Latest / What's Your (Least) Favorite Scary Movie? / #258: Blink Twice (2024)

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#258: Blink Twice (2024) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? Say we call the cops in the FBI,
• 0:11
  right? And we're like, hi, hello,
• 0:13
  please send help. Slayer King and his buddies are
• 0:15
  doing horrible things to us. They're going to be like, what
• 0:18
  did they do? And we're going to be like, we
• 0:21
  don't know because they've been secretly erasing memories with
• 0:23
  perfume, I guess. And the guys would be like,
• 0:26
  what? We would never do that other
• 0:28
  white guys we'd probably play golf with.
• 0:30
  And Heather and Camilla will be like, nothing but good times and
• 0:32
  fat fucking blunts over here, officer.
• 0:34
  And I'll be like, come on, guys, believe women.
• 0:37
  Here's my friend's lighter. And they'll be like, sure thing.
• 0:39
  Of course, you crazy fucking bitch.
• 0:42
  Welcome to What's Your Least Favorite Scary Movie?
• 0:44
  The podcast where we talk about the good, the bad, the ugly and
• 0:48
  the absurd, and all of our favorite.
• 0:49
  And least favorite? Scary movies.
• 0:51
  Because we believe every horror movie rightfully has this
• 0:53
  fanbase. Even if we don't, you always
• 0:55
  get. It my name is Travis.
• 0:56
  My name is Jesse, and welcome to a new month.
• 0:58
  Yep, it's February. It's Black History Month.
• 1:01
  Yep. Not gonna let that one disappear
• 1:04
  from our our minds, our consciousness.
• 1:07
  Nope. And this week we are talking
• 1:10
  about Blink Twice. Or don't blink.
• 1:13
  As or don't blink as we keep saying, yeah, before we do that,
• 1:18
  I don't have any announcements right to this moment.
• 1:21
  But Travis, do we have poll results?
• 1:23
  We do. OK, So last week we discussed
• 1:27
  tremors on the show and we asked everybody rock, paper, scissors.
• 1:33
  So as of right now, there's still like 5 hours left on this
• 1:37
  poll, but currently 30% thirty 6% rock, 43% paper and 21%
• 1:45
  scissors. So paper wins.
• 1:47
  Interesting. For now it could, you know,
• 1:50
  we'll see if it changes. If it does so I'll update that.
• 1:52
  Yeah, I. No, no, hold on.
• 1:55
  This guys. Yeah, we're suddenly this way.
• 1:57
  123 shoot. I got rocks, you got scissors.
• 2:03
  So yeah. OK, there we go.
• 2:05
  Yeah, OK. That was an easy one.
• 2:07
  That was an easy one, yeah. OK, are we ready to talk about
• 2:11
  Blink Twice? Yeah, yeah, let's do it.
• 2:14
  So Blink Twice premiered August 23rd, 2024.
• 2:17
  We watched it on Prime, but as of the beginning of this month
• 2:20
  you can also stream it on Sling, TVMGM plus, YouTube Premium,
• 2:24
  YouTube TV, Primetime, or Philo Premium.
• 2:26
  You can also rent it from Fandango at home or Google Play.
• 2:30
  Written by Zoe Kravitz and ET Freigenbaum.
• 2:33
  Directed by Zoe Kravitz, music by Shonda Dancy and special
• 2:37
  effects makeup by Luis Felipe Moreno.
• 2:39
  Starring Naomi Akias, Frida, Channing Tatum and Slater,
• 2:44
  Aliyah Shawkat as Jess, Adra Arona as Sarah, Liz Carabel
• 2:49
  Sierra as Camilla, True Mullen as Heather, Christian Slater as
• 2:53
  Victoria, Simon Rex as Cody Hailey, Joel Osmond as Tom,
• 2:57
  Levenhawk as Lucas, and Geena Davis as Stacy.
• 3:01
  Man, you really listed every single person in this movie.
• 3:04
  Well, you know, they all, they all had a role, you know what I
• 3:08
  mean? And not in just in the sense
• 3:09
  that they're in a movie and they had roles in the movie, but
• 3:11
  well. Of course.
• 3:13
  Let me ask you something. Do you think Christian Slater
• 3:16
  felt a little bit weird with the character of Channing Tatum
• 3:19
  being called Slater? I wonder?
• 3:22
  That's gotta be a weird. Feeling it probably was.
• 3:24
  It probably led to moments on set that were confusing.
• 3:27
  All right, Swater, huh? Sorry.
• 3:30
  I mean, character. Yeah.
• 3:33
  I I've just been thinking that ever since we watched it.
• 3:36
  Ever. Since.
• 3:37
  Ever since Yep, for like about 1/2 a year now OK, it's just
• 3:41
  been rattling in my brain. Okay, enough of that.
• 3:46
  We've got a very important game to play.
• 3:48
  Budget or Buck, Ted? Budget.
• 3:51
  Yes. I mean, this is so obviously
• 3:53
  budget. You can't have these people.
• 3:55
  Yeah, this shit, all this stuff. Yeah.
• 3:57
  Yeah. This is the easiest question
• 3:59
  ever. 20 mil. Yeah, it's twice.
• 4:02
  Yes, twice the threshold. Very firmly opening box office
• 4:06
  was 7.3 million, but it made a worldwide gross of 48 million.
• 4:11
  Wow, not bad. INDB score of 6.5 out of 10.
• 4:14
  Wow. Pretty good.
• 4:15
  Yes, all right. My 2024 theme is movies that
• 4:22
  have an important conversation, regardless if some people want
• 4:25
  to admit if it's an important conversation to be had or not.
• 4:28
  Let me guess, long wags? No, no.
• 4:31
  No, you up throw on legs on the. 20s and that's why I did it.
• 4:34
  OK, well, I'm happy about. That, but you know what?
• 4:36
  The first one is heretic. Heretic yeah, by the way, that's
• 4:42
  a pretty interesting theme you have there.
• 4:43
  Thank you. Yeah, I thought it was I I did
• 4:47
  the reviews for this movie 1st and I got really frustrated
• 4:50
  reading through the negative reviews on it.
• 4:52
  So I was like. Why?
• 4:54
  What? What were they saying?
• 4:56
  Do we really need to be having this movie?
• 4:58
  This is totally implausible. It's unreal.
• 5:01
  This is just leftist projection. A lot of that type of shit.
• 5:04
  OK. Yeah, so we're gonna start with
• 5:09
  Heretic, which I would love to cover on this show at some
• 5:13
  point. That premiered on November 8th,
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  2024. Budget of 10 million, worldwide
• 5:19
  gross of 59 million, and an IMDb score of 7.0 out of 10. 7 out of
• 5:24
  10, yeah. Holy shit, didn't realize it was
• 5:26
  that strong. Yeah, it's a really good movie.
• 5:29
  2nd movie The Substance. OK, I don't.
• 5:33
  I have kept intentional blinders on this movie, so I don't want
• 5:37
  to know what it's trying to say. OK, I won't.
• 5:40
  OK, I won't spoil anything for you.
• 5:42
  Thank you. OK, that premiered September
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  20th, 2024. Budget of 17.5 million.
• 5:49
  Worldwide gross of 76,000,000. IMDb score of 7.3 out of 10.
• 5:54
  I just want to be clear. It's not that I want to forget
• 5:56
  that that movie exists. I just want to experience it
• 5:59
  fresh. Yes, I got I like to go into
• 6:01
  movies I'm interested in blind and I've heard a lot of great
• 6:04
  buzz about that one. So I just don't want to have
• 6:06
  anything and I've already had things spoiled.
• 6:08
  I already know like body shit happens with it, but you know.
• 6:13
  Yeah, yeah. Third movie, Smile 2.
• 6:17
  What is being said about that? Oh, there's like a whole host of
• 6:21
  like, mental illness discussions to be had related to Smile 2.
• 6:25
  What was the theme? Substance use movies having
• 6:28
  important conversations, regardless if detractors think
• 6:31
  that they're important conversations or not.
• 6:33
  OK. Smile 2 released October 18th,
• 6:36
  2024. A budget of 28 million and a
• 6:39
  worldwide gross of 138 million. An IMDb score of 6.8 out of 10.
• 6:45
  Damn, that's a really good movie too.
• 6:47
  Yeah, and that was one of those ones.
• 6:49
  I didn't know if they'd be able to pull off a sequel.
• 6:52
  Yeah, I really thought it was gonna be more of the same thing
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  and I'm I was very pleased with the result.
• 6:56
  There's gonna be a third one too.
• 6:58
  Well, with those numbers, you can't be surprised.
• 7:01
  Yeah, I guess, yeah. OK, I've got 2 tag lines.
• 7:05
  OK, the first one, the one on the poster.
• 7:10
  Are you having a good time? That's pretty good.
• 7:13
  Yeah, second one blink and you'll miss it.
• 7:18
  OK well you get 2 blinks, so if you blink once you still have
• 7:25
  that other one. You'll be fine.
• 7:26
  You can blink once and be OK. The movie is called Blink Twice.
• 7:31
  Yeah, just blink with one eye at a time.
• 7:33
  You're golden. OK, so I got a couple of fun
• 7:38
  facts. Not like a ton, which I think
• 7:40
  tends to happen with newer movies, especially ones that
• 7:42
  like don't have like a release with a bunch of special features
• 7:46
  on it yet. So we'll we'll go over some of
• 7:50
  what we can. Now.
• 7:51
  I told you about this on last night, the working title that it
• 7:54
  had that they had to change. I like blink twice as the name
• 8:00
  for an initial viewing of it. OK.
• 8:04
  But I like this title as like every rewatch thinking of it as
• 8:10
  OK pussy island. Pussy Island, Yeah.
• 8:15
  Is that like what they call it amongst themselves?
• 8:17
  That's what Zoe Kravitz actually really wanted it to be called.
• 8:21
  Interestingly enough, after researching it, women were
• 8:23
  offended by the word and women seeing the title.
• 8:25
  We're saying I don't want to see that movie, which is part of the
• 8:28
  reason I wanted to try and use the word, which is trying to
• 8:30
  reclaim the word and not making it something that we're so
• 8:32
  uncomfortable using. But we're not there yet.
• 8:34
  And I think that's something I have responsibility as a
• 8:37
  filmmaker to listen to. OK.
• 8:39
  So. But she did end up changing it,
• 8:41
  not just because of that, but a lot of it had to do with the MPA
• 8:44
  and, you know, being able to advertise it and have posters of
• 8:48
  it up in the theater and whatnot.
• 8:49
  So that's fair. Yeah.
• 8:52
  Let's see. It was shot in Yucatan, in
• 8:55
  Quintana Roo, Mexico. They.
• 9:00
  I found a little bit of information from an interview
• 9:03
  with Zoe Kravitz in Out magazine.
• 9:07
  Big thing that I thought was kind of interesting was the
• 9:09
  casting was very deliberate because it was meant to like
• 9:12
  pull in these actors that people are generally very comfortable
• 9:15
  with and have like a sense of trust with them in the movie.
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  So that way it kind of subverts your expectations and you're
• 9:21
  like feeling safe and comfortable with them and having
• 9:24
  a good time. And then you know it all.
• 9:26
  Like, you know, we get that heel turn, right?
• 9:28
  Yeah, I could see that. And then also the casting of
• 9:31
  Geena Davis was kind of very similar to Zoe.
• 9:35
  And the interviewer were talking about kind of like, you see
• 9:38
  Geena Davis and you're like, great, she's going to be here,
• 9:40
  she's going to save the day, She's going to make it great.
• 9:42
  But then she's not. And she, Zoe Kravitz said that
• 9:45
  it was kind of like a nod to like that generation and saying
• 9:49
  like, this is just how it is. You have to deal with it.
• 9:51
  Yeah, I always took that as like the whole like women against
• 9:54
  women type thing. Yeah.
• 9:57
  I think it was just kind of, I think it's also just kind of an
• 10:01
  acceptance of like, well, what are we gonna do about it?
• 10:06
  Yeah. You know, like, this is this is
• 10:07
  what we're dealing with. Better to just like, put on a
• 10:10
  brave face and do your best to forget about it.
• 10:13
  Yeah, OK. So not, I'm not moralizing or
• 10:17
  demoralizing that one way or the other.
• 10:20
  I'm just, you know, it is a reaction that you see in some
• 10:24
  people and some groups of people.
• 10:28
  I also have a quote about the ending.
• 10:32
  This was kind of funny because we had found a drinking game for
• 10:35
  this. And the last rule was Slater
• 10:37
  gets a taste of his own medicine question mark.
• 10:41
  And I thought this was really, it kind of ties into this, but I
• 10:44
  think also kind of ties into the larger, like overarching themes
• 10:47
  of the movie. It's very complicated because in
• 10:50
  order for someone to be on top, someone has to be on the bottom.
• 10:53
  It's oppressive by nature. And people often say they talk
• 10:56
  about empowerment when they talk about women and they talk about
• 10:59
  power when they talk about men. And I really wanted to focus on
• 11:02
  power and what it does and what it looks like and what are we
• 11:05
  willing to do to get it and what happens when we do get it.
• 11:09
  It was intentional to leave that ambiguous at the end.
• 11:11
  Some people watch the end of the film and they say this is a
• 11:14
  happy ending, and some people don't feel that way.
• 11:17
  And while I'm happy for the character that she's getting
• 11:19
  hers, the question is at what cost?
• 11:21
  And is she strong enough to not be eaten up by the monster which
• 11:24
  is power? Yeah, I was kind of thinking
• 11:27
  about that too, after looking at the ending because, I mean, it's
• 11:30
  ambiguous and it does kind of appear that she may have been,
• 11:36
  you know, like there there's like you could, it's up for
• 11:39
  interpretation. Like you can take away the
• 11:42
  interpretation that like she is kind of basically becoming what
• 11:46
  she was against, but we don't really know.
• 11:48
  She could also just be somebody that's just getting revenge on
• 11:51
  that one particular person and being like a benevolent leader
• 11:54
  in all other aspects. It's hard to tell.
• 11:57
  Yeah. And I think the ending for me
• 11:59
  especially, it's kind of one of those that like, you know, cuz
• 12:03
  you could look at it and be like, why are you doing the same
• 12:06
  thing that he did to you? But I think there's also an
• 12:08
  element in movies and storytelling where you kind of
• 12:11
  go beyond the reality of what a person may or may not do in the
• 12:15
  situation and you're kind of feeling that revenge fantasy.
• 12:19
  And so often women especially are told that, like, you have to
• 12:25
  just like, you have to be sweet. You can't rock the boat.
• 12:28
  You have to just accept it. And even if you get away from
• 12:31
  it, you can't enact revenge. You can't become the bad guy.
• 12:35
  You have to be the bigger person.
• 12:36
  You have to rise above. When they go low, we go high.
• 12:39
  So I think the ending of this movie is really interesting,
• 12:42
  that she is, you know, keeping him drugged the same way he had
• 12:45
  kept her drugged. Yeah.
• 12:47
  So, and I guess on to that, we'll go ahead and talk about
• 12:52
  our thoughts on the good, bad, ugly and absurd.
• 12:54
  OK, the first thing that jumps out to me watching this is that
• 12:58
  I think the cinematography is beautiful.
• 13:01
  Every shot is an amazing composition.
• 13:05
  It's super colorful. It's like it it looks amazing.
• 13:08
  It's a treat to watch. Yeah.
• 13:10
  So that's like, yeah, that's the first thing that jumps to me.
• 13:13
  And like, I feel like I'm realized that more watching it
• 13:17
  at home than I did at the theater this time around.
• 13:22
  And I'm not entirely sure why, but for some reason it just like
• 13:25
  it resonated with me more this time.
• 13:27
  I know that you said that they picked the people to be super
• 13:33
  comfortable and familiar with, but my thing that I wrote here
• 13:36
  is that they picked the right people to be perfectly hateable.
• 13:40
  Like I mean, I think it's mostly like a the characters though,
• 13:44
  not the actors themselves that are Hannibal in this.
• 13:47
  Because. Yeah, like everybody here is
• 13:49
  just like, they got the tech bro, they got the fucking CEO,
• 13:56
  you get the fucking like it's just a group of fart sniffers is
• 14:01
  all it is, basically. And yeah, I mean, it's super
• 14:04
  easy to not really like these people, and you can kind of
• 14:08
  gather that they're fishy people from the get go, too.
