Latest / Large Nerdron Collider / Going to the Tonys with The Boys

Transcript

Going to the Tonys with The Boys · Large Nerdron Collider

• 0:10
  Speaker 1: Hey, everybody, Welcome to the Large Nerdron Collider podcast, the
• 0:13
  Speaker 1: podcast that's all about kiheeky things happening in the world
• 0:16
  Speaker 1: around us and how very excited we are about them.
• 0:19
  Speaker 1: I'm Ariel Castin, and with me, as always is the
• 0:22
  Speaker 1: ageless and timeless every young Jonathan Strickland.
• 0:27
  Speaker 2: I do it by having an Okarina of time nice.
• 0:33
  Speaker 1: I just have the regular world boring okarinas Karna.
• 0:37
  Speaker 2: Okarina Karina Akarina, I think is actually more accurate. But
• 0:42
  Speaker 2: I use that because we have a story today about
• 0:46
  Speaker 2: Legend of Zelda, So that's for my fellow Legend of
• 0:50
  Speaker 2: Zelda fans. But We've got a lot more to get
• 0:52
  Speaker 2: through before we get to that story. And part of
• 0:56
  Speaker 2: it is that we chat about stuff, what we have
• 1:01
  Speaker 2: seen or done that's in the geek realm since the
• 1:04
  Speaker 2: last time we recorded.
• 1:06
  Speaker 1: Yeah, and I have no idea how I watched as
• 1:10
  Speaker 1: much as I've watched between last week and this week.
• 1:13
  Speaker 1: I really don't because I'm forever busy. But apparently I
• 1:20
  Speaker 1: finished The Brother's Son, which was delightful. I feel like
• 1:25
  Speaker 1: the series got better as it went on, and I'm
• 1:27
  Speaker 1: really sad that it didn't get picked up for a
• 1:28
  Speaker 1: second season. I know a whole bunch of people who
• 1:31
  Speaker 1: are watching it now, so I hope it might get
• 1:33
  Speaker 1: a resurgence sometime in the future. It's about one one
• 1:40
  Speaker 1: brother who's in the mafia and one who wants to
• 1:43
  Speaker 1: do improv in America, and Michelle Yo is their mom
• 1:49
  Speaker 1: and she's also in the mafia. And it's fun.
• 1:54
  Speaker 2: And a lot of a lot of yes, and I'm guessing.
• 1:57
  Speaker 1: Yeah, And it was delightful. It was funny, it was heartwarming.
• 2:05
  Speaker 1: There was a lot of really cool fight choreography, some
• 2:09
  Speaker 1: kind of violence, but overall very good. I also watched
• 2:13
  Speaker 1: American Fiction, which is a movie with Jeffrey Wright, Yes,
• 2:19
  Speaker 1: who is an author who writes these really good novels
• 2:26
  Speaker 1: but they aren't selling, maybe because they're too cerebral, and
• 2:29
  Speaker 1: so he gets convinced to write a novel from the
• 2:36
  Speaker 1: black perspective. But it's not his black perspective. It's kind
• 2:39
  Speaker 1: of like the a Bonyx Street Gang kind of perspective.
• 2:44
  Speaker 2: It's Yeah. When I saw the previews, it made me
• 2:49
  Speaker 2: think that they were kind of sending up the sort
• 2:53
  Speaker 2: of entertainment that frequently gets associated with Tyler Perry.
• 2:58
  Speaker 1: Yes, but it was a very good movie. It was
• 3:02
  Speaker 1: most of the movie was actually about his relationship with
• 3:05
  Speaker 1: his family. It was almost like the story the story
• 3:08
  Speaker 1: was a like a second a plot. It was more
• 3:11
  Speaker 1: important than a B plot. But it maybe wasn't the
• 3:13
  Speaker 1: thing that we spent the most time on. But I
• 3:17
  Speaker 1: really enjoyed it. It It was more drama than comedy,
• 3:21
  Speaker 1: but the comedic moments were beautiful. Yeah, it was a
• 3:25
  Speaker 1: really good movie.
• 3:26
  Speaker 2: Nice.
• 3:27
  Speaker 1: Yeah, and I had heard that, but it was it
• 3:33
  Speaker 1: was like I'd almost put it into like the like
• 3:38
  Speaker 1: cider House Rules kind of feel of a movie, like
• 3:45
  Speaker 1: like almost that more like its slice of life is
• 3:48
  Speaker 1: wrong because who lives with these Not the average Joe
• 3:51
  Speaker 1: lives with these circumstances. But that kind of more drama,
• 3:54
  Speaker 1: low paced sort of a movie, which is great because
• 3:59
  Speaker 1: I remember and Matt Damon was on Hot Ones. He said,
• 4:02
  Speaker 1: you can't really make those movies and be successful anymore,
• 4:04
  Speaker 1: and this one was so great. I also have started
• 4:08
  Speaker 1: the final season of Star Trek Discovery and the second
• 4:10
  Speaker 1: episode really brought me in and I'm super into it
• 4:14
  Speaker 1: and I'm all on board. I finished the second half
• 4:20
  Speaker 1: of Bridgerton, which was okay.
• 4:24
  Speaker 2: I knew the enthusiasm had to wear out at some point.
• 4:27
  Speaker 1: Yeah, it just I think Queen Charlotte and I'm not
• 4:31
  Speaker 1: going to spend long on this because I know I've
• 4:32
  Speaker 1: already talked about it on the show. Queen Charlotte did
• 4:34
  Speaker 1: such a good job of building relationship and compassion and
• 4:39
  Speaker 1: still having some steamy stuff in there that I feel
• 4:42
  Speaker 1: like this latest season and it's like everybody's not Everybody's
• 4:46
  Speaker 1: many people's favorite story is the Penelope Featherington Colin Bridgerton romance,
• 4:52
  Speaker 1: and they changed some things, and I just it didn't
• 4:55
  Speaker 1: play as well as I wanted it to. So, and
• 4:59
  Speaker 1: then I watched Tony's not as they aired but later.
• 5:05
  Speaker 2: Okay, and they were they were interesting. Any favorite moments
• 5:09
  Speaker 2: in the Tonies that stood out?
• 5:11
  Speaker 1: Yeah, the opening number didn't hit me as much as
• 5:15
  Speaker 1: I wanted it to. Although I loved the diversity in
• 5:18
  Speaker 1: dancing dancers that they used. It was lovely, and the
• 5:22
  Speaker 1: dance numbers were great, that it just wasn't like that
• 5:26
  Speaker 1: comedic kind of Tony's intro that I usually love. I
• 5:31
  Speaker 1: really liked the Outsider's performance, which surprised me. I've never
• 5:35
  Speaker 1: seen the movie, but I'm familiar. I just feel like
• 5:39
  Speaker 1: the montage of songs they did had some really cool
• 5:42
  Speaker 1: technical moments that were seamless, and I'm like, oh crap,
• 5:45
  Speaker 1: when did they have time to do that? Because they
• 5:49
  Speaker 1: transitioned from like a greaser song to the brawl infamous brawl,
• 5:56
  Speaker 1: I guess, and these actors getting pulled back and like
• 6:01
  Speaker 1: it was tussle and there was a lot of movement
• 6:03
  Speaker 1: and it wasn't like a wall of actors hiding an actor,
• 6:06
  Speaker 1: but as soon as the person popped out of the
• 6:08
  Speaker 1: fray of fight, they were covered in blood in strategic places.
• 6:11
  Speaker 1: I'm like, I don't know how they found time to
• 6:14
  Speaker 1: do that and so accurately, and then it rained on
• 6:18
  Speaker 1: stage and so part of it was like a rain,
• 6:21
  Speaker 1: like a splashy water dance wow fight fight. So that
• 6:28
  Speaker 1: was cool. Suffs, which is a musical about the women's
• 6:33
  Speaker 1: suffragette movement. This is that's kind of still a thing,
• 6:39
  Speaker 1: but it's about women's suffragettes. The song actually really moved me,
• 6:44
  Speaker 1: and I again didn't expect to be like, oh, this
• 6:49
  Speaker 1: is the musical I want to see Tommy's the who.
• 6:55
  Speaker 1: I think it suffered from being on the Tony stage
• 6:58
  Speaker 1: as opposed to its normal stage with its normal sound
• 7:01
  Speaker 1: people because the sound mixing was bad. There was a
• 7:05
  Speaker 1: moment from Gutenberg that was kind of funny, even though
• 7:13
  Speaker 1: it's not a musical and.
• 7:15
  Speaker 2: Gutsburg is a musical, is it, Yeah, it's Gutenberg the
• 7:20
  Speaker 2: music the musical.
• 7:22
  Speaker 1: Okay, well they didn't sing, they just kind of presented,
• 7:25
  Speaker 1: but it was funny. I've not seen Gutenberg either when
• 7:29
  Speaker 1: it was in Atlanta or in Broadway. Broadway it's crazy expensive.
• 7:32
  Speaker 2: Yeah, well yeah, I wanted to go, but having had
• 7:37
  Speaker 2: seen it in Atlanta, I could not justify spending the
• 7:41
  Speaker 2: amount of money for the Broadway tickets to see a show,
• 7:46
  Speaker 2: like I already knew what the show was. I've already
• 7:48
  Speaker 2: seen the show. It was not with Broadway actors as
• 7:52
  Speaker 2: local Atlanta actors, but and I very much enjoyed it,
• 7:57
  Speaker 2: but I knew, Like I'm like, there's no spectacle to
• 8:00
  Speaker 2: this show. The spectacle is all dependent upon the performance
• 8:04
  Speaker 2: of the two leads. Like that is ninety nine percent
• 8:08
  Speaker 2: of the show falls on those two leads and then
• 8:10
  Speaker 2: the rest of it falls on the technical and music staff.
• 8:14
  Speaker 2: And I'm like, well, I can't justify spending three hundred
• 8:18
  Speaker 2: bucks a seat for a show. There's no like crazy
• 8:23
  Speaker 2: sets or costumes or anything. I mean, I love the show,
• 8:27
  Speaker 2: but I just couldn't do it. But yeah, it's a
• 8:30
  Speaker 2: I wish you could have seen it when it was
• 8:32
  Speaker 2: in Atlanta because you would have been laughing your butt
• 8:35
  Speaker 2: off the entire time. I bet.
• 8:39
  Speaker 1: Yeah, I'm sad I didn't get to see it either place,
• 8:42
  Speaker 1: but I'm sure it'll make a resurgence somewhere. I watched.
• 8:47
  Speaker 1: Cabaret was the other I guess there were more. There
• 8:49
  Speaker 1: was like Hell's Kitchen and things like that, which was okay.
• 8:53
  Speaker 1: It was like an Ilisha Key's Jukebox Musical, which I
• 8:58
  Speaker 1: like her, and she made a guess parents, so that
• 9:00
  Speaker 1: was cool. Eddie Redmains performance is the MC. When I
• 9:07
  Speaker 1: first watched it, I'm like, what in the world is
• 9:09
  Speaker 1: he doing. He's got all these like weird ticks and
• 9:12
  Speaker 1: affectations to the way he's speaking. And then i watched
• 9:15
  Speaker 1: this whole TikTok movement on the MC and Cabaret and
• 9:18
  Speaker 1: kind of that character's journey, and I'm like, Okay, I'm
• 9:21
  Speaker 1: fine with him being in humans. So the more I
• 9:23
  Speaker 1: watch it, the more I'm like, Okay, this is a
• 9:26
  Speaker 1: little less weird, and it flows a little bit better,
• 9:28
  Speaker 1: but it's still very weird.
• 9:29
  Speaker 2: And Joel Gray, Joel Gray and Alan Cumming have very
• 9:33
  Speaker 2: different like their their individual takes on the MC are
• 9:37
  Speaker 2: very very different from each other, and I love both
• 9:39
  Speaker 2: of those. But I've never seen any of Eddie remnaines
• 9:42
  Speaker 2: it is.
• 9:43
  Speaker 1: You can catch his performance on YouTube. I would really
• 9:47
  Speaker 1: enjoy hearing your perspective on it. To me, it comes
• 9:50
  Speaker 1: across as like possessed Marionette.
• 9:55
  Speaker 2: Well, and I mean like when you look at the
• 9:59
  Speaker 2: al Andcomming one, the way his suspenders work is a
• 10:04
  Speaker 2: little unconventional. Let's say it made me think a little
• 10:09
  Speaker 2: bit of clockwork orange and anyway, it's like I get it,
• 10:16
  Speaker 2: like it's supposed to be. Well, especially once Alan Cummings
• 10:19
  Speaker 2: version came up ended up being far more sexualized and
• 10:26
  Speaker 2: sort of this CD and creepy kind of vibe going on,
• 10:31
  Speaker 2: whereas the original one. I mean, it's CD and creepy,
• 10:34
  Speaker 2: but it's not as overtly sexual. It's more I think
• 10:38
  Speaker 2: in every single version the MC is a little odd,
• 10:45
  Speaker 2: like at least odd, if not a little inhuman.
• 10:48
  Speaker 1: And if you listen to Joel Gray's interview about developing
• 10:53
  Speaker 1: that character, he like he talks about the realization that
• 10:59
  Speaker 1: as the pl goes on, the MC is becoming a
• 11:02
  Speaker 1: Nazi basically.
• 11:05
  Speaker 2: Yeah, and the Alan Cumming version has a very poignant
• 11:11
  Speaker 2: part about that, because of course the Nazis they didn't
• 11:17
  Speaker 2: just round up Jewish people, they also round up homosexuals
• 11:20
  Speaker 2: and and others, and so that ends up playing a
• 11:24
  Speaker 2: big part in the end of No spoilers, I guess,
• 11:28
  Speaker 2: but I.
• 11:29
  Speaker 1: Guess that's that's the that's the that's the musical, right.
• 11:32
  Speaker 2: Well, And here's the thing is that you know, here
• 11:34
  Speaker 2: in Atlanta there's just about to be a new mounting
• 11:38
  Speaker 2: of Cabaret at Actors Express, which I plan. I plan
• 11:43
  Speaker 2: to go see. It mounts in late July and runs
• 11:45
  Speaker 2: through early September.
• 11:47
  Speaker 1: Let me know when you do, because.
• 11:50
  Speaker 2: You want to go to the kit Cat Club with me.
• 11:51
  Speaker 1: I would like to go to the kit Cat Club.
• 11:53
  Speaker 1: I've never seen a live performance of it.
• 11:56
  Speaker 2: It is. It is a very I mean, it's a
• 11:59
  Speaker 2: rough show. It's a good show. I love Cabaret, but
• 12:03
  Speaker 2: it is it is an emotionally draining show. It's also
• 12:08
  Speaker 2: an odd one because you know, Sally Bowles, one of
• 12:12
  Speaker 2: the characters, one of the primary characters of the show, Like,
• 12:17
  Speaker 2: she's not supposed to be phenomenal, Like she's supposed to
• 12:21
  Speaker 2: be a good cabaret performer. But the whole idea is
• 12:23
  Speaker 2: she's not supposed to be like some sort of amazing star, right,
• 12:28
  Speaker 2: so playing her like actors are supposed to be well, Ideally,
• 12:33
  Speaker 2: in my mind, actors are supposed to play her as
• 12:37
  Speaker 2: good but not great, which is a tricky line to
• 12:41
  Speaker 2: walk as an actor. But luckily, like I've seen it
• 12:46
  Speaker 2: with actresses who were in that realm, and I think
• 12:50
  Speaker 2: partly one of the reasons was I saw I can't
• 12:53
  Speaker 2: remember which actress it was. She was. She was on
• 12:56
  Speaker 2: Broadway during Alan Cummings more recent as the MC, and
• 13:01
  Speaker 2: she was like the replacement. She was the person who
• 13:05
  Speaker 2: was coming in after the original actor had left. But
• 13:09
  Speaker 2: she was really nervous the night I saw her, and
• 13:14
  Speaker 2: it came and it came through in her performance. But
• 13:16
  Speaker 2: I was like, but that works for this character.
