Latest / I Am All In with Scott Patterson / One on One: Devon Michaels
Transcript
- 0:00Speaker 1: I Am all In.
- 0:07Speaker 2: I Am all in with Scott Patterson, an iHeartRadio podcast.
- 0:20Speaker 1: Hey Everybody, Scott Patterson, I Am all In podcast, one
- 0:24Speaker 1: on one interview, one eleven productions. iHeartRadio, iHeart Podcasts, iHeartMedia.
- 0:29Speaker 1: Devin Michaels is joining us. Here are some Gilmore facts.
- 0:33Speaker 1: He portrayed Bill for nine episodes of Gilmore Girls. That's
- 0:37Speaker 1: a pretty good haul. Bill was a Yale Daily News
- 0:39Speaker 1: student who eventually succeeded after Rory as editor in chief.
- 0:45Speaker 1: He grew up in New York City doing theater. He
- 0:48Speaker 1: debut on Broadway at age twelve, and I went on
- 0:53Speaker 1: to perform several prominent off Broadway venues. He also graduated
- 0:57Speaker 1: Yale University with a degree in Theater studies and psychology
- 1:01Speaker 1: as Television appearances include Fraser, The West Wing, The Division,
- 1:05Speaker 1: Monk Without a Trace, House Numbers, and more recently, you
- 1:08Speaker 1: can catch them on The Rookie and Race and Frankie.
- 1:12Speaker 1: Let's bring him in, Devin Michaels, Devin, thanks for coming on.
- 1:16Speaker 1: First off, how'd you get the role on Gilmore Girls?
- 1:19Speaker 3: Well, you know, I had gotten brought in years earlier.
- 1:24Speaker 3: I think it was still season one for just a
- 1:27Speaker 3: general interview with Jamie Rodowski and Mara Casey, and they
- 1:33Speaker 3: kept saying, you know, faster, and this was, you know,
- 1:39Speaker 3: before I really understood what that what that meant. And
- 1:43Speaker 3: I did it, you know, my little New York theater
- 1:47Speaker 3: experience growing up. I did it like ten percent faster,
- 1:50Speaker 3: twelve percent faster, and it kept they kept saying faster, faster,
- 1:57Speaker 3: and didn't hear from them for four and a half years.
- 2:00Speaker 3: So I figured, you know, okay, I did not go
- 2:04Speaker 3: fast enough. I had no idea what I was doing
- 2:07Speaker 3: for this particular show, and I didn't think i'd ever
- 2:10Speaker 3: hear from them again, and out of the blue, just
- 2:13Speaker 3: got brought in to read for Bill, and I thought
- 2:18Speaker 3: it was I wasn't sure at first, you know, that
- 2:26Speaker 3: it was going to be a recurring that that wasn't
- 2:29Speaker 3: clear in the beginning. It was just Asian brought me
- 2:32Speaker 3: in for, you know, for this guest star role. And
- 2:36Speaker 3: I found out later that that not only was a
- 2:39Speaker 3: recurring role, but that.
- 2:42Speaker 4: It was based loosely.
- 2:45Speaker 3: On one of the writers of the show that that
- 2:49Speaker 3: they that I reminded them of. And so it ended
- 2:53Speaker 3: up I just had to not completely suck in the audition.
- 2:57Speaker 1: So you actually attended Yale University and you graduated from
- 3:02Speaker 1: the theater program very maybe the most prestigious theater program
- 3:06Speaker 1: in the United States other than Juilliard or I think
- 3:10Speaker 1: Northwestern is up there, but I don't, you know, I
- 3:12Speaker 1: think Juilliard, I'm sorry, Yale REP is just right up there.
- 3:16Speaker 1: Or theater program. Now you you studied, uh is Bobby
- 3:23Speaker 1: Lewis still a prominent name up there, and I I
- 3:28Speaker 1: think he built that program. It's a three year program,
- 3:31Speaker 1: is it not?
- 3:33Speaker 4: Well?
- 3:34Speaker 3: I did not actually do Yale Drama School for undergrad gotcha.
- 3:42Speaker 3: I did major in theater studies and psychology with a
- 3:47Speaker 3: philosophy concentration that uh, there was some overlap.
- 3:52Speaker 4: Of course. I had had some some.
- 3:57Speaker 3: Some connection to the drama school because it was right there,
- 3:59Speaker 3: and did let some of the undergrad theater majors.