• 14:11
  I also think it's really interesting because you, you
• 14:13
  mentioned the, the, the men like the tech bro, we got the Bitcoin
• 14:18
  guy, we've got Simon Rex and his pretentious ass.
• 14:22
  And they're always like self congratulating and
• 14:24
  congratulating each other. But when they cheer on Camilla,
• 14:28
  if you're selling her app, it stops at like, oh, the app has
• 14:32
  been sold and then it turns into making fun of what the app is.
• 14:36
  So I think that's kind of an interesting contrast that even
• 14:38
  though she was like successful in her own right, like.
• 14:41
  I couldn't tell what was happening there.
• 14:43
  It seemed like Hailey, Joel Osmond's character, was just
• 14:45
  bitter. Yeah, he like, he ruined the
• 14:47
  vibe. Like, I don't know how everybody
• 14:49
  else is going to react to that situation.
• 14:51
  But, yeah, I mean, and that's probably the intention of that
• 14:54
  scene. They did a really good job
• 14:57
  telling the story that they needed to tell.
• 15:00
  It's a, it's a very difficult story to get out there in this
• 15:03
  moment right here. I mean, especially with it being
• 15:05
  like a like a set comprised of women.
• 15:09
  Like you get the director and the writer and the stars of the
• 15:12
  movie are women. Like it's a very important story
• 15:16
  that people need to hear right now.
• 15:19
  It's very like, it's, it's brave.
• 15:21
  And I'm sorry if that comes across as condescending, but I'm
• 15:24
  just trying to say like, you know, it says a lot of things, a
• 15:27
  lot of ugly truths that people don't really want to confront
• 15:31
  and they don't feel comfortable being confronted with so.
• 15:36
  It's exhausting to have to tell these stories over and over and
• 15:39
  over again and just have it dismissed as projection or
• 15:44
  overreaction or imagination and. I can't I.
• 15:48
  Don't think every movie that tells this kind of story is
• 15:51
  necessarily well done, but I do like I fucking hated Don't Worry
• 15:54
  Darling. Yeah, that was a movie that got
• 15:58
  it. Got caught up in a whole other
• 16:01
  weird thing of like people driving cars in the desert going
• 16:04
  to their big boy jobs. It didn't tell the story that I
• 16:07
  think she thought she was telling, you know what I mean?
• 16:10
  Like, without getting too in the weeds with it.
• 16:13
  Like, Florence Pugh's character didn't start acting out until
• 16:16
  she was given permission to. You know what?
• 16:18
  I mean and that's this is different.
• 16:21
  That and that movie had a lot of good moments too, and they had a
• 16:24
  lot of really good things to say.
• 16:25
  And I can never speak from the perspective of somebody that has
• 16:31
  to experience what these characters go through.
• 16:34
  But as somebody that loves somebody that has to deal with
• 16:39
  this, It's it's Italia. She she has probably the
• 16:44
  roughest ghost. She's a woman and a Pitbull.
• 16:46
  So it's, it's not, it's not been an easy time for her, but it's,
• 16:52
  it's tough and people need to know how it is out there for
• 16:56
  women. So I I really commend them for
• 16:58
  doing that. OK.
• 17:01
  Anything else? No, that's it.
• 17:02
  OK, well, I think it tells, I mean, it takes this fantastical
• 17:07
  setting and this fantastical kind of like set of
• 17:10
  circumstances and uses it to tell a very common story, which
• 17:14
  I think is good storytelling. You know, it's something that
• 17:17
  we're all familiar with, but it's told in a different, it's
• 17:20
  given to us in a different kind of packaging that we generally
• 17:23
  experience in our day-to-day lives.
• 17:25
  So I think that makes it kind of an interesting way to digest it.
• 17:29
  I think the acting is all just really superb.
• 17:32
  Yeah, the acting is pretty good. Yeah, I, like, I since we
• 17:35
  watched it back in August, I haven't been able to get
• 17:37
  Channing Tatum out of my head doing his I'm sorry, I'm sorry.
• 17:40
  And then he just like, he's like going from red and sweating and
• 17:44
  crying and spitting and then all of a sudden he's just back to
• 17:46
  normal like that. He's like, so we go, we're cool.
• 17:50
  It's I think it's really impressive.
• 17:52
  And one of the things that she said in the interviews, it's
• 17:57
  kind of great that Deadpool and Wolverine comes out around the
• 18:00
  same time and he's a Gambit in it.
• 18:04
  Yeah. So, like, people can go from,
• 18:06
  like, watching this and then they can go see him be Gambit
• 18:09
  and they can laugh at him being batted accents.
• 18:11
  Yeah. And I, I think it's really
• 18:14
  great. And I really honestly, I think
• 18:16
  of Channing Tatum, like excelling in comedic roles.
• 18:21
  So to see him do this was really, I think, really
• 18:23
  interesting. I love the friendship between
• 18:26
  Frieda and Jess. They've got really weird inside
• 18:29
  jokes and they don't try and explain it to the audience, and
• 18:32
  it just feels a little bit more real that way.
• 18:35
  Yeah. And I think that's really great,
• 18:37
  the various running bits we have, like them making fun of
• 18:40
  Simon Rex for always calling Sarah babe.
• 18:45
  I think that's funny. Jess always losing her lighter,
• 18:47
  not losing it, but like other people taking and not giving it
• 18:50
  back. Yeah, I just, I think this movie
• 18:52
  has like, a lot of like things that just feel very real and
• 18:55
  natural with it. And I think it's just I I think
• 18:58
  it's really good. OK, OK, let's talk about the
• 19:02
  bad. Because no movie is perfect,
• 19:06
  even the perfect ones. One thing that I would say about
• 19:11
  this movie is I think just for me personally, I think some of
• 19:14
  the humor is a bit off. It doesn't connect with me.
• 19:17
  OK. I mean it has some good moments.
• 19:19
  I like the moment with her at the pool doing the fat blunts
• 19:24
  thing. That's funny.
• 19:28
  One liners, normally I like them.
• 19:30
  They had some usage of them towards the end that I it stood
• 19:35
  out to me. But you know, that's just like a
• 19:38
  little, it's a personal thing. What I truly I do not remember 1
• 19:45
  liners near the end, can you? The one that really struck with
• 19:50
  me was whenever I can't remember the character's name, Sarah.
• 19:55
  Sarah she stabs and I'll never know his name but George from
• 19:58
  Scary Movie 3 she stabs him. I think his name is Cody.
• 20:02
  OK, Cody. Yeah, the fart sniffing chef.
• 20:05
  Yeah, he. Oh no, what do you think he
• 20:08
  cooks with? I, you know, like, I don't know,
• 20:11
  probably poop juice. Yeah, well, he's a fart sniffer,
• 20:15
  so the the thing. Farts and poop are.
• 20:20
  Different and all from the same place.
• 20:22
  You're just smelling as I think somebody from wrong turn to once
• 20:27
  said ghost. Shits shit ghosts.
• 20:30
  Oh no. Yeah, it's frankly, I think it's
• 20:32
  who said that. She, the whole movie, he's like
• 20:38
  opening bottles of wine. He's saying, oh, this will open
• 20:40
  nicely, you know that right there.
• 20:42
  And then she takes the wine Corkscrew towards the end of the
• 20:45
  movie and stabs him in the jugular and pulls it out.
• 20:48
  And then when he like, falls, she says, oh, that'll open
• 20:51
  nicely. I don't know, I like her having
• 20:54
  like this because, like we see that in so many other movies
• 20:57
  where like a, you know, a dude gets to have the the cheesy.
• 21:02
  Line no. And I totally understand that
• 21:05
  and that's a valid point. But just for me, that moment
• 21:10
  right there, it was a very heavy moment.
• 21:13
  Like, I was very caught up in the moment of them realizing all
• 21:17
  the horrible shit that happened to them.
• 21:19
  And that's an understatement. But like, and then taking the
• 21:23
  moment to have a quip there, that's the only thing that I
• 21:27
  have against that I don't have against like, you know, like, I
• 21:31
  guarantee you, like, if I continue to watch the Die Hard
• 21:34
  movies, there's going to be a part where I think I can't even
• 21:39
  remember the actor's name. Bruce Willis.
• 21:41
  Bruce Willis. Yeah, if you've.
• 21:43
  Got Bruce Willis. I did.
• 21:45
  Yeah. We.
• 21:45
  Just watched Pulp Fiction. I know like, I mean, and like
• 21:50
  not all one liners are good, but I think that they're, you know,
• 21:53
  like that those are like cheesy action movies where it's kind of
• 21:57
  expected and same with like Batman and Robin where it's a
• 22:00
  very campy movie. 1 liners are welcome there.
• 22:03
  I I mean, it can be done. It's just it's a gut feeling
• 22:08
  thing for me and that's it. I wonder, and this is not me
• 22:14
  attacking you as a man, and I want that to be very clear, I
• 22:19
  wonder if it's maybe because this is a kind of horror that
• 22:25
  you don't constantly have on your mind it.
• 22:29
  Could be. You know what I mean?
• 22:31
  I think there's almost like a dark humor about it for me here
• 22:35
  at the end. Yeah, yeah, it, it could be.
• 22:39
  It could be, I don't know. Because I mean, to be honest, I
• 22:42
  don't really watch a lot of movies like this.
• 22:43
  My comfort zone is the can't be ridiculous bad movies.
• 22:47
  So I don't watch a lot of like totally serious movies because I
• 22:51
  I generally try to like steer queer of them.
• 22:53
  What? Why on earth would you want to
• 22:56
  feel something different when you're watching movies?
• 22:59
  Because it's not like you have to escape the horrors of our
• 23:01
  real life. I I feel like.
• 23:04
  Nothing bad is happening right now, Travis.
• 23:06
  I feel like Danny McBride in Pineapple Express where they're
• 23:09
  like, oh, you got like herpes on your lips.
• 23:11
  And he's like, I know I'm a, I'm a disgusting person.
• 23:16
  Get a bouncy ball Just trying to get a motherfucking scholarship.
• 23:21
  I feel like Danny McBride because I for one would like to
• 23:24
  know how these wonderful motion pictures are made.
• 23:27
  You know, honestly, if they wanted to cast people that I
• 23:29
  felt comfortable with in this, they would have cast Danny
• 23:31
  McBride as one of the dude Bros in this year.
• 23:35
  But yeah, I mean, that's really about it.
• 23:37
  Like, there's not a lot of bad things to say about the movie
• 23:41
  itself because it's like, it's really well put together.
• 23:44
  And it has like, oh, I mean, it's a very deep movie and it
• 23:49
  resonates with a lot of people. But that's just.
• 23:52
  That doesn't mean that you can't have like you can't find flaws
• 23:55
  with it. Yeah, because we're not
• 23:57
  necessarily like saying the bad is in the messaging.
• 24:01
  And I think because we're coming out this from different
• 24:04
  perspectives, we can have a different take on the tone
• 24:09
  maybe. Yeah.
• 24:11
  Does that make sense? Yeah, that makes sense.
• 24:14
  I think for me this is one of those movies that like he does
• 24:19
  one of those things that we have commented on multiple times
• 24:22
  where technically yes, we get all of the characters names, but
• 24:28
  like not in a way that makes it easy to keep track of.
• 24:31
  Yeah, it took. Way too long for me to figure
• 24:35
  out and hold on to the names. And even then, like every time I
• 24:37
  would write down, I just gave up and started I, I gave up
• 24:41
  actually basically from the beginning.
• 24:42
  And he was Simon Rex the whole time.
• 24:43
  And like a couple of times I put Cody because I think it was
• 24:46
  Cody. I'm pretty sure it was Cody.
• 24:48
  The entire time he was just George.
• 24:50
  From yeah, Simon Rex as Cody. There we go.
• 24:53
  Yeah. He's George.
• 24:55
  He has a dream to have a dream. And see, it's funny, when I was
• 24:59
  reading that interview and she was saying, like, you know, it's
• 25:01
  good for people to go from like Blink Twice into Deadpool and
• 25:04
  Wolverine 'cause they get, you know, that crossover of Channing
• 25:07
  Tatum. But it's totally so different.
• 25:09
  And we did a double feature last night of Blink Twice and then
• 25:12
  Scary Movie 3. Yeah, except I had a very
• 25:16
  interesting experience with that this time because when we first
• 25:19
  watched this movie, I didn't realize it was him until we got
• 25:21
  in the car and you're like, Oh my God, that was George.
• 25:24
  And then now I watched it this entire time being like, Oh my
• 25:27
  God, that's George. It really drastically changed my
• 25:33
  experience with that character. And actually, to talk about
• 25:38
  Channing Tatum, again, I know that you said that you primarily
• 25:40
  see him as a comedic actor, but I think the thing that surprises
• 25:43
  me most about him is that he has comedic timing, which he he gets
• 25:49
  a few moments to shine what they hear.
• 25:51
  But like, I think he right here demonstrates to all those other
• 25:54
  people like you that he is actually like a legitimate actor
• 25:58
  and not a pretty boy. Yeah, yeah.
• 26:01
  OK, so ugly. Yes.
• 26:04
  I think that's probably one of the easiest questions to answer
• 26:07
  in this movie, but it's 100% the abuse that occurs in this movie.
• 26:15
  This right here. I mean, when you think about it,
• 26:17
  it's basically a rape revenge movie, right?
• 26:21
  Yes, and I think. I know that you it's, well,
• 26:28
  usually you you're not really fond of those types of movies
• 26:32
  unless they're done a certain way.
• 26:34
  Yes, and I think generally when I think of the more successful
• 26:38
  rape revenge movies, they're mostly done by women.
• 26:40
  Yeah. Well, yeah, I mean, it probably
• 26:43
  makes sense for them to tell that story.
• 26:45
  And I think a big part of it is because it doesn't, I think
• 26:49
  generally women directors are aware that you don't have to
• 26:52
  linger on the rape aspects because we're like, yeah, get
• 26:55
  it. It's horrifying, you know what I
• 26:58
  mean? We don't need to see it played
• 26:59
  out like. That's the thing, that's the
• 27:01
  thing that I think I always go back to with you about that,
• 27:04
  because you always say like it's, you know, like just
• 27:08
  telling that it occurred is enough.
• 27:10
  Witnessing it is a whole other thing.
• 27:13
  This movie walks a very it's like a tightrope of it where
• 27:17
  like it does take you to some very, very unpleasant moments
• 27:22
  there through flashes of them getting their memory, but we
• 27:26
  never linger on it long enough. The most we linger on, it is
• 27:29
  like, I can't remember who's having their like venom moment,
• 27:36
  but like we see them like I'll be in chase and everything.
• 27:40
  I can't. I don't know if that was Frida
• 27:42
  or Sarah. I can't remember 'cause
• 27:43
  everybody still having. That like we cut from Frida to
• 27:46
  Sarah and then we have flashbacks in between.
• 27:48
  They're and they're like consistently like unlocking them
• 27:51
  throughout too, yeah, like even up until the end so and.
• 27:55
  I think this movie also has a lot to say about like, trauma
• 27:58
  and how, like, the brain sometimes will protect itself by
• 28:01
  blocking stuff out. So I think that's a very
• 28:04
  interesting device to do this with where you get like those
• 28:07
  flashes and you're like, holy fuck, what did I just unlock in
• 28:10
  myself? So I think this is telling more
• 28:12
  than just like that story of abuse of power and rape and
• 28:16
  everything, but it's also talking about like, trauma and
• 28:18
  how it's a weird thing. I think that actually UPS the
• 28:22
  horror in this, Like seeing it outright happened and then
• 28:27
  having to remember it is very terrifying.
• 28:28
  But like having like a memory like that unlocked and like you
• 28:32
  have like this sudden realization that that happened
• 28:36
  to you. Like those moments where like
• 28:38
  Camilla, whenever she has her realization, like the bloody
• 28:41
  nose drip and then like you can just see her face of like shock,
• 28:45
  she goes through like all the stages right there.
• 28:47
  She gets like shock, anger, grief and then more murderous
• 28:51
  anger. Yeah, yeah.
• 28:53
  Which that's like the, that's the other 5 stages 4.
• 28:57
  I don't know. How?
• 28:57
  Yeah. I don't think you said 5.
• 29:00
  Yeah, four or five, yeah. The some the some stages.
• 29:04
  Numbers aren't numbers are a construct, right?
• 29:08
  I think they're one of the few things in life that aren't a
• 29:09
  construct. Well, on this show they are.