• 13:23
  Speaker 1: Yeah. Yeah, And like Cabre is one of those shows that,
• 13:26
  Speaker 1: like the very front facing story of it is not
• 13:30
  Speaker 1: something that always appeals to me. Yeah, but knowing that
• 13:34
  Speaker 1: there is a deeper, more emotional story that does appeal
• 13:38
  Speaker 1: to me.
• 13:39
  Speaker 2: Yeah, Yeah, there's multiple things going on. You have like
• 13:41
  Speaker 2: this doomed romance that's playing out in front of you,
• 13:45
  Speaker 2: but you also have the encroaching threat of Nazi Germany
• 13:51
  Speaker 2: being like an overall thing that is having a greater
• 13:55
  Speaker 2: effect as the show goes on.
• 13:57
  Speaker 1: Yeah, I feel like I have nothing more to say
• 14:03
  Speaker 1: on Cabaret, but I do have one more thing to
• 14:05
  Speaker 1: say on the Tonys Sure, which is uh. I heard
• 14:10
  Speaker 1: there's a play called Stereophonic that's been on Broadway about
• 14:14
  Speaker 1: like the making of a band or the lives of
• 14:17
  Speaker 1: being in a band or something like that. I think
• 14:19
  Speaker 1: it is a play, but there is music in it.
• 14:22
  Speaker 1: The actors sing and play instruments. It wasn't supposed to
• 14:25
  Speaker 1: perform at the Broadways, and I this is what I've heard,
• 14:30
  Speaker 1: but so many people kind of raised heck about it,
• 14:34
  Speaker 1: saying they wanted Stereophonic to be one of the performers
• 14:36
  Speaker 1: at the broad at the Broadway at the Tony Awards
• 14:39
  Speaker 1: that they put them in.
• 14:41
  Speaker 2: Oh that's kind of interesting. Thereby by audience demand, popular demand, Yeah, yeah,
• 14:49
  Speaker 2: well that's cool. I mean that's a that's a good
• 14:52
  Speaker 2: selection of things what you have seen. I actually watched
• 14:56
  Speaker 2: stuff this week. It's unusual, like for some reason, I've
• 15:01
  Speaker 2: gotten into watching things again. So I watched the horror
• 15:04
  Speaker 2: movie Stop Motion, which we we talked about the trailer
• 15:07
  Speaker 2: for Stop Motion on this show Once upon a Time.
• 15:12
  Speaker 2: The premise of the of the film is that there's
• 15:17
  Speaker 2: this young woman who is essentially acting as the hands
• 15:21
  Speaker 2: for her mother, who is a stop motion artist, like
• 15:25
  Speaker 2: you know, stop motion photography to create stop motion animated films,
• 15:30
  Speaker 2: and her mother is working on this story that's very
• 15:34
  Speaker 2: important to her. But her mother has developed severe arthritis
• 15:39
  Speaker 2: in her hands and can't manipulate the puppets anymore. So
• 15:42
  Speaker 2: her daughter is doing it. Her adult daughter is doing
• 15:45
  Speaker 2: it for her, and the mother's very demanding. The mother
• 15:51
  Speaker 2: has a medical an incident, we'll say, and the young
• 15:59
  Speaker 2: woman and encounters a girl and is telling the girl
• 16:04
  Speaker 2: about the story that they're doing, and the girl's like,
• 16:06
  Speaker 2: that's boring. You should do a story about a girl
• 16:08
  Speaker 2: who's lost in the woods. And it becomes clear that
• 16:13
  Speaker 2: the young girl is a negative influence, we'll say, And
• 16:20
  Speaker 2: it gets increasingly surreal and dark as it goes on.
• 16:25
  Speaker 2: Now I felt that the movie was trying to be
• 16:29
  Speaker 2: something like hereditary. There goes Tible disagrees with me, but
• 16:33
  Speaker 2: I thought it was like Hereditary and that ultimately I
• 16:38
  Speaker 2: was I was not super entertained or interested by the
• 16:44
  Speaker 2: end of the movie. Like it was fine. It was
• 16:46
  Speaker 2: well done and well shot and well acted, but it
• 16:49
  Speaker 2: just didn't work for me as far as like a
• 16:52
  Speaker 2: horror movie that sticks with you, right, So that one
• 16:56
  Speaker 2: was a little bit of a disappointment for me, and
• 16:58
  Speaker 2: not saying it's a bad movie, it just didn't work
• 16:59
  Speaker 2: for me. Then I saw on Monday, I finally went
• 17:03
  Speaker 2: and saw Furiosa in the theater.
• 17:06
  Speaker 1: And.
• 17:08
  Speaker 2: I enjoyed the movie. It is a very different movie
• 17:12
  Speaker 2: from Fury Road. It's it's a movie that's divided into chapters,
• 17:16
  Speaker 2: and the chapters actually have title cards that come up
• 17:20
  Speaker 2: and sack Snyder. Yeah, not something you would expect from
• 17:24
  Speaker 2: George Miller, but yeah it You know, you get to
• 17:27
  Speaker 2: see a lot more world building, like they did a
• 17:31
  Speaker 2: lot of world building in Fury Road, and you see
• 17:34
  Speaker 2: more of that in this right, Like you get more
• 17:37
  Speaker 2: background on things like gas Town and Bullet Town. There
• 17:42
  Speaker 2: are a lot of characters who show up in Fury
• 17:45
  Speaker 2: Road who appear in Furiosa, many of whom are played
• 17:48
  Speaker 2: by different actors because some of those actors aren't with
• 17:51
  Speaker 2: us anymore. Between the ten years of when the movie.
• 17:54
  Speaker 1: Came out, it's been ten years.
• 17:56
  Speaker 2: Yeah, oh yeah, cheesy, Yeah, it was ten years decade
• 18:02
  Speaker 2: decade between Fury Road and Furiosa.
• 18:04
  Speaker 1: Shut your face full, sorry because that would make for
• 18:08
  Speaker 1: bad podcasting.
• 18:09
  Speaker 2: But yeah, uh I thought I thought it was good.
• 18:16
  Speaker 2: I was entertained. I thought Anya Taylor Joy was was
• 18:20
  Speaker 2: good in it. I thought the young girl who played
• 18:23
  Speaker 2: young Furiosa was really good as well.
• 18:26
  Speaker 3: Uh.
• 18:27
  Speaker 2: I liked Chris Himsworth enough in it. But Becca, she
• 18:33
  Speaker 2: said that his performance took her out of the movie
• 18:36
  Speaker 2: because he wasn't well, because he was so he was
• 18:40
  Speaker 2: like a little too cartoony in her mind, like obviously,
• 18:45
  Speaker 2: characters in the Mad Max universe are outlandish, that's just
• 18:48
  Speaker 2: that's a that's a staple. But she felt that he
• 18:51
  Speaker 2: was sort of cartoon villainy and that it didn't come
• 18:56
  Speaker 2: across as the same sort of extreme villain that you
• 18:59
  Speaker 2: see in other or Mad Max movies. So so she
• 19:04
  Speaker 2: was not as as entertained as I was. But we
• 19:10
  Speaker 2: both we both liked the movie. I don't think either
• 19:12
  Speaker 2: of us loved it I think I think Fear he
• 19:15
  Speaker 2: wrote is a more entertaining film for me, But I
• 19:19
  Speaker 2: did still think it was a pretty interesting movie.
• 19:23
  Speaker 1: Did it Did it feel really really long? Because that's
• 19:27
  Speaker 1: some of the criticism I've heard about it.
• 19:29
  Speaker 2: I didn't think it felt really long. Uh, I mean,
• 19:35
  Speaker 2: like the beginning. The beginning maybe felt a little long
• 19:37
  Speaker 2: for me, but that was largely because I was like,
• 19:39
  Speaker 2: when is she going to end up with a Morton
• 19:42
  Speaker 2: Joe and becomes a driver? Like, how is that gonna happen?
• 19:47
  Speaker 2: Because there's certain things that happened in the movie where
• 19:49
  Speaker 2: you're like, well, wait a minute, if this happened, how
• 19:53
  Speaker 2: does she ever get to the point where she can
• 19:56
  Speaker 2: become a driver? Because it seems like this thing that's
• 20:00
  Speaker 2: happening right now would prevent that from ever being a possibility,
• 20:04
  Speaker 2: And the movie sort of answers that. I'm not fully
• 20:09
  Speaker 2: satisfied with the answers, but I thought that it was fine.
• 20:15
  Speaker 2: I didn't feel like it was too long.
• 20:18
  Speaker 1: Gotcha. I have another question about it. Yeah, I know
• 20:22
  Speaker 1: that they did some weird face merging with the child
• 20:26
  Speaker 1: actor and Anya Taylor Joy. Did that come across Uncanny Valley?
• 20:31
  Speaker 2: No, it didn't. It didn't come across Uncanny Valley in
• 20:34
  Speaker 2: the slightest like. Actually, Becca told me later, she's like, wow,
• 20:40
  Speaker 2: I just can't believe they got a child actor who
• 20:42
  Speaker 2: looks so much like Anya Taylor Joy. I'm like, well, interesting,
• 20:44
  Speaker 2: you should say that. And I told her and she's like, wow,
• 20:48
  Speaker 2: I had no idea, And yeah, it's it's pretty like
• 20:51
  Speaker 2: it's not like you're in a character creator in a
• 20:54
  Speaker 2: video game and you're suddenly moving the slider left and
• 20:57
  Speaker 2: right super hard, right, Like, it's not that sudden. They did.
• 21:01
  Speaker 2: They did a good job of making the changes be
• 21:03
  Speaker 2: gradual and subtle. Uh so, yeah, it uh it worked.
• 21:09
  Speaker 2: I never I didn't really knowing that it had happened.
• 21:12
  Speaker 2: It it wasn't It didn't stand out to me awesome.
• 21:15
  Speaker 2: And then finally I have watched, uh the as of
• 21:19
  Speaker 2: now four episodes of season four of The Boys. I
• 21:23
  Speaker 2: actually watched all four this week.
• 21:25
  Speaker 3: Yeah, yeah, I you know, we we actually talked last
• 21:32
  Speaker 3: night because Jonathan was helping me with an audition and
• 21:35
  Speaker 3: he gave me just a tiny sneak peek.
• 21:38
  Speaker 1: Of the four episodes. I was like, that's a lot
• 21:41
  Speaker 1: for an entire season.
• 21:45
  Speaker 2: Yeah, and that's we're not we're not We're not through
• 21:47
  Speaker 2: a season yet. Yeah, there's a lot going on. I mean,
• 21:52
  Speaker 2: part of it is a little frustrating because you know,
• 21:56
  Speaker 2: they've already announced that season five is going to be
• 21:58
  Speaker 2: the final season of The Boys, which I think is
• 22:01
  Speaker 2: I think that's fine. I think knowing when to end
• 22:03
  Speaker 2: is really important. Like, you don't want to just, you know,
• 22:08
  Speaker 2: spin the wheels just because it's something that people like,
• 22:12
  Speaker 2: and then gradually people like it less and less until
• 22:14
  Speaker 2: finally it's just it just sputters out. You don't want that.
• 22:17
  Speaker 2: You want to be able to tell a story. I'm
• 22:20
  Speaker 2: concerned because I feel like they could have concluded the
• 22:23
  Speaker 2: story this season. Honestly, I feel like I feel like
• 22:26
  Speaker 2: they probably could have done it in three seasons, but
• 22:28
  Speaker 2: like I feel like, definitely they could conclude it this season.
• 22:32
  Speaker 2: I already feel like this season has got some water
• 22:37
  Speaker 2: treading stuff going on, where it's like it's not that
• 22:40
  Speaker 2: the things that are happening aren't interesting, but a lot
• 22:45
  Speaker 2: of it feels like it's the same stuff happening over
• 22:49
  Speaker 2: and over, and I don't it's it's edging way too
• 22:55
  Speaker 2: close to misery porn for me. Like the reason why
• 22:58
  Speaker 2: I had to get out of watching Game of Thrones,
• 23:00
  Speaker 2: the reason why I never really got into Walking Dead.
• 23:03
  Speaker 2: There are a lot of the same things playing out
• 23:05
  Speaker 2: with the Boys. Ironically, there's a scene where Hughey talks
• 23:09
  Speaker 2: about how Starlight or how Annie, because she no longer
• 23:13
  Speaker 2: goes by Starlight, how she needs to go back to
• 23:16
  Speaker 2: being Starlight so that she can be a beacon of
• 23:18
  Speaker 2: hope because people really need hope. And I'm like, take
• 23:22
  Speaker 2: some notes the Boys, because you don't have any of
• 23:26
  Speaker 2: this in your show.
• 23:29
  Speaker 1: It's interesting because I was about to say that it's
• 23:35
  Speaker 1: getting to if it's getting towards Game of Throne and
• 23:38
  Speaker 1: Walking Dead territory. Yeah, yeah, I feel like I got
• 23:43
  Speaker 1: further along and Walking Dead or Game of Thrones, but
• 23:46
  Speaker 1: that's not actually true. I do think I quit after
• 23:48
  Speaker 1: two or three seasons of Walking Dead and Game of Thrones.
• 23:56
  Speaker 1: I watched the first couple of seasons and then I
• 23:58
  Speaker 1: watched like the last couple of seas since so I
• 24:01
  Speaker 1: took a big multi season break. But yeah, season three
• 24:06
  Speaker 1: of the Boys, I had to nope out. I like
• 24:09
  Speaker 1: the characters, and I like the story and the satire
• 24:12
  Speaker 1: and the commentary, but yeah, it's the misery porn shock
• 24:17
  Speaker 1: value stuff that they do detracts.
• 24:19
  Speaker 2: From it with Yeah, there's some definite shock value moments
• 24:24
  Speaker 2: where you're like, the only reason this is in the
• 24:28
  Speaker 2: show is because it's so shocking and it's going to
• 24:31
  Speaker 2: get people like talking about it or whatever. But it
• 24:35
  Speaker 2: doesn't add anything to the story, the narrative or the characters. Right, Like,
• 24:41
  Speaker 2: there's one scene in particular, I'll never ever be able
• 24:44
  Speaker 2: to unsee that again, has nothing to do with anything
• 24:50
  Speaker 2: of importance. It's just there and it lingers way too
• 24:54
  Speaker 2: long on it and I'm not going to say anything
• 24:56
  Speaker 2: because it's a family friendly podcast, but it was it's like, really,
• 25:01
  Speaker 2: do we I mean, you're not shocking me, You're just
• 25:04
  Speaker 2: disappointing me, is really what I came down to, because
• 25:07
  Speaker 2: I felt like it was a serious crutch.
• 25:10
  Speaker 1: Yeah, I I think it's really sad, I because I
• 25:17
  Speaker 1: like the actors too well.
• 25:19
  Speaker 2: The other thing that's kind of rough and I was
• 25:21
  Speaker 2: just for anyone who's thinking about watching it is one
• 25:25
  Speaker 2: of the things that's kind of being on Rinse and
• 25:27
  Speaker 2: Repeat this season is we're finding out about the past
• 25:35
  Speaker 2: of some of the heroes, like some of the actual
• 25:38
  Speaker 2: like the boys, some of the members of the Boys,
• 25:40
  Speaker 2: you're finding about some of their pasts that is showing
• 25:45
  Speaker 2: them to have been, at least at some point, really
• 25:48
  Speaker 2: not good people. And I'm like, I mean, I get
• 25:54
  Speaker 2: that they're trying to ground this and say, oh, well,
• 25:57
  Speaker 2: no one's going to be like a pal right, no
• 26:01
  Speaker 2: one's gonna be perfect and a shining beacon of goodness.