- 4:03Speaker 4: You know, talk to them once in a while. So
- 4:06Speaker 4: it wasn't you know, complete silos.
- 4:08Speaker 3: But but no, I'm not familiar with the full you know,
- 4:11Speaker 3: the full drama school program.
- 4:13Speaker 1: So you grew up in New York City. How did
- 4:18Speaker 1: you get to Yale? What kind of grades did you
- 4:20Speaker 1: need to have to get into Yale?
- 4:23Speaker 3: I did have very good grades probably you know, not
- 4:27Speaker 3: unlike Bill, but I did. I was a kid actor.
- 4:33Speaker 3: I started acting when I was eleven years old. I
- 4:38Speaker 3: went to this theater camp stage door manor you might
- 4:41Speaker 3: have heard of a lot of other.
- 4:44Speaker 4: You know, a lot of other people in LA have
- 4:46Speaker 4: gone there.
- 4:46Speaker 3: And the directors of the camp who were fantastic, Jack
- 4:52Speaker 3: Romano and the other people there that they thought I
- 4:56Speaker 3: was really good and they introduced me to their agent
- 4:59Speaker 3: friends in New York at the time, and I just
- 5:01Speaker 3: started going out on auditions right away, and I ended
- 5:04Speaker 3: up booking a Broadway show. And thought, that's the way
- 5:08Speaker 3: that acting is. You just start auditioning and right away,
- 5:12Speaker 3: you know, you get a Broadway show. But I found
- 5:15Speaker 3: out later it's it's a good tiver.
- 5:18Speaker 1: Well, that's a good way to start a career. Yeah,
- 5:23Speaker 1: I tell you your first audition, Bang, there you are.
- 5:27Speaker 4: It wasn't the first audition, but it was. It was
- 5:29Speaker 4: the first year or so. Yeah, I was.
- 5:31Speaker 3: I was twelve when I when I was in Rags,
- 5:36Speaker 3: which the name of that show, and I ended up
- 5:40Speaker 3: inviting the entire cast to my bar Mitzvah that fall.
- 5:46Speaker 4: And quite a number of them came actually, so yeah,
- 5:50Speaker 4: it was.
- 5:50Speaker 1: What is it like being that age, living from New
- 5:55Speaker 1: York and starring on Broadway.
- 6:00Speaker 4: It's it's so.
- 6:04Speaker 3: Yeah, it's it's completely absurd, and and I've spent the
- 6:08Speaker 3: rest of my life slowly, ever so slowly coming to
- 6:15Speaker 3: an understanding of how that's not real life and people
- 6:20Speaker 3: don't leap to their feet sixteen hundred people standing ovation
- 6:25Speaker 3: every night just because you've you've made the perfect over
- 6:29Speaker 3: easy egg that morning, which is you know, the more frequent.
- 6:36Speaker 4: Thing I my schedule lately.
- 6:39Speaker 3: So yeah, it's it's it's it's a ludicrous way to start,
- 6:44Speaker 3: but it was great. I got exposed to so many incredible,
- 6:49Speaker 3: incredible performers, and that was my you know, even before
- 6:52Speaker 3: getting to Yale, that was my education.
- 6:55Speaker 1: I mean, who was in that play?
- 6:59Speaker 3: So it starred Teresa Stratus who was an opera big
- 7:04Speaker 3: opera diva at the time, and and then Terrence Mann
- 7:08Speaker 3: was in it, Judy Kune and uh Lonnie Price. Yeah,
- 7:17Speaker 3: really it was it was quite the even just the
- 7:21Speaker 3: the the members of the ensemble, which is we're all
- 7:26Speaker 3: people that had done principal roles in.
- 7:28Speaker 1: Other Broadway shows. Now, did you ever actually go into
- 7:35Speaker 1: the Yale Daily News when you were at Yale. Did
- 7:38Speaker 1: you say it?
- 7:39Speaker 4: I was terrified of the real, the real Yale Daily
- 7:41Speaker 4: News when.
- 7:42Speaker 1: I was what was the real daily News? Like, what
- 7:45Speaker 1: was the what were the stories? What were the rumors?
- 7:48Speaker 3: Well, it wasn't so much about about what I had heard.
- 7:51Speaker 3: It was more about the prospect of having deadlines like that.
