Latest / The Real Report with Tony Yayo and Uncle Murda / Jacquees reveals why he cut Mario from his album, making up with Trey Songz, making Mood 2, K Camp tour, & King of R&B BACKLASH

Transcript

Jacquees reveals why he cut Mario from his album, making up with Trey Songz, making Mood 2, K Camp tour, & King of R&B BACKLASH · The Real Report with Tony Yayo and Uncle Murda

0:00
Speaker 1: So who you considered real singing. I've seen Mario had
0:03
Speaker 1: something I see and that's.
0:06
Speaker 2: My like, I'm trying to figure out my like, my
0:08
Speaker 2: I don't I don't really understand why he did that,
0:11
Speaker 2: you know what I'm saying. That was the guy used
0:12
Speaker 2: to call like that got on cam Newon podcast and
0:16
Speaker 2: they was asking cam Newton asked him like who can sing?
0:18
Speaker 3: And who can sing?
0:19
Speaker 2: Or some dumby like that, and then uh Bro was like,
0:22
Speaker 2: uh Bro was like singing? Can't he sang some shit?
0:26
Speaker 2: He was like, I mean he can sing, I mean
0:27
Speaker 2: he can't sing. But that was weird to me. I
0:30
Speaker 2: hit him up as soon as I seen it. But
0:31
Speaker 2: it wasn't like I just let him know how I feel.
0:33
Speaker 2: You know, he let me know how you feel. But
0:35
Speaker 2: I just didn't respect what he was saying. But that
0:37
Speaker 2: let me know our relationship wasn't how I thought it was.
0:40
Speaker 3: You you know what I'm saying. So it was like,
0:41
Speaker 3: all right, cool, I was probably tripping anyway like that anyway.
0:44
Speaker 4: All right, y'all was just like rapping sometimes you know,
0:47
Speaker 4: they just be hey, got this versus what you know?
0:51
Speaker 3: Argue, But but that really had shocked me, don't okay,
0:54
Speaker 3: because Bro was on my album. You know what I'm saying.
0:56
Speaker 1: Look at that he was.
0:57
Speaker 2: He was on my album, but no no more because
0:59
Speaker 2: I'm like, not no more?
1:02
Speaker 3: Well, yo, he didn't get staped.
1:06
Speaker 4: Bruck.
1:22
Speaker 3: Yeah.
1:22
Speaker 1: Yeah, this is the boy Uncle murder a k A
1:24
Speaker 1: leg Jet Lenny and it's your boy Tunic yeo when
1:27
Speaker 1: it's the real report show and tell him who you are.
1:29
Speaker 3: Man, it's the king. R and B. Jack quee yeah
1:32
Speaker 3: nor you.
1:34
Speaker 4: Yeah, and ladies and gentlemen. We was talking. This is
1:39
Speaker 4: my guy right here, legend right here, and he was
1:43
Speaker 4: playing Move Series Part two and I was like, yes,
1:47
Speaker 4: this is what music needs.
1:49
Speaker 1: Man.
1:49
Speaker 4: You had something for the club, you had big features,
1:54
Speaker 4: you had stuff for the ladies. I mean it's like
1:57
Speaker 4: a void in R and B. Man talk about the
2:00
Speaker 4: creative process a Move Series two because the last one
2:03
Speaker 4: was what ten years ago?
2:04
Speaker 2: Yeah it was teens gonna dropped Moved one and this
2:06
Speaker 2: move too. Man, the creative process. I've been working on
2:09
Speaker 2: it since then, like just trying to get it, you know,
2:12
Speaker 2: get it, get it perfect, honestly, and this just felt right.
2:16
Speaker 2: I probably really like got tight tight on it about
2:19
Speaker 2: three years ago, twenty twenty three is when I put
2:21
Speaker 2: in my mind like all right, we're really about to
2:22
Speaker 2: get ready to drop it. And that's when I recorded
2:25
Speaker 2: a lot of the records that you just heard, scrapped
2:28
Speaker 2: a lot of records, But really it was just making
2:30
Speaker 2: sure I had a move for every feeling, you know
2:32
Speaker 2: what I'm saying, for everything that it needed to be.
2:35
Speaker 2: So man, big shout out of everybody that I was
2:37
Speaker 2: in the studio with Nash B Forte Boy and my
2:40
Speaker 2: brothers K major hit Maker, they came and added the
2:43
Speaker 2: last little sprinkles to it. So yeah, bro, like I got,
2:46
Speaker 2: I got some stuff on that. I'm confident in it too,
2:48
Speaker 2: you know what I'm saying. It was a long time
2:50
Speaker 2: coming to be able to get here, but I think
2:52
Speaker 2: it's super special because I was just able to.
2:54
Speaker 3: Put Moved One on streaming platforms.
2:56
Speaker 2: So if people never got to experience the music or
2:59
Speaker 2: Move One, they get to sit with that and then
3:01
Speaker 2: go go to move to you know what I'm saying,
3:03
Speaker 2: and get the whole get the whole vit.
3:06
Speaker 1: Remember when you first started calling yourself to King of
3:08
Speaker 1: arm but you had a little bit of a little
3:10
Speaker 1: bit of drama behind that, right we speak on that
3:16
Speaker 1: a little bit. Man, How I was that whole like
3:17
Speaker 1: a little thing going on.
3:19
Speaker 3: I mean, it was it was crazy.
3:21
Speaker 2: It was a crazy time, like you know, but it
3:24
Speaker 2: was something that I don't regret because I realized everybody
3:27
Speaker 2: knew me, and that's really what I wanted.
3:29
Speaker 3: Like I used to go places.
3:30
Speaker 2: I tell people, I used to go places and I
3:32
Speaker 2: introduced myself to somebody or you know, really just say
3:35
Speaker 2: what's up and they be like, who are you?
3:36
Speaker 3: Like what do you do?
3:37
Speaker 1: You know?
3:37
Speaker 2: So I was like, I know they know who I
3:39
Speaker 2: am because I had a big song b D was
3:41
Speaker 2: going crazy at the time, like I know they know
3:43
Speaker 2: who I am. And I had a bunch of mixtapes
3:45
Speaker 2: like Mood and stuff. Really that was that was out
3:47
Speaker 2: at that time. And you know, after I said I
3:50
Speaker 2: was king R and B you know, a bunch of
3:51
Speaker 2: people just was coming what's coming from me?