• 26:05
  Speaker 2: But do we really need to have scenes where the
• 26:10
  Speaker 2: message appears to be that the heroes of the Boys
• 26:13
  Speaker 2: are only maybe a half step away from how horrible
• 26:17
  Speaker 2: the Seven are? Because if so, this is Game of
• 26:20
  Speaker 2: Thrones where it's just let's put a bunch of really
• 26:23
  Speaker 2: terrible people in a jar, close the lid, and then
• 26:26
  Speaker 2: shake the jar so we can make them fight. Right, Like,
• 26:29
  Speaker 2: I'm like, I don't need that. That's not I need.
• 26:32
  Speaker 2: I need hope bring starlight in.
• 26:37
  Speaker 1: Well, it is interesting because it's it's definitely a storytelling problem,
• 26:42
  Speaker 1: not necessarily a subject matter problem.
• 26:45
  Speaker 2: Yeah, because like.
• 26:47
  Speaker 1: If you look at if you I think you could
• 26:50
  Speaker 1: get the same points across and like you said, give
• 26:53
  Speaker 1: someone hope. If you look at the difference between Walking
• 26:55
  Speaker 1: Dead the later seasons especially, and Left for Dead not left.
• 27:01
  Speaker 2: For Dead fear the walking Dead, No, is it.
• 27:05
  Speaker 1: Left for Dead? The one with the zombie mushroom people.
• 27:09
  Speaker 2: Oh, that's Last of Us?
• 27:11
  Speaker 1: Last of Us? Similar type shows, similar type story, and
• 27:17
  Speaker 1: Last of Us is also a very depressing, sad story.
• 27:21
  Speaker 1: But it leaves me. I don't feel gross leaving an episode. Yeah,
• 27:27
  Speaker 1: every once in a while I feel incredibly sad. There
• 27:30
  Speaker 1: was one episode that like I noped out of the
• 27:32
  Speaker 1: most of for Last of Us.
• 27:35
  Speaker 2: Was the one where if I use the phrase what's
• 27:38
  Speaker 2: eating you that applies.
• 27:39
  Speaker 1: To the Yes, yeah, because it just had subject matter
• 27:44
  Speaker 1: that I knew would make me feel gross. But the
• 27:45
  Speaker 1: beginning and the end of it, we're still quite good. Yeah,
• 27:48
  Speaker 1: because I just watched the beginning and the end. But yeah,
• 27:50
  Speaker 1: it's that's a horribly depressing story. I know it's only
• 27:53
  Speaker 1: going to get worse, and yet I feel okay coming
• 27:57
  Speaker 1: out of it. Same with Fallout, which has the all
• 28:00
  Speaker 1: these people are saying they're doing things for good, but
• 28:02
  Speaker 1: they're really just all the same people doing the same
• 28:05
  Speaker 1: problems that they're saying are wrong with the world. But
• 28:08
  Speaker 1: I walk out of it feeling like there's some hope,
• 28:12
  Speaker 1: feeling like.
• 28:13
  Speaker 2: Yeah, I think change could happen if I were to
• 28:16
  Speaker 2: compare The Boys to anything and say, I tend to
• 28:20
  Speaker 2: prefer the other version more. It would be Invincible, right
• 28:25
  Speaker 2: I Invincible still like crazy over the top violence to
• 28:30
  Speaker 2: the point where they really are indulging in shock value,
• 28:33
  Speaker 2: especially the end of the episode one of Invincible, Like
• 28:37
  Speaker 2: that is some of the most grotesque violence I've ever seen,
• 28:42
  Speaker 2: and that's definitely a part of it. But I feel
• 28:48
  Speaker 2: that the character, Like, there are enough characters who are
• 28:50
  Speaker 2: genuinely trying to do the right thing, and maybe sometimes
• 28:54
  Speaker 2: they do the wrong thing, but it's because they weren't
• 28:57
  Speaker 2: aware at the time that it was the wrong thing, right,
• 29:00
  Speaker 2: they were trying to do something good, Whereas in The Boys,
• 29:04
  Speaker 2: you almost feel like if anyone does the right thing,
• 29:06
  Speaker 2: it was purely by accident. It didn't matter.
• 29:08
  Speaker 1: Like, yeah, yeah, I agree with that. It is interesting because, yeah,
• 29:13
  Speaker 1: Invincible has some really rough moments, but I still find
• 29:19
  Speaker 1: it enjoyable.
• 29:20
  Speaker 2: Yeah, And I mean, like, I think the season of
• 29:23
  Speaker 2: the Boys is going pretty well. I'm not saying it's perfect.
• 29:27
  Speaker 2: There's some characters, new characters that I think are really
• 29:30
  Speaker 2: intriguing and I'm curious to see where they go from here.
• 29:34
  Speaker 2: There's some characters I wish they would just kill off already,
• 29:36
  Speaker 2: but I know they won't because for whatever reason, they
• 29:40
  Speaker 2: resonate with the rest of the audience. But I'm just like,
• 29:42
  Speaker 2: for goodness sakes, just kill the Deep. Just kill the
• 29:46
  Speaker 2: Deep already, Please kill the Deep.
• 29:49
  Speaker 1: Yes.
• 29:50
  Speaker 2: Uh.
• 29:50
  Speaker 1: He upsets me on so many I felt bad for
• 29:52
  Speaker 1: him once twice in season one, maybe once in season two,
• 29:57
  Speaker 1: and the rest of the time I just despised him.
• 30:00
  Speaker 2: Yeah, I grossed me out. I know that he ends
• 30:04
  Speaker 2: up being like the comedy relief for a lot of episodes,
• 30:07
  Speaker 2: like the idea of being kind of this just total idiot.
• 30:10
  Speaker 2: I get it, but it does not mean that I
• 30:15
  Speaker 2: find him at all entertaining. I will say, however, if
• 30:18
  Speaker 2: the Deep had been killed before season four, we would
• 30:21
  Speaker 2: have missed out on Untilda Swinton's amazing performance in season four.
• 30:26
  Speaker 2: She's the octopus. No, yeah, no, yeah, I don't want to.
• 30:30
  Speaker 1: I don't want to. She's the octopus Deep, the octopus.
• 30:33
  Speaker 2: She talks, I don't. She's got a lot to say.
• 30:37
  Speaker 2: She has complaints about their lack of intimacy.
• 30:40
  Speaker 1: I need to not know about this.
• 30:43
  Speaker 2: It happens in multiple episodes. I can't wait for you
• 30:45
  Speaker 2: to see it.
• 30:46
  Speaker 1: I'm not going to. I get like, I've given my
• 30:51
  Speaker 1: husband permission to watch season in three and four without me,
• 30:54
  Speaker 1: and he watched part of season three and hasn't gone
• 30:56
  Speaker 1: back to it as far as I know. He's playing
• 30:58
  Speaker 1: Slave Atpire on Xbox right now. That's taking most of
• 31:00
  Speaker 1: his free time. But talking about the deep did remind
• 31:05
  Speaker 1: me of something else that I'm watching right now, Nautilus Live.
• 31:10
  Speaker 1: This is like my version of Jonathan's Stardew Valley.
• 31:14
  Speaker 2: Yeah, you sent me the link to this, Yeah.
• 31:18
  Speaker 1: So it's There are a few organizations that do this,
• 31:21
  Speaker 1: but Nautilus Live is an organization of marine biologists basically
• 31:24
  Speaker 1: that do deep sea exploration and science stuff and mapping
• 31:29
  Speaker 1: and uh. They do like basically spring to late fall
• 31:37
  Speaker 1: dives sometimes a little later, you know, depends on what
• 31:40
  Speaker 1: they're doing and I guess the weather of wherever they're
• 31:42
  Speaker 1: going and then they live stream it. So like today
• 31:47
  Speaker 1: because I put it on in the background because the
• 31:50
  Speaker 1: marine biologists talk. You can go on their website nautilists
• 31:53
  Speaker 1: Live dot com dot org, tryump see which one works,
• 31:58
  Speaker 1: and actually ask the marine by it'll tell you if
• 32:01
  Speaker 1: the marine biologists are active, and you can type out
• 32:04
  Speaker 1: questions to them and they'll answer them on the live feed,
• 32:07
  Speaker 1: which is really cool, so you can ask them about
• 32:09
  Speaker 1: what they're seeing or what they're doing. Today. They were
• 32:13
  Speaker 1: doing like the Mathra deep sea event.
• 32:20
  Speaker 2: Chimney thing wow, named after the Godzilla character they were.
• 32:25
  Speaker 1: I think they were at the Godzilla event yesterday or
• 32:27
  Speaker 1: the day before. It was another like Kaiju character, and
• 32:33
  Speaker 1: then doing like some maintenance on some under underwater stuff,
• 32:38
  Speaker 1: but like watching it. Sometimes they run across really cool species.
• 32:42
  Speaker 1: They ran across a whale that was playing for the
• 32:44
  Speaker 1: camera one time, just circling and like exploring and being
• 32:50
  Speaker 1: very curious about the the r o V that they
• 32:52
  Speaker 1: were dropping into the water. They came across a whale
• 32:55
  Speaker 1: graveyard that was covered in octopuses once and after watching
• 33:00
  Speaker 1: last night's Smarty Pants on dropout. I know that some
• 33:02
  Speaker 1: people don't like this kind of entertainment, but for me,
• 33:05
  Speaker 1: I find it incredibly relaxing. The sea mapping is less,
• 33:10
  Speaker 1: so then you're just kind of seeing a diagram of
• 33:12
  Speaker 1: what they're of them mapping out the seafloor. Yeah, and
• 33:16
  Speaker 1: it's usually too deep for people to dive.
• 33:18
  Speaker 2: They talked about yesterday.
• 33:19
  Speaker 1: There are a couple of sites where people can like
• 33:21
  Speaker 1: they are shallow enough that divers can go and work
• 33:24
  Speaker 1: maintenance this stuff, but it's usually these vehicles. But it's
• 33:29
  Speaker 1: just especially when they're exploring, it's just so wonderful. It's
• 33:33
  Speaker 1: so relaxing, it's so cool. It makes me feel like
• 33:36
  Speaker 1: a mermaid.
• 33:37
  Speaker 2: Well, the only other thing that's geeky that I do
• 33:40
  Speaker 2: I do want to mention is I was playing Wizardry,
• 33:45
  Speaker 2: which is so way back in the early eighties, there
• 33:49
  Speaker 2: was this dungeon crawler CRPG game called Wizardry that came
• 33:56
  Speaker 2: out for the Apple too, primarily, but it was available
• 33:59
  Speaker 2: on other platforms. And it's very simple, like you make
• 34:04
  Speaker 2: a team of up to six characters. The three in
• 34:07
  Speaker 2: the front are your typically your warriors, and your and
• 34:11
  Speaker 2: your damage sponges, and then you can have like a
• 34:14
  Speaker 2: thief and some magic users and stuff like clerics and
• 34:17
  Speaker 2: magic users that kind of thing. And it's just it's
• 34:21
  Speaker 2: a progenitor of a lot of other computer RPGs that
• 34:24
  Speaker 2: would follow it. Is they did a remake of Wizardry
• 34:29
  Speaker 2: not too long ago, Like it's a faithful recreation of
• 34:33
  Speaker 2: the original Wizardry. They did not there's a few little
• 34:37
  Speaker 2: tiny quality of life improvements that they've thrown in, but
• 34:40
  Speaker 2: for the most part, it's just an accurate the recreation
• 34:44
  Speaker 2: of the Apple two game. So I've been playing it
• 34:47
  Speaker 2: and cursing a lot because it is unforgiving. Your characters
• 34:53
  Speaker 2: will die multiple times, Like sometimes you'll be able to
• 34:56
  Speaker 2: get out with at least some of your party a lot,
• 35:00
  Speaker 2: and if you are, then you can potentially pay to
• 35:03
  Speaker 2: have characters resurrected if you happen to have enough gold,
• 35:07
  Speaker 2: or you have to recruit new characters. And then sometimes
• 35:11
  Speaker 2: it's a total party kill and you lose everybody and
• 35:14
  Speaker 2: you have to start with new characters.
• 35:17
  Speaker 1: I feel like you play the two extremes of video games.
• 35:20
  Speaker 1: You play these horribly like stressful games, and then you
• 35:23
  Speaker 1: play Stardew Valley.
• 35:24
  Speaker 2: Yeah, I need to get back into Starduw Valley like
• 35:27
  Speaker 2: I had reached. I had reached a point in my
• 35:29
  Speaker 2: last playthrough where I was kind of in the long
• 35:33
  Speaker 2: tail of the end game where I had done all
• 35:36
  Speaker 2: the major things that you need to do, Like I
• 35:38
  Speaker 2: had achieved all the major achievements throughout the game and
• 35:44
  Speaker 2: now you're just playing, but I had not done all
• 35:49
  Speaker 2: the things you need to do to hit one hundred
• 35:50
  Speaker 2: percent completion. I have never hit one hundred percent completion
• 35:54
  Speaker 2: in Stardoo ever, because it requires a ton of work,
• 35:58
  Speaker 2: and if you have like a list next to you
• 36:00
  Speaker 2: or whatever, you could presumably get it done in decent order,
• 36:05
  Speaker 2: it would still take you a few years of game
• 36:07
  Speaker 2: time to be able to do it. I think I'm
• 36:09
  Speaker 2: like five or six years into my game time and
• 36:12
  Speaker 2: I'm maybe halfway. And so like when you're at that point,
• 36:17
  Speaker 2: playing through a day of Stardo, feels like you accomplish
• 36:21
  Speaker 2: nothing because you got you gotten marginally closer to this
• 36:26
  Speaker 2: goal of one completion, and that can get frustrating to
• 36:30
  Speaker 2: the point where I'll put it down and won't go
• 36:32
  Speaker 2: back to it for ages.
• 36:34
  Speaker 1: Yeah, well that's why you have more time to watch things.
• 36:37
  Speaker 2: That's true. Actually, you're probably right. Like I haven't seen
• 36:42
  Speaker 2: any other games that have caught my attention where I
• 36:45
  Speaker 2: thought I need to dedicate time to this. And not
• 36:51
  Speaker 2: to say that there haven't been great games, because I mean,
• 36:53
  Speaker 2: like I played Hades too when it came out, and
• 36:55
  Speaker 2: that's still an early access, but like I'm not playing
• 36:59
  Speaker 2: anything that is pulling me hard to play it, like
• 37:04
  Speaker 2: when I was in Yakuza, like a dragon. Oh my gosh.
• 37:07
  Speaker 2: I was like, well, here's where my life has gone.
• 37:11
  Speaker 2: But I haven't done that for the last couple of weeks.
• 37:15
  Speaker 1: Yeah, yeah, I played Beat Saber. We finally got our
• 37:20
  Speaker 1: Xbox One working again. I think the kitten had just
• 37:24
  Speaker 1: gone back there and messed some stuff up or just
• 37:28
  Speaker 1: like everything else in my house, sometimes it works and
• 37:30
  Speaker 1: sometimes it doesn't, and you never know why it fixes itself,
• 37:32
  Speaker 1: but it does, so that's cool. Yeah, But so I
• 37:37
  Speaker 1: want to finish my run through of Andromeda, you know,
• 37:41
  Speaker 1: before Mass Effect five comes out in twenty years. But
• 37:47
  Speaker 1: I've only really been playing Beat Saber as far as
• 37:50
  Speaker 1: video game and like phone games. One of our mutual
• 37:54
  Speaker 1: friends just pulled me back into like a Telestra Telestrations
• 37:59
  Speaker 1: gate phone. Yeah, that's fun. So it takes a very little.
