Latest / The Avid Indoorsmen / A.I. EP. 336: “From now on, every word out of your mouth is the truth or I’m going to hurt you" - Drive 15th Anniversary

Transcript

A.I. EP. 336: “From now on, every word out of your mouth is the truth or I’m going to hurt you" - Drive 15th Anniversary · The Avid Indoorsmen

• 0:01
  Speaker 1: The sun is shining out cloud in the sky.
• 0:05
  Speaker 2: We wouldn't know because we're so happy inside.
• 0:10
  Speaker 3: Some people.
• 0:12
  Speaker 4: On some skis, but we.
• 0:14
  Speaker 2: Would rather sit on down and talk some movies. We're
• 0:17
  Speaker 2: the avid Indoorsmen. Come listen to our show. We're the
• 0:22
  Speaker 2: evid indoorsmen at home are on the go. We're the
• 0:26
  Speaker 2: avid indoors Man. We hope you love it, so come
• 0:31
  Speaker 2: on in and stay. We'll do our best to excuse my.
• 0:37
  Speaker 3: Indors man.
• 0:41
  Speaker 4: What is happening? I'm Rob blunt Quist and I'm Book
• 0:44
  Speaker 4: and we're the avid indoors Man. How are you, buddy?
• 0:47
  Speaker 1: Oh my god, I'm so good, pal, How are you?
• 0:51
  Speaker 4: I'm really good. Thank you for asking.
• 0:53
  Speaker 1: You are good. You are good. Your hair looks particularly
• 0:56
  Speaker 1: swaped tonight.
• 0:57
  Speaker 4: Al So, I was wearing a stocking cap today.
• 1:02
  Speaker 1: Love it.
• 1:04
  Speaker 4: I went to the Minnesota Twins game.
• 1:07
  Speaker 3: Oh.
• 1:08
  Speaker 1: I was gonna ask you if you'd been to a
• 1:09
  Speaker 1: game yet.
• 1:10
  Speaker 4: That was my first one.
• 1:12
  Speaker 1: Loving it. I mean there hasn't been that many, right.
• 1:14
  Speaker 4: Yeah, I think what they're seven and six now, so
• 1:17
  Speaker 4: that thirteen games, yeah, and only about half of those
• 1:22
  Speaker 4: at home. And so yeah, they had like a noonish game.
• 1:28
  Speaker 4: I went it was like, I didn't want to wear
• 1:32
  Speaker 4: my coat, but it was like forty four, so.
• 1:35
  Speaker 1: You're like, I'm gonna need a little warmth.
• 1:37
  Speaker 4: For sure, I need some warmth. I wore this hoodie.
• 1:39
  Speaker 1: Especially get a little wind exactly Chili.
• 1:43
  Speaker 4: So yeah, like I if I got in the shade
• 1:48
  Speaker 4: at all, I was real cold. So I just kept
• 1:52
  Speaker 4: moving around the park where the sun was. Oh that's nice,
• 1:56
  Speaker 4: which was actually pretty great, and.
• 1:59
  Speaker 1: Not a ton of people there.
• 2:00
  Speaker 4: Probably had a ton of people there, so there was
• 2:03
  Speaker 4: more than I thought there would be.
• 2:06
  Speaker 1: People played hockey then that's nice.
• 2:08
  Speaker 4: Yeah, there were a lot of kids there. I was like,
• 2:10
  Speaker 4: what is going on? Why are you not in school
• 2:13
  Speaker 4: right now?
• 2:13
  Speaker 1: But it's like a late spring break or something.
• 2:16
  Speaker 4: Yeah, and they were actually like baseball teams too, so like,
• 2:20
  Speaker 4: oh it was interesting. But yeah, it was a really
• 2:24
  Speaker 4: interesting game. It was one to one up until the
• 2:26
  Speaker 4: bottom of the eighth. We then scored. Dude, we swept
• 2:29
  Speaker 4: the Tigers.
• 2:31
  Speaker 1: That's weird.
• 2:33
  Speaker 4: It's really weird. But that is why the hair looks
• 2:37
  Speaker 4: like this. And before that, dude, I did something I've
• 2:41
  Speaker 4: never done before. Well, I chaperoned a field trip for
• 2:44
  Speaker 4: my daughter.
• 2:45
  Speaker 1: Oh I forgot about that.
• 2:48
  Speaker 4: But I've done that before. It was not I did
• 2:51
  Speaker 4: that before the game. I went to a place called
• 2:56
  Speaker 4: Feed My Starving Children, which is a pretty wonderful I
• 3:00
  Speaker 4: love that place organization. Yeah, and they had us working.
• 3:05
  Speaker 1: Boy, do you guys do like the packing groceries thing.
• 3:08
  Speaker 4: Yeah, so they were they were putting rice and like
• 3:13
  Speaker 4: soy and vitamins and something else into different packages.
• 3:17
  Speaker 1: That's great.
• 3:18
  Speaker 4: And I buddied up with another dad and we were
• 3:22
  Speaker 4: pretty much the guys that were putting the big like
• 3:25
  Speaker 4: boxes of rice and boxes. We just kept making sure
• 3:32
  Speaker 4: each group had their rice and it was pretty fun.
• 3:37
  Speaker 4: That's great.
• 3:38
  Speaker 1: I love that.
• 3:38
  Speaker 4: And we like made it so that thirty kids can
• 3:42
  Speaker 4: can eat for a year in Haiti.
• 3:44
  Speaker 1: Pretty cool to be able to say that's great. Yeah,
• 3:47
  Speaker 1: the kids liked it and everything.
• 3:49
  Speaker 4: Yeah, dude, and it's so much fun, Like it's like
• 3:51
  Speaker 4: pretty fun.
• 3:51
  Speaker 1: Yeah, I feel like I've done that before, and it
• 3:53
  Speaker 1: was I had never done this is kind of a blast.
• 3:56
  Speaker 1: I don't know.
• 3:57
  Speaker 4: The kids were loving it because like they kind of
• 3:59
  Speaker 4: were uh competing with like the other groups and so
• 4:03
  Speaker 4: then they'd be like we got a whole box and
• 4:05
  Speaker 4: they'd like be super excited. It was it was a
• 4:09
  Speaker 4: cool experience. I'm glad Lydia had done it one other
• 4:12
  Speaker 4: time for a birthday party, which I was like, that
• 4:16
  Speaker 4: is such a cool idea idea. Yeah, that's cute.
• 4:20
  Speaker 1: I love that.
• 4:21
  Speaker 4: Yeah that's cool.
• 4:22
  Speaker 1: So she at any point mortified based on your existence
• 4:26
  Speaker 1: in the world.
• 4:27
  Speaker 4: So I told you that that was something that I
• 4:30
  Speaker 4: was a little nervous about. So for the people that
• 4:37
  Speaker 4: watch us, no, it's okay. For the people that can
• 4:40
  Speaker 4: see our video, I'm going to show you a picture
• 4:43
  Speaker 4: of how it started. And I was like, over the
• 4:50
  Speaker 4: beard I had to get the beard net. And I
• 4:52
  Speaker 4: was like, oh, she's going to be so embarrassed. But
• 4:57
  Speaker 4: she walked in when and she saw me, she just
• 4:59
  Speaker 4: started laughing.
• 4:59
  Speaker 1: So good. You were like, we survived, all right.
• 5:03
  Speaker 4: But yeah, full on beard net.
• 5:06
  Speaker 1: I love that you made it work though.
• 5:08
  Speaker 4: Thank you. So it's been a busy day today. Yeah,
• 5:14
  Speaker 4: I love it.
• 5:14
  Speaker 1: Did you go to the game with anyone or did
• 5:16
  Speaker 1: you just fly a solo?
• 5:17
  Speaker 4: I flew solo. I was I got done with that
• 5:20
  Speaker 4: to feed my serving children thing. I was like, what
• 5:22
  Speaker 4: time is it. Oh, if I leave right now, I'll
• 5:24
  Speaker 4: hit the beginning of the game. So I was like boom,
• 5:26
  Speaker 4: let's do this.
• 5:27
  Speaker 1: Got me a cheap brought tickets to be found.
• 5:30
  Speaker 4: It wasn't bad. I was like, I'm going to buy
• 5:33
  Speaker 4: a lower level ticket and I sow the when I
• 5:36
  Speaker 4: was like twenty five bucks perfect, and I was like yeah.
• 5:40
  Speaker 4: And then I went into like the seventy dollars seats,
• 5:43
  Speaker 4: you know, because nobody's there, so that's awesome.
• 5:46
  Speaker 1: It was called that.
• 5:47
  Speaker 4: Yeah. I felt like I was gabbin the whole time.
• 5:50
  Speaker 4: I was your day.
• 5:51
  Speaker 1: I was good, not that exciting.
• 5:54
  Speaker 4: Yeah, I mean, this is a normal work day for folks.
• 5:56
  Speaker 1: So I just worked and it was fun. I made
• 6:00
  Speaker 1: I made it really tasty. I've never made, you know,
• 6:03
  Speaker 1: chicken salad. I've made chicken salad a number of times
• 6:05
  Speaker 1: in mine. Of course. I never made ham salad before.
• 6:08
  Speaker 1: And boy howdy, why have I never made ham salad?
• 6:12
  Speaker 1: Because I made a delicious ham salad for lunch today.
• 6:17
  Speaker 1: Put some gerkins in there, yeah in there. Man. It
• 6:21
  Speaker 1: was tasty.
• 6:22
  Speaker 4: I really know.
• 6:23
  Speaker 1: It was good.
• 6:23
  Speaker 4: That's cool.
• 6:24
  Speaker 1: Unfortunately the highlight of my day. But you know, here
• 6:27
  Speaker 1: we are, that's not true. But I think fortunately we've
• 6:33
  Speaker 1: been joy in the small things is what I put
• 6:36
  Speaker 1: on every dating profile I have. So yeah, it was
• 6:41
  Speaker 1: a good day though. I was just hanging out.
• 6:44
  Speaker 4: But yeah, it was fun, nice to talk about some movies.
• 6:47
  Speaker 1: I'm sorry I jumped all over you, but I'm so curious, Rob,
• 6:51
  Speaker 1: have you been watching any.
• 6:52
  Speaker 4: Films I have? Yes, I watched one of the latest
• 6:56
  Speaker 4: Day twenty four films. Oh it is called How to
• 7:00
  Speaker 4: Make a Killing.
• 7:02
  Speaker 1: That is what I was going to talk about as well. Oh,
• 7:05
  Speaker 1: look at us, look at us here.
• 7:08
  Speaker 3: We are that.
• 7:10
  Speaker 4: So yeah, that one still in the theater. You can
• 7:13
  Speaker 4: rent it. But it wasn't doing a ton of business
• 7:18
  Speaker 4: in the theater, and I kind of feel like it
• 7:20
  Speaker 4: just wasn't like super well publicized. I agree, we got
• 7:25
  Speaker 4: some we got some stars. We got Glenn Powell, Margaret Qually,
• 7:29
  Speaker 4: a bunch of fun small roles from like tofer Gray
• 7:33
  Speaker 4: and Zach Woods and Bill Camp and yes, but yeah,
• 7:42
  Speaker 4: it's for the folks that haven't seen it. It's about
• 7:44
  Speaker 4: a guy who's from a wealthy family. Uh, but he
• 7:48
  Speaker 4: never really knew them. He knows he is set to
• 7:51
  Speaker 4: inherit a bunch of money when all of his relatives die.
• 7:54
  Speaker 4: He decides to make that happen faster.
• 7:58
  Speaker 1: Yes, kind of.
• 7:59
  Speaker 4: A dark comedy, and the thing that I loved about
• 8:03
  Speaker 4: it is that I didn't see a lot of stuff coming,
• 8:06
  Speaker 4: which was really fun.
• 8:08
  Speaker 1: I agree with that it didn't follow the usual recipe exactly.
• 8:11
  Speaker 1: I liked that. Yes, I liked it.
• 8:13
  Speaker 4: It definitely zagged when I was assuming it would zig,
• 8:17
  Speaker 4: So I really liked it. It wasn't what I expected
• 8:22
  Speaker 4: at all. And yeah, I mean some people might be
• 8:27
  Speaker 4: like some of some of it is just a little dark,
• 8:30
  Speaker 4: you know, and there is some some violence. But I
• 8:34
  Speaker 4: was into it. I liked it a lot.
• 8:35
  Speaker 1: Yeah, I had a really good time watching it. And
• 8:38
  Speaker 1: at the end, I was like, oh, that's like really
• 8:41
  Speaker 1: close to a movie I love. But it's just not
• 8:45
  Speaker 1: like it was one. I enjoyed a great deal. I
• 8:47
  Speaker 1: had a nice time, but it was like, I don't know,
• 8:51
  Speaker 1: just something in Alchemy just wasn't quite there for me
• 8:53
  Speaker 1: for whatever reason that time. But it was it was fun.
• 8:56
  Speaker 1: If you like a dark comedy, I think you're going
• 8:58
  Speaker 1: to have a great time.
• 9:00
  Speaker 4: Yeah. And it's almost kind of thrillery too a bit.
• 9:02
  Speaker 1: Yeah, that's true. That is true.
• 9:04
  Speaker 4: Spots, Yeah, that is true.
• 9:06
  Speaker 1: Uh. And you know Glenn pal he just he loves
• 9:09
  Speaker 1: a costume. You know if he can, he does, if
• 9:12
  Speaker 1: he can put a costume money in a movie, he's
• 9:14
  Speaker 1: all about it. Yeah, it's like which is fun. But yeah,
• 9:19
  Speaker 1: I really liked it. Margaret quality is just she's so great.
• 9:23
  Speaker 4: That that was a weird role. That was a weird.
• 9:25
  Speaker 1: Role, but she was fun. It was fun, and.
• 9:27
  Speaker 4: She she does some weird roles she does Yeah, pretty
• 9:32
  Speaker 4: quirt quirky.
• 9:34
  Speaker 1: Yeah. Yeah, I also really enjoyed it. So love that. Yeah,
• 9:39
  Speaker 1: I love this.
• 9:40
  Speaker 4: Let's see if this is going to be the same.
• 9:42
  Speaker 1: Oh, yeah, what have you been streaming? Wait, you say it.
• 9:46
  Speaker 1: I'm going to say it. You say it.
• 9:48
  Speaker 4: Yeah. This was one that we rented when we were
• 9:50
  Speaker 4: on our delute spring break, so I doubt that it's
• 9:53
  Speaker 4: the same. However, we rented the animated movie Goat.
• 9:59
  Speaker 5: Oh.
• 10:00
  Speaker 1: I thought about watching this pretty recently, but I haven't
• 10:02
  Speaker 1: seen it, so tell me.
• 10:03
  Speaker 4: Yeah, I will tell you. It's about a world where
• 10:07
  Speaker 4: animals can play basketball, and most of them are really
• 10:11
  Speaker 4: big animals like bears and drafts and panthers, but an
• 10:16
  Speaker 4: undersized goat had big dreams and wanted to make it
• 10:19
  Speaker 4: to the big leagues. The main goat is voiced by
• 10:23
  Speaker 4: Caleb McLoughlin, who we know from Stranger Things.
• 10:26
  Speaker 1: Oh yeah, yeah.
• 10:28
  Speaker 4: Steph Curry is a voice Gabrielle Union. We even have
• 10:32
  Speaker 4: Jelly Roll in there. The kids, the kids really loved it,
• 10:38
  Speaker 4: which was all I really cared about. I thought it
• 10:40
  Speaker 4: was okay, it's a fun animation. How they threw it up.
• 10:46
  Speaker 4: The style, Yeah, it was cool and the basketball scenes
• 10:50
  Speaker 4: are really fun. It kind of felt, you know, like
• 10:55
  Speaker 4: it's been done before a bit a bit, but but
• 11:00
  Speaker 4: it's not bad. And like I said, the kids really
• 11:03
  Speaker 4: really liked it a.
• 11:04
  Speaker 1: Lot, so that's all you can ask for. Yeah, the
• 11:06
  Speaker 1: characters I saw, because I think I saw a trailer
• 11:08
  Speaker 1: for it once. I was like, oh, these characters look
• 11:10
  Speaker 1: really neat like, so I could see that being really cool.
• 11:14
  Speaker 4: It was cool, and yeah, they did some interesting things.
• 11:17
  Speaker 4: Gabrielle Union plays a panther and so it's like male
• 11:22
  Speaker 4: and female animals and like the NBA, which is kind
• 11:25
  Speaker 4: of fun, and so they did some different things like that.
• 11:28
  Speaker 4: But right now it's only current, it's only available to rent,
• 11:32
  Speaker 4: but I would imagine that it's going to be streaming soon.
• 11:36
  Speaker 1: Love it.
• 11:37
  Speaker 4: Yeah, what if you've been streaming, Ah, well, it's.
• 11:41
  Speaker 1: Not really a streaming, but you know, here we are,
• 11:43
  Speaker 1: that's what we are. But also a kids movie, one
• 11:47
  Speaker 1: that you talked about already.
• 11:48
  Speaker 4: I saw Hoppers Hoppers that's still in the theater.