3:54
Speaker 3: I ain't even tru I like how I like how
4:00
Speaker 3: like I like how my name? I always come up
4:03
Speaker 3: with that whenever they mis Definitely.
4:04
Speaker 1: You know what I mean, Market market.
4:09
Speaker 4: What you just played, you can feel like that the
4:11
Speaker 4: records you just played, because I'm with these twenty two
4:14
Speaker 4: songs on on on the album. I just said, oh,
4:17
Speaker 4: you're trying to get fifteen number ones. I know what
4:20
Speaker 4: you're trying to do. Because can we talk about some
4:22
Speaker 4: of the features, or because I know I heard the
4:24
Speaker 4: dream with Rob full nine that was crazy. The joint
4:28
Speaker 4: with Kodak, I smoke the label. I would have put
4:31
Speaker 4: that out first. Shout to the label.
4:33
Speaker 1: But it's cash winning Republic, cash winning Republic, money got you.
4:38
Speaker 4: Shout the cash money Republic. I would have put the
4:41
Speaker 4: Quodac Quodak record out first. Facts Chiropractice, Oh man, that's
4:45
Speaker 4: a street club anthem. Your joint hit what hit Maker.
4:49
Speaker 4: I feel like that's definitely one for the ladies, Like
4:52
Speaker 4: you played me like three joints for the ladies. And
4:55
Speaker 4: I feel like in R and B, I feel like
4:58
Speaker 4: it's more female artists dropping like a Mariah Scientist. You
5:03
Speaker 4: got Snow, you got some of Walker, you got Scissor,
5:06
Speaker 4: you got Doja, you got Klannie, you got so many.
5:12
Speaker 4: Now now with male artists, it just seemed like you
5:15
Speaker 4: got Chris Trey. We haven't heard nothing from in a while.
5:19
Speaker 4: You know what I'm saying. Give me on Leon Thomas,
5:24
Speaker 4: the Weekend with the Weekend Mixed Records. You know, you know,
5:27
Speaker 4: uh sure you know.
5:28
Speaker 1: Now they're on to songs have some drama too. Man
5:31
Speaker 1: talking about what was that about it? You mentioned songs,
5:37
Speaker 1: but you can't interrupt me. I just remember that we
5:39
Speaker 1: gotta do this. So how do you feel You don't
5:42
Speaker 1: feel like there's.
5:43
Speaker 4: A void like in male hip hop like and male
5:47
Speaker 4: R and B because like the female R and B
5:49
Speaker 4: like artists or it's just like feels like it's more
5:52
Speaker 4: than it's like nobody's dropping. So when I hear your album,
5:55
Speaker 4: it feels like a breath of fresh air, you know.
5:57
Speaker 2: I mean, I feel like it's a void for probably
5:59
Speaker 2: the type of arm be that I make, you know
6:01
Speaker 2: what I'm saying. And because there's a lot of guys
6:03
Speaker 2: that's that's out right now, Like you got what Leon
6:06
Speaker 2: Thomas like you said, give you yeah, and Leon Thomas
6:10
Speaker 2: he did some work on this album to a record
6:12
Speaker 2: called probably did some writing on it.
6:13
Speaker 3: Okay, yeah, shout out to Leon.
6:17
Speaker 2: But I just feel like for what I do, I
6:20
Speaker 2: feel like that's why I felt like, damn, but it
6:22
Speaker 2: shit feels good, like you know, cause it's like it's
6:25
Speaker 2: different from what they do, you know what I mean,
6:27
Speaker 2: It's different Mine it's like a little more. It's like
6:31
Speaker 2: contemporary R and B, you know, and it's like it's
6:34
Speaker 2: just like that classic sound, right, you know. But I
6:37
Speaker 2: just feel like I don't know people dropping. I mean,
6:39
Speaker 2: like I say, you got Chris just dropped this album
6:41
Speaker 2: and I was fine, I was my joints dropped. I'm
6:45
Speaker 2: coming though, you know what I'm saying. I'm coming in
6:47
Speaker 2: like you know what I'm saying. It's gonna be crazy.
6:48
Speaker 2: I feel like these twenty two songs gonna hit. I
6:50
Speaker 2: feel like it's gonna fill the gap for what's missing.
6:54
Speaker 4: You just played eight for us and I was like, damn, yeah,
6:57
Speaker 4: go with twenty two records. You want fifteen number one hit.
7:01
Speaker 4: Ain't nobody dropping?
7:03
Speaker 2: I mean really, it's like I'm like, well, I ain't
7:05
Speaker 2: gonna hold it. Like I ain't gonna hold it. I'm like,
7:07
Speaker 2: this feel right. And honestly, when I was playing the
7:09
Speaker 2: playing the album, it didn't even feel like twenty two
7:11
Speaker 2: songs all right. It's perfect because I want to drop
7:14
Speaker 2: a lot of records and it ain't like dragging out.
7:16
Speaker 3: You know.
7:17
Speaker 2: Sometimes you hear it's like damn, this is kind of long.
7:19
Speaker 2: It didn't I'm not losing your attention. So I'm like,
7:21
Speaker 2: twenty two will be perfect for me.
7:23
Speaker 1: Got you got you now? Bat what I was saying
7:26
Speaker 1: before I cut him off and then he cut me back? Right,
7:30
Speaker 1: this guy, but you have little drama with trade songs?
7:33
Speaker 1: What was that about? Man? Y'all? Are y'all cool? Now?
7:36
Speaker 3: Yeah, we're good. I just seen training.
7:37
Speaker 2: Okay, that's good. That's good A long time ago. Okay,
7:40
Speaker 2: his brothers man out there getting into it. Man really
7:42
Speaker 2: just wild and wasn't supposed to be wilding.
7:44
Speaker 3: Not that either.
7:45
Speaker 1: Got you got you got your while.
7:47
Speaker 3: Out over thatver But that's my brother.
7:48
Speaker 1: Like, we're good, gotcha? Okay? Cool? Long as as long
7:50
Speaker 1: as it's no more drama, no more drama, all right? Cool.
7:53
Speaker 4: We've been around the singers, y'all. Do get crazy?