• 38:04
  Speaker 2: Time because that one of those ones where it's like
• 38:08
  Speaker 2: someone gets a prompt they have to draw something. The
• 38:11
  Speaker 2: next person has to guess what that what the drawing is,
• 38:14
  Speaker 2: Then the next person has to draw based on that.
• 38:16
  Speaker 2: Got it? Yep? I love it. I love those. I
• 38:19
  Speaker 2: love those, and I haven't played one in years, but man,
• 38:23
  Speaker 2: those can be a lot of fun as long as
• 38:25
  Speaker 2: you don't have someone who's purposefully trying to mess things up. Yeah.
• 38:30
  Speaker 1: So it is a little hard because it's on your phone,
• 38:31
  Speaker 1: and unless you buy other color packs or pen sizes,
• 38:34
  Speaker 1: you know, you're limited to.
• 38:36
  Speaker 2: Yeah, and if you if you've got fat fingers, you
• 38:39
  Speaker 2: might end up having a less than a stellar image.
• 38:43
  Speaker 1: Yeah. But for somethings like Jack Box, it's funnier when
• 38:46
  Speaker 1: you do it that way.
• 38:46
  Speaker 2: Yeah, Yeah, that's true. Well, we've got lots of stories
• 38:50
  Speaker 2: to actually get through. When we really chatted a lot
• 38:53
  Speaker 2: at the front of the end of the show, it's
• 38:55
  Speaker 2: forty minutes almost. Let's get let's get to some thirty
• 38:59
  Speaker 2: seconds or less, shall we? Sure?
• 39:02
  Speaker 1: Sure?
• 39:02
  Speaker 2: Okay, well then I think I get started. And so,
• 39:07
  Speaker 2: according to Hollywood reporter Mike Flanagan's the Exorcist film is
• 39:11
  Speaker 2: not part of a trilogy of films that Blumhouse and
• 39:13
  Speaker 2: Morgan Creek had counted on. That trilogy started with The
• 39:16
  Speaker 2: Exorcist Believer. But to say folks were not spinning their
• 39:20
  Speaker 2: heads in glee about that movie is putting it lightly.
• 39:23
  Speaker 2: It was a total bomb. So Flannagan's Exorcist picture is
• 39:27
  Speaker 2: independent of that entry and quote unquote charts a new
• 39:30
  Speaker 2: course for the series. It's due out on March thirteenth,
• 39:33
  Speaker 2: twenty twenty six.
• 39:36
  Speaker 1: Something else that's coming out but much sooner, is the
• 39:40
  Speaker 1: first trailer for Nosparatu, which we talked about a little
• 39:44
  Speaker 1: earlier in the show this year. How at Sinemacon they
• 39:48
  Speaker 1: showed the trailer and we haven't seen it yet. However,
• 39:50
  Speaker 1: now you can if you want to go see Bike Riders,
• 39:53
  Speaker 1: which is an Austin Butler movie about motorcycle gangs, that
• 39:57
  Speaker 1: will be where you can see this first trailer for now.
• 40:00
  Speaker 1: I hope it drops too. I'm really glad it's not
• 40:02
  Speaker 1: before Inside Out too, because it's not that kind of movie.
• 40:05
  Speaker 1: But hopefully it'll drop to TV and YouTube soon.
• 40:09
  Speaker 2: Okay, Well, we love mashups here on LLENC. So what
• 40:13
  Speaker 2: would happen if you mashed up the erotic thriller Fatal
• 40:16
  Speaker 2: Attraction with the Terminator, Well you might end up with Soulmate,
• 40:21
  Speaker 2: a movie that is set in the same universe as Megan.
• 40:24
  Speaker 2: In Soulmate, a man grieving the loss of his wife
• 40:27
  Speaker 2: turns to the cold embrace of a love bought imbued
• 40:30
  Speaker 2: with artificial intelligence, and then terrifying Hyjenks and Sue. Here's
• 40:34
  Speaker 2: hoping we at least get a viral TikTok dance out
• 40:37
  Speaker 2: of it.
• 40:40
  Speaker 1: That might make you feel happy or mad or sad.
• 40:43
  Speaker 1: But don't worry if you can't suss through those emotions
• 40:47
  Speaker 1: watching Inside Out or Inside Out too, you be able
• 40:52
  Speaker 1: to on the series that is coming to Disney Plus
• 40:56
  Speaker 1: in twenty twenty five. Apparently there's an Inside Out television
• 41:00
  Speaker 1: show that's going to start with Riley's weird dreams.
• 41:04
  Speaker 2: I'm now wondering if Ariel will be able to work
• 41:07
  Speaker 2: inside Out into all of her thirty seconds or less
• 41:10
  Speaker 2: stories this week. I don't know. Well. Warner Brothers Animation
• 41:13
  Speaker 2: is reportedly developing an animated series about the DC hero
• 41:17
  Speaker 2: Blue Beetle. That's the character who was featured in the
• 41:19
  Speaker 2: film Blue Beetle, you know, the one that nobody went
• 41:22
  Speaker 2: to see. So I guess Warner Brothers is striking while
• 41:25
  Speaker 2: the Iron is lukewarm and developing an animated series now.
• 41:29
  Speaker 2: To be fair, I think the character might do better
• 41:31
  Speaker 2: in an animated show than by anchoring his own live
• 41:34
  Speaker 2: action film. But I always thought he was more of
• 41:37
  Speaker 2: an ensemble superhero.
• 41:41
  Speaker 1: Yeah, very very sharp dressed. So those inside Out kids
• 41:49
  Speaker 1: sometimes say gets sick, which is not an emotion. I
• 41:52
  Speaker 1: have been told feeling sick or hungry or tired, according
• 41:56
  Speaker 1: to my acting coaches, is not an emotion. However, recently,
• 42:01
  Speaker 1: a bunch of players of Hell Divers Too were given
• 42:04
  Speaker 1: the option of either saving a bunch of sick kids
• 42:07
  Speaker 1: from a hospital in the game from a killer robots,
• 42:10
  Speaker 1: or earning a cool anti tank mine that they have
• 42:13
  Speaker 1: been asking for repeatedly and en mass. The players all
• 42:19
  Speaker 1: chose to well, I can't say all. The majority of
• 42:22
  Speaker 1: players chose to save the sick kids. And because of that,
• 42:27
  Speaker 1: the chief creative officer of the company that makes Hell
• 42:30
  Speaker 1: Divers has made a donation to save the children to
• 42:35
  Speaker 1: commemorate the in game generosity of the players, which is
• 42:38
  Speaker 1: really awesome.
• 42:39
  Speaker 2: Yeah, it makes you wonder if they had chosen the minds,
• 42:42
  Speaker 2: would that same developer had gone out and put minds
• 42:45
  Speaker 2: all over the place, because that's just evil.
• 42:49
  Speaker 1: I don't I hope not.
• 42:51
  Speaker 2: Well, here's my last one. Adult Swim has optioned the
• 42:54
  Speaker 2: late Anthony Bourdain's graphic novel series called Get Jiro Bordained,
• 42:59
  Speaker 2: best known as a chef as well as a travel
• 43:01
  Speaker 2: and food TV personality, created the graphic novels with Joel
• 43:05
  Speaker 2: Rose and artists Langdon Boss and Ale Garza. The series
• 43:09
  Speaker 2: features a combat ready sushi chef who lives in a
• 43:12
  Speaker 2: world where people will absolutely kill to get a table
• 43:15
  Speaker 2: at that new chic restaurant that just opened up. I'm intrigued.
• 43:20
  Speaker 1: Yeah, that seems up my alley too.
• 43:23
  Speaker 2: Yeah, it's kind of like, uh like John Wick meets
• 43:26
  Speaker 2: the Menu.
• 43:28
  Speaker 1: Yeah, I you know, Delicious in Dungeon is one of
• 43:31
  Speaker 1: those shows that I need to watch soon.
• 43:33
  Speaker 2: I yeah, I keep hearing about that and I never
• 43:36
  Speaker 2: did check it out, so I should do that too.
• 43:38
  Speaker 1: I don't know if it's going to creep me out
• 43:40
  Speaker 1: too much. I play D and D and a lot
• 43:41
  Speaker 1: of them. We all play monstrous races in my game almost.
• 43:44
  Speaker 2: So oh weird.
• 43:46
  Speaker 1: So it's well, well, not accepted. So we have a
• 43:50
  Speaker 1: warfwged to Changeling. Uh Dragonborn. Uh well, Dragonborn's accepted a tiefling.
• 43:57
  Speaker 1: They are more nowadays, but you're kind of like but
• 44:00
  Speaker 1: they're they're more like the.
• 44:02
  Speaker 2: Yeah, well yeah, I thought you meant like every single
• 44:06
  Speaker 2: person was playing uh Cobald or right, Yeah, like a
• 44:10
  Speaker 2: monster that that typically you know, like it's only in
• 44:13
  Speaker 2: homebrew games where you would typically see this as a
• 44:15
  Speaker 2: player character.
• 44:16
  Speaker 1: I mean, our game is very homebrew. The most normal
• 44:19
  Speaker 1: player we have is is a Callishtar.
• 44:23
  Speaker 2: I saw a YouTube video of a group doing like
• 44:28
  Speaker 2: a one shot for a live audience. It was a
• 44:31
  Speaker 2: you know, it's a group that actually mostly they do
• 44:34
  Speaker 2: Xbox games, but they also do D and D and
• 44:38
  Speaker 2: they did a performance in front of an audience that
• 44:41
  Speaker 2: was one shot where it was called oops, all cobolds
• 44:44
  Speaker 2: and so yeah, they were each person was playing a
• 44:46
  Speaker 2: cobold character. And I was like, oh, that's that's cute,
• 44:49
  Speaker 2: that's clever, but but famous, famous Jonathan Choice. I started
• 44:56
  Speaker 2: the video, watched a little bit, and turned it off
• 44:58
  Speaker 2: before any actual play had begun.
• 45:02
  Speaker 1: You need to skip past that part and directly to
• 45:05
  Speaker 1: the game.
• 45:06
  Speaker 2: Yeah, or I need to just wait until someone has
• 45:08
  Speaker 2: made like a best of clips kind of thing and
• 45:11
  Speaker 2: then I can just watch that. Well, speaking of best
• 45:15
  Speaker 2: of clips, so we had, you know, obviously, we had
• 45:19
  Speaker 2: like the Summer Games Fest, we had the PC Games Fest,
• 45:22
  Speaker 2: We had Ubisoft showing off stuff. Recently, now Nintendo has
• 45:26
  Speaker 2: had their Nintendo Direct like that was that happened this
• 45:29
  Speaker 2: past week, and there was a lot of stuff shown
• 45:33
  Speaker 2: off and one thing we knew was not going to happen,
• 45:38
  Speaker 2: and sure enough it did not happen. But it's okay
• 45:40
  Speaker 2: because we knew it wasn't going to happen. They did
• 45:42
  Speaker 2: not announce the next console, so they've said that is
• 45:46
  Speaker 2: in development, but they had already said they would not
• 45:49
  Speaker 2: be announcing it at this particular event. They stay true
• 45:52
  Speaker 2: to their word. But we did get to see some
• 45:54
  Speaker 2: stuff like Metroid Prime for Beyond. From what I understand,
• 46:01
  Speaker 2: a lot of fans just felt like that was just
• 46:03
  Speaker 2: it was more Metroid Prime, which they're happy about, but
• 46:06
  Speaker 2: it wasn't like transformative and give.
• 46:10
  Speaker 1: Me slight like Mass Effect vibes slight.
• 46:15
  Speaker 2: We also got a Mario and Luigi Brothership game that
• 46:19
  Speaker 2: was shown off that looks very cute. There was, you know,
• 46:25
  Speaker 2: several games like a Donkey Kong Country Returns was was
• 46:29
  Speaker 2: shown off. But I think the thing that most people
• 46:31
  Speaker 2: were actually excited about was the Legend of Zelda game. See.
• 46:37
  Speaker 1: I was wondering if you'd be most excited about that
• 46:39
  Speaker 1: or most excited about the Cozy Hobbit game.
• 46:44
  Speaker 2: I mean, the Cozy Hobbit game does probably have like
• 46:47
  Speaker 2: some Starduo Valley energy running through it too, right, like or.
• 46:51
  Speaker 1: The cozy Hello Kitty game.
• 46:53
  Speaker 2: I mean, I'm not going to turn my nose up
• 46:55
  Speaker 2: at Hello Kitty. But but no, I think, well, if
• 47:00
  Speaker 2: I'm being brutally honest, none of these really caught me.
• 47:03
  Speaker 2: But I'm I haven't been like a Nintendo console fan
• 47:08
  Speaker 2: for a few generations now, right like the last generation.
• 47:13
  Speaker 2: I personally, well, no, I do have a switch, but
• 47:15
  Speaker 2: I've never played it. I've opened it, but I've literally
• 47:19
  Speaker 2: never played my switch. I do have one, but the
• 47:23
  Speaker 2: last console Nintendo console I actually played was an old
• 47:26
  Speaker 2: game cube, and before that would be the N sixty four,
• 47:29
  Speaker 2: and those were like my Nintendo consoles, those two because
• 47:34
  Speaker 2: I was never an NES or S and S owner.
• 47:37
  Speaker 2: So the N sixty four in the in the game
• 47:39
  Speaker 2: cube where the two I played the most, and honestly,
• 47:42
  Speaker 2: the one I played the most was in sixty four.
• 47:46
  Speaker 2: So none of these really grabbed me. But that's that's
• 47:49
  Speaker 2: not because the games don't look good. It's because I
• 47:52
  Speaker 2: just they just Nintendo games don't really appeal to me
• 47:55
  Speaker 2: very much.
• 47:57
  Speaker 1: Yeah, I there are games that I have wanted to
• 48:01
  Speaker 1: play on the switch, like I guess I've played Cuphead
• 48:06
  Speaker 1: and Paper Mario, but I think either on somebody else's
• 48:10
  Speaker 1: console or on a different platform if they were available.
• 48:14
  Speaker 1: But like the Zelda games I wish I could have played,
• 48:18
  Speaker 1: and maybe, like Smash or Mario.
• 48:23
  Speaker 2: Kart, Mario Party can be fun. Although if you're like me,
• 48:29
  Speaker 2: Mario Party was designed to drive you to the brink
• 48:32
  Speaker 2: of homicide because it's one of those games where you
• 48:35
  Speaker 2: can be like on top of your game and playing
• 48:38
  Speaker 2: the best you've ever played, and then the random generation
• 48:42
  Speaker 2: stuff at the end will totally screw you over.
• 48:45
  Speaker 1: I mean that's like half of the board games that
• 48:47
  Speaker 1: I played too, So.
• 48:49
  Speaker 2: Yeah, that's if you were if you're hardwired to believe
• 48:53
  Speaker 2: in meritocracy, and then and then random events screw you
• 48:57
  Speaker 2: over and it drives you insane that Mario Party is
• 49:00
  Speaker 2: not the game for you. But yeah, the legend of
• 49:03
  Speaker 2: Zelda Echoes of Wisdom is interesting because it does something
• 49:07
  Speaker 2: that people have at least some Zelda fans have been
• 49:10
  Speaker 2: asking for for a long time. You do not play
• 49:12
  Speaker 2: as Link, No, you play as Zelda. Yeah, you have
• 49:17
  Speaker 2: to rescue Link, which you.
• 49:20
  Speaker 1: Know, if you're not a video game person, you might
• 49:22
  Speaker 1: go many years of your life thinking Zelda is the main.
• 49:25
  Speaker 2: Character of Legend of Zelda, because they're all called Legend
• 49:27
  Speaker 2: of Zelda.
• 49:29
  Speaker 1: Yeah. Yeah, but Zelda is the Princess Peach but more badass.
• 49:34
  Speaker 2: Yeah. Often she is a figure that you're supposed to rescue.
