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Sherlock Holmes Radio The Retired Colourman Basil Rathbone, Nigel Bruce, To · Meine Liebe zu Hörspielen

• 0:00
  Speaker 1: And now as we make our way through the night
• 0:02
  to doctor Watson's hospitable door.
• 0:04
  Speaker 2: We notice the feeling of spring in the air.
• 0:06
  Speaker 1: The buds are swallen on the tree, still black and dripping.
• 0:10
  Speaker 2: From the rains.
• 0:11
  Speaker 1: There's the smell of warm, damp earth, deluicious names the many. Well, hello,
• 0:16
  doctor Watson, I didn't see you in the doctors.
• 0:19
  Speaker 3: I've been out checking out to see if my magnolias
• 0:22
  survived the winter and he casualed it. No, they all
• 0:25
  seemed to be fairly bursting with bugs.
• 0:28
  Speaker 4: There's nothing as delicious as.
• 0:29
  Speaker 2: That first faint whisp of spring.
• 0:33
  Speaker 3: All stretches come along to the house before we both
• 0:36
  catch her.
• 0:36
  Speaker 2: Are just the cold.
• 0:39
  Speaker 3: After you, sir, I'm not a trouper boy, and none
• 0:41
  of that age before beauty nonsense.
• 0:43
  Speaker 4: I'm not as equipped.
• 0:44
  Speaker 2: As all worse. What's this the front hall littered with
• 0:48
  trunks of two k.
• 0:49
  Speaker 3: Oh Yes, I'm afraid my annual wanderlust is broken.
• 0:52
  Speaker 2: Out rather early this spring.
• 0:54
  Speaker 4: I'm off on a little.
• 0:55
  Speaker 3: Jaunt first thing tomorrow morning, But come along into the study.
• 0:59
  Speaker 1: Does that mean that this is the last of our storytelling.
• 1:01
  Speaker 2: Email for this maeteria time?
• 1:03
  Speaker 4: I am afraid it does well.
• 1:05
  Speaker 3: I trust I'm not too.
• 1:06
  Speaker 2: Forward if I hope to be invited back again in the.
• 1:09
  Speaker 1: Fall, of course not you know, we'll be waiting for
• 1:11
  your time.
• 1:12
  Speaker 2: Oh thanks very much, very decent of you to put up.
• 1:16
  Speaker 4: The the hand rings of Urbano for a like theself.
• 1:20
  Speaker 5: I appreciate it, you know.
• 1:21
  Speaker 4: But sit down some many sit down there over there
• 1:23
  in the usual chairs.
• 1:25
  Speaker 3: Let's getrong with our story before I get all glillery sentimental.
• 1:30
  Speaker 1: Yeah, I can tell us about Professor Moriarty to.
• 1:32
  Speaker 4: Night answer, well, I had intended to, but I've changed
• 1:34
  my mind.
• 1:35
  Speaker 2: I'm going to tell you.
• 1:36
  Speaker 3: The adventure of the retired Colorman.
• 1:38
  Speaker 1: Instead retired colorman.
• 1:40
  Speaker 3: Isn't that a military time, isn't mister Joss p Ambley,
• 1:45
  I mean the junior member Brickfall and Amblet manufactures of
• 1:48
  artistic paint boxes. He's made quite a tiny little fortune,
• 1:52
  retired from business at the age of sixty one or
• 1:54
  the House of Orship, and then settled down. But the
• 1:58
  next year, eighteen ninety seven.
• 2:00
  Speaker 1: Was it you? Old two married married?
• 2:02
  Speaker 4: He is merged the woman thirty years his junius.
• 2:06
  Speaker 1: That's always a bit risky.
• 2:10
  Speaker 3: Within two years he was as miserable a preacher as
• 2:12
  caused beneath the sun. It will hear me. I'm jumping
• 2:15
  ahead of the story again as I was saying, this
• 2:18
  is a precis third of April eighteen hundred and ninety nine, and.
• 2:22
  Speaker 4: A rainy and disagreeable April it has been.
• 2:24
  Speaker 3: Holmes was a melanchlin philosophic move that morning, as he
• 2:27
  stood by the window watching the rain drop chasing one
• 2:30
  another down down the page.
• 2:33
  Speaker 4: Rain it always depressed him when he was not working
• 2:35
  on a case.
• 2:36
  Speaker 3: When he was working on a case, I don't believe
• 2:38
  you realized that there was such a thing as weather.
• 2:53
  Speaker 1: Look at that beastly rain hasn't stopped for three days.
