Latest / DISGRACELAND / Bonus Episode: Terrifying Tales, Vinyl Vaults, and Funeral Fugues

Transcript

Bonus Episode: Terrifying Tales, Vinyl Vaults, and Funeral Fugues · DISGRACELAND

• 0:00
  Speaker 1: Hey guys, thanks for checking out this bonus episode. Before
• 0:03
  Speaker 1: we get into it, I want to let you know
• 0:04
  Speaker 1: that we get a ton of content for you to
• 0:05
  Speaker 1: check out here for the Halloween season. Here in the
• 0:08
  Speaker 1: disgrace Land Feed, we just reincarnated our Norwegian black Metal episode,
• 0:12
  Speaker 1: which you should see bumped up in the feed with
• 0:14
  Speaker 1: all of our other dark, twisted, horrific Halloween episodes that
• 0:18
  Speaker 1: we're dropping this week, and over in the Badlands Feed,
• 0:21
  Speaker 1: we just dropped an episode on legendary director John Houston,
• 0:24
  Speaker 1: which I am very proud of. I think the team
• 0:26
  Speaker 1: did a great job on this one. I love digging
• 0:28
  Speaker 1: into the classic Hollywood stuff. Check that out. And yeah,
• 0:32
  Speaker 1: let's get into some bonus episode content right here in
• 0:35
  Speaker 1: the after Party. Hey, discos, need a little more disgrace
• 0:41
  Speaker 1: Land in your life, just to touch to get you through. Yeah,
• 0:45
  Speaker 1: me too. This is the podcast that comes after the podcast.
• 0:48
  Speaker 1: Welcome to Disgraceland the after Party. Welcome to the Disgraceland
• 1:06
  Speaker 1: bonus episode. A little thing we like to call the
• 1:09
  Speaker 1: after Party. This is the show after the show, the
• 1:12
  Speaker 1: party after the party, the bridge to get you from
• 1:14
  Speaker 1: one full episode of Disgraceland to the other. The backyard
• 1:18
  Speaker 1: to dig into the dirt. On this episode, we are talking,
• 1:22
  Speaker 1: among other things, about the spookiest, creepiest, most bone chilling
• 1:27
  Speaker 1: episodes of Disgraceland, rock stars, who are in your favorite
• 1:30
  Speaker 1: horror movies? And what song is going to be played
• 1:33
  Speaker 1: at your funeral? And of course your voicemails, text, dms
• 1:36
  Speaker 1: and more, and as always, a whole lot of rosie.
• 1:39
  Speaker 1: All right, disc goes, let's get into it alright. October
• 1:54
  Speaker 1: twenty twenty three is coming to a close. Halloween is
• 1:57
  Speaker 1: a mere five days away, which means we've got five
• 2:00
  Speaker 1: more days of frights, and the so called spooky season
• 2:03
  Speaker 1: is not dead yet or is it undead? Here in
• 2:06
  Speaker 1: Disgrace and have been reanimating, reincarnating the dead, or rather
• 2:11
  Speaker 1: getting into these old episodes from the archive, Creepy Crawley episodes,
• 2:14
  Speaker 1: the gnarliest, the weirdest, all the strange, all the spine tingling,
• 2:18
  Speaker 1: all the stomach turning stories that we've told you over
• 2:20
  Speaker 1: the last five years or so. And if you've been
• 2:23
  Speaker 1: in the fee this week you know this. You've got
• 2:24
  Speaker 1: an archive releases on ACDC in a connection to Richard
• 2:27
  Speaker 1: Ramirez aka the knight Stalker, Ozzy Osbourne, the Prince of
• 2:31
  Speaker 1: Darkness himself, the great bluesman Robert Johnson, and how that
• 2:36
  Speaker 1: deal went down at the Devil's Crossroads or didn't go
• 2:38
  Speaker 1: down Led Zeppelins, Jimmy Page so deep into the dark
• 2:41
  Speaker 1: arts that he freaked out David Bowie. And today today
• 2:45
  Speaker 1: we just dropped an episode from all the way back
• 2:48
  Speaker 1: in season one on Norwegian black Metal, which has got
• 2:51
  Speaker 1: to be heard to be believed. And then tomorrow through Sunday,
• 2:54
  Speaker 1: more episodes, more terrifying tales coming your way from Charles Manson,
• 2:58
  Speaker 1: Skip James and Black Sabbath. Six one seven nine oh
• 3:02
  Speaker 1: six six six three eight is the voicemail for the
• 3:04
  Speaker 1: old school messaging and the new school messaging six one
• 3:07
  Speaker 1: seven nine oh six six six three eight For the text,
• 3:10
  Speaker 1: it's the same you know at Disgrace Sampods on the
• 3:13
  Speaker 1: Socials Disgrace Sampod at gmail dot com on email. I
• 3:17
  Speaker 1: cannot wait to hear from you guys this week on
• 3:19
  Speaker 1: all things music and true crime. All right, let's get
• 3:23
  Speaker 1: straight into your voicemails. Let's dig right in here with
• 3:26
  Speaker 1: Matt from the five one oh with a great music
• 3:29
  Speaker 1: discovery story.
