with this woman. She commits
• 16:23
  Speaker 1: this questionable act, not really evil in either of the stories.
• 16:27
  Speaker 1: I mean, she just makes a bad judgment call, basically.
• 16:30
  Speaker 1: And then she enters into this other situation where And
• 16:33
  Speaker 1: there she's kind of got to deal with other people
• 16:35
  Speaker 1: that somebody turns out to be even crazier, you know.
• 16:39
  Speaker 1: She enters into this weird, questionable situation, and then she
• 16:42
  Speaker 1: finds people that are, like, even more sinister than her,
• 16:45
  Speaker 1: and she becomes the victim. Spoiler alert. Mother's probably waiting.
• 16:48
  Speaker 5: Is Richard ready for the ceremony?
• 16:50
  Speaker 1: I don't know.
• 16:50
  Speaker 5: I think he's in his studio.
• 16:52
  Speaker 1: He said he had a sudden inspiration.
• 16:54
  Speaker 20: Something about wanting to finish a statue before.
• 16:57
  Speaker 1: All right, Simon, I've seen you. Come out of there now.
• 17:00
  Speaker 21: I give up.
• 17:03
  Speaker 2: You caught me fair and square, Master Billy. I give
• 17:05
  Speaker 2: me self up.
• 17:07
  Speaker 11: So, it's poaching again, are you, Simon?
• 17:10
  Speaker 20: Well, let me tell you, you just about scared the
• 17:12
  Speaker 20: wits out of poor Miss Kane here.
• 17:14
  Speaker 1: Shame on you, Simon.
• 17:15
  Speaker 22: Shame on you.
• 17:16
  Speaker 12: It was only old Bushy Taylor, Master.
• 17:19
  Speaker 5: Me a soul rot.
• 17:21
  Speaker 4: I swear by the shade of Finn the Cool, Master Billy,
• 17:24
  Speaker 4: I'm not poaching your legal game. No, it was only
• 17:27
  Speaker 4: that no-good rabbit-stealing fox what brings me here.
• 17:30
  Speaker 20: Please, Master Billy.
• 17:32
  Speaker 1: For the memory of your late great father, God rest
• 17:35
  Speaker 1: his soul.
• 17:36
  Speaker 13: Don't turn me over to the bulls.
• 17:38
  Speaker 16: They just spend so much time on... Since everybody else
• 17:43
  Speaker 16: sounds like they kind of liked it, things that bothered
• 17:45
  Speaker 16: me is they spent so much time on a short movie...
• 17:49
  Speaker 16: Like the hunter that was trying to figure out what
• 17:52
  Speaker 16: was in the woods.
• 17:53
  Speaker 5: There was a really bad Scottish or Ireland, whatever.
• 17:56
  Speaker 11: Right, Irish accent. First of all, no one in this
• 17:59
  Speaker 11: movie was Irish and they were supposed to be in Ireland.
• 18:02
  Speaker 11: That fucking bothered me. That's fun. You couldn't see anything.
• 18:07
  Speaker 11: I mean, I know it's produced by Roger Corman. But
• 18:11
  Speaker 11: you spent five minutes on this guy crawling through the
• 18:14
  Speaker 11: woods trying to figure out what this is. And it
• 18:17
  Speaker 11: really went nowhere. That whole scene, there was no reason
• 18:20
  Speaker 11: for it. Or the old man washing the car.
• 18:23
  Speaker 12: I don't know.
• 18:24
  Speaker 11: There was so much. I was like, is this filler?
• 18:26
  Speaker 11: Does somebody not know how to write? So, yeah, I
• 18:28
  Speaker 11: hated it.
• 18:30
  Speaker 15: Well, I'm pretty sure the only reason they shot it
• 18:33
  Speaker 15: there was because wasn't that where... Roger Corman was already
• 18:37
  Speaker 15: shooting a movie and he produced this one.
• 18:38
  Speaker 1: That's pretty much how most of his shoots went.
• 18:42
  Speaker 15: I forget what movie he was shooting at the time,
• 18:43
  Speaker 15: but he let Francis Ford Coppola use half of his cast.
• 18:46
  Speaker 15: So it's like in between breaks of the movie that.
• 18:49
  Speaker 1: Was it The Terror? Because both the guys on this
• 18:52
  Speaker 1: are also questionably credited as directing and or creating The Terror.
• 18:58
  Speaker 1: Which is another one of those that got shot because
• 19:01
  Speaker 1: they had three extra days on a set. And they
• 19:02
  Speaker 1: were just like, here, go to town. So... That's just
• 19:06
  Speaker 1: kind of how Corman operates, which... Yeah.
• 19:09
  Speaker 5: One thing I found interesting about this movie is that it's, like,
• 19:14
  Speaker 5: 75% internal monologue, which is just, like, not a lot
• 19:18
  Speaker 5: of movies do that, so it was very weird. And
• 19:20
  Speaker 5: it was interesting. It wasn't extremely fascinating in this movie's case, but,
• 19:26
  Speaker 5: I mean, I think in a different, better, more, like,
• 19:29
  Speaker 5: better written movie, it could be really... Her cleavage is
• 19:33
  Speaker 5: very distracting. Yeah, it is.
• 19:36
  Speaker 1: Wait, who is this? Is this a... It's like a... Oh, yeah, Mila.
• 19:39
  Speaker 5: It's a cruise ship kind of cleavage.
• 19:42
  Speaker 8: Cleavage is a cruise ship.
• 19:45
  Speaker 15: She's got big flower-shaped nipples trying to escape from her.
• 19:50
  Speaker 11: Like that that's What did they say on Signing Out Live?
• 20:04
  Speaker 11: I'm Mila Herkoudis.
• 20:07
  Speaker 8: Classy.
• 20:08
  Speaker 1: Yeah, it is classy. Right up our alley.
• 20:09
  Speaker 18: I'll pack the things he would have taken.
• 20:12
  Speaker 19: A suit.
• 20:13
  Speaker 1: Some shirts. I've finally rid of him.
• 20:17
  Speaker 18: I know I can handle his mother without him around.
• 20:22
  Speaker 18: I know I can handle his mother without him around.
• 20:27
  Speaker 18: She's half crazy anyway. I can get rid of her,
• 20:31
  Speaker 18: one way or the other. I'd better watch out for
• 20:34
  Speaker 18: his brothers, though. Especially the older one, Richard.
• 20:42
  Speaker 1: So, you're talking about the internal monologue on the blonde chick?
• 20:45
  Speaker 12: Everybody.
• 20:45
  Speaker 5: Even the mother has it.
• 20:46
  Speaker 1: See, that's what I was thinking. It's weird that it
• 20:49
  Speaker 1: jumps character. Usually you get that with one character throughout
• 20:53
  Speaker 1: the movie, or like a... faceless voiceover that kind of
• 20:57
  Speaker 1: wraps things up or something. But to be in the
• 21:00
  Speaker 1: head of different people in the same movie is kind
• 21:03
  Speaker 1: of weird, actually.
• 21:03
  Speaker 8: Right.
• 21:04
  Speaker 1: I don't think you ever get in the head of
• 21:06
  Speaker 1: the brothers. No. Yeah, just the women.
• 21:11
  Speaker 6: And the doctor, maybe?
• 21:12
  Speaker 1: I can't remember if the doctor. Yeah, he was... Usually
• 21:17
  Speaker 1: everybody likes him from what I've seen. He's like the
• 21:19
  Speaker 1: big name in it. I mean, he's also in Clockwork Orange.
• 21:23
  Speaker 1: So he's kind of their big star, I guess, if
• 21:25
  Speaker 1: you want to call it. I don't know. William Campbell
• 21:29
  Speaker 1: was in a lot of stuff, too.
• 21:31
  Speaker 19: Yeah, he.
• 21:33
  Speaker 1: I don't know. He did a little bit of overacting.
• 21:35
  Speaker 23: Yeah.
• 21:36
  Speaker 1: See, that's what I thought. Everybody really liked him. I
• 21:38
  Speaker 1: was like, he's kind of overselling this crazy doctor thing.
• 21:41
  Speaker 1: I really... Yeah, I like the brothers. I thought both
• 21:44
  Speaker 1: the brothers, especially the younger one. I think the younger
• 21:46
  Speaker 1: one definitely....
• 21:48
  Speaker 5: Billy.
• 21:49
  Speaker 1: Yeah, Billy is the sort of messed up kid.
• 21:52
  Speaker 8: See, I paid attention to you.
• 21:53
  Speaker 5: I said wait.
• 21:55
  Speaker 1: Oh, wait, wait. You can do that on movies? I
• 21:59
  Speaker 1: watch mine online.
• 22:01
  Speaker 11: You can watch it on YouTube. And I fell asleep
• 22:04
  Speaker 11: during the commercial. That's how tired I was. So, the
• 22:08
  Speaker 11: 15-second commercial.
• 22:09
  Speaker 1: Well, I don't know. I think what works... on this
• 22:13
  Speaker 1: is mostly, and maybe some of it stems from it
• 22:16
  Speaker 1: just being super low budget, but I think it almost
• 22:18
  Speaker 1: works to its advantage. Just again, it's an atmosphere thing.
• 22:22
  Speaker 1: I think it's kind of creepy. Some of it is
• 22:25
  Speaker 1: hard to see, but again, when you're dealing with the
• 22:27
  Speaker 1: limited budget that they were, that doesn't surprise me. And
• 22:29
  Speaker 1: a lot of night shoots, which is usually a bad
• 22:32
  Speaker 1: idea when you've got limited budget, but still, I think
• 22:35
  Speaker 1: it comes through as this really atmospheric kind of thing.
• 22:39
  Speaker 1: I think it, which works with, you know, the location and,
• 22:43
  Speaker 1: I think a lot of that is the visual stuff
• 22:46
  Speaker 1: is kind of what works. And I think you can
• 22:47
  Speaker 1: actually see it being Coppola. It's like you can actually see,
• 22:52
  Speaker 1: especially for this, it's, again, arguable whether this is his
• 22:55
  Speaker 1: first movie. This is certainly one of his first movies.
• 22:57
  Speaker 1: And for it to be this early in his career,
• 22:59
  Speaker 1: you can already see how well he can just stage shots.
• 23:03
  Speaker 1: I mean, just basic stuff like the way that he
• 23:05
  Speaker 1: sets up a scene or the way that he puts
• 23:07
  Speaker 1: things in frame is already kind of, pretty impressive for
• 23:10
  Speaker 1: somebody as early on as he was in his career.
• 23:13
  Speaker 1: It doesn't feel like somebody stumbling through a shoot. It
• 23:16
  Speaker 1: already feels like somebody who's at least done enough to
• 23:19
  Speaker 1: know basic setup, and on top of that has some
• 23:22
  Speaker 1: creative stuff along the way. Yeah, and that first scene
• 23:25
  Speaker 1: when he's On top of the dock.
• 23:27
  Speaker 5: Yeah.
• 23:28
  Speaker 11: That's what I was going to say. You know, there's
• 23:29
  Speaker 11: no other place. You know, why would you think to
• 23:31
  Speaker 11: shoot that up there?
• 23:32
  Speaker 14: Yeah.
• 23:32
  Speaker 1: That's a pretty good shot.
• 23:33
  Speaker 6: Yeah.
• 23:34
  Speaker 5: I had high hopes for the movie going into that. Yeah.
• 23:37
  Speaker 5: That's interesting.
• 23:38
  Speaker 11: And the underwater shots were ones that I did like.
• 23:42
  Speaker 11: Because you could see, you know, you're not going to
• 23:45
  Speaker 11: be able to see underwater at night. But you could
• 23:47
  Speaker 11: see enough and there was enough lighting there. other than
• 23:51
  Speaker 11: I couldn't figure out what she saw. That was my problem.
• 23:54
  Speaker 11: I was like, oh, there's this big reveal, big shock,
• 23:57
  Speaker 11: but you can't figure out what she's seen.
• 23:59
  Speaker 1: I kind of saw what it was, but I wasn't
• 24:02
  Speaker 1: sure if there was something else going on that she
• 24:04
  Speaker 1: was so freaked out by, which, as it turns out,
• 24:06
  Speaker 1: I guess not. They made it seem like there was,
• 24:09
  Speaker 1: the way they presented.
• 24:10
  Speaker 6: It, but.
• 24:11
  Speaker 1: That was one of the things I was going to mention, too,
• 24:13
  Speaker 1: is the fact that they had underwater shots. I mean,
• 24:16
  Speaker 1: in something this low budget, and again, being a director
• 24:19
  Speaker 1: who barely knows what the hell they're doing, I sure
• 24:22
  Speaker 1: as hell wouldn't want to be shooting underwater shots, especially
• 24:25
  Speaker 1: in my first movie.
• 24:27
  Speaker 12: I don't know.
• 24:27
  Speaker 5: She saw the girl under the water.
• 24:28
  Speaker 8: I thought that was why she got so freaked out.
• 24:30
  Speaker 5: Yeah, I think that's what it was.
• 24:31
  Speaker 15: Was it the girl?
• 24:31
  Speaker 1: Well, I mean, it's the tomb. It's her little headstone.
• 24:34
  Speaker 5: No, it's the tombstone, but I thought the doll looked
• 24:36
  Speaker 5: like the girl. I think so.
• 24:37
  Speaker 1: Yeah. I thought she saw the girl. Okay, that would
• 24:39
  Speaker 1: make more sense. But it was also kind of moving, too.
• 24:43
  Speaker 1: I think that was the water, but it kind of
• 24:45
  Speaker 1: looked very zombie-like that first time I saw it, which
• 24:48
  Speaker 1: matched her freaking out. It had a weird, creepy busting
• 24:53
  Speaker 1: on out of the tombstone there, so I don't know.
• 24:56
  Speaker 5: I wonder if Tom Petty liked this movie. There's a
• 25:00
  Speaker 5: line in it, in one of his songs.
• 25:04
  Speaker 1: What?
• 25:04
  Speaker 15: He was talking about the girl that they brought down,
• 25:06
  Speaker 15: and she's like, especially with an American girl, you can
• 25:09
  Speaker 15: tell she was raised on promises.
• 25:11
  Speaker 5: Yeah, I do.
• 25:12
  Speaker 1: Remember that now. Yeah, that's right. I thought it was
• 25:16
  Speaker 1: Last Dance with Mary Jean. That's all about a dead blonde.
• 25:19
  Speaker 5: Girl, isn't it?
• 25:20
  Speaker 1: Right. Maybe he took it. Maybe he loves this movie
• 25:23
  Speaker 1: and all of his songs are based on this movie.
• 25:25
  Speaker 5: That line was pretty much ripped right out of that movie.
• 25:28
  Speaker 14: Yeah, yeah.
• 25:29
  Speaker 8: So I'm a completely random thing.
• 25:31
  Speaker 11: She was just thinking on a higher level than we
• 25:34
  Speaker 11: are right now.
• 25:35
  Speaker 1: As I watched it, I'm like, oh my god! She
• 25:37
  Speaker 1: turned to me and goes... She goes, isn't that Tom Petty?
• 25:40
  Speaker 8: And I was like.
• 25:41
  Speaker 1: You're like, what? You're like....
• 25:45
  Speaker 5: I had to wake him up. I did that once.
• 25:47
  Speaker 5: I was watching Holy Mountain, and there's a comic that
• 25:50
  Speaker 5: they put out on one of the random pieces in
• 25:52
  Speaker 5: that movie, which is the whole movie, but it's called
• 25:54
  Speaker 5: Against the Peruvian Monster, and I started screaming, that's a
• 25:59
  Speaker 5: Man Man song! That's a Man Man song! No one
• 26:04
  Speaker 5: knew who Man Man was other than.
• 26:07
  Speaker 20: Me, so.
• 26:08
  Speaker 1: Where are we?
• 26:09
  Speaker 5: I was watching it at a friend's house. No one
• 26:12
  Speaker 5: knew who Man-Man was.
• 26:13
  Speaker 1: Man-Man's pretty cool.
• 26:14
  Speaker 5: I know. I've listened to a lot of their stuff. Yeah,
• 26:17
  Speaker 5: they're really good.
• 26:17
  Speaker 18: I like them.
• 26:18
  Speaker 19: All right.
• 26:19
  Speaker 5: Tom Petty liked this movie.
• 26:20
  Speaker 1: What else? Tom Petty liked this movie.
• 26:22
  Speaker 6: I have to be.
• 26:23
  Speaker 11: You know, another thing that bothered me, and this is
• 26:25
  Speaker 11: a really little thing, and this must be a budget thing,
• 26:28
  Speaker 11: but it described the ceremony that they have every year
• 26:32
  Speaker 11: for the Daughters. and the black umbrellas that they have
• 26:35
  Speaker 11: to have, and one of the fucking umbrellas is white,
• 26:38
  Speaker 11: I'm like, you know, really, if you're writing it into
• 26:41
  Speaker 11: the script that it has to be black umbrellas, at
• 26:44
  Speaker 11: least make it black.
• 26:45
  Speaker 1: And it's not like it was like 50 black umbrellas.
• 26:47
  Speaker 1: You only had to come up with three. Come on, Frances.