• 49:39
  Speaker 2: Not always. Sometimes she's like the benevolent ruler who is
• 49:44
  Speaker 2: on your side. But often she's the mcguffin. She's the
• 49:51
  Speaker 2: thing you're after to rescue from the villain. But this
• 49:54
  Speaker 2: case she's the hero, which I think is kind of cool.
• 49:56
  Speaker 2: The art style is extremely cutesy.
• 50:02
  Speaker 1: Yeah. Yeah, I I feel like everything in Nintendo's cutesy
• 50:12
  Speaker 1: right now, except for metroids. So I don't I don't.
• 50:17
  Speaker 2: Know there's it looks like I can't remember what I
• 50:22
  Speaker 2: don't remember what they're for. You might remember Ariel because
• 50:24
  Speaker 2: you worked in like young child education and childcare areas.
• 50:29
  Speaker 2: Do you remember those toys? It's like pre Lego, but
• 50:33
  Speaker 2: they're the little like the Fisher Price characters, the really
• 50:36
  Speaker 2: simple well is it duple? I'm just thinking about the
• 50:38
  Speaker 2: actual little figures that they look like. You know, they
• 50:42
  Speaker 2: don't have any arms or legs or anything. They're just
• 50:44
  Speaker 2: kind of sort of cylindrical in shape, but they're like
• 50:49
  Speaker 2: little Fisher Price characters. That's what the art styles making
• 50:52
  Speaker 2: me think of. Are those little wooden Fisher Price toys?
• 51:00
  Speaker 1: Yeah, yeah, Now I'm trying to figure out what they're called.
• 51:02
  Speaker 2: Fisher Price little people, little people, Yeah, Fisher Price little people.
• 51:07
  Speaker 2: If you do a Google search for that, it'll pull
• 51:10
  Speaker 2: them right up and you'll see what I mean, and
• 51:12
  Speaker 2: it'll be kind of insulting. But that's sort of how
• 51:14
  Speaker 2: I feel the legend of Zelda Echoes of Wisdom looks
• 51:17
  Speaker 2: like to me.
• 51:18
  Speaker 1: Yeah, And it's also interesting because you in past games
• 51:21
  Speaker 1: you can have played as Zelda, but as her alter
• 51:25
  Speaker 1: ego hic correct.
• 51:26
  Speaker 2: Yes, where she's like the I don't know if you
• 51:30
  Speaker 2: could play as maybe in one of the like Smash
• 51:33
  Speaker 2: Brothers games or whatever, but yeah, there might be a
• 51:36
  Speaker 2: game where you act as that character. But yeah, it's
• 51:38
  Speaker 2: kind of like her cloaked mysterious figure, kind of like
• 51:42
  Speaker 2: how Aragorn is Strider at the beginning of Lord of
• 51:45
  Speaker 2: the Rings.
• 51:46
  Speaker 1: Yeah, yeah, I mean, but they do have some cool mechanics.
• 51:50
  Speaker 1: Like you, it's Echoes of Wisdom, so you pick up
• 51:53
  Speaker 1: echoes of different things and you can use them later
• 51:57
  Speaker 1: without having to carry the things. So it says every
• 52:00
  Speaker 1: encumbrance system.
• 52:02
  Speaker 2: Of Yeah, apparently the deal is that if you encounter
• 52:05
  Speaker 2: an object in the world, then you can have the
• 52:08
  Speaker 2: ability to duplicate or replicate rather that object later on.
• 52:13
  Speaker 2: And so I've heard some discussion about how is this
• 52:17
  Speaker 2: game even going to have any game to it? Or
• 52:19
  Speaker 2: are you going to be able to break everything just
• 52:20
  Speaker 2: by replicating beds so that you can like cross a
• 52:24
  Speaker 2: river of lava or whatever.
• 52:27
  Speaker 1: I wonder if it really is everything in the game,
• 52:30
  Speaker 1: because I can't imagine that selection menu.
• 52:33
  Speaker 2: Yeah, yeah, how do you navigate that? That would be ridiculous.
• 52:36
  Speaker 1: Uh.
• 52:37
  Speaker 2: Yeah, I'm curious to hear more about it. I probably,
• 52:41
  Speaker 2: like I said, I haven't I mean, I haven't turned
• 52:43
  Speaker 2: my switch on yet, so I don't know this is
• 52:45
  Speaker 2: going to be the one that changes it. But yeah,
• 52:49
  Speaker 2: so I think Nintendo fans were largely I think pleased,
• 52:56
  Speaker 2: but not delighted. But then again, I don't think it
• 52:59
  Speaker 2: was a surprise either, because everyone is aware that the
• 53:03
  Speaker 2: switch is at the toward the end of its lifespan.
• 53:06
  Speaker 2: Like Nintendo always sell supports its platforms beyond when they
• 53:13
  Speaker 2: introduce new ones, so usually there's overlap, but you don't
• 53:17
  Speaker 2: expect to see a bunch of really groundbreaking games coming
• 53:21
  Speaker 2: out because you figured Nintendo's kind of holding those back
• 53:24
  Speaker 2: for the next system.
• 53:26
  Speaker 1: Yeah, I feel like again we buy systems because it's
• 53:30
  Speaker 1: it's like you said, what games do you have that
• 53:32
  Speaker 1: I have to play? And that's been a very long
• 53:35
  Speaker 1: time since Nintendo has had it.
• 53:36
  Speaker 2: Yeah. Well, moving on to our news in the film
• 53:42
  Speaker 2: world and beyond. One thing that Ariel saw that was
• 53:45
  Speaker 2: interesting is the news about a sequel to a beloved
• 53:52
  Speaker 2: mel Brooks comedy.
• 53:55
  Speaker 1: Yeah, comedy that I have never seen. What I've foreseen
• 54:00
  Speaker 1: it Holy.
• 54:03
  Speaker 2: That blows my mind that you've never seen Spaceballs.
• 54:06
  Speaker 1: I've seen like five minutes of it and I was like,
• 54:09
  Speaker 1: this is annoying, and I turned it off. But I
• 54:11
  Speaker 1: was younger.
• 54:12
  Speaker 2: I think I think you would find a lot of
• 54:14
  Speaker 2: stuff pretty funny. I mean, it's definitely aimed more at
• 54:18
  Speaker 2: people who are like Star Wars fans, because that's the
• 54:22
  Speaker 2: that's the specific property they're making fun of the most.
• 54:28
  Speaker 2: There's a little bit of Star Trek in there too,
• 54:29
  Speaker 2: and there's other stuff as well, but Star Wars is
• 54:32
  Speaker 2: primarily the property that they're they're spoofing, and I think Spaceballs,
• 54:40
  Speaker 2: if you take two films that were made relatively close
• 54:43
  Speaker 2: to one another in the mel Brooks canon Spaceballs and
• 54:47
  Speaker 2: Robin hood Men and Tights. I argue that Spaceballs is
• 54:51
  Speaker 2: hands down the superior film and that it's after robinhood
• 54:56
  Speaker 2: Men and Tights where I started to lose interest in
• 54:59
  Speaker 2: mel Brooks movies because I didn't find them as entertaining.
• 55:03
  Speaker 1: Yeah, except I really liked the musical The Producers with
• 55:07
  Speaker 1: Uma Thurman and Matthew Broderck. I think that was post.
• 55:11
  Speaker 2: That was post. But I have such deep love for
• 55:14
  Speaker 2: the original Producers film with Gene Wilder and Zero Mustelle
• 55:19
  Speaker 2: that the musical I thought is fine, but it doesn't
• 55:25
  Speaker 2: touch the original for me. But I think part of
• 55:27
  Speaker 2: that is dependent upon which one you see first.
• 55:31
  Speaker 1: That probably is true. So I think the problem for
• 55:34
  Speaker 1: me was Spaceballs. And it's kind of unfair because it's
• 55:38
  Speaker 1: not solely something that is in Spaceball's but through all
• 55:43
  Speaker 1: of mel Brooks's comedy is the like the infant, the
• 55:49
  Speaker 1: juvenile humor, I mean blue humor, the movie.
• 55:55
  Speaker 2: It is the heart of all mel Brooks movie.
• 55:58
  Speaker 1: Yes, but the name of this movie is called space Balls,
• 56:02
  Speaker 1: and I think probably the five minutes that I turned
• 56:05
  Speaker 1: on were some juvenile blue joke. And I guess that's
• 56:10
  Speaker 1: why it didn't hit me, because at least with like
• 56:12
  Speaker 1: Young Frankenstein, it lured me in with like class.
• 56:19
  Speaker 2: I mean, there's definitely there's definitely a lot of like
• 56:23
  Speaker 2: what knockers. What Knockers is one of the earliest jokes
• 56:27
  Speaker 2: in Young Frankenstein. But yeah, I get what you're saying.
• 56:29
  Speaker 2: I also think like those jokes, like it depends on
• 56:34
  Speaker 2: like I think he was being a little more winky
• 56:38
  Speaker 2: naughty kind of with his humor.
• 56:41
  Speaker 1: In naughty or naughty.
• 56:43
  Speaker 2: Naughty, like as in be like like like little Wicked
• 56:48
  Speaker 2: being a little wicked with his humor. When you look
• 56:51
  Speaker 2: at things like Blazing Saddles and Young Frankenstein and the Producers, Like,
• 56:57
  Speaker 2: there's definitely elements of that in those those films. Then
• 57:02
  Speaker 2: when you get to things a little bit later like
• 57:05
  Speaker 2: Spaceballs and Robin Hoodmin in Tights, he doesn't bother with
• 57:10
  Speaker 2: the winky naughty kind of approach. It's a little more
• 57:14
  Speaker 2: like right out there overt and I think it does
• 57:18
  Speaker 2: lose a little something of the the entertainment touch for me,
• 57:24
  Speaker 2: Like I prefer that kind of I prefer it where
• 57:28
  Speaker 2: it feels like you're in on the joke, but it's
• 57:31
  Speaker 2: not like a joke that's just overt and right out
• 57:35
  Speaker 2: there in the spotlight. So it's one of the reasons
• 57:38
  Speaker 2: why I do not like the Young Frankenstein Stage musical,
• 57:43
  Speaker 2: because I feel like all the things that worked in
• 57:45
  Speaker 2: the movie have been cranked up and turned into overt
• 57:49
  Speaker 2: dirty jokes in the play, and it just didn't sit
• 57:54
  Speaker 2: right with me. It's not that I don't appreciate a
• 57:56
  Speaker 2: good dirty joke. I love dirty jokes, but I was like,
• 58:00
  Speaker 2: it was so much more artful in the film.
• 58:04
  Speaker 1: Yeah. Yeah, I haven't watched or heard. I've heard one
• 58:09
  Speaker 1: song from Young Frankenstein.
• 58:11
  Speaker 2: He vas my boyfriend.
• 58:14
  Speaker 1: I don't think that was the one. I was doing
• 58:16
  Speaker 1: it in some dance.
• 58:17
  Speaker 2: Class Transylvania Mania. Maybe maybe.
• 58:22
  Speaker 1: But Tony told me that I have to watch the
• 58:25
  Speaker 1: first Baseballs because Josh gadd is working with mel Brooks
• 58:28
  Speaker 1: on the second one, and of course I want to
• 58:30
  Speaker 1: watch that. And I told Tony I already have. I've
• 58:33
  Speaker 1: watched Avenue five.
• 58:36
  Speaker 2: I mean Spaceball's. I think it's worth watching. There are
• 58:38
  Speaker 2: some great jokes in that, there's some there's some great
• 58:43
  Speaker 2: growner lines in it. There's some very weird, absurd humor.
• 58:50
  Speaker 2: Like it's one of those movies. It's kind of like
• 58:52
  Speaker 2: I would argue, like Monty Python, The Holy Grail. It's
• 58:55
  Speaker 2: one of those movies that becomes incredibly quotable. So it's
• 58:59
  Speaker 2: also one of those movies you want your first experience
• 59:01
  Speaker 2: watching it to not be in a big group of
• 59:05
  Speaker 2: fans who have seen it a billion times, because they
• 59:07
  Speaker 2: will ruin the experience for you.
• 59:10
  Speaker 1: Gotcha, gotcha? Well maybe I will watch it, I do.
• 59:14
  Speaker 1: I have heard that. Originally, Melbrook said that he wasn't
• 59:17
  Speaker 1: going to do a sequel unless Rick Mick Romantics came
• 59:24
  Speaker 1: out of retirement, which is very unlikely.
• 59:29
  Speaker 2: Yeah, he played Darth Helmet in the original.
• 59:33
  Speaker 1: Amazing actor who chose to do more important things with
• 59:36
  Speaker 1: his life and his family. So you know, if he
• 59:41
  Speaker 1: came out, that would be amazing. I'm not like betting
• 59:45
  Speaker 1: my hat on it.
• 59:46
  Speaker 2: Is that?
• 59:46
  Speaker 1: How that phrase?
• 59:47
  Speaker 2: God? Why not? Probably?
• 59:49
  Speaker 1: Not sure, but you know, maybe maybe I'll watch it.
• 59:54
  Speaker 1: It is one of those blind spots in geek culture
• 59:56
  Speaker 1: that I have. Yeah, I think it's I did like
• 59:58
  Speaker 1: the barfie at Dragon Con Lash.
• 1:00:01
  Speaker 2: I think it's I think it's worth watching, Like you've
• 1:00:03
  Speaker 2: seen Robin hood min and Tights though, right.
• 1:00:06
  Speaker 1: Yes, And I loved it mainly because I loved Princess
• 1:00:10
  Speaker 1: Bride growing up, and I watched it again recently and
• 1:00:13
  Speaker 1: I'm like, this is not this is cringey.
• 1:00:16
  Speaker 2: Yeah, like I said, Spaceball's to me was the last. Like,
• 1:00:21
  Speaker 2: I don't even think of Spaceballs as a really good
• 1:00:23
  Speaker 2: mel Brooks movie because it's late period Meil Brooks. To me,
• 1:00:26
  Speaker 2: the really good ones are really the producers, Young Frankenstein
• 1:00:31
  Speaker 2: and Blazing Saddles are like the three best. High Anxiety
• 1:00:36
  Speaker 2: is also way up there. Silent movie is very silly.
• 1:00:43
  Speaker 2: It is also very juvenile, but it's fun. And then
• 1:00:48
  Speaker 2: when you get to things like Spaceballs, I'm like, Okay,
• 1:00:51
  Speaker 2: I still enjoy this. I'm enjoying the spoof, but it
• 1:00:54
  Speaker 2: is I feel like some of the magic is going away.
• 1:00:58
  Speaker 2: And then it just went downhill from there, although nothing
• 1:01:02
  Speaker 2: was quite as a big kick in the teeth as
• 1:01:05
  Speaker 2: life stinks. I don't think I'll ever watch that movie again.
• 1:01:08
  Speaker 2: But I didn't.
• 1:01:09
  Speaker 1: I didn't watch that one, but I did watch the
• 1:01:12
  Speaker 1: recent History of the World series.
• 1:01:14
  Speaker 2: Yeah, I still haven't seen that. I have. I forgot
• 1:01:16
  Speaker 2: about the History of the World Part one that is
• 1:01:18
  Speaker 2: also a pretty I mean, it's funny it is. That
• 1:01:22
  Speaker 2: one's probably the most juvenile of the early Milbrooks movies.
• 1:01:25
  Speaker 1: Yeah, it's one of those ones that I don't think
• 1:01:28
  Speaker 1: I've ever watched all the way through, but I have
• 1:01:30
  Speaker 1: watched all of it.
