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Grammy 2017 Recap · The Breakfast Club

• 0:01
  Speaker 1: Dan danverbody come to the breakfast club. I call this
• 0:05
  Speaker 1: the high Sea lave you. I'm not even doing it.
• 0:12
  Speaker 1: Yo so petty yo are yo so petty, the world's
• 0:15
  Speaker 1: most dangerous morning shod j ny after this, bitch, Angela.
• 0:19
  Speaker 1: I stay in everybody's business, but in a good rad. Charlomagne,
• 0:22
  Speaker 1: the the ruler rubbers you the wrong way. The breakfast
• 0:25
  Speaker 1: clubs make for everybody. Good morning Usa yoo yo yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:42
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:44
  Speaker 1: yo yo yo yo yo yo yo yo yo yo.
• 0:46
  Speaker 1: Good morning Angela. Ye, good money. He's envy, Jolomagne, the
• 0:49
  Speaker 1: guy He's to the planet is Monday. Yes, it's Monday.
• 0:55
  Speaker 1: Back to the work week. Back to the work week,
• 0:57
  Speaker 1: back to the school week. Nobody really appreciates Mondays. I
• 1:00
  Speaker 1: have trouble sleeping on Sunday nights, every Sunday night. I
• 1:03
  Speaker 1: really not know why. Yes, it is hard for me
• 1:06
  Speaker 1: to go to sleep on Sunday nights. They say that
• 1:09
  Speaker 1: later than normal Friday and Saturday. No. Well, this Sunday
• 1:11
  Speaker 1: with Him show was a late night. Of course, you
• 1:13
  Speaker 1: watched the Grammys. I stayed up for the whole. I
• 1:15
  Speaker 1: watched the little bit, I watched some of the Grammys.
• 1:16
  Speaker 1: Then I turn and watched Girls. But between the Grammys
• 1:19
  Speaker 1: and Girls and Finding Bigfoot on Animal Planet because I
• 1:22
  Speaker 1: like that show. Okay, yeah, I love Bruno Mars doing
• 1:25
  Speaker 1: the Prince Tribie. I thought he did a great job.
• 1:28
  Speaker 1: His makeup could have been a little bit better. First
• 1:30
  Speaker 1: of all, you know I love Prince and so when
• 1:34
  Speaker 1: I watched it, I thought he did an excellent excellent
• 1:36
  Speaker 1: except for the makeup. Prince's makeup was way better than
• 1:38
  Speaker 1: Bruno Mars's makeup. Okay, he had the eyeliner on and everything.
• 1:42
  Speaker 1: I like it. Bruno Mars killed it. And shout the
• 1:43
  Speaker 1: Budams when when Bruda Mass first came out, he was
• 1:46
  Speaker 1: running around the strip clubs. When I used to d
• 1:48
  Speaker 1: shop clubs and come to the strip clubs in the hood.
• 1:49
  Speaker 1: Adam in Jersey Girls one day, so I was like, okay,
• 1:51
  Speaker 1: but shout also yeah dropping a clues box for Bruno's Mass.
• 1:55
  Speaker 1: He one of those gifted individuals. Absolutely like he's just
• 1:58
  Speaker 1: gifted is all the way around he is and shout
• 2:01
  Speaker 1: the chance to wrap A chance to rapper had an
• 2:02
  Speaker 1: amazing show. He performed and killed it. He picked up
• 2:05
  Speaker 1: how many Grammys? Two Grammys last ling. Yeah, it's interesting.
• 2:07
  Speaker 1: I had did this, uh, this special show with Entertainment
• 2:10
  Speaker 1: Weekly where we talked about the Grammys, and I did
• 2:13
  Speaker 1: all my predictions came to all of them, which never happened.
• 2:16
  Speaker 1: Dropping a clues ball for a Chance to Rapper. I
• 2:19
  Speaker 1: felt like Chance to Rapper would win those categories, and
• 2:21
  Speaker 1: he did. I like the fact that Chance to Rapper
• 2:23
  Speaker 1: is not afraid to testify. Chance to Rapper gives all
• 2:26
  Speaker 1: glory to God. That is not something you see a
• 2:27
  Speaker 1: lot of artists do. Like you might see a rapper
• 2:29
  Speaker 1: get up there and be like, I want to thank
• 2:30
  Speaker 1: God and then going to shouting out his you know
• 2:33
  Speaker 1: every all that. But Chance gave glory to God like
• 2:37
  Speaker 1: seven times during one acceptance speech. Absolutely, and then his
• 2:42
  Speaker 1: his his, his performance last night looked like David E.
• 2:45
  Speaker 1: Talbert put it together. That looked like a black gospel
• 2:47
  Speaker 1: stage play. He killed that performance last night. He did
• 2:49
  Speaker 1: so much energy. And also I've never seen somebody stop
• 2:53
  Speaker 1: in the middle of their performance and then started over. Start,
• 2:55
  Speaker 1: let's reset, let's reset. I want to do this so
• 2:57
  Speaker 1: I know it's love. I want to do this so
• 2:58
  Speaker 1: I was like, what, you can't do that this live?
• 3:00
  Speaker 1: But she did it. I'm gonna tell you something. You
• 3:01
  Speaker 1: are you're talking about it, Dell. I one of those
• 3:03
  Speaker 1: people that just don't appreciate it. Dell. I liked the
• 3:05
  Speaker 1: Dell twenty one album, but Adele on stage it's bor
• 3:07
  Speaker 1: ring to me. I mean when sheild wife was going in,
• 3:10
  Speaker 1: it's not even raining. Yeah, that's the tribute was kind
• 3:12
  Speaker 1: of just boring. She is a twitter egg with vocals
• 3:15
  Speaker 1: to me. I mean if you, I guess, if you
• 3:16
  Speaker 1: were a huge fan of adel and had her albums,
• 3:19
  Speaker 1: you would like to see her perform live. Because I
• 3:21
  Speaker 1: know people who are humongous a Del fans. Some of
• 3:23
  Speaker 1: them work here George Michael tribute, but I think about
• 3:27
  Speaker 1: her performing in general. Yeah, and I loved the twenty
• 3:31
  Speaker 1: one album and twenty five was cool. Wasn't better than Lamonade.
• 3:34
  Speaker 1: But I know people who are superfans to go to
• 3:36
  Speaker 1: every Adele performance and can sit through it because they
• 3:38
  Speaker 1: love to see her perform the songs live that watch Beyonce.
• 3:42
  Speaker 1: Watch Beyonce performance in the Dell performance and come on,
• 3:45
  Speaker 1: it's not even close, bro. I don't think it anticipate
• 3:48
  Speaker 1: her to be exciting. But Beyonce ain't had no I
• 3:51
  Speaker 1: wasn't what was that a regular superflowers? Her? Shut up?
• 3:55
  Speaker 1: You back in that chair. That was all teller Canesius
• 3:57
  Speaker 1: bro shout up. Was wrong with you? It wasn't no
• 3:59
  Speaker 1: special effect when Beyonce performed, that's what that was her superpowers. Kid,
• 4:04
  Speaker 1: you need to grow up. I need to grow from about.
• 4:07
  Speaker 1: That's her superpowers. I can't believe you. Was Beyonce's going
• 4:10
  Speaker 1: around and yeah magic? That was it was shut up man,
• 4:14
  Speaker 1: beautiful personal effects. When she leaned back in that chair,
• 4:18
  Speaker 1: you thought that was a listen me back in that chair.
• 4:21
  Speaker 1: Me and Loria were like, whoa, whoa, Now, come on now,
• 4:25
  Speaker 1: gonna play those games. I was telling a Nieces. I
• 4:27
  Speaker 1: was like, she got this. And of course we got
• 4:29
  Speaker 1: to talk about Cameron. Over the weekend, Cameron did it
• 4:31
  Speaker 1: inst to live for three hours, drop camera dropping. It
• 4:35
  Speaker 1: was amazing. I was going bowling. I was like, all right,
• 4:37
  Speaker 1: I got I watched that. Be and I were doing
• 4:39
  Speaker 1: date night watching Cameroon. I see this on YouTube. Now
• 4:42
  Speaker 1: that was great. Cameroon started start trying to start a
• 4:44
  Speaker 1: trend of interviewing himself. Let me tell you all this
• 4:45
  Speaker 1: something that's not gonna work for that's not gonnhere. You
• 4:47
  Speaker 1: gotta stop right now. But they gotta put a hole
• 4:49
  Speaker 1: to that right now. That's not gonna work for you.
• 4:50
  Speaker 1: All right, Well, let's get the show cracking front page news.
• 4:53
  Speaker 1: What we're talking about. Well, of course we are going
• 4:54
  Speaker 1: to talk about the Grammys from last night, so you
• 4:56
  Speaker 1: can weigh in. Also tell us what you thought, and
• 4:59
  Speaker 1: Will took talk about California and the damn system and
• 5:03
  Speaker 1: why over one hundred and eighty thousand people had to
• 5:05
  Speaker 1: be evacuated. All right, Tyres is gonna be here this
• 5:08
  Speaker 1: Tyrese will be joining us next hour. Aree Gibson and also,
• 5:11
  Speaker 1: like ty, if you're blessed, you feel good, you want
• 5:14
  Speaker 1: to spread some blessings on blessings on blessings to the people.
• 5:17
  Speaker 1: You want to spread some positivity, call us right now.
• 5:19
  Speaker 1: Eight hundred five eighty five, one oh five one. And
• 5:23
  Speaker 1: I had to make sure I like that record. I
• 5:24
  Speaker 1: had to make sure. I had to make sure I
• 5:26
  Speaker 1: like it because it's actually a dope record, and not
• 5:28
  Speaker 1: because you know, I'm a kinky smith. One free Knows
• 5:30
  Speaker 1: called him. But that's a tough too, all right, Well,
• 5:32
  Speaker 1: let's get in some front page news, all right, Now,
• 5:35
  Speaker 1: let's talk a Grammy recap. Yes, well, then we're gonna
• 5:38
  Speaker 1: be talking Grammy recap all morning because a lot of
• 5:40
  Speaker 1: things did happen last night at the fifty ninth Annual
• 5:43
  Speaker 1: Grammy Awards. Now, Adele swept every category that she was
• 5:47
  Speaker 1: nominated for, including Album of the Year, the Song of
• 5:50
  Speaker 1: the Year, Record of the Year for Hello, and when
• 5:53
  Speaker 1: she won Album of the Year awards, she actually felt
• 5:56
  Speaker 1: like Beyonce deserved it for Lemonade. Here's what she said.
• 6:00
  Speaker 1: My artist of my life is beyonceing this album for me.
• 6:04
  Speaker 1: The Lemonade album was just so monumental, Fiance. It was
• 6:08
  Speaker 1: so monumental and so beautiful and soul bearing, and we
• 6:13
  Speaker 1: all got to see another side to you that you
• 6:15
  Speaker 1: don't always let us see. And we appreciate that, and
• 6:17
  Speaker 1: all us artists here at all you you are right.
• 6:23
  Speaker 1: And the way that you make me and my friend's feel,
• 6:25
  Speaker 1: the way you make my black friends feel is empowering,
• 6:28
  Speaker 1: and you make them stand up for themselves. And I
• 6:31
  Speaker 1: love you, I always have and I always will. Awkward
• 6:34
  Speaker 1: my black friend that didn't bother me. I feel like
• 6:37
  Speaker 1: Adele miss is that a little arkward. I feel like
• 6:39
  Speaker 1: she missed a moment to use her privilege to combat
• 6:41
  Speaker 1: prejudice thought, because I feel like she could have said,
• 6:43
  Speaker 1: Beyonce's music makes me want to stand up for my
• 6:46
  Speaker 1: black friends and other black people experiencing racial injustice in America.
• 6:49
  Speaker 1: Of course, Beyonce's music makes her black friends want to
• 6:52
  Speaker 1: stand up for themselves, But does it make you want
• 6:53
  Speaker 1: to stand up? Maybe maybe she didn't feel that way.
• 6:55
  Speaker 1: I'm just saying to kind of messaging out. I think
• 6:57
  Speaker 1: it was upward that. I don't think she meant anything
• 7:00
  Speaker 1: wrong by it. I just think it's wrong. I didn't
• 7:04
  Speaker 1: I didn't say she meant anything wrong, But I say,
• 7:06
  Speaker 1: maybe she doesn't feel that way. I just maybe just
• 7:09
  Speaker 1: you know how she felt, you know, maybe like attention.
• 7:12
  Speaker 1: She wasn't saying anything in but I'm just saying, like
• 7:15
  Speaker 1: we know, Beyonce's music makes your black friends want to
• 7:18
  Speaker 1: stand up for themselves, But does it make you want
• 7:20
  Speaker 1: to stand up for them? Right? That's what I would
• 7:22
  Speaker 1: have went with if I was her, But you know whatever, Alright, well,
• 7:25
  Speaker 1: Beyonce one for Best Urban Contemporary Albums. She went for
• 7:28
  Speaker 1: Best Music Video, also for Formation and the album for
• 7:32
  Speaker 1: of course Lemonade in here is what her speech sounded like.
• 7:35
  Speaker 1: We all experience pain and loss, and often we become inaudible.
• 7:39
  Speaker 1: My intention for the film and album was to create
• 7:42
  Speaker 1: a body of work that would give a voice to
• 7:43
  Speaker 1: our pain, our struggles, our darkness, and our history to
• 7:47
  Speaker 1: confront issues that make us uncomfortable. It's important to me
• 7:51
  Speaker 1: to show images to my children that reflect their beauty
• 7:54
  Speaker 1: so they can grow up in the world or they
• 7:56
  Speaker 1: look in the mirror first to their own families and
• 7:59
  Speaker 1: see themselves and have no doubt if they're beautiful, intelligent,
• 8:03
  Speaker 1: and capable. This is something I want for every child
• 8:06
  Speaker 1: of every right. I don't want to be patty, but
• 8:08
  Speaker 1: why dell Audio sound all Crispy and Claire when we
• 8:10
  Speaker 1: played them? But beyond this, they probably got them two
• 8:14
  Speaker 1: different places. I'm the same show with a Grammy two
• 8:17
  Speaker 1: different places. I just want to name. I don't want
• 8:19
  Speaker 1: to be petty here, but I'm just saying, well, Blue
• 8:21
  Speaker 1: Ivylok looked like she had a great time last night.
• 8:25
  Speaker 1: Also absolutely well that's some front page news and I
• 8:28
  Speaker 1: just want to talk about California too. By the way,
• 8:30
  Speaker 1: there's over one hundred and eighty thousand people evacuated because
• 8:33
  Speaker 1: of the damn so a lot of people are concerned
• 8:35
  Speaker 1: about that. All right, tell them why you're man? Eight
• 8:38
  Speaker 1: hundred five eight five one oh five one. If you're upset,
• 8:40
  Speaker 1: you need to vent. Call us right now. Maybe had
• 8:42
  Speaker 1: a bad weekend. It was a little snow over the weekend.
• 8:44
  Speaker 1: Maybe a week it was after call us right now.