• 3:31
  Speaker 2: Hey Jake, Matt calling from Long Beach, California. I grew
• 3:36
  Speaker 2: up a fellow New Englander like yourself, and uh. I
• 3:40
  Speaker 2: grew up in small town in New Hampshire, and I
• 3:43
  Speaker 2: have a memorable music discovery story for you. So I
• 3:48
  Speaker 2: used to get sent to the dump by my parents
• 3:52
  Speaker 2: once a week to drop off our trash. People at
• 3:55
  Speaker 2: the dump lights to call it the solid waste facility,
• 3:57
  Speaker 2: and we're offended if you called it the dump. There
• 4:01
  Speaker 2: was one day that I was dropping off trash, driving
• 4:03
  Speaker 2: through my mom's car and dropping off trash bags next
• 4:08
  Speaker 2: to their giant infinerator. I saw stacks of records that
• 4:13
  Speaker 2: were getting ready to be tossed into the incinerator. And
• 4:16
  Speaker 2: being the you know, lifelong music junkie that I am,
• 4:20
  Speaker 2: I had to take a look and see what the
• 4:22
  Speaker 2: records were. I always would go through my dad's records
• 4:25
  Speaker 2: and steal his Choos and Chung and led Zeppelin, the
• 4:27
  Speaker 2: Who records and everything, so wanted some of my own,
• 4:31
  Speaker 2: and lo and behold there was a stack of just
• 4:34
  Speaker 2: classic hip hop records, original pressings of Licensed to Ill,
• 4:39
  Speaker 2: two copies of the Sheeese Crafty twelve Bench from the
• 4:42
  Speaker 2: Beastie Boys, grand Master Flash, all the Run the MC
• 4:46
  Speaker 2: records all in great condition. I mean they were like,
• 4:49
  Speaker 2: I don't know, thirty or forty records in this stack.
• 4:52
  Speaker 2: And so I asked the people they worked at the
• 4:55
  Speaker 2: dump if I could take them, save them from getting melted,
• 4:59
  Speaker 2: and yeah, they let me. I loaded them into my
• 5:02
  Speaker 2: alms trunk and the rest is history. I still have
• 5:06
  Speaker 2: all of those records. They're all part of my gigantic
• 5:10
  Speaker 2: record collection. Yeah, there was a huge line for me,
• 5:13
  Speaker 2: and it got me into some electro stuff and everything
• 5:16
  Speaker 2: that I wasn't previously familiar with. So I loved the
• 5:19
  Speaker 2: podcast people, some.
• 5:20
  Speaker 1: Good work, amazing story, Matt crazy. How sometimes the world
• 5:25
  Speaker 1: just gives you things when it comes to music, at
• 5:28
  Speaker 1: least it just here it is, Matt, just for you.