• 29:14
  But either way, yeah, it's fucking terrifying, it's ugly,
• 29:16
  and I can't think of anything else.
• 29:19
  OK. I'm trying to think of something
• 29:21
  else ugly the just like not go with the obvious.
• 29:26
  But I mean this is one where I feel like the obvious is
• 29:29
  probably, you know, it's the whole reason.
• 29:32
  What about you? I'm just I'm so fucking sick of
• 29:38
  dudes with power not giving a shit about anyone else besides
• 29:41
  their own whims and the fact that they get away with it and
• 29:44
  the fact that so many people excuse it.
• 29:47
  Other dudes. You know, he's got that whole
• 29:49
  thing where he says to Levin Hawks character, he was like,
• 29:52
  you did nothing. He's like you saw all of it
• 29:54
  happen and you didn't do a damn thing it.
• 29:57
  We've got Geena Davis character who's just like, it's better to
• 30:03
  just accept that this is what it is and accept the gift of
• 30:07
  forgetting, you know, like we we see so much like Abathi like
• 30:13
  that right now. I'm just, I'm fucking exhausted
• 30:16
  emotionally, mentally, and it's exhausting and it's very ugly.
• 30:22
  Truth in this movie. Yeah, I think like that type of
• 30:26
  apathy is like a whole other that becomes like almost like
• 30:30
  evil apathy right there. I can understand some people
• 30:33
  being apathetic after like being constantly just put down over
• 30:37
  and over again. Like why should I care?
• 30:38
  Well, and. I think because like Geena Davis
• 30:41
  character, I think is an interesting case because I think
• 30:45
  it's almost, it's not Stockholm syndrome, but it's like a case
• 30:48
  of like I'm in the system, I'm stuck in it.
• 30:52
  I need to make the best of it that I can.
• 30:55
  Like, I don't see a possible way out.
• 30:57
  I don't necessarily want to immediately demonize her,
• 31:01
  although I did like that moment at the end where, you know, she
• 31:04
  tries to attack Frida because she's pissed about the like and
• 31:08
  they didn't even want to give her the venom shots.
• 31:11
  You know, she just came out. She's like I stood shots.
• 31:13
  Yeah, and then she's like, told me she's like, I tried.
• 31:15
  Yeah, she's like she said. I tried bitch.
• 31:20
  So yeah, I just, I think there's a lot of different portrayals of
• 31:25
  like the types of reactions we see to these things in society.
• 31:29
  And like we even see like the less powerful people that are
• 31:31
  kind of on the fringes, like in the the Doctor, where he's like
• 31:35
  very intrigued by it and he wants more of it.
• 31:37
  And he's not rich and powerful like the clientele that he
• 31:41
  serves. And so he's just like getting
• 31:43
  little glimpses and glances, but he's not directly in it.
• 31:47
  I like that. And where she's like, Oh no, I
• 31:49
  remember you. And then he's like, oh fuck.
• 31:53
  Yeah, you want some of this vape?
• 31:56
  Yeah, OK. Absurd.
• 32:01
  Absurd. This movie has probably one of
• 32:04
  the 1st and I'm willing to probably guess only instances
• 32:09
  I'll ever see of snake harvesting.
• 32:12
  Snakes are being harvested like a crop in this movie, and you
• 32:16
  don't get it until, like, for like a minute.
• 32:18
  I'm like, oh, that's the thing that makes them forget.
• 32:21
  But then I'm like, oh, that's the thing that makes them
• 32:23
  remember. Yeah, I forgot about it, but it
• 32:26
  was just interesting. Just like when he's giving her a
• 32:29
  tour of the island when they first get there and it's like,
• 32:31
  yeah, that's when they live here and they they work at the resort
• 32:36
  or whatever you want to call it. And they're just smiling and
• 32:39
  just like picking up snakes around and just like harvesting
• 32:43
  them and getting their blood and venom and shit like that.
• 32:45
  It's very weird. Do they spray the workers so
• 32:49
  they don't remember? Because that one woman, we don't
• 32:52
  ever get a name for her. But like.
• 32:55
  No, I think. She's just swigging that shit
• 32:58
  and she was fully ready to give it to Frida, you know what I
• 33:00
  mean? Like she, I think.
• 33:04
  I wonder if they discovered on their own how to break the spell
• 33:09
  and they have become aware but the other people aren't like
• 33:14
  they don't know that because none of them have really cared
• 33:17
  to talk to them. They just see them as, like, not
• 33:23
  even worth their time. Yeah, so they're like these
• 33:27
  people have like, they fully realize the shit that's going on
• 33:30
  there and like they know about it, but the people just don't
• 33:33
  even care about it because they just don't even like, see them
• 33:36
  as people. Yeah.
• 33:38
  And then they basically treat them like that in this movie.
• 33:40
  I don't even think that they ever.
• 33:41
  The only people to ever directly interact with them is Frida, I
• 33:45
  think. Yeah, so.
• 33:48
  And like, I feel like they were trying to help because she kept
• 33:51
  saying Red Rabbit but she there was a language barrier there and
• 33:55
  she couldn't help. Yeah, like she didn't know fully
• 33:57
  what she meant by red rabbit until she saw the Polaroids with
• 34:00
  the red rabbits on her nails. Yeah, the only other episode I
• 34:04
  had was at the beginning of the movie when Jess is just fully
• 34:08
  comfortable walking in on feet of pooping to have a
• 34:11
  conversation. But Frito brought incense into
• 34:14
  the bathroom with her. Jessie, I am married to you, but
• 34:16
  I would never do that. Like I'm about as close as I can
• 34:21
  get to somebody as being with you and I will never be that
• 34:24
  close to just walk in on you in mid poop.
• 34:28
  I I wouldn't want you to do that.
• 34:30
  Yeah, and not yet. These two friends, they're
• 34:33
  comfortable pooping in front of each other.
• 34:36
  That's admirable, almost. That's how Talia feels about us.
• 34:39
  That is, you guys watch me poop all the time.
• 34:41
  You pick up my poop, you go a step further.
• 34:45
  I never asked you to do that part.
• 34:48
  Yeah, she's like, it's kind of weird that you do that.
• 34:50
  Yeah, like I was OK with the watching part.
• 34:52
  It was a little bit weird at first, but then you started
• 34:53
  picking it up. She's like, and I just talked to
• 34:56
  Scout and Zoe and apparently you do that for them too.
• 34:59
  Yeah, but you like use a scooper, you have like a whole
• 35:03
  sand beach where they like. You you said use a scooper as
• 35:07
  though you don't use a scooper for.
• 35:10
  Some people don't. When you're taking them on a
• 35:12
  walk, you take the little bag and you're like, you have to
• 35:13
  actually make contact with your hands.
• 35:15
  Yeah, but for our yard, like we do have a special scooper.
• 35:20
  Yeah, yeah, that's true. I.
• 35:22
  Don't want people to think Travis is just walking around
• 35:24
  dog shit in his hands. No, no, that's a whole new breed
• 35:29
  of fart sniffers and just dog shit sniffers.
• 35:33
  OK, what are your absurds? It's an absurd, but it's a
• 35:39
  relatable absurd, which is Freda like trying so hard to like
• 35:44
  punny portmanteau, her nail art and the nail meals.
• 35:50
  I like that. I like it, but it's such a
• 35:52
  mouthful and it doesn't flow well.
• 35:54
  But I also love it. I mean, also like, dude, she
• 35:59
  should be a celebrity artist because the fact that she can
• 36:03
  put her hands through as much as they go through in this movie,
• 36:06
  those nails, perfect. Not a chip, not a break, not a
• 36:10
  crack. Like she doesn't even need to
• 36:13
  fill in the set yet, you know what I mean?
• 36:15
  That's the thing, like you, you break your nails all the time.
• 36:18
  You broke them yesterday walking downstairs.
• 36:20
  It was walking up the stairs and I have bad depth perception.
• 36:23
  I didn't realize where my hand was.
• 36:25
  Yeah, you would never notice any of the nail damage.
• 36:28
  Just being I got out the ordinary for you.
• 36:30
  Like. Well, I guess I fucked up my
• 36:31
  nail like walking down the hall. I don't know.
• 36:35
  Surely I got dirt in the process too.
• 36:37
  I don't know. It tracks.
• 36:40
  It doesn't track. I'm very obsessive about Cuba.
• 36:42
  If I have, I have long nails and I recognize that it's heart like
• 36:47
  a breeding ground for bacteria. I'm very obsessive about
• 36:49
  cleaning them. That's fair.
• 36:51
  Yeah, you're actually really on top of your nail game.
• 36:55
  I'm trying to think if there's another absurd I can't really
• 37:01
  think of. I can't really think of another.
• 37:04
  OK, so that's fine. OK, there's not that much absurd
• 37:07
  about this movie. Well, other than the whole
• 37:11
  Hailey Joel Osman being there. What if it was Hailey Joel Osman
• 37:15
  sitting there, but as an adult? I'll I love the moments whenever
• 37:20
  they're doing drugs and he takes his little heart sunglasses and
• 37:23
  flips them upside down. I like that too.
• 37:25
  As somebody who wears a lot of heart sunglasses, I don't know,
• 37:28
  maybe this summer when I'm feeling a little silly.
• 37:34
  He's just randomly popping up and shit these days.
• 37:37
  I'm I'm for. It yeah.
• 37:39
  Oh God. Also that moment where Heather's
• 37:41
  like, I have bangs. Yeah, like who caught me at
• 37:46
  bangs? Yeah.
• 37:50
  OK, rating. OK, I reckon I'm right around
• 37:56
  the seven area for this, Yeah. OK, give me the 9:00 which gives
• 38:02
  us an average of eight. OK, that's pretty good.
• 38:05
  That's higher than IMDb. We did it again, yes.
• 38:08
  Suck it, IMDb. OK, OK.
• 38:12
  Are we? Ready.
• 38:12
  Yeah, we start off with a lizard and then Hashtag Nails by Freda.
• 38:19
  She's scrolling through Instagram, and she gets caught
• 38:21
  up watching some reels of Slater King.
• 38:23
  He's apologizing for his abuse of power.
• 38:25
  And to show that he's being very genuine about it, he's taking
• 38:28
  some time. He's gonna step back as CFO of
• 38:30
  King Tech. And he actually bought an
• 38:33
  island. So that's how you know he's like
• 38:35
  grounded, right? Yeah, you know, it would be
• 38:39
  nice. If you have a problem, you can
• 38:41
  just go escape to your fucking island.
• 38:43
  Yeah, and he's. No, it's OK.
• 38:45
  Oh, they grow their own food. And by the day, he means that.
• 38:50
  Like people like. Be hired to work there that he
• 38:53
  doesn't even care to learn their names.
• 38:56
  Jess pops in and she's like by the way, do you have the money
• 38:59
  for the Super? He's stopping by and she's like
• 39:00
  about that. I've got a surprise for you.
• 39:05
  So we cut to Frida. She's late to work.
• 39:08
  She missed the bus, and her boss is an asshole.
• 39:12
  He's like, I need you to be invisible.
• 39:14
  And I think this is also some of the, like, the, like, class
• 39:17
  stories that they're telling in this movie too 'cause, you know,
• 39:20
  we've talked about, you know, basically the workers on the
• 39:22
  island are invisible to most of our main group.
• 39:25
  Cool. Talia, thank you.
• 39:27
  Yeah, it's fine. You guys.
• 39:29
  You've, I've been on this podcast long enough.
• 39:31
  Talia's like 1/3. She kind of comes in when she
• 39:34
  wants to. Yeah.
• 39:35
  She has very strong feelings about class wars and being told
• 39:39
  to look invisible because that's scary to her.
• 39:42
  Talia could never. Yeah, that's what this guy does.
• 39:45
  He's like, all right, just smile.
• 39:48
  Smile real big. Be invisible, though.
• 39:50
  Like give me the best invisible smile you've ever had.
• 39:55
  Smile. But I don't want to see it.
• 39:58
  And he's like, and don't be chatty.
• 39:59
  And she's like, well, he complimented my nails.
• 40:01
  And he's like, this is to steal from Vanessa Hudgens.
• 40:08
  Scotty says don't, Scotty, don't, Scotty, don't.
• 40:14
  Yeah. So she goes out and she's
• 40:15
  serving, and she is. So obsessed with Slater King,
• 40:19
  like she's staring at the back of his head and spills champagne
• 40:21
  all over this woman. That's the one thing I don't
• 40:23
  quite understand about this movie, is that she was aware of
• 40:26
  his issues at the beginning when she scrolled through his reel of
• 40:30
  him apologizing. Do you think that she like
• 40:33
  bought the apology? Or is she just like she wants
• 40:36
  that life more than anything and she's willing to put that aside?
• 40:40
  Just said get a glimpse at it. I think it's a combination of
• 40:43
  the two. OK.
• 40:46
  And I think it's also a little bit of her not necessarily
• 40:50
  recognizing her own faults because, you know, she she calls
• 40:54
  Jess out for leaving late at night to go hook up with her ex.
• 40:58
  And she's like, stop giving away your fucking power.
• 41:01
  She was so like, she was pretty rude about that.
• 41:04
  She like, give me apologies. She's like, I'm sorry.
• 41:07
  Listen, sometimes you got a best friend and you got to tell them
• 41:11
  when they're being a fucking idiot.
• 41:13
  Yeah, that's true. But she is you.
• 41:14
  Have to do that sometimes. Yeah, I never, I didn't make the
• 41:17
  connection of her being kind of hypocritical with that though.
• 41:20
  That is interesting. So she's like, Are you ready for
• 41:23
  your surprise? And, and, and I mean, what you
• 41:26
  have to understand about them is they're like struggling artists,
• 41:29
  right? Because Frida's got her nail
• 41:30
  thing. Jess, I assume, is an actress
• 41:33
  because she says that she missed her audition and the Super
• 41:35
  didn't even show. She was like, so we're broke and
• 41:38
  we have black mold. Yeah, I I was confused.
• 41:41
  Didn't she say something about having kids too?
• 41:43
  Or was she just joking? I don't remember anything about
• 41:46
  kids. She's something about the black
• 41:49
  mold. She's like, so the kids and I
• 41:50
  are going to have to do something, something.
• 41:52
  I may have misheard her. Maybe she was just being playful
• 41:56
  where she just refers to her like Frida as the kids.
• 42:00
  I got to go home to the kids. I do not remember that.
• 42:04
  I I could have like misheard. It's very possible I did.
• 42:08
  So anyway, her her surprise is that she got the matching
• 42:11
  dresses and they're going to go sneak into the gala and they're
• 42:17
  sneaking is not very sneaky because Freda breaks a shoe,
• 42:21
  falls and trips the server who drops a tray of drinks and
• 42:25
  glasses. And then Slater comes over and
• 42:29
  he's like, I've always wanted to do this.
• 42:31
  And he breaks the other heel. He's like, now they're even pro
• 42:35
  tip. That won't work.
• 42:37
  That's not how high heels are not built that way.
• 42:41
  It won't work. You're better off to just kick
• 42:43
  them off and go barefoot. I feel like it's rude to be like
• 42:46
  you destroyed that one here, I'll break your other one too.
• 42:48
  Like dude that one was still fine.
• 42:50
  You don't have to break it. You can just buy one other shoe
• 42:53
  maybe, I don't know. Can you do?
• 42:55
  That no, although there are some companies that are trying to do
• 43:02
  single shoe sales for people that only have need for a single
• 43:05
  shoe. No.
• 43:06
  Well, I'm sure there's also hill repair services you can take.
• 43:10
  It Cobblers and actually I read an article in cobblering is
• 43:15
  going down as a business because our society tends to promote
• 43:19
  more like fast fashion type things.
• 43:20
  So a lot of people instead of going to get shoes repaired will
• 43:23
  just be like oh it's not even worth it.
• 43:25
  I'll just buy a new pair. Oh, really?
• 43:27
  Yeah. Wow.
• 43:27
  I thought Cobblers just sort of the people that make shoes.
• 43:30
  Well they fix them too. It's like a Carpenter probably
• 43:33
  also does like home repairs, doesn't just build houses.
• 43:36
  Business is really good in the new shoe department.
• 43:38
  They're really bad in the new shoe department.