7:55
Speaker 1: Oh my god, do it? That's why you acting like
7:59
Speaker 1: I'm over here. And you know how these singing niggas
8:01
Speaker 1: bel Can you remember talking with this nigga yo? So listen,
8:05
Speaker 1: you know how many texts I got from this nigga Yo?
8:08
Speaker 1: Ain't rig bro yo, just that fifth know it wasn't me, bro,
8:12
Speaker 1: It wasn't me brother.
8:16
Speaker 4: Listen.
8:17
Speaker 3: That's one of the funniest weekends ever in Houston. You
8:19
Speaker 3: know what I'm saying, Ever nigga like.
8:22
Speaker 4: Because you know what it is, because because niggas be thigging,
8:24
Speaker 4: because you sing, oh yeah that you ain't gonna pop off.
8:28
Speaker 4: Niggas popping off all the time, popping off. I ain't
8:31
Speaker 4: gonna front man.
8:32
Speaker 3: Hey man, that's just how she goes sometimes.
8:34
Speaker 1: It was turned off the arm b guys was turned up.
8:36
Speaker 1: It was I was turned it was It was crazy
8:38
Speaker 1: that she ain't having since No, no, we have one
8:41
Speaker 1: after that.
8:41
Speaker 3: I'm saying like that, Oh no, not like that.
8:43
Speaker 1: No, that's not like that. It was calm.
8:48
Speaker 4: That was the one.
8:49
Speaker 3: Yeah, liked a good turn with you what that tackle
8:52
Speaker 3: week in Houston? I was like, remember for sure.
8:58
Speaker 4: It was there.
8:58
Speaker 1: It was definitely.
9:00
Speaker 4: But yo, man, like you are you in the studio
9:02
Speaker 4: where people you just want them to send you to music?
9:05
Speaker 4: What's better for you? What's the process?
9:07
Speaker 2: So honestly, like me and kodak we did our record
9:11
Speaker 2: together in the studio. Who else I'm trying to think.
9:15
Speaker 3: Who I was?
9:16
Speaker 4: I was Kodak in the studio. Wold night, No, it
9:18
Speaker 4: was cool bro hit shout to kodak Ya. We talked
9:23
Speaker 4: about that wreck that record felt it felt like like
9:26
Speaker 4: I haven't heard Kodak like that from since the record
9:29
Speaker 4: with Bruno mars Him and Gucci Kids Up. Man, I
9:33
Speaker 4: think the world's going And like I said, Chiropractice, I
9:36
Speaker 4: feel like that's like the perfect strip club void.
9:39
Speaker 3: Yeah, I feel like that too.
9:41
Speaker 4: I feel like the club needs that. I feel like
9:44
Speaker 4: I would bump that in the call. But I'm definitely
9:46
Speaker 4: getting the album. What's the process in the studio? You
9:49
Speaker 4: like being in the studio? What was the night like
9:50
Speaker 4: Kodak Wow.
9:51
Speaker 3: Night, Naha Kodak? It was cool.
9:52
Speaker 2: Ship we got in that uh the House of Hits
9:55
Speaker 2: in Miami. I remember that night. I remember, God damn
9:58
Speaker 2: we were hunger here. I remember we order McDonald's. That
10:00
Speaker 2: was the best met doumb was I ever.
10:02
Speaker 4: Want of McDonald's. No cave, No ship was.
10:06
Speaker 3: Closed for real, one of them late nice.
10:09
Speaker 2: But I remember we just got in and that ship
10:10
Speaker 2: was just natural. You know what I'm saying, Cause that's
10:12
Speaker 2: my partner. So it was natural. Uh and Brooke.
10:14
Speaker 3: Cooler Hill and he talented, super talented, that's my dog.
10:17
Speaker 1: I ain't going saying a little sob on that record. Man. Now,
10:19
Speaker 1: we was in a bit cooler. Yeah, like he wasn't
10:22
Speaker 1: too crazy on that one. I ain't good a few.
10:29
Speaker 4: Who else was on that record?
10:30
Speaker 3: You said again, it's it's No.
10:31
Speaker 2: It's an artist named nob shout him from Miami to Nah. Honestly,
10:35
Speaker 2: I don't know what No be from Kodak. It was
10:37
Speaker 2: Kodak idea to add him to the record. Kodak had
10:39
Speaker 2: previewed some of the record on like I wanted his
10:41
Speaker 2: social media platforms and then No we had like took
10:45
Speaker 2: some of the beat and did a verse and Koda
10:47
Speaker 2: was like, Bro, we need to put him on the album.
10:49
Speaker 2: We need to put him on this song. Bro, he
10:51
Speaker 2: was like, real talk, like it don't even need to
10:53
Speaker 2: come out unless he owned. I was like, bet, bro,
10:55
Speaker 2: let's put him on it. You know what I'm saying.
10:56
Speaker 2: So shout out to No. You know that look to meet.
11:00
Speaker 4: Even that another number one hit? So twenty two records?
11:03
Speaker 4: Like what was the process like for you? What was
11:05
Speaker 4: you thinking? Like, Yo, I'm coming to take over there
11:08
Speaker 4: to really show people I'm the king of R and B.
11:10
Speaker 2: Real talk, that's really the goal, Like and to get awards,
11:13
Speaker 2: like that's my mission, Like I ain't been awarded yet.
11:15
Speaker 2: Like I've been nominated for our Heart BT Awards, but
11:20
Speaker 2: I ain't never got awarded. I performed a Soul Train
11:22
Speaker 2: Awards different stuff like that, but I want to like
11:25
Speaker 2: be awarded. I want to do late night.
11:27
Speaker 1: TV, the BTR boards. Man, let's get my boy popping
11:31
Speaker 1: heard and all that Grammies too, he.
11:33
Speaker 3: Went through I think this album good enough for a graund.
11:36
Speaker 4: I think it is too. That's what my album great album.
11:38
Speaker 3: Yeah, they'd be like, man, I feel like you can
11:40
Speaker 3: like win a Grammy, So you.