• 1:01:32
  Speaker 2: I mean, like that makes sense. It was. It was
• 1:01:34
  Speaker 2: one of the things that inspired my original Renaissance Festival character,
• 1:01:39
  Speaker 2: because when we created characters for the George Renaissance Festival,
• 1:01:44
  Speaker 2: one of the things we were supposed to do is
• 1:01:46
  Speaker 2: create a motto that kind of encapsulated our character's motivation
• 1:01:53
  Speaker 2: and sort of sort of like their central reason for being, like,
• 1:01:57
  Speaker 2: every day and every way I will show people blah
• 1:02:01
  Speaker 2: blah blah. And since I was the mayor of the village,
• 1:02:04
  Speaker 2: I was like, why it's good to be the mayor
• 1:02:06
  Speaker 2: because it was a play on it's good to be
• 1:02:08
  Speaker 2: the king.
• 1:02:10
  Speaker 1: Yeah. I In History of the World Part two, there
• 1:02:13
  Speaker 1: were some skits that were very funny, and then there
• 1:02:15
  Speaker 1: was a lot that I was like, what did I
• 1:02:17
  Speaker 1: just watch that?
• 1:02:19
  Speaker 2: You know?
• 1:02:19
  Speaker 1: I also like, I have this friend who I used
• 1:02:25
  Speaker 1: to lark with who's done a bunch of improv. He's
• 1:02:27
  Speaker 1: actually back into it now. He's very clever, and he
• 1:02:30
  Speaker 1: once said, you can have a joke about a urinal,
• 1:02:34
  Speaker 1: but it's only going to be funny if you can
• 1:02:35
  Speaker 1: make it clever.
• 1:02:37
  Speaker 2: Yeah. Yeah, it's why like a lot of the improv
• 1:02:41
  Speaker 2: groups I have worked with kind of had either a
• 1:02:44
  Speaker 2: spoken or unspoken rule of avoid the blue humor because
• 1:02:49
  Speaker 2: it's it's an easy, cheap laugh, but it's the kind
• 1:02:52
  Speaker 2: of laugh that no one's ever going to remember. Whereas
• 1:02:54
  Speaker 2: if you come up with a very clever character or
• 1:02:58
  Speaker 2: a really really fun any joke in the middle of
• 1:03:01
  Speaker 2: a scene, that's the kind of thing people will talk
• 1:03:03
  Speaker 2: about when the show's over. But if it's you being blue,
• 1:03:06
  Speaker 2: then yeah, people might laugh, you might get a response,
• 1:03:10
  Speaker 2: but it's no one thinks about it a moment afterwards.
• 1:03:15
  Speaker 1: So yeah, which is hard because you also, an improv
• 1:03:18
  Speaker 1: have to play off of what your audience is responding to,
• 1:03:21
  Speaker 1: and if they're responding off of juvenile blue jokes, then
• 1:03:24
  Speaker 1: you're kind of in a rock and.
• 1:03:25
  Speaker 2: A hard tame. Yeah, but I have walked out of
• 1:03:27
  Speaker 2: shows like that, So yes, it's true.
• 1:03:29
  Speaker 1: Yeah, Okay, so maybe I'll watch Spaceballs, but I won't
• 1:03:33
  Speaker 1: watch it on Netflix. That's not where I can watch it,
• 1:03:35
  Speaker 1: which means I also won't be able to do a
• 1:03:37
  Speaker 1: Spaceball's experience at one of Netflix's new two new major
• 1:03:44
  Speaker 1: entertainment complexes that they're creating.
• 1:03:47
  Speaker 2: Yeah, so they're building, well, not building, they're converting old
• 1:03:51
  Speaker 2: department stores into these experience centers. One in Dallas, Texas.
• 1:03:57
  Speaker 2: Someone in King of Prussia, Pennsylvania. I've actually been King
• 1:04:00
  Speaker 2: of Prussia.
• 1:04:01
  Speaker 1: I didn't know that was a place.
• 1:04:03
  Speaker 2: Yeah, King of Prussia. Yes, I have been there. I've
• 1:04:05
  Speaker 2: been to the King of Prussia Mall, which is ginormous.
• 1:04:09
  Speaker 2: It is a huge mall. And they've taken these spaces.
• 1:04:13
  Speaker 2: They're converting them over into these experiences that are inspired
• 1:04:17
  Speaker 2: by Netflix originals, whether that's movies or series. And they'll
• 1:04:22
  Speaker 2: also have like thematically relevant food and drink at these places.
• 1:04:27
  Speaker 2: That's about all we know as far as what's going in, Like,
• 1:04:32
  Speaker 2: we don't know what specific titles are going to be used,
• 1:04:34
  Speaker 2: Like I would be shocked if there's not a Stranger
• 1:04:36
  Speaker 2: Things themed experience, but we don't know that for sure.
• 1:04:41
  Speaker 2: We know that it's supposed to open in twenty twenty five,
• 1:04:45
  Speaker 2: and that's about it. I don't know whether to get
• 1:04:49
  Speaker 2: excited about this or not, because part of me wonders like,
• 1:04:52
  Speaker 2: is this going to be more like a meal Wolf
• 1:04:56
  Speaker 2: installation or is it going to be more like one
• 1:04:58
  Speaker 2: of those pop up in to Graham experience places.
• 1:05:02
  Speaker 1: I think it's going to be kind of in between,
• 1:05:04
  Speaker 1: because you know, Netflix has done a lot of pop
• 1:05:06
  Speaker 1: up experiences. Yeah, they want this one to be more
• 1:05:09
  Speaker 1: long standing. But they talk about in the article on
• 1:05:12
  Speaker 1: Variety about how like you can dance to a Taylor
• 1:05:15
  Speaker 1: Swift song i'la Bridgerton in a ballroom and then walk
• 1:05:19
  Speaker 1: into the next area of this mall and basically be
• 1:05:22
  Speaker 1: on the glass bridge from Squid Games, and then you
• 1:05:24
  Speaker 1: can go to the food court and eat some food
• 1:05:26
  Speaker 1: inspired by the TV shows on Netflix. So my guess
• 1:05:30
  Speaker 1: is that those things will and then also have like
• 1:05:32
  Speaker 1: retail therapy there, so partial mall, partial uh changing experiences
• 1:05:38
  Speaker 1: based on I guess whatever is popular. Yeah, but it's
• 1:05:43
  Speaker 1: hard because there are things on Netflix like that'll be
• 1:05:47
  Speaker 1: popular for a season or two and then not be
• 1:05:49
  Speaker 1: And how much money do you put into each thing
• 1:05:51
  Speaker 1: that you put into a mall?
• 1:05:52
  Speaker 2: I mean, if you're using it as partly a marketing
• 1:05:56
  Speaker 2: tool in order to promote a sh show or film.
• 1:06:02
  Speaker 2: I could see that because I've also been to a
• 1:06:04
  Speaker 2: few Netflix installations that were part of South By Southwest,
• 1:06:09
  Speaker 2: for example, and those were those were only existing for
• 1:06:13
  Speaker 2: like half a week before being taken down. But it
• 1:06:18
  Speaker 2: was all in an effort to promote some new thing,
• 1:06:21
  Speaker 2: which in turn helps drive subscribers to join the service,
• 1:06:25
  Speaker 2: And like, I can see how this fits into their
• 1:06:28
  Speaker 2: overall marketing strategy. It is interesting that they're choosing to
• 1:06:33
  Speaker 2: go with permanent locations. I'm wondering how long this will last, Like,
• 1:06:37
  Speaker 2: is this going to be something that Netflix will be
• 1:06:40
  Speaker 2: operating for a while, or is this going to be
• 1:06:43
  Speaker 2: something where after a quarter or two they just quietly
• 1:06:46
  Speaker 2: shut it down because of the expense of running marketing
• 1:06:51
  Speaker 2: this way.
• 1:06:52
  Speaker 1: Yeah, I don't know. I don't know. And it's so
• 1:06:56
  Speaker 1: one of those things that for me, it's got to
• 1:06:58
  Speaker 1: be more than just an Instagram dive. Yeah, for me
• 1:07:02
  Speaker 1: to be engaged or ever want to go back again.
• 1:07:06
  Speaker 2: Totally. Yeah, I feel the same way, and that's why
• 1:07:09
  Speaker 2: I'm like, I hope it's more mele Wolf and less
• 1:07:12
  Speaker 2: Balloon Museum. Although I did like the balloon Museum. It
• 1:07:15
  Speaker 2: was fun to walk through, but I guess balloon museum
• 1:07:18
  Speaker 2: is slightly higher on the list than say whatever that
• 1:07:22
  Speaker 2: candy or ice cream one, Like there was an ice.
• 1:07:25
  Speaker 1: Candy, there's an ice cream museum, there's candy tope.
• 1:07:28
  Speaker 2: Yeah there which those I felt like they didn't have
• 1:07:30
  Speaker 2: any real the slime Museum, I just felt like some
• 1:07:35
  Speaker 2: of those didn't have any real value outside of this
• 1:07:38
  Speaker 2: is a place for you to take a selfie, right,
• 1:07:40
  Speaker 2: like you're not going to get anything else out of it,
• 1:07:44
  Speaker 2: and hopefully this will be at a slightly higher standard.
• 1:07:49
  Speaker 2: Here's hoping.
• 1:07:49
  Speaker 1: Yeah, the biggest Instagram things that I see as value
• 1:07:52
  Speaker 1: is like there's a place near me that's like come
• 1:07:55
  Speaker 1: here and you can do your content creation if you
• 1:07:59
  Speaker 1: don't have a space in your home. We have like
• 1:08:01
  Speaker 1: lights and backdrops and things like that. So m but
• 1:08:05
  Speaker 1: that's not quite it's called like an Instagram experience, but it's.
• 1:08:09
  Speaker 2: More of like a tool, Like it's almost like almost
• 1:08:12
  Speaker 2: like a content creator house or something.
• 1:08:16
  Speaker 1: Yeah. Yeah, on to completely random other news.
• 1:08:23
  Speaker 2: Yeah, I was surprised that you put this in. Well,
• 1:08:27
  Speaker 2: we can not talk about that, we can.
• 1:08:29
  Speaker 1: I was just I was amused that John Hamm is
• 1:08:32
  Speaker 1: aspiring to be Jeff Goldbloom in his career, Like, that's
• 1:08:36
  Speaker 1: the career trajectory he wants to take.
• 1:08:38
  Speaker 2: By that, he means that Jeff Goldbloom can end up
• 1:08:41
  Speaker 2: getting a role in something like thor Ragnarok, steal every
• 1:08:47
  Speaker 2: scene he's in, and then wander off and just be
• 1:08:50
  Speaker 2: weird and and enjoy his life. And that's kind of
• 1:08:54
  Speaker 2: what John Hamm wants his career to He wants his
• 1:08:57
  Speaker 2: career arc to mirror that.
• 1:08:59
  Speaker 1: Well, he's they've both done their leading man phase and
• 1:09:02
  Speaker 1: albeit I think John Hamm could still be a leading man, Like.
• 1:09:07
  Speaker 2: Yeah, the dude is the dude is like critically handsome,
• 1:09:11
  Speaker 2: I mean.
• 1:09:13
  Speaker 1: Yeah, yeah. But also part of that is he has
• 1:09:16
  Speaker 1: made bids. Bids is the wrong word. He has pitched
• 1:09:21
  Speaker 1: himself to be a steam ceiling character in Marvel. He
• 1:09:24
  Speaker 1: is a superhero comic book fan apparently, and has ideas
• 1:09:29
  Speaker 1: of characters he'd like to play, but has also turned
• 1:09:31
  Speaker 1: down characters like Green Lantern.
• 1:09:33
  Speaker 2: Yeah, he apparently has a specific character in Marvel in
• 1:09:37
  Speaker 2: mind that he wants to play. He's talked to people
• 1:09:40
  Speaker 2: at Marvel who have confirmed that there are plans of
• 1:09:44
  Speaker 2: bringing this character to life at some point, and so
• 1:09:48
  Speaker 2: he's he remains hopeful that he will be able to
• 1:09:50
  Speaker 2: play this character. We do not know who this character is.
• 1:09:53
  Speaker 2: None of the articles suggested.
• 1:09:55
  Speaker 1: That, I I'm gonna guess. Man A, Okay, it's the
• 1:10:03
  Speaker 1: only funny one I can think of that hasn't been done.
• 1:10:06
  Speaker 2: I mean, the history of Marvel, there's no shortage of
• 1:10:11
  Speaker 2: weird characters, some of which only existed for like an
• 1:10:16
  Speaker 2: issue of a comic. But but yeah, I have no
• 1:10:20
  Speaker 2: way of knowing, and I don't know. I mean, I
• 1:10:23
  Speaker 2: hope he gets what he wants. I also hope that
• 1:10:26
  Speaker 2: Marvel figures their crap out like we've In our last episode,
• 1:10:30
  Speaker 2: we talked about how you know the production for Blade
• 1:10:33
  Speaker 2: is thrown into disarray yet again because they lost to
• 1:10:37
  Speaker 2: another director and they've been through like two directors and
• 1:10:40
  Speaker 2: five writers or something, and that you know, it's becoming
• 1:10:44
  Speaker 2: something of a joke. In fact, it has been a meme.
• 1:10:46
  Speaker 2: Like I've seen Ali, the actor who's supposed to play Blade.
• 1:10:51
  Speaker 2: I've seen memes of him being a photoshopped as an
• 1:10:55
  Speaker 2: old man saying he's at the premiere for Blade.
• 1:11:00
  Speaker 1: Yeah, yeah, not as poor as the creator who filmed
• 1:11:09
  Speaker 1: the last Screenwriter movie.
• 1:11:12
  Speaker 2: I guess you're saying that because they were denied the
• 1:11:17
  Speaker 2: experience to do a public screening of the last screenwriter
• 1:11:21
  Speaker 2: in London.
• 1:11:22
  Speaker 1: Yeah, they were planning to and got enough complaints that
• 1:11:26
  Speaker 1: it got canceled. They're still doing a screener for the
• 1:11:29
  Speaker 1: cast and crew. The reason that they got so many
• 1:11:32
  Speaker 1: complaints is because the script was completely written by I
• 1:11:37
  Speaker 1: guess chat GPT.
• 1:11:38
  Speaker 2: Yeah, that's what they said. That's that's who they credit
• 1:11:42
  Speaker 2: or what they credit with the screenwriter credit in the
• 1:11:47
  Speaker 2: film is chat GPT. Whether that's true or that chat
• 1:11:51
  Speaker 2: GPT just played a part in it, or that someone
• 1:11:54
  Speaker 2: just wrote it and decided to seed all credit to
• 1:11:57
  Speaker 2: chat GPT, I don't know. The film itself deals with
• 1:12:02
  Speaker 2: the idea of a human screenwriter who has been displaced
• 1:12:07
  Speaker 2: by AI generative AI. But yeah, I could see why
• 1:12:13
  Speaker 2: people why this would be controversial, Like if in fact
• 1:12:17
  Speaker 2: the screenplay was written by chat GBT, then but the.
• 1:12:22
  Speaker 1: Creator, Yeah, but the director does say that, like, if
• 1:12:25
  Speaker 1: you watch this movie, you might understand more.
• 1:12:31
  Speaker 2: Yeah, but if you do that, then what you're doing
• 1:12:33
  Speaker 2: is rewarding the people who are doing the very thing
• 1:12:35
  Speaker 2: that all those writers were protesting in the first place.
• 1:12:38
  Speaker 2: And like whether or not it makes the writer's point
• 1:12:40
  Speaker 2: that's kind of beside the point, Like this is like
• 1:12:44
  Speaker 2: someone arguing they should be able to have their cake
• 1:12:46
  Speaker 2: and eat it too, right, Like I'm making a stake.
• 1:12:49
  Speaker 1: I hate but I don't like that term because when
• 1:12:53
  Speaker 1: I buy a cake, I don't just let it sit
• 1:12:55
  Speaker 1: on the counter. I do eat it.