• 11:51
  Speaker 1: Yeah, I went to the theater and checked it out.
• 11:53
  Speaker 1: As you know, always a dangerous game as a single person,
• 11:56
  Speaker 1: but you know, it was fine. Everybody was cool. I
• 12:00
  Speaker 1: really really enjoyed it. I thought it was just a
• 12:02
  Speaker 1: ton of fun, so much fun, really hilarious. The story
• 12:08
  Speaker 1: was like, I don't know, I just I really liked it.
• 12:11
  Speaker 1: I felt like it was less like it had some
• 12:14
  Speaker 1: sincerity to it and like the tear jerking and all that,
• 12:16
  Speaker 1: but less than some other Pixar ones, especially lately for
• 12:21
  Speaker 1: some reason. Yeah, and just more silly and fun I thought,
• 12:25
  Speaker 1: which I was really into. I thought it was a
• 12:27
  Speaker 1: great time. All the people in it were great. I
• 12:31
  Speaker 1: loved Bobby moynihan, just needs the best. He was melting
• 12:35
  Speaker 1: my heart.
• 12:35
  Speaker 5: I loved him so much.
• 12:37
  Speaker 1: And I didn't know that Piper Ocurda from anything, but
• 12:41
  Speaker 1: she did a great job. I thought she was awesome.
• 12:43
  Speaker 1: And I think you talked about like Kathleen and Jimmie's
• 12:46
  Speaker 1: in it, and she's so funny, and you know, there's
• 12:49
  Speaker 1: a ton of voices of people you'd recognize in there.
• 12:52
  Speaker 4: The one that the kids still are quoting was the
• 12:56
  Speaker 4: shark that was voiced by Vanessa Bayer, not a very
• 13:00
  Speaker 4: big role at all, but like all the stuff that
• 13:02
  Speaker 4: she said, the kids are quoting it.
• 13:04
  Speaker 1: Which she was pretty great when she was like be
• 13:07
  Speaker 1: professional or whatever she says and all that stuff. Yeah,
• 13:10
  Speaker 1: it's really really great, a really fun story. And you know,
• 13:13
  Speaker 1: I mean, like animals talking to each other is not
• 13:17
  Speaker 1: like a new thing, but it's it's just always fun.
• 13:20
  Speaker 1: It's very ripe for silliness, which is great. So yeah,
• 13:23
  Speaker 1: I had a super good time watching it.
• 13:24
  Speaker 5: I really liked it a lot good.
• 13:26
  Speaker 4: I'm glad you liked it. I thought that one was
• 13:28
  Speaker 4: I felt like there was a string of Pixar movies
• 13:30
  Speaker 4: where I was like, it's just not doing much for me.
• 13:32
  Speaker 1: Yeah, I don't know. This one I really liked totally.
• 13:36
  Speaker 1: I did enjoy Ilio. I know you haven't seen that.
• 13:38
  Speaker 4: One, and I still haven't seen it.
• 13:39
  Speaker 1: Yeah, yeah, it was fun. It was fun, and that
• 13:42
  Speaker 1: one's like crazy colorful. This was also fun because it
• 13:46
  Speaker 1: was on Earth, like it was still beautiful, but not
• 13:49
  Speaker 1: like fantastical or something. So that was kind of fun.
• 13:52
  Speaker 4: The last time I'm thinking of is Elemental just didn't
• 13:54
  Speaker 4: do anything for me.
• 13:56
  Speaker 1: Yeah, and I liked that, okay, but yeah, I'm with you.
• 13:59
  Speaker 1: It was just and I'm like, oh, okay, we did it.
• 14:02
  Speaker 4: Yeah, let's move on.
• 14:03
  Speaker 1: You know, and not Yeah, I definitely have never seen
• 14:06
  Speaker 1: it again, which yeah right, so yeah, I hear you,
• 14:11
  Speaker 1: but very fun. Check out. Do you like hoppers? What
• 14:16
  Speaker 1: do you think should we do? If you plug runs?
• 14:18
  Speaker 1: Let's do it, all right, you guys, confess us as
• 14:21
  Speaker 1: always on the Twitter machine, we're at Avid Endorsment with
• 14:23
  Speaker 1: a Z. You can go to Facebook dot com slash
• 14:26
  Speaker 1: the Avid Endorsement. We're also available on Instagram, TikTok, blue,
• 14:30
  Speaker 1: sky threats, all over the place, so check us out there.
• 14:33
  Speaker 1: But if you really want to hang out and be
• 14:35
  Speaker 1: part of the crew, the spot to go.
• 14:37
  Speaker 4: Patreon dot com slash the Avid Indoorsman. Yeah, it's a
• 14:42
  Speaker 4: great time on Patreon. We love our patrons. We give
• 14:44
  Speaker 4: them lots of perks. One of those perks is getting
• 14:47
  Speaker 4: a shout out here. So I would like to give
• 14:49
  Speaker 4: a big shout out to Marsha Grisiak, Mary Fox, Nanette Walkley,
• 14:54
  Speaker 4: Joe m bros Said, deb Olk, Noel Flores, Lorraine Louch,
• 14:59
  Speaker 4: you guys are one well, thank you so much for
• 15:02
  Speaker 4: your patronage. Yeah, and another.
• 15:05
  Speaker 1: Perkose you went up and down there.
• 15:07
  Speaker 4: I was trying I was trying it.
• 15:09
  Speaker 1: I liked it.
• 15:10
  Speaker 4: Another perk that we like to give our patrons as
• 15:13
  Speaker 4: an extended version of every single episode that we put out.
• 15:17
  Speaker 4: We call it our podcast and chill version, and we'll
• 15:21
  Speaker 4: usually do a top five draft that pertains to the
• 15:23
  Speaker 4: movie we're talking about. And our guest today came up
• 15:26
  Speaker 4: with our top five draft idea. It's our top five
• 15:29
  Speaker 4: favorite movie Jackets.
• 15:32
  Speaker 1: Yeah, Jackets.
• 15:33
  Speaker 5: That's right.
• 15:35
  Speaker 1: You guys thought we'd stop coming up with these not.
• 15:37
  Speaker 4: Yeah, nope, not yet. At least our guests come up
• 15:40
  Speaker 4: with good things.
• 15:41
  Speaker 1: That's true. Yeah, yeah, that is true. This will be
• 15:44
  Speaker 1: a fun one, I think, because there could be a
• 15:46
  Speaker 1: lot of off the board stuff.
• 15:47
  Speaker 4: I would guess for sure.
• 15:49
  Speaker 1: Excited. It'll be fun. Yes, But we are here today
• 15:53
  Speaker 1: to talk about a film that is celebrating it's what
• 15:56
  Speaker 1: is it fifteenth anniversary already?
• 15:58
  Speaker 4: No, twenty eleven.
• 16:00
  Speaker 1: Twenty eleven is fifteen years ago. Yes, we're here to
• 16:05
  Speaker 1: talk a little drive with you folks. Boo boo, boo boo.
• 16:10
  Speaker 1: Another lighthearted comedy for you guys in twenty twenty. Ah,
• 16:16
  Speaker 1: very excited to talk about this one though, And we
• 16:18
  Speaker 1: got we got one of our favorite dudes here, a
• 16:21
  Speaker 1: man who who loves tinkering with a vehicle. H he's
• 16:25
  Speaker 1: got great jackets, he does. He's uh not. He's not
• 16:30
  Speaker 1: that quiet though. I guess that's where the similarities man.
• 16:32
  Speaker 1: But he's very handsome. So stream it up for our
• 16:36
  Speaker 1: favorite me. Gosh, what's up Neil?
• 16:41
  Speaker 3: Hey, how's it going?
• 16:42
  Speaker 1: Guys?
• 16:42
  Speaker 4: It's good to see you, buddy.
• 16:44
  Speaker 3: It has been a hot minute. It's good to see
• 16:46
  Speaker 3: your faces.
• 16:47
  Speaker 4: Oh dude, it has been dum Yeah, how you been
• 16:51
  Speaker 4: good man?
• 16:52
  Speaker 3: Just you know, surviving things, thriving things sometimes.
• 16:57
  Speaker 4: Good really good for the people who can watch our videos.
• 17:03
  Speaker 4: Here Neil looks good, very good.
• 17:06
  Speaker 3: It's a little surprise surprise for later in the show.
• 17:10
  Speaker 1: Is a leathery it is? It is?
• 17:13
  Speaker 3: Indeed, I love it belongs to one or maybe two characters.
• 17:18
  Speaker 1: That's amazing. Okay, great, well then I won't ask more
• 17:22
  Speaker 1: about it.
• 17:23
  Speaker 4: Very underdressed and yeah, good job nice so good.
• 17:27
  Speaker 1: Other than I click record earlier than I anticipated, you know, jumped.
• 17:32
  Speaker 3: A little bit, like to keep discussing, and I appreciate
• 17:34
  Speaker 3: that about you makes things exciting.
• 17:37
  Speaker 4: It was fine.
• 17:37
  Speaker 1: I did it on purpose, as we said earlier. Now
• 17:40
  Speaker 1: I'm sure it wasn't an accident. New on purpose. Yes, guys,
• 17:46
  Speaker 1: there's the thing we have forgot to tell you, and
• 17:48
  Speaker 1: it's that after we did Project tail Mary, we were like,
• 17:52
  Speaker 1: you know, there's actually quite a few movies by one
• 17:56
  Speaker 1: actor that came out this year, and I think we
• 17:58
  Speaker 1: should go for it. So we're going gaga for gossling.
• 18:01
  Speaker 4: Y'all gaga for gossling.
• 18:04
  Speaker 1: What are we doing for gossling movies?
• 18:06
  Speaker 4: Yeah, we're doing this one. We're doing La La Land,
• 18:09
  Speaker 4: We're doing Crazy Stupid Love, We're doing the nice guys.
• 18:13
  Speaker 4: And we did Project tell Mary. So yeah, I like Neil.
• 18:16
  Speaker 4: It said, what did you? What did you say?
• 18:17
  Speaker 1: Again? Neil?
• 18:18
  Speaker 3: A gaggle of goslings, which I love.
• 18:22
  Speaker 4: I really it is.
• 18:26
  Speaker 1: I suck at this. It's a gaggle of gossling films
• 18:29
  Speaker 1: for all of us to enjoy.
• 18:31
  Speaker 3: So I'm sure you got hear T shirts with all
• 18:33
  Speaker 3: of our perspective pun ideas.
• 18:35
  Speaker 1: You know, I just want us as geese. Now I
• 18:41
  Speaker 1: want to look like a goose. If someone can draw
• 18:46
  Speaker 1: a balding goose, I would be very interesting.
• 18:49
  Speaker 4: Or no, we should be gray ducks. Oh yeah, right right,
• 18:54
  Speaker 4: you'll get to it right totally. It's a Minnesota thing, Neil.
• 18:57
  Speaker 1: Are you a grey duck? A grade ackman?
• 18:59
  Speaker 3: I was.
• 19:00
  Speaker 1: I was one of the filthy goose.
• 19:03
  Speaker 3: I played that also here it is. Yeah, it's duck
• 19:06
  Speaker 3: duck goose out west, it's duck duck.
• 19:08
  Speaker 1: Great.
• 19:09
  Speaker 4: I mean, it's everywhere else in the world except Minnesota.
• 19:12
  Speaker 3: Very confusing to all of my elementary school piers when
• 19:15
  Speaker 3: I was like, oh, yeah, I know this game, this
• 19:18
  Speaker 3: game myself by telling you the name of it.
• 19:23
  Speaker 1: Oh no, I've proven to you I'm an outsider. Crap.
• 19:27
  Speaker 4: Oh man, Well, let's go back to my place.
• 19:29
  Speaker 1: I have some hot dish, I mean a cast all
• 19:35
  Speaker 1: I don't I definitely do not. All right, we're here, yes,
• 19:40
  Speaker 1: a gaggle of gooselings. Yes, so we look forward to that, Greg,
• 19:47
  Speaker 1: But we're here today to talk a little drive. Yes,
• 19:50
  Speaker 1: a wonderful film and should we just get right into it?
• 19:53
  Speaker 1: Should we have a rob hit us with a rough synopsis?
• 19:56
  Speaker 4: Yeah, let's do it.
• 19:57
  Speaker 3: Anops away Buddy, Thank You.
• 20:01
  Speaker 4: Driver is a skilled Hollywood stuntman who moonlights as a
• 20:05
  Speaker 4: getaway driver for criminals. Though he projects an icy exterior, lately,
• 20:10
  Speaker 4: he's been warming up to a pretty neighbor named Irene
• 20:14
  Speaker 4: and her young son Benicio. When Irene's husband gets out
• 20:18
  Speaker 4: of jail, he enlists Driver's help in a million dollar heist.
• 20:21
  Speaker 4: The job goes horribly wrong, and Driver must risk his
• 20:25
  Speaker 4: life to protect Irene and Benissio from the vengeful masterminds
• 20:31
  Speaker 4: behind the robbery.
• 20:33
  Speaker 1: Nice, nice, I liked it. I liked it a lot.
• 20:38
  Speaker 1: Let's go to round to models in hear what they
• 20:40
  Speaker 1: have to say. Critics have this coming in at a
• 20:41
  Speaker 1: pretty rock solid ninety three percent.
• 20:43
  Speaker 3: I was surprised to see that was that high. I
• 20:45
  Speaker 3: think it deserves it, but I love surprised to see
• 20:48
  Speaker 3: that was that high.
• 20:49
  Speaker 1: It's really great.
• 20:50
  Speaker 4: I get it from critics. Yeah, I would have been
• 20:53
  Speaker 4: more surprised with the audience, But what was the audience.
• 20:57
  Speaker 1: I am surprised a little bit about the audience because
• 20:59
  Speaker 1: they're down at seven nine percent.
• 21:01
  Speaker 3: That's lower than I would have thought.
• 21:02
  Speaker 4: Yeah, it's so violent that it is. That is fair
• 21:07
  Speaker 4: and it's shockingly violent.
• 21:10
  Speaker 1: So it's also a bit of a slow burn too, right,
• 21:12
  Speaker 1: which people don't always love either.
• 21:14
  Speaker 3: Yeah, I feel like, yeah, I think the punches of
• 21:17
  Speaker 3: like those super violent moments like come interspersed between like
• 21:22
  Speaker 3: a generally slow paced film. So I think it catches
• 21:25
  Speaker 3: a lot of people off guard. I personally love that
• 21:27
  Speaker 3: about it, but same, but I can see how that
• 21:29
  Speaker 3: might turn some people off.
• 21:31
  Speaker 1: Yes, yes, yeah, I agree. Well, let's find out what
• 21:34
  Speaker 1: we all think. It's time for our hot take.
• 21:38
  Speaker 4: Hot take.
• 21:40
  Speaker 1: That's a hot take.
• 21:42
  Speaker 4: That's a hot take.
• 21:43
  Speaker 1: Oh ah.
• 21:47
  Speaker 3: Honestly, like half the reason I like doing these podcasts
• 21:49
  Speaker 3: is to just hear that section right there, that little
• 21:53
  Speaker 3: bit I just want to sound.
• 21:55
  Speaker 1: To be well, we're both pizzeria, they're both very.
• 21:58
  Speaker 4: Hot, Nino's Pizzeria. They're oh yeah, slice of pizza.
• 22:02
  Speaker 1: Oh yeah, it's got red pepper flakes. Oh oh oh,
• 22:05
  Speaker 1: it's play hat. We nailed it. We nailed it. I'm
• 22:09
  Speaker 1: not cutting a thing from that.
• 22:11
  Speaker 4: Thank you and smack your mic wire and I don't
• 22:13
  Speaker 4: do that too. I don't care. I'm really doing pretty
• 22:16
  Speaker 4: well here.
• 22:19
  Speaker 1: It's all well boy, how does hell boy? That's great?
• 22:25
  Speaker 4: Damn it that we really do up our gad you
• 22:29
  Speaker 4: gotta you gotta come to every episode.
• 22:32
  Speaker 3: I'll just be a punk consultant on the side. You
• 22:34
  Speaker 3: just text me and I'll hit you with what you need.
• 22:37
  Speaker 1: Good Man, you're actually in my phone as that, so
• 22:39
  Speaker 1: that works out hot as hell boy, well that too,
• 22:42
  Speaker 1: but I was thinking punk consultant.
• 22:44
  Speaker 4: Okay, yes, consultant, both.
• 22:47
  Speaker 1: Work, both work. I will go first. I love this
• 22:53
  Speaker 1: movie a ton. This movie took me by total surprise
• 22:57
  Speaker 1: back in twenty eleven when I first saw it in
• 22:59
  Speaker 1: a theater, I didn't know what to expect. Like we said,
• 23:03
  Speaker 1: it is, it is absolutely kind of a slowish burn
• 23:06
  Speaker 1: until it definitely is not and then all hell breaks loss.
