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The Thing Called Love... for Samantha Mathis · Movie Meltdown

• 0:02
  Speaker 1: In under a minute, you will be transported to a
• 0:05
  Speaker 1: bizarre and fantastic new age.
• 0:08
  Speaker 2: Hi, I'm Malcolm McDowell.
• 0:10
  Speaker 3: You're listening to Movie Meltdown.
• 0:12
  Speaker 2: So just keep listening.
• 0:16
  Speaker 4: Movie Meltdown It's showtime.
• 0:34
  Speaker 5: This episode is rated M for Misty. Yes, that's right,
• 0:37
  Speaker 5: this is a Misty episode, so it will be laced
• 0:39
  Speaker 5: with profanity even more than usual. If you're not comfortable
• 0:42
  Speaker 5: with this level of profanity, perhaps this isn't the episode
• 0:45
  Speaker 5: for you. But we have many other episodes to choose
• 0:48
  Speaker 5: from that do not feature Misty and will probably be
• 0:50
  Speaker 5: far less offensive. Okay, maybe. With that having been said,
• 0:54
  Speaker 5: on with the show.
• 0:56
  Speaker 6: Our nuclear reactor pumping out one million kilowatts of power.
• 1:26
  Speaker 1: What's up and welcome to Movie Meltdown. I'm Brian. I'm Misty.
• 1:29
  Speaker 7: And we are back with another exciting adventure.
• 1:33
  Speaker 3: We've been on one today and Misty, you live.
• 1:36
  Speaker 1: An exciting life anyway. What have you been up to lately?
• 1:56
  Speaker 8: For one, I read a book.
• 1:57
  Speaker 2: I'm not buying it. Literate you.
• 2:01
  Speaker 8: I'm chock full of literacy.
• 2:02
  Speaker 2: Not pop-up.
• 2:03
  Speaker 8: It was not a pop-up book. There were no pictures.
• 2:06
  Speaker 8: I read books all the time. Most of them are
• 2:08
  Speaker 8: like Fear Street books.
• 2:09
  Speaker 2: You do have your own book review section.
• 2:13
  Speaker 8: Is there a song?
• 2:14
  Speaker 2: Should we play it right now? Yes.
• 2:16
  Speaker 3: I can read. I'm growing up now. I can read.
• 2:22
  Speaker 3: Look at me. I can read.
• 2:26
  Speaker 8: I'm really smart now.
• 2:28
  Speaker 3: I can read.
• 2:29
  Speaker 8: Misty's reading a book.
• 2:31
  Speaker 1: Yay!
• 2:32
  Speaker 2: I can read. I can read.
• 2:34
  Speaker 8: Anyways, I read a book, and not only did there
• 2:35
  Speaker 8: was no pictures, no pop-ups, there was actually words, and
• 2:38
  Speaker 8: lots of them. It stemmed from the whole controversy, like,
• 2:43
  Speaker 8: I don't know if it was like four or five
• 2:45
  Speaker 8: months ago. The, God, I just forgot his name. I
• 2:51
  Speaker 8: know Peter's in there somewhere and so is Gallagher. I
• 2:55
  Speaker 8: guess I could go in the other room and get them.
• 2:56
  Speaker 2: Peter Gallagher is a different actor, I believe. Peter Joseph Gallagher.
• 3:01
  Speaker 8: Yes, Peter Joseph Gallagher. He wrote this book called A
• 3:06
  Speaker 8: Little White Trip, I guess, semicolon, A Night in the
• 3:10
  Speaker 8: Pines or whatever. And he was trying to sue Joss
• 3:14
  Speaker 8: Whedon Saying that Joss Whedon had ripped off the idea
• 3:18
  Speaker 8: for Cabin in the Woods from his book. Saying that
• 3:22
  Speaker 8: there was way too many similarities for it to just
• 3:26
  Speaker 8: be a coincidence. So I don't know whatever happened to
• 3:28
  Speaker 8: the lawsuit. They just kind of got real big for
• 3:31
  Speaker 8: a second, then just kind of went away. So I'm
• 3:33
  Speaker 8: guessing nothing really happened. But I was like, okay, I'll
• 3:36
  Speaker 8: give this shit a try. And I'm like, as soon
• 3:39
  Speaker 8: as this whole lawsuit came out of nowhere, it's like
• 3:42
  Speaker 8: the book went from being like $ 3 on Amazon to
• 3:45
  Speaker 8: like $ 150 to $ 200 fucking dollars.
• 3:48
  Speaker 2: Scam.
• 3:49
  Speaker 8: No shit.
• 3:51
  Speaker 4: This dude might have just been driving up the price
• 3:53
  Speaker 4: of his own books. And then he was selling them
• 3:55
  Speaker 4: because he had like boxes of them in his garage.
• 3:57
  Speaker 2: This is totally a scam.
• 3:58
  Speaker 8: No, because he listed... He heard about this, I guess.
• 4:01
  Speaker 8: I don't know. I'm assuming because he opened up an
• 4:04
  Speaker 8: Amazon account like right when this happened and was selling
• 4:06
  Speaker 8: them at... Face value.
• 4:08
  Speaker 2: To like shut them down.
• 4:09
  Speaker 8: So he was selling them for like 15 bucks when
• 4:11
  Speaker 8: everybody else was trying to sell them for like 100,
• 4:12
  Speaker 8: you know, $ 200. How very Suicide Girls of it. But
• 4:16
  Speaker 8: you know, he was, you know, they were signed copies
• 4:19
  Speaker 8: and it's not a bad deal. It's, it's, It's a
• 4:22
  Speaker 8: good book. I'm not sure that I'd go so far
• 4:24
  Speaker 8: as to say that Joss Whedon ripped off the entire thing.
• 4:27
  Speaker 8: Should I describe what happens in the book to see
• 4:33
  Speaker 8: if it sounds anything like Cabin in the Woods to you?
• 4:35
  Speaker 4: Do we go enough into a spoilery area to throw
• 4:38
  Speaker 4: out a general literary spoiler warning?
• 4:41
  Speaker 8: Yeah, I think I'm going to.
• 4:42
  Speaker 2: All right.
• 4:43
  Speaker 3: Spoiler alert.
• 4:43
  Speaker 2: Get it going.
• 4:44
  Speaker 8: I guess I could give part of it, and then
• 4:46
  Speaker 8: when I get to the main end and be like,
• 4:48
  Speaker 8: major spoiler alert, don't listen if you intend to read,
• 4:51
  Speaker 8: which who listens to this read?
• 4:54
  Speaker 2: Who knows how to read?
• 4:56
  Speaker 8: I know. Anyways, it's five kids that are graduating from
• 4:59
  Speaker 8: high school.
• 5:01
  Speaker 2: All right. Five.
• 5:02
  Speaker 8: And they go to this festival, and they win a
• 5:05
  Speaker 8: prize that is a trip to this cabin that that
• 5:08
  Speaker 8: is in the woods in the pines ah see different
• 5:12
  Speaker 8: altogether whitewater pines exactly well and it's like one of
• 5:17
  Speaker 8: our main things was the names because in cabin in
• 5:20
  Speaker 8: the woods one of the jewels and dara are the
• 5:23
  Speaker 8: girls names.
• 5:26
  Speaker 2: Yes i don't watch them forever.
• 5:27
  Speaker 8: Anyways in the book it's julie and dura which i'm
• 5:31
  Speaker 8: sorry dura That's a really bad name. Anyway, so that's
• 5:35
  Speaker 8: one of their main things, that there's five, that the
• 5:37
  Speaker 8: number of kids is the same, that some of the
• 5:38
  Speaker 8: names are kind of the same. Anyway, so the kids
• 5:40
  Speaker 8: leave for this cabin, and they get this big SUV
• 5:46
  Speaker 8: to go up there to, and then they get coupons
• 5:49
  Speaker 8: for this restaurant to go to, and while they're at
• 5:51
  Speaker 8: this restaurant, one of the waiters is like, oh, you're
• 5:53
  Speaker 8: going to this place. This cabin has a history. And
• 5:56
  Speaker 8: he starts telling them about, apparently, several years back, there
• 5:59
  Speaker 8: was a guy who killed his whole family. But then
• 6:03
  Speaker 8: he disappeared into the woods.
• 6:05
  Speaker 2: You kids stay away from that old house.
• 6:08
  Speaker 8: Pretty much. And they end up taking the wrong directions
• 6:11
  Speaker 8: and they end up at a house somewhere. And it's
• 6:12
  Speaker 8: pretty much the same story. Oh, crazy old Mr. I
• 6:16
  Speaker 8: can't remember the guy's name. Killed his whole family and
• 6:19
  Speaker 8: anybody who went looking for him got murdered too. And
• 6:22
  Speaker 8: they never found him. And he's still in the woods
• 6:25
  Speaker 8: to this day. Or some shit like that. Anyway, so
• 6:29
  Speaker 8: they get to the cabin and like, Four of them
• 6:32
  Speaker 8: go skiing because it was the whole point of the
• 6:35
  Speaker 8: ski trip in the woods is to go skiing.
• 6:37
  Speaker 2: Did they get stuck on a ski lift?
• 6:39
  Speaker 5: No.
• 6:39
  Speaker 2: And then how did they get down and wolves are involved?
• 6:41
  Speaker 2: That never happened.
• 6:41
  Speaker 8: Oh, no, no, no, no, no. Don't be silly. That
• 6:44
  Speaker 8: movie sucked. Let it go. Let it go. Anyway, so
• 6:51
  Speaker 8: four of them come back and the fifth guy's missing. Oh, no.
• 6:54
  Speaker 8: Where'd he go? So they go looking for the SUV
• 6:57
  Speaker 8: because they left the SUV to the one guy to
• 6:58
  Speaker 8: take a cab. I'm like, sorry, dude, I'm not going
• 7:00
  Speaker 8: to leave the one vehicle with you and then take
• 7:01
  Speaker 8: a cab. Anyway, so they find tracks out in the
• 7:04
  Speaker 8: woods and it's down and the truck is all destroyed
• 7:07
  Speaker 8: and they get in the truck and oh my God,
• 7:10
  Speaker 8: it's so bloody and there's an arm. Dun, dun, dun.
• 7:15
  Speaker 2: Do they do DNA testing to figure out whose arm
• 7:17
  Speaker 2: it was?
• 7:18
  Speaker 8: No, they can't make any phone calls because they're out
• 7:19
  Speaker 8: in the woods. So none of their phones actually work.
• 7:21
  Speaker 1: No, signal.
• 7:22
  Speaker 2: Signal. That's unusual these days.
• 7:24
  Speaker 8: That never happens. Anyway, so they go back to the
• 7:27
  Speaker 8: house and they're trying to figure out, oh my God,
• 7:29
  Speaker 8: what are we going to do? And then some guy
• 7:30
  Speaker 8: shows up and then they think it's the killer. And
• 7:32
  Speaker 8: then one by one, they all start getting killed horribly.
• 7:36
  Speaker 2: I'll be right back.
• 7:38
  Speaker 8: So then two of them, one of them gets killed
• 7:41
  Speaker 8: and then another one gets killed. And then there's the police,
• 7:44
  Speaker 8: but then the police are killed. That's how I get
• 7:48
  Speaker 8: to the main big spoiler.
• 7:49
  Speaker 2: I've never seen this in any of the movies. Cops
• 7:52
  Speaker 2: randomly get killed? That's not normal.
• 7:54
  Speaker 8: Should I get to the spoiler? The big spoiler alert?
• 7:57
  Speaker 2: Double up super spoiler alert.
• 8:00
  Speaker 8: The main character, who unlike Cabin in the Woods, is
• 8:03
  Speaker 8: a dude this time. Because that's a big difference. In
• 8:06
  Speaker 8: the movie, it was the chick.
• 8:08
  Speaker 2: I guess this is double spoiler if you also haven't
• 8:11
  Speaker 2: seen Cabin in the Woods.
• 8:12
  Speaker 8: The main character is a chick. It's not a big
• 8:14
  Speaker 8: spoiler alert.
• 8:15
  Speaker 2: There's chicks. Oh my god.
• 8:19
  Speaker 8: Anyways, the guy goes out and he's There's the bad
• 8:22
  Speaker 8: guy and then there's the main good guy and then
• 8:25
  Speaker 8: he shoots the bad guy. Oh my God. And then
• 8:28
  Speaker 8: the director comes out of the woods and the whole
• 8:31
  Speaker 8: thing has been the first live action, real fucking horror
• 8:36
  Speaker 8: movie and everybody's still alive. It was all fake. Nobody died.
• 8:41
  Speaker 8: Does this seem more like another movie we saw from
• 8:44
  Speaker 8: the seventies?
• 8:44
  Speaker 5: Yeah.
• 8:44
  Speaker 4: I was like, this doesn't turn out like cabin in
• 8:48
  Speaker 4: the woods as much as several other.
• 8:50
  Speaker 2: Movies that have kind of, done the same thing before.
• 8:53
  Speaker 8: I thought it was more of a rip off of
• 8:55
  Speaker 8: April Fool's Day.
• 8:57
  Speaker 5: That's 80s.
• 8:58
  Speaker 2: I thought it was more like 86 I think.
• 9:01
  Speaker 8: But anyway so it's like the whole thing and it's
• 9:03
  Speaker 8: like oh well it was all just the first reality
• 9:06
  Speaker 8: horror movie.
• 9:07
  Speaker 2: Which again haven't there been ones recently that have done that?
• 9:09
  Speaker 6: I don't know.
• 9:10
  Speaker 4: Like Turning Reality Murder or maybe that's just a lot
• 9:13
  Speaker 4: of bad reality shows which are probably.
• 9:15
  Speaker 2: On right now.
• 9:17
  Speaker 8: I don't know.
• 9:17
  Speaker 4: It does feel like that is not all that original.
• 9:21
  Speaker 4: Assuming he wrote that, I mean, what year was it
• 9:23
  Speaker 4: when he wrote this book? 2010 or something?
• 9:26
  Speaker 8: It was before Cabin in the Woods.
• 9:28
  Speaker 4: Yeah, but I'm like, not like, I mean, reality TV
• 9:31
  Speaker 4: has been a huge thing for the last 20, 25
• 9:34
  Speaker 4: years now. It's kicked in since 90s, so it's like,
• 9:39
  Speaker 4: I feel like that angle is not all that original
• 9:42
  Speaker 4: and pulling the whole spin.
• 9:44
  Speaker 2: Again, I don't know that But does this all of
• 9:47
  Speaker 2: the same? Yeah.
• 9:49
  Speaker 8: No, does Joss ripping this off?
• 9:50
  Speaker 4: Either way, I'm saying I don't feel like those two
• 9:52
  Speaker 4: things are all that tied together.
• 9:54
  Speaker 8: All they were going for was the same amount of people,
• 9:56
  Speaker 8: a couple of the names are the same, and that
• 9:59
  Speaker 8: certain aspects. of the story are led to follow certain paths.
• 10:02
  Speaker 2: Yeah, that's every screenplay.
• 10:04
  Speaker 8: Well, I mean, in the movie, each character, certain things
• 10:08
  Speaker 8: are put in place to make them do certain things.
• 10:11
  Speaker 8: Like we're in Cabin in the Woods, there's like, they
• 10:14
  Speaker 8: do the gas thing to make them loopy, or they
• 10:18
  Speaker 8: do the... Certain things that just kind of lead where
• 10:21
  Speaker 8: the story goes. Whereas in this one, there were other
• 10:23
  Speaker 8: things in the book. There were certain things that led
• 10:25
  Speaker 8: the characters in certain directions.
