Latest / Under the Docs / CHAOS: The Manson Murders (2025), MK-ULTRA and Hollywood | Under The Docs 016
Transcript
- 0:00Speaker 1: C I A. S. T. D's LSD Manson and five.
- 0:11Speaker 2: Under the Dogs, Yeah, under the docks, very baking looks.
- 0:20Speaker 1: Could they arise all the shots like the Dogs under
- 0:24Speaker 1: the docks? One in the docks, Yeah, under the docks.
- 0:28Speaker 3: Shocks.
- 0:42Speaker 1: Under the Dogs.
- 0:54Speaker 2: Sean Chris paranoid American. This is under the Docks today.
- 1:00Speaker 2: Chaos the Manson Murders twenty twenty five film directed by ARLN.
- 1:05Speaker 1: Morris, probably butchering the.
- 1:07Speaker 2: Name, but this film comes from the book Chaos the
- 1:12Speaker 2: Manson Murders from Tom O'Neil, and it explores the murders
- 1:17Speaker 2: in a different sense. And since everybody knows this is
- 1:20Speaker 2: mind control MKOTRA month, we had to dive into not
- 1:25Speaker 2: a classic as far as film wise, but a classic
- 1:28Speaker 2: as far as MKOTRA conspiracies and the Manson murders.
- 1:33Speaker 4: Plus the book Chaos is a twenty year plus project,
- 1:38Speaker 4: so this is sort of og material, even if the
- 1:41Speaker 4: documentary itself is fairly new. The research has been going
- 1:45Speaker 4: on for over half my lifetime.
- 1:47Speaker 2: Yeah, and he got big on the out there in
- 1:51Speaker 2: Tom O'Neal when he went on The Rogan Show, and
- 1:53Speaker 2: he went on Rogan and started talking about the book
- 1:56Speaker 2: and I think that's where I really set fire and
- 1:59Speaker 2: probably inspired whoever Morris put this film together, probably contacted him,
- 2:04Speaker 2: inspired him to do that is probably seeing that because
- 2:06Speaker 2: I know I didn't hear of it personally until he
- 2:09Speaker 2: was on Rogan, which was I think two three years
- 2:11Speaker 2: ago or something like that.
- 2:13Speaker 4: Well, the show that I do on Tuesday's Live Sink Tank,
- 2:18Speaker 4: this particular topic comes up on damn near every single show,
- 2:22Speaker 4: and it's one of those things that goes so deep
- 2:25Speaker 4: that it's a little bit hard to even think that
- 2:28Speaker 4: they would cover the entire thing and roughly an hour
- 2:30Speaker 4: and a half like they do in this Chaos documentary.
- 2:33Speaker 5: Again twenty years of research.
- 2:35Speaker 4: There's so many rabbit holes, man, when you get into
- 2:37Speaker 4: the Hollywood aspect, the SRA aspect, the MK Ultra aspect,
- 2:41Speaker 4: Charles Manson in himself could warrant for, you know, a
- 2:45Speaker 4: multidocumentary series.
- 2:47Speaker 5: So this is a this is a crazy one.
- 2:59Speaker 1: Plotting the.
- 3:01Speaker 2: There's some wild as you alluded to, key claims in this.
- 3:06Speaker 2: I'm gonna just start off right away with one of
- 3:09Speaker 2: the kind of major claims and I'm gonna connect it
- 3:12Speaker 2: later to another claim. But Charles Manson and the Aubrey
- 3:16Speaker 2: Free Medical Clinic, his connection after getting out of jail Manson,
- 3:21Speaker 2: which according to the film in the book that he
- 3:25Speaker 2: did not want to get out right like they specify that,
- 3:28Speaker 2: like he was had like a couple more years. He's like,
- 3:30Speaker 2: I want to stay in jail, like he was in
- 3:32Speaker 2: for seven or eight years or something. He was like
- 3:34Speaker 2: willing to stay in there. And then to connect his
- 3:38Speaker 2: roots of with the Manson family going to this clinic.
- 3:42Speaker 2: And at this clinic they were experimenting with LSD and
- 3:45Speaker 2: a lot of like mind control stuff and allegedly may
- 3:49Speaker 2: have met something we'll speak a little bit later, Jolly West,
- 3:53Speaker 2: who I think plays a significant role in this film.
- 3:56Speaker 4: Yeah, And that this particular clinic was where where you
- 4:00Speaker 4: would call Hashbury. This is the Hat Ashbury, which is
- 4:03Speaker 4: in crossroads, right, Just these two different the street Hate
- 4:08Speaker 4: and the Street of Ashbury, they connect together this one
- 4:11Speaker 4: particular spot. There's a clinic there. And like you were mentioning,
- 4:15Speaker 4: not only was Manson somehow not going directly to jail
- 4:19Speaker 4: over and over again, they were like no, no, no,
- 4:21Speaker 4: we need you out in the open world. But he
- 4:23Speaker 4: went to this clinic for at least two different reasons.