• 23:11
  Speaker 1: But these with these little like punctuation marks of crazy
• 23:15
  Speaker 1: violence and psychotic actions. But I just think it's a
• 23:20
  Speaker 1: really great movie. Super fun to see Ryan Gosling in
• 23:24
  Speaker 1: a part like this. I don't think I had really
• 23:26
  Speaker 1: seen him do anything like this at that point. Great
• 23:31
  Speaker 1: soundtrack for this movie, Like the soundtrack itself, is such
• 23:35
  Speaker 1: a vibe. The car is cool. I'm not really a
• 23:39
  Speaker 1: car guy, but I still like got into the you know,
• 23:41
  Speaker 1: him knowing how to drive so well, it was really fun. Yeah,
• 23:48
  Speaker 1: I don't know I really liked it a lot. The
• 23:50
  Speaker 1: chemistry between the two lead actors in this I think
• 23:55
  Speaker 1: is unparalleled, almost between.
• 23:58
  Speaker 5: Ryan Gosling and Kerry Mulligan.
• 24:00
  Speaker 1: I don't know, they just like half the movie is
• 24:02
  Speaker 1: them just like looking longingly at one another, and it's
• 24:06
  Speaker 1: it works, It works really well. I just I really
• 24:09
  Speaker 1: love this movie. It went, you know, a bunch of
• 24:12
  Speaker 1: different ways. I didn't expect it at the time, and
• 24:14
  Speaker 1: this rewatch we were talking a little bit before, and
• 24:18
  Speaker 1: I'm with you, Rob, I don't think I had seen
• 24:20
  Speaker 1: this since I watched.
• 24:21
  Speaker 5: It that initial time.
• 24:23
  Speaker 1: Yeah, And what a delight.
• 24:24
  Speaker 5: To go back and see it.
• 24:25
  Speaker 1: So I really love it. I think it's really fun.
• 24:29
  Speaker 1: My hot take, though, is I just just one note
• 24:34
  Speaker 1: that I have as if you're trying to be inconspicuous
• 24:37
  Speaker 1: after perhaps participating in some sort of a crime. Maybe
• 24:41
  Speaker 1: we don't wear an ivory jacket with a giant gold
• 24:43
  Speaker 1: scorpion on the back. Maybe we aren't as beautiful as
• 24:46
  Speaker 1: what I got.
• 24:46
  Speaker 3: You don't wear that jacket.
• 24:48
  Speaker 1: Well, that's true, that's true. I can't hang. I guess
• 24:53
  Speaker 1: that's my hottest take.
• 24:54
  Speaker 4: That's a hot take, bro very hot. Yes, I remember
• 24:59
  Speaker 4: being blown away by This Moe when it came out
• 25:01
  Speaker 4: as well. It is directed by Danish director named Nikolas
• 25:06
  Speaker 4: winding Refin, who he had some critically acclaimed Danish films
• 25:13
  Speaker 4: and he also did Bronson, which kind of kickstarted Tom
• 25:16
  Speaker 4: Hardy's career. I still have not seen Bronson, but the
• 25:21
  Speaker 4: people that have seen it gush, they love it. They
• 25:24
  Speaker 4: think it's crazy. But Drive seems to be his biggest
• 25:29
  Speaker 4: film to date. It's written by Hassein Amini, who followed
• 25:34
  Speaker 4: this up with Snow White and The Huntsman and seems
• 25:36
  Speaker 4: to have started doing television, so this is kind of
• 25:40
  Speaker 4: also his biggest thing. Who was nominated for one Oscar
• 25:45
  Speaker 4: for sound editing. It lost to Scorsese's Hugo. Oh okay,
• 25:52
  Speaker 4: but yeah, we we just saw Ryan Gosling and Project
• 25:56
  Speaker 4: Tail Mary and he's just such a goofball in that film.
• 25:59
  Speaker 4: And then the next thing I watched was this.
• 26:02
  Speaker 1: Yeah, that's a difference, a difference.
• 26:05
  Speaker 4: It shows like how much range he has. It's really impressive.
• 26:11
  Speaker 4: It felt like he talked in this film about five times,
• 26:14
  Speaker 4: but he still completely keeps your attention because he's just
• 26:19
  Speaker 4: so dynamic on screen. I loved the style of this film,
• 26:23
  Speaker 4: kind of like what you were saying, Bug's you know,
• 26:26
  Speaker 4: you got the hot pink credits and the scorpion jacket
• 26:29
  Speaker 4: and the moody music, like it was just it was cool.
• 26:33
  Speaker 4: And the cinematography was so incredible. I loved the car
• 26:37
  Speaker 4: chase scenes, in particular when he's trying to get away
• 26:41
  Speaker 4: from that car after Oscar Isaac gets shot and we
• 26:46
  Speaker 4: see the car through the back window in slow motion,
• 26:50
  Speaker 4: like behind Christina Hendrix, and you just see it like
• 26:54
  Speaker 4: and it's like in slow motion. It looked so cool.
• 26:57
  Speaker 1: Cool.
• 26:57
  Speaker 4: Yeah, but yeah, this movie is so dark. It's incredibly graphic.
• 27:04
  Speaker 4: I remember being shocked when Christina Hendricks gets her face
• 27:09
  Speaker 4: blown off, and then you know some of the other
• 27:12
  Speaker 4: gruesome desks, like that elevator scene where they're like kissing
• 27:15
  Speaker 4: and then all of a sudden, it's just sprutal stomping
• 27:18
  Speaker 4: this dude to death and the noises just like it
• 27:23
  Speaker 4: caught me off guard, and I would imagine that is
• 27:26
  Speaker 4: why the audience isn't up in the nineties as well.
• 27:30
  Speaker 1: That's fair.
• 27:31
  Speaker 4: I enjoyed it, but yeah, very violent, super well made film,
• 27:35
  Speaker 4: some great actors. Yeah, I was thoroughly entertained. My hot
• 27:41
  Speaker 4: take this might be the darkest film we've ever done
• 27:44
  Speaker 4: an episode on really running for sure. We keep it
• 27:52
  Speaker 4: light here for the most part.
• 27:54
  Speaker 3: I mean, I guess we did Judas in the Black
• 27:56
  Speaker 3: and Side, which is also not exactly like a feel
• 27:58
  Speaker 3: good film.
• 27:59
  Speaker 4: It's a drama for old men.
• 28:02
  Speaker 3: Yeah right, yeah, but.
• 28:03
  Speaker 1: There's like some funny stuff and that a little like it.
• 28:08
  Speaker 4: You said, a few good men.
• 28:10
  Speaker 3: No country for old men.
• 28:11
  Speaker 4: No, no country for old men. Yeah, that's gotta be.
• 28:14
  Speaker 4: That's their right for sure.
• 28:15
  Speaker 1: Yeah.
• 28:17
  Speaker 4: Yeah, but it's in the running as well. Oh, you're
• 28:19
  Speaker 4: absolutely right. Yeah, yeah, that's a good call. Yeah.
• 28:22
  Speaker 3: Nice.
• 28:23
  Speaker 1: I love it, Hot Tikett take Yeah, and I also
• 28:27
  Speaker 1: love this movie.
• 28:28
  Speaker 3: I think I saw it in theaters, and I think
• 28:30
  Speaker 3: I saw it maybe once and one other time before
• 28:32
  Speaker 3: I this rewatch, but you know it was it hit
• 28:35
  Speaker 3: just as well. This time around. I was watching my
• 28:37
  Speaker 3: girlfriend and I had more hurt the hell uh the
• 28:40
  Speaker 3: elevator scenes. It's like, yeah, just so you know, like
• 28:43
  Speaker 3: she's not big into like super cory stuff, and I
• 28:45
  Speaker 3: was like, this is gonna get really violent in a second.
• 28:48
  Speaker 3: Just just be word.
• 28:50
  Speaker 1: And it does not feel like it will. I mean,
• 28:52
  Speaker 1: there is one scene before that, but still.
• 28:55
  Speaker 3: Like the lead. The immediate lead in of them kissing
• 28:57
  Speaker 3: is like, you know, such a you just don't take
• 28:59
  Speaker 3: and then like towards she was like, well that was
• 29:01
  Speaker 3: almost a sweet moment.
• 29:03
  Speaker 4: Yeah right, Yeah, it's there's.
• 29:07
  Speaker 3: So many like filmmaking elements to this that are really solid,
• 29:09
  Speaker 3: and I think that's that's why it earns it's ninety
• 29:12
  Speaker 3: three percent. The cinematography, as you mentioned Rob's, is excellent.
• 29:16
  Speaker 3: I mean the color shading. They used mostly natural lighting
• 29:18
  Speaker 3: in the outside shots. There's very little inside lighting inside
• 29:22
  Speaker 3: the cars or extraneously there's a cool factoid that I'll
• 29:26
  Speaker 3: save for our our later in the pod. But related
• 29:29
  Speaker 3: to that, there's also just the soundtrack is excellent, and
• 29:35
  Speaker 3: really that Kavinsky opening song night Call kind of kicked
• 29:39
  Speaker 3: off like the synth wave revival, So like this was
• 29:42
  Speaker 3: this was really like the movie that like brought that
• 29:44
  Speaker 3: vibe back into mainstream media a little bit, and like
• 29:48
  Speaker 3: there was a whole twenty tens like revival of that
• 29:50
  Speaker 3: style of music that came largely from this film, So
• 29:54
  Speaker 3: that was kind of a cool thing. There's so little
• 29:56
  Speaker 3: dialogue and there's so much just like non verbal act
• 30:00
  Speaker 3: that happens in this and the way that those scenes
• 30:02
  Speaker 3: are allowed to breathe and they have so much tension
• 30:05
  Speaker 3: but they don't rush through any of those moments is
• 30:07
  Speaker 3: so good. And we'll talk about it, I think when
• 30:09
  Speaker 3: we get into the best scenes, but there's a couple
• 30:12
  Speaker 3: that stand out to me where like that's really apparent
• 30:14
  Speaker 3: where there's so little said, but there's so much conveyed
• 30:17
  Speaker 3: just from like the looks and the body language. And
• 30:20
  Speaker 3: that's something that Ryan Gosling, I think honestly, is very
• 30:22
  Speaker 3: good at in all of his films, Like we see
• 30:23
  Speaker 3: it in Project tail Mary too, like the looks off
• 30:26
  Speaker 3: to camera or just like facial ticks of like him
• 30:29
  Speaker 3: processing something internally. He's able to convey a lot without
• 30:32
  Speaker 3: depending on dialogue to do it, and I think that
• 30:35
  Speaker 3: it shines in this movie when you know he's working
• 30:37
  Speaker 3: across from Kerry mulgan, who's also very good at you know,
• 30:40
  Speaker 3: just the chemistry between them and the unsaid stuff. So yeah,
• 30:45
  Speaker 3: I love this movie.
• 30:46
  Speaker 1: It's great.
• 30:47
  Speaker 3: It was such a vibe to watch it. I love
• 30:49
  Speaker 3: the whole Miami Vice like scripts of the all the
• 30:54
  Speaker 3: color ways, the use of those kind of like eighties
• 30:57
  Speaker 3: neons and pastels to the like give this a very
• 31:02
  Speaker 3: timeless sense. Even though it came out, you know, in
• 31:04
  Speaker 3: twenty ten, twenty eleven, whenever it came out, it still
• 31:07
  Speaker 3: feels like a movie that would fit in just as
• 31:09
  Speaker 3: well if I had come out in like nineteen eighty five.
• 31:12
  Speaker 3: And I think that's pretty cool. They did a good
• 31:14
  Speaker 3: job of like capturing this. They didn't use particularly modern
• 31:17
  Speaker 3: cars either, I mean, all the like things that would
• 31:20
  Speaker 3: place it in a certain time period. They kept to
• 31:23
  Speaker 3: things that feel a little more timeless. So yeah, oh
• 31:27
  Speaker 3: love it. That's a good time.
• 31:29
  Speaker 4: I love it hot, super tat love that.
• 31:34
  Speaker 1: Let's let's move ahead and let's talk about our papernacting performance.
• 31:38
  Speaker 4: Shall we name the dude the dude?
• 31:42
  Speaker 1: I'm the dude, So that's what you call me, you
• 31:45
  Speaker 1: know that? Or his dudeen or duder or you know,
• 31:50
  Speaker 1: el dud a reno if you're not into the whole
• 31:52
  Speaker 1: brevity thing.
• 31:53
  Speaker 3: I mean, does anybody have have a not obvious take
• 31:58
  Speaker 3: on this one? Yeah?
• 32:00
  Speaker 1: I don't know.
• 32:01
  Speaker 4: I rarely do, but you can say yours first.
• 32:05
  Speaker 3: It's got to be the scorpion Jacket himself, you know,
• 32:08
  Speaker 3: I mean, he's is the predominant presence in all of
• 32:12
  Speaker 3: this movie. He absolutely kills it. He plays his characters
• 32:15
  Speaker 3: super well. I think something else that stands out about
• 32:17
  Speaker 3: Ryan Goslings an actor is that he chooses his roles
• 32:20
  Speaker 3: really well. I think he's really good at picking roles
• 32:23
  Speaker 3: that he knows he can immerse himself into and like
• 32:26
  Speaker 3: really embody and that's he picks roles that have a
• 32:29
  Speaker 3: lot of different range. But he does pick roles that
• 32:31
  Speaker 3: like he feels like he fits very naturally into, and
• 32:34
  Speaker 3: it doesn't feel like he takes a lot of like
• 32:36
  Speaker 3: pay the Bills movies. He tends to get into things
• 32:39
  Speaker 3: that he can like sink his heat into. So I
• 32:41
  Speaker 3: thought he even though he's like so charming as a
• 32:45
  Speaker 3: person and we see him in so many like lighthearted
• 32:47
  Speaker 3: things he can in this film, we see him convey
• 32:50
  Speaker 3: such a sense of just like like danger, Like he
• 32:55
  Speaker 3: seems like a very serious guy that like you don't
• 32:57
  Speaker 3: want to mess with, and it is convinced it's not like,
• 33:01
  Speaker 3: you know, we're not picturing remember the Titans. When he's
• 33:04
  Speaker 3: like saying these things, when somebody here, like it feels real, right,
• 33:09
  Speaker 3: So I think that, yeah, I think it's got to
• 33:11
  Speaker 3: be him.
• 33:13
  Speaker 4: Oh yeah, without a doubt, and a lot that you
• 33:17
  Speaker 4: were saying, just how much he's able to convey without
• 33:20
  Speaker 4: any of that dialogue. I mean, he says almost nothing
• 33:23
  Speaker 4: in this movie and you can totally feel what he's
• 33:27
  Speaker 4: feeling just with his different expressions.
• 33:32
  Speaker 1: He's so cool.
• 33:34
  Speaker 4: In this and just like cool, calm and collected that
• 33:38
  Speaker 4: when he does freak out, you're like, whoa, this is
• 33:40
  Speaker 4: like a big deal now. Yeah, And I loved you know,
• 33:46
  Speaker 4: every time he's with Carrie Mulligan he's kind of like smiling.
• 33:49
  Speaker 4: It's the only time that he's like approachable, and yeah,
• 33:55
  Speaker 4: I just thought he was incredible.
• 33:57
  Speaker 1: Love that. Yeah, it's a clean sweep. Agreed. Yeah, The
• 34:03
  Speaker 1: part that really got me on this this last watch
• 34:06
  Speaker 1: was like kind of what you talked about, Like there
• 34:09
  Speaker 1: is this like under the surface, there is this rage
• 34:13
  Speaker 1: to this character and we don't know anything about his
• 34:16
  Speaker 1: background at all, so which is kind of fun to to,
• 34:19
  Speaker 1: you know, just be like what happened that got him here?
• 34:22
  Speaker 1: But the fact that he makes like they're not even threats,
• 34:27
  Speaker 1: but when he is like confronting someone and he doesn't
• 34:31
  Speaker 1: have to put on any bravado or anything and like
• 34:34
  Speaker 1: doesn't have to say much, is just makes him that
• 34:36
  Speaker 1: much scarier, I feel like, or just intimidating in general,
• 34:41
  Speaker 1: kind of like a I don't know, he like his
• 34:43
  Speaker 1: character felt kind of like a shark in this movie
• 34:45
  Speaker 1: to me a little bit, like like the shark doesn't
• 34:48
  Speaker 1: have to like make you worried that it's gonna get you.
• 34:51
  Speaker 1: If it wants to come get you, it'll get you, know,
• 34:53
  Speaker 1: like it's gonna happen, right.
• 34:55
  Speaker 4: Or like a scorpion or a scorpion.
• 34:57
  Speaker 5: That would have been a better, better illusion.
• 35:00
  Speaker 3: For sure, the references to these animals in this movie.
• 35:04
  Speaker 1: Yep, for sure. But yeah, I just I think he's
• 35:07
  Speaker 1: great in this and to see that, like, you know,
• 35:11
  Speaker 1: he is so calm through most of the movie, but
• 35:13
  Speaker 1: it's like, oh, maybe he's working really hard to be
• 35:16
  Speaker 1: that calm, you know, because when it comes out, it's
• 35:19
  Speaker 1: like it's really intense.
• 35:22
  Speaker 5: But yeah, I just thought he was so good.