• 10:28
  Speaker 2: I think they're still kind of pushing it on this one. Yeah,
• 10:31
  Speaker 2: I'm saying. Is there some similarities? Yeah. Is there enough
• 10:35
  Speaker 2: to have a whole real legit lawsuit?
• 10:38
  Speaker 8: That's why I'm not really sure whatever happened with the lawsuit.
• 10:40
  Speaker 8: Because I'm kind of hoping it just kind of fell
• 10:41
  Speaker 8: through the cracks. But I mean, it worked because I
• 10:44
  Speaker 8: would have never heard of this book. I had never
• 10:46
  Speaker 8: heard of this book. I'd never heard of the guy
• 10:47
  Speaker 8: who wrote it. I don't know if he's written anything
• 10:50
  Speaker 8: else from what I understand. For the most part, when
• 10:52
  Speaker 8: he first started out, he was selling the book on
• 10:55
  Speaker 8: the boardwalks in Santa Monica or something like that. So,
• 10:59
  Speaker 8: I mean, it's a good book. I just ruined it
• 11:01
  Speaker 8: for everybody out there.
• 11:03
  Speaker 2: They kept listening after the Super Devil spoiler.
• 11:05
  Speaker 8: Yeah, you brought it on yourself. Anyways, I mean, it's
• 11:08
  Speaker 8: a really good book. I liked the book.
• 11:11
  Speaker 2: It's not.
• 11:11
  Speaker 8: I wouldn't so much say that Cabin in the Woods
• 11:14
  Speaker 8: ripped it off so much as it ripped off other
• 11:16
  Speaker 8: elements from other movies.
• 11:19
  Speaker 2: And, I mean, they're both kind of ripping off Scooby-Doo, right?
• 11:22
  Speaker 8: Kind of, pretty much.
• 11:22
  Speaker 2: That's what the entirety of Cabin in the Woods, at
• 11:25
  Speaker 2: least the whole up until the big reveal, I'm like,
• 11:27
  Speaker 2: it all just seems like a bad episode of Scooby-Doo.
• 11:29
  Speaker 8: I mean, in the book, they were all kind of
• 11:31
  Speaker 8: getting stoned. So, I mean, it's not like there was drugs.
• 11:34
  Speaker 8: There was a moose head instead of a wolf head.
• 11:36
  Speaker 8: Was it a wolf head?
• 11:37
  Speaker 2: That's just evil. That's the moose head is Evil Day.
• 11:40
  Speaker 8: Oh, there was a moose head that was just kind
• 11:42
  Speaker 8: of there.
• 11:42
  Speaker 2: Oh, he didn't start laughing at him or anything?
• 11:45
  Speaker 8: No, but there were cameras playing all throughout the house,
• 11:47
  Speaker 8: so they had shots of everything, and the whole winning
• 11:49
  Speaker 8: the trip was rigged because they wanted that certain group
• 11:53
  Speaker 8: of people that had the whole, every stereotype, you know.
• 11:56
  Speaker 8: So they had the athletes, and they had the main stoner.
• 12:01
  Speaker 2: Kind of going back to what you did last summer, too,
• 12:04
  Speaker 2: that I brought up recently.
• 12:06
  Speaker 8: But yeah, so I read a book, motherfuckers.
• 12:10
  Speaker 2: We're all mighty impressed.
• 12:12
  Speaker 3: I know.
• 12:12
  Speaker 2: At your reading comprehension skills.
• 12:14
  Speaker 8: The book went on a little bit further than it
• 12:15
  Speaker 8: needed to because it went on to the whole, oh, yeah,
• 12:17
  Speaker 8: we sued them. We got a lot of money. We
• 12:18
  Speaker 8: went off to live in the woods. We got a
• 12:20
  Speaker 8: lot of money and everything. I just ruined it more
• 12:23
  Speaker 8: for you. They all lived happily ever after.
• 12:26
  Speaker 5: Dun, dun, dun.
• 12:28
  Speaker 8: I really did. I just drug that part out way
• 12:30
  Speaker 8: too long. I'm just like, okay, whatever. Pretty much. By
• 12:34
  Speaker 8: then I'm like, I wanted some of these people to
• 12:36
  Speaker 8: be dead.
• 12:36
  Speaker 1: Yeah.
• 12:38
  Speaker 8: It's like when we watched April Fool's Day, I'm like,
• 12:40
  Speaker 8: I was rooting for all them people that have been dead.
• 12:42
  Speaker 8: And at the very end, I'm like, you fucking movie.
• 12:45
  Speaker 8: You made me mad.
• 12:47
  Speaker 2: See, you came after the jump. I told you. I
• 12:51
  Speaker 2: pinned that down in our monumental groundbreaking.
• 12:53
  Speaker 4: Episode that I declared that April Fool's Day was the
• 12:58
  Speaker 4: jump the shark moment in horror movies. And we got
• 13:00
  Speaker 4: to that point where people were just, no, they all
• 13:04
  Speaker 4: called bullshit.
• 13:04
  Speaker 2: They're like, no, no, we're not doing that anymore. And
• 13:07
  Speaker 2: after that, the slashers kind of died off. And they
• 13:09
  Speaker 2: didn't really reappear until Scream rebooted it. So, I'm telling you,
• 13:13
  Speaker 2: that's my theory.
• 13:14
  Speaker 8: I love slasher movies. Have you seen the trailer for
• 13:15
  Speaker 8: the Scream TV show?
• 13:17
  Speaker 5: Yes.
• 13:17
  Speaker 8: I love Bella Thorne.
• 13:19
  Speaker 4: I think that's a good move on her part. I
• 13:22
  Speaker 4: have to say, it's getting a lot of attention. And
• 13:24
  Speaker 4: it's all kind of focused around her. So, I think
• 13:27
  Speaker 4: that's a pretty good move.
• 13:27
  Speaker 8: She's probably going to die then, right?
• 13:29
  Speaker 2: I think they're all going to die.
• 13:30
  Speaker 8: They're going to Drew Barrymore her ass, aren't they?
• 13:33
  Speaker 4: Well, just the way they're building it up is like,
• 13:35
  Speaker 4: These are great characters. You want to come in every
• 13:37
  Speaker 4: week and watch them. But really, you just want to
• 13:38
  Speaker 4: watch them die. So I think they're not going to
• 13:40
  Speaker 4: have a problem killing off a lot.
• 13:41
  Speaker 5: Of the regulars.
• 13:42
  Speaker 8: I'm going to assume you haven't read any books to
• 13:44
  Speaker 8: talk about Derry and Misty's book hour. No, exactly.
• 13:50
  Speaker 2: You showed me a Nessie book.
• 13:52
  Speaker 8: I did. It was pretty exciting. Nessie in my own
• 13:55
  Speaker 8: story or my own words or some shit like that.
• 13:57
  Speaker 2: So I looked at the pictures in that book.
• 14:00
  Speaker 8: That was pretty exciting.
• 14:01
  Speaker 2: Yeah, I think so.
• 14:02
  Speaker 8: I like that book. It's a good story.
• 14:06
  Speaker 2: But I have watched some things. I watched Project Almanac.
• 14:11
  Speaker 8: No idea what that is.
• 14:13
  Speaker 2: I think you would yell at it a lot if
• 14:15
  Speaker 2: that helps.
• 14:16
  Speaker 8: I watch Top Gear.
• 14:19
  Speaker 2: We can't go to you because you'll just talk about
• 14:20
  Speaker 2: Top Gear somewhere.
• 14:21
  Speaker 4: I will.
• 14:22
  Speaker 2: Project Almanac is what would happen if you gave a
• 14:26
  Speaker 2: bunch of dorky high school kids the ability to travel
• 14:29
  Speaker 2: through time.
• 14:29
  Speaker 8: I had trouble.
• 14:31
  Speaker 2: I'll go ahead and throw it out there.
• 14:32
  Speaker 4: I'm assuming you don't care about spoilers because you normally
• 14:35
  Speaker 4: don't care. But, yeah, spoiler alert on this one, but
• 14:38
  Speaker 4: really it's just going to be me poking holes in
• 14:42
  Speaker 4: not even the plot as much as the screenwriting. In
• 14:46
  Speaker 4: a way, there are moments that I think are kind
• 14:48
  Speaker 4: of effective, but there's also times like, again, just being
• 14:54
  Speaker 4: just enough of a sci-fi nerd that I like a
• 14:57
  Speaker 4: lot of time travel movies. So I'm like, when the
• 14:59
  Speaker 4: very first thing they do When they go back and
• 15:02
  Speaker 4: first of all, they spend a hell of a lot
• 15:03
  Speaker 4: of time trying to build this machine that like his
• 15:06
  Speaker 4: dad was a scientist before he died. And then like
• 15:09
  Speaker 4: now they find this stuff in his basement. And then
• 15:11
  Speaker 4: he was sort of kind of half working for NASA
• 15:14
  Speaker 4: or something, but they never really figure out what was
• 15:16
  Speaker 4: going on there. So they they devote like a third
• 15:19
  Speaker 4: of the movie to them trying to make this thing
• 15:21
  Speaker 4: work with like the random stuff that they like.
• 15:23
  Speaker 8: Was there a flux capacitor?
• 15:24
  Speaker 4: They had to go, like, steal, like, specific stuff that
• 15:28
  Speaker 4: they needed from school, and then they're borrowing some girl's
• 15:31
  Speaker 4: car battery. Like, it's so slapped together anyway.
• 15:35
  Speaker 2: Like, okay, we're totally buying that they built this time machine.
• 15:38
  Speaker 2: But once they use it, what's the first thing they do?
• 15:41
  Speaker 2: Go find the other version of one.
• 15:44
  Speaker 4: Of themselves so they can mess with him. Isn't that
• 15:47
  Speaker 4: like time travel 101? Don't you like not.
• 15:49
  Speaker 2: Interact with yourself? You're going to fuck up the time continuum.
• 15:51
  Speaker 8: You're going to fuck up the time space continuum. The
• 15:52
  Speaker 8: space time continuum will be fucked. You don't do that.
• 15:55
  Speaker 2: The very first thing they do. He's like, let's go
• 15:57
  Speaker 2: to my house. And then he goes and he's like
• 15:59
  Speaker 2: messing with himself.
• 16:00
  Speaker 8: I watched enough Doctor Who to know that's a bad idea.
• 16:02
  Speaker 2: I'm telling you.
• 16:03
  Speaker 5: That was my.
• 16:03
  Speaker 2: I was like, guys, right off the bat, you're totally
• 16:05
  Speaker 2: messing things up. Then it becomes, okay, well, at least
• 16:09
  Speaker 2: if you're going back, you're traveling through time, you're going
• 16:12
  Speaker 2: to do something important, right?
• 16:14
  Speaker 4: Like.
• 16:16
  Speaker 2: Make that annoying girl at school that made you look
• 16:19
  Speaker 2: stupid look even more stupid.
• 16:21
  Speaker 8: If you had a time machine, what would the first
• 16:22
  Speaker 8: thing you would do go?
• 16:24
  Speaker 4: Make people look stupid but that's not the point the
• 16:28
  Speaker 4: point is these dorky kids like they were like i
• 16:31
  Speaker 4: totally blew my history exam i'm gonna go back in
• 16:34
  Speaker 4: time and ace that exam stupid and then like they
• 16:36
  Speaker 4: can't even get it right so they're going back in
• 16:38
  Speaker 4: time multiple times just to take care of an exam
• 16:43
  Speaker 4: i don't know i was.
• 16:44
  Speaker 8: Like i would go back in time and get hitler
• 16:45
  Speaker 8: a wedgie it's.
• 16:48
  Speaker 4: Your welcome world the ultimate question has been answered.
• 16:52
  Speaker 8: An atomic wedgie.
• 16:54
  Speaker 4: Ooh, that's kind of.
• 16:58
  Speaker 2: Fitting, I suppose.
• 16:59
  Speaker 4: But, okay, then this is the thing that kills me
• 17:04
  Speaker 4: the most. And then I'll have sort of a good
• 17:05
  Speaker 4: thing to say.
• 17:08
  Speaker 8: I'd go back in time and tell Corey Haim to
• 17:10
  Speaker 8: not hang out with Corey Feldman.
• 17:11
  Speaker 2: That's actually good advice.
• 17:13
  Speaker 8: He would probably still be alive. We would not have
• 17:15
  Speaker 8: license to drive, though. And I'm not sure I'd be
• 17:17
  Speaker 8: okay with that world.
• 17:18
  Speaker 4: Maybe right after they make licensure, I'd be like, dude,
• 17:21
  Speaker 4: this guy is really bringing you down.
• 17:22
  Speaker 2: You might want to ditch him.
• 17:24
  Speaker 8: Before Last Resort comes out anyways.
• 17:25
  Speaker 4: Find him some other up-and-coming Hollywood star that's not doing drugs.
• 17:29
  Speaker 2: Oh, wait, we're in trouble.
• 17:30
  Speaker 8: Anyway. He could go ahead. I don't know. I can't.
• 17:35
  Speaker 2: All of them at that.
• 17:36
  Speaker 4: Point were having a terrible time. So anybody that's made
• 17:39
  Speaker 4: it through, more power to you.
• 17:40
  Speaker 2: Congratulations.
• 17:41
  Speaker 4: So here's my main thing within the plot of our
• 17:45
  Speaker 4: time travel movie here.
• 17:47
  Speaker 2: I don't even think this is a spoiler because it's
• 17:49
  Speaker 2: just ridiculous. So here's what they do. They've got the
• 17:53
  Speaker 2: power to go back in time. So you know what
• 17:55
  Speaker 2: they do? They go to Lollapalooza.
• 18:00
  Speaker 8: Was it the year that the Beastie Boys were there?
• 18:02
  Speaker 8: Because I could totally see that then.
• 18:03
  Speaker 2: It doesn't matter. They're not even there to see any.
• 18:05
  Speaker 2: It's like go back in time and see people at
• 18:08
  Speaker 2: Woodstock or something. Like they go back to six months
• 18:10
  Speaker 2: before to go to Lollapalooza.
• 18:13
  Speaker 8: Well, if it was the year the Beastie Boys were there,
• 18:14
  Speaker 8: I could totally understand that then.
• 18:15
  Speaker 2: And they do the same things that you could do
• 18:17
  Speaker 2: at any. Like you could just go six months from now.
• 18:20
  Speaker 8: You can't go see the Beastie Boys anymore.
• 18:22
  Speaker 2: Sure you could. They'll just replace him with somebody.
• 18:25
  Speaker 8: No.
• 18:26
  Speaker 2: It'll be Dick Sargent. And he'll come in and he'll
• 18:30
  Speaker 2: be like, what up?
• 18:33
  Speaker 4: But so, yeah, they that and they spend it's at
• 18:38
  Speaker 4: least 15 to 20 minutes of the plot hanging out.
• 18:41
  Speaker 4: at the concert, doing things that you could normally do
• 18:45
  Speaker 4: at any large music festival.
• 18:47
  Speaker 8: I would at least go back to like 86 and
• 18:49
  Speaker 8: see Guns N' Roses in LA.
• 18:50
  Speaker 4: I mean, that would be ridiculous and frivolous, but at
• 18:53
  Speaker 4: least there would be some novelty to it.
• 18:55
  Speaker 8: I have nothing if not ridiculous and frivolous.
• 18:58
  Speaker 5: That's true.
• 18:59
  Speaker 4: But like, it's just, six months ago and they aren't
• 19:02
  Speaker 4: even paying attention to like anybody in particular. They're just
• 19:05
  Speaker 4: there to hang out and do all the goofy stuff
• 19:06
  Speaker 4: you do at a music festival. And I'm like, or
• 19:08
  Speaker 4: you could wait six months and do it at the
• 19:10
  Speaker 4: new one.