- 4:26Speaker 4: One of those is because it's where he met his
- 4:28Speaker 4: parole officers, where they had their weekly meetings. And the
- 4:31Speaker 4: other reason is because he had this harem of women
- 4:34Speaker 4: that followed him around that I guess were just loaded
- 4:36Speaker 4: with STDs literally, and they would go to that particular
- 4:41Speaker 4: clinic again, probably just tagged along with him for his
- 4:44Speaker 4: weekly parole visit. They'd all just got like their weekly shots,
- 4:47Speaker 4: you know, or whatever the hell they were doing to
- 4:49Speaker 4: scrape that stuff out of.
- 4:50Speaker 1: There, make sure they are still good to go, right.
- 4:54Speaker 5: I don't think Manson cared man and to.
- 4:57Speaker 2: Like piggyback off a little bit of that claim too,
- 5:00Speaker 2: is that the weird thing about that was that he
- 5:03Speaker 2: was on parole and that was a violation of his
- 5:05Speaker 2: parole to leave I think was Los Angeles County to
- 5:09Speaker 2: go into San Francisco the Berkeley area. So that alone
- 5:14Speaker 2: was a violation that normally it was me or you
- 5:16Speaker 2: would get picked up on that.
- 5:19Speaker 4: The clear point that this documentary was making with this
- 5:22Speaker 4: one is that he was intentionally not being allowed to
- 5:27Speaker 4: hang out in jail. Someone in jail all right between
- 5:29Speaker 4: the lines here, someone in jail saw the potential of
- 5:33Speaker 4: Charles Manson and said what do we do in waste
- 5:35Speaker 4: in this resource inside of prison. This guy could be
- 5:38Speaker 4: under MK ulture, he could be a project. So they
- 5:42Speaker 4: made sure that he didn't go back in jail, no
- 5:44Speaker 4: matter what he did, no matter what he got mixed
- 5:46Speaker 4: up in, including murder.
- 5:48Speaker 5: They were like, no, no, he's good, just have him
- 5:50Speaker 5: come back to the Hushbury Clinic.
- 5:53Speaker 1: The second major claim that I'll go off of, and
- 5:56Speaker 1: this is huge.
- 5:57Speaker 5: Two.
- 5:57Speaker 2: This is kind of like, basically to WI It's titled
- 6:01Speaker 2: what it's titled, right, the CIA Operation Chaos. Operation Chaos
- 6:06Speaker 2: was initiated by the CIA to monitor and disrupt domestic
- 6:11Speaker 2: movements during the nineteen sixties. So the hippie movement, We've
- 6:15Speaker 2: heard of this kind of infiltration before. I've talked about
- 6:18Speaker 2: the cast Sunstein cognitive infiltration, but this is like the
- 6:21Speaker 2: roots of it, where this anti war movement, what we
- 6:25Speaker 2: would call the hippie movement, the drug movement, whatever you
- 6:28Speaker 2: want to label these different movements. They were trying to
- 6:31Speaker 2: get into these groups and kind of dictate what they
- 6:35Speaker 2: did and kind of change their philosophies or make them
- 6:38Speaker 2: look bad.
- 6:40Speaker 4: The analogy in this documentary is they bring up FBI's
- 6:44Speaker 4: co Intel pro and basically, the FBI is supposed to
- 6:48Speaker 4: operate inside the US domestically, and the CIA is supposed
- 6:52Speaker 4: to operate internationally. And this is one of the clear
- 6:55Speaker 4: examples of the CIA stepping on some toes or just
- 6:59Speaker 4: doing their some justification as to how this dealt with
- 7:03Speaker 4: international matters, But the truth is that they were just
- 7:05Speaker 4: running their own version of Cointel bro And in this
- 7:09Speaker 4: brief documentary they sort of point out a couple of
- 7:13Speaker 4: the reasons. One of those was, like you said, it
- 7:15Speaker 4: was to infiltrate these left wing groups in particular and
- 7:19Speaker 4: neutralize them. That was quote, to neutralize them. And this
- 7:22Speaker 4: sort of encompassed the Black Panthers and the hippie movement.
- 7:26Speaker 4: And there's also some correlation where once Manson started causing
- 7:31Speaker 4: all this ruckus and got on TV, and we've got
- 7:34Speaker 4: these Manson murders and a cult maybe that is following him,
- 7:37Speaker 4: and that there's LSD involved, the CIA tries to rub
- 7:41Speaker 4: some of that stink on the hippie movement at large,
- 7:44Speaker 4: so that the parents watching a home they see, hey,
- 7:47Speaker 4: if you let your kids go to San Francisco and
- 7:50Speaker 4: take acid and become part of this hippie movement, they're
- 7:53Speaker 4: just going to murder people. They're just going to turn
- 7:55Speaker 4: either into Manson himself or they're going to follow some
- 7:58Speaker 4: guy like Manson, And that was just playing directly into chaos.
- 8:03Speaker 1: Directly into it.