• 35:24
  Speaker 1: In this and and also like lovable when he's with
• 35:28
  Speaker 1: Benicio and yeah.
• 35:30
  Speaker 4: Yeah the kid, Yeah, like he's such a cute.
• 35:33
  Speaker 1: He gets a couple, like a cop, just one or
• 35:35
  Speaker 1: two little moments where he gets to be a little
• 35:37
  Speaker 1: silly and it's like, oh, okay, great, but it just
• 35:40
  Speaker 1: adds that much more depth, and he just seems so
• 35:43
  Speaker 1: in control of, you know, uncontrollable moments, which is really fun.
• 35:48
  Speaker 5: So yeah, I loved him.
• 35:49
  Speaker 1: He's my dude for sure.
• 35:51
  Speaker 4: Nice. Well, there were some some pretty fun supporting characters
• 35:55
  Speaker 4: in this. Why don't we pick the tucciable?
• 36:00
  Speaker 3: Yeah, you think that I was ever going to get
• 36:01
  Speaker 3: renamed or No, Stanley Tucci is etched permanently.
• 36:06
  Speaker 4: I mean it has for the last six years, and
• 36:09
  Speaker 4: it's when Tucci starts becoming a leading man consistently then
• 36:13
  Speaker 4: maybe we'll switch it.
• 36:14
  Speaker 1: But it makes sense for his sake.
• 36:16
  Speaker 3: Maybe it would be sort of an honorary promotion or
• 36:19
  Speaker 3: something like that.
• 36:21
  Speaker 1: Yeah, you'd move him up to the dude, and then
• 36:25
  Speaker 1: the dude would have to make the hot tache or something.
• 36:29
  Speaker 1: There's a lot of paperwork involved. Yeah, so I'm glad
• 36:31
  Speaker 1: I started talking about this. It's good who.
• 36:37
  Speaker 3: Jeff for your You know, I actually as obvious as
• 36:42
  Speaker 3: the dude felt, this one felt very not obvious to me.
• 36:44
  Speaker 3: I mean, I guess there's like one that's one like
• 36:46
  Speaker 3: probably more obvious choice in Carrie Mulligan, But I think that,
• 36:51
  Speaker 3: Oh was that not even interesting?
• 36:53
  Speaker 1: Okay?
• 36:55
  Speaker 3: I actually wrote down too. I had Oscar Isaac depite
• 37:00
  Speaker 3: his relatively short presence in the film, his scenes were fantastic.
• 37:04
  Speaker 4: And that guy's incredible.
• 37:07
  Speaker 3: Yeah, honestly, this is like at least a huge cast.
• 37:10
  Speaker 3: I didn't really remember like half the people. Yeah, there's
• 37:17
  Speaker 3: like a couple of scenes that he has where it's
• 37:19
  Speaker 3: the same thing. There's just so much conveyed in so
• 37:23
  Speaker 3: few lines of dialogue, and he plays it perfectly. Like
• 37:27
  Speaker 3: despite the fact that his character is in jail or
• 37:29
  Speaker 3: getting released from jail or whatever, Like we kind of
• 37:32
  Speaker 3: understand that he has some sort of checkered history that
• 37:35
  Speaker 3: landed him in jail, but he doesn't like really come
• 37:37
  Speaker 3: across as like a maliciously bad guy. Like it's pretty
• 37:41
  Speaker 3: in earnest that he wants to do better for his
• 37:44
  Speaker 3: kid and his family, and like that does come through,
• 37:47
  Speaker 3: So we're not like clearly rooting against him as a viewer.
• 37:50
  Speaker 3: And that's a really interesting line to have to toe,
• 37:53
  Speaker 3: where like you're not trying to make your character the
• 37:56
  Speaker 3: antagonist because there are other bigger antagonists in the story,
• 37:59
  Speaker 3: but you're not really a good guy, but also the
• 38:01
  Speaker 3: protagonist is not really a good guy, So like, you know,
• 38:04
  Speaker 3: it's a lot of like moral gray area to kind
• 38:07
  Speaker 3: of walk through, and I think that he does it
• 38:09
  Speaker 3: really really well, in particular the scene outside of the
• 38:14
  Speaker 3: party when he comes out to take the trash out
• 38:17
  Speaker 3: and it's the first time that he meets Ryan Gosling's
• 38:19
  Speaker 3: character and they're talking and like the lines, you know,
• 38:22
  Speaker 3: he says something about like you've been you know, coming around,
• 38:25
  Speaker 3: you've been helping out, You've been helping out, and it's
• 38:27
  Speaker 3: like the words alone are not conveying what he's trying
• 38:31
  Speaker 3: to imply, but like the tone of it is so
• 38:33
  Speaker 3: obvious that he's like kind of angry, slash jealous slash skeptical,
• 38:38
  Speaker 3: like suspicious of this dude, like trying to get a
• 38:41
  Speaker 3: little bit more information, feel out like what this is
• 38:44
  Speaker 3: all about. And all of that comes through in like
• 38:46
  Speaker 3: fifteen words in a very short scene. So I had
• 38:50
  Speaker 3: him as one of mine. The other one I picked
• 38:52
  Speaker 3: was Albert Brooks, who I thought was stellar, and he
• 38:56
  Speaker 3: he comes across so like almost jovial in the first
• 38:59
  Speaker 3: half of the movie, where it seems like he's kind
• 39:01
  Speaker 3: of like the friendly one, and you know, Nino is
• 39:04
  Speaker 3: like the the enforcer, and by the end of the movie,
• 39:06
  Speaker 3: like he is brutal, and he's like he's almost like
• 39:09
  Speaker 3: the more scary one because he's so measured in how
• 39:12
  Speaker 3: he just like decides to enact violence on people when
• 39:16
  Speaker 3: he does, but it's not like a fly off the
• 39:19
  Speaker 3: handle yell at anybody. It's just like quietly slits his throat,
• 39:23
  Speaker 3: you know, quietly like slits his arms and just like
• 39:26
  Speaker 3: puts him on the ground. Like that kind of thing.
• 39:28
  Speaker 3: Is just it's a much more sort of classic gangster
• 39:32
  Speaker 3: kind of vibe. It's not like a you know, rough
• 39:35
  Speaker 3: and tumble. So I thought they were both really great.
• 39:37
  Speaker 3: I could easily be convinced towards either one of them
• 39:39
  Speaker 3: as my picks.
• 39:42
  Speaker 1: Yeah.
• 39:42
  Speaker 4: Man, I was completely blown away by Albert Brooks in
• 39:47
  Speaker 4: this the first time I saw. I mean, you just
• 39:49
  Speaker 4: have never seen him do anything even close to this.
• 39:54
  Speaker 4: He's usually pretty funny, usually just kind of complaining about
• 39:59
  Speaker 4: things and it's it's usually humorous. Yeah, but he was
• 40:03
  Speaker 4: terrifying in this. And for all those reasons that you said,
• 40:09
  Speaker 4: he had like shaved his eyebrows off, which.
• 40:11
  Speaker 1: Was really weird.
• 40:11
  Speaker 4: Yeah, that was a scary look, it was, it was different,
• 40:16
  Speaker 4: but he just seemed so in it. Yeah, And yeah,
• 40:20
  Speaker 4: I was I was terrified by him. I loved his performance.
• 40:24
  Speaker 4: That was one that I chose for sure, love that.
• 40:28
  Speaker 4: I think I would have picked Albert Brooks probably first.
• 40:32
  Speaker 1: It was tough between him and Kerry Mulligan, although I
• 40:35
  Speaker 1: do agree like Karen Mugan didn't get a ton to
• 40:38
  Speaker 1: do in this movie. She was great, but you know,
• 40:41
  Speaker 1: not a lot of lines, not like a ton of
• 40:44
  Speaker 1: stuff happens around her more than you.
• 40:47
  Speaker 5: Know, like she has necessarily agency.
• 40:49
  Speaker 1: But I did love her in this I thought she
• 40:51
  Speaker 1: was great.
• 40:51
  Speaker 3: Yeah, for sure.
• 40:53
  Speaker 1: I'll throw a runner up though to Brian Cranston as well.
• 40:57
  Speaker 1: Of course, always I thought he was great. He was
• 41:01
  Speaker 1: like the closest we got to, like a lighthearted, like
• 41:04
  Speaker 1: just kind of talking, you know, a guy that's got
• 41:07
  Speaker 1: a sordid past, he still hangs out and talks to
• 41:11
  Speaker 1: the people who it sure seems to be implied that
• 41:14
  Speaker 1: you know, broke his leg to the point where he
• 41:17
  Speaker 1: still has a limp all these years later.
• 41:19
  Speaker 4: Oh no, he's set straight up said that that was
• 41:22
  Speaker 4: Nino who did it?
• 41:23
  Speaker 1: Yeah, yeah, yeah, yeah, But I didn't know if it
• 41:25
  Speaker 1: was Nino via the family or you know, like if
• 41:28
  Speaker 1: if he owed them the money.
• 41:30
  Speaker 5: I didn't and maybe that doesn't even matter, like who knows, But.
• 41:33
  Speaker 1: Yeah, I just thought he was great and a really
• 41:36
  Speaker 1: fun opposite to Gosling.
• 41:39
  Speaker 5: Right the like quiet, you know, regular dude or whatever.
• 41:45
  Speaker 4: And he was it was cool that he just completely
• 41:48
  Speaker 4: had his back and like was really supporting him and
• 41:55
  Speaker 4: and just yeah, like you said, so different, just kind
• 41:57
  Speaker 4: of like motormouth.
• 41:58
  Speaker 1: Just goofy.
• 41:59
  Speaker 4: And I love that he tried to like set him
• 42:02
  Speaker 4: up with Carrie mull again, you know, like I could
• 42:05
  Speaker 4: just yeah, we can drive you back. But you know
• 42:08
  Speaker 4: it was it was sweet.
• 42:12
  Speaker 1: Yeah, all right, Yeah that's pretty great. But I loved him.
• 42:17
  Speaker 4: Uh.
• 42:18
  Speaker 1: Christina Hendricks was not in it very long, but.
• 42:21
  Speaker 4: She forgot she was in it, so until we watched this.
• 42:25
  Speaker 1: Uh what a part though, and also what an end
• 42:29
  Speaker 1: to her part?
• 42:30
  Speaker 3: Right, sound editing.
• 42:32
  Speaker 1: I kind of forgot that happened, honestly, or at least the.
• 42:35
  Speaker 3: Dead silence before that shotgun shot through the window.
• 42:39
  Speaker 1: Yeah, burrutal, brutal, but uh, yeah they were the only ones. Well,
• 42:46
  Speaker 1: Oscar and then Ron Pearlman as yeah, of course, yes,
• 42:51
  Speaker 1: which I also didn't remember he was in there. Yeah,
• 42:54
  Speaker 1: I didn't remember he was saying it either. Yeah, yeah,
• 42:57
  Speaker 1: he was such a he.
• 42:58
  Speaker 3: Anyway, it felt a very natural role for him to take.
• 43:01
  Speaker 3: I guess maybe just because of Son's of anarchy and
• 43:03
  Speaker 3: all that kind of stuff. He's played this kind of
• 43:04
  Speaker 3: role before. But it didn't feel like he was having
• 43:08
  Speaker 3: to stretch too far for that role, I think, which
• 43:12
  Speaker 3: is why I really that's I didn't really try it
• 43:14
  Speaker 3: for that reason. It just felt like this this was
• 43:16
  Speaker 3: more like a run of the mill, like you know,
• 43:20
  Speaker 3: I found.
• 43:21
  Speaker 1: It interesting because he he was like he apparently approached
• 43:25
  Speaker 1: them and was like, I really want to play this part.
• 43:27
  Speaker 1: It's a guy who you know, like wants to be
• 43:30
  Speaker 1: a gangster, but he's you know, Jewish and from New
• 43:35
  Speaker 1: Jersey or whatever. And apparently that he's from New Jersey
• 43:38
  Speaker 1: and you know, is a Jewish guy that kind of
• 43:40
  Speaker 1: wanted to be a gangster when he was a kid
• 43:41
  Speaker 1: and stuff. He said, interesting. I thought that was kind
• 43:44
  Speaker 1: of cool. So yeah, very real to life for him.
• 43:46
  Speaker 3: I wonder if there was like more there that they
• 43:49
  Speaker 3: that ended up on the cutting room floor of his
• 43:51
  Speaker 3: like character backstory and stuff, because there's like a lot
• 43:54
  Speaker 3: that's like alluded to, you know, like, yeah, he sort
• 43:57
  Speaker 3: of starts to like bring in these strings to like
• 43:59
  Speaker 3: a bigger picture what's going on with that side of
• 44:01
  Speaker 3: the story. But none of that stuff flashes out too
• 44:04
  Speaker 3: much as far as like you know, new up and
• 44:07
  Speaker 3: comer gangster in Philadelphia, that's like trying to set up
• 44:09
  Speaker 3: shop out here and all that stuff. The motivations for
• 44:12
  Speaker 3: like why the heist happened at all? Like that kind right,
• 44:15
  Speaker 3: They don't like get too deep into it, which is fine.
• 44:17
  Speaker 3: I think it's that that's not really the story. But
• 44:20
  Speaker 3: maybe maybe he had some you know, he wanted to
• 44:23
  Speaker 3: have more more to do there and sure just didn't
• 44:26
  Speaker 3: end up having time for it.
• 44:29
  Speaker 1: Yeah, might have been, Yeah, for sure. I just looked
• 44:32
  Speaker 1: up the budget too. This is a pretty wild, right
• 44:35
  Speaker 1: budget film. Yeah it was fifteen million, that's what they figure.
• 44:39
  Speaker 3: Isn't that crazy?
• 44:41
  Speaker 1: Yeah, pretty wild for a lot of like stunts and yeah, yeah,
• 44:45
  Speaker 1: driving stuff and all that.
• 44:47
  Speaker 4: But I don't even think you can get Ryan Gosling
• 44:49
  Speaker 4: for that anymore.
• 44:50
  Speaker 3: Okid, I think you get like any of these actors
• 44:53
  Speaker 3: for that anymore.
• 44:53
  Speaker 1: Well that's true too, Yeah, Yeah, that's that's a great
• 44:56
  Speaker 1: point for sure. Well great, any other runners up? Or
• 45:03
  Speaker 1: should we go ahead go to our favorite scene? Yeah,
• 45:06
  Speaker 1: let's pick the dingas the Dingus so is quite simple,
• 45:11
  Speaker 1: really Ingus Dingus.
• 45:13
  Speaker 3: I can talk about my dingus all night long. Am
• 45:16
  Speaker 3: I going first? Okay? I wrote down several because I
• 45:19
  Speaker 3: can never pick just one, you know, there's too many
• 45:21
  Speaker 3: good moments. Sorry, I had in no particular order. The
• 45:25
  Speaker 3: opening heist sequence is just so good. It's such a
• 45:30
  Speaker 3: cold open. So it's such a good cold open for
• 45:33
  Speaker 3: a movie where it very clearly sets like the ambiance,
• 45:37
  Speaker 3: the whole vibe of the main character. You see like
• 45:40
  Speaker 3: just his ice cold nature of like not you know,
• 45:45
  Speaker 3: like no stress, cool under pressure. The cars, like the
• 45:49
  Speaker 3: police cars chasing him, stopped at the red light, like
• 45:51
  Speaker 3: all those moments were so good. He gets his opening monologue,
• 45:55
  Speaker 3: which I have in my quotes as well, but it's
• 45:56
  Speaker 3: so good that he says a couple of times and
• 46:00
  Speaker 3: then yeah, it's just a great opening. Its sets the
• 46:02
  Speaker 3: tone of the movie perfectly. And then you have like
• 46:05
  Speaker 3: the you know, Covinsky song going over the top, and
• 46:07
  Speaker 3: you have the whole like visuals of it all. I
• 46:10
  Speaker 3: love the opening scene of this such a strike absolutely.
• 46:13
  Speaker 4: I loved that he is like paying attention to the
• 46:17
  Speaker 4: basketball game. We're just like, dude, this guy is so cool.
• 46:20
  Speaker 4: He's just like listening to the basketball game and how
• 46:24
  Speaker 4: that all ends up happening.
• 46:28
  Speaker 3: It keeps like turning it up and you're just like
• 46:30
  Speaker 3: it's not even paying attention to what's going on. And
• 46:32
  Speaker 3: then it's like that was but.
• 46:33
  Speaker 4: It's like that's I loved.
• 46:36
  Speaker 3: Yeah.
• 46:37
  Speaker 1: I do that first scene too, Like that could just
• 46:41
  Speaker 1: be a short film by itself and it'd be you know,
• 46:44
  Speaker 1: which is so fun. Totally love that, and I didn't
• 46:46
  Speaker 1: think of till today. I was like, Oh, we could
• 46:48
  Speaker 1: have done best cold opening scene. Have we done that before?
• 46:54
  Speaker 4: Before we did it? I think we did it for
• 46:57
  Speaker 4: Dark Knight Rises.
• 46:57
  Speaker 1: I bet we picked Drive then.