• 8:46
  Speaker 1: Eight hundred five eight five, one oh five one. It's
• 8:48
  Speaker 1: the breakfast club corning the breakfast club last night you're
• 8:56
  Speaker 1: getting what do you look like? That? Yeah? You know
• 9:00
  Speaker 1: I'm a real mad soul that y yeah, I'll get
• 9:03
  Speaker 1: real bad so matter of fact, yo, yo, tell me
• 9:06
  Speaker 1: why are you mad? On the breakfast But every real
• 9:10
  Speaker 1: slot coming on my nose? Cock cat dandy, real about it? Hello?
• 9:14
  Speaker 1: Who's this? Uh? This is Tracy? Hey, Tracy, tell them
• 9:18
  Speaker 1: why you Marance? Um? Hey, I am mad because I'm
• 9:22
  Speaker 1: not a best performer. I'm sorry. She is not a singer.
• 9:25
  Speaker 1: She's a performer. And if she's not in a compromising
• 9:28
  Speaker 1: position or crawling on the floor, she has nothing going on.
• 9:32
  Speaker 1: Any woman do with a shake, can crawl around, put
• 9:35
  Speaker 1: on something seductive and make it happen. Um. Oh no,
• 9:41
  Speaker 1: maybe you don't. You don't know you you've not experienced that,
• 9:44
  Speaker 1: but maybe it is true. Um, you know, yeah, you know,
• 9:49
  Speaker 1: a woman in a seductive, compromising position with something slinky
• 9:52
  Speaker 1: on is is really hot to a man. But it's
• 9:56
  Speaker 1: really it's really downgrading women. You hat Beyonce. There's nothing
• 10:02
  Speaker 1: downgrading about women to Beyonce. But let me ask you
• 10:05
  Speaker 1: that don't you think that Beyonce is a great dancer
• 10:08
  Speaker 1: and singer. That's let's say she's a performer. She's not
• 10:10
  Speaker 1: a singer, she's a performer. You don't think that's why
• 10:13
  Speaker 1: I wanted for for singing, not performing? Well, I don't appreciate.
• 10:17
  Speaker 1: What I don't appreciate is Carry Hilson having her fans
• 10:19
  Speaker 1: call of heater slam to Beyonce early in the morning. Well, honey,
• 10:22
  Speaker 1: I'm not a Carry Hillsome fan either. I mean, I
• 10:24
  Speaker 1: am me all by myself and like, who do you like?
• 10:29
  Speaker 1: Very much? A lady, I'm sorry, who do you like?
• 10:32
  Speaker 1: Who do I like? I like singers? You know, I'm
• 10:36
  Speaker 1: into like shell for real. You know people that can sing,
• 10:39
  Speaker 1: that can stand without a mic, without props, without all that,
• 10:43
  Speaker 1: and just standing flat footed and sing. You ain't I'm
• 10:49
  Speaker 1: and I do apologize for on your behalf as well,
• 10:52
  Speaker 1: but there there are singers out here to deserve a
• 10:56
  Speaker 1: lot more. I want you, I want, I want. I'm
• 10:59
  Speaker 1: sorry that you didn't look as good as Beyonce pregnant.
• 11:01
  Speaker 1: Oh baby, I don't have to look good as good
• 11:03
  Speaker 1: as Beyonce. I look better. That's why I'm not even
• 11:06
  Speaker 1: about you. Tell the mama, okay, mama, you can tell
• 11:09
  Speaker 1: she's a struggling singer. She used to be a singer.
• 11:11
  Speaker 1: She's sixty nine. Yeah, hello, who's this? Don Joan? How
• 11:14
  Speaker 1: are you doing here telling about you? Mad? I'm not
• 11:16
  Speaker 1: really mad. I'm just upsetted with Sharlotte Maney because Charlot
• 11:19
  Speaker 1: Mane is too intelligent and that interview y'all doing, Big
• 11:24
  Speaker 1: Sean that was so so nice. Chalomne is too e
• 11:26
  Speaker 1: chellengent to be. Yo yo, y'all so stupid. I can't
• 11:31
  Speaker 1: say yo yo yo yo yo yo man Shalo man,
• 11:35
  Speaker 1: you really need to stop. You're a challenging brother. You
• 11:37
  Speaker 1: got a book out, you got this going on, you
• 11:39
  Speaker 1: got by the way. By the way, the book's not
• 11:41
  Speaker 1: out yet, but it's available for pre order at seabook
• 11:43
  Speaker 1: dot com. It will be out April eighteen for okay, stupid.
• 11:45
  Speaker 1: You shouldn't be saying yo yo yo yo. Say it
• 11:47
  Speaker 1: in a different way. I don't claim I know I'm
• 11:49
  Speaker 1: an idiot. You don't believe I'm an idiot. I don't
• 11:52
  Speaker 1: know what's wrong with you. Hello, who's doing nothing? Hello? Hey?
• 11:55
  Speaker 1: Tell them why you mad? I'm very wow, has Betimes.
• 12:00
  Speaker 1: I work for a pis and Anthem company. They started
• 12:04
  Speaker 1: upon New York, and I'm upset because they're playing back
• 12:07
  Speaker 1: workers more than they right now. Yeah, I think that's
• 12:11
  Speaker 1: very disrespectful. I feel like all public service workers need
• 12:15
  Speaker 1: to be rich. I really feel that way. Thank you
• 12:17
  Speaker 1: for the police officer, firefighter, e MS, doctor, teacher, like
• 12:21
  Speaker 1: they should be bawling. Eight hundred five eight five one
• 12:24
  Speaker 1: oh five one. Tell them why you're mad. But now
• 12:26
  Speaker 1: let's clear the lines. And now it's blessings upon blessings
• 12:29
  Speaker 1: upon blessings. If you feel blessed this morning, call us up.
• 12:31
  Speaker 1: We'll put your live on the air. It's the Breakfast
• 12:33
  Speaker 1: Cloual morning, the breakfast Club. Are you blessing? Highly favored?
• 12:42
  Speaker 1: I feel blessed? Tell the congregation at eight hundred and
• 12:45
  Speaker 1: five eight five one five one. It's the breakfast club. Hello,
• 12:50
  Speaker 1: who's this Adriana? Hey, mama, you feel blessed? Okay, what's
• 13:01
  Speaker 1: up baby? Why do you feel so blessed? I'm blessed
• 13:06
  Speaker 1: the time. I got a proof from my apartment this weekend,
• 13:08
  Speaker 1: so I'm moving up out of my daddy house. There.
• 13:12
  Speaker 1: I'm twenty two. Watch you out now. Congratulations, mama. Thanks,
• 13:17
  Speaker 1: I have a good day. Still. Hello, who's this? Are
• 13:20
  Speaker 1: you doing? This? Was one old man called out a
• 13:21
  Speaker 1: normal Virginia. Well, you're feeling blessed this morning? Yes, sir, man,
• 13:25
  Speaker 1: I just I got a good wife man, awesome kids,
• 13:27
  Speaker 1: making a good income. You know what I mean. I
• 13:29
  Speaker 1: really can't complain this morning. I thank y'all for the
• 13:31
  Speaker 1: opportunity to thank you. Man, bless segment man to be
• 13:33
  Speaker 1: able to share it with the people. Man, that's all,
• 13:36
  Speaker 1: be thankful what you have, you get blessed from more. Hello?
• 13:38
  Speaker 1: Who's this? Hi? This is Rachel from New Haven, Connecticut. Hey, Rachel,
• 13:41
  Speaker 1: you feeling blessed this morning? I'm feeling absolutely blessed when
• 13:45
  Speaker 1: my father moved from New York to Connecticut because me
• 13:48
  Speaker 1: and my sister live here and he's been helping me.
• 13:51
  Speaker 1: He's been amazing with my kids. He's been helping me
• 13:54
  Speaker 1: today they have a two hour delay, and he was
• 13:57
  Speaker 1: he was. He didn't hesitate to say, all I'll take them.
• 14:00
  Speaker 1: He has to take a cab, but so he had
• 14:02
  Speaker 1: no hesitation saying he'll do it. What you're trying to say,
• 14:05
  Speaker 1: is you happy you don't gotta pay for babysitters and
• 14:07
  Speaker 1: uber's no more for your little kids. No, no, I no.
• 14:10
  Speaker 1: I was good in the first place, but my dad
• 14:13
  Speaker 1: is just my grandmother passed away in August, so he
• 14:15
  Speaker 1: moved out here. He was like, oh, there's nothing much
• 14:17
  Speaker 1: for me in New York, so he came out here
• 14:18
  Speaker 1: with us. Yes, cut us to your dad for helping
• 14:21
  Speaker 1: you out. And it's nice to have, actually your father
• 14:23
  Speaker 1: be the one to watch your kids after someone that
• 14:26
  Speaker 1: I trust more than anybody in the world. You know,
• 14:28
  Speaker 1: I'm like having a grand babysitter. Stop it now, that's blessings.
• 14:31
  Speaker 1: If you feel blessed, you want to spread some positive vibe,
• 14:34
  Speaker 1: you can always call us eight hundred and five A
• 14:36
  Speaker 1: five one oh five one. Now you've got rumors on
• 14:37
  Speaker 1: the way, Yes, we're gonna stand. I'm talking about the Grammys,
• 14:40
  Speaker 1: of course some more and then Cameron who went live
• 14:42
  Speaker 1: on Instagram on Saturday night. Let'll tell you some highlights
• 14:46
  Speaker 1: of what he had to say. Okay, we'll get into
• 14:48
  Speaker 1: all that when we come back. Keeping lock this to
• 14:50
  Speaker 1: Breakfast Club, Good Morning, the Breakfast Club and dud the
• 14:55
  Speaker 1: Graham Girl. I had to find you say so which
• 14:59
  Speaker 1: morning everybody, Audius, DJ MVY, Angela Yee, Charlomagne and God
• 15:03
  Speaker 1: we all the Breakfast Club. Let's get to some rumors.
• 15:04
  Speaker 1: Let's talk camera. It's about Angela Yee was on the
• 15:15
  Speaker 1: Breakfast Club. But Saturday night, Cameron was on Instagram Live.
• 15:20
  Speaker 1: And that is all to respond to an interview that
• 15:22
  Speaker 1: Jim Jones recently did. I was on my way into
• 15:25
  Speaker 1: the bowling Alley when this Instagram lives started. I was
• 15:28
  Speaker 1: watching it the whole way there. But then we were
• 15:29
  Speaker 1: sitting in the car outside the bowling Alley and I
• 15:31
  Speaker 1: was like, all right, we gotta go bowl now. How
• 15:34
  Speaker 1: was at home? There was nothing else on television anyway,
• 15:37
  Speaker 1: so I was right there watching camera. Yea. Now, Cameron
• 15:40
  Speaker 1: was giving the whole history between him and Jim Jones
• 15:43
  Speaker 1: and basically what went down to lead to their falling out.
• 15:46
  Speaker 1: He says that they never had any paperwork together. He
• 15:49
  Speaker 1: said he never had any paperwork with Jim Jones, and
• 15:52
  Speaker 1: he also says that Jim Jones mismanaged his artists. He
• 15:55
  Speaker 1: also talked about Max b He talks about Stack bundles Man.
• 16:00
  Speaker 1: DC actually called also during this interview, and here's some
• 16:04
  Speaker 1: more of what Cameron had to say about Jim Jones.
• 16:08
  Speaker 1: He like, yo, Jim, let's all, let's act like me
• 16:12
  Speaker 1: goat beef and I'm like, whit we gotta beef? I said,
• 16:16
  Speaker 1: We're gonna do is confuse the fans and make them
• 16:20
  Speaker 1: pick sides. They don't even make no sense. While the
• 16:22
  Speaker 1: fool we act like we got beef. I don't even say,
• 16:25
  Speaker 1: you're like yeah, yeah, right right. Like he was disappointed
• 16:28
  Speaker 1: that I wasn't with the ship. That's why today even
• 16:31
  Speaker 1: to this day, and made me mad because this was
• 16:33
  Speaker 1: his plan fifteen years ago that act like we got
• 16:37
  Speaker 1: a problem that we don't have now. They did actually
• 16:40
  Speaker 1: end up having a real problem. According to Cameron, he
• 16:42
  Speaker 1: said things that are going downhill. That's when Jim Jones
• 16:45
  Speaker 1: started dating Chrissy, who, of course we all know he's
• 16:48
  Speaker 1: still with Chrissy to this day. He didn't know how
• 16:50
  Speaker 1: serious they would get and he was making fun of
• 16:52
  Speaker 1: Jim Jones from buying Chrissy all these presents early on
• 16:55
  Speaker 1: in their relationship. He said she was he was buying
• 16:57
  Speaker 1: her bag shoes the first two or three weeks after
• 17:00
  Speaker 1: he met her. So Cameron had some T shirts made
• 17:03
  Speaker 1: Tricky Ricky aka Jim Jones is a trick and he
• 17:06
  Speaker 1: made everybody wear them in the studio. He was thinking
• 17:08
  Speaker 1: it was fun, playful, But that's when Jim Jones took
• 17:11
  Speaker 1: it seriously and he said, to this day, he said,
• 17:13
  Speaker 1: I'll be man enough, I'll apologize about that. It was
• 17:16
  Speaker 1: a joke and he took it seriously. He said, that's
• 17:18
  Speaker 1: when it fell out, after I made those shirts. So
• 17:21
  Speaker 1: it's a long like over two hour life, three hours,
• 17:25
  Speaker 1: three hours. I've listened to both povs, and I'm sure
• 17:27
  Speaker 1: the true fly somewhere in the middle, but neither one
• 17:29
  Speaker 1: of them seemed like they have real issues with each other.
• 17:31
  Speaker 1: It just sounds to me like two people who simply
• 17:34
  Speaker 1: allgree with each other. Yeah, that's it. And then the
• 17:35
  Speaker 1: words were not all the thug changes, love changes, and
• 17:38
  Speaker 1: best friends becomes crages. It happened sometimes. But for the bread,
• 17:41
  Speaker 1: they need to get back together. I mean, I would
• 17:43
  Speaker 1: love to see a dip set tool. And he talked
• 17:44
  Speaker 1: a lot about burg Gag also and how Jim Jones
• 17:48
  Speaker 1: started kind of branching out and doing the burg Game thing,
• 17:50
  Speaker 1: and he did say that he also trademarked burg Game.
• 17:53
  Speaker 1: I didn't understand that part, Like he got a copyright.
• 17:55
  Speaker 1: I don't understand why that was fine. You can't go
• 17:58
  Speaker 1: copyright my man's goal. Something said that, Like, I didn't
• 18:02
  Speaker 1: understand that, right, so weird. I don't know. All right, Well,
• 18:06
  Speaker 1: let's get back into Grammy talk. I said, we're going
• 18:08
  Speaker 1: to be doing that all morning, right, and we gave
• 18:10
  Speaker 1: you some updates on what's going on. We talked about
• 18:12
  Speaker 1: Adele sweeping all of her categories, all five of Robin
• 18:15
  Speaker 1: Beyonce for the Album of the Year. Yes, we discussed
• 18:18
  Speaker 1: that as well. Beyonce did win two. She did win
• 18:22
  Speaker 1: two Grammys, though this year. I was upset there Rihanna
• 18:25
  Speaker 1: didn't get anything because I thought she that was my
• 18:27
  Speaker 1: album right there too, But a chance the rapper did
• 18:30
  Speaker 1: also win two Grammy's. Check him out when he won
• 18:34
  Speaker 1: his award for Best Rap Album. I didn't think that
• 18:37
  Speaker 1: we were gonna get this one, so I don't have
• 18:39
  Speaker 1: cool stuff to say the time. I just once again,
• 18:43
  Speaker 1: I want to thank God for everything that he's that
• 18:47
  Speaker 1: he's accomplished for me, everything that he's went through with me.