• 26:50
  Speaker 5: Borrow one from someone.
• 26:52
  Speaker 1: The part I was awake for, too, is.
• 26:55
  Speaker 5: Like she passes out. They know she's going.
• 26:57
  Speaker 19: To pass out.
• 26:58
  Speaker 1: They know she's going to pass out. Why do they
• 27:00
  Speaker 1: fucking pass out?
• 27:00
  Speaker 8: I'm like, surprise.
• 27:01
  Speaker 1: You have to catch her ass.
• 27:03
  Speaker 5: You have to catch her.
• 27:04
  Speaker 1: Because they're fucking tired of catching her. Every damn year
• 27:07
  Speaker 1: she passes out. Oh, there goes mom.
• 27:08
  Speaker 12: Overdramatic.
• 27:09
  Speaker 11: That's why she doesn't want to give them any money
• 27:11
  Speaker 11: from the will if they won't catch her ass.
• 27:12
  Speaker 1: They won't catch her.
• 27:13
  Speaker 5: Six years now.
• 27:14
  Speaker 1: Well, she's passed out. She doesn't know they're not catching her.
• 27:18
  Speaker 1: I caught you. I had to lay you on the ground.
• 27:20
  Speaker 1: I just kept, I saw it lead up to that
• 27:22
  Speaker 1: and I was like, wait for it. Wait for it.
• 27:24
  Speaker 12: Bam.
• 27:25
  Speaker 1: There she goes.
• 27:25
  Speaker 8: Yeah.
• 27:27
  Speaker 1: Oh, man.
• 27:28
  Speaker 8: Yeah.
• 27:29
  Speaker 1: And then I fell asleep.
• 27:30
  Speaker 15: And then I elbowed you and then I just gave,
• 27:32
  Speaker 15: I woke you up again when you started snoring.
• 27:34
  Speaker 3: I'm like, if you're not going to stay awake, can
• 27:36
  Speaker 3: you at least not fucking snore, Darian?
• 27:39
  Speaker 11: I also didn't like the cop out when he went
• 27:41
  Speaker 11: into town and they had one or two guys that
• 27:43
  Speaker 11: could actually sound like an Irish accent. And he goes, well,
• 27:46
  Speaker 11: that's you going to those American schools that you don't
• 27:48
  Speaker 11: sound Irish anymore.
• 27:49
  Speaker 3: I'm like, you don't.
• 27:51
  Speaker 1: Beat it out of you a little after a little education.
• 27:53
  Speaker 8: Once in a year, you still can't speak.
• 27:55
  Speaker 1: Yeah, sometimes.
• 27:56
  Speaker 11: I've heard better Irish accents than a used car salesman
• 28:00
  Speaker 11: on Channel 41 during St.
• 28:03
  Speaker 1: Paddy's Day. His accent was just, she even pointed out,
• 28:07
  Speaker 1: she was like, is he supposed to be Irish or Scottish?
• 28:10
  Speaker 5: His accent was as fake as his mustache.
• 28:12
  Speaker 1: It was Irish, right. Yeah.
• 28:15
  Speaker 5: His mustache was ridiculous, too.
• 28:18
  Speaker 8: Yeah.
• 28:19
  Speaker 5: The quarter vending machine.
• 28:20
  Speaker 1: Yeah. Oh, my mustache last week? That's true. This also
• 28:27
  Speaker 1: had some classy dialogue along the way. I was trying
• 28:31
  Speaker 1: to keep track of some of the really good ones. Like,
• 28:34
  Speaker 1: if you're going to be my wife, you'll be... Oh, yeah.
• 28:37
  Speaker 1: I wanted to remember that, even. It says, if you're
• 28:40
  Speaker 1: going to be my wife, you'll have to be one
• 28:42
  Speaker 1: of the trusty and silent type. Mm-hmm. Shut the fuck up, bitch.
• 28:46
  Speaker 1: That's right. Because she said, I thought you were going
• 28:48
  Speaker 1: to work today. You just shut up. I'll do what
• 28:51
  Speaker 1: I want.
• 28:52
  Speaker 5: Right.
• 28:52
  Speaker 1: And then, like the doctor, he told the woman to, like,
• 28:56
  Speaker 1: hurry up and get her lunch or whatever the fuck
• 28:59
  Speaker 1: he did. And then he said, or I wish five
• 29:00
  Speaker 1: years of spinsterhood on you. I was like, wow.
• 29:04
  Speaker 5: That was harsh.
• 29:06
  Speaker 14: Right.
• 29:06
  Speaker 1: Isn't it bad enough this chick's a maid?
• 29:08
  Speaker 5: You want to know what part pissed me off?
• 29:10
  Speaker 8: Oh, God. Alright, when the blonde.
• 29:13
  Speaker 5: Decides she wants to.
• 29:14
  Speaker 15: You know, fuck with people and she takes the little
• 29:16
  Speaker 15: dolls and she ties them to a wrench or whatever.
• 29:19
  Speaker 5: Why didn't she just throw them in the pond? Why
• 29:22
  Speaker 5: did she have to strip down?
• 29:24
  Speaker 1: I think you answered your question right there. Really, that's
• 29:27
  Speaker 1: just not practical.
• 29:28
  Speaker 8: Just, you know, get a wine and throw them. Like,
• 29:30
  Speaker 8: fling that shit in there.
• 29:32
  Speaker 1: Well, I thought she was trying to keep them underwater.
• 29:34
  Speaker 18: Now what?
• 29:34
  Speaker 8: She kind of tied them to a wrench. They're going
• 29:35
  Speaker 8: to sink anyway.
• 29:36
  Speaker 1: What killed me is the fact that they just magically
• 29:39
  Speaker 1: popped up at the right time when they were standing
• 29:40
  Speaker 1: on the dock.
• 29:41
  Speaker 5: They were tied in a rope.
• 29:44
  Speaker 1: She put something on the rope to eat through it,
• 29:47
  Speaker 1: whatever that was. Yeah, I was still trying to figure
• 29:49
  Speaker 1: out what she was doing there and how that was
• 29:51
  Speaker 1: going to work.
• 29:52
  Speaker 11: It was Coppola's first writing job, supposedly, so he.
• 29:57
  Speaker 1: Yeah. He's like, yeah, it's something that eats through it underwater.
• 30:01
  Speaker 1: It's a rope eater. You buy it at the hardware store.
• 30:03
  Speaker 11: And she timed it so it would pop up at
• 30:04
  Speaker 11: lunch that they were having out there the next day.
• 30:06
  Speaker 1: She planned all this out. She's an evil genius, I
• 30:08
  Speaker 1: tell you. Right, right.
• 30:09
  Speaker 8: But the fact that she had to strip down.
• 30:11
  Speaker 1: Well, yeah. Once again, I mean, this is a B-movie.
• 30:14
  Speaker 1: They knew what they were bringing in. Her underpants changed colors.
• 30:17
  Speaker 1: I did notice when she got in the water. I
• 30:19
  Speaker 1: was like, now her panties don't match her bra. They
• 30:23
  Speaker 1: were hyper-colored. They were hyper-colored. Nice.
• 30:28
  Speaker 5: I don't ever notice things like that. I don't, I
• 30:30
  Speaker 5: didn't notice the, the white umbrella or her black to white.
• 30:33
  Speaker 1: How about the, how about the boom mic dipping into
• 30:35
  Speaker 1: the scene?
• 30:37
  Speaker 5: See, I didn't either.
• 30:38
  Speaker 12: That's the thing.
• 30:39
  Speaker 1: I was like, you know, I don't notice that a
• 30:40
  Speaker 1: lot of the time, but then, you know, we, we
• 30:42
  Speaker 1: also had a copy of the Elvira version where she
• 30:45
  Speaker 1: stops to point out the fact that the boom mic
• 30:47
  Speaker 1: comes crashing on into the scene.
• 30:49
  Speaker 5: I don't ever notice things like that. Like for instance,
• 30:51
  Speaker 5: the other day, um, I was at work and Indiana
• 30:54
  Speaker 5: Jones happened to be on the TV.
• 30:56
  Speaker 1: Which one?
• 30:57
  Speaker 5: Uh, Temple of Duma thing. Alright.
• 30:59
  Speaker 1: That's Indiana Jones.
• 31:00
  Speaker 5: When's the new one or anything like that? And... Someone
• 31:04
  Speaker 5: at the bar yells, monkey penis!
• 31:08
  Speaker 1: And made us rewind. This wasn't you?
• 31:10
  Speaker 5: No, it wasn't me. Made us rewind it and put
• 31:13
  Speaker 5: it in slow motion so you could see the little
• 31:15
  Speaker 5: tip of the monkey's penis. And everyone was chanting, monkey penis!
• 31:19
  Speaker 5: Monkey penis!
• 31:20
  Speaker 1: It was really weird. Yeah, I'm staying away from your word.
• 31:25
  Speaker 1: That was the special moment. Oh, God. What kind of
• 31:31
  Speaker 1: pasta do you work that into?
• 31:32
  Speaker 11: What's up with Marky Mark and Hugh Jackman?
• 31:40
  Speaker 18: Wow.
• 31:42
  Speaker 1: Lord. So, I don't know. I still think it's shot
• 31:46
  Speaker 1: pretty well. I think the shots of the creepy toys,
• 31:50
  Speaker 1: that was like foggy. The monkey with the axe. That
• 31:53
  Speaker 1: was the creepiest part.
• 31:55
  Speaker 5: That's what made me think of Alfred Hitchcock. That's the
• 31:57
  Speaker 5: first part that I realized that when he's like, hitting
• 32:00
  Speaker 5: the axe, and it's going, dun, dun, you know, the
• 32:04
  Speaker 5: music is falling in line with this.
• 32:06
  Speaker 11: Some of the, some of the soundtrack was very cliche,
• 32:09
  Speaker 11: and I mean, you could tell, it's like, okay, give
• 32:11
  Speaker 11: it your horror soundtrack, and, you know, from the back,
• 32:14
  Speaker 11: in the background, maybe it's cliche, since it's been so long,
• 32:18
  Speaker 11: but it sounded like, the spooky parts of Scooby-Doo, you know,
• 32:22
  Speaker 11: and I, You know, it's the creepy old castle.
• 32:26
  Speaker 1: Yeah.
• 32:27
  Speaker 5: Exactly.
• 32:29
  Speaker 6: So.
• 32:30
  Speaker 1: What was the room?
• 32:32
  Speaker 11: I mean, the kids' room that she had to crawl
• 32:34
  Speaker 11: up into.
• 32:35
  Speaker 1: What was that about? There were a.
• 32:37
  Speaker 5: Couple rooms like that. When she went and saw her.
• 32:40
  Speaker 15: when the one girl followed her husband after remember when
• 32:43
  Speaker 15: he started yelling at her.
• 32:44
  Speaker 24: You weren't supposed to follow me yeah i don't know
• 32:49
  Speaker 24: what that one the other one i thought she was
• 32:50
  Speaker 24: like in the attic getting the stuff but yeah the
• 32:53
  Speaker 24: other one i and then like why are they standing
• 32:55
  Speaker 24: there but they don't notice that right the body laying
• 32:59
  Speaker 24: there because if it's the first setup again they're doing
• 33:01
  Speaker 24: the fake out so you almost think they're part of
• 33:04
  Speaker 24: it and they know that she's there but then going
• 33:06
  Speaker 24: back and watch it i'm like They're standing right next
• 33:08
  Speaker 24: to her.
• 33:09
  Speaker 1: It's not even like there's anything blocking it. There's like
• 33:11
  Speaker 1: sheets and stuff thrown around there, but it's not like
• 33:13
  Speaker 1: there's a wall. It's pretty much within view of where
• 33:16
  Speaker 1: they're standing, but they don't notice this dead girl laying there.
• 33:19
  Speaker 5: I guess they just happen to not look to their left.
• 33:21
  Speaker 6: I guess.
• 33:22
  Speaker 1: Once again, there's a lot of convenient situations that pop
• 33:25
  Speaker 1: up in this movie, but I don't know. I still
• 33:28
  Speaker 1: think it's pretty entertaining for what it is. I think
• 33:31
  Speaker 1: it definitely, I mean, a lot of people say it is, again,
• 33:35
  Speaker 1: they talk about it constantly ripping off Hitchcock, There's also
• 33:38
  Speaker 1: a lot of William Castle-esque stuff that they sort of
• 33:41
  Speaker 1: steal from. But to me, it's like you've got... How
• 33:45
  Speaker 1: can you really lose out on this? Because you've got
• 33:48
  Speaker 1: not only Coppola directing it, but it's produced by Roger
• 33:51
  Speaker 1: Corman and the assistant and arguably co-creator of this is
• 33:56
  Speaker 1: Jack Hill. So, I mean, you're going in with this
• 33:58
  Speaker 1: drive-in movie dream team here. So it's like, really, you've
• 34:02
  Speaker 1: got to come out with something that's at least pretty fun.
• 34:04
  Speaker 1: And I felt like it was. I mean, it's... it's
• 34:07
  Speaker 1: definitely a lot, you know, the first half is pretty
• 34:10
  Speaker 1: familiar again, especially three years after psycho. But I think
• 34:14
  Speaker 1: that second half, it sort of comes into its own.
• 34:16
  Speaker 1: And I think it really does sort of do its
• 34:19
  Speaker 1: own thing at that point. I mean, I can see,
• 34:22
  Speaker 1: I mean, Roger Corman was always one that was like,
• 34:24
  Speaker 1: you know, he knew what he was doing at that point.
• 34:27
  Speaker 1: It's like, he was definitely not much like the William
• 34:29
  Speaker 1: Castle setup. It's like, You can base it on a gimmick.
• 34:32
  Speaker 1: You can go with a poster shot or just a
• 34:35
  Speaker 1: concept of something, and then you base the whole movie
• 34:37
  Speaker 1: around that. But I think what usually put him above–
• 34:40
  Speaker 1: and William Castle made some fun movies. But what I
• 34:42
  Speaker 1: think Roger Corman would actually then give somebody who had
• 34:46
  Speaker 1: a little talent the reins and let them do something
• 34:49
  Speaker 1: creative with it. And I think this one still has
• 34:52
  Speaker 1: a lot of creative shots to it. I think the
• 34:54
  Speaker 1: last half of the plot– It has moments where it's confusing,
• 34:58
  Speaker 1: but I think in the parts that you do kind
• 35:00
  Speaker 1: of piece together, it's still a little more original, or
• 35:03
  Speaker 1: at least at the time, I could say. Once you
• 35:05
  Speaker 1: get away from the stuff that is stole, the last
• 35:07
  Speaker 1: half of it, the wrap-up of it, is something I
• 35:09
  Speaker 1: don't remember seeing a lot of times at that point.
• 35:13
  Speaker 11: I'm not going to completely panic, because there were moments
• 35:15
  Speaker 11: where I was like, okay, I do want to know
• 35:17
  Speaker 11: who it is.
• 35:18
  Speaker 1: I had a feeling that it was the younger brother, but.
• 35:21
  Speaker 6: Sorry.
• 35:22
  Speaker 13: We already.
• 35:22
  Speaker 1: Totally spoiled. I was just going to go there anyway. Because,
• 35:25
  Speaker 1: I mean, it really is like... They do set it
• 35:28
  Speaker 1: up where... I mean... because that's the thing everybody uh
• 35:31
  Speaker 1: in you know reading stuff online everybody's like oh they
• 35:34
  Speaker 1: set it up like it's gonna be the doctor i
• 35:36
  Speaker 1: never for a minute thought it was too obvious that
• 35:38
  Speaker 1: it was gonna be the doctor it was well i
• 35:40
  Speaker 1: mean even in the setup i was like it's got
• 35:41
  Speaker 1: to be one of the brothers you know and and
• 35:44
  Speaker 1: the way they shot it almost made it look like
• 35:46
  Speaker 1: the older brother the whole time so i'm like well
• 35:48
  Speaker 1: they're almost setting it up too easy for it to
• 35:50
  Speaker 1: be right and then he was kind of aggressive and
• 35:52
  Speaker 1: yeah he was aggressive and then they set that thing
• 35:54
  Speaker 1: up the shot of him and her and they're like
• 35:57
  Speaker 1: they'll you know never stop us now and so they
• 35:59
  Speaker 1: really are red herring you on this like older brother
• 36:02
  Speaker 1: so I'm like well I guess then it's probably gonna
• 36:04
  Speaker 1: be the younger brother right you rip off the mask
• 36:06
  Speaker 1: and it's you know yeah the younger brother by then
• 36:09
  Speaker 1: it's not really a shot you crazy kid you know
• 36:13
  Speaker 1: I would've got away with it too yeah.
• 36:15
  Speaker 5: Um See, one thing, I mean, I kind of stopped
• 36:18
  Speaker 5: paying attention towards the end of the movie. Or towards
• 36:21
  Speaker 5: the middle of the movie.
• 36:22
  Speaker 1: Especially since you reviewed it. Yeah.
• 36:25
  Speaker 5: And did it ever matter that the first brother died?
• 36:30
  Speaker 5: Did anyone ever notice or care about that?
• 36:32
  Speaker 14: No.