11:42
Speaker 2: Know, I keep that in my mind, but not really
11:43
Speaker 2: you know what I'm saying, Like if it happened, it happened,
11:45
Speaker 2: but like just for the start, like you know, for
11:48
Speaker 2: where I come from. It like I got to get
11:49
Speaker 2: a BT Award because I ain't got one yet, and
11:52
Speaker 2: I got to get a Grammy. Honestly, I know I
11:53
Speaker 2: get one one day though, because I can see it's
11:55
Speaker 2: a it's achievable. Like I've been seeing my peers, like
11:59
Speaker 2: you know, last ask Grammarge to just pass and see
12:01
Speaker 2: like my friends go get them.
12:02
Speaker 3: So I'm like, okay, I can go get.
12:05
Speaker 1: With Definitely, yeah, definitely definitely.
12:07
Speaker 4: Man about the record with Juvenile, that's now I want
12:09
Speaker 4: to to juvenile you know what I'm saying my big
12:12
Speaker 4: brother Juvi about that, man, shout out the hit making
12:16
Speaker 4: definitely one of the greatest.
12:18
Speaker 2: Definitely Nashby hit maker for tape Boy News. Oh uh,
12:22
Speaker 2: they produced a record.
12:23
Speaker 3: Uh. We did this in twenty.
12:25
Speaker 2: Twenty three in Miami, and I remember we were just,
12:29
Speaker 2: you know, having a good time in the studio, but
12:31
Speaker 2: we wanted to make an up tempo record. And once
12:34
Speaker 2: we made it, I'm like, man, we got to get
12:35
Speaker 2: somebody from New Orleans on it. And I'm like, I
12:38
Speaker 2: know I could get Jubi to do it, like I
12:39
Speaker 2: know juviall do a versus Juvet the verse and he
12:41
Speaker 2: killed it. And Juvie was the one that really like,
12:43
Speaker 2: put it on my mind to drop it. Like Bro,
12:45
Speaker 2: we was going to shoot his video for how Boy
12:48
Speaker 2: some off his last album, Balling Point, where he just
12:50
Speaker 2: dropped and he like, bro, what you're doing with the song.
12:52
Speaker 2: I'm like, Bro, I'm put it on an album, but
12:53
Speaker 2: I don't know when I'm gonna dropping. He like, man,
12:55
Speaker 2: you need to drop it, Bro, that's a hip Bro.
12:56
Speaker 2: We be playing it all the time.
12:57
Speaker 3: You know what I'm saying.
12:59
Speaker 4: What you said, Number twenty six on the Trucks.
13:01
Speaker 1: Yeah six, Yeah, I think it's probably hog Yeah yeah, man,
13:05
Speaker 1: let's go well man, yeah man, it's back.
13:08
Speaker 3: Yeah for show. It's been a minute since I had
13:10
Speaker 3: a record.
13:10
Speaker 2: Top thirty's been like on my own solo since like
13:12
Speaker 2: twenty nineteen, since the King R and B album.
13:15
Speaker 3: So I'm happy for that, you know, blessed, thank God.
13:18
Speaker 3: You know what I'm saying. Shout out to the label.
13:20
Speaker 4: So we're working and you know the hit Maker record.
13:23
Speaker 4: What is the stretch?
13:24
Speaker 3: What hit Maker? Hit Maker was on that one too,
13:26
Speaker 3: that one.
13:27
Speaker 4: To out stretch stretch you out till talk about that one.
13:31
Speaker 2: That's a man that that song was crazy. How we
13:34
Speaker 2: did and dollars I had a show.
13:37
Speaker 3: I don't know.
13:38
Speaker 2: I think the show was in Vegas, somewhere close close
13:40
Speaker 2: to Vegas or somewhere on the West, you know.
13:43
Speaker 3: Tied my dog. I've been working with to since I
13:45
Speaker 3: was dropping mixtapes.
13:46
Speaker 2: When I dropped my mixtape with twenty seventeen, Ti Dollar
13:48
Speaker 2: Time was on the Bad remix with Cueva and I
13:52
Speaker 2: remember we had to show. You know, I just went
13:53
Speaker 2: in this dress, roll like bro, we need to get
13:55
Speaker 2: this get in the studio.
13:56
Speaker 1: To night.
13:56
Speaker 3: He was like, better, I have my engineer set up
13:58
Speaker 3: at the hotel room. Just pull up. I pulled up
14:00
Speaker 3: to his room, me and his engineer. We just got
14:02
Speaker 3: the worker.
14:02
Speaker 2: He had this record that hit Maker had already had
14:05
Speaker 2: for him, you know what I'm saying. So that would
14:06
Speaker 2: stretch you out, but it won't finished.
14:08
Speaker 3: So he played it.
14:09
Speaker 2: He was like this, this would be hard, you know
14:11
Speaker 2: what I'm saying. So I'm like, bet he threw it
14:12
Speaker 2: off and I sat right down on the sofa. You know,
14:15
Speaker 2: we had the microphone, plug, other stuff set right there
14:17
Speaker 2: on the sofa and just.
14:19
Speaker 3: It just went to work. You know what I'm saying.
14:20
Speaker 3: That nigga was knocked out the whole time. That was dead.
14:23
Speaker 4: That's what. That's what, you know. The only thing with
14:25
Speaker 4: hit makers, I don't want murder to think I'm glazing
14:28
Speaker 4: when you know, when you hit hit Maker, people think,
14:30
Speaker 4: but the beat is real. He'd be having hard beat.
14:33
Speaker 4: Niggas think you glazing when you making in the in
14:36
Speaker 4: the beginning. They just start bopping their head because he
14:38
Speaker 4: hypnotized you with that ship. That ship it's crazy.
14:43
Speaker 3: Thank you, bro.
14:43
Speaker 2: Yeah, I knew that was one, so shout out the
14:45
Speaker 2: tie because tattoo, Like he threw that on the table
14:47
Speaker 2: for me. So I'm like, ship shout out the big
14:49
Speaker 2: brother because I ain't even he didn't play that for me. Yeah,
14:52
Speaker 2: TI dead, So I'm all right, bet the shout out
14:54
Speaker 2: of both of them. Them my dogs though, show that's.
14:57
Speaker 1: What's up that you had to collapse Isaac with Dage Loaf? Yep?
15:01
Speaker 1: How was that? Man?
15:02
Speaker 2: That was super lit? Working with Age is It's super dope.
15:04
Speaker 2: Our projects were going crazy, our fans love.
15:07
Speaker 1: It, facts, facts, facts. Did one project together?