• 18:50
  Speaker 1: I want to think of for my mother, from my father,
• 18:52
  Speaker 1: from my brother Tayla Bennett. And this is for every
• 18:54
  Speaker 1: indie artist, everybody who's been doing this mixtape stuff for
• 18:58
  Speaker 1: a long time. Shut up the DJ Drama for doing
• 19:01
  Speaker 1: it first. He put in that time. Shouts out to
• 19:04
  Speaker 1: every independent artist out there. Shouts out to sound Cloud
• 19:07
  Speaker 1: for holding me down. It's another one was a little offer,
• 19:12
  Speaker 1: relaxed old DJs, use this opportunity, teaching that use this
• 19:16
  Speaker 1: opportunity to teach envy go. Drama wasn't the first, but
• 19:19
  Speaker 1: Chances Young God who was before Drama Envy? I mean
• 19:22
  Speaker 1: there's many DJ before Drama, DJ clue Um, DJ Dirty,
• 19:26
  Speaker 1: Harry Ron ron G. But this is Tony Touch was amazing.
• 19:33
  Speaker 1: I used to like DJ lazy K with the mix tapes.
• 19:35
  Speaker 1: Remember her? All right, Well, let's talk about who was
• 19:38
  Speaker 1: in that category for best Rap album besides Chance the Rapper.
• 19:41
  Speaker 1: It was in the Anonymous Nobody Day last so major
• 19:43
  Speaker 1: key DJ Kaled. Views from Drake Blank faced LP, Schoolboy
• 19:47
  Speaker 1: Q and the Life of Pablo Kanye West. I still
• 19:50
  Speaker 1: think you would have predicted that. I still think Life
• 19:52
  Speaker 1: of Pablo a boy Kanye should have won for Best
• 19:54
  Speaker 1: Rap Album for the Year. But I'm not mad at Chance.
• 19:58
  Speaker 1: I like Chances album better. He's albums though he counts
• 20:00
  Speaker 1: album and his performance last night was amazing. Yeah, his
• 20:03
  Speaker 1: performance was incredible, DAVIDI Tabber directed that. Congratulations again to
• 20:07
  Speaker 1: Chance the rapper, and congratulations to Salon. She won for
• 20:10
  Speaker 1: Cranes in the Sky for Best R and B Performance.
• 20:13
  Speaker 1: By the way, I didn't even put that on TV.
• 20:15
  Speaker 1: I was saying before, man, I really hope that Salons
• 20:18
  Speaker 1: win something. How many awards do they actually televised. I
• 20:20
  Speaker 1: think it's only like seven or eight or something like
• 20:22
  Speaker 1: that right throughout the entire grat be more than that.
• 20:26
  Speaker 1: I think the performance he's telling me in a three
• 20:28
  Speaker 1: hours show, they only televised eight. I'm gonna tell you
• 20:34
  Speaker 1: exactly how many it is. But they really don't show
• 20:36
  Speaker 1: a lot of awards on TV. Fat Joe Ramymond and Win.
• 20:39
  Speaker 1: I don't think so many know they didn't win, all right,
• 20:42
  Speaker 1: I'm angela ye, And that's your rumor report. All right,
• 20:44
  Speaker 1: thank you, miss Yee. Then when we come back, brother
• 20:47
  Speaker 1: Reese will be joining us. Tire Reeese will be in
• 20:49
  Speaker 1: the building. He has a what's it's called stark Star,
• 20:52
  Speaker 1: It's called Stars who will kicking with him about that
• 20:54
  Speaker 1: fast and furist and everything that's going on in Tiree's life.
• 20:56
  Speaker 1: So don't go anywhere. It's the Breakfast Club. Come on,
• 21:00
  Speaker 1: dret was DJ Kelly jay Z. Beyonce was shining his
• 21:03
  Speaker 1: new joint he released last night after the Grammy's Morning.
• 21:06
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne the God. We
• 21:10
  Speaker 1: are the Breakfast Club. We got a brother, my brother
• 21:13
  Speaker 1: in the building. Brother definitely family. Love when love when
• 21:15
  Speaker 1: this guy comes through, good morning, I love you. Jewelry
• 21:21
  Speaker 1: that looks really nice together, Thank you said that. I
• 21:23
  Speaker 1: like thank you. I'm trying to do a little something,
• 21:25
  Speaker 1: trying to be like Envy. He told me what he
• 21:27
  Speaker 1: was doing today and I said, I'll do the same.
• 21:30
  Speaker 1: That's Tyres present fum was did the Tyres challenge upset you? No?
• 21:33
  Speaker 1: I loved it. I can't tell if he when he's serious,
• 21:38
  Speaker 1: because are you going to tyre face to what he's doing?
• 21:42
  Speaker 1: That on some island somewhere. I just had breakfast on
• 21:46
  Speaker 1: the balcony. I loved it. It ain't never happened to
• 21:49
  Speaker 1: me ever in history. I loved it. I listen, true, true,
• 21:54
  Speaker 1: be truth be told. Uh. Kevin Hart put up the
• 21:58
  Speaker 1: Tyres Challenge and and he texts me about it, like
• 22:01
  Speaker 1: you might want to get to my timeline right now.
• 22:03
  Speaker 1: And then I said, I just want to give you
• 22:05
  Speaker 1: the heads up. Then I'm gonna talk some underneath your
• 22:07
  Speaker 1: comments like I'm mad about it, but I really love it.
• 22:10
  Speaker 1: I was like, yo, y'all going too far, but I
• 22:12
  Speaker 1: was loving it. It was great. You take ever gonna
• 22:14
  Speaker 1: fight man, y'all seem like y'all go fight man Tank.
• 22:17
  Speaker 1: I would never fight Tank. He's got too many muscles,
• 22:19
  Speaker 1: for one. My muscles have been interacted for many years. Okay,
• 22:22
  Speaker 1: and he is, he is working out every day. Yeah,
• 22:25
  Speaker 1: it's ridiculous. Now he's still getting a lot of checks,
• 22:28
  Speaker 1: a lot going on. It's a lot happening. That's the
• 22:31
  Speaker 1: Furious what eight, Yes, Fate of the Furious is coming. Okay,
• 22:35
  Speaker 1: and the Star Stars Star Star Stared Star Star on
• 22:40
  Speaker 1: Fire past on that show. I'm a pastor. That makes sense.
• 22:44
  Speaker 1: And I heard this week. The gay community is gonna
• 22:46
  Speaker 1: be very upset at the show. Why is this because
• 22:48
  Speaker 1: you're doing he's trying to make first of all. First
• 22:52
  Speaker 1: of all, First of all, Charlemagne, you are not going
• 22:55
  Speaker 1: to set me up to have the LGBT community to
• 22:58
  Speaker 1: come out to me. I wouldn't ever do that. I
• 23:00
  Speaker 1: hear you. Man, You just do that. Live out there
• 23:03
  Speaker 1: like I ain't here. I'm sitting right here. First of all,
• 23:08
  Speaker 1: I just want to clarify things. I want to make
• 23:13
  Speaker 1: sure I clarify a couple of things, all right, because
• 23:16
  Speaker 1: I just you listen, I'm a man of God, and
• 23:19
  Speaker 1: I just want to make sure I clarify whatever you're
• 23:21
  Speaker 1: doing with your life. As long as you're happy you
• 23:24
  Speaker 1: live your life. I don't judge. It's not my job.
• 23:27
  Speaker 1: I'm not here to judge. I am here to tell
• 23:30
  Speaker 1: y'all about some uncomfortable that went down on this show.
• 23:33
  Speaker 1: Oh boy. Okay, it was uncomfortable. So it was uncomfortable
• 23:37
  Speaker 1: to shoot, and it's gonna be uncomfortable for people to
• 23:39
  Speaker 1: watch the character and it's coming on this Wednesday, this Wednesday,
• 23:44
  Speaker 1: nine pm on Fox. Now, what are you doing with
• 23:46
  Speaker 1: this transgender conversion shock? Okay? Well, let's let's okay. So um,
• 23:54
  Speaker 1: little backstory on the characters. My character's name is Pastor Harris.
• 23:58
  Speaker 1: I'm a street dudex con rededicated my life to Christ
• 24:03
  Speaker 1: and I became a pastor and now I'm the senior
• 24:06
  Speaker 1: pastor of my own church, very small church, nothing big.
• 24:12
  Speaker 1: Recently divorced with three kids. I started dating a woman
• 24:16
  Speaker 1: in my congregation named Carlotta, played by Queen Latifa. I'm
• 24:20
  Speaker 1: in love with her. She's in love with me. I'm
• 24:23
  Speaker 1: very transparent. She's met my kids, she's been to my house.
• 24:27
  Speaker 1: I keep asking her, when am I going to come
• 24:28
  Speaker 1: to your house? When am I going to come to
• 24:30
  Speaker 1: your salon? When am I gonna get to know more
• 24:32
  Speaker 1: about your world? And I just started noticing that she's
• 24:35
  Speaker 1: putting up all these blocks. She says, my daughter, my daughter,
• 24:39
  Speaker 1: my daughter. She keeps talking about her daughter, and I'm like,
• 24:42
  Speaker 1: I can't wait to meet her. Get to the house.
• 24:44
  Speaker 1: We're sitting around the dinner table, low and behold, her
• 24:48
  Speaker 1: daughter is actually her son, and she kept it away
• 24:51
  Speaker 1: from it. Her daughter, her son becomes a woman transgender. So,
• 24:58
  Speaker 1: in this particular, the reason why I was uncomfortable to
• 25:02
  Speaker 1: shoot and it's going to be uncomfortable to watch. It's
• 25:05
  Speaker 1: because she invites me over to the house and she
• 25:09
  Speaker 1: basically says, help pray my son out of gay, pretty gay,
• 25:15
  Speaker 1: pray the gay away and some capacity. Now, his was interesting.
• 25:19
  Speaker 1: There's been a lot of parents, and there's been a
• 25:21
  Speaker 1: lot of family members, husbands and wives and people that
• 25:25
  Speaker 1: have tried to do the same thing. While everybody's focused
• 25:27
  Speaker 1: on Bruce Jenner and the outcome of his choice that
• 25:30
  Speaker 1: made him happy. Ultimately, how many people tried to step
• 25:33
  Speaker 1: in and say, Daddy, this is gonna be bad for
• 25:35
  Speaker 1: the family, and try to get pastors and therapists and
• 25:38
  Speaker 1: counselors to get in there and see if ultimately this
• 25:41
  Speaker 1: is a decision that he wanted to make because everyone
• 25:44
  Speaker 1: was going to be affected by it. Now, again, do
• 25:46
  Speaker 1: what makes you happy. But sometimes people be doing things
• 25:50
  Speaker 1: not necessarily thinking about the effects that it's going to
• 25:53
  Speaker 1: have on others. So rather you gay or making a
• 25:55
  Speaker 1: bad or good business decision, whatever the case may be,
• 25:58
  Speaker 1: that's what happens. So I don't want the LGBT community
• 26:01
  Speaker 1: to come after me. I'm just talking about that real
• 26:04
  Speaker 1: and I'm saying everything about this show. First of all,
• 26:08
  Speaker 1: Lee Daniels is openly gay. Everyone knows if you got
• 26:12
  Speaker 1: a complexion for the protection. I didn't write this movie.
• 26:15
  Speaker 1: I didn't write this show. I'm doing my job. I
• 26:18
  Speaker 1: knew exactly what I was signing up for, and I
• 26:22
  Speaker 1: just said, you know what. The reason I'm gonna do
• 26:25
  Speaker 1: this scene that I'm uncomfortable with doing is because it
• 26:28
  Speaker 1: is unrealistic in two seventeen to think or believe that homosexuality,
• 26:36
  Speaker 1: gay or transgender is never going to come into your house.
• 26:38
  Speaker 1: That's real. You may have a son or a daughter.
• 26:41
  Speaker 1: You may be raising them as a good, wholesome Christian,
• 26:44
  Speaker 1: whatever the case may be, and your daughter may decide
• 26:48
  Speaker 1: that I love a woman, and if your daughter is happy,
• 26:50
  Speaker 1: your daughter should live her life. And I'm sure somebody
• 26:53
  Speaker 1: in that community or watch that and be like, wow,
• 26:55
  Speaker 1: that's They've I've probably been through that, you know what
• 26:57
  Speaker 1: I'm saying. Of course, So what did you have to do?
• 26:59
  Speaker 1: How did you have to learned that part? Well, I
• 27:01
  Speaker 1: can't give away the whole scene, but I can just
• 27:03
  Speaker 1: tell you that after we shot it, real tears was flying.
• 27:07
  Speaker 1: We were all hugging, praying together because it was uncomfortable,
• 27:11
  Speaker 1: and you know, uh, the the woman. I have to
• 27:15
  Speaker 1: say woman because she's living as a woman. It's just
• 27:18
  Speaker 1: not an actor. Oh, she's nothing that because she's really
• 27:20
  Speaker 1: a transgender. She's really a transgender. She lives it being
• 27:23
  Speaker 1: a transgender. So it's not like they did some casting
• 27:26
  Speaker 1: with a man and said, hey, you could look good
• 27:28
  Speaker 1: as a woman and then put him in the show.
• 27:30
  Speaker 1: It's really a transgender huh. Of course, Charlamagne, I see
• 27:41
  Speaker 1: what's going on in life. That's what he asks. So
• 27:45
  Speaker 1: you might want to get into comments and answer his questions.
• 27:53
  Speaker 1: So here's my direct invite for everybody to tune in
• 27:56
  Speaker 1: this Wednesday, nine pm on Fox. There's a lot of
• 28:00
  Speaker 1: TV shows out there. I've never done TV in my life,
• 28:03
  Speaker 1: and I just want your to give us a shot. Now.
• 28:05
  Speaker 1: You got Lenny Kravitz, Naomi Campbell, Queen Latifa, Lee Daniels,
• 28:11
  Speaker 1: y'all know he's behind precious. You got Paris Jackson about
• 28:15
  Speaker 1: to come do an appearance. The show is a very
• 28:20
  Speaker 1: it's touching on molestation, sexual assault, it's touching on people
• 28:25
  Speaker 1: that's willing to do pretty much anything it takes to
• 28:28
  Speaker 1: get on and stay on in the music industry. It's
• 28:31
  Speaker 1: it's a real crazy. So Benjamin Brad is killing every scene.
• 28:35
  Speaker 1: Queen Latifa is like, got all of us on our shoulders.