• 36:33
  Speaker 5: No.
• 36:33
  Speaker 1: It doesn't even come up.
• 36:35
  Speaker 5: That's what I was saying. That's weird that it was
• 36:38
  Speaker 5: such an integral part at the beginning of the movie
• 36:40
  Speaker 5: and you think that's going to lead to something that's
• 36:42
  Speaker 5: going to be this huge part of the plot, but no.
• 36:45
  Speaker 5: Even when they drain the lake, they don't find it,
• 36:47
  Speaker 5: do they?
• 36:47
  Speaker 8: No.
• 36:48
  Speaker 1: They've been eaten by fishes by then.
• 36:49
  Speaker 5: It was only like a day or two.
• 36:50
  Speaker 1: Was it that lake?
• 36:51
  Speaker 5: I thought it was somewhere else and she drove.
• 36:56
  Speaker 1: Or was it even in America? I was thinking that
• 36:59
  Speaker 1: she went to Ireland to be with his family.
• 37:01
  Speaker 5: See, that's what.
• 37:02
  Speaker 1: It said online, and it looks like... I was confused.
• 37:07
  Speaker 11: It looks like she was already visiting, because she even
• 37:09
  Speaker 11: says he had to leave. Almost like she's there, and
• 37:13
  Speaker 11: she says, so I'm going to stay for a while
• 37:16
  Speaker 11: since he had to leave.
• 37:17
  Speaker 1: This definitely has some confusing plot points along the way, Francis.
• 37:22
  Speaker 1: But I don't know. I think it's still... Definitely just
• 37:27
  Speaker 1: kind of creepy and atmospheric. And if you like movies
• 37:30
  Speaker 1: of this era, it's a lot slower paced than most
• 37:33
  Speaker 1: horror movies. Again, it's 1963. So there you go. And
• 37:36
  Speaker 1: there's no budget. But again, I think them trying to
• 37:40
  Speaker 1: play on that schlocky drive-in movie crowd, they also upped
• 37:43
  Speaker 1: the gore and horror as much as they could for 1963.
• 37:46
  Speaker 1: I mean, we do get a beheading in it. That's true.
• 37:51
  Speaker 1: A very clean beheading. Yeah. And just a And just
• 37:56
  Speaker 1: merciless axing that we really don't see. But he's just
• 37:59
  Speaker 1: wailing on her by the water there. Then she doesn't
• 38:03
  Speaker 1: seem to be all that messed up as he drags
• 38:04
  Speaker 1: her off. Right, she had a little bit of blood
• 38:06
  Speaker 1: on her shoulder. But that's still a creepy scene. That
• 38:08
  Speaker 1: shot of him picking her up and dragging her. Well,
• 38:11
  Speaker 1: her hands on the shore. Sorry to interrupt you.
• 38:14
  Speaker 5: Oh, it's okay.
• 38:15
  Speaker 8: Go ahead.
• 38:16
  Speaker 1: Her hands on the shore, muddy and reaching for it.
• 38:18
  Speaker 1: That was a good shot.
• 38:19
  Speaker 18: Yeah.
• 38:19
  Speaker 1: So, I mean, there's definitely a lot of redeeming qualities
• 38:22
  Speaker 1: to this movie. It's far from perfect, but... You know,
• 38:26
  Speaker 1: it's right out of the gate for Coppola, so, you know.
• 38:29
  Speaker 5: My favorite part of the whole movie, I think, and
• 38:30
  Speaker 5: this is probably really strange, but when he's dragging her
• 38:33
  Speaker 5: dead body through the woods, it was just so, like, realistic. Like,
• 38:38
  Speaker 5: normally when someone's being dragged, you can tell they're still alive,
• 38:41
  Speaker 5: but she was just so limp and so dead-looking. And
• 38:45
  Speaker 5: at that moment, I was like, wow, she's a pretty
• 38:46
  Speaker 5: good actress, you know?
• 38:48
  Speaker 1: Or they killed her. Or they really did. Or she
• 38:50
  Speaker 1: was on a lot of drugs. It was the 60s.
• 38:52
  Speaker 13: Yeah.
• 38:55
  Speaker 1: I think if nothing else, my favorite part probably was
• 38:58
  Speaker 1: just the use of this term, or this phrase, and
• 39:01
  Speaker 1: I really, if nothing else, hope that, you know, much
• 39:04
  Speaker 1: like the hunter out there, this becomes my goal in life.
• 39:07
  Speaker 1: Track down old bushy tail. That's right. And they don't
• 39:11
  Speaker 1: believe there's a bushy tail. I don't know why that
• 39:13
  Speaker 1: struck me so funny. Old bushy tail. Oh, I don't know.
• 39:18
  Speaker 6: Yeah, that was a dumb.
• 39:19
  Speaker 1: That was what... It was pointless. I didn't... They pretended
• 39:24
  Speaker 1: like he was an old man, He was 30, probably,
• 39:28
  Speaker 1: with a mustache. He's been here for years. He's the
• 39:32
  Speaker 1: last man in Ireland that still... No, he's not. No.
• 39:36
  Speaker 1: He doesn't have an Irish accent. I don't know. That's okay.
• 39:41
  Speaker 1: Maybe it was late and I was tired.
• 39:42
  Speaker 11: That might have been the reason why I really didn't
• 39:44
  Speaker 11: like it.
• 39:45
  Speaker 1: I don't know. I ended up liking it a lot
• 39:47
  Speaker 1: more than I thought. I figured it was going to
• 39:49
  Speaker 1: be super cheap, and I was afraid it wasn't even
• 39:51
  Speaker 1: going to have enough plot to piece something together going
• 39:54
  Speaker 1: into it. So the fact that it did have some
• 39:57
  Speaker 1: redeeming qualities, and definitely visually it's got a lot to offer,
• 40:00
  Speaker 1: that yeah, I ended up liking it a lot more
• 40:03
  Speaker 1: than kind of expected going in.
• 40:05
  Speaker 5: Wait, why was it called DaVinci 13?
• 40:07
  Speaker 1: That's arguable. Technically, it was just going to be Dementia,
• 40:11
  Speaker 1: and then there was already a movie called Dementia, so
• 40:13
  Speaker 1: they had to slap something on there so they could
• 40:15
  Speaker 1: call it that. I don't know. Unlucky 13. There's not
• 40:19
  Speaker 1: really any reason. I mean, Dementia, I guess you can
• 40:21
  Speaker 1: come up with some craziness, but, you know. 13, it
• 40:25
  Speaker 1: just got slapped on there so they could have a
• 40:26
  Speaker 1: title and not get into legal trouble or not be
• 40:30
  Speaker 1: able to distribute it. Yeah, you know, stuff like that.
• 40:32
  Speaker 1: Just like a letter in Part 6. There you go.
• 40:35
  Speaker 1: A letter in Part 6. Man, I hated part 12.
• 40:39
  Speaker 1: Dementia 12 sucked.
• 40:47
  Speaker 5: I think there's a dessert.
• 40:47
  Speaker 1: There's still dessert. What is it? Pork pie. Mincemeat pie.
• 40:54
  Speaker 1: It's like mincemeat, but it's barbecued pulled pork.
• 40:58
  Speaker 5: Should we go ahead and leave before dessert? Yeah.
• 41:01
  Speaker 1: Finally, no pastry crack for you. Too bad. You said
• 41:06
  Speaker 1: you don't want any. More for us.
• 41:07
  Speaker 5: I want pastry crack.
• 41:08
  Speaker 1: I really want pastry crack. Alright, so that pretty much
• 41:14
  Speaker 1: rounds out Dementia 13. So, we will take a break
• 41:17
  Speaker 1: here and come back with dessert, pastry crack, and the
• 41:19
  Speaker 1: rest of the show. I listened to pastry crack last year.
• 41:24
  Speaker 1: I don't even know what it is. I don't know
• 41:25
  Speaker 1: what it is.
• 41:31
  Speaker 7: Sweet Kathleen, the match of the day.
• 41:34
  Speaker 12: Sweet Kathleen, the match.
• 41:35
  Speaker 1: Of the day.
• 41:36
  Speaker 5: No.
• 41:38
  Speaker 12: Axe murderer.
• 41:39
  Speaker 8: No.
• 41:40
  Speaker 12: Axe murderer.
• 41:41
  Speaker 18: No.
• 41:41
  Speaker 1: Axe murderer. Conrad, Conrad.
• 41:45
  Speaker 12: Yeah, I heard.
• 41:47
  Speaker 1: You drown in the pond.
• 41:50
  Speaker 12: Yeah, I heard you.
• 41:51
  Speaker 7: Drown in the pond.
• 41:53
  Speaker 5: Sweet Kathleen, the match of the day.
• 41:55
  Speaker 7: Sweet Kathleen, the match of the day.
• 41:58
  Speaker 8: No.
• 41:59
  Speaker 18: Axe murderer.
• 42:23
  Speaker 19: Popcorn freshly popped and buttered.
• 42:26
  Speaker 12: Look good? Sure, it looks good and it tastes even better.
• 42:30
  Speaker 5: Get some now. 3D.
• 42:35
  Speaker 4: The movie fantasy of yesterday is now the terrifying film
• 42:38
  Speaker 4: experience of the future. For technical reasons, the preview you
• 42:42
  Speaker 4: are about to see is not three-dimensional. Be assured, Parasite
• 42:48
  Speaker 4: is the most gripping and frightening movie you will ever see.
• 42:51
  Speaker 4: And in 3D, you will be part of the terror.
• 42:56
  Speaker 4: You are about to witness the future.
• 42:58
  Speaker 15: Be warned.
• 42:59
  Speaker 4: It is a shocking sight. 3D, the ultimate sensation of
• 43:04
  Speaker 4: visual art, now creates the newest, most terrifying form of fear, parasite.
• 43:11
  Speaker 4: That thing on your stomach.
• 43:13
  Speaker 6: A new strain of parasite.
• 43:15
  Speaker 3: When it reproduces, it will cast millions of microscopic spores
• 43:19
  Speaker 3: into the air.
• 43:20
  Speaker 12: Just move your legs towards me real slow. Real slow.
• 43:26
  Speaker 4: Experience the living, breathing, terrifying vision of modern 3D.
• 43:32
  Speaker 1: Parasite.
• 43:34
  Speaker 4: You have only seen the preview. In 3D, you will
• 43:38
  Speaker 4: live the film. Parasite. The first futuristic monster movie in 3D. Parasite.
• 43:49
  Speaker 2: Choosing a family movie is tough. It seems like all
• 43:51
  Speaker 2: Hollywood can do is make mindless drivel that rots kids' brains.
• 43:55
  Speaker 2: Who wants to see a movie like.
• 43:56
  Speaker 25: What my dad watched when he was a kid. Those
• 43:59
  Speaker 25: films are so boring and the special effects are horrible.
• 44:02
  Speaker 25: The movies he grew up with are.
• 44:04
  Speaker 5: Sometimes a big surprise.
• 44:05
  Speaker 3: I at times feel uncomfortable watching movies I loved when
• 44:09
  Speaker 3: I was younger with my own kids because I forgot
• 44:11
  Speaker 3: how much cursing, sex, and violence they showed back then.
• 44:14
  Speaker 25: All we want to do is watch a fun movie
• 44:16
  Speaker 25: that we all like.
• 44:17
  Speaker 2: That's why we created Family Movie Night. A podcast where
• 44:21
  Speaker 2: we review movies from an adult perspective.
• 44:24
  Speaker 25: And from a kid's perspective.
• 44:25
  Speaker 2: So you can find movies for your whole family to enjoy.
• 44:28
  Speaker 25: We review new movies.
• 44:30
  Speaker 5: Old childhood favorites.
• 44:32
  Speaker 2: Cult and foreign films.
• 44:33
  Speaker 25: And Godzilla. So check out Family Movie Night on the
• 44:37
  Speaker 25: web at fmnpodcast.com or find us on iTunes.
• 44:40
  Speaker 7: Bye.
• 44:41
  Speaker 12: Sweet dreams.
• 44:49
  Speaker 20: This is John Wilson, the creator of the Razzie Awards,
• 45:03
  Speaker 20: and you're listening to Movie Meltdown.
• 45:12
  Speaker 12: It's part of your problem, you know.
• 45:17
  Speaker 2: You haven't seen enough movies.
• 45:19
  Speaker 13: All of life's riddles are answered in the movies.
• 45:23
  Speaker 4: And now, on with the show.
• 45:37
  Speaker 13: Matinees, watching all the movies What a year 2010 has
• 45:46
  Speaker 13: been Got to see Mark Wahlberg as a fighter Christian
• 45:53
  Speaker 13: Bale so thin Who can dream, having seen Inception.
• 46:02
  Speaker 1: Only wish it had been 3D What was this for?
• 46:09
  Speaker 1: I don't know. I still haven't seen that movie. My
• 46:12
  Speaker 1: kid loves that fucking movie. I just can't take her
• 46:15
  Speaker 1: big fucking head. I don't want to look at it
• 46:17
  Speaker 1: for however long she's on screen. Every head is really
• 46:21
  Speaker 1: that big. It's like Colin Quinn.
• 46:26
  Speaker 8: He died.
• 46:28
  Speaker 1: Colin Quinn died?
• 46:29
  Speaker 5: A couple years ago, didn't he?
• 46:31
  Speaker 8: Really?
• 46:31
  Speaker 12: That's sad.
• 46:32
  Speaker 5: He does look like Colin Quinn, though. Maybe I'm thinking
• 46:34
  Speaker 5: of somebody else. Is he the MTV guy?
• 46:36
  Speaker 1: No, that's Ken Ober. Ken Ober died, wasn't it?
• 46:39
  Speaker 5: He was on Who's Line Is It Anyway.
• 46:41
  Speaker 1: You're thinking of Colin Lockery. No, I'm talking about Colin Quinn,
• 46:44
  Speaker 1: Saturday Night Live.
• 46:46
  Speaker 26: Oh, yeah.
• 46:46
  Speaker 1: Remote control. Remote control, exactly. He was a stand-up, and yeah,
• 46:50
  Speaker 1: as far as I know, he's still alive.
• 46:51
  Speaker 8: No, the remote control guy.
• 46:52
  Speaker 5: I thought he died.
• 46:53
  Speaker 1: Ken Ober died.
• 46:53
  Speaker 14: The host.
• 46:54
  Speaker 12: Yeah.
• 46:54
  Speaker 13: Yeah.
• 46:56
  Speaker 1: He died, which that did suck. I was confused.
• 46:58
  Speaker 5: I'm sorry.
• 46:59
  Speaker 1: It's okay. But Kari's okay. Thank God. As long as
• 47:03
  Speaker 1: Kari's okay.
• 47:06
  Speaker 5: Who?
• 47:06
  Speaker 1: The second female dancer. Kari were, yeah. I was a
• 47:10
  Speaker 1: little more partial to Marisol.
• 47:12
  Speaker 8: I don't know.
• 47:13
  Speaker 1: Marisol was so goth. She was gonna be goth one day.
• 47:18
  Speaker 1: She seemed like a square, really.
• 47:20
  Speaker 24: Really?
• 47:20
  Speaker 1: I thought she was like, yeah, I could... my hair
• 47:23
  Speaker 1: that's just because she's a slacker it was everybody in
• 47:26
  Speaker 1: MTV at that point I guess so and forever really
• 47:31
  Speaker 1: how's Lisa Marie doing I wonder she got a really
• 47:35
  Speaker 1: cool husband yeah join the convention next month you can
• 47:38
  Speaker 1: ask her I will.
• 47:39
  Speaker 10: Because you know what I think she's pretty hot I
• 47:42
  Speaker 10: think she's pretty awesome what I'm just saying I think
• 47:47
  Speaker 10: she's awesome I don't understand why Tim Burton I mean
• 47:49
  Speaker 10: they seem like a pretty decent couple.
• 47:50
  Speaker 1: Together but you know whatever She should punch.
• 47:53
  Speaker 5: Homewrecker!
• 47:55
  Speaker 1: Yeah, she should get a fight.
• 47:57
  Speaker 8: Homewrecker's ugly. Okay.
• 47:59
  Speaker 5: Fight him.
• 48:00
  Speaker 1: Bust her up. Yeah. What was this for? Yay! Who won?
• 48:09
  Speaker 1: Inception won, it looks like.
• 48:11
  Speaker 8: Hey!
• 48:11
  Speaker 1: Classes don't do you any good when they're on top
• 48:13
  Speaker 1: of your head. Yeah, that's kind of tool-ish. I'll pull
• 48:17
  Speaker 1: them down when I get ready to read my acceptance speech.
• 48:22
  Speaker 11: No, he won't.
• 48:23
  Speaker 5: No.
• 48:23
  Speaker 14: Oh, yeah.
• 48:23
  Speaker 1: It's like I got shades on. Wally Pfister. At least
• 48:29
  Speaker 1: it's not Willie Pfister.
• 48:31
  Speaker 5: It's his twin brother. Willie Pfister?
• 48:33
  Speaker 13: Yeah.
• 48:40
  Speaker 5: Holy shit.