• 43:42
  OK, so yeah, she she did that. She did all the wrong things,
• 43:48
  but she just stumbled into Slater's vision and he's like,
• 43:52
  hey. She failed upwards, which is
• 43:55
  probably what a lot of Slater's friends did to get to where they
• 43:58
  are in this in this life. He he introduces Freda to his
• 44:05
  therapist, which like, I kind of love that move.
• 44:09
  Yeah. I, I love the like being very
• 44:12
  open about therapy. And even though clearly this is
• 44:14
  not working for him, I, I just, I'm a person that I tend to be
• 44:19
  very open about therapy in a way that it makes other people
• 44:22
  uncomfortable. That's weird to me.
• 44:23
  Like I feel like you like having a casual conversation.
• 44:26
  Like yes, talk to my therapist. That doesn't ring any bells to
• 44:29
  me. She's like, oh good for you.
• 44:31
  Yeah, I, I think everybody needs to experience therapy at least
• 44:35
  once in their life. It's really good for you.
• 44:38
  But anyway, she like makes a joke.
• 44:39
  She's like, I blink twice if I'm in danger and he does like a
• 44:42
  blink twice and then. I didn't catch that.
• 44:48
  I'd see I had always been under the impression that that's why I
• 44:52
  was called that. Like blink twice if you're in
• 44:54
  danger. I just never.
• 44:55
  Maybe I subconsciously knew. I just didn't want the real me
• 44:59
  to know. Your your interview.
• 45:02
  Blink twice. Blinked.
• 45:04
  Blink, blink, blink. Blinked.
• 45:08
  I blinked. OK.
• 45:10
  So he takes her around, introduces her to everybody.
• 45:14
  They drink, they dance, they laugh, They're having a great
• 45:16
  time. And then Stacy comes and says,
• 45:18
  all right, time for everybody to go.
• 45:20
  And so they all walk away. And Justin Frieda are basking in
• 45:24
  the night. Just asked Frieda if she got
• 45:26
  Slater's number, and she said no.
• 45:28
  Are you kidding me? Of course not.
• 45:29
  And Jess is like, why are you guys reviving driving?
• 45:31
  And then all of a sudden Slater comes running up and you think
• 45:33
  that like, give a number maybe, huh?
• 45:36
  Can I get your number? Something like that?
• 45:37
  And instead he says, do you want to get on my private jet and go
• 45:39
  to my private island? It's totally cool and not at all
• 45:41
  SUS. Yeah.
• 45:44
  And she says sure. So they do.
• 45:48
  They get there, and Stacy takes their phones.
• 45:52
  It's part of the rules. And Jess is like, kind of
• 45:54
  uncomfortable with it. And so there's like, you don't
• 45:56
  have to, but like. Yeah.
• 45:59
  It's basically, yeah. It's implied.
• 46:01
  Yeah, like it would be really weird if you didn't.
• 46:04
  Yeah. So she she ends up giving it.
• 46:08
  Slater shows Freda around her room.
• 46:10
  And he's like, I know you didn't really have time to pack, but
• 46:12
  there's like, clothes and like, stuffed in the bathroom.
• 46:15
  Probably one of my favorite things in the movie is the title
• 46:18
  card reveal of this. And it's whenever, like right
• 46:21
  before that Christian Swater, he's like the whole movie is
• 46:24
  running around with a Polaroid camera and he's just snapping
• 46:27
  pictures of everybody. He gets like a group shot of
• 46:29
  them all. And then like, right as like the
• 46:31
  camera shutter, like, just like, like you just get like a flash
• 46:35
  of don't blink or not blink twice.
• 46:37
  I did it again. Yeah.
• 46:40
  I thought that that was really cool.
• 46:42
  I like that a lot. OK, So yeah, she's in the room
• 46:45
  and she's there checking out the place.
• 46:48
  She opens up the drawer and then she sees there's like this one
• 46:52
  thing of lipstick there, and she opens it up and it seems to be
• 46:55
  used and like it's old, been there for a long time.
• 46:59
  Is abused and I I don't get it because even from like a
• 47:04
  flashback perspective, it's not like she was abusing her lip
• 47:07
  gloss Then this doe foot shouldn't be split up the way it
• 47:11
  is. Shouldn't have hair wrapped
• 47:12
  around it. That's not how this works.
• 47:14
  I've got lip glosses and lipsticks that yeah, I know I
• 47:18
  shouldn't still have them a year later, but whatever.
• 47:19
  I I am not Slater King. I don't have money to just go
• 47:23
  buy a new lipstick. That makes you wonder though,
• 47:25
  how long has he been doing this for?
• 47:27
  Well, because we know this was at least last year, like we know
• 47:30
  it was last year that she got the like head injury and the
• 47:33
  lipstick. But but who's to say that that's
• 47:35
  the first time? I know I'm just saying cuz we
• 47:38
  saw the flashback of her with the lipstick right before she
• 47:40
  gets the head injury. Oh, we did.
• 47:42
  Yeah. I'm stupid.
• 47:43
  Forgive me. I miss.
• 47:45
  I miss very obvious things. I don't miss that blink twice
• 47:48
  though. I was, well I was just paying
• 47:50
  attention to the lipstick thing this year cuz I remembered it
• 47:52
  being hers. This year, the one year, the
• 47:56
  yearly watch that we do blink twice.
• 48:00
  I didn't blink. So yeah, I, I, I don't
• 48:05
  understand what happened with this.
• 48:06
  Like, I it girl, I don't know what you're doing with your
• 48:10
  lips. Did somebody come in and fuck
• 48:12
  with it while it was in that room?
• 48:14
  This movie does do a good job of making you think that it's just
• 48:16
  like a place that he brings random people cuz she sees she's
• 48:20
  like nice try bitch whoever was trying to get with it the last
• 48:24
  time, My turn now. Yep.
• 48:27
  So she she sees the housekeeper and she goes red rabbit and she
• 48:31
  goes, I don't know what you mean man.
• 48:33
  She just keeps saying red rabbit.
• 48:34
  Oh yeah, I I like the Shining too.
• 48:36
  Yeah, don't agree with the ending of the movie, but.
• 48:41
  So she goes right to the pool and everybody's smoking,
• 48:45
  everybody's drinking. Sarah is a hot survival babe.
• 48:49
  I would watch that reality TV show, but I also watch reality
• 48:53
  TV with the understanding that it's horrible and exploitative.
• 48:55
  So. It sounded like a Survivor type
• 48:58
  show that she was a part of and like she had been like they were
• 49:03
  gonna do like an All Star season and then they like.
• 49:06
  I think it's like a combination of like Survivor, naked and
• 49:10
  Afraid. That's.
• 49:10
  What I was that was the other one I was thinking too.
• 49:12
  Yeah. So yeah, she's she's in free is
• 49:17
  like, oh, those skills will come in handy someday, right?
• 49:20
  Yeah, I wonder when. Meanwhile, Hailey Jo Osmond is
• 49:24
  looking at gingerbread in the sky.
• 49:26
  Gingerbread Man in the sky. Yeah, he's got, well, I you
• 49:30
  can't argue with that cloud. And also, do you think like, was
• 49:34
  that superimposed into the footage?
• 49:36
  Did we have somebody rotoscoping that cloud or CGI?
• 49:40
  Do you think like they actually just caught that cloud?
• 49:43
  If they if I saw a cloud like that, I'd be like, that's going
• 49:46
  in the movie. Yeah, Hailey, Joel Osmond was
• 49:48
  just pointing it out. And Zoe Kravitz.
• 49:51
  So it's just like a shooting. OK, Turn the turn the camera
• 49:55
  off. Yeah.
• 49:56
  OK. So Slater starts to give Frida a
• 49:59
  tour of the island. Yeah, she says that this is not
• 50:01
  what she expected from a Slater King party.
• 50:03
  She thought there's going to be a lot more drugs in departure.
• 50:05
  And he goes, well, we do drugs, we just do them intentionally.
• 50:09
  Fart sniffy. So far it's sniffy.
• 50:12
  It is, you know, I don't hate the idea of like doing drugs
• 50:15
  with intention That that that does sound wise.
• 50:19
  It's just his intentions are not exactly a good one.
• 50:22
  Yeah, if you're going to do it intentionally, maybe like not be
• 50:25
  in. Like, hey, I want to like, you
• 50:26
  know, like reawaken myself. See that sounded fart sniffy.
• 50:31
  But like, you know, I want to like, yeah, there's no, you
• 50:35
  can't talk about doing drugs without sniffing some of your
• 50:37
  own farts. Yeah, it's.
• 50:40
  A. Combination of DMDMDM.
• 50:44
  AM DMA and. Psilocybin and poop juice.
• 50:49
  Yeah, so it's Molly and shrooms. What a fucking convo.
• 50:56
  I've never done Molly, done shrooms.
• 50:58
  It's a good time and also a terrible time.
• 51:01
  Do them like when the timing is right.
• 51:03
  That's all I gotta say. Bad trips fucking suck.
• 51:08
  So then he starts talking about, like, how he's been doing
• 51:11
  therapy and it changed him. And she's like, well, I think
• 51:13
  therapy is self indulgent bullshit.
• 51:15
  Sounds like somebody probably benefit from therapy.
• 51:18
  Yeah. She's like, she's like, I don't
• 51:20
  need to talk about the fact that my mom tried to kill herself in
• 51:23
  front of me when I was 10. And I was like, I feel like you
• 51:25
  do. That was really fucking
• 51:26
  traumatic. Right there.
• 51:27
  I feel like you do need to talk to somebody about that Frida.
• 51:31
  Otherwise, you might not have gotten on a plane with a man you
• 51:33
  just met. Yeah, and he's like, whoa, I
• 51:36
  don't remember anything before 10 because I also had traumatic
• 51:38
  shit, but I just blocked it out. It's not there.
• 51:42
  Repress that memory. Yeah, he was like, he's like,
• 51:45
  yeah, no, my sister does it. She agrees with you.
• 51:47
  She thinks therapy is self indulgent.
• 51:49
  She's like, how can you play tennis with that man after what
• 51:51
  he did to us when we were kids? And I'm like, what did he do?
• 51:54
  That's a conversation later. That's at the end of the movie
• 51:57
  during this whole breakdown. But that is a valid point.
• 52:00
  Like, yeah, you know, like this is where he says forgetting is a
• 52:06
  gift. Yeah.
• 52:08
  Yeah, she said that she would pay to forget.
• 52:11
  And then Stacy comes by and she's like dropping some stuff
• 52:15
  and is refusing any help from Freda.
• 52:16
  And then she was like, I moved the chair because you said it
• 52:19
  looked weird. Oh, she said that there's.
• 52:22
  You. Yeah, no, the chair is a whole
• 52:24
  fucking thing with this. Aw man, it really is.
• 52:27
  It's like the beast. This the bee plot of this movie.
• 52:29
  This is such a rich people problem.
• 52:31
  Like I bought a chair and now I don't know what to do with it
• 52:34
  like. Chairs looking weird.
• 52:35
  Chairs looking weird. In this room.
• 52:38
  Like I just, I don't know, for me, chairs are just like
• 52:41
  functional and sometimes like we'll upgrade, right?
• 52:44
  But like, I don't know, I didn't buy a decorative chair.
• 52:47
  If you need a chair, you should already have a place where it
• 52:50
  goes. I think this I don't understand
• 52:52
  this. Problem would be more of a thing
• 52:54
  for us if we were able to afford a place with enough room to
• 52:57
  actually have freedom with where we put our chairs.
• 52:59
  Yeah, that's true. Like we we're gonna rearrange
• 53:02
  our living room sometime soon. We know that that.
• 53:05
  We know exactly where our chair is going.
• 53:06
  It's going to shift about 10 feet.
• 53:09
  It's got like 2 places it can go.
• 53:10
  It's in one of two right now. We're going to put it in the
• 53:13
  other one next. Yeah, and it won't look weird
• 53:15
  because it's a lazy boy, and lazy boys are all about comfort.
• 53:18
  Exactly. You look at a lazy boy and
• 53:21
  you're like, you know, this isn't an aesthetic thing.
• 53:23
  This is this is a comfort thing. Yeah, exactly.
• 53:25
  That chair helped me through knee recovery.
• 53:30
  OK, so they party. I'd say about 50% of the script
• 53:35
  of this movie is like partying ensues, which is what happens
• 53:38
  here. Yeah.
• 53:39
  Well, and I feel like it was probably really interesting to
• 53:42
  shoot all of that because they probably did a lot of those
• 53:44
  shoots same day or back-to-back. Yeah, I'd imagine.
• 53:48
  Yeah, because they're all wearing the same thing the
• 53:49
  entire time. Everybody has one outfit.
• 53:51
  Yeah, I feel like they may have done that for a movie choice,
• 53:55
  but I like to imagine they did it for like a consistency choice
• 53:58
  for filming. Like, let's just film everything
• 54:00
  well. Also, and I don't know if you
• 54:02
  noticed this later, but those dresses that they have provided
• 54:05
  for the women are very strategic because the sashes that tie at
• 54:08
  the back that you think is just like an aesthetic choice to help
• 54:11
  the dress give like shape and it can fit multiple body types.
• 54:15
  They use those ribbons to tie the women up.
• 54:18
  He also used it whenever she was running away and he grabbed like
• 54:21
  the drapey part, Yeah. Yeah, so the dresses are
• 54:24
  weapons. And I think that was like such a
• 54:28
  like subtle thing. Yeah, it's like a thing that I
• 54:31
  didn't even like realize until you just said that.
• 54:34
  But now that you say that, I'm like, damn.
• 54:36
  Yeah, it is. Like, yeah, it's dark.
• 54:38
  Yeah, we hear Cody talking about his food and it's all hoity
• 54:44
  Tweety and he's. Like a chef, I guess.
• 54:48
  I don't know. He is he's he is a chef and I
• 54:54
  guess like the food does look really cool.
• 54:56
  I get really like invested in the food on like below deck.
• 54:59
  I think that this is the one thing that I could relate to,
• 55:02
  like, and that'd be me with my coffee.
• 55:04
  Like like I I do my coffee in a fart sniffy way.
• 55:09
  Like I don't have like a normal coffee pie.
• 55:12
  I'm like, oh, I got to do the Kinects.
• 55:14
  Look at the fucking yeah bubbles of the.
• 55:15
  Ground here, people at work look at me like I'm crazy because I
• 55:18
  always struggle with trying to measure stuff for the coffee
• 55:20
  pot. And they're like, you have a
• 55:22
  pot, a cup of coffee tattooed on you.
• 55:25
  And I'm like, yeah, but we don't have a coffee pot at home.
• 55:27
  They're like, do you not drink coffee at home?
• 55:28
  No, we do. Yeah, we just.
• 55:30
  Use. We have an arrow press, we have
• 55:32
  a Chemex, we have a French press.
• 55:34
  We have a mocha pot. Gigantic mocha.
• 55:36
  Pot. I think it's fucking.
• 55:37
  Huge. And yeah, yeah, that's how we
• 55:41
  get our coffee. Yep.
• 55:42
  So I get this guy at least with his like, look for food and wine
• 55:47
  and stuff like that. That's like a relatable thing.
• 55:49
  At least. But how is he doing all of this
• 55:51
  when they're just like drinking and drugging all day?
• 55:54
  You know, that's a great question.
• 55:56
  I wonder, it's almost like like the residents there are doing it
• 56:01
  and then he's taking credit for it.
• 56:03
  Very efficient sous chefs in the kitchen.
• 56:05
  Yeah, he's just, he's Gordon Ramsaying.
• 56:07
  He's like bubble up the food and plate it and do a little drizzle
• 56:13
  and yeah. She me Shammy.
• 56:17
  She me shammy. Whammy, whammy.
• 56:19
  So Camilla sold her astrology at King Tech, and then they asked
• 56:24
  Sarah if she's going to be on All Stars, and she goes.
• 56:26
  Yeah. But after 22 seasons, suddenly
• 56:28
  the network realized that women in bikinis struggling to survive
• 56:32
  on an island could be considered exploitative.
• 56:34
  So I trained for two years for nothing.
• 56:37
  That would suck. Yeah.
• 56:39
  Did they like, have all of that happen?
• 56:40
  But yeah, we're not going to do that.
• 56:42
  Well, dude, All right, So this is a constant thing that's
• 56:45
  talked about with Drag Race. But like, the Queens that are
• 56:48
  selected for the show spend 10s and sometimes hundreds of
• 56:53
  thousands of dollars on their runway packages for the show.