• 28:39
  Speaker 1: It's a crazy show. I've never done TV. Man, all right,
• 28:42
  Speaker 1: we got more with trees when we come back, keeping lot.
• 28:44
  Speaker 1: This the breakfast Club, Good morning, The breakfast Club. That
• 28:54
  Speaker 1: was more money, more problems morning. Everybody is DJ n
• 28:57
  Speaker 1: Vy angela Ye, shallow mine the guy. We are the
• 28:59
  Speaker 1: breakfas this club. We have tyres in the building, Charlemagne.
• 29:03
  Speaker 1: Why are so many Hollywood stars going to TV now
• 29:05
  Speaker 1: like movie stars going to TV? Well, at first, most
• 29:09
  Speaker 1: of us were scared to do TV. I mean Denzel
• 29:12
  Speaker 1: Washington put this out there many years back that if
• 29:15
  Speaker 1: you give yourself away on TV every day for free,
• 29:19
  Speaker 1: no one's gonna want to come see you on the
• 29:21
  Speaker 1: weekends on the box office, right right, So it's like
• 29:26
  Speaker 1: feeling overexposed and losing your mistique. But I think social
• 29:30
  Speaker 1: media has directly invited people into TV, right because you're
• 29:37
  Speaker 1: tweeting and instagram and and you're on social media every day.
• 29:40
  Speaker 1: So the mystique has kind of gone away from a
• 29:43
  Speaker 1: lot of stars. A matter of fact, most of us
• 29:45
  Speaker 1: could could find ourselves not getting a TV or a
• 29:49
  Speaker 1: movie deal. If you don't have social media engagement there first,
• 29:52
  Speaker 1: they'll ask you how much does he want? Well, how
• 29:55
  Speaker 1: many followers he got, because that's all a part of
• 29:58
  Speaker 1: tying it all in and make it makes sense. So
• 30:00
  Speaker 1: it's it's kind of things are changing. That's just like
• 30:03
  Speaker 1: saying that taxis are still relevant versus uber or lift.
• 30:07
  Speaker 1: We're living in a different time. Garagi kind of shatted
• 30:09
  Speaker 1: that with hidden figures. Anyway. They don't get no bigger
• 30:12
  Speaker 1: than Cookie on Empire. And then you know writ in
• 30:14
  Speaker 1: the movie and data little one hundred million previously, but
• 30:19
  Speaker 1: now you're on Star. Yeah, well you know, same same
• 30:23
  Speaker 1: folks behind it. You know, I just original, big daddy.
• 30:26
  Speaker 1: That's right. We do politics for a second. Yeah, let's
• 30:29
  Speaker 1: talk about it. Trump, your new president, my new president,
• 30:33
  Speaker 1: ain't my president? People were coming back carecept Michelle for
• 30:36
  Speaker 1: performing at his inauguration. What do you think about it?
• 30:38
  Speaker 1: I came back Cassette Michelle. Wow. Well, here's the thing.
• 30:43
  Speaker 1: Let's not make it about Cressette. Let's make it about Kanye.
• 30:46
  Speaker 1: Let's make it about Steve Harvey. Let's make it about Cressette,
• 30:50
  Speaker 1: and let's make it about the NFL player who also
• 30:53
  Speaker 1: showed up ray Lewis and Brown. Right. So, here's my thing.
• 30:58
  Speaker 1: In Hollywood. When you're working on a movie or a
• 31:00
  Speaker 1: TV set, they call him props, and then you got
• 31:04
  Speaker 1: the prop master. The prop master is responsible for putting
• 31:09
  Speaker 1: anything that you may need in the scene. While you're
• 31:12
  Speaker 1: shooting the scene, he reads the script and says he's
• 31:15
  Speaker 1: got a gun, coffee on the table, better to die.
• 31:17
  Speaker 1: Anything that's described on the script ends up in the
• 31:21
  Speaker 1: scene being delivered by the prop master, and then you're
• 31:25
  Speaker 1: being used as a prop. Donald Trump has no intentions
• 31:29
  Speaker 1: towards black people. He has nothing to do with the
• 31:32
  Speaker 1: intentions of black people, period notion. He's got no good
• 31:37
  Speaker 1: intentions towards pretty much anybody but his own agenda. I've
• 31:41
  Speaker 1: been very vocal about it. I'm not here on the
• 31:43
  Speaker 1: breakfast show taken off just because so in my mind
• 31:47
  Speaker 1: I felt like they were being used as props by
• 31:51
  Speaker 1: the prop master. He's gonna say whatever he wants to
• 31:54
  Speaker 1: say in front of you. He's gonna make you feel
• 31:56
  Speaker 1: like he's involved and intrigued by whatever your visions and
• 31:59
  Speaker 1: idea is for the inner city. And he ain't gonna
• 32:02
  Speaker 1: doh okay, He's gonna take a picture with you. He's
• 32:06
  Speaker 1: gonna go down to the lobby and have the cameras rolling,
• 32:10
  Speaker 1: which he all arranged, and he's gonna look like he's
• 32:13
  Speaker 1: involved in the urban and the black community with black
• 32:16
  Speaker 1: and urban intentions when he's not. And my thing is
• 32:20
  Speaker 1: because I love Steve Harvey specifically, and I'm not gonna
• 32:23
  Speaker 1: be here to pile up on my brother. Steve Harvey
• 32:25
  Speaker 1: is literally behind my R and B career. Shane was
• 32:28
  Speaker 1: number one for sixteen weeks because Steve Harvey was my
• 32:31
  Speaker 1: biggest champion and he's a real new Let's keep you
• 32:33
  Speaker 1: one absolutely. Uh. We all have a story, we all
• 32:37
  Speaker 1: have a history. Most of us are saints. I'm sorry,
• 32:41
  Speaker 1: most of us are centers that became saints. We're trying
• 32:43
  Speaker 1: to clean it up at a Saint is a center
• 32:45
  Speaker 1: that got up. We're all trying to clean it up.
• 32:48
  Speaker 1: Nobody's perfect. So at the end of the day, when
• 32:51
  Speaker 1: you see people piling up on Steve and piling up
• 32:54
  Speaker 1: on Chrissette and piling up on Kanye, there they have opinions.
• 32:58
  Speaker 1: And here's the thing. Donald Trump is literally the most
• 33:02
  Speaker 1: hated human being on human feet right now. So it
• 33:05
  Speaker 1: doesn't matter what you say as far as what your
• 33:07
  Speaker 1: ideas and intentions are, You're setting yourself up to be
• 33:11
  Speaker 1: attacked by everyone who hates that man, period. So I
• 33:15
  Speaker 1: think at the end of the day, you know, now
• 33:18
  Speaker 1: that Kanye is tweeting, I'm no longer aligning myself with
• 33:22
  Speaker 1: Trump because of what he's doing with the Muslim ban
• 33:25
  Speaker 1: and this and that. Bro, you should have never aligned
• 33:28
  Speaker 1: yourself with him in the first place. What's the plan?
• 33:31
  Speaker 1: What's the intention? Where you at school, debraun where you
• 33:34
  Speaker 1: ask Steve Stout, where you at jay Z. I need
• 33:37
  Speaker 1: somebody in Kanye's life to be able to step in
• 33:41
  Speaker 1: and first of all, be a brother and a friend
• 33:43
  Speaker 1: and say, bro, as much as you want to think that,
• 33:45
  Speaker 1: as much as you want to do that, you shouldn't
• 33:47
  Speaker 1: do it, and be able to show us that y'all
• 33:49
  Speaker 1: still got enough influence to stop that man from jumping
• 33:53
  Speaker 1: out there and doing so much. Like I'm concerned. I
• 33:57
  Speaker 1: know ya, I don't want him to tweet about me.
• 33:59
  Speaker 1: I don't need the attention. Everything is fine in my life,
• 34:02
  Speaker 1: But at the end of the day, I'm concerned about
• 34:05
  Speaker 1: the choices, the choices that they're allowing that man to make.
• 34:10
  Speaker 1: And friends. Don't let friends drive drunk. Friends also don't
• 34:14
  Speaker 1: let real friends jump out there and continue to make
• 34:16
  Speaker 1: a fool of yourself from doing things and not having
• 34:19
  Speaker 1: a real mission and agenda attached to these intentions. So
• 34:24
  Speaker 1: on behalf of Steve. I would say this, Steve, if
• 34:28
  Speaker 1: you're gonna jump out there and meet with Donald Trump
• 34:32
  Speaker 1: and you say that the Obama administration asked you to
• 34:36
  Speaker 1: step out there and have a conversation with Trump to
• 34:39
  Speaker 1: try and bridge the gap when you're getting attacked and
• 34:43
  Speaker 1: your family's survival is being compromised because everybody is eating
• 34:46
  Speaker 1: you alive and calling you by foons and coons and
• 34:49
  Speaker 1: all this. I need President Obama to put up a
• 34:53
  Speaker 1: tweet and say thank you Steve for doing exactly what
• 34:56
  Speaker 1: I asked you to do. Well. Obama did it during
• 34:59
  Speaker 1: his last State of the Union address. That's what he said.
• 35:01
  Speaker 1: He said that we should go across the aisle and
• 35:04
  Speaker 1: speak to people who yeah, but not everybody did it.
• 35:07
  Speaker 1: Steve Harvey jumped out there to go meet with Obama
• 35:10
  Speaker 1: with with with Trump and got attacked. His ratings on
• 35:13
  Speaker 1: his show went down. Everything went crazy, and the Obama
• 35:18
  Speaker 1: or the Obama administration never jumped out there. That has
• 35:21
  Speaker 1: Steve back to say thank you for jumping out there
• 35:24
  Speaker 1: when their witnessing this man catch all his heat. So
• 35:26
  Speaker 1: what do you suggest we do? Do we just ignore
• 35:28
  Speaker 1: the well danger resists. What do we do time? Well,
• 35:31
  Speaker 1: I would say this, if you're gonna have any kind
• 35:35
  Speaker 1: of conversations with that man, you should have the pedigree
• 35:41
  Speaker 1: that reflects what your intentions are. Don't just be some
• 35:45
  Speaker 1: random singer and actor going in at to meet with
• 35:47
  Speaker 1: the president. Sits your ass down, you'd have no pedigree
• 35:51
  Speaker 1: that reflects whatever changes you're trying to affect with that man.
• 35:55
  Speaker 1: Let me play White Devil's advocate for one second. Yeah,
• 35:58
  Speaker 1: he's still a celebrity. At the end of the day,
• 35:59
  Speaker 1: he was the executive Donald Trump, you're the executive producer,
• 36:02
  Speaker 1: celebrity apprentice. So Steve alb you could talk circles around
• 36:05
  Speaker 1: Donald if you want to. But understand what you're saying.
• 36:07
  Speaker 1: Being a he's president now and part of an administration.
• 36:10
  Speaker 1: My thing is this somebody that those policy and stuff like,
• 36:12
  Speaker 1: the indication of someone's intentions is a direct reflection of
• 36:17
  Speaker 1: their intentions of the past. Who you are and what
• 36:20
  Speaker 1: you represent right now in your future you can look
• 36:25
  Speaker 1: at the past, when you got a man named Donald
• 36:27
  Speaker 1: Trump who went out of his way to stop black
• 36:29
  Speaker 1: people from moving into his buildings. When you got damn
• 36:33
  Speaker 1: this seven thousand lawsuits, When you say drained the swamp
• 36:37
  Speaker 1: and you've now aligned yourself with every version of a
• 36:40
  Speaker 1: swamp in the White House, it shows you what your
• 36:43
  Speaker 1: intentions are for you. You've you've You've got people, you
• 36:49
  Speaker 1: got men, women, and immigrants that have worked in all
• 36:53
  Speaker 1: of your buildings to help build your empire. And you
• 36:55
  Speaker 1: basically say, if you did all the marble floors in
• 36:58
  Speaker 1: my lobby, you're getting paid. Don't matter. Right. So, at
• 37:02
  Speaker 1: the end of the day, and we've heard every version
• 37:04
  Speaker 1: of every attack on Donald Trump, I'm simply saying, if
• 37:08
  Speaker 1: you don't have the pedigree, if you're not a real
• 37:10
  Speaker 1: civil rights leader that lived, breathe at each sleep at
• 37:14
  Speaker 1: every day, get your ass out of the house and
• 37:17
  Speaker 1: stop playing because you don't have the pedigree to walk
• 37:21
  Speaker 1: into that room and affect change. This is not about
• 37:24
  Speaker 1: reality stars. Meet with reality stars. Crissette Michelle, I really
• 37:29
  Speaker 1: want to believe that you got paid to do that show,
• 37:32
  Speaker 1: but my history is shown that most people that perform
• 37:35
  Speaker 1: for political figures on that level. We don't get paid.
• 37:39
  Speaker 1: We don't get paid. As a matter of fact, they
• 37:41
  Speaker 1: make us fly ourselves out, put ourselves up in hotels,
• 37:44
  Speaker 1: and pay for our own bands to perform at their events.
• 37:47
  Speaker 1: Nobody wants to do Trumps, but she might have might
• 37:49
  Speaker 1: do us. She says she got her normal appearance fee
• 37:51
  Speaker 1: for it. Beyonce ain't got paid and she didn't perform
• 37:56
  Speaker 1: for several Obama events privately and publicly. Okay, when you're
• 38:01
  Speaker 1: doing events for presidents and queens and royals, it's more
• 38:06
  Speaker 1: of an opportunity for you to do your thing for
• 38:08
  Speaker 1: them than for us to be paid for doing our
• 38:10
  Speaker 1: thing for them. Yeah, she told me she threw out
• 38:12
  Speaker 1: a hot number and they accepted. There was a number
• 38:13
  Speaker 1: over her fee that she used. Listen, I won't call
• 38:19
  Speaker 1: that woman a liar unless she put an Instagram post
• 38:22
  Speaker 1: up showing us a check. I don't need to see
• 38:24
  Speaker 1: where the money was wired to, but show me that
• 38:26
  Speaker 1: you were actually paid from the White House for performing
• 38:30
  Speaker 1: at the White House. Otherwise I personally don't believe it.
• 38:33
  Speaker 1: We got more with Tyres when we come back. Keep
• 38:35
  Speaker 1: it locked. It's a breakfast local morning that was Drake
• 38:43
  Speaker 1: Fake Love Morning. Everybody is DJ N v Angela, Yee, Charlomagne,
• 38:47
  Speaker 1: that God. We are the breakfast club. We have Tyrese
• 38:50
  Speaker 1: in the building. The last time you were here, Tyree,
• 38:53
  Speaker 1: she said that you were going to retire. Is that's
• 38:54
  Speaker 1: still true? Um, well, I just did another deal. All
• 38:59
  Speaker 1: that success, Okay, no shame, It's love. Listen. So I
• 39:06
  Speaker 1: will be releasing a hip hop album. Shout out to
• 39:08
  Speaker 1: my man. Black Tie is coming, and I'm not gonna
• 39:12
  Speaker 1: do it for sales. I'm not gonna do it for
• 39:14
  Speaker 1: any other reason other than getting mine off. I gotta
• 39:17
  Speaker 1: put this out there to everybody in the industry. Here
• 39:19
  Speaker 1: you go, I gotta put it out there. Listen. The
• 39:23
  Speaker 1: day that you start living your life within people's opinion
• 39:26
  Speaker 1: is the beginning of the end. Everybody's gonna have some
• 39:30
  Speaker 1: to say about everything you're doing in your life. A
• 39:33
  Speaker 1: gift comes from God. Multiple some of us has many gifts.