• 48:42
  Speaker 1: Is she related to Jay Leno? She's the moon man
• 48:47
  Speaker 1: from the Mac Tonight. The Mac Tonight.
• 48:49
  Speaker 5: The McDLT.
• 48:49
  Speaker 1: Show our age. I remember that. Wally Pfister, Brian. What?
• 49:07
  Speaker 1: What's the dude's name? The photographer on Inception. Yeah, he
• 49:13
  Speaker 1: made fun of it. Academy Award winner, Wally Pfister. Somebody
• 49:17
  Speaker 1: needs to smack his parents.
• 49:18
  Speaker 5: You know, my best friend growing up, his name was
• 49:21
  Speaker 5: Dustin Fist. Isn't that the coolest name ever?
• 49:24
  Speaker 12: No.
• 49:25
  Speaker 11: I like Wally Pfister better.
• 49:29
  Speaker 23: What was the names from that vampire book you were
• 49:32
  Speaker 23: reading to me last night?
• 49:33
  Speaker 1: Offline, what was that guy's name? I don't remember. Fucking, like,
• 49:38
  Speaker 1: Brock Stonehenge or some bullshit like that. Written by, like,
• 49:42
  Speaker 1: Nina Bangs. Nina Bangs, yeah.
• 49:44
  Speaker 23: It was some vampire sex book. Basically, it was like,
• 49:48
  Speaker 23: it's like.
• 49:48
  Speaker 1: The old Fabio books.
• 49:49
  Speaker 5: Rafe, it was Rafe.
• 49:51
  Speaker 1: Rafe, Rafe Finestone or Rafe.
• 49:56
  Speaker 1: Something stone. Cockstone.
• 50:00
  Speaker 26: Right?
• 50:02
  Speaker 12: Cockstone?
• 50:02
  Speaker 6: I know.
• 50:03
  Speaker 1: Cockstone. I think I've seen those movies, but they're in
• 50:05
  Speaker 1: a special room at the store.
• 50:07
  Speaker 11: Speaking of, last night, I met a woman who writes erotica.
• 50:11
  Speaker 1: For a living. This isn't just a fan page. Yeah,
• 50:16
  Speaker 1: you're a fan.
• 50:16
  Speaker 13: Yeah.
• 50:17
  Speaker 1: When you tell your kids you do, that's.
• 50:19
  Speaker 5: What I'm like.
• 50:20
  Speaker 1: I write adult. Stuff. Something.
• 50:23
  Speaker 12: Oh.
• 50:24
  Speaker 23: That's about as bad as us driving that huge sign
• 50:29
  Speaker 23: that's on the side of the road when you're heading
• 50:30
  Speaker 23: up I-65 right when you cross the bridge and you
• 50:33
  Speaker 23: go into Indiana.
• 50:34
  Speaker 1: And there's the XXX bookstore.
• 50:36
  Speaker 5: Toys! Adult toys.
• 50:38
  Speaker 1: And your kid's like, I don't know. I mean, that's
• 50:41
  Speaker 1: not that kind of toy store.
• 50:43
  Speaker 8: All right, boys, let me focus.
• 50:45
  Speaker 25: I can't deny the fact that you like me right now.
• 50:49
  Speaker 12: You like me.
• 50:50
  Speaker 1: You can react to something.
• 50:53
  Speaker 5: Can I just say something?
• 50:54
  Speaker 26: Alrighty.
• 50:55
  Speaker 5: I'm afraid of pigs. I think everyone knows this.
• 50:59
  Speaker 1: I didn't. You didn't?
• 51:00
  Speaker 20: No.
• 51:01
  Speaker 1: I thought it was butterflies that you were afraid of.
• 51:03
  Speaker 5: I'm afraid of butterflies and moths too. But I'm also
• 51:06
  Speaker 5: very afraid of pigs. I was attacked by a pig
• 51:10
  Speaker 5: once when I was younger.
• 51:11
  Speaker 1: I don't remember any of this nonsense.
• 51:13
  Speaker 20: And in the.
• 51:13
  Speaker 5: Last year, I don't know what it is, but something
• 51:17
  Speaker 5: rekindled that fear of pigs. So every time I see
• 51:21
  Speaker 5: a pig... Or a statue of a pig, or a
• 51:24
  Speaker 5: picture of a pig, or a cute little piggy bank,
• 51:27
  Speaker 5: or a cute little piggy salt and pepper shaker. I, like,
• 51:29
  Speaker 5: involuntarily shudder. I just, I do not like pigs. They,
• 51:33
  Speaker 5: I can eat the shit out of some bacon. But
• 51:37
  Speaker 5: a real pig, get it the fuck away from me.
• 51:40
  Speaker 26: Which, she brings this up because what you guys don't
• 51:42
  Speaker 26: know is, as the geek that I am, decided to
• 51:46
  Speaker 26: make a centerpiece, a display, if you will, for our
• 51:50
  Speaker 26: party here.
• 51:51
  Speaker 1: So I've purchased myself two wooden... Actually, we've decided they're
• 51:56
  Speaker 1: probably resin. But they look like they're wooden carved pigs.
• 52:00
  Speaker 1: And they're sitting here staring at Marlena right now because
• 52:03
  Speaker 1: I stuck them in the center of the table.
• 52:04
  Speaker 5: Yeah, but I covered their disgusting pig faces up in
• 52:08
  Speaker 5: dirty paper towels. Because I can't bear to look at
• 52:12
  Speaker 5: these gross fucking pigs.
• 52:14
  Speaker 1: But it makes it totally fit the mood because in
• 52:17
  Speaker 1: between them I jammed the Oscar that I won. Mm-hmm.
• 52:20
  Speaker 1: I won that as Best Actor for Maudie in 1955.
• 52:24
  Speaker 27: Everybody knows what won Best Fucking Picture in 1955.
• 52:28
  Speaker 1: All right, so, well, we've decided to come back, and
• 52:31
  Speaker 1: we've tied Misty and Jay up in the other room,
• 52:34
  Speaker 1: and we're keeping them at bay until they can come
• 52:37
  Speaker 1: back in the second half of the show. What we're
• 52:39
  Speaker 1: going to discuss, last night was the official ceremony for
• 52:44
  Speaker 1: the 31st Annual Golden Raspberry Awards.
• 52:47
  Speaker 12: Oh, yeah.
• 52:47
  Speaker 8: Yeah.
• 52:48
  Speaker 1: So I figured usually we do a little recap of
• 52:51
  Speaker 1: the winners slash losers, depending on how you look at it,
• 52:54
  Speaker 1: I suppose. So just to give you the rundown and
• 52:58
  Speaker 1: see what you guys think, it's pretty much a sweep
• 53:01
  Speaker 1: for two movies. They kind of split it, but it
• 53:05
  Speaker 1: seems to be a running theme here for most of them.
• 53:08
  Speaker 1: Worst picture would be The Last Airbender. Can you argue
• 53:13
  Speaker 1: that really? I've never saw it. I haven't either, but
• 53:15
  Speaker 1: I know it's, I mean, come on.
• 53:18
  Speaker 11: It's Shyamalan. I actually was interested in seeing it. But
• 53:24
  Speaker 11: obviously I didn't.
• 53:25
  Speaker 1: I mean, again, if there was never a show that
• 53:30
  Speaker 1: they've totally screwed over, it still probably would have been
• 53:33
  Speaker 1: a bad movie.
• 53:33
  Speaker 9: But knowing how good and respected that show is among
• 53:38
  Speaker 9: geeks that really like that kind of stuff and know
• 53:42
  Speaker 9: that it's actually kind of well written and has a
• 53:44
  Speaker 9: good story arc to it and real characters, and they've
• 53:47
  Speaker 9: totally thrown all that out the window and decided to.
• 53:49
  Speaker 1: Do this, you know, in-night bullshit. Yeah, I don't know.
• 53:53
  Speaker 1: It doesn't surprise me at all, so. The worst actor
• 53:57
  Speaker 1: would be Ashton Kutcher. And I like that they just
• 53:59
  Speaker 1: give you whatever. They're just like, killers, Valentine's Day, fuck, whatever.
• 54:04
  Speaker 5: Right.
• 54:04
  Speaker 1: Demi Moore, whatever Ashton Kutcher was in this year. Whatever,
• 54:07
  Speaker 1: we'll take it. Whatever he was in.
• 54:10
  Speaker 5: No, I caught that too. I'm like, ew. Not really, apparently, though. Right.
• 54:15
  Speaker 1: Oh, Worst Actress is a tie. A four-way tie.
• 54:20
  Speaker 8: Wow.
• 54:21
  Speaker 1: Sarah Jessica Parker, Kim Cattrall, Kristen Davis, and Cynthia Nixon.
• 54:25
  Speaker 1: Take a wild guess what movie. Yeah. Yeah, I think
• 54:28
  Speaker 1: that's pretty good. I would think that would be the
• 54:32
  Speaker 1: other worst movie. Well, it was in there. It was
• 54:37
  Speaker 1: up there for Worst Picture, but... Yeah, then we get
• 54:41
  Speaker 1: worse supporting actress, which, again, I like that they just
• 54:44
  Speaker 1: give you the rundown for Jessica Alba. But it's like
• 54:48
  Speaker 1: for a whole slew. It's The Killer Inside Me, Little Fockers, Machete,
• 54:52
  Speaker 1: Valentine's Day. They're like, man, I didn't even realize she
• 54:55
  Speaker 1: worked that much this past year.
• 54:56
  Speaker 11: Her standing on top of the car, what was the
• 54:59
  Speaker 11: line that she delivered? We didn't cross the line. No,
• 55:02
  Speaker 11: we didn't cross the border.
• 55:04
  Speaker 8: The border.
• 55:04
  Speaker 1: The border crossed us.
• 55:06
  Speaker 13: You know.
• 55:07
  Speaker 1: Yes, it was a cheesy line, but her delivery was horrible.
• 55:10
  Speaker 1: What's really sad, and I guess more for us, is
• 55:14
  Speaker 1: that's not really her. And that's not even the writing
• 55:18
  Speaker 1: on the movie. That is actually a saying. I mean, granted,
• 55:21
  Speaker 1: they lifted it from a speech, a well-written speech years ago.
• 55:25
  Speaker 1: But it actually, I think if we looked closer to
• 55:28
  Speaker 1: the border, maybe we'd be familiar with it. Because when
• 55:30
  Speaker 1: I went doing research for Machete, I found out they're... Is, like,
• 55:34
  Speaker 1: this whole group that's, like, really trying to raise awareness
• 55:36
  Speaker 1: of what's going on with the whole government screwing people
• 55:40
  Speaker 1: over on the border. Or, again, that depends on how
• 55:43
  Speaker 1: you look at it, I suppose. But from their perspective,
• 55:45
  Speaker 1: you know, they're looking into what the government's doing. And
• 55:48
  Speaker 1: that is, like, their motto? Seriously?
• 55:51
  Speaker 12: Like, I.
• 55:52
  Speaker 1: Yeah, I... I mean, they're actually saying it in speeches
• 55:56
  Speaker 1: like that. They've got it on flyers.
• 55:57
  Speaker 7: I mean, it.
• 55:59
  Speaker 1: I thought it was a bad joke, but sadly, I
• 56:03
  Speaker 1: guess for them, I don't know. It just seems like
• 56:05
  Speaker 1: not really the way to go if you're trying to
• 56:07
  Speaker 1: get serious support for a matter. I don't know, that
• 56:11
  Speaker 1: was kind of silly. Well, her delivery of it was pitiful. Yeah, well,
• 56:15
  Speaker 1: her delivery a.
• 56:15
  Speaker 5: Lot of the time is pitiful.
• 56:17
  Speaker 8: You're right, you're right.
• 56:17
  Speaker 1: But when you can beat out Cher in burlesque, that's
• 56:20
  Speaker 1: saying something, Jessica, so good going. We're supporting actor Jackson Rathbone.
• 56:26
  Speaker 1: from The Last Airbender, and or Twilight Saga Eclipse. Yeah,
• 56:31
  Speaker 1: nobody likes that guy either.
• 56:32
  Speaker 13: Right.
• 56:33
  Speaker 1: I do like their categories. Worst eye-gouging misuse of 3D,
• 56:38
  Speaker 1: which would be The Last Airbender, which that's saying something.
• 56:42
  Speaker 1: If it beat out Clash of the Titans, because Clash
• 56:45
  Speaker 1: of the Titans, from what I hear, was really horrible. Like,
• 56:47
  Speaker 1: just should not have ever even been attempted to be
• 56:51
  Speaker 1: considered 3D. Wow.
• 56:53
  Speaker 19: Yeah.
• 56:54
  Speaker 1: No, I didn't watch it on purpose. No, maybe. Worst
• 56:58
  Speaker 1: screen couple slash worst screen ensemble. Take a guess. The
• 57:03
  Speaker 1: entire cast of Sex and the City 2. It's a sweep,
• 57:07
  Speaker 1: I'm telling you. Good. Worst director, again, M. Night Shyamalan,
• 57:12
  Speaker 1: The Last Airbender. Worst screenplay, yep, M. Night Shyamalan.
• 57:18
  Speaker 11: You know, I don't think that he's necessarily a bad director.
• 57:22
  Speaker 11: He just has really bad ideas and no one telling
• 57:25
  Speaker 11: him no.
• 57:26
  Speaker 14: Yeah.
• 57:26
  Speaker 1: I mean, that's part of it. I think he's still
• 57:29
  Speaker 1: a good director.
• 57:30
  Speaker 11: It's just he doesn't have good advisors.
• 57:34
  Speaker 5: I think that's what.
• 57:35
  Speaker 19: It's like one of those.
• 57:36
  Speaker 1: That's the thing. I heard a whole interview with him
• 57:38
  Speaker 1: and that's... He was... totally invested in this like he
• 57:42
  Speaker 1: really thought he was making a great movie with this
• 57:44
  Speaker 1: yeah i don't think he's a hack i don't think
• 57:46
  Speaker 1: he's doing stuff just because it's popular just because it's
• 57:49
  Speaker 1: going to make money right i think he really does
• 57:51
  Speaker 1: go into all these projects with like you know a
• 57:54
  Speaker 1: passion behind it he really thinks he's making a great
• 57:56
  Speaker 1: movie but again i think he's just misguided in his
• 57:59
  Speaker 1: thinking and and there's not anybody there to keep him
• 58:02
  Speaker 1: in check of like uh you really want to do
• 58:05
  Speaker 1: a twist again I won't forgive him for The Happening.
• 58:09
  Speaker 1: I don't think anybody will. I'll watch Lady in the Water.
• 58:11
  Speaker 11: I actually own Lady in the Water, and I'll defend
• 58:13
  Speaker 11: Lady in the Water.
• 58:14
  Speaker 1: I'll write an essay about it. The Happening is a
• 58:16
  Speaker 1: piece of fucking trash. See, I'm one of the few
• 58:19
  Speaker 1: people I know that likes The Village.
• 58:20
  Speaker 5: I love The Village.
• 58:21
  Speaker 1: I like The Village.
• 58:22
  Speaker 5: I mean, I love The Village.
• 58:24
  Speaker 1: People hate The Village. That's your prerogative. Go for it.
• 58:28
  Speaker 1: I think there's a lot of good stuff in The Village.
• 58:32
  Speaker 1: I think the twist is pretty damn clever in both
• 58:35
  Speaker 1: of them. I mean, truthfully, there's one midway through that
• 58:37
  Speaker 1: I think is almost more interesting than the one that
• 58:39
  Speaker 1: comes up at the end. What's the one midway through?
• 58:42
  Speaker 1: The monster's angle? I mean, the fact that it's a
• 58:46
  Speaker 1: monster through the first half of it, and then that
• 58:48
  Speaker 1: part comes up. I thought that part was really cool.
• 58:51
  Speaker 1: And then you get to the end. And the acting
• 58:54
  Speaker 1: in it is fantastic. I mean, he's got A-list people
• 58:58
  Speaker 1: in charge of this thing. So, I mean, it's like, again...
• 59:00
  Speaker 1: I think up until that point, he was still... Even Signs,
• 59:03
  Speaker 1: there's a lot of good stuff going on in Signs.
• 59:06
  Speaker 1: The end is stupid. We all know that.
• 59:08
  Speaker 27: But I mean up until the village I think he
• 59:10
  Speaker 27: was still you know it wasn't perfect but he was
• 59:13
  Speaker 27: coming in with some pretty good projects he had to
• 59:14
  Speaker 27: still like what he was doing and at least how
• 59:17
  Speaker 27: much he was bringing to the table each time and
• 59:19
  Speaker 27: then you know.
• 59:21
  Speaker 1: Lady of the Water basically nobody saw I think was
• 59:23
  Speaker 1: half the problem it just went completely under the radar
• 59:26
  Speaker 1: and then you get to the happening and the airbender
• 59:29
  Speaker 1: and Yeah, I mean, he's just steadily slaloming downhill now.
• 59:33
  Speaker 1: So I don't know what he can do to save
• 59:35
  Speaker 1: his career.
• 59:36
  Speaker 11: Did anybody see the, I know he only produced it,
• 59:39
  Speaker 11: but the Devil movie?
