Latest / Xenomania / Worst Airbnb Ever! Barbarian’s Bargain Basement of Bad Decisions - Xenomania 32

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Worst Airbnb Ever! Barbarian’s Bargain Basement of Bad Decisions - Xenomania 32 · Xenomania

• 0:15
  Ryan: Generation of
• 0:16
  Kearns: Yep.
• 0:16
  Ryan: wrestlers.
• 0:17
  So I just made the announcement.
• 0:20
  I mean, the little kid in me is excited.
• 0:22
  I'm gonna Summer slam tomorrow, gonna see CM Punk win the World
• 0:26
  Heavyweight Championship from Gunther.
• 0:28
  I am a punk guy.
• 0:29
  I'll just say that.
• 0:31
  Kearns: Nice.
• 0:32
  Jon: You are also gonna, you're also gonna see CM Punk lose that title
• 0:36
  Ryan: I
• 0:36
  Kearns: Oh no,
• 0:38
  Ryan: Seth
• 0:38
  Jon: because it's that th wrong with cash and
• 0:42
  Ryan: a hundred percent, that's, that whole injury is a
• 0:44
  Kearns: those are big
• 0:44
  Jon: the, in the injury the
• 0:46
  Ryan: Agreed.
• 0:47
  Jon: Yep,
• 0:47
  Ryan: Bob Orden job.
• 0:49
  It's a fake cast.
• 0:53
  But it's, cool.
• 0:55
  Jon: yep.
• 0:56
  Ryan: like I said, I've been a fan since next generation racer, Ramon Bret Hart.
• 1:01
  So to be able to go to a big four, it's pretty cool.
• 1:04
  Just for you newbie fans,
• 1:06
  Kearns: Cool.
• 1:06
  Ryan: four is
• 1:07
  Kearns: I
• 1:07
  Ryan: Rumble
• 1:07
  Jon: Mm-hmm.
• 1:08
  Ryan: Summer Slam and Survivor series.
• 1:11
  All right.
• 1:13
  Kearns: went when I was little.
• 1:14
  Little
• 1:15
  Jon: Stop.
• 1:15
  Kearns: oh, big enough to walk from MS or from Grand Central to MSG, but I think
• 1:20
  you figured out which, um, Royal Rumble I went to based on what I said too.
• 1:25
  Ryan: cactus check in the
• 1:26
  Kearns: Yeah.
• 1:27
  Ryan: cactus check in Triple H
• 1:28
  Kearns: Yeah.
• 1:28
  Ryan: won the Royal Rumble and it was
• 1:30
  Kearns: And Pop Lin put me in the cross face chicken wing in the crowd.
• 1:35
  Yeah.
• 1:36
  He ran in there in his banana hammock and had himself a time.
• 1:38
  It was fun.
• 1:39
  Ryan: I love Bob.
• 1:40
  Kearns: Good times, man.
• 1:41
  Ryan: is
• 1:42
  Kearns: But I fell off from back then.
• 1:44
  Uh, I'm glad you're still enjoying, man.
• 1:47
  Enjoy.
• 1:48
  Ryan: in
• 1:48
  Kearns: I.
• 1:49
  Ryan: man.
• 1:49
  Like, it's one of those things where I, hours of raw is a
• 1:53
  lot, three hours of wrestling.
• 1:55
  I prefer two hours.
• 1:56
  You get your stories in.
• 1:58
  but it, it's like the movie industry, it always changes.
• 2:02
  They're always trying new things like, sorry not to get on Tyrant, but like a
• 2:07
  EW, um, which is another organization was.
• 2:11
  Kearns: We're gonna cut this.
• 2:14
  Ryan: I will stop.
• 2:15
  I'll stop.
• 2:16
  Kearns: Let's roll.
• 2:17
  Let's roll in.
• 2:18
  We gotta roll in.
• 2:19
  Ryan: I got all, I got all hyped, but nah.
• 2:22
  We're here for, we're
• 2:23
  Kearns: I know, I know.
• 2:24
  Ryan: and we're here for a blind ranking.
• 2:26
  I'm ready.
• 2:27
  All right.
• 2:28
  Kearns: I'm here for the mother.
• 2:30
  I know what you
• 2:30
  Jon: Yeah, yeah,
• 2:30
  Kearns: for.
• 2:31
  I'm here for the
• 2:31
  Jon: I'm here for all of it.
• 2:33
  I'm here for all those saggy, saggy, saggy boobies.
• 2:36
  Kearns: Oh Lord.
• 2:38
  If you haven't seen the Barbarian yet, do it.
• 2:40
  So you don't think he's a weirdo?
• 2:42
  Jon: If you have, if you haven't seen the barbarian and you don't want it
• 2:46
  spoiled, you should probably come back in an in an hour and 45 minutes.
• 2:51
  Ryan: Hour 45.
• 2:52
  Kearns: All right.
• 2:53
  What kind of
• 2:53
  Jon: And
• 2:54
  Kearns: rank do you have for us,
• 2:55
  Jon: Oh, I have a good one for you guys.
• 2:57
  Kearns: Hmm.
• 2:59
  Ryan: Got my homework notebook ready?
• 3:03
  Jon: Yeah.
• 3:05
  Kearns: Oh, he's writing 'em down.
• 3:06
  Ryan: I.
• 3:07
  Kearns: You're, you're bringing a whole different level of commitment to this.
• 3:11
  Do
• 3:11
  Jon: All right.
• 3:13
  Kearns: all right.
• 3:13
  A wonderful knife.
• 3:16
  Jon: Yes, sir.
• 3:17
  Kearns: My pen doesn't
• 3:18
  Jon: Movie number one.
• 3:18
  It's a wonderful knife.
• 3:21
  It's a Christmas movie, obviously playing on a, it's a wonderful life,
• 3:29
  man.
• 3:30
  He's on these.
• 3:32
  Kearns: I mean, it's, and Justin Long pops right out.
• 3:35
  Joel McHale and Justin Long's right
• 3:37
  Jon: Mm-hmm.
• 3:38
  Ryan: this is on my watch list.
• 3:39
  I've been wanting to see this movie for a while.
• 3:41
  It's basically,
• 3:43
  Jon: It's not bad.
• 3:44
  Kearns: Hasn't
• 3:45
  Jon: not bad.
• 3:46
  Yep.
• 3:47
  I.
• 3:47
  Kearns: I haven't seen it either.
• 3:48
  Uh, that's more expected though,
• 3:51
  Jon: I figured this'll be a lower number for you guys, or
• 3:55
  higher number depending how you
• 3:57
  Ryan: I'll be
• 3:58
  Jon: look at it.
• 3:59
  Ryan: yeah, that's where I'm going.
• 4:00
  I'm agreeing with you.
• 4:02
  Jon: Four, four and four.
• 4:06
  All right.
• 4:07
  You may come to regret it,
• 4:12
  tusk.
• 4:12
  Kearns: was an interesting one.
• 4:13
  Man.
• 4:15
  Tusk was an interesting one.
• 4:17
  Ryan: I will put that at three
• 4:19
  Kearns: I didn't hate it.
• 4:20
  I didn't love it.
• 4:20
  I don't like body horror.
• 4:22
  Jon: Mm-hmm.
• 4:23
  Kearns: that a bunch
• 4:23
  Jon: And this is definitely body horror.
• 4:26
  Kearns: respect it.
• 4:27
  like it's low hanging fruit.
• 4:28
  Ryan: becomes a
• 4:29
  Kearns: Hostile even saw, like the first saw I could deal with because it
• 4:35
  was novel, but the rest of them were just like people exploding and stuff.
• 4:39
  And I was
• 4:39
  Jon: Mm-hmm.
• 4:40
  Like the tusk body horror I like because it is doing something different.
• 4:45
  Kearns: That's true.
• 4:46
  Like, like, uh, human centipede.
• 4:48
  Jon: Yeah, well, not so much that, but,
• 4:50
  Ryan: human centipede like tus.
• 4:53
  Jon: but like, I don't even know that I consider hostile and saw body horrors
• 4:58
  so much as they're just torture porn.
• 5:02
  Kearns: Torture porn might be a better way to put it.
• 5:04
  Ryan: though body whore.
• 5:04
  Especially like when they're like taking limbs off or tendons like
• 5:10
  Jon: Uh, it's still more torturey to me than body horror.
• 5:15
  Body horror for me, generally connotes like transformations
• 5:21
  and that kind of grossness, not necessarily like an amputation.
• 5:25
  Ryan: for example?
• 5:28
  Jon: Um,
• 5:29
  Ryan: No,
• 5:30
  Jon: The Blob to me isn't even a horror movie.
• 5:32
  The Blobs a Monster movie.
• 5:34
  Ryan: I'll accept that.
• 5:35
  That's good.
• 5:36
  Like, yeah.
• 5:38
  See that.
• 5:40
  Kearns: I'm going with.
• 5:41
  I was gonna put it at five.
• 5:42
  I thought
• 5:43
  Jon: All right.
• 5:44
  Kearns: pretty minimal, but I might change it to three.
• 5:46
  No, I'll leave it at five.
• 5:47
  I'm gonna stick with my initial.
• 5:49
  Ryan: this
• 5:50
  Jon: All right.
• 5:51
  Kearns: Kevin James
• 5:51
  Jon: Smith.
• 5:52
  Kearns: I was gonna say
• 5:53
  Jon: Kevin Smith.
• 5:54
  Ryan: Smith, Paul Blart,
• 5:58
  Jon: The mall cop?
• 5:59
  No.
• 6:00
  All right.
• 6:01
  Third movie.
• 6:01
  Kearns: husband.
• 6:02
  Oh, that's a much higher one.
• 6:04
  That's a much higher one.
• 6:06
  Jeepers creepers.
• 6:08
  I'm putting it a one I love.
• 6:10
  Jeepers creepers.
• 6:13
  Ryan: I don't know.
• 6:13
  Be
• 6:14
  Jon: Did you know
• 6:15
  Kearns: had a.
• 6:16
  Jon: the opening?
• 6:17
  The opening where they see him dump a body and they follow him
• 6:22
  is based on an actual murder?
• 6:25
  Kearns: I mean,
• 6:27
  Jon: Yeah.
• 6:28
  And this couple in Michigan happened to drive by a guy dumping
• 6:32
  a, what looked like a body.
• 6:34
  So they followed him.
• 6:35
  He got away.
• 6:36
  He was a, he got caught because of unsolved mysteries, though.
• 6:39
  Ryan: cool.
• 6:40
  Kearns: nice.
• 6:41
  Jon: Yeah.
• 6:41
  Ryan: always creeped me.
• 6:42
  Jon: Original.
• 6:43
  Bob Stack.
• 6:44
  Unsolved Mysteries.
• 6:46
  Kearns: The good one,
• 6:47
  Jon: Yep.
• 6:48
  Kearns: I had my like, biggest kid crash out because of Unsolved Mysteries.
• 6:51
  There was the, it was the episode with like the lake monsters and the family
• 6:54
  Jon: Mm-hmm.
• 6:55
  Kearns: and the splashing was going on, it, it rolled over my bedtime.
• 7:00
  was like one of those weird network things where it started at, you
• 7:02
  know, a weird time and it was like, all right, well it's eight, eight
• 7:05
  o'clock or eight 30 or whatever.
• 7:07
  Jon: Mm-hmm.
• 7:08
  Kearns: no, I need to see the end of the oven.
• 7:10
  I flipped out, caught an ass whooping and had to go to bed.
• 7:13
  Jon: Nice,
• 7:14
  Kearns: damnit.
• 7:15
  Jon: nice, nice.
• 7:17
  All right, so two in one for Jeepers creepers.
• 7:22
  Kearns: Yes, sir.
• 7:23
  Jon: All righty.
• 7:29
  Yoga Hoser.
• 7:31
  Our list is Kevin Smith.
• 7:32
  Heavy this week.
• 7:33
  Ryan: I gotta put that at five.
• 7:35
  Jon: Right.
• 7:36
  Kearns: I'm looking at the, I mean, the girls are fine, but look at the,
• 7:38
  the dudes, they look, they're so weird.
• 7:42
  Jon: Uh huh.
• 7:42
  It's a weird movie.
• 7:43
  Ryan: uh, Kevin Smith's daughter.
• 7:45
  Right.
• 7:46
  Okay.
• 7:47
  Jon: Yep.
• 7:47
  And Johnny Depp's daughter.
• 7:49
  Ryan: Okay.
• 7:50
  Kearns: yeah.
• 7:50
  There she is.
• 7:51
  Ryan: Before Nasra two,
• 7:53
  Kearns: three.
• 7:55
  Jon: Yep.
• 7:55
  Kearns: Three.
• 7:56
  I'll keep two for the last one.
• 7:58
  Jon: I
• 8:01
  Ryan: that's my number.
