Latest / Murder Files Unsealed / The Famous Journalist Who Murdered Prostitutes
Transcript
- 0:00Speaker 1: So I want you to just imagine flipping on the
- 0:02evening news, right, and you see the country's most celebrated
- 0:06journalist reporting on a string of really gruesome murders.
- 0:10Speaker 2: Yeah, a guy who is basically holding court at vip
- 0:12galas and charming politicians.
- 0:14Speaker 1: Exactly winning all these literary awards. Now imagine that same
- 0:17journalist is secretly the one actually committing those murders, which
- 0:22is just terrifying, it really is. And he just used
- 0:25his press pass to get the LAPD to give him
- 0:28a guided tour of exactly where to find his next victims.
- 0:32Speaker 2: I mean, it completely shatters our standard mental model of
- 0:34what a predator looks like. We are so wired to
- 0:37look for the stranger lurking in the alleyway, the obvious.
- 0:41Speaker 1: Threat, right, the guy in the trench coat in the
- 0:42shadow exactly.
- 0:44Speaker 2: We are entirely unprepared for a predator who uses our
- 0:47own institutional systems against us, using our media and our
- 0:50desire for a compelling redemption story as his primary hunting camouflage.
- 0:56Speaker 1: Basically, it's wild. So today's deep dive is opening up
- 0:59a case file from the early nineteen nineties that really
- 1:03forces us to look at how easily we can be connedsolutely.
- 1:06We are tracking the hunt for Austria's first modern serial killer,
- 1:11a guy named Jack Underwiger, and we're drawing our insights
- 1:14today from extracted official FBI files.
- 1:18Speaker 2: Which are fascinating to read, by the way, they really are.
- 1:21Speaker 1: We've got the comprehensive psychological profiles built by the literal
- 1:24pioneers of behavioral science and these specific forensic innovations that
- 1:29ultimately brought him down.
- 1:30Speaker 2: And what becomes immediately apparent when you read these sources
- 1:33is a catastrophic systemic failure.
- 1:35Speaker 1: Yeah, total breakdown.
- 1:37Speaker 2: You have a situation where a complete lack of local
- 1:40experience with this specific type of psychopathology forced this unprecedented
- 1:46international collaboration.
- 1:47Speaker 1: Right because you're looking at Austrian detectives, Los Angeles homicide cops,
- 1:51and the FBI's elite profiling unit all having to basically
- 1:54invent a new way to communicate.
- 1:56Speaker 2: And analyze evidence in real time across continents, which was
- 2:00not easy back.
- 2:01Speaker 1: Then, not at all. So the core questionnology to keep
- 2:03in mind as we go through this is about perception
- 2:06versus reality. You might think you can spot a dangerous
- 2:09person in a crowd.
- 2:10Speaker 2: Most people do think that, Yeah, but what if.
- 2:12Speaker 1: That person is sitting on a television talk show just
- 2:15charming an entire nation. How does this society get so
- 2:18completely blinded?
- 2:20Speaker 2: It's a great question.
- 2:21Speaker 1: Okay, let's unpack this. To understand how this happens. We
- 2:24have to start in the freezing winter of nineteen ninety
- 2:27in central Europe, and we need to look at the
- 2:30environment where this began.
- 2:31Speaker 2: Right. The local context is crucial here because.
- 2:34Speaker 1: In Austria, street prostitution isn't a shadow economy, it's an actual, legal, regulated.
- 2:41Speaker 2: Profession, and that legal framework fundamentally changes the baseline behavior
- 2:46of the women working in that industry.
- 2:47Speaker 1: How so, like, why does that change on the ground.
- 2:49Speaker 2: Well, because they are licensed professionals operating out in the open,
- 2:53they develop highly calibrated internal radar systems. They aren't constantly
- 2:58hiding from the police.
- 2:59Speaker 1: All right, so they don't have to rush into cars
- 3:00just to avoid.
- 3:01Speaker 2: Getting arrested exactly, which means their primary focus is purely
- 3:04on assessing the safety of potential clients. They are looking
- 3:08for specific red flags, so.
- 3:10Speaker 1: They have a really high guard up against weird behavior.
- 3:13Speaker 2: Very high. And the first victim discovered in this series
- 3:16Heider Murray Hammer was known among her peers in the
- 3:20city of Bragans for having an incredibly strict vetting process.
- 3:24Speaker 1: Yeah, the file said she had been in the trade
- 3:25for almost ten years. She had survived violent encounters before,
- 3:30so she didn't just hop into any car. She had
- 3:32a strict mental checklist, right.
- 3:34Speaker 2: Which means whoever approached her on the night of December fifth,
- 3:38nineteen ninety by passed a decade of survival instincts.
- 3:42Speaker 1: He must have been incredibly smooth.
- 3:44Speaker 2: He had to be. He didn't present as erratic or
- 3:47aggressive or desperate in any way. He presented this veneer
- 3:50of total normalcy, perhaps even an affluence and professional courtesy.
- 3:54Speaker 1: Just completely disarming her highly tuned threat detection exactly. So
- 3:58she vanishes outside of parking garage that night, and for
- 4:01three weeks there is just nothing, no trace of.
- 4:05Speaker 2: Her until New Year's Eve.
- 4:06Speaker 1: Yeah, the case only breaks on New Year's Eve when
- 4:09some hikers in a secluded wooded area about ten miles
- 4:11away just stumble onto our body.
- 4:13Speaker 2: And the environmental conditions here really dictate the early forensics.
- 4:16Speaker 1: Because it's the dead of winter in Austria.
- 4:18Speaker 2: Yeah, right, the freezing temperatures basically halt the normal decomposition process.
- 4:23The cold acts as an immense forensic advantage for the police.
- 4:27Speaker 1: So it preserves evidence that would normally be lost oh.
- 4:30Speaker 2: A massive amount. If a body is exposed to the
- 4:32elements for three weeks in the heat of the summer,
- 4:35the breakdown of tissue destroys so much physical evidence, particularly
- 4:40on the surface of the skin.
- 4:41Speaker 1: But here, because she was basically on ice, they could see.
- 4:44Speaker 2: More exactly the freezing temperatures preserved the soft tissue. This
- 4:49allowed the medical examiners to isolate very specific, faint bruising
- 4:54patterns around her.
- 4:55Speaker 1: Wrists indicating she had been bound.
- 4:58Speaker 2: Yes, bound, and they found deeply marks on her neck.
- 5:01Speaker 1: And the really twisted part is the weapon used for
- 5:04the strangulation wasn't a rope or something that killer brought
- 5:07to the scene. It was her own pantiose.
- 5:10Speaker 2: He essentially weaponized her own clothing against her.
- 5:13Speaker 1: Yeah, and the police also note that she was hurriedly
- 5:15redressed after the murder. But looking at the autopsy notes,
- 5:19there's this massive anomaly that immediately derailed the Austrian Police's
- 5:23standard playbook.
- 5:24Speaker 2: What's fascinating here is that in almost any homicide involving
- 5:27a sex worker. The baseline assumption by law enforcement is
- 5:31a sexual assault that escalated.
- 5:33Speaker 1: Right, They assume the motive is sexual gratification.