• 2:57
  Might as well be another of flood. Oh heaven only
• 2:59
  knows what transgressions could have brought it on. There's been
• 3:02
  a really first glance crime for months.
• 3:04
  Speaker 4: You cheir up, home, chair up.
• 3:06
  Speaker 1: It's probably good for the crops, or something, said you crime.
• 3:09
  Speaker 4: And the rain, of course probably makes the little.
• 3:11
  Speaker 1: Buds sprout to the little shoots, shoes plasted optimistic, more
• 3:15
  likely rotting all the seed that's already been planted. Rain,
• 3:18
  Where the juice does it all come from? This contfounded
• 3:22
  English climate? Why any man with half her brain stays
• 3:25
  on this rain soap misbound islander is beyond me.
• 3:27
  Speaker 2: Those are the men of Alving to do it. It's
• 3:29
  the ladies, God bless them.
• 3:31
  Speaker 3: This climate gives them perfect complexions, with so many lovely creatures.
• 3:35
  About what Englishmen would think of quitting the country.
• 3:38
  Speaker 5: So much beauty?
• 3:39
  Speaker 1: Is the checks cuel rubbish? What's rubbish? Thispring has given
• 3:41
  you a temporary softening of the brain, and I regret
• 3:44
  to say it seems to have their effect on most
• 3:45
  impressionable male firstible nonsense.
• 3:47
  Speaker 4: When a woman's concerning.
• 3:49
  Speaker 2: Money, of your cases, you've never even.
• 3:50
  Speaker 3: Noticed whether she's sixteen or sixty, And then you don't
• 3:52
  care whether she's got a well turned ankle or.
• 3:54
  Speaker 4: Whether she's flat footed.
• 3:56
  Speaker 1: Oh why should I homes?
• 3:57
  Speaker 2: There are times when I think you're.
• 4:00
  Speaker 1: Cold budded fish possibly watching possibly? Why do you suppose
• 4:05
  the pool doesn't show up? What fool jo sig u
• 4:07
  p amble?
• 4:09
  Speaker 2: Is he one of your clouds?
• 4:10
  Speaker 1: I suppose I may call him? So you've been sent
• 4:12
  to me by Satan Yah. I've got to be right
• 4:14
  by this chart. To be exact, you must consider the
• 4:17
  case fairly hopeless. If this tart hands the matter over
• 4:19
  to me, for was on a cord the cobs a.
• 4:22
  Speaker 4: There's a care drawing up to in front of our front.
• 4:25
  Speaker 2: Joys.
• 4:26
  Speaker 4: You must see your class dissembly.
• 4:28
  Speaker 1: Yeah, strange looking individually, Watson, because.
• 4:31
  Speaker 4: An old fellow looks literally bowed down with care and
• 4:35
  no weakling.
• 4:35
  Speaker 1: But of those shoulders in that chest the framework of
• 4:38
  a giant arguing the cab driver about the fair watches
• 4:43
  the Pennysay, Sir.
• 4:44
  Speaker 3: I don't like his face so fierce and eager, and
• 4:47
  the way those snaky locks of grizzled hair stick out
• 4:50
  from under his hat.
• 4:52
  Speaker 1: Wonder what he's worrying wants worrying, mister Ambley. Willing to
• 4:55
  bet it has nothing to do with money. Imagine nothing
• 4:57
  else could upset him to any great extent.
• 4:59
  Speaker 3: Nonsense, You always look on the base side of the
• 5:02
  human nature.
• 5:04
  Speaker 1: Yere, he is now come in, come in.
• 5:09
  Speaker 5: Which of you is Sherlock Home?
• 5:10
  Speaker 1: I am, and this is my friend, doctor Watson.
• 5:12
  Speaker 4: I'm a broken man.
• 5:14
  Speaker 5: He's rubbed me the fine, taken everything I had in
• 5:16
  the world. I thought it was my friend, and he
• 5:18
  took everything i'd from under my nose in my own house,
• 5:22
  rob me.
• 5:22
  Speaker 1: He did, Yes, I felt sure it was a question
• 5:24
  of money.
• 5:24
  Speaker 5: Money. Who said money, he's told my wife the night
• 5:28
  of my life.
• 5:29
  Speaker 4: Yeah, love my eye.
• 5:30
  Speaker 2: It's true.
• 5:31
  Speaker 5: She was very expensive, but after all, she was my.
• 5:33
  Speaker 1: Wife and he stole her. Now, mister Embly, and if
• 5:35
  you were a good.