• 39:38
  Speaker 1: They all belong to God. So for you to decide
• 39:42
  Speaker 1: to hold the breath of any one of your gifts
• 39:45
  Speaker 1: that God has given you at a certain point, it's
• 39:47
  Speaker 1: gonna die. The black Tid needs to breathe right now.
• 39:50
  Speaker 1: I gotta get my ideas off it will happen. Identity
• 39:54
  Speaker 1: Theft is the name of the album. I haven't called identity.
• 39:57
  Speaker 1: It's called Identity Theft because I'm working with a bunch
• 39:59
  Speaker 1: of ghosts writers to help me to write my lyrics.
• 40:02
  Speaker 1: Oh wow, like who I'm gonna bring them up here
• 40:07
  Speaker 1: when I do. My enemy. Listen. He openly admitted that
• 40:15
  Speaker 1: he's gonna have ghostwriters writing his raps for years. No, listen,
• 40:19
  Speaker 1: this is what I'm saying to you. Listen, I got
• 40:22
  Speaker 1: I got some really sad news for all of you
• 40:25
  Speaker 1: hip hop passionate fans out here in the game. Boy,
• 40:29
  Speaker 1: most of your favorite rappers got ghostwriters, and it's been
• 40:33
  Speaker 1: going on for years. Now. Here's the thing. This is
• 40:35
  Speaker 1: what's crazy. As an army. I'm just looking to make
• 40:40
  Speaker 1: my statement, which is I got love for hip hop,
• 40:42
  Speaker 1: I got a passion for it, and I'm gonna get
• 40:45
  Speaker 1: ann and I'm gonna do my best. Now, guess what
• 40:47
  Speaker 1: I'm gonna make these lyrics my lyrics because I'm never
• 40:50
  Speaker 1: gonna rap about anything I don't agree with. Right, most
• 40:53
  Speaker 1: of your favorite rappers, believe it or not, not all,
• 40:56
  Speaker 1: but most of your favorite rappers has ghostwriters. And what
• 41:00
  Speaker 1: I'm gonna do is when I release this identity theft,
• 41:03
  Speaker 1: I'm gonna ask every ghostwriter that's ever demold and referenced
• 41:08
  Speaker 1: a track to release date because it's sitting in a laptops.
• 41:15
  Speaker 1: I'm not gonna do that. Guess what. Guess what. I'm
• 41:20
  Speaker 1: a singer right. Here's the truth. I don't know why
• 41:23
  Speaker 1: y'all just so uptight about the reality of ghostwriters working
• 41:27
  Speaker 1: with your favorite rappers. The truth be told is you
• 41:30
  Speaker 1: still love me as an R and B singer. I
• 41:33
  Speaker 1: ain't write all my R and B hits, but I'm
• 41:35
  Speaker 1: still getting this vagina off up. But we're not mad.
• 41:40
  Speaker 1: You can't be number one. Listen. I didn't write Sweet Lady.
• 41:44
  Speaker 1: You didn't write Sweet Lady, Lady. I didn't write Sweet Lady.
• 41:47
  Speaker 1: Did you write state some of it? You didn't write
• 41:52
  Speaker 1: Sweet Lady? John Tay Austin and Troy Taylor from the Yeah, Listen,
• 42:00
  Speaker 1: I didn't write sweet Lady, but I definitely took advantage
• 42:04
  Speaker 1: of all that vaginal activity that happened for many years.
• 42:07
  Speaker 1: That's real, and I'm gonna tell you what those I'm
• 42:09
  Speaker 1: just keeping it real like at the end of the day,
• 42:11
  Speaker 1: like you can't downplay my gifts because I didn't put
• 42:14
  Speaker 1: all the words. Listen, you gonna find me an actor
• 42:18
  Speaker 1: who is one Oscars that can be able to say
• 42:20
  Speaker 1: that they wrote all the words to the movie that
• 42:23
  Speaker 1: they said in a movie. You didn't write the movie.
• 42:27
  Speaker 1: You still are the most well respected actors. Those are
• 42:30
  Speaker 1: not your words. And some people don't have Starck quality.
• 42:33
  Speaker 1: Starck quality is a gift too, Like start if you
• 42:36
  Speaker 1: you can have the best lyrics in the world. Go
• 42:38
  Speaker 1: ask all these backpack wrappers running around here. They got
• 42:41
  Speaker 1: bars of barn bars, they got better bars, and some
• 42:44
  Speaker 1: of your favorite m sees that sold hundreds of millions
• 42:46
  Speaker 1: of records. But they're not stars. Okay, I know I'm
• 42:51
  Speaker 1: a star. I think about that often when I see
• 42:54
  Speaker 1: certain people when they used to be writers and they
• 42:57
  Speaker 1: become stars. I said it to him, I said, at
• 42:58
  Speaker 1: the Dream and Dream, you don't look like star. You
• 43:00
  Speaker 1: don't have a face flag of superstar. Neil could write
• 43:02
  Speaker 1: a better record for the trade songs. I think Tray
• 43:04
  Speaker 1: could perform on the record bad. There are certain there's
• 43:08
  Speaker 1: certain visual pleasures. It's the pecking order, that's it. You
• 43:13
  Speaker 1: got ladies out here, some of them can't sing a lick.
• 43:16
  Speaker 1: But they looked apart and they get to get away
• 43:18
  Speaker 1: with But when don't you feel different? If you I know,
• 43:20
  Speaker 1: I got a challenge, doesn't write his lyrics. Nas doesn't
• 43:23
  Speaker 1: write his lyrics, doesn't feel weird. I would feel a
• 43:26
  Speaker 1: certain kind of way. I would feel a certain kind
• 43:29
  Speaker 1: of way. But guess what, it's still Nas that has
• 43:32
  Speaker 1: to deliver the magic. It's still Jay. Okay, when he's
• 43:35
  Speaker 1: in the studio working with Farrell Williams. I'm sure Pharrell said, y'all,
• 43:40
  Speaker 1: I like that bar. But what if you said and
• 43:42
  Speaker 1: Jay was like, oh, that's crazy. I'm sure he got
• 43:47
  Speaker 1: somebody writing. Listen, listen, A bar is a bar. That
• 43:50
  Speaker 1: bar could be Listen listen. What if it's what if
• 43:53
  Speaker 1: the ball was allowed me to reintroduce myself? Yeah that now,
• 43:57
  Speaker 1: that ball come on everything that allowed me to reintroduce
• 44:02
  Speaker 1: myself My name is Oh what if somebody else came
• 44:06
  Speaker 1: up with that opening line that is a boy has
• 44:10
  Speaker 1: a difference. No, we're not talking about the whole soul.
• 44:13
  Speaker 1: If you found out somebody else wrote allowed me to
• 44:16
  Speaker 1: reintroduce myself my name is Hohole, how would you feel envy?
• 44:21
  Speaker 1: Would you take all your chains back between would you
• 44:27
  Speaker 1: go turn in your rolls racing? Would you stop playing
• 44:31
  Speaker 1: jay Z's record if you found out he didn't write
• 44:33
  Speaker 1: that opening line? Envy keep it real? I would feel little.
• 44:36
  Speaker 1: I didn't hope be my favorite artist anymore. There's a
• 44:39
  Speaker 1: difference between hole and somebody giving the ball and somebody saying,
• 44:42
  Speaker 1: did he do this whole song? All I'm saying, All
• 44:46
  Speaker 1: I'm saying to you is this, it's taboo to believe
• 44:50
  Speaker 1: that none of your favorite rappers are homosexuals. Wow, we're
• 44:58
  Speaker 1: gonna to print the game way. Listen, Listen, Listen, listen,
• 45:06
  Speaker 1: Listen to what I'm saying. It's taboo to believe that
• 45:10
  Speaker 1: your favorite rappers has wrote all of their lyrics. It's
• 45:14
  Speaker 1: taboo to believe that all your favorite rappers is actually
• 45:16
  Speaker 1: wearing real diamond chains. It's taboo to believe that all
• 45:20
  Speaker 1: the women in his videos are actually there's okay, you
• 45:24
  Speaker 1: gotta fake it till you make it. But we're living
• 45:26
  Speaker 1: in a different time right now. True. Okay, So your
• 45:30
  Speaker 1: favorite rapper, male or female, it's unrealistic to assume that
• 45:34
  Speaker 1: your favorite rapper is not gay or homosexution. I'm gonna
• 45:37
  Speaker 1: tell you I had a conversation with my friends the
• 45:39
  Speaker 1: other day and they were like, I wouldn't be surprised
• 45:41
  Speaker 1: to hear that anybody was gay, like any rapper period,
• 45:44
  Speaker 1: and guess what if you are Damian people. And she
• 45:47
  Speaker 1: was like, wouldn't be surprised now if you are live
• 45:50
  Speaker 1: your life and do what makes you happy. If they
• 45:53
  Speaker 1: make dope records and they're happy and their person on
• 45:56
  Speaker 1: business life, live your life. I don't have nothing against
• 46:00
  Speaker 1: anybody who's doing that thing and living their life. I
• 46:04
  Speaker 1: was just I hit y'all, caught y'all off guard with that,
• 46:06
  Speaker 1: But I'm just saying, like it's taboo, man. People need
• 46:09
  Speaker 1: to get over it. People need to get away from
• 46:13
  Speaker 1: these perceptions that they've created in their head. There's no
• 46:16
  Speaker 1: way that my favorite rapper didn't write all of his
• 46:20
  Speaker 1: lyrics on this album that I love. Your favorite rapper
• 46:24
  Speaker 1: and the style that you love he has a stylist,
• 46:29
  Speaker 1: your favorite female star and you love their style. They
• 46:33
  Speaker 1: have a stylist, which means ultimately they're wearing the outfit.
• 46:39
  Speaker 1: But what they're wearing wasn't all of their ideas, right.
• 46:42
  Speaker 1: It's no different there's somebody rapping and borrowing a couple
• 46:46
  Speaker 1: of words from somebody else. People got ghost dresses all
• 46:51
  Speaker 1: he's trying to tell when he had them shoes on. Man,
• 47:02
  Speaker 1: get out there man. First of all, ye bringing up
• 47:06
  Speaker 1: they ain't got nothing to do with nothing. I don't
• 47:08
  Speaker 1: appreciate it. Man, y'all need to you're rocking to do
• 47:12
  Speaker 1: the tracks uting hard body. Hey, y'all, listen, listen, y'all.
• 47:17
  Speaker 1: I want y'all to know that there's a lot of
• 47:20
  Speaker 1: TV shows out there. Star. I need y'all to give
• 47:25
  Speaker 1: us a shot. Go to Hulu, go to Apple TV
• 47:29
  Speaker 1: and catch up. I want you to bene watch and
• 47:31
  Speaker 1: watch all of the episodes has already been aired. There's
• 47:33
  Speaker 1: a lot of TV shows out there. We need y'all
• 47:36
  Speaker 1: to give us a shot. The show is called Star.
• 47:38
  Speaker 1: It's on Fox. Lee Daniels is the creator writer. We
• 47:42
  Speaker 1: got Queen Latif of Benjamin Brad, Naomi Campbell, Lenny Kravitz,
• 47:46
  Speaker 1: and and all of the stars, my man Quincy. Everybody
• 47:49
  Speaker 1: is on the show killing it. Um. I'm on the show.
• 47:52
  Speaker 1: It's my first TV show ever, and I want it
• 47:54
  Speaker 1: to be successful. And we're not successful with our viewers.
• 47:58
  Speaker 1: Nine pm on Wednesday. It's going to be the most
• 48:01
  Speaker 1: their dubbing this as the most controversial thing that's ever
• 48:04
  Speaker 1: been put on television. Wow. Wow, this show is tying
• 48:08
  Speaker 1: into a lot of different things, and I just want
• 48:10
  Speaker 1: y'all to give us a shot. I love y'all for
• 48:12
  Speaker 1: having me on. This is my favorite show. All rights.
• 48:20
  Speaker 1: The Breakfast Club. Good morning to you, Good morning to you,
• 48:27
  Speaker 1: Good morning to you. Morning. Everybody's DJ m vy Angela Yee, Charlomagne,
• 48:31
  Speaker 1: the guy. We all the Breakfast Club. Let's get to
• 48:33
  Speaker 1: the rumors. Just oh gust Breakfast Club. Well, Waka Flocker
• 48:46
  Speaker 1: is a very upset and I can't blame him. Okay,
• 48:48
  Speaker 1: this is a Saint Louis radio personality who's on AM radio.
• 48:52
  Speaker 1: His name is Bob Romanick, and he had some nasty
• 48:55
  Speaker 1: things to say about Waker. This all started when Walker
• 48:57
  Speaker 1: was performing and he ended up wiping his behind with
• 49:01
  Speaker 1: a Trump jersey during a concert. Now, according to Waka,
• 49:04
  Speaker 1: the only reason he used that was because he was
• 49:06
  Speaker 1: sweaty and gross and somebody handed it to him. He said,
• 49:09
  Speaker 1: it didn't matter what type of T shirt it was,
• 49:10
  Speaker 1: it just happened to be a Trump T shirt. And
• 49:12
  Speaker 1: here's what rom Nick had to say on his AM
• 49:15
  Speaker 1: radio show in Saint Louis, waka flocka. He took a
• 49:19
  Speaker 1: good crap on our president elect shirt. And you think
• 49:22
  Speaker 1: that Trump has done anything that this man Trump will
• 49:25
  Speaker 1: probably do more for this black card than Obama's ever
• 49:28
  Speaker 1: done for the proud black community in my opinion, of course,
• 49:32
  Speaker 1: think about it. We're talking about walk a flock of
• 49:34
  Speaker 1: that greasy black person of a bitch. But it says
• 49:37
  Speaker 1: you should not flaunt your support for Donald Trump at
• 49:40
  Speaker 1: a walka flocka show. Why not. I'll tell you what,
• 49:43
  Speaker 1: you black bastard. Let me wear a Trump shirt, then
• 49:46
  Speaker 1: you grab it and grab it off me. You'll be
• 49:48
  Speaker 1: the dead as son of a bitch walking around. That's
• 49:52
  Speaker 1: a word a couple of times. See you gotta understand.
• 49:55
  Speaker 1: And I've enough. He still has his job. He says
• 49:58
  Speaker 1: he will not quit, and they had not fired him.
• 50:02
  Speaker 1: And this is an AM radio station in Saint Louis.
• 50:04
  Speaker 1: Let's be clear one thing, and one thing for sure.