• 19:11
  Speaker 2: You don't need a time machine to do this. The
• 19:14
  Speaker 2: closest thing is they bought backstage passes off of eBay
• 19:18
  Speaker 2: for nothing afterwards.
• 19:19
  Speaker 4: I guess that's the big woohoo for going back in
• 19:22
  Speaker 4: time six months to go to a concert that you missed.
• 19:25
  Speaker 2: Darn, I missed this concert. Let's use our time. I
• 19:28
  Speaker 2: don't know. That part annoyed the piss out of me.
• 19:31
  Speaker 8: This movie sounds stupid. I don't want to see this
• 19:32
  Speaker 8: movie ever.
• 19:33
  Speaker 4: Mostly, I just feel like the whole thing was sponsored
• 19:36
  Speaker 4: by Lollapalooza.
• 19:38
  Speaker 2: I mean, really. It's a 15 to 20 minute commercial.
• 19:41
  Speaker 4: It is the most perfect time in their life in
• 19:43
  Speaker 4: this span of time. like it is so awesome and
• 19:46
  Speaker 4: they're seeing all these bands and like i was just
• 19:48
  Speaker 4: like this is just a big check written to you
• 19:50
  Speaker 4: guys to make this movie which i guess shouldn't be
• 19:53
  Speaker 4: a surprise because at the very beginning it does tell
• 19:55
  Speaker 4: you it's an mtv films.
• 19:56
  Speaker 2: So like i don't think they're above doing that sort
• 19:59
  Speaker 2: of thing.
• 19:59
  Speaker 4: So that should have tipped me off oh wait i
• 20:01
  Speaker 4: already knew that anyway and i still watched it so
• 20:04
  Speaker 4: you brought it on yourself i did the only thing
• 20:08
  Speaker 4: i thought was kind of interesting well the main kid's
• 20:11
  Speaker 4: not bad actually so he's kind of cool and i
• 20:13
  Speaker 4: could see him almost going on to do other stuff
• 20:15
  Speaker 4: and the girl that he's into is like the hot
• 20:17
  Speaker 4: girl in school so she's pretty i'm sure she'll do
• 20:19
  Speaker 4: more stuff but what i thought was almost kind of
• 20:21
  Speaker 4: real was the the thing that he does that because
• 20:25
  Speaker 4: again you're gonna start messing stuff up with time travel
• 20:27
  Speaker 4: and the thing that it makes him like break his
• 20:29
  Speaker 4: own rules that he sets and totally start messing up
• 20:34
  Speaker 4: everything and it's spiraling out of control is the girl It's.
• 20:37
  Speaker 2: All relationshipy stuff.
• 20:39
  Speaker 8: Does she die?
• 20:40
  Speaker 2: No, it's like he had that, again, everything is lightweight
• 20:43
  Speaker 2: and frivolous.
• 20:43
  Speaker 4: He had that moment where they got to where it
• 20:46
  Speaker 4: was the moment and like this would have made their
• 20:48
  Speaker 4: whole relationship and he blows it. And he realizes that
• 20:52
  Speaker 4: and he thinks about it and he thinks about it
• 20:53
  Speaker 4: and he drives himself crazy and he breaks his own
• 20:56
  Speaker 4: rules to go back in time and change that moment
• 20:58
  Speaker 4: so that she'll be into him. And I'm like, that
• 21:01
  Speaker 4: part is kind of real because that's the stuff somebody
• 21:04
  Speaker 4: would do.
• 21:04
  Speaker 2: I got that part. I'm like, yep, that would happen.
• 21:07
  Speaker 4: That's the kind of thing that will unravel the space-time continuum,
• 21:10
  Speaker 4: just trying to.
• 21:11
  Speaker 2: Hook up with somebody. That was the part I was
• 21:15
  Speaker 2: okay with, because that seemed real. That's how human nature works.
• 21:19
  Speaker 2: All we're trying to do.
• 21:20
  Speaker 5: Is hook up, man.
• 21:21
  Speaker 4: We're just trying to find a useful relationship. If we
• 21:24
  Speaker 4: have to take down time and space to do it,
• 21:26
  Speaker 4: that's a small price to pay. So, definitely watch Project Omen.
• 21:33
  Speaker 8: I don't know that I want to. That seems aggravating.
• 21:35
  Speaker 2: It is kind of aggravating. But actually, the most accurate,
• 21:39
  Speaker 2: I should have gotten to the very first thing.
• 21:41
  Speaker 4: It's also found footage verite style, which also annoys me.
• 21:45
  Speaker 8: Anyways, I didn't watch anything else. I did watch, well,
• 21:48
  Speaker 8: we did watch some ancient aliens and Esa to West wheels.
• 21:52
  Speaker 2: That guy's goofy.
• 21:53
  Speaker 8: That guy's crazy. I could listen to that guy talk
• 21:56
  Speaker 8: for hours just so I can sit back later and
• 21:58
  Speaker 8: talk about all the things he said wrong.
• 22:00
  Speaker 2: And you hung out with him. I did. There's a
• 22:02
  Speaker 2: picture of you and his crazy, crazy hair.
• 22:04
  Speaker 8: And a picture of him with his hair. Also wearing
• 22:07
  Speaker 8: a shirt that then has a picture of him.
• 22:09
  Speaker 2: And his hair.
• 22:10
  Speaker 8: On it. I don't know his name. Giorgio.
• 22:14
  Speaker 5: Giorgio.
• 22:14
  Speaker 2: Tsoukalos?
• 22:15
  Speaker 8: Tsoukalos?
• 22:17
  Speaker 4: I hear someone talk to me about him all the
• 22:19
  Speaker 4: time and she just calls him Giorgio.
• 22:22
  Speaker 8: He says, I did have a dream.
• 22:27
  Speaker 4: All right, that will lead us into our big adventure
• 22:29
  Speaker 4: of the day because it's sort of, maybe it's a premonition.
• 22:33
  Speaker 4: Maybe you've already traveled in time and you've gone back
• 22:35
  Speaker 4: to hang out with celebrities.
• 22:38
  Speaker 5: Anyway, go ahead.
• 22:39
  Speaker 8: Anyways, yes, I had a dream the other night. It was,
• 22:41
  Speaker 8: I was at a convention. I don't particularly know what
• 22:44
  Speaker 8: convention it was. In my dream, they're all just one
• 22:46
  Speaker 8: big convention.
• 22:47
  Speaker 2: In the real world, they've kind of become, with minor exceptions,
• 22:50
  Speaker 2: a lot of them have become one big convention.
• 22:53
  Speaker 8: Anyways, I was at this convention, and Greg Schaefer, is
• 22:57
  Speaker 8: it Schaefer? Schaefer?
• 22:58
  Speaker 2: Craig Schaefer?
• 23:00
  Speaker 8: Anyways, the guy from Nightbreed.
• 23:02
  Speaker 2: Craig Schaefer?
• 23:05
  Speaker 8: Craig Schaefer? I don't know. Boone from Nightbreed. Has he
• 23:11
  Speaker 8: said anything else?
• 23:12
  Speaker 4: Yeah, he's in That Was Then, This Is Now. He
• 23:15
  Speaker 4: was in One Tree Hill.
• 23:17
  Speaker 8: He was in Hellraiser 5, I think.
• 23:20
  Speaker 2: He was in one of my personal favorite films, Some
• 23:24
  Speaker 2: Kind of Wonderful. He's in a lot of stuff.
• 23:26
  Speaker 8: What was that one where he sang? It was a musical.
• 23:29
  Speaker 8: It was horrible. It was an early one. It was fabulous.
• 23:35
  Speaker 8: Look it up real quick. We'll pause. Hold on a second.
• 23:38
  Speaker 8: And that guy sent you a video of it. It's
• 23:39
  Speaker 8: him and he's walking down the halls and in there's
• 23:41
  Speaker 8: a panther.
• 23:41
  Speaker 2: Oh, God, you did send that to me. Why did
• 23:43
  Speaker 2: you send that to me? Haven't I suffered enough? I
• 23:45
  Speaker 2: had to watch Project Almanac.
• 23:47
  Speaker 8: Go back to the beginning. Way back in the beginning.
• 23:51
  Speaker 8: Back in the early, early days.
• 23:52
  Speaker 2: One life to live. It was one life to... Oh, damn.
• 23:57
  Speaker 2: The Voyage of the Rock Aliens.
• 23:59
  Speaker 8: Hells yes. Voyage of the Rock Aliens.
• 24:01
  Speaker 2: I believe that is his first feature film after a
• 24:04
  Speaker 2: stint on the Hamptons.
• 24:06
  Speaker 8: And if you have not seen at least the trailer
• 24:09
  Speaker 8: or the segments where he sings, you should look it up.
• 24:12
  Speaker 8: It's pretty epic. But anyways, in my dream, he was
• 24:15
  Speaker 8: at his table and he was doing arts and crafts.
• 24:18
  Speaker 8: And I had to help him. He asked for my assistance.
• 24:21
  Speaker 2: It does seem like he would need help probably. Or
• 24:23
  Speaker 2: at least supervision.
• 24:24
  Speaker 7: I did.
• 24:24
  Speaker 8: I had to help him hold the beads. And then
• 24:26
  Speaker 8: I had to hold stuff while the glue dried because.
• 24:29
  Speaker 4: It was beads and not beans, right?
• 24:31
  Speaker 3: No beads.
• 24:31
  Speaker 8: It was beads. He was stringing them together.
• 24:33
  Speaker 2: For going back to grade school, you had a lot
• 24:35
  Speaker 2: of bean art, too.
• 24:37
  Speaker 8: No, he was stringing some beads together, and I had
• 24:39
  Speaker 8: to hold the beads for him. He was gluing. I
• 24:41
  Speaker 8: think it involved cotton balls or something. It was very
• 24:46
  Speaker 8: important that I held the cotton balls in specific places
• 24:48
  Speaker 8: until the glue dried, or the art project was just
• 24:51
  Speaker 8: not going to go well.
• 24:55
  Speaker 2: I can see all this happening, kind of, actually.
• 24:58
  Speaker 8: He was not wearing his fringy jacket, though.
• 25:00
  Speaker 2: Where's Bandana?
• 25:00
  Speaker 8: No, where's no Bandana?
• 25:01
  Speaker 2: Oh, man.
• 25:02
  Speaker 8: I know.
• 25:02
  Speaker 3: Sadness.
• 25:04
  Speaker 8: But that was my dream. Ta-da! That's no Marlena moment
• 25:08
  Speaker 8: or anything. I don't know.
• 25:10
  Speaker 2: I can see yours happening.
• 25:12
  Speaker 8: I would totally help him with art projects. Not everybody, though,
• 25:16
  Speaker 8: because some people would probably piss me off. But I
• 25:18
  Speaker 8: would help Boone from Nightbreed with arts and crafts.
• 25:22
  Speaker 4: Would they be like creepy Clive Barker-y kind of arts
• 25:26
  Speaker 4: and crafts? You'd be done and it'd look like a
• 25:28
  Speaker 4: Clive Barker painting and you'd be like, ah! How did
• 25:30
  Speaker 4: we make that?
• 25:31
  Speaker 8: I don't know. I think it involved clouds because there
• 25:33
  Speaker 8: was cotton balls.
• 25:34
  Speaker 2: Maybe it was just 3D clouds.
• 25:36
  Speaker 8: Fancy.
• 25:37
  Speaker 2: Jumping off the page at you.
• 25:39
  Speaker 8: Hand me my watered down beverage, please.
• 25:42
  Speaker 3: I am thirsty.
• 25:43
  Speaker 4: Now it's time for a beverage break. You know, there's
• 25:46
  Speaker 4: not a man, woman, or a child alive who doesn't
• 25:48
  Speaker 4: enjoy a tasty beverage.
• 25:50
  Speaker 8: Oh, it's not delicious any longer.
• 25:53
  Speaker 2: Not brought to you by Her Watered Down Beverage.
• 25:56
  Speaker 6: For refreshment.
• 25:57
  Speaker 5: Refreshment.
• 25:59
  Speaker 6: For your enjoyment, there's hot fresh popcorn, tempting delicious hot dogs,
• 26:05
  Speaker 6: and so many kinds of ice cream. And of course,
• 26:08
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• 26:14
  Speaker 6: counter now. Remember, your favorite snack will taste especially good
• 26:20
  Speaker 6: with world famous ice cold Coca-Cola.
• 26:26
  Speaker 5: Want some music for your ears? Doo-Wop Shop makes it
• 26:29
  Speaker 5: easy to rent for any event, business meeting, or special occasion.
• 26:33
  Speaker 5: From PA systems to karaoke machines to just about anything
• 26:36
  Speaker 5: that makes noise, you can rent it from the Doo-Wop Shop.
• 26:38
  Speaker 5: In Louisville, find them either at their Highland Store at
• 26:41
  Speaker 5: 1587 Bardstown Road or in the East End at 2915
• 26:45
  Speaker 5: South Hurstburn Parkway. And look for them online at DooWopShop.com.
• 26:49
  Speaker 5: Doo-Wop Shop. We're serious about music.
• 26:56
  Speaker 2: Everybody knows that the dice are loaded. Everybody rolls with
• 27:02
  Speaker 2: their fingers crossed.
• 27:05
  Speaker 5: Think about it. Everything's polluted. The environment, the government, the schools,
• 27:11
  Speaker 5: you name it.
• 27:13
  Speaker 3: We're on 92 FM tonight.
• 27:15
  Speaker 2: It feels like a nice, clean little band.
• 27:17
  Speaker 3: No one else is using it.
• 27:18
  Speaker 2: Price is right.
• 27:19
  Speaker 5: Are you listening to this?
• 27:21
  Speaker 2: Yeah, of course I'm listening. There's nothing to do anymore.
• 27:25
  Speaker 5: And all the great.
• 27:26
  Speaker 2: Themes have been used up, turned into theme parks.
• 27:29
  Speaker 6: So I don't really find it exactly cheerful to be
• 27:31
  Speaker 6: living in a totally, like, exhausted decade where there's nothing
• 27:34
  Speaker 6: to look forward to and no.
• 27:36
  Speaker 5: One to look up to.
• 27:37
  Speaker 3: He's got a pirate radio station. Nobody knows who he is.
• 27:41
  Speaker 7: I could be that anonymous nerd sitting across from you.
• 27:44
  Speaker 2: And when you turn around, he just looks away.
• 27:49
  Speaker 5: He never looks back at you again.
• 27:53
  Speaker 6: This is a song for the 90s.
• 27:55
  Speaker 8: Welcome to Doreen's Mitchell. May I take your order, please? Yeah.
• 28:02
  Speaker 8: That was deep. This radio person is the whole problem.
• 28:08
  Speaker 8: Are we going to allow this guy to be heard
• 28:10
  Speaker 8: by anyone who can turn a dial? And he's trying
• 28:16
  Speaker 8: to tell you that there's something wrong with this school.
• 28:19
  Speaker 3: You're not supposed to be here.
• 28:21
  Speaker 5: What do you want to slam me? Get off the bus.
• 28:23
  Speaker 6: Get off!
• 28:25
  Speaker 2: This is out of control.
• 28:28
  Speaker 5: Why not do something crazy?
• 28:29
  Speaker 6: It makes a hell of a lot more sense than blowing.
• 28:31
  Speaker 8: Your brains out.
• 28:32
  Speaker 3: FCC, you know what that means?
• 28:35
  Speaker 6: This phone call has been traced.
• 28:37
  Speaker 7: This is my life you're screwing around with.
• 28:39
  Speaker 6: Here, you know? Not anymore, it isn't.
• 28:41
  Speaker 8: This is everyone's life, Mark.
• 28:42
  Speaker 3: You can't leave it like this.