• 46:59
  Speaker 4: Yeah, they probably also. I also just loved Yeah, that's true.
• 47:04
  Speaker 4: I also loved you could hear the cops talking, so
• 47:09
  Speaker 4: we got to hear everything, and then he would you know,
• 47:12
  Speaker 4: like he would be able to hear that the helicopter
• 47:15
  Speaker 4: has to go off somewhere else and just all that
• 47:18
  Speaker 4: Just that's so intense, dude. I loved it.
• 47:21
  Speaker 3: Yeah, it's a really great scene. So I had that
• 47:24
  Speaker 3: one I had. We kind of talked about it a
• 47:26
  Speaker 3: little bit, but the scene where he basically meets I
• 47:31
  Speaker 3: mean he meets Iren before this, but when he brings
• 47:34
  Speaker 3: the groceries back with them, and the first time he
• 47:36
  Speaker 3: goes into her apartment and they like have their kind
• 47:38
  Speaker 3: of dialogue, yeah, which is also like, you know, one
• 47:41
  Speaker 3: of the few times he says more than two sentences.
• 47:45
  Speaker 3: There's a there's a lot to unpack in that scene,
• 47:47
  Speaker 3: because a lot happens a in a short amount of
• 47:50
  Speaker 3: time without a lot of dialogue. He's meeting the kid
• 47:53
  Speaker 3: for the first time. He's like interacting with her for
• 47:56
  Speaker 3: the first time. We're getting standards Backstorre as well from Irene.
• 48:02
  Speaker 3: We're seeing inside of her apartment for the first time,
• 48:04
  Speaker 3: and like their chemistry as well as like his dynamic
• 48:06
  Speaker 3: with Benicio. There's a shot in that that's it's where
• 48:11
  Speaker 3: she's talking and the mirror is to her left, and
• 48:14
  Speaker 3: you see his reflection in the mirror, and then in
• 48:16
  Speaker 3: the mirror, like tucked in the mirror is the picture
• 48:18
  Speaker 3: of Benicio and Standard at the bottom of the mirror.
• 48:20
  Speaker 3: And that shot is so good because his personality, his
• 48:25
  Speaker 3: whole persona above in the mirror is shadowed. You can't
• 48:28
  Speaker 3: see his face, you can barely see his body, so
• 48:30
  Speaker 3: he's like this dark figure in the mirror next to her.
• 48:34
  Speaker 3: It's in parallel with her, so there's equal weight given
• 48:37
  Speaker 3: to both of them in that shot. And then in
• 48:40
  Speaker 3: the subset of the mirror you have the small photograph
• 48:43
  Speaker 3: of Standard and Benicio, and in that picture we find
• 48:47
  Speaker 3: out that Standard is in jail, but we also see
• 48:49
  Speaker 3: this picture of him as like a well lit, smiling,
• 48:52
  Speaker 3: like jovial guy, right, So it's like the subset of
• 48:56
  Speaker 3: a husband that you're finding out is in prison, but
• 48:58
  Speaker 3: he actually looks like the Knight character. And then you
• 49:01
  Speaker 3: have the reflection of Ryan Gosling's character that's almost entirely
• 49:04
  Speaker 3: in shadow. We know nothing about him, we know nothing
• 49:06
  Speaker 3: about his backstory, and he's giving like super short vague answers.
• 49:10
  Speaker 3: So it's like this visual representation of like which of
• 49:13
  Speaker 3: them is kind of the good guy the light side
• 49:15
  Speaker 3: character here, When like we had this contrast visually of
• 49:19
  Speaker 3: like their two characters in the same frame as Irene talking,
• 49:23
  Speaker 3: it's a great shot, so I put that one on
• 49:26
  Speaker 3: there as well.
• 49:28
  Speaker 4: Cool.
• 49:28
  Speaker 3: And then the hallway scene which I mentioned earlier, where
• 49:32
  Speaker 3: Oscar Isaac is talking to him, I think that one
• 49:35
  Speaker 3: there they're back and forth. There is just it's so
• 49:37
  Speaker 3: tense and it's so good. And then I did have
• 49:40
  Speaker 3: the I did have the brutal elevator scene, because like
• 49:42
  Speaker 3: that's the one that just really sticks with you, bro, I.
• 49:45
  Speaker 4: Mean that's yeah, that's an iconic scene though, Like I
• 49:49
  Speaker 4: can't not think.
• 49:50
  Speaker 3: I think it's like when the camera cuts away from
• 49:52
  Speaker 3: him and you just hear the sound of his boot
• 49:54
  Speaker 3: like stomping over and over and over, and then they
• 49:56
  Speaker 3: cut back and you just see it like in the
• 49:58
  Speaker 3: guy's face for like a brief second.
• 50:01
  Speaker 1: It is.
• 50:02
  Speaker 3: Yeah, it's gruesome, and it's it does kind of come
• 50:05
  Speaker 3: out of nowhere. That's the most violent you see him
• 50:07
  Speaker 3: in the entire film.
• 50:09
  Speaker 4: So yeah, well, and just the it makes it more
• 50:13
  Speaker 4: shocking because we get this slow motion, we change the
• 50:17
  Speaker 4: lighting and they have this really intimate kiss and he's
• 50:22
  Speaker 4: just like wow, and then just to go to that
• 50:24
  Speaker 4: it was just so jarred. Yeah, it was really shocking.
• 50:30
  Speaker 4: But I definitely think of that scene when I think
• 50:32
  Speaker 4: of this.
• 50:33
  Speaker 1: Movie for sure.
• 50:33
  Speaker 3: Yeah, it seems to be the one that I think
• 50:36
  Speaker 3: just like sticks in your brain the most. Maybe the
• 50:38
  Speaker 3: Christina having Stine and through the window, but this one,
• 50:41
  Speaker 3: the elevator is just like it's so visceral, and it's
• 50:44
  Speaker 3: just like he's not shooting somebody, you know what I mean,
• 50:47
  Speaker 3: Like it's he's kicking someone's face, and it just happens
• 50:50
  Speaker 3: for such a long time, for so long, so long.
• 50:55
  Speaker 3: So those before that.
• 50:56
  Speaker 4: I had mentioned, Yeah, so I had. I definitely put
• 51:00
  Speaker 4: the elevator scene. I definitely put the opening getaway scene
• 51:04
  Speaker 4: as well.
• 51:04
  Speaker 1: I loved that. Yep.
• 51:07
  Speaker 4: I also wrote down Albert Brooks and Ryan Gosling at
• 51:11
  Speaker 4: the diner.
• 51:11
  Speaker 3: Oh yeah, that was great.
• 51:14
  Speaker 4: We had some really great lines from Albert Brooks in
• 51:17
  Speaker 4: that it's very tense. So it was mostly just because
• 51:22
  Speaker 4: of the acting there that I really liked, and also
• 51:26
  Speaker 4: just the Oscar Isaac getting getting shot in that getaway
• 51:29
  Speaker 4: scene as well, just the cinematography in that. Like I
• 51:32
  Speaker 4: had said in my hot take, I really really loved
• 51:36
  Speaker 4: all of that.
• 51:37
  Speaker 3: Yeah, that chase sequence is great.
• 51:40
  Speaker 1: Yeah, dude, and that car driving up like right beforehand,
• 51:43
  Speaker 1: and he's obviously like skeptical, beautiful whole time.
• 51:48
  Speaker 5: Yeah, right, I did like.
• 51:51
  Speaker 1: That, and and then the follow on scene of him
• 51:54
  Speaker 1: and Christina Hendrix in the hotel where he's like, you're
• 51:58
  Speaker 1: gonna tell me the truth, you know, and just like
• 52:01
  Speaker 1: this dude is crazy, he's lost it.
• 52:03
  Speaker 3: Yeah, that's a super intense scene too. I think the
• 52:06
  Speaker 3: gloves being on like really adds. So he like slowly
• 52:08
  Speaker 3: puts the claws on and locks the door, and he's like,
• 52:10
  Speaker 3: oh man, oh yeah.
• 52:16
  Speaker 1: Yeah, it's the elevator scene for me for sure. This
• 52:20
  Speaker 1: rewatch too. I felt like I don't think I and
• 52:23
  Speaker 1: maybe this isn't even right. But what I took from
• 52:25
  Speaker 1: it this time was like he has just talked to
• 52:29
  Speaker 1: her and been like maybe we could and obviously that's
• 52:32
  Speaker 1: not going to happen at least in this moment, you know,
• 52:36
  Speaker 1: like we could run away together or whatever.
• 52:38
  Speaker 5: All this went so poorly whatever.
• 52:41
  Speaker 1: But I took him like giving her that kiss as
• 52:45
  Speaker 1: him being like, well, this is the last chance I
• 52:48
  Speaker 1: have to do this, because I'm about to do something
• 52:50
  Speaker 1: that obviously I'm not going to come back from and
• 52:53
  Speaker 1: she's going to see who I really am kind of deal.
• 52:55
  Speaker 1: And that really struck me this time. And then it's
• 52:58
  Speaker 1: obviously just brutal well you know and all that, but
• 53:02
  Speaker 1: but it was just like oh yeah, and then his
• 53:04
  Speaker 1: face as he's like shaking and sweating and turns around
• 53:07
  Speaker 1: and looks at her. It's just like get out of
• 53:10
  Speaker 1: their myths.
• 53:11
  Speaker 3: Yeah, and she is just like horrified standing outside of
• 53:14
  Speaker 3: the door.
• 53:14
  Speaker 1: Yeah, as well she should be. I mean that would
• 53:17
  Speaker 1: be that's intense. That's intense. But yeah, I had the
• 53:22
  Speaker 1: opening scene in the elevator scene for sure. On there.
• 53:25
  Speaker 1: I think we should just do a dual Dingis and
• 53:29
  Speaker 1: just roll with them.
• 53:30
  Speaker 3: In some such different ways. Doesn't feel wrong to compare
• 53:35
  Speaker 3: them between the two.
• 53:36
  Speaker 1: Yeah, I would like just on a quick runner up
• 53:40
  Speaker 1: for me. Albert Brooks killing Kranston with the slice down
• 53:46
  Speaker 1: the arm that we mentioned earlier, it's over, it's done. Yeah.
• 53:49
  Speaker 1: That that's what got me is when he was like
• 53:52
  Speaker 1: it's easy, it's done, don't worry about it, you know,
• 53:55
  Speaker 1: like like semi kindness in that moment.
• 54:00
  Speaker 5: Really struck me. And it's so like like, oh, this
• 54:03
  Speaker 5: guy's a psycho too, Okay.
• 54:04
  Speaker 3: Yeah, I think it was. I think that was kind
• 54:06
  Speaker 3: of the idea, like he he didn't want to have
• 54:09
  Speaker 3: to kill Sandy like that was kind of a friend
• 54:12
  Speaker 3: of his. And in comparison, when he kills Cook and
• 54:15
  Speaker 3: it's like much more aggressive and brutal. Yeah, Like this
• 54:19
  Speaker 3: was just like a surgical slice down the arm. Like
• 54:22
  Speaker 3: it's over, there's no pain, like it's it's fun. You know.
• 54:26
  Speaker 4: Yeah, it felt like he was doing that because like
• 54:29
  Speaker 4: he was so brutal with Cook because he knew he
• 54:31
  Speaker 4: was gonna then have to do that.
• 54:33
  Speaker 1: Yeah. I think so he was making out right what
• 54:36
  Speaker 1: he had to do. Yeah, it's like.
• 54:38
  Speaker 4: You're making me have to do all this stuff. Why
• 54:40
  Speaker 4: are you doing this to me?
• 54:41
  Speaker 1: Yeah.
• 54:42
  Speaker 3: It's also the only time he shakes Cranston's hand and
• 54:46
  Speaker 3: then he immediately right open.
• 54:49
  Speaker 4: Yeah cool.
• 54:51
  Speaker 1: Yeah that's fun. Ah, but yeah, just that.
• 54:53
  Speaker 4: But yeah, that's fun. Have been it has fun? Yeah, yeah,
• 54:58
  Speaker 4: good clean fun. I can't imagine. There's a ton of quotes,
• 55:04
  Speaker 4: but let's let's go into our favorite quotes from Drive
• 55:07
  Speaker 4: and let's show.
• 55:08
  Speaker 1: Me the money, Show me the money, show me. So
• 55:18
  Speaker 1: maybe just say one for this one tell people to
• 55:21
  Speaker 1: do a lot.
• 55:21
  Speaker 3: But when I was watching it, I literally only wrote
• 55:24
  Speaker 3: down one quote, and I was like that, I got
• 55:26
  Speaker 3: to look up some more. I was like, Okay, there's
• 55:29
  Speaker 3: some other good there's some other good conversations too. The
• 55:32
  Speaker 3: one that I wrote down and the one that I
• 55:34
  Speaker 3: think is the most badass quote in this movie is
• 55:36
  Speaker 3: when he's in the diner and the guy's trying to
• 55:39
  Speaker 3: talk to him, and he goes, how about this, you
• 55:41
  Speaker 3: shut your mouth or I'll kick your teeth down your
• 55:43
  Speaker 3: throat and shut it for you. And then it's just
• 55:45
  Speaker 3: like silence for like ten seconds. After that, it's great,
• 55:49
  Speaker 3: great line, great line delivery lands on. It is terrifying
• 55:53
  Speaker 3: to hear like from his character who has said so
• 55:56
  Speaker 3: little to say something aggressive. That was probably my favorite one.
• 56:01
  Speaker 3: A couple of the others that I had were the
• 56:04
  Speaker 3: opening monologue, which he says a couple of times, but yeah,
• 56:07
  Speaker 3: the opening versions a little bit longer. He says, there's
• 56:10
  Speaker 3: one hundred thousand streets in this city. You don't need
• 56:12
  Speaker 3: to know the route. You give me a time of place.
• 56:14
  Speaker 3: I give you a five minute window. Anything happens in
• 56:17
  Speaker 3: that five minutes, and I'm yours no matter what. Anything
• 56:19
  Speaker 3: happens a minute out of side of that, and you're
• 56:21
  Speaker 3: on your own, which is like his whole montro. But
• 56:25
  Speaker 3: it's a bad ass way to open the movie to
• 56:28
  Speaker 3: really great. And then a couple less serious ones I
• 56:33
  Speaker 3: had where he's talking to Benizio and they're watching the
• 56:36
  Speaker 3: TV and he's like, see a bad guy. Bensia goes, Yeah,
• 56:39
  Speaker 3: he goes, how can you tell? He goes because he's
• 56:41
  Speaker 3: a shark, And he goes, there's no good sharks, which
• 56:43
  Speaker 3: I think is interesting because you talked about character a shark,
• 56:46
  Speaker 3: and I think that.
• 56:47
  Speaker 1: Is kind of that's where I got it from.
• 56:49
  Speaker 3: Yeah, I think that's kind of the illusion in that
• 56:50
  Speaker 3: line is he's basically saying like, do you like, don't
• 56:53
  Speaker 3: judge a book by its cover? Kind of thing, like
• 56:56
  Speaker 3: is every shark bad because it's a shark? And then the
• 56:59
  Speaker 3: other one I had was when he meets Bernie and
• 57:01
  Speaker 3: he says, my hands are a little dirty and he
• 57:03
  Speaker 3: doesn't shake his hand, yes, and Bernie says, so are mine,
• 57:06
  Speaker 3: And in the moment it seems like a throwaway line,
• 57:08
  Speaker 3: but then we later see what Bernie is and it's
• 57:11
  Speaker 3: like it's implying that his hands are not clean. Is
• 57:14
  Speaker 3: has a much deeper meaning as we would like come
• 57:16
  Speaker 3: to find out what his characters about. Yes, so that
• 57:19
  Speaker 3: was a pretty good one.
• 57:21
  Speaker 4: Yeah, that was my favorite one. I definitely put that down. Yeah,
• 57:26
  Speaker 4: And after he violently stabs Cook to death, he says, no,
• 57:30
  Speaker 4: it's your turn to clean up after me. I like that.
• 57:33
  Speaker 1: Oh, it's pretty great.
• 57:34
  Speaker 4: Yeah, but I love he did. Yeah, I don't think
• 57:39
  Speaker 4: he liked him very much.
• 57:41
  Speaker 3: He's not a very likable dude, to be honest.
• 57:43
  Speaker 4: That's true that I wrote down the monologue Bernie gave
• 57:50
  Speaker 4: the driver. I guess he's like, here's what I'm prepared
• 57:53
  Speaker 4: to offer you. Give me the money. The girl is
• 57:56
  Speaker 4: safe forever. Nobody knows about her. She's off the map.
• 58:00
  Speaker 4: I can't offer you the same. So this is what
• 58:03
  Speaker 4: I would suggest. We conclude our deal. We'll shake hands.
• 58:06
  Speaker 4: You start the rest of your life. Any dreams you
• 58:08
  Speaker 4: have or plans or hopes for a future, I think
• 58:11
  Speaker 4: you're gonna have to put that on hold for the
• 58:13
  Speaker 4: rest of your life. You're gonna be looking over your shoulder.