- 5:36Speaker 2: But the autopsy of Heydemuri revealed a total absence of
- 5:40any biological discharge. There was no semen, no evidence of
- 5:44a completed sexual act whatsoever.
- 5:47Speaker 1: Which is really strange given the context of the crime.
- 5:49But they did find microscopic foreign clothing fibers on her
- 5:53body that didn't match her own wardrobe.
- 5:55Speaker 2: They did, so you have a victim targeted in a
- 5:58sexual context, stripped bound and strangled with her own intimate apparel,
- 6:03but the biological mechanics of a sexual assault are entirely missing.
- 6:07Speaker 1: That seems like a complete contradiction. I mean, what is
- 6:09driving the violence if it isn't sexual gratification.
- 6:11Speaker 2: Well, it's a crucial distinction and behavioral analysis. When later
- 6:15profilers looked at that specific absence of biological evidence combined
- 6:19with the extreme intimate violence of ligature strangulation, they recognize
- 6:24a very specific.
- 6:25Speaker 1: Pathology, meaning they knew what kind of person does this.
- 6:27Speaker 2: Yes, this wasn't a killer driven by lust, This was
- 6:31a killer driven by profound impotence and rage.
- 6:34Speaker 1: Wait, really, so the literal inability to perform sexually is
- 6:38what triggers the lethal violence precisely.
- 6:42Speaker 2: The psychology here is rooted in deep seated insecurity and
- 6:45a very fragile sense of masculinity.
- 6:48Speaker 1: Okay, so when you can't perform, he snaps right.
- 6:51Speaker 2: When the offender is confronted with his own sexual inadequacy,
- 6:54he experiences an overwhelming narcissistic injury. The prostitute, who is
- 6:59essentially a mirror reflecting his failure, becomes the target of
- 7:02an explosive compensatory rage.
- 7:05Speaker 1: Oh wow, so killing her is how he gets his power.
- 7:07Speaker 2: Back, exactly, the act of strangling her, controlling her breath,
- 7:11holding the power of life and death, and then leaving
- 7:13her in a humiliating, discarded position that substitutes for the
- 7:16sensual act. The murder actually is the climax of the
- 7:19interaction for him that is.
- 7:21Speaker 1: So dark, and that psychological need didn't stop with id
- 7:24murray Over the next few months is geographic pattern. Horror
- 7:27just spreads across the country.
- 7:28Speaker 2: It escalates quickly.
- 7:29Speaker 1: Yeah, in Graz they find Brunilda Masuru in a streamed
- 7:33Then shortly after that Elfrida shrimp is found in the nearby.
- 7:36Speaker 2: Woods, and then the violence moves to.
- 7:38Speaker 1: Vienna, right where Sylvia Zegler is discovered in a stand
- 7:41of trees. The pattern is just so.
- 7:43Speaker 2: Obvious, the linkage is absolute. The victims are all sex workers,
- 7:48they are all found faced down in wooded areas, often
- 7:51near water.
- 7:52Speaker 1: And the forensics match too right perfectly.
- 7:55Speaker 2: The bruising on the wrists is consistent across the board,
- 7:58and every single one is wrangled with her own pantyhose
- 8:01and left partially undressed.
- 8:03Speaker 1: So by April of nineteen ninety one, the public panic
- 8:06is huge. It forces the Austrian authorities to assemble a
- 8:10major task force.
- 8:11Speaker 2: They bring in doctor Ernst Geiger, who is a highly
- 8:14decorated detective, to take command.
- 8:17Speaker 1: But reading through his early case files, you can just
- 8:19feel the complete operational paralysis, like they realize they have
- 8:22a serial killer on their hands, and that realization.
- 8:25Speaker 2: Is paralyzing because they have literally never hunted one before.
- 8:28It's a profound institutional blind spot.
- 8:30Speaker 1: Yeah, I mean Austria has a low murder rate anyway, right,
- 8:33very low.
- 8:34Speaker 2: Austrian law enforcement was highly competent at solving traditional homicides,
- 8:39but traditional homicides operate on a logic of proximity.
- 8:42Speaker 1: It's kind of like being a team of brilliant trauma
- 8:45surgeons suddenly being asked to cure a viral outbreak. You know,
- 8:49they understand anatomy perfectly, but they are looking for a
- 8:51bullet wound when the actual threat is microscopic and spreading invisibly.
- 8:55Speaker 2: That is a great way to put it.
- 8:57Speaker 1: They're interviewing jealous boyfriends and local pimps, but this killer
- 9:01isn't operating on domestic logic.
- 9:03Speaker 2: Traditional motive revolves around money, jealousy, or revenge. You find
- 9:08the victim draw a circle around their known associates, and
- 9:11the killer is almost always inside that circle.
- 9:14Speaker 1: But a serial predator operates entirely outside that geometry completely.
- 9:18Speaker 2: They hunt strangers to satisfy an internal psychological script. If
- 9:22you apply traditional investigative techniques to a stranger on stranger
- 9:26serial crime, you will generate thousands of leads that go
- 9:29absolutely nowhere, which.
- 9:31Speaker 1: Is exactly what happened. Months go by. The files showed
- 9:34task force meetings ending in total frustration. They needed a
- 9:37massive paradigm.
- 9:38Speaker 2: Shift, and oddly enough, it didn't come from a new
- 9:41piece of forensic technology.
- 9:42Speaker 1: Or a sudden psychological inside either it came from a
- 9:45retired cop drinking coffee in Salzburg.
- 9:48Speaker 2: Yeah, just a guy reading the morning paper.
- 9:50Speaker 1: It's crazy. He's looking at the details the police had
- 9:53released to the public, specifically the signature of strangulation with
- 9:57undergarments and dumping the bodies in secluded woods.
- 10:01Speaker 2: And those specific mechanics triggered a memory for him, a
- 10:04case he had personally worked and solved fifteen years prior,
- 10:08back in nineteen seventy four.
- 10:10Speaker 1: So he calls doctor Geiger and says, I've seen this
- 10:13exact sequence before, young woman undergarment ligature dumped in the woods, and.
- 10:18Speaker 2: Geiger obviously asks who the guy is, right, and.
- 10:21Speaker 1: The retired officer gives him the name Johann Jack Undwiger.
- 10:25Speaker 2: A name that would haunt Austrias seriously.
- 10:28Speaker 1: He tells Geiger they caught him, convicted him, and he
- 10:30was serving a life sentence. But then he adds the
- 10:33detail that changes the entire trajectory of Austrian history.
- 10:36Speaker 2: Jack Underwager had recently been paroled.
- 10:38Speaker 1: The shock in the Austrian police headquarters must have been
- 10:41just palpable, because Jack Underwager wasn't just some paroled convict
- 10:46quietly living in a halfway house.
- 10:48Speaker 2: No, he had become one of the most famous, celebrated
- 10:51figures in the country's cultural elite.
- 10:54Speaker 1: Which is just insane to think about. You have to
- 10:56look at how a convicted murderer serving a life sentence
- 11:00somehow transforms into a literary darling.
- 11:02Speaker 2: To understand the architecture of this con we really have
- 11:05to look at the psychology forged in his childhood because
- 11:08it dictates everything he does next.