• 50:07
  Speaker 1: If you've never in your life heard what a cracking
• 50:10
  Speaker 1: sound like, that's a cracker. That's a crack ass cracker
• 50:15
  Speaker 1: right there, Jesus correct. How is this okay? Now? They
• 50:20
  Speaker 1: said he says that he was justified in calling him
• 50:24
  Speaker 1: the N word because Waka Flacker had taken Donald Trump's
• 50:27
  Speaker 1: jersey and used it to wipe his butt. And he's
• 50:29
  Speaker 1: been defending this himself, and he's saying that proud white
• 50:33
  Speaker 1: people use the N word their patriots, exercising their First
• 50:37
  Speaker 1: Amendment rights. No proud cracker ass crackers used the N
• 50:40
  Speaker 1: word in that manner that seems okay. Said he said,
• 50:44
  Speaker 1: or honkey to a white race, I won't get any heat,
• 50:46
  Speaker 1: But let me say N word one time. A black
• 50:49
  Speaker 1: person can use the word and a white person can't.
• 50:51
  Speaker 1: How discriminatory is that? I mean, that's his rationale. But
• 50:54
  Speaker 1: when black people use it amongst each other, they're using
• 50:56
  Speaker 1: it as like a term of endement. I don't use
• 50:58
  Speaker 1: it in that way. I'd be like, boy, stay away
• 51:00
  Speaker 1: from the men works. But you know it's people who do.
• 51:03
  Speaker 1: So that crack ass cracker is trying to justify some
• 51:06
  Speaker 1: bass right now. Well, he's been using the word and
• 51:09
  Speaker 1: he's gonna keep on using it, and he used it
• 51:10
  Speaker 1: even more after this now here. How here's how Walker responded,
• 51:14
  Speaker 1: This show need to get shut the down. Period. If
• 51:17
  Speaker 1: his show don't get shut down, don't let you know
• 51:19
  Speaker 1: how far racism go in America that anybody could get
• 51:22
  Speaker 1: on the radio say black black. So if I go
• 51:25
  Speaker 1: I'm already radio interview and say, oh bustling a black
• 51:31
  Speaker 1: people fat, and I'm gonna go through the show, I'm
• 51:34
  Speaker 1: gonna shure. I'm not gonna colo cop. I'm gonna go through.
• 51:37
  Speaker 1: I'm gonna go to the show and see if I
• 51:39
  Speaker 1: can get a personal interview. Let me see if he
• 51:41
  Speaker 1: talked that rush I pull up. Yes he will because
• 51:44
  Speaker 1: he probably is in a state with the staying ground.
• 51:47
  Speaker 1: He gotta get out, Okay, he said, I'm not gonna
• 51:49
  Speaker 1: quit talking and saying what I want until they cut
• 51:51
  Speaker 1: my tongue out and put me six foot under. Who
• 51:53
  Speaker 1: said that that crack dominic? Yes, okay, crazy, I was
• 51:57
  Speaker 1: just discussing. I'm sorry, but it's just really it's disturbing.
• 52:00
  Speaker 1: I saw your face every when you heard it, because
• 52:01
  Speaker 1: I guess you hadn't heard it before. I couldn't believe
• 52:03
  Speaker 1: he really said it. I said, it's crazy, all right.
• 52:06
  Speaker 1: Charles Oakley has been banned from Madison Square Garden by
• 52:09
  Speaker 1: the Knicks. He's not allowed to come there now. They
• 52:12
  Speaker 1: said it's not necessarily a lifetime band they said, we
• 52:14
  Speaker 1: need to keep the garden safe for anybody who goes there,
• 52:17
  Speaker 1: and they said, I understand he was a big start,
• 52:19
  Speaker 1: but that doesn't excuse people from that type of behavior. Now.
• 52:22
  Speaker 1: Dolan has also said that Charles Oakley has a problem
• 52:25
  Speaker 1: with anger and he may have a problem with alcohol.
• 52:27
  Speaker 1: We don't know. Charles Oakley's attorney said that they will
• 52:31
  Speaker 1: deal with it in court, and Charles Oakley tweeted out,
• 52:33
  Speaker 1: I love New York City, I love the Knicks. Thank
• 52:36
  Speaker 1: you for all your love. I will be holding a
• 52:37
  Speaker 1: press conference next week. Let's go Nick. So he said
• 52:39
  Speaker 1: that last week, so I guess this week at some
• 52:41
  Speaker 1: point he is going to hold a press conference in
• 52:43
  Speaker 1: Spike Lee was in the garden when all this went down,
• 52:46
  Speaker 1: and he was actually wearing an Oakley jersey just recently,
• 52:49
  Speaker 1: and he said, I'm not mad at any of the
• 52:51
  Speaker 1: Knicks that showed up today. I stood up for everybody,
• 52:53
  Speaker 1: gave them love a plaud it. I stood up for everybody.
• 52:55
  Speaker 1: So I'm happy to see them under better conditions, Yes,
• 52:57
  Speaker 1: but I'm happy to see them regardless. But it just
• 52:59
  Speaker 1: looks so obvious to me. I don't know. You got
• 53:01
  Speaker 1: to ask the garden I'm just happy to see these guys.
• 53:04
  Speaker 1: So Spike Lee is also raised that Charles Oakley was
• 53:06
  Speaker 1: arrested and taken to jail. Yeah, that was fine, very fast.
• 53:12
  Speaker 1: We'll see what happens. And Tei has even posted about
• 53:14
  Speaker 1: it too. I don't see how anybody would ever want
• 53:16
  Speaker 1: to play for the Knicks organization. If I was a
• 53:19
  Speaker 1: free agent or somebody traded me to the Knicks, I
• 53:21
  Speaker 1: would not want to play for the New York Knicks
• 53:24
  Speaker 1: if you see how the organization treat his veterans like, yeah,
• 53:26
  Speaker 1: that's a tough one. All right, Well let me as
• 53:28
  Speaker 1: you like, Yeah, that is your rumor report, all right,
• 53:30
  Speaker 1: thank you, missie. Charlemagne, Yes, what you giving your donkey too? Listen, man,
• 53:33
  Speaker 1: I need to grab me voting committee to come to
• 53:35
  Speaker 1: front of the congregation. We like to have a little
• 53:37
  Speaker 1: world with him and shy. Yeah, Charlemagne, say the gang
• 53:43
  Speaker 1: don't get the same man you are you donkey today
• 53:51
  Speaker 1: does not discriminate. I might not have the song of today,
• 53:53
  Speaker 1: but I got to donkey that. So if you ever
• 53:55
  Speaker 1: feel I need to be a donkey man, hit it
• 53:57
  Speaker 1: with you reckfast club bitches. They just don't keep the
• 54:02
  Speaker 1: day today, Yes, don't you today for Monday, February thirteenth
• 54:06
  Speaker 1: goes to the devil damn Grammy voting Committee. You know,
• 54:08
  Speaker 1: I don't give a damn about no Grammy Awards. I
• 54:10
  Speaker 1: tell artists all the time, go where you're celebrating, not
• 54:12
  Speaker 1: where you're tolerated, because it seems like awards shows like
• 54:15
  Speaker 1: the Grammys just don't always get it right now, I'm
• 54:19
  Speaker 1: only talking about one specific moment from last night. In
• 54:21
  Speaker 1: that moment came during the best Album of the Year
• 54:23
  Speaker 1: category where Beyonce and Adell would nominated now Adele one
• 54:27
  Speaker 1: Song of the Year and Record of the Year for
• 54:29
  Speaker 1: Hello over Formation. I personally wasn't mad at that because
• 54:33
  Speaker 1: Hello was a better song than Formation to me, and
• 54:35
  Speaker 1: y'all know, I'm a Pickett Smith went from nos Carter,
• 54:38
  Speaker 1: So if I can admit Hello was better than in Formation,
• 54:40
  Speaker 1: then Hello was better than Information. But we're not just
• 54:43
  Speaker 1: talking about individual records singles, Okay. I just knew that
• 54:47
  Speaker 1: Beyonce was gonna win Album or the Year because when
• 54:49
  Speaker 1: it came to twenty five, Adele's album and Lemonade, Beyonce's
• 54:53
  Speaker 1: album as complete bodies of work wasn't even close. Okay,
• 54:57
  Speaker 1: not to mention the Dell opened up the Grammys, and
• 54:59
  Speaker 1: we know Adell is in a amazing vocalist. She's very talented,
• 55:01
  Speaker 1: she makes grape music, but on that stage she is
• 55:04
  Speaker 1: unseasoned chicken, just a big piece of big chicken with
• 55:07
  Speaker 1: no season seasoning on it. Okay, boring the Tim Duncan
• 55:10
  Speaker 1: of vocalists. All right. Meanwhile, Beyonce performs at the Grammy's
• 55:14
  Speaker 1: last night, and it's crazy how people think she was
• 55:16
  Speaker 1: using special effects and not her own superpowers when she
• 55:19
  Speaker 1: was leaning back in that chade. That was Telekinecius. Okay,
• 55:22
  Speaker 1: all that stuff you saw you thought was holograms. Nope,
• 55:25
  Speaker 1: Beyonce is a telepath I Professor Xavier and was simply
• 55:28
  Speaker 1: controlling our minds. Don't you ever in your life disrespect
• 55:30
  Speaker 1: Beyonce's superpowers by calling them special effects? Okay? Now, I
• 55:34
  Speaker 1: stayed up until well passed eleven on a work night
• 55:36
  Speaker 1: to watch Beyonce win Album of the Year, and all
• 55:39
  Speaker 1: I got to see was Beyonce get robbed. Okay, and
• 55:41
  Speaker 1: the very talented yet boring performer Adele walked away with
• 55:45
  Speaker 1: Album of the Year for twenty five. Now, I don't
• 55:47
  Speaker 1: knock anyone's blessings, especially when it comes to matter of opinion,
• 55:50
  Speaker 1: because that's all the Grammy Committee is a bunch of
• 55:52
  Speaker 1: people casting their opinions. But in this case, they absolutely
• 55:55
  Speaker 1: positively got it wrong. And the Grammy Committee should all
• 55:58
  Speaker 1: feel foolish this morning, because even Adele acknowledged doing her
• 56:02
  Speaker 1: acceptance speech and the press conference after the awards that
• 56:06
  Speaker 1: she should not have one album of the year. Let's
• 56:08
  Speaker 1: listen to her acceptance speech. My artist of my life
• 56:11
  Speaker 1: is beyonceing this album for me, the Lemonade album was
• 56:15
  Speaker 1: just so monumentalonce. It was so monumental and so beautiful
• 56:22
  Speaker 1: and soul bearing, and we all got to see another
• 56:24
  Speaker 1: side to you that you don't always let us see,
• 56:26
  Speaker 1: and we appreciate that, and all us artists here adore you.
• 56:29
  Speaker 1: You are a light. And the way that you made
• 56:34
  Speaker 1: me and my friend's feel, the way you make my
• 56:36
  Speaker 1: black friends feel is empowering, and you make them stand
• 56:39
  Speaker 1: up for themselves. And I love you, I always have
• 56:42
  Speaker 1: and I always will. That's how you keep to be
• 56:44
  Speaker 1: high off your air strap want to close bombs for
• 56:46
  Speaker 1: a Dele. She pulled an eminem and eight mile. That's
• 56:50
  Speaker 1: how you keep to be high off your ass. I
• 56:52
  Speaker 1: respected Del's honesty, but I do feel like a dele
• 56:54
  Speaker 1: mister moment to use her privilege to combat prejudice. We
• 56:57
  Speaker 1: understand beyond his music, make sure black friends want to
• 57:00
  Speaker 1: stand up for themselves. But I feel like Adell could
• 57:02
  Speaker 1: have said Beyonce's music Beyondce's messaging makes me want to
• 57:06
  Speaker 1: stand up for my black friends and other black people
• 57:09
  Speaker 1: experiencing racial injustice in America. That's the kind of messaging
• 57:12
  Speaker 1: I would ever like to hear a Dell deliver. But
• 57:14
  Speaker 1: we'll discuss that in a second. Let's listen to a
• 57:16
  Speaker 1: Dell in the post press conference continuing to make the
• 57:19
  Speaker 1: Grammy voter committee look clueless. And the reason I felt
• 57:22
  Speaker 1: they need to say something was my album of the
• 57:24
  Speaker 1: Year is Lemonade. She is my icon of my whole life,
• 57:28
  Speaker 1: and so I felt needs to do Also, I feel
• 57:30
  Speaker 1: like it was her time to win. My view is
• 57:32
  Speaker 1: kind of what the does she has to do to
• 57:34
  Speaker 1: win Album of the Year. That's also how I feel
• 57:36
  Speaker 1: great question what more is beyond they have to do
• 57:39
  Speaker 1: to win Album of the Year at the Grammys. Right
• 57:41
  Speaker 1: on this album, she exposed their man's infidelity, stood up
• 57:43
  Speaker 1: for the injustices that black people have been facing, gave
• 57:46
  Speaker 1: you a video for every song on the album. They
• 57:48
  Speaker 1: bebuted as a special on HBO, empowered women and had
• 57:51
  Speaker 1: the majority of the country getting information all Beyonce's Chicken
• 57:55
  Speaker 1: was season the perfection, but Dell twenty five, on the
• 57:58
  Speaker 1: other hand, not so much. But this is the knocked
• 58:00
  Speaker 1: to a Dell. She's great except for a stage show.
• 58:02
  Speaker 1: But this is one of those times when the Grammy's
• 58:04
  Speaker 1: absolutely positively got it wrong, and everybody knows it, including
• 58:09
  Speaker 1: a Dell herself, and an artist of a Dell's caliber,
• 58:13
  Speaker 1: breaks her Grammy for Album of the Year and half
• 58:15
  Speaker 1: to give the other half to Beyonce. That's when you
• 58:18
  Speaker 1: know somebody got it wrong. Don't cry for Beyonce, though,
• 58:21
  Speaker 1: when I hear stories like this, I think of a quote.
• 58:24
  Speaker 1: The only permission, the only validation, and the only opinion
• 58:27
  Speaker 1: that matters in our quest for greatness is our own.
• 58:29
  Speaker 1: And if anybody knows that it's blues Mama Beyonce knows Carter,
• 58:33
  Speaker 1: Please give the Grammy Committee the biggest he harp. Oh
• 58:35
  Speaker 1: a matter of fact, give him some of the Sweet
• 58:37
  Speaker 1: Tams and the Hammetones vocals, Donkey the day, the donkey,
• 58:52
  Speaker 1: the d he all right, thank you for that one kid.
• 59:00
  Speaker 1: Today now eight hundred five eight five one oh five one,
• 59:03
  Speaker 1: we're asking how do you feel about Adele's comments bother me,
• 59:08
  Speaker 1: the one when she says, you know, Beyonce my black friends,
• 59:11
  Speaker 1: you stand up my black friends, make my black friends
• 59:12
  Speaker 1: stand up for I just told you. I feel like
• 59:14
  Speaker 1: Adele mister moment to use her privilege to combat prejudice.