• 1:12:57
  Speaker 2: But well, yeah, you can have your cake, or you
• 1:13:01
  Speaker 2: can eat your cake, but you can't have your cake
• 1:13:04
  Speaker 2: and eat your cake.
• 1:13:06
  Speaker 1: You know, today I learned something that I should have
• 1:13:09
  Speaker 1: learned in second grade.
• 1:13:12
  Speaker 2: Because that's the thing that when you eat it, you
• 1:13:14
  Speaker 2: no longer have your cake. You can have your cakeless,
• 1:13:18
  Speaker 2: not the way I do it. You put a cake
• 1:13:22
  Speaker 2: in front of me. There's soon going to be an
• 1:13:24
  Speaker 2: absence of cake.
• 1:13:27
  Speaker 1: Fair enough, Well, soon there's going to be an absence
• 1:13:30
  Speaker 1: of time for us.
• 1:13:31
  Speaker 2: So we should get through all the trailers.
• 1:13:33
  Speaker 1: Get through all the trails.
• 1:13:34
  Speaker 2: Okay, we've got trailers to talk about.
• 1:13:36
  Speaker 1: It makes me feel like I'm in Halloween times.
• 1:13:40
  Speaker 2: Yeah, I didn't listen. I did not intend for that.
• 1:13:43
  Speaker 2: That was not my goal. But it just turned out
• 1:13:45
  Speaker 2: that a lot of the trailers that came out this week.
• 1:13:47
  Speaker 2: I guess it's because studios are starting to promote well,
• 1:13:52
  Speaker 2: you know, actually only I think only one of these
• 1:13:54
  Speaker 2: is coming out in Halloween season, But studios are starting
• 1:13:57
  Speaker 2: to promote stuff that is more for the spool seasons.
• 1:14:00
  Speaker 2: But yeah, we got a bunch of movies that are
• 1:14:02
  Speaker 2: in the horror or thriller genres. And first up is
• 1:14:06
  Speaker 2: a trailer for a film called The Beast Within that's
• 1:14:10
  Speaker 2: scheduled to come out on July twenty sixth. This one's starring,
• 1:14:14
  Speaker 2: isn't it Kit Harrington? Who's in this one?
• 1:14:17
  Speaker 1: Yeah, it's kid Herring.
• 1:14:18
  Speaker 2: It's a were wolf movie, it.
• 1:14:20
  Speaker 1: Is, And it's about a were wolf who has a
• 1:14:23
  Speaker 1: family and his wife is trying to keep the family
• 1:14:26
  Speaker 1: safe and him safe through all of his changes. And
• 1:14:29
  Speaker 1: it's really rough, and people worry for his daughter's.
• 1:14:32
  Speaker 2: Safety, including his daughter Traylor looks.
• 1:14:35
  Speaker 1: Including his daughter, but also it looks like from the
• 1:14:37
  Speaker 1: trailer that eventually that might not be a problem.
• 1:14:40
  Speaker 2: What was interesting to me is that from the trailer
• 1:14:42
  Speaker 2: I was getting the feeling that maybe this was going
• 1:14:45
  Speaker 2: to be something like, is this going to be one
• 1:14:47
  Speaker 2: of those horror movies where a person believes themselves to
• 1:14:51
  Speaker 2: be a monster? And as the movie goes on you
• 1:14:55
  Speaker 2: find out whether or not they actually are a monster
• 1:14:57
  Speaker 2: or if this is just like some sort of delusion
• 1:15:00
  Speaker 2: they have. Except the trailer gives it away that no,
• 1:15:02
  Speaker 2: there's a monster, like there's transformation scenes, and I'm thinking,
• 1:15:07
  Speaker 2: was that the antenta of the filmmaker. I mean, it's
• 1:15:10
  Speaker 2: entirely possible. It was like, not all werewolf movies are
• 1:15:13
  Speaker 2: meant to be a mystery about it, Like American Werewolf
• 1:15:17
  Speaker 2: in London was absolutely about a were wolf and there
• 1:15:19
  Speaker 2: was no doubt about it when you went to it.
• 1:15:22
  Speaker 2: But this one I couldn't tell, like because the way
• 1:15:25
  Speaker 2: it was structured. It made me think like, oh, this
• 1:15:28
  Speaker 2: is a movie about a man who has he struggles
• 1:15:35
  Speaker 2: with controlling his own emotions, and perhaps people are thinking
• 1:15:41
  Speaker 2: of him in the sense of someone who's afflicted with licanthropy.
• 1:15:46
  Speaker 2: But as the film goes on, or as the trailer
• 1:15:48
  Speaker 2: goes I'm like, no, this is a were wolf movie.
• 1:15:51
  Speaker 1: Yeah. Yeah, it is interesting because you know that is
• 1:15:56
  Speaker 1: the parallel to real life for were wolves. Yeah. I
• 1:16:01
  Speaker 1: did a student film once that was kind of about that.
• 1:16:05
  Speaker 1: It was about a woman whose husband was a were
• 1:16:07
  Speaker 1: wolf and they'd taken another person who's a were wolf
• 1:16:10
  Speaker 1: but they had learned how to live with it in
• 1:16:12
  Speaker 1: a way that kept everybody safe, and it was just
• 1:16:15
  Speaker 1: kind of like a crappy time each month when because
• 1:16:19
  Speaker 1: you know, it was a painful experience to go through
• 1:16:22
  Speaker 1: and not RESTful for the people who change, but it
• 1:16:27
  Speaker 1: was slice of life and uplifting. So I kind of
• 1:16:32
  Speaker 1: was super into the trailer at first because of that,
• 1:16:34
  Speaker 1: because I absolutely loved that little short film and the
• 1:16:37
  Speaker 1: story behind it. But yeah, this feels a little bit
• 1:16:39
  Speaker 1: less hopeful than that.
• 1:16:41
  Speaker 2: Well, if you want to have a lot of hope,
• 1:16:43
  Speaker 2: how about we lock you in a room that has
• 1:16:46
  Speaker 2: no visible windows or doors in it and see how
• 1:16:50
  Speaker 2: you do from there, because that's kind of the premise
• 1:16:54
  Speaker 2: for the next film trailer we saw, which for a
• 1:16:58
  Speaker 2: movie called The Abandoned.
• 1:17:01
  Speaker 1: I So I was fine with it other than the
• 1:17:04
  Speaker 1: fact that like, this dude's gonna have to use the
• 1:17:06
  Speaker 1: restroom and this this room flips around and you don't see, thankfully,
• 1:17:13
  Speaker 1: at least in the trailer, any of that stuff also
• 1:17:17
  Speaker 1: flipping around on the floor.
• 1:17:21
  Speaker 2: Now it's all over the place.
• 1:17:23
  Speaker 1: But you find out in the trailer that this guy
• 1:17:25
  Speaker 1: who gets subducted by this bright light and put in
• 1:17:28
  Speaker 1: this room eventually gets to talk to somebody else who's supposedly.
• 1:17:32
  Speaker 2: In another room an adjacent cub.
• 1:17:35
  Speaker 1: Yeah, and then like things are getting worse and there's
• 1:17:39
  Speaker 1: clues being dropped and you don't know why. And but
• 1:17:43
  Speaker 1: I from the trailer, I had no idea what to
• 1:17:45
  Speaker 1: make of the other person because sometimes it seems like
• 1:17:49
  Speaker 1: they were also trapped in a cube, and sometimes it
• 1:17:51
  Speaker 1: seemed like they didn't trust the guy, but the like
• 1:17:53
  Speaker 1: the the log line for the movie says that they
• 1:17:56
  Speaker 1: should need to work together to survive.
• 1:17:57
  Speaker 2: It's weird. Yeah, it made me think of the movie Cube,
• 1:18:01
  Speaker 2: the science fiction horror film. But yeah, it's it's it.
• 1:18:06
  Speaker 2: It's in that weird subgenre of sci fi horror of
• 1:18:10
  Speaker 2: person finds himself in an isolated area that's extremely confined
• 1:18:18
  Speaker 2: and then has to try and figure out a way
• 1:18:20
  Speaker 2: to get out. Yeah. When I looked into this, it
• 1:18:26
  Speaker 2: sounded to me like this movie has been done for
• 1:18:29
  Speaker 2: a couple of years, but it's just been sitting on
• 1:18:31
  Speaker 2: the shelf, So that doesn't frequently raise confidence that it's
• 1:18:36
  Speaker 2: gonna be a banger of a film. But who knows,
• 1:18:39
  Speaker 2: this could be one of those low budget sci fi
• 1:18:42
  Speaker 2: horror movies that ultimately ends up becoming a cult classic.
• 1:18:47
  Speaker 2: The trailer did not really work for me, That doesn't
• 1:18:49
  Speaker 2: necessarily mean the movie itself wouldn't.
• 1:18:53
  Speaker 1: Yeah, this next movie, I don't under I didn't understand
• 1:18:57
  Speaker 1: the trailer, but I do understand why it's geeky, but
• 1:19:00
  Speaker 1: because it has Doctor Who and an elf in it,
• 1:19:03
  Speaker 1: which is the trailer for Starve Acre.
• 1:19:05
  Speaker 2: Yeah, this is like a folk horror movie. So this
• 1:19:09
  Speaker 2: this definitely feels more like something like The Witch, right,
• 1:19:12
  Speaker 2: like it has that kind of there's this creepy I.
• 1:19:15
  Speaker 1: Say, I've not watched it, so I mean, you need.
• 1:19:18
  Speaker 2: To see The Witch. It's so good, but it's so
• 1:19:21
  Speaker 2: so good. It is scary, but it's so good. It's
• 1:19:26
  Speaker 2: the movie that introduced me to Anya Taylor Joy, and
• 1:19:29
  Speaker 2: I was like, who is this child actor? She's amazing.
• 1:19:33
  Speaker 2: And then the more I learned about the more I
• 1:19:34
  Speaker 2: was like, it's not fair that she's this good. She
• 1:19:38
  Speaker 2: didn't even friaking go to school for it anyway. Starve Acre, Yeah,
• 1:19:44
  Speaker 2: it looks like there's folk tale horror elements, including things
• 1:19:50
  Speaker 2: like what is the husband actually working on? He seems
• 1:19:54
  Speaker 2: to be so secretive and jealously guards the things he
• 1:19:58
  Speaker 2: works on, and could it be that this is for
• 1:20:01
  Speaker 2: dark purposes and who knows? Or is that a red herring?
• 1:20:05
  Speaker 2: And so I watched the trailer and I thought, this
• 1:20:09
  Speaker 2: feels like it's missing maybe two ingredients and I can't
• 1:20:12
  Speaker 2: necessarily name them, but like two little things that would
• 1:20:15
  Speaker 2: make me go, I need to see this so far
• 1:20:18
  Speaker 2: hook Yeah it doesn't hook me, but it but it
• 1:20:22
  Speaker 2: looks like it's incredibly well made.
• 1:20:26
  Speaker 1: Yeah yeah, I agree. Something else that looks well made,
• 1:20:31
  Speaker 1: but it doesn't hook it that in part.
• 1:20:33
  Speaker 2: That no type, That's fine?
• 1:20:36
  Speaker 1: Do you want to spend more time on startmaker? I
• 1:20:38
  Speaker 1: really did not understand that we can.
• 1:20:40
  Speaker 2: Just move on. I just I love that that was
• 1:20:43
  Speaker 2: your that was your input into it, because I can't
• 1:20:46
  Speaker 2: blame you, because there isn't enough from that trailer to
• 1:20:49
  Speaker 2: really have like an informed opinion.
• 1:20:53
  Speaker 1: It looked like sad, creepy all of a sudden, his
• 1:20:57
  Speaker 1: name is escaping me. Holy moly, Matt Smith. I have
• 1:21:03
  Speaker 1: a friend named Matt Smith. Why did I forget that?
• 1:21:07
  Speaker 1: But yeah, a creepy Matt Smith and glad real from
• 1:21:12
  Speaker 1: the Rings of Power. That's what it looks like to me.
• 1:21:16
  Speaker 2: Well, what did the Penguin trailer look.
• 1:21:17
  Speaker 1: Like to you, it looked like they took a geeky
• 1:21:20
  Speaker 1: property and took everything geeky out of it and gave
• 1:21:25
  Speaker 1: me a cookie cutter Mafia stuite.
• 1:21:27
  Speaker 2: Yeah. We chatted about this offline earlier this week, and
• 1:21:31
  Speaker 2: I had complained that it looked like every Mafia series
• 1:21:36
  Speaker 2: or film that I've seen in ages, which is typically
• 1:21:39
  Speaker 2: about criminals doing crime to other criminals. Right, Like it's
• 1:21:44
  Speaker 2: it's all about the crime world and it's very insular.
• 1:21:49
  Speaker 2: Like it made me think of the Sopranos. Really, it
• 1:21:53
  Speaker 2: was Sopranos Gotham City.
• 1:21:57
  Speaker 1: And not just because Kristin Miliotti is playing the daughter
• 1:22:00
  Speaker 1: of Falcone in it. Yeah, I'm guessing the daughter of Falcone.
• 1:22:05
  Speaker 1: She's not old enough to be his wife.
• 1:22:07
  Speaker 2: Yeah, I saw that. I thought everyone did a good job.
• 1:22:11
  Speaker 2: But again, like I liked elements of The Batman. Ultimately,
• 1:22:16
  Speaker 2: I don't think I liked the movie, but I liked
• 1:22:18
  Speaker 2: elements of The Batman, and I liked kind of the
• 1:22:21
  Speaker 2: gritty noir sort of look to things. I felt that
• 1:22:27
  Speaker 2: Batman himself came across as an idiot as opposed to
• 1:22:30
  Speaker 2: a detective. The World's Greatest detective, like like when your
• 1:22:34
  Speaker 2: butler is solving the riddles before you do. That's not
• 1:22:37
  Speaker 2: the world's greatest detective. But I kind of liked the aesthetic.
• 1:22:43
  Speaker 2: This All it has is that aesthetic like that seems
• 1:22:46
  Speaker 2: to be the only thing that's held over it.
• 1:22:50
  Speaker 1: It does have a freaking phenomenal cast. Other than Kristin Miliatti,
• 1:22:54
  Speaker 1: It's got Clancy Brown, Mark Strong, Michael Kelly, Theo Rossi
• 1:22:59
  Speaker 1: Shoa a good douche Dosh Lou.
• 1:23:02
  Speaker 2: I don't I don't know how to pronounce her name.
• 1:23:05
  Speaker 2: Colin Dear, Dr Colin Ferrell, obviously Colin.
• 1:23:09
  Speaker 1: Farrell, Scott Cohen, who I love from The Tenth Kingdom.
• 1:23:11
  Speaker 1: He was also on Gilmore Girls, and a bunch of
• 1:23:13
  Speaker 1: other stuff. Francis Francoischau. Like just a huge cast of
• 1:23:18
  Speaker 1: all these actors that I love. And I wish I
• 1:23:20
  Speaker 1: loved the Trailer more. I wish I loved The Batman more.
• 1:23:23
  Speaker 2: Yeah, I know, I remember you had issues with The
• 1:23:26
  Speaker 2: Batman too. Well, for one thing, you didn't like the
• 1:23:28
  Speaker 2: version of the Reddler. The Riddler was the one thing
• 1:23:30
  Speaker 2: in The Batman I really liked, But.
• 1:23:34
  Speaker 1: I liked Falcone.
• 1:23:35
  Speaker 2: Falcone was good too, but yeah, uh, yeah, I I
• 1:23:40
  Speaker 2: I hope that the Penguin does well. I hope that
• 1:23:43
  Speaker 2: it's a success, but yeah, it just there's nothing in
• 1:23:47
  Speaker 2: it that doesn't feel like, you know, stereotypical generic mafia series.