• 8:02
  Jon: will We have, or Ryan Clean Sweep.
• 8:04
  Here's number one.
• 8:05
  The last one
• 8:06
  Ryan: to hell for
• 8:06
  Kearns: Oh, cool.
• 8:06
  Ryan: one.
• 8:08
  That's a good film.
• 8:10
  Kearns: I hated this movie.
• 8:13
  Yeah.
• 8:14
  It was so campy
• 8:15
  Ryan: another Kevin
• 8:16
  Kearns: and predictable.
• 8:18
  Ryan: No.
• 8:19
  Jon: now.
• 8:19
  Kearns: No, not this one.
• 8:20
  This wouldn't be such a turd.
• 8:23
  Ryan: There
• 8:23
  Jon: Yes.
• 8:25
  Kearns: Um, now jeepers creepers, definitely.
• 8:27
  I'm happy that it's higher on my list than this.
• 8:29
  Jon: Mm-hmm.
• 8:30
  Kearns: Would I put it above yoga hoses?
• 8:32
  Probably.
• 8:33
  Wonderful knife.
• 8:34
  Probably Tuss.
• 8:35
  Probably.
• 8:36
  No.
• 8:36
  All right.
• 8:36
  I'm happy with this.
• 8:37
  Ryan: pretty
• 8:38
  Jon: Mm-hmm.
• 8:38
  Ryan: the mine too.
• 8:38
  Actually, it, it beats the Stephen King
• 8:41
  Jon: All right.
• 8:42
  I,
• 8:42
  Ryan: I'm just saying.
• 8:44
  Just, just saying.
• 8:46
  Kearns: Yeah, that one got messed up.
• 8:48
  Ryan: Yeah, it did.
• 8:48
  Jon: I think I'm awarding the list point to Kerns.
• 8:52
  Kearns: Out of, out of pity.
• 8:54
  Jon: No, no,
• 8:55
  Ryan: Damn.
• 8:55
  Jon: because you got jeepers creepers one.
• 8:58
  Kearns: Yeah, baby.
• 8:59
  I knew Jeepers creepers one was gonna set me up.
• 9:02
  Jeeps Creepers is a great movie.
• 9:04
  The sequel is possibly superior, possibly.
• 9:09
  Jon: Yeah.
• 9:10
  Kearns: It's a, I mean, it's a damn good sequel.
• 9:12
  Jon: But not the third one.
• 9:13
  Ryan: Not
• 9:14
  Kearns: I didn't see the third one.
• 9:16
  Ryan: The,
• 9:17
  Jon: Don't.
• 9:18
  Although I might force you
• 9:19
  Ryan: like though,
• 9:20
  Jon: to.
• 9:20
  Ryan: one, it's better because of the cornfield.
• 9:26
  Like in the first one you got them.
• 9:28
  Kearns: The cornfield helps.
• 9:29
  Ryan: one, you got them being chased by the creeper, but in the second one, it's
• 9:33
  Jon: Mm-hmm.
• 9:33
  Ryan: in their domain.
• 9:34
  Uh, his domain, I should say.
• 9:36
  It's a, it's a good sequel.
• 9:38
  I'm
• 9:38
  Jon: Yeah,
• 9:39
  Ryan: grip on it.
• 9:40
  Jon: I, I like having more victims in a movie.
• 9:45
  Ryan: so is Barbarian like
• 9:48
  Kearns: I've got one for you.
• 9:50
  I'm sorry.
• 9:51
  Ryan: I
• 9:51
  Kearns: Continue.
• 9:52
  Continue.
• 9:53
  Ryan: not like a favorite?
• 9:54
  'cause there's not a lot of debts in it.
• 9:55
  Jon: No, surprisingly, I, you know, based on my aversion to a lot of hyped up
• 10:00
  modern horror, I really like barbarian.
• 10:02
  Kearns: Barbarian was different.
• 10:04
  Yeah.
• 10:05
  That's why I liked it.
• 10:06
  but before we move on to what we're supposed to be talking about,
• 10:08
  the Tall Grass Love Death Robot, season two, it's really good.
• 10:12
  And if you, since you brought up the, cornfield, if you want to get a little of
• 10:17
  that action in, in 17 minutes, definitely watch The Tall Grass on Netflix.
• 10:21
  Well, it's the episode for Love Death Robots, season two on Netflix.
• 10:25
  That's good stuff.
• 10:27
  The Barbarian.
• 10:28
  Jon: Yeah.
• 10:28
  So let's get into it.
• 10:31
  I have a couple reviews for you guys before we even start talking about it.
• 10:36
  I have a, five star for you.
• 10:39
  Ryan: I'll accept it.
• 10:40
  Jon: It's, don't worry, it's the only five star I pulled.
• 10:43
  and I think, I don't know if I go five stars, but I generally agree with this one
• 10:48
  excellent horror film with enough suspense to keep you on the edge of your seat.
• 10:53
  Great.
• 10:53
  Acting by Georgina Campbell.
• 10:56
  Kearns: Yeah, I agree with all that.
• 10:58
  Jon: Yeah,
• 10:58
  Kearns: with all that for three
• 10:59
  Jon: I,
• 10:59
  Kearns: or four stars too.
• 11:00
  But,
• 11:01
  Jon: yeah,
• 11:02
  Kearns: 'cause
• 11:02
  Jon: I don't,
• 11:03
  Kearns: is perfect.
• 11:03
  Like you gotta save that for the,
• 11:05
  Jon: yeah.
• 11:06
  Kearns: or
• 11:07
  Jon: Yeah.
• 11:07
  Kearns: a category for just those unbelievable films.
• 11:12
  but okay.
• 11:13
  I don't begrudge her.
• 11:14
  They review it all.
• 11:16
  Jon: And, uh, I'll, I'll give you a one star.
• 11:19
  Kearns: Yay.
• 11:20
  Jon: This, this, this person wrote this with very little
• 11:23
  punctuation or capitalization.
• 11:26
  So the poorest nonsense plot had no head or tail since minute one.
• 11:32
  And
• 11:34
  Kearns: Oh, so they were just confused.
• 11:36
  Jon: Yes.
• 11:36
  Yeah.
• 11:37
  And you're gonna, I have a couple more sprinkled throughout
• 11:41
  that you're gonna see this.
• 11:43
  There are some people who missed some of the points to barbarian.
• 11:47
  Kearns: Well, there's some deep stuff in barbarian too that's not easy to pick up.
• 11:52
  Jon: Mm-hmm.
• 11:52
  you have to be of a certain mindset, I think, to pick it up and appreciate it
• 11:57
  Kearns: Fair.
• 11:59
  Jon: is, I think.
• 11:59
  Kearns: and I saw what they were doing.
• 12:01
  Um, and I didn't hate that,
• 12:03
  Jon: Mm-hmm.
• 12:04
  Kearns: I guess I appreciated it.
• 12:06
  Jon: Yeah.
• 12:07
  Kearns: over the head, uh, with stuff when like, um, they did all the women
• 12:11
  jumping out to fight in endgame because like the Me Too movement was going on.
• 12:15
  It was like they
• 12:16
  Jon: Yeah.
• 12:17
  Kearns: in a way that was cooler and not so, I don't know, reductive,
• 12:21
  Ryan: Yeah.
• 12:21
  Jon: Yes.
• 12:22
  Kearns: characters in this franchise are cool.
• 12:24
  Why are you doing it in a way that makes it look like It
• 12:28
  makes it so, yeah, whatever.
• 12:30
  So Barbarian does something in a different way,
• 12:34
  Jon: Mm-hmm.
• 12:35
  Kearns: sure we'll talk about.
• 12:36
  Jon: I'm sure we will.
• 12:38
  Kearns: Any other reviews?
• 12:39
  Jon: I have them sprinkled throughout.
• 12:41
  Kearns: Okay, cool.
• 12:42
  So
• 12:42
  Jon: I tied, I tied them in with some plot points.
• 12:45
  Ryan: That works.
• 12:46
  Jon: Yeah.
• 12:47
  Kearns: So this film, everybody begins in the happiest place on Earth.
• 12:52
  An Airbnb in
• 12:53
  Jon: Detroit, Michigan.
• 12:56
  Ryan: and
• 12:56
  Kearns: forget Airbnb.
• 13:00
  Jon: So they, this was almost where it lost me.
• 13:04
  Be, if it's supposed to be set in the present as it is.
• 13:10
  Detroit is not that desolate anymore.
• 13:13
  Kearns: No.
• 13:14
  Jon: It's, I mean, there's still parts that are bad, but it, Detroit is
• 13:19
  Kearns: Coming
• 13:19
  Jon: starting to have a little bit of a resurgence.
• 13:21
  Kearns: That's good.
• 13:23
  It makes
• 13:23
  Jon: Now, if they, had said it in Flint, you might have, I might
• 13:26
  have a different opinion of that.
• 13:28
  Ryan: Like an agreement or disagreement.
• 13:31
  Jon: Uh, more in agreement with the image that it portrays.
• 13:34
  Ryan: Yeah, they did.
• 13:35
  Jon: Yeah.
• 13:36
  Kearns: the poison water will do that to
• 13:38
  Jon: Yeah.
• 13:39
  Kearns: So, yeah, we begin, um, with Captain Douchebag.
• 13:43
  The guy Ryan said, got him five points.
• 13:48
  What's his name?
• 13:48
  Ryan.
• 13:49
  Say his name.
• 13:50
  Ryan: start off with
• 13:51
  Jon: Whoa.
• 13:51
  Yeah.
• 13:52
  Ryan: start off with a reoccurring guest, bill Skarsgard
• 13:57
  Jon: Uhhuh and Tess.
• 13:59
  Kearns: That's true.
• 13:59
  they're in the house.
• 14:01
  Jon: Yes.
• 14:02
  They've, both managed to book the same Airbnb at the same
• 14:06
  time through different apps.
• 14:08
  Kearns: odds?
• 14:08
  And then they give you the old bait and switch on that one.
• 14:10
  And they make you think that, oh, scars, guards are gonna be a rapist.
• 14:14
  Jon: Oh, they absolutely Do.
• 14:16
  You spend that whole opening, 30 minutes waiting.
• 14:21
  'cause he's just, does everything perfectly.
• 14:25
  Like, oh no, you take the bed, I'll sleep on the couch.
• 14:30
  You know, just being the good guy the whole time.
• 14:33
  And you're, you're just waiting for that shoe to drop.
• 14:36
  Kearns: Yeah.
• 14:38
  Ryan: he.
• 14:39
  Kearns: And when it drops, it drops on its head.
• 14:42
  Jon: Yeah.
• 14:42
  Ryan: He's very careful
• 14:44
  Jon: It's,
• 14:45
  Ryan: draws a lot of red flags.
• 14:46
  And it's also like you see her getting
• 14:48
  Jon: mm-hmm.
• 14:49
  Ryan: which you can presume is her boyfriend or ex-boyfriend or
• 14:52
  ex-husband, whatever you wanna consider.
• 14:54
  And she keeps ignoring him and she's very, um,
• 14:57
  Jon: Mm-hmm.
• 14:59
  Ryan: around, uh, Bill's character, oh God, what's his name?
• 15:01
  Keith.
• 15:02
  Kearns: Mm-hmm.
• 15:03
  Ryan: she, uh, she's
• 15:04
  Jon: Yeah.
• 15:05
  Ryan: Tess is very nervous around Keith.
• 15:06
  And it might show like there was trauma between Tess and
• 15:10
  her former partner Marcus.
• 15:11
  Like, she's very sensitive and she's very questionable and doesn't wanna
• 15:16
  Jon: Mm-hmm.
• 15:17
  Ryan: even if he reaches out to help or something, she doesn't
• 15:18
  wanna be touched and just like,
• 15:22
  Jon: Mm-hmm.
• 15:22
  Ryan: yeah, she goes through his wallet too.
• 15:24
  I mean, taking a picture, she's doing research.
• 15:26
  It's like a lot.
• 15:28
  Jon: which, I mean, that part's pretty understandable if you're
• 15:32
  making that decision in that moment to stay in that house.
• 15:38
  it's intrusive, but I think it's, a kind of intrusive that a woman in
• 15:42
  that situation probably needs to be.
• 15:46
  Kearns: Mm.
• 15:46
  Jon: It's not something a guy necessarily thinks about.
• 15:49
  They, they, and he, like, he operates differently the whole time.
• 15:53
  Like, I'm not like those guys.
• 15:55
  I'm not, you know, he's definitely putting his version of a move on, Tess.
• 16:02
  Kearns: Yeah, he is definitely trying to get laid
• 16:04
  Ryan: Like I have,
• 16:05
  Kearns: a little like in the nicest way possible.
• 16:07
  Jon: Mm-hmm.
• 16:08
  Ryan: Um, I'm gonna open it in front of you so you don't
• 16:10
  think I poisoned it like the
• 16:12
  Kearns: Yeah.