• 56:57
  Like, yeah. Like, so you're going on the
• 57:00
  show hoping for a chance to win, make it big, like, get that
• 57:03
  money back. But for the people that don't or
• 57:05
  for the people that get the call and something happens and it
• 57:08
  falls through. Yeah.
• 57:09
  Damn. You get exposure.
• 57:12
  Yeah, but. I hate that like, Oh no, we'll
• 57:14
  pay you an exposure, but I mean that does like at least help him
• 57:16
  a bit. Hey, I was on the season like
• 57:18
  OK, that opens some doors for. You, yeah.
• 57:21
  OK, so yeah, they start partying, they do drugs with
• 57:26
  intention. Also, there's like, this moment,
• 57:30
  and again, this is for you trying to be like, just not the
• 57:35
  powerful woman we saw telling Jess to have self respect.
• 57:38
  But like, she goes to get some steak and she, you know, asked
• 57:41
  later if he's going to get something.
• 57:42
  He goes, oh, no, I don't eat red meat.
• 57:43
  And she gets embarrassed and puts her back.
• 57:45
  Like, what? You eat meat?
• 57:47
  And I'm not bothered by it. Like, yeah.
• 57:49
  That is a weird thing to be bothered.
• 57:51
  By yeah, like it's like never a thing that like has ever been.
• 57:55
  Some people will be like, I feel like I can't eat in front of
• 57:57
  you. I'm like, that's a you problem
• 57:58
  because I don't give a shit. Like just don't try and make me
• 58:00
  eat it or tell me that I should. People ask me that all the time.
• 58:03
  Like, oh, I like, oh, so yeah, like Jessie's a vegan.
• 58:06
  Like, Oh my God, how do you guys eat?
• 58:07
  I'm like, I mean, I eat my stuff and she eats her stuff like most
• 58:11
  people do. Yeah, like we just aren't weird
• 58:14
  about it, I guess. So, yeah.
• 58:17
  So she goes to put it back and like at some I guess the steak
• 58:23
  like. Juice.
• 58:27
  I thought it was wine. I thought she spilled wine.
• 58:28
  Or. So no, I think it was like blood
• 58:30
  from the steak. Oh, yeah, 'cause like, Wino
• 58:33
  would have like, dribbled down more.
• 58:34
  This was like, more like right there.
• 58:36
  Yeah. Gross.
• 58:38
  And Victoria tries to give her a hard time about that.
• 58:41
  And then he's also like, well, what are you doing in life?
• 58:43
  And like, yeah, she, she hasn't gotten like, off the ground with
• 58:48
  her nail art or anything yet. And she probably doesn't want to
• 58:51
  tell this person like, oh, I actually was serving at the gala
• 58:53
  before. We still got like, she kind of
• 58:56
  sides. So she goes, you know, I'm just
• 58:57
  kind of taking life as it comes. And he's trying to laugh about
• 59:01
  her aimlessness. And then Slater kind of cuts
• 59:04
  that off. And he's like, guess what?
• 59:05
  It's time to party, bitches. Yeah, I hate that these people
• 59:12
  suck because they like, have some fun moments.
• 59:14
  Yeah, yeah. OK, so it's a montage of just
• 59:20
  like a bunch of like partying, Basically what these people do
• 59:23
  when they get high, they dance. That's pretty much all they do.
• 59:26
  We do see at one point, like Frida, like her and Jess cuddle
• 59:29
  up her bed and she realizes the stains gone from her dress and
• 59:32
  she's confused, but she brushes it off.
• 59:34
  We see more dancing. We see them creeping through the
• 59:37
  woods. We see that we see them playing,
• 59:41
  being in the sauna, dinner, more drugs go by the pool, smoke some
• 59:47
  pot. They've got dirty feet, dirty,
• 59:49
  dirty feet. The lighter keeps disappearing.
• 59:52
  So this has just been, we don't know how long they've been on
• 59:54
  the island, but this seems to be like, I kind of get why Frida is
• 59:59
  seduced by this. I mean it would be nice.
• 1:00:02
  Yeah, I haven't told Travis. I was like, we need like a
• 1:00:05
  Dionysus type private fuck island.
• 1:00:08
  Like that would be fun. Like, you know.
• 1:00:10
  Yeah. Also the whole thing with Jess,
• 1:00:14
  she's like, she's constantly handing out her lighter and
• 1:00:18
  stuff, which we get a lot of shots of that here, too, where
• 1:00:20
  like someone's like, I need to smoke or I need a light, and she
• 1:00:23
  just tosses it. And it happened before too.
• 1:00:25
  But she's like, I'm, I'm just going to have to end up putting
• 1:00:26
  my name on it because she can never find her a lighter back.
• 1:00:29
  Yeah. So that'll become important
• 1:00:30
  later. Yeah, it also just.
• 1:00:32
  It feels so fucking real. Yeah, it does.
• 1:00:34
  Yeah, Slater asked about Freda Scar.
• 1:00:38
  And she's like, honestly, I can't remember where it came
• 1:00:40
  from. And then she started talking
• 1:00:42
  about her animal moles. Yeah.
• 1:00:45
  And now, yeah, he pretends he he does his best.
• 1:00:48
  So I make it be like, oh, I don't get it.
• 1:00:50
  Yeah, I like it because it at like on surface level it just
• 1:00:54
  sounds like you're putting nail into animal.
• 1:00:58
  But like another like term like used for like nail whackers,
• 1:01:02
  nail enamel. Oh, really?
• 1:01:03
  Yeah. So like it works.
• 1:01:05
  Yeah, yeah, yeah. Yeah, that, that was an easy 1
• 1:01:09
  to get for me. But then again, I live with you,
• 1:01:10
  somebody who has a love, a true love for puns, so.
• 1:01:13
  OK, I thought you were gonna call out my Like Dragon horde of
• 1:01:20
  nail Polish. You'd have a lot of that, too.
• 1:01:23
  Yeah, you're, you're both of those right there in this
• 1:01:26
  situation. He, he's like, OK, I got to go
• 1:01:30
  to bed. And she goes, no, he goes hang
• 1:01:31
  out therapy in the morning. And like, so about the way he
• 1:01:35
  says it, Like he's like, oh, shut.
• 1:01:37
  Yeah. You got to respect that.
• 1:01:39
  And he leaves his vape and she's like, sweet, this is my in with
• 1:01:43
  him. And I kind of be like, babe,
• 1:01:45
  you're on an island. Yeah, you're already on Fuck
• 1:01:48
  Island. Yeah, no.
• 1:01:50
  With Edward, yeah, I was going to say, at least with Edward and
• 1:01:52
  Bella, like it was a consensual fuck island.
• 1:01:54
  Well, actually, no. No, he like he didn't want it
• 1:01:59
  anymore and she kept pressuring him.
• 1:02:02
  The dynamic flipped. Yeah, actually, yeah.
• 1:02:06
  No, we need a we need a fuck island that's consensual.
• 1:02:10
  That's gonna be our fuck island. Yeah, we'll.
• 1:02:12
  Call it consensual. Fuck Island.
• 1:02:14
  Yeah, yeah, yeah. Enthusiastic.
• 1:02:16
  Yes. Fuck Island.
• 1:02:17
  I think people would be like, that's too on the nose.
• 1:02:20
  There's gonna be some bad stuff that goes down there.
• 1:02:25
  OK, so where are we at? Oh yeah, she.
• 1:02:27
  Goes she has the vape and she's going to go return it to him.
• 1:02:29
  And then she, like wonders off and she finds this random room
• 1:02:33
  and she goes inside. Wait, no, no, she doesn't.
• 1:02:37
  Yeah, yeah. She she goes to give him the
• 1:02:40
  vape back but before she goes she realizes her nails are
• 1:02:42
  really dirty and she's like EW that's gross.
• 1:02:44
  She sits in the weird chair and is ready to give him his vape
• 1:02:50
  back and he comes out and everybody was in his therapy
• 1:02:52
  session with him. And she's like, that's kind of
• 1:02:54
  weird. And then she goes, here's your
• 1:02:56
  vape. And he goes, aw, that's so
• 1:02:57
  sweet. Then we see like more stuff by
• 1:03:01
  the pool and she and Slater are over, kind of off to the side
• 1:03:05
  and they're laughing. And then she very relatable
• 1:03:09
  moment. She's like, everything is too
• 1:03:10
  perfect right now. Something bad's gonna happen.
• 1:03:13
  This is about the turning point. Yeah, I'll be right here too.
• 1:03:15
  So it's like basically telling you, oh, here's where the bad.
• 1:03:17
  Stuff happens. They go to dinner, we have the
• 1:03:22
  lighter discussion again. And just like, I got to put my
• 1:03:24
  name on this thing and like, you know, we're watching this and it
• 1:03:30
  makes sense because they've been doing a lot of drugs.
• 1:03:32
  I'm like, I probably don't realize they're making the same
• 1:03:34
  joke over and over again. But then later we realized,
• 1:03:36
  like, she really doesn't realize.
• 1:03:38
  She's taking the same joke over and over again.
• 1:03:43
  We get some drugs and dancing and everybody's having a good
• 1:03:47
  time and I want to be at this pool party and everybody.
• 1:03:51
  'S like a toga party. Yeah, dress.
• 1:03:54
  Yeah. It it just, it seems like this
• 1:03:58
  is right before the fantasy ends and you're like, man, this seems
• 1:04:01
  like a fun life. And then Jess is bitten by a
• 1:04:04
  snake and she's freaking out. And she goes, oh, my God, is it
• 1:04:08
  poisonous? I'm going to die.
• 1:04:10
  And Slater goes It's venomous. Not right now, dude.
• 1:04:13
  I like his delivery. This is like, Oh my God, am I
• 1:04:16
  going to die? It's venomous.
• 1:04:17
  You're not going to die, though. Like, you're a fuck.
• 1:04:20
  How are you going to know? Like, yeah, you're not some kind
• 1:04:23
  of fucking snake expert. He's like, you're going to be
• 1:04:25
  OK, you're going to be OK. And she's like, I need to go to
• 1:04:27
  the hospital and like we're nowhere near the hospital and
• 1:04:29
  we're all way too drunk to fly the plane.
• 1:04:31
  Yeah, I which raises a good question.
• 1:04:34
  I feel like he has his own personal doctor on.
• 1:04:37
  You would think so. Freda brings her some water.
• 1:04:41
  She's kind of sitting off to the side.
• 1:04:42
  And just like, I just feel really weird.
• 1:04:45
  I'm really scared. Do you know what day it is where
• 1:04:48
  like, we're just here with these people we barely know.
• 1:04:51
  All we're doing is eating and doing drugs.
• 1:04:53
  Like what's happening? And she's really freaked out.
• 1:04:56
  And Freda is like please don't ruin this for me.
• 1:04:59
  Bad friend moment, Freda. She's so yeah, she's like don't,
• 1:05:02
  don't do this, Don't do this to me.
• 1:05:05
  Like Jesus, man. Like, think of your friend for a
• 1:05:07
  fucking second. Yeah, she's like, this is the
• 1:05:09
  first time that I'm actually like, you know, here I'm.
• 1:05:13
  I'm with the people I want to be with.
• 1:05:15
  And it's like Jess lives with you in the black mold apartment.
• 1:05:18
  I don't want to be with you, but you know that.
• 1:05:21
  She walks in on your poop mist all the time like.
• 1:05:24
  That's why she doesn't want to be with her anymore.
• 1:05:26
  It's like I finally have people that respect my poop boundaries.
• 1:05:29
  I have people that don't watch me poop.
• 1:05:31
  Yeah, don't call me the kids. It's weird, Jess.
• 1:05:34
  It's fucking weird. Oh my God, maybe that's what
• 1:05:37
  Jess was talking about. Like because Rita had to drop
• 1:05:39
  her kids off at the pool. Oh.
• 1:05:40
  My God. We solved it.
• 1:05:42
  We solved it. Cracked the case, everybody All
• 1:05:47
  right, so Jess is like, OK, you're right.
• 1:05:48
  I'm sorry. Yeah, let's just enjoy this.
• 1:05:51
  We'll have fun and. Then she has a Nosebleed and
• 1:05:53
  then we cut to the next day. And like in the middle of her
• 1:05:57
  sleep, like we get cuts of things happening and then like
• 1:05:59
  there's like a flash of Jess handing her a knife saying
• 1:06:05
  quick, hide this. No, not yet.
• 1:06:07
  That didn't happen there. Nope.
• 1:06:08
  I thought it happened there. Nope.
• 1:06:10
  Because now we're about to get to the part where Freda's
• 1:06:12
  wandering around. She finds a gift bag on the
• 1:06:14
  ground. So she picks it up and she sees
• 1:06:16
  a small outbuilding and she goes in there and she sees all the
• 1:06:18
  gift bags are all lined up. And she gets spooked by the
• 1:06:23
  housekeeper who's in there. And she's like, oh, sorry.
• 1:06:26
  And the housekeeper, like, holds out a bottle.
• 1:06:27
  She goes, oh, and she goes, don't worry.
• 1:06:29
  I'm not an arc. She's like trust me, your
• 1:06:30
  employer not sober either. This, the housekeeper is very
• 1:06:36
  unsettling too. I think it's just because she
• 1:06:38
  just smiles and like doesn't really say anything half the
• 1:06:41
  time. She just wants to.
• 1:06:42
  Even just smiles. She does the alternate title for
• 1:06:44
  this movie where she doesn't blink.
• 1:06:46
  That's true. She doesn't.
• 1:06:47
  It's basically watching Smile Like combined with Blink twice.
• 1:06:52
  See, when I think about the not blinking, I automatically go to
• 1:06:56
  Jake Jiggling Dolls and Nightcrawler.
• 1:07:00
  Nightcrawler. Thank you.
• 1:07:01
  I almost had nighthawk and I was like, no, that's a painting.
• 1:07:06
  But so yeah, she holds out some of the some of the stuff for her
• 1:07:11
  to drink and fruit is like, OK, cool, I took a drink when you
• 1:07:13
  were having fun. And then she's like, Oh my God,
• 1:07:15
  it's terrible. What is it?
• 1:07:17
  And then she looks over and sees a snake that has been milked.
• 1:07:22
  Harvested. You know, I mean, I do think
• 1:07:24
  they call it milking when they're getting the you.
• 1:07:26
  Milk a fucking snake? Yeah, No way.
• 1:07:29
  Yeah, I think that. I'm pretty sure that's the
• 1:07:31
  terminology they use. I'm not making it up.
• 1:07:35
  OK? This isn't a bread salsa
• 1:07:37
  situation. Man, what's it like to have
• 1:07:41
  otters in your mouth? Otters for teeth.
• 1:07:45
  I well, I don't like that imagery.
• 1:07:50
  Snake doesn't either. OK, OK, so yeah, she freaks out
• 1:07:56
  and she runs away. And she's like having random
• 1:07:59
  flashes, like she cuts tonight and she sees like, all the women
• 1:08:03
  are running dresses there. And they kind of saw.
• 1:08:05
  And they're like, why are we running?
• 1:08:07
  And then there's like a flash of like, stuff splattering on the
• 1:08:10
  floor, just giving her a knife and saying, here, hide this.
• 1:08:14
  Oh yeah, yeah, that's when that happens.
• 1:08:15
  And we cut back to her. She has a Nosebleed and she
• 1:08:17
  pukes. She goes to breakfast and Tom
• 1:08:22
  has a face stick and Heather has bangs and Lucas has a black eye.
• 1:08:28
  So last night was wild, Yeah. Got a lot of hand.
• 1:08:33
  The guys are all gonna go fishing and the women are two
• 1:08:37
  Hungovers. They're like, we're gonna have
• 1:08:39
  girl time during their girl time.
• 1:08:42
  They are passing the lighter and then Freda goes, wait, what
• 1:08:46
  happened to my friend Jess? And I'm like, what are you even
• 1:08:48
  talking about? Because my friend Jess, she was
• 1:08:50
  here and they're like, we, we would remember if there was
• 1:08:53
  another person she was. So she freaks out and she goes
• 1:08:55
  to check Jess's room and say she's like, that's a storage
• 1:08:58
  room. And when Freda opens it up, in
• 1:08:59
  fact, it does look like it has always been a storage room.
• 1:09:02
  Like it is dusty. It is full to the brim with
• 1:09:04
  stuff. How the?