15:11
Speaker 4: Yeah?
15:11
Speaker 3: Yeah, we dropped our mixtape in twenty seventeen.
15:13
Speaker 2: That's where at the Club came from, and like you
15:16
Speaker 2: belong to somebody else, all those popular records. And then
15:19
Speaker 2: two thousand and twenty four last year, Yeah, we dropped
15:23
Speaker 2: fucking friend Zone two Got You and we went on.
15:26
Speaker 3: Tour sola every day. You know what I'm saying. We
15:28
Speaker 3: went crazy.
15:29
Speaker 1: That was fire. We got some stuff in the Canto
15:31
Speaker 1: crazy records that might do another project together.
15:33
Speaker 3: I'm sure, Like I think, I think what we do
15:35
Speaker 3: can't continue. Got your music, you know what I'm saying.
15:39
Speaker 1: That's dope. Man.
15:40
Speaker 2: Live in the studio, man, Yeah, I got a studio
15:42
Speaker 2: at the crib and I built a studio of Miami
15:44
Speaker 2: f YB Recording Studio. Yall niggas in Miami, your nigga
15:47
Speaker 2: needs definitely set that podcast up.
15:49
Speaker 3: I got three, I got the photo shoot ship all that.
15:53
Speaker 2: Anybody out there watching you in Miami book f YB
15:55
Speaker 2: Recording Studio, man Win, Miami, Florida.
15:58
Speaker 1: Definitely.
15:59
Speaker 4: Do you think it's able when you got too many
16:01
Speaker 4: hit records, when like everybody gets confused like on what
16:05
Speaker 4: to pick, Like it's like, oh I like this one,
16:07
Speaker 4: or this person might like that one.
16:08
Speaker 2: Well it's like this is like I think that's hard
16:10
Speaker 2: in the beginning for show, but then it's like, now
16:12
Speaker 2: it'll be easy tonight, like through the week, because we're
16:14
Speaker 2: gonna throw the album out and people are gonna be
16:17
Speaker 2: we're gonna see the streams and we're gonna see what
16:18
Speaker 2: everybody likes. So we're gonna have our favorites, but we're
16:21
Speaker 2: gonna have to gravitate to.
16:22
Speaker 3: We want to hear everybody with facts. Don't have to
16:25
Speaker 3: big facts, man.
16:28
Speaker 1: They see they see what the streams and the YouTube
16:31
Speaker 1: of people really feelings, and they go that with level days.
16:33
Speaker 4: That's how I go now, I mean he played me,
16:35
Speaker 4: he played what you played this eight records. I loved
16:37
Speaker 4: all of them. Rob full nine, the Chiropractice, Stretch, Street, Stretch,
16:43
Speaker 4: you out.
16:43
Speaker 2: Yeah, I got I got videos and all that's coming
16:45
Speaker 2: to though. I got a short film that we just
16:48
Speaker 2: shot over the weekend, and I just dropped the trailer today,
16:52
Speaker 2: So that's like super crazy.
16:55
Speaker 3: I wrote it, directed.
16:57
Speaker 2: By my boy b Pace and myself. It's crazy, bro like,
17:01
Speaker 2: I can't wait for everybody to see it. And uh,
17:03
Speaker 2: the album is the soundtrack, and then of course I
17:05
Speaker 2: got videos coming to the records on the album. You know,
17:08
Speaker 2: probably gonna drop one during the week this week, you know,
17:12
Speaker 2: all the fans to see.
17:13
Speaker 1: You already got video shot for the product.
17:15
Speaker 3: Yeah, I already got video shot. You can is loaded?
17:17
Speaker 1: Got you got it load.
17:19
Speaker 3: I stayed working. That's all I do. Ship.
17:21
Speaker 4: I want to hit the rest of the fucking album.
17:23
Speaker 1: Man.
17:23
Speaker 4: Eight tracks and was at crazy and come on, man,
17:26
Speaker 4: it's up. What's up with Rob? For now? In the
17:28
Speaker 4: studio he always come with a.
17:30
Speaker 3: Well we ain't Me and Rob ain't make our song together.
17:32
Speaker 2: But Rob was in the studio during the process of
17:35
Speaker 2: move too, like we was working at the same spot.
17:39
Speaker 3: So that's really how how I really.
17:41
Speaker 2: Even got the idea to put rob on him, Like
17:43
Speaker 2: I'll be seeing this nigga. I know that's my nigga too.
17:45
Speaker 2: Like I'm like, I know Robin doing verse for me.
17:46
Speaker 2: That's my dog for real. And I just sent it
17:49
Speaker 2: to him and bro like I got you and he
17:51
Speaker 2: sent that ship back and it was super hard.
17:53
Speaker 3: I was like, nig he ain't gota do none else.
17:54
Speaker 3: That's it. That's perfect to shout out the rod that
17:57
Speaker 3: dog that nigga hard too.
17:59
Speaker 2: He want of that code is like, you want to
18:01
Speaker 2: do it wraps man. Yeah, he definitely wanted to, cause
18:03
Speaker 2: he do that ship for real too. We be in
18:04
Speaker 2: the club, that nigga might just take the microphone and
18:07
Speaker 2: just start freestyling crazy.
18:10
Speaker 4: The thing was him is he makes his own hit
18:12
Speaker 4: records and he gets like he always has a crazy feature.
18:15
Speaker 4: So like the feature with you and him was definitely
18:17
Speaker 4: another crazy one.
18:18
Speaker 2: Yeah, you know, and that's gonna hit people left Hield too,
18:21
Speaker 2: like them.
18:23
Speaker 4: You got some hits on man, Man, I want to
18:25
Speaker 4: hear the other. I guess we got like twelve more
18:27
Speaker 4: to listen to. Man, That's why I like to listen
18:29
Speaker 4: to the music. Before we even come out and.
18:32
Speaker 3: Make the interview way better. Now we got something to
18:35
Speaker 3: talk about.
18:35
Speaker 4: Really know what you started singing though? That's a question
18:38
Speaker 4: I always wanted to ask.
18:38
Speaker 2: You should I wanted to be a rap at first,
18:41
Speaker 2: you know what I'm saying, nig I used to look
18:43
Speaker 2: up to the.