• 5:31
  Speaker 1: We've got this whole treasure trove of amazing hip hop
• 5:34
  Speaker 1: music right here in the middle of this dump. We
• 5:38
  Speaker 1: used to call it the dump as well. I've found
• 5:41
  Speaker 1: records on the street before, discarded records, more like stuff
• 5:45
  Speaker 1: that was just kind of mass printed in the seventies
• 5:48
  Speaker 1: and eighties that people just everyone kind of had but
• 5:51
  Speaker 1: didn't really want after a while. Carol King's Tapestry The
• 5:55
  Speaker 1: Saturday Night Fever soundtrack the Grease soundtrack. These are records
• 6:00
  Speaker 1: that you could probably get in any college, moving day,
• 6:04
  Speaker 1: on any corner, on any year in Boston, Massachusetts.
• 6:08
  Speaker 3: Uh.
• 6:09
  Speaker 1: Peter Frampton Frampton Comes Alive. That's another one. But it
• 6:12
  Speaker 1: sounds like you you just got, like you know, mona
• 6:15
  Speaker 1: from heaven, like the gods just you know, reached down
• 6:18
  Speaker 1: and said, here, here you go. We're going to turn
• 6:20
  Speaker 1: you on and keep you turned on with this amazing
• 6:23
  Speaker 1: hip hop record collection. So good for you, Matt, love
• 6:26
  Speaker 1: it all right. Let's hear from a new listener, Angie
• 6:28
  Speaker 1: from the four four three.
• 6:31
  Speaker 3: I dig It's Angie. Been thinking about Colin for a
• 6:35
  Speaker 3: long time. I love this Grace lampod and I love
• 6:39
  Speaker 3: the bonus episode just as much. I kind of got
• 6:43
  Speaker 3: started late. I've been binging for the past two months
• 6:47
  Speaker 3: and I'm not call it up yet, but somehow Spotify
• 6:51
  Speaker 3: sed me some of the latest episodes. So I had
• 6:53
  Speaker 3: a topic that I wanted to talk about, kind of
• 6:56
  Speaker 3: related to what I do, and I'm a hospice nurse.
• 6:59
  Speaker 3: I listened mostly on my puput, which is a couple
• 7:01
  Speaker 3: of hours, and you had mentioned do you wanted a
• 7:06
  Speaker 3: certain songs played at your funeral, and I was wondering
• 7:10
  Speaker 3: what songs people would like to listen to as they're dying,
• 7:14
  Speaker 3: or what songs mean the most of them that they
• 7:16
  Speaker 3: think they might like. That's all. Thank you keep doing
• 7:19
  Speaker 3: what you do it. I love it, love it, love it.
• 7:21
  Speaker 1: Bye, Angie, thank you for calling in. Appreciate you stoke
• 7:25
  Speaker 1: to welcome new listeners into the show. Awesome to hear
• 7:27
  Speaker 1: what you do for a living as well. Dark topic
• 7:30
  Speaker 1: you bring up here, Angie, but I get it. I
• 7:32
  Speaker 1: mentioned this. I mentioned the same topic from time to
• 7:35
  Speaker 1: time to my wife whenever we hear the song Wildflowers
• 7:39
  Speaker 1: by Tom Petty, because that is the song that I
• 7:42
  Speaker 1: would have playing at my funeral. But Angie, you have
• 7:46
  Speaker 1: prompted a question of the week here and I thank
• 7:49
  Speaker 1: you for it. So listeners, yeah, I mean six one
• 7:53
  Speaker 1: seven nine six six six three eight, let's just jump
• 7:55
  Speaker 1: off what Angie's putting down here. What song do you
• 7:59
  Speaker 1: want playing your funeral? Let us know six one seven
• 8:01
  Speaker 1: nine six six six three eight. In the meantime, let's
• 8:04
  Speaker 1: check in with another Jake, Jake from the three eight five.
• 8:08
  Speaker 2: Hey, Jake, it's Jake from the four three five. I
• 8:12
  Speaker 2: wanted to let you know I like that. Oh, I
• 8:16
  Speaker 2: can't remember what the name of it is. Is Ah
• 8:19
  Speaker 2: with the Trucks Come into Life and their album was
• 8:23
  Speaker 2: based on it. Anyways, Thanks Jake, Bye.