• 1:09:04
  Fuck did they do that? Like when we were watching this
• 1:09:06
  for the first time I generally thought oh are we going in the
• 1:09:09
  direction where she just is? Like having fake people in her
• 1:09:12
  head. Yeah, I'm glad we didn't go that
• 1:09:14
  direction. Yeah, me too.
• 1:09:15
  That's that's an overdone type of story, I think.
• 1:09:18
  So, you know, this is kind of confusing.
• 1:09:21
  And she goes to her room and she's freaking out.
• 1:09:23
  She finds the hidden knife and she's like, so I remembered that
• 1:09:26
  that was real. And then Sarah comes in and
• 1:09:29
  Sarah and her have like been kind of a little tense with each
• 1:09:32
  other because Sarah seems very into Slater.
• 1:09:35
  Yeah, it's like a little competition there between them.
• 1:09:37
  Yeah, and she holds out the lighter and then flips it over
• 1:09:41
  where Jess has written on it. And she was like, she's like, I
• 1:09:45
  don't want to come across as a bitch.
• 1:09:48
  I just feel like I would remember a whole other person.
• 1:09:52
  I think that's fair to say. Yeah, Honestly, yeah.
• 1:09:55
  And Freda is just trying to talk about like how she feels weird
• 1:09:59
  about all of this and she's having these weird flashes.
• 1:10:01
  And, you know, she's like, it's different for you guys because
• 1:10:05
  you're all friends and sort of goes, no, I didn't really know
• 1:10:07
  anybody. I was just in this coffee shop.
• 1:10:08
  And then Victoria was talking or Cody started talking me up.
• 1:10:11
  And and then at the same time, they both go, Oh my God.
• 1:10:15
  She's like, we're fucking idiots.
• 1:10:16
  We got on planes with these guys.
• 1:10:18
  We don't even know like. Yeah, when you think, when you
• 1:10:21
  put it that way, it really is the what the fuck were you
• 1:10:25
  thinking? But also like, yeah, like what
• 1:10:28
  the fuck were they thinking? But also like, generally, you
• 1:10:31
  want to hope people aren't going to drug you.
• 1:10:33
  You want to believe the best in people.
• 1:10:35
  Yeah. And especially when you're
• 1:10:36
  getting charmed up like that. I mean, like nobody like wants
• 1:10:39
  to default, oh, this is too good that they're going to drug me.
• 1:10:42
  Also, you think about like how different life is for rich
• 1:10:45
  people, You know what I mean? Like, maybe it's not out because
• 1:10:48
  like, you know, they kind of make a joke about like how all
• 1:10:50
  of the clothes are there in the rooms.
• 1:10:53
  And Jeff says, I guess just seems like a rich people thing
• 1:10:55
  to me, like. Yeah, rich people live like a
• 1:10:57
  weird yeah, not not real life, like it's not grounded
• 1:11:02
  whatsoever. Like here in Rich world, we wear
• 1:11:06
  one quoting Yeah. So Freda remembers forgetting as
• 1:11:12
  a gift, and she's like, hold on. So they go back to that little
• 1:11:16
  outbuilding and they find all those gift bags and they see the
• 1:11:18
  perfume in them and they realize the perfume is making them
• 1:11:21
  forget. And they also realize there's
• 1:11:25
  nothing they can do in terms of calling the cops or FBI because
• 1:11:30
  what the fuck? What if they just chose to not
• 1:11:32
  use the perfume that day? You know, it's a really good
• 1:11:38
  question. And I don't know if they were
• 1:11:40
  just, like, hoping that, like, a women would continue using it.
• 1:11:45
  And I feel like maybe we kind of see that some with Slater where
• 1:11:47
  he just keeps saying, oh, you smell really good.
• 1:11:49
  I love that perfume on you. Like manipulation.
• 1:11:52
  Yeah. But like, how is that working on
• 1:11:54
  Sarah? Because she hates Cody.
• 1:11:57
  Have Slater say it. Yeah, yeah, maybe like says it
• 1:12:02
  to Frida, like right near her. So she's like.
• 1:12:05
  An entire bond. She's like an eighth grade boy
• 1:12:09
  with Old Spice. Not old spice axe body spray.
• 1:12:15
  I had a friend that used to like basically do his showers with
• 1:12:17
  that instead of actually showering.
• 1:12:19
  It was nasty. So she makes, she has Sarah
• 1:12:24
  drink some of the snake venom and she's like a snake venom.
• 1:12:27
  And Sarah goes, oh, and she takes her, she goes, oh, why
• 1:12:29
  didn't you warn me? And she's like, I, I did,
• 1:12:31
  though. And they're like, OK, how are we
• 1:12:34
  going to get Heather and Camilla to drink it and then come out to
• 1:12:36
  the building? They're like shots, bitches.
• 1:12:40
  And so they're doing shots and Stacey comes on and she goes.
• 1:12:43
  You know, I used to do. I used to shot I.
• 1:12:45
  Used to throw on back in the day, yeah.
• 1:12:47
  So she starts doing shots in this moment.
• 1:12:51
  Reminded me so much of Jamie Lee Curtis and Scream Queens when
• 1:12:55
  they're trying to poison her with the cider and she, like,
• 1:12:58
  kind of belches at the end and they think that she's gonna die.
• 1:13:00
  And she goes that's is it Nutmeg?
• 1:13:04
  And the way Stacey, like, kind of lets out a little baby.
• 1:13:06
  She goes tanky. Yeah.
• 1:13:08
  Yeah. It, it just.
• 1:13:08
  It makes sense for that. Yeah.
• 1:13:10
  So Freda is gonna go for the phones.
• 1:13:13
  And she says, you know, if the guys come back, just shout that
• 1:13:17
  once really loudly. And Sarah starts getting
• 1:13:22
  Nosebleed and she tries to cool it on the shots because she
• 1:13:26
  doesn't want Camilla and Heather to hit a wall.
• 1:13:29
  But they're like, no. So let's see.
• 1:13:34
  Oh, Cody sneaks up behind Sarah, and which this is a dumb fucking
• 1:13:39
  move even if she hadn't gotten her memory back like she was on
• 1:13:46
  a show called Hot Survivor Babes.
• 1:13:47
  Of course she's gonna break your fucking nose if you sneak up
• 1:13:49
  behind her. Yeah, it's really fucking dumb
• 1:13:52
  on him. And like, she started like she
• 1:13:56
  had her nose bleed moment, right?
• 1:13:58
  Yeah. She was trying to get the other
• 1:13:59
  two to stop. They're like, oh, we fucking go
• 1:14:01
  hard. Yeah.
• 1:14:04
  So yeah, he sneaks up, she elbows him right in the nose,
• 1:14:07
  breaks his nose, and yeah, does not go well.
• 1:14:12
  Then she she. Started shouting fat blunt a lot
• 1:14:16
  like she'll be like how about we light up a fat blunt?
• 1:14:20
  I think our whole neighborhood just heard.
• 1:14:21
  Yeah. Everybody's going to be winding
• 1:14:23
  up at her door. Yeah.
• 1:14:24
  Yeah. You get the fat bone over here.
• 1:14:26
  Yeah. So she's doing that, and Freda
• 1:14:30
  doesn't hear it because she's like trying to break open the
• 1:14:32
  lock that's closing the cabinet where the phones are.
• 1:14:36
  And when she does finally hear it, she kind of panics.
• 1:14:38
  Knocks over a box of Polaroids, shoves a couple in her dress to
• 1:14:41
  look at later, and then she's hiding underneath the desk.
• 1:14:44
  Slater comes in. He's just getting some vape
• 1:14:46
  juice. He's got a whole cabinet
• 1:14:48
  dedicated to his vape juice. That's obnoxious.
• 1:14:52
  Pro gamer move. Obnoxious.
• 1:14:55
  Freda had dripped a little bit of her nose blood in there too.
• 1:14:57
  And he is walking out on his way out.
• 1:15:01
  And then he stops right at the blood spot and we see that Freda
• 1:15:04
  is hiding under the dust. And she's like, oh, shit.
• 1:15:06
  And then he just says, what are we going to do with you?
• 1:15:09
  And then she's like, oh, he's got me.
• 1:15:12
  And then it cuts to him looking at the chairs like the chair is
• 1:15:14
  weird. And Stacy's like, how about we
• 1:15:17
  just light it on fire? And he's like, are you serious?
• 1:15:20
  And I was just like, I don't feel good.
• 1:15:21
  And she sits down with some Jelly beans.
• 1:15:23
  She must have went to the University of Kentucky, and
• 1:15:27
  that's the celebrated tradition of winning important basketball
• 1:15:30
  games. Will you burn couches?
• 1:15:31
  Yeah, hopefully tonight. Tonight.
• 1:15:35
  Burning. We're burning the couch tonight,
• 1:15:37
  y'all Yeah. So Frida, she remembers them all
• 1:15:42
  being tied up and she remembers Slater killing Jess, saying that
• 1:15:45
  like she was bit by a snake. She remembers everything.
• 1:15:48
  She manages to sneak out and she catches up with Sarah on the
• 1:15:52
  other end of the pool, who's like, Yep, I remember
• 1:15:55
  everything. And she goes Heather and
• 1:15:56
  Camilla, and she goes Nope, that they're taking time bombs.
• 1:15:59
  Heather is one of those characters that I never got her
• 1:16:01
  full name. I always wrote her down as the
• 1:16:03
  blunt queen. Fat, blunt queen.
• 1:16:05
  That's what they call her it. Is what they call her, yeah.
• 1:16:07
  As that is a fat blunt queen and Selena call me fat blunt queen.
• 1:16:12
  That's basically how she talks. So at dinner, Freya and Sarah
• 1:16:16
  are very on edge. They keep getting flashes of the
• 1:16:19
  torture that has happened. There's like one point where she
• 1:16:23
  remembers Slater telling the Doctor.
• 1:16:25
  Like the worse it is, the more they forget.
• 1:16:28
  Oh, it's so fucked up. Yeah.
• 1:16:31
  That's the moment where she, like, unlocks the whole scene.
• 1:16:34
  Like we see. That's the most that we see of
• 1:16:36
  the entire event happening. Yeah.
• 1:16:38
  And it's just like. Everybody like being chased
• 1:16:40
  around. Camilla's like, tied up to a
• 1:16:42
  statue, just sobbing. You get the fucking security
• 1:16:45
  guard just like sitting there reading his book.
• 1:16:47
  Yeah, Stan I think is his name. It's it's fucked up.
• 1:16:51
  Yeah, So Camilla is very, very drunk.
• 1:16:55
  And in a very relatable moment, she's like, you're my girls,
• 1:17:00
  you're my bitches. Anybody fucks with you, I'm a
• 1:17:03
  fuck them up. That's some of the best drunk
• 1:17:05
  acting I've seen ever. It was.
• 1:17:07
  She fucking sold that I I've been around many people that
• 1:17:11
  behave. Exactly.
• 1:17:12
  Like I was like, I've, I've, I've been that girl.
• 1:17:14
  Like I. Think yeah, yeah, she did a good
• 1:17:18
  job. And it's.
• 1:17:20
  Funny because like any time she like raises his voice like Oh my
• 1:17:23
  gosh, she like she's just no, she's just being drunk.
• 1:17:27
  They start talking about what they're gonna do when they get
• 1:17:29
  back home. So he was like, well, I kinda
• 1:17:31
  wanna take some of the skills that I developed for the show,
• 1:17:33
  and I think I'm gonna teach women survival skills.
• 1:17:37
  And then Freda gets very flinchy when Slater tries to grab her
• 1:17:40
  hand and she goes, I wanna dance.
• 1:17:43
  So they start dancing and they're kind of using it to
• 1:17:46
  distract the men. Like Sarah uses it to steal the
• 1:17:49
  Corkscrew. You know, they're they're kind
• 1:17:51
  of making some plans. And we cut to Stacy and she's
• 1:17:55
  remembering everything. We cut to Camilla.
• 1:17:58
  She is going to get water and she's just like pouring it.
• 1:18:01
  And like, you can see that moment where she's remember,
• 1:18:03
  like she's got the noseblade and the water.
• 1:18:05
  She's just like. Pouring on the ground.
• 1:18:08
  She's the one that I mean like she's true to her word because
• 1:18:11
  like she fucks up Hailey Joel Osmond.
• 1:18:14
  Like. She's like gets a knife and just
• 1:18:16
  starts. Sweating ice pick.
• 1:18:17
  Ice pick? Oh fuck yeah.
• 1:18:19
  Yeah, because remember Slater, Christian Slater, Victoria.
• 1:18:23
  See, that's confusing. Yeah, he'd been over there like
• 1:18:25
  he told us, Stan. He was like, you were a Marine,
• 1:18:28
  right? Oh my God, that's my favorite
• 1:18:30
  one. Always will be and he goes well.
• 1:18:33
  How about you to serve us twice? Be a hero twice and go grab some
• 1:18:37
  ice. It's so disrespectful.
• 1:18:39
  Yeah, and Camilla takes that ice pick, and yeah, she uses it to
• 1:18:42
  stab Halo. Jill Osmond Slater says that
• 1:18:45
  Freda smells different. But then all of this chaos
• 1:18:48
  starts happening. Heather remembers.
• 1:18:50
  And so she goes chasing after Victoria, and she smashes, like,
• 1:18:55
  bashes his fucking face in with this, like, ornate stone chest
• 1:19:00
  board. Sarah attacks Cody with the
• 1:19:03
  Corkscrew and then Stan shoots Heather.
• 1:19:07
  Slater gets Camilla tied up and then Stan chases Frida through
• 1:19:11
  the woods. Sarah hits him with a rock
• 1:19:14
  before he can shoot her. Yeah, he's he's got her dead to
• 1:19:17
  rights and then she saves the day.
• 1:19:19
  Luca cut to They've carried Victoria into the house.
• 1:19:24
  He can't feel his legs and his face is just, it's a bloody pulp
• 1:19:29
  and he's freaking out. Lucas comes in, he's like, Oh my
• 1:19:32
  God, everybody's dead. And he goes, yeah, you got, you
• 1:19:35
  got sprayed by the perfume, that this is a thing that we've been
• 1:19:38
  doing, you've been a part of it. And he goes, Oh my God, what did
• 1:19:41
  I do? He goes nothing, you just
• 1:19:43
  watched it all happen. And this is where I got the name
• 1:19:46
  for him. Nothing boy, 'cause he's just
• 1:19:48
  calling him nothing. Boy.
• 1:19:49
  Yeah, yeah. What are you gonna do now?
• 1:19:50
  Nothing boy he starts to bully him for.
• 1:19:52
  Some reason. Yeah.
• 1:19:53
  And as he's doing, he's like, putting his throat on Camilla or
• 1:19:55
  putting his foot on Camilla's throat.
• 1:19:57
  And yeah, that's rough. Yeah.
• 1:20:00
  Stacey is mad at Frida for making her remember.
• 1:20:03
  And she attacks her. And then Frida has, like, the
• 1:20:06
  hidden knife, so she stabs her. And yeah, this is where she has
• 1:20:10
  the like. She tells her she's like, help
• 1:20:12
  me. And she said.
• 1:20:12
  Bitch, I tried. So Freda re teams with Sarah and
• 1:20:17
  she discovers this is where she has the realization that she's
• 1:20:22
  been there before. She's like she's on Polaroids.
• 1:20:25
  Yeah, Oh yeah, she sees the Polaroid.
• 1:20:27
  Yeah, it's a Polaroid of her flipping off the camera and she
• 1:20:29
  sees a red rabbit painted on her fingernail.
• 1:20:32
  She's got completely different hair too.
• 1:20:34
  Yeah, well, they made, like a throwaway line to it at the
• 1:20:36
  beginning because Frida was kind of nervous.
• 1:20:37
  She was like, does this haircut make me look like a boy?
• 1:20:39
  So like, we knew it was a fairly recent haircut.
• 1:20:41
  Yeah. Yeah.
• 1:20:43
  So yeah, she nothing boy hears them like banging at the door
• 1:20:50
  and he goes to open the door. And Sarah shoots him from the
• 1:20:54
  bushes and Slater pulls Freda in and knocks away the knife from
• 1:20:59
  her hand and. She grabs like a statue and
• 1:21:02
  starts to just bludgeon his head.
• 1:21:04
  Yeah, and he somehow it's OK, and he fights back and gets her
• 1:21:09
  dearmed disarmed. There we go.
• 1:21:12
  Yeah. And then she, like, is like
• 1:21:15
  she's crawling on the ground backwards.