• 59:40
  Speaker 5: I did see that at the drive-ins. It was really terrible.
• 59:44
  Speaker 1: Again, everything I heard about it was like, it's not
• 59:47
  Speaker 1: as bad as most of his movies, but it's still
• 59:49
  Speaker 1: not great.
• 59:50
  Speaker 5: It was just so far-fetched and stupid. It was just stupid.
• 59:54
  Speaker 20: Okay.
• 59:57
  Speaker 11: I just remember when I saw the first preview for
• 59:59
  Speaker 11: that and it said, from the mind of M. Night
• 1:00:03
  Speaker 11: Shyamalan and everyone in the theater laughed. That was the
• 1:00:06
  Speaker 11: part where I was like, you knew he'd jump the.
• 1:00:09
  Speaker 1: Shark, but that's really bad when people laugh.
• 1:00:11
  Speaker 5: When normal people see it, they're going to laugh. Yeah, regular.
• 1:00:14
  Speaker 1: Not even like geeks that listen to podcasts, because we
• 1:00:16
  Speaker 1: make fun of a lot of people. And it's usually
• 1:00:18
  Speaker 1: those same people over and over again because they keep
• 1:00:20
  Speaker 1: doing just crap. It's like there's only so many times
• 1:00:24
  Speaker 1: I can make fun of Nicolas Cage, but you know what?
• 1:00:26
  Speaker 1: We still laugh every time because he's always doing crap
• 1:00:28
  Speaker 1: and it's always funny. Except every once in a while
• 1:00:30
  Speaker 1: when he does a good role, but that's a weird
• 1:00:32
  Speaker 1: phenomenon really. So, yeah, Dry Vanigree, I'm probably going to
• 1:00:36
  Speaker 1: go laugh at it. I still sort of want to
• 1:00:38
  Speaker 1: see it. But it's got... It's got hot chicken in it.
• 1:00:41
  Speaker 5: Yeah. It has Mandy Lane.
• 1:00:43
  Speaker 1: Mm-hmm.
• 1:00:44
  Speaker 5: Oh, yeah.
• 1:00:44
  Speaker 1: Mm-hmm. And, I mean, again, I almost would see it
• 1:00:48
  Speaker 1: for the 3D, as much as 3D has sucked on
• 1:00:51
  Speaker 1: everything up until this point. It's made by the director
• 1:00:54
  Speaker 1: who did My Bloody Valentine, which to me is still
• 1:00:58
  Speaker 1: possibly the best 3D feature I've seen.
• 1:01:01
  Speaker 13: Mm-hmm.
• 1:01:01
  Speaker 1: I mean, granted.
• 1:01:02
  Speaker 5: That was like, there was so much hype with that.
• 1:01:04
  Speaker 5: I mean, that brought 3D back.
• 1:01:06
  Speaker 1: It really, I mean, and it was the first one, really.
• 1:01:08
  Speaker 1: It was the first one out of the gate. It
• 1:01:10
  Speaker 1: was out well before Avatar. I mean, to me, and I, granted,
• 1:01:14
  Speaker 1: everybody loved Avatar. I avoided that one, really. But, I mean,
• 1:01:18
  Speaker 1: of everything else that I've seen over this time, I
• 1:01:20
  Speaker 1: still think My Bloody Valentine was the most impressive. So,
• 1:01:24
  Speaker 1: I mean, as far as animated, Coraline still was pretty cool.
• 1:01:27
  Speaker 5: Yeah, that was great.
• 1:01:28
  Speaker 1: Yeah, I think as far as live-action stuff, My Bloody
• 1:01:31
  Speaker 1: Valentine was the best. And this is the same guy. So,
• 1:01:34
  Speaker 1: I mean, almost for the 3D technology, I would almost
• 1:01:37
  Speaker 1: go see it for that. Again, I don't know if
• 1:01:39
  Speaker 1: I will because I don't have any money.
• 1:01:40
  Speaker 5: Is that Mandy Moore singing? Who is that?
• 1:01:43
  Speaker 6: I don't know who that is.
• 1:01:45
  Speaker 1: I don't know.
• 1:01:46
  Speaker 5: It looks like Mandy Moore.
• 1:01:47
  Speaker 1: I think it is. I mean, she's in that movie.
• 1:01:49
  Speaker 5: What movie?
• 1:01:50
  Speaker 1: Tangle is nominated. Oh, yeah, it's Tangle. That's the dude
• 1:01:54
  Speaker 1: from Chuck, isn't it?
• 1:01:55
  Speaker 11: Yeah.
• 1:01:55
  Speaker 1: I think it's Chuck.
• 1:01:56
  Speaker 5: I think it is.
• 1:02:00
  Speaker 1: You almost forget that Mandy Moore was a singer.
• 1:02:02
  Speaker 5: I know, you do.
• 1:02:03
  Speaker 1: She has been acting for quite a while now.
• 1:02:07
  Speaker 5: I have a lot more respect for Mandy Moore than
• 1:02:09
  Speaker 5: I do anybody of that time period because maybe she
• 1:02:13
  Speaker 5: didn't get as popular, but she never became, she never
• 1:02:16
  Speaker 5: sold out.
• 1:02:17
  Speaker 1: She never became a slut. She was never, yeah, she
• 1:02:19
  Speaker 1: was never hoary. I mean, they definitely used her sexuality
• 1:02:23
  Speaker 1: and the fact that she was like 16 that first,
• 1:02:26
  Speaker 1: actually she was 15 that first album. So they, but again,
• 1:02:30
  Speaker 1: you can tell that first album of hers was nothing
• 1:02:32
  Speaker 1: but corporate pushed bullshit. Like it was all, songs that
• 1:02:36
  Speaker 1: they handed her that she had nothing to do with,
• 1:02:38
  Speaker 1: but you go back a couple years later, she wrote everything.
• 1:02:41
  Speaker 1: I mean, that's the other thing I give her credit.
• 1:02:43
  Speaker 1: How much did Britney ever write? And what did sucked
• 1:02:46
  Speaker 1: was she was actually a decent songwriter by the time
• 1:02:49
  Speaker 1: she was, you know, 18.
• 1:02:50
  Speaker 5: I just think that.
• 1:02:52
  Speaker 10: Uh-huh.
• 1:02:53
  Speaker 1: He's hitting that later. Don't tell her rock star husband.
• 1:02:56
  Speaker 5: He's her rock star husband.
• 1:02:58
  Speaker 1: And he's writing it.
• 1:02:59
  Speaker 23: I don't know.
• 1:03:01
  Speaker 1: I think you're right. Fuck that guy. Well, she was
• 1:03:05
  Speaker 1: dating Wilmer Valderrama. Yeah, I do question it. Anything is
• 1:03:10
  Speaker 1: a step up from that. The best option was her
• 1:03:12
  Speaker 1: tennis boy. I don't even remember what his name was,
• 1:03:14
  Speaker 1: but at least he was sort of, you know, he
• 1:03:16
  Speaker 1: was your tennis stud. I can give her that one.
• 1:03:18
  Speaker 1: They were sort of along the same lines, but Wilmer,
• 1:03:21
  Speaker 1: what the fuck? That guy's a chump.
• 1:03:26
  Speaker 5: I think he's like... the joke of Hollywood at this point.
• 1:03:29
  Speaker 8: And he's, that's the thing.
• 1:03:30
  Speaker 5: I would, I mean, if he's handy Manny, but, but no,
• 1:03:35
  Speaker 5: that's what kills.
• 1:03:35
  Speaker 1: Me is he, he's also a douche bag. Like at
• 1:03:37
  Speaker 1: least if he was like kind of cool, but there
• 1:03:40
  Speaker 1: was somebody, I was heard somebody that was like a,
• 1:03:42
  Speaker 1: like did like a bit role on that 70s show.
• 1:03:46
  Speaker 1: And he was like a jackass to it. I'm like,
• 1:03:48
  Speaker 1: in that crew, you know, if Ashton Kutcher's being cool
• 1:03:52
  Speaker 1: to people and you're being a douchebag, I mean, think
• 1:03:55
  Speaker 1: about that. It's like, how the fuck is that? It's like,
• 1:03:59
  Speaker 1: Mila's going to turn around and turn in a real
• 1:04:01
  Speaker 1: Oscar-caliber career now. Yeah, you're a joke. And Topher Grace
• 1:04:06
  Speaker 1: is in that new horrible 80s bullshit. So yeah, to
• 1:04:11
  Speaker 1: round out the Razzies here, which we got sidetracked on,
• 1:04:14
  Speaker 1: I have Again, I just love their categories. Worst prequel, remake, rip-off,
• 1:04:19
  Speaker 1: or sequel. Once again, to round it out, Sex and
• 1:04:23
  Speaker 1: the City 2. Sort of a two-way street. Avatar and
• 1:04:27
  Speaker 1: Sex and the City. Airbender and Sex and the City.
• 1:04:32
  Speaker 1: And Sex and the City made so much money. But
• 1:04:35
  Speaker 1: everybody hated it. Even people who were fans of the
• 1:04:37
  Speaker 1: show were like, yeah, this was terrible. But you gave
• 1:04:41
  Speaker 1: it how much fucking money?
• 1:04:42
  Speaker 5: Oh, Lord.
• 1:04:46
  Speaker 11: My wife liking something like that would be grounds for divorce.
• 1:04:48
  Speaker 11: I would divorce her over almost nothing. There's hardly anything,
• 1:04:52
  Speaker 11: but that would be... There's some things I just can't
• 1:04:55
  Speaker 11: look past.
• 1:04:55
  Speaker 5: I don't understand why Adrian Brody is doing the Stella
• 1:04:59
  Speaker 5: R12 commercial.
• 1:05:00
  Speaker 1: Because they gave him money?
• 1:05:01
  Speaker 5: Yeah, but it's not like he's out of work. He's
• 1:05:04
  Speaker 5: not exactly out of work.
• 1:05:05
  Speaker 1: That's why they want him to. But he's doing Predators
• 1:05:07
  Speaker 1: and Slither. Or Splice.
• 1:05:10
  Speaker 18: Splice.
• 1:05:11
  Speaker 1: Yeah, not the other one.
• 1:05:12
  Speaker 5: Sure, I guess. But still.
• 1:05:14
  Speaker 1: Still, think about what that check was.
• 1:05:15
  Speaker 5: I mean, didn't he win an Oscar once?
• 1:05:18
  Speaker 1: Yeah. That was years ago. They only last for about
• 1:05:20
  Speaker 1: a year or two. Yeah, really. He did Devils 2.
• 1:05:25
  Speaker 5: Right. So true.
• 1:05:29
  Speaker 1: He could be, like, the next big B actor after
• 1:05:32
  Speaker 1: doing Predators and... Could be.
• 1:05:35
  Speaker 11: I mean, he'd need one or two more, and he
• 1:05:38
  Speaker 11: could be a big-budget B-actor.
• 1:05:41
  Speaker 1: I mean, I think Predators was still high-profile enough. I mean,
• 1:05:44
  Speaker 1: Splice just, again, was another one that was totally under
• 1:05:46
  Speaker 1: the radar. Like, it got a decent opening. I mean,
• 1:05:49
  Speaker 1: somehow the studio got it into a lot of theaters, but,
• 1:05:52
  Speaker 1: I mean, it didn't make much money, and people really
• 1:05:54
  Speaker 1: didn't pay that much attention. I mean, it's just once
• 1:05:56
  Speaker 1: it hit DVD, people finally started watching it, but... Yeah,
• 1:06:00
  Speaker 1: I don't know. I think he's still just such a
• 1:06:02
  Speaker 1: recognizable name at this point.
• 1:06:04
  Speaker 8: Right.
• 1:06:04
  Speaker 1: He's okay for a little while. Well, I mean, I'm
• 1:06:06
  Speaker 1: saying in a good way. Yeah. He could go to
• 1:06:09
  Speaker 1: those roles. He does those roles pretty well. He brings
• 1:06:11
  Speaker 1: a lot more to them.
• 1:06:13
  Speaker 13: Yeah.
• 1:06:13
  Speaker 1: I think both of those are good examples. I mean,
• 1:06:15
  Speaker 1: I think he's really good in both of those movies
• 1:06:18
  Speaker 1: in a role that could have easily gone at least generic,
• 1:06:21
  Speaker 1: if not just really dumb and bad. And I think
• 1:06:24
  Speaker 1: he brings a lot to them. I really liked Predators.
• 1:06:27
  Speaker 17: I mean.
• 1:06:28
  Speaker 11: If you don't expect a whole lot out of it,
• 1:06:30
  Speaker 11: you really get a lot out of it.
• 1:06:32
  Speaker 1: Yeah, I mean, it's a lot of fun. And again,
• 1:06:34
  Speaker 1: I think he and the main girl, there actually is
• 1:06:39
  Speaker 1: a decent amount of character in something that you would
• 1:06:41
  Speaker 1: expect no character in. Right. Yeah, I think they actually
• 1:06:45
  Speaker 1: do something useful with it. All right, so we've yammered
• 1:06:48
  Speaker 1: on so much, I don't even want to go into
• 1:06:50
  Speaker 1: the whole buzz, but I did see this one story,
• 1:06:53
  Speaker 1: and I thought, well, I'd bring it up for two reasons. One,
• 1:06:56
  Speaker 1: I know, Greg, at least you're a big fan of
• 1:06:57
  Speaker 1: this guy, and he's been a guest on the show briefly,
• 1:07:00
  Speaker 1: so I thought we'd bring that up. And second, because
• 1:07:03
  Speaker 1: it means I get to mention Michael Bay. And more importantly,
• 1:07:07
  Speaker 1: it's an excuse for me to play our theme any
• 1:07:09
  Speaker 1: time we mention it. Michael Bay sucks.
• 1:07:13
  Speaker 12: Okay, so.
• 1:07:14
  Speaker 1: Michael Bay's Platinum Dunes Production Company, best known for their
• 1:07:18
  Speaker 1: cheesy horror remakes and all that bullshit we've made fun
• 1:07:21
  Speaker 1: of a couple of times now, has acquired the rights
• 1:07:23
  Speaker 1: to the IDW comic book series Zombies vs. Robots.
• 1:07:28
  Speaker 5: Oh, nice.
• 1:07:28
  Speaker 1: The deal includes a script based on a comic called
• 1:07:31
  Speaker 1: Inherit the Earth, possibly a working or subtitle, by J.T. Petty,
• 1:07:36
  Speaker 1: whose previous work we watched the 2008 direct-to-video title The Burrowers.
• 1:07:42
  Speaker 1: and is actually a pretty talented guy. If you go
• 1:07:44
  Speaker 1: look at his short films and stuff, he's done some
• 1:07:47
  Speaker 1: good stuff. So I'm definitely a big fan of what
• 1:07:50
  Speaker 1: he's done so far and want to see where he's going.
• 1:07:54
  Speaker 1: It worries me that he's possibly involved with Michael Bay. Possibly. But,
• 1:08:01
  Speaker 1: and the story sounds, the comic book is about a
• 1:08:03
  Speaker 1: young girl who is the last survivor of a zombie
• 1:08:06
  Speaker 1: apocalypse with a group of robots protecting her from a
• 1:08:08
  Speaker 1: new pack of zombies that have evolved and are now intelligent.
• 1:08:12
  Speaker 1: this could all be fun in like a B movie
• 1:08:14
  Speaker 1: kind of way. I mean, if you work it right,
• 1:08:16
  Speaker 1: this could be a hell, especially with him directing. It's like,
• 1:08:20
  Speaker 1: this could be a hell of a movie. Michael Bay
• 1:08:22
  Speaker 1: worries me, you know, it's like there's, yeah, I don't
• 1:08:25
  Speaker 1: know what else to do.
• 1:08:25
  Speaker 11: You know, Gigi Petty, he already took something, the horror
• 1:08:30
  Speaker 11: movie in the wild west. I'd never seen anything really
• 1:08:34
  Speaker 11: like that before. And I thought this isn't going to work.
• 1:08:37
  Speaker 11: And I thought, I even thought the first time I
• 1:08:39
  Speaker 11: sat down to watch, I was like, This is.
• 1:08:41
  Speaker 6: Probably going to suck.
• 1:08:42
  Speaker 1: And I was impressed. It was tense. The lighting was taking...
• 1:08:46
  Speaker 1: The acting was good. The editing was good.
• 1:08:49
  Speaker 11: You could tell he just cared about that movie. And again,
• 1:08:52
  Speaker 11: on a very modest budget. And it looks really good
• 1:08:56
  Speaker 11: for that budget. And it's not going to... to be
• 1:09:00
  Speaker 11: mass appeal kind of a movie, but it's definitely a
• 1:09:06
  Speaker 11: good movie.
• 1:09:06
  Speaker 1: And any kind of horror fan should see that movie,
• 1:09:09
  Speaker 1: I think.
• 1:09:10
  Speaker 11: And anybody that likes movies, because after your interview with him,
• 1:09:15
  Speaker 11: you can just, and this is the fan of me
• 1:09:17
  Speaker 11: talking now, moving now down to You can just tell
• 1:09:20
  Speaker 11: that he is just the guy that likes to sit
• 1:09:23
  Speaker 11: down and talk movies.