• 59:17
  Speaker 1: I feel like she could have said, Beyonce's music makes
• 59:19
  Speaker 1: me want to stand up for my black friends and
• 59:21
  Speaker 1: other black people experiencing racial injustice in America. I mean,
• 59:24
  Speaker 1: of course, Beyonce's music makes her black friends want to
• 59:27
  Speaker 1: stand up for themselves, But does it make you want
• 59:28
  Speaker 1: to stand up for them? We an't we only ain't.
• 59:30
  Speaker 1: We ain't only asking you, We're asking everybody. He said.
• 59:33
  Speaker 1: I just said, eight hundred five eight five one oh
• 59:35
  Speaker 1: five one. We want to talk to people out there.
• 59:36
  Speaker 1: I'm always ready. We're asking, how do you feel about
• 59:39
  Speaker 1: Adele's comments? Were you offended? Phone line to wide open?
• 59:43
  Speaker 1: Let's talk about eight hundred five eight five one o
• 59:45
  Speaker 1: five one. It's a breakfast loogal morning, the breakfast club.
• 59:52
  Speaker 1: Tell your friends to get with my friend art was
• 59:55
  Speaker 1: Big Poper Morning. Everybody is DJ Envy, Angela Yee, Charlomagne
• 59:59
  Speaker 1: the guy we are the breakfast club now if he
• 1:00:02
  Speaker 1: just joined us. We're talking about Adele. She won Album
• 1:00:05
  Speaker 1: of the Year and when she won, this is what
• 1:00:08
  Speaker 1: she said. My artist of my life is Beyonce saying
• 1:00:11
  Speaker 1: this album for me, the Lemonade album was just so monumental, Fiance.
• 1:00:17
  Speaker 1: It was so monumental and so beautiful and soul bearing.
• 1:00:21
  Speaker 1: And we all got to see another side to you
• 1:00:23
  Speaker 1: that you don't always let us see. And we appreciate that,
• 1:00:26
  Speaker 1: and all us artists here adore you. You are all right.
• 1:00:32
  Speaker 1: And the way that you made me and my friend's feel,
• 1:00:34
  Speaker 1: the way you make my black friend's feel is empowering,
• 1:00:37
  Speaker 1: and you make them stand up for themselves. And I
• 1:00:40
  Speaker 1: love you, I always have and I always will. So
• 1:00:42
  Speaker 1: we're asking eight hundred five five one or five one?
• 1:00:45
  Speaker 1: How do you feel about Adele's comments? Were you offended?
• 1:00:48
  Speaker 1: Let's start with you. I was a little taking a bag.
• 1:00:50
  Speaker 1: It was just a weird thing to say, because I
• 1:00:53
  Speaker 1: feel like she should want everybody to feel empowered, and
• 1:00:56
  Speaker 1: she should want that to be just. It should affect everyone,
• 1:01:00
  Speaker 1: not just your black friends, you know what I'm saying.
• 1:01:02
  Speaker 1: So that's how I felt it should want you to
• 1:01:04
  Speaker 1: do better as a white person, knowing everything that's going
• 1:01:07
  Speaker 1: on with black people. So I just but I do
• 1:01:10
  Speaker 1: feel like she was just a bit awkward. It was
• 1:01:12
  Speaker 1: just a weird thing to say. Maybe she didn't feel
• 1:01:14
  Speaker 1: in power. Maybe she felt like her black friends were
• 1:01:16
  Speaker 1: in powered and she didn't feel that. Well, then she's
• 1:01:17
  Speaker 1: missing it. And you know what I mean, And that's
• 1:01:19
  Speaker 1: that's exactly what that affects you too. That's exactly what
• 1:01:22
  Speaker 1: I said. Adele missed a moment to use her privilege
• 1:01:24
  Speaker 1: to combat prejudice. I feel like she could have said,
• 1:01:26
  Speaker 1: Beyonce's music makes me want to stand up for my
• 1:01:29
  Speaker 1: black friends and other black people experiencing irracial injustice in America.
• 1:01:33
  Speaker 1: You know, And I mean, you know, when you see,
• 1:01:35
  Speaker 1: you know, white people in positions of power, they never
• 1:01:38
  Speaker 1: really say prejudice is whack? Are are racist? White people
• 1:01:43
  Speaker 1: are wrong? You know what I'm saying, Beyonce, don't need
• 1:01:46
  Speaker 1: to make your black friends stand up for themselves. She
• 1:01:48
  Speaker 1: should make you stand up for us, especially since you
• 1:01:51
  Speaker 1: claim to love Beyonce so much. Adele. That's all I'm saying. Well,
• 1:01:55
  Speaker 1: a black friend thing just sounded a little harsh when
• 1:01:58
  Speaker 1: she said it, but that didn't bother me. I mean,
• 1:02:00
  Speaker 1: how old you describe your black friends if they're black?
• 1:02:02
  Speaker 1: Like what you say? I think that the racist that says.
• 1:02:06
  Speaker 1: But I got black friends, you know that. But I'm
• 1:02:07
  Speaker 1: telling you, I think that a dad was having a
• 1:02:09
  Speaker 1: rough night. Like she had tried to do the tribute
• 1:02:11
  Speaker 1: to George Michael, she ended up messing up. Yeah, so
• 1:02:14
  Speaker 1: I think she was having an awkward night, and I
• 1:02:16
  Speaker 1: think that was an awkward moment to know. But what
• 1:02:19
  Speaker 1: it'd be said, it's real, That's what that's That's really
• 1:02:21
  Speaker 1: the point. It's like, Yo, why I put it on
• 1:02:23
  Speaker 1: your black friends? Like we know it's a given that
• 1:02:26
  Speaker 1: Beyonce it's gonna make black people want to stand up
• 1:02:28
  Speaker 1: for themselves, But all did they make you want to
• 1:02:31
  Speaker 1: stand up for black people in the injustices they face?
• 1:02:34
  Speaker 1: Since you're such a Beyonce fan? Right, Hello? Who's this? Yeah?
• 1:02:39
  Speaker 1: What you think about a Dall's comments? But I thought
• 1:02:42
  Speaker 1: it was pretty genuine. She careley swift the whole situation
• 1:02:45
  Speaker 1: when they win awards and nothing that she didn't say, Posse,
• 1:02:48
  Speaker 1: I mean she said black flank. I mean right, you
• 1:02:57
  Speaker 1: make me and my whole posse Ali, Good morning. This
• 1:03:04
  Speaker 1: is Sandrea from Ohio. Hey Sandrea, what do you think
• 1:03:06
  Speaker 1: of Adele's comments? Absolutely, and looking at it and reflecting
• 1:03:10
  Speaker 1: on the comment, It's not necessarily about whether I'm seeking
• 1:03:14
  Speaker 1: in a dig from Adele, but whether I'm going to
• 1:03:16
  Speaker 1: have a self determination and what I'm going to do.
• 1:03:19
  Speaker 1: So often we are attempting to ensure that our solving
• 1:03:22
  Speaker 1: these problems of issues with us as black and me
• 1:03:25
  Speaker 1: particularly as a woman, is whether someone else can help me.
• 1:03:28
  Speaker 1: But I look at is what is the self determination
• 1:03:30
  Speaker 1: of what I can do for myself? As a result,
• 1:03:33
  Speaker 1: when she spoke about what beyond says helping with her
• 1:03:37
  Speaker 1: black friends, I don't look at it that way. I
• 1:03:39
  Speaker 1: look at it. What has my mother when it's my grandmother?
• 1:03:41
  Speaker 1: What its people around me who really love me enough
• 1:03:44
  Speaker 1: to say when I'm right or wrong? What am I
• 1:03:46
  Speaker 1: doing in order to profess my own self determination? And
• 1:03:50
  Speaker 1: so inclusivity and connectivity of us to others should not
• 1:03:54
  Speaker 1: be about what others will do for us, but what
• 1:03:56
  Speaker 1: will I do for myself? I'm gonna attorney, Okay, I'm
• 1:04:01
  Speaker 1: trying said inclusivity in some other world I can't remember.
• 1:04:04
  Speaker 1: Educated African American woman. Yeah, no, thank you though, But
• 1:04:08
  Speaker 1: I do appreciate what she said, and I never take
• 1:04:11
  Speaker 1: anybody's feelings for them because I do also look at
• 1:04:14
  Speaker 1: the empathetic nature of what she said. But in actuality,
• 1:04:18
  Speaker 1: when we sit back and when we look at what's
• 1:04:20
  Speaker 1: other attempt to do for us? And I use the
• 1:04:22
  Speaker 1: word attempt because we are consistently looking at how everyone
• 1:04:26
  Speaker 1: else is uplifting us, what are we doing to uplift
• 1:04:30
  Speaker 1: ourselves doing an excellent job? And I think once we
• 1:04:33
  Speaker 1: make the decision that we can stand on our own
• 1:04:38
  Speaker 1: with help, not with the inclusivity as I said, or
• 1:04:42
  Speaker 1: the connectivity as I think. I don't believe that we
• 1:04:46
  Speaker 1: should have that as our respounding voice. The priververse for
• 1:04:51
  Speaker 1: us is self determination. That was Tory Lane's with Loves
• 1:04:58
  Speaker 1: Mourning Everybody, as DJ Envy Angela Yee, Charlomagne the guy
• 1:05:02
  Speaker 1: we are the Breakfast Club if he just joined us.
• 1:05:04
  Speaker 1: We're talking about Adele. She won Album of the Year
• 1:05:07
  Speaker 1: at the Grammy's last night, and she said this as
• 1:05:10
  Speaker 1: she was receiving her award. My artist of my life
• 1:05:14
  Speaker 1: is beyonceing this album for me, the Lemonade album was
• 1:05:17
  Speaker 1: just so monumental fonce. It was so monumental and so
• 1:05:23
  Speaker 1: beautiful and soul bearing, and we all got to see
• 1:05:26
  Speaker 1: another side to you that you don't always let us see.
• 1:05:28
  Speaker 1: And we appreciate that, and all us artists here adore you.
• 1:05:31
  Speaker 1: You are all lights. And the way that you made
• 1:05:36
  Speaker 1: me and my friend's feel, the way you make my
• 1:05:38
  Speaker 1: black friend's feel is empowering, and you make them stand
• 1:05:41
  Speaker 1: up for themselves. And I love you, I always have
• 1:05:45
  Speaker 1: and I always will. So we're asking eight hundred five
• 1:05:47
  Speaker 1: five one or five one, how do you feel about
• 1:05:49
  Speaker 1: Adele's comments? And that's to day. Let's not forget she
• 1:05:52
  Speaker 1: was crying earlier in the night. She had a rough night.
• 1:05:54
  Speaker 1: She didn't plan the speech out, so she might have
• 1:05:57
  Speaker 1: just said it like whoop, right, Hello, Herry? What's going on?
• 1:06:01
  Speaker 1: Is Keith from Bash a long hour? Hey Keith? What
• 1:06:03
  Speaker 1: do you think about Adelle's comments? Broum. Honestly, I think
• 1:06:06
  Speaker 1: I'm fine with it. I feel like the whole fact
• 1:06:08
  Speaker 1: that she's even white or white skin died and saying
• 1:06:10
  Speaker 1: something about the community is enough for me. I don't
• 1:06:13
  Speaker 1: need nobody's pity. She can't say nothing about the community
• 1:06:16
  Speaker 1: though she but you know what she spoke on. She
• 1:06:18
  Speaker 1: spoke on something. She spoke on something that had to
• 1:06:20
  Speaker 1: do with black and she spoke. You needn't stop. You
• 1:06:24
  Speaker 1: need to stop with that, man, You need to stop.
• 1:06:26
  Speaker 1: We don't need nobody's city, man, we don't need nobody's city.
• 1:06:28
  Speaker 1: I didn't did a lot of things being black people
• 1:06:30
  Speaker 1: saying oh, we'd deprobased this because we're black. We'd depropped
• 1:06:32
  Speaker 1: that for being black. I hadn't been through some op
• 1:06:35
  Speaker 1: schools being black, and I came out fine. No, listen,
• 1:06:37
  Speaker 1: I don't want her pity. I just feel like she
• 1:06:40
  Speaker 1: missed a moment to really use her privilege to combat prejudice.
• 1:06:44
  Speaker 1: Like every now and then, listen, man, we see people
• 1:06:45
  Speaker 1: stand up for Muslims, LGBT, climate change, but nobody ever
• 1:06:49
  Speaker 1: really stands up and says racism is wrong white people
• 1:06:52
  Speaker 1: and racist white people need to do better. If you
• 1:06:54
  Speaker 1: know the messaging of Beyonce's music, Adele, then won't you
• 1:06:58
  Speaker 1: really stand up and make a stand on your to
• 1:07:00
  Speaker 1: have not for what your black friends feel? Hello, who's this?
• 1:07:03
  Speaker 1: I'm learning missus Dana from the story. Hey Dana, what
• 1:07:06
  Speaker 1: do you think about Adell's comments? Um, okay, I think
• 1:07:09
  Speaker 1: she was genuinely soaked in astonished that she went over Beyonce,
• 1:07:13
  Speaker 1: who wouldn't be Beyonce is very talented. However, the black
• 1:07:17
  Speaker 1: friends comment, I just felt that she was trying to
• 1:07:20
  Speaker 1: save herself because she didn't want to have to deal
• 1:07:22
  Speaker 1: with the riff raff of the bee Hive. Lady, I
• 1:07:27
  Speaker 1: think you saved herself, however, but she's also trying to
• 1:07:31
  Speaker 1: list some of the US know now is and she
• 1:07:33
  Speaker 1: had friends that are black, so she's separated. If you
• 1:07:36
  Speaker 1: wasn't sure it was a black or white thing, um,
• 1:07:39
  Speaker 1: she spoke a little too much, and I think she
• 1:07:42
  Speaker 1: sort of revealed it so and slightly revealed herself. I mean,
• 1:07:46
  Speaker 1: i'd have white friends. I don't say, well my white
• 1:07:48
  Speaker 1: friend my friend, right, and she went on color either.
• 1:07:54
  Speaker 1: But I do think that Beyonce's Lemonade album was very
• 1:07:56
  Speaker 1: empowering for black people also, so I understand why she
• 1:08:03
  Speaker 1: might have thrown that term out there. I just think
• 1:08:05
  Speaker 1: she was a little flustered, right, Well, she felt guilty,
• 1:08:07
  Speaker 1: That's why she said it, because there was nothing to say.
• 1:08:09
  Speaker 1: I'm not going to earn an award and all of
• 1:08:11
  Speaker 1: a sudden, my black friends to call my black friends, no,
• 1:08:13
  Speaker 1: my friends. See, I'll take it for what it is.