- 11:10Speaker 1: Yeah, his origin story is incredibly grim, it really is.
- 11:13Speaker 2: He was born to a German sex worker who abandoned
- 11:16him almost immediately. He was thrown into a chaotic, abusive
- 11:19system of foster care, completely starved of affection, stability, or
- 11:24any normal socialization.
- 11:25Speaker 1: In a developmental environment like that often creates a profound,
- 11:29simmering hostility toward the world.
- 11:31Speaker 2: Right, yes, specifically toward women who resemble the mother who
- 11:34discarded him. That hostility boils over in nineteen seventy four
- 11:38when he's twenty five years old, resulting in that first
- 11:41murder and the life sentence.
- 11:42Speaker 1: So society locks him away. But prison is where Jack
- 11:46discovers his most dangerous weapon. It wasn't physical violence. It
- 11:50was narrative manipulation.
- 11:51Speaker 2: He was highly intelligent. He starts reading voraciously, educating himself,
- 11:56and then he starts writing.
- 11:58Speaker 1: Yeah, he begins churning out poems, plays, short stories and
- 12:02sending them out to publishers, and then he releases an
- 12:05autobiography that becomes a massive commercial and critical.
- 12:08Speaker 2: Success, which is a huge turning point.
- 12:11Speaker 1: I read excerpts of how the book was received, and
- 12:13it's fascinating. He doesn't write a confession of a monster.
- 12:17He writes a tragedy where he is the protagonist.
- 12:19Speaker 2: Yes, he uses incredibly sophisticated language to frame his violence
- 12:23not as a choice, but as the inevitable byproduct of
- 12:26a cruel society that failed an innocent child.
- 12:29Speaker 1: He is basically employing a highly advanced form of psychological manipulation,
- 12:34which it's closely related to Darvo right attack and reverse
- 12:38victim and offender.
- 12:39Speaker 2: Exactly while he couldn't deny the murder because he was
- 12:41already convicted of it, he completely reversed the victimhood.
- 12:44Speaker 1: He essentially told the Austrian intellectual class, I am a
- 12:48monster that your systemic failures created. My crime is actually
- 12:53society's sin.
- 12:54Speaker 2: And the cultural elite absolutely devoured it. They felt guilty,
- 12:57they did, they wanted to believe, and the rehabilitative power
- 13:01of the arts. They built this entire mythology around him,
- 13:04that art had redeemed his soul. It became fashionable to
- 13:07support Jack Unterwigger.
- 13:09Speaker 1: I mean, psychopaths are remarkably adept at identifying the emotional
- 13:13vulnerabilities of their targets, aren't they.
- 13:15Speaker 2: Oh, they are masters at it. Jack recognized that post
- 13:18war Austrian society, particularly the intellectual left, had a deep
- 13:22desire to prove their systems were enlightened and capable of
- 13:26reforming the worst offenders.
- 13:27Speaker 1: So he fed them exactly the redemption narrative they were
- 13:30desperate to.
- 13:31Speaker 2: Hear, mimicking remorse and intellectual awakening flawlessly. It was all
- 13:35a performance, and it.
- 13:36Speaker 1: Worked so well that the public pressure campaign to free
- 13:39him became deafening. Journalists, politicians, authors, they were all openly
- 13:44demanding his release.
- 13:45Speaker 2: It's a classic example of groupthink overwriting common sense.
- 13:48Speaker 1: So in May of nineteen ninety, the parole board caves
- 13:52to the cultural pressure. At forty years old, he walks
- 13:55out of prison.
- 13:56Speaker 2: He steps out into a literal media frenzy. There are
- 14:00cameras everywhere, and he declares to the press that he
- 14:03will never spend another minute of his life in a cell.
- 14:07Speaker 1: And here is where the audacity hits a level that
- 14:10is almost difficult to comprehend. The moment he has released,
- 14:14a prominent German magazine hires him.
- 14:16Speaker 2: This is the part that is just staggering to me.
- 14:18Speaker 1: His assignment to act as a special investigative journalist covering
- 14:22the terrifying new string of prostitute murders in the region.
- 14:25Speaker 2: The sociological blind spot here is just staggering. He secures
- 14:29a legitimate, funded platform to physically inject himself into the
- 14:33investigation of his own active serial killings.
- 14:35Speaker 1: He pitched the story by claiming he wanted to use
- 14:38his platform to highlight the plight of the marginalized, the
- 14:41sex workers forced into the shadows.
- 14:42Speaker 2: Because he too knew what it was like to be
- 14:44discarded by society.
- 14:45Speaker 1: Right, he weaponized his own victim narrative to get access
- 14:48to his actual victims.
- 14:50Speaker 2: It demonstrates a breath taking level of psychopathic arrogance. He
- 14:55isn't just killing, He is playing a massive game with society,
- 14:59testing how far he can push his deception while operating
- 15:02in plain sight.
- 15:03Speaker 1: So as the summer of nineteen ninety one approaches, the
- 15:06body count in Austria continues to rise. Doctor Geigo brings
- 15:10in a psychologist, Tom Mueller, to help analyze the suspect.
- 15:13Speaker 2: But Mueller finds investigating Jack nearly impossible because Jack is
- 15:17so deeply insulated by his fame.
- 15:19Speaker 1: Yeah, whenever the police ask questions, the media accuses them
- 15:22of harassing a rehabilitated genius.
- 15:25Speaker 2: They are essentially fighting the entire cultural establishment of their
- 15:28own country.
- 15:29Speaker 1: It's like the cops were the bad guys for even
- 15:31looking at him. So Geiger and Mueller have to get
- 15:33incredibly granular. They start pulling Jack's financial records, his travel itineraries,
- 15:38his book tour.
- 15:38Speaker 2: Schedules, and they map his physical movements against the discovery
- 15:42of the bodies.
- 15:42Speaker 1: Now, Jack's built in alibi is his journalism. If they
- 15:46point out he was in Gras when a body was found,
- 15:49he can simply say, well, yes, I was dispatched there
- 15:51by my editor to cover the crime.
- 15:53Speaker 2: But the data reveals a subtle fatal.
- 15:55Speaker 1: Flaw in that alibi when they scrutinize the exact dates.
- 15:59Jack wasn't a right in these cities like Prague, Gras
- 16:02Bragins after the bodies were discovered.
- 16:04Speaker 2: No, his travel receipts showed he was consistently arriving in
- 16:07those locations just before the women went.
- 16:10Speaker 1: Missing, so the timeline of his movements actually predated the
- 16:13public knowledge of the crimes.
- 16:15Speaker 2: That chronological discrepancy is what forces the task force to
- 16:18look closely at his international movements, particularly a trip he
- 16:22took to Prague in September nineteen ninety.
- 16:24Speaker 1: Which involves a very specific victim, Blanca Bokhova. Blanco represents
- 16:29a deviation in the pattern. Right.
- 16:30Speaker 2: Yes, she wasn't a licensed street worker like the women
- 16:33in Austria.
- 16:34Speaker 1: The file say she worked in a butcher shop, though
- 16:36they noted she occasionally traded sex for favors within her
- 16:39social circle.