• 1:09:24
  Speaker 1: And I appreciated that more than anything.
• 1:09:26
  Speaker 11: And I would love if he was just sitting here
• 1:09:29
  Speaker 11: and we could just get his take on movies sometimes.
• 1:09:31
  Speaker 1: That's the kind of guy we want, you know, or
• 1:09:34
  Speaker 1: you'd want on a show like this.
• 1:09:36
  Speaker 11: So I'd listen to him do interviews all the time.
• 1:09:41
  Speaker 1: That was the thing. He was just relaxed. I mean,
• 1:09:43
  Speaker 1: he's in the middle of his big premiere, really, for
• 1:09:46
  Speaker 1: this movie and was just kind of hanging out and
• 1:09:48
  Speaker 1: talking to the guy who co-starred in the movie. He
• 1:09:51
  Speaker 1: was just really relaxed and really down to earth. And
• 1:09:54
  Speaker 1: it was, again, it was a really good interview. And
• 1:09:56
  Speaker 1: I think he just seems like a really good guy. And, again,
• 1:09:59
  Speaker 1: if he's got upcoming projects, I'd like to get a
• 1:10:02
  Speaker 1: hold of him again. I really would like to talk
• 1:10:04
  Speaker 1: to him on this one. And just, again, he should
• 1:10:07
  Speaker 1: just come hang out with us. And just, you know,
• 1:10:09
  Speaker 1: Petty and Jennifer Lawrence, we're all going to go hang
• 1:10:12
  Speaker 1: out and get coffee and talk.
• 1:10:13
  Speaker 12: Movies, you know.
• 1:10:14
  Speaker 15: And if he.
• 1:10:16
  Speaker 11: Cares about movies as much as he sounded as though
• 1:10:20
  Speaker 11: he cares about movies it'll be good either way i
• 1:10:22
  Speaker 11: think he'll do a good.
• 1:10:23
  Speaker 1: Job i think so i mean i think he is
• 1:10:25
  Speaker 1: really like very level-headed it's like everything he talked about
• 1:10:29
  Speaker 1: was was really smart but at the same time He's
• 1:10:32
  Speaker 1: I mean, you look back at some of the stuff
• 1:10:34
  Speaker 1: he's done and even he kind of looks at it
• 1:10:36
  Speaker 1: very realistically. Like, I mean, he knew going in, he's like, well,
• 1:10:39
  Speaker 1: you know, they gave me these options of movies to make.
• 1:10:42
  Speaker 1: You know, I went with what I thought would be
• 1:10:43
  Speaker 1: the best movie. You know, he's realistic about it, but
• 1:10:46
  Speaker 1: at the same time, always trying to get the best
• 1:10:48
  Speaker 1: out of what he's working with. And I think, yeah,
• 1:10:50
  Speaker 1: he's I just I'm interested in seeing where this goes. So.
• 1:10:54
  Speaker 5: What does Oprah have to do with the Oscars?
• 1:10:56
  Speaker 1: She's got a billion dollars. Uma, Oprah. There you go.
• 1:11:01
  Speaker 5: See, I didn't even have to.
• 1:11:02
  Speaker 1: Do it this year. Oh, Lord. That was at your
• 1:11:06
  Speaker 1: first meet, at your first one.
• 1:11:08
  Speaker 6: Wasn't it?
• 1:11:08
  Speaker 1: I think it was just last year, wasn't it? No,
• 1:11:10
  Speaker 1: I meant at your first... Or the very first was
• 1:11:14
  Speaker 1: that year, actually.
• 1:11:15
  Speaker 6: Yes, it was.
• 1:11:16
  Speaker 11: Because I remember thinking... I thought it was hilarious.
• 1:11:21
  Speaker 1: I love when David and I are.
• 1:11:24
  Speaker 11: Uma Thurman was sitting over on one side and Oprah
• 1:11:27
  Speaker 11: Winfrey was sitting on the.
• 1:11:28
  Speaker 1: Other side and he kept introducing them. He was going, Uma, Oprah, Oprah, Uma.
• 1:11:33
  Speaker 1: And he did it, I don't know, 15 times. I mean,
• 1:11:36
  Speaker 1: it's a Letterman joke. I mean, if you watch him,
• 1:11:39
  Speaker 1: he does that stuff all the time and it was funny. But, like,
• 1:11:41
  Speaker 1: he's in the middle of the Oscars and the Oscar
• 1:11:44
  Speaker 1: crowd isn't a Letterman crowd. They don't get it. The
• 1:11:47
  Speaker 1: producers obviously don't get it. I don't know if they've
• 1:11:49
  Speaker 1: ever even watched Letterman. So, I mean, it's like.
• 1:11:51
  Speaker 11: They would cut back from the presentation, and he would just, Oprah.
• 1:11:57
  Speaker 1: And then they were up in a studio somewhere pulling
• 1:12:01
  Speaker 1: their hair out. He was driving them crazy.
• 1:12:05
  Speaker 5: And the Oscar goes to.
• 1:12:09
  Speaker 5: Inside Job Trolls.
• 1:12:11
  Speaker 1: Oh, wow. That was that one I heard was one
• 1:12:15
  Speaker 1: of those that just makes you angry.
• 1:12:17
  Speaker 5: I mean, but like if Banksy had won, who would
• 1:12:20
  Speaker 5: have accepted the offer?
• 1:12:21
  Speaker 1: That's kind of why I was hoping he would win.
• 1:12:24
  Speaker 1: I just wanted to see what would happen. Something would
• 1:12:27
  Speaker 1: have to happen. Even if he didn't go up there,
• 1:12:30
  Speaker 1: which we're all pretty sure he did. I still think
• 1:12:31
  Speaker 1: it would have been funny if he went up there
• 1:12:32
  Speaker 1: with the monkey mask on. Right. But I doubt that
• 1:12:35
  Speaker 1: would have happened because that still would put him in
• 1:12:37
  Speaker 1: danger if in fact it was him.
• 1:12:40
  Speaker 8: Yeah. Right.
• 1:12:42
  Speaker 11: Well, I think there's a lot of that crowd that
• 1:12:43
  Speaker 11: would resent somebody like him.
• 1:12:45
  Speaker 1: Oh, yeah. I can see them not. But it's funny
• 1:12:48
  Speaker 1: that I think this is still, like, the biggest thing
• 1:12:51
  Speaker 1: that got, I mean, it got probably more views than
• 1:12:53
  Speaker 1: anything on that list.
• 1:12:54
  Speaker 14: Right.
• 1:12:54
  Speaker 1: I think it, you know. I don't know, Inside Job
• 1:12:57
  Speaker 1: got a lot of press and stuff. And Mr. Brainwash, yes,
• 1:13:00
  Speaker 1: accepting would have been pretty awesome. Oh, that would have
• 1:13:03
  Speaker 1: been funny. You could have gone with your mustache. That's right.
• 1:13:06
  Speaker 5: I bet that would have been who accepted.
• 1:13:09
  Speaker 19: Probably accepted.
• 1:13:10
  Speaker 1: Did you see the thing that Randy posted on the
• 1:13:14
  Speaker 1: movie Meltdown page? I didn't watch that, no. Well, it's
• 1:13:18
  Speaker 1: actually like, I just read through the story, and it's
• 1:13:20
  Speaker 1: basically like guys that worked at galleries that knew Mr.
• 1:13:24
  Speaker 1: Brainwash as Mr. Brainwash and knew him as a guy
• 1:13:29
  Speaker 1: back in the day when he was hanging around with
• 1:13:31
  Speaker 1: all these artists.
• 1:13:33
  Speaker 5: According to this, again, everything is.
• 1:13:36
  Speaker 1: questionable everything is you know completely like.
• 1:13:40
  Speaker 5: If we knew anyone who had ever lived in la
• 1:13:42
  Speaker 5: they could probably validate whether or not.
• 1:13:45
  Speaker 1: It's some but even then i mean so much of
• 1:13:47
  Speaker 1: this is is doctored you know but so much of
• 1:13:49
  Speaker 1: it very potentially could be fake it could have been
• 1:13:52
  Speaker 1: in you know something at play for years people.
• 1:13:55
  Speaker 5: Would remember the big graffiti art of him him with
• 1:13:59
  Speaker 5: the camera yeah.
• 1:14:01
  Speaker 1: Again that stuff comes and goes pretty quickly I mean
• 1:14:03
  Speaker 1: I don't know there's so much of it that's up
• 1:14:05
  Speaker 1: in the air and again what's awesome about that movie
• 1:14:08
  Speaker 1: you know it's just the fact that no matter how
• 1:14:10
  Speaker 1: many and that's what I said when Randy Posey was
• 1:14:12
  Speaker 1: like before you guys watch it and I was like
• 1:14:13
  Speaker 1: well technically we already had that discussion but I was
• 1:14:16
  Speaker 1: like number one that's kind of interesting number two it
• 1:14:19
  Speaker 1: just poses more questions really I was like it doesn't
• 1:14:22
  Speaker 1: change anything we said in fact it kind of makes
• 1:14:24
  Speaker 1: it even more interesting now so yeah I don't know
• 1:14:27
  Speaker 1: I thought that was that was interesting.
• 1:14:30
  Speaker 11: It's fascinating if it's real. It's even more fascinating if
• 1:14:33
  Speaker 11: it's fake. So I can care less.
• 1:14:37
  Speaker 1: Either way, I mean, it just kind of works regardless.
• 1:14:41
  Speaker 1: I mean, I think, you know, the movie works on
• 1:14:43
  Speaker 1: its own, and I think all these other layers of
• 1:14:46
  Speaker 1: questions makes it more interesting, and it's probably why. Like
• 1:14:49
  Speaker 1: I said, it probably got at least one of the,
• 1:14:51
  Speaker 1: you know, most viewed movies of the year as far
• 1:14:54
  Speaker 1: as documentaries go.
• 1:14:55
  Speaker 15: Mm-hmm.
• 1:14:55
  Speaker 1: I think that's why. I think if it didn't have
• 1:14:57
  Speaker 1: that question around it, not that many people probably would
• 1:15:00
  Speaker 1: have seen. If it wasn't the Banksy movie, if it
• 1:15:04
  Speaker 1: didn't have all these controversy of was it real, was
• 1:15:07
  Speaker 1: it not, is there a Mr. Brainwash, any of that.
• 1:15:10
  Speaker 1: How many people go see documentaries about art? Not that
• 1:15:14
  Speaker 1: many people. If it didn't have all that, it probably
• 1:15:17
  Speaker 1: wouldn't have gotten all this attention.
• 1:15:18
  Speaker 11: On top of that, I'm just pleased that there are
• 1:15:21
  Speaker 11: that good documentaries out there and that.
• 1:15:23
  Speaker 1: People are paying that much attention to them too.
• 1:15:26
  Speaker 11: Because that's what I learned more from good documentaries than
• 1:15:29
  Speaker 11: just about anything.
• 1:15:30
  Speaker 1: And I think they're finally starting to get a little
• 1:15:32
  Speaker 1: bit of respect. I think, I mean, people have been
• 1:15:35
  Speaker 1: making documentaries since film began, but it's like they have been,
• 1:15:39
  Speaker 1: you know, completely pushed out of the way by super
• 1:15:41
  Speaker 1: giant Hollywood projects. And I think these last four or
• 1:15:45
  Speaker 1: five years, it's sort of stepped it up a notch
• 1:15:47
  Speaker 1: and like people are actually watching the movies that are,
• 1:15:50
  Speaker 1: you know, nominated for best documentary and they're, getting them
• 1:15:53
  Speaker 1: out there in a much bigger fashion. They're sending them
• 1:15:56
  Speaker 1: out as, like, film festivals and stuff. They're really piecing
• 1:16:00
  Speaker 1: them together and really promoting them once they get to
• 1:16:03
  Speaker 1: the point of being nominated. So I think it's starting
• 1:16:05
  Speaker 1: to push its way through, and I think it actually
• 1:16:08
  Speaker 1: is going to become, maybe not ever get to the
• 1:16:11
  Speaker 1: level of the, you know, best picture, but I think
• 1:16:13
  Speaker 1: it's getting close. I think it's getting to be a real,
• 1:16:16
  Speaker 1: you know, it's always been respected, you know, section of film. Right.
• 1:16:20
  Speaker 1: It's starting to be taken seriously in that realm that
• 1:16:23
  Speaker 1: the feature films are. Is this the death part? That's
• 1:16:25
  Speaker 1: my favorite part of the Oscars. Damn, let's see.
• 1:16:28
  Speaker 5: Where they elect an old actor to die.
• 1:16:31
  Speaker 1: It's like Logan's run. Sorry, your time's up, buddy.
• 1:16:35
  Speaker 12: Take off.
• 1:16:35
  Speaker 1: You've got half an hour, and then we're going to
• 1:16:36
  Speaker 1: all track you down and kill you. Yeah, we don't
• 1:16:38
  Speaker 1: have enough for this dead actors montage. Can you all
• 1:16:41
  Speaker 1: kick off for us, please?
• 1:16:42
  Speaker 15: No.
• 1:16:43
  Speaker 5: Sacrifice yourself. You just need one human sacrifice. That's all.
• 1:16:49
  Speaker 20: All they ask.
• 1:16:50
  Speaker 1: It's the Oscars. They're all powerful. Alright, it's time for
• 1:16:53
  Speaker 1: our announcement.
• 1:16:54
  Speaker 5: E.T., go to Preston.
• 1:16:58
  Speaker 1: If you're a friend on Facebook or you follow us
• 1:17:00
  Speaker 1: on Twitter, which you should be both and or either,
• 1:17:04
  Speaker 1: you've probably already seen this because I keep putting it
• 1:17:06
  Speaker 1: out there because it's goddamn amazing. We're once again nominated
• 1:17:10
  Speaker 1: for a Rondo Award. And even more impressive this time
• 1:17:14
  Speaker 1: in what I consider to be the actual proper category.
• 1:17:17
  Speaker 1: Last year was awesome, but I'd be the first to
• 1:17:20
  Speaker 1: argue that we didn't belong in that category.
• 1:17:21
  Speaker 5: What category were we in last year?
• 1:17:23
  Speaker 1: Last year we were Best Website. Our website's retarded because
• 1:17:26
  Speaker 1: I'm the one that deals with it, and I don't
• 1:17:28
  Speaker 1: know what the fuck we're doing. We admit that it's
• 1:17:29
  Speaker 1: all stolen. Only some of it's stolen. I took the pictures.
• 1:17:36
  Speaker 1: Somebody just needs to sponsor us a website, and then
• 1:17:38
  Speaker 1: we'll actually have a real website. But for now, we
• 1:17:41
  Speaker 1: have the makeshift one because nobody's paying for it. I
• 1:17:44
  Speaker 1: am paying for that one, and that's the most I'm
• 1:17:47
  Speaker 1: going to put into it right now, because if I'm
• 1:17:49
  Speaker 1: going to continue the show, I don't really have time
• 1:17:51
  Speaker 1: to constantly mess with the website, obviously.
• 1:17:53
  Speaker 11: Well, if somebody's in school to do web design and
• 1:17:58
  Speaker 11: looking for a project, we're your project. You can make
• 1:18:01
  Speaker 11: us a website.
• 1:18:03
  Speaker 1: So, this time we are actually nominated for what I
• 1:18:07
  Speaker 1: feel to be a pretty impressive category. We are up
• 1:18:10
  Speaker 1: for Best Horror Audio. So that's how awesome our horror
• 1:18:13
  Speaker 1: discussions are, is that we're nominated up there with pretty
• 1:18:18
  Speaker 1: big and well-backed, huge operations. So I don't know. I
• 1:18:24
  Speaker 1: think that's pretty amazing that we're even in the running here.
• 1:18:27
  Speaker 14: Yeah.
• 1:18:27
  Speaker 11: Plus, we're not professionals at the horror genre. So, you know,
• 1:18:33
  Speaker 11: to be able to do that and help promote the field, you.
• 1:18:37
  Speaker 1: Know, We certainly, and that's why I'm glad we ended
• 1:18:40
  Speaker 1: up there, because if there's anything we fall into more
• 1:18:42
  Speaker 1: than anything, it's horror anyway. I mean, we certainly sway
• 1:18:45
  Speaker 1: in that direction, but, you know, from day one, I
• 1:18:48
  Speaker 1: didn't want to pin it down. but I think again
• 1:18:51
  Speaker 1: based on a lot of the people on the show
• 1:18:53
  Speaker 1: that love horror a lot of the fans love horror
• 1:18:55
  Speaker 1: so we end up right back at horror about you
• 1:18:57
  Speaker 1: know 80% of the time but it's good to be
• 1:19:00
  Speaker 1: able to mix it up here and there but yeah
• 1:19:02
  Speaker 1: we're definitely very based out of horror obviously so once
• 1:19:07
  Speaker 1: again If you haven't already, go to rondoaward.com and go
• 1:19:11
  Speaker 1: to category number 21, Best Horror Audio. Right. Category number 21.
• 1:19:17
  Speaker 8: I need to vote.