• 16:12
  Ryan: I made.
• 16:13
  Do you want more tea
• 16:14
  Jon: Mm-hmm.
• 16:15
  Mm-hmm.
• 16:16
  Ryan: Easy, Keith?
• 16:17
  Kearns: He's silly and they're doing stuff.
• 16:19
  They were like, they're setting up this whole false, um, nightmare and
• 16:23
  Jon: Yeah,
• 16:24
  Kearns: to bed,
• 16:25
  Jon: yeah.
• 16:25
  Kearns: after this has all been laid out.
• 16:27
  And then what occurs when they go to bed Boys,
• 16:29
  Ryan: creek's open.
• 16:32
  Kearns: the
• 16:32
  Jon: Mm-hmm.
• 16:33
  Kearns: open and that's
• 16:33
  Jon: Yep.
• 16:34
  Kearns: why wouldn't that be fine?
• 16:36
  Ryan: Ooh.
• 16:37
  Kearns: It's
• 16:37
  Jon: Yeah.
• 16:39
  Yeah.
• 16:40
  And it, so the, door creek's open, Tess wakes up.
• 16:44
  She keeps that to the living room to make sure that Keith isn't like sneaking
• 16:49
  in on her and he is full night terror.
• 16:52
  Kearns: Yeah.
• 16:53
  Ryan: she did the biggest mistake in like touching him and waking him up.
• 16:58
  You just don't do that.
• 17:00
  You gotta let it
• 17:01
  Jon: Mm-hmm.
• 17:01
  And I mean, this is sort of the beginning of her sort of not recognizing
• 17:09
  surroundings and recognizing things where she, not only does she wake him,
• 17:14
  but like she then has, feels like she has to ask him, did you open the door?
• 17:20
  Eh, Tess Tess, that that man has not just fallen asleep.
• 17:26
  Ryan: how afraid she is and that, again, shows like
• 17:29
  Jon: Oh, absolutely.
• 17:31
  Ryan: she's going through.
• 17:31
  'cause she, it, the camera definitely shows, um, uh, the
• 17:34
  director's name Zach Craiger.
• 17:37
  Jon: Zach Craiger.
• 17:39
  Ryan: the
• 17:39
  Jon: Yeah.
• 17:39
  Ryan: It explicitly shows the audience that he is dead asleep,
• 17:45
  and everything going through his
• 17:46
  Jon: Mm-hmm.
• 17:46
  Ryan: So it's like, it kind of gives the audience like, okay, it wasn't
• 17:50
  him, but it's like, it's questioning.
• 17:53
  'cause we've seen Bill Skarsgard in every horror film.
• 17:56
  He's always the bad guy.
• 17:57
  And from the audience reaction, I
• 17:59
  Jon: Yeah.
• 18:00
  Ryan: that trick, that trickery in film where it's like he might
• 18:02
  be the bad guy, he might not.
• 18:04
  It works.
• 18:04
  Jon: oh yeah.
• 18:05
  It, it, it definitely plays into your expectation of a scars guard in that role.
• 18:11
  Ryan: And Bill was the choice.
• 18:15
  He's,
• 18:16
  Kearns: Well, I mean, what's the other, the lesser scars guard, I suppose.
• 18:21
  TA's, boy,
• 18:22
  Ryan: Come on now.
• 18:24
  Jon: Mm-hmm.
• 18:25
  Kearns: he's, he since he did the Norman.
• 18:27
  I can't really hate him as much, but I can try.
• 18:30
  He ruined Randall flag.
• 18:32
  You boner.
• 18:34
  Jon: I, I don't genuinely hate him.
• 18:37
  I'm just, he's just a little too everywhere for me.
• 18:41
  Kearns: Yeah, that's fair too.
• 18:43
  Who's, who's gonna be Mr. Everywhere coming up?
• 18:45
  There's somebody else out there.
• 18:46
  There's, uh, that guy was in the Sydney Sweeney movies and everything.
• 18:49
  Now, uh, I don't know, it's too dumb to remember the name, but the
• 18:55
  guy looks like every generic, um, white, middle aged leading man,
• 19:01
  Jon: Mm-hmm.
• 19:02
  Kearns: like with the scruff and all
• 19:03
  Jon: Mm-hmm.
• 19:04
  Ryan: bill Burr.
• 19:06
  Kearns: that
• 19:06
  Jon: Yeah.
• 19:06
  Kearns: Army Hammer.
• 19:08
  Bill Burr.
• 19:09
  Bill Burr.
• 19:12
  Bill Burr.
• 19:13
  How dare you.
• 19:16
  How dare you.
• 19:17
  I.
• 19:17
  Ryan: He's gonna listen to this and go on a tirade.
• 19:19
  I love it.
• 19:22
  Kearns: Yeah, we could only hope buddy.
• 19:24
  But anyway, back to Barbarian.
• 19:25
  So
• 19:26
  Jon: Yeah.
• 19:26
  Kearns: We find out scars, guard's, not really a bad guy.
• 19:28
  So
• 19:28
  Jon: Yeah.
• 19:29
  Kearns: Where's the
• 19:29
  Jon: So.
• 19:30
  So Tesco's for her interview the next day.
• 19:33
  And in daylight, you see how bad this neighborhood is that
• 19:37
  Kearns: bad.
• 19:37
  Jon: this is the, this is the only occupied house if on in the neighborhood.
• 19:45
  as she's waiting to be called in for interviews, see she's maybe starting to
• 19:49
  start to have a little thing for Keith, sort of looking at the picture she took
• 19:54
  and there's a little grin, you know?
• 19:57
  Kearns: He's going back to the house.
• 20:00
  He should be there.
• 20:01
  Jon: Mm-hmm.
• 20:01
  Ryan: made a connection though, because the job she's interviewing for the,
• 20:06
  for the director, the filmmaker, Keith's seen her movies before and
• 20:10
  he's like showing an interest and then
• 20:13
  Jon: Mm-hmm.
• 20:13
  Mm-hmm.
• 20:14
  Ryan: on is connected to the group.
• 20:15
  He is, he's a part.
• 20:17
  So I think like if she's getting that comfortability, which is cool, and
• 20:22
  Jon: Yeah.
• 20:22
  Yeah.
• 20:23
  Ryan: mistake and investigates the basement or she goes to grab toilet paper,
• 20:28
  Jon: Well,
• 20:28
  Ryan: too.
• 20:29
  Jon: she makes a stupid mistake by assuming that the man running to her when
• 20:34
  she returns to the house means her harm.
• 20:36
  Ryan: true.
• 20:37
  Kearns: but I mean, that's a
• 20:39
  Jon: Which again, I, it's a fair mistake, but, you know, and she also sort of
• 20:45
  skips over the director that she met with kind of warning her about that
• 20:50
  neighborhood that like, here's a woman who's gonna go and do a documentary about,
• 20:56
  you know, bad neighborhoods basically.
• 20:58
  And she's telling you you're in a bad one.
• 21:04
  Kearns: One of the worst.
• 21:06
  Ryan: always the horror trope, the warning and the ignoring.
• 21:09
  I wanna see a horror movie where they
• 21:10
  Jon: Mm-hmm.
• 21:11
  Ryan: to the people who are like warning them, then they
• 21:13
  just roll the credits and then
• 21:15
  Jon: Yep.
• 21:15
  Ryan: individual group, roll the credits, and then finally you get that
• 21:18
  one lucky group who goes through it.
• 21:21
  But then you show the credits and just fuck the audience over.
• 21:25
  Jon: Speaking of, speaking of groups that went through Barbarian, here's
• 21:31
  a one star review for you guys.
• 21:35
  This movie should have never been released in theaters.
• 21:40
  I usually never skip ahead no matter how bad the movie, but this movie
• 21:46
  was so unbearable, slow, illogical, and insufferable that I skipped
• 21:52
  through just to end my torture sooner.
• 21:55
  If I had gone, if, hold on.
• 21:58
  If I had gone to see it in theaters, I probably would've walked out.
• 22:02
  And I've only walked out on one other movie in my entire life and I wish they
• 22:07
  had included what other movie that is.
• 22:09
  Kearns: too.
• 22:09
  Ryan: It's the father.
• 22:10
  Kearns: Schindler's list.
• 22:12
  Ryan: 28 years later, guaranteed.
• 22:15
  Jon: The, the villains of the movie were the writers and how they dared to put
• 22:21
  viewers through this and call it a movie.
• 22:24
  Kearns: This is
• 22:24
  Jon: I, I cannot believe the studios stole money from movie
• 22:30
  watchers to put them through this lazy and incomprehensive mess.
• 22:35
  Kearns: Comprehensive.
• 22:36
  Jon: should be ashamed of themselves.
• 22:39
  Ryan: They should
• 22:39
  Kearns: Damn.
• 22:40
  Ryan: that
• 22:41
  Kearns: It was a. Damn.
• 22:43
  I mean, this is a good movie, so, so that
• 22:46
  Jon: Oh, wow.
• 22:46
  Kearns: ill.
• 22:47
  No, but I think, that there, there's a lot of this that, that
• 22:50
  comes from people who don't get it.
• 22:53
  Jon: Yeah.
• 22:53
  Kearns: This is, but there's also, you don't have to get it to see,
• 22:55
  like the simple part of the movie.
• 22:57
  This thing tracks pretty
• 22:58
  Jon: Mm-hmm.
• 22:59
  Kearns: as like, da da da da da.
• 23:01
  Jon: And I mean, listen, it is slow.
• 23:04
  Kearns: It is
• 23:05
  Jon: The first half hour is slow.
• 23:09
  But you need that first half hour to care about anything that happens after.
• 23:13
  Kearns: character building you jerks.
• 23:15
  Jon: Yeah.
• 23:16
  Kearns: even more than that.
• 23:18
  yeah, I mean, I, I, I have a hard time person, so much venom float outta that.
• 23:25
  Ryan: It,
• 23:26
  Jon: Mm-hmm.
• 23:26
  Kearns: really felt that way and I'm trying to rationalize it.
• 23:29
  Ryan: it,
• 23:29
  Jon: Yeah.
• 23:30
  these one stars.
• 23:31
  Were hard to find decent ones because most people don't hate this movie.
• 23:36
  Kearns: Yeah.
• 23:37
  Jon: If you look, the majority of scores on IMDB are between six and eight.
• 23:42
  It averages out to seven.
• 23:44
  That's
• 23:45
  Kearns: It's
• 23:45
  Jon: the neighborhood of where I would go.
• 23:46
  Seven, seven and a half.
• 23:48
  Kearns: Yeah, it's about what this is seven and a half.
• 23:51
  If you're thinking like, if that represents a 75 out of
• 23:54
  a hundred, like dead average,
• 23:56
  Jon: Mm-hmm.
• 23:57
  Kearns: I might flirt with the 80
• 23:58
  Ryan: the 80,
• 23:59
  Kearns: to get it
• 23:59
  Jon: It
• 24:00
  Ryan: eight with it.
• 24:00
  Kearns: Yeah.
• 24:02
  Jon: lemme see.
• 24:02
  I.
• 24:03
  Kearns: John's allowed to be more strict.
• 24:04
  He's seen a hundred thousand more movies than we have.
• 24:07
  Jon: And, and it, and it's not even like I, for me, I, the main points I deduct
• 24:13
  are, it's not quite scary enough for me.
• 24:17
  Like I wanted it to be more scary.
• 24:20
  I wanted, and I wanted more when we get to it, I wanted more backstory.
• 24:25
  Kearns: Oh, okay.
• 24:27
  All right.
• 24:27
  So what, what he's alluding to dear listeners is the actual monster
• 24:32
  of the film, which we're about to meet, um, not, and it's not aj, it's
• 24:37
  Jon: No,
• 24:38
  Kearns: So
• 24:38
  Jon: uh
• 24:39
  Kearns: Well,
• 24:40
  Jon: uh,
• 24:40
  Kearns: AJ's a bit of a quat.
• 24:42
  Jon: AJ might be the monster
• 24:45
  Kearns: Yeah,
• 24:46
  Jon: when we get, when we get to AJ and we should probably, right before we
• 24:49
  get to aj, hit a little trigger warning
• 24:53
  Ryan: to,
• 24:54
  Jon: 'cause we get into some sexual abuse stuff with him that's unsavory.
• 25:02
  Kearns: Alleged.
• 25:03
  Jon: I mean it when you, when you, yeah, When you meet him, you can
• 25:09
  sort of buy into it being alleged.
• 25:12
  Kearns: Who was it that he has a, uh, essay, so there's a sexual assault.
• 25:16
  Everybody, there's your
• 25:16
  Jon: An actress.
• 25:18
  Kearns: An
• 25:18
  Jon: An actress, yeah.