• 8:26
  Speaker 1: Bye, Jake. You're talking about the movie, the horror movie
• 8:29
  Speaker 1: Maximum Overdrive, written and directed by Stephen King. Yes, kind
• 8:34
  Speaker 1: of cheesy, but in a great kind of way. I
• 8:37
  Speaker 1: love this movie. And the soundtrack is the soundtrack that
• 8:40
  Speaker 1: you're mentioning is ac DC's Who Made Who, which is
• 8:43
  Speaker 1: kind of the greatest hits, but it's but there's a
• 8:46
  Speaker 1: single on it. The title track Who Made Who was
• 8:48
  Speaker 1: a new single that they did for this album. I
• 8:50
  Speaker 1: think there might have been another another couple of new songs.
• 8:53
  Speaker 1: I can't remember now now, but I know it feels
• 8:56
  Speaker 1: like Stephen King got a budget to do a movie
• 8:58
  Speaker 1: that he's going to direct. He was finally in charge.
• 9:00
  Speaker 1: No one was going to fuck up his his ip
• 9:03
  Speaker 1: talking to you, Stanley Kubrick, at least from Stephen King's
• 9:06
  Speaker 1: point of view. And he goes to direct this movie
• 9:07
  Speaker 1: and he's like, I know what I'll do. I'll get
• 9:09
  Speaker 1: my favorite band of all time, ACDC, to do the soundtrack.
• 9:14
  Speaker 1: And they were like, yeah, here's a bunch of old
• 9:15
  Speaker 1: songs and uh, here's a new one to boot. I
• 9:18
  Speaker 1: think that's what happened. I'm just guessing. I've never read
• 9:20
  Speaker 1: anything about the making of that record, but I just
• 9:22
  Speaker 1: feel like that's how it went down. I saw them
• 9:24
  Speaker 1: on that tour, by the way, I was in the
• 9:26
  Speaker 1: sixth grade, I believe, uh, and they were incredible. It
• 9:30
  Speaker 1: was you know that movie Maximum Overdrive is partly responsible
• 9:34
  Speaker 1: for my my still to this day and my deep, deep,
• 9:37
  Speaker 1: deep reservoir of love for ACDC. All right, guys six
• 9:40
  Speaker 1: one seven, nine oh six, six six three eight, with
• 9:43
  Speaker 1: your voicemails and your text ac DC and Stephen King's
• 9:47
  Speaker 1: Maximum Overdrive brings up a good question. What's the best
• 9:50
  Speaker 1: rock star slash horror movie crossover? Is it ac DC
• 9:54
  Speaker 1: with Stephen King and Maximum Overdrive? Is it Studio six
• 9:58
  Speaker 1: six six and Foo Fighters? Do you love Rob Zombie
• 10:00
  Speaker 1: as a filmmaker? So what movie do I need to watch?
• 10:03
  Speaker 1: Is it Tom Waits and Bram Stroker's Dracula? Is it
• 10:06
  Speaker 1: kiss In Scooby Doo? It's not Kissing Scooby Doo, But
• 10:09
  Speaker 1: I had to bring that up. It's on the mine
• 10:10
  Speaker 1: because my son's watching that one. What rockstar killed it
• 10:13
  Speaker 1: in horror movie? That's what I want to know? Six
• 10:15
  Speaker 1: one seven, nine oh six sixty six three eight on
• 10:17
  Speaker 1: voicemail or text. Also, Angie, my new friend. I haven't
• 10:20
  Speaker 1: forget about the question of the week that you prompted either. Guys,
• 10:22
  Speaker 1: you can only choose one song to play at your funeral?
• 10:25
  Speaker 1: What is it? I want to know? It's dark, but
• 10:28
  Speaker 1: it's the dark season six one, seven nine oh six
• 10:30
  Speaker 1: six six three eight Back in a moment with your texts,
• 10:54
  Speaker 1: all right? This one from the two five to two,
• 10:56
  Speaker 1: This text coming in saying, uh, hey there, Jake, just
• 11:00
  Speaker 1: to the Robert Johnson episode. It's been a few years
• 11:02
  Speaker 1: and it's as good as it was back then. Good work.
• 11:05
  Speaker 1: I know you read, but you probably have a backlist
• 11:07
  Speaker 1: of books people send you to read. This is true.
• 11:10
  Speaker 1: The two five to two goes on to say, if
• 11:12
  Speaker 1: you do, go ahead and throw Spider's Kiss on the list.