• 1:19:18
  Speaker 5: I haven't voted.
• 1:19:20
  Speaker 1: All you do is go and you copy the ballot
• 1:19:23
  Speaker 1: that is on their website and do your email. It's
• 1:19:25
  Speaker 1: all done by email, so don't go trying to do
• 1:19:28
  Speaker 1: it some other random way or Facebook them or something.
• 1:19:30
  Speaker 1: Because it all has to be directly in an email
• 1:19:33
  Speaker 1: and sent to David, who actually runs the Rondo Awards.
• 1:19:36
  Speaker 17: So.
• 1:19:37
  Speaker 1: paste it into an email, and then put a big
• 1:19:39
  Speaker 1: X on number 21 next to Movie Meltdown.
• 1:19:43
  Speaker 19: If you want.
• 1:19:44
  Speaker 1: We would certainly appreciate it. And send it over. The
• 1:19:48
  Speaker 1: deadline on that is March 27th, so if you're not
• 1:19:50
  Speaker 1: listening to this immediately, it may be time for you
• 1:19:52
  Speaker 1: to hurry the hell up and do it. So, get
• 1:19:54
  Speaker 1: on top of it. Send them an email, because I think,
• 1:19:57
  Speaker 1: you know, if anything, this is, you know, any vote
• 1:19:59
  Speaker 1: that we get is a show of support for independent podcasts.
• 1:20:03
  Speaker 1: I mean, We're up against at least one, if not
• 1:20:06
  Speaker 1: a couple, pretty huge operations with major backing and sponsors
• 1:20:11
  Speaker 1: and a lot of other stuff. So as many votes
• 1:20:14
  Speaker 1: as we get kind of legitimizes not just us, but
• 1:20:17
  Speaker 1: every other podcast out there that's kind of, you know,
• 1:20:20
  Speaker 1: financing themselves out of their pocket and trying to put
• 1:20:23
  Speaker 1: together a good show. It's just a show of support
• 1:20:26
  Speaker 1: for everybody that it legitimizes what we're all doing, I think.
• 1:20:30
  Speaker 1: So if nothing else, you know. Support independent podcasts like us.
• 1:20:34
  Speaker 5: I think the only reason I knew that we were
• 1:20:35
  Speaker 5: nominated for a Rondo is because I saw that Eddie
• 1:20:38
  Speaker 5: posted that on his Facebook page. So thank you, Eddie,
• 1:20:42
  Speaker 5: for that.
• 1:20:42
  Speaker 1: Once again, yeah, that's another thing you can do is
• 1:20:45
  Speaker 1: after voting for us, spread the word, post it on
• 1:20:47
  Speaker 1: your page, post it on anybody else who's willing. I
• 1:20:50
  Speaker 1: don't want to, like, spam people with it, but if
• 1:20:52
  Speaker 1: you think People are actually interested in horror or podcasts
• 1:20:57
  Speaker 1: or any of this stuff. Somebody owes you a favor?
• 1:21:00
  Speaker 1: That too. Even if the show wasn't nominated for it,
• 1:21:05
  Speaker 1: I still, for years, well before the show has been around,
• 1:21:08
  Speaker 1: I've been following the Rondo Awards. I think it's probably
• 1:21:11
  Speaker 1: one of the most impressive awards that I've seen. There's
• 1:21:15
  Speaker 1: a lot of them out there, especially on the internet.
• 1:21:17
  Speaker 1: Every day there's a new award out there.
• 1:21:18
  Speaker 5: Yeah.
• 1:21:19
  Speaker 1: This one's been around for years now, and it's actually
• 1:21:22
  Speaker 1: become kind of prestigious. I mean, at least in the
• 1:21:24
  Speaker 1: horror field. And, you know, it's kind of a big deal.
• 1:21:28
  Speaker 1: So I think if there's anything that's bothering to call
• 1:21:31
  Speaker 1: attention to stuff that gets overlooked, you know, websites and
• 1:21:34
  Speaker 1: blogs and stuff that traditional media could give a rat's
• 1:21:37
  Speaker 1: ass about.
• 1:21:38
  Speaker 6: You know.
• 1:21:38
  Speaker 1: Magazine covers. Yeah, magazine covers and best audio commentary on
• 1:21:41
  Speaker 1: a DVD. I mean, this is geek-friendly stuff here. This
• 1:21:44
  Speaker 1: is knee-deep in the kind of stuff that most people
• 1:21:46
  Speaker 1: who listen to podcasts are really into anyway. So... I
• 1:21:50
  Speaker 1: would think if you're not already familiar with it, go
• 1:21:52
  Speaker 1: and check it out for no other reason, even if
• 1:21:54
  Speaker 1: you don't vote for us. I think Rondo Awards is
• 1:21:56
  Speaker 1: kind of something cool and of this new generation, this
• 1:22:00
  Speaker 1: whole wave of new media that's come through that's just
• 1:22:03
  Speaker 1: kind of still overlooked by the traditional media. And I
• 1:22:07
  Speaker 1: think in the next 10 years, a lot of stuff
• 1:22:09
  Speaker 1: is going to change. And I think this is the
• 1:22:11
  Speaker 1: kind of place that's already on the crest of that
• 1:22:14
  Speaker 1: and is kind of– backing the right people, the people
• 1:22:17
  Speaker 1: that are going to be in charge in 10 years.
• 1:22:19
  Speaker 1: So I think, you know, go check it out if
• 1:22:21
  Speaker 1: you've not already been there. RondoAward.com. Okay, kids, get out
• 1:22:26
  Speaker 1: your decoder pins.
• 1:22:28
  Speaker 5: Dun, dun, dun.
• 1:22:31
  Speaker 1: Oh, well, if you weren't Logie with pork, I might
• 1:22:33
  Speaker 1: call you out.
• 1:22:34
  Speaker 19: For you members of the Secret Circle.
• 1:22:36
  Speaker 1: It is time for Moving Up Down the Secret Circle
• 1:22:38
  Speaker 1: to reveal an upcoming exciting feature.
• 1:22:41
  Speaker 6: Just one?
• 1:22:43
  Speaker 1: Possibly.
• 1:22:43
  Speaker 12: Okay.
• 1:22:44
  Speaker 5: Okay.
• 1:22:45
  Speaker 1: You can still say it if you want. There you go.
• 1:22:49
  Speaker 1: I figured that was really all you wanted to do. So, uh,
• 1:22:55
  Speaker 1: we were, uh, we mentioned before we, we are going
• 1:22:58
  Speaker 1: to be watching the, uh, Toby Hooper's invaders from Mars. That's,
• 1:23:02
  Speaker 1: that will be coming in the near future. Um, As
• 1:23:05
  Speaker 1: far as exactly, I mean, we've got this coming out,
• 1:23:08
  Speaker 1: and we've actually, the next, I'm looking ahead, so we've
• 1:23:12
  Speaker 1: got another one coming in between then. I'm not 100%
• 1:23:15
  Speaker 1: sure where we're going with that, if we're going to
• 1:23:17
  Speaker 1: do a movie one, if we're going to go back
• 1:23:18
  Speaker 1: and do another Caffeinated Movie Geek. But by the end
• 1:23:22
  Speaker 1: of the month, to round it out with sort of
• 1:23:24
  Speaker 1: a two coming up, we're going to be doing our
• 1:23:27
  Speaker 1: coverage from Horror Hound. So, you've got that in the
• 1:23:30
  Speaker 1: very near future, too, in the next couple of episodes. So,
• 1:23:34
  Speaker 1: Get excited for that. We're going to go pester Lisa Marie,
• 1:23:38
  Speaker 1: if nothing else. There you go.
• 1:23:45
  Speaker 5: Two waters and some crack. Yeah, I'll take some crack.
• 1:23:51
  Speaker 1: Well, yeah. I remember last year she sang with Hugh
• 1:23:53
  Speaker 1: Jackman to prove that she could. Who is it again?
• 1:23:57
  Speaker 8: Anne Hathaway.
• 1:23:59
  Speaker 5: Every time she changes her outfits, she becomes a new
• 1:24:01
  Speaker 5: person to change.
• 1:24:02
  Speaker 8: Yeah.
• 1:24:03
  Speaker 1: Well, she's wearing a tuxedo now, so I didn't know
• 1:24:05
  Speaker 1: who it was.
• 1:24:07
  Speaker 15: Just from now on, it's any chick you don't know
• 1:24:08
  Speaker 15: who it is, just assume it's Anne Hathaway.
• 1:24:10
  Speaker 1: Oh, okay.
• 1:24:12
  Speaker 5: Who's that?
• 1:24:12
  Speaker 1: Anne Hathaway. Oh, of course, James Franco is in drag.
• 1:24:19
  Speaker 20: Sure.
• 1:24:21
  Speaker 5: I mean, I know everyone hates Russell Brand. I don't
• 1:24:23
  Speaker 5: hate him, but why is he invited to the Oscars?
• 1:24:27
  Speaker 1: Because he's a celebrity. He'll invite anybody.
• 1:24:29
  Speaker 5: Yeah, but why is he doing stuff at the Oscars?
• 1:24:31
  Speaker 1: Because he's popular. I'm not saying I like him. I'm
• 1:24:34
  Speaker 1: just saying. Because he's married to Katy Perry. Because he's
• 1:24:37
  Speaker 1: Katy Perry's boy. We're back with Pastry Crack. Crack. I
• 1:24:41
  Speaker 1: like crack.
• 1:24:43
  Speaker 5: Dog Teeth was nominated. You guys saw that.
• 1:24:45
  Speaker 3: Oh, yeah.
• 1:24:47
  Speaker 1: Dog house, dog food.
• 1:24:48
  Speaker 5: Whatever.
• 1:24:49
  Speaker 1: It's all about dogs. Beethoven's second. Same thing. Just for that,
• 1:24:56
  Speaker 1: you eat the foil.
• 1:24:57
  Speaker 5: Fine, dude. So what is it?
• 1:25:00
  Speaker 1: Is it like a custard? It's crack. I don't know.
• 1:25:06
  Speaker 1: I handed you two spoons. You set them down. I
• 1:25:09
  Speaker 1: didn't know I put your spoon on the table.
• 1:25:11
  Speaker 5: You know that I'm weird.
• 1:25:13
  Speaker 8: Bye.
• 1:25:14
  Speaker 1: He was looking at somebody on TV. It might have
• 1:25:17
  Speaker 1: been Anne Hathaway. I was trying to figure out who
• 1:25:20
  Speaker 1: that was.
• 1:25:21
  Speaker 5: That's Anne Hathaway.
• 1:25:21
  Speaker 1: Yep, that's Anne Hathaway. She's looking rough.
• 1:25:24
  Speaker 5: She really is looking old.
• 1:25:28
  Speaker 1: Whoa, that thing's huge.
• 1:25:31
  Speaker 14: See?
• 1:25:31
  Speaker 11: You know what you're going to want.
• 1:25:34
  Speaker 1: What is it? It's a thing with crack and crack.
• 1:25:39
  Speaker 5: Wow.
• 1:25:40
  Speaker 1: Holy shit, that's good. If you would, I might tell
• 1:25:44
  Speaker 1: you what's in it.
• 1:25:44
  Speaker 5: Is it like a cinnamon-based, sugary croissant with some cream
• 1:25:47
  Speaker 5: cheese filling in it?
• 1:25:48
  Speaker 12: Sort of.
• 1:25:49
  Speaker 1: That's what I guess.
• 1:25:51
  Speaker 5: He's not going to tell us. That's the only way
• 1:25:53
  Speaker 5: he gets.
• 1:25:53
  Speaker 1: Us to come.
• 1:25:55
  Speaker 20: Suckers.
• 1:25:56
  Speaker 1: So, while we chow down on the crack, it's time
• 1:25:59
  Speaker 1: for feedback.
• 1:26:00
  Speaker 5: Oh, we got feedback.
• 1:26:01
  Speaker 1: Fuck yeah.
• 1:26:02
  Speaker 23: Do people listen to this damn show?
• 1:26:05
  Speaker 1: I don't know why.
• 1:26:06
  Speaker 5: I'm a great cheer now.
• 1:26:06
  Speaker 11: 50% of your listeners are now on the chat.
• 1:26:14
  Speaker 1: At some point, I'll listen. I'm working on Randy, but
• 1:26:17
  Speaker 1: he lives far away.
• 1:26:18
  Speaker 5: He's an honorary member.
• 1:26:20
  Speaker 1: He is an honorary member. Ex officio member. So, speaking
• 1:26:23
  Speaker 1: of which, we heard from Randy. But, we knew that
• 1:26:29
  Speaker 1: because it's the other half of last week's message. So,
• 1:26:32
  Speaker 1: if you listened last week, and you should be, then
• 1:26:34
  Speaker 1: you heard the other half of this. So, it is
• 1:26:36
  Speaker 1: time to round it out with the rest of the
• 1:26:38
  Speaker 1: crew here.
• 1:26:39
  Speaker 2: Hey, Movie Meltdown, it's Randy.
• 1:26:41
  Speaker 21: It's been a while, so let me backtrack. First of all, Turkzilla,
• 1:26:45
  Speaker 21: that was fantastic. I appreciate that. Gobble, gobble, motherfucker, indeed.
• 1:26:50
  Speaker 21: I don't think there's a better holiday film for how
• 1:26:54
  Speaker 21: I celebrate the holidays than that one, and I really
• 1:26:56
  Speaker 21: appreciated your.
• 1:26:57
  Speaker 1: Coverage of same. The Martin episode was fantastic.
• 1:27:00
  Speaker 21: As usual, you CSI'd the hell out of it, and
• 1:27:03
  Speaker 21: I appreciated that. Splice, uh, being the dumb shit I am,
• 1:27:07
  Speaker 21: I took my 22-year-old daughter. We had a Interesting time.
• 1:27:10
  Speaker 21: That's a wonderful father-daughter bonding moment there. I will say
• 1:27:15
  Speaker 21: when it got to the pivotal moment of man-hamster love,
• 1:27:20
  Speaker 21: while watching her, I kind of just turned around to
• 1:27:22
  Speaker 21: watch the theater to see how many people got up
• 1:27:24
  Speaker 21: and laughed. It was about four, and I enjoyed that immensely.
• 1:27:28
  Speaker 6: I have to say the.
• 1:27:29
  Speaker 21: Movie ruined me just a little bit. I feel odd
• 1:27:31
  Speaker 21: going into pet stores without looking at pets and thinking,
• 1:27:35
  Speaker 21: you know, this plus that equals.
• 1:27:37
  Speaker 1: Hmm, awkward.
• 1:27:39
  Speaker 6: Very... Awkward.
• 1:27:41
  Speaker 21: I think that movie was made by the pro-furry contingent.
• 1:27:44
  Speaker 21: I thought the movie had a lot of flaws, but
• 1:27:47
  Speaker 21: it was certainly a singular watch, so I didn't mind it.
• 1:27:51
  Speaker 21: I thought when Sarah Polly's Elsa went berserk and suddenly
• 1:27:54
  Speaker 21: she had a bad childhood, it was like, come on, guys.
• 1:27:58
  Speaker 21: If your parents ruin you in your childhood, you stay ruined.
• 1:28:01
  Speaker 21: It doesn't, like, wait for your kid to spear your
• 1:28:05
  Speaker 21: cat with her tail, I think. I would like to
• 1:28:08
  Speaker 21: point out, I think one of the best aspects of
• 1:28:10
  Speaker 21: what you've got going is Jay's outrage at what's wrong
• 1:28:12
  Speaker 21: with the goddamn world.
• 1:28:14
  Speaker 1: I think you should make that a regular segment. That's
• 1:28:16
  Speaker 1: all for now. Misty's awesome! And I'll talk to you
• 1:28:21
  Speaker 1: guys later.
• 1:28:21
  Speaker 21: Take care.
• 1:28:22
  Speaker 1: So I figured you guys had to be here for
• 1:28:25
  Speaker 1: the last half.
• 1:28:26
  Speaker 5: Okay, cool.
• 1:28:27
  Speaker 1: Thank you, Randy. I got a lot of outrage.
• 1:28:29
  Speaker 5: I got a lot of rage.
• 1:28:30
  Speaker 20: I know.
• 1:28:31
  Speaker 8: I've got to hear it all the time.
• 1:28:32
  Speaker 1: She's got to hear about me bitching at everything.
• 1:28:34
  Speaker 5: I've got a lot of rage, too. It's lovely to
• 1:28:36
  Speaker 5: work so good together. Yeah. We hate a lot of
• 1:28:38
  Speaker 5: the same things.
• 1:28:39
  Speaker 1: Yeah, we do.
• 1:28:40
  Speaker 5: We have a lot of hate in common.
• 1:28:42
  Speaker 1: And I hear you're awesome.
• 1:28:44
  Speaker 8: I'm pretty fucking awesome.
• 1:28:45
  Speaker 1: You are going to call 911 when I pass out, right?
• 1:28:49
  Speaker 1: We'll see. Some of the things I've eaten tonight. I know,
• 1:28:57
  Speaker 1: I've been working at this thing thinking I don't think
• 1:28:59
  Speaker 1: I can eat it.