- 8:04Speaker 2: And that leads me into that claim of FBI operations
- 8:08Speaker 2: against the Black Panthers, where like that was the tactics
- 8:12Speaker 2: they were using, and not only their operation, but how
- 8:17Speaker 2: it seemed that the murders and they kind of connect
- 8:20Speaker 2: in the film that like they were staged to look
- 8:23Speaker 2: like the Black Panthers created a lot of these murders.
- 8:25Speaker 2: There was Paul Prince, there were certain aspects that were
- 8:29Speaker 2: left to They talk about one guy that was shot,
- 8:34Speaker 2: not a very prominent Black Panther member. I think it
- 8:36Speaker 2: turned out that he was not even in the Black Panthers,
- 8:38Speaker 2: but they thought he was associated a prominent Black Panther
- 8:42Speaker 2: Bernie I believe his name was, and him getting shot
- 8:46Speaker 2: was like the premise of like, hey, we can blame
- 8:49Speaker 2: this all now on the Panthers.
- 8:51Speaker 1: The actual murders.
- 8:53Speaker 4: Yeah, there's the subtext of racism and helter skelter with
- 8:57Speaker 4: Charles Manson, and that they would write the word pig
- 9:00Speaker 4: in the blood of the murder scene on the way out,
- 9:03Speaker 4: using like a little towel, And it was also supposed
- 9:05Speaker 4: to be fomenting this this racial war, and I guess
- 9:09Speaker 4: in their mind it was a very real escalation, something
- 9:12Speaker 4: that was just going to happen if they just kind
- 9:15Speaker 4: of like pushed it over the edge, even though it
- 9:17Speaker 4: didn't technically happen the way that they envisioned. Manson he
- 9:23Speaker 4: claimed that he was inspired by the Beatles album and
- 9:28Speaker 4: that they would listen to the White Album for days
- 9:30Speaker 4: on end on these long acid trips, and then they
- 9:33Speaker 4: go out and do these murders, and they would sort
- 9:35Speaker 4: of use the blood of the murder scene to write
- 9:38Speaker 4: lyrics from the Beatles albums, and the one that they
- 9:40Speaker 4: stuck with was this Helter Skelter.
- 9:44Speaker 2: Which gets me into my next claim from the prosecutor.
- 9:49Speaker 1: Writing the book, Vincent Bolglowski.
- 9:54Speaker 2: I think that's how you say his name, where he suggested, like,
- 9:57Speaker 2: you know, like goes off with this premise of the
- 9:59Speaker 2: Beatles murder and Helter Skelter is named of the book,
- 10:02Speaker 2: and a claim in this film, and not just this film,
- 10:06Speaker 2: but they hone in on it here is that Helter
- 10:08Speaker 2: Skelter was written and the whole Manson trial was just
- 10:14Speaker 2: like to sell books, like he was painting this picture
- 10:18Speaker 2: and making it so extravagant that so he could sell
- 10:21Speaker 2: his book that he was writing and had people there
- 10:24Speaker 2: writing and taking notes of the trial right when he
- 10:28Speaker 2: was having Manson right there, and then all the little
- 10:31Speaker 2: extra stuff with the women and Manson, it really like.
- 10:35Speaker 1: They played a party, almost as if they were in
- 10:38Speaker 1: on it together.
- 10:40Speaker 4: I mean, it became a spectacle and almost everyone from
- 10:44Speaker 4: every walk of life exploited the Manson murders and some
- 10:47Speaker 4: capacity right one of the I don't know if you
- 10:50Speaker 4: got this this key point yours. This was just like
- 10:53Speaker 4: a small little tidbit, but I didn't know this part that,
- 10:57Speaker 4: or at least is what they claim that the Manson
- 11:01Speaker 4: murders where that took Sharon Tate right, they go and
- 11:05Speaker 4: they break in, and it is probably one of the
- 11:07Speaker 4: most famous of all of the Tate LaBianca murders. But
- 11:10Speaker 4: the Sharon Tate murder only happened because Manson didn't know
- 11:14Speaker 4: that this record producer Terry Melcher moved that. Originally he
- 11:19Speaker 4: was trying to take out this guy, Terry Melcher. And
- 11:21Speaker 4: when they showed up and they said Hey, you know, Charlie,
- 11:25Speaker 4: he's not there. He said, well, just kill anyone that's
- 11:27Speaker 4: in the house, and who happened to be in the
- 11:29Speaker 4: house was Sharon Tate and for other people, so that
- 11:32Speaker 4: the most famous of the Charles Manson murders. According to
- 11:36Speaker 4: the some of the research presented in this documentary was
- 11:38Speaker 4: kind of done as a mistake. I'm not sure how
- 11:41Speaker 4: much I believe or understand that, Yeah, that.
- 11:46Speaker 2: They painted the picture too of like that's what I
- 11:49Speaker 2: was gonna one of my other claims. I didn't have
- 11:51Speaker 2: that as a claim because.
- 11:52Speaker 1: They did it.