- 7:55Speaker 3: You know, I had actually been in high school. I am,
- 7:59Speaker 3: I was. I was an editor on my high school newspaper,
- 8:04Speaker 3: but luckily it came out about once a month, and
- 8:08Speaker 3: that was the kind of deadline I could handle. But
- 8:10Speaker 3: I was just I never went anywhere near trying to
- 8:14Speaker 3: go into the Yale Daily News when I was actually
- 8:16Speaker 3: at Yale, because they had to write and not procrastinate
- 8:21Speaker 3: for weeks at a time.
- 8:22Speaker 1: Did you consult anybody with anybody who had experience in
- 8:26Speaker 1: the actual Yale Daily News for research for the role?
- 8:30Speaker 4: I didn't. No.
- 8:33Speaker 1: Did you think Gilmore Girls accurately portrayed Yale?
- 8:39Speaker 4: It really did.
- 8:41Speaker 3: I was actually blown away by what they pulled off,
- 8:47Speaker 3: even just in terms of the set decoration, you know,
- 8:51Speaker 3: the when I got to set and I saw the
- 8:55Speaker 3: whole classroom hallway there and the Yale Dale News main office,
- 9:03Speaker 3: it resembled so closely one of the classroom buildings at
- 9:08Speaker 3: Yale w lh so called Parkness Hall, and the wood
- 9:15Speaker 3: paneling in the halls and even the font on the
- 9:19Speaker 3: door numbers was they had their own font, the Yale font.
- 9:24Speaker 3: It's the actual thing that the yl Press has. It's
- 9:28Speaker 3: their own font, and that was the actual way we
- 9:32Speaker 3: used to see the door numbers. So it was a
- 9:36Speaker 3: bit of a trip at first, just just that aspect of.
- 9:39Speaker 5: It for me.
- 9:40Speaker 1: Right, So do the Gilmour fans recognize you as Bill?
- 9:44Speaker 1: Do they stop you on the street?
- 9:46Speaker 4: Yeah?
- 9:47Speaker 3: Yeah, this show is amazing that way, isn't it. It's
- 9:53Speaker 3: just you know, it's been what seventeen eighteen years, and yeah,
- 9:59Speaker 3: I still got recognized all the time from it, even
- 10:02Speaker 3: just you know, going out to dinner and the hostess
- 10:06Speaker 3: at the restaurant or yeah, it's it's a it's a
- 10:10Speaker 3: regular thing. It's just people keep watching this show and
- 10:14Speaker 3: rewatching it.
- 10:15Speaker 1: You know, twenty five point two billion minutes consumed by
- 10:21Speaker 1: viewers on Netflix in twenty twenty three, twenty five billion.
- 10:28Speaker 3: And that's why, you know, that's why I've made seven
- 10:32Speaker 3: billion from that.
- 10:38Speaker 1: We haven't made seven cents.
- 10:43Speaker 4: Now wait, I have a seventeen cent check right over there.
- 10:45Speaker 1: I have no Actually, I have a couple myself. What
- 10:57Speaker 1: are you up to? Now? What are you doing? Now?
- 11:00Speaker 4: You know I've gotten more. I'm still acting.
- 11:02Speaker 3: I still you know, I've been on a couple shows
- 11:07Speaker 3: the last few years, but I've also gotten a lot
- 11:10Speaker 3: more into writing and directing good. I mean, I've been
- 11:13Speaker 3: writing and directing all this time, but in particular the
- 11:15Speaker 3: last few years. I was fortunate enough to direct the
- 11:20Speaker 3: premiere of a brand new play in New York last year,
- 11:24Speaker 3: Brace for Impact, which was I mean still is Right
- 11:29Speaker 3: now the producers are looking for the next venue and
- 11:32Speaker 3: taking it to the next level. But it was just
- 11:37Speaker 3: a tremendous experience. Just that first run last spring was
- 11:43Speaker 3: It's just some of the best writing I've seen. My
- 11:46Speaker 3: friend Maya Nikifro wrote it, and it's such a personal story,
- 11:50Speaker 3: but it's also just so fricking funny. From the moment
- 11:56Speaker 3: you sit down, you're kind of taken in and I
- 11:58Speaker 3: got to really play around a lot. I got to
- 12:03Speaker 3: There was this clown character who doesn't speak the entire show,
- 12:07Speaker 3: and I ended up using him.