• 28:49
  Speaker 2: You out there?
• 28:51
  Speaker 3: You listening?
• 28:54
  Speaker 5: Tweaked Audio, your source for high-performance, noise-reducing earbuds. Available in
• 28:58
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• 29:02
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• 29:26
  Speaker 8: Thomas Howell and you're listening to Free Doggo.
• 29:31
  Speaker 1: But like the weather Nothing can.
• 29:36
  Speaker 2: Ever I'm C. Thomas Howell and you're listening to Movie Meltdown.
• 29:42
  Speaker 3: Staying old But can.
• 29:48
  Speaker 1: It be.
• 29:51
  Speaker 3: It's part of your problem, you know.
• 29:52
  Speaker 5: You haven't seen enough movies. All of life's riddles are
• 29:54
  Speaker 5: answered in the movies.
• 29:57
  Speaker 8: And now, on with the show.
• 30:02
  Speaker 7: So speaking of conventions, hey, what did we do?
• 30:05
  Speaker 8: We went to a convention?
• 30:09
  Speaker 5: We went to one of those convention type things.
• 30:12
  Speaker 4: Today?
• 30:12
  Speaker 5: We just finished.
• 30:15
  Speaker 2: The road trip back.
• 30:17
  Speaker 5: We did.
• 30:29
  Speaker 2: May or may have not gotten Jack in the Box.
• 30:32
  Speaker 8: We did. We totally did. And then I went to
• 30:34
  Speaker 8: a bookstore and bought all kinds of books and it
• 30:35
  Speaker 8: was a good day.
• 30:37
  Speaker 3: It was entertaining.
• 30:38
  Speaker 2: But we did a couple of other things.
• 30:39
  Speaker 8: What did we do?
• 30:41
  Speaker 2: I guess we should go to yours first.
• 30:43
  Speaker 4: Oh, gee.
• 30:45
  Speaker 8: The very first thing I was so excited about this
• 30:47
  Speaker 8: convention was it was somebody's very first convention appearance from
• 30:51
  Speaker 8: what I understand. But Jack knows where he was there.
• 30:54
  Speaker 8: And I was like, oh my God, Jack knows where
• 30:56
  Speaker 8: he's going to be there. And I was so excited
• 30:57
  Speaker 8: and everybody else was like, Except for me.
• 31:00
  Speaker 2: I was like, you mean Dead at 21's Jack Noseworthy?
• 31:03
  Speaker 8: I know.
• 31:04
  Speaker 2: Star of the Brady Bunch movie?
• 31:06
  Speaker 8: Idle Hands?
• 31:07
  Speaker 4: U571?
• 31:07
  Speaker 1: UB40?
• 31:08
  Speaker 8: No, wait.
• 31:11
  Speaker 2: I kept calling it UB40 earlier. And then he wouldn't
• 31:14
  Speaker 2: sing hits from UB40.
• 31:15
  Speaker 8: I wonder why. Actually, you didn't ask him. He might have.
• 31:18
  Speaker 2: He might have, actually. He was very personable.
• 31:21
  Speaker 8: He was the nicest. He was so incredibly delightful. I
• 31:23
  Speaker 8: just wanted to hug him and carry him around. I'd
• 31:25
  Speaker 8: give him piggyback rides. You might be able to.
• 31:28
  Speaker 2: He's not like a giant dude. He was about your size.
• 31:31
  Speaker 8: No, I'm way bigger than him. I probably weigh like
• 31:34
  Speaker 8: at least 50% of him. Like extra.
• 31:38
  Speaker 2: I'm not buying any of this. But he was kind
• 31:40
  Speaker 2: of awesome.
• 31:41
  Speaker 8: He was incredibly awesome. He was so nice and so friendly.
• 31:44
  Speaker 8: But then like you mentioned, this was probably his first convention.
• 31:47
  Speaker 8: So he hasn't had to deal with this shit for
• 31:49
  Speaker 8: very many years. Give him about like seven or eight years.
• 31:52
  Speaker 8: He'd be like, fuck all you people.
• 31:53
  Speaker 2: He hasn't been beaten down yet like we have.
• 31:56
  Speaker 3: But.
• 31:57
  Speaker 8: I started off this way.
• 31:59
  Speaker 2: He was, yeah, he was really excited to be there.
• 32:02
  Speaker 2: He likes Twitter. He wanted everybody to tweet the pictures.
• 32:04
  Speaker 8: He was so, yeah, he was so excited about this.
• 32:07
  Speaker 8: He let me take a selfie because I got like
• 32:09
  Speaker 8: the regular picture, like straightforward. Then I have like five
• 32:11
  Speaker 8: chins because I'm fatty. So I'm like, no, we must
• 32:15
  Speaker 8: do the above head, like the official selfie angle.
• 32:18
  Speaker 2: I mean, not that everybody's not doing it in their
• 32:20
  Speaker 2: selfie shots on their pages.
• 32:22
  Speaker 4: But I like that you at least out it for
• 32:24
  Speaker 4: the reason because there are a lot of girls out there.
• 32:27
  Speaker 2: I just see girls on the sites that I'm on.
• 32:29
  Speaker 2: But I notice a lot of them from that same angle.
• 32:32
  Speaker 4: And it's funny that nobody owns up to why they're
• 32:35
  Speaker 4: always conveniently at that angle.
• 32:38
  Speaker 8: I tell you exactly why. I do it that way
• 32:40
  Speaker 8: so you don't have all the neck rolls right here.
• 32:42
  Speaker 8: Because if you get it from here, it's like you're
• 32:44
  Speaker 8: earthwarming it and shit. And you've got to get it
• 32:46
  Speaker 8: from up here so that you can't see all of
• 32:48
  Speaker 8: the chins. It helps everybody. It's a good angle.
• 32:54
  Speaker 2: Fun facts for you guys. I know.
• 32:55
  Speaker 8: I'm helping everybody. This is a public service announcement. Upper angle.
• 33:00
  Speaker 8: Facing down. Good times.
• 33:02
  Speaker 3: So, yeah.
• 33:03
  Speaker 8: He was. I'm disappointed that he did not have any
• 33:06
  Speaker 8: pictures from Idle Hands.
• 33:07
  Speaker 2: And you told him.
• 33:09
  Speaker 3: I did.
• 33:10
  Speaker 8: I was so nervous. I was so afraid to talk
• 33:12
  Speaker 8: to him. Because he seemed like he was talking to everybody.
• 33:14
  Speaker 8: And I have anxiety issues. So, I'm like, if I
• 33:16
  Speaker 8: wait until there's more people, maybe he won't talk to me.
• 33:19
  Speaker 8: And I feel bad for saying that. Because after talking
• 33:21
  Speaker 8: to him. He seems so nice, even though I'm pretty
• 33:23
  Speaker 8: sure he hates me and thinks I'm retarded or something.
• 33:25
  Speaker 2: That's not true. He liked you all kinds.
• 33:27
  Speaker 8: Anyways, I'm pretty sure he was making fun of me
• 33:29
  Speaker 8: because- He was not. He was. Because he was like, yeah,
• 33:33
  Speaker 8: I don't talk much. And he kept on going about
• 33:36
  Speaker 8: how he's not a very talkative person. And I'm like,
• 33:38
  Speaker 8: oh my God, me neither. And he's like, yeah, I'm
• 33:40
  Speaker 8: totally lying. I'm like, I was there right with you.
• 33:43
  Speaker 2: You do realize he's a performer, right?
• 33:45
  Speaker 1: I know.
• 33:45
  Speaker 2: He's probably kind of got a public.
• 33:47
  Speaker 8: But he hasn't done anything recently, and he's not really
• 33:49
  Speaker 8: been a public figure.
• 33:50
  Speaker 2: He's still like a performer, though. I think most of
• 33:52
  Speaker 2: the guys who get into theater and film.
• 33:55
  Speaker 8: He's probably laughing at me right now.
• 33:57
  Speaker 2: I don't buy that. But I think they're usually kind
• 33:59
  Speaker 2: of outgoing, at least to the extent of being talkative.
• 34:02
  Speaker 2: It's not across the board, but I'd say a lot
• 34:04
  Speaker 2: of them are.
• 34:05
  Speaker 8: He was so delightful.
• 34:06
  Speaker 2: He was very delightful.
• 34:07
  Speaker 4: And.
• 34:08
  Speaker 2: I already planted the seed. I invited him to come on.
• 34:11
  Speaker 2: I was like, this is your first one. We'll leave
• 34:13
  Speaker 2: you alone a little bit. But if he likes telling
• 34:16
  Speaker 2: his stories.
• 34:16
  Speaker 8: His assistant mocked my happy dance.
• 34:18
  Speaker 2: I think she was just impressed that there was a
• 34:20
  Speaker 2: happy dance.
• 34:20
  Speaker 8: There was a plethora of happy dances.
• 34:22
  Speaker 2: There was a lot of happy dances.
• 34:23
  Speaker 8: I was very happy.
• 34:24
  Speaker 4: There was a happy dance when he wasn't even at
• 34:25
  Speaker 4: the table yet. He was just coming back to the
• 34:27
  Speaker 4: table and you did a happy dance.
• 34:28
  Speaker 8: I did the happy dance before he even came back
• 34:30
  Speaker 8: because I could look at the pictures without feeling like
• 34:33
  Speaker 8: he was there looking at me.
• 34:34
  Speaker 4: I just thought it was sad that she, like, seemed
• 34:37
  Speaker 4: impressed that i knew i had immediately id'd dead at
• 34:39
  Speaker 4: 21 i'm like.
• 34:41
  Speaker 2: Isn't that what a lot of people know him from like.
• 34:43
  Speaker 4: I guess maybe not i have no people i have
• 34:45
  Speaker 4: no idea what the other pictures were from i know
• 34:47
  Speaker 4: that's why to me that was the main one but
• 34:49
  Speaker 4: like i don't know she was just like oh you
• 34:51
  Speaker 4: know that one i'm like yeah.
• 34:53
  Speaker 2: I was like why would i not know dead at.
• 34:54
  Speaker 4: 21 come on now exactly mtv films we've already said
• 34:57
  Speaker 4: the quality things that oh wait.
• 34:59
  Speaker 8: I asked him Why that shit is not on DVD.
• 35:02
  Speaker 2: And I told you the answer.
• 35:03
  Speaker 3: I know.
• 35:04
  Speaker 2: Music rights. It's always music rights.
• 35:06
  Speaker 8: He didn't seem to know.
• 35:07
  Speaker 3: He didn't really.
• 35:07
  Speaker 2: Yeah. At the beginning, he was like, well, I don't know.
• 35:09
  Speaker 2: For a while, there was highlights on YouTube. And I
• 35:11
  Speaker 2: was like, yeah, music rights. I was like, it's always
• 35:13
  Speaker 2: music rights, especially with early MTV stuff. Because they had
• 35:17
  Speaker 2: no reason to.
• 35:17
  Speaker 5: Worry about it.
• 35:18
  Speaker 8: That's why it took forever for Beavis and Butthead.
• 35:19
  Speaker 4: And Daria and all that. And they still had to change.
• 35:22
  Speaker 4: That's why Beavis and Butthead, they're not playing the music videos.
• 35:24
  Speaker 2: Daria, they changed all the music in the background.
• 35:27
  Speaker 8: Supernatural on Netflix. Painful.
• 35:31
  Speaker 2: They did not plan ahead when they did these shows.
• 35:33
  Speaker 8: Because, I mean, Supernatural, when you watch Supernatural, it's a
• 35:35
  Speaker 8: whole other tangent. When you watch Supernatural, the music is
• 35:38
  Speaker 8: almost as much of a character as Sam and Dean.
• 35:41
  Speaker 8: So when you take out all the actual music and
• 35:43
  Speaker 8: put generic music in, it just makes the whole thing
• 35:45
  Speaker 8: feel generic.
• 35:45
  Speaker 2: Because music licensing is expensive.
• 35:48
  Speaker 4: And they do not want to do that when they
• 35:50
  Speaker 4: put it on DVD.
• 35:51
  Speaker 2: Or stream it sometimes. Now that we've moved into that world, too.
• 35:54
  Speaker 2: It's the same argument.
• 35:56
  Speaker 8: But anyways, if anybody ever has the chance to go
• 35:57
  Speaker 8: see him, he is delightful.
• 35:59
  Speaker 2: I agree. Jack knows where he was a lot of fun.
• 36:02
  Speaker 8: I was kind of like, eh, he hasn't done anything lately.
• 36:04
  Speaker 8: I don't know how he's going to be.
• 36:05
  Speaker 2: And he might not look good. Oh, but wait.
• 36:08
  Speaker 8: He was fucking amazingly hot.
• 36:10
  Speaker 2: He looked good. Dude was pretty hot, I'll give you.
• 36:12
  Speaker 8: I mean, he looked damn good.
• 36:14
  Speaker 2: He did. And then we were doing the math and
• 36:15
  Speaker 2: we're like, wait, how old is he? Damn, he looks good.
• 36:18
  Speaker 8: We're still not for sure because Wikipedia and IMDB say
• 36:20
  Speaker 8: two different things.
• 36:21
  Speaker 4: Eh, you can't trust either of those. So I'm going
• 36:23
  Speaker 4: with old but not super old. But regardless, looks amazingly
• 36:28
  Speaker 4: well for either.
• 36:29
  Speaker 8: Damn good.
• 36:30
  Speaker 2: Mm-hmm.
• 36:31
  Speaker 8: Almost as good. In my opinion, he looks better than
• 36:33
  Speaker 8: your favorite, but I'm going to assume that you're not going.
• 36:35
  Speaker 2: To go with him. We decided it was a tie.
• 36:38
  Speaker 2: We each get our own. We each went there for
• 36:41
  Speaker 2: a person. Let's be honest.
• 36:43
  Speaker 8: Yes, there was one specific reason for me.
• 36:46
  Speaker 5: And me.
• 36:47
  Speaker 4: And I was glad to be involved in the Jack Noseworthy.
• 36:50
  Speaker 4: I talked to him briefly, but I was there for
• 36:53
  Speaker 4: somebody else.
• 36:53
  Speaker 8: Your girl looked at me funny. Because you pointed me
• 36:55
  Speaker 8: out and I was taking stalker pictures. And she looked
• 36:58
  Speaker 8: at me and there was this look.
• 36:59
  Speaker 2: I was like that.
• 37:01
  Speaker 8: Over there. That's me.
• 37:02
  Speaker 2: She's always hanging around.
• 37:05
  Speaker 8: I figured you wanted pictures. I was doing you a favor.
• 37:07
  Speaker 2: And I appreciate those. But my favorite one is her
• 37:09
  Speaker 2: totally calling you out with that. Hey, stop taking a picture.
• 37:12
  Speaker 5: Look.
• 37:13
  Speaker 4: The person we're talking about, of course, is one of
• 37:15
  Speaker 4: my favorite people on the planet, Samantha Mathis.
• 37:18
  Speaker 8: She has aged remarkably well.
• 37:20
  Speaker 2: She also looks amazing.
• 37:21
  Speaker 8: I'm not saying that she's old or anything. I'm just
• 37:23
  Speaker 8: saying she's been in films for quite some time.
• 37:25
  Speaker 2: I can say it. We're about the same age.
• 37:27
  Speaker 5: She's old.
• 37:28
  Speaker 2: She's as old as I am, so.
• 37:31
  Speaker 8: She had tiny feet.
• 37:33
  Speaker 2: There you go. Most girls would take that as a
• 37:36
  Speaker 2: high compliment.
• 37:37
  Speaker 8: She was beautiful. She looked amazing. She was in great shape.