• 1:08:16
  Speaker 1: If she she might not have momented you know what
• 1:08:17
  Speaker 1: I mean, She might not have felt that way. Maybe
• 1:08:19
  Speaker 1: she felt it for her black friends, but she didn't
• 1:08:21
  Speaker 1: feel empowered for it. And if she didn't feel that way,
• 1:08:24
  Speaker 1: I don't want to force somebody to stand up for
• 1:08:25
  Speaker 1: us if they're not honestly feeling that. But if you
• 1:08:27
  Speaker 1: listen to the whole statement she said, she said, the
• 1:08:29
  Speaker 1: way you make me feel, the way you make my
• 1:08:30
  Speaker 1: friends feel, the way you make my black friends feel
• 1:08:32
  Speaker 1: like they want to stand up for themselves. Right, Like
• 1:08:35
  Speaker 1: I said, are just the moral the story? Yes? Or
• 1:08:38
  Speaker 1: the moral of the story is. I just feel like
• 1:08:40
  Speaker 1: Adele missed a moment, and I'll keep saying it to
• 1:08:42
  Speaker 1: use her privilege to combat prejudice. I feel like she
• 1:08:44
  Speaker 1: could have said, Beyonce's music makes me want to stand
• 1:08:46
  Speaker 1: up for my black friends and other black people experiencing
• 1:08:49
  Speaker 1: racial injustice in America. We see it all the time
• 1:08:51
  Speaker 1: at these award shows. People stand up for Muslims, LGBT,
• 1:08:54
  Speaker 1: climate change, But you don't really see why people stand
• 1:08:57
  Speaker 1: up and say racism is wrong and racist white people
• 1:08:59
  Speaker 1: need to do. If you know the messaging of Beyonce's music,
• 1:09:02
  Speaker 1: Adel and you know what message Beyonce is trying to convey,
• 1:09:04
  Speaker 1: then stand up and say Beyonce's music makes me want
• 1:09:06
  Speaker 1: to stand up for black people and the injustices they face.
• 1:09:09
  Speaker 1: Don't just put it on your black friends and what
• 1:09:11
  Speaker 1: they feel. All right, well, my black friend, Ye, we
• 1:09:17
  Speaker 1: got rumors on the way. Yes, we are going to
• 1:09:19
  Speaker 1: be talking about some great news. I'm so excited for
• 1:09:22
  Speaker 1: this and it all has to do with Prince. And
• 1:09:24
  Speaker 1: by the way, let's just talk about Bruno mars Is
• 1:09:26
  Speaker 1: his incredible Prince tribute last night at the Grammys. I
• 1:09:30
  Speaker 1: loved it. Okay, we'll get into that when we come back.
• 1:09:32
  Speaker 1: Keep a lock this to Breakfast Club, Good Morning and
• 1:09:34
  Speaker 1: the Morning. Everybody is DJ N v Angela, Ye, Charlomagne
• 1:09:38
  Speaker 1: and God. We are to Breakfast Club play and drop
• 1:09:40
  Speaker 1: on a clue's bombs from Tribe called Course yesterday too. Man,
• 1:09:42
  Speaker 1: they killed it. They got busy at the Grammys. They
• 1:09:45
  Speaker 1: but at Buster Rhymes. Consequence made it on Yeah, Consequence, man,
• 1:09:48
  Speaker 1: I see Buster Romes made a statement. What did he
• 1:09:50
  Speaker 1: call Donald Trump the Orange. I think we have that
• 1:09:52
  Speaker 1: presidente say his name though if they if because nobody
• 1:09:57
  Speaker 1: really said Trump's name one, if they told him not
• 1:09:59
  Speaker 1: to say. Well, let's get to the rumas this is
• 1:10:04
  Speaker 1: the rum of rapport with Angela. Yeh, Breakfast Club, well says,
• 1:10:13
  Speaker 1: we're talking Grammys. Let's talk about the Prince tribute last night. Now,
• 1:10:16
  Speaker 1: you guys know, I love Prince. I'm a huge Prince fan.
• 1:10:19
  Speaker 1: And it started with the time they came out and
• 1:10:21
  Speaker 1: they did Jungle Love and the Bird, and then Bruno
• 1:10:23
  Speaker 1: Myers came and did a Prince tribute as well, and
• 1:10:26
  Speaker 1: I thought it was incredible. All right, check out Bruno Myers.
• 1:10:29
  Speaker 1: But let's go crazy trouble clues ball for Bruno mar
• 1:11:02
  Speaker 1: That killed it. That the young man is talented. He is.
• 1:11:05
  Speaker 1: He's incredibly talented. If you didn't see it, you guys
• 1:11:08
  Speaker 1: got to go back and watch Bruno Mark listen. I
• 1:11:10
  Speaker 1: don't know what he checks on the census, but he
• 1:11:13
  Speaker 1: is talented. He was born in Hawaii. I think he
• 1:11:17
  Speaker 1: was born and raised in Hawaii. And he's also part
• 1:11:19
  Speaker 1: of Filipino something other cool guy other on the census.
• 1:11:22
  Speaker 1: All right. The other good news about Prince is starting
• 1:11:24
  Speaker 1: on Sunday. If you're a big fan of Prince, you
• 1:11:26
  Speaker 1: can stream most of his music. Nineteen of his albums
• 1:11:29
  Speaker 1: now available on iHeartRadio, Spotify, Apple, Pandora, Amazon Prime Everything
• 1:11:35
  Speaker 1: now so they for a period of time Title was
• 1:11:38
  Speaker 1: the only one streaming Prince music. But now if you
• 1:11:40
  Speaker 1: have any of these streaming services, you can also hear
• 1:11:43
  Speaker 1: some Prince. I'm so happy I got to meet Prince
• 1:11:45
  Speaker 1: at one time in my life. It was it was
• 1:11:47
  Speaker 1: brief and I actually got to go see Prince perform live.
• 1:11:50
  Speaker 1: That was exciting for me. I saw him floating person
• 1:11:55
  Speaker 1: sure did we were all there all right? He had
• 1:11:57
  Speaker 1: a capel, had a capel, a purple cape at six
• 1:12:00
  Speaker 1: in the morning, floating with Now. Prince actually used to
• 1:12:02
  Speaker 1: own property in Turks and Cacos. At one time when
• 1:12:05
  Speaker 1: I was there, our driver said he drove Prince before.
• 1:12:07
  Speaker 1: He said Prince told him he wasn't allowed to play
• 1:12:10
  Speaker 1: any music in the car. He couldn't roll down the windows,
• 1:12:12
  Speaker 1: couldn't turn on the air conditioner, and couldn't speak. So
• 1:12:15
  Speaker 1: he said the whole ride they had to ride in silence,
• 1:12:17
  Speaker 1: and it was hot, but he couldn't roll down the
• 1:12:18
  Speaker 1: window and he couldn't turn on the air or say
• 1:12:20
  Speaker 1: a word. And that was Prince's instruction. No, he should
• 1:12:22
  Speaker 1: have just been breathing in all that spy with it.
• 1:12:24
  Speaker 1: But he enjoy being in that rare space and just
• 1:12:27
  Speaker 1: breathed in that purple air. All right, now, let's discuss
• 1:12:31
  Speaker 1: Nick Cannon. What is going on here? Now? Nick Cannon
• 1:12:35
  Speaker 1: had made a joke at one of his stand ups, right,
• 1:12:37
  Speaker 1: and he said something about how NBC wasn't making him
• 1:12:41
  Speaker 1: act differently and show less swagger, and he said that
• 1:12:43
  Speaker 1: meant they were making him lose his black card. This
• 1:12:46
  Speaker 1: was during the stand up little comment. The only thing
• 1:12:48
  Speaker 1: is that he has a contract with NBC. He can't
• 1:12:50
  Speaker 1: speak about them without running it by them first, and
• 1:12:53
  Speaker 1: his joke had executives thinking that he was disparaging to them.
• 1:12:56
  Speaker 1: So NBC learned about the comment. They learned that it
• 1:12:59
  Speaker 1: would air during his comedy special on Showtime, and if
• 1:13:02
  Speaker 1: they found out about it, because he was promoting on
• 1:13:04
  Speaker 1: the Howard Stern Show. So now there's a morning Nick
• 1:13:07
  Speaker 1: Cannon has posted. I write this from a deeply saddened
• 1:13:10
  Speaker 1: and dolores mindset after days of deliberating over some extremely
• 1:13:14
  Speaker 1: disappointing news that I was being threatened with termination by
• 1:13:17
  Speaker 1: executives because of a comedy special that was only intended
• 1:13:20
  Speaker 1: to bring communities closer together. I was to be punished
• 1:13:23
  Speaker 1: for a joke. This has weighed heavy on my spirit.
• 1:13:25
  Speaker 1: It was brought to my attention by my team that
• 1:13:28
  Speaker 1: NBC believed I was in breach of contract because I
• 1:13:30
  Speaker 1: had disparaged their brand. So he goes on to say,
• 1:13:33
  Speaker 1: there is no amount worth my dignity or my integrity.
• 1:13:36
  Speaker 1: I have loved hosting America's Got Talent for the last
• 1:13:38
  Speaker 1: eight seasons. Watching talented, brave, and courageous Americans accomplished their
• 1:13:42
  Speaker 1: dreams in front of millions has been nothing but a joy,
• 1:13:45
  Speaker 1: and everyone has been a pleasure to work with. But
• 1:13:47
  Speaker 1: my soul won't allow me to be in business with
• 1:13:49
  Speaker 1: corporations that attempt to frown on freedom of speech, sensor artists,
• 1:13:53
  Speaker 1: and question cultural choices. So it looks like, but what
• 1:13:56
  Speaker 1: the hell happen? He quitn' Yeah, it looks like he's
• 1:13:58
  Speaker 1: about to be out of there, he said. It's never
• 1:14:00
  Speaker 1: been about the money. He said, It's difficult to walk
• 1:14:03
  Speaker 1: away from the fans, the people who love me on
• 1:14:05
  Speaker 1: the show. This hurts tremendously. Nick Cannon kicked up. He
• 1:14:09
  Speaker 1: got it there, he can walk away from the situation show, Okay,
• 1:14:14
  Speaker 1: I don't mind you making a stand right. So it's
• 1:14:17
  Speaker 1: probably also bad for just how you feel like. We
• 1:14:19
  Speaker 1: had this great relationship with this network. I thought they
• 1:14:22
  Speaker 1: were supportive of me. I made a joke and now
• 1:14:24
  Speaker 1: bang you there in the fight and Nick got a
• 1:14:25
  Speaker 1: lot of other things going on. Just don't quick to
• 1:14:27
  Speaker 1: be a rapper full time. We don't need that. Nobody
• 1:14:30
  Speaker 1: needs that. Maybe in his but maybe in his contract
• 1:14:33
  Speaker 1: he should have said unless it's part of a stand
• 1:14:35
  Speaker 1: up or something. I don't know, because if you signed
• 1:14:37
  Speaker 1: a contract, then they say that, and then you made
• 1:14:39
  Speaker 1: a joke without running it by them, because if in
• 1:14:41
  Speaker 1: the contractor said you have to run anything by us,
• 1:14:44
  Speaker 1: you know. All right, Love and Hip Hop Hollywood. Apparently
• 1:14:48
  Speaker 1: now they're saying that you really can't fight on the
• 1:14:50
  Speaker 1: show anymore. So once you sign your paperwork there you
• 1:14:53
  Speaker 1: are agreeing not to fight or else there's gonna be
• 1:14:56
  Speaker 1: some very severe penalties, as in, they're gonna take some
• 1:14:59
  Speaker 1: money out your check. So I loveing Hip Hop Hollywood.
• 1:15:03
  Speaker 1: I guess they fight a lot and now there's this
• 1:15:04
  Speaker 1: clause in the contract and they're green have to agree
• 1:15:07
  Speaker 1: not to do that. They said, less of their penalties
• 1:15:09
  Speaker 1: haven't really helped because they're still fighting. So now they're
• 1:15:12
  Speaker 1: saying that there's going to be suspension termination and they're
• 1:15:16
  Speaker 1: gonna take some of the down hill for them shows
• 1:15:18
  Speaker 1: from now on. And if Loving hip Hop ain't got
• 1:15:20
  Speaker 1: no fighting on it, I don't really see the point
• 1:15:21
  Speaker 1: of watching Love and hip Hop. Watch what the creep squad?
• 1:15:24
  Speaker 1: Can it exists? Okay, that is true, but you know what,
• 1:15:26
  Speaker 1: people probably getting sued because you're going to show you
• 1:15:28
  Speaker 1: in a safe environment and they getting knocked in the
• 1:15:29
  Speaker 1: head with glasses and that brand is built on fighting. Okay,
• 1:15:33
  Speaker 1: stop it. Like one of the most epic fights was
• 1:15:35
  Speaker 1: when who did Chrissy duff out the first season? I
• 1:15:38
  Speaker 1: forgot now I don't remember it was. But this is
• 1:15:40
  Speaker 1: Loving hip Hop, Hollywood. I assume this is gonna end
• 1:15:44
  Speaker 1: up trickling down to the whole franchise after this, to
• 1:15:47
  Speaker 1: se y'all just eat and talk all of that. Yeah,
• 1:15:51
  Speaker 1: all right. Offset from the Amingoes got kicked off of
• 1:15:53
  Speaker 1: a flight. He says it's because he was talking on
• 1:15:56
  Speaker 1: the phone. Now he had posted a video he was
• 1:15:58
  Speaker 1: going in on American Airlines. He said he was talking
• 1:16:00
  Speaker 1: on the phone before they took off, and that's why
• 1:16:03
  Speaker 1: they actually removed him from the flight. And he must
• 1:16:06
  Speaker 1: have been talking mad long because they give you about
• 1:16:08
  Speaker 1: five chances the phone. Sir, you gotta get off, sir
• 1:16:12
  Speaker 1: jeeh clabone take off stayed on, by the way, they didn't.
• 1:16:16
  Speaker 1: They did for I went through. That's how we're all
• 1:16:19
  Speaker 1: going to get on another flight. No, man, we are megals.
• 1:16:22
  Speaker 1: Everybody got to leave the floor, everybody got to leave
• 1:16:25
  Speaker 1: the planet. Get me and mego Miami. But then again, right,
• 1:16:29
  Speaker 1: if I'm on to plan, we all on the plane
• 1:16:31
  Speaker 1: and I'm talking on the phone, they'll y'all getting from me. No, no,
• 1:16:34
  Speaker 1: but we ain't all. We're the breakfasts different. We're just
• 1:16:38
  Speaker 1: a difference. It's rare you see all three of us
• 1:16:40
  Speaker 1: anywhere time, anywhere. That's your dumba. We don't be together
• 1:16:45
  Speaker 1: that much anyway. And now you want talking the phone
• 1:16:47
  Speaker 1: and ruin it all. Right, Well, I'm staying one. Logically speaking,
• 1:16:50
  Speaker 1: it's easier for him to just for us to just
• 1:16:53
  Speaker 1: book his own flight and get on the next one
• 1:16:54
  Speaker 1: than all of us we got to get on and
• 1:16:56
  Speaker 1: now they all got to get off. Now all security,
• 1:16:59
  Speaker 1: everybody got to get off with us. That don't make
• 1:17:01
  Speaker 1: any sense, all right, pease bro right, see see when
• 1:17:05
  Speaker 1: we get there. I'll get your bags for you when
• 1:17:06
  Speaker 1: we land. All right. Well I'm angela Ye and that's
• 1:17:11
  Speaker 1: your rumor report. All right, Thank you, miss Ye. Shout
• 1:17:14
  Speaker 1: to revolt our film that revolt. We'll see you guys
• 1:17:17
  Speaker 1: tomorrow