- 16:40Speaker 2: She vanished after leaving a local bar right when Jack
- 16:42was in the city. Her body was eventually found in
- 16:44a wooded stretch near the Voltaba River.
- 16:46Speaker 1: So while the victim profile shifted slightly, the mechanics of
- 16:49the violence remained static. She was strangled with her own
- 16:53nylon stockings.
- 16:54Speaker 2: But it was the forensic staging of the body that
- 16:57provided profound psychological insight into the offend. The scene was
- 17:01incredibly chaotic compared to the others.
- 17:03Speaker 1: Yeah, she was left entirely naked, and the killer had
- 17:06gone to the trouble of covering her body with heavy
- 17:09branches and twigs, plus all of her clothing and her
- 17:12identification documents have been thrown into the river.
- 17:15Speaker 2: Right, Throwing the clothing and ID into moving water is
- 17:18a calculated anti forensic measure. He is attempting to destroy
- 17:22trace evidence and delay the identification of the botter, giving
- 17:26himself a wider window to establish an alibi.
- 17:29Speaker 1: But the act of covering her with branches that speaks
- 17:31to his internal state, doesn't it? Because sometimes doesn't covering
- 17:35a body indicate a sense of remorse from the killer,
- 17:38like they can't bear to look at what they've done.
- 17:39Speaker 2: In cases of interpersonal domestic violence, yes a killer might
- 17:43cover a spouse's face out of shame or regret. But
- 17:46in the context of a psychopathic serial offender, covering a
- 17:49naked body with forest debris is an act of extreme objectification.
- 17:53Speaker 1: So it's not remorse at all, not even slightly.
- 17:57Speaker 2: He isn't showing remorse. He is treating her like garbage,
- 18:00literally sweeping her under the debris. Of the forest floor.
- 18:04It's an assertion of absolute dominance.
- 18:06Speaker 1: Wow, and that dominance and sadism only escalate. Look at
- 18:11what he did with the eighth victim, a woman named
- 18:13Regina prem.
- 18:14Speaker 2: This part is truly chilling.
- 18:16Speaker 1: She goes missing and her family is agonizing for months
- 18:20waiting for the police to find any trace of her.
- 18:23Then one night, the phone rings at her husband's house.
- 18:26It's an unlisted number.
- 18:27Speaker 2: Reaching out to taunt the surviving family. Is a glaring
- 18:30hallmark of psychopathic sadism.
- 18:33Speaker 1: The voice on the phone tells the family exactly what
- 18:35Regina was wearing the night she vanished, proving he is
- 18:38the killer. But he doesn't just say she's dead. He
- 18:41claims to be the quote unquote executioner, stating that God
- 18:45himself ordered the killing.
- 18:46Speaker 2: The grandiosity is off the charts.
- 18:47Speaker 1: He tells the grieving husband that he left her body
- 18:49on a place of sacrifice, deliberately positioning her face so
- 18:52it was turned towards hell.
- 18:54Speaker 2: See, this has nothing to do with the victim in
- 18:55the woods anymore. This is about the killer extracting further
- 18:59emotional supply for living.
- 19:00Speaker 1: The murder isn't enough for him.
- 19:02Speaker 2: Exactly the murder is no longer enough to satisfy his ego.
- 19:06He needs to project his power to know that he
- 19:08is actively inflicting psychological torture on a family from the shadows.
- 19:12It feeds his grandiosity and his delusion of godlike control
- 19:16over life and death.
- 19:18Speaker 1: Despite building this psychological profile and mapping his travel, when
- 19:22the police finally bring Jack in for questioning in October
- 19:25nineteen ninety one, they hit a massive legal wall.
- 19:28Speaker 2: Because he is incredibly composed. He operates purely on intellect,
- 19:32completely devoid of the anxiety or guilt that usually breaks
- 19:36a suspect. In an interrogation room.
- 19:38Speaker 1: They lay out the circumstantial evidence, the proximity, the timeline.
- 19:42Jack doesn't even blink. He smoothly admits to hiring sex workers.
- 19:46Speaker 2: He basically leans into it.
- 19:47Speaker 1: Yeah, he tells the detective's look, I'm writing a book
- 19:50on the underbelly of society. Of Course I talk to
- 19:52these women. Of course I pay them. Sometimes we have sex.
- 19:55It's research.
- 19:56Speaker 2: He gives them a perfectly plausible reason for his proximity
- 19:59to the victim pool while completely denying any knowledge of
- 20:02the murders.
- 20:02Speaker 1: And he knows exactly what the police have, which is
- 20:05nothing concrete, without a murder weapon, without eyewitnesses to the
- 20:09actual killings, and without DNA tying him to the bodies.
- 20:13He knows they can't hold.
- 20:14Speaker 2: Him, and the police know that if they arrest a
- 20:16national celebrity on purely circumstantial evidence, the backlash will destroy
- 20:20their careers.
- 20:21Speaker 1: They literally have to let him walk out the door,
- 20:24but doctor Geiger refuses to let it drop. The task
- 20:27force realizes they need hard science.
- 20:30Speaker 2: So they tracked down the vehicle Jeck was driving during
- 20:33his first year of freedom, which he had sold months earlier.
- 20:36Speaker 1: Which is a long shot. I mean, searching a car
- 20:38that has changed owners, been driven by someone else, and
- 20:41been vacuumed repeatedly is an active investigative desperation.
- 20:45Speaker 2: It is, but that desperation actually pays off. Deep in
- 20:48the upholstery, crime scene, technicians find a single hair fragment,
- 20:52just one.
- 20:53Speaker 1: Tiny piece of hair. They secure it and send it
- 20:56to the University of Berne in Switzerland, just hoping for
- 20:58a miracle.
- 21:00Speaker 2: To understand the magnitude of this, we really have to
- 21:02contextualize the science of the time. In the early nineties,
- 21:05forensic DNA analysis was in its infancy. Polymerase chain reaction
- 21:10or PCR testing, which allows scientists to amplify tiny amounts
- 21:13of DNA, was just becoming viable in criminal cases.
- 21:17Speaker 1: But you couldn't just use the shaft of the hair, right,
- 21:19You needed the root intact to extract cellular material exactly.
- 21:24Speaker 2: And miraculously, this tiny fragment had just enough of the
- 21:29root remaining. The lab technicians in Switzerland managed to extract
- 21:32a sequence compared against the DNA profiles of the victims,
- 21:36and they get a hit.
- 21:37Speaker 1: It matches Blanka Pakova from Prague.
- 21:39Speaker 2: Scientifically, it's a triumph. Legally though, it's still.
- 21:42Speaker 1: Problematic, right because a defense attorney will just look at
- 21:45that and say, well, my client admits to hiring sex workers.
- 21:48She was in his car. That proves she was a passenger,
- 21:51not that he dragged her into the woods and strangled her.
- 21:53Speaker 2: Precisely, the physical evidence proves proximity, which Jack already admitted to.
- 21:59It doesn't definitive murder, so.
- 22:01Speaker 1: Geiger pivots back to human intelligence. He sends officers into
- 22:05the red light districts with Jack's photo. They find several
- 22:09women who recognize him as a regular client.