• 25:19
  Kearns: uh,
• 25:20
  Ryan: pilot, he just,
• 25:22
  Jon: On the pilot for his show,
• 25:23
  Kearns: he didn't force himself, didn't he?
• 25:24
  Like, try, he solicited, right?
• 25:27
  Ryan: so
• 25:28
  Kearns: wasn't, it wasn't an actual assault, if
• 25:30
  Jon: his, his, the way he describes it in a bar is that he wore her down
• 25:38
  basically, that she first said no, and she probably second said no.
• 25:42
  We kept after it and after it, and it's like even his description
• 25:49
  at that point is like, I don't know if she ever really said yes.
• 25:54
  Kearns: great.
• 25:55
  Yeah.
• 25:55
  Leaving that hanging probably means she didn't,
• 25:57
  Ryan: And he
• 25:58
  Jon: Yeah.
• 25:59
  Kearns: she probably just stopped saying anything.
• 26:01
  Jon: Yeah.
• 26:02
  Which
• 26:03
  Ryan: Yeah.
• 26:03
  Jon: sort of apologizes.
• 26:05
  Ryan: was drunk.
• 26:07
  Kearns: where the, um, the part of the movie that focuses on
• 26:10
  what's called male privilege
• 26:12
  Jon: Mm-hmm.
• 26:12
  Kearns: up.
• 26:12
  And then
• 26:13
  Jon: Mm-hmm.
• 26:13
  Kearns: men get butt hurt about that.
• 26:15
  Um,
• 26:15
  Jon: Yeah.
• 26:16
  Kearns: you shouldn't wrap it in such a woke term
• 26:19
  Jon: Mm-hmm.
• 26:19
  Kearns: about how rapists suck instead of male privilege.
• 26:22
  'cause male
• 26:22
  Jon: Yeah.
• 26:23
  Kearns: like an such a big umbrella
• 26:25
  Jon: Mm-hmm.
• 26:26
  Kearns: concept.
• 26:27
  And male privilege doesn't, not have to do with rape.
• 26:31
  Rape is rape.
• 26:32
  Jon: Yeah.
• 26:33
  Kearns: if he raped a person, he raped a person.
• 26:35
  Jon: Mm-hmm.
• 26:35
  Kearns: so that's what makes him a dick, everyone.
• 26:38
  And that's why
• 26:38
  Jon: That,
• 26:39
  Kearns: start hating aj.
• 26:40
  Jon: that's where he starts being a dick, but we'll get to the rest of it.
• 26:44
  Like that's where, what he,
• 26:45
  Kearns: Douche.
• 26:46
  Jon: yeah.
• 26:46
  Yeah.
• 26:47
  Ryan: can
• 26:47
  Jon: So, you know, J just to back up, we get back.
• 26:52
  Kearns: trying to do
• 26:52
  Jon: go ahead.
• 26:52
  Ryan: uh, John, I was uh, gonna say too, I agree.
• 26:55
  We gotta back up to Keith going down.
• 26:58
  Tess finding the room and
• 27:02
  Kearns: Yeah.
• 27:02
  Ryan: the rope, she, well, she's searching the basement, finds the
• 27:05
  rope, finds an extra room with a bloodstained mattress, a bathroom bucket.
• 27:10
  Not from Home Depot though.
• 27:12
  And
• 27:13
  Jon: Mm-hmm.
• 27:14
  Ryan: camera sitting alone.
• 27:15
  And she gets locked in.
• 27:17
  Jon: Yeah.
• 27:17
  Ryan: gets her out and Keith investigates and That's a crazy scene.
• 27:22
  Kearns: Go.
• 27:22
  Great.
• 27:23
  Ryan: a that.
• 27:25
  Kearns: where you really realize what you're watching.
• 27:28
  Jon: That, that's when you realize that the monster is not Keith.
• 27:32
  Kearns: Yeah.
• 27:33
  Because the
• 27:34
  Jon: There are,
• 27:35
  Kearns: snatches him.
• 27:36
  Jon: bad, bad things in that basement hallway.
• 27:39
  Ryan: I'll say his death when watching it initially shocked me
• 27:44
  I thought he would at least make
• 27:46
  Jon: Mm-hmm.
• 27:46
  Ryan: 'cause his name was so big at that time.
• 27:49
  And then he gets his head
• 27:50
  Jon: Yeah,
• 27:51
  Ryan: against a rock wall and it's
• 27:53
  Jon: yeah, yeah.
• 27:55
  In the fir, the first half of the movie he's done,
• 27:57
  Kearns: Yeah.
• 27:57
  He's out of it.
• 27:59
  Jon: they, they, the guy you expect to be around at the end and you
• 28:03
  really, until, until he dies, you expect him to be the villain.
• 28:08
  Like up until the moment his head gets bashed in, I'm waiting
• 28:13
  for him to turn into the heel.
• 28:15
  Ryan: Like something snaps at him.
• 28:17
  Maybe a split personality or
• 28:18
  Jon: Mm-hmm.
• 28:19
  Ryan: the title Barbarian, you're thinking like someone who's gonna
• 28:22
  just tear up everything and he fits the description pretty well.
• 28:26
  And then,
• 28:27
  Jon: Mm-hmm.
• 28:28
  Mm-hmm.
• 28:29
  Ryan: the concept
• 28:30
  Jon: Yeah.
• 28:31
  Ryan: you can look in the concept deeper of like what is a barbarian and like
• 28:36
  AJ represents a barbarian in ways too, on how he is as a person, you know?
• 28:42
  Jon: yeah.
• 28:43
  Kearns: That's the, there's a big thing in this about what is a monster?
• 28:46
  Who is the monster for sure.
• 28:48
  And then Tess Tess is what is a victim?
• 28:52
  Jon: Mm-hmm.
• 28:53
  Kearns: And what is it to be allowed?
• 28:54
  Allow yourself to be a victim, which is interesting too.
• 28:57
  And this, that's why I say I like this movie.
• 28:58
  It's deep.
• 28:59
  Now did I love how they pulled everything off?
• 29:01
  Not necessarily, but I didn't hate it either.
• 29:03
  And I like what they did, and I also like that
• 29:05
  Jon: Mm-hmm.
• 29:05
  Mm-hmm.
• 29:07
  Kearns: So F everybody.
• 29:09
  Jon: Yep.
• 29:10
  So before we jump to the second half, we have this wonderful review.
• 29:18
  This movie is so stupid, not scary at all.
• 29:22
  Oh, wait, there were two jump scares.
• 29:25
  So, yeah, not scary.
• 29:27
  And so we're kind of conflicted already, not suspenseful, and the
• 29:31
  so-called twist, OMG, so dumb.
• 29:36
  Seriously.
• 29:37
  Kearns: what the twist is.
• 29:39
  Jon: Seriously.
• 29:41
  Kearns: Oh, that's, I guess we should wait till we get to it.
• 29:43
  I.
• 29:44
  Jon: Probably the worst movie I've ever seen.
• 29:47
  No, it is, it is the worst movie I have ever seen, and Stephen King
• 29:52
  should give me my 15 bucks back because his recommendation is why
• 29:56
  I bought it instead of renting it.
• 29:59
  And even then, I'd want my four bucks back.
• 30:02
  You'll not be afraid of Airbnbs after this,
• 30:06
  Kearns: I'm afraid of Airbnbs after this.
• 30:08
  Jon: afraid.
• 30:09
  I'm, I'm afraid of Airbnbs in the first place.
• 30:13
  Ryan: was supposedly a bad neighborhood too, and it, the
• 30:16
  basement was like barbarian style.
• 30:18
  Didn't find a trap door though.
• 30:20
  But the bathroom was nice.
• 30:21
  Kearns: Hmm.
• 30:22
  Ryan: that
• 30:23
  Jon: You didn't look hard enough.
• 30:25
  Ryan: I
• 30:25
  Kearns: was a dude who was, um, staying in someone's house.
• 30:27
  If you watch, um, what's his name?
• 30:30
  He is a YouTuber.
• 30:32
  Uh, he does a great episode on it.
• 30:34
  A girl and her father live in the house and there's a dude living in the walls.
• 30:38
  Jon: This sounds like a Mr. Ballen episode.
• 30:41
  Kearns: It's a Mr. Ball
• 30:42
  Jon: Okay.
• 30:42
  Kearns: you.
• 30:43
  And it's a, it's a solid Listen, if you wanna get into it, it's a crazy story
• 30:48
  and it's, it's very barbarian esque.
• 30:50
  Jon: Yeah.
• 30:50
  So in, in an hour and 45 minutes after you've watched Barbarian
• 30:55
  in about an hour after you've watched us go and watch Mr. Bellin.
• 30:59
  Kearns: 45 minutes.
• 31:00
  We're getting to the, we're getting to the last part.
• 31:02
  We're, we're not doing an hour.
• 31:04
  What's up Ryan?
• 31:05
  It?
• 31:05
  Ryan: actually a horror movie with that like type of setup where they were called
• 31:09
  Froggers, I think, where people would jump from house to house and live in the attic.
• 31:13
  There was a horror
• 31:14
  Kearns: Yeah.
• 31:16
  Ryan: that was like, had like two people in the attic and they were kind of going
• 31:20
  through the house and of course me, it's a slasher film, so shit starts happening.
• 31:25
  I don't think it's on Hulu anymore.
• 31:27
  I gotta get the title.
• 31:28
  It was No, I think like,
• 31:30
  Jon: Yeah, I don't.
• 31:31
  Ryan: god, it's a great film.
• 31:32
  It was one of those, oh, it's a good like movie, C movie when Hulu was starting to.
• 31:38
  like, I guess it's wheels going with their made movies and stuff.
• 31:42
  I mean, they've done
• 31:44
  Jon: Mm-hmm.
• 31:44
  Ryan: Predator, at least I can say that and other stuff,
• 31:48
  Jon: Mm-hmm.
• 31:48
  So now we get to AJ
• 31:51
  Kearns: Hey Jay, the
• 31:53
  Jon: and yeah, we get, we get his whole rape story and he's
• 31:58
  against the advice of his lawyer.
• 32:00
  He's gonna skip town for a bit and go to a property owns in Detroit,
• 32:05
  which just happens to be the Airbnb.
• 32:09
  Kearns: and he arrives.
• 32:11
  Jon: Yep.
• 32:11
  He shows up.
• 32:12
  He does, you know, he goes out drinking,
• 32:15
  Kearns: Tells
• 32:16
  Jon: sort of,
• 32:17
  Kearns: it
• 32:18
  Jon: eh,
• 32:19
  Kearns: goes home.
• 32:20
  Jon: goes home, starts finding all the evidence that someone was staying there.
• 32:26
  Kearns: Do, do, do.
• 32:27
  Jon: And then he finds the rope for the door in the basement too,
• 32:31
  Ryan: But he gets a,
• 32:33
  Jon: and at no point, yeah, he, he gets business ideas,
• 32:38
  not any, any sort of dread.
• 32:41
  He's, he's immediately thinking, Ooh, can I add this into the square footage so
• 32:45
  when I sell this place, it's worth more.
• 32:47
  Ryan: and a nine by three hallway.
• 32:49
  I mean, that adds some value right there.
• 32:51
  Jon: Mm-hmm.
• 32:52
  Yeah.
• 32:53
  I mean, now listen, you're not adding a lot of value to
• 32:57
  anything in that neighborhood.
• 33:00
  Ryan: the house is the most expensive there with everything burnt down
• 33:03
  to a crisp right next to it,
• 33:05
  Jon: Yeah.
• 33:05
  Yeah.
• 33:06
  I mean, what your hope with that house is, is that some developer wants
• 33:10
  to put some kind of complex there.
• 33:12
  Kearns: Yeah.
• 33:13
  Ryan: the foreshadow is happening, and it doesn't go through as shown years later.
• 33:18
  Jon: Mm-hmm.
• 33:19
  So a AJ's measuring the basement and, uh, he, he has a, the
• 33:26
  tape measure yanked from him,
• 33:27
  Ryan: Yep.
• 33:28
  Jon: which is really the first time he, feels anything that
• 33:31
  resembles fear being down there.
• 33:33
  Kearns: Mm-hmm.
• 33:34
  Jon: Yeah.
• 33:34
  Ryan: she comes running after him.
• 33:35
  Kearns: And then he doesn't, he follow it?
• 33:37
  Oh no.
• 33:38
  She chases him at that
• 33:39
  Jon: Yep.
• 33:40
  That, and he, gets freaked and starts to run, but he is lost.
• 33:44
  He hasn't paid any attention to where he is.
• 33:47
  Kearns: right?
• 33:48
  She's
• 33:48
  Jon: And, and the mother catches up with him and he falls in a hole
• 33:53
  where there's a test waiting for him.
• 33:56
  Kearns: and Tess is like, Hey.
• 33:57
  And
• 33:58
  Jon: Hey.