18:44
Speaker 3: We got no rap videos out there, nothing, man, I
18:46
Speaker 3: ain't got no no. I mean I got some rap
18:48
Speaker 3: songs though. That I that I really dropped.
18:50
Speaker 2: Like what I'm saying, this ship, you know, me and
18:52
Speaker 2: bird Man be putting out like rap albums.
18:54
Speaker 3: The bird Man Big Man shout out.
18:56
Speaker 1: Uh.
18:57
Speaker 3: But now how I got started singing?
18:58
Speaker 2: Bro, I found out who Michael Jackson was, like everybody else,
19:01
Speaker 2: like we try to do this shit. You know this
19:03
Speaker 2: lady named Miss Janette, she really gave me an ABC record.
19:06
Speaker 3: That was my boy mother and his mama.
19:08
Speaker 2: And from there, I remember my Auntie Red and my
19:11
Speaker 2: mama and the used to always play like the Temptations
19:13
Speaker 2: in the Jackson five and stuff like that. And then
19:15
Speaker 2: I got in a talent show when we moved to Decatur.
19:19
Speaker 3: You know what I'm saying.
19:19
Speaker 2: I got in a talent show at my school and
19:21
Speaker 2: I won and I was nine I was nine. I
19:23
Speaker 2: was in the fourth grade, and that's when everybody started
19:25
Speaker 2: knowing me, like, oh, Jo the singer. I went to
19:27
Speaker 2: middle school started winning all the ship high school started winning,
19:30
Speaker 2: and then I got, you know, discovered for real, and
19:33
Speaker 2: then I was singing in my hood honestly, singer. I
19:36
Speaker 2: used to sing in front of the Kroger. I used
19:37
Speaker 2: to this guy named Rick. I used to work in
19:39
Speaker 2: a bubble shop. He used to take me to the
19:40
Speaker 2: beauty salun take me down there to sing. And then
19:42
Speaker 2: when he went with me, I was just stand in
19:43
Speaker 2: front of the Kroger and just singing stuff.
19:45
Speaker 3: Dude named me Squizzite sing me and.
19:47
Speaker 2: He was like, I mean, I'm gonna introduce you to
19:49
Speaker 2: i'mna introduce you to somebody to get you in the studio.
19:51
Speaker 3: I'm like, damn for real.
19:53
Speaker 2: He's like, yeah, like I had, I had these guys
19:55
Speaker 2: at the barber shop that was trying to take me
19:56
Speaker 2: to the studio.
19:57
Speaker 3: At first, you know what I'm saying, but this felt like.
19:58
Speaker 4: Something You never took no singer lessons to nothing.
20:00
Speaker 3: You just nah, I'm just straight off the porch and uh.
20:04
Speaker 2: He introduced me to this guy named Dexically dextically came
20:06
Speaker 2: down from Chicago. We made a demo tape, three songs,
20:10
Speaker 2: Me and my nigga, Joe. Shout out to Joe. We
20:12
Speaker 2: had a song called Girl in My Life that was
20:13
Speaker 2: popping in the hood. We was like eighth grade. Shit
20:15
Speaker 2: was popping up.
20:16
Speaker 1: You feel me.
20:18
Speaker 2: Nah, shit was lick because they had to cater. Everybody
20:20
Speaker 2: in the hood knew it, like to this day, like
20:22
Speaker 2: they still know that shit. We was young, and he
20:25
Speaker 2: came down and then he introduced me to my guy,
20:26
Speaker 2: Orlando Grind, and then Orlando introduced me to Block and
20:30
Speaker 2: so I was with Blocking Tea when I was fifteen.
20:32
Speaker 2: That was my first situation and I left from there.
20:36
Speaker 2: Then I started fucking with Fly and t Ig and
20:39
Speaker 2: then after I left from Fly, I got with bird Man.
20:41
Speaker 3: You know, That's where I found my home at.
20:43
Speaker 2: When I was nineteen twenty, signed The Stunner and then
20:46
Speaker 2: shit here we Al was dropping mixtapes all through that.
20:48
Speaker 1: Though.
20:48
Speaker 2: Dropped my first mixtape when I was really dropped my
20:51
Speaker 2: first real mixtape for real when I was sixteen. It
20:54
Speaker 2: was called Round of Applause. Before that, I dropped some
20:56
Speaker 2: shit called I Am Jock Qweetz. It was just like
20:58
Speaker 2: remixes of shit.
20:59
Speaker 4: We give you that motive at a young age like
21:01
Speaker 4: that to be growning and hustling. I was a businessman
21:03
Speaker 4: at that age.
21:04
Speaker 3: Man, I was trying to get it.
21:05
Speaker 2: I'm like, man, we gonna get out of the hood,
21:07
Speaker 2: like we had to buy my mama all type of shit,
21:09
Speaker 2: Like you know what I'm saying, my sisters, I'm like,
21:11
Speaker 2: I could make it come true, you know, watching the
21:13
Speaker 2: Jackson's like the American Dream. You be like, man, I
21:15
Speaker 2: could do this shit, Like you feel what I'm saying,
21:17
Speaker 2: Like I could really do this shit. And that's just
21:18
Speaker 2: what I used to think, Like I know I could
21:20
Speaker 2: make it. I used to tell everybody when we used
21:21
Speaker 2: to go in the stores in the hood back when
21:23
Speaker 2: he was young. I used to be like, bro, I
21:24
Speaker 2: bet when we going here, somebody know me. I'm like, bet,
21:28
Speaker 2: somebody know me.
21:28
Speaker 3: We're going to store. Motherfucker be like, ain't you jock queeze?
21:31
Speaker 3: Like who's singing?
21:32
Speaker 2: And this before anything, my name was just ringing like
21:35
Speaker 2: for that single shit. But this back in the day,
21:37
Speaker 2: like before social media, you know what I'm saying. So
21:40
Speaker 2: that's how I got here. I was outside the hard way,
21:42
Speaker 2: like always with rappers too, like like one of my
21:46
Speaker 2: OG's comedy, they had to make me like I already
21:48
Speaker 2: knew that, but he just put it in my head. Like, man,
21:50
Speaker 2: you know, niggas came up with rappers and shit like
21:52
Speaker 2: so the mentality is like that. Like so when you
21:54
Speaker 2: say the King R and B shit, that's really all
21:56
Speaker 2: the nigga knows how to step out and be the best,
21:58
Speaker 2: Like you know what I'm saying, Like nigga ain't stepping
22:00
Speaker 2: out nowhere saying he's gonna lose nothing, Like I don't
22:03
Speaker 2: know that mentality. So that's really how I came up.