- 11:53Speaker 2: Being a mistake does sound like human nature, right, like, hey,
- 11:56Speaker 2: we're going to kill this guy. But it also is
- 11:58Speaker 2: a little far fetched for me because you're like, he
- 12:01Speaker 2: just so happened not to be there, and all these
- 12:03Speaker 2: other famous people were there, and they're like, yeah, just
- 12:05Speaker 2: kill him anyways, you know, And they made it seem
- 12:08Speaker 2: like they were so drugged out that they just followed
- 12:10Speaker 2: the orders. But one of the funny claims in here
- 12:13Speaker 2: to me, not funny but ironic that I didn't realize
- 12:16Speaker 2: is that the Beach Boys used one of Manson's songs
- 12:21Speaker 2: and the end they renamed it and kind of took,
- 12:25Speaker 2: you know, and they that's the premise of him being
- 12:30Speaker 2: psychotic and pissed off about all this stuff, is that
- 12:33Speaker 2: they used his song, didn't give him any royalties. He
- 12:36Speaker 2: got like three hundred bucks up front, and that's what
- 12:39Speaker 2: kind of made him on this rampage.
- 12:42Speaker 5: Yeah, it was.
- 12:43Speaker 4: The song was called Cease to Exist, and it's officially
- 12:46Speaker 4: credited to Dennis Wilson, but it's actually Charles Manson song.
- 12:50Speaker 4: Like you said, he gave him three hundred bucks outright,
- 12:52Speaker 4: and then he just kept all the royalties. So after
- 12:56Speaker 4: the song starts selling and starts doing fairly well, Charlie
- 12:59Speaker 4: goes an out and hey, where's my action?
- 13:01Speaker 5: He's like, nah, bro, like he sold it. And this
- 13:04Speaker 5: was atypical.
- 13:05Speaker 4: This was clearly Dennis Wilson absolutely taking advant in Charles
- 13:10Speaker 4: Manson and that Charlie he only really had any sort
- 13:15Speaker 4: of possible production I don't even say productive, but the
- 13:19Speaker 4: only way he was going to ever exist in society
- 13:22Speaker 4: was probably going to be as a musician, and since
- 13:24Speaker 4: that got taken away from him in such a dramatic way, Yeah,
- 13:28Speaker 4: that kind of gets cited as one of these breaking
- 13:30Speaker 4: points when he's like, all right, screw the world and
- 13:32Speaker 4: I'm taking everyone with me.
- 13:34Speaker 5: Yeah.
- 13:35Speaker 1: And my final key claim in this is go back
- 13:40Speaker 1: to Jolly West.
- 13:41Speaker 2: Is when you see the women and the followers of
- 13:45Speaker 2: the Manson family, it seemed like Charlie learned some techniques
- 13:51Speaker 2: along the way and they claim that these techniques of
- 13:54Speaker 2: mind control that he learned was from Jolly West.
- 13:57Speaker 1: Now, Jolly West pushes back like.
- 14:01Speaker 2: They don't really interview him, but like throughout the years
- 14:03Speaker 2: they talk about he denies any involvement with the CIA
- 14:06Speaker 2: and his experiments with LSD, But him being at that
- 14:10Speaker 2: clinic and connecting to Charles Manson, to me, it does
- 14:14Speaker 2: have a little thread right there where he got these
- 14:16Speaker 2: tactics from someone and possibly Jolly West is the smoking gun.
- 14:23Speaker 5: This is where I'll put my bias on full display.
- 14:25Speaker 4: But Jolly West's themes at this point irrefutable that he
- 14:29Speaker 4: was in the CIA and working alongside the CIA. There's
- 14:32Speaker 4: just too many incidences where he's actively involved on projects,
- 14:37Speaker 4: and this one in particular, I guess the part that
- 14:41Speaker 4: that's very subtle in the documentary with the part that
- 14:43Speaker 4: they really make is that Jolly West is there at
- 14:47Speaker 4: hey Ashbury, at that clinic and he sets up a
- 14:51Speaker 4: few different locations where basically grad students from the college
- 14:57Speaker 4: he's at. They start growing their beards out. Everyone's looking
- 15:00Speaker 4: the part, they're looking like hippies, And really it's just
- 15:03Speaker 4: this house or a clinic where people can come and
- 15:06Speaker 4: crash and they're taking notes on them, and that's all
- 15:09Speaker 4: it is. It's supposed to be like an observation thing.
- 15:11Speaker 4: They're probably giving them drugs and they're probably you know,
- 15:14Speaker 4: giving them some lectures. They don't go into a lot
- 15:16Speaker 4: of that. But the part that's the most interesting is
- 15:20Speaker 4: that the same time that Manson shows up at this
- 15:24Speaker 4: clinic is the same time that Jolly West leaves the clinic.
- 15:29Speaker 4: So it's like he set it all up. He got
- 15:31Speaker 4: all the different systems in place, everything's running, and then
- 15:35Speaker 4: someone says action and then he leaves to go and
- 15:39Speaker 4: create this barrier right to create a very clear separation
- 15:43Speaker 4: from him and Manson, even though it's got Jolly West
- 15:46Speaker 4: fingerprints all over it.