• 58:16
  Speaker 4: I'm just telling you this because I want you to
• 58:17
  Speaker 4: know the truth. But the girl is safe. I thought
• 58:21
  Speaker 4: that was pretty badass.
• 58:22
  Speaker 3: Yeah, pretty wild. It's just so matter of fact, Like
• 58:27
  Speaker 3: his delivery is so like calm and calculated, and it
• 58:31
  Speaker 3: just like it is kind of extra chilling because of
• 58:33
  Speaker 3: like the seriousness of the subject matter, but the way
• 58:36
  Speaker 3: that he delivers it is just like this is just
• 58:38
  Speaker 3: how it is. It's just how it's gonna have.
• 58:41
  Speaker 4: To be, you know, And because he was kind of
• 58:43
  Speaker 4: so cool about that. It was even more shocking that
• 58:46
  Speaker 4: he like immediately stabbed him once he saw the bag there.
• 58:52
  Speaker 4: It was just like, whoa, Yeah, that guy was nuts.
• 58:55
  Speaker 4: I loved his.
• 58:55
  Speaker 1: Character so really fun. Yeah, I love that.
• 58:59
  Speaker 4: That was all I had though, And you said everything else?
• 59:02
  Speaker 1: Nice?
• 59:04
  Speaker 5: Want to see which ones do I have here? Oh?
• 59:06
  Speaker 1: I really liked when they're outside the convenience store and
• 59:10
  Speaker 1: they're about to do the the robbery that goes wrong,
• 59:14
  Speaker 1: him and Isaac and and all that when he's like hey,
• 59:19
  Speaker 1: because Oscar Isaac is like kind of freaking out and
• 59:22
  Speaker 1: he's like, hey, I'll see you in five minutes, and
• 59:24
  Speaker 1: he's like, i'll see you in four. I just thought
• 59:26
  Speaker 1: that was a cool line, nice little, nice little what
• 59:29
  Speaker 1: could have been? Have they both survived? Pretty fun. I
• 59:33
  Speaker 1: also loved Oscar Isaac telling about when they they met,
• 59:38
  Speaker 1: when they were like telling their how with that story,
• 59:40
  Speaker 1: it's like, so I over to her and I said, well,
• 59:43
  Speaker 1: my name is standard Gabrielle, and what did you say?
• 59:46
  Speaker 1: And she likes smiles and she's like, I said, where's
• 59:49
  Speaker 1: the deluxe version. I just thought that was.
• 59:52
  Speaker 5: A really fun little moment to see them and also.
• 59:56
  Speaker 1: The last time many of them are happy.
• 59:58
  Speaker 3: Maybe the only time who knows, Yeah.
• 1:00:01
  Speaker 1: Could be and like they're friends at that point too,
• 1:00:06
  Speaker 1: So it's like that little like the calm before the storm,
• 1:00:09
  Speaker 1: right of like we're gonna be okay. When he's freaking
• 1:00:14
  Speaker 1: out in the hotel room. Now you just got a
• 1:00:17
  Speaker 1: little boy's father killed, You almost got us killed. Now
• 1:00:20
  Speaker 1: you're lying to me, So how about this from now on?
• 1:00:23
  Speaker 1: Every word out of your mouth is the truth where
• 1:00:25
  Speaker 1: I'm going to hurt you. Do you understand? Just like
• 1:00:29
  Speaker 1: it's kind of scary, yeah, freaking me out, but I
• 1:00:33
  Speaker 1: really liked it. Also, he got to be funny for
• 1:00:37
  Speaker 1: like half a second in one of the scenes and
• 1:00:40
  Speaker 1: it's when she shows up at the garage and like
• 1:00:45
  Speaker 1: he Cranston offers to you know, him to drive her home,
• 1:00:49
  Speaker 1: and it's that really cute little moment. But he's like
• 1:00:52
  Speaker 1: he had just been doing something on his car and
• 1:00:54
  Speaker 1: he was like, I don't have wheels on my car.
• 1:00:57
  Speaker 1: That's one thing you should know about me.
• 1:01:00
  Speaker 6: That was a pretty funny, funny little moment in a
• 1:01:04
  Speaker 6: movie that didn't have any of them arguing, right, yeah,
• 1:01:11
  Speaker 6: that was all the ones I had.
• 1:01:13
  Speaker 1: Bright not a lot of quotes, not a lot of
• 1:01:16
  Speaker 1: quote quotes.
• 1:01:17
  Speaker 4: Well, why don't we go to uh bus boohoo moments?
• 1:01:24
  Speaker 4: I don't think he had a lot of boohoos either.
• 1:01:26
  Speaker 4: I had a hard time with the boohoo's in this
• 1:01:30
  Speaker 4: because nothing ever like made me like actually sad. I
• 1:01:34
  Speaker 4: was more just shocked, yes, yes, shocked. So I honestly
• 1:01:42
  Speaker 4: didn't pick up boo who moment. There might have been
• 1:01:44
  Speaker 4: something with the kid, but I wasn't really feeling it,
• 1:01:48
  Speaker 4: Like I was thinking maybe the scene where like he
• 1:01:52
  Speaker 4: has the bullet that he's like holding on too, and
• 1:01:55
  Speaker 4: like that's just more just like that is though this
• 1:01:58
  Speaker 4: guy's going to kill some dude. Yeah, like you know,
• 1:02:01
  Speaker 4: you're right though.
• 1:02:01
  Speaker 1: I didn't cry in that scene, but it's yeah, were
• 1:02:04
  Speaker 1: there some booze? There was one. One one, there's one,
• 1:02:10
  Speaker 1: not a lot of ones.
• 1:02:12
  Speaker 4: I had Cranston Cranston dying.
• 1:02:14
  Speaker 3: I had two possible ones of that. Maybe when when
• 1:02:19
  Speaker 3: Standard gets the crap kicked out of him and he's
• 1:02:21
  Speaker 3: on the ground and Benizio's like hiding around the corner.
• 1:02:26
  Speaker 1: Maybe that now that almost got me. That did almost
• 1:02:29
  Speaker 1: get me, but not not quite for that one.
• 1:02:31
  Speaker 3: And then the last one would probably be like something
• 1:02:34
  Speaker 3: relating to Irene. One of the final conversations.
• 1:02:38
  Speaker 1: That is, that is the one. It's the it's the
• 1:02:41
  Speaker 1: specific of the line getting to be around you and Benizio.
• 1:02:45
  Speaker 1: It's the best thing that ever happened to me because
• 1:02:47
  Speaker 1: he's kind of resigned himself to his faith at that
• 1:02:50
  Speaker 1: point too. I feel like a little bit and that
• 1:02:52
  Speaker 1: got me so but just the one that's yeah, I
• 1:02:56
  Speaker 1: was kind of surprised by that. But it's not like
• 1:02:59
  Speaker 1: that's very sentiment. Yeah, that's true, you know, like it's
• 1:03:01
  Speaker 1: not that's what.
• 1:03:03
  Speaker 3: They're the humanity of very many of these characters, so
• 1:03:06
  Speaker 3: like you don't feel for them exactly. It's like, this
• 1:03:10
  Speaker 3: is a very dark world y'all live in. Yeah, you
• 1:03:13
  Speaker 3: all make a lot of bad choices that result in
• 1:03:14
  Speaker 3: a lot of bad things.
• 1:03:16
  Speaker 1: Right, it's grows out here, figure it out, you know. Yeah,
• 1:03:19
  Speaker 1: totally totally. But yeah, that was it. Should we do
• 1:03:23
  Speaker 1: a little movie ter Rivia here?
• 1:03:25
  Speaker 4: Do it?
• 1:03:27
  Speaker 1: I don't how do you pronounce the director's name? I
• 1:03:30
  Speaker 1: think you said it.
• 1:03:30
  Speaker 4: Earlier, Nicolas Winding Refin.
• 1:03:33
  Speaker 1: Oh it is just refin? Okay, cool? Uh so, Ryan
• 1:03:37
  Speaker 1: Gosling and Winding Refin removed much of the driver's dialogue.
• 1:03:42
  Speaker 5: Uh.
• 1:03:43
  Speaker 1: And after they did that, Brian Cranston felt that his
• 1:03:46
  Speaker 1: character Shannon should make up for the lack of talking
• 1:03:49
  Speaker 1: in the film, and so he made Shannon a motormouth
• 1:03:52
  Speaker 1: and apparently much of his dialogue is improvised, which just
• 1:03:56
  Speaker 1: seems right. That's awesome, Cranston's incredible.
• 1:03:58
  Speaker 4: That's great that you know that. I never really realized
• 1:04:02
  Speaker 4: that we didn't get his name and that they just called.
• 1:04:04
  Speaker 1: It until I looked at the credits. I was like,
• 1:04:07
  Speaker 1: I never really thought about it. I thought I just
• 1:04:08
  Speaker 1: missed it or something. But okay, yeah, that's pretty crazy.
• 1:04:12
  Speaker 3: It's the old TV player from from Nothing you Do, Yeah,
• 1:04:18
  Speaker 3: the bass player.
• 1:04:19
  Speaker 1: Yeah, don't worry about you don't need his name. Uh, Neil,
• 1:04:25
  Speaker 1: you'll probably like this one. In preparation for this role,
• 1:04:27
  Speaker 1: Ryan Gosling restored in nineteen seventy three Chevy Malibu that
• 1:04:31
  Speaker 1: his character uses in the film.
• 1:04:33
  Speaker 3: Yeah, pretty bad ass. And he he picked that car
• 1:04:35
  Speaker 3: and he helped do the engine build on it with
• 1:04:38
  Speaker 3: the mechanics on on set. That's pretty cool. Yeah, that
• 1:04:42
  Speaker 3: is pretty cool.
• 1:04:43
  Speaker 4: Well, I had that Impala that he used in the beginning.
• 1:04:46
  Speaker 4: That was the most common impaula of all the time
• 1:04:50
  Speaker 4: that one.
• 1:04:52
  Speaker 3: Hell yeah, he could have been high all the time many.
• 1:04:56
  Speaker 1: Maybe he has been. How do we know?
• 1:04:58
  Speaker 3: What do we know.
• 1:05:01
  Speaker 4: They're going to be on?
• 1:05:02
  Speaker 3: Listen to a lot of basketball games.
• 1:05:05
  Speaker 1: It does always on the radio. Very strange. I thought
• 1:05:10
  Speaker 1: this was kind of fun. The unusual way that Ryan
• 1:05:12
  Speaker 1: Gosling's driver holds the steering wheel with his thumbs crooked
• 1:05:16
  Speaker 1: over the outside rather than hooked inside uh uh, which
• 1:05:21
  Speaker 1: is like the more normal grip is actually the common
• 1:05:24
  Speaker 1: way that stunt drivers hold the wheel to avoid broken
• 1:05:27
  Speaker 1: thumbs during vehicle impacts.
• 1:05:30
  Speaker 4: That was fun. I also loved how we put the
• 1:05:34
  Speaker 4: watch on there.
• 1:05:36
  Speaker 1: That was just cool, cool effect, A cool choice, Yeah
• 1:05:39
  Speaker 1: for sure, for sure.
• 1:05:42
  Speaker 3: Related to that. I don't know if you had this
• 1:05:43
  Speaker 3: on your on your tribute list, PIEK, but Gosling actually
• 1:05:47
  Speaker 3: took stunt driving lessons for this movie and did most
• 1:05:49
  Speaker 3: of the driving stunts himself, including the car chase after
• 1:05:52
  Speaker 3: the pawn shot, which is pretty bad.
• 1:05:55
  Speaker 4: Yeah, yeah, that's fun though.
• 1:05:57
  Speaker 3: Yeah. I think he didn't do the cop car rollover
• 1:05:59
  Speaker 3: that they were like filming. I don't think he did
• 1:06:01
  Speaker 3: that one, but he did basically all the driving stones otherwise,
• 1:06:04
  Speaker 3: that's pretty wild.
• 1:06:05
  Speaker 1: Yeah, man, that's cool. I love that. Oh, I thought
• 1:06:12
  Speaker 1: this was funny. The director, despite this obviously being a
• 1:06:15
  Speaker 1: very driving heavy storyline, he has no interest in cars.
• 1:06:19
  Speaker 1: He doesn't have a driver's license, and he has failed
• 1:06:21
  Speaker 1: as driver's test eight.
• 1:06:22
  Speaker 3: Times, eight times.
• 1:06:24
  Speaker 1: Eight times.
• 1:06:26
  Speaker 3: That's hilarious.
• 1:06:27
  Speaker 1: Maybe he was driving like the stunts and that's why
• 1:06:29
  Speaker 1: it happened.
• 1:06:31
  Speaker 3: Wow, that is actually very funny to me.
• 1:06:35
  Speaker 1: Thank god he doesn't like driving because he's obviously terrible.
• 1:06:39
  Speaker 3: At it, so of making a movie called drive, Yeah.
• 1:06:44
  Speaker 1: Times, I thought that was really wild. Albert Brooks was
• 1:06:49
  Speaker 1: in character when he met the director mister Reffin and
• 1:06:53
  Speaker 1: pinned him against the wall and spoke in a threatening manner.
• 1:06:57
  Speaker 1: And like you said earlier, Roup he Brooks shaped his
• 1:07:00
  Speaker 1: eyebrows for this role to make his character more emotionless.
• 1:07:03
  Speaker 4: Wow, it was weird. It worked.
• 1:07:05
  Speaker 1: I didn't like it.
• 1:07:06
  Speaker 5: I didn't care for it.
• 1:07:08
  Speaker 1: Not for me, let's see. The opening chase scene was
• 1:07:13
  Speaker 1: primarily filmed by the director within the car's interior, and
• 1:07:18
  Speaker 1: in an interview, he revealed the idea for this scene
• 1:07:21
  Speaker 1: was to emulate the feeling of a diver being in
• 1:07:24
  Speaker 1: a notion of sharks. Maybe maybe I just stole the
• 1:07:27
  Speaker 1: sharks thing from everywhere, never leaving the vehicle during the
• 1:07:31
  Speaker 1: car chase, so that the audience can see what's happening
• 1:07:34
  Speaker 1: from the character's point of view. And also they were
• 1:07:38
  Speaker 1: tight on money in time, so he shot the scene
• 1:07:40
  Speaker 1: in two days with two different setups prepared in the car,
• 1:07:45
  Speaker 1: and he found it difficult to have mobility with the camera,
• 1:07:48
  Speaker 1: so he would like switch to camera. You know. I
• 1:07:52
  Speaker 1: had two additional setups nearby, and they would just like
• 1:07:54
  Speaker 1: hop swap out and.
• 1:07:55
  Speaker 5: He would jump in the different one.
• 1:07:58
  Speaker 1: And he said he was disappointed that La had changed
• 1:08:04
  Speaker 1: for the better, so he had to avoid certain areas
• 1:08:07
  Speaker 1: to preserve the gloomy atmosphere of the movie. I just
• 1:08:12
  Speaker 1: thought that was kind of funny. It's very funny. Let's
• 1:08:15
  Speaker 1: see this movie Saved Or shares a tagline with No
• 1:08:20
  Speaker 1: Country for Old Men. Their tagline for both are there
• 1:08:23
  Speaker 1: are no clean getaways. It was kind of fun interesting.
• 1:08:27
  Speaker 3: Interesting.
• 1:08:29
  Speaker 1: Do they still do taglines for every movie?
• 1:08:31
  Speaker 5: I don't.
• 1:08:32
  Speaker 4: That feels like I think I can do a lot
• 1:08:34
  Speaker 4: of times. But maybe it's interesting.
• 1:08:36
  Speaker 1: I like them. I want to find out more of them.
• 1:08:40
  Speaker 1: We have that what else we got.
• 1:08:45
  Speaker 3: I've got one more if you if you don't have
• 1:08:46
  Speaker 3: it anywhere. So Drive was one of the last movies
• 1:08:50
  Speaker 3: that was filmed in LA before they switched from sodium
• 1:08:53
  Speaker 3: vapor lights to led street lights. Also, the mood of
• 1:08:58
  Speaker 3: the yellow amber twenty two hundred Calvin lights is something
• 1:09:02
  Speaker 3: that like we can't capture the same way anymore anymore,
• 1:09:05
  Speaker 3: because that was like one of the last they just
• 1:09:07
  Speaker 3: a couple of years after this was filmed is when
• 1:09:08
  Speaker 3: they swapped them all out, So, which is.
• 1:09:11
  Speaker 1: A very interesting thing.
• 1:09:12
  Speaker 3: So there was like metal halid some kind of different
• 1:09:14
  Speaker 3: bulb used in the eighties that were too expensive because
• 1:09:17
  Speaker 3: the fuel shortages in the eighties, and so they switched
• 1:09:19
  Speaker 3: everything to cheaper sodium, which has this much more orange
• 1:09:23
  Speaker 3: yellow light flow to it. And so that was like
• 1:09:26
  Speaker 3: part of what added so much ambiance to this that
• 1:09:29
  Speaker 3: you don't really see in like current movies that are
• 1:09:32
  Speaker 3: set in LA which I think was really cool. So
• 1:09:34
  Speaker 3: they used a lot of visicual lighting when they were
• 1:09:36
  Speaker 3: doing those shots inside the car. It's just normal street
• 1:09:39
  Speaker 3: lights outside the car. They're not using any extra film lights.