22:07
Speaker 2: I'm like a singer, but I got like I think
22:10
Speaker 2: like a rap on some rap ship, like the way
22:12
Speaker 2: I move and the way I.
22:13
Speaker 1: Operate my b the forever. Yeah here, Yeah, I still
22:17
Speaker 1: remember you from them from way back when I was around,
22:19
Speaker 1: but I remember you roll yeah yeah.
22:22
Speaker 3: And I'm still with Stunner like to this day. So hey,
22:25
Speaker 3: yeah here, I am nig.
22:27
Speaker 4: He was in the eighth grade with a hit record.
22:30
Speaker 1: Yeah.
22:30
Speaker 4: It's hard to stay humble when you blow up like
22:32
Speaker 4: that though.
22:33
Speaker 2: Yeah yeah, I mean you've got to like you feel
22:35
Speaker 2: me like I thought I was gonna meet Stunner and
22:38
Speaker 2: get signed to Cash Money when I was in the
22:39
Speaker 2: twelfth grade. I had met him when I was senior
22:42
Speaker 2: high school at a patchwork you feel me down there,
22:45
Speaker 2: met him and Ship. I thought I was gonna get
22:47
Speaker 2: signed in, but then Ship whatever. Twenty twelve two years later,
22:51
Speaker 2: that's when I signed.
22:52
Speaker 1: So yeah, yeah, So who you considered real singing? I've
22:56
Speaker 1: seen Mario had something I see now and that's.
23:00
Speaker 2: My Like, I'm trying to figure out my like, my
23:03
Speaker 2: I don't I don't really understand why he did that.
23:06
Speaker 4: You know what I'm saying.
23:06
Speaker 2: That was a nigga I used to call like that.
23:09
Speaker 2: Nigga got on Cam Newton podcast and they was asking
23:11
Speaker 2: Cam Newton asked him like who can sing? And who
23:13
Speaker 2: can sing or some dumb ass ship like that, and
23:15
Speaker 2: then uh Bro was like, uh Bro was like can sing?
23:20
Speaker 3: Can't he sing? Some shit? He was like, I mean
23:21
Speaker 3: he can sing. I mean he can't sing. But that
23:23
Speaker 3: was weird to me.
23:24
Speaker 2: You know what I'm saying. That's like one of your
23:25
Speaker 2: partners going out there like, hey man, yeah you can rap.
23:28
Speaker 3: He can rap. I mean he can't rap, but I
23:30
Speaker 3: mean nigga can rap.
23:31
Speaker 1: Like it was cool. Before that, that was cool, It
23:34
Speaker 1: was cool.
23:34
Speaker 2: I used to always call him, you know what I'm
23:35
Speaker 2: saying for ship, like real ship, like real life ship.
23:37
Speaker 2: You know what I'm saying, talk to bro by ship.
23:39
Speaker 2: So I just felt like it was like weird, Like
23:41
Speaker 2: I would never do no ship like that. I'm always
23:44
Speaker 2: put my people up, like when the camera's on me,
23:46
Speaker 2: even when they not you know what I'm saying. I
23:47
Speaker 2: got that type of integrity though, you know what I'm saying.
23:49
Speaker 2: But I had to realize that everybody cut like me,
23:52
Speaker 2: you know what I'm saying.
23:53
Speaker 3: So it's like it's all good, like no disrespect.
23:55
Speaker 4: No, you just you come. You come from the ground.
23:57
Speaker 4: You was in the streets and you.
23:58
Speaker 1: Can't speak speak since sto.
24:00
Speaker 2: After that, I hit him up as soon as I
24:02
Speaker 2: seen it. But it wasn't like I just let him
24:04
Speaker 2: know how I feel. You know, he let me know
24:05
Speaker 2: how you feel. But I just didn't respect what he
24:08
Speaker 2: was saying. But that let me know our relationship wasn't
24:10
Speaker 2: how I thought. It was a got you, you know
24:11
Speaker 2: what I'm saying, got you?
24:12
Speaker 3: It was like, all right, cool, I was probably tripping anyway, nig,
24:15
Speaker 3: don't fuck me like that.
24:15
Speaker 1: Anyway, all right, y'all was.
24:17
Speaker 4: Just like rapping sometimes, you know, they just be hey,
24:19
Speaker 4: you got this, we got this versus what you know, argue.
24:23
Speaker 2: But but that really had shocked me. Don't O care
24:25
Speaker 2: because Bro was on my album, you know what I'm saying.
24:27
Speaker 1: Look at that he was. He was on my album,
24:29
Speaker 1: but no no more because I'm like Nigga said, not
24:32
Speaker 1: no more.
24:33
Speaker 4: Well, yo, he should have been on this. I'll tell
24:36
Speaker 4: you that.
24:37
Speaker 1: I take it. The conversation and didn't really go too
24:39
Speaker 1: well when you and him spoke. Alright, copy, but it
24:42
Speaker 1: ain't no smoking of course, of course now, but it
24:44
Speaker 1: just ain't going no smoke murder.
24:46
Speaker 4: But listening to this album, you know, stuff the relationship
24:50
Speaker 4: on this album, because this album is crazy. Bron Thank
24:53
Speaker 4: you got it. Sounds like you got a point to
24:55
Speaker 4: prove you got music for every kind of move. Yeah,
24:59
Speaker 4: you know what I'm saying. That's why I'm glad we
25:00
Speaker 4: turned on that speaker, you know what I'm saying and
25:02
Speaker 4: you started playing the wreckage.
25:04
Speaker 1: Man.
25:05
Speaker 2: I knew how to pop it out too. I'm I'm
25:07
Speaker 2: like this ship first, like him in that chiropractice.
25:10
Speaker 4: You know, come on, Chiropractice. It right, Yeah, I already
25:13
Speaker 4: know what it is.
25:14
Speaker 1: Man.
25:14
Speaker 4: You gotta bright future.
25:16
Speaker 3: Thank you.
25:16
Speaker 4: And you've been in this business for a long time.
25:18
Speaker 4: Definitely a legend.