• 37:41
  Speaker 8: She's actually doing more stuff actively now. I guess more
• 37:45
  Speaker 8: mainstream stuff because it's stuff that people are actually paying
• 37:47
  Speaker 8: attention to, I guess.
• 37:49
  Speaker 2: There was a lot of Under the Dome pictures there.
• 37:51
  Speaker 2: I know. I'm wondering how many people know specifically from
• 37:56
  Speaker 2: Under the Dome and Strain and that more.
• 37:58
  Speaker 4: Recent stuff, but Again, most of the people that we
• 38:01
  Speaker 4: were there around the time we were there were like
• 38:04
  Speaker 4: old school dorks like I am. So the guy that
• 38:07
  Speaker 4: showed up with the giant pump up the volume cardboard
• 38:11
  Speaker 4: stand up from the video store back in the day,
• 38:13
  Speaker 4: which I'm bringing up now because we're going to reference
• 38:15
  Speaker 4: it in a little while. So you'll know when we're
• 38:18
  Speaker 4: talking about that. Yeah, he showed up with like a
• 38:19
  Speaker 4: full size.
• 38:20
  Speaker 8: And I was like, why didn't you bring yours?
• 38:22
  Speaker 2: Because it's in storage.
• 38:24
  Speaker 4: Anyway, it's in my cellophane wrapper so that you have
• 38:28
  Speaker 4: to keep that stuff wrapped up.
• 38:29
  Speaker 1: Mm-hmm.
• 38:31
  Speaker 8: We know why. Weirdo.
• 38:34
  Speaker 3: Anyway.
• 38:35
  Speaker 8: She was ridiculous. She was very nice, very beautiful.
• 38:38
  Speaker 2: She was very cool. As you're about to find out.
• 38:40
  Speaker 1: Mm-hmm.
• 38:41
  Speaker 2: Because she was cool enough that she sat down and
• 38:43
  Speaker 2: talked to me. I think we should go talk to
• 38:46
  Speaker 2: her right now.
• 38:46
  Speaker 8: One night in a car.
• 38:54
  Speaker 7: You're the voice crying out in the wilderness. You're the
• 38:58
  Speaker 7: voice that makes my brain burn and my guts go gooey. Yeah,
• 39:02
  Speaker 7: you gut me. My insides spill on your altar and
• 39:06
  Speaker 7: tell the future. My steaming, gleaming guts spell out your nature.
• 39:12
  Speaker 2: I know you.
• 39:13
  Speaker 7: Not your name, but your game. I know the true you.
• 39:17
  Speaker 1: Samantha, Samantha, dear. I have to become.
• 39:25
  Speaker 1: Samantha, Samantha, dear.
• 39:27
  Speaker 4: I love you.
• 39:31
  Speaker 1: She's left on Well, I've missed a thousand ditches.
• 39:40
  Speaker 3: But this one tops them all.
• 39:43
  Speaker 4: Alright, so we're here with Samantha Mathis. I try to
• 39:47
  Speaker 4: get in early. You are a Brooklyn girl. So how
• 39:50
  Speaker 4: did you get into acting initially?
• 39:53
  Speaker 3: Well, there's a misconception I'm a Brooklyn girl. So we'll
• 39:55
  Speaker 3: start with that. After my parents separated, my dad moved
• 40:00
  Speaker 3: to Brooklyn. So from.
• 40:04
  Speaker 3: Two to ten years old, I did spend some time
• 40:07
  Speaker 3: in Brooklyn when my dad worked at Pratt Institute in
• 40:10
  Speaker 3: Fort Greene. But I was born in Manhattan at NYU
• 40:13
  Speaker 3: Medical Center. And I am a third-generation actress. My mother
• 40:18
  Speaker 3: was B.B. Bush. She was known most for playing Dr.
• 40:22
  Speaker 3: Carol Marcus in Star Trek II, The Wrath of Khan.
• 40:27
  Speaker 3: And my grandmother was an actress from Vienna, Austria. She
• 40:31
  Speaker 3: came to the United States and was in the Diary
• 40:34
  Speaker 3: of Anne Frank. She played Anne's mother in that and
• 40:38
  Speaker 3: did other various Broadway. She did that on Broadway and
• 40:42
  Speaker 3: was in the first production of Dial M for Murder
• 40:44
  Speaker 3: on Broadway. So I grew up in the business.
• 40:48
  Speaker 2: You didn't really have a choice, but was mom, mom
• 40:51
  Speaker 2: didn't like it?
• 40:51
  Speaker 3: No, I totally had a choice and my parents both
• 40:54
  Speaker 3: did not want me to become an actress. But try
• 41:00
  Speaker 3: though they did, they could not dissuade me.
• 41:02
  Speaker 4: Because most actors I talk to when they have kids
• 41:06
  Speaker 4: and I ask them, they're like, no, God, no, I
• 41:08
  Speaker 4: don't want them involved in this business.
• 41:10
  Speaker 2: So how much of a fight did they put up?
• 41:13
  Speaker 3: You know, they put up a decent fight. I mean,
• 41:14
  Speaker 3: I started begging my mom at the age of 12
• 41:17
  Speaker 3: and she said, absolutely not. And then she began to,
• 41:23
  Speaker 3: she was very smart and she had me sort of,
• 41:26
  Speaker 3: start to prove how much I wanted it by taking
• 41:28
  Speaker 3: me to set at 4.30 in the morning and making
• 41:31
  Speaker 3: me be there for 16 hours and sit on an
• 41:33
  Speaker 3: Apple box in the back with the grips and the
• 41:36
  Speaker 3: electricians to see how glamorous it was. And then I
• 41:40
  Speaker 3: still wanted to do it. So then she said, you know,
• 41:42
  Speaker 3: take classes. And then I took professional classes and, you know,
• 41:46
  Speaker 3: kept sort of proving myself till by the time I
• 41:48
  Speaker 3: was 16, she said, okay, you know, good luck. Basically.
• 41:54
  Speaker 3: And then I started auditioning and I got a job
• 41:56
  Speaker 3: like two months later. And she went, oh, God.
• 41:59
  Speaker 8: Oh, no.
• 42:00
  Speaker 5: It started.
• 42:02
  Speaker 3: And also, it's never going to be this easy. And
• 42:05
  Speaker 3: she was right. I mean, it is a very challenging
• 42:09
  Speaker 3: career and business. And I love it. But it has
• 42:16
  Speaker 3: not been without its challenges.
• 42:18
  Speaker 2: I mean, it's definitely a different.
• 42:21
  Speaker 4: job because on the one hand you still have to
• 42:22
  Speaker 4: treat it as a profession but you're also a performer
• 42:25
  Speaker 4: so it's a very I mean most people don't have
• 42:28
  Speaker 4: both sides like that it's true and it's.
• 42:32
  Speaker 3: It's not like being a musician necessarily where you can
• 42:34
  Speaker 3: just go on a street corner and sort of start
• 42:36
  Speaker 3: jamming to pay for money so you're waiting for the
• 42:40
  Speaker 3: opportunity to do your work I mean you can certainly
• 42:45
  Speaker 3: you'd probably get arrested if you stood on a street
• 42:47
  Speaker 3: corner and started doing like a Shakespearean monologue. People would
• 42:49
  Speaker 3: just think you were crazy. Although in New York, it
• 42:52
  Speaker 3: depends how good you are really noticed. But, um, you,
• 42:56
  Speaker 3: you are at the mercy of being given the opportunity
• 43:00
  Speaker 3: unless you're creating your own work.
• 43:02
  Speaker 4: Which I mean, now that's what I was thinking at
• 43:04
  Speaker 4: this point, it's kind of a different world. Is it
• 43:06
  Speaker 4: something you would, I mean, now at the time you
• 43:09
  Speaker 4: couldn't have, but now would it be something more that
• 43:11
  Speaker 4: you would be interested in? initiating your own stuff starting
• 43:14
  Speaker 4: your own thing all together from scratch um well.
• 43:17
  Speaker 3: Yes you're absolutely right that it's a different world it's
• 43:19
  Speaker 3: a completely different world and and when i was a
• 43:22
  Speaker 3: young actress you really could just be an actress um
• 43:25
  Speaker 3: now i feel like you have to be a hyphenate
• 43:28
  Speaker 3: um and um and also there's just more opportunity and
• 43:33
  Speaker 3: ways to do other things and yes um i've been
• 43:37
  Speaker 3: uh working on producing the last several years, and I
• 43:41
  Speaker 3: developed and sold an idea for a TV pilot, which
• 43:46
  Speaker 3: ultimately wasn't made, but was something that was my baby
• 43:50
  Speaker 3: that I developed with a group of people for a
• 43:54
  Speaker 3: couple of years, and I'm in the process of developing
• 43:57
  Speaker 3: something else right now, which I'm very excited about. Actually,
• 44:01
  Speaker 3: a couple of things, and I'm also starting to move
• 44:04
  Speaker 3: into exploring directing.
• 44:06
  Speaker 4: See, I feel like all of that would be more
• 44:08
  Speaker 4: fulfilling than just, you know, back in the day when
• 44:11
  Speaker 4: you just sit around waiting to be handed a job.
• 44:13
  Speaker 2: Whereas now when you're creating the.
• 44:15
  Speaker 4: Content from go, like, I don't know, it seems like
• 44:17
  Speaker 4: it would have to be a little more fulfilling at
• 44:20
  Speaker 4: the end result.
• 44:22
  Speaker 3: I mean, I love acting. I really do. And I've
• 44:25
  Speaker 3: also moved into doing theater, which has been incredibly gratifying.
• 44:29
  Speaker 3: So I moved to New York six years ago, partly
• 44:32
  Speaker 3: to start doing more theater. And I did a Broadway
• 44:34
  Speaker 3: show right before I mean, I was so blessed. I
• 44:37
  Speaker 3: got a Broadway show three weeks after I moved to
• 44:40
  Speaker 3: New York and, and, and that is so gratifying. It is,
• 44:45
  Speaker 3: you've never worked harder as an actor to do eight
• 44:48
  Speaker 3: shows a week. Um, but I really love, I love
• 44:52
  Speaker 3: that work so much. That said, yeah, I feel like, uh,
• 44:55
  Speaker 3: after almost 30 years in the business, I have so much,
• 44:59
  Speaker 3: I have experience and a really good sense of of
• 45:03
  Speaker 3: what works and what doesn't and what people are interested in,
• 45:06
  Speaker 3: I think I have a good sense of material. And
• 45:09
  Speaker 3: so I feel like I have more to offer than
• 45:13
  Speaker 3: just being an actress for hire. And it is gratifying
• 45:16
  Speaker 3: to develop something from the ground up and now exploring directing.
• 45:20
  Speaker 3: Just having even sat with an actor and helped them
• 45:25
  Speaker 3: run lines and then started sort of finding myself directing them,
• 45:28
  Speaker 3: I feel it feels gratifying. And I have something to
• 45:32
  Speaker 3: offer there. So it's exciting.
• 45:34
  Speaker 2: It's probably natural at this point.
• 45:36
  Speaker 3: Yeah, it's happening organically.
• 45:39
  Speaker 4: Well, then I guess to start off around that point,
• 45:42
  Speaker 4: I mean, how did you get involved in Pump Up
• 45:44
  Speaker 4: the Volume? I've said many a time on this show,
• 45:47
  Speaker 4: there would not be this show without it.
• 45:49
  Speaker 2: It is weird the impact that movie had from every angle,
• 45:53
  Speaker 2: I think.
• 45:54
  Speaker 3: How so?
• 45:54
  Speaker 2: I think it flipped this. Did you start on a
• 45:58
  Speaker 2: ham radio? I was looking into it.
• 46:00
  Speaker 4: At the time and, and I think the FCC thing
• 46:03
  Speaker 4: was not a, not, not selling me very much on it,
• 46:05
  Speaker 4: but I do remember it.
• 46:06
  Speaker 2: Like flip that switch of like, I kind of liked that.
• 46:09
  Speaker 2: Like I want to do that. And, and I think
• 46:11
  Speaker 2: I liked the music end of it.
• 46:13
  Speaker 4: Like he starts off, but he kind of veers into
• 46:15
  Speaker 4: this talking thing and it, and it becomes, I don't know,
• 46:19
  Speaker 4: sort of therapeutic for everyone involved.
• 46:21
  Speaker 2: And then I found that even for myself.
• 46:23
  Speaker 4: So I think, I think it did sort of plant
• 46:26
  Speaker 4: that seed and, And it took years till technology caught
• 46:29
  Speaker 4: up so that I could actually do it and not
• 46:31
  Speaker 4: get arrested in a giant van. But yeah, so it's
• 46:35
  Speaker 4: funny how long it took. But I do, yeah, I
• 46:38
  Speaker 4: credit that it's probably the only reason. So I guess
• 46:42
  Speaker 4: that was one more reason. It was like I had
• 46:43
  Speaker 4: to see how you got involved in.
• 46:46
  Speaker 3: Well, I got involved in it in the normal way.
• 46:49
  Speaker 3: I mean, the casting director knew me, knew my work.
• 46:53
  Speaker 3: I had been doing just television up until that point.
• 46:57
  Speaker 3: But I'd been working for a couple of years and
• 46:59
  Speaker 3: she knew my work. And I had been backpacking in
• 47:05
  Speaker 3: Europe and I came back and my agent called and said,
• 47:07
  Speaker 3: you have an audition tomorrow. I came in, the casting
• 47:09
  Speaker 3: director looked at me and said, you're so jet lagged.
• 47:13
  Speaker 3: come back tomorrow and I was like but I'm so
• 47:15
  Speaker 3: excited to read for this and she was like go
• 47:16
  Speaker 3: home get a little more sleep and come back tomorrow
• 47:20
  Speaker 3: and so that's what I did and um I don't
• 47:24
  Speaker 3: know I mean all I can say is I went
• 47:26
  Speaker 3: in and I auditioned and I really connected with the
• 47:28
  Speaker 3: character and I was really excited about the script and
• 47:32
  Speaker 3: uh the feeling was mutual I went through several auditions
• 47:35
  Speaker 3: and screen tested with Christian and uh and I got
• 47:38
  Speaker 3: the job do.
• 47:39
  Speaker 4: You feel like going into it they had a type
• 47:42
  Speaker 4: already set i don't.
• 47:44
  Speaker 3: Know i don't know i mean you you would have
• 47:47
  Speaker 3: to talk to the creative people involved i was actually
• 47:50
  Speaker 3: just on the phone with the producer sandy stern who's
• 47:53
  Speaker 3: still one of my best friends and um we were
• 47:55
  Speaker 3: very much on the same page when they cast me
• 47:58
  Speaker 3: but we he was like but her hair has to
• 48:00
  Speaker 3: be dark and i was like yeah for sure my
• 48:02
  Speaker 3: hair has to be black and he was like oh
• 48:04
  Speaker 3: yeah no your hair has to be black so they
• 48:06
  Speaker 3: had i guess that in their minds that's what i
• 48:09
  Speaker 3: was on the same page that she was a girl
• 48:12
  Speaker 3: who would dye her hair, you know? That she had
• 48:19
  Speaker 3: that aesthetic.
• 48:20
  Speaker 4: Well, then how much did you kind of add to
• 48:22
  Speaker 4: the character? Because I think Nora is just such a
• 48:24
  Speaker 4: likable character on every level. Granted, again, all the guys
• 48:28
  Speaker 4: kind of did, but my other favorite thing is the
• 48:31
  Speaker 4: exchange with her and her friend. Like, it's one of
• 48:33
  Speaker 4: the few times I feel like there's, like, in these
• 48:36
  Speaker 4: half-second scenes you get these, like, sort of realistic girls
• 48:41
  Speaker 4: and they're kind of interacting in a realistic way.