- 22:11Speaker 2: And one detail keeps coming up with these women, They
- 22:14say Jack would always insist on binding their wrists with
- 22:17handcuffs during the encounter.
- 22:19Speaker 1: That behavioral quirk perfectly aligns with the faint specific bruising
- 22:23patterns found on the wrists of the victims during the autopsies.
- 22:27Speaker 2: Furthermore, they finally find a witness who places Jack at
- 22:30a crime scene. A woman remembers seeing Jack approach her
- 22:33friend hide Marie Hammerer on the night she vanished in Bregance.
- 22:37Speaker 1: She describes him clearly, and she specifically remembers he was
- 22:41wearing a distinct brown leather jacket.
- 22:43Speaker 2: So between the DNA and the car, the behavioral link
- 22:46of the handcuffs, and the eyewitness placing him with the
- 22:48first victim in the brown jacket, a judge finally grants
- 22:51the task Force a warrant to raid Jack's apartment.
- 22:54Speaker 1: They kick the door in, but the apartment is empty.
- 22:57Jack is realized the net is tightening and his vanished.
- 23:00Speaker 2: But he leaves something behind.
- 23:02Speaker 1: The forensic teams tear the place apart. They find the
- 23:05brown leather jacket hanging in a closet and they immediately
- 23:08bag it, hoping to find microscopic fibers that match the
- 23:12foreign fibers found on Heide Marie's body.
- 23:15Speaker 2: But as they are searching, a detective pulling apart the
- 23:18trash finds a crumpled piece of caper that blows the
- 23:20jurisdiction of this case wide open.
- 23:23Speaker 1: It's a faded receipt from a seafood restaurant, but it's
- 23:26not from Austria or Germany.
- 23:27Speaker 2: No, it's from Malibu, California.
- 23:29Speaker 1: Dated nine months prior. The task force realizes their highly intelligent,
- 23:34highly mobile serial killer had recently taken a transatlantic vacation.
- 23:39Speaker 2: This receipt forces a massive operational shift. Doctor Geiger realizes
- 23:43the Austrian police simply do not have the infrastructure, the databases,
- 23:47or the historical experience to track a transnational predator of
- 23:51this sophistication.
- 23:52Speaker 1: They need an agency that specializes in hunting serial killers.
- 23:55Speaker 2: So Geiger drives to the US Embassy in Vienna and
- 23:58secures a meeting with Julienne sliss Go, an FBI legal attache.
- 24:02Speaker 1: He spreads out the files, the crime scene photos and
- 24:05the psychological profile. Slisko takes one look at the sheer
- 24:09scale of the crimes and immediately establishes a secure line
- 24:12to the FBI's criminal profiling unit in Quantico, Virginia.
- 24:16Speaker 2: She connects the Austrians with special Agent Greg McCrary. Now,
- 24:19McCrary was a foundational figure in the behavioral science unit.
- 24:23Speaker 1: He had spent years interviewing incarcerated serial killers to understand
- 24:26their psychology.
- 24:27Speaker 2: Right yes, and had dedicated his career to applying that
- 24:30science to active investigations. So Geiger brief's McCrary and they
- 24:35agreed to send the evidence to Quantico for a full
- 24:37behavioral workup.
- 24:39Speaker 1: But when Geiger mentions the Malibu seafood receipt, Slisko immediately
- 24:43sends a high priority telex to the LAPD.
- 24:45Speaker 2: You have to picture the technology of the era here.
- 24:48There are no instant emails, no shared global cloud databases,
- 24:51just of tlex machine loudly printing out a coded message
- 24:55from an embassy in Vienna, landing on the desk of
- 24:58homicide detectives in Los Angeles.
- 25:00Speaker 1: And here's where it gets really interesting. That telex lands
- 25:03in front of LAPD Detective Fred Miller. He reads the
- 25:07summary from the Austrians. Multiple sex workers strangled with intimate apparel,
- 25:12bodies dumped in remote areas.
- 25:14Speaker 2: And Detective Miller realizes he is reading the exact operational
- 25:18blueprint of an unsolved string of murders that terrorized Los
- 25:21Angeles the previous summer.
- 25:22Speaker 1: For Miller and his partner Jim Harper, it's a seismic shock.
- 25:26They had been working their own local serial killer case
- 25:28for eight months, hitting dead end after dead end. Now
- 25:32a detective six thousand miles away is offering them their
- 25:34prime suspect.
- 25:35Speaker 2: The LAPD in the Austrian Task Force start frantically comparing timelines.
- 25:39They check flight manifests, rental car agreements, and hotel logs.
- 25:43Speaker 1: And they confirmed that Jack Underwigger arrived in Los Angeles
- 25:45in early June of nineteen ninety one and stayed until
- 25:48mid July.
- 25:49Speaker 2: And this is where the sheer, unadulterated psychopathy of Jack
- 25:53Underwager crystallizes. His behavior in Los Angeles defies beluff.
- 25:57Speaker 1: He checks into the Cecil Hotel right in the heart
- 25:59of downtown LA. Now consider his mindset. He is an
- 26:03active serial killer on a hunting trip in a foreign country.
- 26:07Does he skulk in the shadows.
- 26:09Speaker 2: No, he walks directly into the headquarters of the Los
- 26:12Angeles Police Department.
- 26:14Speaker 1: He goes to the public relations desk, flashes his international
- 26:17press credentials and requests to do a ride along in
- 26:20a patrol car.
- 26:21Speaker 2: It is the ultimate manifestation of hiding in plain sight.
- 26:25Speaker 1: He tells the desk sergeant. He's writing a comparative piece
- 26:27for a European magazine about the differences in how police
- 26:30handle street prostitution in America versus Europe. It's so calculated,
- 26:35he asks, can you show me the exact areas where
- 26:38the city sex workers operate? And the LAPD, completely unaware
- 26:42they are dealing with an Austrian monster, say sure.
- 26:45Speaker 2: Hop in They literally drive him through the most active
- 26:47red light districts in the city. If you are a
- 26:50predator and a sprawling, unfamiliar metropolis like Los Angeles, finding
- 26:54vulnerable populations can.
- 26:55Speaker 1: Be difficult, so he use the cops to do it
- 26:57for him.
- 26:58Speaker 2: Yes, Jack utilized the institutional authority of the police force
- 27:01to conduct his reconnaissance. He sat in a patrol car,
- 27:05protected by armed officers while they pointed out his hunting grounds.
- 27:08Speaker 1: It is a level of manipulation and brazenness that still
- 27:12stuns behavioral analysts today, and the timeline shows that almost
- 27:16immediately after this guided tour, women start dying in Los Angeles.
- 27:20Speaker 2: Yeah, The laped files detail three distinct victims that summer.
- 27:23Speaker 1: The first is Shannon Exley. She was twenty one years old.
- 27:26Last scene near seventh in Main Street, which is terrifyingly
- 27:30close to where Jack was staying at the Cecil Hotel.
- 27:32Speaker 2: On June twentieth, her body is discovered near a freeway
- 27:35exit ramp.
- 27:36Speaker 1: The crime scene is brutal. She's found completely new except
- 27:39for a T shirt and socks. She had been strangled
- 27:42to death using her own bra.