• 33:59
  Kearns: top right?
• 34:00
  Jon: Yep.
• 34:00
  Ryan: like, well,
• 34:01
  Kearns: And then they
• 34:01
  Jon: Yep.
• 34:02
  Kearns: each other.
• 34:02
  Ryan: like.
• 34:03
  Jon: And then we get a flashback.
• 34:05
  a more vibrant time in this neighborhood.
• 34:08
  Kearns: Yep.
• 34:08
  And we get to see what, the backstory is.
• 34:10
  And it's a pretty cool little scene.
• 34:12
  It adds a little bit of levity to the movie
• 34:14
  Ryan: Yeah.
• 34:14
  Jon: Mm-hmm.
• 34:15
  Kearns: till it
• 34:15
  Jon: It does.
• 34:16
  And it, it, it sort of adds, you know, the prediction of the future and like,
• 34:22
  kind of what people in Detroit in the eighties went through where that his
• 34:27
  neighbor is selling the house and we think we have to go now because I don't
• 34:33
  think we're gonna get anything next year.
• 34:35
  Kearns: Mm,
• 34:37
  Jon: And that's really what happened to a lot of those people.
• 34:39
  It just went away, became undesirable in a, in a heartbeat.
• 34:44
  Kearns: they ran.
• 34:47
  Jon: Yeah.
• 34:48
  Put some boards on the windows and went somewhere else.
• 34:51
  Ryan: It's a shame it, I, I
• 34:53
  Kearns: Oh,
• 34:53
  Ryan: It's sad.
• 34:54
  Jon: Yep.
• 34:56
  Ryan: It's sad.
• 34:58
  Kearns: it
• 34:58
  Jon: Yep.
• 34:59
  Ryan: You know what?
• 34:59
  You know what's sadder though?
• 35:01
  Jon: So.
• 35:02
  Kearns: What's that?
• 35:04
  Ryan: a piece of hair sticking on it and like
• 35:06
  Kearns: I.
• 35:06
  Ryan: test, like you no.
• 35:11
  Jon: Oh, that's pretty gross.
• 35:12
  It's pretty gross.
• 35:13
  Ryan: like a, she
• 35:14
  Jon: It's pretty gross.
• 35:15
  Ryan: And I give her so much kudos,
• 35:17
  Jon: Mm-hmm.
• 35:18
  Ryan: done the Justin Long Avenue.
• 35:20
  I, I would've refused.
• 35:21
  That's like, or at least pull the hair off, you know what I mean?
• 35:25
  Like
• 35:27
  Jon: Fee.
• 35:28
  I understand.
• 35:29
  I understand where AJ comes from in that scene, but Tess has been there a while.
• 35:35
  She knows how to survive this already.
• 35:38
  Kearns: Yeah.
• 35:38
  Fair
• 35:39
  Jon: Easy it, that thing is handing me a bottle.
• 35:43
  It's gross.
• 35:44
  I think I'm drinking it.
• 35:45
  Ryan: the hair off.
• 35:46
  Kearns: or pretending?
• 35:47
  Ryan: she
• 35:48
  Jon: Yeah.
• 35:49
  Ryan: She
• 35:50
  Jon: You're,
• 35:50
  Kearns: did.
• 35:51
  Jon: staying alive at that point, not worrying about how
• 35:54
  gross what she's giving you is
• 35:55
  Ryan: you any money.
• 35:56
  It was breast milk too.
• 35:57
  Kearns: Probably.
• 35:58
  Jon: probably,
• 36:01
  probably.
• 36:02
  But j just to go back to the, um, flashback, we get Richard break as
• 36:07
  Frank and he sort of starts off pretty innocently going and buying, you know,
• 36:13
  baby supplies for a soon to be born child and to almost immediately divert
• 36:20
  into stalking and setting up to kidnap
• 36:22
  Ryan: Yep.
• 36:23
  Jon: a woman.
• 36:23
  Ryan: Carlos
• 36:24
  Jon: I,
• 36:25
  Ryan: s his name on his trouser
• 36:26
  Jon: yep.
• 36:28
  Yeah.
• 36:30
  Yep.
• 36:31
  Kearns: Trouser is a fun word.
• 36:35
  Jon: So
• 36:36
  Ryan: al,
• 36:37
  Jon: you, you, you then you start to get that impression of, What's really been
• 36:42
  going on in the basement at that point?
• 36:44
  Kearns: Yeah.
• 36:45
  Ryan: it was like a. He shoots it off in the dialogue when he
• 36:48
  is like, it's at a home in birth.
• 36:50
  I need the plastic sheets.
• 36:52
  How
• 36:52
  Jon: Mm-hmm.
• 36:53
  Ryan: this?
• 36:53
  And it's like,
• 36:54
  Jon: Yeah,
• 36:55
  Ryan: something's
• 36:55
  Jon: yeah,
• 36:58
  yeah.
• 36:58
  When, when he starts with plastic sheets, I'm like, oh, here we go.
• 37:02
  Here comes the, all the serial killer supplies.
• 37:04
  He's gonna need some rope and a box cutter.
• 37:07
  And not that I know what you need for serial killing, but
• 37:12
  Kearns: No, not that guy.
• 37:14
  Jon: nah,
• 37:15
  Kearns: Yeah,
• 37:16
  Jon: I stand out too much.
• 37:19
  Kearns: fair.
• 37:19
  Jon: the
• 37:19
  Kearns: they showed
• 37:20
  Jon: The big guy.
• 37:21
  The big guy with the beard and the long hair.
• 37:23
  I mean like way too much.
• 37:26
  Kearns: um, so yeah, we, we were in the, we're in the mother's layer and
• 37:31
  we're, Tess and AJ are still alive
• 37:33
  Jon: Yep.
• 37:34
  Kearns: What occurs now?
• 37:36
  Jon: Well, you get the bottle and then you get the break for it.
• 37:39
  Tess is gonna make a run for it.
• 37:41
  AJ's still can't figure out how to get out of the basement, so
• 37:45
  he's just blundering around.
• 37:46
  But Tess gets out,
• 37:48
  Kearns: Yeah.
• 37:48
  Tess makes it out,
• 37:49
  Ryan: the window.
• 37:50
  Kearns: or
• 37:50
  Jon: Tess.
• 37:51
  Yep.
• 37:52
  Smashes the basement window and climbs at, starts to climb out, and
• 37:56
  then gets a helping hand from Andre.
• 37:59
  Who is the guy who tried to warn her?
• 38:02
  Kearns: He scared her
• 38:04
  Jon: Yep.
• 38:04
  Mm-hmm.
• 38:07
  Kearns: Tess is free and the movie's over.
• 38:10
  Ryan: No
• 38:11
  Kearns: not.
• 38:12
  Jon: No.
• 38:13
  Kearns: What happens now.
• 38:15
  Jon: Well, AJ finds an old decrepit Frank.
• 38:19
  Ryan: notice that the mother's afraid to go there after he
• 38:23
  gets away from, from the mother.
• 38:25
  He goes against the door and he's got the light.
• 38:27
  And I was thinking about this like, is she afraid of the light?
• 38:31
  Because the daylight she pulls away and it's no, she's more
• 38:34
  afraid of Frank in the bedroom.
• 38:37
  Jon: It is Frank.
• 38:38
  Kearns: He
• 38:38
  Jon: Frank does,
• 38:39
  Ryan: Oh yeah.
• 38:40
  Jon: yeah.
• 38:41
  And Frank's not with us much longer because Frank manages to get a gun.
• 38:46
  And for a moment you think he's gonna shoot aj,
• 38:49
  Kearns: Yeah,
• 38:50
  Ryan: Oh, because he watches that
• 38:51
  Jon: but he shoots himself.
• 38:53
  Ryan: that home
• 38:54
  Jon: Mm-hmm.
• 38:55
  Ryan: video.
• 38:56
  Jon: A yeah, AJ finds the videotapes of what Frank has done down there and,
• 39:04
  you know, you also get Andre really explaining in more detail what happens.
• 39:11
  And it's bad.
• 39:12
  It's, it's pretty rough.
• 39:14
  Kearns: sadistic stuff.
• 39:15
  Jon: Yeah.
• 39:15
  You get a lot of, a lot of abduction and assaulting and generational assaulting.
• 39:23
  Ryan: 'cause you see a lot like four crates or four cages and dog food bowls.
• 39:29
  It was like, it's,
• 39:31
  Jon: Mm-hmm.
• 39:31
  Mm-hmm.
• 39:33
  Ryan: yeah.
• 39:34
  Jon: I, I would be curious to do a little research on this, how much
• 39:40
  Frank is based on Ariel Castro.
• 39:42
  Ryan: Okay.
• 39:43
  Jon: Do you remember the Cleveland guy
• 39:45
  Kearns: Yeah,
• 39:46
  Jon: that kidnapped the women and kept him in the house and did
• 39:49
  all kinds of gross shit to them?
• 39:52
  He's seen it's a very similar character.
• 39:56
  Kearns: sure.
• 39:56
  He is very not loosely based on him.
• 40:00
  Jon: Mm-hmm.
• 40:01
  Kearns: There's not too many people to base like what is there?
• 40:03
  HH Holmes,
• 40:05
  Ryan: Uh, h
• 40:05
  Jon: Yeah.
• 40:07
  Kearns: different anyway.
• 40:08
  Jon: Yeah.
• 40:09
  Ryan: which
• 40:10
  Jon: Yes.
• 40:11
  Kearns: Among other things.
• 40:13
  Ryan: Jack the Ripper.
• 40:14
  I don't know if they've proved that wrong.
• 40:17
  Jon: yeah.
• 40:18
  Largely ruled him out because the timelines don't work.
• 40:21
  Kearns: He's, he was stateside.
• 40:23
  Jon: Yeah,
• 40:24
  Kearns: was a, he was committing insurance fraud and running around
• 40:27
  Jon: yeah,
• 40:27
  Kearns: was ripping.
• 40:28
  Jon: So, Tess is free, she gets to gas station, she calls the
• 40:32
  cops, she's doing the right thing.
• 40:35
  Cops show up and
• 40:38
  Ryan: head
• 40:39
  Jon: Yep.
• 40:40
  They take one look at her or dirty, disheveled and assume she's a crack head.
• 40:45
  Ryan: and she's all
• 40:46
  Jon: Mm-hmm.
• 40:47
  Ryan: I mean, she's panicked, but she's all together.
• 40:49
  Explain the situation and that that irked me.
• 40:52
  The
• 40:52
  Jon: Sh.
• 40:53
  Ryan: like giving her a chance.
• 40:54
  I mean, I get it's Detroit, I get
• 40:57
  Jon: Mm-hmm.
• 40:57
  Ryan: but
• 40:58
  Jon: Mm-hmm.
• 40:59
  Kearns: You could tell a crack head from a person who's dirty
• 41:01
  Jon: Mm-hmm.
• 41:02
  Kearns: just that
• 41:02
  Jon: But the.
• 41:03
  Kearns: of the movie's message, they had to stuff that down your throat.
• 41:06
  Jon: Yeah, this is definitely messaging.
• 41:08
  This is definitely the underserved community.
• 41:11
  This is definitely the, you know, don't believe street people.
• 41:16
  Uh, you know, it's that it's a very, very messaging moment,
• 41:24
  which one of our one star reviews
• 41:27
  Kearns: due,
• 41:28
  Jon: clearly picked up on.
• 41:30
  Kearns: I.
• 41:31
  Jon: So I enjoyed the movie.
• 41:34
  Remember, this is a one star review.
• 41:36
  I enjoyed the movie until the most annoying part where the police wouldn't
• 41:41
  even entertain the possibility that the woman could have been telling the truth.
• 41:46
  I know it is all fiction, but the way the police acted toward the
• 41:50
  main character did nothing but make me rolls my eyes in annoyance and
• 41:55
  decide to not finish the movie.
• 41:58
  The police scene just should never have been a part of the
• 42:02
  movie at all, if not for that.
• 42:05
  I would've most likely finished the movie.
• 42:09
  Instead, I read about how the rest of the movie went online.
• 42:13
  I would not recommend this movie to anyone.
• 42:16
  Just very frustrating in a complete waste of time.
• 42:21
  So it sounds like you, you got an hour and 15 to an hour and 20 minutes
• 42:25
  of a movie you did enjoy and then you didn't somehow, as blatant as
• 42:32
  that messaging is, you didn't get it.
• 42:36
  Kearns: That's somebody who's, uh, family member of cops or is
• 42:40
  a cop or something like that.
• 42:41
  That's gotta be, and they took it like way too literally.
• 42:44
  Jon: Mm-hmm.
• 42:45
  Ryan: play.
• 42:46
  Jon: Oh, ab,
• 42:46
  Ryan: play GTA because there's cop killing in there.
• 42:49
  That's that type of person.