• 48:42
  Speaker 6: I don't remember.
• 48:43
  Speaker 3: What were we saying to each other?
• 48:45
  Speaker 2: Horrible things.
• 48:45
  Speaker 4: But you were just calling each other names.
• 48:48
  Speaker 2: Yeah, it's very real.
• 48:49
  Speaker 3: That was Lala Sloteman. And we hit it off like
• 48:53
  Speaker 3: gangbusters and were really tight buds for a long time
• 48:56
  Speaker 3: after that. So all I can say is that that's
• 48:59
  Speaker 3: where chemistry comes into play. Like you hear, they say
• 49:02
  Speaker 3: chemistry reads and it's not just chemistry for a romantic thing. But,
• 49:07
  Speaker 3: you know, people hit it off. So we had a
• 49:10
  Speaker 3: natural banter. I don't remember exactly, but I can imagine
• 49:14
  Speaker 3: we were probably like, bitch, fuck you.
• 49:16
  Speaker 2: There was a lot of that.
• 49:17
  Speaker 3: Yeah, yeah. You know, it was a few years. ago
• 49:20
  Speaker 3: i don't really remember like to what extent we were
• 49:23
  Speaker 3: like improvving and stuff but um but in terms of
• 49:28
  Speaker 3: i i can only say that i uh as an
• 49:32
  Speaker 3: actor and that was my first movie but i i
• 49:35
  Speaker 3: had very strong feelings about what she looked like and
• 49:40
  Speaker 3: have continued to sort of... I build from the outside in,
• 49:43
  Speaker 3: and I get very strong ideas about clothes, and that
• 49:46
  Speaker 3: informs how I feel in my body and how I
• 49:49
  Speaker 3: hold myself, which helps carve out how a person thinks.
• 49:54
  Speaker 3: It's sort of a backwards way of working, but I
• 49:56
  Speaker 3: know that I'm not the only person who works that way,
• 49:58
  Speaker 3: and I did have a lot of input into what
• 50:00
  Speaker 3: I was wearing in that movie, and that defined my
• 50:04
  Speaker 3: walk and my talk and my.
• 50:07
  Speaker 3: Who Nora was to an extent. But Alan Moyle also
• 50:10
  Speaker 3: wrote a really great script and he had very strong
• 50:12
  Speaker 3: feelings about who she was too. So it was a collaboration.
• 50:15
  Speaker 4: Well, I guess I'm trying to hit some of the others.
• 50:19
  Speaker 4: The one that I'm, again, sometimes I feel like I'm alone.
• 50:21
  Speaker 2: I love Super Mario Bros.
• 50:25
  Speaker 4: How did that happen, and what kind of insanity was
• 50:28
  Speaker 4: going on on that set?
• 50:29
  Speaker 3: Oh, my God. Well, what's funny is, like, you're probably
• 50:32
  Speaker 3: the 30th or 40th person in the last 24 hours
• 50:36
  Speaker 3: who's come up and said, I'm probably the only person
• 50:38
  Speaker 3: who loves this movie, so I get it.
• 50:40
  Speaker 2: But that's here.
• 50:41
  Speaker 3: It's kind of a bit of a train wreck, but...
• 50:44
  Speaker 3: I disagree.
• 50:46
  Speaker 1: But.
• 50:47
  Speaker 3: It was, for the time, a really big movie. It
• 50:51
  Speaker 3: was the most expensive movie ever made in 1991, knowing
• 50:54
  Speaker 3: it made a $ 50 million movie. Yes, $ 50 million, yes.
• 50:56
  Speaker 3: For Mario Brothers, I agree. Yes, yes. I'd played the
• 51:07
  Speaker 3: video game Donkey Kong with the Mario Brothers when I
• 51:10
  Speaker 3: was a kid. The script came to me, and I
• 51:14
  Speaker 3: knew that the directors that were attached to it had
• 51:16
  Speaker 3: done Max Headroom, which was a really big deal and
• 51:20
  Speaker 3: creatively so innovative. And I read it, and it wasn't
• 51:27
  Speaker 3: the strongest script, but I was really interested in what
• 51:30
  Speaker 3: they were going to do creatively. I don't think I
• 51:33
  Speaker 3: auditioned for that. I think I was just offered the movie.
• 51:37
  Speaker 3: And it was a wild ride.
• 51:42
  Speaker 2: I would think it would have to be. I mean,
• 51:43
  Speaker 2: just visuals alone are kind of amazing. I think the
• 51:47
  Speaker 2: most amazing part is that it has so little to
• 51:50
  Speaker 2: do with that game. Haha!
• 51:52
  Speaker 4: And that's kind of my, because I was like trying
• 51:54
  Speaker 4: to make a story fit that game is ridiculous, so
• 51:57
  Speaker 4: I like that they threw that out the window and
• 51:58
  Speaker 4: were just.
• 51:58
  Speaker 2: Like, here's what we're doing. It has some other elements.
• 52:04
  Speaker 3: I mean, the Mario brothers are there, and Princess Daisy's
• 52:08
  Speaker 3: in a castle, and there's a dinosaur, and then there's,
• 52:12
  Speaker 3: you know, the bad guys, and so, and then they
• 52:15
  Speaker 3: have to save her, and there's this slime, and it's her.
• 52:18
  Speaker 2: Dad, and Even that cast.
• 52:20
  Speaker 4: I mean, Dennis Hopper is amazing. Like, any movie he's in. Like,
• 52:24
  Speaker 4: even King Koopa. Like, he just does not phone it in. Like,
• 52:28
  Speaker 4: he's always amazing. So, were you, I don't know, on
• 52:31
  Speaker 4: the set with him much in his insanity?
• 52:35
  Speaker 3: Oh, yeah. I mean, Dennis was amazing. I was so
• 52:37
  Speaker 3: intimidated to meet him.
• 52:40
  Speaker 2: As you kind of should be.
• 52:41
  Speaker 3: Knowing his work from Blue Velvet and other stuff. And just,
• 52:50
  Speaker 3: I was scared of him. And I was 20 or 21,
• 52:55
  Speaker 3: and I was kind of a sweet, I wasn't a prude.
• 53:01
  Speaker 3: But I was definitely a little daunted by him.
• 53:06
  Speaker 2: He's lived a crazy life at that point.
• 53:07
  Speaker 3: He was, he definitely enjoyed playing cat and mouse with me.
• 53:13
  Speaker 3: But I came to realize he was a real pussycat.
• 53:15
  Speaker 3: And I have to say, when we were down there
• 53:17
  Speaker 3: in Wilmington, he really loved Wilmington a lot. That's where
• 53:20
  Speaker 3: they shopped Blue Velvet. And he took me to see
• 53:22
  Speaker 3: a couple of buildings he wanted to buy. One was
• 53:24
  Speaker 3: a house and one was an old Masonic temple. And
• 53:27
  Speaker 3: he said, I'm going to turn this into an acting
• 53:29
  Speaker 3: school and have artists lofts and have a theater. And
• 53:36
  Speaker 3: the building was beautiful but dilapidated. And he did it.
• 53:40
  Speaker 3: And I went back to shoot Under the Dome and
• 53:44
  Speaker 3: I went to that building and it's beautiful. And there
• 53:49
  Speaker 3: are artist lofts and an acting school and a theater
• 53:53
  Speaker 3: that is gorgeous and a rooftop bar. and I went
• 53:58
  Speaker 3: to the roof and I had a drink and I
• 54:00
  Speaker 3: toasted him because he did what he said he wanted
• 54:03
  Speaker 3: to do, and I thought that was really impressive.
• 54:05
  Speaker 4: I mean, he was always impressive even when he was young,
• 54:07
  Speaker 4: but he was so crazy that I feel like when
• 54:09
  Speaker 4: he turned his life around and kind of hit that point,
• 54:13
  Speaker 4: Everything he did. He got so into art. He was
• 54:16
  Speaker 4: an artist. He bought so much art. He was a photographer.
• 54:20
  Speaker 4: I remember seeing a whole series that he shot. He
• 54:23
  Speaker 4: was so in love with that stuff. I have to
• 54:27
  Speaker 4: give him credit. He changed his whole life. Good to
• 54:30
  Speaker 4: know he's building this thing to help all these other
• 54:32
  Speaker 4: people too.
• 54:34
  Speaker 3: He was very supportive of artists in his life.
• 54:38
  Speaker 2: Bob Hoskins too. He's pretty amazing.
• 54:43
  Speaker 3: Yeah, I mean, what a loss. What a loss. He
• 54:47
  Speaker 3: was a sweetheart of a man. I have such fond
• 54:51
  Speaker 3: memories particularly of going on the press tour to Japan
• 54:55
  Speaker 3: with Bob and John and being in Kyoto and staying
• 55:04
  Speaker 3: in an old Japanese hotel and all of us coming
• 55:08
  Speaker 3: to dinner in our Japanese robes and sitting down and
• 55:11
  Speaker 3: kind of quiet And then Bob said, all right, so
• 55:14
  Speaker 3: who's got their underwear on and who doesn't? And we
• 55:18
  Speaker 3: just started laughing. And then all of our counterparts from
• 55:22
  Speaker 3: the production distribution company came in in their suits and ties.
• 55:26
  Speaker 3: And we're like, why are we the assholes in the
• 55:28
  Speaker 3: robes on the floor and you guys have your clothes on?
• 55:31
  Speaker 3: Is this a prank?
• 55:33
  Speaker 2: The gig got punked.
• 55:34
  Speaker 3: Yeah, we got a little Japanese punked. But he was
• 55:37
  Speaker 3: a sweet man and such a fine actor.
• 55:42
  Speaker 2: But you got stuck with this Amo the whole time.
• 55:45
  Speaker 8: I did.
• 55:46
  Speaker 3: Yeah, no slouch himself.
• 55:49
  Speaker 2: He's pulled in some really good performances. It's funny how
• 55:52
  Speaker 2: all over the map he is.
• 55:53
  Speaker 5: As an actor.
• 55:54
  Speaker 3: His theater is really phenomenal. Have you had a chance
• 55:56
  Speaker 3: to see any of his one-man shows? Yeah. He's a
• 56:00
  Speaker 3: very talented, talented guy. The last thing I saw him
• 56:05
  Speaker 3: in was Chef, which I really liked that movie. I
• 56:07
  Speaker 3: thought that was a sweet movie.
• 56:08
  Speaker 2: Yeah. Well, to move ahead a little, again, I was
• 56:13
  Speaker 2: really on board with Thing Called Love.
• 56:15
  Speaker 4: And I think because it was, I think it had
• 56:19
  Speaker 4: issues getting out there because it was almost ahead of
• 56:22
  Speaker 4: its time in the music end of it. Because it
• 56:24
  Speaker 4: sat so Nashville and, at the time, standard country music.
• 56:28
  Speaker 4: And I feel like none of what any of you
• 56:30
  Speaker 4: were doing was standard country music for that time.
• 56:33
  Speaker 2: It all became what.
• 56:34
  Speaker 4: Eventually was alt country and all these weird offshoot singer-songwriter
• 56:37
  Speaker 4: things that, like, I think for country fans, it was
• 56:41
  Speaker 4: probably hard to watch because it didn't fit the mold
• 56:46
  Speaker 4: that they expected. And then other people probably were afraid
• 56:48
  Speaker 4: it was going to be another McCountry, so they didn't
• 56:50
  Speaker 4: want to watch it. So I feel like that was
• 56:52
  Speaker 4: such a strike against it. Once you get into it,
• 56:55
  Speaker 4: it's such a great story and such great characters. And
• 56:59
  Speaker 4: the whole cast. It's like you guys were kind of amazing,
• 57:02
  Speaker 4: but I don't know.
• 57:03
  Speaker 2: What was it like? I mean, little Sandy Bullock hanging
• 57:07
  Speaker 2: out there.
• 57:08
  Speaker 3: Unknown Sandy Bullock at that time, yeah. You couldn't be
• 57:12
  Speaker 3: more spot on in terms of your assessment of why
• 57:15
  Speaker 3: the movie fell through the cracks. I mean, at that time,
• 57:19
  Speaker 3: no disrespect to the gentleman, but Billy Ray Cyrus' song
• 57:21
  Speaker 3: Achy Breaky Heart had come out and all we kept
• 57:24
  Speaker 3: saying on set was we are not making Achy Breaky Heart.
• 57:27
  Speaker 3: Peter Bogdanovich is an artist and a tourer and he
• 57:31
  Speaker 3: had a vision that did not fit Paramount Studios' vision
• 57:35
  Speaker 3: of what a country music movie would be. They wanted
• 57:37
  Speaker 3: us to you know, wear red cowboy boots and do
• 57:41
  Speaker 3: line dances and, and, and make a country music pop movie.
• 57:44
  Speaker 3: And that was not what we were interested in doing.
• 57:46
  Speaker 3: And that's not the movie that we made, um, much
• 57:48
  Speaker 3: to their dismay. Um, and, um, we were incredibly blessed. Uh,
• 57:55
  Speaker 3: River had a really strong relationship with T-Bone Burnett, who
• 57:59
  Speaker 3: ended up being our music supervisor and introduced us to, um,
• 58:04
  Speaker 3: true country music. Uh, Again, no disrespect to anybody else,
• 58:08
  Speaker 3: but the roots of country music.
• 58:11
  Speaker 2: It's really all... Blues.
• 58:12
  Speaker 3: And even gospel. And the roots of Americana. And he
• 58:20
  Speaker 3: was my tour guide into the world of country music,
• 58:25
  Speaker 3: which I knew virtually nothing about. I didn't really know
• 58:28
  Speaker 3: about Johnny Cash. I didn't really know about... I knew
• 58:32
  Speaker 3: Patsy Cline. Classic. But, so, you know, T-Bone has grown
• 58:40
  Speaker 3: to become, like, the go-to guy for authentic music of
• 58:43
  Speaker 3: any kind of Americana genre of music. But he put
• 58:48
  Speaker 3: a real stamp on the movie. And I think that's
• 58:50
  Speaker 3: what makes the movie good. But it wasn't the movie
• 58:52
  Speaker 3: that Paramount wanted. So, they didn't know what to do
• 58:56
  Speaker 3: with it.
• 58:57
  Speaker 2: How was he to work as the director? Oh, he
• 58:59
  Speaker 2: was amazing.
• 59:00
  Speaker 5: I mean.
• 59:03
  Speaker 3: He is a sweetheart of a man. This just reminds me,
• 59:09
  Speaker 3: I had a dream and him. Sweetheart of a man,
• 59:14
  Speaker 3: loves actors, knows exactly what he wants, shoots that way,
• 59:19
  Speaker 3: because he knows how he's going to edit while he's shooting.
• 59:23
  Speaker 3: So he'd literally come in for a close-up, but then
• 59:25
  Speaker 3: he'd cut, and I'd be like, we didn't finish, and
• 59:27
  Speaker 3: he's like, I know, I'm going to be out of
• 59:29
  Speaker 3: it by then. And is a treasure trove of film history,
• 59:37
  Speaker 3: which anyone who knows about movies knows. But, I mean,
• 59:40
  Speaker 3: my God, to sit and listen to him talk about
• 59:42
  Speaker 3: Howard Hawks and John Ford and Orson Welles and John Cassavetes,
• 59:48
  Speaker 3: like my hero, was just amazing. I mean, the first
• 59:52
  Speaker 3: AD had a challenging job because he'd be like, Peter, Peter,
• 59:55
  Speaker 3: we've got to get back to it. And River and
• 59:57
  Speaker 3: I were just like, tell us another one, Peter. But
• 1:00:01
  Speaker 3: it was amazing. It was a really, really beautiful experience.