• 1:21:16
  And then he takes a moment to sit in the weird chair and tell
• 1:21:18
  her a little story. Yeah, well, Victoria like, says
• 1:21:21
  something to her and he goes, she's still, he's still a little
• 1:21:24
  bit mad from last year because this whole time, like, we've
• 1:21:26
  talked about Victoria having a missing pinky and he wouldn't
• 1:21:29
  tell the story. And the story was that when
• 1:21:31
  Slater chased her down last year, she fell and hit the rock.
• 1:21:35
  Victoria tried to grab her, and she bit the tip of his pinky
• 1:21:38
  off. Bit it off.
• 1:21:40
  So he's still mad about that. He he says we can go back to how
• 1:21:46
  things were. We can laugh, we can have fun.
• 1:21:48
  We can do brunch. Brunch is so fucking real.
• 1:21:51
  Yeah, brunch is so fucking real. I don't like this guy, but he's
• 1:21:56
  real about that. Brunch is very fucking real.
• 1:21:59
  And he says forgiveness is not real.
• 1:22:01
  And this is where he he has that monologue where he says, you
• 1:22:06
  know, that I'm sorry, it doesn't matter.
• 1:22:08
  And he's like, nobody will forgive you, all you can do is
• 1:22:10
  forget. So he leaves to go try and find
• 1:22:13
  Sarah. And he ends up bringing her in.
• 1:22:16
  Freda has gotten loose and she has the knife.
• 1:22:18
  And he gets the knife from her. And she's like, so are you going
• 1:22:21
  to kill me? He goes, no, why would I kill
• 1:22:23
  you? You're my best friend.
• 1:22:25
  And from the couch bit goes, what?
• 1:22:27
  That's that's a hurt moment. Yeah.
• 1:22:32
  And he vapes and he is about to cut Sarah's throat, but he just
• 1:22:39
  kind of pauses and he looks around.
• 1:22:41
  He goes, what? What?
• 1:22:43
  Oh my God, Oh my God, Lucas is dead.
• 1:22:46
  Victoria, what happened to you? He's freaking out.
• 1:22:48
  And we discovered that Frida perfume in his vape.
• 1:22:53
  I was really confused about this until I thought about it for a
• 1:22:57
  minute. But like, yeah, he just had
• 1:22:59
  everything wiped away. I thought that, like, it was for
• 1:23:02
  a moment there, I thought I was implying that he was under,
• 1:23:04
  like, a spell of his own that was making him be that way, you
• 1:23:07
  know, like something snapped him out of it.
• 1:23:10
  But yeah, no. OK.
• 1:23:11
  Yeah, so he's freaking out and he ends up falling and hitting
• 1:23:15
  his head. The house is on fire because all
• 1:23:17
  the candles that they've lit for light have gotten knocked over.
• 1:23:21
  So Sarah and Freda pull him out. The housekeeper's outside.
• 1:23:27
  She's just laughing as this burns down.
• 1:23:30
  And Sarah asked Freda if she's sure that she knows what she's
• 1:23:33
  doing. And Freda just kind of like,
• 1:23:36
  just kind of looks at the fire and nods a little bit.
• 1:23:38
  And we cut to the King Tech Foundation gala, presumably one
• 1:23:41
  year later. Freda's got a nice little Bob
• 1:23:45
  and a big fat rock on her finger, and she's taking some
• 1:23:50
  champagne and she's reminding Slater to, you know, go ahead,
• 1:23:54
  sit down. It's OK.
• 1:23:55
  I hate your vape. That's cool.
• 1:23:56
  Doctor Rich comes up and is like, I'd like to continue that
• 1:23:59
  conversation that we were having.
• 1:24:01
  And he's like, yeah, yeah. And like, it's that kind of like
• 1:24:06
  when somebody comes up to you that recognizes you, but you
• 1:24:08
  don't recognize them and you're trying not to be rude 'cause
• 1:24:10
  you're like, maybe I'll remember later.
• 1:24:11
  I don't want to be embarrassing. And he's just kind of doing
• 1:24:14
  that. And then when Freda comes up,
• 1:24:17
  Doctor Rich was like, oh, hi, I'm.
• 1:24:19
  She goes. I remember you.
• 1:24:20
  Yeah, yeah, like you can see the panic in his.
• 1:24:24
  Face Yeah. And then we've got the same MC
• 1:24:27
  from last year and he said I'd like to thank our wonderful
• 1:24:30
  charitable CEO of King Tech, Miss Frida King.
• 1:24:34
  I'm curious to know how that transition went down you.
• 1:24:39
  Should probably convince them to just like sign over some shit.
• 1:24:42
  Well, it seems like you forgot, right?
• 1:24:43
  Yeah. Like, no, I'm the boss.
• 1:24:46
  You just have to sign this document, remember?
• 1:24:47
  Oh yeah. Well, 'cause I don't think that
• 1:24:50
  the the stuff makes you forget everything, you know what I
• 1:24:54
  mean? Like she remembers other aspects
• 1:24:56
  of her life. She just didn't remember the
• 1:24:57
  stuff associated to him. Yeah.
• 1:24:59
  So no, I get it. It's it's it's just an ending to
• 1:25:02
  a movie. I'm just curious how they made
• 1:25:04
  that transition. Yeah.
• 1:25:07
  OK, OK. That's the end of the movie.
• 1:25:08
  That's the end. I was like, it's a nine.
• 1:25:11
  I think it's AI, think it's a really well done thriller and I
• 1:25:14
  think it's also like, like I said, it's very much a movie
• 1:25:18
  side version of a very common experience.
• 1:25:22
  Yeah, yeah, I think I'm gonna keep mine at 7:00.
• 1:25:26
  OK. Is there a change that you would
• 1:25:29
  make or? God, if I were to change
• 1:25:33
  anything, I maybe have like a little bit more variety in some
• 1:25:37
  of the scenes with it, with their drug and partying stuff.
• 1:25:40
  I get that it's supposed to be kind of a border, yeah.
• 1:25:42
  But I think it's also. Supposed to be kind of
• 1:25:44
  anonymous. Yeah, because I guess, Yeah, I
• 1:25:47
  guess that's the point. I don't know.
• 1:25:49
  I really don't know if I have anything necessary.
• 1:25:51
  Like it's just one of those movies for me that it's a 7.
• 1:25:53
  They did everything right, but it's A7.
• 1:25:56
  That's fair, I've I've definitely had some of those so
• 1:25:59
  can't argue it too much I guess. Yeah.
• 1:26:02
  OK Talia, we started off this movie.
• 1:26:05
  My first note for her was Wander and Fart.
• 1:26:08
  Talia was really in a mood. She was in a mood for sure.
• 1:26:14
  And then she was playing with her toys.
• 1:26:16
  She was just, she was all over the place.
• 1:26:18
  I think she was very engaged in this.
• 1:26:20
  She didn't understand why Channing Tatum was all of a
• 1:26:23
  sudden a bad guy. She was like it must be because
• 1:26:27
  he doesn't watch people poop so he doesn't care about them.
• 1:26:30
  That's the moral of the story. The moral of the story is that
• 1:26:33
  even though it makes people uncomfortable, you should
• 1:26:34
  probably watch them poop. Please don't take that to be the
• 1:26:38
  actual moral of the story, guys. Yeah, that's the be part.
• 1:26:43
  I think Talia is going to give this.
• 1:26:47
  I think she's gonna give this an 8.
• 1:26:48
  She's gonna be right between us because I think she likes most
• 1:26:51
  of this, but I think the snakes probably would scare her.
• 1:26:53
  Yeah. Oh, no, she's never had an
• 1:26:56
  encounter with a snake. I think we've shouldered her
• 1:26:58
  from that. There have been snakes around
• 1:27:00
  now. Yeah, yeah, OK.
• 1:27:06
  Zoe, who was her ultimate warrior.
• 1:27:14
  I I would say it's between Sarah and Camilla.
• 1:27:25
  I think she appreciates the fiery intensity that comes with
• 1:27:28
  Camilla. But would she like the fact that
• 1:27:32
  Camilla is not appreciative of being with the guy who makes the
• 1:27:35
  food? That's Sarah.
• 1:27:39
  Oh yeah, you're right. That is Sarah.
• 1:27:42
  Sorry, I was thinking of Sarah that she would like the
• 1:27:44
  survivalist bit of it. Yeah, it was.
• 1:27:47
  Zoe is a survivalist actually, because she, like, had a very
• 1:27:51
  troubled kittyhood. That's true.
• 1:27:54
  She she was found under the hood of a car.
• 1:27:57
  Yep. So yeah, you know what I think
• 1:27:59
  it's that I think she, like, she relates to the survivalist.
• 1:28:03
  Yeah. Who did you relate?
• 1:28:05
  Well, as shitty as he is, I relate to Cody George.
• 1:28:12
  George Yeah, that's Cody. I just relate to the being like,
• 1:28:16
  obsessed with like that one thing, like his food and his
• 1:28:19
  wine. Like that's how I am with my
• 1:28:20
  coffee, you know, Like, I get it.
• 1:28:23
  Like, you want to share that with the people in your life?
• 1:28:28
  Yeah. And, you know, maybe it does
• 1:28:30
  come across as obnoxious. Like, I woman, our family comes
• 1:28:34
  over. Like, I'll be like, oh, yeah.
• 1:28:35
  Like, let me make you some good coffee.
• 1:28:37
  But like it's a process. Yeah, I mean I have to make 2
• 1:28:39
  batches in the connect. Yeah, I can't just fire up the
• 1:28:42
  coffee pot and do it, but like, I to me, like, it's worth it.
• 1:28:45
  Trust me. Like for him, he's probably the
• 1:28:46
  same way with his food. And then it comes across as
• 1:28:49
  obnoxious, probably. But it comes from a place of,
• 1:28:51
  yeah, just being really passionate about something you
• 1:28:53
  care about. Also like how we don't have
• 1:28:55
  Creamer like he probably doesn't allow like ketchup.
• 1:28:58
  Yeah, yeah, no. Sauce.
• 1:29:00
  No steak. Sauce especially.
• 1:29:01
  Yeah, no A1. What about you?
• 1:29:05
  I see. Probably.
• 1:29:13
  Probably Camilla, I think because of like the whole like.
• 1:29:19
  That was you. Y'all are my bitches.
• 1:29:21
  But also I could see an argument for you and Frida with the nail.
• 1:29:24
  Stuff. Yeah, well, I didn't want to
• 1:29:26
  make myself the main character that feels.
• 1:29:28
  No, you can be the main character if it's appropriate in
• 1:29:31
  that situation. I think it really is because you
• 1:29:33
  you get really creative with your nail stuff.
• 1:29:35
  You like do your own custom paintings on your nails all the
• 1:29:39
  time like you. You do that.
• 1:29:41
  Yeah. I think it's, you know what?
• 1:29:43
  If you hadn't, if she hadn't beaten you to the animal nail
• 1:29:47
  and nail moles, I think you would have done that, too.
• 1:29:51
  You still can. One of my favorite stamp arts I
• 1:29:54
  ever did was I combined a possum and a crown.
• 1:29:58
  So the Possum Queen. That's exactly what I'm talking
• 1:30:00
  about right there. See.
• 1:30:02
  Yeah. OK.
• 1:30:07
  Tag on. Tag.
• 1:30:08
  Or no dream sequel. Dream sequel.
• 1:30:12
  Well, let's see. We have to assume she inherited
• 1:30:17
  the island. Yeah.
• 1:30:21
  Does he when they go back to the island, what kind of movie are
• 1:30:26
  we doing? Maybe he like, oh, maybe it's
• 1:30:30
  like her trying to like maintain this and then he like she brings
• 1:30:34
  him to the island and he gets bit by a snake this time and
• 1:30:37
  then it's him. It's like a struggle to like he
• 1:30:39
  wants to go back, but he doesn't want to like let her know that
• 1:30:42
  he like, I don't. Want to turn him into the person
• 1:30:45
  that we're rooting for? Him we're not rooting for him
• 1:30:47
  though we like because we know that he he's trying to reclaim
• 1:30:52
  like you know his shit and he wants to go back to his like
• 1:30:55
  private or shitty lifestyle. So.
• 1:30:57
  What if like the island like she's turned it into like?
• 1:31:00
  She's joined. Forces with Sarah and this is
• 1:31:02
  where Sarah does her like survival.
• 1:31:04
  That's a great idea, Yeah. It's like a getaway or like a
• 1:31:07
  resort for like people, like a people who have dealt with
• 1:31:11
  abuse. Yeah.
• 1:31:12
  Something like that, yeah. I mean, not even necessarily
• 1:31:15
  have to be that like just people that want to go learn survival
• 1:31:17
  skills and. And she like.
• 1:31:19
  Or it could be both like you. I think it should be both, Yeah.
• 1:31:21
  Because, like, you know, I feel like they would want to really
• 1:31:24
  bring in, like, their experience, especially at that
• 1:31:27
  place where such horrible things have happened.
• 1:31:28
  Make it like purify the place and make it like you know
• 1:31:32
  better. We see Slater participating in,
• 1:31:35
  like, group therapy sessions, and he's like, kind of like, he
• 1:31:38
  seems like genuine because the things that he are, he is
• 1:31:41
  remembering. He's like, yeah, I feel like
• 1:31:42
  maybe I've done some bad stuff in my life and I just have that
• 1:31:45
  general sense, you know? And like he's it's.
• 1:31:48
  Like really weird. Like I, I remember like
• 1:31:50
  everything like tendon up to 30. And then like I forgot my 30s.
• 1:31:56
  Something weird happened in those two decades.
• 1:31:59
  But yeah, like, I, I want him to be there and he like, because
• 1:32:03
  like, things are going good, got a good thing going.
• 1:32:05
  But he gets bit by the snake and it's like, oh, now that's where
• 1:32:08
  the villain comes in. The problem he realizes like, oh
• 1:32:11
  this was actually my shit. And he tries to like.
• 1:32:17
  But then, like, we've got this whole different group of people
• 1:32:20
  that are, like, fighting him. Like, they haven't had their,
• 1:32:24
  like, memories erased. They're instead of just like,
• 1:32:26
  actually doing like, real therapeutic work and like, yeah.
• 1:32:32
  Yeah. Which I think The thing is, this
• 1:32:36
  raises questions still too, because like, do you think that
• 1:32:41
  he was aware that he was the CEO of the company?
• 1:32:44
  I think he is. I think he probably does
• 1:32:46
  remember that, and he probably does remember stepping down.
• 1:32:49
  He's gonna have people approach him and be like, my God, you
• 1:32:53
  were so shitty you abused your power as the CEO of the company
• 1:32:57
  and be like, what are you fucking talking about?
• 1:32:59
  But maybe when he gets his memory back, like maybe he is
• 1:33:04
  just like under the assumption like, oh, everybody will just
• 1:33:07
  fall back in line with the status quo and that doesn't
• 1:33:10
  happen. Yeah.
• 1:33:12
  So. Yeah, because he's.
• 1:33:13
  Not going to be surrounded by yes men, I.
• 1:33:15
  Like the premise that we have, I don't really know the direction
• 1:33:18
  that would need to go in, but I like where we have the we got
• 1:33:21
  the log on right there. Yeah, it's one that you like,
• 1:33:23
  really have to be careful how you do.
• 1:33:25
  So you want to make sure that you're sending the RAT like the
• 1:33:28
  message you want to send across. Yeah, I don't think bringing him
• 1:33:31
  and making him aware is like making him somebody to root for.
• 1:33:33
  I think it's like introducing, like that's where the villain
• 1:33:36
  arises, where he like he is, he remembers, like, yeah, and he
• 1:33:40
  wants it back. It's like you thought he was in
• 1:33:41
  his villain era before. Yeah, yeah.
• 1:33:45
  OK. It could be.
• 1:33:46
  You could take it in some interesting directions all.
• 1:33:48
  Right, I'll dig it. All right, let's do A tag like
• 1:33:53
  twice. Say cheese.
• 1:34:01
  Don't blink and say cheese. Don't blink and say cheese.
• 1:34:06
  Cuz like, yeah, like you're trying to take a picture.
• 1:34:09
  OK, Smile, don't blink, say cheese 123.
• 1:34:15
  It's like you're getting ready to take a picture.
• 1:34:18
  I think you need to just make that the 123 say cheese.