- 15:56Speaker 5: It.
- 15:57Speaker 1: In Treasures in Overboard Moments, for me, one of the.
- 16:00Speaker 2: Big hidden treasures is like I didn't really know as
- 16:04Speaker 2: much how much they were trying to, Like I've always
- 16:06Speaker 2: sort of the race war aspect, but I didn't realize
- 16:10Speaker 2: how there was a narrative of them actually trying to
- 16:12Speaker 2: pin these murders on the Black Panthers, and the extent
- 16:16Speaker 2: that it seemed like they went to and how they
- 16:19Speaker 2: really thoroughly like talked about like almost like gang culture
- 16:22Speaker 2: wasn't necessarily gang culture what we know today, but like
- 16:26Speaker 2: with bikers and the Black Panthers, and how this narrative
- 16:30Speaker 2: was really easy to set out there of the landscape
- 16:33Speaker 2: of the times.
- 16:35Speaker 4: I mean, clearly the civil rights movement people were still
- 16:38Speaker 4: really charged by this. I mean we're talking sixties going
- 16:42Speaker 4: into the early seventies. But I also wonder, I mean,
- 16:45Speaker 4: I'm ignorant, I wasn't even alive back then, right, But
- 16:49Speaker 4: they really think there's just three murders and writing the
- 16:52Speaker 4: word pig in blood on someone's door and on the wall,
- 16:55Speaker 4: that that was going to cause a national race war
- 16:58Speaker 4: just across the entire country. Everyone's just going at it.
- 17:02Speaker 4: It seems like something a bunch of drugged up hippies
- 17:06Speaker 4: would assume that they're, of course it's going to have
- 17:09Speaker 4: these huge ripples because we're in the center of it,
- 17:11Speaker 4: and we're so important, and like, you know, like they're
- 17:14Speaker 4: so inflated already with the egos that they probably did
- 17:18Speaker 4: think that this was going to cause some kind of
- 17:19Speaker 4: race war. I can see it from the other end too,
- 17:21Speaker 4: where this is just a very superficial face that they
- 17:25Speaker 4: put on it. It's just a facade that's also under
- 17:28Speaker 4: some kind of CIA influence.
- 17:29Speaker 5: I don't know. It's chaotic, right.
- 17:32Speaker 2: No, I'm with you, because that's like what you think
- 17:34Speaker 2: of like someone's super lsd'd out or like even like
- 17:37Speaker 2: coked out, like where they have those crazy epiphanies where
- 17:40Speaker 2: they're like, oh, you know what we could do and
- 17:42Speaker 2: it sounds great.
- 17:43Speaker 5: You know, like Jesus man, I'm totally Jesus. They're like, yeah,
- 17:46Speaker 5: you are.
- 17:50Speaker 4: The other The hidden treasure for me, the biggest one
- 17:54Speaker 4: is that this will introduce normies to Jolly West. There
- 17:58Speaker 4: are so many people that oh, Charles Manson documentary, I'll
- 18:03Speaker 4: check that out because it checks a couple of boxes, right,
- 18:06Speaker 4: Charles Manson just as being like this weird satanist slash
- 18:09Speaker 4: accult slash weirdo that people are obsessed with. It's got
- 18:13Speaker 4: true crime in it, it's got Hollywood in it. So
- 18:16Speaker 4: because it hits all these different points, something inside of
- 18:20Speaker 4: me just wishes that this means that Jolly West becomes
- 18:24Speaker 4: slightly more mainstream. He'd be like, oh, let me look
- 18:26Speaker 4: up this doctor Lewis Jollyton, you know West a little bit.
- 18:30Speaker 4: Let's see what this guy's in zoo and hopefully have
- 18:33Speaker 4: their mind blown because this guy he leaves his fingerprints
- 18:36Speaker 4: at the scene at so many of these mk ult
- 18:39Speaker 4: like Oklahoma City. I think whenever this came up and
- 18:43Speaker 4: we did a noble lie, his name comes up in
- 18:46Speaker 4: the jfk assassination. He's the last one to interview Jack Ruby.
- 18:49Speaker 4: He's a guy that dosed an elephant to death on
- 18:53Speaker 4: a whole host of different drugs, just kind of messing around.
- 18:57Speaker 4: So I think more people should know who Jolly West.
- 19:00Speaker 4: Business documentary will definitely do that.
- 19:03Speaker 2: And as far as overboard moments, for me, it's not
- 19:06Speaker 2: necessarily overboard. I think when you connect the book and
- 19:11Speaker 2: watching the film, I just felt they stuck really to
- 19:14Speaker 2: the mainstream narrative, like they do, dabble and tell you
- 19:17Speaker 2: some great information, like you said, Jolly West and some
- 19:20Speaker 2: of the connections and some of the stuff, but it
- 19:23Speaker 2: seems like there's a lot of pushback and Vince gets
- 19:26Speaker 2: a lot of airtime and he gets to say his
- 19:29Speaker 2: side of the store, and they kind of like, even
- 19:31Speaker 2: though they talked to Tom O'Neill, they don't give him
- 19:35Speaker 2: as much shine as I would like, and I would
- 19:37Speaker 2: like him to have been the lead more into this.