• 11:14
  Speaker 1: It's by Harlan Ellison, one of history's greatest writers. You
• 11:18
  Speaker 1: never heard of. The story is so good, really really
• 11:21
  Speaker 1: really really good. And if Harland was still alive, he
• 11:23
  Speaker 1: would like your show, especially this Robert Johnson episode. I know,
• 11:26
  Speaker 1: I know you're busy, but thanks for doing all you do.
• 11:28
  Speaker 1: You got a two fight too. I like the recommendation there.
• 11:31
  Speaker 1: I will check it out. The three ZHO three rights
• 11:33
  Speaker 1: in I love do comments on Justin Trudeau and Jada
• 11:36
  Speaker 1: Pinkett Smith three oh three is referring to a couple
• 11:40
  Speaker 1: little rants I had. I believe those in the pre
• 11:41
  Speaker 1: party and uh yeah, fuck Justin Trudeau. Let's see at
• 11:46
  Speaker 1: the age six to two rights in your rant on
• 11:48
  Speaker 1: boomer attitudes was really uncalled for. Just as millennials gen X,
• 11:53
  Speaker 1: gen Z don't want to be grouped together as general
• 11:55
  Speaker 1: practitioners of assholary, neither do boomers. All people are not
• 12:00
  Speaker 1: like in a generation. I thought you knew that. Congrats
• 12:03
  Speaker 1: for being part of the intergenerational problem. All right. I
• 12:06
  Speaker 1: don't mind a little criticism, I don't mind a little heat,
• 12:08
  Speaker 1: but I'm gonna I'm gonna stick up for myself. Here
• 12:10
  Speaker 1: at eight six two, you are writing in response to
• 12:13
  Speaker 1: my rant and the pre party on Yon Winner, and
• 12:16
  Speaker 1: I wasn't grouping all boomers together. I was very clear
• 12:19
  Speaker 1: if I do recall on how that generation in particular
• 12:25
  Speaker 1: has had a particular type of narcissism. But I did
• 12:30
  Speaker 1: qualify it. I'm almost positive I did, because I usually do.
• 12:33
  Speaker 1: But if by some chance I did not. If I
• 12:36
  Speaker 1: did not, then I was mistaken. And uh I would
• 12:39
  Speaker 1: ask you, age six to two to look at your
• 12:41
  Speaker 1: generation with the same bit of nuance that I look
• 12:44
  Speaker 1: at mine. You know, Gen xers, we think we're all badass,
• 12:47
  Speaker 1: we think we were raised by wolves, we think we
• 12:49
  Speaker 1: can stand anything. But deep down, we're just as emotional
• 12:53
  Speaker 1: and sensitive as everybody else. And we're not all one group.
• 12:56
  Speaker 1: I know that. I know that I'm not suggesting we are.
• 12:59
  Speaker 1: We are the greatest generation, next of course to the
• 13:01
  Speaker 1: greatest generation. All right, let's get into some more texts.
• 13:04
  Speaker 1: Here seven oh five writing in on an old question
• 13:07
  Speaker 1: here on sad sack music. This question, what favorite seventy
• 13:11
  Speaker 1: sad sack music do you guys get into? Didn't get
• 13:13
  Speaker 1: a lot of traction, but I don't care. I want
• 13:15
  Speaker 1: to get into it.
• 13:16
  Speaker 3: Here.
• 13:16
  Speaker 1: My favorite seventy sad sack music is Casey in the
• 13:18
  Speaker 1: Sunshine Band Please Don't Go. Favorite Jim Crochey album is
• 13:22
  Speaker 1: Photographs and Memories. Favorite alter ego would be Vincent Funnier
• 13:25
  Speaker 1: aka Alice Cooper. Favorite Halloween music is Jack the Ripper
• 13:29
  Speaker 1: by screaming Lord such and that's all I got for now.