- 27:43Speaker 2: And forensic technicians noted drag marks indicating he killed her
- 27:47on the pavement and then dragged her body fifty feet
- 27:50to conceal it in the brush.
- 27:51Speaker 1: But the autopsy of Shannon Exley reveals a critical escalation
- 27:55in Jack's psychological pathology, doesn't it It.
- 27:57Speaker 2: Does, Unlike the European victims, the medical examiners in Los
- 28:01Angeles found biological evidence on her body. They recovered semen,
- 28:06so the impotence.
- 28:07Speaker 1: That drove the rage in Europe was no longer a factor.
- 28:10Speaker 2: It means the psychological triggers were evolving. It's highly complex
- 28:13because the DNA was mixed with several other profiles, which
- 28:16is common given her profession. But the prisence of Seamen
- 28:20linked to the timeline of the murder indicates that the
- 28:23extreme violence, the act of ligature strangulation itself was becoming
- 28:27eroticized for him.
- 28:28Speaker 1: So the line between control, rage and sexual release was blurring.
- 28:33Speaker 2: Exactly ten days later, the violence strikes again. Irene Rodriguez
- 28:37has found murdered hidden behind a parked tractor.
- 28:40Speaker 1: Trailer, again near Seventh in Maine, again strangled with her
- 28:44own bra.
- 28:44Speaker 2: And two weeks after that, Sherry Long is discovered near
- 28:46Malibu the exact same signature LAPD.
- 28:49Speaker 1: Detective Harper noted during the asopsy reviews that the ligature
- 28:52wasn't just a simple loop. The way the bras were
- 28:54tied around the victim's necks as was incredibly intricate, requiring time, focus,
- 28:59and specific mechanical process.
- 29:01Speaker 2: That detail about the notts becomes the lynchpin of the
- 29:04entire global investigation. In August of nineteen ninety two, doctor
- 29:09Geiger and the Austrian team fly to the FBI Academy
- 29:12in Quantico, bringing twelve heavy boxes of crime scene photos, autopsies,
- 29:16and reports.
- 29:17Speaker 1: When they sit down with FBI profiler Greg McCrary, he
- 29:20institutes a strict methodological rule blind profiling.
- 29:24Speaker 2: McCrary looks at the boxes and tells the Austrians do
- 29:27not show me the suspect file. Do not tell me
- 29:29his name, his background, or what he does for a living.
- 29:32Speaker 1: Why would an investigator actively refuse information about the prime suspect?
- 29:36I mean, doesn't more information usually help?
- 29:39Speaker 2: Because McCrary is applying the rigorous scientific method to behavioral analysis,
- 29:44human beings are deeply susceptible to confirmation bias.
- 29:47Speaker 1: Oh I see if McCrary reads of the suspect is
- 29:50a convicted murderer who had a traumatic childhood and is
- 29:53now a famous, arrogant writer, his brain will unconsciously start
- 29:57interpreting the crime scene photos to fit that specific narrative.
- 30:00Speaker 2: Exactly. By isolating himself from the suspect data, he ensures
- 30:03his behavioral deductions are derived purely from the objective evidence
- 30:06left at the scenes.
- 30:07Speaker 1: He spends a week locked in a room with just
- 30:10the victimology and the crime scene photos from two continents.
- 30:13He maps the behavior he's looking for, the signature right.
- 30:15Speaker 2: With the unnecessary ritualistic actions the killer takes to satisfy
- 30:19his psychological needs, which remain consistent regardless of the geography.
- 30:23Speaker 1: After his analysis, McCrary presents his profile to the task force.
- 30:27He deduces the offender as highly intelligent, mobile, and organized.
- 30:31He approaches victims surreptitiously, likely using a veneer of authority
- 30:36or charm.
- 30:37Speaker 2: Most importantly, he determines the killer is driven by an
- 30:40intense need to humiliate his victims to compensate for his
- 30:43own feelings of inadequacy, deliberately arranging their bodi's post mortem
- 30:48to exert total dominance.
- 30:50Speaker 1: When McCrae finishes, the Austrian psychologist Tom Muller just nods.
- 30:55The behavioral profile drawn from the blood and dirt of
- 30:57crime scenes perfectly describes the Paul celebrity journalist Jack Unterwager.
- 31:02Speaker 2: But in a court of law, a psychological profile is theoretical.
- 31:05A defense attorney can argue it's just an educated guess.
- 31:08Speaker 1: To secure a conviction that spans multiple jurisdictions, they need empirical,
- 31:13physical proof that links the crimes in California to the
- 31:17crimes in Europe.
- 31:18Speaker 2: And that's where things get complicated.
- 31:20Speaker 1: Wait, I'm stuck on the physical evidence aspect. The LAPD
- 31:23has victims strangled with bras the Austrians have victims strangled
- 31:27with pantihose. They're fundamentally different garments. How does a forensic
- 31:31scientist look at a bra in Los Angeles and definitively
- 31:35prove it was tied by the exact same hands that
- 31:38tied pantiose in Vienna? If I tie my shoes, it's
- 31:42just a loop. What makes a knot a verifiable signature?
- 31:46Speaker 2: That is where Lynn Harold, a brilliant criminalist with the
- 31:48Los Angeles Sheriff's Department, changed the course of the case.
- 31:51She specialized in trace evidence and knots okay. When she
- 31:55examined the ligatures from both continents, she realized the killer
- 31:58wasn't just tying a knot. He was engaging in a
- 32:00highly complex ritualistic dismantling and reconstruction of the garments.
- 32:05Speaker 1: Break down the biomechanics to what he was actually doing,
- 32:07because this is where the science gets terrifyingly precise.
- 32:10Speaker 2: Harold discovered that before the killer ever wrapped the garment
- 32:13around a neck, he physically altered it with the bros
- 32:16in Los Angeles. He didn't use the cups or the
- 32:19straps as they were. He meticulously stripped the elastic banding
- 32:22off the garment, and he always stripped it exclusively from
- 32:25the left side.
- 32:26Speaker 1: He used that removed strip of elastic to create a
- 32:29primary cord. Okay, but pantehose in Europe don't have that
- 32:32kind of thick elastic banding, So how does a mechanic translate.
- 32:35Speaker 2: That's the genius of Harold's discovery. In Europe, faced with
- 32:39a different material, the killer adapted to achieve the exact
- 32:43same mechanical result. He would take one leg of the pantyhose,
- 32:46fold it back entirely upon itself to create a third
- 32:50distinct segment of material.
- 32:52Speaker 1: Wow.
- 32:52Speaker 2: He would then use those three segments to weave a
- 32:54complex multi strand braid, essentially manufacturing a heavy rope out
- 32:59of thin nylon.
- 33:00Speaker 1: So, whether he is stripping elastic from a bra or
- 33:02double backing panty hose, he is engaging in a highly
- 33:05specific manufacturing process before he even ties.
- 33:08Speaker 2: The knot exactly, and the final knot used to secure
- 33:11the ligature was identical in its complex architecture across all
- 33:15the victims.
- 33:16Speaker 1: So it's not just a knot, it's a whole process, right.