• 1:00:06
  Speaker 5: It is interesting.
• 1:00:08
  Speaker 4: I just sat down with Monty Hellman, who directed Tulane Blacktop,
• 1:00:11
  Speaker 4: and worked with Corman in the early days. And he
• 1:00:13
  Speaker 4: was like that. He would just launch off into this
• 1:00:16
  Speaker 4: side story. And then I'm like, wait, you were supposed
• 1:00:19
  Speaker 4: to direct Reservoir Dogs?
• 1:00:21
  Speaker 2: And he just... I'd never heard that before, and he
• 1:00:24
  Speaker 2: just kind of goes into these different little side stories,
• 1:00:26
  Speaker 2: and I'm like, wait, this was your life? And he's just, like,
• 1:00:29
  Speaker 2: immersed in film history.
• 1:00:31
  Speaker 4: So it is interesting listening to these guys that have
• 1:00:34
  Speaker 4: been around and logged in so much time in the
• 1:00:36
  Speaker 4: business over the years.
• 1:00:40
  Speaker 3: Someone should be making a documentary about Mr. Bogdanovich before
• 1:00:45
  Speaker 3: it's too late. With him goes away so much history
• 1:00:50
  Speaker 3: about cinema. And he's also an incredible mimic. I mean,
• 1:00:54
  Speaker 3: his impersonations of all these people are spot on.
• 1:00:57
  Speaker 2: They definitely need to be recording all of that.
• 1:00:59
  Speaker 4: Well, of other big names in the industry, we did
• 1:01:02
  Speaker 4: mention the American president. That felt like it was funny
• 1:01:07
  Speaker 4: how much that, like, the movie itself did relatively well,
• 1:01:10
  Speaker 4: but I feel like.
• 1:01:11
  Speaker 2: It created so much more than the movie.
• 1:01:13
  Speaker 4: Like, that has to be the reason the West Wing
• 1:01:16
  Speaker 4: came about, because Sorkin wrote American president, but then also, like,
• 1:01:20
  Speaker 4: is that not why Spin City came about? Like, it's
• 1:01:23
  Speaker 4: almost Spin City is Michael J. Fox kind of doing
• 1:01:26
  Speaker 4: the exact same job, only on a New York mayor level.
• 1:01:29
  Speaker 2: So, I don't know.
• 1:01:30
  Speaker 4: How did that shoot go and the Sorkin words being
• 1:01:34
  Speaker 4: thrown at people?
• 1:01:36
  Speaker 3: Yes, the Sorkin words. And you live by the Sorkin word.
• 1:01:40
  Speaker 3: You know, he wasn't directing, so he didn't have the same...
• 1:01:46
  Speaker 3: control in that regard that he did on the West
• 1:01:49
  Speaker 3: Wing but I know that on the West Wing it
• 1:01:50
  Speaker 3: was no it's not the it's a and and and
• 1:01:54
  Speaker 3: and you know what he I never was on the
• 1:01:57
  Speaker 3: West Wing but I would say he was probably right
• 1:01:59
  Speaker 3: like almost 100% of the time because the man has
• 1:02:02
  Speaker 3: a masterful grasp of the English language and coming from
• 1:02:06
  Speaker 3: being a theater playwright I don't know like I can't
• 1:02:12
  Speaker 3: say whether spin city really spun out of that but
• 1:02:15
  Speaker 3: i think you know it's possible it definitely opened up
• 1:02:18
  Speaker 3: an interest in political the political realm again um it
• 1:02:23
  Speaker 3: was just a blueprint like you know someone a politician
• 1:02:27
  Speaker 3: sexy again um but uh i was in awe of
• 1:02:33
  Speaker 3: being a part of that movie it was certainly the
• 1:02:35
  Speaker 3: biggest movie i'd ever made at that point um with
• 1:02:38
  Speaker 3: this most star-studded cast i was super starstruck and intimidated
• 1:02:42
  Speaker 3: by everyone, which actually lent itself to my character. I mean,
• 1:02:49
  Speaker 3: just Rob Reiner alone. I'm sitting on set with Meathead.
• 1:02:53
  Speaker 3: And he's an incredible director and a big bear of
• 1:02:56
  Speaker 3: a man. I mean, I was nervous most of the time.
• 1:03:00
  Speaker 3: And then I'm with Michael J. Fox and Martin Sheen
• 1:03:02
  Speaker 3: and Michael Douglas and Annette Bening and Anna Deavere Smith.
• 1:03:06
  Speaker 3: And every time you turned around, it was just someone...
• 1:03:09
  Speaker 3: That I knew. It was a great movie to be
• 1:03:11
  Speaker 3: a part of. Probably one of my better experiences in
• 1:03:15
  Speaker 3: getting to do research because they sent me to the
• 1:03:17
  Speaker 3: Clinton White House and I followed Clinton for a day.
• 1:03:21
  Speaker 3: From 6.30 in the morning to 6 o'clock at night.
• 1:03:23
  Speaker 3: And that was an amazing life experience. One of those
• 1:03:27
  Speaker 3: things as an actor you get to do. That was
• 1:03:30
  Speaker 3: not the tour that anyone else gets to take.
• 1:03:33
  Speaker 2: And Rob has those connections. He called up the White House.
• 1:03:38
  Speaker 4: Oh let's see i get the one of the other
• 1:03:40
  Speaker 4: big just broken arrow working with john woo how again
• 1:03:44
  Speaker 4: a man who seems like he probably almost killed many
• 1:03:47
  Speaker 4: of his leads over the years so i did anything
• 1:03:50
  Speaker 4: uh out of the ordinary going on that.
• 1:03:51
  Speaker 3: One you know i mean i pulled a lessel in
• 1:03:56
  Speaker 3: my leg once there was a scene when christian and
• 1:03:58
  Speaker 3: i were running away from a helicopter and they'd in a,
• 1:04:02
  Speaker 3: in a, in a, like a ravine and sand. And
• 1:04:06
  Speaker 3: they'd set up like, you know, a hundred feet of
• 1:04:09
  Speaker 3: squibs to go off onto the left and the right
• 1:04:12
  Speaker 3: to make it look like we were being shot at
• 1:04:14
  Speaker 3: while the helicopter was going over us. And then we
• 1:04:16
  Speaker 3: had to haul ass and we were running in sand.
• 1:04:19
  Speaker 3: And I took a step and, and then I just
• 1:04:21
  Speaker 3: started limping. And then I fell to the ground as
• 1:04:23
  Speaker 3: soon as they said cut. And, you know, medics all
• 1:04:26
  Speaker 3: like descended upon me and, um, uh, you know, put
• 1:04:31
  Speaker 3: all various sorts of ointments and wraps on my thigh.
• 1:04:35
  Speaker 3: But other than that, I've got to say it was
• 1:04:37
  Speaker 3: a really safe set. It was like being an outward bound.
• 1:04:42
  Speaker 3: And as a girl, to be the only female in
• 1:04:46
  Speaker 3: the cast, that was a lot of fun for me.
• 1:04:48
  Speaker 3: To be playing with the boys and the toys. To
• 1:04:52
  Speaker 3: be strapped to the side of a moving train. To
• 1:04:56
  Speaker 3: be driving a Humvee. I really liked... I really liked...
• 1:05:01
  Speaker 3: that experience of being kind.
• 1:05:03
  Speaker 2: Of a badass.
• 1:05:05
  Speaker 4: How precise was he in directing? I mean, how laid
• 1:05:07
  Speaker 4: out did he have everything as far as action and stuff?
• 1:05:10
  Speaker 3: Very precise. Extremely precise. And I'd never seen anyone use
• 1:05:14
  Speaker 3: so many cameras. We did one shot in particular with
• 1:05:19
  Speaker 3: seven cameras. One was cranked to be fast. One was
• 1:05:23
  Speaker 3: under cranked. One, you know, was a Dutch angle. It
• 1:05:25
  Speaker 3: was all different. And it was really impressive. I wish
• 1:05:28
  Speaker 3: I could go back and have that experience again because...
• 1:05:31
  Speaker 3: I knew what I was doing and what I was seeing,
• 1:05:33
  Speaker 3: but I would have an even greater appreciation for it now.
• 1:05:36
  Speaker 3: I was still enough of a kid to be like, wow,
• 1:05:39
  Speaker 3: it's John Woo. This is really cool. But now I'd
• 1:05:41
  Speaker 3: be like, why are you doing it that way? What
• 1:05:43
  Speaker 3: does that mean? What, how will you edit it?
• 1:05:45
  Speaker 4: You know, that does seem like somebody planning on editing
• 1:05:48
  Speaker 4: a lot later that many different things running. But, um,
• 1:05:53
  Speaker 4: I guess just wrap up. Uh, I did just want
• 1:05:56
  Speaker 4: to say thank you for all the stuff that you've done.
• 1:05:59
  Speaker 4: I mean, I, I, I usually out myself with my weird...
• 1:06:03
  Speaker 4: There's only been a handful of crushes.
• 1:06:04
  Speaker 2: And Misty outed me herself as I.
• 1:06:08
  Speaker 4: As we saw you were coming here, she was like,
• 1:06:10
  Speaker 4: didn't the whole back of your door used to be that... Actually,
• 1:06:14
  Speaker 4: the guy showed up here earlier with that giant pump
• 1:06:15
  Speaker 4: of the vibe.
• 1:06:16
  Speaker 2: I didn't have that one. I had the thing called
• 1:06:18
  Speaker 2: Love One. The one that was just you walking down
• 1:06:20
  Speaker 2: the road. And that was the back of my door.
• 1:06:22
  Speaker 5: So I.
• 1:06:24
  Speaker 2: Yeah, I out myself for being a geek because I
• 1:06:26
  Speaker 2: was suckered in. I probably should have. I think I
• 1:06:29
  Speaker 2: still have it. I won't lie.
• 1:06:32
  Speaker 5: I've got it.
• 1:06:33
  Speaker 2: It's in a box with the rest of my toys
• 1:06:35
  Speaker 2: at this point.
• 1:06:35
  Speaker 3: Thank you for being honest. I appreciate that.
• 1:06:40
  Speaker 2: I said don't tell her that part.
• 1:06:43
  Speaker 3: Well, thank you. I appreciate that. I appreciate that a lot.
• 1:06:47
  Speaker 2: Yeah, again, especially at that point, the whole Nora thing,
• 1:06:51
  Speaker 2: I think it all kind of attached itself to me
• 1:06:53
  Speaker 2: really early. I used to play.
• 1:06:55
  Speaker 3: Some really strong, fun, sexy, smart characters when I was
• 1:07:02
  Speaker 3: in my early 20s, and so it's certainly flattering to
• 1:07:08
  Speaker 3: know that some gentlemen had a crush on me from
• 1:07:11
  Speaker 3: all that.
• 1:07:12
  Speaker 2: Well, that's, I mean, I usually.
• 1:07:14
  Speaker 3: In all earnestness, actually, that's great, because I was playing
• 1:07:18
  Speaker 3: someone who was intelligent, and I wasn't a ditz, and
• 1:07:21
  Speaker 3: I had strength, and that's great that that made an
• 1:07:25
  Speaker 3: impression on young men. We need more strong, independent female characters.
• 1:07:31
  Speaker 4: Especially at that point in, you know, 80s movies weren't
• 1:07:35
  Speaker 4: really known for smart female characters. So, yeah, the fact
• 1:07:38
  Speaker 4: that she was as well-written and as much... of an
• 1:07:41
  Speaker 4: equal as, you know, Christian Slater that like, I think
• 1:07:44
  Speaker 4: it really did.
• 1:07:44
  Speaker 2: Kind of, you know, make an impact on it. So, uh, well, okay.
• 1:07:48
  Speaker 4: Aside from my outing myself here, um, you, you've also
• 1:07:52
  Speaker 4: got new stuff. Is there stuff you want to tell
• 1:07:53
  Speaker 4: people about? You've got, you showed up on under the dome.
• 1:07:56
  Speaker 4: We may or may not spoil that.
• 1:07:58
  Speaker 3: I did show up on under the dome. Uh, but
• 1:08:01
  Speaker 3: we won't talk too much about that if you haven't
• 1:08:03
  Speaker 3: seen it, but I, I was on, I was on
• 1:08:05
  Speaker 3: it for a bit and I may be back. You
• 1:08:07
  Speaker 3: never know.
• 1:08:08
  Speaker 2: It's a strange show. You could be that.
• 1:08:10
  Speaker 3: The dome works in mysterious ways. Um, but, uh, yeah, uh, uh,
• 1:08:15
  Speaker 3: people should check out the second season of the strain.
• 1:08:17
  Speaker 3: It starts on FX on July 12th and I've joined
• 1:08:20
  Speaker 3: the show starting in the second episode playing, um, a
• 1:08:24
  Speaker 3: really tough council woman from, uh, Staten Island named Justine Ferraldo,
• 1:08:29
  Speaker 3: who has a really strong relationship with the fire department
• 1:08:32
  Speaker 3: and the police department. And, uh, she starts to figure
• 1:08:36
  Speaker 3: out how to sort of uh cleanse uh staten island
• 1:08:40
  Speaker 3: from from the vampires and so the mayor of new
• 1:08:43
  Speaker 3: york reaches out to her and uh wants to work
• 1:08:46
  Speaker 3: together with her and uh that will grow over the season.
• 1:08:51
  Speaker 2: Yeah and how involved is guillermo on this.
• 1:08:54
  Speaker 3: I think he was more involved in the first season
• 1:08:56
  Speaker 3: i know creatively he's involved in the show but he's
• 1:09:00
  Speaker 3: in and out because he's doing so many things so
• 1:09:03
  Speaker 3: he was even on set and i literally i'd walk
• 1:09:06
  Speaker 3: in and and they'd be like ah wasn't that nice
• 1:09:08
  Speaker 3: to see guillermo and i was like nobody told me
• 1:09:10
  Speaker 3: again you guys i haven't met him yet so i
• 1:09:13
  Speaker 3: actually realized he was on set my last day we
• 1:09:16
  Speaker 3: looked at each other and i was like is that
• 1:09:18
  Speaker 3: And then they were like, we're ready, and I went
• 1:09:20
  Speaker 3: to set, and I was like, goddammit, when is someone
• 1:09:22
  Speaker 3: going to introduce me to the man?
• 1:09:24
  Speaker 2: He's dodging you.
• 1:09:25
  Speaker 3: So, he probably has a crush on me, and he's
• 1:09:28
  Speaker 3: too intimidated to say hi.
• 1:09:29
  Speaker 2: There's probably a thing called love, big cardboard stand-up in
• 1:09:33
  Speaker 2: his room.
• 1:09:34
  Speaker 3: Uh-huh, there you go. But I'm hoping season three is
• 1:09:37
  Speaker 3: going to happen, and then I'm going to be like, okay,
• 1:09:41
  Speaker 3: I demand. I will not come to set until I
• 1:09:43
  Speaker 3: meet Guillermo.
• 1:09:44
  Speaker 2: I have writers.
• 1:09:45
  Speaker 4: It's mostly just hanging out with Guillermo.
• 1:09:46
  Speaker 3: It's his show. It's his vision.
• 1:09:48
  Speaker 1: Yeah.
• 1:09:48
  Speaker 3: He created a show. He then co-wrote these books. And
• 1:09:53
  Speaker 3: then they went and sold the show. And it's all
• 1:09:55
  Speaker 3: from the mind of Guillermo. And the template that he
• 1:09:57
  Speaker 3: sets is very strong. So it's his show. All right.
• 1:10:02
  Speaker 2: Well, thank you for talking with us, man. It's been great.
• 1:10:04
  Speaker 3: This was really fun.
• 1:10:06
  Speaker 2: Thank you.