• 5:36
  Speaker 5: Blonde wife like gold, and my securities, the money I
• 5:41
  saved up for years of hard work gone all gone
• 5:45
  at first?
• 5:46
  Speaker 1: Tell us about your wife? How long have you been married?
• 5:49
  Speaker 2: Two years?
• 5:50
  Speaker 5: Two years?
• 5:51
  Speaker 4: And she's tired of me already two to three years, my.
• 5:54
  Speaker 1: Good man, easy, More facts and pure incriminations. Where to
• 5:56
  get to the bottom of this case?
• 5:57
  Speaker 5: Well, three years ago I retired bought a house, big
• 6:01
  house at Lewisham, cost me plenty of money. That house
• 6:04
  did well, sir. I'd never lived alone in a big
• 6:06
  house before, and that sort of lonely house began to
• 6:10
  need looking after. So I thought I'd start looking around
• 6:12
  for a wife, nice healthy, young wife to look after me.
• 6:16
  Then I'm at Ella and some girl she was too,
• 6:18
  a good cook, hair like gold, could make a beef
• 6:22
  for the kidney pilot with molt in your mouth, So
• 6:25
  I thought I might as well get married.
• 6:26
  Speaker 6: Isn't very practical.
• 6:27
  Speaker 1: I'm sure, that's what I think. It is a time.
• 6:29
  Speaker 5: But lord, mister Holmes, the money a woman runs into
• 6:32
  it there made my heart beat the way the money went.
• 6:35
  Speaker 1: I still thought you'd have been glad when the other
• 6:37
  politic got off your hands.
• 6:38
  Speaker 5: But who was this wof in cheap clothing? His name
• 6:42
  was doctor Ray Ernest, a young fellow. He used to
• 6:45
  come over night and play chess with me.
• 6:47
  Speaker 1: See he told you why and my securities you have, Petrilly,
• 6:50
  The securities are registered, you know, hardly hope to convert.
• 6:53
  Speaker 5: Them, maybe not, but I must have them back. And
• 6:56
  you've got to find those securities for me, mister Holmes.
• 6:59
  You've got the find them. And your wife of Coln
• 7:01
  of course a fort wherever she is saying quite. On
• 7:04
  the other hand, with the amberlet I confess, I don't
• 7:06
  see that I can be of much service. It's a
• 7:08
  routine matter, and I'm sure that Carton Yard would be
• 7:10
  only to found that thing, not a single security.
• 7:13
  Speaker 1: Well, very well, very well, very well, and we'll do
• 7:15
  our bits. Doctor. What's will take a run down to
• 7:17
  your house of Fluish to look over the ground.
• 7:19
  Speaker 5: Yes, I'll hardly expect you to come yourself after my
• 7:23
  heavy financial loss. Nobody cares if an old mentor proto
• 7:27
  stop that blubberings.
• 7:29
  Speaker 1: I'm not coming myself because I'm preoccupied with the case
• 7:31
  of the two Coptic patriarchs. This particular case doesn't seem
• 7:34
  to be very complicated. I'm sure that's the ambulet. But
• 7:36
  doctor Watson can handle it as well as I could myself.
• 7:39
  Speaker 4: Well that's the best that you can offer. I suppose
• 7:42
  I'm a best side.
• 7:44
  Speaker 1: That's what she was.
• 7:45
  Speaker 5: And that young man that he picked topped, I treated
• 7:48
  him like my own son.
• 7:49
  Speaker 2: He the lnt of the house.
• 7:51
  Speaker 5: And now look how they treated me me. You'll never
• 7:53
  harm right.
• 7:54
  Speaker 1: Quite And now I'm good day. It's the ambulet.
• 7:57
  Speaker 5: Oh yes, well, well good day, mister Holmes. The expect
• 8:00
  doctor Watson this afternoon. Hit my desk. I believe all
• 8:03
  the getatives.
• 8:04
  Speaker 1: Don't write it.
• 8:06
  Speaker 4: I must say home, sir, I like the way you
• 8:08
  shall go all this off onto my shoulders.
• 8:11
  Speaker 2: Coptic patriarchs.
• 8:12
  Speaker 1: Indeed, you just don't want to go write Watson right
• 8:16
  the very first time you've been digging for a case
• 8:18
  all to yourself for a month, Well here it is.
• 8:20
  Speaker 4: It isn't a nice case you've given me a muscle
• 8:23
  that old skins.
• 8:25
  Speaker 1: Oh my daughter, oh my duckatsay, with the emphasis on
• 8:28
  the ducket. If I'm not mistaken, Oh.