- 12:10Speaker 4: But he's always.
- 12:11Speaker 3: Messing with the main the main character and kind of
- 12:15Speaker 3: leading her in and out of different parts of her
- 12:17Speaker 3: life and forcing her to face certain things.
- 12:21Speaker 4: And I kind of used him for some of the lighting.
- 12:25Speaker 3: I got him to plug in and and and uh
- 12:28Speaker 3: and unplug the the plugs for the for the some
- 12:31Speaker 3: of the light instruments that were based on the floor,
- 12:34Speaker 3: just to just to keep almost that that's that same
- 12:39Speaker 3: vibe that the character and airplane when he unplugs the
- 12:42Speaker 3: runway lights. You know, it was just I got to
- 12:44Speaker 3: have fun with so many aspects like that that.
- 12:48Speaker 4: That, Yeah, normally I don't get a chance to do.
- 12:50Speaker 1: And well, let me ask you, do you want to
- 12:52Speaker 1: direct film?
- 12:54Speaker 5: Yeah?
- 12:54Speaker 3: I actually I have a script in development right now
- 12:59Speaker 3: that actually it's between its second and third draft that
- 13:05Speaker 3: you know, Fingers Crossed right now. I think they have
- 13:08Speaker 3: about a third of the funding so far for it.
- 13:11Speaker 1: And who do you like? What directors do you really
- 13:15Speaker 1: really inspire you? Who are your top people that you
- 13:20Speaker 1: always watch their films whenever they're on.
- 13:24Speaker 4: Paul Thomas Anderson, Charlie Kaufman.
- 13:30Speaker 3: Oh sure, yeah, those are the two biggies who I
- 13:36Speaker 3: don't miss.
- 13:37Speaker 4: I don't miss their work.
- 13:40Speaker 3: James Gray, James Gray he's a fascinating director.
- 13:45Speaker 4: I thought that one with Brad Pitt.
- 13:47Speaker 3: A couple of years ago was one of the most
- 13:49Speaker 3: fascinating meditation.
- 13:51Speaker 1: Which one was that ad Astra? You know what? I
- 13:56Speaker 1: love that film?
- 13:57Speaker 4: It was something, wasn't it was extraordinary.
- 14:00Speaker 1: I really like Brad Pitt. I think he's remarkably talented. Yeah,
- 14:05Speaker 1: that film, to me proves the point that movie stars
- 14:09Speaker 1: are few and far between. Can you imagine anyone else
- 14:14Speaker 1: in that role trying to carry a film like that
- 14:18Speaker 1: and you can't take your eyes off it. Yeah, that's
- 14:21Speaker 1: what he brings to the table because not a lot
- 14:25Speaker 1: of people can do that.
- 14:26Speaker 4: He's phenomenal.
- 14:28Speaker 3: And it's funny you should say, you know what you
- 14:30Speaker 3: how you were just describing it. You know, I brought
- 14:33Speaker 3: that film up to people and I've said, you know,
- 14:36Speaker 3: ninety five percent of the film is the story is
- 14:40Speaker 3: told in these two eyes. That's that's it. You know
- 14:46Speaker 3: that there's there's very little dialogue. There's certain sequences that
- 14:50Speaker 3: have it, but the story is so clear, yep, so
- 14:56Speaker 3: clear and brutal.
- 14:59Speaker 1: Yeah, just remarkable filmmaking, a courageous filmmaking. Well, in my estimation,
- 15:07Speaker 1: you're going to be a very fine director.
- 15:10Speaker 4: I brought that one up.
- 15:14Speaker 1: We're going to do a little thing called rapid fire.
- 15:16Speaker 1: No pressure to answer quickly or speak rapidly. We just
- 15:19Speaker 1: call it rapid fire. How do you like your coffee?
- 15:26Speaker 4: Very carefully?
- 15:29Speaker 1: Are your team Logan, Team Jess or Team Dean?
- 15:32Speaker 3: It's hard for me not to be Team Logan. That's
- 15:35Speaker 3: you know, That's what I spent the most time with.
- 15:37Speaker 1: And Yeah, he's kind of irresistible, isn't he? Yeah, you know,
- 15:41Speaker 1: he's a terrific guy. He's just such a great guy.
- 15:44Speaker 1: You know your root for him. Yeah. Who's your film favorite?