• 1:09:41
  Speaker 1: That's cool. That's it, man, that's impressed.
• 1:09:45
  Speaker 5: That's really hard.
• 1:09:46
  Speaker 1: Crazy. Uh, I forgot I had this. But Gosling's performance
• 1:09:50
  Speaker 1: is marked by the minimum minimum, minimalist god I suck today,
• 1:09:54
  Speaker 1: minimalist dialogue, with the driver only speaking a few words
• 1:09:58
  Speaker 1: at a time, if at all. In the entire film,
• 1:10:01
  Speaker 1: Driver speaks only one hundred and sixteen lines totally eight
• 1:10:05
  Speaker 1: hundred and ninety one words.
• 1:10:06
  Speaker 3: Wow, that's crazy, pretty good, pretty good.
• 1:10:09
  Speaker 1: Pretty well. I just thought it was fun that someone counted,
• 1:10:13
  Speaker 1: So I'm great all out there. I love it.
• 1:10:15
  Speaker 5: I love it.
• 1:10:17
  Speaker 1: Let's see, I thought this was fun. Brian Cranston was
• 1:10:21
  Speaker 1: one of the first actors that Nicholas winding Refin looked
• 1:10:25
  Speaker 1: at to cast, as he was a fan of breaking bed.
• 1:10:28
  Speaker 1: Like everybody, knowing Cranston had other opportunities, he tried to
• 1:10:33
  Speaker 1: interest him by asking how he'd like to develop the role,
• 1:10:38
  Speaker 1: but after not hearing back from him, he called him
• 1:10:41
  Speaker 1: at the very same time. Apparently, Cranston was writing on
• 1:10:44
  Speaker 1: a piece of paper the pros and cons of doing
• 1:10:46
  Speaker 1: the film, and he was just kind of swayed by
• 1:10:50
  Speaker 1: him being so interested he reached out to him, so
• 1:10:52
  Speaker 1: he accepted the part. I think it's kind of fun's
• 1:10:55
  Speaker 1: cool and just weird. That that's how timing works sometimes. Oh,
• 1:11:01
  Speaker 1: this is crazy. The locations were picked by Nicholas and
• 1:11:05
  Speaker 1: Ryan Gosling driving around the city at night in LA
• 1:11:09
  Speaker 1: and they just chose all the sites. And they chose
• 1:11:14
  Speaker 1: La because due to budget concerns, they thought it would
• 1:11:17
  Speaker 1: just be easier and cheaper, which doesn't seem like that
• 1:11:21
  Speaker 1: would be the case. But I like it.
• 1:11:23
  Speaker 3: Thanks. You don't have to travel everybody if you're already
• 1:11:26
  Speaker 3: based on I guess that's.
• 1:11:27
  Speaker 1: True, right, And there's like the industry is around you everywhere.
• 1:11:31
  Speaker 1: Driver references the fable of the scorpion and the frog.
• 1:11:34
  Speaker 1: A frog agrees to carry a scorpion across the river
• 1:11:37
  Speaker 1: if the scorpion promises not to sting the frog. The
• 1:11:40
  Speaker 1: scorpion does promise, but halfway across, he stings the frog anyway,
• 1:11:44
  Speaker 1: saying it's by nature, and they both drown. Driver can
• 1:11:47
  Speaker 1: be seen as the frog of the story. He drives slash,
• 1:11:50
  Speaker 1: carries criminals around in his car, but is inevitably dragged
• 1:11:54
  Speaker 1: into their destructive world, leading to everyone's downfall. Driver's jacket,
• 1:12:01
  Speaker 1: which has the scorpion on the back, just as the
• 1:12:03
  Speaker 1: frog carried the scorpion on its back, thought that was
• 1:12:06
  Speaker 1: a fun little little story.
• 1:12:09
  Speaker 3: Interesting.
• 1:12:10
  Speaker 4: It is well, and he even references it at one point.
• 1:12:15
  Speaker 1: Have you heard the story of the Frog and the
• 1:12:17
  Speaker 1: Scorpion because it's He's like, Nino didn't make it or
• 1:12:22
  Speaker 1: whatever he says, which.
• 1:12:23
  Speaker 3: Is right, you didn't make it across the river.
• 1:12:25
  Speaker 1: That scene was awesome, by the way. We should have
• 1:12:27
  Speaker 1: probably mentioned that scene too, but it was sick.
• 1:12:29
  Speaker 3: Yeah, scary.
• 1:12:32
  Speaker 1: Let's see, they had to severely edit the head stomp
• 1:12:37
  Speaker 1: scene because the ratings board thought it was too violent.
• 1:12:39
  Speaker 1: So this is the.
• 1:12:42
  Speaker 4: That's edited.
• 1:12:43
  Speaker 1: Terrifying, terrifying. Well, oh, when Ryan Gosling walks into the
• 1:12:52
  Speaker 1: trailer to take the bald headed mask behind him, there's
• 1:12:56
  Speaker 1: three makeup heads slash sculpts of Christina Hendricks.
• 1:13:01
  Speaker 3: That's funny. Yeah, I've had my girlfriend mentioned that and
• 1:13:04
  Speaker 3: I didn't catch it. She's like, I.
• 1:13:05
  Speaker 1: Didn't see that.
• 1:13:08
  Speaker 3: I was like, that's funny.
• 1:13:10
  Speaker 1: Yeah, so they were the ones that they used.
• 1:13:12
  Speaker 5: I guess once she got her head blown off, so
• 1:13:14
  Speaker 5: makes sense.
• 1:13:15
  Speaker 1: Cool. Earlier, and Ron Perlman injured his kneecap while shooting
• 1:13:21
  Speaker 1: when a wave hit him during that scene that we
• 1:13:23
  Speaker 1: just talked about. Apparently one of the waves hit him
• 1:13:26
  Speaker 1: and he hurt himself injured. Yeah, I don't he must
• 1:13:30
  Speaker 1: have him a wave. I guess there is a big wave.
• 1:13:33
  Speaker 1: I don't know. Interesting, I don't know, but yeah, I
• 1:13:40
  Speaker 1: need to see the tape roll the pack.
• 1:13:43
  Speaker 4: I saw a couple of things. When Gosling signed on
• 1:13:46
  Speaker 4: for the leading role. He was allowed to choose the
• 1:13:48
  Speaker 4: director of first in his career, and he chose Nicolas
• 1:13:53
  Speaker 4: Winding Refin. He admired his work, and I said it
• 1:13:58
  Speaker 4: had to be him. There was no other choice. Wow,
• 1:14:00
  Speaker 4: so that's pretty cool. Went to bat for him.
• 1:14:02
  Speaker 1: Made a good choice.
• 1:14:04
  Speaker 4: And back in two thousand and eight, Hugh Jackman was
• 1:14:08
  Speaker 4: originally cast as the driver, with Neil Marshall to direct.
• 1:14:15
  Speaker 4: They ended up dropping out in twenty ten and Gosling
• 1:14:19
  Speaker 4: was cast and said and all that, So Neil Marshall,
• 1:14:23
  Speaker 4: he's done. I didn't look him up at all for me.
• 1:14:27
  Speaker 4: But I can't really picture hu Japman in this hard.
• 1:14:35
  Speaker 1: I feel like, yeah, I mean he can play you know, obviously.
• 1:14:40
  Speaker 4: Broody and all that.
• 1:14:42
  Speaker 3: But we've all seen Logan.
• 1:14:45
  Speaker 1: Yes that's true, but it is true.
• 1:14:48
  Speaker 3: I think I don't know. I would be curious if
• 1:14:51
  Speaker 3: like his version of that character. Would be more talkative,
• 1:14:55
  Speaker 3: you know what I mean, if they would because the
• 1:14:58
  Speaker 3: strong silent type trope as much.
• 1:15:01
  Speaker 1: Yeah, it's kind of a chatter, you know.
• 1:15:04
  Speaker 4: Yeah. This director has done a lot of TV, but
• 1:15:09
  Speaker 4: probably the biggest thing was twenty nineteen's hell Boy Ironic? Yeah, yeah, yeah, interesting?
• 1:15:19
  Speaker 1: Was that the David Harbor one? Then?
• 1:15:21
  Speaker 4: Yeah? Well I would think I maybe that seems yeah,
• 1:15:27
  Speaker 4: that's just double check first.
• 1:15:29
  Speaker 1: Must have been a long time. Yeah yeah, Oh was that? Wow?
• 1:15:33
  Speaker 4: I just can't believe that that was twenty nineteen. I
• 1:15:36
  Speaker 4: feel like people just saw that.
• 1:15:37
  Speaker 1: Yeah, that is crazy. Yeah.
• 1:15:40
  Speaker 4: Interesting, man, No, it's flying. That was all I had though.
• 1:15:47
  Speaker 1: Nice Neil. Did we say all your trivia that you had? Yeah?
• 1:15:50
  Speaker 3: Yeah, cool?
• 1:15:51
  Speaker 4: Cool?
• 1:15:52
  Speaker 1: I love it. Well, what about Judgment Day? Will there
• 1:15:55
  Speaker 1: be a sequel?
• 1:15:57
  Speaker 4: Did you see this? Trivia?
• 1:15:58
  Speaker 1: I did see this one? Do you want to say?
• 1:16:00
  Speaker 1: You want me to go for it? After a lot
• 1:16:02
  Speaker 1: of speculation from people on the possibility of a sequel
• 1:16:05
  Speaker 1: or a spin off to Drive, when asked about it,
• 1:16:07
  Speaker 1: the director said, no, there will never be a second
• 1:16:10
  Speaker 1: Tribe movie. It ends to imperfectly and that's.
• 1:16:13
  Speaker 5: Why it works.
• 1:16:14
  Speaker 1: So I guess no, No, I think.
• 1:16:18
  Speaker 3: I support that as much as I would love another
• 1:16:21
  Speaker 3: like trip into this world, I do think that it's
• 1:16:24
  Speaker 3: hard to imagine stringing together two and a half more
• 1:16:28
  Speaker 3: hours of story that doesn't kind of like take some
• 1:16:31
  Speaker 3: thing away from this, you know, agreed?
• 1:16:34
  Speaker 1: Him being mysterious is kind of part of it. Yeah,
• 1:16:37
  Speaker 1: I'm with you.
• 1:16:38
  Speaker 4: What if it just was like a rom com and
• 1:16:41
  Speaker 4: it's just like awful me crazy love it? I love it.
• 1:16:52
  Speaker 4: Let's make it happen. Do you guys want to play
• 1:16:56
  Speaker 4: a game?
• 1:16:57
  Speaker 1: Yeah?
• 1:16:58
  Speaker 4: I made a starting five. I'm in an my five
• 1:17:00
  Speaker 4: favorite actors from a particular film, And when you know
• 1:17:02
  Speaker 4: the film, you're going to ring in with your name.
• 1:17:05
  Speaker 4: If you get it wrong, there's no negative points, but
• 1:17:08
  Speaker 4: you won't be able to guess again for that movie.
• 1:17:10
  Speaker 4: If there are actors' names remaining, you can guess those
• 1:17:13
  Speaker 4: for a point each. The other person can steal if
• 1:17:16
  Speaker 4: you get any of those wrong. And all of these
• 1:17:18
  Speaker 4: films have something in common. When you know the theme,
• 1:17:21
  Speaker 4: you can ring it at any time for a point.
• 1:17:24
  Speaker 3: Nice, Let's do it.
• 1:17:25
  Speaker 4: Feel good, Let's do it. Number one Oscar Isaac Oh
• 1:17:34
  Speaker 4: he was in this movie. Number two, Josh Brolin, Number three,
• 1:17:45
  Speaker 4: Javier Bardem big scrap.
• 1:17:50
  Speaker 1: I think I screwed up Sacaria.
• 1:17:56
  Speaker 4: It is not Sacario. I screw up so Neil. He
• 1:18:01
  Speaker 4: can't answer. It's Oscar Isaac, Josh bua On, Javier Bardem.
• 1:18:05
  Speaker 4: The fourth name is Rebecca Ferguson.
• 1:18:12
  Speaker 1: That doesn't help me.
• 1:18:13
  Speaker 4: And the fifth and final name is Timothy shut me
• 1:18:19
  Speaker 4: Yes one, Dune, Yes Dune. Yeah. They I feel like
• 1:18:26
  Speaker 4: they put the part one later, like when I saw
• 1:18:28
  Speaker 4: it was Dune, because I.
• 1:18:30
  Speaker 1: Was like, people were confused.
• 1:18:33
  Speaker 4: It's kind of piss after this part one.
• 1:18:36
  Speaker 1: What Yeah, there we go.
• 1:18:39
  Speaker 3: Yeah, I should have gotten that.
• 1:18:40
  Speaker 1: ABC.
• 1:18:41
  Speaker 3: It's a stacked cast. Good lord, damn dude.
• 1:18:44
  Speaker 4: I know I could have said stellon Scars Guard and
• 1:18:47
  Speaker 4: there's like, yeah, so many people. Yeah, let's go number two.
• 1:18:53
  Speaker 4: The first name is ed Screen or Scrine. It's s
• 1:18:57
  Speaker 4: k R E I N.
• 1:19:00
  Speaker 1: Don't you guys have it?
• 1:19:02
  Speaker 4: No, you don't have it yet.
• 1:19:04
  Speaker 3: Uh.
• 1:19:04
  Speaker 4: The second name is Karan Sony okay. The third name
• 1:19:10
  Speaker 4: is T. J. Miller THEWKS, THEWKS Deadpool, Deadpool is correct.
• 1:19:19
  Speaker 4: You have two names.
• 1:19:20
  Speaker 1: Must be the taxi driver. I can't remember his name
• 1:19:24
  Speaker 1: now in the movie. I do you have it?
• 1:19:25
  Speaker 3: I have a guess for the theme. Oh yeah, go
• 1:19:29
  Speaker 3: for it? Is it movies that start.
• 1:19:31
  Speaker 4: With D yep one word titled you got it and
• 1:19:38
  Speaker 4: so du in part one. That is why it was like,
• 1:19:41
  Speaker 4: it's just smart.
• 1:19:45
  Speaker 1: Yeah, you still have the two names Ryan Reynolds correct
• 1:19:50
  Speaker 1: and her name that I can't remember very well. Ever,
• 1:19:58
  Speaker 1: I'm gonna know when you say it, but I don't remember.
• 1:20:01
  Speaker 4: Neil, do you remember what her name is?
• 1:20:04
  Speaker 3: Uh? Marina Baker?
• 1:20:11
  Speaker 4: And boh nice, nicely done. Bug's got two and Neil
• 1:20:18
  Speaker 4: got well with the theme. He got to as well. Yeah, no,
• 1:20:23
  Speaker 4: you slid done. Let's go to number three. The first
• 1:20:27
  Speaker 4: name is Laura Lenny. The second name is Ben Kingsley.
• 1:20:36
  Speaker 4: The third name is Ving Raims. The fourth name is
• 1:20:43
  Speaker 4: the lady from Holes, Sigourney Weaver. Oh, and the fifth
• 1:20:53
  Speaker 4: and final name is Kevin Klein. Five Bukes F Bukes, Dave,
• 1:21:02
  Speaker 4: Dave not seen that. It's kind of an old movie.
• 1:21:07
  Speaker 4: I saw it when I was a kid, and it's fun.
• 1:21:10
  Speaker 4: I kind of want to rewatch that one.
• 1:21:12
  Speaker 1: Yeah, it is fun. Did we do an episode on Dave?
• 1:21:15
  Speaker 2: No?
• 1:21:15
  Speaker 5: Oh, okay, since I was a kid.
• 1:21:17
  Speaker 1: I think I watched it because.
• 1:21:19
  Speaker 4: It came up on here a bunch it has. Yeah,
• 1:21:22
  Speaker 4: I mean that cast is nuts, and there's like three more.
• 1:21:26
  Speaker 1: The president or something.
• 1:21:28
  Speaker 4: Yeah, he's the president and he's like a look alike
• 1:21:31
  Speaker 4: for the president.
• 1:21:31
  Speaker 1: And he's like yeah, yeah, yeah, yeah, yeah, that's right.
• 1:21:34
  Speaker 4: Yeah, it was pretty fun n Yeah, it was fun.
• 1:21:38
  Speaker 4: All right, let's go number four. The first name is
• 1:21:41
  Speaker 4: Alice Drummond. The second name is Amy Adams.
• 1:21:48
  Speaker 1: Oh, I don't have one.
• 1:21:51
  Speaker 4: The third name is Viola Davis. The fourth name is
• 1:21:58
  Speaker 4: Philip Seymour Hoffman. Neil Neil.
• 1:22:03
  Speaker 3: Is it Dragon?
• 1:22:05
  Speaker 4: It's not Dragon?
• 1:22:06
  Speaker 1: No, he was in Red Dragon.