• 42:51
  It's a
• 42:51
  Jon: yep.
• 42:53
  Yep,
• 42:54
  Kearns: killing in GTA and cop killing.
• 42:56
  Ryan: I.
• 42:57
  Jon: Yep.
• 42:57
  So once the cops don't believe, Tess, she goes back into the house.
• 43:03
  Ryan: Yep.
• 43:03
  Kearns: Yeah.
• 43:04
  Which is wild.
• 43:05
  Jon: What?
• 43:05
  What?
• 43:06
  Kearns: why does she go back to save aj?
• 43:08
  Jon: Initially, very reasonably, she's going to get her keys,
• 43:11
  Kearns: Oh, okay.
• 43:13
  Ryan: yeah.
• 43:14
  Jon: and then as she's starting to drive away, the mother is out of the house
• 43:19
  Ryan: and
• 43:21
  Jon: and then she crashes the car into her and goes back for aj, which from
• 43:25
  everything you learned about Tess at the beginning of the movie and how she feels
• 43:30
  about men, this is the exact kind of man she's afraid of, and the exact kind of
• 43:35
  man she wouldn't go back for if she knew.
• 43:38
  Kearns: Mm.
• 43:38
  Ryan: But it shows it's a perfect evolution for her character,
• 43:41
  and that's like, right.
• 43:42
  The whole idea of movie
• 43:44
  Jon: Mm-hmm.
• 43:44
  Ryan: to show this one character, have a problem and overcome it by the end.
• 43:49
  And subtle in front of you.
• 43:52
  I mean, this one was very in front, I believe.
• 43:53
  And, uh, Zach does a great job of showcasing that in his writing.
• 43:59
  Forget about those
• 44:00
  Jon: Mm-hmm.
• 44:00
  Ryan: He's a good writer.
• 44:03
  Jon: Yeah.
• 44:04
  I, this is far, far from a one star movie.
• 44:07
  Kearns: Now
• 44:08
  Ryan: Batman and
• 44:09
  Kearns: I guess said three and a half.
• 44:10
  Four.
• 44:11
  Three and a half.
• 44:12
  Four.
• 44:13
  Jon: Mm-hmm.
• 44:14
  Kearns: three and a half, 4.2.
• 44:15
  Whatever you wanna do there.
• 44:17
  Ryan: and a half.
• 44:18
  Um,
• 44:19
  Kearns: I think at eight out of 10 or a four is a fine rating.
• 44:23
  I think a
• 44:23
  Jon: Mm-hmm.
• 44:24
  Kearns: fair.
• 44:25
  Jon: Mm-hmm.
• 44:26
  Kearns: down to three is starting to get a little shaky, but
• 44:28
  Jon: Yeah.
• 44:29
  Kearns: I get it.
• 44:29
  Uh,
• 44:31
  Jon: So,
• 44:31
  Kearns: also very highly criticized, though.
• 44:33
  I'm sure we'll hear a review about
• 44:35
  Jon: mm-hmm.
• 44:35
  Kearns: but
• 44:36
  Jon: No, I didn't, I did not focus on the ending because I want us to
• 44:40
  review the ending, not somebody else.
• 44:42
  Kearns: Yay.
• 44:43
  Jon: She gets AJ outta the house.
• 44:45
  They meet up with Andre at his campsite and Andre's telling him the whole
• 44:48
  story and like, we're gonna wait till morning and then we're gonna go get Tess
• 44:52
  help, because AJ accidentally shot her
• 44:55
  Kearns: Yeah.
• 44:55
  Jon: and as he, as, it's one of the, it's one of my favorite
• 45:00
  death scenes in a long time.
• 45:02
  Um, it's very Samuel L. Jackson in Deep Blue Sea as he's going
• 45:09
  into this whole thing about she's never come into this, this place.
• 45:13
  She, she comes into this place and she strangles him, rips his arm off, and
• 45:21
  then beats him to death with his own arm.
• 45:24
  Kearns: is probably my favorite scene in the movie.
• 45:25
  Ryan: scene.
• 45:26
  Jon: Yeah.
• 45:26
  Ryan: just the, the line
• 45:27
  Jon: Yeah.
• 45:28
  Ryan: really makes it better.
• 45:29
  As John said, it's just like he, he hasn't come in here and then
• 45:33
  Jon: Mm-hmm.
• 45:34
  Ryan: and just.
• 45:36
  It's then it's just a chase, it's a classic chase up a water tower
• 45:41
  Jon: Yep.
• 45:41
  Ryan: and it shows
• 45:42
  Jon: Yep.
• 45:42
  Ryan: a dick because he leaves her.
• 45:46
  Kearns: Yep.
• 45:46
  Immediately
• 45:47
  Jon: He,
• 45:47
  Kearns: save his own skin.
• 45:48
  Jon: yep.
• 45:48
  He leaves Tess and then they both get on top of the water tower as the mother's
• 45:55
  getting up there and he pushes Tess off.
• 46:01
  Kearns: He knows the mother's chasing Tess.
• 46:03
  Right.
• 46:03
  Jon: Mm-hmm.
• 46:04
  Yep.
• 46:05
  Yep.
• 46:06
  And, um, the mother goes off after Tess.
• 46:09
  Kearns: Which is also wild.
• 46:11
  Ryan: a cool scene.
• 46:13
  Kearns: And they both land
• 46:15
  Ryan: Yep.
• 46:15
  Kearns: Tess lives,
• 46:17
  Jon: Yeah.
• 46:17
  Somehow Tess lands on top of the mother.
• 46:20
  Kearns: which
• 46:20
  Jon: Not sure how that happened.
• 46:22
  Kearns: Yeah.
• 46:22
  After if she jumped afterward, it doesn't physically make sense, but that's fine.
• 46:26
  Jon: Mm-hmm.
• 46:27
  Nope.
• 46:27
  You can, it's a movie.
• 46:29
  You can suspend your disbelief for a little bit and enjoy.
• 46:32
  Kearns: She lands, we needed her to live.
• 46:33
  She lives
• 46:34
  Jon: Nope.
• 46:35
  Kearns: limping away.
• 46:36
  And the movie's over roll the credits.
• 46:38
  Jon: Not quite.
• 46:40
  Well, we gotta, AJ's gotta get his comeuppance at some
• 46:43
  point, and boy does he,
• 46:46
  Kearns: And how does that happen, John
• 46:49
  Jon: you get,
• 46:50
  Ryan: nah.
• 46:52
  Jon: go ahead Ryan, I'll let you get this one.
• 46:54
  Ryan: a good dead scene.
• 46:55
  As he's like going over to Tess and he's just like, I try to catch you.
• 47:00
  You were slipping off and all this crap happens.
• 47:03
  The mother gets up, grabs him by the face and great Justin.
• 47:08
  Long fashioned like jeepers creepers, punctures the eyes
• 47:11
  out and tears his head open.
• 47:13
  Like Mortal Kombat.
• 47:14
  It was one hell of a
• 47:16
  Jon: Mm-hmm.
• 47:16
  Kearns: Sweet.
• 47:17
  Ryan: Or brutality.
• 47:18
  Kearns: Which is pretty sweet.
• 47:20
  Jon: Mm-hmm.
• 47:21
  Ryan: wins.
• 47:22
  Kearns: scene.
• 47:23
  Ryan: And it just like it.
• 47:26
  with horror.
• 47:27
  Sometimes you see these characters who are like.
• 47:31
  and horrible and you can't wait to see them die.
• 47:33
  He was definitely one of those characters.
• 47:34
  I was just like, fuck yeah.
• 47:36
  He
• 47:37
  Jon: Yeah.
• 47:37
  Ryan: it.
• 47:37
  Jon: Yeah.
• 47:38
  And you know, he is gonna, you know, he's going to,
• 47:42
  Kearns: And test needed to live,
• 47:43
  Jon: mm-hmm.
• 47:44
  Kearns: the movie's message to at least get
• 47:46
  Jon: Mm-hmm.
• 47:46
  Kearns: that.
• 47:47
  There's this, like, you can break through this cycle
• 47:50
  Jon: Mm-hmm.
• 47:51
  Kearns: in this movie.
• 47:51
  And if you're paying attention with at least a third of your brain, you're
• 47:54
  noticing what they're talking about.
• 47:55
  I don't think we need to air it out too much.
• 47:57
  Jon: Now,
• 47:57
  Kearns: abuse.
• 47:58
  It's about overcoming, it's about avoiding being a victim.
• 48:00
  It's about not victimizing.
• 48:02
  It's about a lot of things.
• 48:03
  It's about, how men treat women.
• 48:05
  He shoves Tess off the water tower and not all men.
• 48:09
  There's the Archie Bunkers out there who are wonderful husbands, who are
• 48:13
  wonderful husbands to their Edith their dads, to their Rob Reiners and you
• 48:19
  know, Jefferson and what's her name?
• 48:22
  Stinky.
• 48:22
  What's his wife's name?
• 48:24
  Jon: EZ.
• 48:25
  Kearns: Wheezy.
• 48:27
  Wheezy.
• 48:28
  Jon: Was
• 48:28
  Kearns: this
• 48:29
  Jon: Stinky Jefferson.
• 48:30
  Kearns: movie's not a message about that.
• 48:31
  It's also not an attack on good men.
• 48:33
  So
• 48:33
  Jon: Mm-hmm.
• 48:34
  Kearns: deal with it
• 48:34
  Jon: Nope.
• 48:35
  Kearns: I.
• 48:35
  Ryan: Everyone dies.
• 48:37
  That's how it
• 48:37
  Jon: It's, yep.
• 48:39
  Kearns: Everyone died.
• 48:41
  Jon: Yep.
• 48:41
  Including the mother Te Tess.
• 48:45
  Tess puts the mother down and limps off.
• 48:47
  Ryan: pity,
• 48:47
  Kearns: so from the end,
• 48:50
  Ryan: And I, you feel the emotion in that?
• 48:52
  I,
• 48:52
  Jon: Absolutely.
• 48:52
  Ryan: bad for the mother.
• 48:53
  'cause she didn't, she didn't deserve any of that.
• 48:57
  Kearns: she was a victim herself.
• 48:59
  Jon: Yeah.
• 49:00
  Kearns: She's also jacked up psychotic mongoloid that needs to
• 49:04
  die, but she's a victim herself.
• 49:07
  Jon: Yep.
• 49:08
  Kearns: And that's barbarian and that's why it's a movie that gets mixed
• 49:11
  reviews and love and hate and all that.
• 49:13
  'cause there's a, there were choices and there were
• 49:14
  Jon: Mm-hmm.
• 49:15
  Kearns: but
• 49:15
  Jon: Mm-hmm.
• 49:15
  Kearns: with my wife.
• 49:16
  We both liked it.
• 49:17
  It was,
• 49:17
  Jon: Yeah.
• 49:18
  Kearns: it wasn't terrifying, but it's scary at times.
• 49:22
  Jon: It's, you know, it, it's kind of, the negative reviews tend, I think, are kind
• 49:28
  of a reflection of how people are willing to politicize everything they watch.
• 49:34
  And this didn't have to be, it's got messages, but you don't
• 49:38
  have to, you don't have to allow the message to spoil the movie.
• 49:43
  Kearns: this, it also came out during the height of the fervor
• 49:46
  Jon: Mm-hmm.
• 49:47
  Kearns: I mean, um, not, not saying anything negative about all that, but
• 49:51
  yeah, we're all in a, we're all in a major, I think there was a spike in the
• 49:55
  Me Too movement as well at the time.
• 49:57
  So there's, there's butt hurt guys
• 49:59
  Jon: Mm-hmm.
• 50:00
  Kearns: women
• 50:00
  Jon: Yep.
• 50:01
  Kearns: for the cause.
• 50:01
  Everybody's yelling at each other.
• 50:03
  Every, there's a virus killing people.
• 50:04
  Delta is just surging across the country.
• 50:09
  Everybody's
• 50:10
  Jon: Yeah.
• 50:11
  Kearns: and things aren't going great.
• 50:12
  Jon: Yeah,
• 50:13
  Kearns: Yeah,
• 50:15
  Jon: yeah.
• 50:15
  Kearns: that's the skinny everybody.
• 50:16
  Ryan: to live
• 50:17
  Jon: that's.
• 50:18
  Ryan: and experience,
• 50:20
  Jon: Yep.
• 50:20
  Kearns: dream dude.
• 50:21
  It's a fever.
• 50:22
  Dream 2022.
• 50:23
  I'm glad you didn't say like 2012 or something.
• 50:25
  'cause at this point it's hard for me to tell the difference.
• 50:29
  Jon: Mm-hmm.
• 50:29
  Ryan: 10 years ago sin.
• 50:31
  It's, it's what, what year are we in?
• 50:33
  2025 at 10 years is 1995.
• 50:36
  Right?