• 8:43
  Speaker 6: Oh, can't found that passage? Yeah ah, that's better that
• 8:53
  dash good.
• 8:56
  Speaker 1: Hello one steps on the stairs, Watson, if I'm not mistaken,
• 9:01
  and in a triumphant mood, Hello, homes Well, I'm back
• 9:07
  hell the country, herolatternon. I take it to the right
• 9:10
  of victory.
• 9:10
  Speaker 4: And you're right, I did manage to dig up kills.
• 9:15
  Speaker 1: Now about mister Emery's state of residence. What's it like?
• 9:19
  Speaker 5: It's called it the Haven?
• 9:20
  Speaker 1: O charming es, isn't it?
• 9:22
  Speaker 2: I think the place of interest you home?
• 9:24
  Speaker 4: You know that particular quarter, the monotonous.
• 9:26
  Speaker 3: Brick streets, the worries suburden highways. Well, right in the
• 9:30
  middle of them lies this beautiful old home, surrounded by
• 9:34
  a high sun baked wall, muffled with lichens and topped
• 9:38
  with moss, the sort of wall.
• 9:39
  Speaker 1: You may emit the purty Once and I noted that
• 9:41
  it was a high brick wall.
• 9:42
  Speaker 7: M what I should have guessed it was the Haven,
• 9:47
  even if I hadn't asked a lounder, who's smoking our
• 9:50
  certain street? Alanga here's a tall, dark, fast man, the
• 9:55
  curious look in his eye, the great kindic glances and
• 9:57
  mytonic typing.
• 9:58
  Speaker 5: Good heaven, how do you know how.
• 10:01
  Speaker 1: The fool a child of tenders seen through there? And
• 10:03
  Sir Holmes, I don't see, never mind continue the story, Watson.
• 10:06
  Speaker 3: But I'd hardly entered the gateway before I saw mister
• 10:08
  Hambley coming down the drive to meet this.
• 10:11
  Speaker 2: He began at once, pouring out his grievances.
• 10:14
  Speaker 1: He walked back to the house together and.
• 10:16
  Speaker 3: Well, once inside the wall, I must say I've never
• 10:19
  seen a place worse kept. Garden running to weeds and
• 10:23
  in a breathful neglect. The house, too, was slapping little
• 10:26
  to the last degree. It just goes to show what
• 10:29
  happens to her place when there's no woman in her
• 10:31
  hand about to keep.
• 10:32
  Speaker 1: It in order. Yes, but missus Amberley and had been
• 10:35
  listening a few days. I have time for so much
• 10:38
  disintegration to take place. Must have set in before she'll.
• 10:41
  Speaker 4: Learn, possibly at any rate. Mister Amberley seemed to be ashamed.
• 10:44
  Speaker 3: Of it, doing his best to remedy it, though I
• 10:47
  must admit that his efforts looked a trifle and effectual.
• 11:01
  Speaker 5: What's the becompopy. What's did be coompany? My wife gone?
• 11:04
  Most of my fortune is stolen. Now all come in,
• 11:06
  doctor Watson. Coming in here, you see what remains of
• 11:09
  what do you think to call my home?
• 11:11
  Speaker 2: An englishman's home.
• 11:12
  Speaker 5: With castle, so they say, But holp me is where
• 11:14
  the heart is in my heart? And look out, doctor Watson.
• 11:16
  Without that would waste the.
• 11:18
  Speaker 4: Look that look good that I'm just paradras. Too bad?
• 11:22
  Speaker 5: You almost getting that part of paper all the limit. Sorry,
• 11:25
  I should have left that part of painting a bit
• 11:27
  of the passage. I suppose that when one's alone in
• 11:29
  the house, run forget alone who You've.
• 11:32
  Speaker 2: Been doing this painting years.
• 11:34
  Speaker 5: Old, and must try to strange occupation under the circumstances.
• 11:37
  And one must do something to the eighteen half and
• 11:39
  step in here, doctor Watson. This is my study and
• 11:41
  my thanking.
• 11:42
  Speaker 3: Thank th Olcome, I'll see you gu just finished painting
• 11:47
  would work in this room too, h.
• 11:51
  Speaker 2: There's no painting.
• 11:52
  Speaker 5: It's not dryet That's why I have a fire in here.
• 11:55
  Speaker 1: Now let me see where.
• 11:57
  Speaker 4: Did you keep your security in the face in that wall?
• 12:01
  Speaker 5: This m is ready a strong room, I can thank
• 12:03
  with an man shut around the window and an arm
• 12:05
  or failure proof. That's the irony of it. No seat
• 12:08
  from without could have taken my money. But my wife,
• 12:10
  my own wife. There's a picture doctor Watt momamentals taking
• 12:14
  in a wedding dress.