- 15:48Speaker 1: Gilmore Girls couple? Luke and Laurelo or Emily and Richard? Luke,
- 15:57Speaker 1: laurla Yeah, I don't care what you say anything, It
- 16:01Speaker 1: doesn't matter. Would you rather work with Michelle or Kirk? Again,
- 16:06Speaker 1: don't care who you choose. Kirk, what would you order it?
- 16:12Speaker 4: Luke's diner, the perfect over easy eggs, so I can
- 16:16Speaker 4: judge it against.
- 16:17Speaker 1: My own good Who would you rather hang out with
- 16:20Speaker 1: Paris or Lane?
- 16:26Speaker 4: Paris?
- 16:27Speaker 3: I know that sounds strange coming from Yeah, but as
- 16:32Speaker 3: much as Bill hated Paris in real life, I actually
- 16:37Speaker 3: bonded with Liza more than anyone else on the set.
- 16:40Speaker 1: Let me ask you this, would you rather who would
- 16:43Speaker 1: you rather hang with if you were in Paris, Paris
- 16:47Speaker 1: or Lane? Would you like Lane in Paris or Paris
- 16:49Speaker 1: in Paris.
- 16:50Speaker 4: I'm gonna stick with Paris.
- 16:54Speaker 1: I think I already know the answer to this, Harvard
- 16:57Speaker 1: or Yale, as as.
- 17:01Speaker 3: I'm sure you you you must have already been told
- 17:04Speaker 3: at some point Harvard secks. Yeah, there was this, you know,
- 17:10Speaker 3: I tell it really quick. I tell this this horrendously
- 17:14Speaker 3: pretentious story when sometimes people ask me about what it
- 17:18Speaker 3: was like at Yale, and mostly, you know, it was
- 17:21Speaker 3: this amazing place and actually people just.
- 17:25Speaker 4: This remarkable priciple of community and learning. And but.
- 17:32Speaker 3: I tell this story about you know, the game, the
- 17:34Speaker 3: big football game that's usually between Harvard and Well, we
- 17:37Speaker 3: called the game because it's between Harvard and the yel right,
- 17:41Speaker 3: and that's the only one that matters. And that's why
- 17:43Speaker 3: I just called the game. So when Princeton came to
- 17:46Speaker 3: play one of the football games at the Yell Bowl,
- 17:53Speaker 3: they started doing the chant from across the you know,
- 17:57Speaker 3: from their side of the stadium, and they started yelling,
- 18:02Speaker 3: you know, of course Yale sucks.
- 18:04Speaker 4: Yale sucks. Yeh sucks. That was the chance and.
- 18:09Speaker 3: The response the perfectly snobbish but but you know it's
- 18:15Speaker 3: it's it's good enough to justify it. Response from our
- 18:18Speaker 3: side of the stadium was Harvard sucks. Harvard sucks because
- 18:25Speaker 3: Princeton doesn't even you know, register Why why are you
- 18:30Speaker 3: guys here?
- 18:34Speaker 1: So Preston doesn't have too bad of a football team.
- 18:38Speaker 4: No, they don't.
- 18:39Speaker 3: And you know, in real real life, you know, of course,
- 18:42Speaker 3: these are all amazing places.
- 18:43Speaker 1: That is that is just such a slight. Yeah, it
- 18:48Speaker 1: has been a pleasure, Devin. We have enjoyed your acting
- 18:55Speaker 1: on the show. We thought your head was going to
- 18:58Speaker 1: explode and several several points during your episodic journey through
- 19:06Speaker 1: Gilmore Girls, and we're glad to hear that you're friends
- 19:13Speaker 1: with Liza and that it didn't take on the life
- 19:17Speaker 1: of its own outside or off the set in the
- 19:22Speaker 1: same vein. But thank you so much, good luck with
- 19:26Speaker 1: everything with the directing and the writing, and hope to
- 19:29Speaker 1: see you your name and the credits and nominated on
- 19:32Speaker 1: the big screen or on the Tony Awards someday real soon.
- 19:36Speaker 1: Appreciate it all right, take care, Thanks so much.
- 19:39Speaker 5: You hey, everybody, and to forget.
- 20:10Speaker 1: Follow us on Instagram at i Am all In Podcast,
- 20:14Speaker 1: and email us at Gilmore at iHeartRadio dot com