- 19:39Speaker 2: It seems like they were like, yeah, you know, those
- 19:41Speaker 2: are kind of crazy conspiracies you have, though, like, and
- 19:44Speaker 2: they kept pushing back on everything he had to say.
- 19:47Speaker 4: I don't have a whole lot more to add to that.
- 19:49Speaker 4: I think that's probably the biggest thing. Again, is this
- 19:52Speaker 4: twenty years of someone's research that went into making the
- 19:56Speaker 4: original book, and then at the end of it you
- 19:58Speaker 4: get roughly a ninety minute documentary. So they have to
- 20:02Speaker 4: jump over a lot of stuff, and there's a lot
- 20:05Speaker 4: of rabbit holes. And I also just wondered, too, man,
- 20:07Speaker 4: there might be someone that's in the back room, you know,
- 20:10Speaker 4: in the editing base, someone that's not on the actual
- 20:13Speaker 4: screen during the production of this. It's like, yeah, no,
- 20:16Speaker 4: I'm not saying that. Yeah no, I'm not going to
- 20:18Speaker 4: be associated with that at all, because let's not forget
- 20:21Speaker 4: the scope here. We're talking about the CIA and a
- 20:25Speaker 4: lot of details of programs that have never been revealed
- 20:28Speaker 4: a lot of its speculation, and is the closer you
- 20:31Speaker 4: get with your speculation to the truth more dangerous it
- 20:34Speaker 4: becomes for you? Like I actually that there's my paranoid
- 20:37Speaker 4: tinfoil hat on a little bit. But I wonder if
- 20:40Speaker 4: you're really going to drop this for the normies on
- 20:42Speaker 4: HBO or Showtime wherever the hell on Netflix, there's probably
- 20:46Speaker 4: some people that are making sure that they don't get
- 20:49Speaker 4: mrked over it.
- 21:04Speaker 2: Let's take a deep dive. It's time for that, and
- 21:06Speaker 2: of course my deep dive. And I don't know if
- 21:09Speaker 2: you were on the same boat as mean, but Jolly West, right,
- 21:13Speaker 2: Jolly West is the key figure to me in this
- 21:16Speaker 2: whole film. They talk about him in the beginning a
- 21:19Speaker 2: little bit towards the end, but like he's not maybe
- 21:21Speaker 2: the focal point what I would like it to be
- 21:23Speaker 2: as much. But they do talk about him pretty extensively,
- 21:28Speaker 2: compared like you said, it being on Netflix and enormy
- 21:32Speaker 2: kind of angle.
- 21:34Speaker 1: So to just hear him out there.
- 21:35Speaker 2: And I think the thing about him is that, first
- 21:39Speaker 2: of all, he was born in California, got.
- 21:42Speaker 1: A degree at UCLA.
- 21:43Speaker 2: He had military service in the Air Force in World
- 21:47Speaker 2: War Two, and the Korean War, a prominent physician and
- 21:50Speaker 2: professor focusing on psychiatric stuff, chairman of the Department of
- 21:56Speaker 2: Psychiatric at UCLA, involvement with the CIA, associated with CIA's
- 22:01Speaker 2: mk Ultra program exploring mind control techniques and drug use
- 22:05Speaker 2: like LSD and hypnosis.
- 22:08Speaker 1: His fingerprints are all over this.
- 22:11Speaker 2: Like you said, it's the perfect storm for where he
- 22:14Speaker 2: was at, the LSD, the mind control substances, and that
- 22:19Speaker 2: clinic being connected with Manson. I feel like this was
- 22:23Speaker 2: the rollout of like, Okay, we've done all these mk
- 22:25Speaker 2: ultra tests, we've had these trials, let's have a real
- 22:29Speaker 2: world experience and push it out there further.
- 22:33Speaker 5: You can see this as sort of a trend too.
- 22:36Speaker 4: We haven't done any Ted Kazinski documentaries yet, but you'll
- 22:39Speaker 4: see this same sort of pattern develop where they identify
- 22:45Speaker 4: someone that is outside the norm, right, they identify someone
- 22:48Speaker 4: that stands out to them and say, let's put all
- 22:52Speaker 4: of our effort into this person. Let's see if we
- 22:54Speaker 4: can make them crack, and if we can make them crack,
- 22:57Speaker 4: let's see what happens from that. And that's actually one
- 22:59Speaker 4: of the things that this documentary. One of the people
- 23:03Speaker 4: makes such a really good point where it's hard to
- 23:06Speaker 4: tell the difference between the CIA sitting down and being like, Okay,
- 23:09Speaker 4: we're gonna plot this happen and then this happens, like
- 23:11Speaker 4: choreographing this entire thing, versus.