• 12:17
  Speaker 2: I was looking.
• 12:17
  Speaker 4: Will doesn't look another.
• 12:20
  Speaker 5: Fighter and great A very night. That very night I
• 12:24
  brought two EPI circle seats at the Haymarket Theater. What
• 12:27
  did he give a treat?
• 12:27
  Speaker 3: I did?
• 12:28
  Speaker 4: Did you go now?
• 12:29
  Speaker 5: Last moment? Said she felt sick, that he had a headache?
• 12:32
  Speaker 3: She did?
• 12:33
  Speaker 5: I believe there went alone. When I said that she
• 12:35
  was gone, the saint was friend.
• 12:38
  Speaker 4: What night was that?
• 12:39
  Speaker 2: Miss?
• 12:40
  Speaker 5: That's persy? Oh he has an unused ticket. Money wasted.
• 12:44
  She was always wasted money.
• 12:46
  Speaker 2: I have that ticket with them.
• 12:49
  Speaker 5: The pH I wanted to get rid of it. I
• 12:51
  want to get rid of everything.
• 12:52
  Speaker 2: Reminds me of that?
• 12:54
  Speaker 5: Give me that picture? She goes closer. May I sol burning?
• 13:00
  Formited that pictures burning?
• 13:01
  Speaker 1: Now one person felloway once and this case begins to
• 13:14
  look more sumber than I suspected it. If you could
• 13:17
  only have brought me that ticket, Watson, I did.
• 13:20
  Speaker 3: My best, homes I may not have the ticket itself,
• 13:23
  but I did notice the number of the sea.
• 13:26
  Speaker 1: Bravo. Watson happened to remember as a matter of fact.
• 13:30
  Speaker 3: It because my place and form at school thirty one
• 13:33
  see from the bottom, and so it's stuck in.
• 13:36
  Speaker 1: My head splendid. Although then Amberley's seat must have been
• 13:39
  thirty or thirty two. Gim me hear me now, who
• 13:43
  can that be? Whoever it is he that's impatiently here
• 13:47
  he comes up the stairs ally running, come in, Oh,
• 13:52
  bless my soul. Off it isn't our old friend, our
• 13:54
  good friend, mister Ambley. What's up?
• 13:56
  Speaker 5: I tell you, I, mister host, I can't make anything
• 13:58
  up here.
• 13:58
  Speaker 2: See to yourself.
• 14:00
  Speaker 1: Come at once without fail. Yes, I can give you
• 14:02
  information as to your recent last time.
• 14:04
  Speaker 2: Elman at the beverage dispatched the.
• 14:06
  Speaker 1: Two to ten from Little Purlington, Little Purlington and Essex,
• 14:09
  and I believe not south from Clinton. He will start
• 14:11
  at once.
• 14:11
  Speaker 4: Of course.
• 14:12
  Speaker 1: I want to look up the train and there's.
• 14:13
  Speaker 5: Probably a hope. What could anyone who needed pud?
• 14:16
  Speaker 1: I'm a very responsible person. Where's my crock? But yes,
• 14:18
  here it is. We look up this minister of the gospel,
• 14:22
  e E E E Ellman Ellman. Here it is J. C. Elman,
• 14:27
  m A living a much more, come little Purlington.
• 14:29
  Speaker 5: Yes, but I still don't surely.
• 14:30
  Speaker 1: Mister Ambiley, you want to find your wife and your
• 14:32
  lost security because of course particular waste of time?
• 14:35
  Speaker 5: Then money here, here, we are, here, we are.
• 14:37
  Speaker 2: Here's train from Liverpool Street five twenty.
• 14:41
  Speaker 1: Yes, you just have time, Miss Emily. You go downstairs
• 14:43
  and hiller cap. I'll help doctor Watson throw a few
• 14:45
  things in the bag.
• 14:45
  Speaker 5: Do you think I need doctor Watson? But I better
• 14:48
  go alone.
• 14:49
  Speaker 1: It may be a trap drawl. We know I shall go,
• 14:52
  mister Amberley. It would make the worst possible impression on
• 14:55
  both police and on myself if you refuse to follow
• 14:57
  up so obvious a cue. We should feel that you
• 14:59
  are not in earnest about this investigation. Very well, I'll go.
• 15:03
  Speaker 2: Perhaps you'd you'd better go him home?