• 1:10:09
  Speaker 5: I love you.
• 1:10:12
  Speaker 1: Samantha And my love.
• 1:10:51
  Speaker 8: I was that creepy person lurking off to the side.
• 1:10:53
  Speaker 2: You are a creeper. I am. We were like, damn it, Misty,
• 1:10:56
  Speaker 2: leave us alone. We're trying to have an important conversation.
• 1:11:01
  Speaker 2: And maybe not spoil certain seasons of Under the Dome. So, yes.
• 1:11:08
  Speaker 4: Thank you once again to Samantha for sitting there and
• 1:11:10
  Speaker 4: talking to us and putting up with me.
• 1:11:13
  Speaker 2: And for putting up with me. I once again outed
• 1:11:16
  Speaker 2: myself for being sappily in love with her. So, what
• 1:11:18
  Speaker 2: are you going to do? I don't think I'm alone, though.
• 1:11:20
  Speaker 4: At least there were a few other weird guys out there.
• 1:11:22
  Speaker 4: I'm sure a few listening right now were also sappily
• 1:11:26
  Speaker 4: devoted to her.
• 1:11:27
  Speaker 8: I'm just thinking about how adorable she was. I'm just lost. Sorry.
• 1:11:30
  Speaker 2: She was pretty good.
• 1:11:32
  Speaker 8: Anything else about the convention that we went to? They
• 1:11:35
  Speaker 8: need to have it at a place that is not
• 1:11:36
  Speaker 8: disabled or water fountains.
• 1:11:38
  Speaker 2: Okay, that was funny. Misty's wandering around looking for a
• 1:11:42
  Speaker 2: water fountain. Oh, we found them. We found about three.
• 1:11:45
  Speaker 2: None of them worked.
• 1:11:46
  Speaker 8: One of them made a sound. The other two didn't
• 1:11:49
  Speaker 8: even have elements that would make sounds anymore.
• 1:11:51
  Speaker 2: Yeah, they took out the buttons. There's no knobs. They
• 1:11:53
  Speaker 2: were just sort of a reservoir in the wall.
• 1:11:56
  Speaker 8: Like, if they had water fountains, this is where it
• 1:11:59
  Speaker 8: would be. But you know what? You're going to Starbucks because...
• 1:12:02
  Speaker 8: We're not giving you free water.
• 1:12:03
  Speaker 2: Yeah, there was a disabled water fountain a few feet
• 1:12:06
  Speaker 2: from a really long line at the Starbucks. You do
• 1:12:09
  Speaker 2: the math, people.
• 1:12:10
  Speaker 8: I was about ready to go stick my head under
• 1:12:11
  Speaker 8: a faucet in the bathroom. And that's gross.
• 1:12:16
  Speaker 2: Yeah, I've seen people. That's probably not a good idea.
• 1:12:20
  Speaker 8: I talked to a stranger about Corey Haim. That was
• 1:12:22
  Speaker 8: pretty exciting.
• 1:12:23
  Speaker 2: That doesn't always happen, you talking to people.
• 1:12:26
  Speaker 8: I know, but I do like talking about Corey Haim.
• 1:12:28
  Speaker 8: Because they noticed my Corey tattoo. And they were like,
• 1:12:31
  Speaker 8: did you get to meet him? And I'm like, yeah,
• 1:12:32
  Speaker 8: he was at the Horror Hound in India a couple
• 1:12:34
  Speaker 8: years before. It was like a year before he died
• 1:12:37
  Speaker 8: or something. And he had lost a lot of weight
• 1:12:39
  Speaker 8: and he was looking really good. And then he died.
• 1:12:43
  Speaker 2: He was back on track. He was doing good. He
• 1:12:45
  Speaker 2: was staying away from Feldman. And then, look what happened.
• 1:12:49
  Speaker 8: So they were very impressed that I had... Got to
• 1:12:52
  Speaker 8: meet Corey Haim and got my picture taken with him.
• 1:12:54
  Speaker 8: I brought it up on Facebook. I'm like, see? I'm
• 1:12:56
  Speaker 8: not making it up. He's right here. So, yay. I
• 1:13:00
  Speaker 8: impressed people. Because they didn't get to meet Corey Haim. Neener.
• 1:13:05
  Speaker 8: If you have a chance to go see Angus Grimm,
• 1:13:07
  Speaker 8: you best do it soon.
• 1:13:10
  Speaker 2: He's not the youngest man in the world.
• 1:13:13
  Speaker 8: I thought when we saw him a couple years ago,
• 1:13:15
  Speaker 8: he was looking a bit up there.
• 1:13:16
  Speaker 4: That's what I was saying. I was like, he didn't
• 1:13:18
  Speaker 4: look so bad last time. And I started doing the math.
• 1:13:20
  Speaker 4: I was like, oh, what was that, like seven years
• 1:13:22
  Speaker 4: ago or something?
• 1:13:23
  Speaker 2: That's, I guess, a long time.
• 1:13:25
  Speaker 8: He's an amazing guy. He had an amazing career. But
• 1:13:28
  Speaker 8: he is getting up there. So if you get a chance,
• 1:13:30
  Speaker 8: I'm not saying it, but you best go. I'm not
• 1:13:33
  Speaker 8: wishing ill upon him.
• 1:13:34
  Speaker 2: Definitely not. He's your fake grandpa.
• 1:13:37
  Speaker 8: I would totally adopt him as my grandpa. He is
• 1:13:39
  Speaker 8: a wonderful person and a very kind man. I'm just saying.
• 1:13:43
  Speaker 8: You best go see him. Visit my grandpa, for God's sakes.
• 1:13:46
  Speaker 8: What's wrong with you people?
• 1:13:47
  Speaker 2: Too much to ask. Just visit your grandpa every once
• 1:13:50
  Speaker 2: in a while.
• 1:13:52
  Speaker 8: I'm just giving everybody a warning. I want you to
• 1:13:54
  Speaker 8: be like, oh, I thought I had plenty of time.
• 1:13:56
  Speaker 8: You best go.
• 1:13:57
  Speaker 2: That's true with anything. You never know with anybody, really,
• 1:14:01
  Speaker 2: as we just said.
• 1:14:02
  Speaker 8: I hope he lives a continually long life and lives
• 1:14:04
  Speaker 8: forever and ever and ever. But he was not looking
• 1:14:08
  Speaker 8: so good.
• 1:14:10
  Speaker 4: Sorry.
• 1:14:11
  Speaker 8: I wish people would quit bringing dead animals in jars
• 1:14:14
  Speaker 8: and considering that's something to sell at conventions. I don't know.
• 1:14:17
  Speaker 2: It has been a major movement in recent years.
• 1:14:19
  Speaker 8: Bringing animal bits. I'm like, it's just gross. I like animals.
• 1:14:23
  Speaker 8: And I'm not like, I don't know. I just think
• 1:14:26
  Speaker 8: it's weird. I like them all that weird shit, but.
• 1:14:29
  Speaker 2: There's a lot of weird stuff there, but it is
• 1:14:31
  Speaker 2: funny how much of it in the last few years
• 1:14:33
  Speaker 2: has become dead animals. Dead animal parts.
• 1:14:37
  Speaker 4: I guess it's because they can't bring human parts or
• 1:14:40
  Speaker 4: they get arrested.
• 1:14:40
  Speaker 8: That one guy said that all of his human parts
• 1:14:42
  Speaker 8: were real.
• 1:14:43
  Speaker 2: That's true. No, he had mostly human blood that he
• 1:14:45
  Speaker 2: said had been disinfected. Is that what he said? I
• 1:14:48
  Speaker 2: don't know.
• 1:14:48
  Speaker 8: He had a real human skull.
• 1:14:50
  Speaker 4: And then he had a human skull and some other
• 1:14:52
  Speaker 4: random bones. And I'm like, are you just a grave robber, dude?
• 1:14:55
  Speaker 4: Because I don't know if that's legal.
• 1:14:57
  Speaker 8: Talk about Jack Noseworthy and how delightful he is. Samantha
• 1:15:01
  Speaker 8: Mathis and how beautiful she is.
• 1:15:03
  Speaker 2: She's super awesome.
• 1:15:04
  Speaker 8: Meredith Salinger was pretty hot, but we didn't talk to her.
• 1:15:06
  Speaker 8: Ric Flair looks old. But Mosey's awesome. Talk about everybody
• 1:15:10
  Speaker 8: who was there. Just randomly starts batting off people. Misty
• 1:15:12
  Speaker 8: Monday was there. What's her name? What's her name? What's
• 1:15:15
  Speaker 8: her name? Come on, say it.
• 1:15:15
  Speaker 2: Misty Mundane?
• 1:15:16
  Speaker 8: Yeah, exactly. Actually, she's labeled herself as a real name now.
• 1:15:20
  Speaker 2: Oh, that's not her birth name?
• 1:15:23
  Speaker 8: Erin Brown is nowhere near as awesome.
• 1:15:25
  Speaker 2: That's not quite so memorable, is it?
• 1:15:28
  Speaker 8: Playmate of the Apes. Is that the one she was in?
• 1:15:30
  Speaker 2: Yeah, that's the one I was... Handed a copy and went, Here,
• 1:15:35
  Speaker 2: you need to watch this.
• 1:15:36
  Speaker 4: And I kept watching... the story parts. I was watching
• 1:15:40
  Speaker 4: Porn Wrong, people.
• 1:15:41
  Speaker 2: I was scanning.
• 1:15:42
  Speaker 8: Through the bad, the.
• 1:15:44
  Speaker 2: Bad, like, R-rated girl-on-girl action, because it's really, at best,
• 1:15:49
  Speaker 2: all there was.
• 1:15:49
  Speaker 4: But the ship made out of PVC pipe was the
• 1:15:52
  Speaker 4: funniest thing I'd ever seen. I was so thrilled with
• 1:15:55
  Speaker 4: how bad the spaceship was, and then the sets in general,
• 1:16:00
  Speaker 4: and that stellar acting.
• 1:16:01
  Speaker 2: Overall with the whole cast.
• 1:16:04
  Speaker 4: Yeah, it was an interesting most-watched some scenes.
• 1:16:09
  Speaker 2: Watched let's put it that way yeah i was doing
• 1:16:12
  Speaker 2: it wrong but there were a huge amount of vhs
• 1:16:15
  Speaker 2: tapes there there were several people that had like massive
• 1:16:18
  Speaker 2: amounts so as i told carl that other recent episode
• 1:16:22
  Speaker 2: when he was just like there's.
• 1:16:23
  Speaker 4: Not anybody that likes vhs out there like me it
• 1:16:25
  Speaker 4: was like i was surprised i was like.
• 1:16:27
  Speaker 2: No there's some out there they're making a comeback you
• 1:16:30
  Speaker 2: just gotta find the right people so yes write in
• 1:16:33
  Speaker 2: if you're a vhs tape head and we'll Pass the
• 1:16:35
  Speaker 2: word along to Carl to let him know those people
• 1:16:37
  Speaker 2: are still out there. Otherwise, I think that's about all
• 1:16:42
  Speaker 2: we saw.
• 1:16:43
  Speaker 4: Once again, thank you to Jack Noseworthy for dealing with
• 1:16:47
  Speaker 4: you and your happy dance and all your craziness.
• 1:16:49
  Speaker 8: There was a whole bunch of happy dance.
• 1:16:51
  Speaker 4: Thank you once again to Samantha for putting up with
• 1:16:53
  Speaker 4: my sappy revelations of teenage love and devotion. Anyway, yeah,
• 1:16:59
  Speaker 4: she's awesome. So definitely support her in all that she
• 1:17:02
  Speaker 4: does from here on out. And thank you for talking
• 1:17:05
  Speaker 4: with us. So I'm sure we'll.
• 1:17:06
  Speaker 2: Be back in the near future at another one of
• 1:17:08
  Speaker 2: those conventions or with other random misty activities and fabulous
• 1:17:13
  Speaker 2: celebrity conversations.
• 1:17:15
  Speaker 8: Hells yeah.
• 1:17:16
  Speaker 2: Otherwise, that about does it. We will return next time.
• 1:17:18
  Speaker 2: Same geek feed. Thanks for listening.
• 1:17:43
  Speaker 1: Well, she's a cute, cute as a button, but you
• 1:17:45
  Speaker 1: better watch out, she don't take you from anyone. She's tough, yeah,
• 1:17:47
  Speaker 1: she's tough as hell, but she's been through a lot.
• 1:17:49
  Speaker 5: Wouldn't know it, but she's so young.
• 1:17:51
  Speaker 1: Mom feels right in the day, every first night. Young me,
• 1:17:56
  Speaker 1: we're a lonely kid that feels fearful about it.
• 1:18:25
  Speaker 2: Well, she's smart, smart as a whip, and if you
• 1:18:27
  Speaker 2: need advice, it won't get better for anyone.
• 1:18:28
  Speaker 8: She's short, only 5'2, but when she lacks in height,
• 1:18:30
  Speaker 8: she makes up for it.
• 1:18:31
  Speaker 1: In guts and bones.
• 1:18:32
  Speaker 2: And her men will bust me in with all the
• 1:18:34
  Speaker 2: wear and tear, but you know she's strong in.
• 1:18:36
  Speaker 3: Her own way.
• 1:18:39
  Speaker 1: She's carried me through the worst of times, she's been
• 1:18:44
  Speaker 1: the light in my darkest days. Do do do do
• 1:19:11
  Speaker 1: do do do do Wasn't that my place, but just
• 1:19:39
  Speaker 1: no good, and I had to get out. Life carried
• 1:19:42
  Speaker 1: me all the time, but you bailed me out. When
• 1:19:46
  Speaker 1: it comes to you, it would fail me, girl. Don't
• 1:19:49
  Speaker 1: know what I would do without you.
• 1:19:52
  Speaker 5: When I'm free, I'm free, I'm free, I'm free.
• 1:19:57
  Speaker 1: When I'm free, I'm free, I'm free. When I'm free,
• 1:20:02
  Speaker 1: I'm free, I'm free. Now I have.
• 1:20:26
  Speaker 8: To see the first season to build up to because
• 1:20:30
  Speaker 8: I'm like.
• 1:20:31
  Speaker 3: I just met her.
• 1:20:32
  Speaker 1: There you go. That's awesome. Yeah. Very cool to meet you. Yeah,
• 1:20:36
  Speaker 1: good to meet you.
• 1:20:37
  Speaker 8: I have to watch this train now.
• 1:20:40
  Speaker 6: Season two.
• 1:20:41
  Speaker 5: So, it's awesome.
• 1:20:43
  Speaker 1: All right, y'all.
• 1:20:47
  Speaker 3: Have a good day.
• 1:20:49
  Speaker 2: I didn't want to spoil season one under the dome.
• 1:20:53
  Speaker 2: Watch season two of that one, too. She's really good. Oh,
• 1:20:56
  Speaker 2: no way, never mind. There's no point in watching after
• 1:20:58
  Speaker 2: season two.
• 1:20:59
  Speaker 3: I've said that a few times. Not that there's no point,
• 1:21:01
  Speaker 3: just that I haven't seen it because I died and
• 1:21:04
  Speaker 3: I got busy, but then I realized some people haven't.
• 1:21:07
  Speaker 2: It takes a lot of strange turns, I have to say.
• 1:21:10
  Speaker 5: This episode is a production of Movie Meltdown, produced and
• 1:21:13
  Speaker 5: edited by The Oddity Studios, with opening music performed by
• 1:21:16
  Speaker 5: The Empires. For more on how to sponsor or support
• 1:21:19
  Speaker 5: the show, Email producer at moviemeltdown.com.
• 1:21:22
  Speaker 7: Talk hard!