• 1:23:54
  Speaker 1: Like yeah, I guess. I also liked Jeffrey Wright in
• 1:23:59
  Speaker 1: The Batman. He made a good.
• 1:24:02
  Speaker 2: Well. We also have a trailer for the sequel to
• 1:24:05
  Speaker 2: the horror movie Smile. This one's called Smile Too. Very
• 1:24:09
  Speaker 2: creative trailer. I like the fact that they use the number.
• 1:24:14
  Speaker 2: I'm so tired of these movies that aren't using numbers.
• 1:24:16
  Speaker 2: And I don't know which movie is the first one,
• 1:24:19
  Speaker 2: Like Planet of the Apes. I'm looking at you because
• 1:24:22
  Speaker 2: if you call one Dawn of the Planet of the Apes,
• 1:24:25
  Speaker 2: so the other one rises the Planet of the Apes.
• 1:24:27
  Speaker 2: Let me tell you which one should be the first one.
• 1:24:29
  Speaker 2: But anyway, yes, Dawn should be the first one. It's
• 1:24:34
  Speaker 2: not and that's confusing. So first, Smile Too, you're doing
• 1:24:38
  Speaker 2: that correct? But yeah, I wrote in our show notes
• 1:24:42
  Speaker 2: like what if Smile but with Lady Gaga because this
• 1:24:47
  Speaker 2: story follows a young woman who is a pop star
• 1:24:52
  Speaker 2: and she encounters the Smile demon. Uh, And I don't know,
• 1:24:58
  Speaker 2: I watched this trailer, and I didn't feel that any
• 1:25:02
  Speaker 2: of the moments of people looking into her face and
• 1:25:06
  Speaker 2: then doing the creepy smile were nearly as effective as
• 1:25:10
  Speaker 2: what happened in the first film. Like, I felt that
• 1:25:12
  Speaker 2: the smiles in the first film all looked more extreme
• 1:25:16
  Speaker 2: and scary.
• 1:25:18
  Speaker 1: Do you want to know something? Do you want a
• 1:25:21
  Speaker 1: secret that's going to blow your mind? I'm not seeing
• 1:25:24
  Speaker 1: the first smile. I could barely google it because every
• 1:25:27
  Speaker 1: time I googled smile movie came up with smile too.
• 1:25:30
  Speaker 2: Yeah, the first the first movies like it's it's creepy.
• 1:25:33
  Speaker 2: It's a creepy like It's essentially a creepy demon slash
• 1:25:37
  Speaker 2: ghost movie is what it comes down to. And the
• 1:25:41
  Speaker 2: entity that is stalking the main character does so by
• 1:25:47
  Speaker 2: inhabiting the bodies of people around her and making them
• 1:25:50
  Speaker 2: do this like over exaggerated creepy smile like smiles to
• 1:25:55
  Speaker 2: the point where you're like, that doesn't even look human.
• 1:25:58
  Speaker 2: That smile is so big and and at least a
• 1:26:03
  Speaker 2: couple of scenes, it's really really, really effective. This one.
• 1:26:06
  Speaker 2: It just I don't know, maybe they got people who
• 1:26:09
  Speaker 2: weren't quite as expressive, or maybe they didn't use any
• 1:26:12
  Speaker 2: like CGI to jusge things up, but it didn't hit
• 1:26:15
  Speaker 2: me the same way.
• 1:26:17
  Speaker 1: The only thing I know is that the first guy
• 1:26:19
  Speaker 1: they show smiling is the guy who played the King
• 1:26:22
  Speaker 1: of Cats.
• 1:26:23
  Speaker 2: Yes, yeah, no, I saw that, and I was like, Oh,
• 1:26:25
  Speaker 2: is he about to take his shirt off and get
• 1:26:27
  Speaker 2: all hot and heavy on the nearest guy? Like, is
• 1:26:29
  Speaker 2: that what's going to happen?
• 1:26:31
  Speaker 1: He's about to turn into cat? Yeah? That I I
• 1:26:40
  Speaker 1: look forward to hearing your review of Smiling.
• 1:26:42
  Speaker 2: Yeah, this is clearly like that's the problem with all
• 1:26:45
  Speaker 2: the horror movie trailers, right, none of these are aerials
• 1:26:47
  Speaker 2: cup of tea.
• 1:26:49
  Speaker 1: Well, and sometimes I have things to say about them,
• 1:26:51
  Speaker 1: but this time they just didn't.
• 1:26:53
  Speaker 2: I think it's fair. I like, like I almost debated on
• 1:26:56
  Speaker 2: not putting them in here, because like, it's only there
• 1:27:00
  Speaker 2: are certain types of horror movies that I feel like, Oh,
• 1:27:03
  Speaker 2: this definitely needs to go into the conversation because this
• 1:27:05
  Speaker 2: is going to resonate with the geek population. There are
• 1:27:08
  Speaker 2: other ones where you're like, oh, Blumhouse had a quota
• 1:27:14
  Speaker 2: to meet and so they churned out eight movies and
• 1:27:17
  Speaker 2: these are none of them really matter to anybody.
• 1:27:21
  Speaker 1: Yeah, well we have one last movie that might be good,
• 1:27:26
  Speaker 1: it might be horror, but Jonathan put it in here
• 1:27:28
  Speaker 1: as a gritty western called Place.
• 1:27:30
  Speaker 2: Of Bones, Yeah yeah.
• 1:27:33
  Speaker 1: Which is about it's first of all, I thought I
• 1:27:36
  Speaker 1: had Gary Oldman in it, but it doesn't. But it
• 1:27:39
  Speaker 1: does have a person in it whose name is Cowboy,
• 1:27:42
  Speaker 1: which is awesome.
• 1:27:43
  Speaker 2: Also has Heather Graham in it.
• 1:27:45
  Speaker 1: It has Heather Graham is one of the main characters.
• 1:27:47
  Speaker 1: And from what I can get from the trailer, it's
• 1:27:49
  Speaker 1: about a woman who is so protective of her family
• 1:27:52
  Speaker 1: in the Frontier that she's just straight up willing to
• 1:27:55
  Speaker 1: kill people. Yeah, like that get on her.
• 1:27:57
  Speaker 2: Nerves or who are perceived throughout right, Like if she
• 1:28:02
  Speaker 2: perceives a threat to her family, she does not hesitate
• 1:28:06
  Speaker 2: to act, which, you know, I actually kind of dig
• 1:28:09
  Speaker 2: that because there's so many westerns, in particular, like dark,
• 1:28:13
  Speaker 2: gritty westerns where the you know, you have like a
• 1:28:19
  Speaker 2: female protagonist type character who learns the hard way that
• 1:28:24
  Speaker 2: she shouldn't have trusted that low down, no good so
• 1:28:27
  Speaker 2: and so. But it's only after she's suffered like untold
• 1:28:34
  Speaker 2: torture at the hands of this person. And this is
• 1:28:37
  Speaker 2: like a character who's like screw that I shoot first
• 1:28:40
  Speaker 2: and then if they're alive, maybe I ask questions later.
• 1:28:44
  Speaker 1: Yeah, so it might be over correcting a little too far,
• 1:28:48
  Speaker 1: but it is a nice change of things. Of all
• 1:28:52
  Speaker 1: of the movies, of all this scaryish movies, I think
• 1:28:56
  Speaker 1: this one appeals to me the second most after Beast
• 1:28:59
  Speaker 1: with It.
• 1:28:59
  Speaker 2: Okay, yeah, this one, I thought like it to me,
• 1:29:02
  Speaker 2: it fit kind of in that same realm as movies
• 1:29:06
  Speaker 2: like Unforgiven, where it's in that kind of of gritty,
• 1:29:11
  Speaker 2: realistic western where they strip away the any sort of
• 1:29:17
  Speaker 2: romance from you know, perceptions of that era, and I
• 1:29:24
  Speaker 2: was like, I'm into that, Like I think, I think
• 1:29:27
  Speaker 2: this looks like it's going to be effective. It's coming
• 1:29:29
  Speaker 2: out August twenty third and limited release. I don't know,
• 1:29:32
  Speaker 2: don't know if it's going to get a wide release
• 1:29:34
  Speaker 2: after that, so I don't know if they'll I mean,
• 1:29:36
  Speaker 2: the Plaza will probably show it here in Atlanta, because
• 1:29:39
  Speaker 2: the Plaza gets stuff like that all the time.
• 1:29:42
  Speaker 1: I might watch it. It's definitely one of those ones
• 1:29:44
  Speaker 1: that certainly hasn't gotten a lot of advertising.
• 1:29:46
  Speaker 2: Yes, this was the first I had heard of it
• 1:29:48
  Speaker 2: when I saw this trailer, and I was impressed. With
• 1:29:51
  Speaker 2: what I saw, I mean it looks like I mean,
• 1:29:53
  Speaker 2: it does look like there's going to be some body
• 1:29:54
  Speaker 2: horror stuff in there, not necessarily played up for body horror,
• 1:29:58
  Speaker 2: but someone does get a limb amputated so that the beast.
• 1:30:03
  Speaker 1: Within both have some horror. What was a body humor
• 1:30:07
  Speaker 1: body horror that I don't appreciate?
• 1:30:08
  Speaker 2: Well, yeah, Werewolf movies, I mean, especially anything after American
• 1:30:11
  Speaker 2: Werewolf in London like that. I think that set the
• 1:30:14
  Speaker 2: bar for body horror in were wolf movies.
• 1:30:17
  Speaker 1: I don't mind. Like the transformation cracky bone thing, it's
• 1:30:22
  Speaker 1: like watching fingernails get pulled off.
• 1:30:24
  Speaker 2: Oh yeah, yeah that was That was a moment in
• 1:30:26
  Speaker 2: that Beast Within trailer that gave me like it squiaked
• 1:30:29
  Speaker 2: me out. The fingernail Yeah, that definitely squaked me out.
• 1:30:33
  Speaker 1: Yeah, so stuff like that really bothers me, but not
• 1:30:37
  Speaker 1: as much as cannibalism.
• 1:30:39
  Speaker 2: Yeah, we all know what he eats areal So yeah, that's
• 1:30:44
  Speaker 2: all of our news stories. Like once again, we were
• 1:30:48
  Speaker 2: certain this was going to be a short episode, but
• 1:30:50
  Speaker 2: for one thing, we spent like forty minutes just talking
• 1:30:52
  Speaker 2: about the stuff we had done the previous week. So yes,
• 1:30:57
  Speaker 2: what you get you get hour and a half long episodes. Now,
• 1:30:59
  Speaker 2: I guess I hope you're I hope you're having.
• 1:31:02
  Speaker 1: Till we stop watching, until we stop watching.
• 1:31:04
  Speaker 2: Stuff, yeah, or until until we get like a week
• 1:31:06
  Speaker 2: where absolutely nothing happens. We do not, by the way,
• 1:31:08
  Speaker 2: I should say, I do not know yet if we
• 1:31:11
  Speaker 2: will have an episode next week, because I'll be celebrating
• 1:31:15
  Speaker 2: my birthday and I'll be heading out of town, and
• 1:31:19
  Speaker 2: so I don't know if I'll have the chance to
• 1:31:23
  Speaker 2: record and edit a show before that happens.
• 1:31:27
  Speaker 1: I'm gonna guess Noah, probably, so plan you know, because
• 1:31:31
  Speaker 1: I know you plan your lives around us releasing these episodes.
• 1:31:34
  Speaker 1: Plan for no. But then it'll be a happy.
• 1:31:38
  Speaker 2: Surprise if it is. If it does go out, it
• 1:31:40
  Speaker 2: will need to be a shorter one, like I get,
• 1:31:43
  Speaker 2: because editing these things takes time. So uh, that will
• 1:31:46
  Speaker 2: not it will not be another hour and a half
• 1:31:49
  Speaker 2: long gab fest.
• 1:31:52
  Speaker 1: Yeah, Well, that will give people plenty of time to
• 1:31:54
  Speaker 1: think about things that what they want to ask us, Jonathan.
• 1:31:57
  Speaker 1: And if they have things what they want to ask us,
• 1:32:00
  Speaker 1: how would they want to ask us?
• 1:32:02
  Speaker 2: Well, you're gonna have to journey out into the western
• 1:32:05
  Speaker 2: frontier and establish yourself a homestead. You're gonna build yourself
• 1:32:10
  Speaker 2: a home with your own two hands, building that thing
• 1:32:13
  Speaker 2: from the ground up. You're gonna end up creating a
• 1:32:17
  Speaker 2: modest little plot of land that you can farm on.
• 1:32:19
  Speaker 2: Maybe get yourself a couple animals to help provide things
• 1:32:22
  Speaker 2: like milk or eggs, and probably not the same animals
• 1:32:26
  Speaker 2: doing that, because that'd be a weird hybrid. If you
• 1:32:29
  Speaker 2: do figure that out, I want to hear about it.
• 1:32:31
  Speaker 2: But we haven't gotten that part yet. You're gonna nourish
• 1:32:35
  Speaker 2: this homestead. You're gonna raise yourself family. You're gonna be
• 1:32:39
  Speaker 2: mighty proud of them, and you're gonna instill in them
• 1:32:43
  Speaker 2: the desire for survival and the things in life that
• 1:32:48
  Speaker 2: you find most deer. And then as soon as anyone
• 1:32:52
  Speaker 2: even looks at you, you're gonna put forty seven bullets
• 1:32:56
  Speaker 2: into them with your magic revolver that never any to
• 1:33:00
  Speaker 2: be reloaded. And when you're done with that, I'm going
• 1:33:04
  Speaker 2: to step up behind you and say, they were just
• 1:33:06
  Speaker 2: delivering your mail. What was your question? And you can
• 1:33:09
  Speaker 2: ask me. It's probably not going to go well for you,
• 1:33:12
  Speaker 2: but you can ask me.
• 1:33:13
  Speaker 1: Then yeah, And if that's just seems like so much
• 1:33:18
  Speaker 1: work in the hot summer sun. You can reach out
• 1:33:21
  Speaker 1: to us on social media on Facebook, we are Largener
• 1:33:25
  Speaker 1: Drunk Collider. That is the same on Instagram and threads
• 1:33:28
  Speaker 1: on Discord. We're also Largener Drunk Collider, which you can
• 1:33:30
  Speaker 1: find that link in on our website www dot largener
• 1:33:34
  Speaker 1: Drunk Collider dot com. I have to close my eyes
• 1:33:36
  Speaker 1: when I say this so I can remember everything. That
• 1:33:38
  Speaker 1: website is horribly out of date, but I'm actually working
• 1:33:40
  Speaker 1: on updating it this weekend. I promise for promises this time.
• 1:33:45
  Speaker 1: On Twitter, slash x we are llenc underscore podcast, or
• 1:33:48
  Speaker 1: if you want to send us a long form thing,
• 1:33:50
  Speaker 1: you can do so on our email which is large
• 1:33:53
  Speaker 1: Nerdron pod at gmail dot com. We love hearing from you,
• 1:33:59
  Speaker 1: thanks to the people who have sent us stuff in
• 1:34:01
  Speaker 1: podcasts and recordings and all of that great stuff. You
• 1:34:05
  Speaker 1: rock and until next time. I am Ariel, I really
• 1:34:09
  Speaker 1: got to stop drinking water during these longer episodes cast
• 1:34:12
  Speaker 1: in and.
• 1:34:12
  Speaker 2: I am Jonathan. I can't wait till we have even
• 1:34:16
  Speaker 2: more horror movie trailers. Strickland The Large Nerdron Collider was
• 1:34:26
  Speaker 2: created by Ariel Caston and produced, edited, published deleted, undeleted,
• 1:34:33
  Speaker 2: published again. Curse That by Jonathan Strickland, music by Kevin
• 1:34:39
  Speaker 2: McLeod of incomptech dot Com, A white