• 15:05
  Speaker 1: What take your case, Watson? After the brilliant ways in
• 15:08
  which you handle it? No, no, no, no, no, go along,
• 15:10
  mister Ambley. You'll miss your train very well. But yeah,
• 15:15
  any wabble Watson. Yeah, here's your beg.
• 15:19
  Speaker 3: It's packed.
• 15:20
  Speaker 1: As you never know when you may be called off
• 15:21
  on a case like this, I packed it for you.
• 15:23
  I do think that quite now, whatever you do see
• 15:26
  that he really does go to little Pullington.
• 15:28
  Speaker 4: I don't think of you again.
• 15:30
  Speaker 1: Quite Should you break away and try to return. Get
• 15:32
  to the nearest telegraph station and send me the single
• 15:34
  word voted. I will arrange to have it reach me
• 15:36
  wherever I am.
• 15:37
  Speaker 2: But you have something to look into it descend there.
• 15:40
  Speaker 1: I have Watson. This case is beginning to take on
• 15:42
  a rather curious and sinister aspect. Above all, old man,
• 15:45
  take care of yourself and mister Amberley before we find
• 16:04
  the outcome of Watson's curious mission. Ladies and gentlemen, I
• 16:09
  have a few words to say. Here's what you want
• 16:11
  to do when you feel a cold coming on. Here's
• 16:14
  what you want to do with the very first sign
• 16:16
  of a cold. Take famous bromo quinine cold tablet. Promo
• 16:20
  Quinine tablets don't.
• 16:21
  Speaker 4: Fool, no sir.
• 16:23
  Speaker 1: They get right after a cold symptom. They get right
• 16:25
  after a cold misery. They relieve a headache and other
• 16:29
  pains that go with a cold. They relieve that stuffiness
• 16:32
  and feeling of depression that accompanies the cold.
• 16:34
  Speaker 5: They help reduce the fever that goes with a cold.
• 16:37
  Speaker 1: Promo Quinine tablets are fast and decisive in their actions.
• 16:41
  First because they made especially for the relief of the
• 16:44
  common cold, and secondly because they act internally. You can
• 16:48
  take lots of things for the relief of a cold,
• 16:50
  but nothing more reputable and reliable than famous bromo quinine tablets.
• 16:56
  Get them at any drug store. The first symptom of
• 16:58
  a cold, ask for b r o m o quinine
• 17:02
  k U I and I any romo quinan cold tablet.
• 17:06
  Speaker 4: Oh.
• 17:17
  Speaker 1: I can't found this rain. Everything's as dark as a
• 17:21
  black hole. Accout cutter the haven, sure, the little haven?
• 17:26
  This is uh? I can't find the window one latch
• 17:31
  much chance on the first floor. The old boys two
• 17:33
  quarters who setting story window perhaps, And they managed to
• 17:39
  scale this porch pillar, this confounded rain, just to play
• 17:46
  a grease pole.
• 17:47
  Speaker 5: Come on.
• 17:49
  Speaker 1: There we are. Yeah, there's the window that they're matched. Easy, easy, and.
• 17:58
  Speaker 6: One foot over the sill with your ends up with the.
• 18:01
  Speaker 5: Mil thought I wouldn't see you prowling around down below.
• 18:04
  Speaker 3: Well, I've caught your.
• 18:05
  Speaker 2: Ready ended.
• 18:17
  Speaker 5: And I will go chase. That turned out to be
• 18:19
  that friend of your shell like hands is a fool.
• 18:21
  Speaker 2: And sharm semin.
• 18:22
  Speaker 4: If you'll call and see him, you can explain it.
• 18:24
  Speaker 5: Explain, explain nothing. That pick has never seen that telegram
• 18:27
  before the way you treated us, you might have thought
• 18:29
  been the suspicious kellacters enlitsing the last train and having
• 18:32
  to sit up all night in the confounded station with
• 18:34
  the rain dripping through the roof.
• 18:36
  Speaker 2: We could have gone to the towel.
• 18:37
  Speaker 5: No tell, then, cousts money tell.
• 18:40
  Speaker 2: Indeed, well, here's your house and the themaler.
• 18:42
  Speaker 4: I think I'll go along home now and get some breakfast.
• 18:44
  Speaker 5: You will not. You're going to come into the house
• 18:46
  and see if everything's on. I look up there doing
• 18:49
  the over the porch.
• 18:50
  Speaker 3: It opened.
• 18:51
  Speaker 4: Perhaps you left it like that to sruffish.
• 18:54
  Speaker 5: Look sir, this, where's my seat? Where's myke?
• 18:56
  Speaker 1: Here it is?