25:19
Speaker 3: Thank you, Ron. I appreciate that.
25:21
Speaker 4: But you know what, I gotta ask you? Who is
25:23
Speaker 4: your top five all time?
25:27
Speaker 1: R and B?
25:28
Speaker 3: R and B do Michael Jackson of course?
25:31
Speaker 2: Of course, Michael Jackson Jackson number one, that's on my list,
25:35
Speaker 2: Michael Jackson number one, Chris Brown for show. Yeah, and
25:43
Speaker 2: I'm going off the people who inspired me. You know
25:45
Speaker 2: what I'm saying, uh.
25:49
Speaker 3: R Kelly.
25:51
Speaker 2: Kelly Man, I'm gonna go esh you you know what
25:57
Speaker 2: I'm saying, uh in my last one.
26:03
Speaker 3: Like Donelle Jones, M.
26:06
Speaker 4: That's a good line up.
26:07
Speaker 1: Man.
26:08
Speaker 4: What about you? Mrta? Who you got?
26:10
Speaker 1: I wouldn't know right now. It's hard, pous. What's your
26:14
Speaker 1: top five?
26:17
Speaker 4: I wouldn't know.
26:18
Speaker 1: If you don't know, don't follow me ready for these
26:22
Speaker 1: top five?
26:23
Speaker 4: It's kind of hard with R and B because I
26:25
Speaker 4: know how he feels like it could be like a
26:27
Speaker 4: top twenty, top thirty, because you gotta think, like I said,
26:30
Speaker 4: back then, you had guys making songs like that was
26:34
Speaker 4: more according to women and stuff like that, like David
26:37
Speaker 4: Holland stuff. For instance, you know what that is. Remember
26:40
Speaker 4: that song one Woman Man.
26:42
Speaker 3: You probably have to sing it.
26:43
Speaker 1: Sing that shit. Yeah, I forget how it goes again.
26:46
Speaker 4: You know what he's saying, he's a one woman man,
26:48
Speaker 4: like he's like ready to settle down. The music back
26:51
Speaker 4: then was like more like towards the women, like it
26:56
Speaker 4: was more according to them, like it was more like
26:58
Speaker 4: I love you now and them songs. Really, you don't
27:01
Speaker 4: really hear a lot of male artists making them type
27:04
Speaker 4: of songs, you know what I'm.
27:05
Speaker 2: Saying, because, like I said this before, I was like,
27:07
Speaker 2: probably because if all the women making it feel like that,
27:12
Speaker 2: that's something too, like little Woman make you feel like that.
27:16
Speaker 1: They make you feel a love.
27:17
Speaker 2: Yeah, I feel like it's different now.
27:21
Speaker 4: Yeah, And that's why to me, your album is a
27:23
Speaker 4: breath of fresh air, not glazing because glazier glazer like
27:28
Speaker 4: glazing anybody, it's a it's a breath of fresh air.
27:31
Speaker 4: Why because, like I said, think about it, years ago,
27:35
Speaker 4: you had so many R and B male artists out
27:39
Speaker 4: like you know what I'm saying, you, Chris, Amarion, Mario,
27:44
Speaker 4: who else. The list goes on and on and now
27:46
Speaker 4: it's like nobody's really dropping like that. So when I
27:49
Speaker 4: had twenty two songs you got on the album and
27:51
Speaker 4: you got all that, it's like a breath of fresh air.
27:54
Speaker 1: So you was your top five, Bro.
27:56
Speaker 4: I got it.
27:57
Speaker 1: I don't know what you're talking about. We was man
28:00
Speaker 1: for my brother top five. If you didn't want to
28:03
Speaker 1: enswer it, you were averywhere you never want to hear
28:06
Speaker 1: top five.
28:06
Speaker 4: He gave the top five. You never want to answer
28:08
Speaker 4: your top five. Always get my top five. He'd be
28:11
Speaker 4: politically correct sometimes and sometimes it's not. I don't want
28:15
Speaker 4: to understand. Stop smoking on the show so we can
28:17
Speaker 4: get more ad money.
28:18
Speaker 1: The money is. Don'try about smoking, you just man panting
28:22
Speaker 1: on the show. Don't worry about me smoking. You need
28:25
Speaker 1: so you want to worry about me doing Basket Ladder.
28:28
Speaker 4: Tell we had this tour right and we're doing and.
28:31
Speaker 1: We're doing Basket Ladder right after this.
28:33
Speaker 4: I don't worry what what editor?
28:35
Speaker 1: You know? Man?
28:36
Speaker 4: I'm excited about this album. Bro, what's next after the touring?
28:41
Speaker 4: Because you know all these hit records? What are you?
28:43
Speaker 4: What are you preparing for camp?
28:44
Speaker 3: We're getting ready to go on to it's called Us
28:46
Speaker 3: Over Them tour.
28:48
Speaker 2: Shout out to my brother k Camp that start August
28:50
Speaker 2: seventeenth in Phoenix.
28:52
Speaker 3: Tickets on Live nation dot com.
28:55
Speaker 4: Love Nation, money Baby, It's gonna be cracking out a
28:57
Speaker 4: love Nation in fact.
28:58
Speaker 3: So that's that's that's what's next for real, earl.
29:02
Speaker 4: And that's why we need this album out now.
29:04
Speaker 1: What's the man?
29:05
Speaker 4: So it's dropping tonight.
29:06
Speaker 3: Tonight twelve am July thirty first.
29:09
Speaker 1: By the time, by time it's come out, the album
29:11
Speaker 1: gonna be out stores, and we need you to turn
29:13
Speaker 1: the numbers back up at that.
29:15
Speaker 2: Time, turn the numbers in. That's who out now for sure.
29:18
Speaker 2: You know what I'm saying, My boys creasing the belt
29:21
Speaker 2: it believe it.
29:22
Speaker 4: We appreciate you on the show man, appreciate you, legend man.
29:25
Speaker 4: It's the real reports show.
29:26
Speaker 1: You already know y'all like ship and subscribe the album.
29:32
Speaker 4: Tell them the name moved too, Moved to.
29:34
Speaker 3: Is out right now, make sure I'll go get it.
29:36
Speaker 4: Yeah, and moved one two because of streaming out. Let's
29:39
Speaker 4: go