• 1:22:08
  Speaker 3: That's the one it is.
• 1:22:11
  Speaker 4: It's doubt, no doubt about it. You got one name remaining.
• 1:22:17
  Speaker 1: Must be you didn't say Meryl Streep, right, I didn't.
• 1:22:20
  Speaker 4: You did, And you got two points.
• 1:22:23
  Speaker 1: I've never seen that movie Robins. I need to get
• 1:22:25
  Speaker 1: on that.
• 1:22:26
  Speaker 4: That one's bonkers. That was my intro to Viola Davis.
• 1:22:30
  Speaker 4: I had seen her in previous films. I didn't remember her,
• 1:22:32
  Speaker 4: but she is so good in that movie.
• 1:22:35
  Speaker 1: It's heavy, though, right.
• 1:22:37
  Speaker 4: So heavy, so heavy, But it's clearly like a stage
• 1:22:41
  Speaker 4: play just from all the But dude, every one of
• 1:22:45
  Speaker 4: those ridiculously good actors gets their own monologue and they're
• 1:22:50
  Speaker 4: just incredible, dude, so highly recommend.
• 1:22:53
  Speaker 1: Let's check that out.
• 1:22:55
  Speaker 4: Let's go to number five. The first name is Killian Murphy.
• 1:23:00
  Speaker 1: Ooh.
• 1:23:03
  Speaker 4: The second name is Kenneth Brana. The third name is
• 1:23:09
  Speaker 4: Barry Kyogan.
• 1:23:12
  Speaker 3: Wow Neil Neil Dunkirk.
• 1:23:17
  Speaker 4: It is Dunkirk and you have two names, Renice, I.
• 1:23:21
  Speaker 3: Have actually never seen this, and I don't know who
• 1:23:23
  Speaker 3: else is in it, so you steal.
• 1:23:26
  Speaker 1: That puts me in a very bad spot because I
• 1:23:29
  Speaker 1: also don't I believe Tom Hardy is in it.
• 1:23:34
  Speaker 4: Yes he is. He was the number one guy I picked.
• 1:23:38
  Speaker 1: And then isn't it? Is it one of the Jonas
• 1:23:42
  Speaker 1: brothers that's in it?
• 1:23:44
  Speaker 4: He you know, a pop star.
• 1:23:48
  Speaker 1: He's a pop star.
• 1:23:50
  Speaker 4: Yep, yeah yeah, but that's not.
• 1:23:51
  Speaker 1: Who I picked. Oh that's not how you picked. No,
• 1:23:55
  Speaker 1: it doesn't matter. I don't know.
• 1:23:57
  Speaker 4: You're thinking of Harry Styles. Harry Styles was in it.
• 1:24:01
  Speaker 4: Mark Ryland did not know that, Oh.
• 1:24:04
  Speaker 1: Mark Ryland, Yeah yeah, yeah, yeah.
• 1:24:06
  Speaker 3: Yeah, Actually he didn't know that Tom Hardy was in it.
• 1:24:09
  Speaker 3: So I feel a little silly for not throwing that
• 1:24:11
  Speaker 3: out there.
• 1:24:11
  Speaker 4: But I actually saw that driving down from Portland down
• 1:24:16
  Speaker 4: to Abes place. Oh love that rep and I stopped
• 1:24:21
  Speaker 4: somewhere outside of sale in my things.
• 1:24:23
  Speaker 3: It is also on my on my Plex watch list.
• 1:24:26
  Speaker 3: I think it'll be a good one for the projector.
• 1:24:28
  Speaker 3: But yeah, I never saw it in theaters.
• 1:24:30
  Speaker 4: Oh yeah, it was so loud. Honestly, yeah it was.
• 1:24:35
  Speaker 4: It was kind of a bummer in the theater.
• 1:24:36
  Speaker 1: Really hated it.
• 1:24:37
  Speaker 4: So yeah, it was really really loud.
• 1:24:41
  Speaker 1: How many Where are we?
• 1:24:43
  Speaker 4: After five? You got uh?
• 1:24:45
  Speaker 1: Two?
• 1:24:46
  Speaker 4: Well, Neil got Dunkirk.
• 1:24:47
  Speaker 1: Oh yeah, so I got one.
• 1:24:49
  Speaker 4: So you got Tom Hardy, So Neil got one.
• 1:24:51
  Speaker 1: I got one?
• 1:24:53
  Speaker 4: Yep, And where are we? Halfway?
• 1:24:55
  Speaker 1: I have six? Neil has four. It is t.
• 1:25:01
  Speaker 4: And I will say, uh, most of these are much tougher.
• 1:25:06
  Speaker 1: Okay, great, there you go.
• 1:25:09
  Speaker 4: Number one Danny Trejo. Oh the second name Steve Buscemi,
• 1:25:19
  Speaker 4: Neil Neil Boom, very impressed by that. You have three names?
• 1:25:28
  Speaker 3: Remain name Sam Hike of course, Antonio Bendaris of course.
• 1:25:36
  Speaker 3: And shoot, I don't know the other guys.
• 1:25:42
  Speaker 4: Yep, there's one more, and I wouldn't have I should know.
• 1:25:46
  Speaker 3: It isn't it on this Sass and Furious movie too?
• 1:25:49
  Speaker 3: I can't remember?
• 1:25:51
  Speaker 4: Keep talking, No, no, I don't think you get it
• 1:25:55
  Speaker 4: from that, mugs because I picked a different guy.
• 1:25:58
  Speaker 1: Okay, great, Uh yeah, I don't think I ever saw Desperado.
• 1:26:03
  Speaker 4: A long time ago.
• 1:26:04
  Speaker 1: Yeah, I don't have a guess.
• 1:26:07
  Speaker 4: I ended up picking Cheech Mirrits.
• 1:26:09
  Speaker 3: Okay.
• 1:26:12
  Speaker 4: But the guy you were thinking of, his name is
• 1:26:14
  Speaker 4: like Joaquim.
• 1:26:16
  Speaker 3: That sounds right, the brother basically, but he's he's also
• 1:26:20
  Speaker 3: the bad guy in Too Fast Too. No, there's three
• 1:26:23
  Speaker 3: one of them. I don't know. He's in one of them.
• 1:26:26
  Speaker 4: And Tarantino is also in it, So we could have
• 1:26:28
  Speaker 4: picked a lot of people. You got nice, and he
• 1:26:32
  Speaker 4: got three. Yeah, high Benderos and Desperado.
• 1:26:36
  Speaker 1: And I'm scared that was a good one.
• 1:26:40
  Speaker 4: Why don't you come to your senses and let's go
• 1:26:41
  Speaker 4: to number seven. The first name is Matt Craven. The
• 1:26:47
  Speaker 4: second name is the aforementioned via La Davis. The third
• 1:26:53
  Speaker 4: name is Carrie Anne Moss. I'll be in us if
• 1:27:00
  Speaker 4: you guys get this. The fourth name is David Morse,
• 1:27:06
  Speaker 4: and the fifth and final name is another guy from
• 1:27:11
  Speaker 4: holes Shia abouff uh five four three two one. This
• 1:27:25
  Speaker 4: was kind of a fun thrillery movie, kind of a
• 1:27:28
  Speaker 4: rear window kind of movie. Called Disturbing.
• 1:27:33
  Speaker 3: Saw that when you said, Shay, I knew the movie.
• 1:27:35
  Speaker 3: I could picture the movie. I just couldn't remember the name.
• 1:27:38
  Speaker 4: Yes, that was it. I don't want Yeah, let's go
• 1:27:43
  Speaker 4: number eight. The first name is Miles Teller.
• 1:27:47
  Speaker 1: Hmmm.
• 1:27:50
  Speaker 4: Second name is Ashley Judd. The third name is Kate Winslet.
• 1:28:01
  Speaker 4: The fourth name is THEO james.
• 1:28:07
  Speaker 3: In.
• 1:28:07
  Speaker 4: The fifth and final name is Shalene Woodlee. Five four three.
• 1:28:16
  Speaker 1: You were lying one.
• 1:28:19
  Speaker 4: Yeah, so this was kind of a series of movies
• 1:28:22
  Speaker 4: that I didn't see. This one is called Divergent. Yeah,
• 1:28:27
  Speaker 4: a lot of people I watched those. They were okay,
• 1:28:30
  Speaker 4: lot of people in it.
• 1:28:31
  Speaker 1: Okay, that's forget about the s Mace Runner at first,
• 1:28:35
  Speaker 1: but which I saw.
• 1:28:36
  Speaker 4: It was like at the same time too.
• 1:28:39
  Speaker 1: Yeah, virgin, that's good.
• 1:28:44
  Speaker 4: I didn't see either of those. Probably not gonna get
• 1:28:48
  Speaker 4: this one either. But let's go to number nine. The
• 1:28:51
  Speaker 4: first name is Dylan Baker.
• 1:28:53
  Speaker 1: Oh sure, sure, sure you can.
• 1:28:56
  Speaker 4: Remember Dylan Baker in Planes, Trains, and Automobiles. His name
• 1:28:59
  Speaker 4: is Owen Uh and his wife, the first firstborn, came
• 1:29:06
  Speaker 4: out sideways. She didn't scream or nothing.
• 1:29:09
  Speaker 1: That was Dylan Baker. I don't remember that but I
• 1:29:12
  Speaker 1: like it.
• 1:29:13
  Speaker 3: It's a ridiculous lie.
• 1:29:15
  Speaker 1: I love it.
• 1:29:17
  Speaker 4: Scream or nothing. Yeah, it's so good.
• 1:29:19
  Speaker 1: Sometimes a mad sign.
• 1:29:21
  Speaker 4: People trained come out of stub the All right, that guy.
• 1:29:26
  Speaker 4: Let's go to number two. The second name is Dennis Miller. Yep,
• 1:29:33
  Speaker 4: he's only.
• 1:29:33
  Speaker 1: Been in a few movies. Yeah, I think I should know.
• 1:29:35
  Speaker 4: Number three is a guy that's been in many movies,
• 1:29:38
  Speaker 4: just passed away last year, Donald Sutherland. Then we have
• 1:29:46
  Speaker 4: Demi Moore, Jesus, and the fifth and final name is
• 1:29:53
  Speaker 4: Michael Douglas. Five four three you.
• 1:30:01
  Speaker 5: Dragnet.
• 1:30:04
  Speaker 4: Oh that's been a good one. I didn't think of dragnet.
• 1:30:06
  Speaker 1: I'm just trying to think of I'm assuming it's older.
• 1:30:09
  Speaker 4: I don't but I don't know it is older. Yeah,
• 1:30:12
  Speaker 4: and I'll throw out that it was a Michael Crichton
• 1:30:15
  Speaker 4: novel as well.
• 1:30:18
  Speaker 1: I don't know.
• 1:30:18
  Speaker 4: Me and I had read this one in like the
• 1:30:23
  Speaker 4: fifth grade, which was probably too early, too early. Probably
• 1:30:30
  Speaker 4: this was a movie called Disclosure.
• 1:30:33
  Speaker 3: Oh, man, I read that book too, Wait.
• 1:30:37
  Speaker 1: Coming out again?
• 1:30:40
  Speaker 4: Disclosure Day is coming out. That's the news, not related,
• 1:30:44
  Speaker 4: that's the Spielberg like, No, this was about sexual harassment, dude,
• 1:30:52
  Speaker 4: big time. Because I had read he had read that
• 1:30:55
  Speaker 4: too young?
• 1:30:55
  Speaker 1: Yeah, yeah, I.
• 1:30:57
  Speaker 4: Had also read Rising Sun at the same time. Another
• 1:31:01
  Speaker 4: and my teacher like, talk to my folks, is like, should.
• 1:31:04
  Speaker 5: He be reading.
• 1:31:08
  Speaker 3: Great?
• 1:31:08
  Speaker 4: What are we doing here? There's a lot of sex
• 1:31:10
  Speaker 4: in this But anyway, Yeah, so that was three in
• 1:31:14
  Speaker 4: a row. I do think you guys are going to
• 1:31:17
  Speaker 4: get the tenth one. But where are we after ten?
• 1:31:20
  Speaker 1: Neil's got seven, I have six.
• 1:31:24
  Speaker 4: Neil, I would say, if you have even an inkling,
• 1:31:28
  Speaker 4: probably go early. That's all I'm gonna I'm gonna help
• 1:31:30
  Speaker 4: you out.
• 1:31:31
  Speaker 1: I'm not as confident as Rob is.
• 1:31:33
  Speaker 4: Let's go to number ten. The first name is Jamie Fox.
• 1:31:42
  Speaker 4: The second name is Anika Noni Rose.
• 1:31:47
  Speaker 1: Oh, I really know that name.
• 1:31:49
  Speaker 4: The third name.
• 1:31:52
  Speaker 1: Is Queen Bee.
• 1:31:53
  Speaker 4: Beyonce Bikes Bikes, dream Girls word Yeah.
• 1:32:02
  Speaker 1: Yeah. How many names?
• 1:32:05
  Speaker 4: Two names? Two names?
• 1:32:07
  Speaker 1: Murphy, yeah, one.
• 1:32:10
  Speaker 4: And one more name?
• 1:32:11
  Speaker 1: Why can't think of her?
• 1:32:14
  Speaker 3: Oh?
• 1:32:14
  Speaker 1: Jay, you haven't won Jennifer Hudson. I couldn't think of
• 1:32:18
  Speaker 1: her first name.
• 1:32:18
  Speaker 2: Oh.
• 1:32:19
  Speaker 4: I was gonna say, yeah, if Neil got the last
• 1:32:21
  Speaker 4: day we could it died. That would have been but
• 1:32:24
  Speaker 4: it also would have been really bad because I didn't
• 1:32:25
  Speaker 4: have the tiebreakers. So nicely done that.
• 1:32:30
  Speaker 3: One second comeback. I damn, I should have gotten to Serbia.
• 1:32:33
  Speaker 3: That would have been a nice little tie there.
• 1:32:36
  Speaker 4: Yeah.
• 1:32:37
  Speaker 3: I've actually never seen dream Girls either.
• 1:32:40
  Speaker 4: Oh it's good, it's good, Jennifer Hudson. Holy yeah, I
• 1:32:48
  Speaker 4: just missed it. We can't see everything. But nicely done.
• 1:32:53
  Speaker 4: That was a really close game, you guys. That was
• 1:32:55
  Speaker 4: really fun.
• 1:32:55
  Speaker 1: Nice job, Neil, that was great.
• 1:32:58
  Speaker 3: In one of these things.
• 1:33:00
  Speaker 1: But you will this day, you will for sure for sure.
• 1:33:03
  Speaker 4: To be fair, the last five of those were really tough.
• 1:33:06
  Speaker 3: Yeah, a tough back nine for sure.
• 1:33:08
  Speaker 4: Yeah.
• 1:33:09
  Speaker 3: I do better with the quotes games when we do those.
• 1:33:11
  Speaker 3: That's I think.
• 1:33:12
  Speaker 4: That's I'll try and remember that the next time.
• 1:33:14
  Speaker 3: Yeah, these ones, I do enjoy these. I'm just worse
• 1:33:17
  Speaker 3: with actors names generally. So like, if it's not like
• 1:33:19
  Speaker 3: a top billing person, you're probably not.
• 1:33:21
  Speaker 4: Going to remember who it is. Yeah, I get it.
• 1:33:24
  Speaker 1: Yeah, for sure. Well, I will choose what the order
• 1:33:29
  Speaker 1: is for our draft as we draft the best jackets
• 1:33:32
  Speaker 1: in movie history. Yes, but that's only for patrons, so
• 1:33:37
  Speaker 1: you know, go to patreon dot com slash and you
• 1:33:38
  Speaker 1: have an endorsement if you want to hear.
• 1:33:40
  Speaker 4: That and play along do it.
• 1:33:43
  Speaker 1: But yeah, Neil, this was so fun to have you buddy,
• 1:33:45
  Speaker 1: Thanks for coming back.
• 1:33:46
  Speaker 3: Absolutely.
• 1:33:47
  Speaker 4: Pleasure is always the best, best in the whole wide world.
• 1:33:52
  Speaker 4: Uh that does it today for a drive, I'm rabling Chris.
• 1:33:57
  Speaker 1: Thank you so much for listening. Until we talk to
• 1:33:59
  Speaker 1: you next time. Enjoy the great news. The sun is
• 1:34:05
  Speaker 1: shining out the cloud in the sky.
• 1:34:08
  Speaker 2: We wouldn't know because we're so happy inside.
• 1:34:13
  Speaker 1: Some people row a boat or put on some skis.
• 1:34:16
  Speaker 4: But we would rather sit on down and talk some movies.
• 1:34:20
  Speaker 4: Where the evid indoorsmen.
• 1:34:23
  Speaker 2: Come listen to our show where the evident Indoorsmen at home,
• 1:34:28
  Speaker 2: More on the go, where the avid Indoorsmen. We hope
• 1:34:32
  Speaker 2: you love it, so come on in and still I
• 1:34:36
  Speaker 2: will do our best to make usemile where the indoors
• 1:34:41
  Speaker 2: man