• 50:37
  Crash Band COEs released and on the PlayStation.
• 50:40
  All right.
• 50:41
  I
• 50:41
  Kearns: that would be nice.
• 50:42
  Ryan: ready.
• 50:42
  Kearns: That's 'cause everybody thinks, everybody thinks that we're always in like
• 50:46
  the, the two thousands decade, not 2020s.
• 50:49
  Ryan: God.
• 50:49
  Jon: Mm-hmm.
• 50:50
  Kearns: We have like a,
• 50:51
  Jon: Yeah.
• 50:52
  Kearns: illness as a society.
• 50:53
  But that's
• 50:54
  Jon: Yep.
• 50:55
  Kearns: Okay.
• 50:55
  So that
• 50:55
  Jon: Yeah, it's a solid, solid seven and a half, seven, seven and a half for me.
• 51:00
  Kearns: it's a good watch.
• 51:01
  It's better
• 51:02
  Jon: Yeah.
• 51:03
  Kearns: you've seen.
• 51:04
  Jon: Yeah.
• 51:05
  Kearns: if, if you want to think and watch a movie, watch it.
• 51:08
  If you don't want to think and watch a movie, watch it.
• 51:10
  It works both ways, I assure you.
• 51:13
  And we're gonna get into our top fives, Ryan, wow.
• 51:17
  Us.
• 51:18
  Ryan: to beat my time to like, down to at least five minutes.
• 51:21
  That's the goal.
• 51:22
  I don't know what's gonna happen, but I'm gonna start off with, uh, a 2010
• 51:27
  Kearns: John's gonna sabotage you.
• 51:29
  I'm gonna, not starting the timer.
• 51:30
  John is gonna try to sabotage you.
• 51:32
  Ryan: I'm gonna start off with a 2010.
• 51:35
  Kearns: Be like some slam.
• 51:36
  Huh?
• 51:37
  Ryan: Well listen about to touche.
• 51:41
  I'm gonna start off with, 2010, starring Ryan Reynolds.
• 51:46
  Uh, oh, my top five, by the way.
• 51:48
  Um, it's all about captured.
• 51:50
  Movies that are captured.
• 51:51
  And I'm starting off with a movie called Buried, which is a semi remake
• 51:55
  of an Alfred Hitchcock presents, episode called The Final Escape.
• 51:58
  And it starts Ryan Reynolds, who is, placed truck driver, Paul Conroy,
• 52:02
  Iraq based American civilian truck driver, Paul Conroy, who's captured
• 52:06
  and put underground in a coffin with only a lighter and a cell phone.
• 52:10
  And it's an hour and a half film.
• 52:14
  It's all in one location.
• 52:16
  Of course, it just shows Ryan Reynolds and you just hear voices of other
• 52:19
  actors and just seeing Ryan Reynolds act, it's, it's a worth a watch,
• 52:24
  especially if you like him in Deadpool.
• 52:25
  It's a different type of movie.
• 52:28
  it, just enjoy his acting, you know, and he proved a lot from
• 52:32
  that since his Van Wilder days.
• 52:33
  I'm just that out there and waiting.
• 52:37
  my number two, I'm gonna go with a Twist, another captured movie,
• 52:41
  but not in the sense where.
• 52:44
  four.
• 52:44
  Sorry.
• 52:45
  I know I am.
• 52:46
  So like, I'm trying not to be sabotaged.
• 52:48
  I'm trying to rush, trying to get in under five minutes.
• 52:51
  I'm trying.
• 52:51
  my next movie is Frozen.
• 52:54
  Jon: No shot.
• 52:55
  Just do it.
• 52:56
  Ryan: not, not a shot.
• 52:57
  Um, it's frozen, from the creator of Hatchet Adam Green.
• 53:01
  it's about three skiers who are stranded in a chairlift after a day of skiing, and
• 53:05
  they're forced into life or death choices.
• 53:08
  I thought this movie was gonna be boring.
• 53:10
  It is intense.
• 53:11
  It is a thrill ride.
• 53:12
  Uh, Sean Ashmore is in it.
• 53:14
  He's, uh, one of the, I think he was Iceman in the X-Men series.
• 53:18
  I think he was that twin.
• 53:20
  Yeah, he was that twin.
• 53:21
  He was iceman.
• 53:21
  Um, it's
• 53:22
  Jon: Yeah.
• 53:23
  Ryan: a good film if you've never seen it.
• 53:24
  There's a lot of tense moments and just like weather conditions, wolves, it,
• 53:31
  it goes there and it's, a good film.
• 53:34
  Um, number three.
• 53:36
  Gotta go with Split With M Night Shaman, uh, dingdong.
• 53:42
  I, I'm, I'm like getting my inner Adam Sandler right now,
• 53:46
  but split's a good movie.
• 53:47
  It's a second in the,
• 53:55
  Kearns: I just tried so hard not to interrupt you.
• 53:57
  Ryan: no, that was a good
• 53:58
  Kearns: Uh, you're doing great on time.
• 54:00
  You're doing great on time.
• 54:02
  Ryan: it's about, uh, James McAvoy who plays basically a
• 54:06
  man with dissociative identity disorder who kidnaps in Imprisons.
• 54:10
  Three teenage girls in an isolated underground facility
• 54:13
  until the beast appears.
• 54:15
  And
• 54:17
  Kearns: We're gonna let that slide, I don't care about the time anymore.
• 54:20
  What, what's James' last name?
• 54:26
  Is he a cowboy?
• 54:27
  What?
• 54:29
  his name?
• 54:29
  Ryan: McCab, McCabbe Mc.
• 54:31
  Am I. Wait, what?
• 54:34
  McAvoy.
• 54:35
  Okay.
• 54:36
  Jon: Vo,
• 54:36
  Ryan: McAvoy.
• 54:37
  Okay.
• 54:37
  Jon: I was gonna let it slide.
• 54:39
  Kearns: I just adore you.
• 54:40
  I adore you.
• 54:41
  Ryan: like
• 54:42
  Kearns: I'm a
• 54:42
  Ryan: was gonna
• 54:43
  Jon: I,
• 54:43
  Ryan: many times have you seen me
• 54:44
  Jon: I.
• 54:45
  Ryan: in front of a group of kids, like teaching and
• 54:48
  Kearns: now, now
• 54:48
  Ryan: still roll with
• 54:49
  Kearns: the is.
• 54:50
  Ryan: still roll with,
• 54:51
  Kearns: You make these on camera?
• 54:53
  I, I, I called Paul Buchanan.
• 54:55
  Paul Kinon reading the Great Gatsby, and my friend called me a
• 54:59
  fucking idiot in front of 30 other kids and I laughed my ass off.
• 55:02
  It happens, but yours are priceless.
• 55:06
  Ryan: I just,
• 55:07
  Kearns: Mcca,
• 55:07
  Ryan: keep going with it.
• 55:08
  That's the thing.
• 55:10
  I just,
• 55:11
  Kearns: you rehearsed them ahead of time.
• 55:13
  For for,
• 55:14
  Ryan: I look in the, I
• 55:15
  Kearns: right.
• 55:15
  Ryan: and I'm just like,
• 55:17
  Jon: He's got everything like strangely, phonetically spelled out in front
• 55:21
  of him so he can mispronounce it.
• 55:24
  Kearns: So this is, McCab is playing a guy who's not, who's not centered at all.
• 55:29
  In Split, which is your third movie
• 55:31
  Jon: Yep.
• 55:31
  Kearns: of five.
• 55:32
  Ryan: say this, it's led to Jada always saying that if anything
• 55:36
  goes wrong, no, that was Patricia.
• 55:39
  That was Patricia.
• 55:40
  And I'm like,
• 55:40
  Kearns: That's Patricia.
• 55:41
  That's funny.
• 55:42
  Ryan: anytime.
• 55:43
  Like why, why wasn't like, 'cause we'll do stuff and I'll be, she'll be in the middle
• 55:48
  of, someone's like, oh, this wasn't done.
• 55:49
  She goes, that was Patricia.
• 55:51
  what you're talking about.
• 55:52
  And I'm just like, I, I'll go ahead and do it.
• 55:56
  Um, but we'll lead into number two.
• 56:00
  I do love this.
• 56:01
  I, no, I don't wanna say love.
• 56:02
  I like the film.
• 56:03
  It's a remake of Dracula's Daughter, which is one of my favorite universal
• 56:06
  horror films, uh, because of the tones and the messages in there.
• 56:10
  And it's Abigail.
• 56:12
  Um, whole idea is these, um, kidnappers, this girl thinking that they're gonna
• 56:18
  rob wealthy man who turns out to be Dracula and they have kidnapped his
• 56:24
  daughter and all hell breaks loose and.
• 56:27
  It's a great remake or, um, reimagining of Dracula's daughter and I, I
• 56:34
  appreciate it because they changed it.
• 56:36
  Jon: I definitely like that a lot better than I expected I would, I.
• 56:40
  Ryan: I, when I got nervous, because whenever they try to remake a classic
• 56:44
  horror film in that universal monster lore, the Wolf Wolfman's, not bad.
• 56:49
  Um, with Benic El del Toro, but I still love the original one
• 56:52
  'cause it just hits the nail.
• 56:54
  The New Invisible Man was a decent film, but it doesn't
• 56:59
  catch me like Claude Rains did.
• 57:01
  know?
• 57:02
  But this one did an excellent
• 57:04
  Kearns: You're never
• 57:04
  Jon: catch me at all.
• 57:06
  Kearns: I mean,
• 57:06
  Ryan: Oh, you've never seen the
• 57:08
  Kearns: yeah.
• 57:10
  No, I mean, you're never gonna touch them.
• 57:11
  Ryan: like,
• 57:12
  Kearns: There's just a, there's a movie Magic that was inlaid in those films that
• 57:15
  cannot be recreated effectively today.
• 57:17
  Just, I'm just gonna say it.
• 57:19
  Ryan: the bandages,
• 57:20
  Kearns: just don't have that stuff.
• 57:22
  Jon: Yeah.
• 57:23
  Kearns: Yeah.
• 57:23
  There's priceless.
• 57:25
  Ryan: That,
• 57:26
  Kearns: Agreed.
• 57:27
  Ryan: number one.
• 57:28
  It is actually one of my favorite movies, um, directed by Joel
• 57:31
  Schama, directed by Joel Schumacher.
• 57:35
  Didn't mess it up.
• 57:36
  Kearns: almost said Joel Shawarma.
• 57:38
  Ryan: actually, I did, uh,
• 57:42
  Joel Schama and,
• 57:43
  Kearns: All right.
• 57:44
  Joel Schumacher Swar.
• 57:46
  Ryan: Larry Cohen.
• 57:47
  It's, uh, starring Colin Farrell, Keefer Sutherland, it's phone booth.
• 57:53
  Uh,
• 57:53
  Kearns: Nice.
• 57:54
  Ryan: in that phone
• 57:55
  Kearns: Nice.
• 57:55
  Ryan: that movie.
• 57:56
  Jon: Mm-hmm.
• 57:57
  Ryan: never seen that movie, you're on the edge of your seat Colin
• 58:01
  Farrell's, he's a real douchey character, it's just like you,
• 58:05
  Kearns: He is.
• 58:06
  Ryan: understand what he's going through, and you, you wanna feel bad, but you
• 58:09
  don't, and it's just, it's so good.
• 58:12
  And it's just, again, thrill.
• 58:15
  on the edge of your seat.
• 58:16
  You're for the thrill, and it's just fun.
• 58:19
  Just a fun film.
• 58:20
  Kearns: Mm-hmm.
• 58:20
  Ryan: What
• 58:21
  Kearns: All right, man.
• 58:22
  Jon: I like it.
• 58:23
  Kearns: Um, uh, it was substantial
• 58:27
  Jon: Seven-ish.
• 58:28
  Ryan: One minute down.
• 58:30
  Jon: Seven-ish.
• 58:31
  Kearns: It?
• 58:31
  Was it was lower than eight.
• 58:32
  Yeah.
• 58:33
  Jon: You,
• 58:33
  Kearns: John,
• 58:34
  Jon: were on.
• 58:34
  Kearns: get a lot of grace though.
• 58:36
  Jon: You are on, you are sort of on target until James Macal.
• 58:40
  Kearns: Yeah.
• 58:40
  A cowboy kinda ruined it.
• 58:42
  Ryan: All
• 58:43
  Kearns: All right, John.
• 58:45
  Jon: All right.
• 58:47
  I went with basements
• 58:51
  Kearns: All right.
• 58:52
  Jon: that are not the, that are not the evil dead.
• 58:55
  Kearns: Okay, good.
• 58:57
  Jon: So my, nope,
• 58:59
  Kearns: One of
• 58:59
  Jon: my number.
• 59:00
  Kearns: in the woods, right?