• 1:34:23
  No, that's not a good. Look, so it's trying to
• 1:34:26
  incorporate the don't blink. Yeah, OK, There's never any
• 1:34:32
  trouble in paradise. About forgetting is a curse.
• 1:34:40
  Forgetting is a regift. Or you can just have like
• 1:34:46
  forgetting is a gift. Cross out the gift and whatever
• 1:34:50
  word you want to put there it could be.
• 1:34:54
  What if it's like forgetting is a gift and then cross it out
• 1:34:57
  remembering as a gift? That's better, yeah.
• 1:35:02
  Remembering as a gift, yeah. But yeah, I don't, I don't know.
• 1:35:09
  I guess it is a kind of a gift in this situation because that's
• 1:35:11
  something that you should like you want to remember.
• 1:35:13
  But then again, that's probably something you don't want to
• 1:35:14
  remember. Forgetting is a gift.
• 1:35:16
  Remembering is power. That's good.
• 1:35:19
  There we go. All right, we really workshopped
• 1:35:22
  that one. That one took.
• 1:35:23
  That was longer than normal. That was a tough one to do one
• 1:35:26
  for. Yeah.
• 1:35:27
  Yeah, OK, OK. Are we ready for a review?
• 1:35:32
  We are. Like I said, I had a hard time
• 1:35:35
  with this one. I was trying to find a review
• 1:35:37
  that wasn't just like, I don't like how this makes me
• 1:35:39
  uncomfortable. Yeah, so this one rebels in the
• 1:35:42
  setup, fails to deliver. And this is somebody who just
• 1:35:46
  watched it. Apparently it just came to
• 1:35:48
  streaming, so a movie which should have delivered much never
• 1:35:52
  feels able to truly reach an impactful ending.
• 1:35:54
  It's been so long reveling and depicting the aspirational
• 1:35:57
  visions of the poor average people that it loses itself
• 1:36:00
  along the way. I grew very tired of lazy,
• 1:36:03
  hedonistic visions. The audience has to endure
• 1:36:05
  social media and views largest ad nauseam.
• 1:36:08
  Which would be great if the film delivered a payoff, but for me
• 1:36:11
  it doesn't. Aside from intense some intense
• 1:36:13
  violence to break the aforementioned monotony, it's
• 1:36:16
  largely dull. Which is a shame given its real
• 1:36:18
  intention. It's hard to walk away from this
• 1:36:20
  maybe without feeling an opportunity was missed.
• 1:36:22
  The setup works and could have been reduced in order to explore
• 1:36:25
  the real complexity and tragedy of the story.
• 1:36:27
  Somehow the film manages to make itself feel irrelevant because
• 1:36:30
  it enjoys the real horror we should all be aware of.
• 1:36:33
  And this is the real tragedy. It's like having Hansel and
• 1:36:36
  Gretel talk about how good Candy is.
• 1:36:38
  And maybe that's Neppo Hollywood in a nutshell.
• 1:36:40
  I'm thankful I'll never know. That was insightful, a little
• 1:36:44
  bit confusing. Yeah, I I guess I can understand
• 1:36:51
  like the monotonous of it. It's kind of what I was saying
• 1:36:53
  with them like doing like 50% of the movie being then partying
• 1:36:56
  and it's all the same partying. Which that was kind of like to
• 1:36:59
  your point, the point, because days are supposed to be bleeding
• 1:37:03
  and blending together and you're not really supposed to be sure
• 1:37:05
  what's what or what's like the same different.
• 1:37:09
  So I get it. And it makes sense to do that as
• 1:37:14
  a creative decision, but as like a viewing experience, it can be
• 1:37:17
  a little bit monotonous. I think it really comes down to
• 1:37:19
  the type of like aesthetic you prefer in a film, you know what
• 1:37:25
  I mean? Not even aesthetic, but like
• 1:37:27
  stylistic choices in storytelling I guess.
• 1:37:31
  It's kind of like what I was saying last week with tremors,
• 1:37:33
  like with them being on rocks a lot.
• 1:37:35
  Yeah. It's basically like they're
• 1:37:36
  they're partying a lot in this and it's just like switching it
• 1:37:40
  up a little bit can be good. But it made sense in this sense,
• 1:37:45
  in the context of this movie, for it to be.
• 1:37:47
  I'd argue that it made sense in Tremors too, but.
• 1:37:50
  Yeah, but I think in Tremors, you know, you can like, like in
• 1:37:54
  this movie, you can have them partying in different ways.
• 1:37:56
  But yeah, and trimmers, you can go on things other than a rock,
• 1:38:01
  like a Caterpillar, like an actual Caterpillar.
• 1:38:05
  I. Don't think that would work.
• 1:38:08
  What kind of nightmare caterpillars are you familiar
• 1:38:10
  with? You can have Haley Joel Osment
• 1:38:12
  there. But like as a grown adult.
• 1:38:15
  As a grown adult when he was actually a child, which would
• 1:38:18
  make it even more weird. OK, do we have listener reviews?
• 1:38:27
  We do. We got one that came in as we
• 1:38:29
  were recording. We have live news coming to you
• 1:38:35
  guys from Michael Lee Howard over on Instagram all.
• 1:38:39
  Right. He says.
• 1:38:41
  I was not sure what I expected from Blink Twice.
• 1:38:43
  Initially I thought it was a commentary on parasocial
• 1:38:46
  relationships, but now I see it as much more sinister.
• 1:38:50
  It was intense in the second-half.
• 1:38:52
  It kept me guessing. I'm glad I went into it blind. 7
• 1:38:55
  1/2 out of 10. OK.
• 1:38:58
  Yeah, I can. I think that's actually
• 1:39:01
  interesting cuz it does kind of weed you in with it being
• 1:39:04
  something like that with how she is with him.
• 1:39:06
  Like she, it starts with her scrolling online and then she's
• 1:39:09
  really already like, enamored by this person.
• 1:39:12
  It's kind of like the beginning of Ingrid Goes West.
• 1:39:16
  Yeah, you know, where she's, like, really fascinated with
• 1:39:18
  social media and this person in particular and just wants to get
• 1:39:22
  closer to them and kind of dresses up, sneaks her way in.
• 1:39:25
  I think in that case she's like a stalker though.
• 1:39:28
  Yeah. And in this one, like she feels
• 1:39:30
  a connection to him because there is a connection.
• 1:39:32
  She just doesn't. Doesn't realize.
• 1:39:34
  Yeah, man, I never thought about that either.
• 1:39:36
  Yeah, this movie does. Like it's pretty deep with the
• 1:39:39
  things that has going. Yeah, yeah.
• 1:39:42
  It gets really fucking dark, yeah.
• 1:39:48
  I'm actually really glad that we're gonna watch a bunch of
• 1:39:50
  silly shit tonight. So we got Royal Rumble.
• 1:39:53
  Yeah, well, it was also really good to follow this up with
• 1:39:57
  Scary Movie 3. Like sounded like we did because
• 1:39:59
  we had to see George. This is a movie that just like,
• 1:40:02
  it sits with me for a while, you know, in a way that like, it's
• 1:40:06
  kind of like Midsummer, where like there's always like a
• 1:40:09
  period after watching it where I just feel like bummed.
• 1:40:12
  Yeah, yeah, yeah. It's a bummer.
• 1:40:14
  It's a, it's a What's the thing? One fuck of a.
• 1:40:18
  Bummer. One fuck of a bummer.
• 1:40:19
  Yeah, Also Haley Joel Osment, this is the second time for us
• 1:40:22
  talking about a lot of these people because Aaliyah Shasha,
• 1:40:26
  she was in Green Room. Christian Slater from Heather's
• 1:40:29
  Haley Joel Osment. We talked about him in Tusk.
• 1:40:33
  Yeah, you're right. Yeah.
• 1:40:35
  So. Wow, surprising.
• 1:40:36
  Yeah, One day we'll talk about George whenever we get to Scary
• 1:40:40
  Movie 3I. Like how he's just George.
• 1:40:44
  Like he's never Simon Rex to. You.
• 1:40:47
  I don't know his real name. I do now, but I warned George
• 1:40:50
  1st and that's what sticks. George is going to be very
• 1:40:53
  upset. George is getting upset.
• 1:40:57
  OK, OK. Any other reviews?
• 1:40:58
  No, we had word zombie chime in saying totally miss this in
• 1:41:02
  theaters. Now the question is if I should
• 1:41:04
  watch first or listen first. Well I'm already gonna tell him
• 1:41:08
  to watch first cuz if he's at this point in the episode, he
• 1:41:11
  listened first. Yeah, well, and also, if he even
• 1:41:14
  listens to my opening monologue, it gives us a lot of way.
• 1:41:18
  The trailer does too. Don't watch the trailer if you
• 1:41:21
  like are pulling it up on that's a prime Yeah, the trailer.
• 1:41:25
  Well, if you're at this point too, you've already had
• 1:41:27
  everything spoiled. But the last night, like it just
• 1:41:31
  opens with Channing Tatum going so everybody's dead and I'm
• 1:41:34
  like, what the fuck? Why would you open up that with
• 1:41:37
  that? OK, next week we're really gonna
• 1:41:43
  pick it up tonally. Are we?
• 1:41:46
  No, Tell them what you picked, Travis.
• 1:41:49
  Tell them what our movie is next week, Travis.
• 1:41:51
  I've got good news for you Jesse cuz next week is our Valentine's
• 1:41:55
  Day episode which is a good one. Which is why I was confused cuz
• 1:42:00
  y'all voted for Cherry Falls all over on the Patreon.
• 1:42:04
  Who you know are bubbies at the Patreon?
• 1:42:06
  Got to do the Valentine's Day pig.
• 1:42:07
  I was thinking what day we were recording.
• 1:42:09
  I wasn't thinking when it would release.
• 1:42:11
  Oh yeah, no, that'll that'll release on the 13th, one day
• 1:42:14
  before Valentine's. Day.
• 1:42:15
  I'm glad we get a slight break before, yeah, the sadness.
• 1:42:20
  We're we're going to weirdly consensual sex this time?
• 1:42:24
  Overly consensual in some ways. Yeah, it it, it's a, it's a,
• 1:42:29
  it's a weird movie. This is a movie until it came to
• 1:42:32
  shutter, like it was either last year or the year before.
• 1:42:35
  A part of me thought I had had like a dream of it in high
• 1:42:39
  school and it wasn't real. And then it came to shutter and
• 1:42:42
  I was like, oh, OK, no, Travis, we need to watch this because
• 1:42:44
  this is a real movie and it's weird.
• 1:42:46
  And he was like, it came. It'd be that weird.
• 1:42:48
  And then we watched it and he was like, what the fuck?
• 1:42:50
  It's it's, yeah. I'm not gonna ruin it for
• 1:42:52
  anybody that hasn't seen it yet, but it it's strange, but it's
• 1:42:56
  very fitting for a Valentine's Day movie, and that's what we're
• 1:42:58
  doing. Starring Brittany Murphy.
• 1:43:00
  Brittany Murphy, probably the one and the only time we'll talk
• 1:43:02
  about her on the show. I don't know if she's done other
• 1:43:05
  stuff, but she might have. I don't know if she's she's done
• 1:43:07
  plenty of stuff. I.
• 1:43:08
  Just thought she's. Done 1/4.
• 1:43:09
  Yeah. So yeah, be on logo for that.
• 1:43:13
  Is that still on shutter or is it OK?
• 1:43:15
  You will have to. It's very cheap.
• 1:43:18
  The Blu-ray is incredibly cheap. It's the Scream Factory Blu-ray,
• 1:43:21
  so it's like $10. Cherry Falls, yeah, you can
• 1:43:25
  watch it if you have an AMC Plus subscription or a file a
• 1:43:29
  subscription. So yeah, there we go.
• 1:43:30
  It is streaming there at least I just we don't have those so.
• 1:43:34
  We had AMC Plus for a very brief time so you could watch the last
• 1:43:39
  season of Better Call. Sauce.
• 1:43:40
  It didn't even fucking No I don't.
• 1:43:42
  I'm not even getting any of that.
• 1:43:44
  I will just say I subscribe to watch the finale in real time
• 1:43:48
  because I didn't want it spoiled and the stream fucked up and
• 1:43:51
  wouldn't let me watch it so I didn't get to watch it that.
• 1:43:53
  Night. I didn't realize that this is
• 1:43:54
  going to be a sensitive subject. For you, a wound.
• 1:43:57
  I'm sorry. I'm very sorry.
• 1:43:59
  I've since watched the ending of Barracal, so it's fantastic.
• 1:44:04
  OK, OK. All right, that's it.
• 1:44:06
  So we would like to shout out our patrons over on the Patreon.
• 1:44:13
  Yes, our babies. Yeah, Joe Freakatron.
• 1:44:16
  As is his name, Amber, Michael, Hor, Zombie, Tyler, Chad and
• 1:44:19
  Johnny. Yay.
• 1:44:21
  Thank you all so much for being supporters.
• 1:44:24
  Means so much to us. We use all of the Patreon funds
• 1:44:28
  to go into the show because we want to make it a better product
• 1:44:31
  and you guys allow us to do that.
• 1:44:33
  So thanks for doing that. If you can do that, and you can
• 1:44:36
  always do things like share the episode with people, you can
• 1:44:40
  rate US on whatever platform you listen on, you can drop us a
• 1:44:44
  review on Spotify, you can do little comments on the
• 1:44:47
  individual. Episode.
• 1:44:48
  Yeah, that's fun. I like reading comments on other
• 1:44:51
  shows too. Yeah, that's fun.
• 1:44:53
  Listening. We they all get published.
• 1:44:55
  Even if you write something that's like stinky poo poo, like
• 1:44:58
  I'm gonna let that fly, you know?
• 1:44:59
  Yeah, if you want to, if you, if everybody that's listening to
• 1:45:02
  this wants to like leave a comment and just say poop juice.
• 1:45:05
  Give us a. We'll know what it means.
• 1:45:06
  Give. Us something poop related.
• 1:45:07
  Yeah, stinky poo. Poo, poop, juice, fart, SF
• 1:45:10
  poopy. Don't walk in on me pooping.
• 1:45:15
  Travis touches poop with his bare hands.
• 1:45:18
  Wow, yeah, we did some shit talk this episode for sure.
• 1:45:20
  So yeah, do that and I'll publish those comments on there.
• 1:45:26
  And yeah, just thanks everybody for being here.
• 1:45:29
  If you want to find this online, you can find us on our social
• 1:45:32
  media. We have a blue sky, which is at
• 1:45:35
  leastfaithpod our Instagram and Threads is least favorite scary
• 1:45:38
  movie podcast. We have a website.
• 1:45:40
  What's your least favorite scary movie.com?
• 1:45:42
  And you can e-mail us at our e-mail at least favorite
• 1:45:46
  scarymovie@gmail.com. Yep.
• 1:45:49
  Is there all the ways to get a hold of us?
• 1:45:51
  You can also just direct message us on social media.
• 1:45:53
  No, I actually, yeah, I like that.
• 1:45:56
  I mean, they're all fine. Yeah, they're all fine. e-mail
• 1:45:58
  works too. Yeah.
• 1:45:59
  If you do e-mail and I don't see it, sometimes we get shit that
• 1:46:03
  goes into spam and that's beyond my control.
• 1:46:06
  I have found some stuff in spam after the fact and I'm sorry.
• 1:46:09
  Yeah. But yeah, if you don't hear from
• 1:46:12
  us immediately on e-mail, send us something on messenger or
• 1:46:15
  something, or just like reply. I don't know.
• 1:46:17
  I'm gonna start checking our spam more often.
• 1:46:20
  Just I truly just forget about spam as a thing.
• 1:46:24
  Yeah, it can really fuck you up sometimes.
• 1:46:26
  Yeah. All right.
• 1:46:27
  So yeah, that's gonna be it for this one.
• 1:46:30
  Yep, We hope everybody has a good week, has had a fantastic
• 1:46:36
  week behind them. This is I am.
• 1:46:40
  I can't talk about things that have happened because they
• 1:46:43
  haven't happened yet, but they will have happened by the time
• 1:46:46
  you listen to this. So it's just weird.
• 1:46:48
  Yeah, yeah. It's weird how that works
• 1:46:50
  sometimes. OK.
• 1:46:52
  OK. All right, I think it's time for
• 1:46:54
  us to go now all. Right, until next time.
• 1:46:56
  Bye.