• 1:29:00
  Speaker 5: I have a fat roll that I did not come
• 1:29:02
  Speaker 5: here with.
• 1:29:05
  Speaker 1: Mission accomplished.
• 1:29:08
  Speaker 5: I'm going to run like 8 miles tomorrow.
• 1:29:10
  Speaker 1: Oh hell, Christian Bale. No, he's got a beard. Winning
• 1:29:14
  Speaker 1: himself a fancy Oscar.
• 1:29:16
  Speaker 5: Still doesn't do it for me. I'm sorry. I like beards,
• 1:29:19
  Speaker 5: but not Christian.
• 1:29:20
  Speaker 1: You like skinny dudes. What's that one? Machinist.
• 1:29:23
  Speaker 5: Machinist.
• 1:29:24
  Speaker 9: Part two.
• 1:29:24
  Speaker 12: Creepy.
• 1:29:25
  Speaker 5: I love that movie.
• 1:29:27
  Speaker 1: That was a creepy movie. It's such a great movie.
• 1:29:29
  Speaker 1: I've never seen it.
• 1:29:29
  Speaker 8: I'm always creeped out when guys' fucking beards do not
• 1:29:32
  Speaker 8: match the hair on their head.
• 1:29:33
  Speaker 5: A lot of guys' beards are red. I know, and
• 1:29:35
  Speaker 5: it's fucking creepy.
• 1:29:36
  Speaker 1: Sometimes I have some red beards. Is that what they
• 1:29:40
  Speaker 1: mean when the jerks don't match the cartoon?
• 1:29:42
  Speaker 14: No.
• 1:29:42
  Speaker 8: Okay, good.
• 1:29:42
  Speaker 5: I mean, like, that's... Like most guys who grow beards,
• 1:29:48
  Speaker 5: their beards come out red for whatever reason. Weird. He's
• 1:29:51
  Speaker 5: got a couple orange hairs. That's why I keep wanting
• 1:29:53
  Speaker 5: to ask.
• 1:29:53
  Speaker 1: I've got gray and brown and black and red all
• 1:29:56
  Speaker 1: in there.
• 1:29:57
  Speaker 5: He's got a story to keep covered.
• 1:29:59
  Speaker 8: Magical.
• 1:29:59
  Speaker 1: She holds me down and, like, tweezers my face. It's
• 1:30:04
  Speaker 1: not enjoyable.
• 1:30:06
  Speaker 5: Well, then fucking shave that shit more often.
• 1:30:09
  Speaker 1: I try to remember.
• 1:30:10
  Speaker 15: Well, you'd think me squeezing would be a fucking constant
• 1:30:12
  Speaker 15: reminder to keep your ass in check.
• 1:30:13
  Speaker 1: You don't want fucking brains damaged. You do have a
• 1:30:17
  Speaker 1: lot of bank. Oh, Lord. So, thank you, Randy. Thank you, Randy.
• 1:30:23
  Speaker 1: You're my favorite listener. You don't count. You're cast now.
• 1:30:31
  Speaker 1: That's right.
• 1:30:31
  Speaker 5: You don't count.
• 1:30:32
  Speaker 14: So.
• 1:30:34
  Speaker 1: I don't know. I still think Spice was pretty impressive
• 1:30:37
  Speaker 1: the way it was put together just character-wise. I actually
• 1:30:40
  Speaker 1: think it was... Again, going back, I was listening to
• 1:30:43
  Speaker 1: other people talk about it, and I think as time
• 1:30:45
  Speaker 1: goes on, I gain a little more respect for it.
• 1:30:47
  Speaker 1: I think it's pretty... you know, well pieced together as
• 1:30:51
  Speaker 1: far as the characters go, but at the same time,
• 1:30:53
  Speaker 1: I think it knows how schlocky it is, and it totally, like,
• 1:30:57
  Speaker 1: makes use of all that stuff and takes it over
• 1:31:00
  Speaker 1: the top when it needs to take it over the top.
• 1:31:02
  Speaker 11: You know, they promoted it like it was Inception, and
• 1:31:05
  Speaker 11: it should have been promoted like it was a B-movie.
• 1:31:07
  Speaker 1: Yeah, it was badly marketed. I think I would have
• 1:31:11
  Speaker 1: liked it a lot more had they done that.
• 1:31:13
  Speaker 14: Yeah.
• 1:31:14
  Speaker 23: Also, so what you're saying, Randy, is this would be
• 1:31:17
  Speaker 23: a great movie to take my 11-year-old daughter.
• 1:31:20
  Speaker 1: Because we need a good bonding. Yeah, that's father-daughter bonding
• 1:31:25
  Speaker 1: right there. Then we're going to go home and dance.
• 1:31:28
  Speaker 1: Do you lock your daughter up in the barn? No.
• 1:31:32
  Speaker 13: It's okay.
• 1:31:32
  Speaker 1: She's got a place to swim. That makes it fine.
• 1:31:35
  Speaker 1: That's right.
• 1:31:36
  Speaker 13: I don't know.
• 1:31:37
  Speaker 1: I think some of the parenting issues can lay sort
• 1:31:39
  Speaker 1: of dormant. I think, you know, maybe not that she
• 1:31:42
  Speaker 1: went like totally crazy all of a sudden, but I
• 1:31:44
  Speaker 1: think some of that parenting stuff, like, I don't think
• 1:31:47
  Speaker 1: you use that. It's like those muscles you don't use
• 1:31:49
  Speaker 1: until you have to. It's like some of that stuff
• 1:31:51
  Speaker 1: may not come into play until it's too late and
• 1:31:54
  Speaker 1: you realize, oh shit, I'm a horrible parent.
• 1:31:56
  Speaker 19: Right.
• 1:31:57
  Speaker 11: Well, you know, there are things that I've found myself
• 1:32:00
  Speaker 11: all of a sudden saying, and I'm like, that's exactly
• 1:32:03
  Speaker 11: what my parents said. And it's this revelation that oh shit,
• 1:32:06
  Speaker 11: there is a part of me that's just like that.
• 1:32:09
  Speaker 1: I didn't have bad parents, but everybody has things. But
• 1:32:12
  Speaker 1: you end up turning out. Yeah, you're like, I'm not
• 1:32:14
  Speaker 1: going to be like that when I have kids. And
• 1:32:16
  Speaker 1: then all of a sudden, you know, it pops up
• 1:32:19
  Speaker 1: on you.
• 1:32:19
  Speaker 11: You're like, oh shit, I just did the starving kids
• 1:32:22
  Speaker 11: in Africa to get her to eat her sandwich.
• 1:32:24
  Speaker 1: You know, that really, you know, I can't believe that
• 1:32:27
  Speaker 1: came out of my mouth. Wow. She did the thing
• 1:32:31
  Speaker 1: the other day. She was like, God, you sound just
• 1:32:33
  Speaker 1: like your dad. And I was like, wait a minute,
• 1:32:37
  Speaker 1: maybe I do.
• 1:32:39
  Speaker 5: Is this another train crash movie?
• 1:32:41
  Speaker 1: How many train crash movies are there? It's J.J.
• 1:32:44
  Speaker 5: Abrams, though.
• 1:32:45
  Speaker 1: This does look really good. This is the one that
• 1:32:47
  Speaker 1: the cast didn't even know what they were making, right? Yeah.
• 1:32:50
  Speaker 1: I mean, again, unless they massively screw things up, everything
• 1:32:54
  Speaker 1: about it looks good.
• 1:32:55
  Speaker 5: What is this?
• 1:32:55
  Speaker 1: Everybody involved, Super 8. I mean, it's J.J. Abrams, it's
• 1:32:59
  Speaker 1: Steven Spielberg, so it's like, If you screw this up,
• 1:33:02
  Speaker 1: you know, it's your own fault. If it's aliens in Peru,
• 1:33:05
  Speaker 1: they are going.
• 1:33:05
  Speaker 6: To screw it up.
• 1:33:06
  Speaker 1: Well, we'll see. Peruvian aliens? Right. So we also heard from...
• 1:33:12
  Speaker 1: We also heard from Demise.
• 1:33:14
  Speaker 15: Oh, wow.
• 1:33:14
  Speaker 1: We have two of those. That's what I'm saying.
• 1:33:17
  Speaker 26: Hi, Demise.
• 1:33:18
  Speaker 5: I really don't have any real secrets.
• 1:33:20
  Speaker 22: I was just listening to your holiday extravaganza. So I
• 1:33:23
  Speaker 22: called in to say howdy.
• 1:33:25
  Speaker 15: So.
• 1:33:26
  Speaker 1: Keep up the great work.
• 1:33:27
  Speaker 12: I still love your guys' show.
• 1:33:28
  Speaker 20: I'm just always on catch-up.
• 1:33:30
  Speaker 22: I think I'm trying to tie a metal mic to
• 1:33:32
  Speaker 22: you on the catch-up routine.
• 1:33:32
  Speaker 5: Talk to you later.
• 1:33:34
  Speaker 1: Bye. Wait, it's a two-for-one special. Hi, this is Mize.
• 1:33:37
  Speaker 22: This is going to be one of those times where
• 1:33:39
  Speaker 22: I call it a million times and I'm talking really
• 1:33:40
  Speaker 22: fast because I think I'm going to lose connection here
• 1:33:42
  Speaker 22: in a second. But I think since so many of
• 1:33:45
  Speaker 22: you have yet to see Children of Men, that you
• 1:33:46
  Speaker 22: should definitely.
• 1:33:47
  Speaker 1: Make that an episode.
• 1:33:48
  Speaker 22: I would love to hear your guys' playback on that.
• 1:33:51
  Speaker 22: It's just a great story. Hearing you guys bring it
• 1:33:53
  Speaker 22: up again makes me think that I really need to
• 1:33:55
  Speaker 22: get the book or the audiobook or something because I'd
• 1:33:57
  Speaker 22: like to know the full story that it was done on.
• 1:34:00
  Speaker 22: I went into it knowing nothing, and that just made
• 1:34:02
  Speaker 22: it wonderful for me. The other thing is I'm so
• 1:34:05
  Speaker 22: excited that you're going to do Summer School. That was
• 1:34:08
  Speaker 22: one of my all-time favorite summer goopy movies. I had
• 1:34:11
  Speaker 22: such a major crush on James Shaw. I adored him.
• 1:34:15
  Speaker 1: I adored the actor.
• 1:34:17
  Speaker 22: I wanted to hang out with those two. I used
• 1:34:18
  Speaker 22: to kind of try and make my... It's such a
• 1:34:21
  Speaker 22: geeky thing, but, you know, we all have our things,
• 1:34:24
  Speaker 22: and I sometimes was called Psycho while other friends were
• 1:34:27
  Speaker 22: called different nicknames. I got called Psycho because I like
• 1:34:29
  Speaker 22: horror movies so much.
• 1:34:30
  Speaker 19: I just wanted to.
• 1:34:31
  Speaker 22: Be Chainsaw or his buddy and be like that. That
• 1:34:35
  Speaker 22: was my goal in life, to be that kind of person.
• 1:34:37
  Speaker 12: So, anyways, that's all.
• 1:34:41
  Speaker 22: I'll probably call back again.
• 1:34:42
  Speaker 1: Bye. Part three. Why is always call from her car?
• 1:34:46
  Speaker 15: I think.
• 1:34:48
  Speaker 1: She's out walking the dog. Yeah, walking the dog. Oh,
• 1:34:51
  Speaker 1: is that what it is? I thought she was in
• 1:34:53
  Speaker 1: a car or something. I think maybe she was. I
• 1:34:55
  Speaker 1: don't know. We get a lot of mobile calls from everybody.
• 1:34:57
  Speaker 1: I know there's been a couple more we get where
• 1:34:59
  Speaker 1: people are... We get calls, whatever. That's what I'm saying.
• 1:35:01
  Speaker 1: I have no complaints. Oh, I'm not complaining. She just
• 1:35:03
  Speaker 1: always sounds like she's really busy. She's got a lot
• 1:35:06
  Speaker 1: of crazy life.
• 1:35:06
  Speaker 5: It's like on the move.
• 1:35:08
  Speaker 11: Hey, I'm in free out, but I'm going to make
• 1:35:09
  Speaker 11: another message.
• 1:35:10
  Speaker 1: That would be awesome if somebody would do that. Or better, post-op,
• 1:35:15
  Speaker 1: if you're still kind of coming out of the drugs
• 1:35:17
  Speaker 1: and you're calling us, that's awesome. Please do that. That's
• 1:35:20
  Speaker 1: a show. That's true. Right. So, yeah, if you made
• 1:35:25
  Speaker 1: it to the summer school episode, you'll know that I
• 1:35:28
  Speaker 1: fall right into that category. And a little... It's frightening
• 1:35:31
  Speaker 1: how much of a similar geek to Chainsaw I was. So... Yeah,
• 1:35:35
  Speaker 1: it was a hell of an episode to record. I
• 1:35:37
  Speaker 1: thoroughly enjoyed the process. Didn't like the editing process, as
• 1:35:41
  Speaker 1: it was ravaged by fucking Skype, but anyway, whatever. Yeah, otherwise,
• 1:35:47
  Speaker 1: I thoroughly enjoyed the whole discussion with Katie, and I
• 1:35:51
  Speaker 1: think it's still a good episode. I did a lot
• 1:35:53
  Speaker 1: of fighting to edit it together, but, you know, yep,
• 1:35:56
  Speaker 1: it's a hell of a movie. I'm still sold on
• 1:35:59
  Speaker 1: that one for life, I'm sorry. All right, that is
• 1:36:03
  Speaker 1: it for the feedback. Do you guys need to get
• 1:36:06
  Speaker 1: that one out? No, we need to go. Okay, there
• 1:36:08
  Speaker 1: you go.
• 1:36:08
  Speaker 12: We gotta go.
• 1:36:09
  Speaker 5: We gotta be able to like... Ted Hathaway!
• 1:36:12
  Speaker 1: Hey, that one is Andy. Good job. All right. It's
• 1:36:17
  Speaker 1: time to celebrate. You can go on, so you better
• 1:36:19
  Speaker 1: get the hell out while you're ahead before you point
• 1:36:22
  Speaker 1: to James Franco and say, We gotta go. I gotta
• 1:36:25
  Speaker 1: go to work. I gotta burn some shit. Make those
• 1:36:29
  Speaker 1: tacos and whatnot. Taco J.
• 1:36:33
  Speaker 8: All right.
• 1:36:34
  Speaker 1: Well, I want to thank you guys for joining us
• 1:36:35
  Speaker 1: for another pork-tastic edition of Oscar Meltdown. Barring one or
• 1:36:40
  Speaker 1: several heart attacks, we will return next year with our
• 1:36:42
  Speaker 1: continuing Oscar coverage, if you want to call this coverage. Otherwise,
• 1:36:46
  Speaker 1: that about does it. We will return next week. Same
• 1:36:48
  Speaker 1: geek time, same geek feed. Thanks for listening. Bye-bye.
• 1:36:53
  Speaker 12: Bye.
• 1:36:53
  Speaker 8: Bye.
• 1:36:54
  Speaker 27: Especially an American girl.
• 1:36:55
  Speaker 25: You can tell she's been raised on promises.
• 1:37:25
  Speaker 7: Well, she was an American girl.
• 1:37:33
  Speaker 12: Raised on promises She couldn't help thinking That there was
• 1:37:40
  Speaker 12: a little.
• 1:37:41
  Speaker 7: More to life Somewhere else After all, it was.
• 1:37:47
  Speaker 12: A great big world With lots of places to run to.
• 1:37:53
  Speaker 7: Yeah, she had to die to try and she had
• 1:37:58
  Speaker 7: one little promise she was gonna keep.
• 1:38:03
  Speaker 5: Oh yeah, all right.
• 1:38:06
  Speaker 12: Take it easy, baby.
• 1:38:08
  Speaker 7: Make it last all night. She was an American girl.
• 1:38:19
  Speaker 12: Well, it was kind of cold that night.
• 1:38:22
  Speaker 7: She stood alone on a balcony.
• 1:38:27
  Speaker 12: Yeah, she could hear the cars roll.
• 1:38:30
  Speaker 7: By at all 441 like waves crashing down the beach
• 1:38:35
  Speaker 7: desperate moment there he crept back.
• 1:38:45
  Speaker 12: Oh, yeah.
• 1:38:46
  Speaker 7: All right. Take it easy, baby. Make it last all night.
• 1:38:57
  Speaker 12: She was an American.
• 1:39:01
  Speaker 8: Girl.
• 1:39:02
  Speaker 12: Oh, yeah.
• 1:39:24
  Speaker 6: So You may now remove your 3D glasses. Thank you.
• 1:40:21
  Speaker 19: Look, Coppola, you can just put your Oscars where the
• 1:40:23
  Speaker 19: sun don't shine.
• 1:40:24
  Speaker 6: This show is a production of Movie Meltdown, produced and
• 1:40:26
  Speaker 6: edited by Brian Renfro. To help support the show, email
• 1:40:29
  Speaker 6: producer at moviemeltdown.com for ways that you can contribute or
• 1:40:32
  Speaker 6: advertise with us.