• 13:32
  Speaker 1: That's a lot. That is a lot, and I dig it,
• 13:36
  Speaker 1: I dig it. But is Casey in the Sunshine Band
• 13:40
  Speaker 1: Sad Sack Music seven to two four writes in Hey Jake,
• 13:42
  Speaker 1: it's Anthony. You asked about bands to listen to around Halloween,
• 13:45
  Speaker 1: and I was curious what your opinion on Ice nine
• 13:48
  Speaker 1: Kills was, since they do songs based on horror movies, games,
• 13:50
  Speaker 1: and books. Anthony, I've never heard of Ice nine Kills,
• 13:54
  Speaker 1: so I'm gonna have to check that out, or if
• 13:56
  Speaker 1: you want something a little different. This is Anthony continuing.
• 13:59
  Speaker 1: There's a German new Danish folk band called Hilung that
• 14:02
  Speaker 1: uses Viking in German ruins from the Iron Age. That
• 14:06
  Speaker 1: sounds incredible. I don't really know what that is, but
• 14:08
  Speaker 1: that sounds nuts. You also asked about that seventy Sound
• 14:11
  Speaker 1: and Jim Croche and I don't know if this falls in,
• 14:13
  Speaker 1: but I really enjoy Gordon Lightfoot, especially his album's Summertime Dream,
• 14:17
  Speaker 1: And in terms of favorite Halloween disgrace in that episode,
• 14:20
  Speaker 1: I do like the Jim Morrison one best. Big Lyrich
• 14:22
  Speaker 1: is my second. Keep on keeping on in later days, mate,
• 14:25
  Speaker 1: you got it? Seven two four. Uh, yeah, that's a lot.
• 14:30
  Speaker 1: That's a lot. You know that big lyrich episode's coming
• 14:32
  Speaker 1: at you seven to two four in a couple of days,
• 14:34
  Speaker 1: all right, two four to eight, writes in again this
• 14:37
  Speaker 1: also on sad Sack music. You asked about soft music.
• 14:42
  Speaker 1: The seventies are my formative years. I had such a
• 14:44
  Speaker 1: crush on Neil Diamond, wore out his Hot August Night
• 14:47
  Speaker 1: Vinyl Love Cat Stevens as well played Carol King Tapestry
• 14:50
  Speaker 1: and James Taylor Sweet Baby James eight tracks over and over,
• 14:53
  Speaker 1: still love them all seven oh nine, writing in, let's
• 14:56
  Speaker 1: cap this out with another discovery story. That's where we
• 14:59
  Speaker 1: started this whole age thing, with seven oh nine rights saying, hey, Jake,
• 15:02
  Speaker 1: you asked how we got into music. Like most nineties kids,
• 15:04
  Speaker 1: early on, it was whatever my parents listened to, country,
• 15:07
  Speaker 1: Irish traditional until high school, when I was introduced to
• 15:11
  Speaker 1: all ages punk shows by my high school crush. Every
• 15:14
  Speaker 1: Sunday I'd hang out with different people, and then, in
• 15:16
  Speaker 1: the early days of non dial up internet used pure
• 15:18
  Speaker 1: volume to find pop punk emo bands. Now, in my thirties,
• 15:21
  Speaker 1: I've evolved to listen to a variety of Music seven
• 15:24
  Speaker 1: o nine. I remember pure volume, good text, appreciate it.
• 15:28
  Speaker 1: I wonder what you think of the whole emo revival,
• 15:30
  Speaker 1: the pop punk emo revival. I'm sure you're into it
• 15:32
  Speaker 1: as we are.
• 15:33
  Speaker 2: All right.
• 15:33
  Speaker 1: One more here from the six oh nine, Hey Jake,
• 15:35
  Speaker 1: Mary from the six oh nine. Top Halloween songs for
• 15:37
  Speaker 1: me or anything by John Carpenter, especially the Halloween theme.
• 15:41
  Speaker 1: Saw him and his son do a show of all
• 15:43
  Speaker 1: his songs a few years ago and it was awesome.
• 15:45
  Speaker 1: He is such a vibe that sounds incredible. I'd love
• 15:47
  Speaker 1: to see John Carpenter put on a concert that sounds amazing.
• 15:52
  Speaker 1: All right, That's what we got six one seven, nine
• 15:54
  Speaker 1: oh six six six three eight. That's how you get
• 15:57
  Speaker 1: in touch with me. That's how you leave your voicemails,
• 15:59
  Speaker 1: That's how you send you text. That's how we engage
• 16:01
  Speaker 1: here in Disgraceland. I want to know what you're thinking
• 16:03
  Speaker 1: about I want to know what you think about this.
