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Planes, Trains & Holiday Chaos
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A burned car on the shoulder, a vibrating motel bed, and a rental counter conversation that could strip paint—sometimes the road to Thanksgiving dinner looks nothing like the postcard. We break down why Planes, Trains and Automobiles still hits so hard: the slapstick lands, the script never coasts, and the final reveal reframes every laugh that came before it.
We start with the craft behind the chaos. John Hughes trades teen angst for adult anxiety, building a tight sequence of travel fails that always serve character. Steve Martin’s Neil Page is precision‑wound…
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