- 33:18Speaker 2: Harold presented this to the FBI, explaining the statistical probability
- 33:22if you take three random murderers and hand them a
- 33:25piece of clothing to strangle someone. The mathematical odds that
- 33:29all three of them would independently invent this exact multi
- 33:32step process of stripping, braiding, and tying is functionally zero.
- 33:37It is a behavioral fingerprint.
- 33:40Speaker 1: Armed with this forensic certainty, the FBI turns to their
- 33:43technological heavy artillery. They input the intricate details of the knots,
- 33:47the victim profiles, and the staging into.
- 33:50Speaker 2: VCaP, the Violent Criminal Apprehension Program. By nineteen ninety two,
- 33:55VCaP was an advanced centralized database designed to identify serial
- 33:59crime patterns across disparate jurisdictions.
- 34:01Speaker 1: They don't just search for strangulation, They run an algorithmic
- 34:04query utilizing fifteen distinct cross criteria in putting everything from
- 34:09the specific knots to the missing biological evidence and the
- 34:12geographic proximity to water.
- 34:13Speaker 2: The VCaP computers churn through thousands of national and international records,
- 34:17and forty eight hours later, the database produces a definitive link.
- 34:21Speaker 1: It statistically correlates all eleven unsolved homicides across Czechoslovakia, Austria,
- 34:26and California as the work of a single serial offender.
- 34:30Speaker 2: McCrear takes the ViCAP output and physically overlays Jack Unterwegger's
- 34:33known travel itinerary on top of the murder timeline. Every
- 34:37single data point aligns perfectly.
- 34:39Speaker 1: Jack is in Prague, a woman is braided with stockings.
- 34:42Jack is in Los Angeles. Three women are stripped of
- 34:45elastic and tide. As McCrary told the task force, either
- 34:48Jack Untererwegger is the most astronomically unlucky tourist in human history,
- 34:53or he is the killer.
- 34:54Speaker 2: The FBI had provided the Austrian authorities with the scientific
- 34:57and statistical armour they needed ediately secure an international arrest.
- 35:02Speaker 1: Warrant, but Jack, having fled his apartment before the raid,
- 35:05is now a fugitive and he hasn't run alone. He
- 35:08used his immense charm to convince an eighteen year old
- 35:11waitress named Bianca Morac to go on the run with him.
- 35:14Speaker 2: She was dazzled by his celebrity, and he told her
- 35:16they were just escaping the oppressive media attention. They flee
- 35:19across borders, moving from Europe to North America.
- 35:22Speaker 1: But even while actively hunted by international law enforcement, Jack's
- 35:26narcissism compels him to keep playing games with the public.
- 35:30Speaker 2: He's incredibly arrogant. While hiding out in Paris, he actually
- 35:34calls into live Austrian television talk shows.
- 35:37Speaker 1: He's doing phone interviews as a fugitive, utilizing those Darvu
- 35:41tactics again. He tells the hosts, I am innocent. I
- 35:45am fleeing because the incompetent police are trying to frame
- 35:48me to cover up their own failures.
- 35:50Speaker 2: He is attempting to negotiate the terms of his surrender
- 35:53on live television. He tells them he will return and cooperate,
- 35:56but only if they publicly retract the arrest warrant.
- 35:59Speaker 1: First genuinely believes his intellect and his fame are powerful
- 36:03enough to force the government to bend to his rules.
- 36:06Speaker 2: That the FBI and the Austrians aren't playing as media game.
- 36:09They focus on the logistics of a fugitive on the run.
- 36:12Doctor Geiger realizes that an eighteen year old girl traveling
- 36:15with the wanted man is going to get homesick or
- 36:17at least need resources, so.
- 36:19Speaker 1: He visits Bianca's mother and applies immense psychological pressure.
- 36:23Speaker 2: He lays out exactly what Jack is capable of, convincing
- 36:26the mother that her daughter is traveling with a monster.
- 36:30The mother breaks and admits that the couple has been
- 36:32wiring her for money.
- 36:33Speaker 1: They had moved from Paris to New York, and the
- 36:36most recent request for funds came from Florida.
- 36:38Speaker 2: Geiger tells the mother to cooperate the moment they call again.
- 36:42A few days later, Jack calls asking for cash to
- 36:44be wired to a specific Western Union in Miami.
- 36:47Speaker 1: The mother immediately alerts the task force. When Jack and
- 36:50Miaka pull up to the Western Union to collect the
- 36:52wire transfer, a tactical team of US marshals swarms the vehicle.
- 36:56Speaker 2: They rip Jack from the car and his international reign
- 36:59of time herror ends on a sweltering Miami pavement.
- 37:03Speaker 1: But capturing him creates an immediate, highly complex legal standoff.
- 37:08He is sitting in a Florida jail cell. The state
- 37:10of California desperately wants to prosecute him for the three
- 37:13LAPD murders.
- 37:14Speaker 2: The nation of Austria, whose laws allow them to try
- 37:17their citizens for crimes committed anywhere globally, demands his extradition
- 37:21for the bulk of the killings.
- 37:22Speaker 1: Jack realizes he has an opportunity here. He can hire
- 37:26lawyers to fight the extradition process, tying up the American
- 37:29and Austrian legal systems for years, keeping himself in the
- 37:32spotlight while safely sitting in a cell.
- 37:35Speaker 2: The LAPD recognizes this strategy and detectives. Miller and Harper
- 37:39decide to deploy a brutal, highly effective psychological tactic. They
- 37:44travel to Miami and walk into the interrogation room with Jack.
- 37:47Speaker 1: They understand they are dealing with a malignant narcissist. Narcissists
- 37:51do not feel guilt for others, but they possess an
- 37:54overwhelming sense of self preservation.
- 37:56Speaker 2: They value their own existence above everything else.
- 38:00Speaker 1: Detected to sit down and tell Jack, if you fight extradition,
- 38:02you will stay in our jurisdiction. We will try you
- 38:04in California for three counts of premeditated murder. We will
- 38:07convict you, and when we do, the State of California
- 38:10will put you in the gas chamber.
- 38:11Speaker 2: They target his absolute, deepest fear, determination of his own life.
- 38:15The threat of the death penalty shatters his composure entirely.
- 38:19Speaker 1: He immediately signs the deportation papers, waving his rights to
- 38:23fight extradition. He agrees to be sent back to Austria.
- 38:26Fully aware that the absolute maximum penalty under Austrian law
- 38:31is a life sentence.
- 38:32Speaker 2: He calculates that he can survive in Austrian prison, perhaps
- 38:35even write another book, and charm his way out a
- 38:37second time.
- 38:37Speaker 1: He arrives back in Vienna to face a massive eleven
- 38:40count murder indictment. The trial begins in the city of
- 38:43Graz in nineteen ninety four, and it is a media
- 38:46spectacle on a scale Austria had rarely seen LAPD.
- 38:49Speaker 2: Detective Harper, who flew over to provide testimony, later compared
- 38:53the atmosphere to the Oj Simpson trial in America. The
- 38:56courthouse was besieged by international press.
- 38:58Speaker 1: And incredibly back still had factions of the cultural elite
- 39:02loudly defending him. Convinced this was a massive state conspiracy
- 39:05against a rehabilitated artist.