• 16:05
  Speaker 1: I've been thinking a lot about this. I've been thinking
• 16:07
  Speaker 1: a lot about Halloween music. We've been talking about Halloween music.
• 16:09
  Speaker 1: We've been talking about Halloween playlists. But that's got me
• 16:13
  Speaker 1: thinking what music you brought up? John, Carpenter What music
• 16:17
  Speaker 1: scares you? John Carpenter makes some scary fucking music, the
• 16:21
  Speaker 1: soundtrack for The Fog in particular. But it doesn't have
• 16:24
  Speaker 1: to be horror themed compositions. It doesn't have to be
• 16:28
  Speaker 1: from horror directors, doesn't have to have anything to do
• 16:30
  Speaker 1: with Halloween. Just like what music actually scares you, like
• 16:36
  Speaker 1: freaks you out. Like you're driving late at night. It's dark,
• 16:40
  Speaker 1: maybe it's foggy, maybe this is a little miss in
• 16:43
  Speaker 1: the air. You can see the white lines on the
• 16:46
  Speaker 1: sides of the roads, but you can't really make out
• 16:48
  Speaker 1: the dotted line in the middle. You're driving about twenty
• 16:51
  Speaker 1: miles slower than you normally do, and that song comes
• 16:55
  Speaker 1: on the radio and you're into it. At first, it's
• 16:58
  Speaker 1: a vibe. It fits with the fog and the mist
• 17:02
  Speaker 1: and the darkness of it all. But then something turns
• 17:06
  Speaker 1: and it's it's actually a different feeling. It's fucking fear.
• 17:10
  Speaker 1: What is that music? What is that music that will
• 17:13
  Speaker 1: transform your environment and scare the shit out of you.
• 17:17
  Speaker 1: It can be anything. It can be sad sax seventies music,
• 17:20
  Speaker 1: it can be James Taylor. For me, it's like weirdly
• 17:24
  Speaker 1: Donovan and I think that's because of the David Fincher
• 17:27
  Speaker 1: movie The Zodiac. I blame David Fincher for Donovan being scary,
• 17:33
  Speaker 1: but also Echo and the Bunny Man, Massie Starr scary
• 17:37
  Speaker 1: shit six one seven nine oh six six six three eight.
• 17:40
  Speaker 1: Let me know what music scares you for real? Also,
• 17:44
  Speaker 1: a ton of great questions have been prompted just in
• 17:47
  Speaker 1: this after party, from your voicemails and your text in
• 17:49
  Speaker 1: this little conversation we have going. What song is playing
• 17:52
  Speaker 1: at your funeral? What rock star killed it in that
• 17:54
  Speaker 1: horror movie that you love? What music freaks you out?
• 17:57
  Speaker 1: Like I said, is it Echo and the Bunny Man?
• 17:58
  Speaker 1: Is it Donovan Hurdy Gurdy Man as he star? Like
• 18:00
  Speaker 1: I said, all of that freaks me out. I want
• 18:02
  Speaker 1: to know what freaks you out? All right? Also, Angie,
• 18:06
  Speaker 1: first time caller, prompted this idea, Why does Angie get
• 18:10
  Speaker 1: to have all the fun What questions do you guys
• 18:11
  Speaker 1: have for each other? Not necessarily for me, but for
• 18:14
  Speaker 1: each other. Why do Angie and I have to do everything? Well,
• 18:16
  Speaker 1: that's what I'm asking. Hit me with your questions. What
• 18:20
  Speaker 1: would make for a good question of the week, all right?
• 18:23
  Speaker 1: Something related to true crime and music. Yes, perhaps horror,
• 18:25
  Speaker 1: because that's what we're in right now. But you know
• 18:27
  Speaker 1: what we're all talking about in here. What do you
• 18:30
  Speaker 1: want to have answered? It can be anything. It can
• 18:32
  Speaker 1: be a general question, it can be a specific question.
• 18:34
  Speaker 1: Six one seven, nine oh six six six three eight
• 18:36
  Speaker 1: voicemail text. I'll pose it on the next after party.