• 59:01
  Jon: Nope,
• 59:01
  Kearns: Damn it.
• 59:03
  Jon: nope.
• 59:04
  Number five, seller dweller.
• 59:07
  Kearns: Oh, fair on the nose.
• 59:09
  Ryan: cellar dweller?
• 59:10
  Jon: artist Whitney Taylor attempts to resurrect a comic 30 years after the
• 59:15
  creator died in a murder suicide History begins to repeat itself as Whitney
• 59:20
  begins to descend into similar madness.
• 59:24
  Um, you get an appearance by Yvonne Car DiCarlo, who is Lily Munster,
• 59:30
  and it's written by Don Mancini.
• 59:32
  Uh, who wrote Child's play?
• 59:34
  Ryan: that movie came up on an AI search recently, and that
• 59:38
  is on a, I I'm, is it good?
• 59:40
  I'm presuming It's good.
• 59:41
  It's on your,
• 59:42
  Jon: It's a fun watch.
• 59:43
  Like it, I mean, listen, is it as good a movie as Barbarian?
• 59:46
  No, but it's a fun watch.
• 59:47
  Ryan: though.
• 59:49
  Yeah.
• 59:49
  I get those fun watches in.
• 59:52
  Jon: Yeah.
• 59:52
  So we go to my number four, which is Don't breathe.
• 59:57
  Kearns: I thought that was gonna come up in Ryan's.
• 1:00:00
  I guess he wanted
• 1:00:01
  Jon: It fits both.
• 1:00:02
  Ryan: it
• 1:00:02
  Kearns: baster.
• 1:00:02
  Ryan: didn't want to cover the Turkey baster.
• 1:00:04
  Not this time.
• 1:00:06
  Kearns: He used to work out in my gym.
• 1:00:08
  Yeah,
• 1:00:08
  Jon: used
• 1:00:09
  Kearns: pretty,
• 1:00:09
  Jon: Steven Lang,
• 1:00:10
  Kearns: Yeah.
• 1:00:10
  Steven Lang was getting jacked for, um, avatar.
• 1:00:13
  Jon: I used to do yard work for him.
• 1:00:16
  Kearns: Nice.
• 1:00:17
  Jon: Yeah.
• 1:00:17
  Kearns: connections.
• 1:00:18
  Did he
• 1:00:18
  Jon: I never met, I never met, I never met him.
• 1:00:21
  I only met the wife.
• 1:00:22
  Ryan: Was she using the Turkey?
• 1:00:24
  Kearns: Yeah, she's ugly.
• 1:00:25
  Unfortunate she's not
• 1:00:27
  Jon: She was not.
• 1:00:28
  She was not, she was not ugly and she was not using a Turkey baster.
• 1:00:32
  Kearns: That's fine.
• 1:00:33
  Both, both of those answers are great.
• 1:00:35
  Jon: Yeah.
• 1:00:35
  Kearns: Alright,
• 1:00:36
  Jon: So
• 1:00:36
  Kearns: going.
• 1:00:37
  Jon: quick, quick rundown of don't breathe.
• 1:00:39
  Three people break into the home of a blind veteran
• 1:00:42
  thinking it'll be an easy score.
• 1:00:44
  Unfortunately, they picked the wrong blind man, and as they progress through
• 1:00:49
  the house, they reveals his true nature.
• 1:00:53
  Kearns: Basting
• 1:00:54
  Jon: Yes.
• 1:00:57
  Kearns: That scene lives rent free.
• 1:00:58
  In my head, that
• 1:00:59
  Jon: Mm-hmm.
• 1:01:00
  Kearns: a force watch.
• 1:01:00
  I watched it because I, it was that and I was watching it and it was fine.
• 1:01:06
  And then that scene happened and I was like, no, why?
• 1:01:08
  With the, the dramatic closeup and the dripping.
• 1:01:11
  I was like, God damnit
• 1:01:12
  Ryan: set up for that movie too.
• 1:01:14
  A buddy of mine was like, you gotta watch, this is a good horror film.
• 1:01:16
  And I picked it up and I was like, all right.
• 1:01:18
  'cause recommendations.
• 1:01:19
  His recommendations were always good.
• 1:01:21
  And then that scene came up.
• 1:01:22
  I went, son of a bitch.
• 1:01:23
  And I was like,
• 1:01:24
  Kearns: man, bastard.
• 1:01:25
  Ryan: this.
• 1:01:25
  He goes, what?
• 1:01:26
  You have watched if I told you?
• 1:01:27
  I said, uh, no.
• 1:01:30
  50 50.
• 1:01:31
  Kearns: a little.
• 1:01:32
  Ryan: I mean, if you've seen Seed of Chucky,
• 1:01:34
  Kearns: No,
• 1:01:34
  Ryan: a Turkey Baer scene in that, in that movie too.
• 1:01:37
  All right.
• 1:01:39
  Kearns: I'm not.
• 1:01:40
  I have not seen Cedar of Chucky.
• 1:01:41
  I saw the trailer for Cedar of Chucky when I was going to see a VP, like a man.
• 1:01:46
  All right.
• 1:01:48
  There are no Turkey based there.
• 1:01:49
  An A VP
• 1:01:52
  Jon: Yet yet.
• 1:01:55
  Kearns: yeah, yeah, it's true.
• 1:01:56
  Those was a franchisees being rebooted because we're getting over a decade old.
• 1:02:00
  All right, John, finish up.
• 1:02:01
  I'm dying here.
• 1:02:02
  Jon: Number three, stir of echoes.
• 1:02:05
  Kearns: Okay.
• 1:02:06
  Serve Echoes is a fantastic movie.
• 1:02:08
  Jon: love Star of Echoes.
• 1:02:10
  Kearns: They don't
• 1:02:10
  Jon: Um, so Tom undergoes hypnosis as a party game and develops the
• 1:02:16
  ability to see ghosts, in particular, the ghost of a young girl who
• 1:02:20
  disappeared in the neighborhood.
• 1:02:22
  The visions push Tom to the edge of his sanity and the solution of a missing girl.
• 1:02:29
  Kearns: Spoiler alert, she's in the All right, next one.
• 1:02:32
  Jon: Mm-hmm.
• 1:02:33
  Number two is a movie that disturbed me to No End.
• 1:02:39
  That one of the few, one of the few movies that really disturbed me.
• 1:02:43
  It's Martyrs.
• 1:02:44
  Ryan: movie's rough.
• 1:02:45
  Jon: The original French.
• 1:02:47
  The original French one.
• 1:02:49
  Kearns: That's a hard movie to watch.
• 1:02:51
  Ryan: I
• 1:02:51
  Jon: So
• 1:02:52
  Ryan: no.
• 1:02:54
  Kearns: That City of God martyrs, those are very hard movies to
• 1:02:57
  Jon: mm-hmm.
• 1:02:58
  Ryan: I,
• 1:02:59
  Jon: Years after.
• 1:03:00
  Oh
• 1:03:01
  Ryan: yeah.
• 1:03:04
  Jon: Years after a horrifying abduction and torture, Lucy seeks
• 1:03:08
  revenge for what she and Anna endured.
• 1:03:11
  Her quest for vengeance goes awry and ends in one of the most
• 1:03:14
  unflinchingly bleak endings.
• 1:03:18
  Ryan: Yeah.
• 1:03:20
  Jon: And, and it's that like, up until that end, I can, I can do the movie.
• 1:03:25
  It's the way it ends.
• 1:03:26
  It's so bleak and so miserable that it's a hard to watch.
• 1:03:33
  Kearns: Mm-hmm.
• 1:03:33
  Ryan: I've heard a lot of,
• 1:03:35
  Kearns: All right,
• 1:03:35
  Jon: Am I,
• 1:03:36
  Ryan: I was gonna say, I've heard,
• 1:03:38
  Jon: go ahead.
• 1:03:38
  You've heard a lot.
• 1:03:39
  Ryan: rough things about it and I, I did a reading
• 1:03:42
  Jon: It's rough.
• 1:03:43
  It's a rough watch.
• 1:03:44
  Ryan: and then I read the ending and I was just like, I can't do it.
• 1:03:48
  it just, and seeing pictures.
• 1:03:50
  The pictures were rough 'cause I was trying to prepare.
• 1:03:54
  Jon: highly, highly recommend it.
• 1:03:58
  But man, you have, have a comfort movie lined up after.
• 1:04:03
  Kearns: Yeah, I was gonna say go watch after this episode, especially,
• 1:04:06
  uh, go watch Tangled or something.
• 1:04:08
  Independent woman who don't need no man Mulan.
• 1:04:11
  Maybe
• 1:04:12
  Jon: Yep,
• 1:04:12
  Kearns: watch something like that
• 1:04:14
  Ryan: We
• 1:04:15
  Jon: yep,
• 1:04:15
  Ryan: a
• 1:04:15
  Kearns: this was bleak.
• 1:04:16
  That was a
• 1:04:17
  Jon: yep.
• 1:04:17
  Kearns: to end the episode for sure.
• 1:04:19
  Jon: It gets Bleecker,
• 1:04:21
  Kearns: no.
• 1:04:21
  Bleak
• 1:04:21
  Jon: one,
• 1:04:23
  Kearns: I forgot you weren't on number
• 1:04:24
  Jon: my number one, the Baskin.
• 1:04:27
  Ryan: I
• 1:04:27
  Kearns: Oh yeah, that's right.
• 1:04:28
  Ryan: that though,
• 1:04:29
  Kearns: It came up today.
• 1:04:29
  The basket.
• 1:04:30
  Jon: I did, um, police officers go from an enjoyable dinner break to
• 1:04:35
  the depths of hell when they answer a call and navigate a building,
• 1:04:40
  and the horrors contained within.
• 1:04:43
  Ryan: that I do wanna see that, that.
• 1:04:47
  Jon: It's so good, so, so good.
• 1:04:50
  Pretty disturbing.
• 1:04:51
  Ryan: like, well, monster film though, too?
• 1:04:56
  Like as
• 1:04:57
  Kearns: A would you consider Event Horizon a monster film?
• 1:05:01
  Jon: No event.
• 1:05:01
  Horizon is a haunted house movie on a spaceship.
• 1:05:04
  Kearns: Yeah.
• 1:05:05
  Baskins.
• 1:05:05
  Not that Baskins different.
• 1:05:07
  It's got a scaries.
• 1:05:09
  Jon: Yeah.
• 1:05:10
  Basking, bask, basking goes, basking goes more to the demonic end.
• 1:05:19
  Ryan: I'm still, I'm still ready to go jump on that rollercoaster ride.
• 1:05:23
  I mean, I'm,
• 1:05:24
  Jon: You definitely should
• 1:05:25
  Ryan: and Terrifi too, but I'm just waiting for it to come on our list.
• 1:05:29
  'cause then I will have to watch it.
• 1:05:31
  I won't.
• 1:05:32
  Kearns: I don't know if we'll do Martyrs
• 1:05:34
  Jon: martyrs you.
• 1:05:35
  Uh, martyrs might be like a
• 1:05:37
  Kearns: I
• 1:05:37
  Jon: bonus episode.
• 1:05:39
  I don't even, I don't know.
• 1:05:41
  Kearns: too
• 1:05:41
  Jon: even know.
• 1:05:42
  Kearns: us.
• 1:05:42
  Jon: Like, I don't even know how to make talking about martyrs.
• 1:05:46
  A lot of fun.
• 1:05:47
  Kearns: You can't, unless you're just you.
• 1:05:49
  Unless we go and wade into that pool and just own it and make fun of it.
• 1:05:53
  And that's disrespectful in and of
• 1:05:55
  Jon: Yeah, yeah,
• 1:05:56
  Kearns: is a good movie and I don't wanna make fun of it in that way.
• 1:05:59
  So, I don't know.
• 1:05:59
  Jon: yeah.
• 1:06:00
  Kearns: to think about it.
• 1:06:01
  I do wanna do the open next time because I have, I've got a, something I was
• 1:06:05
  gonna do as a funny top five, and I said, you know what would be better is
• 1:06:07
  to make these guys do this for the open.
• 1:06:10
  So maybe the
• 1:06:11
  Jon: All
• 1:06:11
  Kearns: or the one after, but
• 1:06:12
  Jon: right.
• 1:06:12
  Kearns: gonna involve, I'm gonna give you a hint.
• 1:06:13
  It's gonna involve how much we hate the scars guards.
• 1:06:18
  All right?
• 1:06:20
  We're gonna rank, we're gonna rank some stuff, so, all right guys, that was Zeno
• 1:06:24
  Mania, episode 30 or something like that.
• 1:06:27
  On the barbarian.
• 1:06:29
  It should be 32, one of us gets hit by a bus and we move up another episode.
• 1:06:34
  It'll be around 32, 33, 34.
• 1:06:37
  But all right guys.
• 1:06:39
  Ryan: Have a good one.