- 23:14Speaker 5: Let's just kick back and see what happens. Let's just
- 23:16Speaker 5: let this one guy.
- 23:18Speaker 4: Let's make it so he never goes to jail, and
- 23:20Speaker 4: anytime he gets in trouble, we just send him right
- 23:22Speaker 4: back to this free clinic. We we kind of like
- 23:24Speaker 4: recenter him with his parole officer and turn him back loose,
- 23:27Speaker 4: and let's just see what happens if we.
- 23:30Speaker 5: You know, allow this to continue.
- 23:32Speaker 4: The drugs and the mind control and everything that's kind
- 23:35Speaker 4: of implied in this movie that maybe it's not all choreographed.
- 23:39Speaker 4: Maybe it's just them playing, you know, sign like mad
- 23:42Speaker 4: science experiment out in public.
- 23:54Speaker 1: Ripples in Ways to me, the main Ripples in Ways
- 23:59Speaker 1: comes from the book, right, like the book caused this documentary.
- 24:03Speaker 2: And I think you said earlier best this is a
- 24:07Speaker 2: chance for people that would not normally go down these
- 24:10Speaker 2: mind control avenues of ultra. A lot of people that
- 24:14Speaker 2: are into true crime are going to check this out
- 24:16Speaker 2: and they're gonna be like Mkultra. I kind of heard
- 24:18Speaker 2: of that, you know, and then it's getting into the
- 24:20Speaker 2: mind control that to me is going to be the
- 24:23Speaker 2: main ripples of this is going to connect a lot
- 24:25Speaker 2: of these people that would not normally.
- 24:26Speaker 1: Dive down the rabbit holes that me and you already.
- 24:29Speaker 2: I think that's one subject we both kind of like
- 24:32Speaker 2: can really connect off of his mind control, where I
- 24:34Speaker 2: think that's like a staple of the conspiratorial unit or
- 24:40Speaker 2: whatever one of the society or whatever we call it nowadays.
- 24:43Speaker 2: But the group that we get into, anybody that's into
- 24:45Speaker 2: conspiracies notes about m culture and all of these different
- 24:49Speaker 2: aspects of it, which we'll get into when some of
- 24:50Speaker 2: the other films were breaking down, I think the ripples
- 24:53Speaker 2: really get what we would say, quote unquote normies a
- 24:56Speaker 2: chance to dive into our world.
- 24:59Speaker 4: I'll call it a diet, like the mind control is
- 25:01Speaker 4: like a stable in your conspiracy diet. And after a while,
- 25:05Speaker 4: maybe it gets a little bit bland, it's like oh
- 25:07Speaker 4: this again, but yeah, bro at this again, because it's
- 25:10Speaker 4: it's literally part of this entire operation we're going to
- 25:14Speaker 4: We'll get more into that as we do some more
- 25:15Speaker 4: of these documentaries, and I would agree with you that
- 25:18Speaker 4: this book is probably the thing that deserves all the
- 25:22Speaker 4: ripples and waves, and it's not necessarily the documentary. And
- 25:25Speaker 4: I've seen quite a lot of criticism about this particular
- 25:30Speaker 4: documentary online, especially from the hardcorees, and I kind of
- 25:34Speaker 4: get it. I was surprised at first because I watched
- 25:36Speaker 4: this going in blind and then went online and then
- 25:38Speaker 4: went and looked at some of the reviews, and it's like, oh,
- 25:41Speaker 4: they've they've ruined it. You know, Chaos is so much
- 25:43Speaker 4: bigger and better than any of this. This is a
- 25:46Speaker 4: total whitewash, a total sy up.
- 25:48Speaker 5: I don't know. I think it might be a little
- 25:49Speaker 5: bit more nuanced.
- 25:50Speaker 4: Again, they're trying to target enormy audience and not completely
- 25:54Speaker 4: lose them in the first twenty thirty forty minutes, right,
- 25:58Speaker 4: And best case scenario is that someone watches this and
- 26:01Speaker 4: they're like, oh, wow, that wasn't a whole lot of information,
- 26:04Speaker 4: but it sure is interesting. Let me go and check
- 26:06Speaker 4: out this book that it was based on. Then what
- 26:08Speaker 4: are the complaints? Right now, people nor meis are finding
- 26:11Speaker 4: out about the book and reading the book, So I
- 26:14Speaker 4: don't I understand some of the criticism. I think some
- 26:17Speaker 4: of it's been very very like like overly biased because
- 26:21Speaker 4: they wanted nine hours or twenty years of research to
- 26:25Speaker 4: all happen in an hour and a half. And I
- 26:27Speaker 4: honestly think that this was really well done. I don't
- 26:30Speaker 4: even know if that's controversial or not, but like I
- 26:33Speaker 4: could send a link to this to my parents and
- 26:36Speaker 4: they might check it out, and then my mom might
- 26:38Speaker 4: be like, oh, maybe I'll check out the book of that.