• 18:58
  Speaker 5: It's find out, I.
• 19:02
  Speaker 4: Say, gloomy, there's time I to be here, right enough.
• 19:07
  Speaker 5: Foot prints on the fresh page are you'll find them?
• 19:09
  If I have to say the place about Astrambler.
• 19:11
  Speaker 1: We're here waiting for you with a study homes good?
• 19:15
  Did you get it here? Climbed in through the empt
• 19:17
  going upstairs window?
• 19:18
  Speaker 5: That's bad, very young man?
• 19:20
  Speaker 1: Yes, there who has always been an alternate profession that
• 19:23
  I cared to adopt it, But I was glad I
• 19:25
  hadn't when I walked into Inspector Lustrade's gun last night.
• 19:28
  He's aught. I was a burglar too, But come we're
• 19:30
  we're keeping it waiting. He's in the library. Here they
• 19:33
  are the lads. I told you we could expect them
• 19:35
  back before ten.
• 19:35
  Speaker 3: But look here, that's shortless stars. That's the man I
• 19:38
  saw a lottering in front of the gate yesterday afternoon.
• 19:40
  The fellow with the black mastars from glasses.
• 19:42
  Speaker 1: That's right, Doctor stand fungly imagines that's this guy. Oh no,
• 19:46
  look here, I'm so obvious to anyone who drink this.
• 19:50
  Speaker 5: I won't have two busy buddies prowling around my house
• 19:53
  in the middle of the night. And what's more, mister
• 19:55
  Sherlock Holmes, I says, but you since that telegram yourself.
• 19:58
  Speaker 1: Very clever of you, mister Amblivery clever. You look to
• 20:00
  trifle pale. I thought a night in the country might
• 20:03
  what kind.
• 20:04
  Speaker 5: Of a fool you take me for? And have you
• 20:06
  put the hand of bars all of you?
• 20:07
  Speaker 1: Surely not inspect for the stride. Why he's from Scotland.
• 20:10
  Speaker 5: Young, I don't tell if it's the house a long yeah, no,
• 20:13
  probably displaced breaking into my house in the middle of
• 20:16
  the night. Oh, I'll get you for that. What were
• 20:19
  you doing in here last week?
• 20:20
  Speaker 1: Answer me that looking for the bodies, Looking for the bodies,
• 20:25
  the bodies of your wife and doctor Ernest want to
• 20:27
  get under them? You murder them in this one. We
• 20:30
  have ample proof.
• 20:32
  Speaker 5: Tell me what I'm stopping.
• 20:33
  Speaker 1: He's gonna capture in his hand. It's poison. He's gonna
• 20:35
  follow it. No family, if you please, everything decently and
• 20:41
  in this proper place, take him away the stride right,
• 20:44
  come along now, no more monumental?
• 20:47
  Speaker 3: What a seed, oh, brute ambler is a murderer? How
• 20:52
  did you find it out?
• 20:54
  Speaker 2: Well?
• 20:54
  Speaker 1: The first clue is the puber ticket, which you didn't use.
• 20:57
  We found that out That destroyed is all about? Yes
• 21:00
  here the people assured us that there had been two
• 21:01
  empty sets, not just one. The second clue was the
• 21:04
  smell of fresh paint. What are you trying to hide
• 21:07
  by that?
• 21:07
  Speaker 3: What?
• 21:08
  Speaker 1: Guess? He asphyxiated his wife and doctor ernstwered this room,
• 21:12
  good heaven, his strong room, which was as near air
• 21:15
  tight as anything. Get human impossibility, But how well, that's
• 21:18
  what I wanted to find out. That's what I was
• 21:21
  looking for when I broke into the house last night.
• 21:23
  Speaker 2: What did you find?
• 21:24
  Speaker 1: Look here now is a gas pipe along the skirting.
• 21:27
  Here it rises in the wall in the angle there
• 21:30
  and internet past a rose in the center of the ceiling,
• 21:33
  where it's concealed by that ornamentation ends wide open.
• 21:36
  Speaker 4: How horrible is then?
• 21:38
  Speaker 1: Look here, look near the floor.
• 21:40
  Speaker 5: What do you make out?
• 21:41
  Speaker 2: Two words written on the wall.
• 21:44
  Speaker 4: We were we a little school?
• 21:48
  Speaker 2: We were What does that mean?
• 21:49
  Speaker 1: The poor devil was trying to write we were murdered.
• 21:53
  I can see the whole ghastly scene. It was last
• 21:56
  Thursday night. Embily had lured his wife and doctor Ernest
• 21:59
  into this room.