- 39:07Speaker 2: The prosecution faced a monumental challenge. The Austrian legal system
- 39:11utilizes a three judge tribunal for cases of this magnitude,
- 39:15and despite the incredible investigative work, the prosecution's physical evidence
- 39:19was still remarkably thin.
- 39:20Speaker 1: They had the single hair route matching Blanca Bokova from
- 39:23the sold car. They had the microscopic fibers on Jack's
- 39:27leather jacket matching hydebury hammer and they had this seaman
- 39:31recovered from Shannon Exley in Los Angeles, which Jack's defense
- 39:35team aggressively attacked because of part of a mixed DNA sample.
- 39:38Speaker 2: To convict him on the remaining eight murders, the prosecution
- 39:41had to rely almost entirely on the behavioral and forensic
- 39:44analysis compiled by the FBI and the LAPD.
- 39:47Speaker 1: FBI agent Greg and Crarry takes the stand and delivers
- 39:51a master class in behavioral profiling to the tribunal. He
- 39:54meticulously walks the judges through the signature of the crimes.
- 39:57Speaker 2: He explains the psychological mechanism of Bitts driving the rage,
- 40:01the behavioral linkage of the handcuffs, and the deliberate post
- 40:04mortem humiliation of the bodies.
- 40:06Speaker 1: But the pivotal moment of the trial is the testimony
- 40:08regarding the knots. Lynn Herald's analysis is presented to the court,
- 40:12detailing the intricate biomechanics of stripping the elastic and double
- 40:16backing the nylon.
- 40:18Speaker 2: Jack's defense team tries to shred this argument. They stand
- 40:21up and argue that you cannot compare American bras to
- 40:24European pantyhose. They claim the garments are fundamentally different, so
- 40:28the crimes must be unrelated.
- 40:30Speaker 1: But the prosecution, backed by the scientific data, systematically dismantled
- 40:35the defense. They demonstrated that the varying materials actually proved
- 40:40the behavioral link.
- 40:41Speaker 2: The killer was so committed to his specific ritualistic manufacturing
- 40:45process that he forced different materials to conform to his methodology.
- 40:50Speaker 1: They presented the statistical probability that two different men on
- 40:54two different continents independently invented this exact method of ligature construction,
- 41:00moving to the judges that the odds were astronomically impossible.
- 41:03Speaker 2: The trial grinds on for two and a half months. Finally,
- 41:06on June twenty eighth, nineteen ninety four, the tribunal reaches
- 41:09a decision.
- 41:10Speaker 1: They find Jack Underwigger guilty of nine counts of murder.
- 41:13The remaining two victims were simply too decomposed to establish
- 41:16the necessary forensic links beyond a reasonable doubt.
- 41:20Speaker 2: The verdict carries a mandatory life sentence with zero possibility.
- 41:23Speaker 1: Of parole, which brings us back to the chilling promise
- 41:27Jack made to the cameras when he was released in
- 41:29nineteen ninety. He swore to the world that he would
- 41:32never spend another minute of his life locked.
- 41:34Speaker 2: In a cage, and he didn't.
- 41:36Speaker 1: That very night after the verdict was handed down, Jack
- 41:40is placed in his cell. By morning, the guards find
- 41:43him dead. But it's the specific mechanics of his suicide
- 41:48that provide the final horrifying insight into his mind.
- 41:51Speaker 2: He didn't just hang himself.
- 41:52Speaker 1: He took the draw string from his prison uniform pants,
- 41:55meticulously stripped the nile on a part, and wove a
- 41:58complex ligature. He is the exact same intricate knot that
- 42:01he had used to strangle his victims to end his
- 42:03own life.
- 42:04Speaker 2: If we connect this to the bigger picture, we have
- 42:07to look at the psychology of this final act. When
- 42:09a normal person contemplates suicide in prison, it is often
- 42:12driven by a crushing weight of remorse, guilt over the
- 42:15pain they've caused, or a deep depression regarding their future.
- 42:18Speaker 1: So was this Jack finally feeling the weight of nine murders.
- 42:21Speaker 2: Absolutely not. For a psychopathic narcissist like Jack Unterwager, remorse
- 42:26does not exist. His suicide was an act of supreme defiance.
- 42:30Speaker 1: He had spent his entire life manipulating the world to
- 42:33maintain absolute control.
- 42:35Speaker 2: The guilty verdict meant the state was finally taking that
- 42:38control away. They were going to dictate when he ate,
- 42:40when he slept, and how he lived for the rest
- 42:43of his natural life.
- 42:44Speaker 1: So the suicide was a way to steal the narrative back.
- 42:47Speaker 2: It was the ultimate assertion of dominance. By utilizing his
- 42:50own murderous signature to end his life, he was sending
- 42:52a final mocking message to the authorities. He was telling them,
- 42:57you didn't defeat me. The justice system didn't kill me.
- 43:00I am the only one with the power to decide
- 43:02how my story ends.
- 43:04Speaker 1: He retained total control over his fate until the very
- 43:07last second. It is an incredibly dark conclusion to a
- 43:11story that fundamentally altered how international law enforcement operates.
- 43:15Speaker 2: The legacy of Jack Unterwigger is that he violently forced
- 43:18European authorities out of their isolated jurisdictional silos. He proved
- 43:22that a sophisticated serial killer is not a uniquely American phenomenon,
- 43:27and that geographic borders offer zero protection against a mobile predator.
- 43:31Speaker 1: In the aftermath of this case, European agencies rapidly modernized.
- 43:35They heavily adopted the FBI's behavioral profiling methodologies and began
- 43:39constructing centralized, interconnected databases modeled directly on VCaP to track
- 43:45complex crimes across the continent.
- 43:47Speaker 2: They realize that in a modernized world, law enforcement agencies
- 43:50have to talk to each other or predators will slip
- 43:52right through the gaps in the system.
- 43:54Speaker 1: But what does this mean for you listening right now?
- 43:57We've talked extensively about how society gets conned, and while
- 44:00you will likely never cross paths with a transnational serial killer,
- 44:03the underlying vulnerability remains relevant every single day.
- 44:07Speaker 2: Jack Underwager weaponized a society's highest ideals, their capacity for forgiveness,
- 44:13their love of art, their desire for redemption, and use
- 44:16them as a shield to commit atrocities.
- 44:18Speaker 1: It leaves us with a critical lasting thought to examine.
- 44:21In today's hyper connected digital world, physical borders are practically irrelevant,
- 44:26and it is easier than ever to manufacture a flawless
- 44:28public persona. We've spent decades building massive CONFLX databases to
- 44:32track the physical movements of dangerous people.
- 44:35Speaker 2: But have we developed any psychological defenses against the charm
- 44:39and the carefully crafted narratives they use to walk right
- 44:42through our front doors.
- 44:43Speaker 1: It's a reminder that true vigilance requires looking past the
- 44:46polished story and examining the cold, hard mechanics of a
- 44:50person's behavior. Something to carefully consider the next time you
- 44:53find yourself captivated by a perfect redemption story on your screen.
- 44:57Thank you for joining us on this deep dive into
- 44:59the source material. Stay curious, keep questioning the narratives around you,
- 45:03and will see you next time.