• 18:39
  Speaker 1: All right, quick break back in the flash. All right,
• 18:56
  Speaker 1: welcome back again. Six one seven nine six six. Let
• 19:00
  Speaker 1: me know what music scares you, What music terrifies you,
• 19:02
  Speaker 1: What makes you check the locks on your doors, what
• 19:04
  Speaker 1: makes you drive faster? What makes you slow down? I
• 19:07
  Speaker 1: want to know what it is. Let me know what
• 19:09
  Speaker 1: song is playing at your funeral, what rocks are killed
• 19:12
  Speaker 1: it in that horror movie that you love? And what
• 19:14
  Speaker 1: questions do you have for your fellow Disgrace LAM listeners
• 19:16
  Speaker 1: or just the world in general. Let this be your platform,
• 19:20
  Speaker 1: Let this be your town square. You can hit me
• 19:23
  Speaker 1: up here six one seven, nine oh six six six
• 19:25
  Speaker 1: three eight. You can hit me up at Disgrace Lampod
• 19:27
  Speaker 1: on Instagram, Twitter and Facebook. Excuse me x not Twitter,
• 19:31
  Speaker 1: and Disgrace Lampod at gmail dot com. For the emails,
• 19:34
  Speaker 1: I answer those and the pre parties on Mondays. That's it,
• 19:38
  Speaker 1: That's all I got. Let me know what you got.
• 19:40
  Speaker 1: We're gonna recap real quick number one right now in
• 19:43
  Speaker 1: your feed. Halloween episodes on ac DC, Ozzy Osbourne, Robert Johnson,
• 19:47
  Speaker 1: led Zeppelin, Norwegian Black Metal episodes on Charles Manson, Skip James,
• 19:51
  Speaker 1: and Black Sabbath, all coming to you the rest of
• 19:53
  Speaker 1: this week. Number two. Over in the bad Lands Feed,
• 19:55
  Speaker 1: we've got a brand new episode on John Houston and
• 19:57
  Speaker 1: what crime forced them to leave the United States, Hustle
• 20:00
  Speaker 1: for spare change on the streets of London. You're gonna
• 20:02
  Speaker 1: want to hear that story. Number three next week in
• 20:05
  Speaker 1: the disgrace Land Feed, more horror business with reincarnated archive
• 20:08
  Speaker 1: releases on Big Lurch and the Misfits. To wrap up
• 20:11
  Speaker 1: our Halloween extravaganza, Number four, My number six one, seven,
• 20:16
  Speaker 1: nine oh six sixty six three eight call me on
• 20:17
  Speaker 1: the telephone or text me number five. Remember, no one
• 20:19
  Speaker 1: cares about music that you love more than you do.
• 20:22
  Speaker 1: And well that's a disgrace, all right. My moment of
• 20:24
  Speaker 1: bliss me reading you the phone book from Wittier, California
• 20:28
  Speaker 1: in nineteen eighty five, the very location in the very
• 20:31
  Speaker 1: year where Richard Ramirez killed. Benjamin Shirley one four nine
• 20:38
  Speaker 1: four three East Gagley Drive nine four four five one
• 20:42
  Speaker 1: four six, Benjamin Wesley ten forty five North Asusa Avenue
• 20:48
  Speaker 1: eight one eight, three, three, two, nine, eight nine five
• 20:53
  Speaker 1: Benjamins Ernesto C three oh four North Larkin Drive eight
• 20:57
  Speaker 1: one eight nine six, six seven six three two Benjamin's
• 21:01
  Speaker 1: Hardwood Floors eight one eight, seven, nine, seven, five two
• 21:06
  Speaker 1: four five eighty Benjamins k N four fifty six East
• 21:10
  Speaker 1: Italia Corner eight one eight nine six, seven, four five
• 21:14
  Speaker 1: three seven eight nineteen Mountains one two three three three,
• 21:19
  Speaker 1: Start Floor, wod you sixty nine one two two, Show
• 21:24
  Speaker 1: vendred four.
• 21:25
  Speaker 3: One two two.
• 21:31
  Speaker 1: Quit talking and start mixing