• 22:15
  Speaker 6: Oh just be that wind.
• 22:16
  Speaker 2: I wish it would dark.
• 22:17
  Speaker 1: And had stopped to bed in this room.
• 22:19
  Speaker 4: Have a a little game in here.
• 22:21
  Speaker 5: Hey, doctor Ernest, and Jude said, here, entertain the doctor
• 22:25
  while I go and look for the chest ben the minute,
• 22:28
  Doctor Ernest persn't it? And if your own plan, I close.
• 22:31
  Speaker 2: The door, I said.
• 22:32
  Speaker 5: The drafty much cozier in here with the dark carried
• 22:36
  much cozier, he.
• 22:38
  Speaker 1: Said, Wind only wouldn't hold.
• 22:41
  Speaker 3: I feel so depressed.
• 22:42
  Speaker 5: Is there something terrible was going to happen?
• 22:44
  Speaker 8: Nonsense, missus Embler, this house is getting on your nerves.
• 22:48
  There's any wonder he gets worse and worse.
• 22:51
  Speaker 5: Oh, doctor Renad, I'm so frightened.
• 22:53
  Speaker 2: You must go away now.
• 22:54
  Speaker 8: Don't be along, misters embler, I had your husband under observation.
• 22:57
  Sometimes I'm afraid he isn't quite no more.
• 23:00
  Speaker 2: It isn't safe for you to stay.
• 23:03
  Speaker 1: Here any longer.
• 23:04
  Speaker 4: But doctor Ernest, don't you understand I can't leave my husband.
• 23:08
  Speaker 5: Heaven knows what would happen if I left him alone.
• 23:10
  Speaker 2: We could get a nurse to take care of him.
• 23:11
  You can't stay here with him.
• 23:14
  Speaker 6: What was that you said?
• 23:15
  Speaker 5: He he was outside the door listening doctor him?
• 23:19
  Speaker 6: Is this is terrible?
• 23:20
  Speaker 2: What can we do?
• 23:22
  Speaker 5: You hear that it's the care. Someone turned on the
• 23:25
  g I can tell you.
• 23:27
  Speaker 2: We've got to get out of here. For the door.
• 23:30
  Speaker 4: He's got the door.
• 23:33
  Speaker 5: Of the window.
• 23:37
  Speaker 8: Let's not to this.
• 23:39
  Speaker 3: I am chatting em all.
• 23:43
  Speaker 5: You realize what this means.
• 23:45
  Speaker 1: He's care.
• 23:47
  Speaker 5: He must have gotten mad. I'm afraid, yes, yes, that's
• 23:50
  what I was afraid of, your maniac a homicide. Well,
• 23:54
  this is horrible.
• 23:55
  Speaker 1: Were prepped? What a fool?
• 23:57
  Speaker 5: I was?
• 23:58
  Speaker 4: What can we do it?
• 24:00
  Speaker 5: I feel so.
• 24:02
  Speaker 6: I can hardly fra here, lie down on the floor.
• 24:07
  Speaker 5: Yes, better down here. It's no use, I can't see.
• 24:15
  Speaker 3: Stay awake.
• 24:17
  Speaker 1: I don't mind anymore.
• 24:20
  Speaker 2: I'm quite all right.
• 24:24
  Speaker 5: Really, this Emily, This is Emily.
• 24:29
  Speaker 2: Don't give up that.
• 24:31
  Speaker 5: I feel things too.
• 24:33
  Speaker 4: I'm just warn people he's dangerous.
• 24:36
  Speaker 2: I can't think.
• 24:40
  Speaker 1: God, I can't breathe, I can't think. What a tragic story,
• 25:00
  doctor Watson.
• 25:00
  Speaker 3: And was mister Amberleyne saying they decided he was he
• 25:04
  ended his days in an asylum.
• 25:05
  Speaker 1: Did they ever find the bodies?
• 25:07
  Speaker 2: Yes, at the bottom of an.
• 25:08
  Speaker 3: Old world, the opening of which had been cleverly concealed
• 25:10
  by a dog.
• 25:11
  Speaker 2: I see, and now I'm afraid it's time to say goodbye.
• 25:16
  Speaker 4: And I goodbye, doctor Watson, just as you say, mister Manning.
• 25:20
  Speaker 3: Anyway, in conclusion, I want to thank you and our
• 25:23
  radio audiences who so patiently listened to the reminiscences of
• 25:27
  a of a sentimental old for ess. And I want
• 25:31
  to wish you, all, old and young, an extremely happy summer.