- 26:41Speaker 2: So they wanted a money matters of chaos right all
- 26:55Speaker 2: right that time, I gotta know, what do you got,
- 26:58Speaker 2: sink or swim?
- 27:00Speaker 5: For me, it's the whim all the way. Man.
- 27:02Speaker 4: This is a great documentary and again, worst case scenario,
- 27:06Speaker 4: they didn't get every single detail that was covered in
- 27:09Speaker 4: twenty years of research. But my mom finds out who
- 27:13Speaker 4: Jolly West is. It's hard to downplay how important that is.
- 27:18Speaker 2: It's a swim for me as well, because it's not
- 27:20Speaker 2: what the book is, but what film ever in the
- 27:24Speaker 2: history of adaptations from book to film is the book.
- 27:28Speaker 2: It's never that right, we know that, and with the
- 27:32Speaker 2: connections and being on Netflix, I don't think they could
- 27:35Speaker 2: have gone that long. And it was great for me
- 27:37Speaker 2: to have a ninety six minute documentary to watch instead
- 27:40Speaker 2: of like five hours. And even though there's a lot
- 27:43Speaker 2: of details that we would love, this is a great
- 27:46Speaker 2: impact on society for people to be introduced, Like you
- 27:50Speaker 2: said to Jolly West, that's a swim enough for me.
- 28:01Speaker 1: And what do we got up next?
- 28:03Speaker 5: What do we got up next?
- 28:04Speaker 4: We got a movie called cy War, which I had
- 28:07Speaker 4: never seen before, and I don't even know how it
- 28:10Speaker 4: found its way on his list. I think I just
- 28:11Speaker 4: like woke up in the middle of the night. Wasn't
- 28:13Speaker 4: even I was just like sleep walking, added to the list,
- 28:16Speaker 4: went back to sleep. But yeah, cy War, it's all
- 28:18Speaker 4: about psychological propaganda, and maybe added the list.
- 28:23Speaker 2: It was some Jolly West Shenanigans. He slipped you a
- 28:26Speaker 2: little dose and he put it in your brain.
- 28:29Speaker 4: I won't complain if someone sneaks into my house and
- 28:32Speaker 4: gives me some LSD.
- 28:34Speaker 1: Don't forget to share Under the Docks.
- 28:37Speaker 2: Go to Paranoid American dot com, go to kill Themockingbirds
- 28:40Speaker 2: dot com, and stay tuned for the next one.
- 28:42Speaker 1: This is Under the Docks, Peace one the yeas.
- 29:47Speaker 3: Learn about the full history of the Bavarian Illuminati. Adam
- 29:51Speaker 3: Weissdai Colombrados Jesuits, Rosa, Russians, Freemasons, and more from the
- 29:59Speaker 3: eighteenth intrigue to modern day.
- 30:02Speaker 1: We expose it all.
- 30:08Speaker 3: That's right, it's the Illuminati comics from Donut and Paranoid American.
- 30:18Speaker 3: Get yours now at Illuminati coomic dot com.
- 30:26Speaker 1: Feel nood I screwpled my life away? Driven the right
- 30:37Speaker 1: to pay?
- 30:37Speaker 4: Will it ENLiGHT your brain?
- 30:38Speaker 6: If you're the flight of the plane paper the highs
- 30:41Speaker 6: of blade.
- 30:41Speaker 5: From what in avasing field, Well it's real, the real.
- 30:45Speaker 6: You will engage in your favorite to post the lord
- 30:47Speaker 6: of an arrangement, a gauge the proper results to hit
- 30:51Speaker 6: the pavement.
- 30:51Speaker 5: I pay your emotional hate may be your language.
- 30:54Speaker 6: The game how they playing it well without lay because
- 30:57Speaker 6: the main and whatever the costs, the out of champion
- 31:00Speaker 6: thanks get to cappetated. That is the apex executional flame.
- 31:04Speaker 6: You walked with your lebomb distributed. It warfs rather gruesome.
- 31:07Speaker 1: For eyes to see. Maxim out and I like my
- 31:10Speaker 1: trees flowing off in the face.
- 31:12Speaker 6: You're despising me for what thought cat the lady did.
- 31:15Speaker 6: Rather cut throat heroinoid American must.
- 31:17Speaker 5: Be all the blunt spoke for real. Lord, give me.
- 31:20Speaker 6: Your day your way, bacate, they wait around the hate
- 31:23Speaker 6: whatever they say, man, it's not in the least bit weed.
- 31:27Speaker 6: You heavy rotate when a beat hit some things.
- 31:29Speaker 2: That's you.
- 31:30Speaker 5: Well, uncle niggas for rell.
- 31:31Speaker 1: You welcome.
- 31:33Speaker 5: They ain't ever had a deal.
- 31:34Speaker 6: You welcome, man, They lacking a pill. You're welcome.
- 31:38Speaker 1: Yet they going, It's still You're welcome.